MADAME DE MAUVES

Byhenry James



I

The view from the terrace at Saint-Germain-en-Laye is immense and famous. Paris lies spread before you in dusky vastness, domed and fortified, glittering here and there through her light vapours and girdled with her silver Seine. Behind you is a park of stately symmetry, and behind that a forest where you may lounge through turfy avenues and light-chequered glades and quite forget that you are within half an hour of the boulevards. One afternoon, however, in mid-spring, some five years ago, a young man seated on the terrace had preferred to keep this in mind. His eyes were fixed in idle wistfulness on the mighty human hive before him. He was fond of rural things, and he had come to Saint-Germain a week before to meet the spring halfway; but though he could boast of a six months' acquaintance with the great city he never looked at it from his present vantage without a sense of curiosity still unappeased. There were moments when it seemed to him that not to be there just then was to miss some thrilling chapter of experience. And yet his winter's experience had been rather fruitless and he had closed the book almost with a yawn. Though not in the least a cynic he was what one may call a disappointed observer, and he never chose the right-hand road without beginning to suspect after an hour's wayfaring that the left would have been the better. He now had a dozen minds to go to Paris for the evening, to dine at the Cafe Brebant and repair afterwards to the Gymnase and listen to the latest exposition of the duties of the injured husband. He would probably have risen to execute this project if he had not noticed a little girl who, wandering along the terrace, had suddenly stopped short and begun to gaze at him with round-eyed frankness. For a moment he was simply amused, the child's face denoting such helpless wonderment; the next he was agreeably surprised. "Why this is my friend Maggie," he said; "I see you've not forgotten me."

Maggie, after a short parley, was induced to seal her remembrance with a kiss. Invited then to explain her appearance at Saint-Germain, she embarked on a recital in which the general, according to the infantine method, was so fatally sacrificed to the particular that Longmore looked about him for a superior source of information. He found it in Maggie's mamma, who was seated with another lady at the opposite end of the terrace; so, taking the child by the hand, he led her back to her companions.

Maggie's mamma was a young American lady, as you would immediately have perceived, with a pretty and friendly face and a great elegance of fresh finery. She greeted Longmore with amazement and joy, mentioning his name to her friend and bidding him bring a chair and sit with them. The other lady, in whom, though she was equally young and perhaps even prettier, muslins and laces and feathers were less of a feature, remained silent, stroking the hair of the little girl, whom she had drawn against her knee. She had never heard of Longmore, but she now took in that her companion had crossed the ocean with him, had met him afterwards in travelling and—having left her husband in Wall Street—was indebted to him for sundry services. Maggie's mamma turned from time to time and smiled at this lady with an air of invitation; the latter smiled back and continued gracefully to say nothing. For ten minutes, meanwhile, Longmore felt a revival of interest in his old acquaintance; then (as mild riddles are more amusing than mere commonplaces) it gave way to curiosity about her friend. His eyes wandered; her volubility shook a sort of sweetness out of the friend's silence.

The stranger was perhaps not obviously a beauty nor obviously an American, but essentially both for the really seeing eye. She was slight and fair and, though naturally pale, was delicately flushed just now, as by the effect of late agitation. What chiefly struck Longmore in her face was the union of a pair of beautifully gentle, almost languid grey eyes with a mouth that was all expression and intention. Her forehead was a trifle more expansive than belongs to classic types, and her thick brown hair dressed out of the fashion, just then even more ugly than usual. Her throat and bust were slender, but all the more in harmony with certain rapid charming movements of the head, which she had a way of throwing back every now and then with an air of attention and a sidelong glance from her dove-like eyes. She seemed at once alert and indifferent, contemplative and restless, and Longmore very soon discovered that if she was not a brilliant beauty she was at least a most attaching one. This very impression made him magnanimous. He was certain he had interrupted a confidential conversation, and judged it discreet to withdraw, having first learned from Maggie's mamma—Mrs. Draper—that she was to take the six o'clock train back to Paris. He promised to meet her at the station.

He kept his appointment, and Mrs. Draper arrived betimes, accompanied by her friend. The latter, however, made her farewells at the door and drove away again, giving Longmore time only to raise his hat. "Who is she?" he asked with visible ardour as he brought the traveller her tickets.

"Come and see me to-morrow at the Hotel de l'Empire," she answered, "and I'll tell you all about her." The force of this offer in making him punctual at the Hotel de l'Empire Longmore doubtless never exactly measured; and it was perhaps well he was vague, for he found his friend, who was on the point of leaving Paris, so distracted by procrastinating milliners and perjured lingeres that coherence had quite deserted her. "You must find Saint-Germain dreadfully dull," she nevertheless had the presence of mind to say as he was going. "Why won't you come with me to London?"

"Introduce me to Madame de Mauves," he answered, "and Saint-Germain will quite satisfy me." All he had learned was the lady's name and residence.

"Ah she, poor woman, won't make your affair a carnival. She's very unhappy," said Mrs. Draper.

Longmore's further enquiries were arrested by the arrival of a young lady with a bandbox; but he went away with the promise of a note of introduction, to be immediately dispatched to him at Saint-Germain.

He then waited a week, but the note never came, and he felt how little it was for Mrs. Draper to complain of engagements unperformed. He lounged on the terrace and walked in the forest, studied suburban street life and made a languid attempt to investigate the records of the court of the exiled Stuarts; but he spent most of his time in wondering where Madame de Mauves lived and whether she ever walked on the terrace. Sometimes, he was at last able to recognise; for one afternoon toward dusk he made her out from a distance, arrested there alone and leaning against the low wall. In his momentary hesitation to approach her there was almost a shade of trepidation, but his curiosity was not chilled by such a measure of the effect of a quarter of an hour's acquaintance. She at once recovered their connexion, on his drawing near, and showed it with the frankness of a person unprovided with a great choice of contacts. Her dress, her expression, were the same as before; her charm came out like that of fine music on a second hearing. She soon made conversation easy by asking him for news of Mrs. Draper. Longmore told her that he was daily expecting news and after a pause mentioned the promised note of introduction.

"It seems less necessary now," he said—"for me at least. But for you—I should have liked you to know the good things our friend would probably have been able to say about me."

"If it arrives at last," she answered, "you must come and see me and bring it. If it doesn't you must come without it."

Then, as she continued to linger through the thickening twilight, she explained that she was waiting for her husband, who was to arrive in the train from Paris and who often passed along the terrace on his way home. Longmore well remembered that Mrs. Draper had spoken of uneasy things in her life, and he found it natural to guess that this same husband was the source of them. Edified by his six months in Paris, "What else is possible," he put it, "for a sweet American girl who marries an unholy foreigner?"

But this quiet dependence on her lord's return rather shook his shrewdness, and it received a further check from the free confidence with which she turned to greet an approaching figure. Longmore distinguished in the fading light a stoutish gentleman, on the fair side of forty, in a high grey hat, whose countenance, obscure as yet against the quarter from which it came, mainly presented to view the large outward twist of its moustache. M. de Mauves saluted his wife with punctilious gallantry and, having bowed to Longmore, asked her several questions in French. Before taking his offered arm to walk to their carriage, which was in waiting at the gate of the terrace, she introduced our hero as a friend of Mrs. Draper and also a fellow countryman, whom she hoped they might have the pleasure of seeing, as she said, chez eux. M. de Mauves responded briefly, but civilly, in fair English, and led his wife away.

Longmore watched him as he went, renewing the curl of his main facial feature—watched him with an irritation devoid of any mentionable ground. His one pretext for gnashing his teeth would have been in his apprehension that this gentleman's worst English might prove a matter to shame his own best French. For reasons involved apparently in the very structure of his being Longmore found a colloquial use of that idiom as insecure as the back of a restive horse, and was obliged to take his exercise, as he was aware, with more tension than grace. He reflected meanwhile with comfort that Madame de Mauves and he had a common tongue, and his anxiety yielded to his relief at finding on his table that evening a letter from Mrs. Draper. It enclosed a short formal missive to Madame de Mauves, but the epistle itself was copious and confidential. She had deferred writing till she reached London, where for a week, of course, she had found other amusements.

"I think it's the sight of so many women here who don't look at all like her that has reminded me by the law of contraries of my charming friend at Saint-Germain and my promise to introduce you to her," she wrote. "I believe I spoke to you of her rather blighted state, and I wondered afterwards whether I hadn't been guilty of a breach of confidence. But you would certainly have arrived at guesses of your own, and, besides, she has never told me her secrets. The only one she ever pretended to was that she's the happiest creature in the world, after assuring me of which, poor thing, she went off into tears; so that I prayed to be delivered from such happiness. It's the miserable story of an American girl born neither to submit basely nor to rebel crookedly marrying a shining sinful Frenchman who believes a woman must do one or the other of those things. The lightest of US have a ballast that they can't imagine, and the poorest a moral imagination that they don't require. She was romantic and perverse—she thought the world she had been brought up in too vulgar or at least too prosaic. To have a decent home-life isn't perhaps the greatest of adventures; but I think she wishes nowadays she hadn't gone in quite so desperately for thrills. M. de Mauves cared of course for nothing but her money, which he's spending royally on his menus plaisirs. I hope you appreciate the compliment I pay you when I recommend you to go and cheer up a lady domestically dejected. Believe me, I've given no other man a proof of this esteem; so if you were to take me in an inferior sense I would never speak to you again. Prove to this fine sore creature that our manners may have all the grace without wanting to make such selfish terms for it. She avoids society and lives quite alone, seeing no one but a horrible French sister-in-law. Do let me hear that you've made her patience a little less absent-minded. Make her WANT to forget; make her like you."

