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"Good-by, good-by. Good luck to you both."
"Good-by, Cousin Mark."
"Good-by, Marcus."
He was gone.
CHAPTER 13
One morning about a week after Marcus had left for the southern part of the State, McTeague found an oblong letter thrust through the letter-drop of the door of his "Parlors." The address was typewritten. He opened it. The letter had been sent from the City Hall and was stamped in one corner with the seal of the State of California, very official; the form and file numbers superscribed.
McTeague had been making fillings when this letter arrived. He was in his "Parlors," pottering over his movable rack underneath the bird cage in the bay window. He was making "blocks" to be used in large proximal cavities and "cylinders" for commencing fillings. He heard the postman's step in the hall and saw the envelopes begin to shuttle themselves through the slit of his letter-drop. Then came the fat oblong envelope, with its official seal, that dropped flatwise to the floor with a sodden, dull impact.
The dentist put down the broach and scissors and gathered up his mail. There were four letters altogether. One was for Trina, in Selina's "elegant" handwriting; another was an advertisement of a new kind of operating chair for dentists; the third was a card from a milliner on the next block, announcing an opening; and the fourth, contained in the fat oblong envelope, was a printed form with blanks left for names and dates, and addressed to McTeague, from an office in the City Hall. McTeague read it through laboriously. "I don' know, I don' know," he muttered, looking stupidly at the rifle manufacturer's calendar. Then he heard Trina, from the kitchen, singing as she made a clattering noise with the breakfast dishes. "I guess I'll ask Trina about it," he muttered.
He went through the suite, by the sitting-room, where the sun was pouring in through the looped backed Nottingham curtains upon the clean white matting and the varnished surface of the melodeon, passed on through the bedroom, with its framed lithographs of round-cheeked English babies and alert fox terriers, and came out into the brick-paved kitchen. The kitchen was clean as a new whistle; the freshly blackened cook stove glowed like a negro's hide; the tins and porcelain-lined stew-pans might have been of silver and of ivory. Trina was in the centre of the room, wiping off, with a damp sponge, the oilcloth table-cover, on which they had breakfasted. Never had she looked so pretty. Early though it was, her enormous tiara of swarthy hair was neatly combed and coiled, not a pin was so much as loose. She wore a blue calico skirt with a white figure, and a belt of imitation alligator skin clasped around her small, firmly-corseted waist; her shirt waist was of pink linen, so new and crisp that it crackled with every movement, while around the collar, tied in a neat knot, was one of McTeague's lawn ties which she had appropriated. Her sleeves were carefully rolled up almost to her shoulders, and nothing could have been more delicious than the sight of her small round arms, white as milk, moving back and forth as she sponged the table-cover, a faint touch of pink coming and going at the elbows as they bent and straightened. She looked up quickly as her husband entered, her narrow eyes alight, her adorable little chin in the air; her lips rounded and opened with the last words of her song, so that one could catch a glint of gold in the fillings of her upper teeth.
The whole scene—the clean kitchen and its clean brick floor; the smell of coffee that lingered in the air; Trina herself, fresh as if from a bath, and singing at her work; the morning sun, striking obliquely through the white muslin half-curtain of the window and spanning the little kitchen with a bridge of golden mist—gave off, as it were, a note of gayety that was not to be resisted. Through the opened top of the window came the noises of Polk Street, already long awake. One heard the chanting of street cries, the shrill calling of children on their way to school, the merry rattle of a butcher's cart, the brisk noise of hammering, or the occasional prolonged roll of a cable car trundling heavily past, with a vibrant whirring of its jostled glass and the joyous clanging of its bells.
"What is it, Mac, dear?" said Trina.
McTeague shut the door behind him with his heel and handed her the letter. Trina read it through. Then suddenly her small hand gripped tightly upon the sponge, so that the water started from it and dripped in a little pattering deluge upon the bricks.
The letter—or rather printed notice—informed McTeague that he had never received a diploma from a dental college, and that in consequence he was forbidden to practise his profession any longer. A legal extract bearing upon the case was attached in small type.
"Why, what's all this?" said Trina, calmly, without thought as yet.
"I don' know, I don' know," answered her husband.
"You can't practise any longer," continued Trina,—"'is herewith prohibited and enjoined from further continuing——'" She re-read the extract, her forehead lifting and puckering. She put the sponge carefully away in its wire rack over the sink, and drew up a chair to the table, spreading out the notice before her. "Sit down," she said to McTeague. "Draw up to the table here, Mac, and let's see what this is."
"I got it this morning," murmured the dentist. "It just now came. I was making some fillings—there, in the 'Parlors,' in the window—and the postman shoved it through the door. I thought it was a number of the 'American System of Dentistry' at first, and when I'd opened it and looked at it I thought I'd better——"
"Say, Mac," interrupted Trina, looking up from the notice, "DIDN'T you ever go to a dental college?"
"Huh? What? What?" exclaimed McTeague.
"How did you learn to be a dentist? Did you go to a college?"
"I went along with a fellow who came to the mine once. My mother sent me. We used to go from one camp to another. I sharpened his excavators for him, and put up his notices in the towns—stuck them up in the post-offices and on the doors of the Odd Fellows' halls. He had a wagon."
"But didn't you never go to a college?"
"Huh? What? College? No, I never went. I learned from the fellow."
Trina rolled down her sleeves. She was a little paler than usual. She fastened the buttons into the cuffs and said:
"But do you know you can't practise unless you're graduated from a college? You haven't the right to call yourself, 'doctor.'"
McTeague stared a moment; then:
"Why, I've been practising ten years. More—nearly twelve."
"But it's the law."
"What's the law?"
"That you can't practise, or call yourself doctor, unless you've got a diploma."
"What's that—a diploma?"
"I don't know exactly. It's a kind of paper that—that—oh, Mac, we're ruined." Trina's voice rose to a cry.
"What do you mean, Trina? Ain't I a dentist? Ain't I a doctor? Look at my sign, and the gold tooth you gave me. Why, I've been practising nearly twelve years."
Trina shut her lips tightly, cleared her throat, and pretended to resettle a hair-pin at the back of her head.
"I guess it isn't as bad as that," she said, very quietly. "Let's read this again. 'Herewith prohibited and enjoined from further continuing——'" She read to the end.
"Why, it isn't possible," she cried. "They can't mean—oh, Mac, I do believe—pshaw!" she exclaimed, her pale face flushing. "They don't know how good a dentist you are. What difference does a diploma make, if you're a first-class dentist? I guess that's all right. Mac, didn't you ever go to a dental college?"
"No," answered McTeague, doggedly. "What was the good? I learned how to operate; wa'n't that enough?"
"Hark," said Trina, suddenly. "Wasn't that the bell of your office?" They had both heard the jangling of the bell that McTeague had hung over the door of his "Parlors." The dentist looked at the kitchen clock.
"That's Vanovitch," said he. "He's a plumber round on Sutter Street. He's got an appointment with me to have a bicuspid pulled. I got to go back to work." He rose.
"But you can't," cried Trina, the back of her hand upon her lips, her eyes brimming. "Mac, don't you see? Can't you understand? You've got to stop. Oh, it's dreadful! Listen." She hurried around the table to him and caught his arm in both her hands.
"Huh?" growled McTeague, looking at her with a puzzled frown.
"They'll arrest you. You'll go to prison. You can't work—can't work any more. We're ruined."
Vanovitch was pounding on the door of the sitting-room.
"He'll be gone in a minute," exclaimed McTeague.
"Well, let him go. Tell him to go; tell him to come again."
"Why, he's got an APPOINTMENT with me," exclaimed McTeague, his hand upon the door.
Trina caught him back. "But, Mac, you ain't a dentist any longer; you ain't a doctor. You haven't the right to work. You never went to a dental college."
"Well, suppose I never went to a college, ain't I a dentist just the same? Listen, he's pounding there again. No, I'm going, sure."
"Well, of course, go," said Trina, with sudden reaction. "It ain't possible they'll make you stop. If you're a good dentist, that's all that's wanted. Go on, Mac; hurry, before he goes."
McTeague went out, closing the door. Trina stood for a moment looking intently at the bricks at her feet. Then she returned to the table, and sat down again before the notice, and, resting her head in both her fists, read it yet another time. Suddenly the conviction seized upon her that it was all true. McTeague would be obliged to stop work, no matter how good a dentist he was. But why had the authorities at the City Hall waited this long before serving the notice? All at once Trina snapped her fingers, with a quick flash of intelligence.
"It's Marcus that's done it," she cried.
* * * * *
It was like a clap of thunder. McTeague was stunned, stupefied. He said nothing. Never in his life had he been so taciturn. At times he did not seem to hear Trina when she spoke to him, and often she had to shake him by the shoulder to arouse his attention. He would sit apart in his "Parlors," turning the notice about in his enormous clumsy fingers, reading it stupidly over and over again. He couldn't understand. What had a clerk at the City Hall to do with him? Why couldn't they let him alone?
"Oh, what's to become of us NOW?" wailed Trina. "What's to become of us now? We're paupers, beggars—and all so sudden." And once, in a quick, inexplicable fury, totally unlike anything that McTeague had noticed in her before, she had started up, with fists and teeth shut tight, and had cried, "Oh, if you'd only KILLED Marcus Schouler that time he fought you!"
