He went to do so, whilst Valentina bent her steps towards the dining-room, attended by Gonzaga, to whom she now sought to make amends for her suspicions by an almost excessive friendliness of bearing.

But there was one whom Gonzaga's high-sounding words in connection with that letter had left cold. This was Peppe, that most wise of fools. He hastened after Francesco, and while the knight was disarming he came to voice his suspicions. But Francesco drove him out with impatience, and Peppe went sorrowing and swearing that the wisdom of the fool was truly better than the folly of the wise.

Throughout that day Gonzaga hardly stirred from Valentina's side. He talked with her in the morning at great length and upon subjects poetical or erudite, by which he meant to display his vast mental superiority over the swashbuckling Francesco. In the evening, when the heat of the day was spent, and whilst that same Messer Francesco was at some defensive measures on the walls, Gonzaga played at bowls with Valentina and her ladies—the latter having now recovered from the panic to which earlier they had been a prey.

That morning Gonzaga had stood at bay, seeing his plans crumble. That evening, after the day spent in Valentina's company—and she so sweet and kind to him—he began to take heart of grace once more, and his volatile mind whispered to his soul the hope that, after all, things might well be as he had first intended, if he but played his cards adroitly, and did not mar his chances by the precipitancy that had once gone near to losing him. His purpose gathered strength from a message that came that evening from Gian Maria, who was by then assured that Gonzaga's plan had failed. He sent word that, being unwilling to provoke the bloodshed threatened by the reckless madman who called himself Monna Valentina's Provost, he would delay the bombardment, hoping that in the meantime hunger would beget in that rebellious garrison a more submissive mood.

Francesco read the message to Madonna's soldiers, and they received it joyously. Their confidence in him increased a hundredfold by this proof of the accuracy of his foresight. They were a gay company at supper in consequence, and gayest of all was Messer Gonzaga, most bravely dressed in a purple suit of taby silk to honour so portentous an occasion.

Francesco was the first to quit the table, craving Monna Valentina's leave to be about some duty that took him to the walls. She let him go, and afterwards sat pensive, nor heeded now Romeo's light chatter, nor yet the sonnet of Petrarca that presently he sang the company. Her thoughts were all with him that had left the board. Scarcely a word had she exchanged with Francesco since that delirious moment when they had looked into each other's eyes upon the ramparts, and seen the secret that each was keeping from the other. Why had he not come to her? she asked herself. And then she bethought her of how Gonzaga had all day long been glued to her side, and she realised, too, that it was she had shunned Francesco's company, grown of a sudden strangely shy.

But greater than her shyness was now her desire to be near him, and to hear his voice; to have him look again upon her as he had looked that morning, when in terror for him she had sought to dissuade him from opposing the craven impulse of her men-at-arms. A woman of mature age, or one riper in experience, would have waited for him to seek her out. But Valentina, in her sweet naturalness, thought never of subterfuge or of dalliant wiles. She rose quietly from the table ere Gonzaga's song was done, and as quietly she slipped from the room.

It was a fine night, the air heavy with the vernal scent of fertile lands, and the deep cobalt of the heavens a glittering, star-flecked dome in a lighter space of which floated the half-disk of the growing moon. Such a moon, she bethought her, as she had looked at with thoughts of him, the night after their brief meeting at Acquasparta. She had gained that north rampart on which he had announced that duty took him, and yonder she saw a man—-the only tenant of the wall—leaning upon the embattled parapet, looking down at the lights of Gian Maria's camp. He was bareheaded, and by the gold coif that gleamed in his hair she knew him. Softly she stole up behind him.

"Do we dream here, Messer Francesco?" she asked him, as she reached his side, and there was laughter running through her words.

He started round at the sound of her voice, then he laughed too, softly and gladly.

"It is a night for dreams, and I was dreaming indeed. But you have scattered them."

"You grieve me," she rallied him. "For assuredly they were pleasant, since, to come here and indulge them, you left—us."

"Aye—they were pleasant," he answered. "And yet, they were fraught with a certain sadness, but idle as is the stuff of dreams. They were yours to dispel, for they were of you."

"Of me?" she questioned, her heart-beats quickening and bringing to her cheeks a flush that she thanked the night for concealing.

"Yes, Madonna—of you and our first meeting in the woods at Acquasparta. Do you recall it?"

"I do, I do," she murmured fondly.

"And do you recall how I then swore myself your knight and ever your champion? Little did we dream how the honour that I sighed for was to be mine."

She made him no answer, her mind harking back to that first meeting on which so often and so fondly she had pondered.

"I was thinking, too," he said presently, "of that man Gian Maria in the plain yonder, and of this shameful siege."

"You—you have no misgivings?" she faltered, for his words had disappointed her a little.

"Misgivings?"

"For being here with me. For being implicated in what they call my rebellion?"

He laughed softly, his eyes upon the silver gleam of waters below.

"My misgivings are all for the time when this siege shall be ended; when you and I shall have gone each our separate way," he answered boldly. He turned to face her now, and his voice rang a little tense. "But for being here to guide this fine resistance and lend you the little aid I can—— No, no, I have no misgiving for that. It is the dearest frolic ever my soldiering led me into. I came to Roccaleone with a message of warning; but underneath, deep down in my heart, I bore the hope that mine should be more than a messenger's part; that mine it might be to remain by you and do such work as I am doing."

"Without you they would have forced me by now to surrender."

"Perhaps they would. But while I am here I do not think they will. I burn for news of Babbiano. If I could but tell what is happening there I might cheer you with the assurance that this siege can last but a few days longer. Gian Maria must get him home or submit to the loss of his throne. And if he loses that your uncle would no longer support so strenuously his suit with you. To you, Madonna, this must be a cheering thought. To me—alas! Why should I hope for it?"

He was looking away now into the night, but his voice quivered with the emotion that was in him. She was silent, and emboldened perhaps by that silence of hers, encouraged by the memory of what he had seen that morning reflected in her eyes:

"Madonna," he cried, "I would it might be mine to cut a road for you through that besieging camp, and bear you away to some blessed place where there are neither courts nor princes. But since this may not be, Madonna mia, I would that this siege might last for ever."

And then—was it the night breeze faintly stirring through his hair that mocked him with the whisper, "So indeed would I?" He turned to her, his hand, brown and nervous, fell upon hers, ivory-white, where it rested on the stone.

"Valentina!" he cried, his voice no louder than a whisper, his eyes ardently seeking her averted ones. And then, as suddenly as it had leapt up, was the fire in his glance extinguished. He withdrew his hand from hers, he sighed, and shifted his gaze to the camp once more. "Forgive, forget, Madonna," he murmured bitterly, "that which in my madness I have presumed."

Silent she stood for a long moment; then she edged nearer to him, and her voice murmured back: "What if I account it no presumption?"

With a gasp he swung round to face her, and they stood very close, glance holding glance, and hers the less timid of the two. They thus remained for a little space. Then shaking his head and speaking with an infinite sadness:

"It were better that you did, Madonna," he made answer.

"Better? But why?"

"Because I am no duke, Madonna."

"And what of that?" she cried, to add with scorn: "Out yonder sits a duke. Oh, sir, how shall I account presumptuous in you the very words that I would hear? What does your rank signify to me? I know you for the truest knight, the noblest gentleman, and the most valiant friend that ever came to the aid of distressed maiden. Do you forget the very principles that have led me to make this resistance? That I am a woman, and ask of life no more than is a woman's due—and no less."

