As the twilight gathered under the plane trees my vision became more mixed and morbid, and I hardly knew if the picture I saw was the picture in the Dulwich Gallery or the exquisite picture in the Louvre, "Une Assemblee dans la Parc." We all know that picture, the gallants and the ladies by the water-side, and the blue evening showing through the tall trees. The picture before me was like that picture, only the placing of the trees and the slope of the greensward did not admit of so extended a composition. A rough tree-trunk, from which a great branch had been broken or lopped off, stood out suddenly in very nineteenth-century naturalness, awaking the ghost of a picture which I recognised at once as Corot. Behind the tree a tender, evanescent sky, pure and transparent as the very heart of a flower, rose up, filling the park with romance, and as the sunset drooped upon the water, my soul said, "The Lake!" Ah, the pensive shadow that falls from the hills on either side of "The Lake," leaving the middle of the picture suffused with a long stream of light, narrowing as it approached the low horizon. But the line of the trees on the hither side of this London lake was heavier than the spiritual trees in the picture entitled "By the Water-side," and there was not anywhere the beauty of the broken birch that leans over the lake in "Le Lac de Garde." Then I thought of "The Ravine," for the darkening island reminded me of the hillside in the picture. But the St. James's Park sky lacked the refined concentration of light in "The Ravine," so beautifully placed, low down in the picture, behind some dark branches jutting from the right. The difference between Nature and Corot is as great as the difference between a true and a false Corot. Not that there is anything untrue in Nature, only Nature lacks humanity—self! Therefore not quite so interesting as a good Corot.

So did I chatter to myself as I walked toward the bridge, that dear bridge, thrown straight as a plank across the lake, with numerous water-fowl collected there, a black swan driving the ducks about, snatching more than his due share of bread, and little children staring stolidly, afraid of the swan, and constantly reproved by their mothers for reasons which must always seem obscure to the bachelor. A little breeze was blowing, and the ducks bobbed like corks in the waves, keeping themselves in place with graceful side-strokes of their webbed feet. Sometimes the ducks rose from the water and flew round the trees by Queen Anne's Mansions, or they fled down the lake with outstretched necks like ducks on a Japanese fan, dropping at last into the water by the darkening island, leaving long silver lines, which the night instantly obliterated.

An impression of passing away, of the effacement of individual life. One sighs, remembering that it is even so, that life passes, sunrise after sunrise, moonlight upon moonlight, evening upon evening, and we like May-flies on the surface of a stream, no more than they for all our poets and priests.

The clock struck seven, reminding me of the dinner-hour, reminding me that I should have to dine alone that evening. To avoid dining alone I should not have lingered in St. James's Park, but if I had not lingered I should have missed an exquisite hour of meditation, and meditations are as necessary to me as absinthe to the absinthe-drinker. Only some little incident was wanting—a meeting with one whom one has not seen for a long time, a man or a woman, it would not matter which, a peg whereon to hang the description of the dusk among the trees, but I had met no friend in the Park. But one appeared on the threshold of St. James's Street. There I met a young man, a painter, one whose pictures interested me sometimes, and we went to a restaurant to talk art.

"After dinner," I said, "we will get the best cigars and walk about the circus. Every Sunday night it is crowded; we shall see the women hurrying to and fro on love's quest. The warm night will bring them all out in white dresses, and a white dress in the moonlight is an enchantment. Don't you like the feather boas reaching almost to the ground? I do. Lights-o'-love going about their business interest me extraordinarily, for they and the tinkers and gipsies are the last that remain of the old world when outlawry was common. Now we are all socialists, more or less occupied with the performance of duties which obtain every one's approval. Methinks it is a relief to know that somebody lives out of society. I like all this London, this midnight London, when the round moon rises above the gracious line of Regent Street, and flaming Jupiter soars like a hawk, following some quest of his own. We on our little, he on his greater quest."

* * * * *

The night was hot and breathless, like a fume, and upon a great silken sky the circular and sonorous street circled like an amphitheatre.... I threw open my light overcoat, and, seizing the arm of my friend, I said:

"He reminds me of a Turk lying amid houris. The gnawing, creeping sensualities of his phrase—his one phrase—how descriptive it is of the form and whiteness of a shoulder, the supple fulness of the arm's muscle, the brightness of eyes increased by kohl! Scent is burning on silver dishes, and through the fumes appear the subdued colours of embroidered stuffs and the inscrutable traceries of bronze lamps. Or, maybe, the scene passes on a terrace overlooking a dark river. Behind the domes and minarets a yellow moon dreams like an odalisque, her hand on the circle of her breast; and through the torrid silence of the garden, through the odour of over-ripe fruit and the falling sound thereof, comes the melancholy warble of a fountain. Or is it the sorrow of lilies rising through the languid air to the sky? The night is blue and breathless; the spasms of the lightning are intermittent among the minarets and the domes; the hot, fierce fever of the garden waxes in the almond scent of peaches and the white odalisques advancing, sleek oracles of mood.... He reminds me of the dark-eyed Bohemian who comes into a tavern silently, and, standing in a corner, plays long, wild, ravishing strains. I see him not, I hardly hear him; my thoughts are far away; my soul slumbers, desiring nothing. I care not to lift my head. Why should I break the spell of my meditations? But I feel that his dark eyes are fixed upon me, and little by little, in spite of my will, my senses awake; a strange germination is in progress within me; thoughts and desires that I dread, of whose existence in myself I was not aware, whose existence in myself I would fain deny, come swiftly and come slowly, and settle and absorb and become part of me.... Fear is upon me, but I may not pause; I am hurried on; repudiation is impossible, supplication and the wringing of hands are vain; God has abandoned me; my worst nature is uppermost. I see it floating up from the depths of my being, a viscous scum. But I can do nothing to check or control.... God has abandoned me.... I am the prey to that dark, sensual-eyed Bohemian and his abominable fiddle; and seizing my bank-notes, my gold and my silver, I throw him all I have. I bid him cease, and fall back exhausted. Give me "The Ring," give me "The Ring." Its cloud palaces, its sea-caves and forests, and the animality therein, its giants and dwarfs and sirens, its mankind and its godkind—surely it is nearer to life! Or go into the meadows with Beethoven, and listen to the lark and the blackbird! We are nearer life lying by a shady brook, hearing the quail in the meadows and the yellow-hammer in the thicket, than we are now, under this oppressive sky. This street is like Klinsor's garden; here, too, are flower-maidens—patchouli, jessamine, violet. Here is the languorous atmosphere of "Parsifal." Come, let us go; let us seek the country, the moon-haunted dells we shall see through Piccadilly railings. Have you ever stood in the dip of Piccadilly and watched the moonlight among the trees, and imagined a comedy by Wycherley acted there, a goodly company of gallants and fine ladies seated under the trees watching it? Every one has come there in painted sedan-chairs; the bearers are gathered together at a little distance."