McTeague had continued his work, acting from sheer force of habit; his sluggish, deliberate nature, methodical, obstinate, refusing to adapt itself to the new conditions.
"Maybe Marcus was only trying to scare us," Trina had said. "How are they going to know whether you're practising or not?"
"I got a mould to make to-morrow," McTeague said, "and Vanovitch, that plumber round on Sutter Street, he's coming again at three."
"Well, you go right ahead," Trina told him, decisively; "you go right ahead and make the mould, and pull every tooth in Vanovitch's head if you want to. Who's going to know? Maybe they just sent that notice as a matter of form. Maybe Marcus got that paper and filled it in himself."
The two would lie awake all night long, staring up into the dark, talking, talking, talking.
"Haven't you got any right to practise if you've not been to a dental college, Mac? Didn't you ever go?" Trina would ask again and again.
"No, no," answered the dentist, "I never went. I learnt from the fellow I was apprenticed to. I don' know anything about a dental college. Ain't I got a right to do as I like?" he suddenly exclaimed.
"If you know your profession, isn't that enough?" cried Trina.
"Sure, sure," growled McTeague. "I ain't going to stop for them."
"You go right on," Trina said, "and I bet you won't hear another word about it."
"Suppose I go round to the City Hall and see them," hazarded McTeague.
"No, no, don't you do it, Mac," exclaimed Trina. "Because, if Marcus has done this just to scare you, they won't know anything about it there at the City Hall; but they'll begin to ask you questions, and find out that you never HAD graduated from a dental college, and you'd be just as bad off as ever."
"Well, I ain't going to quit for just a piece of paper," declared the dentist. The phrase stuck to him. All day long he went about their rooms or continued at his work in the "Parlors," growling behind his thick mustache: "I ain't going to quit for just a piece of paper. No, I ain't going to quit for just a piece of paper. Sure not."
The days passed, a week went by, McTeague continued his work as usual. They heard no more from the City Hall, but the suspense of the situation was harrowing. Trina was actually sick with it. The terror of the thing was ever at their elbows, going to bed with them, sitting down with them at breakfast in the kitchen, keeping them company all through the day. Trina dared not think of what would be their fate if the income derived from McTeague's practice was suddenly taken from them. Then they would have to fall back on the interest of her lottery money and the pittance she derived from the manufacture of the Noah's ark animals, a little over thirty dollars a month. No, no, it was not to be thought of. It could not be that their means of livelihood was to be thus stricken from them.
A fortnight went by. "I guess we're all right, Mac," Trina allowed herself to say. "It looks as though we were all right. How are they going to tell whether you're practising or not?"
That day a second and much more peremptory notice was served upon McTeague by an official in person. Then suddenly Trina was seized with a panic terror, unreasoned, instinctive. If McTeague persisted they would both be sent to a prison, she was sure of it; a place where people were chained to the wall, in the dark, and fed on bread and water.
"Oh, Mac, you've got to quit," she wailed. "You can't go on. They can make you stop. Oh, why didn't you go to a dental college? Why didn't you find out that you had to have a college degree? And now we're paupers, beggars. We've got to leave here—leave this flat where I've been—where WE'VE been so happy, and sell all the pretty things; sell the pictures and the melodeon, and—Oh, it's too dreadful!"
"Huh? Huh? What? What?" exclaimed the dentist, bewildered. "I ain't going to quit for just a piece of paper. Let them put me out. I'll show them. They—they can't make small of me."
"Oh, that's all very fine to talk that way, but you'll have to quit."
"Well, we ain't paupers," McTeague suddenly exclaimed, an idea entering his mind. "We've got our money yet. You've got your five thousand dollars and the money you've been saving up. People ain't paupers when they've got over five thousand dollars."
"What do you mean, Mac?" cried Trina, apprehensively.
"Well, we can live on THAT money until—until—until—" he broke off with an uncertain movement of his shoulders, looking about him stupidly.
"Until WHEN?" cried Trina. "There ain't ever going to be any 'until.' We've got the INTEREST of that five thousand and we've got what Uncle Oelbermann gives me, a little over thirty dollars a month, and that's all we've got. You'll have to find something else to do."
"What will I find to do?"
What, indeed? McTeague was over thirty now, sluggish and slow-witted at best. What new trade could he learn at this age?
Little by little Trina made the dentist understand the calamity that had befallen them, and McTeague at last began cancelling his appointments. Trina gave it out that he was sick.
"Not a soul need know what's happened to us," she said to her husband.
But it was only by slow degrees that McTeague abandoned his profession. Every morning after breakfast he would go into his "Parlors" as usual and potter about his instruments, his dental engine, and his washstand in the corner behind his screen where he made his moulds. Now he would sharpen a "hoe" excavator, now he would busy himself for a whole hour making "mats" and "cylinders." Then he would look over his slate where he kept a record of his appointments.
One day Trina softly opened the door of the "Parlors" and came in from the sitting-room. She had not heard McTeague moving about for some time and had begun to wonder what he was doing. She came in, quietly shutting the door behind her.
McTeague had tidied the room with the greatest care. The volumes of the "Practical Dentist" and the "American System of Dentistry" were piled upon the marble-top centre-table in rectangular blocks. The few chairs were drawn up against the wall under the steel engraving of "Lorenzo de' Medici" with more than usual precision. The dental engine and the nickelled trimmings of the operating chair had been furbished till they shone, while on the movable rack in the bay window McTeague had arranged his instruments with the greatest neatness and regularity. "Hoe" excavators, pluggers, forceps, pliers, corundum disks and burrs, even the boxwood mallet that Trina was never to use again, all were laid out and ready for immediate use.
McTeague himself sat in his operating chair, looking stupidly out of the windows, across the roofs opposite, with an unseeing gaze, his red hands lying idly in his lap. Trina came up to him. There was something in his eyes that made her put both arms around his neck and lay his huge head with its coarse blond hair upon her shoulder.
"I—I got everything fixed," he said. "I got everything fixed an' ready. See, everything ready an' waiting, an'—an'—an' nobody comes, an' nobody's ever going to come any more. Oh, Trina!" He put his arms about her and drew her down closer to him.
"Never mind, dear; never mind," cried Trina, through her tears. "It'll all come right in the end, and we'll be poor together if we have to. You can sure find something else to do. We'll start in again."
"Look at the slate there," said McTeague, pulling away from her and reaching down the slate on which he kept a record of his appointments. "Look at them. There's Vanovitch at two on Wednesday, and Loughhead's wife Thursday morning, and Heise's little girl Thursday afternoon at one-thirty; Mrs. Watson on Friday, and Vanovitch again Saturday morning early—at seven. That's what I was to have had, and they ain't going to come. They ain't ever going to come any more."
Trina took the little slate from him and looked at it ruefully.
"Rub them out," she said, her voice trembling; "rub it all out;" and as she spoke her eyes brimmed again, and a great tear dropped on the slate. "That's it," she said; "that's the way to rub it out, by me crying on it." Then she passed her fingers over the tear-blurred writing and washed the slate clean. "All gone, all gone," she said.
"All gone," echoed the dentist. There was a silence. Then McTeague heaved himself up to his full six feet two, his face purpling, his enormous mallet-like fists raised over his head. His massive jaw protruded more than ever, while his teeth clicked and grated together; then he growled:
"If ever I meet Marcus Schouler—" he broke off abruptly, the white of his eyes growing suddenly pink.
"Oh, if ever you DO," exclaimed Trina, catching her breath.
CHAPTER 14
"Well, what do you think?" said Trina.
She and McTeague stood in a tiny room at the back of the flat and on its very top floor. The room was whitewashed. It contained a bed, three cane-seated chairs, and a wooden washstand with its washbowl and pitcher. From its single uncurtained window one looked down into the flat's dirty back yard and upon the roofs of the hovels that bordered the alley in the rear. There was a rag carpet on the floor. In place of a closet some dozen wooden pegs were affixed to the wall over the washstand. There was a smell of cheap soap and of ancient hair-oil in the air.
"That's a single bed," said Trina, "but the landlady says she'll put in a double one for us. You see——"
"I ain't going to live here," growled McTeague.
"Well, you've got to live somewhere," said Trina, impatiently. "We've looked Polk Street over, and this is the only thing we can afford."
"Afford, afford," muttered the dentist. "You with your five thousand dollars, and the two or three hundred you got saved up, talking about 'afford.' You make me sick."
"Now, Mac," exclaimed Trina, deliberately, sitting down in one of the cane-seated chairs; "now, Mac, let's have this thing——"
"Well, I don't figure on living in one room," growled the dentist, sullenly. "Let's live decently until we can get a fresh start. We've got the money."
"Who's got the money?"
"WE'VE got it."
"We!"
"Well, it's all in the family. What's yours is mine, and what's mine is yours, ain't it?"
"No, it's not; no, it's not," cried Trina, vehemently. "It's all mine, mine. There's not a penny of it belongs to anybody else. I don't like to have to talk this way to you, but you just make me. We're not going to touch a penny of my five thousand nor a penny of that little money I managed to save—that seventy-five."
"That TWO hundred, you mean."