There she stopped; again the blood suffused her cheeks as she bethought her of how fast she talked, and of how bold her words might sound. She turned slightly from him, and leant now upon the parapet, gazing out into the night. And as she stood thus, a very ardent voice it was that whispered in her ear:

"Valentina, by my soul, I love you!" And there that whisper, which filled her with an ecstasy that was almost painful in its poignancy, ended sharply as if throttled. Again his hand sought hers, which was yielded to him as she would have yielded her whole life at his sweet bidding, and now his voice came less passionately.

"Why delude ourselves with cruel hopes, my Valentina?" he was saying. "There is the future. There is the time when this siege shall be done with, and when, Gian Maria having got him home, you will be free to depart. Whither will you go?"

She looked at him as if she did not understand the question, and her eyes were troubled, although in such light as there was he could scarce see this.

"I will go whither you bid me. Where else have I to go?" she added, with a note of bitterness.

He started. Her answer was so far from what he had expected.

"But your uncle——?"

"What duty do I owe to him? Oh, I have thought of it, and until—until this morning, it seemed that a convent must be my ultimate refuge. I have spent most of my young life at Santa Sofia, and the little that I have seen of the world at my uncle's court scarce invites me to see more of it. The Mother Abbess loved me a little. She would take me back, unless——"

She broke off and looked at him, and before that look of absolute and sweet surrender his senses swam. That she was niece to the Duke of Urbino he remembered no more than that he was Count of Aquila, well-born, but of none too rich estate, and certainly no more a match for her in Guidobaldo's eyes than if he had been the simple knight-errant that he seemed.

He moved closer to her, his hands—as if obeying a bidding greater than his will, the bidding of that glance of hers, perhaps—took her by the shoulders, whilst his whole soul looked at her from his eyes. Then, with a stifled cry, he caught her to him. For a moment she lay, palpitant, within his arms, her tall, bronze head on a level with his chin, her heart beating against his heart. Stooping suddenly, he kissed her on the lips. She suffered it with an unresistance that invited. But when it was done, she gently put him from her; and he, obedient to her slightest wish, curbed the wild ardour of his mood, and set her free.

"Anima mia!" he cried rapturously. "You are mine now, betide what may. Not Gian Maria nor all the dukes in Christendom shall take you from me."

She set her hand upon his lips to silence him, and he kissed the palm, so that laughing she drew back again. And now from laughter she passed to a great solemnity, and with arm outstretched towards the ducal camp: "Win me a way through those lines," said she, "and bear me away from Urbino—far away where Guidobaldo's power and the vengeance of Gian Maria may not follow us—and you shall have won me for your own. But until then, let there be a truce to—to this, between us. Here is a man's work to be done, and if I am weak as to-night, I may weaken you, and then we should both be undone. It is upon your strength I count, Franceschino mio, my true knight."

He would have answered her. He had much to tell her—who and what he was. But she pointed to the head of the steps, where a man's figure loomed.

"Yonder comes the sentinel," she said. "Leave me now, dear Francesco. Go. It is growing late."

He bowed low before her, obedient ever, like the true knight he was, and took his leave of her, his soul on fire.

Valentina watched his retreating figure until it had vanished round the angle of the wall. Then with a profound sigh, that was as a prayer of thanksgiving for this great good that had come into her life, she leaned upon the parapet and looked out into the darkness, her cheeks flushed, her heart still beating high. She laughed softly to herself out of the pure happiness of her mood. The camp of Gian Maria became a subject for her scorn. What should his might avail whilst she had such a champion to defend her now and hereafter?

There was an irony in that siege on which her fancy fastened. By coming thus in arms against her Gian Maria sought to win her for his wife; yet all that he had accomplished was to place her in the arms of the one man whom she had learnt to love by virtue of this very siege. The mellow warmth of the night, the ambient perfume of the fields were well-sorted to her mood, and the faint breeze that breathed caressingly upon her cheek seemed to re-echo the melodies her heart was giving forth. In that hour those old grey walls of Roccaleone seemed to enclose for her a very paradise, and the snatch of an old love song stole softly from her parted lips. But like a paradise—alas!—it had its snake that crept up unheard behind her, and was presently hissing in her ear. And its voice was the voice of Romeo Gonzaga.

"It comforts me, Madonna, that there is one, at least, in Roccaleone has the heart to sing."

Startled out of her happy pensiveness by that smooth and now unutterably sinister voice, she turned to face its owner.

She saw the white gleam of his face and something of the anger that smouldered in his eye, and despite herself a thrill of alarm ran through her like a shudder. She looked beyond him to a spot where lately she had seen the sentry. There was no one there nor anywhere upon that wall. They were alone, and Messer Gonzaga looked singularly evil.

For a moment there was a tense silence, broken only by the tumbling waters of the torrent-moat and the hoarse challenge of a sentry's "Chi va la?" in Gian Maria's camp. Then she turned nervously, wondering how much he might have heard of what had passed between herself and Francesco, how much have seen.

"And yet, Gonzaga," she answered him, "I left you singing below when I came away."

"—To wanton it here in the moonlight with that damned swashbuckler, that brigand, that kennel-bred beast of a sbirro!"

"Gonzaga! You would dare!"

"Dare?" he mocked her, beside himself with passion. "Is it you who speak of daring—you, the niece of Guidobaldo da Montefeltro, a lady of the noble and illustrious house of Rovere, who cast yourself into the arms of a low-born vassal such as that, a masnadiero, a bandit, a bravo? And can you yet speak of daring, and take that tone with me, when shame should strike you either dead or dumb?"

"Gonzaga," she answered him, her face as white as his own, but her voice steady and hard with anger, "leave me now—upon the instant, or I will have you flogged—flogged to the bone."

A moment he stared at her like a man dazed. Then he tossed his arms to Heaven, and letting them fall heavily to his sides, he shrugged his shoulders and laughed evilly. But of going he made no shift.

"Call your men," he answered her, in a choking voice. "Do your will on me. Flog me to the bone or to the death—let that be the reward of all that I have done, all that I have risked, all that I have sacrificed to serve you. It were of a piece with your other actions."

Her eyes sought his in the gloom, her bosom heaving wildly in her endeavours to master herself before she spoke.

"Messer Gonzaga," said she at last, "I'll not deny that you served me faithfully in the matter of my escape from Urbino——"

"Why speak of it?" he sneered. "It was a service of which you but avail yourself until another offered on whom you might bestow your favour and the supreme command of your fortress. Why speak of it?"

"To show you that the service you allude to is now paid," she riposted sternly. "By reproaching me you have taken payment, and by insulting me you have stamped out my gratitude."

"A most convenient logic yours," he mocked. "I am cast aside like an outworn garment, and the garment is accounted paid for because through much hard usage it has come to look a little threadbare."

And now it entered her mind that perhaps there was some justice in what he said. Perhaps she had used him a little hardly.

"Do you think, Gonzaga," she said, and her tone was now a shade more gentle, "that because you have served me you may affront me, and that knight who has served me, also, and——"

"In what can such service as his compare with mine? What has he done that I have not done more?"

"Why, when the men rebelled here——"

"Bah! Cite me not that. Body of God! it is his trade to lead such swine. He is one of themselves. But for the rest, what has such a man as this to lose by his share in your rebellion, compared with such a loss as mine must be?"

"Why, if things go ill, I take it he may lose his life," she answered, in a low voice. "Can you lose more?"