"My dear friend, you're talking so much that you don't see those who are passing us. That girl, she who has just turned to look back, favours heliotrope; it is delicious still upon the air; she is as pretty a girl as any that ever came in a sedan-chair to see a comedy by Wycherley. The comedy varies very little: it is always the same comedy, and it is always interesting. The circus in a sultry summer night under a full moon is very like Klinsor's garden. Come, if you be not Parsifal."



CHAPTER XIII

RESURGAM

I was in London when my brother wrote telling me that mother was ill. She was not in any immediate danger, he said, but if a change for the worse were to take place, and it were necessary for me to come over, he would send a telegram. A few hours after a telegram was handed to me. It contained four words: "Come at once.—Maurice." "So mother is dying," I muttered to myself, and I stood at gaze, foreseeing myself taken into her room by a nurse and given a chair by the bedside, foreseeing a hand lying outside the bed which I should have to hold until I heard the death-rattle and saw her face become quiet for ever.

This was my first vision, but in the midst of my packing, I remembered that mother might linger for days. The dear friend who lies in the church-yard under the downs lingered for weeks; every day her husband and her children saw her dying under their eyes: why should not this misfortune be mine? I know not to what God, but I prayed all night in the train, and on board the boat; I got into the train at the Broadstone praying. It is impossible, at least for me, to find words to express adequately the agony of mind I endured on that journey. Words can only hint at it, but I think that any one possessed of any experience of life, or who has any gift of imagination, will be able to guess at the terror that haunted me—terror of what?—not so much that my mother might die, nor hope that she might live, but just that I might arrive in time to see her die. In this confession I am afraid I shall seem hard and selfish to some; that will be because many people lack imagination, or the leisure to try to understand that there are not only many degrees of sensibility, but many kinds, and it is doubtful if any reader can say with truth any more than that my sensibility is not his or hers. It is my privilege to be sympathetic with ideas I do not share, and in certain moods I approach those who take a sad pleasure in last words, good-byes, and at looking on the dead. In my present mood it seems to me that it is not unlikely that my mother's last good-bye and her death appeared to me more awful in imagination than it would have ever done in reality. Indeed, there can be hardly any doubt that this is so, for we are only half-conscious of what is happening. Reality clouds, our actions mitigate, our perception; we can see clearly only when we look back or forwards. There is something very merciful about reality; if there were not, we should not be able to live at all.

But to the journey. How shall I tell it? The third part must have been the most painful, so clearly do I remember it: the curious agony of mind caused by a sudden recognition of objects long forgotten—a tree or a bit of bog-land. The familiar country, evocative of a great part of my childhood, carried my thoughts hither and thither. My thoughts ranged like the swallows; the birds had no doubt just arrived, and in swift elliptical flights they hunted for gnats along the banks of the old weedy canal. That weedy canal along which the train travelled took my thoughts back to the very beginning of my life, when I stood at the carriage window and plagued my father and mother with questions regarding the life of the barges passing up and down. And it was the sudden awakenings from these memories that were so terrible—the sudden thrust of the thought that I was going westward to see my mother die, and that nothing could save her from death or me from seeing her die. Perhaps to find one's self suddenly deprived of all will is the greatest suffering of all. How many times did I say to myself, "Nothing can save me unless I get out at the next station," and I imagined myself taking a car and driving away through the country! But if I did such a thing I should be looked upon as a madman. "One is bound on a wheel," I muttered, and I began to think how men under sentence of death must often wonder why they were selected especially for such a fate, and the mystery, the riddle of it all, must be perhaps the greatest part of their pain.

The morning was one of the most beautiful I had ever seen, and I used to catch myself thinking out a picturesque expression to describe it. It seemed to me that the earth might be compared to an egg, it looked so warm under the white sky, and the sky was as soft as the breast feathers of a dove. This sudden bow-wowing of the literary skeleton made me feel that I wanted to kick myself. Nature has forgotten to provide us with a third leg whereby we may revenge ourselves on instincts that we cannot control. A moment afterward I found myself plunged in reflections regarding the impossibility of keeping one's thoughts fixed on any one subject for any considerable length of time. At the end of these reflections I fell back, wondering, again asking if I were really destined to watch by my mother's death-bed. That day I seemed to become a sheer mentality, a sort of buzz of thought, and I could think of myself only as of a fly climbing a glass dome. It seemed to me that I was like a fly climbing and falling back, buzzing, and climbing again. "Never," I said to myself, "have I been more than a fly buzzing in a glass dome. And, good Lord, who made the glass dome?" How often did I ask myself that question, and why it was made, and if it were going to endure for ever!

