He told all this in his solemn, grave way, though the Sunday-school was in a storm of enjoyment when he finished. There still remains a doubt in Hannibal as to its perfect suitability, but there is no doubt as to its acceptability.

That Sunday afternoon, with John Briggs, he walked over Holliday's Hill—the Cardiff Hill of Tom Sawyer. It was jest such a Sunday as that one when they had so nearly demolished the negro driver and had damaged a cooper-shop. They calculated that nearly three thousand Sundays had passed since then, and now here they were once more, two old men with the hills still fresh and green, the river still sweeping by and rippling in the sun. Standing there together and looking across to the low-lying Illinois shore, and to the green islands where they had played, and to Lover's Leap on the south, the man who had been Sam Clemens said:

"John, that is one of the loveliest sights I ever saw. Down there by the island is the place we used to swim, and yonder is where a man was drowned, and there's where the steamboat sank. Down there on Lover's Leap is where the Millerites put on their robes one night to go to heaven. None of them went that night, but I suppose most of them have gone now."

John Briggs said:

"Sam, do you remember the day we stole the peaches from old man Price and one of his bow-legged niggers came after us with the dogs, and how we made up our minds that we'd catch that nigger and drown him?"

They came to the place where they had pried out the great rock that had so nearly brought them to grief. Sam Clemens said:

"John, if we had killed that man we'd have had a dead nigger on our hands without a cent to pay for him."

And so they talked on of this thing and that, and by and by they drove along the river, and Sam Clemens pointed out the place where he swam it and was taken with a cramp on the return swim, and believed for a while that his career was about to close.

"Once, near the shore, I thought I would let down," he said, "but was afraid to, knowing that if the water was deep I was a goner, but finally my knees struck the sand and I crawled out. That was the closest call I ever had."

They drove by the place where the haunted house had stood. They drank from a well they had always known, and from the bucket as they had always drunk, talking and always talking, fondling lovingly and lingeringly that most beautiful of all our possessions, the past.

"Sam," said John, when they parted, "this is probably the last time we shall meet on this earth. God bless you. Perhaps somewhere we shall renew our friendship."

"John," was the answer, "this day has been worth thousands of dollars to me. We were like brothers once, and I feel that we are the same now. Good-by, John. I'll try to meet you—somewhere."



CCXXII. A PROPHET HONORED IN HIS COUNTRY

Clemens left next day for Columbia. Committees met him at Rensselaer, Monroe City, Clapper, Stoutsville, Paris, Madison, Moberly—at every station along the line of his travel. At each place crowds were gathered when the train pulled in, to cheer and wave and to present him with flowers. Sometimes he spoke a few words; but oftener his eyes were full of tears—his voice would not come.

There is something essentially dramatic in official recognition by one's native State—the return of the lad who has set out unknown to battle with life, and who, having conquered, is invited back to be crowned. No other honor, however great and spectacular, is quite like that, for there is in it a pathos and a completeness that are elemental and stir emotions as old as life itself.

It was on the 4th of June, 1902, that Mark Twain received his doctor of laws degree from the State University at Columbia, Missouri. James Wilson, Secretary of Agriculture, and Ethan Allen Hitchcock, Secretary of the Interior, were among those similarly honored. Mark Twain was naturally the chief attraction. Dressed in his Yale scholastic gown he led the procession of graduating students, and, as in Hannibal, awarded them their diplomas. The regular exercises were made purposely brief in order that some time might be allowed for the conferring of the degrees. This ceremony was a peculiarly impressive one. Gardner Lathrop read a brief statement introducing "America's foremost author and best-loved citizen, Samuel Langhorne Clemens—Mark Twain."

Clemens rose, stepped out to the center of the stage, and paused. He seemed to be in doubt as to whether he should make a speech or simply express his thanks and retire. Suddenly, and without a signal, the great audience rose as one man and stood in silence at his feet. He bowed, but he could not speak. Then that vast assembly began a peculiar chant, spelling out slowly the word Missouri, with a pause between each letter. It was dramatic; it was tremendous in its impressiveness. He had recovered himself when they finished. He said he didn't know whether he was expected to make a speech or not. They did not leave him in doubt. They cheered and demanded a speech, a speech, and he made them one—one of the speeches he could make best, full of quaint phrasing, happy humor, gentle and dramatic pathos. He closed by telling the watermelon story for its "moral effect."

He was the guest of E. W. Stevens in Columbia, and a dinner was given in his honor. They would have liked to keep him longer, but he was due in St. Louis again to join in the dedication of the grounds, where was to be held a World's Fair, to celebrate the Louisiana Purchase. Another ceremony he attended was the christening of the St. Louis harbor-boat, or rather the rechristening, for it had been decided to change its name from the St. Louis—[Originally the Elon G. Smith, built in 1873.]—to the Mark Twain. A short trip was made on it for the ceremony. Governor Francis and Mayor Wells were of the party, and Count and Countess Rochambeau and Marquis de Lafayette, with the rest of the French group that had come over for the dedication of the World's Fair grounds.

Mark Twain himself was invited to pilot the harbor boat, and so returned for the last time to his old place at the wheel. They all collected in the pilot-house behind him, feeling that it was a memorable occasion. They were going along well enough when he saw a little ripple running out from the shore across the bow. In the old days he could have told whether it indicated a bar there or was only caused by the wind, but he could not be sure any more. Turning to the pilot languidly, he said: "I feel a little tired. I guess you had better take the wheel."

Luncheon was served aboard, and Mayor Wells made the christening speech; then the Countess Rochambeau took a bottle of champagne from the hand of Governor Francis and smashed it on the deck, saying, "I christen thee, good boat, Mark Twain." So it was, the Mississippi joined in according him honors. In his speech of reply he paid tribute to those illustrious visitors from France and recounted something of the story of French exploration along that great river.

"The name of La Salle will last as long as the river itself," he said; "will last until commerce is dead. We have allowed the commerce of the river to die, but it was to accommodate the railroads, and we must be grateful."

Carriages were waiting for them when the boat landed in the afternoon, and the party got in and were driven to a house which had been identified as Eugene Field's birthplace. A bronze tablet recording this fact had been installed, and this was to be the unveiling. The place was not in an inviting quarter of the town. It stood in what is known as Walsh's Row—was fashionable enough once, perhaps, but long since fallen into disrepute. Ragged children played in the doorways, and thirsty lodgers were making trips with tin pails to convenient bar-rooms. A curious nondescript audience assembled around the little group of dedicators, wondering what it was all about. The tablet was concealed by the American flag, which could be easily pulled away by an attached cord. Governor Francis spoke a few words, to the effect that they had gathered here to unveil a tablet to an American poet, and that it was fitting that Mark Twain should do this. They removed their hats, and Clemens, his white hair blowing in the wind, said:

"My friends; we are here with reverence and respect to commemorate and enshrine in memory the house where was born a man who, by his life, made bright the lives of all who knew him, and by his literary efforts cheered the thoughts of thousands who never knew him. I take pleasure in unveiling the tablet of Eugene Field."

The flag fell and the bronze inscription was revealed. By this time the crowd, generally, had recognized who it was that was speaking. A working-man proposed three cheers for Mark Twain, and they were heartily given. Then the little party drove away, while the neighborhood collected to regard the old house with a new interest.

It was reported to Clemens later that there was some dispute as to the identity of the Field birthplace. He said:

"Never mind. It is of no real consequence whether it is his birthplace or not. A rose in any other garden will bloom as sweet."



CCXXIII. AT YORK HARBOR

They decided to spend the summer at York Harbor, Maine. They engaged a cottage, there, and about the end of June Mr. Rogers brought his yacht Kanawha to their water-front at Riverdale, and in perfect weather took them to Maine by sea. They landed at York Harbor and took possession of their cottage, The Pines, one of their many attractive summer lodges. Howells, at Kittery Point, was not far away, and everything promised a happy summer.

Mrs. Clemens wrote to Mrs. Crane:

We are in the midst of pines. They come up right about us, and the house is so high and the roots of the trees are so far below the veranda that we are right in the branches. We drove over to call on Mr. and Mrs. Howells. The drive was most beautiful, and never in my life have I seen such a variety of wild flowers in so short a space.

Howells tells us of the wide, low cottage in a pine grove overlooking York River, and how he used to sit with Clemens that summer at a corner of the veranda farthest away from Mrs. Clemens's window, where they could read their manuscripts to each other, and tell their stories and laugh their hearts out without disturbing her.

Clemens, as was his habit, had taken a work-room in a separate cottage "in the house of a friend and neighbor, a fisherman and a boatman":

There was a table where he could write, and a bed where he could lie down and read; and there, unless my memory has played me one of those constructive tricks that people's memories indulge in, he read me the first chapters of an admirable story. The scene was laid in a Missouri town, and the characters such as he had known in boyhood; but often as I tried to make him own it, he denied having written any such story; it is possible that I dreamed it, but I hope the MS. will yet be found.

Howells did not dream it; but in one way his memory misled him. The story was one which Clemens had heard in Hannibal, and he doubtless related it in his vivid way. Howells, writing at a later time, quite naturally included it among the several manuscripts which Clemens read aloud to him. Clemens may have intended to write the tale, may even have begun it, though this is unlikely. The incidents were too well known and too notorious in his old home for fiction.

