Gradually the dentist improved under the influence of his little wife. He no longer went abroad with frayed cuffs about his huge red wrists—or worse, without any cuffs at all. Trina kept his linen clean and mended, doing most of his washing herself, and insisting that he should change his flannels—thick red flannels they were, with enormous bone buttons—once a week, his linen shirts twice a week, and his collars and cuffs every second day. She broke him of the habit of eating with his knife, she caused him to substitute bottled beer in the place of steam beer, and she induced him to take off his hat to Miss Baker, to Heise's wife, and to the other women of his acquaintance. McTeague no longer spent an evening at Frenna's. Instead of this he brought a couple of bottles of beer up to the rooms and shared it with Trina. In his "Parlors" he was no longer gruff and indifferent to his female patients; he arrived at that stage where he could work and talk to them at the same time; he even accompanied them to the door, and held it open for them when the operation was finished, bowing them out with great nods of his huge square-cut head.

Besides all this, he began to observe the broader, larger interests of life, interests that affected him not as an individual, but as a member of a class, a profession, or a political party. He read the papers, he subscribed to a dental magazine; on Easter, Christmas, and New Year's he went to church with Trina. He commenced to have opinions, convictions—it was not fair to deprive tax-paying women of the privilege to vote; a university education should not be a prerequisite for admission to a dental college; the Catholic priests were to be restrained in their efforts to gain control of the public schools.

But most wonderful of all, McTeague began to have ambitions—very vague, very confused ideas of something better—ideas for the most part borrowed from Trina. Some day, perhaps, he and his wife would have a house of their own. What a dream! A little home all to themselves, with six rooms and a bath, with a grass plat in front and calla-lilies. Then there would be children. He would have a son, whose name would be Daniel, who would go to High School, and perhaps turn out to be a prosperous plumber or house painter. Then this son Daniel would marry a wife, and they would all live together in that six-room-and-bath house; Daniel would have little children. McTeague would grow old among them all. The dentist saw himself as a venerable patriarch surrounded by children and grandchildren.

So the winter passed. It was a season of great happiness for the McTeagues; the new life jostled itself into its grooves. A routine began.

On weekdays they rose at half-past six, being awakened by the boy who brought the bottled milk, and who had instructions to pound upon the bedroom door in passing. Trina made breakfast—coffee, bacon and eggs, and a roll of Vienna bread from the bakery. The breakfast was eaten in the kitchen, on the round deal table covered with the shiny oilcloth table-spread tacked on. After breakfast the dentist immediately betook himself to his "Parlors" to meet his early morning appointments—those made with the clerks and shop girls who stopped in for half an hour on their way to their work.

Trina, meanwhile, busied herself about the suite, clearing away the breakfast, sponging off the oilcloth table-spread, making the bed, pottering about with a broom or duster or cleaning rag. Towards ten o'clock she opened the windows to air the rooms, then put on her drab jacket, her little round turban with its red wing, took the butcher's and grocer's books from the knife basket in the drawer of the kitchen table, and descended to the street, where she spent a delicious hour—now in the huge market across the way, now in the grocer's store with its fragrant aroma of coffee and spices, and now before the counters of the haberdasher's, intent on a bit of shopping, turning over ends of veiling, strips of elastic, or slivers of whalebone. On the street she rubbed elbows with the great ladies of the avenue in their beautiful dresses, or at intervals she met an acquaintance or two—Miss Baker, or Heise's lame wife, or Mrs. Ryer. At times she passed the flat and looked up at the windows of her home, marked by the huge golden molar that projected, flashing, from the bay window of the "Parlors." She saw the open windows of the sitting-room, the Nottingham lace curtains stirring and billowing in the draft, and she caught sight of Maria Macapa's towelled head as the Mexican maid-of-all-work went to and fro in the suite, sweeping or carrying away the ashes. Occasionally in the windows of the "Parlors" she beheld McTeague's rounded back as he bent to his work. Sometimes, even, they saw each other and waved their hands gayly in recognition.

By eleven o'clock Trina returned to the flat, her brown net reticule—once her mother's—full of parcels. At once she set about getting lunch—sausages, perhaps, with mashed potatoes; or last evening's joint warmed over or made into a stew; chocolate, which Trina adored, and a side dish or two—a salted herring or a couple of artichokes or a salad. At half-past twelve the dentist came in from the "Parlors," bringing with him the smell of creosote and of ether. They sat down to lunch in the sitting-room. They told each other of their doings throughout the forenoon; Trina showed her purchases, McTeague recounted the progress of an operation. At one o'clock they separated, the dentist returning to the "Parlors," Trina settling to her work on the Noah's ark animals. At about three o'clock she put this work away, and for the rest of the afternoon was variously occupied—sometimes it was the mending, sometimes the wash, sometimes new curtains to be put up, or a bit of carpet to be tacked down, or a letter to be written, or a visit—generally to Miss Baker—to be returned. Towards five o'clock the old woman whom they had hired for that purpose came to cook supper, for even Trina was not equal to the task of preparing three meals a day.

This woman was French, and was known to the flat as Augustine, no one taking enough interest in her to inquire for her last name; all that was known of her was that she was a decayed French laundress, miserably poor, her trade long since ruined by Chinese competition. Augustine cooked well, but she was otherwise undesirable, and Trina lost patience with her at every moment. The old French woman's most marked characteristic was her timidity. Trina could scarcely address her a simple direction without Augustine quailing and shrinking; a reproof, however gentle, threw her into an agony of confusion; while Trina's anger promptly reduced her to a state of nervous collapse, wherein she lost all power of speech, while her head began to bob and nod with an incontrollable twitching of the muscles, much like the oscillations of the head of a toy donkey. Her timidity was exasperating, her very presence in the room unstrung the nerves, while her morbid eagerness to avoid offence only served to develop in her a clumsiness that was at times beyond belief. More than once Trina had decided that she could no longer put up with Augustine but each time she had retained her as she reflected upon her admirably cooked cabbage soups and tapioca puddings, and—which in Trina's eyes was her chiefest recommendation—the pittance for which she was contented to work.

Augustine had a husband. He was a spirit-medium—a "professor." At times he held seances in the larger rooms of the flat, playing vigorously upon a mouth-organ and invoking a familiar whom he called "Edna," and whom he asserted was an Indian maiden.

The evening was a period of relaxation for Trina and McTeague. They had supper at six, after which McTeague smoked his pipe and read the papers for half an hour, while Trina and Augustine cleared away the table and washed the dishes. Then, as often as not, they went out together. One of their amusements was to go "down town" after dark and promenade Market and Kearney Streets. It was very gay; a great many others were promenading there also. All of the stores were brilliantly lighted and many of them still open. They walked about aimlessly, looking into the shop windows. Trina would take McTeague's arm, and he, very much embarrassed at that, would thrust both hands into his pockets and pretend not to notice. They stopped before the jewellers' and milliners' windows, finding a great delight in picking out things for each other, saying how they would choose this and that if they were rich. Trina did most of the talking. McTeague merely approving by a growl or a movement of the head or shoulders; she was interested in the displays of some of the cheaper stores, but he found an irresistible charm in an enormous golden molar with four prongs that hung at a corner of Kearney Street. Sometimes they would look at Mars or at the moon through the street telescopes or sit for a time in the rotunda of a vast department store where a band played every evening.

Occasionally they met Heise the harness-maker and his wife, with whom they had become acquainted. Then the evening was concluded by a four-cornered party in the Luxembourg, a quiet German restaurant under a theatre. Trina had a tamale and a glass of beer, Mrs. Heise (who was a decayed writing teacher) ate salads, with glasses of grenadine and currant syrups. Heise drank cocktails and whiskey straight, and urged the dentist to join him. But McTeague was obstinate, shaking his head. "I can't drink that stuff," he said. "It don't agree with me, somehow; I go kinda crazy after two glasses." So he gorged himself with beer and frankfurter sausages plastered with German mustard.

When the annual Mechanic's Fair opened, McTeague and Trina often spent their evenings there, studying the exhibits carefully (since in Trina's estimation education meant knowing things and being able to talk about them). Wearying of this they would go up into the gallery, and, leaning over, look down into the huge amphitheatre full of light and color and movement.

There rose to them the vast shuffling noise of thousands of feet and a subdued roar of conversation like the sound of a great mill. Mingled with this was the purring of distant machinery, the splashing of a temporary fountain, and the rhythmic jangling of a brass band, while in the piano exhibit a hired performer was playing upon a concert grand with a great flourish. Nearer at hand they could catch ends of conversation and notes of laughter, the noise of moving dresses, and the rustle of stiffly starched skirts. Here and there school children elbowed their way through the crowd, crying shrilly, their hands full of advertisement pamphlets, fans, picture cards, and toy whips, while the air itself was full of the smell of fresh popcorn.

They even spent some time in the art gallery. Trina's cousin Selina, who gave lessons in hand painting at two bits an hour, generally had an exhibit on the walls, which they were interested to find. It usually was a bunch of yellow poppies painted on black velvet and framed in gilt. They stood before it some little time, hazarding their opinions, and then moved on slowly from one picture to another. Trina had McTeague buy a catalogue and made a duty of finding the title of every picture. This, too, she told McTeague, as a kind of education one ought to cultivate. Trina professed to be fond of art, having perhaps acquired a taste for painting and sculpture from her experience with the Noah's ark animals.

"Of course," she told the dentist, "I'm no critic, I only know what I like." She knew that she liked the "Ideal Heads," lovely girls with flowing straw-colored hair and immense, upturned eyes. These always had for title, "Reverie," or "An Idyll," or "Dreams of Love."

"I think those are lovely, don't you, Mac?" she said.

"Yes, yes," answered McTeague, nodding his head, bewildered, trying to understand. "Yes, yes, lovely, that's the word. Are you dead sure now, Trina, that all that's hand-painted just like the poppies?"