In such sore perplexity of mind questions from anybody would be intolerable, and I shrank back into the corner of the carriage whenever a passer-by reminded me, however vaguely, of anybody I had ever known; the mental strain increased mile after mile, for the names of the stations grew more familiar. I began to try to remember how many there were before we arrived at Claremorris, the station at which I was going to get out. Half an hour afterward the train slackened, the porter cried out "Ballyhaunis." The next would be Claremorris, and I watched every field, foreseeing the long road, myself on one side of the car, the driver on the other; a two hours' drive in silence or in talk—in talk, for I should have to tell him my errand.... He might be able to tell me about my mother, if the news of her illness had got as far as Claremorris. At the public-house where I went to get a car I made inquiries, but nothing was known. My mother must have fallen ill suddenly—of what? I had not heard she was ailing; I did not remember her ever to have been ill. At that moment some trees reminded me that we were close to Ballyglass, and my thoughts wandered away to the long road on the other side of the hill, and I saw there (for do we not often see things in memory as plainly as if they were before us?) the two cream-coloured ponies, Ivory and Primrose, she used to drive, and the phaeton, and myself in it, a little child in frocks, anxious, above all things, to see the mail-coach go by. A great sight it was to see it go by with mail-bags and luggage, the guard blowing a horn, the horses trotting splendidly, the lengthy reins swinging, and the driver, his head leaned a little on one side to save his hat from being blown away—he used to wear a grey beaver hat. The great event of that time was the day that we went to Ballyglass, not to see the coach go by, but to get into it, for in those days the railway stopped at Athenry. And that was the day I saw the canal, and heard with astonishment that there was a time long ago, no doubt in my father's youth, when people used to go to Dublin in a barge. Those memories were like a stupor, and awaking suddenly I saw that more than two and a half miles lay between me and my mother. In half an hour more I should know whether she were alive or dead, and I watched the horse trotting, interested in his shambling gait, or not at all interested in it—I do not know which. On occasions of great nervous tension one observes everything.... Everything I remembered best appeared with mechanical regularity; now it was a wood, a while afterward somebody's farmyard, later on a line of cottages, another wood, one of my own gate lodges. An old sawyer lived in it now—looking after it for me; and I hoped that the wheels of the car would not bring him out, for it would distress me to see him. The firs in the low-lying land had grown a little within the last thirty years, but not much. We came to the bridge; we left it behind us; the gate lodge and the drive from it; the plantation that I knew so well, the lilac bushes, the laburnums —good Heavens! How terrible was all this resurrection! Mists hide the mountains from us, the present hides the past; but there are times when the present does not exist at all, when every mist is cleared away, and the past confronts us in naked outline, and that perhaps is why it is so painful to me to return home. The little hill at the beginning of the drive is but a little hill, but to me it is much more, so intimately is it associated with all the pains and troubles of childhood. All this park was once a fairyland to me; now it is but a thin reality, a book which I have read, and the very thought of which bores me, so well do I know it. There is the lilac bush! I used to go there with my mother thirty years ago at this time of year, and we used to come home with our hands full of bloom. Two more turnings and we should be within sight of the house! This is how men feel when condemned to death. I am sure of it. At the last hill the driver allowed his horse to fall into a walk, but I begged of him to drive on the horse, for I saw some peasants about the steps of the hall door; they were waiting, no doubt, for news, or perhaps they had news. "We have bad news for you," they cried in the wailing tones of the West.

"Not altogether bad news," I said to myself; "my mother is dead, but I have been saved the useless pain, the torture of spirit, I should have endured if I had arrived in time." China roses used to grow over the railings; very few blooms were left. I noticed just a few as I ran up the high steps, asking myself why I could not put the past behind me. If ever there was a time to live in the present this was one; but never was the present further from me and the past clearer than when I opened the hall door and stood in the hall paved with grey stones and painted grey and blue. Three generations had played there; in that corner I had learned to spin my first top, and I had kept on trying, showing a perseverance that amazed my father. He said, "If he will show as much perseverance in other things as he does in the spinning of a top, he will not fail." He used to catch me trying and trying to spin that top when he came downstairs on his way to the stables to see his beloved racehorses; that is the very chair on which he used to put his hat and gloves. In those days tall hats were worn in the country, and it was the business of his valet to keep them well brushed. How the little old man used to watch me, objecting in a way to my spinning my top in the hall, fearful lest I should overturn the chair on which the hat stood: sometimes that did happen, and then, oh dear!

In search of some one I opened the drawing-room door. My sister was there, and I found her on a sofa weeping for our mother, who had died that morning. We are so constituted that we demand outward signs of our emotions, especially of grief; we are doubtful of its genuineness unless it is accompanied by sighs and tears; and that, I suppose, is why my sister's tears were welcomed by me, for, truth to tell, I was a little shocked at my own insensibility. This was stupid of me, for I knew through experience that we do not begin to suffer immediately after the accident; everything takes time, grief as well as pain. But in a moment so awful as the one I am describing one does not reflect; one falls back on the convention that grief and tears are inseparable as fire and smoke. If I could not weep it were well that my sister could, and I accepted her tears as a tribute paid to our mother's goodness—a goodness which never failed, for it was instinctive. It even seemed to me a pity that Nina had to dry her eyes so that she might tell me the sad facts—when mother died, of her illness, and the specialist that had not arrived in time. I learned that some one had blundered—not that that mattered much, for mother would not have submitted to an operation.

While listening to her, I unwittingly remembered how we used to talk of the dear woman whose funeral I described in the pages entitled "A Remembrance." We used to talk, her daughters and her son and her husband and I, of her who was dying upstairs. We were greatly moved—I at least appreciated my love of her—yet our talk would drift from her suddenly, and we would speak of indifferent things, or maybe the butler would arrive to tell us lunch was ready. How these incidents jar our finer feelings! They seem to degrade life, and to such a point that we are ashamed of living, and are tempted to regard life itself as a disgrace.