This ingenious appeal left the young man uneasy. He found himself in presence of more complications than had been in his reckoning. To call on Madame de Mauves with his present knowledge struck him as akin to fishing in troubled waters. He was of modest composition, and yet he asked himself whether an appearance of attentions from any gallant gentleman mightn't give another twist to her tangle. A flattering sense of unwonted opportunity, however—of such a possible value constituted for him as he had never before been invited to rise to—made him with the lapse of time more confident, possibly more reckless. It was too inspiring not to act upon the idea of kindling a truer light in his fair countrywoman's slow smile, and at least he hoped to persuade her that even a raw representative of the social order she had not done justice to was not necessarily a mere fortuitous collocation of atoms. He immediately called on her.



II

She had been placed for her education, fourteen years before, in a Parisian convent, by a widowed mammma who was fonder of Homburg and Nice than of letting out tucks in the frocks of a vigorously growing daughter. Here, besides various elegant accomplishments—the art of wearing a train, of composing a bouquet, of presenting a cup of tea—she acquired a certain turn of the imagination which might have passed for a sign of precocious worldliness. She dreamed of marrying a man of hierarchical "rank"—not for the pleasure of hearing herself called Madame la Vicomtesse, for which it seemed to her she should never greatly care, but because she had a romantic belief that the enjoyment of inherited and transmitted consideration, consideration attached to the fact of birth, would be the direct guarantee of an ideal delicacy of feeling. She supposed it would be found that the state of being noble does actually enforce the famous obligation. Romances are rarely worked out in such transcendent good faith, and Euphemia's excuse was the prime purity of her moral vision. She was essentially incorruptible, and she took this pernicious conceit to her bosom very much as if it had been a dogma revealed by a white-winged angel. Even after experience had given her a hundred rude hints she found it easier to believe in fables, when they had a certain nobleness of meaning, than in well-attested but sordid facts. She believed that a gentleman with a long pedigree must be of necessity a very fine fellow, and enjoyment of a chance to carry further a family chronicle begun ever so far back must be, as a consciousness, a source of the most beautiful impulses. It wasn't therefore only that noblesse oblige, she thought, as regards yourself, but that it ensures as nothing else does in respect to your wife. She had never, at the start, spoken to a nobleman in her life, and these convictions were but a matter of extravagant theory. They were the fruit, in part, of the perusal of various Ultramontane works of fiction—the only ones admitted to the convent library—in which the hero was always a Legitimist vicomte who fought duels by the dozen but went twice a month to confession; and in part of the strong social scent of the gossip of her companions, many of them filles de haut lieu who, in the convent-garden, after Sundays at home, depicted their brothers and cousins as Prince Charmings and young Paladins. Euphemia listened and said nothing; she shrouded her visions of matrimony under a coronet in the silence that mostly surrounds all ecstatic faith. She was not of that type of young lady who is easily induced to declare that her husband must be six feet high and a little near-sighted, part his hair in the middle and have amber lights in his beard. To her companions her flights of fancy seemed short, rather, and poor and untutored; and even the fact that she was a sprig of the transatlantic democracy never sufficiently explained her apathy on social questions. She had a mental image of that son of the Crusaders who was to suffer her to adore him, but like many an artist who has produced a masterpiece of idealisation she shrank from exposing it to public criticism. It was the portrait of a gentleman rather ugly than handsome and rather poor than rich. But his ugliness was to be nobly expressive and his poverty delicately proud. She had a fortune of her own which, at the proper time, after fixing on her in eloquent silence those fine eyes that were to soften the feudal severity of his visage, he was to accept with a world of stifled protestations. One condition alone she was to make—that he should have "race" in a state as documented as it was possible to have it. On this she would stake her happiness; and it was so to happen that several accidents conspired to give convincing colour to this artless philosophy.

Inclined to long pauses and slow approaches herself, Euphemia was a great sitter at the feet of breathless volubility, and there were moments when she fairly hung upon the lips of Mademoiselle Marie de Mauves. Her intimacy with this chosen schoolmate was founded on the perception—all her own—that their differences were just the right ones. Mademoiselle de Mauves was very positive, very shrewd, very ironical, very French—everything that Euphemia felt herself unpardonable for not being. During her Sundays en ville she had examined the world and judged it, and she imparted her impressions to our attentive heroine with an agreeable mixture of enthusiasm and scepticism. She was moreover a handsome and well-grown person, on whom Euphemia's ribbons and trinkets had a trick of looking better than on their slender proprietress. She had finally the supreme merit of being a rigorous example of the virtue of exalted birth, having, as she did, ancestors honourably mentioned by Joinville and Commines, and a stately grandmother with a hooked nose who came up with her after the holidays from a veritable castel in Auvergne. It seemed to our own young woman that these attributes made her friend more at home in the world than if she had been the daughter of even the most prosperous grocer. A certain aristocratic impudence Mademoiselle de Mauves abundantly possessed, and her raids among her friend's finery were quite in the spirit of her baronial ancestors in the twelfth century—a spirit regarded by Euphemia but as a large way of understanding friendship, a freedom from conformities without style, and one that would sooner or later express itself in acts of surprising magnanimity. There doubtless prevailed in the breast of Mademoiselle de Mauves herself a dimmer vision of the large securities that Euphemia envied her. She was to become later in life so accomplished a schemer that her sense of having further heights to scale might well have waked up early. The especially fine appearance made by our heroine's ribbons and trinkets as her friend wore them ministered to pleasure on both sides, and the spell was not of a nature to be menaced by the young American's general gentleness. The concluding motive of Marie's writing to her grandmamma to invite Euphemia for a three weeks' holiday to the castel in Auvergne involved, however, the subtlest considerations. Mademoiselle de Mauves indeed, at this time seventeen years of age and capable of views as wide as her wants, was as proper a figure as could possibly have been found for the foreground of a scene artfully designed; and Euphemia, whose years were of like number, asked herself if a right harmony with such a place mightn't come by humble prayer. It is a proof of the sincerity of the latter's aspirations that the castel was not a shock to her faith. It was neither a cheerful nor a luxurious abode, but it was as full of wonders as a box of old heirlooms or objects "willed." It had battered towers and an empty moat, a rusty drawbridge and a court paved with crooked grass-grown slabs over which the antique coach-wheels of the lady with the hooked nose seemed to awaken the echoes of the seventeenth century. Euphemia was not frightened out of her dream; she had the pleasure of seeing all the easier passages translated into truth, as the learner of a language begins with the common words. She had a taste for old servants, old anecdotes, old furniture, faded household colours and sweetly stale odours—musty treasures in which the Chateau de Mauves abounded. She made a dozen sketches in water-colours after her conventual pattern; but sentimentally, as one may say, she was for ever sketching with a freer hand.

Old Madame de Mauves had nothing severe but her nose, and she seemed to Euphemia—what indeed she had every claim to pass for—the very image and pattern of an "historical character." Belonging to a great order of things, she patronised the young stranger who was ready to sit all day at her feet and listen to anecdotes of the bon temps and quotations from the family chronicles. Madame de Mauves was a very honest old woman; she uttered her thoughts with ancient plainness. One day after pushing back Euphemia's shining locks and blinking with some tenderness from behind an immense face-a-main that acted as for the relegation of the girl herself to the glass case of a museum, she declared with an energetic shake of the head that she didn't know what to make of such a little person. And in answer to the little person's evident wonder, "I should like to advise you," she said, "but you seem to me so all of a piece that I'm afraid that if I advise you I shall spoil you. It's easy to see you're not one of us. I don't know whether you're better, but you seem to me to have been wound up by some key that isn't kept by your governess or your confessor or even your mother, but that you wear by a fine black ribbon round your own neck. Little persons in my day—when they were stupid they were very docile, but when they were clever they were very sly! You're clever enough, I imagine, and yet if I guessed all your secrets at this moment is there one I should have to frown at? I can tell you a wickeder one than any you've discovered for yourself. If you wish to live at ease in the doux pays de France don't trouble too much about the key of your conscience or even about your conscience itself—I mean your own particular one. You'll fancy it saying things it won't help your case to hear. They'll make you sad, and when you're sad you'll grow plain, and when you're plain you'll grow bitter, and when you're bitter you'll be peu aimable. I was brought up to think that a woman's first duty is to be infinitely so, and the happiest women I've known have been in fact those who performed this duty faithfully. As you're not a Catholic I suppose you can't be a devote; and if you don't take life as a fifty years' mass the only way to take it's as a game of skill. Listen to this. Not to lose at the game of life you must—I don't say cheat, but not be too sure your neighbour won't, and not be shocked out of your self-possession if he does. Don't lose, my dear—I beseech you don't lose. Be neither suspicious nor credulous, and if you find your neighbour peeping don't cry out; only very politely wait your own chance. I've had my revenge more than once in my day, but I really think the sweetest I could take, en somme, against the past I've known, would be to have your blest innocence profit by my experience."

