One of Jeffrey's dogs was with him now—the oldest one, with white breast and paws and a tawny coat. He was so old that he was half-blind and rather deaf, but, with one exception, he was the dearest of living creatures to Jeffrey Miller, for Sara Stuart had given him the sprawly, chubby little pup years ago.

They came down the hill together. A group of men were standing on the bridge in the hollow, discussing Colonel Stuart's funeral of the day before. Jeffrey caught Sara's name and paused on the outskirts of the group to listen. Sometimes he thought that if he were lying dead under six feet of turf and Sara Stuart's name were pronounced above him, his heart would give a bound of life.

"Yes, the old kunnel's gone at last," Christopher Jackson was saying. "He took his time dyin', that's sartain. Must be a kind of relief for Sara—she's had to wait on him, hand and foot, for years. But no doubt she'll feel pretty lonesome. Wonder what she'll do?"

"Is there any particular reason for her to do anything?" asked Alec Churchill.

"Well, she'll have to leave Pinehurst. The estate's entailed and goes to her cousin, Charles Stuart."

There were exclamations of surprise from the other men on hearing this. Jeffrey drew nearer, absently patting his dog's head. He had not known it either.

"Oh, yes," said Christopher, enjoying all the importance of exclusive information. "I thought everybody knew that. Pinehurst goes to the oldest male heir. The old kunnel felt it keen that he hadn't a son. Of course, there's plenty of money and Sara'll get that. But I guess she'll feel pretty bad at leaving her old home. Sara ain't as young as she used to be, neither. Let me see—she must be thirty-eight. Well, she's left pretty lonesome."

"Maybe she'll stay on at Pinehurst," said Job Crowe. "It'd only be right for her cousin to give her a home there."

Christopher shook his head.

"No, I understand they're not on very good terms. Sara don't like Charles Stuart or his wife—and I don't blame her. She won't stay there, not likely. Probably she'll go and live in town. Strange she never married. She was reckoned handsome, and had plenty of beaus at one time."

Jeffrey swung out of the group and started homeward with his dog. To stand by and hear Sara Stuart discussed after this fashion was more than he could endure. The men idly watched his tall, erect figure as he went along the valley.

"Queer chap, Jeff," said Alec Churchill reflectively.

"Jeff's all right," said Christopher in a patronizing way. "There ain't a better man or neighbour alive. I've lived next farm to him for thirty years, so I ought to know. But he's queer sartainly—not like other people—kind of unsociable. He don't care for a thing 'cept dogs and reading and mooning round woods and fields. That ain't natural, you know. But I must say he's a good farmer. He's got the best farm in Bayside, and that's a real nice house he put up on it. Ain't it an odd thing he never married? Never seemed to have no notion of it. I can't recollect of Jeff Miller's ever courting anybody. That's another unnatural thing about him."

"I've always thought that Jeff thought himself a cut or two above the rest of us," said Tom Scovel with a sneer. "Maybe he thinks the Bayside girls ain't good enough for him."

"There ain't no such dirty pride about Jeff," pronounced Christopher conclusively. "And the Millers are the best family hereabouts, leaving the kunnel's out. And Jeff's well off—nobody knows how well, I reckon, but I can guess, being his land neighbour. Jeff ain't no fool nor loafer, if he is a bit queer."

Meanwhile, the object of these remarks was striding homeward and thinking, not of the men behind him, but of Sara Stuart. He must go to her at once. He had not intruded on her since her father's death, thinking her sorrow too great for him to meddle with. But this was different. Perhaps she needed the advice or assistance only he could give. To whom else in Bayside could she turn for it but to him, her old friend? Was it possible that she must leave Pinehurst? The thought struck cold dismay to his soul. How could he bear his life if she went away?

He had loved Sara Stuart from childhood. He remembered vividly the day he had first seen her—a spring day, much like this one had been; he, a boy of eight, had gone with his father to the big, sunshiny hill field and he had searched for birds' nests in the little fir copses along the crest while his father plowed. He had so come upon her, sitting on the fence under the pines at the back of Pinehurst—a child of six in a dress of purple cloth. Her long, light brown curls fell over her shoulders and rippled sleekly back from her calm little brow; her eyes were large and greyish blue, straight-gazing and steadfast. To the end of his life the boy was to carry in his heart the picture she made there under the pines.

"Little boy," she had said, with a friendly smile, "will you show me where the mayflowers grow?"

Shyly enough he had assented, and they set out together for the barrens beyond the field, where the arbutus trailed its stars of sweetness under the dusty dead grasses and withered leaves of the old year. The boy was thrilled with delight. She was a fairy queen who thus graciously smiled on him and chattered blithely as they searched for mayflowers in the fresh spring sunshine. He thought it a wonderful thing that it had so chanced. It overjoyed him to give the choicest dusters he found into her slim, waxen little fingers, and watch her eyes grow round with pleasure in them. When the sun began to lower over the beeches she had gone home with her arms full of arbutus, but she had turned at the edge of the pineland and waved her hand at him.

That night, when he told his mother of the little girl he had met on the hill, she had hoped anxiously that he had been "very polite," for the little girl was a daughter of Colonel Stuart, newly come to Pinehurst. Jeffrey, reflecting, had not been certain that he had been polite; "But I am sure she liked me," he said gravely.

A few days later a message came from Mrs. Stuart on the hill to Mrs. Miller in the valley. Would she let her little boy go up now and then to play with Sara? Sara was very lonely because she had no playmates. So Jeff, overjoyed, had gone to his divinity's very home, where the two children played together many a day. All through their childhood they had been fast friends. Sara's parents placed no bar to their intimacy. They had soon concluded that little Jeff Miller was a very good playmate for Sara. He was gentle, well-behaved, and manly.

Sara never went to the district school which Jeff attended; she had her governess at home. With no other boy or girl in Bayside did she form any friendship, but her loyalty to Jeff never wavered. As for Jeff, he worshipped her and would have done anything she commanded. He belonged to her from the day they had hunted arbutus on the hill.

When Sara was fifteen she had gone away to school. Jeff had missed her sorely. For four years he saw her only in the summers, and each year she had seemed taller, statelier, further from him. When she graduated her father took her abroad for two years; then she came home, a lovely, high-bred girl, dimpling on the threshold of womanhood; and Jeffrey Miller was face to face with two bitter facts. One was that he loved her—not with the boy-and-girl love of long ago, but with the love of a man for the one woman in the world; and the other was that she was as far beyond his reach as one of those sunset stars of which she had always reminded him in her pure, clear-shining loveliness.

He looked these facts unflinchingly in the face until he had grown used to them, and then he laid down his course for himself. He loved Sara—and he did not wish to conquer his love, even if it had been possible. It were better to love her, whom he could never win, than to love and be loved by any other woman. His great office in life was to be her friend, humble and unexpectant; to be at hand if she should need him for ever so trifling a service; never to presume, always to be faithful.

Sara had not forgotten her old friend. But their former comradeship was now impossible; they could be friends, but never again companions. Sara's life was full and gay; she had interests in which he had no share; her social world was utterly apart from his; she was of the hill and its traditions, he was of the valley and its people. The democracy of childhood past, there was no common ground on which they might meet. Only one thing Jeffrey had found it impossible to contemplate calmly. Some day Sara would marry—a man who was her equal, who sat at her father's table as a guest. In spite of himself, Jeffrey's heart filled with hot rebellion at the thought; it was like a desecration and a robbery.

But, as the years went by, this thing he dreaded did not happen. Sara did not marry, although gossip assigned her many suitors not unworthy of her. She and Jeffrey were always friends, although they met but seldom. Sometimes she sent him a book; it was his custom to search for the earliest mayflowers and take them to her; once in a long while they met and talked of many things. Jeffrey's calendar from year to year was red-lettered by these small happenings, of which nobody knew, or, knowing, would have cared.

So he and Sara drifted out of youth, together yet apart. Her mother had died, and Sara was the gracious, stately mistress of Pinehurst, which grew quieter as the time went on; the lovers ceased to come, and holiday friends grew few; with the old colonel's failing health the gaieties and lavish entertaining ceased. Jeffrey thought that Sara must often be lonely, but she never said so; she remained sweet, serene, calm-eyed, like the child he had met on the hill. Only, now and then, Jeffrey fancied he saw a shadow on her face—a shadow so faint and fleeting that only the eye of an unselfish, abiding love, made clear-sighted by patient years, could have seen it. It hurt him, that shadow; he would have given anything in his power to have banished it.

And now this long friendship was to be broken. Sara was going away. At first he had thought only of her pain, but now his own filled his heart. How could he live without her? How could he dwell in the valley knowing that she had gone from the hill? Never to see her light shine down on him through the northern gap in the pines at night! Never to feel that perhaps her eyes rested on him now and then as he went about his work in the valley fields! Never to stoop with a glad thrill over the first spring flowers because it was his privilege to take them to her! Jeffrey groaned aloud. No, he could not go up to see her that night; he must wait—he must strengthen himself.

Then his heart rebuked him. This was selfishness; this was putting his own feelings before hers—a thing he had sworn never to do. Perhaps she needed him—perhaps she had wondered why he had not come to offer her such poor service as might be in his power. He turned and went down through the orchard lane, taking the old field-path across the valley and up the hill, which he had traversed so often and so joyfully in boyhood. It was dark now, and a few stars were shining in the silvery sky. The wind sighed among the pines as he walked under them. Sometimes he felt that he must turn back—that his pain was going to master him; then he forced himself to go on.