I foresaw that the same interruptions, the same devagations, would happen among ourselves in the square Georgian house standing on a hill-top overlooking a long winding lake, as had happened among my friends in the Italian house under the downs amid bunches of evergreen oaks. Nor had I to wait long for one of these unhappy devagations. My sister had to tell me who was staying in the house: an aunt was there, my mother's sister, and an uncle, my mother's brother, was coming over next day. It is easy to guess how the very mention of these names beguiled us from what should be the subject of our thought. And the room itself supplied plenty of distractions: all the old furniture, the colour of the walls, the very atmosphere of the room took my thought back to my childhood. The sofa on which my sister was sitting had been broken years ago, and I unwittingly remembered how it had been broken. It had been taken away to a lumber-room; somebody had had it mended. I began to wonder who had done this—mother, most likely; she looked after every thing. I have said that I had just arrived after a long journey. I had eaten nothing since the night before. My sister spoke of lunch and we went into the dining-room, and in the middle of the meal my brother came in looking so very solemn that I began to wonder if he had assumed the expression he thought appropriate to the occasion—I mean if he had involuntarily exaggerated the expression of grief he would naturally wear. We are so constituted that the true and the false overlap each other, and so subtly that no analysis can determine where one ends and the other begins. I remembered how the relatives and the friends on the day of the funeral in Sussex arrived, each one with a very grave face, perchance interrupting us in the middle of some trivial conversation; if so, we instantly became grave and talked of the dead woman sympathetically for a few minutes; then on the first opportunity, and with a feeling of relief, we began to talk of indifferent things; and with every fresh arrival the comedy was re-acted. Returning from the past to the present, I listened to my brother, who was speaking of the blunder that had been made: how a wrong doctor had come down owing to—the fault was laid upon somebody, no matter upon whom; the subject was a painful one and might well have been dropped, but he did not dare to talk of anything but our mother, and we all strove to carry on the conversation as long as possible. But my brother and I had not seen each other for years; he had come back from India after a long absence. Nor, I think, had I seen my sister since she was married, and that was a long while ago; she had had children; I had not seen her before in middle age. We were anxious to ask each other questions, to hear each other's news, and we were anxious to see the landscape that we had not seen, at least not together, for many years; and I remember how we were tempted out of the house by the soft sunlight floating on the lawn. The same gentle day full of mist and sunlight that I had watched since early morning had been prolonged, and the evening differed hardly from the morning; the exaltation in the air was a little more intense. My mother died certainly on the most beautiful day I had ever seen, the most winsome, the most white, the most wanton, as full of love as a girl in a lane who stops to gather a spray of hawthorn. How many times, like many another, did I wonder why death should have come to any one on such a bridal-like day. That we should expect Nature to prepare a decoration in accordance with our moods is part of the old savagery. Through reason we know that Nature cares for us not at all, that our sufferings concern her not in the least, but our instincts conform to the time when the sun stood still and angels were about. It was impossible for us not to wonder why the black shadow of death should have fallen across the white radiant day. I say "us," for my brother no doubt pondered the coincidence, though he did not speak his thoughts to me. No one dares to speak such thoughts; they are the foolish substance of ourselves which we try to conceal from others, forgetting that we are all alike. The day moved slowly from afternoon to evening, like a bride hidden within a white veil, her hands and her veil filled with white blossom; but a black bird, tiny like a humming-bird, had perched upon a bunch of blossom, and I seemed to lose sight of the day in the sinister black speck that had intruded itself upon it. No doubt I could think of something better were I to set my mind upon doing so, but that is how I thought the day I walked on the lawn with my brother, ashamed and yet compelled to talk of what our lives had been during the years that separated us. How could one be overpowered with grief amid so many distracting circumstances? Everything I saw was at once new and old. I had come among my brother and sister suddenly, not having seen them, as I have said, for many years; this was our first meeting since childhood, and we were assembled in the house where we had all been born. The ivy grown all over one side of the house, the disappearance of the laburnum, the gap in the woods—these things were new; but the lake that I had not seen since a little child I did not need to look at, so well did I know how every shore was bent, and the place of every island. My first adventures began on that long yellow strand; I did not need to turn my head to see it, for I knew that trees intervened and I knew the twisting path through the wood. That yellow strand speckled with tufts of rushes was my first playground. But when my brother proposed that we should walk there, I found some excuse; why go? The reality would destroy the dream. What reality could equal my memory of the firs where the rabbits burrowed, of the drain where we fished for minnows, of the long strand with the lake far away in summertime? How well I remember that yellow sand, hard and level in some places as the floor of a ball-room. The water there is so shallow that our governess used to allow us to wander at will, to run on ahead in pursuit of a sandpiper. The bird used to fly round with little cries; and we often used to think it was wounded; perhaps it pretended to be wounded in order to lead us away from its nest. We did not think it possible to see the lake in any new aspect, yet there it lay as we had never seen it before, so still, so soft, so grey, like a white muslin scarf flowing out, winding past island and headland. The silence was so intense that one thought of the fairy-books of long ago, of sleeping woods and haunted castles; there were the castles on islands lying in misted water, faint as dreams. Now and then a bird uttered a piercing little chatter from the branches of the tall larches, and ducks talked in the reeds, but their talk was only a soft murmur, hardly louder than the rustle of the reeds now in full leaf. Everything was spellbound that day; the shadows of reed and island seemed fixed for ever as in a magic mirror—a mirror that somebody had breathed upon, and, listening to the little gurgle of the water about the limestone shingle, one seemed to hear eternity murmuring its sad monotony.

The lake curves inland, forming a pleasant bay among the woods; there is a sandy spit where some pines have found roothold, and they live on somehow despite the harsh sallies of the wind in winter. Along the shore dead reeds lie in rows three feet deep among the rushes; had they been placed there by hand they could not have been placed with more regularity; and there is an old cart-track, with hawthorns growing out of a tumbled wall. The hillside is planted—beautiful beeches and hollies at one end, and at the other some lawny interspaces with tall larches swaying tasselled branches shedding faint shadows. These were the wonder of my childhood. A path leads through the wood, and under the rugged pine somebody has placed a seat, a roughly hewn stone supported by two upright stones. For some reason unknown to me this seat always suggested, even when I was a child, a pilgrim's seat. I suppose the suggestion came from the knowledge that my grandmother used to go every day to the tomb at the end of the wood where her husband and sons lay, and whither she was taken herself long ago when I was in frocks; and twenty years after my father was taken there.

What a ceaseless recurrence of the same things! A hearse will appear again in a few days, perhaps the same hearse, the horses covered up with black made to look ridiculous with voluminous weed, the coachman no better than a zany, the ominous superior mute directing the others with a wand; there will be a procession of relatives and friends, all wearing crepe and black gloves, and most of them thinking how soon they can get back to their business: that masquerade which we call a funeral!

Fearing premature burial (a very common fear), my mother had asked that her burial should be postponed until a natural change in the elements of her body should leave no doubt that life no longer lingered there. And the interval between her death and her burial I spent along the lake's shore. The same weather continued day after day, and it is almost impossible to find words to express the beauty of the grey reflection of the islands and the reeds, and the faint evanescent shores floating away, disappearing in the sun-haze, and the silence about the shores, a kind of enchanted silence, interrupted, as I have said, only by the low gurgle of the water about the limestone shingle. Now and then the song of a bird would break out, and all was silence again.... "A silence that seems to come out of the very heart of things!" I said, and I stopped to listen, like one at the world's end; I walked on, wondering, through the rushes and tussocked grass and juniper bushes which grew along the wilding shore, along the edge of the wood. Coming from the town, I could not but admire the emptiness of the country; hardly ever did I hear the sound of a human voice or a footstep; only once did I meet some wood-gatherers, poor women carrying bundles of faggots, bent under their loads. And thinking that perchance I knew them—they were evidently from the village; if so, I must have known them when I was a boy—I was suddenly seized by an unaccountable dread or a shyness, occasioned no doubt by the sense of the immense difference that time had effected in us: they were the same, but I was different. The books I had pondered and the pictures I had seen had estranged me from them, simple souls that they were; and the consciousness of the injustice of the human lot made it a pain to me to look into their eyes. So I was glad to be able to pass behind some bushes, and to escape into the wood without their perceiving me.

And coming upon pleasant interspaces, pleasanter even than those that lingered in my memory, I lay down, for, though the days were the first days of May, the grass was long and warm and ready for the scythe, the tasselled branches of the tall larches swung faintly in a delicious breeze, and the words of the old Irish poet came into my mind, "The wood was like a harp in the hands of a harper." To see the boughs, to listen to them, seemed a sufficient delight, and I began to admire the low sky full of cotton-like clouds, and the white flower that was beginning to light up the little leaves of the hedgerow, and I suppose it was the May-flower that drew down upon me a sudden thought of the beloved girl lost to me for ever. My mother's death had closed that wound a little, but in a moment all my grief reappeared, the wound gaped again, and it was impossible to stanch the bleeding.