This was rather bewildering advice, but Euphemia understood it too little to be either edified or frightened. She sat listening to it very much as she would have listened to the speeches of an old lady in a comedy whose diction should strikingly correspond to the form of her high-backed armchair and the fashion of her coif. Her indifference was doubly dangerous, for Madame de Mauves spoke at the instance of coming events, and her words were the result of a worry of scruples—scruples in the light of which Euphemia was on the one hand too tender a victim to be sacrificed to an ambition and the prosperity of her own house on the other too precious a heritage to be sacrificed to an hesitation. The prosperity in question had suffered repeated and grievous breaches and the menaced institution been overmuch pervaded by that cold comfort in which people are obliged to balance dinner-table allusions to feudal ancestors against the absence of side-dishes; a state of things the sorrier as the family was now mainly represented by a gentleman whose appetite was large and who justly maintained that its historic glories hadn't been established by underfed heroes.

Three days after Euphemia's arrival Richard de Mauves, coming down from Paris to pay his respects to his grandmother, treated our heroine to her first encounter with a gentilhomme in the flesh. On appearing he kissed his grandmother's hand with a smile which caused her to draw it away with dignity, and set Euphemia, who was standing by, to ask herself what could have happened between them. Her unanswered wonder was but the beginning of a long chain of puzzlements, but the reader is free to know that the smile of M. de Mauves was a reply to a postscript affixed by the old lady to a letter addressed to him by her granddaughter as soon as the girl had been admitted to justify the latter's promises. Mademoiselle de Mauves brought her letter to her grandmother for approval, but obtained no more than was expressed in a frigid nod. The old lady watched her with this coldness while she proceeded to seal the letter, then suddenly bade her open it again and bring her a pen.

"Your sister's flatteries are all nonsense," she wrote; "the young lady's far too good for you, mauvais sujet beyond redemption. If you've a particle of conscience you'll not come and disturb the repose of an angel of innocence."

The other relative of the subject of this warning, who had read these lines, made up a little face as she freshly indited the address; but she laid down her pen with a confident nod which might have denoted that by her judgement her brother was appealed to on the ground of a principle that didn't exist in him. And "if you meant what you said," the young man on his side observed to his grandmother on his first private opportunity, "it would have been simpler not to have sent the letter."

Put out of humour perhaps by this gross impugnment of her sincerity, the head of the family kept her room on pretexts during a greater part of Euphemia's stay, so that the latter's angelic innocence was left all to her grandson's mercy. It suffered no worse mischance, however, than to be prompted to intenser communion with itself. Richard de Mauves was the hero of the young girl's romance made real, and so completely accordant with this creature of her imagination that she felt afraid of him almost as she would have been of a figure in a framed picture who should have stepped down from the wall. He was now thirty-three—young enough to suggest possibilities of ardent activity and old enough to have formed opinions that a simple woman might deem it an intellectual privilege to listen to. He was perhaps a trifle handsomer than Euphemia's rather grim Quixotic ideal, but a very few days reconciled her to his good looks as effectually they would have reconciled her to a characterised want of them. He was quiet, grave, eminently distinguished. He spoke little, but his remarks, without being sententious, had a nobleness of tone that caused them to re-echo in the young girl's ears at the end of the day. He paid her very little direct attention, but his chance words—when he only asked her if she objected to his cigarette—were accompanied by a smile of extraordinary kindness.

It happened that shortly after his arrival, riding an unruly horse which Euphemia had with shy admiration watched him mount in the castle-yard, he was thrown with a violence which, without disparaging his skill, made him for a fortnight an interesting invalid lounging in the library with a bandaged knee. To beguile his confinement the accomplished young stranger was repeatedly induced to sing for him, which she did with a small natural tremor that might have passed for the finish of vocal art. He never overwhelmed her with compliments, but he listened with unfailing attention, remembered all her melodies and would sit humming them to himself. While his imprisonment lasted indeed he passed hours in her company, making her feel not unlike some unfriended artist who has suddenly gained the opportunity to devote a fortnight to the study of a great model. Euphemia studied with noiseless diligence what she supposed to be the "character" of M. de Mauves, and the more she looked the more fine lights and shades she seemed to behold in this masterpiece of nature. M. de Mauves's character indeed, whether from a sense of being so generously and intensely taken for granted, or for reasons which bid graceful defiance to analysis, had never been so much on show, even to the very casual critic lodged, as might be said, in an out-of-the-way corner of it; it seemed really to reflect the purity of Euphemia's pious opinion. There had been nothing especially to admire in the state of mind in which he left Paris—a settled resolve to marry a young person whose charms might or might not justify his sister's account of them, but who was mistress, at the worst, of a couple of hundred thousand francs a year. He had not counted out sentiment—if she pleased him so much the better; but he had left a meagre margin for it and would hardly have admitted that so excellent a match could be improved by it. He was a robust and serene sceptic, and it was a singular fate for a man who believed in nothing to be so tenderly believed in. What his original faith had been he could hardly have told you, for as he came back to his childhood's home to mend his fortunes by pretending to fall in love he was a thoroughly perverse creature and overlaid with more corruptions than a summer day's questioning of his conscience would have put to flight. Ten years' pursuit of pleasure, which a bureau full of unpaid bills was all he had to show for, had pretty well stifled the natural lad whose violent will and generous temper might have been shaped by a different pressure to some such showing as would have justified a romantic faith. So should he have exhaled the natural fragrance of a late-blooming flower of hereditary honour. His violence indeed had been subdued and he had learned to be irreproachably polite; but he had lost the fineness of his generosity, and his politeness, which in the long run society paid for, was hardly more than a form of luxurious egotism, like his fondness for ciphered pocket-handkerchiefs, lavender gloves and other fopperies by which shopkeepers remained out of pocket. In after-years he was terribly polite to his wife. He had formed himself, as the phrase was, and the form prescribed to him by the society into which his birth and his tastes had introduced him was marked by some peculiar features. That which mainly concerns us is its classification of the fairer half of humanity as objects not essentially different—say from those very lavender gloves that are soiled in an evening and thrown away. To do M. de Mauves justice, he had in the course of time encountered in the feminine character such plentiful evidence of its pliant softness and fine adjustability that idealism naturally seemed to him a losing game.

Euphemia, as he lay on his sofa, struck him as by no means contradictory; she simply reminded him that very young women are generally innocent and that this is on the whole the most potent source of their attraction. Her innocence moved him to perfect consideration, and it seemed to him that if he shortly became her husband it would be exposed to a danger the less. Old Madame de Mauves, who flattered herself that in this whole matter she was very laudably rigid, might almost have taken a lesson from the delicacy he practised. For two or three weeks her grandson was well-nigh a blushing boy again. He watched from behind the Figaro, he admired and desired and held his tongue. He found himself not in the least moved to a flirtation; he had no wish to trouble the waters he proposed to transfuse into the golden cup of matrimony. Sometimes a word, a look, a gesture of Euphemia's gave him the oddest sense of being, or of seeming at least, almost bashful; for she had a way of not dropping her eyes according to the mysterious virginal mechanism, of not fluttering out of the room when she found him there alone, of treating him rather as a glorious than as a pernicious influence—a radiant frankness of demeanour in fine, despite an infinite natural reserve, which it seemed at once graceless not to be complimentary about and indelicate not to take for granted. In this way had been wrought in the young man's mind a vague unwonted resonance of soft impressions, as we may call it, which resembled the happy stir of the change from dreaming pleasantly to waking happily. His imagination was touched; he was very fond of music and he now seemed to give easy ear to some of the sweetest he had ever heard. In spite of the bore of being laid up with a lame knee he was in better humour than he had known for months; he lay smoking cigarettes and listening to the nightingales with the satisfied smile of one of his country neighbours whose big ox should have taken the prize at a fair. Every now and then, with an impatient suspicion of the resemblance, he declared himself pitifully bete; but he was under a charm that braved even the supreme penalty of seeming ridiculous. One morning he had half an hour's tete-a-tete with his grandmother's confessor, a soft-voiced old Abbe whom, for reasons of her own, Madame de Mauves had suddenly summoned and had left waiting in the drawing-room while she rearranged her curls. His reverence, going up to the old lady, assured her that M. le Comte was in a most edifying state of mind and the likeliest subject for the operation of grace. This was a theological interpretation of the count's unusual equanimity. He had always lazily wondered what priests were good for, and he now remembered, with a sense of especial obligation to the Abbe, that they were excellent for marrying people.

