It was in June that the secretary of the Putney W.F.M. Auxiliary wrote to a noted returned missionary who was touring the country, asking her to give an address on mission work before their society. Mrs. Cotterell wrote back saying that her brief time was so taken up already that she found it hard to make any further engagements, but she could not refuse the Putney people who were so well and favourably known in mission circles for their perennial interest and liberality. So, although she could not come on the date requested, she would, if acceptable, come the following Sunday.

This suited the Putney Auxiliary very well. On the Sunday referred to there was to be no evening service in the church owing to Mr. Sinclair's absence. They therefore appointed the missionary meeting for that night, and made arrangements to hold it in the church itself, as the classroom was too small for the expected audience.

Then the thunderbolt descended on the W.F.M.A. of Putney from a clear sky. The elders of the church rose up to a man and declared that no woman should occupy the pulpit of the Putney church. It was in direct contravention to the teachings of St. Paul.

To make matters worse, Mr. Sinclair declared himself on the elders' side. He said that he could not conscientiously give his consent to a woman occupying his pulpit, even when that woman was Mrs. Cotterell and her subject foreign missions.

The members of the Auxiliary were aghast. They called a meeting extraordinary in the classroom and, discarding all forms and ceremonies in their wrath, talked their indignation out.

Out of doors the world basked in June sunshine and preened itself in blossom. The birds sang and chirped in the lichened maples that cupped the little church in, and peace was over all the Putney valley. Inside the classroom disgusted women buzzed like angry bees.

"What on earth are we to do?" sighed the secretary plaintively. Mary Kilburn was always plaintive. She sat on the steps of the platform, being too wrought up in her mind to sit in her chair at the desk, and her thin, faded little face was twisted with anxiety. "All the arrangements are made and Mrs. Cotterell is coming on the tenth. How can we tell her that the men won't let her speak?"

"There was never anything like this in Putney church before," groaned Mrs. Elder Knox. "It was Andrew McKittrick put them up to it. I always said that man would make trouble here yet, ever since he moved to Putney from Danbridge. I've talked and argued with Thomas until I'm dumb, but he is as set as a rock."

"I don't see what business the men have to interfere with us anyhow," said her daughter Lucy, who was sitting on one of the window-sills. "We don't meddle with them, I'm sure. As if Mrs. Cotterell would contaminate the pulpit!"

"One would think we were still in the dark ages," said Frances Spenslow sharply. Frances was the Putney schoolteacher. Her father was one of the recalcitrant elders and Frances felt it bitterly—all the more that she had tried to argue with him and had been sat upon as a "child who couldn't understand."

"I'm more surprised at Mr. Sinclair than at the elders," said Mrs. Abner Keech, fanning herself vigorously. "Elders are subject to queer spells periodically. They think they assert their authority that way. But Mr. Sinclair has always seemed so liberal and broad-minded."

"You never can tell what crotchet an old bachelor will take into his head," said Alethea Craig bitingly.

The others nodded agreement. Mr. Sinclair's inveterate celibacy was a standing grievance with the Putney women.

"If he had a wife who could be our president this would never have happened, I warrant you," said Mrs. King sagely.

"But what are we going to do, ladies?" said Mrs. Robbins briskly. Mrs. Robbins was the president. She was a big, bustling woman with clear blue eyes and crisp, incisive ways. Hitherto she had held her peace. "They must talk themselves out before they can get down to business," she had reflected sagely. But she thought the time had now come to speak.

"You know," she went on, "we can talk and rage against the men all day if we like. They are not trying to prevent us. But that will do no good. Here's Mrs. Cotterell invited, and all the neighbouring auxiliaries notified—and the men won't let us have the church. The point is, how are we going to get out of the scrape?"

A helpless silence descended upon the classroom. The eyes of every woman present turned to Myra Wilson. Everyone could talk, but when it came to action they had a fashion of turning to Myra.

She had a reputation for cleverness and originality. She never talked much. So far today she had not said a word. She was sitting on the sill of the window across from Lucy Knox. She swung her hat on her knee, and loose, moist rings of dark hair curled around her dark, alert face. There was a sparkle in her grey eyes that boded ill to the men who were peaceably pursuing their avocations, rashly indifferent to what the women might be saying in the maple-shaded classroom.

"Have you any suggestion to make, Miss Wilson?" said Mrs. Robbins, with a return to her official voice and manner.

Myra put her long, slender index finger to her chin.

"I think," she said decidedly, "that we must strike."

* * * * *

When Elder Knox went in to tea that evening he glanced somewhat apprehensively at his wife. They had had an altercation before she went to the meeting, and he supposed she had talked herself into another rage while there. But Mrs. Knox was placid and smiling. She had made his favourite soda biscuits for him and inquired amiably after his progress in hoeing turnips in the southeast meadow.

She made, however, no reference to the Auxiliary meeting, and when the biscuits and the maple syrup and two cups of matchless tea had nerved the elder up, his curiosity got the better of his prudence—for even elders are human and curiosity knows no gender—and he asked what they had done at the meeting.