Among the stories that Clemens did show, or read, to Howells that summer was "The Belated Passport," a strong, intensely interesting story with what Howells in a letter calls a "goat's tail ending," perhaps meaning that it stopped with a brief and sudden shake—with a joke, in fact, altogether unimportant, and on the whole disappointing to the reader. A far more notable literary work of that summer grew out of a true incident which Howells related to Clemens as they sat chatting together on the veranda overlooking the river one summer afternoon. It was a pathetic episode in the life of some former occupants of The Pines—the tale of a double illness in the household, where a righteous deception was carried on during several weeks for the benefit of a life that was about to slip away. Out of this grew the story, "Was it Heaven? or Hell?" a heartbreaking history which probes the very depths of the human soul. Next to "Hadleyburg," it is Mark Twain's greatest fictional sermon.

Clemens that summer wrote, or rather finished, his most pretentious poem. One day at Riverdale, when Mrs. Clemens had been with him on the lawn, they had remembered together the time when their family of little folks had filled their lives so full, conjuring up dream-like glimpses of them in the years of play and short frocks and hair-plaits down their backs. It was pathetic, heart-wringing fancying; and later in the day Clemens conceived and began the poem which now he brought to conclusion. It was built on the idea of a mother who imagines her dead child still living, and describes to any listener the pictures of her fancy. It is an impressive piece of work; but the author, for some reason, did not offer it for publication.—[This poem was completed on the anniversary of Susy's death and is of considerable length. Some selections from it will be found under Appendix U, at the end of this work.]

Mrs. Clemens, whose health earlier in the year had been delicate, became very seriously ill at York Harbor. Howells writes:

At first she had been about the house, and there was one gentle afternoon when she made tea for us in the parlor, but that was the last time I spoke with her. After that it was really a question of how soonest and easiest she could be got back to Riverdale.

She had seemed to be in fairly good health and spirits for several weeks after the arrival at York. Then, early in August, there came a great celebration of some municipal anniversary, and for two or three days there were processions, mass-meetings, and so on by day, with fireworks at night. Mrs. Clemens, always young in spirit, was greatly interested. She went about more than her strength warranted, seeing and hearing and enjoying all that was going on. She was finally persuaded to forego the remaining ceremonies and rest quietly on the pleasant veranda at home; but she had overtaxed herself and a collapse was inevitable. Howells and two friends called one afternoon, and a friend of the Queen of Rumania, a Madame Hartwig, who had brought from that gracious sovereign a letter which closed in this simple and modest fashion:

I beg your pardon for being a bore to one I so deeply love and admire, to whom I owe days and days of forgetfulness of self and troubles, and the intensest of all joys-hero-worship! People don't always realize what a happiness that is! God bless you for every beautiful thought you poured into my tired heart, and for every smile on a weary way. CARMEN SYLVA.

This was the occasion mentioned by Howells when Mrs. Clemens made tea for them in the parlor for the last time. Her social life may be said to have ended that afternoon. Next morning the break came. Clemens, in his notebook for that day, writes:

Tuesday, August 12, 1902. At 7 A.M. Livy taken violently ill. Telephoned and Dr. Lambert was here in 1/2 hour. She could not breathe-was likely to stifle. Also she had severe palpitation. She believed she was dying. I also believed it.

Nurses were summoned, and Mrs. Crane and others came from Elmira. Clara Clemens took charge of the household and matters generally, and the patient was secluded and guarded from every disturbing influence. Clemens slipped about with warnings of silence. A visitor found notices in Mark Twain's writing pinned to the trees near Mrs. Clemens's window warning the birds not to sing too loudly.

The patient rallied, but she remained very much debilitated. On September 3d the note-book says:

Always Mr. Rogers keeps his yacht Kanawha in commission & ready to fly here and take us to Riverdale on telegraphic notice.

But Mrs. Clemens was unable to return by sea. When it was decided at last, in October, that she could be removed to Riverdale, Clemens and Howells went to Boston and engaged an invalid car to make the journey from York Harbor to Riverdale without change. Howells tells us that Clemens gave his strictest personal attention to the arrangement of these details, and that they absorbed him.

There was no particular of the business which he did not scrutinize and master.... With the inertness that grows upon an aging man he had been used to delegate more and more things, but of that thing I perceived that he would not delegate the least detail.

They made the journey on the 16th, in nine and a half hours. With the exception of the natural weariness due to such a trip, the invalid was apparently no worse on their arrival. The stout English butler carried her to her room. It would be many months before she would leave it again. In one of his memoranda Clemens wrote:

Our dear prisoner is where she is through overwork-day & night devotion to the children & me. We did not know how to value it. We know now.

And in a notation, on a letter praising him for what he had done for the world's enjoyment, and for his splendid triumph over debt, he said:

Livy never gets her share of these applauses, but it is because the people do not know. Yet she is entitled to the lion's share.

He wrote Twichell at the end of October:

Livy drags along drearily. It must be hard times for that turbulent spirit. It will be a long time before she is on her feet again. It is a most pathetic case. I wish I could transfer it to myself. Between ripping & raging & smoking & reading I could get a good deal of holiday out of it. Clara runs the house smoothly & capitally.

Heavy as was the cloud of illness, he could not help pestering Twichell a little about a recent mishap—a sprained shoulder:

I should like to know how & where it happened. In the pulpit, as like as not, otherwise you would not be taking so much pains to conceal it. This is not a malicious suggestion, & not a personally invented one: you told me yourself once that you threw artificial power & impressiveness in your sermons where needed by "banging the Bible"—(your own words). You have reached a time of life when it is not wise to take these risks. You would better jump around. We all have to change our methods as the infirmities of age creep upon us. Jumping around will be impressive now, whereas before you were gray it would have excited remark.

Mrs. Clemens seemed to improve as the weeks passed, and they had great hopes of her complete recovery. Clemens took up some work—a new Huck Finn story, inspired by his trip to Hannibal. It was to have two parts—Huck and Tom in youth, and then their return in old age. He did some chapters quite in the old vein, and wrote to Howells of his plan. Howells answered:

It is a great lay-out: what I shall enjoy most will be the return of the old fellows to the scene and their tall lying. There is a matchless chance there. I suppose you will put in plenty of pegs in this prefatory part.

But the new story did not reach completion. Huck and Tom would not come back, even to go over the old scenes.



CCXXIV. THE SIXTY-SEVENTH BIRTHDAY DINNER

It was on the evening of the 27th of November, 1902, I at the Metropolitan Club, New York City, that Col. George Harvey, president of the Harper Company, gave Mark Twain a dinner in celebration of his sixty-seventh birthday. The actual date fell three days later; but that would bring it on Sunday, and to give it on Saturday night would be more than likely to carry it into Sabbath morning, and so the 27th was chosen. Colonel Harvey himself presided, and Howells led the speakers with a poem, "A Double-Barreled Sonnet to Mark Twain," which closed:

Still, to have everything beyond cavil right, We will dine with you here till Sunday night.

Thomas Brackett Reed followed with what proved to be the last speech he would ever make, as it was also one of his best. All the speakers did well that night, and they included some of the country's foremost in oratory: Chauncey Depew, St. Clair McKelway, Hamilton Mabie, and Wayne MacVeagh. Dr. Henry van Dyke and John Kendrick Bangs read poems. The chairman constantly kept the occasion from becoming too serious by maintaining an attitude of "thinking ambassador" for the guest of the evening, gently pushing Clemens back in his seat when he attempted to rise and expressing for him an opinion of each of the various tributes.

"The limit has been reached," he announced at the close of Dr. van Dyke's poem. "More that is better could not be said. Gentlemen, Mr. Clemens."

It is seldom that Mark Twain has made a better after-dinner speech than he delivered then. He was surrounded by some of the best minds of the nation, men assembled to do him honor. They expected much of him—to Mark Twain always an inspiring circumstance. He was greeted with cheers and hand-clapping that came volley after volley, and seemed never ready to end. When it had died away at last he stood waiting a little in the stillness for his voice; then he said, "I think I ought to be allowed to talk as long as I want to," and again the storm broke.

It is a speech not easy to abridge—a finished and perfect piece of after-dinner eloquence,—[The "Sixty-seventh Birthday Speech" entire is included in the volume Mark Twain's Speeches.]—full of humorous stories and moving references to old friends—to Hay; and Reed, and Twichell, and Howells, and Rogers, the friends he had known so long and loved so well. He told of his recent trip to his boyhood home, and how he had stood with John Briggs on Holliday's Hill and they had pointed out the haunts of their youth. Then at the end he paid a tribute to the companion of his home, who could not be there to share his evening's triumph. This peroration—a beautiful heart-offering to her and to those that had shared in long friendship—demands admission:

Now, there is one invisible guest here. A part of me is not present; the larger part, the better part, is yonder at her home; that is my wife, and she has a good many personal friends here, and I think it won't distress any one of them to know that, although she is going to be confined to her bed for many months to come from that nervous prostration, there is not any danger and she is coming along very well—and I think it quite appropriate that I should speak of her. I knew her for the first time just in the same year that I first knew John Hay and Tom Reed and Mr. Twichell—thirty-six years ago—and she has been the best friend I have ever had, and that is saying a good deal—she has reared me—she and Twichell together —and what I am I owe to them. Twichell—why, it is such a pleasure to look upon Twichell's face! For five and twenty years I was under the Rev. Mr. Twichell's tuition, I was in his pastorate occupying a pew in his church and held him in due reverence. That man is full of all the graces that go to make a person companionable and beloved; and wherever Twichell goes to start a church the people flock there to buy the land; they find real estate goes up all around the spot, and the envious and the thoughtful always try to get Twichell to move to their neighborhood and start a church; and wherever you see him go you can go and buy land there with confidence, feeling sure that there will be a double price for you before very long.