The old grey house where Sara lived seemed bleak and stricken in the dull light, with its leafless vines clinging to it. There were no lights in it. It looked like a home left soulless.

Jeffrey went around to the garden door and knocked. He had expected the maid to open it, put Sara herself came.

"Why, Jeff," she said, with pleasure in her tones. "I am so glad to see you. I have been wondering why you had not come before."

"I did not think you would want to see me yet," he said hurriedly. "I have thought about you every hour—but I feared to intrude."

"You couldn't intrude," she said gently. "Yes, I have wanted to see you, Jeff. Come into the library."

He followed her into the room where they had always sat in his rare calls. Sara lighted the lamp on the table. As the light shot up she stood clearly revealed in it—a tall, slender woman in a trailing gown of grey. Even a stranger, not knowing her age, would have guessed it to be what it was, yet it would have been hard to say what gave the impression of maturity. Her face was quite unlined—a little pale, perhaps, with more finely cut outlines than those of youth. Her eyes were clear and bright; her abundant brown hair waved back from her face in the same curves that Jeffrey had noted in the purple-gowned child of six, under the pines. Perhaps it was the fine patience and serenity in her face that told her tale of years. Youth can never acquire it.

Her eyes brightened when she saw the mayflowers he carried. She came and took them from him, and her hands touched his, sending a little thrill of joy through him.

"How lovely they are! And the first I have seen this spring. You always bring me the first, don't you, Jeff? Do you remember the first day we spent picking mayflowers together?"

Jeff smiled. Could he forget? But something held him back from speech.

Sara put the flowers in a vase on the table, but slipped one starry pink cluster into the lace on her breast. She came and sat down beside Jeffrey; he saw that her beautiful eyes had been weeping, and that there were lines of pain around her lips. Some impulse that would not be denied made him lean over and take her hand. She left it unresistingly in his clasp.

"I am very lonely now, Jeff," she said sadly. "Father has gone. I have no friends left."

"You have me," said Jeffrey quietly.

"Yes. I shouldn't have said that. You are my friend, I know, Jeff. But, but—I must leave Pinehurst, you know."

"I learned that tonight for the first time," he answered.

"Did you ever come to a place where everything seemed ended—where it seemed that there was nothing—simply nothing—left, Jeff?" she said wistfully. "But, no, it couldn't seem so to a man. Only a woman could fully understand what I mean. That is how I feel now. While I had Father to live for it wasn't so hard. But now there is nothing. And I must go away."

"Is there anything I can do?" muttered Jeffrey miserably. He knew now that he had made a mistake in coming tonight; he could not help her. His own pain had unmanned him. Presently he would say something foolish or selfish in spite of himself.

Sara turned her eyes on him.

"There is nothing anybody can do, Jeff," she said piteously. Her eyes, those clear child-eyes, filled with tears. "I shall be braver—stronger—after a while. But just now I have no strength left. I feel like a lost, helpless child. Oh, Jeff!"

She put her slender hands over her face and sobbed. Every sob cut Jeffrey to the heart.

"Don't—don't, Sara," he said huskily. "I can't bear to see you suffer so. I'd die for you if it would do you any good. I love you—I love you! I never meant to tell you so, but it is the truth. I oughtn't to tell you now. Don't think that I'm trying to take any advantage of your loneliness and sorrow. I know—I have always known—that you are far above me. But that couldn't prevent my loving you—just humbly loving you, asking nothing else. You may be angry with my presumption, but I can't help telling you that I love you. That's all. I just want you to know it."

Sara had turned away her head. Jeffrey was overcome with contrition. Ah, he had no business to speak so—he had spoiled the devotion of years. Who was he that he should have dared to love her? Silence alone had justified his love, and now he had lost that justification. She would despise him. He had forfeited her friendship for ever.

"Are you angry, Sara?" he questioned sadly, after a silence.

"I think I am," said Sara. She kept her stately head averted. "If—if you have loved me, Jeff, why did you never tell me so before?"

"How could I dare?" he said gravely. "I knew I could never win you—that I had no right to dream of you so. Oh, Sara, don't be angry! My love has been reverent and humble. I have asked nothing. I ask nothing now but your friendship. Don't take that from me, Sara. Don't be angry with me."

"I am angry," repeated Sara, "and I think I have a right to be."

"Perhaps so," he said simply, "but not because I have loved you. Such love as mine ought to anger no woman, Sara. But you have a right to be angry with me for presuming to put it into words. I should not have done so—but I could not help it. It rushed to my lips in spite of me. Forgive me."

"I don't know whether I can forgive you for not telling me before," said Sara steadily. "That is what I have to forgive—not your speaking at last, even if it was dragged from you against your will. Did you think I would make you such a very poor wife, Jeff, that you would not ask me to marry you?"

"Sara!" he said, aghast. "I—I—you were as far above me as a star in the sky—I never dreamed—I never hoped——"

"That I could care for you?" said Sara, looking round at last. "Then you were more modest than a man ought to be, Jeff. I did not know that you loved me, or I should have found some way to make you speak out long ago. I should not have let you waste all these years. I've loved you—ever since we picked mayflowers on the hill, I think—ever since I came home from school, I know. I never cared for anyone else—although I tried to, when I thought you didn't care for me. It mattered nothing to me that the world may have thought there was some social difference between us. There, Jeff, you cannot accuse me of not making my meaning plain."

"Sara," he whispered, wondering, bewildered, half-afraid to believe this unbelievable joy. "I'm not half worthy of you—but—but"—he bent forward and put his arm around her, looking straight into her clear, unshrinking eyes. "Sara, will you be my wife?"

"Yes." She said the word clearly and truly. "And I will think myself a proud and happy and honoured woman to be so, Jeff. Oh, I don't shrink from telling you the truth, you see. You mean too much to me for me to dissemble it. I've hidden it for eighteen years because I didn't think you wanted to hear it, but I'll give myself the delight of saying it frankly now."

She lifted her delicate, high-bred face, fearless love shining in every lineament, to his, and they exchanged their first kiss.



Clorinda's Gifts

"It is a dreadful thing to be poor a fortnight before Christmas," said Clorinda, with the mournful sigh of seventeen years.

Aunt Emmy smiled. Aunt Emmy was sixty, and spent the hours she didn't spend in a bed, on a sofa or in a wheel chair; but Aunt Emmy was never heard to sigh.

"I suppose it is worse then than at any other time," she admitted.

That was one of the nice things about Aunt Emmy. She always sympathized and understood.

"I'm worse than poor this Christmas ... I'm stony broke," said Clorinda dolefully. "My spell of fever in the summer and the consequent doctor's bills have cleaned out my coffers completely. Not a single Christmas present can I give. And I did so want to give some little thing to each of my dearest people. But I simply can't afford it ... that's the hateful, ugly truth."

Clorinda sighed again.

"The gifts which money can purchase are not the only ones we can give," said Aunt Emmy gently, "nor the best, either."

"Oh, I know it's nicer to give something of your own work," agreed Clorinda, "but materials for fancy work cost too. That kind of gift is just as much out of the question for me as any other."

"That was not what I meant," said Aunt Emmy.

"What did you mean, then?" asked Clorinda, looking puzzled.

Aunt Emmy smiled.

"Suppose you think out my meaning for yourself," she said. "That would be better than if I explained it. Besides, I don't think I could explain it. Take the beautiful line of a beautiful poem to help you in your thinking out: 'The gift without the giver is bare.'"

"I'd put it the other way and say, 'The giver without the gift is bare,'" said Clorinda, with a grimace. "That is my predicament exactly. Well, I hope by next Christmas I'll not be quite bankrupt. I'm going into Mr. Callender's store down at Murraybridge in February. He has offered me the place, you know."

"Won't your aunt miss you terribly?" said Aunt Emmy gravely.

Clorinda flushed. There was a note in Aunt Emmy's voice that disturbed her.

"Oh, yes, I suppose she will," she answered hurriedly. "But she'll get used to it very soon. And I will be home every Saturday night, you know. I'm dreadfully tired of being poor, Aunt Emmy, and now that I have a chance to earn something for myself I mean to take it. I can help Aunt Mary, too. I'm to get four dollars a week."

"I think she would rather have your companionship than a part of your salary, Clorinda," said Aunt Emmy. "But of course you must decide for yourself, dear. It is hard to be poor. I know it. I am poor."

"You poor!" said Clorinda, kissing her. "Why, you are the richest woman I know, Aunt Emmy—rich in love and goodness and contentment."

"And so are you, dearie ... rich in youth and health and happiness and ambition. Aren't they all worth while?"

"Of course they are," laughed Clorinda. "Only, unfortunately, Christmas gifts can't be coined out of them."

"Did you ever try?" asked Aunt Emmy. "Think out that question, too, in your thinking out, Clorinda."

"Well, I must say bye-bye and run home. I feel cheered up—you always cheer people up, Aunt Emmy. How grey it is outdoors. I do hope we'll have snow soon. Wouldn't it be jolly to have a white Christmas? We always have such faded brown Decembers."

Clorinda lived just across the road from Aunt Emmy in a tiny white house behind some huge willows. But Aunt Mary lived there too—the only relative Clorinda had, for Aunt Emmy wasn't really her aunt at all. Clorinda had always lived with Aunt Mary ever since she could remember.

Clorinda went home and upstairs to her little room under the eaves, where the great bare willow boughs were branching athwart her windows. She was thinking over what Aunt Emmy had said about Christmas gifts and giving.