"We poor men have been shaking in our shoes," he said facetiously.

"Were you?" Mrs. Knox's voice was calm and faintly amused. "Well, you didn't need to. We talked the matter over very quietly and came to the conclusion that the session knew best and that women hadn't any right to interfere in church business at all."

Lucy Knox turned her head away to hide a smile. The elder beamed. He was a peace-loving man and disliked "ructions" of any sort and domestic ones in particular. Since the decision of the session Mrs. Knox had made his life a burden to him. He did not understand her sudden change of base, but he accepted it very thankfully.

"That's right—that's right," he said heartily. "I'm glad to hear you coming out so sensible, Maria. I was afraid you'd work yourselves up at that meeting and let Myra Wilson or Alethea Craig put you up to some foolishness or other. Well, I guess I'll jog down to the Corner this evening and order that barrel of pastry flour you want."

"Oh, you needn't," said Mrs. Knox indifferently. "We won't be needing it now."

"Not needing it! But I thought you said you had to have some to bake for the social week after next."

"There isn't going to be any social."

"Not any social?"

Elder Knox stared perplexedly at his wife. A month previously the Putney church had been recarpeted, and they still owed fifty dollars for it. This, the women declared, they would speedily pay off by a big cake and ice-cream social in the hall. Mrs. Knox had been one of the foremost promoters of the enterprise.

"Not any social?" repeated the elder again. "Then how is the money for the carpet to be got? And why isn't there going to be a social?"

"The men can get the money somehow, I suppose," said Mrs. Knox. "As for the social, why, of course, if women aren't good enough to speak in church they are not good enough to work for it either. Lucy, dear, will you pass me the cookies?"

"Lucy dear" passed the cookies and then rose abruptly and left the table. Her father's face was too much for her.

"What confounded nonsense is this?" demanded the elder explosively.

Mrs. Knox opened her mellow brown eyes widely, as if in amazement at her husband's tone.

"I don't understand you," she said. "Our position is perfectly logical."

She had borrowed that phrase from Myra Wilson, and it floored the elder. He got up, seized his hat, and strode from the room.

That night, at Jacob Wherrison's store at the Corner, the Putney men talked over the new development. The social was certainly off—for a time, anyway.

"Best let 'em alone, I say," said Wherrison. "They're mad at us now and doing this to pay us out. But they'll cool down later on and we'll have the social all right."

"But if they don't," said Andrew McKittrick gloomily, "who is going to pay for that carpet?"

This was an unpleasant question. The others shirked it.

"I was always opposed to this action of the session," said Alec Craig. "It wouldn't have hurt to have let the woman speak. 'Tisn't as if it was a regular sermon."

"The session knew best," said Andrew sharply. "And the minister—you're not going to set your opinion up against his, are you, Craig?"

"Didn't know they taught such reverence for ministers in Danbridge," retorted Craig with a laugh.

"Best let 'em alone, as Wherrison says," said Abner Keech.

"Don't see what else we can do," said John Wilson shortly.

* * * * *

On Sunday morning the men were conscious of a bare, deserted appearance in the church. Mr. Sinclair perceived it himself. After some inward wondering he concluded that it was because there were no flowers anywhere. The table before the pulpit was bare. On the organ a vase held a sorry, faded bouquet left over from the previous week. The floor was' unswept. Dust lay thickly on the pulpit Bible, the choir chairs, and the pew backs.

"This church looks disgraceful," said John Robbins in an angry undertone to his daughter Polly, who was president of the Flower Band. "What in the name of common sense is the good of your Flower Banders if you can't keep the place looking decent?"

"There is no Flower Band now, Father," whispered Polly in turn. "We've disbanded. Women haven't any business to meddle in church matters. You know the session said so."

It was well for Polly that she was too big to have her ears boxed. Even so, it might not have saved her if they had been anywhere else than in church.

Meanwhile the men who were sitting in the choir—three basses and two tenors—were beginning to dimly suspect that there was something amiss here too. Where were the sopranos and the altos? Myra Wilson and Alethea Craig and several other members of the choir were sitting down in their pews with perfectly unconscious faces. Myra was looking out of the window into the tangled sunlight and shadow of the great maples. Alethea Craig was reading her Bible.

Presently Frances Spenslow came in. Frances was organist, but today, instead of walking up to the platform, she slipped demurely into her father's pew at one side of the pulpit. Eben Craig, who was the Putney singing master and felt himself responsible for the choir, fidgeted uneasily. He tried to catch Frances's eye, but she was absorbed in reading the mission report she had found in the rack, and Eben was finally forced to tiptoe down to the Spenslow pew and whisper, "Miss Spenslow, the minister is waiting for the doxology. Aren't you going to take the organ?"

Frances looked up calmly. Her clear, placid voice was audible not only to those in the nearby pews, but to the minister.