I have tried to do good in this world, and it is marvelous in how many different ways I have done good, and it is comfortable to reflect—now, there's Mr. Rogers—just out of the affection I bear that man many a time I have given him points in finance that he had never thought of—and if he could lay aside envy, prejudice, and superstition, and utilize those ideas in his business, it would make a difference in his bank-account.

Well, I liked the poetry. I liked all the speeches and the poetry, too. I liked Dr. van Dyke's poem. I wish I could return thanks in proper measure to you, gentlemen, who have spoken and violated your feelings to pay me compliments; some were merited and some you overlooked, it is true; and Colonel Harvey did slander every one of you, and put things into my mouth that I never said, never thought of at all.

And now my wife and I, out of our single heart, return you our deepest and most grateful thanks, and—yesterday was her birthday.

The sixty-seventh birthday dinner was widely celebrated by the press, and newspaper men generally took occasion to pay brilliant compliments to Mark Twain. Arthur Brisbane wrote editorially:

For more than a generation he has been the Messiah of a genuine gladness and joy to the millions of three continents.

It was little more than a week later that one of the old friends he had mentioned, Thomas Brackett Reed, apparently well and strong that birthday evening, passed from the things of this world. Clemens felt his death keenly, and in a "good-by" which he wrote for Harper's Weekly he said:

His was a nature which invited affection—compelled it, in fact—and met it half-way. Hence, he was "Tom" to the most of his friends and to half of the nation....

I cannot remember back to a time when he was not "Tom" Reed to me, nor to a time when he could have been offended at being so addressed by me. I cannot remember back to a time when I could let him alone in an after-dinner speech if he was present, nor to a time when he did not take my extravagance concerning him and misstatements about him in good part, nor yet to a time when he did not pay them back with usury when his turn came. The last speech he made was at my birthday dinner at the end of November, when naturally I was his text; my last word to him was in a letter the next day; a day later I was illustrating a fantastic article on art with his portrait among others—a portrait now to be laid reverently away among the jests that begin in humor and end in pathos. These things happened only eight days ago, and now he is gone from us, and the nation is speaking of him as one who was. It seems incredible, impossible. Such a man, such a friend, seems to us a permanent possession; his vanishing from our midst is unthinkable, as was the vanishing of the Campanile, that had stood for a thousand years and was turned to dust in a moment.

The appreciation closes:

I have only wished to say how fine and beautiful was his life and character, and to take him by the hand and say good-by, as to a fortunate friend who has done well his work and gees a pleasant journey.



CCXXV. CHRISTIAN SCIENCE CONTROVERSIES

The North American Review for December (1902) contained an instalment of the Christian Science series which Mark Twain had written in Vienna several years before. He had renewed his interest in the doctrine, and his admiration for Mrs. Eddy's peculiar abilities and his antagonism toward her had augmented in the mean time. Howells refers to the "mighty moment when Clemens was building his engines of war for the destruction of Christian Science, which superstition nobody, and he least of all, expected to destroy":

He believed that as a religious machine the Christian Science Church was as perfect as the Roman Church, and destined to be more formidable in its control of the minds of men....

An interesting phase of his psychology in this business was not. only his admiration for the masterly policy of the Christian Science hierarchy, but his willingness to allow the miracles of its healers to be tried on his friends and family if they wished it. He had a tender heart for the whole generation of empirics, as well as the newer sorts of scienticians, but he seemed to base his faith in them largely upon the failure of the regulars, rather than upon their own successes, which also he believed in. He was recurrently, but not insistently, desirous that you should try their strange magics when you were going to try the familiar medicines.

Clemens never had any quarrel with the theory of Christian Science or mental healing, or with any of the empiric practices. He acknowledged good in all of them, and he welcomed most of them in preference to materia medica. It is true that his animosity for the founder of the Christian Science cult sometimes seems to lap over and fringe the religion itself; but this is apparent rather than real. Furthermore, he frequently expressed a deep obligation which humanity owed to the founder of the faith, in that she had organized a healing element ignorantly and indifferently employed hitherto. His quarrel with Mrs. Eddy lay in the belief that she herself, as he expressed it, was "a very unsound Christian Scientist."

I believe she has a serious malady—self-edification—and that it will be well to have one of the experts demonstrate over her. [But he added]: Closely examined, painstakingly studied, she is easily the most interesting person on the planet, and in several ways as easily the most extraordinary woman that was ever born upon it.

Necessarily, the forces of Christian Science were aroused by these articles, and there were various replies, among them, one by the founder herself, a moderate rejoinder in her usual literary form.

"Mrs. Eddy in Error," in the North American Review for April, 1903, completed what Clemens had to say on the matter for this time.

He was putting together a book on the subject, comprised of his various published papers and some added chapters. It would not be a large volume, and he offered to let his Christian Science opponents share it with him, stating their side of the case. Mr. William D. McCrackan, one of the church's chief advocates, was among those invited to participate. McCrackan and Clemens, from having begun as enemies, had become quite friendly, and had discussed their differences face to face at considerable length. Early in the controversy Clemens one night wrote McCrackan a pretty savage letter. He threw it on the hall table for mailing, but later got out of bed and slipped down-stairs to get it. It was too late—the letters had been gathered up and mailed. Next evening a truly Christian note came from McCrackan, returning the hasty letter, which he said he was sure the writer would wish to recall. Their friendship began there. For some reason, however, the collaborated volume did not materialize. In the end, publication was delayed a number of years, by which time Clemens's active interest was a good deal modified, though the practice itself never failed to invite his attention.

Howells refers to his anti-Christian Science rages, which began with the postponement of the book, and these Clemens vented at the time in another manuscript entitled, "Eddypus," an imaginary history of a thousand years hence, when Eddyism should rule the world. By that day its founder would have become a deity, and the calendar would be changed to accord with her birth. It was not publishable matter, and really never intended as such. It was just one of the things which Mark Twain wrote to relieve mental pressure.



CCXXVI. "WAS IT HEAVEN? OR HELL?"

The Christmas number of Harper's Magazine for 1902 contained the story, "Was it Heaven? or Hell?" and it immediately brought a flood of letters to its author from grateful readers on both sides of the ocean. An Englishman wrote: "I want to thank you for writing so pathetic and so profoundly true a story"; and an American declared it to be the best short story ever written. Another letter said:

I have learned to love those maiden liars—love and weep over them —then put them beside Dante's Beatrice in Paradise.

There were plenty of such letters; but there was one of a different sort. It was a letter from a man who had but recently gone through almost precisely the experience narrated in the tale. His dead daughter had even borne the same name—Helen. She had died of typhus while her mother was prostrated with the same malady, and the deception had been maintained in precisely the same way, even to the fictitiously written letters. Clemens replied to this letter, acknowledging the striking nature of the coincidence it related, and added that, had he invented the story, he would have believed it a case of mental telegraphy.

I was merely telling a true story just as it had been told to me by one who well knew the mother and the daughter & all the beautiful & pathetic details. I was living in the house where it had happened, three years before, & I put it on paper at once while it was fresh in my mind, & its pathos still straining at my heartstrings.

Clemens did not guess that the coincidences were not yet complete, that within a month the drama of the tale would be enacted in his own home. In his note-book, under the date of December 24(1902), he wrote:

Jean was hit with a chill: Clara was completing her watch in her mother's room and there was no one able to force Jean to go to bed. As a result she is pretty ill to-day-fever & high temperature.

Three days later he added:

It was pneumonia. For 5 days jean's temperature ranged between 103 & 104 2/5, till this morning, when it got down to 101. She looks like an escaped survivor of a forest fire. For 6 days now my story in the Christmas Harper's "Was it Heaven? or Hell?"—has been enacted in this household. Every day Clara & the nurses have lied about Jean to her mother, describing the fine times she is having outdoors in the winter sports.