"That SEVENTY-FIVE. We're just going to live on the interest of that and on what I earn from Uncle Oelbermann—on just that thirty-one or two dollars."
"Huh! Think I'm going to do that, an' live in such a room as this?"
Trina folded her arms and looked him squarely in the face.
"Well, what ARE you going to do, then?"
"Huh?"
"I say, what ARE you going to do? You can go on and find something to do and earn some more money, and THEN we'll talk."
"Well, I ain't going to live here."
"Oh, very well, suit yourself. I'M going to live here."
"You'll live where I TELL you," the dentist suddenly cried, exasperated at the mincing tone she affected.
"Then YOU'LL pay the rent," exclaimed Trina, quite as angry as he.
"Are you my boss, I'd like to know? Who's the boss, you or I?"
"Who's got the MONEY, I'd like to know?" cried Trina, flushing to her pale lips. "Answer me that, McTeague, who's got the money?"
"You make me sick, you and your money. Why, you're a miser. I never saw anything like it. When I was practising, I never thought of my fees as my own; we lumped everything in together."
"Exactly; and I'M doing the working now. I'm working for Uncle Oelbermann, and you're not lumping in ANYTHING now. I'm doing it all. Do you know what I'm doing, McTeague? I'm supporting you."
"Ah, shut up; you make me sick."
"You got no RIGHT to talk to me that way. I won't let you. I—I won't have it." She caught her breath. Tears were in her eyes.
"Oh, live where you like, then," said McTeague, sullenly.
"Well, shall we take this room then?"
"All right, we'll take it. But why can't you take a little of your money an'—an'—sort of fix it up?"
"Not a penny, not a single penny."
"Oh, I don't care WHAT you do." And for the rest of the day the dentist and his wife did not speak.
This was not the only quarrel they had during these days when they were occupied in moving from their suite and in looking for new quarters. Every hour the question of money came up. Trina had become more niggardly than ever since the loss of McTeague's practice. It was not mere economy with her now. It was a panic terror lest a fraction of a cent of her little savings should be touched; a passionate eagerness to continue to save in spite of all that had happened. Trina could have easily afforded better quarters than the single whitewashed room at the top of the flat, but she made McTeague believe that it was impossible.
"I can still save a little," she said to herself, after the room had been engaged; "perhaps almost as much as ever. I'll have three hundred dollars pretty soon, and Mac thinks it's only two hundred. It's almost two hundred and fifty; and I'll get a good deal out of the sale."
But this sale was a long agony. It lasted a week. Everything went—everything but the few big pieces that went with the suite, and that belonged to the photographer. The melodeon, the chairs, the black walnut table before which they were married, the extension table in the sitting-room, the kitchen table with its oilcloth cover, the framed lithographs from the English illustrated papers, the very carpets on the floors. But Trina's heart nearly broke when the kitchen utensils and furnishings began to go. Every pot, every stewpan, every knife and fork, was an old friend. How she had worked over them! How clean she had kept them! What a pleasure it had been to invade that little brick-paved kitchen every morning, and to wash up and put to rights after breakfast, turning on the hot water at the sink, raking down the ashes in the cook-stove, going and coming over the warm bricks, her head in the air, singing at her work, proud in the sense of her proprietorship and her independence! How happy had she been the day after her marriage when she had first entered that kitchen and knew that it was all her own! And how well she remembered her raids upon the bargain counters in the house-furnishing departments of the great down-town stores! And now it was all to go. Some one else would have it all, while she was relegated to cheap restaurants and meals cooked by hired servants. Night after night she sobbed herself to sleep at the thought of her past happiness and her present wretchedness. However, she was not alone in her unhappiness.
"Anyhow, I'm going to keep the steel engraving an' the stone pug dog," declared the dentist, his fist clenching. When it had come to the sale of his office effects McTeague had rebelled with the instinctive obstinacy of a boy, shutting his eyes and ears. Only little by little did Trina induce him to part with his office furniture. He fought over every article, over the little iron stove, the bed-lounge, the marble-topped centre table, the whatnot in the corner, the bound volumes of "Allen's Practical Dentist," the rifle manufacturer's calendar, and the prim, military chairs. A veritable scene took place between him and his wife before he could bring himself to part with the steel engraving of "Lorenzo de' Medici and His Court" and the stone pug dog with its goggle eyes.
"Why," he would cry, "I've had 'em ever since—ever since I BEGAN; long before I knew you, Trina. That steel engraving I bought in Sacramento one day when it was raining. I saw it in the window of a second-hand store, and a fellow GAVE me that stone pug dog. He was a druggist. It was in Sacramento too. We traded. I gave him a shaving-mug and a razor, and he gave me the pug dog."
There were, however, two of his belongings that even Trina could not induce him to part with.
"And your concertina, Mac," she prompted, as they were making out the list for the second-hand dealer. "The concertina, and—oh, yes, the canary and the bird cage."
"No."
"Mac, you MUST be reasonable. The concertina would bring quite a sum, and the bird cage is as good as new. I'll sell the canary to the bird-store man on Kearney Street."
"No."
"If you're going to make objections to every single thing, we might as well quit. Come, now, Mac, the concertina and the bird cage. We'll put them in Lot D."
"No."
"You'll have to come to it sooner or later. I'M giving up everything. I'm going to put them down, see."
"No."
And she could get no further than that. The dentist did not lose his temper, as in the case of the steel engraving or the stone pug dog; he simply opposed her entreaties and persuasions with a passive, inert obstinacy that nothing could move. In the end Trina was obliged to submit. McTeague kept his concertina and his canary, even going so far as to put them both away in the bedroom, attaching to them tags on which he had scrawled in immense round letters, "Not for Sale."
One evening during that same week the dentist and his wife were in the dismantled sitting-room. The room presented the appearance of a wreck. The Nottingham lace curtains were down. The extension table was heaped high with dishes, with tea and coffee pots, and with baskets of spoons and knives and forks. The melodeon was hauled out into the middle of the floor, and covered with a sheet marked "Lot A," the pictures were in a pile in a corner, the chenille portieres were folded on top of the black walnut table. The room was desolate, lamentable. Trina was going over the inventory; McTeague, in his shirt sleeves, was smoking his pipe, looking stupidly out of the window. All at once there was a brisk rapping at the door.
"Come in," called Trina, apprehensively. Now-a-days at every unexpected visit she anticipated a fresh calamity. The door opened to let in a young man wearing a checked suit, a gay cravat, and a marvellously figured waistcoat. Trina and McTeague recognized him at once. It was the Other Dentist, the debonair fellow whose clients were the barbers and the young women of the candy stores and soda-water fountains, the poser, the wearer of waistcoats, who bet money on greyhound races.
"How'do?" said this one, bowing gracefully to the McTeagues as they stared at him distrustfully.
"How'do? They tell me, Doctor, that you are going out of the profession."
McTeague muttered indistinctly behind his mustache and glowered at him.
"Well, say," continued the other, cheerily, "I'd like to talk business with you. That sign of yours, that big golden tooth that you got outside of your window, I don't suppose you'll have any further use for it. Maybe I'd buy it if we could agree on terms."
Trina shot a glance at her husband. McTeague began to glower again.
"What do you say?" said the Other Dentist.
"I guess not," growled McTeague
"What do you say to ten dollars?"
"Ten dollars!" cried Trina, her chin in the air.
"Well, what figure DO you put on it?"
Trina was about to answer when she was interrupted by McTeague.
"You go out of here."
"Hey? What?"
"You go out of here."
The other retreated toward the door.
"You can't make small of me. Go out of here."
McTeague came forward a step, his great red fist clenching. The young man fled. But half way down the stairs he paused long enough to call back:
"You don't want to trade anything for a diploma, do you?"
McTeague and his wife exchanged looks.
"How did he know?" exclaimed Trina, sharply. They had invented and spread the fiction that McTeague was merely retiring from business, without assigning any reason. But evidently every one knew the real cause. The humiliation was complete now. Old Miss Baker confirmed their suspicions on this point the next day. The little retired dressmaker came down and wept with Trina over her misfortune, and did what she could to encourage her. But she too knew that McTeague had been forbidden by the authorities from practising. Marcus had evidently left them no loophole of escape.
"It's just like cutting off your husband's hands, my dear," said Miss Baker. "And you two were so happy. When I first saw you together I said, 'What a pair!'"
Old Grannis also called during this period of the breaking up of the McTeague household.
"Dreadful, dreadful," murmured the old Englishman, his hand going tremulously to his chin. "It seems unjust; it does. But Mr. Schouler could not have set them on to do it. I can't quite believe it of him."
"Of Marcus!" cried Trina. "Hoh! Why, he threw his knife at Mac one time, and another time he bit him, actually bit him with his teeth, while they were wrestling just for fun. Marcus would do anything to injure Mac."
"Dear, dear," returned Old Grannis, genuinely pained. "I had always believed Schouler to be such a good fellow."
"That's because you're so good yourself, Mr. Grannis," responded Trina.
"I tell you what, Doc," declared Heise the harness-maker, shaking his finger impressively at the dentist, "you must fight it; you must appeal to the courts; you've been practising too long to be debarred now. The statute of limitations, you know."
"No, no," Trina had exclaimed, when the dentist had repeated this advice to her. "No, no, don't go near the law courts. I know them. The lawyers take all your money, and you lose your case. We're bad off as it is, without lawing about it."
