"No," I said. "If I had I wouldn't have forgotten her face."

"Well, she'd be only a kid then, of course. She's twenty-six now. Marian is a mighty nice girl, but she's bound to be an old maid. She's got notions—ideals, she calls 'em. All the Croyden fellows have been in love with her at one time or another but they might as well have made up to a statue. Marian really hasn't a spark of feeling or sentiment in her. Her looks are the best part of her, although she's confoundedly clever."

Peter spoke rather squiffily. I suspected that he had been one of the smitten swains himself. I looked at the photo for a few minutes longer, admiring it more every minute and, when I heard Peter coming out, I did an unjustifiable thing—I took that photo and put it in my pocket.

I expected Peter would make a fuss when he missed it, but that very night the house in which he lived was burned to the ground. Peter escaped with the most important of his goods and chattels, but all the counterfeit presentments of his dear divinities went up in smoke. If he ever thought particularly of Marian Lindsay's photograph he must have supposed that it shared the fate of the others.

As for me, I propped my ill-gotten treasure up on my mantel and worshipped it for a fortnight. At the end of that time I went boldly to Peter and told him I wanted him to introduce me by letter to his dear cousin and ask her to agree to a friendly correspondence with me.

Oddly enough, I did not do this without some reluctance, in spite of the fact that I was as much in love with Marian Lindsay as it was possible to be through the medium of a picture. I thought of the girl I had seen in the pine wood and felt an inward shrinking from a step that might divide me from her forever. But I rated myself for this nonsense. It was in the highest degree unlikely that I should ever meet the girl of the pines again. If she were still living she was probably some other man's wife. I would think no more about it.

Peter whistled when he heard what I had to say.

"Of course I'll do it, old man," he said obligingly. "But I warn you I don't think it will be much use. Marian isn't the sort of girl to open up a correspondence in such a fashion. However, I'll do the best I can for you."

"Do. Tell her I'm a respectable fellow with no violent bad habits and all that. I'm in earnest, Peter. I want to make that girl's acquaintance, and this seems the only way at present. I can't get off just now for a trip east. Explain all this, and use your cousinly influence in my behalf if you possess any."

Peter grinned.

"It's not the most graceful job in the world you are putting on me, Curtis," he said. "I don't mind owning up now that I was pretty far gone on Marian myself two years ago. It's all over now, but it was bad while it lasted. Perhaps Marian will consider your request more favourably if I put it in the light of a favour to myself. She must feel that she owes me something for wrecking my life."

Peter grinned again and looked at the one photo he had contrived to rescue from the fire. It was a pretty, snub-nosed little girl. She would never have consoled me for the loss of Marian Lindsay, but every man to his taste.

In due time Peter sought me out to give me his cousin's answer.

"Congratulations, Curtis. You've out-Caesared Caesar. You've conquered without even going and seeing. Marian agrees to a friendly correspondence with you. I am amazed, I admit—even though I did paint you up as a sort of Sir Galahad and Lancelot combined. I'm not used to seeing proud Marian do stunts like that, and it rather takes my breath."

I wrote to Marian Lindsay after one farewell dream of the girl under the pines. When Marian's letters began to come regularly I forgot the other one altogether.

Such letters—such witty, sparkling, clever, womanly, delightful letters! They completed the conquest her picture had begun. Before we had corresponded six months I was besottedly in love with this woman whom I had never seen. Finally, I wrote and told her so, and I asked her to be my wife.

A fortnight later her answer came. She said frankly that she believed she had learned to care for me during our correspondence, but that she thought we should meet in person, before coming to any definite understanding. Could I not arrange to visit Croyden in the summer? Until then we would better continue on our present footing.

I agreed to this, but I considered myself practically engaged, with the personal meeting merely to be regarded as a sop to the Cerberus of conventionality. I permitted myself to use a decidedly lover-like tone in my letters henceforth, and I hailed it as a favourable omen that I was not rebuked for this, although Marian's own letters still retained their pleasant, simple friendliness.

Peter had at first tormented me mercilessly about the affair, but when he saw I did not like his chaff he stopped it. Peter was always a good fellow. He realized that I regarded the matter seriously, and he saw me off when I left for the east with a grin tempered by honest sympathy and understanding.

"Good luck to you," he said. "If you win Marian Lindsay you'll win a pearl among women. I haven't been able to grasp her taking to you in this fashion, though. It's so unlike Marian. But, since she undoubtedly has, you are a lucky man."

I arrived in Croyden at dusk and went to Uncle Tom's. There I found them busy with preparations for a party to be given that night in honour of a girl friend who was visiting my cousin Edna. I was secretly annoyed, for I wanted to hasten at once to Marian. But I couldn't decently get away, and on second thoughts I was consoled by the reflection that she would probably come to the party. I knew she belonged to the same social set as Uncle Tom's girls. I should, however, have preferred our meeting to have been under different circumstances.

From my stand behind the palms in a corner I eagerly scanned the guests as they arrived. Suddenly my heart gave a bound. Marian Lindsay had just come in.

I recognized her at once from her photograph. It had not flattered her in the least; indeed, it had not done her justice, for her exquisite colouring of hair and complexion were quite lost in it. She was, moreover, gowned with a taste and smartness eminently admirable in the future Mrs. Eric Curtis. I felt a thrill of proprietary pride as I stepped out from behind the palms. She was talking to Aunt Grace; but her eyes fell on me. I expected a little start of recognition, for I had sent her an excellent photograph of myself; but her gaze was one of blankest unconsciousness.

I felt something like disappointment at her non-recognition, but I consoled myself by the reflection that people often fail to recognize other people whom they have seen only in photographs, no matter how good the likeness may be. I waylaid Edna, who was passing at that time, and said, "Edna I want you to introduce me to the girl who is talking to your mother."

Edna laughed.

"So you have succumbed at first sight to our Croyden beauty? Of course I'll introduce you, but I warn you beforehand that she is the most incorrigible flirt in Croyden or out of it. So take care."

It jarred on me to hear Marian called a flirt. It seemed so out of keeping with her letters and the womanly delicacy and fineness revealed in them. But I reflected that women sometimes find it hard to forgive another woman who absorbs more than her share of lovers, and generally take their revenge by dubbing her a flirt, whether she deserves the name or not.

We had crossed the room during this reflection. Marian turned and stood before us, smiling at Edna, but evincing no recognition whatever of myself. It is a piquant experience to find yourself awaiting an introduction to a girl to whom you are virtually engaged.

"Dorothy dear," said Edna, "this is my cousin, Mr. Curtis, from Vancouver. Eric, this is Miss Armstrong."

I suppose I bowed. Habit carries us mechanically through many impossible situations. I don't know what I looked like or what I said, if I said anything. I don't suppose I betrayed my dire confusion, for Edna went off unconcernedly without another glance at me.

Dorothy Armstrong! Gracious powers—who—where—why? If this girl was Dorothy Armstrong who was Marian Lindsay? To whom was I engaged? There was some awful mistake somewhere, for it could not be possible that there were two girls in Croyden who looked exactly like the photograph reposing in my valise at that very moment. I stammered like a schoolboy.

"I—oh—I—your face seems familiar to me, Miss Armstrong. I—I—think I must have seen your photograph somewhere."

"Probably in Peter Austin's collection," smiled Miss Armstrong. "He had one of mine before he was burned out. How is he?"

"Peter? Oh, he's well," I replied vaguely. I was thinking a hundred words to the second, but my thoughts arrived nowhere. I was staring at Miss Armstrong like a man bewitched. She must have thought me a veritable booby. "Oh, by the way—can you tell me—do you know a Miss Lindsay in Croyden?"

Miss Armstrong looked surprised and a little bored. Evidently she was not used to having newly introduced young men inquiring about another girl.

"Marian Lindsay? Oh, yes."

"Is she here tonight?" I said.

"No, Marian is not going to parties just now, owing to the recent death of her aunt, who lived with them."

"Does she—oh—does she look like you at all?" I inquired idiotically.

Amusement glimmered but over Miss Armstrong's boredom. She probably concluded that I was some harmless lunatic.

"Like me? Not at all. There couldn't be two people more dissimilar. Marian is quite dark. I am fair. And our features are altogether unlike. Why, good evening, Jack. Yes, I believe I did promise you this dance."

She bowed to me and skimmed away with Jack. I saw Aunt Grace bearing down upon me and fled incontinently. In my own room I flung myself on a chair and tried to think the matter out. Where did the mistake come in? How had it happened? I shut my eyes and conjured up the vision of Peter's room that day. I remembered vaguely that, when I had picked up Dorothy Armstrong's picture, I had noticed another photograph that had fallen face downward beside it. That must have been Marian Lindsay's, and Peter had thought I meant it.

And now what a position I was in! I was conscious of bitter disappointment. I had fallen in love with Dorothy Armstrong's photograph. As far as external semblance goes it was she whom I loved. I was practically engaged to another woman—a woman who, in spite of our correspondence, seemed to me now, in the shock of this discovery, a stranger. It was useless to tell myself that it was the mind and soul revealed in those letters that I loved, and that that mind and soul were Marian Lindsay's. It was useless to remember that Peter had said she was pretty. Exteriorly, she was a stranger to me; hers was not the face which had risen before me for nearly a year as the face of the woman I loved. Was ever unlucky wretch in such a predicament before?

Well, there was only one thing to do. I must stand by my word. Marian Lindsay was the woman I had asked to marry me, whose answer I must shortly go to receive. If that answer were "yes" I must accept the situation and banish all thought of Dorothy Armstrong's pretty face.

Next evening at sunset I went to "Glenwood," the Lindsay place. Doubtless, an eager lover might have gone earlier, but an eager lover I certainly was not. Probably Marian was expecting me and had given orders concerning me, for the maid who came to the door conveyed me to a little room behind the stairs—a room which, as I felt as soon as I entered it, was a woman's pet domain. In its books and pictures and flowers it spoke eloquently of dainty femininity. Somehow, it suited the letters. I did not feel quite so much the stranger as I had felt. Nevertheless, when I heard a light footfall on the stairs my heart beat painfully. I stood up and turned to the door, but I could not look up. The footsteps came nearer; I knew that a white hand swept aside the portiere at the entrance; I knew that she had entered the room and was standing before me.