That proved a hard, trying winter in the Clemens home, and the burden of it fell chiefly, indeed almost entirely, upon Clara Clemens. Mrs. Clemens became still more frail, and no other member of the family, not even her husband, was allowed to see her for longer than the briefest interval. Yet the patient was all the more anxious to know the news, and daily it had to be prepared—chiefly invented—for her comfort. In an account which Clemens once set down of the "Siege and Season of Unveracity," as he called it, he said:

Clara stood a daily watch of three or four hours, and hers was a hard office indeed. Daily she sealed up in her heart a dozen dangerous truths, and thus saved her mother's life and hope and happiness with holy lies. She had never told her mother a lie in her life before, and I may almost say that she never told her a truth afterward. It was fortunate for us all that Clara's reputation for truthfulness was so well established in her mother's mind. It was our daily protection from disaster. The mother never doubted Clara's word. Clara could tell her large improbabilities without exciting any suspicion, whereas if I tried to market even a small and simple one the case would have been different. I was never able to get a reputation like Clara's. Mrs. Clemens questioned Clara every day concerning Jean's health, spirits, clothes, employments, and amusements, and how she was enjoying herself; and Clara furnished the information right along in minute detail—every word of it false, of course. Every day she had to tell how Jean dressed, and in time she got so tired of using Jean's existing clothes over and over again, and trying to get new effects out of them, that finally, as a relief to her hard-worked invention, she got to adding imaginary clothes to Jean's wardrobe, and probably would have doubled it and trebled it if a warning note in her mother's comments had not admonished her that she was spending more money on these spectral gowns and things than the family income justified.

Some portions of detailed accounts of Clara's busy days of this period, as written at the time by Clemens to Twichell and to Mrs. Crane, are eminently worth preserving. To Mrs. Crane:

Clara does not go to her Monday lesson in New York today [her mother having seemed not so well through the night], but forgets that fact and enters her mother's room (where she has no business to be) toward train-time dressed in a wrapper.

LIVY. Why, Clara, aren't you going to your lesson? CLARA (almost caught). Yes. L. In that costume? CL. Oh no. L. Well, you can't make your train; it's impossible. CL. I know, but I'm going to take the other one. L. Indeed that won't do—you'll be ever so much too late for your lesson. CL. No, the lesson-time has been put an hour later. L. (satisfied, then suddenly). But, Clara, that train and the late lesson together will make you late to Mrs. Hapgood's luncheon. CL. No, the train leaves fifteen minutes earlier than it used to. L. (satisfied). Tell Mrs. Hapgood, etc., etc., etc. (which Clara promises to do). Clara, dear, after the luncheon—I hate to put this on you—but could you do two or three little shopping-errands for me? CL. Oh, it won't trouble me a bit-I can do it. (Takes a list of the things she is to buy-a list which she will presently hand to another.)

At 3 or 4 P.M. Clara takes the things brought from New York, studies over her part a little, then goes to her mother's room.

LIVY. It's very good of you, dear. Of course, if I had known it was going to be so snowy and drizzly and sloppy I wouldn't have asked you to buy them. Did you get wet? CL. Oh, nothing to hurt. L. You took a cab both ways? CL. Not from the station to the lesson-the weather was good enough till that was over. L. Well, now, tell me everything Mrs. Hapgood said.

Clara tells her a long yarn-avoiding novelties and surprises and anything likely to inspire questions difficult to answer; and of course detailing the menu, for if it had been the feeding of the 5,000 Livy would have insisted on knowing what kind of bread it was and how the fishes were served. By and by, while talking of something else:

LIVY. Clams!—in the end of December. Are you sure it was clams? CL. I didn't say cl—-I meant Blue Points. L. (tranquilized). It seemed odd. What is Jean doing? CL. She said she was going to do a little typewriting. L. Has she been out to-day? CL. Only a moment, right after luncheon. She was determined to go out again, but—— L. How did you know she was out? CL. (saving herself in time). Katie told me. She was determined to go out again in the rain and snow, but I persuaded her to stay in. L. (with moving and grateful admiration). Clara, you are wonderful! the wise watch you keep over Jean, and the influence you have over her; it's so lovely of you, and I tied here and can't take care of her myself. (And she goes on with these undeserved praises till Clara is expiring with shame.)

To Twichell:

I am to see Livy a moment every afternoon until she has another bad night; and I stand in dread, for with all my practice I realize that in a sudden emergency I am but a poor, clumsy liar, whereas a fine alert and capable emergency liar is the only sort that is worth anything in a sick-chamber.

Now, Joe, just see what reputation can do. All Clara's life she has told Livy the truth and now the reward comes; Clara lies to her three and a half hours every day, and Livy takes it all at par, whereas even when I tell her a truth it isn't worth much without corroboration....

Soon my brief visit is due. I've just been up listening at Livy's door.

5 P.M. A great disappointment. I was sitting outside Livy's door waiting. Clara came out a minute ago and said L ivy is not so well, and the nurse can't let me see her to-day.

That pathetic drama was to continue in some degree for many a long month. All that winter and spring Mrs. Clemens kept but a frail hold on life. Clemens wrote little, and refused invitations everywhere he could. He spent his time largely in waiting for the two-minute period each day when he could stand at the bed-foot and say a few words to the invalid, and he confined his writing mainly to the comforting, affectionate messages which he was allowed to push under her door. He was always waiting there long before the moment he was permitted to enter. Her illness and her helplessness made manifest what Howells has fittingly characterized as his "beautiful and tender loyalty to her, which was the most moving quality of his most faithful soul."



CCXXVII. THE SECOND RIVERDALE WINTER

Most of Mark Twain's stories have been dramatized at one time or another, and with more or less success. He had two plays going that winter, one of them the little "Death Disk," which—in story form had appeared a year before in Harper's Magazine. It was put on at the Carnegie Lyceum with considerable effect, but it was not of sufficient importance to warrant a long continuance.

Another play of that year was a dramatization of Huckleberry Finn, by Lee Arthur. This was played with a good deal of success in Baltimore, Philadelphia, and elsewhere, the receipts ranging from three hundred to twenty-one hundred dollars per night, according to the weather and locality. Why the play was discontinued is not altogether apparent; certainly many a dramatic enterprise has gone further, faring worse.

Huck in book form also had been having adventures a little earlier, in being tabooed on account of his morals by certain librarians of Denver and Omaha. It was years since Huck had been in trouble of that sort, and he acquired a good deal of newspaper notoriety in consequence.

Certain entries in Mark Twain's note-book reveal somewhat of his life and thought at this period. We find such entries as this:

Saturday, January 3, 1903. The offspring of riches: Pride, vanity, ostentation, arrogance, tyranny.

Sunday, January 4, 1903. The offspring of poverty: Greed, sordidness, envy, hate, malice, cruelty, meanness, lying, shirking, cheating, stealing, murder.

Monday, February 2, 1903. 33d wedding anniversary. I was allowed to see Livy 5 minutes this morning in honor of the day. She makes but little progress toward recovery, still there is certainly some, we are sure.

Sunday, March 1, 1903. We may not doubt that society in heaven consists mainly of undesirable persons.

Thursday, March 19, 1903. Susy's birthday. She would be 31 now.

The family illnesses, which presently included an allotment for himself, his old bronchitis, made him rage more than ever at the imperfections of the species which could be subject to such a variety of ills. Once he wrote:

Man was made at the end of the week's work when God was tired.

And again:

Adam, man's benefactor—he gave him all that he has ever received that was worth having—death.

The Riverdale home was in reality little more than a hospital that spring. Jean had scarcely recovered her physical strength when she was attacked by measles, and Clara also fell a victim to the infection. Fortunately Mrs. Clemens's health had somewhat improved.

It was during this period that Clemens formulated his eclectic therapeutic doctrine. Writing to Twichell April 4, 1903, he said:

Livy does make a little progress these past 3 or 4 days, progress which is visible to even the untrained eye. The physicians are doing good work for her, but my notion is, that no art of healing is the best for all ills. I should distribute the ailments around: surgery cases to the surgeon; lupus to the actinic-ray specialist; nervous prostration to the Christian Scientist; most ills to the allopath & the homeopath; & (in my own particular case) rheumatism, gout, & bronchial attack to the osteopathist.

He had plenty of time to think and to read during those weeks of confinement, and to rage, and to write when he felt the need of that expression, though he appears to have completed not much for print beyond his reply to Mrs. Eddy, already mentioned, and his burlesque, "Instructions in Art," with pictures by himself, published in the Metropolitan for April and May.

Howells called his attention to some military outrages in the Philippines, citing a case where a certain lieutenant had tortured one of his men, a mild offender, to death out of pure deviltry, and had been tried but not punished for his fiendish crime.—[The torture to death of Private Edward C. Richter, an American soldier, by orders of a commissioned officer of the United States army on the night of February 7, 1902. Private Richter was bound and gagged and the gag held in his mouth by means of a club while ice-water was slowly poured into his face, a dipper full at a time, for two hours and a half, until life became extinct.]

Clemens undertook to give expression to his feelings on this subject, but he boiled so when he touched pen to paper to write of it that it was simply impossible for him to say anything within the bounds of print. Then his only relief was to rise and walk the floor, and curse out his fury at the race that had produced such a specimen.

Mrs. Clemens, who perhaps got some drift or the echo of these tempests, now and then sent him a little admonitory, affectionate note.