He made a gesture of impatience.

"If things go ill—yes. It may cost him dearly. But if they go well, and this siege is raised, he has nothing more to fear. Mine is a parlous case. However ends this siege, for me there will be no escape from the vengeance of Gian Maria and Guidobaldo. They know my share in it. They know that your action was helped by me, and that without me you could never have equipped yourself for such resistance. Whatever may betide you and this Ser Franceseo, for me there will be no escape."

She drew a deep breath, then set him the obvious question:

"Did you not consider it—did you not weigh these chances—before you embarked upon this business, before you, yourself, urged me to this step?"

"Aye, did I," he answered sullenly.

"Then, why these complaints now?"

He was singularly, madly frank with her in his reply. He told her that he had done it because he loved her, because she had given him signs that his love was not in vain.

"I gave you signs?" she interrupted him. "Mother in Heaven! Recite these signs that I may know them."

"Were you not ever kind to me?" he demanded. "Did you not ever manifest a liking for my company? Were you not ever pleased that I should sing to you the songs that in your honour I had made? Was it not to me you turned in the hour of your need?"

"See now how poor a thing you are, Gonzaga?" she answered witheringly. "A woman may not smile on you, may not give you a kind word, may not suffer you to sing to her, but you must conclude she is enamoured of you. And if I turned to you in my hour of need, as you remind me, needs that be a sign of my infatuation? Does every cavalier so think when a helpless woman turns to him in her distress? But even so," she continued, "how should all that diminish the peril you now talk of? Even were your suit with me to prosper, would that make you any the less Romeo Gonzaga, the butt of the anger of my uncle and Gian Maria? Rather do I think that it should make you more."

But he disillusioned her. He did not scruple, in his angry mood, to lay before her his reasonings that as her husband he would be screened.

She laughed aloud at that.

"And so it is by such sophistries as these that your presumption came to life?"

That stung him. Quivering with the passion that obsessed him, he stepped close up to her.

"Tell me, Madonna—why shall we account presumption in Romeo Gonzaga a suit that in a nameless adventurer we encourage?" he asked, his voice thick and tremulous.

"Have a care," she bade him.

"A care of what?" he flashed back. "Answer me, Monna Valentina. Am I so base a man that by the very thought of love for you I must presume, whilst you can give yourself into the arms of this swashbuckling bravo, and take his kisses? Your reasoning sorts ill with your deeds."

"Craven!" she answered him. "Dog that you are!" And before the blaze of passion in her eyes he recoiled, his courage faltering. She cropped her anger in mid-career, and in a dangerously calm voice she bade him see to it that by morning he was no longer in Roccaleone. "Profit by the night," she counselled him, "and escape the vigilance of Gian Maria as best you can. Here you shall not stay."

At that a great fear took possession of him, putting to flight the last remnant of his anger. Nor fear alone was it, to do him full justice. It was also the realisation that if he would take payment from her for this treatment of him, if he would slake his vengeance, he must stay. One plan had failed him. But his mind was fertile, and he might devise another that might succeed and place Gian Maria in Roccaleone. Thus should he be amply venged. She was turning away, having pronounced his banishment, but he sprang after her, and upon his knees he now besought her piteously to hear him yet awhile.

And she, regretting her already of her harshness, and thinking that perhaps in his jealousy he had been scarce responsible for what he had said, stood still to hear him.

"Not that, not that, Madonna," he wailed, his tone suggesting the imminence of tears. "Do not send me away. If die I must, let me die here at Roccaleone, helping the defence to my last breath. But do not cast me out to fall into the hands of Gian Maria. He will hang me for my share in this business. Do not requite me thus, Madonna. You owe me a little, surely, and if I was mad when I talked to you just now, it was love of you that drove me—love of you and suspicion of that man of whom none of us know anything. Madonna, be pitiful a little. Suffer me to remain."

She looked down at him, her mind swayed between pity and contempt. Then pity won the day in the wayward but ever gentle heart of Valentina. She bade him rise.

"And go, Gonzaga. Get you to bed, and sleep you into a saner frame of mind. We will forget all this that you have said, so that you never speak of it again—nor of this love you say you bear me."

The hypocrite caught the hem of her cloak, and bore it to his lips.

"May God keep your heart ever as pure and noble and forgiving," he murmured brokenly. "I know how little I am deserving of your clemency. But I shall repay you, Madonna," he protested—and truly meant it, though not in the sense it seemed.



CHAPTER XXI. THE PENITENT

A week passed peacefully at Roccaleone; so peacefully that it was difficult to conceive that out there in the plain sat Gian Maria with his five-score men besieging them.

This inaction fretted the Count of Aquila, as did the lack of news from Fanfulla; and he wondered vaguely what might be taking place at Babbiano that Gian Maria should be content to sit idly before them, as though he had months at his disposal in which to starve them into yielding. The mystery would have been dispelled had he known that he had Gonzaga to thank for this singular patience of Gian Maria's. For the courtier had found occasion to send another letter-carrying shaft into the Duke's camp, informing him of how and why the last plot had failed, and urging Gian Maria to wait and trust in him to devise a better scheme for delivering the castle into his power. He had promised boldly and confidently enough, and Gian Maria—facts showed—had trusted to that promise of his, and awaited its fulfilment. But tax his mind though he did incessantly, no inspiration came to him, no scheme suggested itself by which he might accomplish his treacherous purpose.

He employed the time cunningly to win back Valentina's favour and confidence. On the morning after his stormy interview with Guidobaldo's niece, he had confessed himself to Fra Domenico, and approached the Sacrament. Every morning thereafter he appeared at Mass, and by the piety and fervour of his devotions became an example to all the others. Now this was not lost on Valentina, who was convent-bred, and in a measure devout. She read in this singular alteration of his ways the undoubtable indication of an altered character. That he had approached the Sacrament on the morning after his wild words to her, she took to mean that he repented him the viciousness of the animosity he had entertained that he continued so extremely devout thereafter she construed into meaning that his repentance was sincere and persistent.

And so she came to ask herself whether, indeed, he had not been as much sinned against as sinning, and she ended by assuring herself that in a measure the fault was hers. Seeing him so penitent, and concluding from it that he was not likely to transgress again, she readmitted him to her favour, and, little by little, the old friendly state was re-established and was the sounder, perhaps, by virtue of her confidence that after what had passed he would not again misunderstand her.

He did not, nor did he again allow his optimism and ever-ready vanity to cozen him with false hopes. He read her with exact precision, and whilst the reading but served to embitter him the more and render him more steadfast in his vengeful purpose, it, nevertheless, made him smile the more sweetly and fawn the more obsequiously.

And not content with this, he did not limit his sycophancy to Valentina, but sought also by a smiling persistence to ingratiate himself with Francesco. No voice in Roccaleone—not even that of the bully Ercole—was raised more often or more enthusiastically to praise and glorify their Provost. Valentina, observing this, and accepting it as another sign of his contrition for the past and purpose of amendment for the future, grew yet more cordial towards him. He was not lacking in astuteness, this pretty Ser Romeo, nor in knowledge of a woman's heart, and the apprehension of the fact that there is no flattery she prefers to that which has for object the man she loves.