A day or two after this he left off his bandages and tried to walk. He made his way into the garden and hobbled successfully along one of the alleys, but in the midst of his progress was pulled up by a spasm of pain which forced him to stop and call for help. In an instant Euphemia came tripping along the path and offered him her arm with the frankest solicitude.

"Not to the house," he said, taking it; "further on, to the bosquet." This choice was prompted by her having immediately confessed that she had seen him leave the house, had feared an accident and had followed him on tiptoe.

"Why didn't you join me?" he had asked, giving her a look in which admiration was no longer disguised and yet felt itself half at the mercy of her replying that a jeune fille shouldn't be seen following a gentleman. But it drew a breath which filled its lungs for a long time afterwards when she replied simply that if she had overtaken him he might have accepted her arm out of politeness, whereas she wished to have the pleasure of seeing him walk alone.

The bosquet was covered with an odorous tangle of blossoming creepers, and a nightingale overhead was shaking out love-notes with a profusion that made the Count feel his own conduct the last word of propriety. "I've always heard that in America, when a man wishes to marry a young girl, he offers himself simply face to face and without ceremony—without parents and uncles and aunts and cousins sitting round in a circle."

"Why I believe so," said Euphemia, staring and too surprised to be alarmed.

"Very well then—suppose our arbour here to be your great sensible country. I offer you my hand a l'Americaine. It will make me intensely happy to feel you accept it."

Whether Euphemia's acceptance was in the American manner is more than I can say; I incline to think that for fluttering grateful trustful softly-amazed young hearts there is only one manner all over the world.

That evening, in the massive turret chamber it was her happiness to inhabit, she wrote a dutiful letter to her mamma, and had just sealed it when she was sent for by Madame de Mauves. She found this ancient lady seated in her boudoir in a lavender satin gown and with her candles all lighted as for the keeping of some fete. "Are you very happy?" the old woman demanded, making Euphemia sit down before her.

"I'm almost afraid to say so, lest I should wake myself up."

"May you never wake up, belle enfant," Madame de Mauves grandly returned. "This is the first marriage ever made in our family in this way—by a Comte de Mauves proposing to a young girl in an arbour like Jeannot and Jeannette. It has not been our way of doing things, and people may say it wants frankness. My grandson tells me he regards it—for the conditions—as the perfection of good taste. Very well. I'm a very old woman, and if your differences should ever be as marked as your agreements I shouldn't care to see them. But I should be sorry to die and think you were going to be unhappy. You can't be, my dear, beyond a certain point; because, though in this world the Lord sometimes makes light of our expectations he never altogether ignores our deserts. But you're very young and innocent and easy to dazzle. There never was a man in the world—among the saints themselves—as good as you believe my grandson. But he's a galant homme and a gentleman, and I've been talking to him to-night. To you I want to say this—that you're to forget the worldly rubbish I talked the other day about the happiness of frivolous women. It's not the kind of happiness that would suit you, ma toute-belle. Whatever befalls you, promise me this: to be, to remain, your own sincere little self only, charming in your own serious little way. The Comtesse de Mauves will be none the worse for it. Your brave little self, understand, in spite of everything—bad precepts and bad examples, bad fortune and even bad usage. Be persistently and patiently just what the good God has made you, and even one of us—and one of those who is most what we ARE—will do you justice!"

Euphemia remembered this speech in after-years, and more than once, wearily closing her eyes, she seemed to see the old woman sitting upright in her faded finery and smiling grimly like one of the Fates who sees the wheel of fortune turning up her favourite event. But at the moment it had for her simply the proper gravity of the occasion: this was the way, she supposed, in which lucky young girls were addressed on their engagement by wise old women of quality.

At her convent, to which she immediately returned, she found a letter from her mother which disconcerted her far more than the remarks of Madame de Mauves. Who were these people, Mrs. Cleve demanded, who had presumed to talk to her daughter of marriage without asking her leave? Questionable gentlefolk plainly; the best French people never did such things. Euphemia would return straightway to her convent, shut herself up and await her own arrival. It took Mrs. Cleve three weeks to travel from Nice to Paris, and during this time the young girl had no communication with her lover beyond accepting a bouquet of violets marked with his initials and left by a female friend. "I've not brought you up with such devoted care," she declared to her daughter at their first interview, "to marry a presumptuous and penniless Frenchman. I shall take you straight home and you'll please forget M. de Mauves."

Mrs. Cleve received that evening at her hotel a visit from this personage which softened her wrath but failed to modify her decision. He had very good manners, but she was sure he had horrible morals; and the lady, who had been a good-natured censor on her own account, felt a deep and real need to sacrifice her daughter to propriety. She belonged to that large class of Americans who make light of their native land in familiar discourse but are startled back into a sense of having blasphemed when they find Europeans taking them at their word. "I know the type, my dear," she said to her daughter with a competent nod. "He won't beat you. Sometimes you'll wish he would."

Euphemia remained solemnly silent, for the only answer she felt capable of making was that her mother's mind was too small a measure of things and her lover's type an historic, a social masterpiece that it took some mystic illumination to appreciate. A person who confounded him with the common throng of her watering-place acquaintance was not a person to argue with. It struck the girl she had simply no cause to plead; her cause was in the Lord's hands and in those of M. de Mauves.

This agent of Providence had been irritated and mortified by Mrs. Cleve's opposition, and hardly knew how to handle an adversary who failed to perceive that a member of his family gave of necessity more than he received. But he had obtained information on his return to Paris which exalted the uses of humility. Euphemia's fortune, wonderful to say, was greater than its fame, and in view of such a prize, even a member of his family could afford to take a snubbing.

The young man's tact, his deference, his urbane insistence, won a concession from Mrs. Cleve. The engagement was to be put off and her daughter was to return home, be brought out and receive the homage she was entitled to and which might well take a form representing peril to the suit of this first headlong aspirant. They were to exchange neither letters nor mementoes nor messages; but if at the end of two years Euphemia had refused offers enough to attest the permanence of her attachment he should receive an invitation to address her again. This decision was promulgated in the presence of the parties interested. The Count bore himself gallantly, looking at his young friend as if he expected some tender protestation. But she only looked at him silently in return, neither weeping nor smiling nor putting out her hand. On this they separated, and as M. de Mauves walked away he declared to himself that in spite of the confounded two years he was one of the luckiest of men—to have a fiancee who to several millions of francs added such strangely beautiful eyes.

How many offers Euphemia refused but scantily concerns us—and how the young man wore his two years away. He found he required pastimes, and as pastimes were expensive he added heavily to the list of debts to be cancelled by Euphemia's fortune. Sometimes, in the thick of what he had once called pleasure with a keener conviction than now, he put to himself the case of their failing him after all; and then he remembered that last mute assurance of her pale face and drew a long breath of such confidence as he felt in nothing else in the world save his own punctuality in an affair of honour.

At last, one morning, he took the express to Havre with a letter of Mrs. Cleve's in his pocket, and ten days later made his bow to mother and daughter in New York. His stay was brief, and he was apparently unable to bring himself to view what Euphemia's uncle, Mr. Butterworth, who gave her away at the altar, called our great experiment of democratic self-government, in a serious light. He smiled at everything and seemed to regard the New World as a colossal plaisanterie. It is true that a perpetual smile was the most natural expression of countenance for a man about to marry Euphemia Cleve.