Among the books that Clemens read, or tried to read, during his confinement were certain of the novels of Sir Walter Scott. He had never been able to admire Scott, and determined now to try to understand this author's popularity and his standing with the critics; but after wading through the first volume of one novel, and beginning another one, he concluded to apply to one who could speak as having authority. He wrote to Brander Matthews:

DEAR BRANDER,—I haven't been out of my bed for 4 weeks, but-well, I have been reading a good deal, & it occurs to me to ask you to sit down, some time or other when you have 8 or 9 months to spare, & jot me down a certain few literary particulars for my help & elevation. Your time need not be thrown away, for at your further leisure you can make Columbian lectures out of the results & do your students a good turn.

1. Are there in Sir Walter's novels passages done in good English —English which is neither slovenly nor involved?

2. Are there passages whose English is not poor & thin & commonplace, but is of a quality above that?

3. Are there passages which burn with real fire—not punk, fox- fire, make-believe? 4. Has he heroes & heroines who are not cads and cadesses?

5. Has he personages whose acts & talk correspond with their characters as described by him?

6. Has he heroes & heroines whom the reader admires—admires and knows why?

7. Has he funny characters that are funny, and humorous passages that are humorous?

8. Does he ever chain the reader's interest & make him reluctant to lay the book down?

9. Are there pages where he ceases from posing, ceases from admiring the placid flood & flow of his own dilution, ceases from being artificial, & is for a time, long or short, recognizably sincere & in earnest?

10. Did he know how to write English, & didn't do it because he didn't want to?

11. Did he use the right word only when he couldn't think of another one, or did he run so much to wrong words because he didn't know the right one when he saw it?

12. Can you read him and keep your respect for him? Of course a person could in his day—an era of sentimentality & sloppy romantics—but land! can a body do it to-day?

Brander, I lie here dying; slowly dying, under the blight of Sir Walter. I have read the first volume of Rob Roy, & as far as Chapter XIX of Guy Mannering, & I can no longer hold my head up or take my nourishment. Lord, it's all so juvenile! so artificial, so shoddy; & such wax figures & skeletons & specters. Interest? Why, it is impossible to feel an interest in these bloodless shams, these milk-&-water humbugs. And oh, the poverty of invention! Not poverty in inventing situations, but poverty in furnishing reasons for them. Sir Walter usually gives himself away when he arranges for a situation—elaborates & elaborates & elaborates till, if you live to get to it, you don't believe in it when it happens.

I can't find the rest of Rob Roy, I, can't stand any more Mannering —I do not know just what to do, but I will reflect, & not quit this great study rashly....

My, I wish I could see you & Leigh Hunt!

Sincerely yours,

S. L. CLEMENS.

But a few days later he experienced a revelation. It came when he perseveringly attacked still a third work of Scott—Quentin Durward. Hastily he wrote to Matthews again:

I'm still in bed, but the days have lost their dullness since I broke into Sir Walter & lost my temper. I finished Guy Mannering that curious, curious book, with its mob of squalid shadows gibbering around a single flesh-&-blood being—Dinmont; a book crazily put together out of the very refuse of the romance artist's stage properties—finished it & took up Quentin Durward & finished that.

It was like leaving the dead to mingle with the living; it was like withdrawing from the infant class in the college of journalism to sit under the lectures in English literature in Columbia University.

I wonder who wrote Quentin Durward?—[This letter, enveloped, addressed, and stamped, was evidently mislaid. It was found and mailed seven years later, June, 1910 message from the dead.]

Among other books which he read that winter and spring was Helen Keller's 'The Story of My Life', then recently published. That he finished it in a mood of sweet gentleness we gather from a long, lovely letter which he wrote her—a letter in which he said:

I am charmed with your book—enchanted. You are a wonderful creature, the most wonderful in the world—you and your other half together—Miss Sullivan, I mean—for it took the pair of you to make a complete & perfect whole. How she stands out in her letters! her brilliancy, penetration, originality, wisdom, character, & the fine literary competencies of her pen—they are all there.

When reading and writing failed as diversion, Mark Twain often turned to mathematics. With no special talent for accuracy in the matter of figures, he had a curious fondness for calculations, scientific and financial, and he used to cover pages, ciphering at one thing and another, arriving pretty inevitably at the wrong results. When the problem was financial, and had to do with his own fortunes, his figures were as likely as not to leave him in a state of panic. The expenditures were naturally heavy that spring; and one night, when he had nothing better to do, he figured the relative proportion to his income. The result showed that they were headed straight for financial ruin. He put in the rest of the night fearfully rolling and tossing, and reconstructing his figures that grew always worse, and next morning summoned Jean and Clara and petrified them with the announcement that the cost of living was one hundred and twenty-five per cent. more than the money-supply.

Writing to MacAlister three days later he said:

It was a mistake. When I came down in the morning, a gray and aged wreck, I found that in some unaccountable way (unaccountable to a business man, but not to me) I had multiplied the totals by two. By God, I dropped seventy-five years on the floor where I stood!

Do you know it affected me as one is affected when one wakes out of a hideous dream & finds it was only a dream. It was a great comfort & satisfaction to me to call the daughters to a private meeting of the board again. Certainly there is a blistering & awful reality about a well-arranged unreality. It is quite within the possibilities that two or three nights like that of mine would drive a man to suicide. He would refuse to examine the figures, they would revolt him so, & he would go to his death unaware that there was nothing serious about them. I cannot get that night out of my head, it was so vivid, so real, so ghastly: In any other year of these thirty-three the relief would have been simple: go where you can, cut your cloth to fit your income. You can't do that when your wife can't be moved, even from one room to the next.

The doctor & a specialist met in conspiracy five days ago, & in their belief she will by and by come out of this as good as new, substantially. They ordered her to Italy for next winter—which seems to indicate that by autumn she will be able to undertake the voyage. So Clara is writing to a Florence friend to take a look around among the villas for us in the regions near that city.



CCXXVIII. PROFFERED HONORS

Mark Twain had been at home well on toward three years; but his popularity showed no signs of diminishing. So far from having waned, it had surged to a higher point than ever before. His crusade against public and private abuses had stirred readers, and had set them to thinking; the news of illness in his household; a report that he was contemplating another residence abroad—these things moved deeply the public heart, and a tide of letters flowed in, letters of every sort—of sympathy, of love, or hearty endorsement, whatever his attitude of reform.

When a writer in a New York newspaper said, "Let us go outside the realm of practical politics next time in choosing our candidates for the Presidency," and asked, "Who is our ablest and most conspicuous private citizen?" another editorial writer, Joseph Hollister, replied that Mark Twain was "the greatest man of his day in private life, and entitled to the fullest measure of recognition."

But Clemens was without political ambitions. He knew the way of such things too well. When Hollister sent him the editorial he replied only with a word of thanks, and did not, even in jest, encourage that tiny seed of a Presidential boom. One would like to publish many of the beautiful letters received during this period, for they are beautiful, most of them, however illiterate in form, however discouraging in length—beautiful in that they overflow with the writers' sincerity and gratitude.

So many of them came from children, usually without the hope of a reply, some signed only with initials, that the writers might not be open to the suspicion of being seekers for his autograph. Almost more than any other reward, Mark Twain valued this love of the children.

A department in the St. Nicholas Magazine offered a prize for a caricature drawing of some well-known man. There were one or two of certain prominent politicians and capitalists, and there was literally a wheelbarrow load of Mark Twain. When he was informed of this he wrote: "No tribute could have pleased me more than that—the friendship of the children."

Tributes came to him in many forms. In his native State it was proposed to form a Mark Twain Association, with headquarters at Hannibal, with the immediate purpose of having a week set apart at the St. Louis World's Fair, to be called the Mark Twain week, with a special Mark Twain day, on which a national literary convention would be held. But when his consent was asked, and his co-operation invited, he wrote characteristically:

It is indeed a high compliment which you offer me, in naming an association after me and in proposing the setting apart of a Mark Twain day at the great St. Louis Fair, but such compliments are not proper for the living; they are proper and safe for the dead only. I value the impulse which moves you to tender me these honors. I value it as highly as any one can, and am grateful for it, but I should stand in a sort of terror of the honors themselves. So long as we remain alive we are not safe from doing things which, however righteously and honorably intended, can wreck our repute and extinguish our friendships.

I hope that no society will be named for me while I am still alive, for I might at some time or other do something which would cause its members to regret having done me that honor. After I shall have joined the dead I shall follow the custom of those people, and be guilty of no conduct that can wound any friend; but until that time shall come I shall be a doubtful quantity, like the rest of our race.

The committee, still hoping for his consent, again appealed to him. But again he wrote:

While I am deeply touched by the desire of my friends of Hannibal to confer these great honors upon me I must still forbear to accept them. Spontaneous and unpremeditated honors, like those which came to me at Hannibal, Columbia, St. Louis, and at the village stations all down the line, are beyond all price and are a treasure for life in the memory, for they are a free gift out of the heart and they come without solicitation; but I am a Missourian, and so I shrink from distinctions which have to be arranged beforehand and with my privity, for I then become a party to my own exalting. I am humanly fond of honors that happen, but chary of those that come by canvass and intention.