"No, Mr. Craig. You know if a woman isn't fit to speak in the church she can't be fit to sing in it either."

Eben Craig looked exceedingly foolish. He tiptoed gingerly back to his place. The minister, with an unusual flush on his thin, ascetic face, rose suddenly and gave out the opening hymn.

Nobody who heard the singing in Putney church that day ever forgot it. Untrained basses and tenors, unrelieved by a single female voice, are not inspiring.

There were no announcements of society meetings for the forthcoming week. On the way home from church that day irate husbands and fathers scolded, argued, or pleaded, according to their several dispositions. One and all met with the same calm statement that if a noble, self-sacrificing woman like Mrs. Cotterell were not good enough to speak in the Putney church, ordinary, everyday women could not be fit to take any part whatever in its work.

Sunday School that afternoon was a harrowing failure. Out of all the corps of teachers only one was a man, and he alone was at his post. In the Christian Endeavour meeting on Tuesday night the feminine element sat dumb and unresponsive. The Putney women never did things by halves.

The men held out for two weeks. At the end of that time they "happened" to meet at the manse and talked the matter over with the harassed minister. Elder Knox said gloomily, "It's this way. Nothing can move them women. I know, for I've tried. My authority has been set at naught in my own household. And I'm laughed at if I show my face in any of the other settlements."

The Sunday School superintendent said the Sunday School was going to wrack and ruin, also the Christian Endeavour. The condition of the church for dust was something scandalous, and strangers were making a mockery of the singing. And the carpet had to be paid for. He supposed they would have to let the women have their own way.

The next Sunday evening after service Mr. Sinclair arose hesitatingly. His face was flushed, and Alethea Craig always declared that he looked "just plain everyday cross." He announced briefly that the session after due deliberation had concluded that Mrs. Cotterell might occupy the pulpit on the evening appointed for her address.

The women all over the church smiled broadly. Frances Spenslow got up and went to the organ stool. The singing in the last hymn was good and hearty. Going down the steps after dismissal Mrs. Elder Knox caught the secretary of the Church Aid by the arm.

"I guess," she whispered anxiously, "you'd better call a special meeting of the Aids at my house tomorrow afternoon. If we're to get that social over before haying begins we've got to do some smart scurrying."

The strike in the Putney church was over.



The Unhappiness of Miss Farquhar

Frances Farquhar was a beauty and was sometimes called a society butterfly by people who didn't know very much about it. Her father was wealthy and her mother came of an extremely blue-blooded family. Frances had been out for three years, and was a social favourite. Consequently, it may be wondered why she was unhappy.

In plain English, Frances Farquhar had been jilted—just a commonplace, everyday jilting! She had been engaged to Paul Holcomb; he was a very handsome fellow, somewhat too evidently aware of the fact, and Frances was very deeply in love with him—or thought herself so, which at the time comes to pretty much the same thing. Everybody in her set knew of her engagement, and all her girl friends envied her, for Holcomb was a matrimonial catch.

Then the crash came. Nobody outside the family knew exactly what did happen, but everybody knew that the Holcomb-Farquhar match was off, and everybody had a different story to account for it.

The simple truth was that Holcomb was fickle and had fallen in love with another girl. There was nothing of the man about him, and it did not matter to his sublimely selfish caddishness whether he broke Frances Farquhar's heart or not. He got his freedom and he married Maud Carroll in six months' time.

The Farquhars, especially Ned, who was Frances's older brother and seldom concerned himself about her except when the family honour was involved, were furious at the whole affair. Mr. Farquhar stormed, and Ned swore, and Della lamented her vanished role of bridemaid. As for Mrs. Farquhar, she cried and said it would ruin Frances's future prospects.

The girl herself took no part in the family indignation meetings. But she believed that her heart was broken. Her love and her pride had suffered equally, and the effect seemed disastrous.

After a while the Farquhars calmed down and devoted themselves to the task of cheering Frances up. This they did not accomplish. She got through the rest of the season somehow and showed a proud front to the world, not even flinching when Holcomb himself crossed her path. To be sure, she was pale and thin, and had about as much animation as a mask, but the same might be said of a score of other girls who were not suspected of having broken hearts.

When the summer came Frances asserted herself. The Farquhars went to Green Harbour every summer. But this time Frances said she would not go, and stuck to it. The whole family took turns coaxing her and had nothing to show for their pains.

"I'm going up to Windy Meadows to stay with Aunt Eleanor while you are at the Harbour," she declared. "She has invited me often enough."

Ned whistled. "Jolly time you'll have of it, Sis. Windy Meadows is about as festive as a funeral. And Aunt Eleanor isn't lively, to put it in the mildest possible way."

"I don't care if she isn't. I want to get somewhere where people won't look at me and talk about—that," said Frances, looking ready to cry.

Ned went out and swore at Holcomb again, and then advised his mother to humour Frances. Accordingly, Frances went to Windy Meadows.