Thus the winter passed, a year went by, then two. The little life of Polk Street, the life of small traders, drug clerks, grocers, stationers, plumbers, dentists, doctors, spirit-mediums, and the like, ran on monotonously in its accustomed grooves. The first three years of their married life wrought little change in the fortunes of the McTeagues. In the third summer the branch post-office was moved from the ground floor of the flat to a corner farther up the street in order to be near the cable line that ran mail cars. Its place was taken by a German saloon, called a "Wein Stube," in the face of the protests of every female lodger. A few months later quite a little flurry of excitement ran through the street on the occasion of "The Polk Street Open Air Festival," organized to celebrate the introduction there of electric lights. The festival lasted three days and was quite an affair. The street was garlanded with yellow and white bunting; there were processions and "floats" and brass bands. Marcus Schouler was in his element during the whole time of the celebration. He was one of the marshals of the parade, and was to be seen at every hour of the day, wearing a borrowed high hat and cotton gloves, and galloping a broken-down cab-horse over the cobbles. He carried a baton covered with yellow and white calico, with which he made furious passes and gestures. His voice was soon reduced to a whisper by continued shouting, and he raged and fretted over trifles till he wore himself thin. McTeague was disgusted with him. As often as Marcus passed the window of the flat the dentist would mutter:

"Ah, you think you're smart, don't you?"

The result of the festival was the organizing of a body known as the "Polk Street Improvement Club," of which Marcus was elected secretary. McTeague and Trina often heard of him in this capacity through Heise the harness-maker. Marcus had evidently come to have political aspirations. It appeared that he was gaining a reputation as a maker of speeches, delivered with fiery emphasis, and occasionally reprinted in the "Progress," the organ of the club—"outraged constituencies," "opinions warped by personal bias," "eyes blinded by party prejudice," etc.

Of her family, Trina heard every fortnight in letters from her mother. The upholstery business which Mr. Sieppe had bought was doing poorly, and Mrs. Sieppe bewailed the day she had ever left B Street. Mr. Sieppe was losing money every month. Owgooste, who was to have gone to school, had been forced to go to work in "the store," picking waste. Mrs. Sieppe was obliged to take a lodger or two. Affairs were in a very bad way. Occasionally she spoke of Marcus. Mr. Sieppe had not forgotten him despite his own troubles, but still had an eye out for some one whom Marcus could "go in with" on a ranch.

It was toward the end of this period of three years that Trina and McTeague had their first serious quarrel. Trina had talked so much about having a little house of their own at some future day, that McTeague had at length come to regard the affair as the end and object of all their labors. For a long time they had had their eyes upon one house in particular. It was situated on a cross street close by, between Polk Street and the great avenue one block above, and hardly a Sunday afternoon passed that Trina and McTeague did not go and look at it. They stood for fully half an hour upon the other side of the street, examining every detail of its exterior, hazarding guesses as to the arrangement of the rooms, commenting upon its immediate neighborhood—which was rather sordid. The house was a wooden two-story arrangement, built by a misguided contractor in a sort of hideous Queen Anne style, all scrolls and meaningless mill work, with a cheap imitation of stained glass in the light over the door. There was a microscopic front yard full of dusty calla-lilies. The front door boasted an electric bell. But for the McTeagues it was an ideal home. Their idea was to live in this little house, the dentist retaining merely his office in the flat. The two places were but around the corner from each other, so that McTeague could lunch with his wife, as usual, and could even keep his early morning appointments and return to breakfast if he so desired.

However, the house was occupied. A Hungarian family lived in it. The father kept a stationery and notion "bazaar" next to Heise's harness-shop on Polk Street, while the oldest son played a third violin in the orchestra of a theatre. The family rented the house unfurnished for thirty-five dollars, paying extra for the water.

But one Sunday as Trina and McTeague on their way home from their usual walk turned into the cross street on which the little house was situated, they became promptly aware of an unwonted bustle going on upon the sidewalk in front of it. A dray was back against the curb, an express wagon drove away loaded with furniture; bedsteads, looking-glasses, and washbowls littered the sidewalks. The Hungarian family were moving out.

"Oh, Mac, look!" gasped Trina.

"Sure, sure," muttered the dentist.

After that they spoke but little. For upwards of an hour the two stood upon the sidewalk opposite, watching intently all that went forward, absorbed, excited.

On the evening of the next day they returned and visited the house, finding a great delight in going from room to room and imagining themselves installed therein. Here would be the bedroom, here the dining-room, here a charming little parlor. As they came out upon the front steps once more they met the owner, an enormous, red-faced fellow, so fat that his walking seemed merely a certain movement of his feet by which he pushed his stomach along in front of him. Trina talked with him a few moments, but arrived at no understanding, and the two went away after giving him their address. At supper that night McTeague said:

"Huh—what do you think, Trina?"

Trina put her chin in the air, tilting back her heavy tiara of swarthy hair.

"I am not so sure yet. Thirty-five dollars and the water extra. I don't think we can afford it, Mac."

"Ah, pshaw!" growled the dentist, "sure we can."

"It isn't only that," said Trina, "but it'll cost so much to make the change."

"Ah, you talk's though we were paupers. Ain't we got five thousand dollars?"

Trina flushed on the instant, even to the lobes of her tiny pale ears, and put her lips together.

"Now, Mac, you know I don't want you should talk like that. That money's never, never to be touched."

"And you've been savun up a good deal, besides," went on McTeague, exasperated at Trina's persistent economies. "How much money have you got in that little brass match-safe in the bottom of your trunk? Pretty near a hundred dollars, I guess—ah, sure." He shut his eyes and nodded his great head in a knowing way.

Trina had more than that in the brass match-safe in question, but her instinct of hoarding had led her to keep it a secret from her husband. Now she lied to him with prompt fluency.

"A hundred dollars! What are you talking of, Mac? I've not got fifty. I've not got THIRTY."

"Oh, let's take that little house," broke in McTeague. "We got the chance now, and it may never come again. Come on, Trina, shall we? Say, come on, shall we, huh?"

"We'd have to be awful saving if we did, Mac."

"Well, sure, I say let's take it."

"I don't know," said Trina, hesitating. "Wouldn't it be lovely to have a house all to ourselves? But let's not decide until to-morrow."

The next day the owner of the house called. Trina was out at her morning's marketing and the dentist, who had no one in the chair at the time, received him in the "Parlors." Before he was well aware of it, McTeague had concluded the bargain. The owner bewildered him with a world of phrases, made him believe that it would be a great saving to move into the little house, and finally offered it to him "water free."

"All right, all right," said McTeague, "I'll take it."

The other immediately produced a paper.

"Well, then, suppose you sign for the first month's rent, and we'll call it a bargain. That's business, you know," and McTeague, hesitating, signed.

"I'd like to have talked more with my wife about it first," he said, dubiously.

"Oh, that's all right," answered the owner, easily. "I guess if the head of the family wants a thing, that's enough."

McTeague could not wait until lunch time to tell the news to Trina. As soon as he heard her come in, he laid down the plaster-of-paris mould he was making and went out into the kitchen and found her chopping up onions.

"Well, Trina," he said, "we got that house. I've taken it."

"What do you mean?" she answered, quickly. The dentist told her.

"And you signed a paper for the first month's rent?"

"Sure, sure. That's business, you know."

"Well, why did you DO it?" cried Trina. "You might have asked ME something about it. Now, what have you done? I was talking with Mrs. Ryer about that house while I was out this morning, and she said the Hungarians moved out because it was absolutely unhealthy; there's water been standing in the basement for months. And she told me, too," Trina went on indignantly, "that she knew the owner, and she was sure we could get the house for thirty if we'd bargain for it. Now what have you gone and done? I hadn't made up my mind about taking the house at all. And now I WON'T take it, with the water in the basement and all."

"Well—well," stammered McTeague, helplessly, "we needn't go in if it's unhealthy."

"But you've signed a PAPER," cried Trina, exasperated. "You've got to pay that first month's rent, anyhow—to forfeit it. Oh, you are so stupid! There's thirty-five dollars just thrown away. I SHAN'T go into that house; we won't move a FOOT out of here. I've changed my mind about it, and there's water in the basement besides."

"Well, I guess we can stand thirty-five dollars," mumbled the dentist, "if we've got to."

"Thirty-five dollars just thrown out of the window," cried Trina, her teeth clicking, every instinct of her parsimony aroused. "Oh, you the thick-wittedest man that I ever knew. Do you think we're millionaires? Oh, to think of losing thirty-five dollars like that." Tears were in her eyes, tears of grief as well as of anger. Never had McTeague seen his little woman so aroused. Suddenly she rose to her feet and slammed the chopping-bowl down upon the table. "Well, I won't pay a nickel of it," she exclaimed.

"Huh? What, what?" stammered the dentist, taken all aback by her outburst.

"I say that you will find that money, that thirty-five dollars, yourself."

"Why—why——"

"It's your stupidity got us into this fix, and you'll be the one that'll suffer by it."

"I can't do it, I WON'T do it. We'll—we'll share and share alike. Why, you said—you told me you'd take the house if the water was free."

"I NEVER did. I NEVER did. How can you stand there and say such a thing?"

"You did tell me that," vociferated McTeague, beginning to get angry in his turn.

"Mac, I didn't, and you know it. And what's more, I won't pay a nickel. Mr. Heise pays his bill next week, it's forty-three dollars, and you can just pay the thirty-five out of that."

"Why, you got a whole hundred dollars saved up in your match-safe," shouted the dentist, throwing out an arm with an awkward gesture. "You pay half and I'll pay half, that's only fair."

"No, no, NO," exclaimed Trina. "It's not a hundred dollars. You won't touch it; you won't touch my money, I tell you."

"Ah, how does it happen to be yours, I'd like to know?"

"It's mine! It's mine! It's mine!" cried Trina, her face scarlet, her teeth clicking like the snap of a closing purse.

"It ain't any more yours than it is mine."

"Every penny of it is mine."

"Ah, what a fine fix you'd get me into," growled the dentist. "I've signed the paper with the owner; that's business, you know, that's business, you know; and now you go back on me. Suppose we'd taken the house, we'd 'a' shared the rent, wouldn't we, just as we do here?"

Trina shrugged her shoulders with a great affectation of indifference and began chopping the onions again.

"You settle it with the owner," she said. "It's your affair; you've got the money." She pretended to assume a certain calmness as though the matter was something that no longer affected her. Her manner exasperated McTeague all the more.