Thus did Gonzaga conquer the confidence and esteem of all during that peaceful week. He seemed a changed man, and all save Peppe saw in this change a matter for increased trust and friendship towards him. But the astute fool looked on and pondered. Such transformations as these were not effected in a night. He was no believer in any human chrysalis that shall make of the grub of yesterday the butterfly of to-day. And so, in this fawning, smiling, subservient Gonzaga, he saw nothing but an object of mistrust, a fellow to be watched with the utmost vigilance. To this vigilance the hunchback applied himself with a zeal born of his cordial detestation of the courtier. But Gonzaga, aware of the fool's mistrust and watchfulness, contrived for once to elude him, and to get a letter to Gian Maria setting forth the ingenious plan he had hatched.

The notion had come to him that Sunday at Mass. On all sanctified days it was Monna Valentina's way to insist that the entire garrison, with the exception of one single sentinel—and this only at Francesco's very earnest urging—should attend the morning service. Like an inspiration it came to him that such a half-hour as that would be a most opportune season in which to throw open the gates of Roccaleone to the besiegers. The following Wednesday was the feast of Corpus Christi. Then would be his opportunity.

Kneeling there, with head bent in ecstatic devotion, he matured his treacherous plan. The single sentry he could suborn, or else—if bribery failed—poniard. He realised that single-handed he might not lower the cumbrous drawbridge, nor would it be wise, even if possible, for the noise of it might give the alarm. But there was the postern. Gian Maria must construct him a light, portable bridge, and have it in readiness to span the moat and silently pour his soldiers into the castle through that little gate.

And so, the plot matured and every detail clear, he got him to his chamber and penned the letter that was to rejoice the heart of Gian Maria. He chose a favourable moment to despatch it, as he had despatched the former ones, tied about the quarrel of an arbalest, and he saw Gian Maria's signal—for which the letter had provided—that the plan would be adopted. Humming a gay measure, jubilant at the prospect of seeing himself so amply avenged, Gonzaga passed down and out into the castle gardens to join the ladies in their merry-making over a game of hoodman blind.

Now, however much the Duke of Babbiano may have congratulated himself upon the ally he possessed in Gonzaga, and the cunning scheme the latter had devised for placing him in possession of Roccaleone, there came news to him on the morrow that caused him to rejoice a hundredfold more fervently. His subjects of Babbiano were in a condition approaching open rebellion, resulting from the disquieting rumours that Caesar Borgia was arming at Rome for a decent upon the Duchy, and the continued absence of Gian Maria in such a season, upon a wooing that they deemed ill-timed. A strong party had been formed, and the leaders had nailed upon the Palace gates a proclamation that, unless Gian Maria returned within three days to organise the defence of Babbiano, they would depose him and repair to Aquila to invite his cousin, Francesco del Falco—whose patriotism and military skill were known to all—to assume the crown of Babbiano and protect them.

At the news, and upon reading the proclamation, which Alvari had brought with him, Gian Maria flew into one of those fits of rage that made his name a byword in Babbiano. Presently, however, he cooled. There was Gonzaga yonder, who had promised to admit him to Roccaleone on Wednesday. That left him time to first possess himself of his reluctant bride, and then ride hard to Babbiano, to arrive there before the expiry of the three days' grace his subjects gave him.

He conferred with Guidobaldo, and urged that a priest should be in waiting to wed them so soon as he should have brought her out of the fortress. Upon that detail they were within an ace of quarrelling. Guidobaldo would not at first agree to such hasty nuptials; they were unfitting the dignity and the station of his niece, and if Gian Maria would wed her he must come to Urbino and let the ceremony be performed by a cardinal. Well was it then for Gian Maria that he mastered his wonted hastiness and curbed the hot, defiant retort that rose to his lips. Had he done so, an enduring rupture between them would probably have ensued; for Guidobaldo was not one to permit himself to be hectored, and, after all, he amply realised that Gian Maria had more need of him than he of Gian Maria. And this in that moment the Duke of Babbiano realised too, and realising it he set himself to plead where otherwise he might have demanded, to beg as a favour that which otherwise he might have commanded with a threat. And so he won Guidobaldo—although reluctant—to his wishes in the matter, and in his good-nature the Duke of Urbino consented to pocket the dignity that prompted him to see the ceremony performed with princely pomp.

This being settled, Gian Maria blessed Gonzaga who rendered it all possible, and came most opportunely to his aid where without him he should have been forced to resort to cannon and bloodshed.

With Gonzaga the only shadow of doubt that remained to mar the perfect certainty of his success lay in his appreciation of Francesco's daring character and resourceful mind, and now as if the gods were eager to favour him to the very last degree—a strange weapon to combat this was unexpectedly thrust into his hand.

It happened that Alvari was not the only messenger who travelled that day to Roccaleone. There followed him by some hours, the Count of Aquila's servant, Zaccaria, who rode hard and reached the approaches of the castle by sunset. His destination being the fortress itself, he was forced to wait in the woods until night had fallen, and even then his mission was fraught with peril.

It befell that somewhere near the second hour of night, the moon being overcast at the time—for there were threats of a storm in the sky—the sentinel on the eastern wall heard a sound of splashing in the moat below, accompanied by the stertorous breathing of a swimmer whose mouth is not well above water. He challenged the sound, but receiving no reply he turned to go and give the alarm, and ran into the arms of Gonzaga, who had come up to take the air.

"Illustrious," he exclaimed, "there is someone swimming the moat."

"Eh?" cried Gonzaga, a hundred suspicions of Gian Maria running through his mind. "Treachery?"

"It is what I thought."

Gonzaga took the man by the sleeve of his doublet, and drew him back to the parapet. They peered over, and from out of the blackness they were hailed by a faint "Ola!"

"Who goes there?" demanded Romeo.

"A friend," came the answer softly. "A messenger from Babbiano with letters for the Lord Count of Aquila. Throw me a rope, friends, before I drown in this trough."

"You rave, fool!" answered him Gonzaga. "We have no counts at Roccaleone."

"Surely, sir sentinel," replied the voice, "my master, Messer Francesco del Falco, is here. Throw me a rope, I say."

"Messer Fran——" began Gonzaga. Then he made a noise like a man choking. It was as if a sudden light of revelation had flooded his brain. "Get a rope," he harshly bade the sentry. "In the armoury yard. Despatch, fool!" he added sharply, now fearing interruption.

In a moment the man was back, and the rope was lowered to the visitor below. A few seconds later Zaccaria stood on the ramparts of Roccaleone, the water dripping from his sodden garments, and gathering in a pool about his feet.

"This way," said Gonzaga, leading the man towards the armoury tower, where a lanthorn was burning. By the light of it he surveyed the newcomer, and bade the sentry close the door and remain within call, without.

Zaccaria looked startled at the order. This was scarcely the reception he had expected after so imperilling his life to reach the castle with his letter.

"Where is my lord?" he inquired, through teeth that chattered from the cold of his immersion, wondering vaguely who this very magnificent gentleman might be.

"Is Messer Francesco del Falco your lord?" asked Romeo.

"He is, sir. I have had the honour to serve him these ten years. I bring him letters from Messer Fanfulla degli Arcipreti. They are very urgent. Will you lead me to him?"

"You are very wet," murmured Gonzaga solicitously. "You will take your death from cold, and the death of a man so brave as to have found a way through Gian Maria's lines were truly deplorable." He stepped to the door. "Ola!" he called to the sentry. "Take this brave fellow up there and find him a change of raiment." He pointed to the upper chamber of the tower, where, indeed, such things were stored.

"But my letters, sir!" cried Zaccaria impatiently. "They are very urgent, and hours have I wasted already in waiting for the night."