A man cannot lament two women at the same time, and only a month ago the most beautiful thing that had ever appeared in my life, an idea which I knew from the first I was destined to follow, had appeared to me, had stayed with me for a while, and had passed from me. All the partial loves of my youth seemed to find expression at last in a passion that would know no change. Who shall explain the mystery of love that time cannot change? Fate is the only word that conveys any idea of it, for of what use to say that her hair was blond and thick, that her eyes were grey and blue? I had known many women before her, and many had hair and eyes as fine and as deep as hers. But never one but she had had the indispensable quality of making me feel I was more intensely alive when she was by me than I was when she was away. It is that tingle of life that we are always seeking, and that perhaps we must lose in order to retain. On such a day, under the swaying branches of the larches, the whiteness of the lake curving so beautifully amid low shores could not fail to remind me of her body, and its mystery reminded me of her mystery; but the melancholy line of mountains rippling down the southern sky was not like her at all. One forgets what is unlike, caring only to dwell upon what is like.... Thinking of her my senses grow dizzy, a sort of madness creeps up behind the eyes. What an exquisite despair is this—that one shall never possess that beautiful personality again, sweet-scented as the May-time, that I shall never hold that dainty oval face in my hands again, shall look into those beautiful eyes no more, that all the intimacy of her person is now but a memory never to be renewed by actual presence—in these moments of passionate memory one experiences real grief, a pang that never has found expression perchance except in Niobe; even that concentration of features is more an expression of despair than grief. And it was the grief that this girl inspired that prevented me from mourning my mother as I should like to have mourned her, as she was worthy of being mourned, for she was a good woman, her virtues shone with more admirable light year after year; and had I lived with her, had I been with her during the last years of her life, her death would have come upon me with a sense of personal loss; I should have mourned her the day she died as I mourn her now, intimately; when I am alone in the evening, when the fire is sinking, the sweetness of her presence steals by me, and I realise what I lost in losing her.

We do not grieve for the dead because they have been deprived of the pleasures of this life (if this life be a pleasure), but because of our own loss. But who would impugn such selfishness? It is the best thing we have, it is our very selves. Think of a mistress's shame if her lover were to tell her that he loved her because she wished to be beloved, because he thought it would give her pleasure to be loved—she would hate him for such altruism, and deem him unworthy of her. She would certainly think like this, and turn her face from him for a while until some desire of possession would send her back to him. We are always thinking of ourselves directly or indirectly. I was thinking of myself when shame prevented me from going to meet the poor wood-gatherers; they would not have thought at all of the injustice of having been left to the labour of the fields while I had gone forth to enjoy the world; they would have been interested to see me again, and a few kind words would have made their load seem easier on their backs. Called back by a sudden association of ideas, I began to consider that shameful injustice is undoubtedly a part of our human lot, for we may only grieve passionately for the casual, or what seems the merely casual; perhaps because the ultimate law is hidden from us; I am thinking now of her who comes suddenly into our lives tempting us with colour, fugitive as that of a flower, luring us with light as rapid as the light shed from the wings of a dove. Why, I asked myself, as I lay under the larches, are we to mourn transitory delight so intensely, why should it possess us more entirely than the sorrow that we experience for her who endured the labour of child-bearing, who nourished us perchance at her breast, whose devotion to us was unceasing, and who grew kindlier and more divorced from every thought of self as the years went by? From injustice there can be no escape, not a particle. At best we can, indeed we must, acquiesce in the fact that the only sorrow to be found in our hearts for aged persons is a sort of gentle sorrow, such as the year itself administers to our senses in autumn, when we come home with our hands full of the beautiful single dahlias that the Dutchmen loved and painted, bound up with sprays of reddening creepers; we come home along the sunny roads over which the yellow beeches lean so pathetically, and we are sad for the year, but we do not grieve passionately; our hearts do not break.

Then again we cannot grieve as the conventions would have us grieve—in strange dress; the very fact of wearing crepe and black gloves alienates us from our real selves; we are no longer ourselves, we are mummers engaged in the performance of a masque. I could have mourned my mother better without crepe. "There never has been invented anything so horrible as the modern funeral," I cried out. A picture of the hearse and the mutes rose up in my mind, and it was at that very moment that the song of the bird broke out again, and just above my head in the larches an ugly, shrilling song of about a dozen notes with an accent on the two last, a stupid, tiresome stave that never varied. "What bird can it be," I cried out, "that comes to interrupt my meditations?" and getting up I tried to discover it amid the branches of the tree under which I had been lying. It broke out again in another tree a little farther away, and again in another. I followed it, and it led me round the wood towards the hilltop to the foot of the steps, two short flights; the second flight, or part of it at least, has to be removed when the vault is opened. It consists, no doubt, of a single chamber with shelves along either side; curiosity leads few into vaults not more than a hundred years old; above the vault is the monument, a very simple one, a sort of table built in, and when my father was buried, a priest scrambled up or was lifted up by the crowd, and he delivered a funeral oration from the top of it.