"No, I won't; no, I won't; I won't either," he shouted. "I'll pay my half and he can come to you for the other half." Trina put a hand over her ear to shut out his clamor.

"Ah, don't try and be smart," cried McTeague. "Come, now, yes or no, will you pay your half?"

"You heard what I said."

"Will you pay it?"

"No."

"Miser!" shouted McTeague. "Miser! you're worse than old Zerkow. All right, all right, keep your money. I'll pay the whole thirty-five. I'd rather lose it than be such a miser as you."

"Haven't you got anything to do," returned Trina, "instead of staying here and abusing me?"

"Well, then, for the last time, will you help me out?" Trina cut the heads of a fresh bunch of onions and gave no answer.

"Huh? will you?"

"I'd like to have my kitchen to myself, please," she said in a mincing way, irritating to a last degree. The dentist stamped out of the room, banging the door behind him.

For nearly a week the breach between them remained unhealed. Trina only spoke to the dentist in monosyllables, while he, exasperated at her calmness and frigid reserve, sulked in his "Dental Parlors," muttering terrible things beneath his mustache, or finding solace in his concertina, playing his six lugubrious airs over and over again, or swearing frightful oaths at his canary. When Heise paid his bill, McTeague, in a fury, sent the amount to the owner of the little house.

There was no formal reconciliation between the dentist and his little woman. Their relations readjusted themselves inevitably. By the end of the week they were as amicable as ever, but it was long before they spoke of the little house again. Nor did they ever revisit it of a Sunday afternoon. A month or so later the Ryers told them that the owner himself had moved in. The McTeagues never occupied that little house.

But Trina suffered a reaction after the quarrel. She began to be sorry she had refused to help her husband, sorry she had brought matters to such an issue. One afternoon as she was at work on the Noah's ark animals, she surprised herself crying over the affair. She loved her "old bear" too much to do him an injustice, and perhaps, after all, she had been in the wrong. Then it occurred to her how pretty it would be to come up behind him unexpectedly, and slip the money, thirty-five dollars, into his hand, and pull his huge head down to her and kiss his bald spot as she used to do in the days before they were married.

Then she hesitated, pausing in her work, her knife dropping into her lap, a half-whittled figure between her fingers. If not thirty-five dollars, then at least fifteen or sixteen, her share of it. But a feeling of reluctance, a sudden revolt against this intended generosity, arose in her.

"No, no," she said to herself. "I'll give him ten dollars. I'll tell him it's all I can afford. It IS all I can afford."

She hastened to finish the figure of the animal she was then at work upon, putting in the ears and tail with a drop of glue, and tossing it into the basket at her side. Then she rose and went into the bedroom and opened her trunk, taking the key from under a corner of the carpet where she kept it hid.

At the very bottom of her trunk, under her bridal dress, she kept her savings. It was all in change—half dollars and dollars for the most part, with here and there a gold piece. Long since the little brass match-box had overflowed. Trina kept the surplus in a chamois-skin sack she had made from an old chest protector. Just now, yielding to an impulse which often seized her, she drew out the match-box and the chamois sack, and emptying the contents on the bed, counted them carefully. It came to one hundred and sixty-five dollars, all told. She counted it and recounted it and made little piles of it, and rubbed the gold pieces between the folds of her apron until they shone.

"Ah, yes, ten dollars is all I can afford to give Mac," said Trina, "and even then, think of it, ten dollars—it will be four or five months before I can save that again. But, dear old Mac, I know it would make him feel glad, and perhaps," she added, suddenly taken with an idea, "perhaps Mac will refuse to take it."

She took a ten-dollar piece from the heap and put the rest away. Then she paused:

"No, not the gold piece," she said to herself. "It's too pretty. He can have the silver." She made the change and counted out ten silver dollars into her palm. But what a difference it made in the appearance and weight of the little chamois bag! The bag was shrunken and withered, long wrinkles appeared running downward from the draw-string. It was a lamentable sight. Trina looked longingly at the ten broad pieces in her hand. Then suddenly all her intuitive desire of saving, her instinct of hoarding, her love of money for the money's sake, rose strong within her.

"No, no, no," she said. "I can't do it. It may be mean, but I can't help it. It's stronger than I." She returned the money to the bag and locked it and the brass match-box in her trunk, turning the key with a long breath of satisfaction.

She was a little troubled, however, as she went back into the sitting-room and took up her work.

"I didn't use to be so stingy," she told herself. "Since I won in the lottery I've become a regular little miser. It's growing on me, but never mind, it's a good fault, and, anyhow, I can't help it."



CHAPTER 11

On that particular morning the McTeagues had risen a half hour earlier than usual and taken a hurried breakfast in the kitchen on the deal table with its oilcloth cover. Trina was house-cleaning that week and had a presentiment of a hard day's work ahead of her, while McTeague remembered a seven o'clock appointment with a little German shoemaker.

At about eight o'clock, when the dentist had been in his office for over an hour, Trina descended upon the bedroom, a towel about her head and the roller-sweeper in her hand. She covered the bureau and sewing machine with sheets, and unhooked the chenille portieres between the bedroom and the sitting-room. As she was tying the Nottingham lace curtains at the window into great knots, she saw old Miss Baker on the opposite sidewalk in the street below, and raising the sash called down to her.

"Oh, it's you, Mrs. McTeague," cried the retired dressmaker, facing about, her head in the air. Then a long conversation was begun, Trina, her arms folded under her breast, her elbows resting on the window ledge, willing to be idle for a moment; old Miss Baker, her market-basket on her arm, her hands wrapped in the ends of her worsted shawl against the cold of the early morning. They exchanged phrases, calling to each other from window to curb, their breath coming from their lips in faint puffs of vapor, their voices shrill, and raised to dominate the clamor of the waking street. The newsboys had made their appearance on the street, together with the day laborers. The cable cars had begun to fill up; all along the street could be seen the shopkeepers taking down their shutters; some were still breakfasting. Now and then a waiter from one of the cheap restaurants crossed from one sidewalk to another, balancing on one palm a tray covered with a napkin.

"Aren't you out pretty early this morning, Miss Baker?" called Trina.

"No, no," answered the other. "I'm always up at half-past six, but I don't always get out so soon. I wanted to get a nice head of cabbage and some lentils for a soup, and if you don't go to market early, the restaurants get all the best."

"And you've been to market already, Miss Baker?"

"Oh, my, yes; and I got a fish—a sole—see." She drew the sole in question from her basket.

"Oh, the lovely sole!" exclaimed Trina.

"I got this one at Spadella's; he always has good fish on Friday. How is the doctor, Mrs. McTeague?"

"Ah, Mac is always well, thank you, Miss Baker."

"You know, Mrs. Ryer told me," cried the little dressmaker, moving forward a step out of the way of a "glass-put-in" man, "that Doctor McTeague pulled a tooth of that Catholic priest, Father—oh, I forget his name—anyhow, he pulled his tooth with his fingers. Was that true, Mrs. McTeague?"

"Oh, of course. Mac does that almost all the time now, 'specially with front teeth. He's got a regular reputation for it. He says it's brought him more patients than even the sign I gave him," she added, pointing to the big golden molar projecting from the office window.

"With his fingers! Now, think of that," exclaimed Miss Baker, wagging her head. "Isn't he that strong! It's just wonderful. Cleaning house to-day?" she inquired, glancing at Trina's towelled head.

"Um hum," answered Trina. "Maria Macapa's coming in to help pretty soon."

At the mention of Maria's name the little old dressmaker suddenly uttered an exclamation.

"Well, if I'm not here talking to you and forgetting something I was just dying to tell you. Mrs. McTeague, what ever in the world do you suppose? Maria and old Zerkow, that red-headed Polish Jew, the rag-bottles-sacks man, you know, they're going to be married."

"No!" cried Trina, in blank amazement. "You don't mean it."

"Of course I do. Isn't it the funniest thing you ever heard of?"

"Oh, tell me all about it," said Trina, leaning eagerly from the window. Miss Baker crossed the street and stood just beneath her.

"Well, Maria came to me last night and wanted me to make her a new gown, said she wanted something gay, like what the girls at the candy store wear when they go out with their young men. I couldn't tell what had got into the girl, until finally she told me she wanted something to get married in, and that Zerkow had asked her to marry him, and that she was going to do it. Poor Maria! I guess it's the first and only offer she ever received, and it's just turned her head."

"But what DO those two see in each other?" cried Trina. "Zerkow is a horror, he's an old man, and his hair is red and his voice is gone, and then he's a Jew, isn't he?"

"I know, I know; but it's Maria's only chance for a husband, and she don't mean to let it pass. You know she isn't quite right in her head, anyhow. I'm awfully sorry for poor Maria. But I can't see what Zerkow wants to marry her for. It's not possible that he's in love with Maria, it's out of the question. Maria hasn't a sou, either, and I'm just positive that Zerkow has lots of money."

"I'll bet I know why," exclaimed Trina, with sudden conviction; "yes, I know just why. See here, Miss Baker, you know how crazy old Zerkow is after money and gold and those sort of things."

"Yes, I know; but you know Maria hasn't——"

"Now, just listen. You've heard Maria tell about that wonderful service of gold dishes she says her folks used to own in Central America; she's crazy on that subject, don't you know. She's all right on everything else, but just start her on that service of gold plate and she'll talk you deaf. She can describe it just as though she saw it, and she can make you see it, too, almost. Now, you see, Maria and Zerkow have known each other pretty well. Maria goes to him every two weeks or so to sell him junk; they got acquainted that way, and I know Maria's been dropping in to see him pretty often this last year, and sometimes he comes here to see her. He's made Maria tell him the story of that plate over and over and over again, and Maria does it and is glad to, because he's the only one that believes it. Now he's going to marry her just so's he can hear that story every day, every hour. He's pretty near as crazy on the subject as Maria is. They're a pair for you, aren't they? Both crazy over a lot of gold dishes that never existed. Perhaps Maria'll marry him because it's her only chance to get a husband, but I'm sure it's more for the reason that she's got some one to talk to now who believes her story. Don't you think I'm right?"

"Yes, yes, I guess you're right," admitted Miss Baker.