Windy Meadows was, as Ned had said, the reverse of lively. It was a pretty country place, with a sort of fag-end by way of a little fishing village, huddled on a wind-swept bit of beach, locally known as the "Cove." Aunt Eleanor was one of those delightful people, so few and far between in this world, who have perfectly mastered the art of minding their own business exclusively. She left Frances in peace.

She knew that her niece had had "some love trouble or other," and hadn't gotten over it rightly.

"It's always best to let those things take their course," said this philosophical lady to her "help" and confidant, Margaret Ann Peabody. "She'll get over it in time—though she doesn't think so now, bless you."

For the first fortnight Frances revelled in a luxury of unhindered sorrow. She could cry all night—and all day too, if she wished—without having to stop because people might notice that her eyes were red. She could mope in her room all she liked. And there were no men who demanded civility.

When the fortnight was over, Aunt Eleanor took crafty counsel with herself. The letting-alone policy was all very well, but it would not do to have the girl die on her hands. Frances was getting paler and thinner every day—and she was spoiling her eyelashes by crying.

"I wish," said Aunt Eleanor one morning at breakfast, while Frances pretended to eat, "that I could go and take Corona Sherwood out for a drive today. I promised her last week that I would, but I've never had time yet. And today is baking and churning day. It's a shame. Poor Corona!"

"Who is she?" asked Frances, trying to realize that there was actually someone in the world besides herself who was to be pitied.

"She is our minister's sister. She has been ill with rheumatic fever. She is better now, but doesn't seem to get strong very fast. She ought to go out more, but she isn't able to walk. I really must try and get around tomorrow. She keeps house for her brother at the manse. He isn't married, you know."

Frances didn't know, nor did she in the least degree care. But even the luxury of unlimited grief palls, and Frances was beginning to feel this vaguely. She offered to go and take Miss Sherwood out driving.

"I've never seen her," she said, "but I suppose that doesn't matter. I can drive Grey Tom in the phaeton, if you like."

It was just what Aunt Eleanor intended, and she saw Frances drive off that afternoon with a great deal of satisfaction.

"Give my love to Corona," she told her, "and say for me that she isn't to go messing about among those shore people until she's perfectly well. The manse is the fourth house after you turn the third corner."

Frances kept count of the corners and the houses and found the manse. Corona Sherwood herself came to the door. Frances had been expecting an elderly personage with spectacles and grey crimps; she was surprised to find that the minister's sister was a girl of about her own age and possessed of a distinct worldly prettiness. Corona was dark, with a different darkness from that of Frances, who had ivory outlines and blue-black hair, while Corona was dusky and piquant.

Her eyes brightened with delight when Frances told her errand.

"How good of you and Miss Eleanor! I am not strong enough to walk far yet—or do anything useful, in fact, and Elliott so seldom has time to take me out."

"Where shall we go?" asked Frances when they started. "I don't know much about this locality."

"Can we drive to the Cove first? I want to see poor little Jacky Hart. He has been so sick—"

"Aunt Eleanor positively forbade that," said Frances dubiously. "Will it be safe to disobey her?"

Corona laughed.

"Miss Eleanor blames my poor shore people for making me sick at first, but it was really not that at all. And I want to see Jacky Hart so much. He has been ill for some time with some disease of the spine and he is worse lately. I'm sure Miss Eleanor won't mind my calling just to see him."

Frances turned Grey Tom down the shore road that ran to the Cove and past it to silvery, wind-swept sands, rimming sea expanses crystal clear. Jacky Hart's home proved to be a tiny little place overflowing with children. Mrs. Hart was a pale, tired-looking woman with the patient, farseeing eyes so often found among the women who watch sea and shore every day and night of their lives for those who sometimes never return.

She spoke of Jacky with the apathy of hopelessness. The doctor said he would not last much longer. She told all her troubles unreservedly to Corona in her monotonous voice. Her "man" was drinking again and the mackerel catch was poor.

When Mrs. Hart asked Corona to go in and see Jacky, Frances went too. The sick boy, a child with a delicate, wasted face and large, bright eyes, lay in a tiny bedroom off the kitchen. The air was hot and heavy. Mrs. Hart stood at the foot of the bed with her tragic face.

"We have to set up nights with him now," she said. "It's awful hard on me and my man. The neighbours are kind enough and come sometimes, but most of them have enough to do. His medicine has to be given every half hour. I've been up for three nights running now. Jabez was off to the tavern for two. I'm just about played out."

She suddenly broke down and began to cry, or rather whimper, in a heart-broken way.

Corona looked troubled. "I wish I could come tonight, Mrs. Hart, but I'm afraid I'm really not strong enough yet."

"I don't know much about sickness," spoke up Frances firmly, "but if to sit by the child and give him his medicine regularly is all that is necessary, I am sure I can do that. I'll come and sit up with Jacky tonight if you care to have me."