Somewhat later he suggested a different feature for the fair; one that was not practical, perhaps, but which certainly would have aroused interest—that is to say, an old-fashioned six-day steamboat-race from New Orleans to St. Louis, with the old-fashioned accessories, such as torch-baskets, forecastle crowds of negro singers, with a negro on the safety-valve. In his letter to President Francis he said:

As to particulars, I think that the race should be a genuine reproduction of the old-time race, not just an imitation of it, and that it should cover the whole course. I think the boats should begin the trip at New Orleans, and side by side (not an interval between), and end it at North St. Louis, a mile or two above the Big Mound.

In a subsequent letter to Governor Francis he wrote:

It has been a dear wish of mine to exhibit myself at the great Fair & get a prize, but circumstances beyond my control have interfered....

I suppose you will get a prize, because you have created the most prodigious Fair the planet has ever seen. Very well, you have indeed earned it, and with it the gratitude of the State and the nation.

Newspaper men used every inducement to get interviews from him. They invited him to name a price for any time he could give them, long or short. One reporter offered him five hundred dollars for a two-hour talk. Another proposed to pay him one hundred dollars a week for a quarter of a day each week, allowing him to discuss any subject he pleased. One wrote asking him two questions: the first, "Your favorite method of escaping from Indians"; the second, "Your favorite method of escaping capture by the Indians when they were in pursuit of you." They inquired as to his favorite copy-book maxim; as to what he considered most important to a young man's success; his definition of a gentleman. They wished to know his plan for the settlement of labor troubles. But they did not awaken his interest, or his cupidity. To one applicant he wrote:

No, there are temptations against which we are fire-proof. Your proposition is one which comes to me with considerable frequency, but it never tempts me. The price isn't the objection; you offer plenty. It is the nature of the work that is the objection—a kind of work which I could not do well enough to satisfy me. To multiply the price by twenty would not enable me to do the work to my satisfaction, & by consequence would make no impression upon me.

Once he allowed himself to be interviewed for the Herald, when from Mr. Rogers's yacht he had watched Sir Thomas Lipton's Shamrock go down to defeat; but this was a subject which appealed to him—a kind of hotweather subject—and he could be as light-minded about it as he chose.



CCXXXIX. THE LAST SUMMER AT ELMIRA

The Clemenses were preparing to take up residence in Florence, Italy. The Hartford house had been sold in May, ending forever the association with the city that had so long been a part of their lives. The Tarrytown place, which they had never occupied, they also agreed to sell, for it was the belief now that Mrs. Clemens's health would never greatly prosper there. Howells says, or at least implies, that they expected their removal to Florence to be final. He tells us, too, of one sunny afternoon when he and Clemens sat on the grass before the mansion at Riverdale, after Mrs. Clemens had somewhat improved, and how they "looked up toward a balcony where by and by that lovely presence made itself visible, as if it had stooped there from a cloud. A hand frailly waved a handkerchief; Clemens ran over the lawn toward it, calling tenderly." It was a greeting to Howells the last he would ever receive from her.

Mrs. Clemens was able to make a trip to Elmira by the end of June, and on the 1st of July Mr. Rogers brought Clemens and his wife down the river on his yacht to the Lackawanna pier, and they reached Quarry Farm that evening. She improved in the quietude and restfulness of that beloved place. Three weeks later Clemens wrote to Twichell:

Livy is coming along: eats well, sleeps some, is mostly very gay, not very often depressed; spends all day on the porch, sleeps there a part of the night; makes excursions in carriage & in wheel-chair; &, in the matter of superintending everything & everybody, has resumed business at the old stand.

During three peaceful months she spent most of her days reclining on the wide veranda, surrounded by those dearest to her, and looking out on the dreamlike landscape—the long, grassy slope, the drowsy city, and the distant hills—getting strength for the far journey by sea. Clemens did some writing, occupying the old octagonal study—shut in now and overgrown with vines—where during the thirty years since it was built so many of his stories had been written. 'A Dog's Tale'—that pathetic anti-vivisection story—appears to have been the last manuscript ever completed in the spot consecrated by Huck and Tom, and by Tom Canty the Pauper and the little wandering Prince.

It was October 5th when they left Elmira. Two days earlier Clemens had written in his note-book:

Today I placed flowers on Susy's grave—for the last time probably —& read words:

"Good-night, dear heart, good-night."

They did not return to Riverdale, but went to the Hotel Grosvenor for the intervening weeks. They had engaged passage for Italy on the Princess Irene, which would sail on the 24th. It was during the period of their waiting that Clemens concluded his final Harper contract. On that day, in his note-book, he wrote:

THE PROPHECY

In 1895 Cheiro the palmist examined my hand & said that in my 68th year (1903) I would become suddenly rich. I was a bankrupt & $94,000 in debt at the time through the failure of Charles L. Webster & Co. Two years later—in London—Cheiro repeated this long-distance prediction, & added that the riches would come from a quite unexpected source. I am superstitious. I kept the prediction in mind & often thought of it. When at last it came true, October 22, 1903, there was but a month & 9 days to spare.

The contract signed that day concentrates all my books in Harper's hands & now at last they are valuable; in fact they are a fortune. They guarantee me $25,000 a year for 5 years, and they will yield twice as much as that.—[In earlier note-books and letters Clemens more than once refers to this prophecy and wonders if it is to be realized. The Harper contract, which brought all of his books into the hands of one publisher (negotiated for him by Mr. Rogers), proved, in fact, a fortune. The books yielded always more than the guarantee; sometimes twice that amount, as he had foreseen.]

During the conclusion of this contract Clemens made frequent visits to Fairhaven on the Kanawha. Joe Goodman came from the Pacific to pay him a good-by visit during this period. Goodman had translated the Mayan inscriptions, and his work had received official recognition and publication by the British Museum. It was a fine achievement for a man in later life and Clemens admired it immensely. Goodman and Clemens enjoyed each other in the old way at quiet resorts where they could talk over the old tales. Another visitor of that summer was the son of an old friend, a Hannibal printer named Daulton. Young Daulton came with manuscripts seeking a hearing of the magazine editors, so Clemens wrote a letter which would insure that favor: INTRODUCING MR. GEO. DAULTON:

TO GILDER, ALDEN, HARVEY, McCLURE, WALKER, PAGE, BOK, COLLIER, and such other members of the sacred guild as privilege me to call them friends-these:

Although I have no personal knowledge of the bearer of this, I have what is better: He comes recommended to me by his own father—a thing not likely to happen in any of your families, I reckon. I ask you, as a favor to me, to waive prejudice & superstition for this once & examine his work with an eye to its literary merit, instead of to the chastity of its spelling. I wish to God you cared less for that particular.

I set (or sat) type alongside of his father, in Hannibal, more than 50 years ago, when none but the pure in heart were in that business. A true man he was; and if I can be of any service to his son—and to you at the same time, let me hope—I am here heartily to try.

Yours by the sanctions of time & deserving,

Sincerely, S. L. CLEMENS.

Among the kindly words which came to Mark Twain before leaving America was this one which Rudyard Kipling had written to his publisher, Frank Doubleday:

I love to think of the great and godlike Clemens. He is the biggest man you have on your side of the water by a damn sight, and don't you forget it. Cervantes was a relation of his.

It curiously happened that Clemens at the same moment was writing to Doubleday about Kipling:

I have been reading "The Bell Buoy" and "The Old Man" over and over again-my custom with Kipling's work—and saving up the rest for other leisurely and luxurious meals. A bell-buoy is a deeply impressive fellow-being. In these many recent trips up and down the Sound in the Kanawha he has talked to me nightly sometimes in his pathetic and melancholy way, sometimes with his strenuous and urgent note, and I got his meaning—now I have his words! No one but Kipling could do this strong and vivid thing. Some day I hope to hear the poem chanted or sung-with the bell-buoy breaking in out of the distance.

P. S.—Your letter has arrived. It makes me proud and glad—what Kipling says. I hope Fate will fetch him to Florence while we are there. I would rather see him than any other man.



CCXXX. THE RETURN TO FLORENCE

From the note-book:

Saturday, October 24, 1903. Sailed in the Princess Irene for Genoa at 11. Flowers & fruit from Mrs. Rogers & Mrs. Coe. We have with us Katie Leary (in our domestic service 23 years) & Miss Margaret Sherry (trained nurse).

Two days later he wrote:

Heavy storm all night. Only 3 stewardesses. Ours served 60 meals in rooms this morning.

On the 27th:

Livy is enduring the voyage marvelously well. As well as Clara & Jean, I think, & far better than the trained nurse.

She has been out on deck an hour.

November 2. Due at Gibraltar 10 days from New York. 3 days to Naples, then 2 day to Genoa. At supper the band played "Cavalleria Rusticana," which is forever associated in my mind with Susy. I love it better than any other, but it breaks my heart.

It was the "Intermezzo" he referred to, which had been Susy's favorite music, and whenever he heard it he remembered always one particular opera-night long ago, and Susy's face rose before him.

They were in Naples on the 5th; thence to Genoa, and to Florence, where presently they were installed in the Villa Reale di Quarto, a fine old Italian palace built by Cosimo more than four centuries ago. In later times it has been occupied and altered by royal families of Wurtemberg and Russia. Now it was the property of the Countess Massiglia, from whom Clemens had leased it.