"Surely you can wait until you have changed your garments? Your life, I take it, is of more account than the loss of a few moments."

"But my orders from Messer degli Arcipreti were that I must not lose an instant."

"Oh, si, si!" cried Gonzaga, with a show of good-tempered impatience. "Give me the letters, then, and I will take them to the Count while you are stripping those wet clothes."

Zaccaria eyed him a moment in doubt. But he looked so harmless in his finery, and the expression of his comely face was so winning and honest, that the man's hesitancy faded as soon as it sprang up. Removing his cap, he drew from within the crown the letter, which he had placed there to keep dry. This package he now handed to Gonzaga, who, with a final word of instruction to the sentry touching the finding of raiment for the messenger, stepped out to go his errand. But outside the door he paused, and called the sentry to him again.

"Here is a ducat for you," he whispered. "Do my bidding and you shall have more. Detain him in the tower till I return, and on no account let him be seen or heard by anyone."

"Yes, Excellency," the man replied. "But what if the captain comes and finds me absent from my post?"

"I will provide for that. I will tell Messer Fortemani that I have employed you on a special matter, and ask him to replace you. You are dispensed sentry duty for to-night."

The man bowed, and quietly withdrew to attend to his prisoner, for in that light he now regarded Zaccaria.

Gonzaga sought Fortemani in the guard-room below, and did as he had promised the sentry.

"But," snapped Ercole, reddening, "by whose authority have you done this? By what right do you send sentinels on missions of your own? Christo Santo! Is the castle to be invaded while you send my watchmen to fetch your comfit-box or a book of verses?"

"You will remember——" began Romeo, with an air of overwhelming dignity.

"Devil take you and him that sent you!" broke in the bully. "The Messer Provost shall hear of this."

"On no account," cried Gonzaga, now passing from anger to alarm, and snatching the skirts of Fortemani's cloak as the captain was in the act of going out to execute his threat. "Ser Ercole be reasonable, I beg of you. Are we to alarm the castle and disturb Monna Valentina over a trumpery affair such as this? Man, they will laugh at you."

"Eh?" There was nothing Ercole relished less than to be laughed at. He pondered a moment, and it occurred to him that perhaps he was making much of nothing. Then:

"You, Aventano," he called, "take your partisan, and patrol the eastern rampart. There, Messer Gonzaga, I have obeyed your wishes; but Messer Francesco shall hear of it when he comes his rounds."

Gonzaga left him. Francesco would not make his rounds for another hour, and by then it would not matter what Fortemani told him. In one way or another he would be able to account for his action.

He crossed the courtyard, and mounted the steps leading to his own chamber. Once there, he closed and barred the door. He kindled a light, and flinging the letter on the table, he sat and contemplated its exterior and the great red seal that gleamed in the yellow light of his taper.

So! This knight-errant, this man whom he had accounted a low-born hind, was none other than the famous Count of Aquila, the well-beloved of the people of Babbiano, the beau-ideal of all military folk from Sicily to the Alps. And he had never suspected it! Dull-witted did he now account himself. Enough descriptions had he heard of that famous condottiero, that mirror of Italian chivalry. He might have known that there did not live two men of such commanding ways as he had seen instanced at Roccaleone. What was his object there? Was it love of Valentina, or was it——? He paused, as in his mind he made a swift review of the politics of Babbiano. A sudden possibility occurred to him that made his eyes sparkle and his hands tremble with eagerness. Was this but a political scheme to undermine his cousin's throne, to which Gonzaga had heard it rumoured that Francesco del Falco was an aspirant? If it were so, what a vengeance would be his to unmask him! How it must humble Valentina! The letter lay before him. Within it the true facts would be disclosed. What did his friend Fanfulla write him?

He took the letter up and made a close inspection of the seal. Then softly, quietly, slowly he drew his dagger. If his suspicions were unfounded, his dagger heated in the taper should afford him the means to conceal the fact that he had tampered with that missive. He slipped his blade under the seal, and worked it cautiously until it came up and set the letter open. He unfolded it, and as he read his eyes dilated. He seemed to crouch on his chair, and the hand that held the paper shook. He drew the candle nearer, and shading his eyes he read it again, word for word:

"MY DEAR LORD COUNT,—I have delayed writing until the time when the signs I observed should have become more definite, as they have now done, so that I may delay no longer. This, then, goes by the hand of Zaccaria, to tell you that to-day has word been sent Gian Maria giving him three days in which to return to Babbiano, or to abandon all hope of his crown, of which the people will send the offer then to you at Aquila, where you are believed to be. So now, my dear lord, you have the tyrant at your mercy, tossed between Scylla and Charybdis. Yours it is to resolve how you will act; but I rejoice in being the one to send you word that your presence at Roccaleone and your stubborn defence of the fortress has not been vain, and that presently you are to reap the well-earned reward of it. The people have been stirred to this extreme action by the confusion prevailing here.

"News has reached us that Caesar Borgia is arming, at Rome, a condotta to invade Babbiano, and the people are exasperated at Gian Maria's continued absence in such a season. They are short-sighted in this, for they overlook the results that must attend the alliance with Urbino. May God protect and prosper your Excellency, whose most devoted servant is

"FANFULLA DEGLI AROIPRETI."



CHAPTER XXII. A REVELATION

"Francesco," said Valentina, and the name came from her lips as if it were an endearment, "why that frowning, care-worn look?"

They were in the dining-room alone, where the others had left them, and they were still seated at the table at which they had supped. Francesco raised his dark, thoughtful eyes, and as they lighted now on Valentina the thoughtfulness that was in them gave place to tenderness.

"I am fretted by this lack of news," he acknowledged. "I would I knew what is being done in Babbiano. I had thought that ere now Caesar Borgia had stirred Gian Maria's subjects into some manner of action. I would I knew!"

She rose, and coming close to him, she stood with one hand resting upon his shoulder, her eyes smiling down upon his upturned face.

"And shall such a trifle fret you—you who professed a week ago that you would this siege might last for ever?"

"Account me not fickle, anima mia," he answered her, and he kissed the ivory fingers that rested on his shoulder. "For that was before the world changed for me at the magic of your bidding. And so," he repeated, "I would I knew what is toward at Babbiano!"

"But why sigh over a wish so idle?" she exclaimed. "By what means can news reach you here of the happenings of the world without?"

He pondered a moment, seeking words in which to answer her. A score of times during that week had he been on the point of disclosing himself, of telling her who and what he was. Yet ever had he hesitated, putting off that disclosure until the season should appear more fitting. This he now considered the present. She trusted him, and there was no reason to remain silent longer. Perhaps already he had delayed too long, and so he was about to speak when she started from his side, and crossed hastily to the window, alarmed by the sound of approaching steps. A second later the door opened, and Gonzaga appeared.

A moment he hesitated in the doorway, looking from one to the other, and Francesco, lazily regarding him in his turn, noted that his cheeks were pale and that his eyes glittered like those of a man with the fever. Then he stepped forward, and, leaving the door open behind him, he advanced into the room.

"Monna Valentina, I have something to communicate to you." His voice shook slightly. "Messer—Francesco, will you give us leave?" And his feverish eyes moved to the open door with an eloquence that asked no words.

Francesco rose slowly, endeavouring to repress his surprise and glanced across at Valentina, as if awaiting her confirmation or refusal of this request that he should leave them.

"A communication for me?" she marvelled, a slight frown drawing her brows together. "Of what nature, sir?"