"I'm sure I don't know what she could have meant," pondered Clorinda. "I do wish I could find out if it would help me any. I'd love to remember a few of my friends at least. There's Miss Mitchell ... she's been so good to me all this year and helped me so much with my studies. And there's Mrs. Martin out in Manitoba. If I could only send her something! She must be so lonely out there. And Aunt Emmy herself, of course; and poor old Aunt Kitty down the lane; and Aunt Mary and, yes—Florence too, although she did treat me so meanly. I shall never feel the same to her again. But she gave me a present last Christmas, and so out of mere politeness I ought to give her something."

Clorinda stopped short suddenly. She had just remembered that she would not have liked to say that last sentence to Aunt Emmy. Therefore, there was something wrong about it. Clorinda had long ago learned that there was sure to be something wrong in anything that could not be said to Aunt Emmy. So she stopped to think it over.

Clorinda puzzled over Aunt Emmy's meaning for four days and part of three nights. Then all at once it came to her. Or if it wasn't Aunt Emmy's meaning it was a very good meaning in itself, and it grew clearer and expanded in meaning during the days that followed, although at first Clorinda shrank a little from some of the conclusions to which it led her.

"I've solved the problem of my Christmas giving for this year," she told Aunt Emmy. "I have some things to give after all. Some of them quite costly, too; that is, they will cost me something, but I know I'll be better off and richer after I've paid the price. That is what Mr. Grierson would call a paradox, isn't it? I'll explain all about it to you on Christmas Day."

On Christmas Day, Clorinda went over to Aunt Emmy's. It was a faded brown Christmas after all, for the snow had not come. But Clorinda did not mind; there was such joy in her heart that she thought it the most delightful Christmas Day that ever dawned.

She put the queer cornery armful she carried down on the kitchen floor before she went into the sitting room. Aunt Emmy was lying on the sofa before the fire, and Clorinda sat down beside her.

"I've come to tell you all about it," she said.

Aunt Emmy patted the hand that was in her own.

"From your face, dear girl, it will be pleasant hearing and telling," she said.

Clorinda nodded.

"Aunt Emmy, I thought for days over your meaning ... thought until I was dizzy. And then one evening it just came to me, without any thinking at all, and I knew that I could give some gifts after all. I thought of something new every day for a week. At first I didn't think I could give some of them, and then I thought how selfish I was. I would have been willing to pay any amount of money for gifts if I had had it, but I wasn't willing to pay what I had. I got over that, though, Aunt Emmy. Now I'm going to tell you what I did give.

"First, there was my teacher, Miss Mitchell. I gave her one of father's books. I have so many of his, you know, so that I wouldn't miss one; but still it was one I loved very much, and so I felt that that love made it worth while. That is, I felt that on second thought. At first, Aunt Emmy, I thought I would be ashamed to offer Miss Mitchell a shabby old book, worn with much reading and all marked over with father's notes and pencillings. I was afraid she would think it queer of me to give her such a present. And yet somehow it seemed to me that it was better than something brand new and unmellowed—that old book which father had loved and which I loved. So I gave it to her, and she understood. I think it pleased her so much, the real meaning in it. She said it was like being given something out of another's heart and life.

"Then you know Mrs. Martin ... last year she was Miss Hope, my dear Sunday School teacher. She married a home missionary, and they are in a lonely part of the west. Well, I wrote her a letter. Not just an ordinary letter; dear me, no. I took a whole day to write it, and you should have seen the postmistress's eyes stick out when I mailed it. I just told her everything that had happened in Greenvale since she went away. I made it as newsy and cheerful and loving as I possibly could. Everything bright and funny I could think of went into it.

"The next was old Aunt Kitty. You know she was my nurse when I was a baby, and she's very fond of me. But, well, you know, Aunt Emmy, I'm ashamed to confess it, but really I've never found Aunt Kitty very entertaining, to put it mildly. She is always glad when I go to see her, but I've never gone except when I couldn't help it. She is very deaf, and rather dull and stupid, you know. Well, I gave her a whole day. I took my knitting yesterday, and sat with her the whole time and just talked and talked. I told her all the Greenvale news and gossip and everything else I thought she'd like to hear. She was so pleased and proud; she told me when I came away that she hadn't had such a nice time for years.

"Then there was ... Florence. You know, Aunt Emmy, we were always intimate friends until last year. Then Florence once told Rose Watson something I had told her in confidence. I found it out and I was so hurt. I couldn't forgive Florence, and I told her plainly I could never be a real friend to her again. Florence felt badly, because she really did love me, and she asked me to forgive her, but it seemed as if I couldn't. Well, Aunt Emmy, that was my Christmas gift to her ... my forgiveness. I went down last night and just put my arms around her and told her that I loved her as much as ever and wanted to be real close friends again.

"I gave Aunt Mary her gift this morning. I told her I wasn't going to Murraybridge, that I just meant to stay home with her. She was so glad—and I'm glad, too, now that I've decided so."

"Your gifts have been real gifts, Clorinda," said Aunt Emmy. "Something of you—the best of you—went into each of them."

Clorinda went out and brought her cornery armful in.

"I didn't forget you, Aunt Emmy," she said, as she unpinned the paper.

There was a rosebush—Clorinda's own pet rosebush—all snowed over with fragrant blossoms.

Aunt Emmy loved flowers. She put her finger under one of the roses and kissed it.

"It's as sweet as yourself, dear child," she said tenderly. "And it will be a joy to me all through the lonely winter days. You've found out the best meaning of Christmas giving, haven't you, dear?"

"Yes, thanks to you, Aunt Emmy," said Clorinda softly.



Cyrilla's Inspiration

It was a rainy Saturday afternoon and all the boarders at Mrs. Plunkett's were feeling dull and stupid, especially the Normal School girls on the third floor, Cyrilla Blair and Carol Hart and Mary Newton, who were known as The Trio, and shared the big front room together.

They were sitting in that front room, scowling out at the weather. At least, Carol and Mary were scowling. Cyrilla never scowled; she was sitting curled up on her bed with her Greek grammar, and she smiled at the rain and her grumbling chums as cheerfully as possible.

"For pity's sake, Cyrilla, put that grammar away," moaned Mary. "There is something positively uncanny about a girl who can study Greek on Saturday afternoons—at least, this early in the term."

"I'm not really studying," said Cyrilla, tossing the book away. "I'm only pretending to. I'm really just as bored and lonesome as you are. But what else is there to do? We can't stir outside the door; we've nothing to read; we can't make candy since Mrs. Plunkett has forbidden us to use the oil stove in our room; we'll probably quarrel all round if we sit here in idleness; so I've been trying to brush up my Greek verbs by way of keeping out of mischief. Have you any better employment to offer me?"

"If it were only a mild drizzle we might go around and see the Patterson girls," sighed Carol. "But there is no venturing out in such a downpour. Cyrilla, you are supposed to be the brainiest one of us. Prove your claim to such pre-eminence by thinking of some brand-new amusement, especially suited to rainy afternoons. That will be putting your grey matter to better use than squandering it on Greek verbs out of study limits."

"If only I'd got a letter from home today," said Mary, who seemed determined to persist in gloom. "I wouldn't mind the weather. Letters are such cheery things:—especially the letters my sister writes. They're so full of fun and nice little news. The reading of one cheers me up for the day. Cyrilla Blair, what is the matter? You nearly frightened me to death!" Cyrilla had bounded from her bed to the centre of the floor, waving her Greek grammar wildly in the air.

"Girls, I have an inspiration!" she exclaimed.

"Good! Let's hear it," said Carol.

"Let's write letters—rainy-day letters—to everyone in the house," said Cyrilla. "You may depend all the rest of the folks under Mrs. Plunkett's hospitable roof are feeling more or less blue and lonely too, as well as ourselves. Let's write them the jolliest, nicest letters we can compose and get Nora Jane to take them to their rooms. There's that pale little sewing girl, I don't believe she ever gets letters from anybody, and Miss Marshall, I'm sure she doesn't, and poor old Mrs. Johnson, whose only son died last month, and the new music teacher who came yesterday, a letter of welcome to her—and old Mr. Grant, yes, and Mrs. Plunkett too, thanking her for all her kindness to us. You knew she has been awfully nice to us in spite of the oil stove ukase. That's six—two apiece. Let's do it, girls."

Cyrilla's sudden enthusiasm for her plan infected the others.

"It's a nice idea," said Mary, brightening up. "But who's to write to whom? I'm willing to take anybody but Miss Marshall. I couldn't write a line to her to save my life. She'd be horrified at anything funny or jokey and our letters will have to be mainly nonsense—nonsense of the best brand, to be sure, but still nonsense."

"Better leave Miss Marshall out," suggested Carol. "You know she disapproves of us anyhow. She'd probably resent a letter of the sort, thinking we were trying to play some kind of joke on her."

"It would never do to leave her out," said Cyrilla decisively. "Of course, she's a bit queer and unamiable, but, girls, think of thirty years of boarding-house life, even with the best of Plunketts. Wouldn't that sour anybody? You know it would. You'd be cranky and grumbly and disagreeable too, I dare say. I'm really sorry for Miss Marshall. She's had a very hard life. Mrs. Plunkett told me all about her one day. I don't think we should mind her biting little speeches and sharp looks. And anyway, even if she is really as disagreeable as she sometimes seems to be, why, it must make it all the harder for her, don't you think? So she needs a letter most of all. I'll write to her, since it's my suggestion. We'll draw lots for the others."