They had hoped to secure the Villa Papiniano, under Fiesole, near Professor Fiske, but negotiations for it had fallen through. The Villa Quarto, as it is usually called, was a more pretentious place and as beautifully located, standing as it does in an ancient garden looking out over Florence toward Vallombrosa and the Chianti hills. Yet now in the retrospect, it seems hardly to have been the retreat for an invalid. Its garden was supernaturally beautiful, all that one expects that a garden of Italy should be—such a garden as Maxfield Parrish might dream; but its beauty was that which comes of antiquity—the accumulation of dead years. Its funereal cypresses, its crumbling walls and arches, its clinging ivy and moldering marbles, and a clock that long ago forgot the hours, gave it a mortuary look. In a way it suggested Arnold Bocklin's "Todteninsel," and it might well have served as the allegorical setting for a gateway to the bourne of silence.

The house itself, one of the most picturesque of the old Florentine suburban palaces, was historically interesting, rather than cheerful. The rooms, in number more than sixty, though richly furnished, were vast and barnlike, and there were numbers of them wholly unused and never entered. There was a dearth of the modern improvements which Americans have learned to regard as a necessity, and the plumbing, such as it was, was not always in order. The place was approached by narrow streets, along which the more uninviting aspects of Italy were not infrequent. Youth and health and romance might easily have reveled in the place; but it seems now not to have been the best choice for that frail invalid, to whom cheer and brightness and freshness and the lovelier things of hope meant always so much.—[Villa Quarto has recently been purchased by Signor P. de Ritter Lahony, and thoroughly restored and refreshed and beautified without the sacrifice of any of its romantic features.]—Neither was the climate of Florence all that they had hoped for. Their former sunny winter had misled them. Tradition to the contrary, Italy—or at least Tuscany—is not one perpetual dream of sunlight. It is apt to be damp and cloudy; it is likely to be cold. Writing to MacAlister, Clemens said:

Florentine sunshine? Bless you, there isn't any. We have heavy fogs every morning & rain all day. This house is not merely large, it is vast—therefore I think it must always lack the home feeling.

His dissatisfaction in it began thus early, and it grew as one thing after another went wrong. With it all, however, Mrs. Clemens seemed to gain a little, and was glad to see company—a reasonable amount of company—to brighten her surroundings.

Clemens began to work and wrote a story or two, and those lively articles about the Italian language.

To Twichell he reported progress:

I have a handsome success in one way here. I left New York under a sort of half-promise to furnish to the Harper magazines 30,000 words this year. Magazining is difficult work because every third page represents two pages that you have put in the fire (you are nearly sure to start wrong twice), & so when you have finished an article & are willing to let it go to print it represents only 10 cents a word instead of 30.

But this time I had the curious (& unprecedented) luck to start right in each case. I turned out 37,000 words in 25 working days; & the reason I think I started right every time is, that not only have I approved and accepted the several articles, but the court of last resort (Livy) has done the same.

On many of the between-days I did some work, but only of an idle & not necessarily necessary sort, since it will not see print until I am dead. I shall continue this (an hour per day), but the rest of the year I expect to put in on a couple of long books (half- completed ones). No more magazine work hanging over my head.

This secluded & silent solitude, this clean, soft air, & this enchanting view of Florence, the great valley & snow-mountains that frame it, are the right conditions for work. They are a persistent inspiration. To-day is very lovely; when the afternoon arrives there will be a new picture every hour till dark, & each of them divine—or progressing from divine to diviner & divinest. On this (second) floor Clara's room commands the finest; she keeps a window ten feet high wide open all the time & frames it in that. I go in from time to time every day & trade sass for a look. The central detail is a distant & stately snow-hump that rises above & behind black-forested hills, & its sloping vast buttresses, velvety & sun- polished, with purple shadows between, make the sort of picture we knew that time we walked in Switzerland in the days of our youth.

From this letter, which is of January 7, 1904, we gather that the weather had greatly improved, and with it Mrs. Clemens's health, notwithstanding she had an alarming attack in December. One of the stories he had finished was "The $30,000 Bequest." The work mentioned, which would not see print until after his death, was a continuation of those autobiographical chapters which for years he had been setting down as the mood seized him.

He experimented with dictation, which he had tried long before with Redpath, and for a time now found it quite to his liking. He dictated some of his copyright memories, and some anecdotes and episodes; but his amanuensis wrote only longhand, which perhaps hampered him, for he tired of it by and by and the dictations were discontinued.

Among these notes there is one elaborate description of the Villa di Quarto, dictated at the end of the winter, by which time we are not surprised to find he had become much attached to the place. The Italian spring was in the air, and it was his habit to grow fond of his surroundings. Some atmospheric paragraphs of these impressions invite us here:

We are in the extreme south end of the house, if there is any such thing as a south end to a house, whose orientation cannot be determined by me, because I am incompetent in all cases where an object does not point directly north & south. This one slants across between, & is therefore a confusion. This little private parlor is in one of the two corners of what I call the south end of the house. The sun rises in such a way that all the morning it is pouring its light through the 33 glass doors or windows which pierce the side of the house which looks upon the terrace & garden; the rest of the day the light floods this south end of the house, as I call it; at noon the sun is directly above Florence yonder in the distance in the plain, directly across those architectural features which have been so familiar to the world in pictures for some centuries, the Duomo, the Campanile, the Tomb of the Medici, & the beautiful tower of the Palazzo Vecchio; in this position it begins to reveal the secrets of the delicious blue mountains that circle around into the west, for its light discovers, uncovers, & exposes a white snowstorm of villas & cities that you cannot train yourself to have confidence in, they appear & disappear so mysteriously, as if they might not be villas & cities at all, but the ghosts of perished ones of the remote & dim Etruscan times; & late in the afternoon the sun sets down behind those mountains somewhere, at no particular time & at no particular place, so far as I can see.

Again at the end of March he wrote:

Now that we have lived in this house four and a half months my prejudices have fallen away one by one & the place has become very homelike to me. Under certain conditions I should like to go on living in it indefinitely. I should wish the Countess to move out of Italy, out of Europe, out of the planet. I should want her bonded to retire to her place in the next world & inform me which of the two it was, so that I could arrange for my own hereafter.

Complications with their landlady had begun early, and in time, next to Mrs. Clemens's health, to which it bore such an intimate and vital relation, the indifference of the Countess Massiglia to their needs became the supreme and absorbing concern of life at the villa, and led to continued and almost continuous house-hunting.

Days when the weather permitted, Clemens drove over the hills looking for a villa which he could lease or buy—one with conveniences and just the right elevation and surroundings. There were plenty of villas; but some of them were badly situated as to altitude or view; some were falling to decay, and the search was rather a discouraging one. Still it was not abandoned, and the reports of these excursions furnished new interest and new hope always to the invalid at home.

"Even if we find it," he wrote Howells, "I am afraid it will be months before we can move Mrs. Clemens. Of course it will. But it comforts us to let on that we think otherwise, and these pretensions help to keep hope alive in her."

She had her bad days and her good days, days when it was believed she had passed the turning-point and was traveling the way to recovery; but the good days were always a little less hopeful, the bad days a little more discouraging. On February 22d Clemens wrote in his note-book:

At midnight Livy's pulse went to 192 & there was a collapse. Great alarm. Subcutaneous injection of brandy saved her.

And to MacAlister toward the end of March:

We are having quite perfect weather now & are hoping that it will bring effects for Mrs. Clemens.

But a few days later he added that he was watching the driving rain through the windows, and that it was bad weather for the invalid. "But it will not last," he said.

The invalid improved then, and there was a concert in Florence at which Clara Clemens sang. Clemens in his note-book says:

April 8. Clara's concert was a triumph. Livy woke up & sent for her to tell her all about it, near midnight.

But a day or two later she was worse again—then better. The hearts in that household were as pendulums, swinging always between hope and despair.

One familiar with the Clemens history might well have been filled with forebodings. Already in January a member of the family, Mollie Clemens, Orion's wife, died, news which was kept from Mrs. Clemens, as was the death of Aldrich's son, and that of Sir Henry M. Stanley, both of which occurred that spring.

Indeed, death harvested freely that year among the Clemens friendships. Clemens wrote Twichell:

Yours has just this moment arrived-just as I was finishing a note to poor Lady Stanley. I believe the last country-house visit we paid in England was to Stanley's. Lord! how my friends & acquaintances fall about me now in my gray-headed days! Vereshchagin, Mommsen, Dvorak, Lenbach, & Jokai, all so recently, & now Stanley. I have known Stanley 37 years. Goodness, who is there I haven't known?



CCXXXI. THE CLOSE OF A BEAUTIFUL LIFE

In one of his notes near the end of April Clemens writes that once more, as at Riverdale, he has been excluded from Mrs. Clemens's room except for the briefest moment at a time. But on May 12th, to R. W. Gilder, he reported:

For two days now we have not been anxious about Mrs. Clemens (unberufen). After 20 months of bedridden solitude & bodily misery she all of a sudden ceases to be a pallid, shrunken shadow, & looks bright & young & pretty. She remains what she always was, the most wonderful creature of fortitude, patience, endurance, and recuperative power that ever was. But ah, dear! it won't last; this fiendish malady will play new treacheries upon her, and I shall go back to my prayers again—unutterable from any pulpit!