"Of a nature as important as it is private."

She raised her chin, and with a patient smile she seemed to beg of Francesco that he would suffer her to humour this mood of Gonzaga's. In quick obedience Francesco inclined his head.

"I shall be in my chamber until the hour of my rounds, Madonna," he announced, and with that took his departure.

Gonzaga attended him to the door, which he closed after him, and composing his features to an expression of sorrowing indignation, he came back and stood facing Valentina across the table.

"Madonna," he said, "I would to Heaven this communication I have to make to you came from other lips. In the light of what has passed—here at Roccaleone—through my folly—you—you may think my mission charged with vindictiveness."

Perplexity stared at him from her eyes.

"You fill me with alarm, my good Gonzaga," she answered him, though smiling.

"Alas it has fallen to my unfortunate lot to do more than that. I have made the discovery of as foul a piece of treachery here in your fortress as ever traitor hatched."

She looked at him more seriously now. The vehemence of his tone, and the suggestion of sorrow that ran through it and gave it so frank an accent, commanded her attention.

"Treachery!" she echoed, in a low voice, her eyes dilating. "And from whom?"

He hesitated a moment, then waving his hand:

"Will you not sit, Madonna?" he suggested nervously.

Mechanically she seated herself at the table, her eyes ever on his face, alarm spreading in her heart, born of suspense.

"Be seated too," she bade him, "and tell me."

He drew up a chair, sat down opposite to her, and taking a deep breath: "Heard you ever of the Count of Aquila?" he inquired.

"It were odd if I had not. The most valiant knight in Italy, fame dubs him."

His eyes were intently on her face, and what he saw there satisfied him.

"You know how he stands with the people of Babbiano?"

"I know that he is beloved of them."

"And do you know that he is a pretender to the throne of Babbiano? You will remember that he is cousin to Gian Maria?"

"His relationship to Gian Maria I know. That he pretends to the throne of Babbiano I was not aware. But whither are we straying?"

"We are not straying, Madonna," answered Gonzaga, "we are making a straight line for the very heart and soul of this treachery I spoke of. Would you believe me if I told you that here, in Roccaleone, we have an agent of the Count of Aquila one who in the Count's interest is protracting this siege with the pretended aim of driving Gian Maria off."

"Gonzaga——" she began, more than half guessing the drift of his explanation. But he interrupted her with unusual brusqueness.

"Wait, Madonna," he cried, his eyes upon her face, his hand imperiously raised. "Hear me out in patience. I am not talking idly. Of what I tell you I am armed with proof and witness. Such an agent of—of the Count's interests we have among us, and his true object in protracting this siege, and encouraging and aiding you in your resistance, is to outwear the patience of the people of Babbiano with Gian Maria, and drive them in the hour of their approaching peril from Caesar Borgia's armies to bestow the throne on Aquila."

"Where learnt you this foul lie?" she asked him, her cheeks crimson, her eyes on fire.

"Madonna," he said, in a patient voice, "this that you call a lie is already an accomplished fact. I am not laying before you the fruits of idle speculation. I have upon me the most positive proof that such a result as was hoped for has already been reached. Gian Maria has received from his subjects a notification that unless he is in his capital within three days from this, they will invest the Lord of Aquila with the ducal crown."

She rose, her anger well controlled, her voice calm.

"Where is this proof? No, no; I don't need to see it. Whatever it is, what shall it prove to me? That your words, in so far as the politics of Babbiano are concerned, may be true; our resistance of Gian Maria may indeed be losing him his throne and doing good service to the cause of the Count of Aquila; but how shall all this prove that lie of yours, that Messer Francesco—for it is clearly of him you speak—that Messer Francesco should be this agent of the Count's? It is a lie, Gonzaga, for which you shall be punished as you deserve."

She ceased, and stood awaiting his reply, and as she watched him his calm demeanour struck a chill into her heart. He was so confident, so full of assurance; and that, in Gonzaga, she had learnt to know meant a strong bulwark 'twixt himself and danger. He sighed profoundly.

"Madonna, these cruel words of yours do not wound me, since they are no more than I expected. But it will wound me—and sorely—if when you shall have learnt the rest you do not humbly acknowledge how you have wronged me, how grossly you have misjudged me. You think I come to you with evil in my heart, urged by a spirit of vindictiveness against Messer Francesco. Instead, I come to you with nothing but a profound sorrow that mine must be the voice to disillusion you, and a deep indignation against him that has so foully used you to his own ends. Wait, Madonna! In a measure you are right. It was not strictly true to say that this Messer Francesco is the agent of the Count of Aquila."

"Ah! You are recanting already?"

"Only a little—an insignificant little. He is no agent because——" He hesitated, and glanced swiftly up. Then he sighed, lowered his voice, and with consummately simulated sorrow, he concluded "Because he is, himself, Francesco del Falco. Count of Aquila."

She swayed a moment, and the colour died from her cheeks, leaving them ivory pale. She leaned heavily against the table, and turned over in her mind what she had heard. And then, as suddenly as it had gone, the blood rushed back into her face, mounting to her very temples.

"It's a lie!" she blazed at him; "a lie for which you shall be whipped."

He shrugged his shoulders, and cast Francesco's letter on to the table.

"There, Madonna, is something that will prove all that I have said."

She eyed the paper coldly. Her first impulse was to call Fortemani and carry out her threat of having Gonzaga whipped, refusing so much as to see this thing that he so confidently termed a proof; but it may be that his confidence wrought upon her, touching a chord of feminine curiosity. That he was wrong she never doubted; but that he believed himself right she was also assured, and she wondered what this thing might be that had so convinced him. Still she did not touch it, but asked in an indifferent voice:

"What is it?"

"A letter that was brought hither to-night by a man who swam the moat, and whom I have ordered to be detained in the armoury tower. It is from Fanfulla degli Arcipreti to the Count of Aquila. If your memory will bear you back to a certain day at Acquasparta, you may recall that Fanfulla was the name of a very gallant cavalier who addressed this Messer Francesco with marked respect."

She took that backward mental glance he bade her, and remembered. Then she remembered, too, how that very evening Francesco had said that he was fretting for news of Babbiano, and that when she had asked how he hoped that news could reach him at Roccaleone, Gonzaga had entered before he answered her. Indeed, he had seemed to hesitate upon that answer. A sudden chill encompassed her at that reflection. Oh, it was impossible, absurd! And yet she took the letter from the table. With knit brows she read it, whilst Gonzaga watched her, scarce able to keep the satisfaction from gleaming in his eyes.

She read it slowly, and as she read her face grew deathly pale. When she had finished she stood silent for a long minute, her eyes upon the signature and her mind harking back to what Gonzaga had said, and drawing comparison between that and such things as had been done and uttered, and nowhere did she find the slightest gleam of that discrepancy which so ardently she sought.

It was as if a hand were crushing the heart in her bosom. This man whom she had trusted, this peerless champion of her cause, to be nothing but a self-seeker, an intriguer, who, to advance his own ends, had made a pawn of her. She thought of how for a moment he had held her in his arms and kissed her, and at that her whole soul revolted against the notion that here was no more than treachery.

"It's all a plot against him!" she cried, her cheeks scarlet again. "It's an infamous thing of your devising, Messer Gonzaga, an odious lie!"