Besides Miss Marshall, the new music teacher fell to Cyrilla's share. Mary drew Mrs. Plunkett and the dressmaker, and Carol drew Mrs. Johnson and old Mr. Grant. For the next two hours the girls wrote busily, forgetting all about the rainy day, and enjoying their epistolary labours to the full. It was dusk when all the letters were finished.

"Why, hasn't the afternoon gone quickly after all!" exclaimed Carol. "I just let my pen run on and jotted down any good working idea that came into my head. Cyrilla Blair, that big fat letter is never for Miss Marshall! What on earth did you find to write her?"

"It wasn't so hard when I got fairly started," said Cyrilla, smiling. "Now, let's hunt up Nora Jane and send the letters around so that everybody can read his or hers before tea-time. We should have a choice assortment of smiles at the table instead of all those frowns and sighs we had at dinner." Miss Emily Marshall was at that moment sitting in her little back room, all alone in the dusk, with the rain splashing drearily against the windowpanes outside. Miss Marshall was feeling as lonely and dreary as she looked—and as she had often felt in her life of sixty years. She told herself bitterly that she hadn't a friend in the world—not even one who cared enough for her to come and see her or write her a letter now and then. She thought her boarding-house acquaintances disliked her and she resented their dislike, without admitting to herself that her ungracious ways were responsible for it. She smiled sourly when little ripples of laughter came faintly down the hall from the front room where The Trio were writing their letters and laughing over the fun they were putting into them.

"If they were old and lonesome and friendless they wouldn't see much in life to laugh at, I guess," said Miss Marshall bitterly, drawing her shawl closer about her sharp shoulders. "They never think of anything but themselves and if a day passes that they don't have 'some fun' they think it's a fearful thing to put up with. I'm sick and tired of their giggling and whispering."

In the midst of these amiable reflections Miss Marshall heard a knock at her door. When she opened it there stood Nora Jane, her broad red face beaming with smiles.

"Please, Miss, here's a letter for you," she said.

"A letter for me!" Miss Marshall shut her door and stared at the fat envelope in amazement. Who could have written it? The postman came only in the morning. Was it some joke, perhaps? Those giggling girls? Miss Marshall's face grew harder as she lighted her lamp and opened the letter suspiciously.

"Dear Miss Marshall," it ran in Cyrilla's pretty girlish writing, "we girls are so lonesome and dull that we have decided to write rainy-day letters to everybody in the house just to cheer ourselves up. So I'm going to write to you just a letter of friendly nonsense."

Pages of "nonsense" followed, and very delightful nonsense it was, for Cyrilla possessed the happy gift of bright and easy letter-writing. She commented wittily on all the amusing episodes of the boarding-house life for the past month; she described a cat-fight she had witnessed from her window that morning and illustrated it by a pen-and-ink sketch of the belligerent felines; she described a lovely new dress her mother had sent her from home and told all about the class party to which she had worn it; she gave an account of her vacation camping trip to the mountains and pasted on one page a number of small snapshots taken during the outing; she copied a joke she had read in the paper that morning and discussed the serial story in the boarding-house magazine which all the boarders were reading; she wrote out the directions for a new crocheted tidy her sister had made—Miss Marshall had a mania for crocheting; and she finally wound up with "all the good will and good wishes that Nora Jane will consent to carry from your friend, Cyrilla Blair."

Before Miss Marshall had finished reading that letter she had cried three times and laughed times past counting. More tears came at the end—happy, tender tears such as Miss Marshall had not shed for years. Something warm and sweet and gentle seemed to thrill to life within her heart. So those girls were not such selfish, heedless young creatures as she had supposed! How kind it had been in Cyrilla Blair to think of her and write so to her. She no longer felt lonely and neglected. Her whole sombre world had been brightened to sunshine by that merry friendly letter.

Mrs. Plunkett's table was surrounded by a ring of smiling faces that night. Everybody seemed in good spirits in spite of the weather. The pale little dressmaker, who had hardly uttered a word since her arrival a week before, talked and laughed quite merrily and girlishly, thanking Cyrilla unreservedly for her "jolly letter." Old Mr. Grant did not grumble once about the rain or the food or his rheumatism and he told Carol that she might be a good letter writer in time if she looked after her grammar more carefully—which, from Mr. Grant, was high praise. All the others declared that they were delighted with their letters—all except Miss Marshall. She said nothing but later on, when Cyrilla was going upstairs, she met Miss Marshall in the shadows of the second landing.

"My dear," said Miss Marshall gently, "I want to thank you for your letter, I don't think you can realize just what it has meant to me. I was so—so lonely and tired and discouraged. It heartened me right up. I—I know you have thought me a cross and disagreeable person. I'm afraid I have been, too. But—but—I shall try to be less so in future. If I can't succeed all at once don't mind me because, under it all, I shall always be your friend. And I mean to keep your letter and read it over every time I feel myself getting bitter and hard again." "Dear Miss Marshall, I'm so glad you liked it," said Cyrilla frankly. "We're all your friends and would be glad to be chummy with you. Only we thought perhaps we bothered you with our nonsense."

"Come and see me sometimes," said Miss Marshall with a smile. "I'll try to be 'chummy'—perhaps I'm not yet too old to learn the secret of friendliness. Your letter has made me think that I have missed much in shutting all young life out from mine as I have done. I want to reform in this respect if I can."

When Cyrilla reached the front room she found Mrs. Plunkett there.

"I've just dropped in, Miss Blair," said that worthy woman, "to say that I dunno as I mind your making candy once in a while if you want to. Only do be careful not to set the place on fire. Please be particularly careful not to set it on fire."

"We'll try," promised Cyrilla with dancing eyes. When the door closed behind Mrs. Plunkett the three girls looked at each other.

"Cyrilla, that idea of yours was a really truly inspiration," said Carol solemnly.

"I believe it was," said Cyrilla, thinking of Miss Marshall.



Dorinda's Desperate Deed

Dorinda had been home for a whole wonderful week and the little Pages were beginning to feel acquainted with her. When a girl goes away when she is ten and doesn't come back until she is fifteen, it is only to be expected that her family should regard her as somewhat of a stranger, especially when she is really a Page, and they are really all Carters except for the name. Dorinda had been only ten when her Aunt Mary—on the Carter side—had written to Mrs. Page, asking her to let Dorinda come to her for the winter.

Mrs. Page, albeit she was poor—nobody but herself knew how poor—and a widow with five children besides Dorinda, hesitated at first. She was afraid, with good reason, that the winter might stretch into other seasons; but Mary had lost her own only little girl in the summer, and Mrs. Page shuddered at the thought of what her loneliness must be. So, to comfort her, Mrs. Page had let Dorinda go, stipulating that she must come home in the spring. In the spring, when Dorinda's bed of violets was growing purple under the lilac bush, Aunt Mary wrote again. Dorinda was contented and happy, she said. Would not Emily let her stay for the summer? Mrs. Page cried bitterly over that letter and took sad counsel with herself. To let Dorinda stay with her aunt for the summer really meant, she knew, to let her stay altogether. Mrs. Page was finding it harder and harder to get along; there was so little and the children needed so much; Dorinda would have a good home with her Aunt Mary if she could only prevail on her rebellious mother heart to give her up. In the end she agreed to let Dorinda stay for the summer—and Dorinda had never been home since.

But now Dorinda had come back to the little white house on the hill at Willowdale, set back from the road in a smother of apple trees and vines. Aunt Mary had died very suddenly and her only son, Dorinda's cousin, had gone to Japan. There was nothing for Dorinda to do save to come home, to enter again into her old unfilled place in her mother's heart, and win a new place in the hearts of the brothers and sisters who barely remembered her at all. Leicester had been nine and Jean seven when Dorinda went away; now they were respectively fourteen and twelve.

At first they were a little shy with this big, practically brand-new sister, but this soon wore off. Nobody could be shy long with Dorinda; nobody could help liking her. She was so brisk and jolly and sympathetic—a real Page, so everybody said—while the brothers and sisters were Carter to their marrow; Carters with fair hair and blue eyes, and small, fine, wistful features; but Dorinda had merry black eyes, plump, dusky-red cheeks, and a long braid of glossy dark hair, which was perpetually being twitched from one shoulder to another as Dorinda whisked about the house on domestic duties intent.

In a week Dorinda felt herself one of the family again, with all the cares and responsibilities thereof resting on her strong young shoulders. Dorinda and her mother talked matters out fully one afternoon over their sewing, in the sunny south room where the winds got lost among the vines halfway through the open window. Mrs. Page sighed and said she really did not know what to do. Dorinda did not sigh; she did not know just what to do either, but there must be something that could be done—there is always something that can be done, if one can only find it. Dorinda sewed hard and pursed up her red lips determinedly.

"Don't you worry, Mother Page," she said briskly. "We'll be like that glorious old Roman who found a way or made it. I like overcoming difficulties. I've lots of old Admiral Page's fighting blood in me, you know. The first step is to tabulate just exactly what difficulties among our many difficulties must be ravelled out first—the capital difficulties, as it were. Most important of all comes—"

"Leicester," said Mrs. Page.

Dorinda winked her eyes as she always did when she was doubtful.

"Well, I knew he was one of them, but I wasn't going to put him the very first. However, we will. Leicester's case stands thus. He is a pretty smart boy—if he wasn't my brother, I'd say he was a very smart boy. He has gone as far in his studies as Willowdale School can take him, has qualified for entrance into the Blue Hill Academy, wants to go there this fall and begin the beginnings of a college course. Well, of course, Mother Page, we can't send Leicester to Blue Hill any more than we can send him to the moon."