III

Longmore's first visit seemed to open to him so large a range of quiet pleasure that he very soon paid a second, and at the end of a fortnight had spent uncounted hours in the little drawing-room which Madame de Mauves rarely quitted except to drive or walk in the forest. She lived in an old-fashioned pavilion, between a high-walled court and an excessively artificial garden, beyond whose enclosure you saw a long line of tree-tops. Longmore liked the garden and in the mild afternoons used to move his chair through the open window to the smooth terrace which overlooked it while his hostess sat just within. Presently she would come out and wander through the narrow alleys and beside the thin-spouting fountain, and at last introduce him to a private gate in the high wall, the opening to a lane which led to the forest. Hitherwards she more than once strolled with him, bareheaded and meaning to go but twenty rods, but always going good-naturedly further and often stretching it to the freedom of a promenade. They found many things to talk about, and to the pleasure of feeling the hours slip along like some silver stream Longmore was able to add the satisfaction of suspecting that he was a "resource" for Madame de Mauves. He had made her acquaintance with the sense, not wholly inspiring, that she was a woman with a painful twist in her life and that seeking her acquaintance would be like visiting at a house where there was an invalid who could bear no noise. But he very soon recognised that her grievance, if grievance it was, was not aggressive; that it was not fond of attitudes and ceremonies, and that her most earnest wish was to remember it as little as possible. He felt that even if Mrs. Draper hadn't told him she was unhappy he would have guessed it, and yet that he couldn't have pointed to his proof. The evidence was chiefly negative—she never alluded to her husband. Beyond this it seemed to him simply that her whole being was pitched in a lower key than harmonious Nature had designed; she was like a powerful singer who had lost her high notes. She never drooped nor sighed nor looked unutterable things; she dealt no sarcastic digs at her fate; she had in short none of the conscious graces of the woman wronged. Only Longmore was sure that her gentle gaiety was but the milder or sharper flush of a settled ache, and that she but tried to interest herself in his thoughts in order to escape from her own. If she had wished to irritate his curiosity and lead him to take her confidence by storm nothing could have served her purpose better than this studied discretion. He measured the rare magnanimity of self-effacement so deliberate, he felt how few women were capable of exchanging a luxurious woe for a thankless effort. Madame de Mauves, he himself felt, wasn't sweeping the horizon for a compensation or a consoler; she had suffered a personal deception that had disgusted her with persons. She wasn't planning to get the worth of her trouble back in some other way; for the present she was proposing to live with it peaceably, reputably and without scandal—turning the key on it occasionally as you would on a companion liable to attacks of insanity. Longmore was a man of fine senses and of a speculative spirit, leading-strings that had never been slipped. He began to regard his hostess as a figure haunted by a shadow which was somehow her intenser and more authentic self. This lurking duality in her put on for him an extraordinary charm. Her delicate beauty acquired to his eye the serious cast of certain blank-browed Greek statues; and sometimes when his imagination, more than his ear, detected a vague tremor in the tone in which she attempted to make a friendly question seem to have behind it none of the hollow resonance of absent-mindedness, his marvelling eyes gave her an answer more eloquent, though much less to the point, than the one she demanded.

She supplied him indeed with much to wonder about, so that he fitted, in his ignorance, a dozen high-flown theories to her apparent history. She had married for love and staked her whole soul on it; of that he was convinced. She hadn't changed her allegiance to be near Paris and her base of supplies of millinery; he was sure she had seen her perpetrated mistake in a light of which her present life, with its conveniences for shopping and its moral aridity, was the absolute negation. But by what extraordinary process of the heart—through what mysterious intermission of that moral instinct which may keep pace with the heart even when this organ is making unprecedented time—had she fixed her affections on an insolently frivolous Frenchman? Longmore needed no telling; he knew that M. de Mauves was both cynical and shallow; these things were stamped on his eyes, his nose, his mouth, his voice, his gesture, his step. Of Frenchwomen themselves, when all was said, our young man, full of nursed discriminations, went in no small fear; they all seemed to belong to the type of a certain fine lady to whom he had ventured to present a letter of introduction and whom, directly after his first visit to her, he had set down in his note-book as "metallic." Why should Madame de Mauves have chosen a Frenchwoman's lot—she whose nature had an atmospheric envelope absent even from the brightest metals? He asked her one day frankly if it had cost her nothing to transplant herself—if she weren't oppressed with a sense of irreconcileable difference from "all these people." She replied nothing at first, till he feared she might think it her duty to resent a question that made light of all her husband's importances. He almost wished she would; it would seem a proof that her policy of silence had a limit. "I almost grew up here," she said at last, "and it was here for me those visions of the future took shape that we all have when we begin to think or to dream beyond mere playtime. As matters stand one may be very American and yet arrange it with one's conscience to live in Europe. My imagination perhaps—I had a little when I was younger—helped me to think I should find happiness here. And after all, for a woman, what does it signify? This isn't America, no—this element, but it's quite as little France. France is out there beyond the garden, France is in the town and the forest; but here, close about me, in my room and"—she paused a moment—"in my mind, it's a nameless, and doubtless not at all remarkable, little country of my own. It's not her country," she added, "that makes a woman happy or unhappy."

Madame Clairin, Euphemia's sister-in-law, might meanwhile have been supposed to have undertaken the graceful task of making Longmore ashamed of his uncivil jottings about her sex and nation. Mademoiselle de Mauves, bringing example to the confirmation of precept, had made a remunerative match and sacrificed her name to the millions of a prosperous and aspiring wholesale druggist—a gentleman liberal enough to regard his fortune as a moderate price for being towed into circles unpervaded by pharmaceutic odours. His system possibly was sound, but his own application of it to be deplored. M. Clairin's head was turned by his good luck. Having secured an aristocratic wife he adopted an aristocratic vice and began to gamble at the Bourse. In an evil hour he lost heavily, and then staked heavily to recover himself. But he was to learn that the law of compensation works with no such pleasing simplicity, and he rolled to the dark bottom of his folly. There he felt everything go—his wits, his courage, his probity, everything that had made him what his fatuous marriage had so promptly unmade. He walked up the Rue Vivienne with his hands in his empty pockets and stood half an hour staring confusedly up and down the brave boulevard. People brushed against him and half a dozen carriages almost ran over him, until at last a policeman, who had been watching him for some time, took him by the arm and led him gently away. He looked at the man's cocked hat and sword with tears in his eyes; he hoped for some practical application of the wrath of heaven, something that would express violently his dead-weight of self-abhorrence. The sergent de ville, however, only stationed him in the embrasure of a door, out of harm's way, and walked off to supervise a financial contest between an old lady and a cabman. Poor M. Clairin had only been married a year, but he had had time to measure the great spirit of true children of the anciens preux. When night had fallen he repaired to the house of a friend and asked for a night's lodging; and as his friend, who was simply his old head book-keeper and lived in a small way, was put to some trouble to accommodate him, "You must pardon me," the poor man said, "but I can't go home. I'm afraid of my wife!" Toward morning he blew his brains out. His widow turned the remnants of his property to better account than could have been expected and wore the very handsomest mourning. It was for this latter reason perhaps that she was obliged to retrench at other points and accept a temporary home under her brother's roof.

Fortune had played Madame Clairin a terrible trick, but had found an adversary and not a victim. Though quite without beauty she had always had what is called the grand air, and her air from this time forth was grander than ever. As she trailed about in her sable furbelows, tossing back her well-dressed head and holding up her vigilant long-handled eyeglass, she seemed to be sweeping the whole field of society and asking herself where she should pluck her revenge. Suddenly she espied it, ready made to her hand, in poor Longmore's wealth and amiability. American dollars and American complaisance had made her brother's fortune; why shouldn't they make hers? She overestimated the wealth and misinterpreted the amiability; for she was sure a man could neither be so contented without being rich nor so "backward" without being weak. Longmore met her advances with a formal politeness that covered a good deal of unflattering discomposure. She made him feel deeply uncomfortable; and though he was at a loss to conceive how he could be an object of interest to a sharp Parisienne he had an indefinable sense of being enclosed in a magnetic circle, of having become the victim of an incantation. If Madame Clairin could have fathomed his Puritanic soul she would have laid by her wand and her book and dismissed him for an impossible subject. She gave him a moral chill, and he never named her to himself save as that dreadful woman—that awful woman. He did justice to her grand air, but for his pleasure he preferred the small air of Madame de Mauves; and he never made her his bow, after standing frigidly passive for five minutes to one of her gracious overtures to intimacy, without feeling a peculiar desire to ramble away into the forest, fling himself down on the warm grass and, staring up at the blue sky, forget that there were any women in nature who didn't please like the swaying tree-tops. One day, on his arrival at the house, she met him in the court with the news that her sister-in-law was shut up with a headache and that his visit must be for HER. He followed her into the drawing-room with the best grace at his command, and sat twirling his hat for half an hour. Suddenly he understood her; her caressing cadences were so almost explicit an invitation to solicit the charming honour of her hand. He blushed to the roots of his hair and jumped up with uncontrollable alacrity; then, dropping a glance at Madame Clairin, who sat watching him with hard eyes over the thin edge of her smile, perceived on her brow a flash of unforgiving wrath. It was not pleasing in itself, but his eyes lingered a moment, for it seemed to show off her character. What he saw in the picture frightened him and he felt himself murmur "Poor Madame de Mauves!" His departure was abrupt, and this time he really went into the forest and lay down on the grass.