With an effort I raised my eyes and looked at her. She stood, tall and gracious, in a ruby splendour of sunset falling through the window beside her. The light quivered like living radiance over a dark proud head, a white throat, and a face before whose perfect loveliness the memory of Dorothy Armstrong's laughing prettiness faded like a star in the sunrise, nevermore in the fullness of the day to be remembered. Yet it was not of her beauty I thought as I stood spellbound before her. I seemed to see a dim little valley full of whispering pines, and a girl standing under their shadows, looking at me with the same great, greyish-blue eyes which gazed upon me now from Marian Lindsay's face—the same face, matured into gracious womanhood, that I had seen ten years ago; and loved—aye, loved—ever since. I took an unsteady step forward.

"Marian?" I said.

* * * * *

When I got home that night I burned Dorothy Armstrong's photograph. The next day I went to my cousin Tom, who owns the fashionable studio of Croyden and, binding him over to secrecy, sought one of Marian's latest photographs from him. It is the only secret I have ever kept from my wife.

Before we were married Marian told me something.

"I always remembered you as you looked that day under the pines," she said. "I was only a child, but I think I loved you then and ever afterwards. When I dreamed my girl's dream of love your face rose up before me. I had the advantage of you that I knew your name—I had heard of you. When Peter wrote about you I knew who you were. That was why I agreed to correspond with you. I was afraid it was a forward—an unwomanly thing to do. But it seemed my chance for happiness and I took it. I am glad I did."

I did not answer in words, but lovers will know how I did answer.



The Gossip of Valley View

It was the first of April, and Julius Barrett, aged fourteen, perched on his father's gatepost, watched ruefully the low descending sun, and counted that day lost. He had not succeeded in "fooling" a single person, although he had tried repeatedly. One and all, old and young, of his intended victims had been too wary for Julius. Hence, Julius was disgusted and ready for anything in the way of a stratagem or a spoil.

The Barrett gatepost topped the highest hill in Valley View. Julius could see the entire settlement, from "Young" Thomas Everett's farm, a mile to the west, to Adelia Williams's weather-grey little house on a moonrise slope to the east. He was gazing moodily down the muddy road when Dan Chester, homeward bound from the post office, came riding sloppily along on his grey mare and pulled up by the Barrett gate to hand a paper to Julius.

Dan was a young man who took life and himself very seriously. He seldom smiled, never joked, and had a Washingtonian reputation for veracity. Dan had never told a conscious falsehood in his life; he never even exaggerated.

Julius, beholding Dan's solemn face, was seized with a perfectly irresistible desire to "fool" him. At the same moment his eye caught the dazzling reflection of the setting sun on the windows of Adelia Williams's house, and he had an inspiration little short of diabolical. "Have you heard the news, Dan?" he asked.

"No, what is it?" asked Dan.

"I dunno's I ought to tell it," said Julius reflectively. "It's kind of a family affair, but then Adelia didn't say not to, and anyway it'll be all over the place soon. So I'll tell you, Dan, if you'll promise never to tell who told you. Adelia Williams and Young Thomas Everett are going to be married."

Julius delivered himself of this tremendous lie with a transparently earnest countenance. Yet Dan, credulous as he was, could not believe it all at once.

"Git out," he said.

"It's true, 'pon my word," protested Julius. "Adelia was up last night and told Ma all about it. Ma's her cousin, you know. The wedding is to be in June, and Adelia asked Ma to help her get her quilts and things ready."

Julius reeled all this off so glibly that Dan finally believed the story, despite the fact that the people thus coupled together in prospective matrimony were the very last people in Valley View who could have been expected to marry each other. Young Thomas was a confirmed bachelor of fifty, and Adelia Williams was forty; they were not supposed to be even well acquainted, as the Everetts and the Williamses had never been very friendly, although no open feud existed between them.

Nevertheless, in view of Julius's circumstantial statements, the amazing news must be true, and Dan was instantly agog to carry it further. Julius watched Dan and the grey mare out of sight, fairly writhing with ecstasy. Oh, but Dan had been easy! The story would be all over Valley View in twenty-four hours. Julius laughed until he came near to falling off the gatepost.

At this point Julius and Danny drop out of our story, and Young Thomas enters.

It was two days later when Young Thomas heard that he was to be married to Adelia Williams in June. Eben Clark, the blacksmith, told him when he went to the forge to get his horse shod. Young Thomas laughed his big jolly laugh. Valley View gossip had been marrying him off for the last thirty years, although never before to Adelia Williams.

"It's news to me," he said tolerantly.

Eben grinned broadly. "Ah, you can't bluff it off like that, Tom," he said. "The news came too straight this time. Well, I was glad to hear it, although I was mighty surprised. I never thought of you and Adelia. But she's a fine little woman and will make you a capital wife."

Young Thomas grunted and drove away. He had a good deal of business to do that day, involving calls at various places—the store for molasses, the mill for flour, Jim Bentley's for seed grain, the doctor's for toothache drops for his housekeeper, the post office for mail—and at each and every place he was joked about his approaching marriage. In the end it rather annoyed Young Thomas, He drove home at last in what was for him something of a temper. How on earth had that fool story started? With such detailed circumstantiality of rugs and quilts, too? Adelia Williams must be going to marry somebody, and the Valley View gossips, unable to locate the man, had guessed Young Thomas.

When he reached home, tired, mud-bespattered, and hungry, his housekeeper, who was also his hired man's wife, asked him if it was true that he was going to be married. Young Thomas, taking in at a glance the ill-prepared, half-cold supper on the table, felt more annoyed than ever, and said it wasn't, with a strong expression—not quite an oath—for Young Thomas never swore, unless swearing be as much a matter of intonation as of words.

Mrs. Dunn sighed, patted her swelled face, and said she was sorry; she had hoped it was true, for her man had decided to go west. They were to go in a month's time. Young Thomas sat down to his supper with the prospect of having to look up another housekeeper and hired man before planting to destroy his appetite.

Next day, three people who came to see Young Thomas on business congratulated him on his approaching marriage. Young Thomas, who had recovered his usual good humour, merely laughed. There was no use in being too earnest in denial, he thought. He knew that his unusual fit of petulance with his housekeeper had only convinced her that the story was true. It would die away in time, as other similar stories had died, he thought. Valley View gossip was imaginative.

Young Thomas looked rather serious, however, when the minister and his wife called that evening and referred to the report. Young Thomas gravely said that it was unfounded. The minister looked graver still and said he was sorry—he had hoped it was true. His wife glanced significantly about Young Thomas's big, untidy sitting-room, where there were cobwebs on the ceiling and fluff in the corners and dust on the mop-board, and said nothing, but looked volumes.

"Dang it all," said Young Thomas, as they drove away, "they'll marry me yet in spite of myself."

The gossip made him think about Adelia Williams. He had never thought about her before; he was barely acquainted with her. Now he remembered that she was a plump, jolly-looking little woman, noted for being a good housekeeper. Then Young Thomas groaned, remembering that he must start out looking for a housekeeper soon; and housekeepers were not easily found, as Young Thomas had discovered several times since his mother's death ten years before.

Next Sunday in church Young Thomas looked at Adelia Williams. He caught Adelia looking at him. Adelia blushed and looked guiltily away.

"Dang it all," reflected Young Thomas, forgetting that he was in church. "I suppose she has heard that fool story too. I'd like to know the person who started it; man or woman, I'd punch their head."

Nevertheless, Young Thomas went on looking at Adelia by fits and starts, although he did not again catch Adelia looking at him. He noticed that she had round rosy cheeks and twinkling brown eyes. She did not look like an old maid, and Young Thomas wondered that she had been allowed to become one. Sarah Barnett, now, to whom report had married him a year ago, looked like a dried sour apple.

* * * * *

For the next four weeks the story haunted Young Thomas like a spectre. Down it would not. Everywhere he went he was joked about it. It gathered fresh detail every week. Adelia was getting her clothes ready; she was to be married in seal-brown cashmere; Vinnie Lawrence at Valley Centre was making it for her; she had got a new hat with a long ostrich plume; some said white, some said grey.

Young Thomas kept wondering who the man could be, for he was convinced that Adelia was going to marry somebody. More than that, once he caught himself wondering enviously. Adelia was a nice-looking woman, and he had not so far heard of any probable housekeeper.

"Dang it all," said Young Thomas to himself in desperation. "I wouldn't care if it was true."

His married sister from Carlisle heard the story and came over to investigate. Young Thomas denied it shortly, and his sister scolded. She had devoutly hoped it was true, she said, and it would have been a great weight off her mind.

"This house is in a disgraceful condition, Thomas," she said severely. "It would break Mother's heart if she could rise out of her grave to see it. And Adelia Williams is a perfect housekeeper."

"You didn't use to think so much of the Williams crowd," said Young Thomas drily.

"Oh, some of them don't amount to much," admitted Maria, "but Adelia is all right."

Catching sight of an odd look on Young Thomas's face, she added hastily, "Thomas Everett, I believe it's true after all. Now, is it? For mercy's sake don't be so sly. You might tell me, your own and only sister, if it is."

"Oh, shut up," was Young Thomas's unfeeling reply to his own and only sister.

Young Thomas told himself that night that Valley View gossip would drive him into an asylum yet if it didn't let up. He also wondered if Adelia was as much persecuted as himself. No doubt she was. He never could catch her eye in church now, but he would have been surprised had he realized how many times he tried to.

The climax came the third week in May, when Young Thomas, who had been keeping house for himself for three weeks, received a letter and an express box from his cousin, Charles Everett, out in Manitoba. Charles and he had been chums in their boyhood. They corresponded occasionally still, although it was twenty years since Charles had gone west.

The letter was to congratulate Young Thomas on his approaching marriage. Charles had heard of it through some Valley View correspondents of his wife. He was much pleased; he had always liked Adelia, he said—had been an old beau of hers, in fact. Thomas might give her a kiss for him if he liked. He forwarded a wedding present by express and hoped they would be very happy, etc.