"No," mourned Mrs. Page, "and the poor boy feels so badly over it. His heart is set on going to college and being a doctor like his father. He believes he could work his way through, if he could only get a start. But there isn't any chance. And I can't afford to keep him at school any longer. He is going into Mr. Churchill's store at Willow Centre in the fall. Mr. Churchill has very kindly offered him a place. Leicester hates the thought of it—I know he does, although he never says so."

"Next to Leicester's college course we want—"

"Music lessons for Jean."

Dorinda winked again.

"Are music lessons for Jean really a difficulty?" she said. "That is, one spelled with a capital?"

"Oh, yes, Dorinda dear. At least, I'm worried over it. Jean loves music so, and she has never had anything, poor child, not even as much school as she ought to have had. I've had to keep her home so much to help me with the work. She has been such a good, patient little girl too, and her heart is set on music lessons."

"Well, she must have them then—after we get Leicester's year at the academy for him. That's two. The third is a new—"

"The roof must be shingled this fall," said Mrs. Page anxiously. "It really must, Dorinda. It is no better than a sieve. We are nearly drowned every time it rains. But I don't know where the money to do it is going to come from."

"Shingles for the roof, three," said Dorinda, as if she were carefully jotting down something in a mental memorandum. "And fourth—now, Mother Page, I will have my say this time—fourthly, biggest capital of all, a Nice, New Dress and a Warm Fur Coat for Mother Page this winter. Yes, yes, you must have them, dearest. It's absolutely necessary. We can wait a year or so for college courses and music lessons to grow; we can set basins under the leaks and borrow some more if we haven't enough. But a new dress and coat for you we must, shall, and will have, however it is to be brought about."

"I wouldn't mind if I never got another new stitch, if I could only manage the other things," said Mrs. Page stoutly. "If your Uncle Eugene would only help us a little, until Leicester got through! He really ought to. But of course he never will."

"Have you ever asked him?" said Dorinda.

"Oh, my dear, no; of course not," said Mrs. Page in a horrified tone, as if Dorinda had asked if she had ever stolen a neighbour's spoons.

"I don't see why you shouldn't," said Dorinda seriously.

"Oh, Dorinda, Uncle Eugene hates us all. He is terribly bitter against us. He would never, never listen to any request for help, even if I could bring myself to make it."

"Mother, what was the trouble between us and Uncle Eugene? I have never known the rights of it. I was too small to understand when I was home before. All I remember is that Uncle Eugene never came to see us or spoke to us when he met us anywhere, and we were all afraid of him somehow. I used to think of him as an ogre who would come creeping up the back stairs after dark and carry me off bodily if I wasn't good. What made him our enemy? And how did he come to get all of Grandfather Page's property when Father got nothing?"

"Well, you know, Dorinda, that your Grandfather Page was married twice. Eugene was his first wife's son, and your father the second wife's. Eugene was a great deal older than your father—he was twenty-five when your father was born. He was always an odd man, even in his youth, and he had been much displeased at his father's second marriage. But he was very fond of your father—whose mother, as you know, died at his birth—and they were good friends and comrades until just before your father went to college. They then quarrelled; the cause of the quarrel was insignificant; with anyone else than Eugene a reconciliation would soon have been effected. But Eugene never was friendly with your father from that time. I think he was jealous of old Grandfather's affection; thought the old man loved your father best. And then, as I have said, he was very eccentric and stubborn. Well, your father went away to college and graduated, and then—we were married. Grandfather Page was very angry with him for marrying me. He wanted him to marry somebody else. He told him he would disinherit him if he married me. I did not know this until we were married. But Grandfather Page kept his word. He sent for a lawyer and had a new will made, leaving everything to Eugene. I think, nay, I am sure, that he would have relented in time, but he died the very next week; they found him dead in his bed one morning, so Eugene got everything; and that is all there is of the story, Dorinda."

"And Uncle Eugene has been our enemy ever since?"

"Yes, ever since. So you see, Dorinda dear, that I cannot ask any favours of Uncle Eugene."

"Yes, I see," said Dorinda understandingly. To herself she added, "But I don't see why I shouldn't."

Dorinda thought hard and long for the next few days about the capital difficulties. She could think of only one thing to do and, despite old Admiral Page's fighting blood, she shrank from doing it. But one night she found Leicester with his head down on his books and—no, it couldn't be tears in his eyes, because Leicester laughed scornfully at the insinuation.

"I wouldn't cry over it, Dorinda; I hope I'm more of a man than that. But I do really feel rather cut up because I've no chance of getting to college. And I hate the thought of going into a store. But I know I must for Mother's sake, and I mean to pitch in and like it in spite of myself when the time comes. Only—only—"

And then Leicester got up and whistled and went to the window and stood with his back to Dorinda.

"That settles it," said Dorinda out loud, as she brushed her hair before the glass that night. "I'll do it."

"Do what?" asked Jean from the bed.

"A desperate deed," said Dorinda solemnly, and that was all she would say.

Next day Mrs. Page and Leicester went to town on business. In the afternoon Dorinda put on her best dress and hat and started out. Admiral Page's fighting blood was glowing in her cheeks as she walked briskly up the hill road, but her heart beat in an odd fashion.

"I wonder if I am a little scared, 'way down deep," said Dorinda. "I believe I am. But I'm going to do it for all that, and the scareder I get the more I'll do it."

Oaklawn, where Uncle Eugene lived, was two miles away. It was a fine old place in beautiful grounds. But Dorinda did not quail before its splendours; nor did her heart fail her, even after she had rung the bell and had been shown by a maid into a very handsome parlour, but it still continued to beat in that queer fashion halfway up her throat.

Presently Uncle Eugene came in, a tall, black-eyed old man, with a fine head of silver hair that should have framed a ruddy, benevolent face, instead of Uncle Eugene's hard-lipped, bushy-browed countenance.

Dorinda stood up, dusky and crimson, with brave, glowing eyes. Uncle Eugene looked at her sharply.

"Who are you?" he said bluntly.

"I am your niece, Dorinda Page," said Dorinda steadily.

"And what does my niece, Dorinda Page, want with me?" demanded Uncle Eugene, motioning to her to sit down and sitting down himself. But Dorinda remained standing. It is easier to fight on your feet.

"I want you to do four things, Uncle Eugene," she said, as calmly as if she were making the most natural and ordinary request in the world. "I want you to lend us the money to send Leicester to Blue Hill Academy; he will pay it back to you when he gets through college. I want you to lend Jean the money for music lessons; she will pay you back when she gets far enough along to give lessons herself. And I want you to lend me the money to shingle our house and get Mother a new dress and fur coat for the winter. I'll pay you back sometime for that, because I am going to set up as a dressmaker pretty soon."

"Anything more?" said Uncle Eugene, when Dorinda stopped.

"Nothing more just now, I think," said Dorinda reflectively.

"Why don't you ask for something for yourself?" said Uncle Eugene.

"I don't want anything for myself," said Dorinda promptly. "Or—yes, I do, too. I want your friendship, Uncle Eugene."

"Be kind enough to sit down," said Uncle Eugene.

Dorinda sat.

"You are a Page," said Uncle Eugene. "I saw that as soon as I came in. I will send Leicester to college and I shall not ask or expect to be paid back. Jean shall have her music lessons, and a piano to practise them on as well. The house shall be shingled, and the money for the new dress and coat shall be forthcoming. You and I will be friends."

"Thank you," gasped Dorinda, wondering if, after all, it wasn't a dream.

"I would have gladly assisted your mother before," said Uncle Eugene, "if she had asked me. I had determined that she must ask me first. I knew that half the money should have been your father's by rights. I was prepared to hand it over to him or his family, if I were asked for it. But I wished to humble his pride, and the Carter pride, to the point of asking for it. Not a very amiable temper, you will say? I admit it. I am not amiable and I never have been amiable. You must be prepared to find me very unamiable. I see that you are waiting for a chance to say something polite and pleasant on that score, but you may save yourself the trouble. I shall hope and expect to have you visit me often. If your mother and your brothers and sisters see fit to come with you, I shall welcome them also. I think that this is all it is necessary to say just now. Will you stay to tea with me this evening?"

Dorinda stayed to tea, since she knew that Jean was at home to attend to matters there. She and Uncle Eugene got on famously. When she left, Uncle Eugene, grim and hard-lipped as ever, saw her to the door.

"Good evening, Niece Dorinda. You are a Page and I am proud of you. Tell your mother that many things in this life are lost through not asking for them. I don't think you are in need of the information for yourself."



Her Own People

The Taunton School had closed for the summer holidays. Constance Foster and Miss Channing went down the long, elm-shaded street together, as they generally did, because they happened to board on the same block downtown.

Constance was the youngest teacher on the staff, and had charge of the Primary Department. She had taught in Taunton school a year, and at its close she was as much of a stranger in the little corps of teachers as she had been at the beginning. The others thought her stiff and unapproachable; she was unpopular in a negative way with all except Miss Channing, who made it a profession to like everybody, the more so if other people disliked them. Miss Channing was the oldest teacher on the staff, and taught the fifth grade. She was short and stout and jolly; nothing, not even the iciest reserve, ever daunted Miss Channing.

"Isn't it good to think of two whole blessed months of freedom?" she said jubilantly. "Two months to dream, to be lazy, to go where one pleases, no exercises to correct, no reports to make, no pupils to keep in order. To be sure, I love them every one, but I'll love them all the more for a bit of a rest from them. Isn't it good?"