After which he admired his young countrywoman more than ever; her intrinsic clearness shone out to him even through the darker shade cast over it. At the end of a month he received a letter from a friend with whom he had arranged a tour through the Low Countries, reminding him of his promise to keep their tryst at Brussels. It was only after his answer was posted that he fully measured the zeal with which he had declared that the journey must either be deferred or abandoned—since he couldn't possibly leave Saint-Germain. He took a walk in the forest and asked himself if this were indeed portentously true. Such a truth somehow made it surely his duty to march straight home and put together his effects. Poor Webster, who, he knew, had counted ardently on this excursion, was the best of men; six weeks ago he would have gone through anything to join poor Webster. It had never been in his books to throw overboard a friend whom he had loved ten years for a married woman whom he had six weeks—well, admired. It was certainly beyond question that he hung on at Saint-Germain because this admirable married woman was there; but in the midst of so much admiration what had become of his fine old power to conclude? This was the conduct of a man not judging but drifting, and he had pretended never to drift. If she were as unhappy as he believed the active sympathy of such a man would help her very little more than his indifference; if she were less so she needed no help and could dispense with his professions. He was sure moreover that if she knew he was staying on her account she would be extremely annoyed. This very feeling indeed had much to do with making it hard to go; her displeasure would be the flush on the snow of the high cold stoicism that touched him to the heart. At moments withal he assured himself that staying to watch her—and what else did it come to?—was simply impertinent; it was gross to keep tugging at the cover of a book so intentionally closed. Then inclination answered that some day her self-support would fail, and he had a vision of this exquisite creature calling vainly for help. He would just be her friend to any length, and it was unworthy of either to think about consequences. He was a friend, however, who nursed a brooding regret for his not having known her five years earlier, as well as a particular objection to those who had smartly anticipated him. It seemed one of fortune's most mocking strokes that she should be surrounded by persons whose only merit was that they threw every side of her, as she turned in her pain, into radiant relief.

Our young man's growing irritation made it more and more difficult for him to see any other merit than this in Richard de Mauves. And yet, disinterestedly, it would have been hard to give a name to the pitiless perversity lighted by such a conclusion, and there were times when Longmore was almost persuaded against his finer judgement that he was really the most considerate of husbands and that it was not a man's fault if his wife's love of life had pitched itself once for all in the minor key. The Count's manners were perfect, his discretion irreproachable, and he seemed never to address his companion but, sentimentally speaking, hat in hand. His tone to Longmore—as the latter was perfectly aware—was that of a man of the world to a man not quite of the world; but what it lacked in true frankness it made up in easy form. "I can't thank you enough for having overcome my wife's shyness," he more than once declared. "If we left her to do as she pleased she would—in her youth and her beauty—bury herself all absurdly alive. Come often, and bring your good friends and compatriots—some of them are so amusing. She'll have nothing to do with mine, but perhaps you'll be able to offer her better son affaire."

M. de Mauves made these speeches with a bright assurance very amazing to our hero, who had an innocent belief that a man's head may point out to him the shortcomings of his heart and make him ashamed of them. He couldn't fancy him formed both to neglect his wife and to take the derisive view of her minding it. Longmore had at any rate an exasperated sense that this nobleman thought rather the less of their interesting friend on account of that very same fine difference of nature which so deeply stirred his own sympathies. He was rarely present during the sessions of the American visitor, and he made a daily journey to Paris, where he had de gros soucis d'affaires as he once mentioned—with an all-embracing flourish and not in the least in the tone of apology. When he appeared it was late in the evening and with an imperturbable air of being on the best of terms with every one and every thing which was peculiarly annoying if you happened to have a tacit quarrel with him. If he was an honest man he was an honest man somehow spoiled for confidence. Something he had, however, that his critic vaguely envied, something in his address, splendidly positive, a manner rounded and polished by the habit of conversation and the friction of full experience, an urbanity exercised for his own sake, not for his neighbour's, which seemed the fruit of one of those strong temperaments that rule the inward scene better than the best conscience. The Count had plainly no sense for morals, and poor Longmore, who had the finest, would have been glad to borrow his recipe for appearing then so to range the whole scale of the senses. What was it that enabled him, short of being a monster with visibly cloven feet and exhaling brimstone, to misprize so cruelly a nature like his wife's and to walk about the world with such a handsome invincible grin? It was the essential grossness of his imagination, which had nevertheless helped him to such a store of neat speeches. He could be highly polite and could doubtless be damnably impertinent, but the life of the spirit was a world as closed to him as the world of great music to a man without an ear. It was ten to one he didn't in the least understand how his wife felt; he and his smooth sister had doubtless agreed to regard their relative as a Puritanical little person, of meagre aspirations and few talents, content with looking at Paris from the terrace and, as a special treat, having a countryman very much like herself to regale her with innocent echoes of their native wit. M. de Mauves was tired of his companion; he liked women who could, frankly, amuse him better. She was too dim, too delicate, too modest; she had too few arts, too little coquetry, too much charity. Lighting a cigar some day while he summed up his situation, her husband had probably decided she was incurably stupid. It was the same taste, in essence, our young man moralised, as the taste for M. Gerome and M. Baudry in painting and for M. Gustave Flaubert and M. Charles Baudelaire in literature. The Count was a pagan and his wife a Christian, and between them an impassable gulf. He was by race and instinct a grand seigneur. Longmore had often heard of that historic type, and was properly grateful for an opportunity to examine it closely. It had its elegance of outline, but depended on spiritual sources so remote from those of which he felt the living gush in his own soul that he found himself gazing at it, in irreconcileable antipathy, through a dim historic mist. "I'm a modern bourgeois," he said, "and not perhaps so good a judge of how far a pretty woman's tongue may go at supper before the mirrors properly crack to hear. But I've not met one of the rarest of women without recognising her, without making my reflexion that, charm for charm, such a maniere d'etre is more 'fetching' even than the worst of Theresa's songs sung by a dissipated duchess. Wit for wit, I think mine carries me further." It was easy indeed to perceive that, as became a grand seigneur, M. de Mauves had a stock of social principles. He wouldn't especially have desired perhaps that his wife should compete in amateur operettas with the duchesses in question, for the most part of comparatively recent origin; but he held that a gentleman may take his amusement where he finds it, that he is quite at liberty not to find it at home, and that even an adoptive daughter of his house who should hang her head and have red eyes and allow herself to make any other response to officious condolence than that her husband's amusements were his own affair, would have forfeited every claim to having her finger-tips bowed over and kissed. And yet in spite of this definite faith Longmore figured him much inconvenienced by the Countess's avoidance of betrayals. Did it dimly occur to him that the principle of this reserve was self-control and not self-effacement? She was a model to all the inferior matrons of his line, past and to come, and an occasional "scene" from her at a manageable hour would have had something reassuring—would have attested her stupidity rather better than this mere polish of her patience.

Longmore would have given much to be able to guess how this latter secret worked, and he tried more than once, though timidly and awkwardly enough, to make out the game she was playing. She struck him as having long resisted the force of cruel evidence, and, as though succumbing to it at last, having denied herself on simple grounds of generosity the right to complain. Her faith might have perished, but the sense of her own old deep perversity remained. He believed her thus quite capable of reproaching herself with having expected too much and of trying to persuade herself out of her bitterness by saying that her hopes had been vanities and follies and that what was before her was simply Life. "I hate tragedy," she once said to him; "I'm a dreadful coward about having to suffer or to bleed. I've always tried to believe that—without base concessions—such extremities may always somehow be dodged or indefinitely postponed. I should be willing to buy myself off, from having ever to be OVERWHELMED, by giving up—well, any amusement you like." She lived evidently in nervous apprehension of being fatally convinced—of seeing to the end of her deception. Longmore, when he thought of this, felt the force of his desire to offer her something of which she could be as sure as of the sun in heaven.



IV

His friend Webster meanwhile lost no time in accusing him of the basest infidelity and in asking him what he found at suburban Saint-Germain to prefer to Van Eyck and Memling, Rubens and Rembrandt. A day or two after the receipt of this friend's letter he took a walk with Madame de Mauves in the forest. They sat down on a fallen log and she began to arrange into a bouquet the anemones and violets she had gathered. "I've a word here," he said at last, "from a friend whom I some time ago promised to join in Brussels. The time has come—it has passed. It finds me terribly unwilling to leave Saint-Germain."

She looked up with the immediate interest she always showed in his affairs, but with no hint of a disposition to make a personal application of his words. "Saint-Germain is pleasant enough, but are you doing yourself justice? Shan't you regret in future days that instead of travelling and seeing cities and monuments and museums and improving your mind you simply sat here—for instance—on a log and pulled my flowers to pieces?"

"What I shall regret in future days," he answered after some hesitation, "is that I should have sat here—sat here so much—and never have shown what's the matter with me. I'm fond of museums and monuments and of improving my mind, and I'm particularly fond of my friend Webster. But I can't bring myself to leave Saint-Germain without asking you a question. You must forgive me if it's indiscreet and be assured that curiosity was never more respectful. Are you really as unhappy as I imagine you to be?"

She had evidently not expected his appeal, and, making her change colour, it took her unprepared. "If I strike you as unhappy," she none the less simply said, "I've been a poorer friend to you than I wished to be."

"I, perhaps, have been a better friend of yours than you've supposed," he returned. "I've admired your reserve, your courage, your studied gaiety. But I've felt the existence of something beneath them that was more YOU—more you as I wished to know you—than they were; some trouble in you that I've permitted myself to hate and resent."