Then at last came the sale. McTeague and Trina, whom Miss Baker had invited to her room for that day, sat there side by side, holding each other's hands, listening nervously to the turmoil that rose to them from the direction of their suite. From nine o'clock till dark the crowds came and went. All Polk Street seemed to have invaded the suite, lured on by the red flag that waved from the front windows. It was a fete, a veritable holiday, for the whole neighborhood. People with no thought of buying presented themselves. Young women—the candy-store girls and florist's apprentices—came to see the fun, walking arm in arm from room to room, making jokes about the pretty lithographs and mimicking the picture of the two little girls saying their prayers.
"Look here," they would cry, "look here what she used for curtains—NOTTINGHAM lace, actually! Whoever thinks of buying Nottingham lace now-a-days? Say, don't that JAR you?"
"And a melodeon," another one would exclaim, lifting the sheet. "A melodeon, when you can rent a piano for a dollar a week; and say, I really believe they used to eat in the kitchen."
"Dollarn-half, dollarn-half, dollarn-half, give me two," intoned the auctioneer from the second-hand store. By noon the crowd became a jam. Wagons backed up to the curb outside and departed heavily laden. In all directions people could be seen going away from the house, carrying small articles of furniture—a clock, a water pitcher, a towel rack. Every now and then old Miss Baker, who had gone below to see how things were progressing, returned with reports of the foray.
"Mrs. Heise bought the chenille portieres. Mister Ryer made a bid for your bed, but a man in a gray coat bid over him. It was knocked down for three dollars and a half. The German shoe-maker on the next block bought the stone pug dog. I saw our postman going away with a lot of the pictures. Zerkow has come, on my word! the rags-bottles-sacks man; he's buying lots; he bought all Doctor McTeague's gold tape and some of the instruments. Maria's there too. That dentist on the corner took the dental engine, and wanted to get the sign, the big gold tooth," and so on and so on. Cruelest of all, however, at least to Trina, was when Miss Baker herself began to buy, unable to resist a bargain. The last time she came up she carried a bundle of the gay tidies that used to hang over the chair backs.
"He offered them, three for a nickel," she explained to Trina, "and I thought I'd spend just a quarter. You don't mind, now, do you, Mrs. McTeague?"
"Why, no, of course not, Miss Baker," answered Trina, bravely.
"They'll look very pretty on some of my chairs," went on the little old dressmaker, innocently. "See." She spread one of them on a chair back for inspection. Trina's chin quivered.
"Oh, VERY pretty," she answered.
At length that dreadful day was over. The crowd dispersed. Even the auctioneer went at last, and as he closed the door with a bang, the reverberation that went through the suite gave evidence of its emptiness.
"Come," said Trina to the dentist, "let's go down and look—take a last look."
They went out of Miss Baker's room and descended to the floor below. On the stairs, however, they were met by Old Grannis. In his hands he carried a little package. Was it possible that he too had taken advantage of their misfortunes to join in the raid upon the suite?
"I went in," he began, timidly, "for—for a few moments. This"—he indicated the little package he carried—"this was put up. It was of no value but to you. I—I ventured to bid it in. I thought perhaps"—his hand went to his chin, "that you wouldn't mind; that—in fact, I bought it for you—as a present. Will you take it?" He handed the package to Trina and hurried on. Trina tore off the wrappings.
It was the framed photograph of McTeague and his wife in their wedding finery, the one that had been taken immediately after the marriage. It represented Trina sitting very erect in a rep armchair, holding her wedding bouquet straight before her, McTeague standing at her side, his left foot forward, one hand upon her shoulder, and the other thrust into the breast of his "Prince Albert" coat, in the attitude of a statue of a Secretary of State.
"Oh, it WAS good of him, it WAS good of him," cried Trina, her eyes filling again. "I had forgotten to put it away. Of course it was not for sale."
They went on down the stairs, and arriving at the door of the sitting-room, opened it and looked in. It was late in the afternoon, and there was just light enough for the dentist and his wife to see the results of that day of sale. Nothing was left, not even the carpet. It was a pillage, a devastation, the barrenness of a field after the passage of a swarm of locusts. The room had been picked and stripped till only the bare walls and floor remained. Here where they had been married, where the wedding supper had taken place, where Trina had bade farewell to her father and mother, here where she had spent those first few hard months of her married life, where afterward she had grown to be happy and contented, where she had passed the long hours of the afternoon at her work of whittling, and where she and her husband had spent so many evenings looking out of the window before the lamp was lit—here in what had been her home, nothing was left but echoes and the emptiness of complete desolation. Only one thing remained. On the wall between the windows, in its oval glass frame, preserved by some unknown and fearful process, a melancholy relic of a vanished happiness, unsold, neglected, and forgotten, a thing that nobody wanted, hung Trina's wedding bouquet.
CHAPTER 15
Then the grind began. It would have been easier for the McTeagues to have faced their misfortunes had they befallen them immediately after their marriage, when their love for each other was fresh and fine, and when they could have found a certain happiness in helping each other and sharing each other's privations. Trina, no doubt, loved her husband more than ever, in the sense that she felt she belonged to him. But McTeague's affection for his wife was dwindling a little every day—HAD been dwindling for a long time, in fact. He had become used to her by now. She was part of the order of the things with which he found himself surrounded. He saw nothing extraordinary about her; it was no longer a pleasure for him to kiss her and take her in his arms; she was merely his wife. He did not dislike her; he did not love her. She was his wife, that was all. But he sadly missed and regretted all those little animal comforts which in the old prosperous life Trina had managed to find for him. He missed the cabbage soups and steaming chocolate that Trina had taught him to like; he missed his good tobacco that Trina had educated him to prefer; he missed the Sunday afternoon walks that she had caused him to substitute in place of his nap in the operating chair; and he missed the bottled beer that she had induced him to drink in place of the steam beer from Frenna's. In the end he grew morose and sulky, and sometimes neglected to answer his wife when she spoke to him. Besides this, Trina's avarice was a perpetual annoyance to him. Oftentimes when a considerable alleviation of this unhappiness could have been obtained at the expense of a nickel or a dime, Trina refused the money with a pettishness that was exasperating.
"No, no," she would exclaim. "To ride to the park Sunday afternoon, that means ten cents, and I can't afford it."
"Let's walk there, then."
"I've got to work."
"But you've worked morning and afternoon every day this week."
"I don't care, I've got to work."
There had been a time when Trina had hated the idea of McTeague drinking steam beer as common and vulgar.
"Say, let's have a bottle of beer to-night. We haven't had a drop of beer in three weeks."
"We can't afford it. It's fifteen cents a bottle."
"But I haven't had a swallow of beer in three weeks."
"Drink STEAM beer, then. You've got a nickel. I gave you a quarter day before yesterday."
"But I don't like steam beer now."
It was so with everything. Unfortunately, Trina had cultivated tastes in McTeague which now could not be gratified. He had come to be very proud of his silk hat and "Prince Albert" coat, and liked to wear them on Sundays. Trina had made him sell both. He preferred "Yale mixture" in his pipe; Trina had made him come down to "Mastiff," a five-cent tobacco with which he was once contented, but now abhorred. He liked to wear clean cuffs; Trina allowed him a fresh pair on Sundays only. At first these deprivations angered McTeague. Then, all of a sudden, he slipped back into the old habits (that had been his before he knew Trina) with an ease that was surprising. Sundays he dined at the car conductors' coffee-joint once more, and spent the afternoon lying full length upon the bed, crop-full, stupid, warm, smoking his huge pipe, drinking his steam beer, and playing his six mournful tunes upon his concertina, dozing off to sleep towards four o'clock.
The sale of their furniture had, after paying the rent and outstanding bills, netted about a hundred and thirty dollars. Trina believed that the auctioneer from the second-hand store had swindled and cheated them and had made a great outcry to no effect. But she had arranged the affair with the auctioneer herself, and offset her disappointment in the matter of the sale by deceiving her husband as to the real amount of the returns. It was easy to lie to McTeague, who took everything for granted; and since the occasion of her trickery with the money that was to have been sent to her mother, Trina had found falsehood easier than ever.
"Seventy dollars is all the auctioneer gave me," she told her husband; "and after paying the balance due on the rent, and the grocer's bill, there's only fifty left."
"Only fifty?" murmured McTeague, wagging his head, "only fifty? Think of that."
"Only fifty," declared Trina. Afterwards she said to herself with a certain admiration for her cleverness:
"Couldn't save sixty dollars much easier than that," and she had added the hundred and thirty to the little hoard in the chamois-skin bag and brass match-box in the bottom of her trunk.
In these first months of their misfortunes the routine of the McTeagues was as follows: They rose at seven and breakfasted in their room, Trina cooking the very meagre meal on an oil stove. Immediately after breakfast Trina sat down to her work of whittling the Noah's ark animals, and McTeague took himself off to walk down town. He had by the greatest good luck secured a position with a manufacturer of surgical instruments, where his manual dexterity in the making of excavators, pluggers, and other dental contrivances stood him in fairly good stead. He lunched at a sailor's boarding-house near the water front, and in the afternoon worked till six. He was home at six-thirty, and he and Trina had supper together in the "ladies' dining parlor," an adjunct of the car conductors' coffee-joint. Trina, meanwhile, had worked at her whittling all day long, with but half an hour's interval for lunch, which she herself prepared upon the oil stove. In the evening they were both so tired that they were in no mood for conversation, and went to bed early, worn out, harried, nervous, and cross.