The present was an elaborate hatrack of polished buffalo horns, mounted on red plush, with an inset mirror. Young Thomas set it up on the kitchen table and scowled moodily at his reflection in the mirror. If wedding presents were beginning to come, it was high time something was done. The matter was past being a joke. This affair of the present would certainly get out—things always got out in Valley View, dang it all—and he would never hear the last of it.

"I'll marry," said Young Thomas decisively. "If Adelia Williams won't have me, I'll marry the first woman who will, if it's Sarah Barnett herself."

Young Thomas shaved and put on his Sunday suit. As soon as it was safely dark, he hied him away to Adelia Williams. He felt very doubtful about his reception, but the remembrance of the twinkle in Adelia's brown eyes comforted him. She looked like a woman who had a sense of humour; she might not take him, but she would not feel offended or insulted because he asked her.

"Dang it all, though, I hope she will take me," said Young Thomas. "I'm in for getting married now and no mistake. And I can't get Adelia out of my head. I've been thinking of her steady ever since that confounded gossip began."

When he knocked at Adelia's door he discovered that his face was wet with perspiration. Adelia opened the door and started when she saw him; then she turned very red and stiffly asked him in. Young Thomas went in and sat down, wondering if all men felt so horribly uncomfortable when they went courting.

Adelia stooped low over the woodbox to put a stick of wood in the stove, for the May evening was chilly. Her shoulders were shaking; the shaking grew worse; suddenly Adelia laughed hysterically and, sitting down on the woodbox, continued to laugh. Young Thomas eyed her with a friendly grin.

"Oh, do excuse me," gasped poor Adelia, wiping tears from her eyes. "This is—dreadful—I didn't mean to laugh—I don't know why I'm laughing—but—I—can't help it."

She laughed helplessly again. Young Thomas laughed too. His embarrassment vanished in the mellowness of that laughter. Presently Adelia composed herself and removed from the woodbox to a chair, but there was still a suspicious twitching about the corners of her mouth.

"I suppose," said Young Thomas, determined to have it over with before the ice could form again, "I suppose, Adelia, you've heard the story that's been going about you and me of late?"

Adelia nodded. "I've been persecuted to the verge of insanity with it," she said. "Every soul I've seen has tormented me about it, and people have written me about it. I've denied it till I was black in the face, but nobody believed me. I can't find out how it started. I hope you believe, Mr. Everett, that it couldn't possibly have arisen from anything I said. I've felt dreadfully worried for fear you might think it did. I heard that my cousin, Lucilla Barrett, said I told her, but Lucilla vowed to me that she never said such a thing or even dreamed of it. I've felt dreadful bad over the whole affair. I even gave up the idea of making a quilt after a lovely new pattern I've got because they made such a talk about my brown dress."

"I've been kind of supposing that you must be going to marry somebody, and folks just guessed it was me," said Young Thomas—he said it anxiously.

"No, I'm not going to be married to anybody," said Adelia with a laugh, taking up her knitting.

"I'm glad of that," said Young Thomas gravely. "I mean," he hastened to add, seeing the look of astonishment on Adelia's face, "that I'm glad there isn't any other man because—because I want you myself, Adelia."

Adelia laid down her knitting and blushed crimson. But she looked at Young Thomas squarely and reproachfully.

"You needn't think you are bound to say that because of the gossip, Mr. Everett," she said quietly.

"Oh, I don't," said Young Thomas earnestly. "But the truth is, the story set me to thinking about you, and from that I got to wishing it was true—honest, I did—I couldn't get you out of my head, and at last I didn't want to. It just seemed to me that you were the very woman for me if you'd only take me. Will you, Adelia? I've got a good farm and house, and I'll try to make you happy."

It was not a very romantic wooing, perhaps. But Adelia was forty and had never been a romantic little body even in the heyday of youth. She was a practical woman, and Young Thomas was a fine looking man of his age with abundance of worldly goods. Besides, she liked him, and the gossip had made her think a good deal about him of late. Indeed, in a moment of candour she had owned to herself the very last Sunday in church that she wouldn't mind if the story were true.

"I'll—I'll think of it," she said.

This was practically an acceptance, and Young Thomas so understood it. Without loss of time he crossed the kitchen, sat down beside Adelia, and put his arms about her plump waist.

"Here's a kiss Charlie sent me to give you," he said, giving it.



The Letters

Just before the letter was brought to me that evening I was watching the red November sunset from the library window. It was a stormy, unrestful sunset, gleaming angrily through the dark fir boughs that were now and again tossed suddenly and distressfully in a fitful gust of wind. Below, in the garden, it was quite dark, and I could only see dimly the dead leaves that were whirling and dancing uncannily over the roseless paths. The poor dead leaves—yet not quite dead! There was still enough unquiet life left in them to make them restless and forlorn. They hearkened yet to every call of the wind, who cared for them no longer but only played freakishly with them and broke their rest. I felt sorry for the leaves as I watched them in that dull, weird twilight, and angry—in a petulant fashion that almost made me laugh—with the wind that would not leave them in peace. Why should they—and I—be vexed with these transient breaths of desire for a life that had passed us by?

I was in the grip of a bitter loneliness that evening—so bitter and so insistent that I felt I could not face the future at all, even with such poor fragments of courage as I had gathered about me after Father's death, hoping that they would, at least, suffice for my endurance, if not for my content. But now they fell away from me at sight of the emptiness of life.

The emptiness! Ah, it was from that I shrank. I could have faced pain and anxiety and heartbreak undauntedly, but I could not face that terrible, yawning, barren emptiness. I put my hands over my eyes to shut it out, but it pressed in upon my consciousness insistently, and would not be ignored longer.

The moment when a woman realizes that she has nothing to live for—neither love nor purpose nor duty—holds for her the bitterness of death. She is a brave woman indeed who can look upon such a prospect unquailingly, and I was not brave. I was weak and timid. Had not Father often laughed mockingly at me because of it?

It was three weeks since Father had died—my proud, handsome, unrelenting old father, whom I had loved so intensely and who had never loved me. I had always accepted this fact unresentfully and unquestioningly, but it had steeped my whole life in its tincture of bitterness. Father had never forgiven me for two things. I had cost my mother's life and I was not a son to perpetuate the old name and carry on the family feud with the Frasers.

I was a very lonely child, with no playmates or companions of any sort, and my girlhood was lonelier still. The only passion in my life was my love for my father. I would have done and suffered anything to win his affection in return. But all I ever did win was an amused tolerance—and I was grateful for that—almost content. It was much to have something to love and be permitted to love it.

If I had been a beautiful and spirited girl I think Father might have loved me, but I was neither. At first I did not think or care about my lack of beauty; then one day I was alone in the beech wood; I was trying to disentangle my skirt which had caught on some thorny underbrush. A young man came around the curve of the path and, seeing my predicament, bent with murmured apology to help me. He had to kneel to do it, and I saw a ray of sunshine falling through the beeches above us strike like a lance of light athwart the thick brown hair that pushed out from under his cap. Before I thought I put out my hand and touched it softly, then I blushed crimson with shame over what I had done. But he did not know—he never knew.

When he had released my dress he rose and our eyes met for a moment as I timidly thanked him. I saw that he was good to look upon—tall and straight, with broad, stalwart shoulders and a dark, clean-cut face. He had a firm, sensitive mouth and kindly, pleasant, dark blue eyes. I never quite forgot the look in those eyes. It made my heart beat strangely, but it was only for a moment, and the next he had lifted his cap and passed on.

As I went homeward I wondered who he might be. He must be a stranger, I thought—probably a visitor in some of our few neighbouring families. I wondered too if I should meet him again, and found the thought very pleasant.

I knew few men and they were all old, like Father, or at least elderly. They were the only people who ever came to our house, and they either teased me or overlooked me. None of them was at all like this young man I had met in the beech wood, nor ever could have been, I thought.

When I reached home I stopped before the big mirror that hung in the hall and did what I had never done before in my life—looked at myself very scrutinizingly and wondered if I had any beauty. I could only sorrowfully conclude that I had not—I was so slight and pale, and the thick black hair and dark eyes that might have been pretty in another woman seemed only to accentuate the lack of spirit and regularity in my features. I was still standing there, gazing wistfully at my mirrored face with a strange sinking of spirit, when Father came through the hall, his riding whip in his hand. Seeing me, he laughed.

"Don't waste your time gazing into mirrors, Isobel," he said carelessly. "That might have been excusable in former ladies of Shirley whose beauty might pardon and even adorn vanity, but with you it is only absurd. The needle and the cookbook are all that you need concern yourself with."

I was accustomed to such speeches from him, but they had never hurt me so cruelly before. At that moment I would have given all the world only to be beautiful.

The next Sunday I looked across the church, and in the Fraser pew I saw the young man I had met in the wood. He was looking at me with his arms folded over his breast and on his brow a little frown that seemed somehow indicative of pain and surprise. I felt a miserable sense of disappointment. If he were the Frasers' guest I could not expect to meet him again. Father hated the Frasers, all the Shirleys hated them; it was an old feud, bitter and lasting, that had been as much our inheritance for generations as land and money. The only thing Father had ever taken pains to teach me was detestation of the Frasers and all their works. I accepted this as I accepted all the other traditions of my race. I thought it did not matter much. The Frasers were not likely to come my way, and hatred was a good satisfying passion in the lack of all else. I think I rather took a pride in hating them as became my blood.

I did not look at the Fraser pew again, but outside, under the elms, we met him, standing in the dappling light and shadow. He looked very handsome and a little sad. I could not help glancing back over my shoulder as Father and I walked to the gate, and I saw him looking after us with that little frown which again made me think something had hurt him. I liked better the smile he had worn in the beech wood, but I had an odd liking for the frown too, and I think I had a foolish longing to go back to him, put up my fingers and smooth it away.

"So Alan Fraser has come home," said my father.