A little satirical smile crossed Constance Foster's dark, discontented face, looking just then all the more discontented in contrast to Miss Channing's rosy, beaming countenance.

"It's very good, if you have anywhere to go, or anybody who cares where you go," she said bitterly. "For my own part, I'm sorry school is closed. I'd rather go on teaching all summer."

"Heresy!" said Miss Channing. "Rank heresy! What are your vacation plans?"

"I haven't any," said Constance wearily. "I've put off thinking about vacation as long as I possibly could. You'll call that heresy, too, Miss Channing."

"It's worse than heresy," said Miss Channing briskly. "It's a crying necessity for blue pills, that's what it is. Your whole mental and moral and physical and spiritual system must be out of kilter, my child. No vacation plans! You must have vacation plans. You must be going somewhere."

"Oh, I suppose I'll hunt up a boarding place somewhere in the country, and go there and mope until September."

"Have you no friends, Constance?"

"No—no, I haven't anybody in the world. That is why I hate vacation, that is why I've hated to hear you and the others discussing your vacation plans. You all have somebody to go to. It has just filled me up with hatred of my life."

Miss Channing swallowed her honest horror at such a state of feeling.

"Constance, tell me about yourself. I've often wanted to ask you, but I was always a little afraid to. You seem so reserved and—and, as if you didn't want to be asked about yourself."

"I know it. I know I'm stiff and hateful, and that nobody likes me, and that it is all my own fault. No, never mind trying to smooth it over, Miss Channing. It's the truth, and it hurts me, but I can't help it. I'm getting more bitter and pessimistic and unwholesome every day of my life. Sometimes it seems as if I hated all the world because I'm so lonely in it. I'm nobody. My mother died when I was born—and Father—oh, I don't know. One can't say anything against one's father, Miss Channing. But I had a hard childhood—or rather, I didn't have any childhood at all. We were always moving about. We didn't seem to have any friends at all. My mother might have had relatives somewhere, but I never heard of any. I don't even know where her home was. Father never would talk of her. He died two years ago, and since then I've been absolutely alone."

"Oh, you poor girl," said Miss Channing softly.

"I want friends," went on Constance, seeming to take a pleasure in open confession now that her tongue was loosed. "I've always just longed for somebody belonging to me to love. I don't love anybody, Miss Channing, and when a girl is in that state, she is all wrong. She gets hard and bitter and resentful—I have, anyway. I struggled against it at first, but it has been too much for me. It poisons everything. There is nobody to care anything about me, whether I live or die."

"Oh, yes, there is One," said Miss Channing gently. "God cares, Constance."

Constance gave a disagreeable little laugh.

"That sounds like Miss Williams—she is so religious. God doesn't mean anything to me, Miss Channing. I've just the same resentful feeling toward him that I have for all the world, if he exists at all. There, I've shocked you in good earnest now. You should have left me alone, Miss Channing."

"God means nothing to you because you've never had him translated to you through human love, Constance," said Miss Channing seriously. "No, you haven't shocked me—at least, not in the way you mean. I'm only terribly sorry."

"Oh, never mind me," said Constance, freezing up into her reserve again as if she regretted her confidences. "I'll get along all right. This is one of my off days, when everything looks black."

Miss Channing walked on in silence. She must help Constance, but Constance was not easily helped. When school reopened, she might be able to do something worthwhile for the girl, but just now the only thing to do was to put her in the way of a pleasant vacation.

"You spoke of boarding," she said, when Constance paused at the door of her boarding-house. "Have you any particular place in view? No? Well, I know a place which I am sure you would like. I was there two summers ago. It is a country place about a hundred miles from here. Pine Valley is its name. It's restful and homey, and the people are so nice. If you like, I'll give you the address of the family I boarded with."

"Thank you," said Constance indifferently. "I might as well go there as anywhere else."

"Yes, but listen to me, dear. Don't take your morbidness with you. Open your heart to the summer, and let its sunshine in, and when you come back in the fall, come prepared to let us all be your friends. We'd like to be, and while friendship doesn't take the place of the love of one's own people, still it is a good and beautiful thing. Besides, there are other unhappy people in the world—try to help them when you meet them, and you'll forget about yourself. Good-by for now, and I hope you'll have a pleasant vacation in spite of yourself."

Constance went to Pine Valley, but she took her evil spirit with her. Not even the beauty of the valley, with its great balmy pines, and the cheerful friendliness of its people could exorcise it.

Nevertheless, she liked the place and found a wholesome pleasure in the long tramps she took along the piney roads.

"I saw such a pretty spot in my ramble this afternoon," she told her landlady one evening. "It is about three miles from here at the end of the valley. Such a picturesque, low-eaved little house, all covered over with honeysuckle. It was set between a big orchard and an old-fashioned flower garden with great pines at the back."

"Heartsease Farm," said Mrs. Hewitt promptly. "Bless you, there's only one place around here of that description. Mr. and Mrs. Bruce, Uncle Charles and Aunt Flora, as we all call them, live there. They are the dearest old couple alive. You ought to go and see them, they'd be delighted. Aunt Flora just loves company. They're real lonesome by times."

"Haven't they any children?" asked Constance indifferently. Her interest was in the place, not in the people.

"No. They had a niece once, though. They brought her up and they just worshipped her. She ran away with a worthless fellow—I forget his name, if I ever knew it. He was handsome and smooth-tongued, but he was a scamp. She died soon after and it just broke their hearts. They don't even know where she was buried, and they never heard anything more about her husband. I've heard that Aunt Flora's hair turned snow-white in a month. I'll take you up to see her some day when I find time."

Mrs. Hewitt did not find time, but thereafter Constance ordered her rambles that she might frequently pass Heartsease Farm. The quaint old spot had a strange attraction for her. She found herself learning to love it, and so unused was this unfortunate girl to loving anything that she laughed at herself for her foolishness.

One evening a fortnight later Constance, with her arms full of ferns and wood-lilies, came out of the pine woods above Heartsease Farm just as heavy raindrops began to fall. She had prolonged her ramble unseasonably, and it was now nearly night, and very certainly a rainy night at that. She was three miles from home and without even an extra wrap.

She hurried down the lane, but by the time she reached the main road, the few drops had become a downpour. She must seek shelter somewhere, and Heartsease Farm was the nearest. She pushed open the gate and ran up the slope of the yard between the hedges of sweetbriar. She was spared the trouble of knocking, for as she came to a breathless halt on the big red sandstone doorstep, the door was flung open, and the white-haired, happy-faced little woman standing on the threshold had seized her hand and drawn her in bodily before she could speak a word.

"I saw you coming from upstairs," said Aunt Flora gleefully, "and I just ran down as fast as I could. Dear, dear, you are a little wet. But we'll soon dry you. Come right in—I've a bit of a fire in the grate, for the evening is chilly. They laughed at me for loving a fire so, but there's nothing like its snap and sparkle. You're rained in for the night, and I'm as glad as I can be. I know who you are—you are Miss Foster. I'm Aunt Flora, and this is Uncle Charles."

Constance let herself be put into a cushiony chair and fussed over with an unaccustomed sense of pleasure. The rain was coming down in torrents, and she certainly was domiciled at Heartsease Farm for the night. Somehow, she felt glad of it. Mrs. Hewitt was right in calling Aunt Flora sweet, and Uncle Charles was a big, jolly, ruddy-faced old man with a hearty manner. He shook Constance's hand until it ached, threw more pine knots in the fire and told her he wished it would rain every night if it rained down a nice little girl like her.

She found herself strangely attracted to the old couple. The name of their farm was in perfect keeping with their atmosphere. Constance's frozen soul expanded in it. She chatted merrily and girlishly, feeling as if she had known them all her life.

When bedtime came, Aunt Flora took her upstairs to a little gable room.

"My spare room is all in disorder just now, dearie, we have been painting its floor. So I'm going to put you here in Jeannie's room. Someway you remind me of her, and you are just about the age she was when she left us. If it wasn't for that, I don't think I could put you in her room, not even if every other floor in the house were being painted. It is so sacred to me. I keep it just as she left it, not a thing is changed. Good night dearie, and I hope you'll have pleasant dreams."

When Constance found herself alone in the room, she looked about her with curiosity. It was a very dainty, old-fashioned little room. The floor was covered with braided mats; the two square, small-paned windows were draped with snowy muslin. In one corner was a little white bed with white curtains and daintily ruffled pillows, and in the other a dressing table with a gilt-framed mirror and the various knick-knacks of a girlish toilet. There was a little blue rocker and an ottoman with a work-basket on it. In the work-basket was a bit of unfinished, yellowed lace with a needle sticking in it. A small bookcase under the sloping ceiling was filled with books.

Constance picked up one and opened it at the yellowing title-page. She gave a little cry of surprise. The name written across the page in a fine, dainty script was "Jean Constance Irving," her mother's name!

For a moment Constance stood motionless. Then she turned impulsively and hurried downstairs again. Mr. and Mrs. Bruce were still in the sitting room talking to each other in the firelight.

"Oh," cried Constance excitedly. "I must know, I must ask you. This is my mother's name, Jean Constance Irving, can it be possible she was your little Jeannie?"

* * * * *

A fortnight later Miss Channing received a letter from Constance.

"I am so happy," she wrote. "Oh, Miss Channing, I have found 'mine own people,' and Heartsease Farm is to be my own, own dear home for always.