Trina was not quite so scrupulously tidy now as in the old days. At one time while whittling the Noah's ark animals she had worn gloves. She never wore them now. She still took pride in neatly combing and coiling her wonderful black hair, but as the days passed she found it more and more comfortable to work in her blue flannel wrapper. Whittlings and chips accumulated under the window where she did her work, and she was at no great pains to clear the air of the room vitiated by the fumes of the oil stove and heavy with the smell of cooking. It was not gay, that life. The room itself was not gay. The huge double bed sprawled over nearly a fourth of the available space; the angles of Trina's trunk and the washstand projected into the room from the walls, and barked shins and scraped elbows. Streaks and spots of the "non-poisonous" paint that Trina used were upon the walls and wood-work. However, in one corner of the room, next the window, monstrous, distorted, brilliant, shining with a light of its own, stood the dentist's sign, the enormous golden tooth, the tooth of a Brobdingnag.
One afternoon in September, about four months after the McTeagues had left their suite, Trina was at her work by the window. She had whittled some half-dozen sets of animals, and was now busy painting them and making the arks. Little pots of "non-poisonous" paint stood at her elbow on the table, together with a box of labels that read, "Made in France." Her huge clasp-knife was stuck into the under side of the table. She was now occupied solely with the brushes and the glue pot. She turned the little figures in her fingers with a wonderful lightness and deftness, painting the chickens Naples yellow, the elephants blue gray, the horses Vandyke brown, adding a dot of Chinese white for the eyes and sticking in the ears and tail with a drop of glue. The animals once done, she put together and painted the arks, some dozen of them, all windows and no doors, each one opening only by a lid which was half the roof. She had all the work she could handle these days, for, from this time till a week before Christmas, Uncle Oelbermann could take as many "Noah's ark sets" as she could make.
Suddenly Trina paused in her work, looking expectantly toward the door. McTeague came in.
"Why, Mac," exclaimed Trina. "It's only three o'clock. What are you home so early for? Have they discharged you?"
"They've fired me," said McTeague, sitting down on the bed.
"Fired you! What for?"
"I don' know. Said the times were getting hard an' they had to let me go."
Trina let her paint-stained hands fall into her lap.
"OH!" she cried. "If we don't have the HARDEST luck of any two people I ever heard of. What can you do now? Is there another place like that where they make surgical instruments?"
"Huh? No, I don' know. There's three more."
"Well, you must try them right away. Go down there right now."
"Huh? Right now? No, I'm tired. I'll go down in the morning."
"Mac," cried Trina, in alarm, "what are you thinking of? You talk as though we were millionaires. You must go down this minute. You're losing money every second you sit there." She goaded the huge fellow to his feet again, thrust his hat into his hands, and pushed him out of the door, he obeying the while, docile and obedient as a big cart horse. He was on the stairs when she came running after him.
"Mac, they paid you off, didn't they, when they discharged you?"
"Yes."
"Then you must have some money. Give it to me."
The dentist heaved a shoulder uneasily.
"No, I don' want to."
"I've got to have that money. There's no more oil for the stove, and I must buy some more meal tickets to-night."
"Always after me about money," muttered the dentist; but he emptied his pockets for her, nevertheless.
"I—you've taken it all," he grumbled. "Better leave me something for car fare. It's going to rain."
"Pshaw! You can walk just as well as not. A big fellow like you 'fraid of a little walk; and it ain't going to rain."
Trina had lied again both as to the want of oil for the stove and the commutation ticket for the restaurant. But she knew by instinct that McTeague had money about him, and she did not intend to let it go out of the house. She listened intently until she was sure McTeague was gone. Then she hurriedly opened her trunk and hid the money in the chamois bag at the bottom.
The dentist presented himself at every one of the makers of surgical instruments that afternoon and was promptly turned away in each case. Then it came on to rain, a fine, cold drizzle, that chilled him and wet him to the bone. He had no umbrella, and Trina had not left him even five cents for car fare. He started to walk home through the rain. It was a long way to Polk Street, as the last manufactory he had visited was beyond even Folsom Street, and not far from the city front.
By the time McTeague reached Polk Street his teeth were chattering with the cold. He was wet from head to foot. As he was passing Heise's harness shop a sudden deluge of rain overtook him and he was obliged to dodge into the vestibule for shelter. He, who loved to be warm, to sleep and to be well fed, was icy cold, was exhausted and footsore from tramping the city. He could look forward to nothing better than a badly-cooked supper at the coffee-joint—hot meat on a cold plate, half done suet pudding, muddy coffee, and bad bread, and he was cold, miserably cold, and wet to the bone. All at once a sudden rage against Trina took possession of him. It was her fault. She knew it was going to rain, and she had not let him have a nickel for car fare—she who had five thousand dollars. She let him walk the streets in the cold and in the rain. "Miser," he growled behind his mustache. "Miser, nasty little old miser. You're worse than old Zerkow, always nagging about money, money, and you got five thousand dollars. You got more, an' you live in that stinking hole of a room, and you won't drink any decent beer. I ain't going to stand it much longer. She knew it was going to rain. She KNEW it. Didn't I TELL her? And she drives me out of my own home in the rain, for me to get money for her; more money, and she takes it. She took that money from me that I earned. 'Twasn't hers; it was mine, I earned it—and not a nickel for car fare. She don't care if I get wet and get a cold and DIE. No, she don't, as long as she's warm and's got her money." He became more and more indignant at the picture he made of himself. "I ain't going to stand it much longer," he repeated.
"Why, hello, Doc. Is that you?" exclaimed Heise, opening the door of the harness shop behind him. "Come in out of the wet. Why, you're soaked through," he added as he and McTeague came back into the shop, that reeked of oiled leather. "Didn't you have any umbrella? Ought to have taken a car."
"I guess so—I guess so," murmured the dentist, confused. His teeth were chattering.
"YOU'RE going to catch your death-a-cold," exclaimed Heise. "Tell you what," he said, reaching for his hat, "come in next door to Frenna's and have something to warm you up. I'll get the old lady to mind the shop." He called Mrs. Heise down from the floor above and took McTeague into Joe Frenna's saloon, which was two doors above his harness shop.
"Whiskey and gum twice, Joe," said he to the barkeeper as he and the dentist approached the bar.
"Huh? What?" said McTeague. "Whiskey? No, I can't drink whiskey. It kind of disagrees with me."
"Oh, the hell!" returned Heise, easily. "Take it as medicine. You'll get your death-a-cold if you stand round soaked like that. Two whiskey and gum, Joe."
McTeague emptied the pony glass at a single enormous gulp.
"That's the way," said Heise, approvingly. "Do you good." He drank his off slowly.
"I'd—I'd ask you to have a drink with me, Heise," said the dentist, who had an indistinct idea of the amenities of the barroom, "only," he added shamefacedly, "only—you see, I don't believe I got any change." His anger against Trina, heated by the whiskey he had drank, flamed up afresh. What a humiliating position for Trina to place him in, not to leave him the price of a drink with a friend, she who had five thousand dollars!
"Sha! That's all right, Doc," returned Heise, nibbling on a grain of coffee. "Want another? Hey? This my treat. Two more of the same, Joe."
McTeague hesitated. It was lamentably true that whiskey did not agree with him; he knew it well enough. However, by this time he felt very comfortably warm at the pit of his stomach. The blood was beginning to circulate in his chilled finger-tips and in his soggy, wet feet. He had had a hard day of it; in fact, the last week, the last month, the last three or four months, had been hard. He deserved a little consolation. Nor could Trina object to this. It wasn't costing a cent. He drank again with Heise.
"Get up here to the stove and warm yourself," urged Heise, drawing up a couple of chairs and cocking his feet upon the guard. The two fell to talking while McTeague's draggled coat and trousers smoked.
"What a dirty turn that was that Marcus Schouler did you!" said Heise, wagging his head. "You ought to have fought that, Doc, sure. You'd been practising too long." They discussed this question some ten or fifteen minutes and then Heise rose.
"Well, this ain't earning any money. I got to get back to the shop." McTeague got up as well, and the pair started for the door. Just as they were going out Ryer met them.
"Hello, hello," he cried. "Lord, what a wet day! You two are going the wrong way. You're going to have a drink with me. Three whiskey punches, Joe."
"No, no," answered McTeague, shaking his head. "I'm going back home. I've had two glasses of whiskey already."
"Sha!" cried Heise, catching his arm. "A strapping big chap like you ain't afraid of a little whiskey."
"Well, I—I—I got to go right afterwards," protested McTeague.
About half an hour after the dentist had left to go down town, Maria Macapa had come in to see Trina. Occasionally Maria dropped in on Trina in this fashion and spent an hour or so chatting with her while she worked. At first Trina had been inclined to resent these intrusions of the Mexican woman, but of late she had begun to tolerate them. Her day was long and cheerless at the best, and there was no one to talk to. Trina even fancied that old Miss Baker had come to be less cordial since their misfortune. Maria retailed to her all the gossip of the flat and the neighborhood, and, which was much more interesting, told her of her troubles with Zerkow.