"Madonna, the man that brought the letter is still detained. Confront him with Messer Francesco; or apply the question to him, and learn his master's true name and station. As for the rest, if that letter is insufficient proof for you, I beg that you will look back at facts. Why should he lie to you? and say that his name was Francesco Franceschi? Why should he have urged you—against all reason—to remain here, when he brought you news that Gian Maria was advancing? Surely had he but sought to serve you he had better accomplished this by placing his own castle of Aquila at your disposal, and leaving here an empty nest for Gian Maria, as I urged."

She sank to a chair, a fever in her mind.

"I tell you, Madonna, there is no mistake. What I have said is true. Another three days would he have held Gian Maria here, whilst if you gave him that letter, it is odds he would slip away in the night of to-morrow, that he might be in Babbiano on the third day to take the throne his cousin treats so lightly. Sainted God!" he cried out. "I think this is the most diabolically treacherous plot that ever mind of man conceived and human heartlessness executed."

"But—but——" she faltered, "all this is presupposing that Messer Francesco is indeed the Count of Aquila. May there—may it not be that this letter was meant for some other destination?"

"Will you confront this messenger with the Count?"

"With the Count?" she inquired dully. "With Messer Francesco, you mean?" She shuddered, and with strange inconsistence: "No," she said, in a choking voice, her lip twisting oddly at the corner. "I do not wish to see his face again."

A light gleamed in Gonzaga's eye, and was extinguished on the instant.

"Best make certain," he suggested, rising. "I have ordered Fortemani to bring Lanciotto here. He will be waiting now, without. Shall I admit them?"

She nodded without speaking, and Gonzaga opened the door, and called Fortemani. A voice answered him from the gloom of the banqueting-hall.

"Bring Lanciotto here," he commanded.

When Francesco's servant entered, a look of surprise on his face at these mysterious proceedings, it was Valentina who questioned him, and that in a voice as cold as though the issue concerned her no whit.

"Tell me, sirrah," she said, "and as you value your neck, see that you answer me truly—what is your master's name?"

Lanciotto looked from her to Gonzaga, who stood by, a cynical curl on his sensual lips.

"Answer Monna Valentina," the courtier urged him. "State your master's true name and station."

"But, lady," began Lanciotto, bewildered.

"Answer me!" she stormed, her small clenched hands beating the table in harsh impatience. And Lanciotto, seeing no help for it, answered:

"Messer Francesco del Falco, Count of Aquila."

Something that began in a sob and ended in a laugh burst from the lips of Valentina. Ercole's eyes were wide at the news, and he might have gone the length of interposing a question, when Gonzaga curtly bade him go to the armoury tower, and bring thence the soldier and the man Gonzaga had left in his care.

"I will leave no shadow of doubt in your mind, Madonna," he said in explanation.

They waited in silence—for Lanciotto's presence hindered conversation—until Ercole returned accompanied by the man-at-arms and Zaccaria, who had now changed his raiment. Before they could question the new-comer, such questions as they might have put were answered by the greeting that passed between him and his fellow-servant Lanciotto.

Gonzaga turned to Valentina. She sat very still, her tawny head bowed and in her eyes a look of sore distress. And in that instant a brisk step sounded without. The door was thrust open, and Francesco himself stood upon the threshold, with Peppe's alarmed face showing behind him. Gonzaga instinctively drew back a pace, and his countenance lost some of its colour.

At sight of Francesco, Zaccaria rushed forward and bowed profoundly.

"My lord!" he greeted him.

And if one little thing had been wanting to complete the evidence against the Count, that thing, by an odd mischance, Francesco himself seemed to supply. The strange group in that dining-room claiming his attention, and the portentous air that hung about those present, confirmed the warning Peppe had brought him that something was amiss. He disregarded utterly his servant's greeting, and with eyes of a perplexity that may have worn the look of alarm he sought the face of Valentina.

She rose upon the instant, an angry red colouring her cheeks. His very glance, it seemed, was become an affront unbearable after what had passed—for the memory of his kiss bit like a poisoned fang into her brain. An odd laugh broke from her. She made a gesture towards Francesco.

"Fortemani, you will place the Count of Aquila under arrest," she commanded, in a stern, steady voice, "and as you value your life you will see that he does not elude you."

The great bully hesitated. His knowledge of Francesco's methods was not encouraging.

"Madonna!" gasped Francesco, his bewilderment increasing.

"Did you hear me, Fortemani," she demanded. "Remove him."

"My lord?" cried Lanciotto, laying hand to his sword his eyes upon his master's, ready to draw and lay about him at a glance of bidding.

"Sh! Let be," answered Franeesco coldly. "Here, Messer Fortemani." And he proffered his dagger, the only weapon that he carried.

Valentina, calling Gonzaga to attend her, made shift to quit the apartment. At that Francesco seemed to awaken to his position.

"Madonna, wait," he cried, and he stepped deliberately before her. "You must hear me. I have surrendered in earnest of my faith and confident that once you have heard me——"

"Captain Fortemani," she cried, almost angrily, "will you restrain your prisoner? I wish to pass."

Ercole, with visible reluctance, laid a hand on Francesco's shoulder; but it was unnecessary. Before her words, the Count recoiled as if he had been struck. He stood clear of her path with a gasp at once of unbelief and angry resignation. An instant his eyes rested on Gonzaga, so fiercely that the faint smile withered on the courtier's lips, and his knees trembled under him as he hastened from the room in Valentina's wake.



CHAPTER XXIII. IN THE ARMOURY TOWER

The rough stones of the inner courtyard shone clean and bright in the morning sun, still wet with the heavy rains that had washed them yesternight.

The fool sat on a rude stool within the porch of the long gallery, and, moodily eyeing that glistening pavement, ruminated. He was angry, which, saving where Fra Domenico was concerned, was a rare thing with good-humoured Peppe. He had sought to reason with Monna Valentina touching the imprisonment in his chamber of Messer Francesco, and she had bidden him confine his attention to his capers with a harshness he had never known in her before. But he had braved her commands, and astonished her with the information that the true identity of this Messer Francesco had been known to him since that day when they had first met him at Acquasparta. He had meant to say more. He had meant to add the announcement of Francesco's banishment from Babbiano and his notorious unwillingness to mount his cousin's throne. He had meant to make her understand that had Francesco been so minded, he had no need to stoop to such an act as this that she imputed to him. But she had cut him short, and with angry words and angrier threats she had driven him from her presence.

And so she was gone to Mass, and the fool had taken shelter in the porch of the gallery, that there he might vent some of his ill-humour—or indeed indulge it—in pondering the obtuseness of woman and the insidiousness of Gonzaga, to whom he never doubted that this miserable state of things was due.

And as he sat there—a grotesque, misshapen figure in gaudy motley—an ungovernable rage possessed him. What was to become of them now? Without the Count of Aquila's stern support the garrison would have forced her to capitulate a week ago. What would betide, now that the restraint of his formidable command was withdrawn?

"She will know her folly when it's too late. It's the way of women," he assured himself. And, loving his mistress as he did, his faithful soul was stricken at the thought. He would wait there until she returned from Mass, and then she should hear him—all should hear him. He would not permit himself to be driven away again so easily. He was intently turning over in his mind what he would say, with what startling, pregnant sentence he would compel attention, when he was startled by the appearance of a figure on the chapel steps. Sudden and quietly as an apparition it came, but it bore the semblance of Romeo Gonzaga.