Afterwards, when she and Corona were driving away, she wondered a good deal at herself. But Corona was so evidently pleased with her offer, and took it all so much as a matter of course, that Frances had not the courage to display her wonder. They had their drive through the great green bowl of the country valley, brimming over with sunshine, and afterwards Corona made Frances go home with her to tea.

Rev. Elliott Sherwood had got back from his pastoral visitations, and was training his sweet peas in the way they should go against the garden fence. He was in his shirt sleeves and wore a big straw hat, and seemed in nowise disconcerted thereby. Corona introduced him, and he took Grey Tom away and put him in the barn. Then he went back to his sweet peas. He had had his tea, he said, so that Frances did not see him again until she went home. She thought he was a very indifferent young man, and not half so nice as his sister.

But she went and sat up with Jacky Hart that night, getting to the Cove at dark, when the sea was a shimmer of fairy tints and the boats were coming in from the fishing grounds. Jacky greeted her with a wonderful smile, and later on she found herself watching alone by his bed. The tiny lamp on the table burned dim, and outside, on the rocks, there was loud laughing and talking until a late hour.

Afterwards a silence fell, through which the lap of the waves on the sands and the far-off moan of the Atlantic surges came sonorously. Jacky was restless and wakeful, but did not suffer, and liked to talk. Frances listened to him with a new-born power of sympathy, which she thought she must have caught from Corona. He told her all the tragedy of his short life, and how bad he felt, about Dad's taking to drink and Mammy's having to work so hard.

The pitiful little sentences made Frances's heart ache. The maternal instinct of the true woman awoke in her. She took a sudden liking to the child. He was a spiritual little creature, and his sufferings had made him old and wise. Once in the night he told Frances that he thought the angels must look like her.

"You are so sweet pretty," he said gravely. "I never saw anyone so pretty, not even Miss C'rona. You look like a picture I once saw on Mr. Sherwood's table when I was up at the manse one day 'fore I got so bad I couldn't walk. It was a woman with a li'l baby in her arms and a kind of rim round her head. I would like something most awful much."

"What is it, dear?" said Frances gently. "If I can get or do it for you, I will."

"You could," he said wistfully, "but maybe you won't want to. But I do wish you'd come here just once every day and sit here five minutes and let me look at you—just that. Will it be too much trouble?"

Frances stooped and kissed him. "I will come every day, Jacky," she said; and a look of ineffable content came over the thin little face. He put up his hand and touched her cheek.

"I knew you were good—as good as Miss C'rona, and she is an angel. I love you."

When morning came Frances went home. It was raining, and the sea was hidden in mist. As she walked along the wet road, Elliott Sherwood came splashing along in a little two-wheeled gig and picked her up. He wore a raincoat and a small cap, and did not look at all like a minister—or, at least, like Frances's conception of one.

Not that she knew much about ministers. Her own minister at home—that is to say, the minister of the fashionable uptown church which she attended—was a portly, dignified old man with silvery hair and gold-rimmed glasses, who preached scholarly, cultured sermons and was as far removed from Frances's personal life as a star in the Milky Way.

But a minister who wore rubber coats and little caps and drove about in a two-wheeled gig, very much mud-bespattered, and who talked about the shore people as if they were household intimates of his, was absolutely new to Frances.

She could not help seeing, however, that the crisp brown hair under the edges of the unclerical-looking cap curled around a remarkably well-shaped forehead, beneath which flashed out a pair of very fine dark-grey eyes; he had likewise a good mouth, which was resolute and looked as if it might be stubborn on occasion; and, although he was not exactly handsome, Frances decided that she liked his face.

He tucked the wet, slippery rubber apron of his conveyance about her and then proceeded to ask questions. Jacky Hart's case had to be reported on, and then Mr. Sherwood took out a notebook and looked over its entries intently.

"Do you want any more work of that sort to do?" he asked her abruptly.

Frances felt faintly amused. He talked to her as he might have done to Corona, and seemed utterly oblivious of the fact that her profile was classic and her eyes delicious. His indifference piqued Frances a little in spite of her murdered heart. Well, if there was anything she could do she might as well do it, she told him briefly, and he, with equal brevity, gave her directions for finding some old lady who lived on the Elm Creek road and to whom Corona had read tracts.

"Tracts are a mild dissipation of Aunt Clorinda's," he said. "She fairly revels in them. She is half blind and has missed Corona very much."

There were other matters also—a dozen or so of factory girls who needed to be looked after and a family of ragged children to be clothed. Frances, in some dismay, found herself pledged to help in all directions, and then ways and means had to be discussed. The long, wet road, sprinkled with houses, from whose windows people were peering to see "what girl the minister was driving," seemed very short. Frances did not know it, but Elliott Sherwood drove a full mile out of his way that morning to take her home, and risked being late for a very important appointment—from which it may be inferred that he was not quite so blind to the beautiful as he had seemed.

Frances went through the rain that afternoon and read tracts to Aunt Clorinda. She was so dreadfully tired that night that she forgot to cry, and slept well and soundly.