"Alan Fraser?" I repeated, with a strange, horrible feeling of coldness and chill coming over me like a shadow on a bright day. Alan Fraser, the son of old Malcolm Fraser of Glenellyn! The son of our enemy! He had been living since childhood with his dead mother's people, so much I knew. And this was he! Something stung and smarted in my eyes. I think the sting and smart might have turned to tears if Father had not been looking down at me.

"Yes. Didn't you see him in his father's pew? But I forgot. You are too demure to be looking at the young men in preaching—or out of it, Isobel. You are a model young woman. Odd that the men never like the model young women! Curse old Malcolm Fraser! What right has he to have a son like that when I have nothing but a puling girl? Remember, Isobel, that if you ever meet that young man you are not to speak to or look at him, or even intimate that you are aware of his existence. He is your enemy and the enemy of your race. You will show him that you realize this."

Of course that ended it all—though just what there had been to end would have been hard to say. Not long afterwards I met Alan Fraser again, when I was out for a canter on my mare. He was strolling through the beech wood with a couple of big collies, and he stopped short as I drew near. I had to do it—Father had decreed—my Shirley pride demanded—that I should do it. I looked him unseeingly in the face, struck my mare a blow with my whip, and dashed past him. I even felt angry, I think, that a Fraser should have the power to make me feel so badly in doing my duty.

After that I had forgotten. There was nothing to make me remember, for I never met Alan Fraser again. The years slipped by, one by one, so like each other in their colourlessness that I forgot to take account of them. I only knew that I grew older and that it did not matter since there was nobody to care. One day they brought Father in, white-lipped and groaning. His mare had thrown him, and he was never to walk again, although he lived for five years. Those five years had been the happiest of my life. For the first time I was necessary to someone—there was something for me to do which nobody else could do so well. I was Father's nurse and companion; and I found my pleasure in tending him and amusing him, soothing his hours of pain and brightening his hours of ease. People said I "did my duty" toward him. I had never liked that word "duty," since the day I had ridden past Alan Fraser in the beech wood. I could not connect it with what I did for Father. It was my delight because I loved him. I did not mind the moods and the irritable outbursts that drove others from him.

But now he was dead, and I sat in the sullen dusk, wishing that I need not go on with life either. The loneliness of the big echoing house weighed on my spirit. I was solitary, without companionship. I looked out on the outside world where the only sign of human habitation visible to my eyes was the light twinkling out from the library window of Glenellyn on the dark fir hill two miles away. By that light I knew Alan Fraser must have returned from his long sojourn abroad, for it only shone when he was at Glenellyn. He still lived there, something of a hermit, people said; he had never married, and he cared nothing for society. His companions were books and dogs and horses; he was given to scientific researches and wrote much for the reviews; he travelled a great deal. So much I knew in a vague way. I even saw him occasionally in church, and never thought the years had changed him much, save that his face was sadder and sterner than of old and his hair had become iron-grey. People said that he had inherited and cherished the old hatred of the Shirleys—that he was very bitter against us. I believed it. He had the face of a good hater—or lover—a man who could play with no emotion but must take it in all earnestness and intensity.

When it was quite dark the housekeeper brought in the lights and handed me a letter which, she said, a man had just brought up from the village post office. I looked at it curiously before I opened it, wondering from whom it was. It was postmarked from a city several miles away, and the firm, decided, rather peculiar handwriting was strange to me. I had no correspondents. After Father's death I had received a few perfunctory notes of condolence from distant relatives and family friends. They had hurt me cruelly, for they seemed to exhale a subtle spirit of congratulation on my being released from a long and unpleasant martyrdom of attendance on an invalid, that quite overrode the decorous phrases of conventional sympathy in which they were expressed. I hated those letters for their implied injustice. I was not thankful for my "release." I missed Father miserably and longed passionately for the very tasks and vigils that had evoked their pity.

This letter did not seem like one of those. I opened it and took out some stiff, blackly written sheets. They were undated and, turning to the last, I saw that they were unsigned. With a not unpleasant tingling of interest I sat down by my desk to read. The letter began abruptly:

You will not know by whom this is written. Do not seek to know—now or ever. It is only from behind the veil of your ignorance of my identity that I can ever write to you fully and freely as I wish to write—can say what I wish to say in words denied to a formal and conventional expression of sympathy. Dear lady, let me say to you thus what is in my heart.

I know what your sorrow is, and I think I know what your loneliness must be—the sorrow of a broken tie, the loneliness of a life thrown emptily back on itself. I know how you loved your father—how you must have loved him if those eyes and brow and mouth speak truth, for they tell of a nature divinely rich and deep, giving of its wealth and tenderness ungrudgingly to those who are so happy as to be the objects of its affection. To such a nature bereavement must bring a depth and an agony of grief unknown to shallower souls.

I know what your father's helplessness and need of you meant to you. I know that now life must seem to you a broken and embittered thing and, knowing this, I venture to send this greeting across the gulf of strangerhood between us, telling you that my understanding sympathy is fully and freely yours, and bidding you take heart for the future, which now, it may be, looks so heartless and hopeless to you.

Believe me, dear lady, it will be neither. Courage will come to you with the kind days. You will find noble tasks to do, beautiful and gracious duties waiting along your path. The pain and suffering of the world never dies, and while it lives there will be work for such as you to do, and in the doing of it you will find comfort and strength and the highest joy of living. I believe in you. I believe you will make of your life a beautiful and worthy thing. I give you Godspeed for the years to come. Out of my own loneliness I, an unknown friend, who has never clasped your hand, send this message to you. I understand—I have always understood—and I say to you: "Be of good cheer."

To say that this strange letter was a mystery to me seems an inadequate way of stating the matter. I was completely bewildered, nor could I even guess who the writer might be, think and ponder as I might.

The letter itself implied that the writer was a stranger. The handwriting was evidently that of a man, and I knew no man who could or would have sent such a letter to me.

The very mystery stung me to interest. As for the letter itself, it brought me an uplift of hope and inspiration such as I would not have believed possible an hour earlier. It rang so truly and sincerely, and the mere thought that somewhere I had a friend who cared enough to write it, even in such odd fashion, was so sweet that I was half ashamed of the difference it made in my outlook. Sitting there, I took courage and made a compact with myself that I would justify the writer's faith in me—that I would take up my life as something to be worthily lived for all good, to the disregard of my own selfish sorrow and shrinking. I would seek for something to do—for interests which would bind me to my fellow-creatures—for tasks which would lessen the pains and perils of humankind. An hour before, this would not have seemed to me possible; now it seemed the right and natural thing to do.

A week later another letter came. I welcomed it with an eagerness which I feared was almost childish. It was a much longer letter than the first and was written in quite a different strain. There was no apology for or explanation of the motive for writing. It was as if the letter were merely one of a permitted and established correspondence between old friends. It began with a witty, sparkling review of a new book the writer had just read, and passed from this to crisp comments on the great events, political, scientific, artistic, of the day. The whole letter was pungent, interesting, delightful—an impersonal essay on a dozen vital topics of life and thought. Only at the end was a personal note struck.

"Are you interested in these things?" ran the last paragraph. "In what is being done and suffered and attained in the great busy world? I think you must be—for I have seen you and read what is written in your face. I believe you care for these things as I do—that your being thrills to the 'still, sad music of humanity'—that the songs of the poets I love find an echo in your spirit and the aspirations of all struggling souls a sympathy in your heart. Believing this, I have written freely to you, taking a keen pleasure in thus revealing my thoughts and visions to one who will understand. For I too am friendless, in the sense of one standing alone, shut out from the sweet, intimate communion of feeling and opinion that may be held with the heart's friends. Shall you have read this as a friend, I wonder—a candid, uncritical, understanding friend? Let me hope it, dear lady."

I was expecting the third letter when it came—but not until it did come did I realize what my disappointment would have been if it had not. After that every week brought me a letter; soon those letters were the greatest interest in my life. I had given up all attempts to solve the mystery of their coming and was content to enjoy them for themselves alone. From week to week I looked forward to them with an eagerness that I would hardly confess, even to myself.

And such letters as they were, growing longer and fuller and freer as time went on—such wise, witty, brilliant, pungent letters, stimulating all my torpid life into tingling zest! I had begun to look abroad in my small world for worthy work and found plenty to do. My unknown friend evidently kept track of my expanding efforts, for he commented and criticized, encouraged and advised freely. There was a humour in his letters that I liked; it leavened them with its sanity and reacted on me most wholesomely, counteracting many of the morbid tendencies and influences of my life. I found myself striving to live up to the writer's ideal of philosophy and ambition, as pictured, often unconsciously, in his letters.

They were an intellectual stimulant as well. To understand them fully I found it necessary to acquaint myself thoroughly with the literature and art, the science and the politics they touched upon. After every letter there was something new for me to hunt out and learn and assimilate, until my old narrow mental attitude had so broadened and deepened, sweeping out into circles of thought I had never known or imagined, that I hardly knew myself.

They had been coming for a year before I began to reply to them. I had often wished to do so—there were so many things I wanted to say and discuss, but it seemed foolish to write letters that could not be sent. One day a letter came that kindled my imagination and stirred my heart and soul so deeply that they insistently demanded answering expression. I sat down at my desk and wrote a full reply to it. Safe in the belief that the mysterious friend to whom it was written would never see it, I wrote with a perfect freedom and a total lack of self-consciousness that I could never have attained otherwise. The writing of that letter gave me a pleasure second only to that which the reading of his brought. For the first time I discovered the delight of revealing my thought unhindered by the conventions. Also, I understood better why the writer of those letters had written them. Doubtless he had enjoyed doing so and was not impelled thereto simply by a purely philanthropic wish to help me.

When my letter was finished I sealed it up and locked it away in my desk with a smile at my middle-aged folly. What, I wondered, would all my sedate, serious friends, my associates of mission and hospital committees think if they knew. Well, everybody has, or should have, a pet nonsense in her life. I did not think mine was any sillier than some others I knew, and to myself I admitted that it was very sweet. I knew if those letters ceased to come all savour would go out of my life.

After that I wrote a reply to every letter I received and kept them all locked up together. It was delightful. I wrote out all my doings and perplexities and hopes and plans and wishes—yes, and my dreams. The secret romance of it all made me look on existence with joyous, contented eyes.