"But it's a queer match anyway you put it," said Trina, musingly.

"Ah, you may well say that," returned the other, nodding her head. There was a silence. For a long moment the dentist's wife and the retired dressmaker, the one at the window, the other on the sidewalk, remained lost in thought, wondering over the strangeness of the affair.

But suddenly there was a diversion. Alexander, Marcus Schouler's Irish setter, whom his master had long since allowed the liberty of running untrammelled about the neighborhood, turned the corner briskly and came trotting along the sidewalk where Miss Baker stood. At the same moment the Scotch collie who had at one time belonged to the branch post-office issued from the side door of a house not fifty feet away. In an instant the two enemies had recognized each other. They halted abruptly, their fore feet planted rigidly. Trina uttered a little cry.

"Oh, look out, Miss Baker. Those two dogs hate each other just like humans. You best look out. They'll fight sure." Miss Baker sought safety in a nearby vestibule, whence she peered forth at the scene, very interested and curious. Maria Macapa's head thrust itself from one of the top-story windows of the flat, with a shrill cry. Even McTeague's huge form appeared above the half curtains of the "Parlor" windows, while over his shoulder could be seen the face of the "patient," a napkin tucked in his collar, the rubber dam depending from his mouth. All the flat knew of the feud between the dogs, but never before had the pair been brought face to face.

Meanwhile, the collie and the setter had drawn near to each other; five feet apart they paused as if by mutual consent. The collie turned sidewise to the setter; the setter instantly wheeled himself flank on to the collie. Their tails rose and stiffened, they raised their lips over their long white fangs, the napes of their necks bristled, and they showed each other the vicious whites of their eyes, while they drew in their breaths with prolonged and rasping snarls. Each dog seemed to be the personification of fury and unsatisfied hate. They began to circle about each other with infinite slowness, walking stiffed-legged and upon the very points of their feet. Then they wheeled about and began to circle in the opposite direction. Twice they repeated this motion, their snarls growing louder. But still they did not come together, and the distance of five feet between them was maintained with an almost mathematical precision. It was magnificent, but it was not war. Then the setter, pausing in his walk, turned his head slowly from his enemy. The collie sniffed the air and pretended an interest in an old shoe lying in the gutter. Gradually and with all the dignity of monarchs they moved away from each other. Alexander stalked back to the corner of the street. The collie paced toward the side gate whence he had issued, affecting to remember something of great importance. They disappeared. Once out of sight of one another they began to bark furiously.

"Well, I NEVER!" exclaimed Trina in great disgust. "The way those two dogs have been carrying on you'd 'a' thought they would 'a' just torn each other to pieces when they had the chance, and here I'm wasting the whole morning——" she closed her window with a bang.

"Sick 'im, sick 'im," called Maria Macapa, in a vain attempt to promote a fight.

Old Miss Baker came out of the vestibule, pursing her lips, quite put out at the fiasco. "And after all that fuss," she said to herself aggrievedly.

The little dressmaker bought an envelope of nasturtium seeds at the florist's, and returned to her tiny room in the flat. But as she slowly mounted the first flight of steps she suddenly came face to face with Old Grannis, who was coming down. It was between eight and nine, and he was on his way to his little dog hospital, no doubt. Instantly Miss Baker was seized with trepidation, her curious little false curls shook, a faint—a very faint—flush came into her withered cheeks, and her heart beat so violently under the worsted shawl that she felt obliged to shift the market-basket to her other arm and put out her free hand to steady herself against the rail.

On his part, Old Grannis was instantly overwhelmed with confusion. His awkwardness seemed to paralyze his limbs, his lips twitched and turned dry, his hand went tremblingly to his chin. But what added to Miss Baker's miserable embarrassment on this occasion was the fact that the old Englishman should meet her thus, carrying a sordid market-basket full of sordid fish and cabbage. It seemed as if a malicious fate persisted in bringing the two old people face to face at the most inopportune moments.

Just now, however, a veritable catastrophe occurred. The little old dressmaker changed her basket to her other arm at precisely the wrong moment, and Old Grannis, hastening to pass, removing his hat in a hurried salutation, struck it with his fore arm, knocking it from her grasp, and sending it rolling and bumping down the stairs. The sole fell flat upon the first landing; the lentils scattered themselves over the entire flight; while the cabbage, leaping from step to step, thundered down the incline and brought up against the street door with a shock that reverberated through the entire building.

The little retired dressmaker, horribly vexed, nervous and embarrassed, was hard put to it to keep back the tears. Old Grannis stood for a moment with averted eyes, murmuring: "Oh, I'm so sorry, I'm so sorry. I—I really—I beg your pardon, really—really."

Marcus Schouler, coming down stairs from his room, saved the situation.

"Hello, people," he cried. "By damn! you've upset your basket—you have, for a fact. Here, let's pick um up." He and Old Grannis went up and down the flight, gathering up the fish, the lentils, and the sadly battered cabbage. Marcus was raging over the pusillanimity of Alexander, of which Maria had just told him.

"I'll cut him in two—with the whip," he shouted. "I will, I will, I say I will, for a fact. He wouldn't fight, hey? I'll give um all the fight he wants, nasty, mangy cur. If he won't fight he won't eat. I'm going to get the butcher's bull pup and I'll put um both in a bag and shake um up. I will, for a fact, and I guess Alec will fight. Come along, Mister Grannis," and he took the old Englishman away.

Little Miss Baker hastened to her room and locked herself in. She was excited and upset during all the rest of the day, and listened eagerly for Old Grannis's return that evening. He went instantly to work binding up "The Breeder and Sportsman," and back numbers of the "Nation." She heard him softly draw his chair and the table on which he had placed his little binding apparatus close to the wall. At once she did the same, brewing herself a cup of tea. All through that evening the two old people "kept company" with each other, after their own peculiar fashion. "Setting out with each other" Miss Baker had begun to call it. That they had been presented, that they had even been forced to talk together, had made no change in their relative positions. Almost immediately they had fallen back into their old ways again, quite unable to master their timidity, to overcome the stifling embarrassment that seized upon them when in each other's presence. It was a sort of hypnotism, a thing stronger than themselves. But they were not altogether dissatisfied with the way things had come to be. It was their little romance, their last, and they were living through it with supreme enjoyment and calm contentment.

Marcus Schouler still occupied his old room on the floor above the McTeagues. They saw but little of him, however. At long intervals the dentist or his wife met him on the stairs of the flat. Sometimes he would stop and talk with Trina, inquiring after the Sieppes, asking her if Mr. Sieppe had yet heard of any one with whom he, Marcus, could "go in with on a ranch." McTeague, Marcus merely nodded to. Never had the quarrel between the two men been completely patched up. It did not seem possible to the dentist now that Marcus had ever been his "pal," that they had ever taken long walks together. He was sorry that he had treated Marcus gratis for an ulcerated tooth, while Marcus daily recalled the fact that he had given up his "girl" to his friend—the girl who had won a fortune—as the great mistake of his life. Only once since the wedding had he called upon Trina, at a time when he knew McTeague would be out. Trina had shown him through the rooms and had told him, innocently enough, how gay was their life there. Marcus had come away fairly sick with envy; his rancor against the dentist—and against himself, for that matter—knew no bounds. "And you might 'a' had it all yourself, Marcus Schouler," he muttered to himself on the stairs. "You mushhead, you damn fool!"

Meanwhile, Marcus was becoming involved in the politics of his ward. As secretary of the Polk Street Improvement Club—which soon developed into quite an affair and began to assume the proportions of a Republican political machine—he found he could make a little, a very little more than enough to live on. At once he had given up his position as Old Grannis's assistant in the dog hospital. Marcus felt that he needed a wider sphere. He had his eye upon a place connected with the city pound. When the great railroad strike occurred, he promptly got himself engaged as deputy-sheriff, and spent a memorable week in Sacramento, where he involved himself in more than one terrible melee with the strikers. Marcus had that quickness of temper and passionate readiness to take offence which passes among his class for bravery. But whatever were his motives, his promptness to face danger could not for a moment be doubted. After the strike he returned to Polk Street, and throwing himself into the Improvement Club, heart, soul, and body, soon became one of its ruling spirits. In a certain local election, where a huge paving contract was at stake, the club made itself felt in the ward, and Marcus so managed his cards and pulled his wires that, at the end of the matter, he found himself some four hundred dollars to the good.

When McTeague came out of his "Parlors" at noon of the day upon which Trina had heard the news of Maria Macapa's intended marriage, he found Trina burning coffee on a shovel in the sitting-room. Try as she would, Trina could never quite eradicate from their rooms a certain faint and indefinable odor, particularly offensive to her. The smell of the photographer's chemicals persisted in spite of all Trina could do to combat it. She burnt pastilles and Chinese punk, and even, as now, coffee on a shovel, all to no purpose. Indeed, the only drawback to their delightful home was the general unpleasant smell that pervaded it—a smell that arose partly from the photographer's chemicals, partly from the cooking in the little kitchen, and partly from the ether and creosote of the dentist's "Parlors."

As McTeague came in to lunch on this occasion, he found the table already laid, a red cloth figured with white flowers was spread, and as he took his seat his wife put down the shovel on a chair and brought in the stewed codfish and the pot of chocolate. As he tucked his napkin into his enormous collar, McTeague looked vaguely about the room, rolling his eyes.

During the three years of their married life the McTeagues had made but few additions to their furniture, Trina declaring that they could not afford it. The sitting-room could boast of but three new ornaments. Over the melodeon hung their marriage certificate in a black frame. It was balanced upon one side by Trina's wedding bouquet under a glass case, preserved by some fearful unknown process, and upon the other by the photograph of Trina and the dentist in their wedding finery. This latter picture was quite an affair, and had been taken immediately after the wedding, while McTeague's broadcloth was still new, and before Trina's silks and veil had lost their stiffness. It represented Trina, her veil thrown back, sitting very straight in a rep armchair, her elbows well in at her sides, holding her bouquet of cut flowers directly before her. The dentist stood at her side, one hand on her shoulder, the other thrust into the breast of his "Prince Albert," his chin in the air, his eyes to one side, his left foot forward in the attitude of a statue of a Secretary of State.