"It was such a strange coincidence, no, Aunt Flora says it was Providence, and I believe it was, too. I came here one rainy night, and Aunty put me in my mother's room, think of it! My own dear mother's room, and I found her name in a book. And now the mystery is all cleared up, and we are so happy.

"Everything is dear and beautiful, and almost the dearest and most beautiful thing is that I am getting acquainted with my mother, the mother I never knew before. She no longer seems dead to me. I feel that she lives and loves me, and I am learning to know her better every day. I have her room and her books and all her little girlish possessions. When I read her books, with their passages underlined by her hand, I feel as if she were speaking to me. She was very good and sweet, in spite of her one foolish, bitter mistake, and I want to be as much like her as I can.

"I said that this was almost the dearest and most beautiful thing. The very dearest and most beautiful is this—God means something to me now. He means so much! I remember that you said to me that he meant nothing to me because I had no human love in my heart to translate the divine. But I have now, and it has led me to Him.

"I am not going back to Taunton. I have sent in my resignation. I am going to stay home with Aunty and Uncle. It is so sweet to say home and know what it means.

"Aunty says you must come and spend all your next vacation with us. You see, I have lots of vacation plans now, even for a year ahead. After all, there is no need of the blue pills!

"I feel like a new creature, made over from the heart and soul out. I look back with shame and contrition on the old Constance. I want you to forget her and only remember your grateful friend, the new Constance."



Ida's New Year Cake

Mary Craig and Sara Reid and Josie Pye had all flocked into Ida Mitchell's room at their boarding-house to condole with each other because none of them was able to go home for New Year's. Mary and Josie had been home for Christmas, so they didn't really feel so badly off. But Ida and Sara hadn't even that consolation.

Ida was a third-year student at the Clifton Academy; she had holidays, and nowhere, so she mournfully affirmed, to spend them. At home three brothers and a sister were down with the measles, and, as Ida had never had them, she could not go there; and the news had come too late for her to make any other arrangements.

Mary and Josie were clerks in a Clifton bookstore, and Sara was stenographer in a Clifton lawyer's office. And they were all jolly and thoughtless and very fond of one another.

"This will be the first New Year's I have ever spent away from home," sighed Sara, nibbling chocolate fudge. "It does make me so blue to think of it. And not even a holiday—I'll have to go to work just the same. Now Ida here, she doesn't really need sympathy. She has holidays—a whole fortnight—and nothing to do but enjoy them."

"Holidays are dismal things when you've nowhere to holiday," said Ida mournfully. "The time drags horribly. But never mind, girls, I've a plummy bit of news for you. I'd a letter from Mother today and, bless the dear woman, she is sending me a cake—a New Year's cake—a great big, spicy, mellow, delicious fruit cake. It will be along tomorrow and, girls, we'll celebrate when it comes. I've asked everybody in the house up to my room for New Year's Eve, and we'll have a royal good time."

"How splendid!" said Mary. "There's nothing I like more than a slice of real countrified home-made fruit cake, where they don't scrimp on eggs or butter or raisins. You'll give me a good big piece, won't you, Ida?"

"As much as you can eat," promised Ida. "I can warrant Mother's fruit cake. Yes, we'll have a jamboree. Miss Monroe has promised to come in too. She says she has a weakness for fruit cake."

"Oh!" breathed all the girls. Miss Monroe was their idol, whom they had to be content to worship at a distance as a general thing. She was a clever journalist, who worked on a paper, and was reputed to be writing a book. The girls felt they were highly privileged to be boarding in the same house, and counted that day lost on which they did not receive a businesslike nod or an absent-minded smile from Miss Monroe. If she ever had time to speak to one of them about the weather, that fortunate one put on airs for a week. And now to think that she had actually promised to drop into Ida's room on New Year's Eve and eat fruit cake!

"There goes that funny little namesake of yours, Ida," said Josie, who was sitting by the window. "She seems to be staying in town over the holidays too. Wonder why. Perhaps she doesn't belong anywhere. She really is a most forlorn-appearing little mortal."

There were two Ida Mitchells attending the Clifton Academy. The other Ida was a plain, quiet, pale-faced little girl of fifteen who was in the second year. Beyond that, none of the third-year Ida Mitchell's set knew anything about her, or tried to find out.

"She must be very poor," said Ida carelessly. "She dresses so shabbily, and she always looks so pinched and subdued. She boards in a little house out on Marlboro Road, and I pity her if she has to spend her holidays there, for a more dismal place I never saw. I was there once on the trail of a book I had lost. Going, girls? Well, don't forget tomorrow night."

Ida spent the next day decorating her room and watching for the arrival of her cake. It hadn't come by tea-time, and she concluded to go down to the express office and investigate. It would be dreadful if that cake didn't turn up in time, with all the girls and Miss Monroe coming in. Ida felt that she would be mortified to death.

Inquiry at the express office discovered two things. A box had come in for Miss Ida Mitchell, Clifton; and said box had been delivered to Miss Ida Mitchell, Clifton.

"One of our clerks said he knew you personally—boarded next door to you—and he'd take it round himself," the manager informed her.

"There must be some mistake," said Ida in perplexity. "I don't know any of the clerks here. Oh—why—there's another Ida Mitchell in town! Can it be possible my cake has gone to her?"

The manager thought it very possible, and offered to send around and see. But Ida said it was on her way home and she would call herself.

At the dismal little house on Marlboro Road she was sent up three flights of stairs to the other Ida Mitchell's small hall bedroom. The other Ida Mitchell opened the door for her. Behind her, on the table, was the cake—such a fine, big, brown cake, with raisins sticking out all over it!

"Why, how do you do, Miss Mitchell!" exclaimed the other Ida with shy pleasure. "Come in. I didn't know you were in town. It's real good of you to come and see me. And just see what I've had sent to me! Isn't it a beauty? I was so surprised when it came—and, oh, so glad! I was feeling so blue and lonesome—as if I hadn't a friend in the world. I—I—yes, I was crying when that cake came. It has just made the world over for me. Do sit down and I'll cut you a piece. I'm sure you're as fond of fruit cake as I am."

Ida sat down in a chair, feeling bewildered and awkward. This was a nice predicament! How could she tell that other Ida that the cake didn't belong to her? The poor thing was so delighted. And, oh, what a bare, lonely little room! The big, luxurious cake seemed to emphasize the bareness and loneliness.

"Who—who sent it to you?" she asked lamely.

"It must have been Mrs. Henderson, because there is nobody else who would," answered the other Ida. "Two years ago I was going to school in Trenton and I boarded with her. When I left her to come to Clifton she told me she would send me a cake for Christmas. Well, I expected that cake last year—and it didn't come. I can't tell you how disappointed I was. You'll think me very childish. But I was so lonely, with no home to go to like the other girls. But she sent it this year, you see. It is so nice to think that somebody has remembered me at New Year's. It isn't the cake itself—it's the thought behind it. It has just made all the difference in the world. There—just sample it, Miss Mitchell."

The other Ida cut a generous slice from the cake and passed it to her guest. Her eyes were shining and her cheeks were flushed. She was really a very sweet-looking little thing—not a bit like her usual pale, timid self.

Ida ate the cake slowly. What was she to do? She couldn't tell the other Ida the truth about the cake. But the girls she had asked in to help eat it that very evening! And Miss Monroe! Oh, dear, it was too bad. But it couldn't be helped. She wouldn't blot out that light on the other Ida's face for anything! Of course, she would find out the truth in time—probably after she had written to thank Mrs. Henderson for the cake; but meanwhile she would have enjoyed the cake, and the supposed kindness back of it would tide her over her New Year loneliness.

"It's delicious," said Ida heartily, swallowing her own disappointment with the cake. "I'm—I'm glad I happened to drop in as I was passing." Ida hoped that speech didn't come under the head of a fib.

"So am I," said the other Ida brightly. "Oh, I've been so lonesome and downhearted this week. I'm so alone, you see—there isn't anybody to care. Father died three years ago, and I don't remember my mother at all. There is nobody but myself, and it is dreadfully lonely at times. When the Academy is open and I have my lessons to study, I don't mind so much. But the holidays take all the courage out of me."

"We should have fraternized more this week," smiled Ida, regretting that she hadn't thought of it before. "I couldn't go home because of the measles, and I've moped a lot. We might have spent the time together and had a real nice, jolly holiday."

The other Ida blushed with delight.

"I'd love to be friends with you," she said slowly. "I've often thought I'd like to know you. Isn't it odd that we have the same name? It was so nice of you to come and see me. I—I'd love to have you come often."

"I will," said Ida heartily.

"Perhaps you will stay the evening," suggested the other Ida. "I've asked some of the girls who board here in to have some cake, I'm so glad to be able to give them something—they've all been so good to me. They are all clerks in stores and some of them are so tired and lonely. It's so nice to have a pleasure to share with them. Won't you stay?"

"I'd like to," laughed Ida, "but I have some guests of my own invited in for tonight. I must hurry home, for they will most surely be waiting for me."

She laughed again as she thought what else the guests would be waiting for. But her face was sober enough as she walked home.

"But I'm glad I left the cake with her," she said resolutely. "Poor little thing! It means so much to her. It meant only 'a good feed,' as Josie says, to me. I'm simply going to make it my business next term to be good friends with the other Ida Mitchell. I'm afraid we third-year girls are very self-centred and selfish. And I know what I'll do! I'll write to Abby Morton in Trenton to send me Mrs. Henderson's address, and I'll write her a letter and ask her not to let Ida know she didn't send the cake."