Gradually a change crept over the letters I received. Without ever affording the slightest clue to the identity of their writer they grew more intimate and personal. A subtle, caressing note of tenderness breathed from them and thrilled my heart curiously. I felt as if I were being drawn into the writer's life, admitted into the most sacred recesses of his thoughts and feelings. Yet it was all done so subtly, so delicately, that I was unconscious of the change until I discovered it in reading over the older letters and comparing them with the later ones.

Finally a letter came—my first love letter, and surely never was a love letter received under stranger circumstances. It began abruptly as all the letters had begun, plunging into the middle of the writer's strain of thought without any preface. The first words drove the blood to my heart and then sent it flying hotly all over my face.

I love you. I must say it at last. Have you not guessed it before? It has trembled on my pen in every line I have written to you—yet I have never dared to shape it into words before. I know not how I dare now. I only know that I must. What a delight to write it out and know that you will read it. Tonight the mood is on me to tell it to you recklessly and lavishly, never pausing to stint or weigh words. Sweetheart, I love you—love you—love you—dear true, faithful woman soul, I love you with all the heart of a man.

Ever since I first saw you I have loved you. I can never come to tell you so in spoken words; I can only love you from afar and tell my love under the guise of impersonal friendship. It matters not to you, but it matters more than all else in life to me. I am glad that I love you, dear—glad, glad, glad.

There was much more, for it was a long letter. When I had read it I buried my burning face in my hands, trembling with happiness. This strange confession of love meant so much to me; my heart leaped forth to meet it with answering love. What mattered it that we could never meet—that I could not even guess who my lover was? Somewhere in the world was a love that was mine alone and mine wholly and mine forever. What mattered his name or his station, or the mysterious barrier between us? Spirit leaped to spirit unhindered over the fettering bounds of matter and time. I loved and was beloved. Nothing else mattered.

I wrote my answer to his letter. I wrote it fearlessly and unstintedly. Perhaps I could not have written so freely if the letter were to have been read by him; as it was, I poured out the riches of my love as fully as he had done. I kept nothing back, and across the gulf between us I vowed a faithful and enduring love in response to his.

The next day I went to town on business with my lawyers. Neither of the members of the firm was in when I called, but I was an old client, and one of the clerks showed me into the private office to wait. As I sat down my eyes fell on a folded letter lying on the table beside me. With a shock of surprise I recognized the writing. I could not be mistaken—I should have recognized it anywhere.

The letter was lying by its envelope, so folded that only the middle third of the page was visible. An irresistible impulse swept over me. Before I could reflect that I had no business to touch the letter, that perhaps it was unfair to my unknown friend to seek to discover his identity when he wished to hide it, I had turned the letter over and seen the signature.

I laid it down again and stood up, dizzy, breathless, unseeing. Like a woman in a dream I walked through the outer office and into the street. I must have walked on for blocks before I became conscious of my surroundings. The name I had seen signed to that letter was Alan Fraser!

No doubt the reader has long ago guessed it—has wondered why I had not. The fact remains that I had not. Out of the whole world Alan Fraser was the last man whom I should have suspected to be the writer of those letters—Alan Fraser, my hereditary enemy, who, I had been told, cherished the old feud so faithfully and bitterly, and hated our very name.

And yet I now wondered at my long blindness. No one else could have written those letters—no one but him. I read them over one by one when I reached home and, now that I possessed the key, he revealed himself in every line, expression, thought. And he loved me!

I thought of the old feud and hatred; I thought of my pride and traditions. They seemed like the dust and ashes of outworn things—things to be smiled at and cast aside. I took out all the letters I had written—all except the last one—sealed them up in a parcel and directed it to Alan Fraser. Then, summoning my groom, I bade him ride to Glenellyn with it. His look of amazement almost made me laugh, but after he was gone I felt dizzy and frightened at my own daring.

When the autumn darkness came down I went to my room and dressed as the woman dresses who awaits the one man of all the world. I hardly knew what I hoped or expected, but I was all athrill with a nameless, inexplicable happiness. I admit I looked very eagerly into the mirror when I was done, and I thought that the result was not unpleasing. Beauty had never been mine, but a faint reflection of it came over me in the tremulous flush and excitement of the moment. Then the maid came up to tell me that Alan Fraser was in the library.

I went down with my cold hands tightly clasped behind me. He was standing by the library table, a tall, broad-shouldered man, with the light striking upward on his dark, sensitive face and iron-grey hair. When he saw me he came quickly forward.

"So you know—and you are not angry—your letters told me so much. I have loved you since that day in the beech wood, Isobel—Isobel."

His eyes were kindling into mine. He held my hands in a close, impetuous clasp. His voice was infinitely caressing as he pronounced my name. I had never heard it since Father died—I had never heard it at all so musically and tenderly uttered. My ancestors might have turned in their graves just then—but it mattered not. Living love had driven out dead hatred.

"Isobel," he went on, "there was one letter unanswered—the last."

I went to my desk, took out the last letter I had written and gave it to him in silence. While he read it I stood in a shadowy corner and watched him, wondering if life could always be as sweet as this. When he had finished he turned to me and held out his arms. I went to them as a bird to her nest, and with his lips against mine the old feud was blotted out forever.



The Life-Book of Uncle Jesse

Uncle Jesse! The name calls up the vision of him as I saw him so often in those two enchanted summers at Golden Gate; as I saw him the first time, when he stood in the open doorway of the little low-eaved cottage on the harbour shore, welcoming us to our new domicile with the gentle, unconscious courtesy that became him so well. A tall, ungainly figure, somewhat stooped, yet suggestive of great strength and endurance; a clean-shaven old face deeply lined and bronzed; a thick mane of iron-grey hair falling quite to his shoulders; and a pair of remarkably blue, deep-set eyes, which sometimes twinkled and sometimes dreamed, but oftener looked out seaward with a wistful question in them, as of one seeking something precious and lost. I was to learn one day what it was for which Uncle Jesse looked.

It cannot be denied that Uncle Jesse was a homely man. His spare jaws, rugged mouth, and square brow were not fashioned on the lines of beauty, but though at first sight you thought him plain you never thought anything more about it—the spirit shining through that rugged tenement beautified it so wholly.

Uncle Jesse was quite keenly aware of his lack of outward comeliness and lamented it, for he was a passionate worshipper of beauty in everything. He told Mother once that he'd rather like to be made over again and made handsome.

"Folks say I'm good," he remarked whimsically, "but I sometimes wish the Lord had made me only half as good and put the rest of it into looks. But I reckon He knew what He was about, as a good Captain should. Some of us have to be homely or the purty ones—like Miss Mary there—wouldn't show up so well."

I was not in the least pretty but Uncle Jesse was always telling me I was—and I loved him for it. He told the fib so prettily and sincerely that he almost made me believe it for the time being, and I really think he believed it himself. All women were lovely and of good report in his eyes, because of one he had loved. The only time I ever saw Uncle Jesse really angered was when someone in his hearing cast an aspersion on the character of a shore girl. The wretched man who did it fairly cringed when Uncle Jesse turned on him with lightning of eye and thundercloud of brow. At that moment I no longer found it hard to reconcile Uncle Jesse's simple, kindly personality with the wild, adventurous life he had lived.

We went to Golden Gate in the spring. Mother's health had not been good and her doctor recommended sea air and quiet. Uncle James, when he heard it, proposed that we take possession of a small cottage at Golden Gate, to which he had recently fallen heir by the death of an old aunt who had lived in it.

"I haven't been up to see it," he said, "but it is just as Aunt Elizabeth left it and she was the pink of neatness. The key is in the possession of an old sailor living nearby—Jesse Boyd is the name, I think. I imagine you can be very comfortable in it. It is built right on the harbour shore, inside the bar, and it is within five minutes' walk of the outside shore."

Uncle James's offer fitted in very opportunely with our limp family purse, and we straightway betook ourselves to Golden Gate. We telegraphed to Jesse Boyd to have the house opened for us and, one crisp spring day, when a rollicking wind was scudding over the harbour and the dunes, whipping the water into white caps and washing the sandshore with long lines of silvery breakers, we alighted at the little station and walked the half mile to our new home, leaving our goods and chattels to be carted over in the evening by an obliging station agent's boy.

* * * * *

Our first glimpse of Aunt Elizabeth's cottage was a delight to soul and sense; it looked so like a big grey seashell stranded on the shore. Between it and the harbour was only a narrow strip of shingle, and behind it was a gnarled and battered fir wood where the winds were in the habit of harping all sorts of weird and haunting music. Inside, it was to prove even yet more quaint and delightful, with its low, dark-beamed ceilings and square, deep-set windows by which, whether open or shut, sea breezes entered at their own sweet will. The view from our door was magnificent, taking in the big harbour and sweeps of purple hills beyond. The entrance of the harbour gave it its name—a deep, narrow channel between the bar of sand dunes on the one side and a steep, high, frowning red sandstone cliff on the other. We appreciated its significance the first time we saw a splendid golden sunrise flooding it, coming out of the wonderful sea and sky beyond and billowing through that narrow passage in waves of light. Truly, it was a golden gate through which one might sail to "faerie lands forlorn."

As we went along the path to our little house we were agreeably surprised to see a blue spiral of smoke curling up from its big, square chimney, and the next moment Uncle Jesse (we were calling him Uncle Jesse half an hour after we met him, so it seems scarcely worthwhile to begin with anything else) came to the door.

"Welcome, ladies," he said, holding out a big, hard, but scrupulously clean hand. "I thought you'd be feeling a bit tired and hungry, maybe, so when I came over to open up I put on a fire and brewed you up a cup of tea. I just delight in being neighbourly and 'tain't often I have the chance."

We found that Uncle Jesse's "cup of tea" meant a veritable spread. He had aired the little dining room, set out the table daintily with Aunt Elizabeth's china and linen—"knowed jest where to put my hands on 'em—often and often helped old Miss Kennedy wash 'em. We were cronies, her and me. I miss her terrible"—and adorned it with mayflowers which, as we afterwards discovered, he had tramped several miles to gather. There was good bread and butter, "store" biscuits, a dish of tea fit for the gods on high Olympus, and a platter of the most delicious sea trout, done to a turn.