"Say, Trina," said McTeague, his mouth full of codfish, "Heise looked in on me this morning. He says 'What's the matter with a basket picnic over at Schuetzen Park next Tuesday?' You know the paper-hangers are going to be in the 'Parlors' all that day, so I'll have a holiday. That's what made Heise think of it. Heise says he'll get the Ryers to go too. It's the anniversary of their wedding day. We'll ask Selina to go; she can meet us on the other side. Come on, let's go, huh, will you?"

Trina still had her mania for family picnics, which had been one of the Sieppes most cherished customs; but now there were other considerations.

"I don't know as we can afford it this month, Mac," she said, pouring the chocolate. "I got to pay the gas bill next week, and there's the papering of your office to be paid for some time."

"I know, I know," answered her husband. "But I got a new patient this week, had two molars and an upper incisor filled at the very first sitting, and he's going to bring his children round. He's a barber on the next block."

"Well you pay half, then," said Trina. "It'll cost three or four dollars at the very least; and mind, the Heises pay their own fare both ways, Mac, and everybody gets their OWN lunch. Yes," she added, after a pause, "I'll write and have Selina join us. I haven't seen Selina in months. I guess I'll have to put up a lunch for her, though," admitted Trina, "the way we did last time, because she lives in a boarding-house now, and they make a fuss about putting up a lunch."

They could count on pleasant weather at this time of the year—it was May—and that particular Tuesday was all that could be desired. The party assembled at the ferry slip at nine o'clock, laden with baskets. The McTeagues came last of all; Ryer and his wife had already boarded the boat. They met the Heises in the waiting-room.

"Hello, Doctor," cried the harness-maker as the McTeagues came up. "This is what you'd call an old folks' picnic, all married people this time."

The party foregathered on the upper deck as the boat started, and sat down to listen to the band of Italian musicians who were playing outside this morning because of the fineness of the weather.

"Oh, we're going to have lots of fun," cried Trina. "If it's anything I do love it's a picnic. Do you remember our first picnic, Mac?"

"Sure, sure," replied the dentist; "we had a Gotha truffle."

"And August lost his steamboat," put in Trina, "and papa smacked him. I remember it just as well."

"Why, look there," said Mrs. Heise, nodding at a figure coming up the companion-way. "Ain't that Mr. Schouler?"

It was Marcus, sure enough. As he caught sight of the party he gaped at them a moment in blank astonishment, and then ran up, his eyes wide.

"Well, by damn!" he exclaimed, excitedly. "What's up? Where you all going, anyhow? Say, ain't ut queer we should all run up against each other like this?" He made great sweeping bows to the three women, and shook hands with "Cousin Trina," adding, as he turned to the men of the party, "Glad to see you, Mister Heise. How do, Mister Ryer?" The dentist, who had formulated some sort of reserved greeting, he ignored completely. McTeague settled himself in his seat, growling inarticulately behind his mustache.

"Say, say, what's all up, anyhow?" cried Marcus again.

"It's a picnic," exclaimed the three women, all speaking at once; and Trina added, "We're going over to the same old Schuetzen Park again. But you're all fixed up yourself, Cousin Mark; you look as though you were going somewhere yourself."

In fact, Marcus was dressed with great care. He wore a new pair of slate-blue trousers, a black "cutaway," and a white lawn "tie" (for him the symbol of the height of elegance). He carried also his cane, a thin wand of ebony with a gold head, presented to him by the Improvement Club in "recognition of services."

"That's right, that's right," said Marcus, with a grin. "I'm takun a holiday myself to-day. I had a bit of business to do over at Oakland, an' I thought I'd go up to B Street afterward and see Selina. I haven't called on——"

But the party uttered an exclamation.

"Why, Selina is going with us."

"She's going to meet us at the Schuetzen Park station" explained Trina.

Marcus's business in Oakland was a fiction. He was crossing the bay that morning solely to see Selina. Marcus had "taken up with" Selina a little after Trina had married, and had been "rushing" her ever since, dazzled and attracted by her accomplishments, for which he pretended a great respect. At the prospect of missing Selina on this occasion, he was genuinely disappointed. His vexation at once assumed the form of exasperation against McTeague. It was all the dentist's fault. Ah, McTeague was coming between him and Selina now as he had come between him and Trina. Best look out, by damn! how he monkeyed with him now. Instantly his face flamed and he glanced over furiously at the dentist, who, catching his eye, began again to mutter behind his mustache.

"Well, say," began Mrs. Ryer, with some hesitation, looking to Ryer for approval, "why can't Marcus come along with us?"

"Why, of course," exclaimed Mrs. Heise, disregarding her husband's vigorous nudges. "I guess we got lunch enough to go round, all right; don't you say so, Mrs. McTeague?"

Thus appealed to, Trina could only concur.

"Why, of course, Cousin Mark," she said; "of course, come along with us if you want to."

"Why, you bet I will," cried Marcus, enthusiastic in an instant. "Say, this is outa sight; it is, for a fact; a picnic—ah, sure—and we'll meet Selina at the station."

Just as the boat was passing Goat Island, the harness-maker proposed that the men of the party should go down to the bar on the lower deck and shake for the drinks. The idea had an immediate success.

"Have to see you on that," said Ryer.

"By damn, we'll have a drink! Yes, sir, we will, for a fact."

"Sure, sure, drinks, that's the word."

At the bar Heise and Ryer ordered cocktails, Marcus called for a "creme Yvette" in order to astonish the others. The dentist spoke for a glass of beer.

"Say, look here," suddenly exclaimed Heise as they took their glasses. "Look here, you fellahs," he had turned to Marcus and the dentist. "You two fellahs have had a grouch at each other for the last year or so; now what's the matter with your shaking hands and calling quits?"

McTeague was at once overcome with a great feeling of magnanimity. He put out his great hand.

"I got nothing against Marcus," he growled.

"Well, I don't care if I shake," admitted Marcus, a little shamefacedly, as their palms touched. "I guess that's all right."

"That's the idea," exclaimed Heise, delighted at his success. "Come on, boys, now let's drink." Their elbows crooked and they drank silently.

Their picnic that day was very jolly. Nothing had changed at Schuetzen Park since the day of that other memorable Sieppe picnic four years previous. After lunch the men took themselves off to the rifle range, while Selina, Trina, and the other two women put away the dishes. An hour later the men joined them in great spirits. Ryer had won the impromptu match which they had arranged, making quite a wonderful score, which included three clean bulls' eyes, while McTeague had not been able even to hit the target itself.

Their shooting match had awakened a spirit of rivalry in the men, and the rest of the afternoon was passed in athletic exercises between them. The women sat on the slope of the grass, their hats and gloves laid aside, watching the men as they strove together. Aroused by the little feminine cries of wonder and the clapping of their ungloved palms, these latter began to show off at once. They took off their coats and vests, even their neckties and collars, and worked themselves into a lather of perspiration for the sake of making an impression on their wives. They ran hundred-yard sprints on the cinder path and executed clumsy feats on the rings and on the parallel bars. They even found a huge round stone on the beach and "put the shot" for a while. As long as it was a question of agility, Marcus was easily the best of the four; but the dentist's enormous strength, his crude, untutored brute force, was a matter of wonder for the entire party. McTeague cracked English walnuts—taken from the lunch baskets—in the hollow of his arm, and tossed the round stone a full five feet beyond their best mark. Heise believed himself to be particularly strong in the wrists, but the dentist, using but one hand, twisted a cane out of Heise's two with a wrench that all but sprained the harnessmaker's arm. Then the dentist raised weights and chinned himself on the rings till they thought he would never tire.

His great success quite turned his head; he strutted back and forth in front of the women, his chest thrown out, and his great mouth perpetually expanded in a triumphant grin. As he felt his strength more and more, he began to abuse it; he domineered over the others, gripping suddenly at their arms till they squirmed with pain, and slapping Marcus on the back so that he gasped and gagged for breath. The childish vanity of the great fellow was as undisguised as that of a schoolboy. He began to tell of wonderful feats of strength he had accomplished when he was a young man. Why, at one time he had knocked down a half-grown heifer with a blow of his fist between the eyes, sure, and the heifer had just stiffened out and trembled all over and died without getting up.

McTeague told this story again, and yet again. All through the afternoon he could be overheard relating the wonder to any one who would listen, exaggerating the effect of his blow, inventing terrific details. Why, the heifer had just frothed at the mouth, and his eyes had rolled up—ah, sure, his eyes rolled up just like that—and the butcher had said his skull was all mashed in—just all mashed in, sure, that's the word—just as if from a sledge-hammer.

Notwithstanding his reconciliation with the dentist on the boat, Marcus's gorge rose within him at McTeague's boasting swagger. When McTeague had slapped him on the back, Marcus had retired to some little distance while he recovered his breath, and glared at the dentist fiercely as he strode up and down, glorying in the admiring glances of the women.

"Ah, one-horse dentist," he muttered between his teeth. "Ah, zinc-plugger, cow-killer, I'd like to show you once, you overgrown mucker, you—you—COW-KILLER!"

When he rejoined the group, he found them preparing for a wrestling bout.

"I tell you what," said Heise, "we'll have a tournament. Marcus and I will rastle, and Doc and Ryer, and then the winners will rastle each other."

The women clapped their hands excitedly. This would be exciting. Trina cried:

"Better let me hold your money, Mac, and your keys, so as you won't lose them out of your pockets." The men gave their valuables into the keeping of their wives and promptly set to work.

The dentist thrust Ryer down without even changing his grip; Marcus and the harness-maker struggled together for a few moments till Heise all at once slipped on a bit of turf and fell backwards. As they toppled over together, Marcus writhed himself from under his opponent, and, as they reached the ground, forced down first one shoulder and then the other.

"All right, all right," panted the harness-maker, goodnaturedly, "I'm down. It's up to you and Doc now," he added, as he got to his feet.

The match between McTeague and Marcus promised to be interesting. The dentist, of course, had an enormous advantage in point of strength, but Marcus prided himself on his wrestling, and knew something about strangle-holds and half-Nelsons. The men drew back to allow them a free space as they faced each other, while Trina and the other women rose to their feet in their excitement.