She listened all gravely, but without an air of offence, and he felt that while he had been timorously calculating the last consequences of friendship she had quietly enough accepted them. "You surprise me," she said slowly, and her flush still lingered. "But to refuse to answer you would confirm some impression in you even now much too strong. Any 'trouble'—if you mean any unhappiness—that one can sit comfortably talking about is an unhappiness with distinct limitations. If I were examined before a board of commissioners for testing the felicity of mankind I'm sure I should be pronounced a very fortunate woman." There was something that deeply touched him in her tone, and this quality pierced further as she continued. "But let me add, with all gratitude for your sympathy, that it's my own affair altogether. It needn't disturb you, my dear sir," she wound up with a certain quaintness of gaiety, "for I've often found myself in your company contented enough and diverted enough."

"Well, you're a wonderful woman," the young man declared, "and I admire you as I've never admired any one. You're wiser than anything I, for one, can say to you; and what I ask of you is not to let me advise or console you, but simply thank you for letting me know you." He had intended no such outburst as this, but his voice rang loud and he felt an unfamiliar joy as he uttered it.

She shook her head with some impatience. "Let us be friends—as I supposed we were going to be—without protestations and fine words. To have you paying compliments to my wisdom—that would be real wretchedness. I can dispense with your admiration better than the Flemish painters can—better than Van Eyck and Rubens, in spite of all their worshippers. Go join your friend—see everything, enjoy everything, learn everything, and write me an excellent letter, brimming over with your impressions. I'm extremely fond of the Dutch painters," she added with the faintest quaver in the world, an impressible break of voice that Longmore had noticed once or twice before and had interpreted as the sudden weariness, the controlled convulsion, of a spirit self-condemned to play a part.

"I don't believe you care a button for the Dutch painters," he said with a laugh. "But I shall certainly write you a letter."

She rose and turned homeward, thoughtfully rearranging her flowers as she walked. Little was said; Longmore was asking himself with an agitation of his own in the unspoken words whether all this meant simply that he was in love. He looked at the rooks wheeling against the golden-hued sky, between the tree-tops, but not at his companion, whose personal presence seemed lost in the felicity she had created. Madame de Mauves was silent and grave—she felt she had almost grossly failed and she was proportionately disappointed. An emotional friendship she had not desired; her scheme had been to pass with her visitor as a placid creature with a good deal of leisure which she was disposed to devote to profitable conversation of an impersonal sort. She liked him extremely, she felt in him the living force of something to which, when she made up her girlish mind that a needy nobleman was the ripest fruit of time, she had done too scant justice. They went through the little gate in the garden-wall and approached the house. On the terrace Madame Clairin was entertaining a friend—a little elderly gentleman with a white moustache and an order in his buttonhole. Madame de Mauves chose to pass round the house into the court; whereupon her sister-in-law, greeting Longmore with an authoritative nod, lifted her eye-glass and stared at them as they went by. Longmore heard the little old gentleman uttering some old-fashioned epigram about "la vieille galanterie francaise"—then by a sudden impulse he looked at Madame de Mauves and wondered what she was doing in such a world. She stopped before the house, not asking him to come in. "I hope you will act on my advice and waste no more time at Saint-Germain."

For an instant there rose to his lips some faded compliment about his time not being wasted, but it expired before the simple sincerity of her look. She stood there as gently serious as the angel of disinterestedness, and it seemed to him he should insult her by treating her words as a bait for flattery. "I shall start in a day or two," he answered, "but I won't promise you not to come back."

"I hope not," she said simply. "I expect to be here a long time."

"I shall come and say good-bye," he returned—which she appeared to accept with a smile as she went in.

He stood a moment, then walked slowly homeward by the terrace. It seemed to him that to leave her thus, for a gain on which she herself insisted, was to know her better and admire her more. But he was aware of a vague ferment of feeling which her evasion of his question half an hour before had done more to deepen than to allay. In the midst of it suddenly, on the great terrace of the Chateau, he encountered M. de Mauves, planted there against the parapet and finishing a cigar. The Count, who, he thought he made out, had an air of peculiar affability, offered him his white plump hand. Longmore stopped; he felt a sharp, a sore desire to cry out to him that he had the most precious wife in the world, that he ought to be ashamed of himself not to know it, and that for all his grand assurance he had never looked down into the depths of her eyes. Richard de Mauves, we have seen, considered he had; but there was doubtless now something in this young woman's eyes that had not been there five years before. The two men conversed formally enough, and M. de Mauves threw off a light bright remark or two about his visit to America. His tone was not soothing to Longmore's excited sensibilities. He seemed to have found the country a gigantic joke, and his blandness went but so far as to allow that jokes on that scale are indeed inexhaustible. Longmore was not by habit an aggressive apologist for the seat of his origin, but the Count's easy diagnosis confirmed his worst estimate of French superficiality. He had understood nothing, felt nothing, learned nothing, and his critic, glancing askance at his aristocratic profile, declared that if the chief merit of a long pedigree was to leave one so fatuously stupid he thanked goodness the Longmores had emerged from obscurity in the present century and in the person of an enterprising timber-merchant. M. de Mauves dwelt of course on that prime oddity of the American order—the liberty allowed the fairer half of the unmarried young, and confessed to some personal study of the "occasions" it offered to the speculative visitor; a line of research in which, during a fortnight's stay, he had clearly spent his most agreeable hours. "I'm bound to admit," he said, "that in every case I was disarmed by the extreme candour of the young lady, and that they took care of themselves to better purpose than I have seen some mammas in France take care of them." Longmore greeted this handsome concession with the grimmest of smiles and damned his impertinent patronage.

Mentioning, however, at last that he was about to leave Saint-Germain, he was surprised, without exactly being flattered, by his interlocutor's quickened attention. "I'm so very sorry; I hoped we had you for the whole summer." Longmore murmured something civil and wondered why M. de Mauves should care whether he stayed or went. "You've been a real resource to Madame de Mauves," the Count added; "I assure you I've mentally blessed your visits."

"They were a great pleasure to me," Longmore said gravely. "Some day I expect to come back."

"Pray do"—and the Count made a great and friendly point of it. "You see the confidence I have in you." Longmore said nothing and M. de Mauves puffed his cigar reflectively and watched the smoke. "Madame de Mauves," he said at last, "is a rather singular person." And then while our young man shifted his position and wondered whether he was going to "explain" Madame de Mauves, "Being, as you are, her fellow countryman," this lady's husband pursued, "I don't mind speaking frankly. She's a little overstrained; the most charming woman in the world, as you see, but a little volontaire and morbid. Now you see she has taken this extraordinary fancy for solitude. I can't get her to go anywhere, to see any one. When my friends present themselves she's perfectly polite, but it cures them of coming again. She doesn't do herself justice, and I expect every day to hear two or three of them say to me, 'Your wife's jolie a croquer: what a pity she hasn't a little esprit.' You must have found out that she has really a great deal. But, to tell the whole truth, what she needs is to forget herself. She sits alone for hours poring over her English books and looking at life through that terrible brown fog they seem to me—don't they?—to fling over the world. I doubt if your English authors," the Count went on with a serenity which Longmore afterwards characterised as sublime, "are very sound reading for young married women. I don't pretend to know much about them; but I remember that not long after our marriage Madame de Mauves undertook to read me one day some passages from a certain Wordsworth—a poet highly esteemed, it appears, chez vous. It was as if she had taken me by the nape of the neck and held my head for half an hour over a basin of soupe aux choux: I felt as if we ought to ventilate the drawing-room before any one called. But I suppose you know him—ce genie-la. Every nation has its own ideals of every kind, but when I remember some of OUR charming writers! I think at all events my wife never forgave me and that it was a real shock to her to find she had married a man who had very much the same taste in literature as in cookery. But you're a man of general culture, a man of the world," said M. de Mauves, turning to Longmore but looking hard at the seal of his watchguard. "You can talk about everything, and I'm sure you like Alfred de Musset as well as Monsieur Wordsworth. Talk to her about everything you can, Alfred de Musset included. Bah! I forgot you're going. Come back then as soon as possible and report on your travels. If my wife too would make a little voyage it would do her great good. It would enlarge her horizon"—and M. de Mauves made a series of short nervous jerks with his stick in the air—"it would wake up her imagination. She's too much of one piece, you know—it would show her how much one may bend without breaking." He paused a moment and gave two or three vigorous puffs. Then turning to his companion again with eyebrows expressively raised: "I hope you admire my candour. I beg you to believe I wouldn't say such things to one of US!"

Evening was at hand and the lingering light seemed to charge the air with faintly golden motes. Longmore stood gazing at these luminous particles; he could almost have fancied them a swarm of humming insects, the chorus of a refrain: "She has a great deal of esprit—she has a great deal of esprit." "Yes,—she has a great deal," he said mechanically, turning to the Count. M. de Mauves glanced at him sharply, as if to ask what the deuce he was talking about. "She has a great deal of intelligence," said Longmore quietly, "a great deal of beauty, a great many virtues."