Ida went into a confectionery store and invested in what Josie Pye was wont to call "ready-to-wear eatables"—fancy cakes, fruit, and candies. When she reached her room she found it full of expectant girls, with Miss Monroe enthroned in the midst of them—Miss Monroe in a wonderful evening dress of black lace and yellow silk, with roses in her hair and pearls on her neck—all donned in honour of Ida's little celebration. I won't say that, just for a moment, Ida didn't regret that she had given up her cake.

"Good evening, Miss Mitchell," cried Mary Craig gaily. "Walk right in and make yourself at home in your own room, do! We all met in the hall, and knocked and knocked. Finally Miss Monroe came, so we made bold to walk right in. Where is the only and original fruit cake, Ida? My mouth has been watering all day."

"The other Ida Mitchell is probably entertaining her friends at this moment with my fruit cake," said Ida, with a little laugh.

Then she told the whole story.

"I'm so sorry to disappoint you," she concluded, "but I simply couldn't tell that poor, lonely child that the cake wasn't intended for her. I've brought all the goodies home with me that I could buy, and we'll have to do the best we can without the fruit cake."

Their "best" proved to be a very good thing. They had a jolly New Year's Eve, and Miss Monroe sparkled and entertained most brilliantly. They kept their celebration up until twelve to welcome the new year in, and then they bade Ida good night. But Miss Monroe lingered for a moment behind the others to say softly:

"I want to tell you how good and sweet I think it was of you to give up your cake to the other Ida. That little bit of unselfishness was a good guerdon for your new year."

And Ida, radiant-faced at this praise from her idol, answered heartily:

"I'm afraid I'm anything but unselfish, Miss Monroe. But I mean to try to be more this coming year and think a little about the girls outside of my own little set who may be lonely or discouraged. The other Ida Mitchell isn't going to have to depend on that fruit cake alone for comfort and encouragement for the next twelve months."



In the Old Valley

The man halted on the crest of the hill and looked sombrely down into the long valley below. It was evening, and although the hills around him were still in the light the valley was already filled with kindly, placid shadows. A wind that blew across it from the misty blue sea beyond was making wild music in the rugged firs above his head as he stood in an angle of the weather-grey longer fence, knee-deep in bracken. It had been by these firs he had halted twenty years ago, turning for one last glance at the valley below, the home valley which he had never seen since. But then the firs had been little more than vigorous young saplings; they were tall, gnarled trees now, with lichened trunks, and their lower boughs were dead. But high up their tops were green and caught the saffron light of the west. He remembered that when a boy he had thought there was nothing more beautiful than the evening sunshine falling athwart the dark green fir boughs on the hills.

As he listened to the swish and murmur of the wind, the earth-old tune with the power to carry the soul back to the dawn of time, the years fell away from him and he forgot much, remembering more. He knew now that there had always been a longing in his heart to hear the wind-chant in the firs. He had called that longing by other names, but he knew it now for what it was when, hearing, he was satisfied.

He was a tall man with iron-grey hair and the face of a conqueror—strong, pitiless, unswerving. Eagle eyes, quick to discern and unfaltering to pursue; jaw square and intrepid; mouth formed to keep secrets and cajole men to his will—a face that hid much and revealed little. It told of power and intellect, but the soul of the man was a hidden thing. Not in the arena where he had fought and triumphed, giving fierce blow for blow, was it to be shown; but here, looking down on the homeland, with the strength of the hills about him, it rose dominantly and claimed its own. The old bond held. Yonder below him was home—the old house that had sheltered him, the graves of his kin, the wide fields where his boyhood dreams had been dreamed.

Should he go down to it? This was the question he asked himself. He had come back to it, heartsick of his idols of the marketplace. For years they had satisfied him, the buying and selling and getting gain, the pitting of strength and craft against strength and craft, the tireless struggle, the exultation of victory. Then, suddenly, they had failed their worshipper; they ceased to satisfy; the sacrifices he had heaped on their altars availed him nothing in this new need and hunger of his being. His gods mocked him and he wearied of their service. Were there not better things than these, things he had once known and loved and forgotten? Where were the ideals of his youth, the lofty aspirations that had upborne him then? Where was the eagerness and zest of new dawns, the earnestness of well-filled, purposeful hours of labour, the satisfaction of a good day worthily lived, at eventide the unbroken rest of long, starry nights? Where might he find them again? Were they yet to be had for the seeking in the old valley? With the thought came a great yearning for home. He had had many habitations, but he realized now that he had never thought of any of these places as home. That name had all unconsciously been kept sacred to the long, green, seaward-looking glen where he had been born.

So he had come back to it, drawn by a longing not to be resisted. But at the last he felt afraid. There had been many changes, of that he felt sure. Would it still be home? And if not, would not the loss be most irreparable and bitter? Would it not be better to go away, having looked at it from the hill and having heard the saga of the firs, keeping his memory of it unblurred, than risk the probable disillusion of a return to the places that had forgotten him and friends whom the varying years must certainly have changed as he had changed himself? No, he would not go down. It had been a foolish whim to come at all—foolish, because the object of his quest was not to be found there or elsewhere. He could not enter again into the heritage of boyhood and the heart of youth. He could not find there the old dreams and hopes that had made life sweet. He understood that he could not bring back to the old valley what he had taken from it. He had lost that intangible, all-real wealth of faith and idealism and zest; he had bartered it away for the hard, yellow gold of the marketplace, and he realized at last how much poorer he was than when he had left that home valley. His was a name that stood for millions, but he was beggared of hope and purpose.

No, he would not go down. There was no one left there, unchanged and unchanging, to welcome him. He would be a stranger there, even among his kin. He would stay awhile on the hill, until the night came down over it, and then he would go back to his own place.

Down below him, on the crest of a little upland, he saw his old home, a weather-grey house, almost hidden among white birch and apple trees, with a thick fir grove to the north of it. He had been born in that old house; his earliest memory was of standing on its threshold and looking afar up to the long green hills.

"What is over the hills?" he had asked of his mother. With a smile she had made answer,

"Many things, laddie. Wonderful things, beautiful things, heart-breaking things."

"Some day I shall go over the hills and find them all, Mother," he had said stoutly.

She had laughed and sighed and caught him to her heart. He had no recollection of his father, who had died soon after his son's birth, but how well he remembered his mother, his little, brown-eyed, girlish-faced mother!

He had lived on the homestead until he was twenty. He had tilled the broad fields and gone in and out among the people, and their life had been his life. But his heart was not in his work. He wanted to go beyond the hills and seek what he knew must be there. The valley was too narrow, too placid. He longed for conflict and accomplishment. He felt power and desire and the lust of endeavour stirring in him. Oh, to go over the hills to a world where men lived! Such had been the goal of all his dreams.

When his mother died he sold the farm to his cousin, Stephen Marshall. He supposed it still belonged to him. Stephen had been a good sort of a fellow, a bit slow and plodding, perhaps, bovinely content to dwell within the hills, never hearkening or responding to the lure of the beyond. Yet it might be he had chosen the better part, to dwell thus on the land of his fathers, with a wife won in youth, and children to grow up around him. The childless, wifeless man looking down from the hill wondered if it might have been so with him had he been content to stay in the valley. Perhaps so. There had been Joyce.

He wondered where Joyce was now and whom she had married, for of course she had married. Did she too live somewhere down there in the valley, the matronly, contented mother of lads and lassies? He could see her old home also, not so far from his own, just across a green meadow by way of a footpath and stile and through the firs beyond it. How often he had traversed that path in the old days, knowing that Joyce would be waiting at the end of it among the firs—Joyce, the playmate of childhood, the sweet confidante and companion of youth! They had never been avowed lovers, but he had loved her then, as a boy loves, although he had never said a word of love to her. Joyce alone knew of his longings and his ambitions and his dreams; he had told them all to her freely, sure of the understanding and sympathy no other soul in the valley could give him. How true and strong and womanly and gentle she had always been!

When he left home he had meant to go back to her some day. They had parted without pledge or kiss, yet he knew she loved him and that he loved her. At first they corresponded, then the letters began to grow fewer. It was his fault; he had gradually forgotten. The new, fierce, burning interests that came into his life crowded the old ones out. Boyhood's love was scorched up in that hot flame of ambition and contest. He had not heard from or of Joyce for many years. Now, again, he remembered as he looked down on the homeland fields.

The old places had changed little, whatever he might fear of the people who lived in them. There was the school he had attended, a small, low-eaved, white-washed building set back from the main road among green spruces. Beyond it, amid tall elms, was the old church with its square tower hung with ivy. He felt glad to see it; he had expected to see a new church, offensively spick-and-span and modern, for this church had been old when he was a boy. He recalled the many times he had walked to it on the peaceful Sunday afternoons, sometimes with his mother, sometimes with Joyce.

The sun set far out to sea and sucked down with it all the light out of the winnowed dome of sky. The stars came out singly and crystal clear over the far purple curves of the hills. Suddenly, glancing over his shoulder, he saw through an arch of black fir boughs a young moon swung low in a lake of palely tinted saffron sky. He smiled a little, remembering that in boyhood it had been held a good omen to see the new moon over the right shoulder.

Down in the valley the lights began to twinkle out here and there like earth-stars. He would wait until he saw the kitchen light from the window of his old home. Then he would go. He waited until the whole valley was zoned with a glittering girdle, but no light glimmered out through his native trees. Why was it lacking, that light he had so often hailed at dark, coming home from boyish rambles on the hills? He felt anxious and dissatisfied, as if he could not go away until he had seen it.