"I bet Mac will throw him, all the same," said Trina.

"All ready!" cried Ryer.

The dentist and Marcus stepped forward, eyeing each other cautiously. They circled around the impromptu ring. Marcus watching eagerly for an opening. He ground his teeth, telling himself he would throw McTeague if it killed him. Ah, he'd show him now. Suddenly the two men caught at each other; Marcus went to his knees. The dentist threw his vast bulk on his adversary's shoulders and, thrusting a huge palm against his face, pushed him backwards and downwards. It was out of the question to resist that enormous strength. Marcus wrenched himself over and fell face downward on the ground.

McTeague rose on the instant with a great laugh of exultation.

"You're down!" he exclaimed.

Marcus leaped to his feet.

"Down nothing," he vociferated, with clenched fists. "Down nothing, by damn! You got to throw me so's my shoulders touch."

McTeague was stalking about, swelling with pride.

"Hoh, you're down. I threw you. Didn't I throw him, Trina? Hoh, you can't rastle ME."

Marcus capered with rage.

"You didn't! you didn't! you didn't! and you can't! You got to give me another try."

The other men came crowding up. Everybody was talking at once.

"He's right."

"You didn't throw him."

"Both his shoulders at the same time."

Trina clapped and waved her hand at McTeague from where she stood on the little slope of lawn above the wrestlers. Marcus broke through the group, shaking all over with excitement and rage.

"I tell you that ain't the WAY to rastle. You've got to throw a man so's his shoulders touch. You got to give me another bout."

"That's straight," put in Heise, "both his shoulders down at the same time. Try it again. You and Schouler have another try."

McTeague was bewildered by so much simultaneous talk. He could not make out what it was all about. Could he have offended Marcus again?

"What? What? Huh? What is it?" he exclaimed in perplexity, looking from one to the other.

"Come on, you must rastle me again," shouted Marcus.

"Sure, sure," cried the dentist. "I'll rastle you again. I'll rastle everybody," he cried, suddenly struck with an idea. Trina looked on in some apprehension.

"Mark gets so mad," she said, half aloud.

"Yes," admitted Selina. "Mister Schouler's got an awful quick temper, but he ain't afraid of anything."

"All ready!" shouted Ryer.

This time Marcus was more careful. Twice, as McTeague rushed at him, he slipped cleverly away. But as the dentist came in a third time, with his head bowed, Marcus, raising himself to his full height, caught him with both arms around the neck. The dentist gripped at him and rent away the sleeve of his shirt. There was a great laugh.

"Keep your shirt on," cried Mrs. Ryer.

The two men were grappling at each other wildly. The party could hear them panting and grunting as they labored and struggled. Their boots tore up great clods of turf. Suddenly they came to the ground with a tremendous shock. But even as they were in the act of falling, Marcus, like a very eel, writhed in the dentist's clasp and fell upon his side. McTeague crashed down upon him like the collapse of a felled ox.

"Now, you gotta turn him on his back," shouted Heise to the dentist. "He ain't down if you don't."

With his huge salient chin digging into Marcus's shoulder, the dentist heaved and tugged. His face was flaming, his huge shock of yellow hair fell over his forehead, matted with sweat. Marcus began to yield despite his frantic efforts. One shoulder was down, now the other began to go; gradually, gradually it was forced over. The little audience held its breath in the suspense of the moment. Selina broke the silence, calling out shrilly:

"Ain't Doctor McTeague just that strong!"

Marcus heard it, and his fury came instantly to a head. Rage at his defeat at the hands of the dentist and before Selina's eyes, the hate he still bore his old-time "pal" and the impotent wrath of his own powerlessness were suddenly unleashed.

"God damn you! get off of me," he cried under his breath, spitting the words as a snake spits its venom. The little audience uttered a cry. With the oath Marcus had twisted his head and had bitten through the lobe of the dentist's ear. There was a sudden flash of bright-red blood.

Then followed a terrible scene. The brute that in McTeague lay so close to the surface leaped instantly to life, monstrous, not to be resisted. He sprang to his feet with a shrill and meaningless clamor, totally unlike the ordinary bass of his speaking tones. It was the hideous yelling of a hurt beast, the squealing of a wounded elephant. He framed no words; in the rush of high-pitched sound that issued from his wide-open mouth there was nothing articulate. It was something no longer human; it was rather an echo from the jungle.

Sluggish enough and slow to anger on ordinary occasions, McTeague when finally aroused became another man. His rage was a kind of obsession, an evil mania, the drunkenness of passion, the exalted and perverted fury of the Berserker, blind and deaf, a thing insensate.

As he rose he caught Marcus's wrist in both his hands. He did not strike, he did not know what he was doing. His only idea was to batter the life out of the man before him, to crush and annihilate him upon the instant. Gripping his enemy in his enormous hands, hard and knotted, and covered with a stiff fell of yellow hair—the hands of the old-time car-boy—he swung him wide, as a hammer-thrower swings his hammer. Marcus's feet flipped from the ground, he spun through the air about McTeague as helpless as a bundle of clothes. All at once there was a sharp snap, almost like the report of a small pistol. Then Marcus rolled over and over upon the ground as McTeague released his grip; his arm, the one the dentist had seized, bending suddenly, as though a third joint had formed between wrist and elbow. The arm was broken.

But by this time every one was crying out at once. Heise and Ryan ran in between the two men. Selina turned her head away. Trina was wringing her hands and crying in an agony of dread:

"Oh, stop them, stop them! Don't let them fight. Oh, it's too awful."

"Here, here, Doc, quit. Don't make a fool of yourself," cried Heise, clinging to the dentist. "That's enough now. LISTEN to me, will you?"

"Oh, Mac, Mac," cried Trina, running to her husband. "Mac, dear, listen; it's me, it's Trina, look at me, you——"

"Get hold of his other arm, will you, Ryer?" panted Heise. "Quick!"

"Mac, Mac," cried Trina, her arms about his neck.

"For God's sake, hold up, Doc, will you?" shouted the harness-maker. "You don't want to kill him, do you?"

Mrs. Ryer and Heise's lame wife were filling the air with their outcries. Selina was giggling with hysteria. Marcus, terrified, but too brave to run, had picked up a jagged stone with his left hand and stood on the defensive. His swollen right arm, from which the shirt sleeve had been torn, dangled at his side, the back of the hand twisted where the palm should have been. The shirt itself was a mass of grass stains and was spotted with the dentist's blood.

But McTeague, in the centre of the group that struggled to hold him, was nigh to madness. The side of his face, his neck, and all the shoulder and breast of his shirt were covered with blood. He had ceased to cry out, but kept muttering between his gripped jaws, as he labored to tear himself free of the retaining hands:

"Ah, I'll kill him! Ah, I'll kill him! I'll kill him! Damn you, Heise," he exclaimed suddenly, trying to strike the harness-maker, "let go of me, will you!"

Little by little they pacified him, or rather (for he paid but little attention to what was said to him) his bestial fury lapsed by degrees. He turned away and let fall his arms, drawing long breaths, and looking stupidly about him, now searching helplessly upon the ground, now gazing vaguely into the circle of faces about him. His ear bled as though it would never stop.

"Say, Doctor," asked Heise, "what's the best thing to do?"

"Huh?" answered McTeague. "What—what do you mean? What is it?"

"What'll we do to stop this bleeding here?"

McTeague did not answer, but looked intently at the blood-stained bosom of his shirt.

"Mac," cried Trina, her face close to his, "tell us something—the best thing we can do to stop your ear bleeding."

"Collodium," said the dentist.

"But we can't get to that right away; we—"

"There's some ice in our lunch basket," broke in Heise. "We brought it for the beer; and take the napkins and make a bandage."

"Ice," muttered the dentist, "sure, ice, that's the word."

Mrs. Heise and the Ryers were looking after Marcus's broken arm. Selina sat on the slope of the grass, gasping and sobbing. Trina tore the napkins into strips, and, crushing some of the ice, made a bandage for her husband's head.'

The party resolved itself into two groups; the Ryers and Mrs. Heise bending over Marcus, while the harness-maker and Trina came and went about McTeague, sitting on the ground, his shirt, a mere blur of red and white, detaching itself violently from the background of pale-green grass. Between the two groups was the torn and trampled bit of turf, the wrestling ring; the picnic baskets, together with empty beer bottles, broken egg-shells, and discarded sardine tins, were scattered here and there. In the middle of the improvised wrestling ring the sleeve of Marcus's shirt fluttered occasionally in the sea breeze.

Nobody was paying any attention to Selina. All at once she began to giggle hysterically again, then cried out with a peal of laughter:

"Oh, what a way for our picnic to end!"



CHAPTER 12

"Now, then, Maria," said Zerkow, his cracked, strained voice just rising above a whisper, hitching his chair closer to the table, "now, then, my girl, let's have it all over again. Tell us about the gold plate—the service. Begin with, 'There were over a hundred pieces and every one of them gold.'"

"I don't know what you're talking about, Zerkow," answered Maria. "There never was no gold plate, no gold service. I guess you must have dreamed it."

Maria and the red-headed Polish Jew had been married about a month after the McTeague's picnic which had ended in such lamentable fashion. Zerkow had taken Maria home to his wretched hovel in the alley back of the flat, and the flat had been obliged to get another maid of all work. Time passed, a month, six months, a whole year went by. At length Maria gave birth to a child, a wretched, sickly child, with not even strength enough nor wits enough to cry. At the time of its birth Maria was out of her mind, and continued in a state of dementia for nearly ten days. She recovered just in time to make the arrangements for the baby's burial. Neither Zerkow nor Maria was much affected by either the birth or the death of this little child. Zerkow had welcomed it with pronounced disfavor, since it had a mouth to be fed and wants to be provided for. Maria was out of her head so much of the time that she could scarcely remember how it looked when alive. The child was a mere incident in their lives, a thing that had come undesired and had gone unregretted. It had not even a name; a strange, hybrid little being, come and gone within a fortnight's time, yet combining in its puny little body the blood of the Hebrew, the Pole, and the Spaniard.