"Thought they'd be tasty after travelling," said Uncle Jesse. "They're fresh as trout can be, ma'am. Two hours ago they was swimming in Johnson's pond yander. I caught 'em—yes, ma'am. It's about all I'm good for now, catching trout and cod occasional. But 'tweren't always so—not by no manner of means. I used to do other things, as you'd admit if you saw my life-book."

I was so hungry and tired that I did not then "rise to the bait" of Uncle Jesse's "life-book." I simply wanted to begin on those trout. Mother insisted that Uncle Jesse sit down and help us eat the repast he had prepared, and he assented without undue coaxing.

"Thank ye kindly. 'Twill be a real treat. I mostly has to eat my meals alone, with the reflection of my ugly old phiz in a looking glass opposite for company. 'Tisn't often I have the chance to sit down with two such sweet purty ladies."

Uncle Jesse's compliments look bald enough on paper, but he paid them with such gracious, gentle deference of tone and look that the woman who received them felt that she was being offered a queen's gift in kingly fashion.

He broke bread with us and from that moment we were all friends together and forever. After we had eaten all we could, we sat at our table for an hour and listened to Uncle Jesse telling us stories of his life.

"If I talk too much you must jest check me," he said seriously, but with a twinkle in his eyes. "When I do get a chance to talk to anyone I'm apt to run on terrible."

He had been a sailor from the time he was ten years old, and some of his adventures had such a marvellous edge that I secretly wondered if Uncle Jesse were not drawing a rather long bow at our credulous expense. But in this, as I found later, I did him injustice. His tales were all literally true, and Uncle Jesse had the gift of the born story-teller, whereby "unhappy, far-off things" can be brought vividly before the hearer and made to live again in all their pristine poignancy.

Mother and I laughed and shivered over Uncle Jesse's tales, and once we found ourselves crying. Uncle Jesse surveyed our tears with pleasure shining out through his face like an illuminating lamp.

"I like to make folks cry that way," he remarked. "It's a compliment. But I can't do justice to the things I've seen and helped do. I've got 'em all jotted down in my life-book but I haven't got the knack of writing them out properly. If I had, I could make a great book, if I had the knack of hitting on just the right words and stringing everything together proper on paper. But I can't. It's in this poor human critter," Uncle Jesse patted his breast sorrowfully, "but he can't get it out."

When Uncle Jesse went home that evening Mother asked him to come often to see us.

"I wonder if you'd give that invitation if you knew how likely I'd be to accept it," he remarked whimsically.

"Which is another way of saying you wonder if I meant it," smiled Mother. "I do, most heartily and sincerely."

"Then I'll come. You'll likely be pestered with me at any hour. And I'd be proud to have you drop over to visit me now and then too. I live on that point yander. Neither me nor my house is worth coming to see. It's only got one room and a loft and a stovepipe sticking out of the roof for a chimney. But I've got a few little things lying around that I picked up in the queer corners I used to be poking my nose into. Mebbe they'd interest you."

Uncle Jesse's "few little things" turned out to be the most interesting collection of curios I had ever seen. His one neat little living room was full of them—beautiful, hideous or quaint as the case might be, and almost all having some weird or exciting story attached.

Mother and I had a beautiful summer at Golden Gate. We lived the life of two children with Uncle Jesse as a playmate. Our housekeeping was of the simplest description and we spent our hours rambling along the shores, reading on the rocks or sailing over the harbour in Uncle Jesse's trim little boat. Every day we loved the simple-souled, true, manly old sailor more and more. He was as refreshing as a sea breeze, as interesting as some ancient chronicle. We never tired of listening to his stories, and his quaint remarks and comments were a continual delight to us. Uncle Jesse was one of those interesting and rare people who, in the picturesque phraseology of the shore folks, "never speak but they say something." The milk of human kindness and the wisdom of the serpent were mingled in Uncle Jesse's composition in delightful proportions.

One day he was absent all day and returned at nightfall.

"Took a tramp back yander." "Back yander" with Uncle Jesse might mean the station hamlet or the city a hundred miles away or any place between—"to carry Mr. Kimball a mess of trout. He likes one occasional and it's all I can do for a kindness he did me once. I stayed all day to talk to him. He likes to talk to me, though he's an eddicated man, because he's one of the folks that's got to talk or they're miserable, and he finds listeners scarce 'round here. The folks fight shy of him because they think he's an infidel. He ain't that far gone exactly—few men is, I reckon—but he's what you might call a heretic. Heretics are wicked but they're mighty interesting. It's just that they've got sorter lost looking for God, being under the impression that He's hard to find—which He ain't, never. Most of 'em blunder to Him after a while I guess. I don't think listening to Mr. Kimball's arguments is likely to do me much harm. Mind you, I believe what I was brought up to believe. It saves a vast of trouble—and back of it all, God is good. The trouble with Mr. Kimball is, he's a leetle too clever. He thinks he's bound to live up to his cleverness and that it's smarter to thrash out some new way of getting to heaven than to go by the old track the common, ignorant folks is travelling. But he'll get there sometime all right and then he'll laugh at himself."

* * * * *

Nothing ever seemed to put Uncle Jesse out or depress him in any way.

"I've kind of contracted a habit of enjoying things," he remarked once, when Mother had commented on his invariable cheerfulness. "It's got so chronic that I believe I even enjoy the disagreeable things. It's great fun thinking they can't last. 'Old rheumatiz,' I says, when it grips me hard, 'you've got to stop aching sometime. The worse you are the sooner you'll stop, perhaps. I'm bound to get the better of you in the long run, whether in the body or out of the body.'"

Uncle Jesse seldom came to our house without bringing us something, even if it were only a bunch of sweet grass.

"I favour the smell of sweet grass," he said. "It always makes me think of my mother."

"She was fond of it?"

"Not that I knows on. Dunno's she ever saw any sweet grass. No, it's because it has a kind of motherly perfume—not too young, you understand—something kind of seasoned and wholesome and dependable—just like a mother."

Uncle Jesse was a very early riser. He seldom missed a sunrise.

"I've seen all kinds of sunrises come in through that there Gate," he said dreamily one morning when I myself had made a heroic effort at early rising and joined him on the rocks halfway between his house and ours. "I've been all over the world and, take it all in all, I've never seen a finer sight than a summer sunrise out there beyant the Gate. A man can't pick his time for dying, Mary—jest got to go when the Captain gives his sailing orders. But if I could I'd go out when the morning comes in there at the Gate. I've watched it a many times and thought what a thing it would be to pass out through that great white glory to whatever was waiting beyant, on a sea that ain't mapped out on any airthly chart. I think, Mary, I'd find lost Margaret there."

He had already told me the story of "lost Margaret," as he always called her. He rarely spoke of her, but when he did his love for her trembled in every tone—a love that had never grown faint or forgetful. Uncle Jesse was seventy; it was fifty years since lost Margaret had fallen asleep one day in her father's dory and drifted—as was supposed, for nothing was ever known certainly of her fate—across the harbour and out of the Gate, to perish in the black thunder squall that had come up suddenly that long-ago afternoon. But to Uncle Jesse those fifty years were but as yesterday when it is past.

"I walked the shore for months after that," he said sadly, "looking to find her dear, sweet little body, but the sea never gave her back to me. But I'll find her sometime. I wisht I could tell you just how she looked but I can't. I've seen a fine silvery mist hanging over the Gate at sunrise that seemed like her—and then again I've seen a white birch in the woods back yander that made me think of her. She had pale brown hair and a little white face, and long slender fingers like yours, Mary, only browner, for she was a shore girl. Sometimes I wake up in the night and hear the sea calling to me in the old way and it seems as if lost Margaret called in it. And when there's a storm and the waves are sobbing and moaning I hear her lamenting among them. And when they laugh on a gay day it's her laugh—lost Margaret's sweet little laugh. The sea took her from me but some day I'll find her, Mary. It can't keep us apart forever."

I had not been long at Golden Gate before I saw Uncle Jesse's "life-book," as he quaintly called it. He needed no coaxing to show it and he proudly gave it to me to read. It was an old leather-bound book filled with the record of his voyages and adventures. I thought what a veritable treasure trove it would be to a writer. Every sentence was a nugget. In itself the book had no literary merit; Uncle Jesse's charm of story-telling failed him when he came to pen and ink; he could only jot down roughly the outlines of his famous tales, and both spelling and grammar were sadly askew. But I felt that if anyone possessing the gift could take that simple record of a brave, adventurous life, reading between the bald lines the tale of dangers staunchly faced and duties manfully done, a wonderful story might be made from it. Pure comedy and thrilling tragedy were both lying hidden in Uncle Jesse's "life-book," waiting for the touch of the magician's hand to waken the laughter and grief and horror of thousands. I thought of my cousin, Robert Kennedy, who juggled with words in a masterly fashion, but complained that he found it hard to create incidents or characters. Here were both ready to his hand, but Robert was in Japan in the interests of his paper.

In the fall, when the harbour lay black and sullen under November skies, Mother and I went back to town, parting with Uncle Jesse regretfully. We wanted him to visit us in town during the winter but he shook his head.

"It's too far away, Mary. If lost Margaret called me I mightn't hear her there. I must be here when my time comes. It can't be very far off now."

I wrote often to Uncle Jesse through the winter and sent him books and magazines. He enjoyed them but he thought—and truly enough—that none of them came up to his life-book for real interest.

"If my life-book could be took and writ by someone that knowed how, it would beat them holler," he wrote in one of his few letters to me.

In the spring we returned joyfully to Golden Gate. It was as golden as ever and the harbour as blue; the winds still rollicked as gaily and sweetly and the breakers boomed outside the bar as of yore. All was unchanged save Uncle Jesse. He had aged greatly and seemed frail and bent. After he had gone home from his first call on us, Mother cried.

"Uncle Jesse will soon be going to seek lost Margaret," she said.