In the morning she went to church for the first time since coming to Windy Meadows. It did not seem civil not to go to hear a man preach when she had gone slumming with his sister and expected to assist him with his difficulties over factory girls. She was surprised at Elliott Sherwood's sermon, and mentally wondered why such a man had been allowed to remain for four years in a little country pulpit. Later on Aunt Eleanor told her it was for his health.

"He was not strong when he left college, so he came here. But he is as well as ever now, and I expect he will soon be gobbled up by some of your city churches. He preached in Castle Street church last winter, and I believe they were delighted with him."

This was all of a month later. During that time Frances thought that she must have been re-created, so far was her old self left behind. She seldom had an idle moment; when she had, she spent it with Corona. The two girls had become close friends, loving each other with the intensity of exceptional and somewhat exclusive natures.

Corona grew strong slowly, and could do little for her brother's people, but Frances was an excellent proxy, and Elliott Sherwood kept her employed. Incidentally, Frances had come to know the young minister, with his lofty ideals and earnest efforts, very well. He had got into a ridiculous habit of going to her—her, Frances Farquhar!—for advice in many perplexities.

Frances had nursed Jacky Hart and talked temperance to his father and read tracts to Aunt Clorinda and started a reading circle among the factory girls and fitted out all the little Jarboes with dresses and coaxed the shore children to go to school and patched up a feud between two 'longshore families and done a hundred other things of a similar nature.

Aunt Eleanor said nothing, as was her wise wont, but she talked it over with Margaret Ann Peabody, and agreed with that model domestic when she said: "Work'll keep folks out of trouble and help 'em out of it when they are in. Just as long as that girl brooded over her own worries and didn't think of anyone but herself she was miserable. But as soon as she found other folks were unhappy, too, and tried to help 'em out a bit, she helped herself most of all. She's getting fat and rosy, and it is plain to be seen that the minister thinks there isn't the like of her on this planet."

One night Frances told Corona all about Holcomb. Elliott Sherwood was away, and Frances had gone up to stay all night with Corona at the manse. They were sitting in the moonlit gloom of Corona's room, and Frances felt confidential. She had expected to feel badly and cry a little while she told it. But she did not, and before she was half through, it did not seem as if it were worth telling after all. Corona was deeply sympathetic. She did not say a great deal, but what she did say put Frances on better terms with herself.

"Oh, I shall get over it," the latter declared finally. "Once I thought I never would—but the truth is, I'm getting over it now. I'm very glad—but I'm horribly ashamed, too, to find myself so fickle."

"I don't think you are fickle, Frances," said Corona gravely, "because I don't think you ever really loved that man at all. You only imagined you did. And he was not worthy of you. You are so good, dear; those shore people just worship you. Elliott says you can do anything you like with them."

Frances laughed and said she was not at all good. Yet she was pleased. Later on, when she was brushing her hair before the mirror and smiling absently at her reflection, Corona said: "Frances, what is it like to be as pretty as you are?"

"Nonsense!" said Frances by way of answer.

"It is not nonsense at all. You must know you are very lovely, Frances. Elliott says you are the most beautiful girl he has ever seen."

For a girl who has told herself a dozen times that she would never care again for masculine admiration, Frances experienced a very odd thrill of delight on hearing that the minister of Windy Meadows thought her beautiful. She knew he admired her intellect and had immense respect for what he called her "genius for influencing people," but she had really believed all along that, if Elliott Sherwood had been asked, he could not have told whether she was a whit better looking than Kitty Martin of the Cove, who taught a class in Sunday school and had round rosy cheeks and a snub nose.

The summer went very quickly. One day Jacky Hart died—drifted out with the ebb tide, holding Frances's hand. She had loved the patient, sweet-souled little creature and missed him greatly.

When the time to go home came Frances felt dull. She hated to leave Windy Meadows and Corona and her dear shore people and Aunt Eleanor and—and—well, Margaret Ann Peabody.

Elliott Sherwood came up the night before she went away. When Margaret Ann showed him reverentially in, Frances was sitting in a halo of sunset light, and the pale, golden chrysanthemums in her hair shone like stars in the blue-black coils.

Elliott Sherwood had been absent from Windy Meadows for several days. There was a subdued jubilance in his manner.

"You think I have come to say good-bye, but I haven't," he told her. "I shall see you again very soon, I hope. I have just received a call to Castle Street church, and it is my intention to accept. So Corona and I will be in town this winter."

Frances tried to tell him how glad she was, but only stammered. Elliott Sherwood came close up to her as she stood by the window in the fading light, and said—

But on second thoughts I shall not record what he said—or what she said either. Some things should be left to the imagination.



Why Mr. Cropper Changed His Mind

"Well, Miss Maxwell, how did you get along today?" asked Mr. Baxter affably, when the new teacher came to the table.

She was a slight, dark girl, rather plain-looking, but with a smart, energetic way. Mr. Baxter approved of her; he "liked her style," as he would have said.