Trina said to herself that Maria was common and vulgar, but one had to have some diversion, and Trina could talk and listen without interrupting her work. On this particular occasion Maria was much excited over Zerkow's demeanor of late.
"He's gettun worse an' worse," she informed Trina as she sat on the edge of the bed, her chin in her hand. "He says he knows I got the dishes and am hidun them from him. The other day I thought he'd gone off with his wagon, and I was doin' a bit of ir'ning, an' by an' by all of a sudden I saw him peeping at me through the crack of the door. I never let on that I saw him, and, honest, he stayed there over two hours, watchun everything I did. I could just feel his eyes on the back of my neck all the time. Last Sunday he took down part of the wall, 'cause he said he'd seen me making figures on it. Well, I was, but it was just the wash list. All the time he says he'll kill me if I don't tell."
"Why, what do you stay with him for?" exclaimed Trina. "I'd be deathly 'fraid of a man like that; and he did take a knife to you once."
"Hoh! HE won't kill me, never fear. If he'd kill me he'd never know where the dishes were; that's what HE thinks."
"But I can't understand, Maria; you told him about those gold dishes yourself."
"Never, never! I never saw such a lot of crazy folks as you are."
"But you say he hits you sometimes."
"Ah!" said Maria, tossing her head scornfully, "I ain't afraid of him. He takes his horsewhip to me now and then, but I can always manage. I say, 'If you touch me with that, then I'll NEVER tell you.' Just pretending, you know, and he drops it as though it was red hot. Say, Mrs. McTeague, have you got any tea? Let's make a cup of tea over the stove."
"No, no," cried Trina, with niggardly apprehension; "no, I haven't got a bit of tea." Trina's stinginess had increased to such an extent that it had gone beyond the mere hoarding of money. She grudged even the food that she and McTeague ate, and even brought away half loaves of bread, lumps of sugar, and fruit from the car conductors' coffee-joint. She hid these pilferings away on the shelf by the window, and often managed to make a very creditable lunch from them, enjoying the meal with the greater relish because it cost her nothing.
"No, Maria, I haven't got a bit of tea," she said, shaking her head decisively. "Hark, ain't that Mac?" she added, her chin in the air. "That's his step, sure."
"Well, I'm going to skip," said Maria. She left hurriedly, passing the dentist in the hall just outside the door. "Well?" said Trina interrogatively as her husband entered. McTeague did not answer. He hung his hat on the hook behind the door and dropped heavily into a chair.
"Well," asked Trina, anxiously, "how did you make out, Mac?"
Still the dentist pretended not to hear, scowling fiercely at his muddy boots.
"Tell me, Mac, I want to know. Did you get a place? Did you get caught in the rain?"
"Did I? Did I?" cried the dentist, sharply, an alacrity in his manner and voice that Trina had never observed before.
"Look at me. Look at me," he went on, speaking with an unwonted rapidity, his wits sharp, his ideas succeeding each other quickly. "Look at me, drenched through, shivering cold. I've walked the city over. Caught in the rain! Yes, I guess I did get caught in the rain, and it ain't your fault I didn't catch my death-a-cold; wouldn't even let me have a nickel for car fare."
"But, Mac," protested Trina, "I didn't know it was going to rain."
The dentist put back his head and laughed scornfully. His face was very red, and his small eyes twinkled. "Hoh! no, you didn't know it was going to rain. Didn't I TELL you it was?" he exclaimed, suddenly angry again. "Oh, you're a DAISY, you are. Think I'm going to put up with your foolishness ALL the time? Who's the boss, you or I?"
"Why, Mac, I never saw you this way before. You talk like a different man."
"Well, I AM a different man," retorted the dentist, savagely. "You can't make small of me ALWAYS."
"Well, never mind that. You know I'm not trying to make small of you. But never mind that. Did you get a place?"
"Give me my money," exclaimed McTeague, jumping up briskly. There was an activity, a positive nimbleness about the huge blond giant that had never been his before; also his stupidity, the sluggishness of his brain, seemed to be unusually stimulated.
"Give me my money, the money I gave you as I was going away."
"I can't," exclaimed Trina. "I paid the grocer's bill with it while you were gone."
"Don't believe you."
"Truly, truly, Mac. Do you think I'd lie to you? Do you think I'd lower myself to do that?"
"Well, the next time I earn any money I'll keep it myself."
"But tell me, Mac, DID you get a place?"
McTeague turned his back on her.
"Tell me, Mac, please, did you?"
The dentist jumped up and thrust his face close to hers, his heavy jaw protruding, his little eyes twinkling meanly.
"No," he shouted. "No, no, NO. Do you hear? NO."
Trina cowered before him. Then suddenly she began to sob aloud, weeping partly at his strange brutality, partly at the disappointment of his failure to find employment.
McTeague cast a contemptuous glance about him, a glance that embraced the dingy, cheerless room, the rain streaming down the panes of the one window, and the figure of his weeping wife.
"Oh, ain't this all FINE?" he exclaimed. "Ain't it lovely?"
"It's not my fault," sobbed Trina.
"It is too," vociferated McTeague. "It is too. We could live like Christians and decent people if you wanted to. You got more'n five thousand dollars, and you're so damned stingy that you'd rather live in a rat hole—and make me live there too—before you'd part with a nickel of it. I tell you I'm sick and tired of the whole business."
An allusion to her lottery money never failed to rouse Trina.
"And I'll tell you this much too," she cried, winking back the tears. "Now that you're out of a job, we can't afford even to live in your rat hole, as you call it. We've got to find a cheaper place than THIS even."
"What!" exclaimed the dentist, purple with rage. "What, get into a worse hole in the wall than this? Well, we'll SEE if we will. We'll just see about that. You're going to do just as I tell you after this, Trina McTeague," and once more he thrust his face close to hers.
"I know what's the matter," cried Trina, with a half sob; "I know, I can smell it on your breath. You've been drinking whiskey."
"Yes, I've been drinking whiskey," retorted her husband. "I've been drinking whiskey. Have you got anything to say about it? Ah, yes, you're RIGHT, I've been drinking whiskey. What have YOU got to say about my drinking whiskey? Let's hear it."
"Oh! Oh! Oh!" sobbed Trina, covering her face with her hands. McTeague caught her wrists in one palm and pulled them down. Trina's pale face was streaming with tears; her long, narrow blue eyes were swimming; her adorable little chin upraised and quivering.
"Let's hear what you got to say," exclaimed McTeague.
"Nothing, nothing," said Trina, between her sobs.
"Then stop that noise. Stop it, do you hear me? Stop it." He threw up his open hand threateningly. "STOP!" he exclaimed.
Trina looked at him fearfully, half blinded with weeping. Her husband's thick mane of yellow hair was disordered and rumpled upon his great square-cut head; his big red ears were redder than ever; his face was purple; the thick eyebrows were knotted over the small, twinkling eyes; the heavy yellow mustache, that smelt of alcohol, drooped over the massive, protruding chin, salient, like that of the carnivora; the veins were swollen and throbbing on his thick red neck; while over her head Trina saw his upraised palm, callused, enormous.
"Stop!" he exclaimed. And Trina, watching fearfully, saw the palm suddenly contract into a fist, a fist that was hard as a wooden mallet, the fist of the old-time car-boy. And then her ancient terror of him, the intuitive fear of the male, leaped to life again. She was afraid of him. Every nerve of her quailed and shrank from him. She choked back her sobs, catching her breath.
"There," growled the dentist, releasing her, "that's more like. Now," he went on, fixing her with his little eyes, "now listen to me. I'm beat out. I've walked the city over—ten miles, I guess—an' I'm going to bed, an' I don't want to be bothered. You understand? I want to be let alone." Trina was silent.
"Do you HEAR?" he snarled.
"Yes, Mac."
The dentist took off his coat, his collar and necktie, unbuttoned his vest, and slipped his heavy-soled boots from his big feet. Then he stretched himself upon the bed and rolled over towards the wall. In a few minutes the sound of his snoring filled the room.
Trina craned her neck and looked at her husband over the footboard of the bed. She saw his red, congested face; the huge mouth wide open; his unclean shirt, with its frayed wristbands; and his huge feet encased in thick woollen socks. Then her grief and the sense of her unhappiness returned more poignant than ever. She stretched her arms out in front of her on her work-table, and, burying her face in them, cried and sobbed as though her heart would break.
The rain continued. The panes of the single window ran with sheets of water; the eaves dripped incessantly. It grew darker. The tiny, grimy room, full of the smells of cooking and of "non-poisonous" paint, took on an aspect of desolation and cheerlessness lamentable beyond words. The canary in its little gilt prison chittered feebly from time to time. Sprawled at full length upon the bed, the dentist snored and snored, stupefied, inert, his legs wide apart, his hands lying palm upward at his sides.
At last Trina raised her head, with a long, trembling breath. She rose, and going over to the washstand, poured some water from the pitcher into the basin, and washed her face and swollen eyelids, and rearranged her hair. Suddenly, as she was about to return to her work, she was struck with an idea.