In June Robert came. I took him promptly over to see Uncle Jesse, who was very much excited when he found that Robert was a "real writing man."

"Robert wants to hear some of your stories, Uncle Jesse," I said. "Tell him the one about the captain who went crazy and imagined he was the Flying Dutchman."

This was Uncle Jesse's best story. It was a compound of humour and horror, and though I had heard it several times, I laughed as heartily and shivered as fearsomely over it as Robert did. Other tales followed; Uncle Jesse told how his vessel had been run down by a steamer, how he had been boarded by Malay pirates, how his ship had caught fire, how he had helped a political prisoner escape from a South American republic. He never said a boastful word, but it was impossible to help seeing what a hero the man had been—brave, true, resourceful, unselfish, skilful. He sat there in his poor little room and made those things live again for us. By a lift of the eyebrow, a twist of the lip, a gesture, a word, he painted some whole scene or character so that we saw it as it was.

Finally, he lent Robert his life-book. Robert sat up all night reading it and came to the breakfast table in great excitement.

"Mary, this is a wonderful book. If I could take it and garb it properly—work it up into a systematic whole and string it on the thread of Uncle Jesse's romance of lost Margaret, it would be the novel of the year. Do you suppose he would let me do it?"

"Let you! I think he would be delighted," I answered.

And he was. He was as excited as a schoolboy over it. At last his cherished dream was to be realized and his life-book given to the world.

"We'll collaborate," said Robert. "You will give the soul and I the body. Oh, we'll write a famous book between us, Uncle Jesse. And we'll get right to work."

Uncle Jesse was a happy man that summer. He looked upon the little back room we gave up to Robert for a study as a sacred shrine. Robert talked everything over with Uncle Jesse but would not let him see the manuscript. "You must wait till it is published," he said. "Then you'll get it all at once in its best shape."

Robert delved into the treasures of the life-book and used them freely. He dreamed and brooded over lost Margaret until she became a vivid reality to him and lived in his pages. As the book progressed it took possession of him and he worked at it with feverish eagerness. He let me read the manuscript and criticize it; and the concluding chapter of the book, which the critics later on were pleased to call idyllic, was modelled after my suggestions, so that I felt as if I had a share in it too.

It was autumn when the book was finished. Robert went back to town, but Mother and I decided to stay at Golden Gate all winter. We loved the spot and, besides, I wished to remain for Uncle Jesse's sake. He was failing all the time, and after Robert went and the excitement of the book-making was past, he failed still more rapidly. His tramping expeditions were over and he seldom went out in his boat. Neither did he talk a great deal. He liked to come over and sit silently for hours at our seaward window, looking out wistfully toward the Gate with his swiftly whitening head leaning on his hand. The only keen interest he still had was in Robert's book. He waited and watched impatiently for its publication.

"I want to live till I see it," he said, "just that long—then I'll be ready to go. He said it would be out in the spring—I must hang on till it comes, Mary."

There were times when I doubted sadly if he would "hang on." As the winter wore away he grew frailer and frailer. But ever he looked forward to the coming of spring and "the book," his book, transformed and glorified.

One day in young April the book came at last. Uncle Jesse had gone to the post office faithfully every day for a month, expecting it, but this day he was too feeble to go and I went for him. The book was there. It was called simply, The Life-Book of Jesse Boyd, and on the title page the names of Robert Kennedy and Jesse Boyd were printed as collaborators.

I shall never forget Uncle Jesse's face as I handed it to him. I came away and left him reading it, oblivious to all else. All night the light burned in his window, and I looked out across the sands to it and pictured the delight of the old man poring over the printed pages whereon his own life was portrayed. I wondered how he would like the ending—the ending I had suggested. I was never to know.

After breakfast I went over to Uncle Jesse's house, taking some little delicacy Mother had cooked for him. It was an exquisite morning, full of delicate spring tints and sounds. The harbour was sparkling and dimpling like a girl, the winds were playing hide and seek roguishly among the stunted firs, and the silver-flashing gulls were soaring over the bar. Beyond the Gate was a shining, wonderful sea.

When I reached the little house on the point I saw the lamp still burning wanly in the window. A quick alarm struck at my heart. Without waiting to knock, I lifted the latch, and entered.

Uncle Jesse was lying on the old sofa by the window, with the book clasped to his heart. His eyes were closed and on his face was a look of the most perfect peace and happiness—the look of one who has long sought and found at last.

We could not know at what hour he had died, but somehow I think he had his wish and went out when the morning came in through the Golden Gate. Out on that shining tide his spirit drifted, over the sunrise sea of pearl and silver, to the haven where lost Margaret waited beyond the storms and calms.



The Little Black Doll

Everybody in the Marshall household was excited on the evening of the concert at the Harbour Light Hotel—everybody, even to Little Joyce, who couldn't go to the concert because there wasn't anybody else to stay with Denise. Perhaps Denise was the most excited of them all—Denise, who was slowly dying of consumption in the Marshall kitchen chamber because there was no other place in the world for her to die in, or anybody to trouble about her. Mrs. Roderick Marshall thought it very good of herself to do so much for Denise. To be sure, Denise was not much bother, and Little Joyce did most of the waiting on her.

At the tea table nothing was talked of but the concert; for was not Madame Laurin, the great French Canadian prima donna, at the hotel, and was she not going to sing? It was the opportunity of a lifetime—the Marshalls would not have missed it for anything. Stately, handsome old Grandmother Marshall was going, and Uncle Roderick and Aunt Isabella, and of course Chrissie, who was always taken everywhere because she was pretty and graceful, and everything that Little Joyce was not.

Little Joyce would have liked to go to the concert, for she was very fond of music; and, besides, she wanted to be able to tell Denise all about it. But when you are shy and homely and thin and awkward, your grandmother never takes you anywhere. At least, such was Little Joyce's belief.

Little Joyce knew quite well that Grandmother Marshall did not like her. She thought it was because she was so plain and awkward—and in part it was. Grandmother Marshall cared very little for granddaughters who did not do her credit. But Little Joyce's mother had married a poor man in the face of her family's disapproval, and then both she and her husband had been inconsiderate enough to die and leave a small orphan without a penny to support her. Grandmother Marshall fed and clothed the child, but who could make anything of such a shy creature with no gifts or graces whatever? Grandmother Marshall had no intention of trying. Chrissie, the golden-haired and pink-cheeked, was Grandmother Marshall's pet.

Little Joyce knew this. She did not envy Chrissie but, oh, how she wished Grandmother Marshall would love her a little, too! Nobody loved her but Denise and the little black doll. And Little Joyce was beginning to understand that Denise would not be in the kitchen chamber very much longer, and the little black doll couldn't tell you she loved you—although she did, of course. Little Joyce had no doubt at all on this point.

Little Joyce sighed so deeply over this thought that Uncle Roderick smiled at her. Uncle Roderick did smile at her sometimes.

"What is the matter, Little Joyce?" he asked.

"I was thinking about my black doll," said Little Joyce timidly.

"Ah, your black doll. If Madame Laurin were to see it, she'd likely want it. She makes a hobby of collecting dolls all over the world, but I doubt if she has in her collection a doll that served to amuse a little girl four thousand years ago in the court of the Pharaohs."

"I think Joyce's black doll is very ugly," said Chrissie. "My wax doll with the yellow hair is ever so much prettier."

"My black doll isn't ugly," cried Little Joyce indignantly. She could endure to be called ugly herself, but she could not bear to have her darling black doll called ugly. In her excitement she upset her cup of tea over the tablecloth. Aunt Isabella looked angry, and Grandmother Marshall said sharply: "Joyce, leave the table. You grow more awkward and careless every day."

Little Joyce, on the verge of tears, crept away and went up the kitchen stairs to Denise to be comforted. But Denise herself had been crying. She lay on her little bed by the low window, where the glow of the sunset was coming in; her hollow cheeks were scarlet with fever.

"Oh! I want so much to hear Madame Laurin sing," she sobbed. "I feel lak I could die easier if I hear her sing just one leetle song. She is Frenchwoman, too, and she sing all de ole French songs—de ole songs my mudder sing long 'go. Oh! I so want to hear Madame Laurin sing."

"But you can't, dear Denise," said Little Joyce very softly, stroking Denise's hot forehead with her cool, slender hand. Little Joyce had very pretty hands, only nobody had ever noticed them. "You are not strong enough to go to the concert. I'll sing for you, if you like. Of course, I can't sing very well, but I'll do my best."

"You sing lak a sweet bird, but you are not Madame Laurin," said Denise restlessly. "It is de great Madame I want to hear. I haf not long to live. Oh, I know, Leetle Joyce—I know what de doctor look lak—and I want to hear Madame Laurin sing 'fore I die. I know it is impossible—but I long for it so—just one leetle song."

Denise put her thin hands over her face and sobbed again. Little Joyce went and sat down by the window, looking out into the white birches. Her heart ached bitterly. Dear Denise was going to die soon—oh, very soon! Little Joyce, wise and knowing beyond her years, saw that. And Denise wanted to hear Madame Laurin sing. It seemed a foolish thing to think of, but Little Joyce thought hard about it; and when she had finished thinking, she got her little black doll and took it to bed with her, and there she cried herself to sleep.

At the breakfast table next morning the Marshalls talked about the concert and the wonderful Madame Laurin. Little Joyce listened in her usual silence; her crying the night before had not improved her looks any. Never, thought handsome Grandmother Marshall, had she appeared so sallow and homely. Really, Grandmother Marshall could not have the patience to look at her. She decided that she would not take Joyce driving with her and Chrissie that afternoon, as she had thought of, after all.

In the forenoon it was discovered that Denise was much worse, and the doctor was sent for. He came, and shook his head, that being really all he could do under the circumstances. When he went away, he was waylaid at the back door by a small gypsy with big, black, serious eyes and long black hair.

"Is Denise going to die?" Little Joyce asked in the blunt, straightforward fashion Grandmother Marshall found so trying.

The doctor looked at her from under his shaggy brows and decided that here was one of the people to whom you might as well tell the truth first as last, because they are bound to have it.