The summer term had just opened in the Maitland district. Esther Maxwell was a stranger, but she was a capable girl, and had no doubt of her own ability to get and keep the school in good working order. She smiled brightly at Mr. Baxter.

"Very well for a beginning. The children seem bright and teachable and not hard to control."

Mr. Baxter nodded. "There are no bad children in the school except the Cropper boys—and they can be good enough if they like. Reckon they weren't there today?"

"No."

"Well, Miss Maxwell, I think it only fair to tell you that you may have trouble with those boys when they do come. Forewarned is forearmed, you know. Mr. Cropper was opposed to our hiring you. Not, of course, that he had any personal objection to you, but he is set against female teachers, and when a Cropper is set there is nothing on earth can change him. He says female teachers can't keep order. He's started in with a spite at you on general principles, and the boys know it. They know he'll back them up in secret, no matter what they do, just to prove his opinions. Cropper is sly and slippery, and it is hard to corner him."

"Are the boys big?" queried Esther anxiously.

"Yes. Thirteen and fourteen and big for their age. You can't whip 'em—that is the trouble. A man might, but they'd twist you around their fingers. You'll have your hands full, I'm afraid. But maybe they'll behave all right after all."

Mr. Baxter privately had no hope that they would, but Esther hoped for the best. She could not believe that Mr. Cropper would carry his prejudices into a personal application. This conviction was strengthened when he overtook her walking from school the next day and drove her home. He was a big, handsome man with a very suave, polite manner. He asked interestedly about her school and her work, hoped she was getting on well, and said he had two young rascals of his own to send soon. Esther felt relieved. She thought that Mr. Baxter had exaggerated matters a little.

"That plum tree of Mrs. Charley's is loaded with fruit again this year," remarked Mr. Baxter at the tea table that evening. "I came past it today on my way 'cross lots home from the woods. There will be bushels of plums on it."

"I don't suppose poor Mrs. Charley will get one of them any more than she ever has," said Mrs. Baxter indignantly. "It's a burning shame, that's what it is! I just wish she could catch the Croppers once."

"You haven't any proof that it is really them, Mary," objected her husband, "and you shouldn't make reckless accusations before folks."

"I know very well it is them," retorted Mrs. Baxter, "and so do you, Adoniram. And Mrs. Charley knows it too, although she can't prove it—more's the pity! I don't say Isaac Cropper steals those plums with his own hands. But he knows who does—and the plums go into Mehitable Cropper's preserving kettle; there's nothing surer."

"You see, Miss Maxwell, it's this way," explained Mr. Baxter, turning to Esther. "Mrs. Charley Cropper's husband was Isaac's brother. They never got on well together, and when Charley died there was a tremendous fuss about the property. Isaac acted mean and scandalous clear through, and public opinion has been down on him ever since. But Mrs. Charley is a pretty smart woman, and he didn't get the better of her in everything. There was a strip of disputed land between the two farms, and she secured it. There's a big plum tree growing on it close to the line fence. It's the finest one in Maitland. But Mrs. Charley never gets a plum from it."

"But what becomes of them?" asked Esther.

"They disappear," said Mr. Baxter, with a significant nod. "When the plums are anything like ripe Mrs. Charley discovers some day that there isn't one left on the tree. She has never been able to get a scrap of proof as to who took them, or she'd make it hot for them. But nobody in Maitland has any doubt in his own mind that Isaac Cropper knows where those plums go."

"I don't think Mr. Cropper would steal," protested Esther.

"Well, he doesn't consider it stealing, you know. He claims the land and says the plums are his. I don't doubt that he is quite clear in his own mind that they are. And he does hate Mrs. Charley. I'd give considerable to see the old sinner fairly caught, but he is too deep."

"I think Mr. Baxter is too hard on Mr. Cropper," said Esther to herself later on. "He has probably some private prejudice against him."

* * * * *

But a month later she had changed her opinion. During that time the Cropper boys had come to school.

At first Esther had been inclined to like them. They were handsome lads, with the same smooth way that characterized their father, and seemed bright and intelligent. For a few days all went well, and Esther felt decidedly relieved.

But before long a subtle spirit of insubordination began to make itself felt in the school. Esther found herself powerless to cope with it. The Croppers never openly defied her, but they did precisely as they pleased. The other pupils thought themselves at liberty to follow this example, and in a month's time poor Esther had completely lost control of her little kingdom. Some complaints were heard among the ratepayers and even Mr. Baxter looked dubious. She knew that unless she could regain her authority she would be requested to hand in her resignation, but she was baffled by the elusive system of defiance which the Cropper boys had organized.