"I wonder," she said to herself, "I wonder where he got the money to buy his whiskey." She searched the pockets of his coat, which he had flung into a corner of the room, and even came up to him as he lay upon the bed and went through the pockets of his vest and trousers. She found nothing.
"I wonder," she murmured, "I wonder if he's got any money he don't tell me about. I'll have to look out for that."
CHAPTER 16
A week passed, then a fortnight, then a month. It was a month of the greatest anxiety and unquietude for Trina. McTeague was out of a job, could find nothing to do; and Trina, who saw the impossibility of saving as much money as usual out of her earnings under the present conditions, was on the lookout for cheaper quarters. In spite of his outcries and sulky resistance Trina had induced her husband to consent to such a move, bewildering him with a torrent of phrases and marvellous columns of figures by which she proved conclusively that they were in a condition but one remove from downright destitution.
The dentist continued idle. Since his ill success with the manufacturers of surgical instruments he had made but two attempts to secure a job. Trina had gone to see Uncle Oelbermann and had obtained for McTeague a position in the shipping department of the wholesale toy store. However, it was a position that involved a certain amount of ciphering, and McTeague had been obliged to throw it up in two days.
Then for a time they had entertained a wild idea that a place on the police force could be secured for McTeague. He could pass the physical examination with flying colors, and Ryer, who had become the secretary of the Polk Street Improvement Club, promised the requisite political "pull." If McTeague had shown a certain energy in the matter the attempt might have been successful; but he was too stupid, or of late had become too listless to exert himself greatly, and the affair resulted only in a violent quarrel with Ryer.
McTeague had lost his ambition. He did not care to better his situation. All he wanted was a warm place to sleep and three good meals a day. At the first—at the very first—he had chafed at his idleness and had spent the days with his wife in their one narrow room, walking back and forth with the restlessness of a caged brute, or sitting motionless for hours, watching Trina at her work, feeling a dull glow of shame at the idea that she was supporting him. This feeling had worn off quickly, however. Trina's work was only hard when she chose to make it so, and as a rule she supported their misfortunes with a silent fortitude.
Then, wearied at his inaction and feeling the need of movement and exercise, McTeague would light his pipe and take a turn upon the great avenue one block above Polk Street. A gang of laborers were digging the foundations for a large brownstone house, and McTeague found interest and amusement in leaning over the barrier that surrounded the excavations and watching the progress of the work. He came to see it every afternoon; by and by he even got to know the foreman who superintended the job, and the two had long talks together. Then McTeague would return to Polk Street and find Heise in the back room of the harness shop, and occasionally the day ended with some half dozen drinks of whiskey at Joe Frenna's saloon.
It was curious to note the effect of the alcohol upon the dentist. It did not make him drunk, it made him vicious. So far from being stupefied, he became, after the fourth glass, active, alert, quick-witted, even talkative; a certain wickedness stirred in him then; he was intractable, mean; and when he had drunk a little more heavily than usual, he found a certain pleasure in annoying and exasperating Trina, even in abusing and hurting her.
It had begun on the evening of Thanksgiving Day, when Heise had taken McTeague out to dinner with him. The dentist on this occasion had drunk very freely. He and Heise had returned to Polk Street towards ten o'clock, and Heise at once suggested a couple of drinks at Frenna's.
"All right, all right," said McTeague. "Drinks, that's the word. I'll go home and get some money and meet you at Joe's."
Trina was awakened by her husband pinching her arm.
"Oh, Mac," she cried, jumping up in bed with a little scream, "how you hurt! Oh, that hurt me dreadfully."
"Give me a little money," answered the dentist, grinning, and pinching her again.
"I haven't a cent. There's not a—oh, MAC, will you stop? I won't have you pinch me that way."
"Hurry up," answered her husband, calmly, nipping the flesh of her shoulder between his thumb and finger. "Heise's waiting for me." Trina wrenched from him with a sharp intake of breath, frowning with pain, and caressing her shoulder.
"Mac, you've no idea how that hurts. Mac, STOP!"
"Give me some money, then."
In the end Trina had to comply. She gave him half a dollar from her dress pocket, protesting that it was the only piece of money she had.
"One more, just for luck," said McTeague, pinching her again; "and another."
"How can you—how CAN you hurt a woman so!" exclaimed Trina, beginning to cry with the pain.
"Ah, now, CRY," retorted the dentist. "That's right, CRY. I never saw such a little fool." He went out, slamming the door in disgust.
But McTeague never became a drunkard in the generally received sense of the term. He did not drink to excess more than two or three times in a month, and never upon any occasion did he become maudlin or staggering. Perhaps his nerves were naturally too dull to admit of any excitation; perhaps he did not really care for the whiskey, and only drank because Heise and the other men at Frenna's did. Trina could often reproach him with drinking too much; she never could say that he was drunk. The alcohol had its effect for all that. It roused the man, or rather the brute in the man, and now not only roused it, but goaded it to evil. McTeague's nature changed. It was not only the alcohol, it was idleness and a general throwing off of the good influence his wife had had over him in the days of their prosperity. McTeague disliked Trina. She was a perpetual irritation to him. She annoyed him because she was so small, so prettily made, so invariably correct and precise. Her avarice incessantly harassed him. Her industry was a constant reproach to him. She seemed to flaunt her work defiantly in his face. It was the red flag in the eyes of the bull. One time when he had just come back from Frenna's and had been sitting in the chair near her, silently watching her at her work, he exclaimed all of a sudden:
"Stop working. Stop it, I tell you. Put 'em away. Put 'em all away, or I'll pinch you."
"But why—why?" Trina protested.
The dentist cuffed her ears. "I won't have you work." He took her knife and her paint-pots away, and made her sit idly in the window the rest of the afternoon.
It was, however, only when his wits had been stirred with alcohol that the dentist was brutal to his wife. At other times, say three weeks of every month, she was merely an incumbrance to him. They often quarrelled about Trina's money, her savings. The dentist was bent upon having at least a part of them. What he would do with the money once he had it, he did not precisely know. He would spend it in royal fashion, no doubt, feasting continually, buying himself wonderful clothes. The miner's idea of money quickly gained and lavishly squandered, persisted in his mind. As for Trina, the more her husband stormed, the tighter she drew the strings of the little chamois-skin bag that she hid at the bottom of her trunk underneath her bridal dress. Her five thousand dollars invested in Uncle Oelbermann's business was a glittering, splendid dream which came to her almost every hour of the day as a solace and a compensation for all her unhappiness.
At times, when she knew that McTeague was far from home, she would lock her door, open her trunk, and pile all her little hoard on her table. By now it was four hundred and seven dollars and fifty cents. Trina would play with this money by the hour, piling it, and repiling it, or gathering it all into one heap, and drawing back to the farthest corner of the room to note the effect, her head on one side. She polished the gold pieces with a mixture of soap and ashes until they shone, wiping them carefully on her apron. Or, again, she would draw the heap lovingly toward her and bury her face in it, delighted at the smell of it and the feel of the smooth, cool metal on her cheeks. She even put the smaller gold pieces in her mouth, and jingled them there. She loved her money with an intensity that she could hardly express. She would plunge her small fingers into the pile with little murmurs of affection, her long, narrow eyes half closed and shining, her breath coming in long sighs.
"Ah, the dear money, the dear money," she would whisper. "I love you so! All mine, every penny of it. No one shall ever, ever get you. How I've worked for you! How I've slaved and saved for you! And I'm going to get more; I'm going to get more, more, more; a little every day."
She was still looking for cheaper quarters. Whenever she could spare a moment from her work, she would put on her hat and range up and down the entire neighborhood from Sutter to Sacramento Streets, going into all the alleys and bystreets, her head in the air, looking for the "Rooms-to-let" sign. But she was in despair. All the cheaper tenements were occupied. She could find no room more reasonable than the one she and the dentist now occupied.
As time went on, McTeague's idleness became habitual. He drank no more whiskey than at first, but his dislike for Trina increased with every day of their poverty, with every day of Trina's persistent stinginess. At times—fortunately rare he was more than ever brutal to her. He would box her ears or hit her a great blow with the back of a hair-brush, or even with his closed fist. His old-time affection for his "little woman," unable to stand the test of privation, had lapsed by degrees, and what little of it was left was changed, distorted, and made monstrous by the alcohol.
The people about the house and the clerks at the provision stores often remarked that Trina's fingertips were swollen and the nails purple as though they had been shut in a door. Indeed, this was the explanation she gave. The fact of the matter was that McTeague, when he had been drinking, used to bite them, crunching and grinding them with his immense teeth, always ingenious enough to remember which were the sorest. Sometimes he extorted money from her by this means, but as often as not he did it for his own satisfaction.
And in some strange, inexplicable way this brutality made Trina all the more affectionate; aroused in her a morbid, unwholesome love of submission, a strange, unnatural pleasure in yielding, in surrendering herself to the will of an irresistible, virile power.
Trina's emotions had narrowed with the narrowing of her daily life. They reduced themselves at last to but two, her passion for her money and her perverted love for her husband when he was brutal. She was a strange woman during these days.