But the birth of this child had peculiar consequences. Maria came out of her dementia, and in a few days the household settled itself again to its sordid regime and Maria went about her duties as usual. Then one evening, about a week after the child's burial, Zerkow had asked Maria to tell him the story of the famous service of gold plate for the hundredth time.

Zerkow had come to believe in this story infallibly. He was immovably persuaded that at one time Maria or Maria's people had possessed these hundred golden dishes. In his perverted mind the hallucination had developed still further. Not only had that service of gold plate once existed, but it existed now, entire, intact; not a single burnished golden piece of it was missing. It was somewhere, somebody had it, locked away in that leather trunk with its quilted lining and round brass locks. It was to be searched for and secured, to be fought for, to be gained at all hazards. Maria must know where it was; by dint of questioning, Zerkow would surely get the information from her. Some day, if only he was persistent, he would hit upon the right combination of questions, the right suggestion that would disentangle Maria's confused recollections. Maria would tell him where the thing was kept, was concealed, was buried, and he would go to that place and secure it, and all that wonderful gold would be his forever and forever. This service of plate had come to be Zerkow's mania.

On this particular evening, about a week after the child's burial, in the wretched back room of the Junk shop, Zerkow had made Maria sit down to the table opposite him—the whiskey bottle and the red glass tumbler with its broken base between them—and had said:

"Now, then, Maria, tell us that story of the gold dishes again."

Maria stared at him, an expression of perplexity coming into her face.

"What gold dishes?" said she.

"The ones your people used to own in Central America. Come on, Maria, begin, begin." The Jew craned himself forward, his lean fingers clawing eagerly at his lips.

"What gold plate?" said Maria, frowning at him as she drank her whiskey. "What gold plate? I don' know what you're talking about, Zerkow."

Zerkow sat back in his chair, staring at her.

"Why, your people's gold dishes, what they used to eat off of. You've told me about it a hundred times."

"You're crazy, Zerkow," said Maria. "Push the bottle here, will you?"

"Come, now," insisted Zerkow, sweating with desire, "come, now, my girl, don't be a fool; let's have it, let's have it. Begin now, 'There were more'n a hundred pieces, and every one of 'em gold.' Oh, YOU know; come on, come on."

"I don't remember nothing of the kind," protested Maria, reaching for the bottle. Zerkow snatched it from her.

"You fool!" he wheezed, trying to raise his broken voice to a shout. "You fool! Don't you dare try an' cheat ME, or I'll DO for you. You know about the gold plate, and you know where it is." Suddenly he pitched his voice at the prolonged rasping shout with which he made his street cry. He rose to his feet, his long, prehensile fingers curled into fists. He was menacing, terrible in his rage. He leaned over Maria, his fists in her face.

"I believe you've got it!" he yelled. "I believe you've got it, an' are hiding it from me. Where is it, where is it? Is it here?" he rolled his eyes wildly about the room. "Hey? hey?" he went on, shaking Maria by the shoulders. "Where is it? Is it here? Tell me where it is. Tell me, or I'll do for you!"

"It ain't here," cried Maria, wrenching from him. "It ain't anywhere. What gold plate? What are you talking about? I don't remember nothing about no gold plate at all."

No, Maria did not remember. The trouble and turmoil of her mind consequent upon the birth of her child seemed to have readjusted her disordered ideas upon this point. Her mania had come to a crisis, which in subsiding had cleared her brain of its one illusion. She did not remember. Or it was possible that the gold plate she had once remembered had had some foundation in fact, that her recital of its splendors had been truth, sound and sane. It was possible that now her FORGETFULNESS of it was some form of brain trouble, a relic of the dementia of childbirth. At all events Maria did not remember; the idea of the gold plate had passed entirely out of her mind, and it was now Zerkow who labored under its hallucination. It was now Zerkow, the raker of the city's muck heap, the searcher after gold, that saw that wonderful service in the eye of his perverted mind. It was he who could now describe it in a language almost eloquent. Maria had been content merely to remember it; but Zerkow's avarice goaded him to a belief that it was still in existence, hid somewhere, perhaps in that very house, stowed away there by Maria. For it stood to reason, didn't it, that Maria could not have described it with such wonderful accuracy and such careful detail unless she had seen it recently—the day before, perhaps, or that very day, or that very hour, that very HOUR?

"Look out for yourself," he whispered, hoarsely, to his wife. "Look out for yourself, my girl. I'll hunt for it, and hunt for it, and hunt for it, and some day I'll find it—I will, you'll see—I'll find it, I'll find it; and if I don't, I'll find a way that'll make you tell me where it is. I'll make you speak—believe me, I will, I will, my girl—trust me for that."

And at night Maria would sometimes wake to find Zerkow gone from the bed, and would see him burrowing into some corner by the light of his dark-lantern and would hear him mumbling to himself: "There were more'n a hundred pieces, and every one of 'em gold—when the leather trunk was opened it fair dazzled your eyes—why, just that punchbowl was worth a fortune, I guess; solid, solid, heavy, rich, pure gold, nothun but gold, gold, heaps and heaps of it—what a glory! I'll find it yet, I'll find it. It's here somewheres, hid somewheres in this house."

At length his continued ill success began to exasperate him. One day he took his whip from his junk wagon and thrashed Maria with it, gasping the while, "Where is it, you beast? Where is it? Tell me where it is; I'll make you speak."

"I don' know, I don' know," cried Maria, dodging his blows. "I'd tell you, Zerkow, if I knew; but I don' know nothing about it. How can I tell you if I don' know?"

Then one evening matters reached a crisis. Marcus Schouler was in his room, the room in the flat just over McTeague's "Parlors" which he had always occupied. It was between eleven and twelve o'clock. The vast house was quiet; Polk Street outside was very still, except for the occasional whirr and trundle of a passing cable car and the persistent calling of ducks and geese in the deserted market directly opposite. Marcus was in his shirt sleeves, perspiring and swearing with exertion as he tried to get all his belongings into an absurdly inadequate trunk. The room was in great confusion. It looked as though Marcus was about to move. He stood in front of his trunk, his precious silk hat in its hat-box in his hand. He was raging at the perverseness of a pair of boots that refused to fit in his trunk, no matter how he arranged them.

"I've tried you SO, and I've tried you SO," he exclaimed fiercely, between his teeth, "and you won't go." He began to swear horribly, grabbing at the boots with his free hand. "Pretty soon I won't take you at all; I won't, for a fact."

He was interrupted by a rush of feet upon the back stairs and a clamorous pounding upon his door. He opened it to let in Maria Macapa, her hair dishevelled and her eyes starting with terror.

"Oh, MISTER Schouler," she gasped, "lock the door quick. Don't let him get me. He's got a knife, and he says sure he's going to do for me, if I don't tell him where it is."

"Who has? What has? Where is what?" shouted Marcus, flaming with excitement upon the instant. He opened the door and peered down the dark hall, both fists clenched, ready to fight—he did not know whom, and he did not know why.

"It's Zerkow," wailed Maria, pulling him back into the room and bolting the door, "and he's got a knife as long as THAT. Oh, my Lord, here he comes now! Ain't that him? Listen."

Zerkow was coming up the stairs, calling for Maria.

"Don't you let him get me, will you, Mister Schouler?" gasped Maria.

"I'll break him in two," shouted Marcus, livid with rage. "Think I'm afraid of his knife?"

"I know where you are," cried Zerkow, on the landing outside. "You're in Schouler's room. What are you doing in Schouler's room at this time of night? Come outa there; you oughta be ashamed. I'll do for you yet, my girl. Come outa there once, an' see if I don't."

"I'll do for you myself, you dirty Jew," shouted Marcus, unbolting the door and running out into the hall.

"I want my wife," exclaimed the Jew, backing down the stairs. "What's she mean by running away from me and going into your room?"

"Look out, he's got a knife!" cried Maria through the crack of the door.

"Ah, there you are. Come outa that, and come back home," exclaimed Zerkow.

"Get outa here yourself," cried Marcus, advancing on him angrily. "Get outa here."

"Maria's gota come too."

"Get outa here," vociferated Marcus, "an' put up that knife. I see it; you needn't try an' hide it behind your leg. Give it to me, anyhow," he shouted suddenly, and before Zerkow was aware, Marcus had wrenched it away. "Now, get outa here."

Zerkow backed away, peering and peeping over Marcus's shoulder.

"I want Maria."

"Get outa here. Get along out, or I'll PUT you out." The street door closed. The Jew was gone.

"Huh!" snorted Marcus, swelling with arrogance. "Huh! Think I'm afraid of his knife? I ain't afraid of ANYBODY," he shouted pointedly, for McTeague and his wife, roused by the clamor, were peering over the banisters from the landing above. "Not of anybody," repeated Marcus.

Maria came out into the hall.

"Is he gone? Is he sure gone?"

"What was the trouble?" inquired Marcus, suddenly.

"I woke up about an hour ago," Maria explained, "and Zerkow wasn't in bed; maybe he hadn't come to bed at all. He was down on his knees by the sink, and he'd pried up some boards off the floor and was digging there. He had his dark-lantern. He was digging with that knife, I guess, and all the time he kept mumbling to himself, 'More'n a hundred pieces, an' every one of 'em gold; more'n a hundred pieces, an' every one of 'em gold.' Then, all of a sudden, he caught sight of me. I was sitting up in bed, and he jumped up and came at me with his knife, an' he says, 'Where is it? Where is it? I know you got it hid somewhere. Where is it? Tell me or I'll knife you.' I kind of fooled him and kept him off till I got my wrapper on, an' then I run out. I didn't dare stay."

"Well, what did you tell him about your gold dishes for in the first place?" cried Marcus.

"I never told him," protested Maria, with the greatest energy. "I never told him; I never heard of any gold dishes. I don' know where he got the idea; he must be crazy."

By this time Trina and McTeague, Old Grannis, and little Miss Baker—all the lodgers on the upper floors of the flat—had gathered about Maria. Trina and the dentist, who had gone to bed, were partially dressed, and Trina's enormous mane of black hair was hanging in two thick braids far down her back. But, late as it was, Old Grannis and the retired dressmaker had still been up and about when Maria had aroused them.

"Why, Maria," said Trina, "you always used to tell us about your gold dishes. You said your folks used to have them."