One day she resolved to go to Mr. Cropper himself and appeal to his sense of justice, if he had any. It had been an especially hard day in school. When she had been absent at the noon hour all the desks in the schoolroom had been piled in a pyramid on the floor, books and slates interchanged, and various other pranks played. When questioned every pupil denied having done or helped to do it. Alfred and Bob Cropper looked her squarely in the eyes and declared their innocence in their usual gentlemanly fashion, yet Esther felt sure that they were the guilty ones. She also knew what exaggerated accounts of the affair would be taken home to Maitland tea tables, and she felt like sitting down to cry. But she did not. Instead she set her mouth firmly, helped the children restore the room to order, and after school went up to Isaac Cropper's house.

That gentleman himself came in from the harvest field looking as courtly as usual, even in his rough working clothes. He shook hands heartily, told her he was glad to see her, and began talking about the weather. Esther was not to be turned from her object thus, although she felt her courage ebbing away from her as it always did in the presence of the Cropper imperviousness.

"I have come up to see you about Alfred and Robert, Mr. Cropper," she said. "They are not behaving well in school."

"Indeed!" Mr. Cropper's voice expressed bland surprise. "That is strange. As a rule I do not think Alfred and Robert have been troublesome to their teachers. What have they been doing now?"

"They refuse to obey my orders," said Esther faintly.

"Ah, well, Miss Maxwell, perhaps you will pardon my saying that a teacher should be able to enforce her orders. My boys are high-spirited fellows and need a strong, firm hand to restrain them. I have always said I considered it advisable to employ a male teacher in Maitland school. We should have better order. Not that I disapprove of you personally—far from it. I should be glad to see you succeed. But I have heard many complaints regarding the order in school at present."

"I had no trouble until your boys came," retorted Esther, losing her temper a little, "and I believe that if you were willing to co-operate with me that I could govern them."

"Well, you see," said Mr. Cropper easily, "when I send my boys to school I naturally expect that the teacher will be capable of doing the work she has been hired to do."

"Then you refuse to help me?" said Esther in a trembling voice.

"Why, my dear young lady, what can I do? Boys soon know when they can disobey a teacher with impunity. No doubt you will be able to secure a school easier to control and will do good work. But here, as I have already said, we need a firm hand at the helm. But you are not going yet, Miss Maxwell? You need some refreshment after your long walk. Mrs. Cropper will bring you in something."

"No, thank you," said poor Esther. She felt that she must get away at once or she would burst into heartsick tears under those steely, bland blue eyes. When she got home she shut herself up in her room and cried. There was nothing for her to do but resign, she thought dismally.

On the following Saturday Esther went for an afternoon walk, carrying her kodak with her. It was a brilliantly fine autumn day, and woods and fields were basking in a mellow haze. Esther went across lots to Mrs. Charley Cropper's house, intending to make a call. But the house was locked up and evidently deserted, so she rambled past it to the back fields. Passing through a grove of maples she came out among leafy young saplings on the other side. Just beyond her, with its laden boughs hanging over the line fence, was the famous plum tree. Esther looked at it for a moment. Then an odd smile gleamed over her face and she lifted her kodak.

Monday evening Esther called on Mr. Cropper again. After the preliminary remarks in which he indulged, she said, with seeming irrelevance, that Saturday had been a fine day.

"There was an excellent light for snapshots," she went on coolly. "I went out with my kodak and was lucky enough to get a good negative. I have brought you up a proof. I thought you would be interested in it."

She rose and placed the proof on the table before Mr. Cropper. The plum tree came out clearly. Bob and Alf Cropper were up among the boughs picking the plums. On the ground beneath them stood their father with a basket of fruit in his hand.

Mr. Cropper looked at the proof and from it to Esther. His eyes had lost their unconcerned glitter, but his voice was defiant.

"The plums are mine by right," he said.

"Perhaps," said Esther calmly, "but there are some who do not think so. Mrs. Charley, for instance—she would like to see this proof, I think."

"Don't show it to her," cried Mr. Cropper hastily. "I tell you, Miss Maxwell, the plums are mine. But I am tired of fighting over them and I had decided before this that I'd let her have them after this. It's only a trifle, anyhow. And about that little matter we were discussing the other night, Miss Maxwell. I have been thinking it over, and I admit I was somewhat unreasonable. I'll talk to Alfred and Robert and see what I can do."

"Very well," said Esther quietly. "The matter of the plums isn't my business and I don't wish to be involved in your family feuds, especially as you say that you mean to allow Mrs. Charley to enjoy her own in future. As for the school, we will hope that matters will improve."

"You'll leave the proof with me, won't you?" said Mr. Cropper eagerly.

"Oh, certainly," said Esther, smiling. "I have the negative still, you know."

From that time out the Cropper boys were models of good behaviour and the other turbulent spirits, having lost their leaders, were soon quelled. Complaint died away, and at the end of the term Esther was re-engaged.

"You seem to have won old Cropper over to your side entirely," Mr. Baxter told her that night. "He said at the meeting today that you were the best teacher we had ever had and moved to raise your salary. I never knew Isaac Cropper to change his opinions so handsomely."

Esther smiled. She knew it had taken a powerful lever to change Mr. Cropper's opinion, but she kept her own counsel.