Trina had come to be on very intimate terms with Maria Macapa, and in the end the dentist's wife and the maid of all work became great friends. Maria was constantly in and out of Trina's room, and, whenever she could, Trina threw a shawl over her head and returned Maria's calls. Trina could reach Zerkow's dirty house without going into the street. The back yard of the flat had a gate that opened into a little inclosure where Zerkow kept his decrepit horse and ramshackle wagon, and from thence Trina could enter directly into Maria's kitchen. Trina made long visits to Maria during the morning in her dressing-gown and curl papers, and the two talked at great length over a cup of tea served on the edge of the sink or a corner of the laundry table. The talk was all of their husbands and of what to do when they came home in aggressive moods.
"You never ought to fight um," advised Maria. "It only makes um worse. Just hump your back, and it's soonest over."
They told each other of their husbands' brutalities, taking a strange sort of pride in recounting some particularly savage blow, each trying to make out that her own husband was the most cruel. They critically compared each other's bruises, each one glad when she could exhibit the worst. They exaggerated, they invented details, and, as if proud of their beatings, as if glorying in their husbands' mishandling, lied to each other, magnifying their own maltreatment. They had long and excited arguments as to which were the most effective means of punishment, the rope's ends and cart whips such as Zerkow used, or the fists and backs of hair-brushes affected by McTeague. Maria contended that the lash of the whip hurt the most; Trina, that the butt did the most injury.
Maria showed Trina the holes in the walls and the loosened boards in the flooring where Zerkow had been searching for the gold plate. Of late he had been digging in the back yard and had ransacked the hay in his horse-shed for the concealed leather chest he imagined he would find. But he was becoming impatient, evidently.
"The way he goes on," Maria told Trina, "is somethun dreadful. He's gettun regularly sick with it—got a fever every night—don't sleep, and when he does, talks to himself. Says 'More'n a hundred pieces, an' every one of 'em gold. More'n a hundred pieces, an' every one of 'em gold.' Then he'll whale me with his whip, and shout, 'You know where it is. Tell me, tell me, you swine, or I'll do for you.' An' then he'll get down on his knees and whimper, and beg me to tell um where I've hid it. He's just gone plum crazy. Sometimes he has regular fits, he gets so mad, and rolls on the floor and scratches himself."
One morning in November, about ten o'clock, Trina pasted a "Made in France" label on the bottom of a Noah's ark, and leaned back in her chair with a long sigh of relief. She had just finished a large Christmas order for Uncle Oelbermann, and there was nothing else she could do that morning. The bed had not yet been made, nor had the breakfast things been washed. Trina hesitated for a moment, then put her chin in the air indifferently.
"Bah!" she said, "let them go till this afternoon. I don't care WHEN the room is put to rights, and I know Mac don't." She determined that instead of making the bed or washing the dishes she would go and call on Miss Baker on the floor below. The little dressmaker might ask her to stay to lunch, and that would be something saved, as the dentist had announced his intention that morning of taking a long walk out to the Presidio to be gone all day.
But Trina rapped on Miss Baker's door in vain that morning. She was out. Perhaps she was gone to the florist's to buy some geranium seeds. However, Old Grannis's door stood a little ajar, and on hearing Trina at Miss Baker's room, the old Englishman came out into the hall.
"She's gone out," he said, uncertainly, and in a half whisper, "went out about half an hour ago. I—I think she went to the drug store to get some wafers for the goldfish."
"Don't you go to your dog hospital any more, Mister Grannis?" said Trina, leaning against the balustrade in the hall, willing to talk a moment.
Old Grannis stood in the doorway of his room, in his carpet slippers and faded corduroy jacket that he wore when at home.
"Why—why," he said, hesitating, tapping his chin thoughtfully. "You see I'm thinking of giving up the little hospital."
"Giving it up?"
"You see, the people at the book store where I buy my pamphlets have found out—I told them of my contrivance for binding books, and one of the members of the firm came up to look at it. He offered me quite a sum if I would sell him the right of it—the—patent of it—quite a sum. In fact—in fact—yes, quite a sum, quite." He rubbed his chin tremulously and looked about him on the floor.
"Why, isn't that fine?" said Trina, good-naturedly. "I'm very glad, Mister Grannis. Is it a good price?"
"Quite a sum—quite. In fact, I never dreamed of having so much money."
"Now, see here, Mister Grannis," said Trina, decisively, "I want to give you a good piece of advice. Here are you and Miss Baker——" The old Englishman started nervously—"You and Miss Baker, that have been in love with each other for——"
"Oh, Mrs. McTeague, that subject—if you would please—Miss Baker is such an estimable lady."
"Fiddlesticks!" said Trina. "You're in love with each other, and the whole flat knows it; and you two have been living here side by side year in and year out, and you've never said a word to each other. It's all nonsense. Now, I want you should go right in and speak to her just as soon as she comes home, and say you've come into money and you want her to marry you."
"Impossible—impossible!" exclaimed the old Englishman, alarmed and perturbed. "It's quite out of the question. I wouldn't presume."
"Well, do you love her, or not?"
"Really, Mrs. McTeague, I—I—you must excuse me. It's a matter so personal—so—I—Oh, yes, I love her. Oh, yes, indeed," he exclaimed, suddenly.
"Well, then, she loves you. She told me so."
"Oh!"
"She did. She said those very words."
Miss Baker had said nothing of the kind—would have died sooner than have made such a confession; but Trina had drawn her own conclusions, like every other lodger of the flat, and thought the time was come for decided action.
"Now you do just as I tell you, and when she comes home, go right in and see her, and have it over with. Now, don't say another word. I'm going; but you do just as I tell you."
Trina turned about and went down-stairs. She had decided, since Miss Baker was not at home, that she would run over and see Maria; possibly she could have lunch there. At any rate, Maria would offer her a cup of tea.
Old Grannis stood for a long time just as Trina had left him, his hands trembling, the blood coming and going in his withered cheeks.
"She said, she—she—she told her—she said that—that——" he could get no farther.
Then he faced about and entered his room, closing the door behind him. For a long time he sat in his armchair, drawn close to the wall in front of the table on which stood his piles of pamphlets and his little binding apparatus.
"I wonder," said Trina, as she crossed the yard back of Zerkow's house, "I wonder what rent Zerkow and Maria pay for this place. I'll bet it's cheaper than where Mac and I are."
Trina found Maria sitting in front of the kitchen stove, her chin upon her breast. Trina went up to her. She was dead. And as Trina touched her shoulder, her head rolled sideways and showed a fearful gash in her throat under her ear. All the front of her dress was soaked through and through.
Trina backed sharply away from the body, drawing her hands up to her very shoulders, her eyes staring and wide, an expression of unutterable horror twisting her face.
"Oh-h-h!" she exclaimed in a long breath, her voice hardly rising above a whisper. "Oh-h, isn't that horrible!" Suddenly she turned and fled through the front part of the house to the street door, that opened upon the little alley. She looked wildly about her. Directly across the way a butcher's boy was getting into his two-wheeled cart drawn up in front of the opposite house, while near by a peddler of wild game was coming down the street, a brace of ducks in his hand.
"Oh, say—say," gasped Trina, trying to get her voice, "say, come over here quick."
The butcher's boy paused, one foot on the wheel, and stared. Trina beckoned frantically.
"Come over here, come over here quick."
The young fellow swung himself into his seat.
"What's the matter with that woman?" he said, half aloud.
"There's a murder been done," cried Trina, swaying in the doorway.
The young fellow drove away, his head over his shoulder, staring at Trina with eyes that were fixed and absolutely devoid of expression.
"What's the matter with that woman?" he said again to himself as he turned the corner.
Trina wondered why she didn't scream, how she could keep from it—how, at such a moment as this, she could remember that it was improper to make a disturbance and create a scene in the street. The peddler of wild game was looking at her suspiciously. It would not do to tell him. He would go away like the butcher's boy.
"Now, wait a minute," Trina said to herself, speaking aloud. She put her hands to her head. "Now, wait a minute. It won't do for me to lose my wits now. What must I do?" She looked about her. There was the same familiar aspect of Polk Street. She could see it at the end of the alley. The big market opposite the flat, the delivery carts rattling up and down, the great ladies from the avenue at their morning shopping, the cable cars trundling past, loaded with passengers. She saw a little boy in a flat leather cap whistling and calling for an unseen dog, slapping his small knee from time to time. Two men came out of Frenna's saloon, laughing heartily. Heise the harness-maker stood in the vestibule of his shop, a bundle of whittlings in his apron of greasy ticking. And all this was going on, people were laughing and living, buying and selling, walking about out there on the sunny sidewalks, while behind her in there—in there—in there——
Heise started back from the sudden apparition of a white-lipped woman in a blue dressing-gown that seemed to rise up before him from his very doorstep.
"Well, Mrs. McTeague, you did scare me, for——"
"Oh, come over here quick." Trina put her hand to her neck; swallowing something that seemed to be choking her. "Maria's killed—Zerkow's wife—I found her."
"Get out!" exclaimed Heise, "you're joking."
"Come over here—over into the house—I found her—she's dead."
Heise dashed across the street on the run, with Trina at his heels, a trail of spilled whittlings marking his course. The two ran down the alley. The wild-game peddler, a woman who had been washing down the steps in a neighboring house, and a man in a broad-brimmed hat stood at Zerkow's doorway, looking in from time to time, and talking together. They seemed puzzled. |
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