That day the box edgings were trampled under foot, and all the flowers in the beds. My mother, perhaps, cared little for flowers, or she did not live here sufficiently long to see that this garden was carefully tended; for years there were no children to come here for a walk, and it was thought sufficient to keep in repair the boundary wall so that cattle should not get in. No trees were cut here when the Woods were thinned, and the pines and the yews have grown so thickly that the place is overshadowed; and the sepulchral dark is never lifted even at midday. At the back of the tomb, in the wood behind it, the headstones of old graves show above the ground, though the earth has nearly claimed them; only a few inches show above the dead leaves; all this hillside must have been a graveyard once, hundreds of years ago, and this ancient graveyard has never been forgotten by me, principally on account of something that happened long ago when I was a little child. The mystery of the wood used to appeal to my curiosity, but I never dared to scramble over the low wall until one day, leaving my governess, who was praying by the tomb, I discovered a gap through which I could climb. My wanderings were suddenly brought to an end by the appearance, or the fancied appearance, of somebody in a brown dress—a woman I thought it must be; she seemed to float along the ground, and I hurried back, falling and hurting myself severely in my hurry to escape through the gap. So great was my fear that I spoke not of my hurt to my governess, but of the being I had seen, beseeching of her to come back; but she would not come back, and this fact impressed me greatly. I said to myself, "If she didn't believe somebody was there she'd come back." The fear endured for long afterwards; and I used to beg of her not to cross the open space between the last shift of the wood and the tomb itself. We can re-live in imagination an emotion already experienced. Everything I had felt when I was a child about the mysterious hollows in the beech wood behind the tomb and the old stone there, and the being I had seen clothed in a brown cloak, I could re-live again, but the wood enkindled no new emotion in me. Everything seemed very trivial. The steps leading to the tomb, the tomb itself, the boundary wall, and the enchanted wood was now no more than a mere ordinary plantation. There were a few old stones showing through the leaves, that is all. Marvels never cease; in youth one finds the exterior world marvellous, later on one finds one's inner life extraordinary, and what seemed marvellous to me now was that I should have changed so much. The seeing of the ghost might be put down to my fancy, but how explain the change in the wood—was its mystery also a dream, an imagination? Which is the truth—that experience robs the earth of its mystery, or that we have changed so that the evanescent emanations which we used suddenly to grow aware of, and which sometimes used to take shape, are still there, only our eyes are no longer capable of perceiving them? May not this be so?—for as one sense develops, another declines. The mystic who lives on the hillside in the edge of a cave, pondering eternal rather than ephemeral things, obtains glimpses, just as the child does, of a life outside this life of ours. Or do we think these things because man will not consent to die like a plant? Wondering if a glimpse of another life had once been vouchsafed to me when my senses were more finely wrought, I descended the hillside; the bird, probably a chaffinch, repeated its cry without any variation. I went down the hillside and lay in the shadow of the tasselled larches, trying to convince myself that I had not hoped to see the brown lady, if it were a lady I had seen, bending over the stones of the old burial-ground.

One day the silence of the woods was broken by the sound of a mason's hammer, and on making inquiry from a passing workman—his hodman probably—I learned that on opening the vault it had been discovered that there was not room for another coffin. But no enlargement of the vault was necessary; a couple of more shelves was all that would be wanted for many a year to come. His meaning was not to be mistaken—when two more shelves had been added there would be room for my brothers, myself, and my sister, but the next generation would have to order that a further excavation be made in the hill or look out for a new burial-ground. He stood looking at me, and I watched for a moment a fine young man whose eyes were pale as the landscape, and I wondered if he expected me to say that I was glad that things had turned out very well.... The sound of the mason's hammer got upon my nerves, and feeling the wood to be no longer a place for meditation, I wandered round the shore as far as the old boat-house, wondering how it was that the words of a simple peasant could have succeeded in producing such a strange revulsion of feeling in me. No doubt it was the intensity with which I realised the fact that we are never far from death, none of us, that made it seem as if I were thinking on this subject for the first time. As soon as we reach the age of reflection the thought of death is never long out of our minds. It is a subject on which we are always thinking. We go to bed thinking that another day has gone, that we are another day nearer our graves. Any incident suffices to remind us of death. That very morning I had seen two old blue-bottles huddled together in the corner of a pane, and at once remembered that a term of life is set out for all things—a few months for the blue-bottle, a few years for me. One forgets how one thought twenty years ago, but I am prone to think that even the young meditate very often upon death; it must be so, for all their books contain verses on the mutability of things, and as we advance in years it would seem that we think more and more on this one subject, for what is all modern literature but a reek of regret that we are but bubbles on a stream? I thought that nothing that could be said on this old subject could move me, but that boy from Derryanny had brought home to me the thought that follows us from youth to age better than literature could have done; he had exceeded all the poets, not by any single phrase—it was more his attitude of mind towards death (towards my death) that had startled me—and as I walked along the shore I tried to remember his words. They were simple enough, no doubt, so simple that I could not remember them, only that he had reminded me that Michael Malia, that was the mason's name, had known me since I was a little boy; I do not know how he got it out; I should not have been able to express the idea myself, but without choosing his words, without being aware of them, speaking unconsciously, just as he breathed, he had told me that if my heart were set on any particular place I had only to tell Michael Malia and he would keep it for me; there would be a convenient place for me just above my grandfather when they had got the new shelf up; he had heard we were both writers.

That country boy took it out of me as perhaps no poet had ever done! I shall never forget him as I saw him going away stolidly through the green wood, his bag of lime on his back.

And sitting down in front of the tranquil lake I said, "In twenty or thirty years I shall certainly join the others in that horrible vault; nothing can save me," and again the present slipped away from me and my mind became again clear as glass; the present is only subconscious; were it not so we could not live. I have said all this before; again I seemed to myself like a fly crawling up a pane of glass, falling back, buzzing, and crawling again. Every expedient that I explored proved illusory, every one led to the same conclusion that the dead are powerless. "The living do with us what they like," I muttered, and I thought of all my Catholic relations, every one of whom believes in the intervention of priests and holy water, the Immaculate Conception, the Pope's Indulgences, and a host of other things which I could not remember, so great was my anguish of mind at the thought that my poor pagan body should be delivered helpless into their pious hands. I remembered their faces, I could hear their voices—that of my dear brother, whom I shall always think of as a strayed cardinal rather than as a colonel; I could see his pale eyes moist with faith in the intercession of the Virgin—one can always tell a Catholic at sight, just as one can tell a consumptive. The curving lake, the pale mountains, the low shores, the sunlight, and the haze contributed not a little to frighten me; the country looked intensely Catholic at that moment. My thoughts swerved, and I began to wonder if the face of a country takes its character from the ideas of those living in it. "How shall I escape from that vault?" I cried out suddenly. Michael Malia's hodman had said that they might place me just above my grandfather, and my grandfather was a man of letters, a historian whose histories I had not read; and in the midst of the horror my probable burial inspired in me, I found some amusement in the admission that I should like the old gentleman whose portrait hung in the dining-room to have read my novels. This being so, it was not improbable that he would like me to read his histories, and I began to speculate on what the author of a history of the French Revolution[1] would think of "Esther Waters." The colour of the chocolate coat he wears in his picture fixed itself in my mind's eye, and I began to compare it with the colour of the brown garment worn by the ghost I had seen in the wood. Good Heavens, if it were his ghost I had seen!

[Footnote 1: Still unpublished.]