May 13, A.M. I have just paid one of my pair of permitted 2-minute visits per day to the sick-room. And found what I have learned to expect—retrogression.

There was a day when she was brought out on the terrace in a wheel-chair to see the wonder of the early Italian summer. She had been a prisoner so long that she was almost overcome with the delight of it all—the more so, perhaps, in the feeling that she might so soon be leaving it.

It was on Sunday, the 5th of June, that the end came. Clemens and Jean had driven out to make some calls, and had stopped at a villa, which promised to fulfil most of the requirements. They came home full of enthusiasm concerning it, and Clemens, in his mind, had decided on the purchase. In the corridor Clara said:

"She is better to-day than she has been for three months."

Then quickly, under her breath, "Unberufen," which the others, too, added hastily—superstitiously.

Mrs. Clemens was, in fact, bright and cheerful, and anxious to hear all about the new property which was to become their home. She urged him to sit by her during the dinner-hour and tell her the details; but once, when the sense of her frailties came upon her, she said they must not mind if she could not go very soon, but be content where they were. He remained from half past seven until eight—a forbidden privilege, but permitted because she was so animated, feeling so well. Their talk was as it had been in the old days, and once during it he reproached himself, as he had so often done, and asked forgiveness for the tears he had brought into her life. When he was summoned to go at last he chided himself for remaining so long; but she said there was no harm, and kissed him, saying: "You will come back," and he answered, "Yes, to say good night," meaning at half past nine, as was the permitted custom. He stood a moment at the door throwing kisses to her, and she returning them, her face bright with smiles.

He was so hopeful and happy that it amounted to exaltation. He went to his room at first, then he was moved to do a thing which he had seldom done since Susy died. He went to the piano up-stairs and sang the old jubilee songs that Susy had liked to hear him sing. Jean came in presently, listening. She had not done this before, that he could remember. He sang "Swing Low, Sweet Chariot," and "My Lord He Calls Me." He noticed Jean then and stopped, but she asked him to go on.

Mrs. Clemens, in her room, heard the distant music, and said to her attendant:

"He is singing a good-night carol to me."

The music ceased presently, and then a moment later she asked to be lifted up. Almost in that instant life slipped away without a sound.

Clemens, coming to say good night, saw a little group about her bed, Clara and Jean standing as if dazed. He went and bent over and looked into her face, surprised that she did not greet him. He did not suspect what had happened until he heard one of the daughters ask:

"Katie, is it true? Oh, Katie, is it true?"

He realized then that she was gone.

In his note-book that night he wrote:

At a quarter past 9 this evening she that was the life of my life passed to the relief & the peace of death after as months of unjust & unearned suffering. I first saw her near 37 years ago, & now I have looked upon her face for the last time. Oh, so unexpected!... I was full of remorse for things done & said in these 34 years of married life that hurt Livy's heart.

He envied her lying there, so free from it all, with the great peace upon her face. He wrote to Howells and to Twichell, and to Mrs. Crane, those nearest and dearest ones. To Twichell he said:

How sweet she was in death, how young, how beautiful, how like her dear girlish self of thirty years ago, not a gray hair showing! This rejuvenescence was noticeable within two hours after her death; & when I went down again (2.30) it was complete. In all that night & all that day she never noticed my caressing hand—it seemed strange.

To Howells he recalled the closing scene:

I bent over her & looked in her face & I think I spoke—I was surprised & troubled that she did not notice me. Then we understood & our hearts broke. How poor we are to-day!

But how thankful I am that her persecutions are ended! I would not call her back if I could.

To-day, treasured in her worn, old Testament, I found a dear & gentle letter from you dated Far Rockaway, September 13, 1896, about our poor Susy's death. I am tired & old; I wish I were with Livy.

And in a few days:

It would break Livy's heart to see Clara. We excuse ourself from all the friends that call—though, of course, only intimates come. Intimates—but they are not the old, old friends, the friends of the old, old times when we laughed. Shall we ever laugh again? If I could only see a dog that I knew in the old times & could put my arms around his neck and tell him all, everything, & ease my heart!



CCXXXII. THE SAD JOURNEY HOME

A tidal wave of sympathy poured in. Noble and commoner, friend and stranger—humanity of every station—sent their messages of condolence to the friend of mankind. The cablegrams came first—bundles of them from every corner of the world—then the letters, a steady inflow. Howells, Twichell, Aldrich—those oldest friends who had themselves learned the meaning of grief—spoke such few and futile words as the language can supply to allay a heart's mourning, each recalling the rarity and beauty of the life that had slipped away. Twichell and his wife wrote:

DEAR, DEAR MARK,—There is nothing we can say. What is there to say? But here we are—with you all every hour and every minute—filled with unutterable thoughts; unutterable affection for the dead and for the living. HARMONY AND JOE.

Howells in his letter said:

She hallowed what she touched far beyond priests.... What are you going to do, you poor soul?

A hundred letters crowd in for expression here, but must be denied—not, however, the beam of hope out of Helen Keller's illumined night:

Do try to reach through grief and feel the pressure of her hand, as I reach through darkness and feel the smile on my friends' lips and the light in their eyes though mine are closed.

They were adrift again without plans for the future. They would return to America to lay Mrs. Clemens to rest by Susy and little Langdon, but beyond that they could not see. Then they remembered a quiet spot in Massachusetts, Tyringham, near Lee, where the Gilders lived, and so, on June 7th, he wrote:

DEAR GILDER FAMILY,—I have been worrying and worrying to know what to do; at last I went to the girls with an idea—to ask the Gilders to get us shelter near their summer home. It was the first time they have not shaken their heads. So to-morrow I will cable to you and shall hope to be in time.

An hour ago the best heart that ever beat for me and mine was carried silent out of this house, and I am as one who wanders and has lost his way. She who is gone was our head, she was our hands. We are now trying to make plans—we: we who have never made a plan before, nor ever needed to. If she could speak to us she would make it all simple and easy with a word, & our perplexities would vanish away. If she had known she was near to death she would have told us where to go and what to do, but she was not suspecting, neither were we. She was all our riches and she is gone; she was our breath, she was our life, and now we are nothing.

We send you our love-and with it the love of you that was in her heart when she died. S. L. CLEMENS.

They arranged to sail on the Prince Oscar on the 29th of June. There was an earlier steamer, but it was the Princess Irene, which had brought them, and they felt they would not make the return voyage on that vessel. During the period of waiting a curious thing happened. Clemens one day got up in a chair in his room on the second floor to pull down the high window-sash. It did not move easily and his hand slipped. It was only by the merest chance that he saved himself from falling to the ground far below. He mentions this in his note-book, and once, speaking of it to Frederick Duneka, he said:

"Had I fallen it would probably have killed me, and in my bereaved circumstances the world would have been convinced that it was suicide. It was one of those curious coincidences which are always happening and being misunderstood."

The homeward voyage and its sorrowful conclusion are pathetically conveyed in his notes:

June 29, 1904. Sailed last night at 10. The bugle-call to breakfast. I recognized the notes and was distressed. When I heard them last Livy heard them with me; now they fall upon her ear unheeded.

In my life there have been 68 Junes—but how vague & colorless 67 of them are contrasted with the deep blackness of this one!

July 1, 1904. I cannot reproduce Livy's face in my mind's eye—I was never in my life able to reproduce a face. It is a curious infirmity—& now at last I realize it is a calamity.

July 2, 1904. In these 34 years we have made many voyages together, Livy dear—& now we are making our last; you down below & lonely; I above with the crowd & lonely.

July 3, 1904. Ship-time, 8 A.M. In 13 hours & a quarter it will be 4 weeks since Livy died.

Thirty-one years ago we made our first voyage together—& this is our last one in company. Susy was a year old then. She died at 24 & had been in her grave 8 years.

July 10, 1904. To-night it will be 5 weeks. But to me it remains yesterday—as it has from the first. But this funeral march—how sad & long it is!

Two days more will end the second stage of it.

July 14, 1904 (ELMIRA). Funeral private in the house of Livy's young maidenhood. Where she stood as a bride 34 years ago there her coffin rested; & over it the same voice that had made her a wife then committed her departed spirit to God now.

It was Joseph Twichell who rendered that last service. Mr. Beecher was long since dead. It was a simple, touching utterance, closing with this tender word of farewell:

Robert Browning, when he was nearing the end of his earthly days, said that death was the thing that we did not believe in. Nor do we believe in it. We who journeyed through the bygone years in companionship with the bright spirit now withdrawn are growing old. The way behind is long; the way before is short. The end cannot be far off. But what of that? Can we not say, each one:

"So long that power hath blessed me, sure it still Will lead me on; O'er moor and fen; o'er crag and torrent, till The night is gone; And with the morn, their angel faces smile, Which I have loved long since, and lost awhile!"

And so good-by. Good-by, dear heart! Strong, tender, and true. Good-by until for us the morning break and these shadows fly away.