M. de Mauves busied himself for a moment in lighting another cigar, and when he had finished, with a return of his confidential smile, "I suspect you of thinking that I don't do my wife justice." he made answer. "Take care—take care, young man; that's a dangerous assumption. In general a man always does his wife justice. More than justice," the Count laughed—"that we keep for the wives of other men!"

Longmore afterwards remembered in favour of his friend's fine manner that he had not measured at this moment the dusky abyss over which it hovered. Hut a deepening subterranean echo, loudest at the last, lingered on his spiritual ear. For the present his keenest sensation was a desire to get away and cry aloud that M. de Mauves was no better than a pompous dunce. He bade him an abrupt good-night, which was to serve also, he said, as good-bye.

"Decidedly then you go?" It was spoken almost with the note of irritation.

"Decidedly."

"But of course you'll come and take leave—?" His manner implied that the omission would be uncivil, but there seemed to Longmore himself something so ludicrous in his taking a lesson in consideration from M. de Mauves that he put the appeal by with a laugh. The Count frowned as if it were a new and unpleasant sensation for him to be left at a loss. "Ah you people have your facons!" he murmured as Longmore turned away, not foreseeing that he should learn still more about his facons before he had done with him.

Longmore sat down to dinner at his hotel with his usual good intentions, but in the act of lifting his first glass of wine to his lips he suddenly fell to musing and set down the liquor untasted. This mood lasted long, and when he emerged from it his fish was cold; but that mattered little, for his appetite was gone. That evening he packed his trunk with an indignant energy. This was so effective that the operation was accomplished before bedtime, and as he was not in the least sleepy he devoted the interval to writing two letters, one of them a short note to Madame de Mauves, which he entrusted to a servant for delivery the next morning. He had found it best, he said, to leave Saint-Germain immediately, but he expected to return to Paris early in the autumn. The other letter was the result of his having remembered a day or two before that he had not yet complied with Mrs. Draper's injunction to give her an account of his impression of her friend. The present occasion seemed propitious, and he wrote half a dozen pages. His tone, however, was grave, and Mrs. Draper, on reading him over, was slightly disappointed—she would have preferred he should have "raved" a little more. But what chiefly concerns us is the concluding passage.

"The only time she ever spoke to me of her marriage," he wrote, "she intimated that it had been a perfect love-match. With all abatements, I suppose, this is what most marriages take themselves to be; but it would mean in her case, I think, more than in that of most women, for her love was an absolute idealisation. She believed her husband to be a hero of rose-coloured romance, and he turns out to be not even a hero of very sad-coloured reality. For some time now she has been sounding her mistake, but I don't believe she has yet touched the bottom. She strikes me as a person who's begging off from full knowledge—who has patched up a peace with some painful truth and is trying a while the experiment of living with closed eyes. In the dark she tries to see again the gilding on her idol. Illusion of course is illusion, and one must always pay for it; but there's something truly tragical in seeing an earthly penalty levied on such divine folly as this. As for M. de Mauves he's a shallow Frenchman to his fingers' ends, and I confess I should dislike him for this if he were a much better man. He can't forgive his wife for having married him too extravagantly and loved him too well; since he feels, I suppose, in some uncorrupted corner of his being that as she originally saw him so he ought to have been. It disagrees with him somewhere that a little American bourgeoise should have fancied him a finer fellow than he is or than he at all wants to be. He hasn't a glimmering of real acquaintance with his wife; he can't understand the stream of passion flowing so clear and still. To tell the truth I hardly understand it myself, but when I see the sight I find I greatly admire it. The Count at any rate would have enjoyed the comfort of believing his wife as bad a case as himself, and you'll hardly believe me when I assure you he goes about intimating to gentlemen whom he thinks it may concern that it would be a convenience to him they should make love to Madame de Mauves."



V

On reaching Paris Longmore straightaway purchased a Murray's "Belgium" to help himself to believe that he would start on the morrow for Brussels; but when the morrow came it occurred to him that he ought by way of preparation to acquaint himself more intimately with the Flemish painters in the Louvre. This took a whole morning, but it did little to hasten his departure. He had abruptly left Saint-Germain because it seemed to him that respect for Madame de Mauves required he should bequeath her husband no reason to suppose he had, as it were, taken a low hint; but now that he had deferred to that scruple he found himself thinking more and more ardently of his friend. It was a poor expression of ardour to be lingering irresolutely on the forsaken boulevard, but he detested the idea of leaving Saint-Germain five hundred miles behind him. He felt very foolish, nevertheless, and wandered about nervously, promising himself to take the next train. A dozen trains started, however, and he was still in Paris. This inward ache was more than he had bargained for, and as he looked at the shop-windows he wondered if it represented a "passion." He had never been fond of the word and had grown up with much mistrust of what it stood for. He had hoped that when he should fall "really" in love he should do it with an excellent conscience, with plenty of confidence and joy, doubtless, but no strange soreness, no pangs nor regrets. Here was a sentiment concocted of pity and anger as well as of admiration, and bristling with scruples and doubts and fears. He had come abroad to enjoy the Flemish painters and all others, but what fair-tressed saint of Van Eyck or Memling was so interesting a figure as the lonely lady of Saint-Germain? His restless steps carried him at last out of the long villa-bordered avenue which leads to the Bois de Boulogne.

Summer had fairly begun and the drive beside the lake was empty, but there were various loungers on the benches and chairs, and the great cafe had an air of animation. Longmore's walk had given him an appetite, and he went into the establishment and demanded a dinner, remarking for the hundredth time, as he admired the smart little tables disposed in the open air, how much better (than anywhere else) they ordered this matter in France. "Will monsieur dine in the garden or in the salon?" the waiter blandly asked. Longmore chose the garden and, observing that a great cluster of June roses was trained over the wall of the house, placed himself at a table near by, where the best of dinners was served him on the whitest of linen and in the most shining of porcelain. It so happened that his table was near a window and that as he sat he could look into a corner of the salon. So it was that his attention rested on a lady seated just within the window, which was open, face to face apparently with a companion who was concealed by the curtain. She was a very pretty woman, and Longmore looked at her as often as was consistent with good manners. After a while he even began to wonder who she was and finally to suspect that she was one of those ladies whom it is no breach of good manners to look at as often as you like. Our young man too, if he had been so disposed, would have been the more free to give her all his attention that her own was fixed upon the person facing her. She was what the French call a belle brune, and though Longmore, who had rather a conservative taste in such matters, was but half-charmed by her bold outlines and even braver complexion, he couldn't help admiring her expression of basking contentment.

She was evidently very happy, and her happiness gave her an air of innocence. The talk of her friend, whoever he was, abundantly suited her humour, for she sat listening to him with a broad idle smile and interrupting him fitfully, while she crunched her bonbons, with a murmured response, presumably as broad, which appeared to have the effect of launching him again. She drank a great deal of champagne and ate an immense number of strawberries, and was plainly altogether a person with an impartial relish for strawberries, champagne and what she doubtless would have called betises.

They had half-finished dinner when Longmore sat down, and he was still in his place when they rose. She had hung her bonnet on a nail above her chair, and her companion passed round the table to take it down for her. As he did so she bent her head to look at a wine-stain on her dress, and in the movement exposed the greater part of the back of a very handsome neck. The gentleman observed it, and observed also, apparently, that the room beyond them was empty; that he stood within eyeshot of Longmore he failed to observe. He stooped suddenly and imprinted a gallant kiss on the fair expanse. In the author of this tribute Longmore then recognised Richard de Mauves. The lady to whom it had been rendered put on her bonnet, using his flushed smile as a mirror, and in a moment they passed through the garden on their way to their carriage. Then for the first time M. de Mauves became aware of his wife's young friend. He measured with a rapid glance this spectator's relation to the open window and checked himself in the impulse to stop and speak to him. He contented himself with bowing all imperturbably as he opened the gate for his companion.

That evening Longmore made a railway journey, but not to Brussels. He had effectually ceased to care for Brussels; all he cared for in the world now was Madame de Mauves. The air of his mind had had a sudden clearing-up; pity and anger were still throbbing there, but they had space to range at their pleasure, for doubts and scruples had abruptly departed. It was little, he felt, that he could interpose between her resignation and the indignity of her position; but that little, if it involved the sacrifice of everything that bound him to the tranquil past, he could offer her with a rapture which at last made stiff resistance a terribly inferior substitute for faith. Nothing in his tranquil past had given such a zest to consciousness as this happy sense of choosing to go straight back to Saint-Germain. How to justify his return, how to explain his ardour, troubled him little. He wasn't even sure he wished to be understood; he wished only to show how little by any fault of his Madame de Mauves was alone so with the harshness of fate. He was conscious of no distinct desire to "make love" to her; if he could have uttered the essence of his longing he would have said that he wished her to remember that in a world coloured grey to her vision by the sense of her mistake there was one vividly honest man. She might certainly have remembered it, however, without his coming back to remind her; and it is not to be denied that as he waited for the morrow he longed immensely for the sound of her voice.