And listening to the lapping of the lake water I imagined a horrible colloquy in that vault. It all came into my mind, his dialogue and my dialogue. "Great God," I cried out, "something must be done to escape!" and my eyes were strained out on the lake, upon the island on which a Welshman had built a castle. I saw all the woods reaching down to the water's edge, and the woods I did not see I remembered; all the larch trees that grew on the hillsides came into my mind suddenly, and I thought what a splendid pyre might be built out of them. No trees had been cut for the last thirty years; I might live for another thirty. What splendid timber there would then be to build a pyre for me!—a pyre fifty feet high, saturated with scented oils, and me lying on the top of it with all my books (they would make a nice pillow for my head). The ancient heroes used to be laid with their arms beside them; their horses were slaughtered so that their spirits might be free to serve them in the aerial kingdoms they had gone to inhabit. My pyre should be built on the island facing me; its flames would be seen for miles and miles; the lake would be lighted up by it, and my body would become a sort of beacon-fire—the beacon of the pagan future awaiting old Ireland! Nor would the price of such a funeral be anything too excessive—a few hundred pounds perhaps, the price of a thousand larches and a few barrels of scented oil and the great feast: for while I was roasting, my mourners should eat roast meat and drink wine and wear gay dresses—the men as well as the women; and the gayest music would be played. The "Marriage of Figaro" and some Offenbach would be pleasing to my spirit, the ride of the Valkyrie would be an appropriate piece; but I am improvising a selection, and that is a thing that requires careful consideration. It would be a fine thing indeed if such a funeral—I hate the word—such a burning as this could be undertaken, and there is no reason why it should not be, unless the law interdicts public burnings of human bodies. And then my face clouded, and my soul too; I grew melancholy as the lake, as the southern mountains that rippled down the sky plaintive as an Irish melody, for the burning I had dreamed of so splendidly might never take place. I might have to fall back on the Public Crematorium in England—in Ireland there is no Crematorium; Ireland lingers in the belief in the resurrection of the body. "Before I decide," I said to myself, "what my own funeral shall be, I must find out what funeral liberties the modern law and Christian morality permit the citizen," and this I should not be able to discover until I returned to Dublin.

It was by the side of dulcet Lough Cara that I began to imagine my interview with the old family solicitor, prejudiced and white-headed as the king in a certain kind of romantic play, a devout Catholic who would certainly understand very little of my paganism; but I should catch him on two well-sharpened horns—whether he should be guilty of so unbusiness-like an act as to refuse to make a will for theological reasons, or to do a violence to his conscience by assisting a fellow-creature to dispose of his body in a way that would give the Almighty much trouble to bring about the resurrection of the body in the valley of Jehoshaphat. The embarrassment of the family solicitor would be amusing, and if he declined to draw up my will for me there would be plenty of other solicitors who would not hesitate to draw up whatever will I was minded to make. In order to secure the burial of my body, my notion was to leave all my property, lands, money, pictures, and furniture to my brother, Colonel Maurice Moore on the condition that I should be burnt and the ashes disposed of without the humiliation of Christian rites; that if the conditions that the inheritance carried with it were so disagreeable to Colonel Maurice Moore that he could not bring himself to see that the disposal of my remains was carried out according to my wishes, my property, lands, money, pictures, and furniture, should go to my brother Augustus Moore; that in the event of his declining to carry out my wishes regarding the disposal of my remains, all my property should go to my brother Julian Moore; that if he should refuse to carry out my wishes regarding the disposal of my remains, all the said property should go to my friend Sir William Eden, who would, I felt sure, take a sad pleasure in giving effect to the wishes of his old friend. A will drawn up on these lines would secure me against all chance of being buried with my ancestors in Kiltoon, and during the next two days I pondered my own burning. My brother might think that he was put to a good deal of expense, but he would not fail me. He had taken off my hands the disagreeable task of seeing the undertakers and making arrangements for the saying of Masses, etc., arrangements which would be intensely disagreeable to me to make so. I had plenty of time to think out the details of my burning; and I grew happy in the thought that I had escaped from the disgrace of Christian burial—a disgrace which was never, until the last two days, wholly realised by me, but which was nevertheless always suspected. No doubt it was the dread of Kiltoon that had inspired that thought of death from which in late years I had never seemed able to escape. I am of the romantic temperament, and it would be a pity to forgo the burning I had imagined. I delighted in the vision that had come upon me of the felling of the larch trees on the hillside and the building of the pyre about the old castle. It would reach much higher; I imagined it at least fifty feet high. I saw it flaming in imagination, and when half of it was burnt, the mourners would have to take to the boats, so intense would be the heat. What a splendid spectacle! Never did any man imagine a more splendid funeral! It would be a pity if the law obliged me to forgo it. But there was no use hoping that the law would not; there was a law against the burning of human remains, and I might have to fall back on the Public Crematorium: it only remained for me to decide what I would wish to be done with the ashes. In a moment of happy inspiration I conceived the idea of a Greek vase as the only suitable repository for my ashes, and I began to remember all the Greek vases I had seen: all are beautiful, even the Roman Greek; these are sometimes clumsy and heavy, but the sculpture is finely designed and executed. Any Greek vase I decided would satisfy me, provided, of course, that the relief represented Bacchanals dancing, and nearly every Greek vase is decorated in this way. The purchase of the vase would be an additional expense; no doubt I was running my brother in for a good deal of money; it is becoming more and more difficult to buy original Greek sculpture! and in a moment of posthumous parsimony my thoughts turned to a copy of a Greek vase in granite, granite being more durable than marble, and I wanted the vase to last for a long time. It was delightful to take a sheet of paper and a pencil and to draw all that I remembered of the different vases I had seen, different riots of lusty men carrying horns of wine, intermingled with graceful girls dancing gracefully, youths playing on pipes, and amidst them fauns, the lovely animality of the woods, of the landscape ages, when men first began to milk their goats, and when one man out of the tribe, more pensive, more meditative than the others, went down to the river's bank and cut a reed and found music within it. The vase I remembered best has upright handles springing from the necks of swans. It stands about two feet high, perhaps a little more, and its cavity should be capable of containing all that remains of me after my burning. None would have thought, from the happy smile upon my lips, that I was thinking of a Grecian urn and a little pile of white ashes. "O death, where is thy sting?" I murmured, and the pencil dropped from my hand, for my memory was more beautiful than anything I could realise upon paper. I could only remember one side of a youth, that side of him next to an impulsive maiden; her delight gives her wings; his left arm is about her shoulder. She is more impulsive than he, and I wondered at his wistfulness—whether he was thinking of another love or a volume of poems that he loved better. Little by little many of the figures in the dance were remembered, for the sculpture was so well done that the years had only clouded my memory. The clouds dispersed, and I saw this time one whole figure, that of a dancing-girl; her right arm is extended, her left arm is bent, she holds a scarf as she dances, and the muscles of the arms are placed so well, and the breasts too, that one thinks that the girl must have been before the sculptor as he worked. Ingres and Antiquity alone knew how to simplify. There is little, but that little is so correct that detail is unnecessary, and I exulted in remembrance of the dainty design of the belly, half hidden, half revealed by little liquid folds. "How exquisite," I said, "is that thigh! how well it advances! And we poor moderns have lived upon that beauty now well-nigh two thousand years? But how vainly we have attempted to imitate that drapery flowing about the ankles, like foam breaking on the crest of a wave." A slender youth stands next; his shoulders are raised, for the pipes are to his lips, his feet are drawn close together, and by him a satyr dances wildly, clashing cymbals as he dances. He is followed, I think—it is difficult to say whether this be a recollection of another vase or whether the figure is included in the same group—by a faun tempting the teeth and claws of a panther with a bunch of grapes. And it was this winsome faun that decided me to select this vase as the repository of my ashes. And I determined to stipulate in my will that this vase be chosen. But my will must not be too complicated, otherwise it might be contested. All that is not common can easily be argued to be madness by a loquacious lawyer before a stupid jury. Who except a madman, asks the lawyer, would trouble to this extent as to what shall be done with his remains? Everybody in the court agrees with him, for every one in court is anxious to prove to his neighbour that he is a good Christian. Everything is convention, and lead coffins and oak coffins cannot be held as proof of insanity, because men believe still in the resurrection of the body. Were the Pharaohs insane? Was the building of the Great Pyramid an act of madness? The common assurance is that it matters nothing at all what becomes of our remains, yet the world has always been engaged in setting up tombs. It is only those pretty satyrs who do not think of tombs. Satyrs wander away into some hidden place when they feel death upon them. But poor humanity desires to be remembered. The desire to be remembered for at least some little while after death is as deep an instinct as any that might be readily named, and our lives are applied to securing some little immortality for ourselves. What more natural than that every one should desire his death and burial to be, as it were, typical of the ideas which he agreed to accept during life: what other purpose is served by the consecration of plots of ground and the erection of crosses? In this at least I am not different from other people; if I am anxious about my burning, it is because I would to the last manifest and express my ideas, and neither in my prose nor verse have I ever traced out my thoughts as completely or as perfectly as I have done in this order for my tomb. One trouble, however, still remained upon my mind. Where should the vase be placed? Not in Westminster Abbey. Fie upon all places of Christian burial! A museum inspires lofty thoughts in a few; Gouncourt speaks of the icy admiration of crowds. The vase might stand in the stone wall, and in the very corner where I learned to spin my top? But sooner or later a housemaid would break it. The house itself will become the property of another family, and the stranger will look upon the vase with idle curiosity, or perhaps think it depressing to have me in the hall. An order for my removal to a garret might be made out.