"Yes," he said.

"Soon?"

"Very soon, I'm afraid. In a few days at most."

"Thank you," said Little Joyce gravely.

She went to her room and did something with the black doll. She did not cry, but if you could have seen her face you would have wished she would cry.

After dinner Grandmother Marshall and Chrissie drove away, and Uncle Roderick and Aunt Isabella went away, too. Little Joyce crept up to the kitchen chamber. Denise was lying in an uneasy sleep, with tear stains on her face. Then Little Joyce tiptoed down and sped away to the hotel.

She did not know just what she would say or do when she got there, but she thought hard all the way to the end of the shore road. When she came out to the shore, a lady was sitting alone on a big rock—a lady with a dark, beautiful face and wonderful eyes. Little Joyce stopped before her and looked at her meditatively. Perhaps it would be well to ask advice of this lady.

"If you please," said Little Joyce, who was never shy with strangers, for whose opinion she didn't care at all, "I want to see Madame Laurin at the hotel and ask her to do me a very great favour. Will you tell me the best way to go about seeing her? I shall be much obliged to you."

"What is the favour you want to ask of Madame Laurin?" inquired the lady, smiling.

"I want to ask her if she will come and sing for Denise before she dies—before Denise dies, I mean. Denise is our French girl, and the doctor says she cannot live very long, and she wishes with all her heart to hear Madame Laurin sing. It is very bitter, you know, to be dying and want something very much and not be able to get it."

"Do you think Madame Laurin will go?" asked the lady.

"I don't know. I am going to offer her my little black doll. If she will not come for that, there is nothing else I can do."

A flash of interest lighted up the lady's brown eyes. She bent forward.

"Is it your doll you have in that box? Will you let me see it?"

Little Joyce nodded. Mutely she opened the box and took out the black doll. The lady gave an exclamation of amazed delight and almost snatched it from Little Joyce. It was a very peculiar little doll indeed, carved out of some black polished wood.

"Child, where in the world did you get this?" she cried.

"Father got it out of a grave in Egypt," said Little Joyce. "It was buried with the mummy of a little girl who lived four thousand years ago, Uncle Roderick says. She must have loved her doll very much to have had it buried with her, mustn't she? But she could not have loved it any more than I do."

"And yet you are going to give it away?" said the lady, looking at her keenly.

"For Denise's sake," explained Little Joyce. "I would do anything for Denise because I love her and she loves me. When the only person in the world who loves you is going to die, there is nothing you would not do for her if you could. Denise was so good to me before she took sick. She used to kiss me and play with me and make little cakes for me and tell me beautiful stories."

The lady put the little black doll back in the box. Then she stood up and held out her hand.

"Come," she said. "I am Madame Laurin, and I shall go and sing for Denise."

Little Joyce piloted Madame Laurin home and into the kitchen and up the back stairs to the kitchen chamber—a proceeding which would have filled Aunt Isabella with horror if she had known. But Madame Laurin did not seem to mind, and Little Joyce never thought about it at all. It was Little Joyce's awkward, unMarshall-like fashion to go to a place by the shortest way there, even if it was up the kitchen stairs.

Madame Laurin stood in the bare little room and looked pityingly at the wasted, wistful face on the pillow.

"This is Madame Laurin, and she is going to sing for you, Denise," whispered Little Joyce.

Denise's face lighted up, and she clasped her hands.

"If you please," she said faintly. "A French song, Madame—de ole French song dey sing long 'go."

Then did Madame Laurin sing. Never had that kitchen chamber been so filled with glorious melody. Song after song she sang—the old folklore songs of the habitant, the songs perhaps that Evangeline listened to in her childhood.

Little Joyce knelt by the bed, her eyes on the singer like one entranced. Denise lay with her face full of joy and rapture—such joy and rapture! Little Joyce did not regret the sacrifice of her black doll—never could regret it, as long as she remembered Denise's look.

"T'ank you, Madame," said Denise brokenly, when Madame ceased. "Dat was so beautiful—de angel, dey cannot sing more sweet. I love music so much, Madame. Leetle Joyce, she sing to me often and often—she sing sweet, but not lak you—oh, not lak you."

"Little Joyce must sing for me," said Madame, smiling, as she sat down by the window. "I always like to hear fresh, childish voices. Will you, Little Joyce?"

"Oh, yes." Little Joyce was quite unembarrassed and perfectly willing to do anything she could for this wonderful woman who had brought that look to Denise's face. "I will sing as well as I can for you. Of course, I can't sing very well and I don't know anything but hymns. I always sing hymns for Denise, although she is a Catholic and the hymns are Protestant. But her priest told her it was all right, because all music was of God. Denise's priest is a very nice man, and I like him. He thought my little black doll—your little black doll—was splendid. I'll sing 'Lead, Kindly Light.' That is Denise's favourite hymn."

Then Little Joyce, slipping her hand into Denise's, began to sing. At the first note Madame Laurin, who had been gazing out of the window with a rather listless smile, turned quickly and looked at Little Joyce with amazed eyes. Delight followed amazement, and when Little Joyce had finished, the great Madame rose impulsively, her face and eyes glowing, stepped swiftly to Little Joyce and took the thin dark face between her gemmed hands.

"Child, do you know what a wonderful voice you have—what a marvellous voice? It is—it is—I never heard such a voice in a child of your age. Mine was nothing to it—nothing at all. You will be a great singer some day—far greater than I—yes. But you must have the training. Where are your parents? I must see them."

"I have no parents," said the bewildered Little Joyce. "I belong to Grandmother Marshall, and she is out driving."

"Then I shall wait until your Grandmother Marshall comes home from her drive," said Madame Laurin decidedly.

Half an hour later a very much surprised old lady was listening to Madame Laurin's enthusiastic statements.

"How is it I have never heard you sing, if you can sing so well?" asked Grandmother Marshall, looking at Little Joyce with something in her eyes that had never been in them before—as Little Joyce instantly felt to the core of her sensitive soul. But Little Joyce hung her head. It had never occurred to her to sing in Grandmother Marshall's presence.

"This child must be trained by-and-by," said Madame Laurin. "If you cannot afford it, Mrs. Marshall, I will see to it. Such a voice must not be wasted."

"Thank you, Madame Laurin," said Grandmother Marshall with a gracious dignity, "but I am quite able to give my granddaughter all the necessary advantages for the development of her gift. And I thank you very much for telling me of it."

Madame Laurin bent and kissed Little Joyce's brown cheek.

"Little gypsy, good-by. But come every day to this hotel to see me. And next summer I shall be back. I like you—because some day you will be a great singer and because today you are a loving, unselfish baby."

"You have forgotten the little black doll, Madame," said Little Joyce gravely.

Madame threw up her hands, laughing. "No, no, I shall not take your little black doll of the four thousand years. Keep it for a mascot. A great singer always needs a mascot. But do not, I command you, take it out of the box till I am gone, for if I were to see it again, I might not be able to resist the temptation. Some day I shall show you my dolls, but there is not such a gem among them."

When Madame Laurin had gone, Grandmother Marshall looked at Little Joyce.

"Come to my room, Joyce. I want to see if we cannot find a more becoming way of arranging your hair. It has grown so thick and long. I had no idea how thick and long. Yes, we must certainly find a better way than that stiff braid. Come!"

Little Joyce, taking Grandmother Marshall's extended hand, felt very happy. She realized that this strange, stately old lady, who never liked little girls unless they were pretty or graceful or clever, was beginning to love her at last.



The Man on the Train

When the telegram came from William George, Grandma Sheldon was all alone with Cyrus and Louise. And Cyrus and Louise, aged respectively twelve and eleven, were not very much good, Grandma thought, when it came to advising what was to be done. Grandma was "all in a flutter, dear, oh dear," as she said.

The telegram said that Delia, William George's wife, was seriously ill down at Green Village, and William George wanted Samuel to bring Grandma down immediately. Delia had always thought there was nobody like Grandma when it came to nursing sick folks.

But Samuel and his wife were both away—had been away for two days and intended to be away for five more. They had driven to Sinclair, twenty miles away, to visit with Mrs. Samuel's folks for a week.

"Dear, oh dear, what shall I do?" said Grandma.

"Go right to Green Village on the evening train," said Cyrus briskly.

"Dear, oh dear, and leave you two alone!" cried Grandma.

"Louise and I will do very well until tomorrow," said Cyrus sturdily. "We will send word to Sinclair by today's mail, and Father and Mother will be home by tomorrow night."

"But I never was on the cars in my life," protested Grandma nervously. "I'm—I'm so frightened to start alone. And you never know what kind of people you may meet on the train."

"You'll be all right, Grandma. I'll drive you to the station, get you your ticket, and put you on the train. Then you'll have nothing to do until the train gets to Green Village. I'll send a telegram to Uncle William George to meet you."

"I shall fall and break my neck getting off the train," said Grandma pessimistically. But she was wondering at the same time whether she had better take the black valise or the yellow, and whether William George would be likely to have plenty of flaxseed in the house.

It was six miles to the station, and Cyrus drove Grandma over in time to catch a train that reached Green Village at nine o'clock.

"Dear, oh dear," said Grandma, "what if William George's folks ain't there to meet me? It's all very well, Cyrus, to say that they will be there, but you don't know. And it's all very well to say not to be nervous because everything will be all right. If you were seventy-five years old and had never set foot on the cars in your life you'd be nervous too, and you can't be sure that everything will be all right. You never know what sort of people you'll meet on the train. I may get on the wrong train or lose my ticket or get carried past Green Village or get my pocket picked. Well, no, I won't do that, for not one cent will I carry with me. You shall take back home all the money you don't need to get my ticket. Then I shall be easier in my mind. Dear, oh dear, if it wasn't that Delia is so seriously ill I wouldn't go one step."

"Oh, you'll be all right, Grandma," assured Cyrus.

He got Grandma's ticket for her and Grandma tied it up in the corner of her handkerchief. Then the train came in and Grandma, clinging closely to Cyrus, was put on it. Cyrus found a comfortable seat for her and shook hands cheerily.