"Never, never, never!" exclaimed Maria, vehemently. "You folks must all be crazy. I never HEARD of any gold dishes."

"Well," spoke up Miss Baker, "you're a queer girl, Maria; that's all I can say." She left the group and returned to her room. Old Grannis watched her go from the corner of his eye, and in a few moments followed her, leaving the group as unnoticed as he had joined it. By degrees the flat quieted down again. Trina and McTeague returned to their rooms.

"I guess I'll go back now," said Maria. "He's all right now. I ain't afraid of him so long as he ain't got his knife."

"Well, say," Marcus called to her as she went down stairs, "if he gets funny again, you just yell out; I'LL hear you. I won't let him hurt you."

Marcus went into his room again and resumed his wrangle with the refractory boots. His eye fell on Zerkow's knife, a long, keen-bladed hunting-knife, with a buckhorn handle. "I'll take you along with me," he exclaimed, suddenly. "I'll just need you where I'm going."

Meanwhile, old Miss Baker was making tea to calm her nerves after the excitement of Maria's incursion. This evening she went so far as to make tea for two, laying an extra place on the other side of her little tea-table, setting out a cup and saucer and one of the Gorham silver spoons. Close upon the other side of the partition Old Grannis bound uncut numbers of the "Nation."

"Do you know what I think, Mac?" said Trina, when the couple had returned to their rooms. "I think Marcus is going away."

"What? What?" muttered the dentist, very sleepy and stupid, "what you saying? What's that about Marcus?"

"I believe Marcus has been packing up, the last two or three days. I wonder if he's going away."

"Who's going away?" said McTeague, blinking at her.

"Oh, go to bed," said Trina, pushing him goodnaturedly. "Mac, you're the stupidest man I ever knew."

But it was true. Marcus was going away. Trina received a letter the next morning from her mother. The carpet-cleaning and upholstery business in which Mr. Sieppe had involved himself was going from bad to worse. Mr. Sieppe had even been obliged to put a mortgage upon their house. Mrs. Sieppe didn't know what was to become of them all. Her husband had even begun to talk of emigrating to New Zealand. Meanwhile, she informed Trina that Mr. Sieppe had finally come across a man with whom Marcus could "go in with on a ranch," a cattle ranch in the southeastern portion of the State. Her ideas were vague upon the subject, but she knew that Marcus was wildly enthusiastic at the prospect, and was expected down before the end of the month. In the meantime, could Trina send them fifty dollars?

"Marcus IS going away, after all, Mac," said Trina to her husband that day as he came out of his "Parlors" and sat down to the lunch of sausages, mashed potatoes, and chocolate in the sitting-room.

"Huh?" said the dentist, a little confused. "Who's going away? Schouler going away? Why's Schouler going away?"

Trina explained. "Oh!" growled McTeague, behind his thick mustache, "he can go far before I'LL stop him."

"And, say, Mac," continued Trina, pouring the chocolate, "what do you think? Mamma wants me—wants us to send her fifty dollars. She says they're hard up."

"Well," said the dentist, after a moment, "well, I guess we can send it, can't we?"

"Oh, that's easy to say," complained Trina, her little chin in the air, her small pale lips pursed. "I wonder if mamma thinks we're millionaires?"

"Trina, you're getting to be regular stingy," muttered McTeague. "You're getting worse and worse every day."

"But fifty dollars is fifty dollars, Mac. Just think how long it takes you to earn fifty dollars. Fifty dollars! That's two months of our interest."

"Well," said McTeague, easily, his mouth full of mashed potato, "you got a lot saved up."

Upon every reference to that little hoard in the brass match-safe and chamois-skin bag at the bottom of her trunk, Trina bridled on the instant.

"Don't TALK that way, Mac. 'A lot of money.' What do you call a lot of money? I don't believe I've got fifty dollars saved."

"Hoh!" exclaimed McTeague. "Hoh! I guess you got nearer a hundred AN' fifty. That's what I guess YOU got."

"I've NOT, I've NOT," declared Trina, "and you know I've not. I wish mamma hadn't asked me for any money. Why can't she be a little more economical? I manage all right. No, no, I can't possibly afford to send her fifty."

"Oh, pshaw! What WILL you do, then?" grumbled her husband.

"I'll send her twenty-five this month, and tell her I'll send the rest as soon as I can afford it."

"Trina, you're a regular little miser," said McTeague.

"I don't care," answered Trina, beginning to laugh. "I guess I am, but I can't help it, and it's a good fault."

Trina put off sending this money for a couple of weeks, and her mother made no mention of it in her next letter. "Oh, I guess if she wants it so bad," said Trina, "she'll speak about it again." So she again postponed the sending of it. Day by day she put it off. When her mother asked her for it a second time, it seemed harder than ever for Trina to part with even half the sum requested. She answered her mother, telling her that they were very hard up themselves for that month, but that she would send down the amount in a few weeks.

"I'll tell you what we'll do, Mac," she said to her husband, "you send half and I'll send half; we'll send twenty-five dollars altogether. Twelve and a half apiece. That's an idea. How will that do?"

"Sure, sure," McTeague had answered, giving her the money. Trina sent McTeague's twelve dollars, but never sent the twelve that was to be her share. One day the dentist happened to ask her about it.

"You sent that twenty-five to your mother, didn't you?" said he.

"Oh, long ago," answered Trina, without thinking.

In fact, Trina never allowed herself to think very much of this affair. And, in fact, another matter soon came to engross her attention.

One Sunday evening Trina and her husband were in their sitting-room together. It was dark, but the lamp had not been lit. McTeague had brought up some bottles of beer from the "Wein Stube" on the ground floor, where the branch post-office used to be. But they had not opened the beer. It was a warm evening in summer. Trina was sitting on McTeague's lap in the bay window, and had looped back the Nottingham curtains so the two could look out into the darkened street and watch the moon coming up over the glass roof of the huge public baths. On occasions they sat like this for an hour or so, "philandering," Trina cuddling herself down upon McTeague's enormous body, rubbing her cheek against the grain of his unshaven chin, kissing the bald spot on the top of his head, or putting her fingers into his ears and eyes. At times, a brusque access of passion would seize upon her, and, with a nervous little sigh, she would clasp his thick red neck in both her small arms and whisper in his ear:

"Do you love me, Mac, dear? Love me BIG, BIG? Sure, do you love me as much as you did when we were married?"

Puzzled, McTeague would answer: "Well, you know it, don't you, Trina?"

"But I want you to SAY so; say so always and always."

"Well, I do, of course I do."

"Say it, then."

"Well, then, I love you."

"But you don't say it of your own accord."

"Well, what—what—what—I don't understand," stammered the dentist, bewildered.

There was a knock on the door. Confused and embarrassed, as if they were not married, Trina scrambled off McTeague's lap, hastening to light the lamp, whispering, "Put on your coat, Mac, and smooth your hair," and making gestures for him to put the beer bottles out of sight. She opened the door and uttered an exclamation.

"Why, Cousin Mark!" she said. McTeague glared at him, struck speechless, confused beyond expression. Marcus Schouler, perfectly at his ease, stood in the doorway, smiling with great affability.

"Say," he remarked, "can I come in?"

Taken all aback, Trina could only answer:

"Why—I suppose so. Yes, of course—come in."

"Yes, yes, come in," exclaimed the dentist, suddenly, speaking without thought. "Have some beer?" he added, struck with an idea.

"No, thanks, Doctor," said Marcus, pleasantly.

McTeague and Trina were puzzled. What could it all mean? Did Marcus want to become reconciled to his enemy? "I know." Trina said to herself. "He's going away, and he wants to borrow some money. He won't get a penny, not a penny." She set her teeth together hard.

"Well," said Marcus, "how's business, Doctor?"

"Oh," said McTeague, uneasily, "oh, I don' know. I guess—I guess," he broke off in helpless embarrassment. They had all sat down by now. Marcus continued, holding his hat and his cane—the black wand of ebony with the gold top presented to him by the "Improvement Club."

"Ah!" said he, wagging his head and looking about the sitting-room, "you people have got the best fixed rooms in the whole flat. Yes, sir; you have, for a fact." He glanced from the lithograph framed in gilt and red plush—the two little girls at their prayers—to the "I'm Grandpa" and "I'm Grandma" pictures, noted the clean white matting and the gay worsted tidies over the chair backs, and appeared to contemplate in ecstasy the framed photograph of McTeague and Trina in their wedding finery.

"Well, you two are pretty happy together, ain't you?" said he, smiling good-humoredly.

"Oh, we don't complain," answered Trina.

"Plenty of money, lots to do, everything fine, hey?"

"We've got lots to do," returned Trina, thinking to head him off, "but we've not got lots of money."

But evidently Marcus wanted no money.

"Well, Cousin Trina," he said, rubbing his knee, "I'm going away."

"Yes, mamma wrote me; you're going on a ranch."

"I'm going in ranching with an English duck," corrected Marcus. "Mr. Sieppe has fixed things. We'll see if we can't raise some cattle. I know a lot about horses, and he's ranched some before—this English duck. And then I'm going to keep my eye open for a political chance down there. I got some introductions from the President of the Improvement Club. I'll work things somehow, oh, sure."

"How long you going to be gone?" asked Trina.

Marcus stared.

"Why, I ain't EVER coming back," he vociferated. "I'm going to-morrow, and I'm going for good. I come to say good-by."

Marcus stayed for upwards of an hour that evening. He talked on easily and agreeably, addressing himself as much to McTeague as to Trina. At last he rose.

"Well, good-by, Doc."

"Good-by, Marcus," returned McTeague. The two shook hands.

"Guess we won't ever see each other again," continued Marcus. "But good luck to you, Doc. Hope some day you'll have the patients standing in line on the stairs."

"Huh! I guess so, I guess so," said the dentist.

"Good-by, Cousin Trina."

"Good-by, Marcus," answered Trina. "You be sure to remember me to mamma, and papa, and everybody. I'm going to make two great big sets of Noah's ark animals for the twins on their next birthday; August is too old for toys. But you can tell the twins that I'll make them some great big animals. Good-by, success to you, Marcus."