The disposal of the vase caused me a great deal of anxiety, and I foresaw that unless I hit upon some idea whereby I could safeguard it from injury for ever, my project would be deprived of half its value. As I sat thinking I heard a noise of feet suddenly on the staircase. "They are bringing down my mother's coffin," I said, and at that moment the door was opened and I was told that the funeral procession was waiting for me. My brother, and various relatives and friends, were waiting in the hall; black gloves were on every hand, crepe streamed from every hat, "All the paraphernalia of grief," I muttered; "nothing is wanting." My soul revolted against this mockery. "But why should I pity my mother? She wished to lie beside her husband. And far be it from me to criticise such a desire!"

The coffin was lifted upon the hearse. A gardener of old time came up to ask me if I wished there to be any crying. I did not at first understand what he meant; he began to explain, and I began to understand that he meant the cries with which the Western peasant follows his dead to the grave. Horrible savagery! and I ordered that there was to be no keening; but three or four women, unable to contain themselves, rushed forward and began a keen. It was difficult to try to stop them. I fancy that every one looked round to see if there were any clouds in the sky, for it was about a mile and a half to the chapel; we would have to walk three miles at least, and if it rained, we should probably catch heavy colds. We thought of the damp of the wood, and the drip from the melancholy boughs of yew and fir growing about that sepulchre on the hillside. But there was no danger of rain; Castle Island lay in the misted water, faint and grey, reminding me of what a splendid burial I might have if the law did not intervene to prevent me. And as we followed the straggling grey Irish road, with scant meagre fields on either side—fields that seemed to be on the point of drifting into marsh land—past the houses of the poor people, I tried to devise a scheme for the safeguarding of the vase. But Rameses the Second had not succeeded in securing his body against violation; it had been unswathed; I had seen his photograph in the Strand, and where he failed, how should I succeed?

Twenty priests had been engaged to sing a Mass, and whilst they chanted, my mind continued to roam, seeking the unattainable, seeking that which Rameses had been unable to find. Unexpectedly, at the very moment when the priest began to intone the Pater Noster, I thought of the deep sea as the only clean and holy receptacle for the vase containing my ashes. If it were dropped where the sea is deepest it would not reach the bottom, but would hang suspended in dark, moveless depths where only a few fishes range, in a cool, deep grave "made without hands, in a world without stain," surrounded by a lovely revel of Bacchanals, youths and maidens, and wild creatures from the woods, man in his primitive animality. But nothing lasts for ever. In some millions of years the sea will begin to wither, and the vase containing me will sink (my hope is that it will sink down to some secure foundation of rocks to stand in the airless and waterless desert that the earth will then be).

Rameses failed, but I shall succeed. Surrounded by dancing youths and maidens, my tomb shall stand on a high rock in the solitude of the extinct sea of an extinct planet. Millions of years will pass away, and the earth, after having lain dead for a long winter, as it does now for a few weeks under frost and snow, will, with all other revolving planets, become absorbed in the sun, and the sun itself will become absorbed in greater suns, Sirius and his like. In the matters of grave moment, millions of years are but seconds; billions convey very little to our minds. At the end of, let us say, some billion years the ultimate moment towards which everything from the beginning has been moving will be reached; and from that moment the tide will begin to flow out again, the eternal dispersal of things will begin again; suns will be scattered abroad, and in tremendous sun-quakes planets will be thrown off; in loud earth-quakes these planets will throw off moons. Millions of years will pass away, the earth will become cool, and out of the primal mud life will begin again in the shape of plants, and then of fish, and then of animals. It is like madness, but is it madder than Christian doctrine? and I believe that billions of years hence, billions and billions of years hence, I shall be sitting in the same room as I sit now, writing the same lines as I am now writing: I believe that again, a few years later, my ashes will swing in the moveless and silent depths of the Pacific Ocean, and that the same figures, the same nymphs, and the same fauns will dance around me again.

THE END