At sight of him, Peppe instinctively drew back into the shadows of the porch, his eyes discerning the suspicious furtiveness of the courtier's movements, and watching them with a grim eagerness. He saw Romeo look carefully about him, and then descend the steps on tiptoe, evidently so that no echo of his footfalls should reach those within the chapel. Then, never suspecting the presence of Peppe, he sped briskly across the yard and vanished through the archway that led to the outer court. And the fool, assured that some knowledge of the courtier's purpose would not be amiss, set out to follow him.

In his room under the Lion's Tower the Count of Aquila had spent a restless night, exercised by those same fears touching the fate of the castle that had beset the fool, but less readily attributing his confinement to Gonzaga's scheming. Zaccaria's presence had told him that Fanfulla must at last have written, and he could but assume that the letter, falling into Monna Valentina's hands, should have contained something that she construed into treason on his part.

Bitterly he reproached himself now with not having from the very outset been frank with her touching his identity; bitterly he reproached her with not so much as giving a hearing to the man she had professed to love. Had she but told him upon what grounds her suspicions against him had been founded, he was assured that he could have dispelled them at a word, making clear their baselessness and his own honesty of purpose towards her. Most of all was he fretted by the fact that Zaccaria's presence, after a coming so long expected and so long delayed, argued that the news he bore was momentous. From this it might result that Gian Maria should move at any moment and that his action might be of a desperate character.

Now through the ranks of Fortemani's men there had run an inevitable dismay at Francesco's arrest, and a resentment against Valentina who had encompassed it. His hand it was that had held them together, his judgment—of which they had had unequivocal signs—that had given them courage. He was a leader who had shown himself capable of leading, and out of confidence for whom they would have undertaken anything that he bade them. Whom had they now? Fortemani was but one of themselves, placed in command over them by an event purely adventitious. Gonzaga was a fop whose capers they mimicked and whose wits they despised; whilst Valentina, though brave enough and high-spirited, remained a girl of no worldly and less military knowledge, whose orders it might be suicidal to carry out.

Now by none were these opinions more strongly entertained than by Ercole Fortemani himself. Never had he performed anything with greater reluctance than the apprehension of Francesco, and when he thought of what was likely to follow his consternation knew no bounds. He had come to respect and, in his rough way, even to love their masterful Provost, and since learning his true identity, in the hour of arresting him, his admiration had grown to something akin to reverence for the condottiero whose name to the men-at-arms of Italy was like the name of some patron saint.

To ensure the safe keeping of his captive, he had been ordered by Gonzaga, who now resumed command of Roccaleone, to spend the night in the ante-room of Francesco's chamber. These orders he had exceeded by spending a considerable portion of the night in the Count's very room.

"You have but to speak," the bully had sworn, by way of showing Francesco the true nature of his feelings, "and the castle is yours. At a word from you my men will flock to obey you, and you may do your will at Roccaleone."

"Foul traitor that you are," Francesco had laughed at him. "Do you forget under whom you have taken service? Let be what is, Ercole. But if a favour you would do me, let me see Zaccaria—the man that came to Roccaleone to-night."

This Ercole had done for him. Now Zaccaria was fully aware of the contents of the letter he had carried, having been instructed by Fanfulla against the chance arising of his being compelled, for his safety, to destroy it—an expedient to which he now bitterly repented him that he had not had recourse. From Zaccaria, then, Francesco learnt all that there was to learn, and since the knowledge but confirmed his fears that Gian Maria would delay action no longer, he fell a prey to the most passionate impatience at his own detention.

In the grey hours of the morning he grew calmer, and by the light of a lamp that he had called Ercole to replenish, he sat down to write a letter to Valentina, which he thought should carry conviction of his honesty to her heart. Since she would not hear him, this was the only course. At the end of an hour—his moribund light grown yellow now that the sun was risen—his letter was accomplished, and he summoned Ercole again, to charge him to deliver it at once to Monna Valentina.

"I shall await her return from chapel," answered Ercole. He took the letter and departed. As he emerged into the courtyard he was startled to see the fool dash towards him, gasping for breath, and with excitement in every line of his quaint face.

"Quickly, Ercole!" Peppe enjoined him. "Come with me."

"Devil take you, spawn of Satan—whither?" growled the soldier.

"I will tell you as we go. We have not a moment to spare. There is treachery afoot—— Gonzaga——" he gasped, and ended desperately: "Will you come?"

Fortemani needed no second bidding. The chance of catching pretty Messer Romeo at a treachery was too sweet a lure. Snorting and puffing—for hard drinking had sorely impaired his wind—the great captain hurried the fool along, listening as they went to the gasps in which he brought out his story. It was not much, after all. Peppe had seen Messer Gonzaga repair to the armoury tower. Through an arrow-slit he had watched him take down and examine an arbalest, place it on the table and sit down to write.

"Well?" demanded Ercole. "What else?"

"Naught else. That is all," answered the hunchback.

"Heaven and hell!" roared the swashbuckler, coming to a standstill and glowering down upon his impatient companion. "And you have made me run for this?"

"And is it not enough?" retorted Peppe testily. "Will you come on?"

"Not a foot farther," returned the captain, getting very angry. "Is this a miserable jest? What of the treachery you spoke of?"

"A letter and an arbalest!" panted the maddened Peppe, grimacing horribly at this delay. "God, was there ever such a fool! Does this mean nothing to that thick, empty thing you call a head? Have you forgotten how Gian Maria's offer of a thousand florins came to Roccaleone? On an arbalest quarrel, stupid! Come on, I say, and afterwards you shall have my motley—the only livery you have a right to wear."

In the shock of enlightenment Ercole forgot to cuff the jester for his insolence, and allowed himself once more to be hurried along, across the outer court and up the steps that led to the battlements.

"You think——" he began.

"I think you had best tread more softly," snapped the fool, under his breath, "and control that thunderous wheeze, if you would surprise Ser Romeo."

Ercole accepted the hint, meek as a lamb, and leaving the fool behind him on the steps, he went softly up, and approached the armoury tower. Peering cautiously through the arrow-slit, and favoured by the fact that Gonzaga's back was towards him, he saw that he was no more than in time.

The courtier was bending down, and by the creaking sound that reached him Ercole guessed his occupation to be the winding of the arbalest string. On the table at his side lay a quarrel swathed in a sheet of paper.

Swiftly and silently Ercole moved round the tower, and the next instant he had pushed open the unfastened door and entered.

A scream of terror greeted him, and a very startled face was turned upon him by Gonzaga, who instantly sprang upright. Then, seeing who it was, the courtier's face reassumed some of its normal composure, but his glance was uneasy and his cheek pale.

"Sant Iddio!" he gasped. "You startled me, Ercole. I did not hear you coming."

And now something in the bully's face heightened the alarm in Gonzaga. He still made an effort at self-control, as planting himself between Ercole and the table, so as to screen the tell-tale shaft, he asked him what he sought there.

"That letter you have written Gian Maria," was the gruff, uncompromising answer, for Ercole reeked nothing of diplomatic issues.

Gonzaga's mouth jerked itself open, and his upper lip shuddered against his teeth.

"What—— Wha——"

"Give me that letter," Ercole insisted, now advancing upon him, and wearing an air of ferocity that drove back into Gonzaga's throat such resentful words as he bethought him of. Then, like an animal at bay—and even a rat will assert itself then—he swung aloft the heavy arbalest he held, and stood barring Ercole's way.

"Stand back!" he cried; "or by God and His saints, I'll beat your brains out."

There was a guttural laugh from the swashbuckler, and then his arms were round Gonzaga's shapely waist, and the popinjay was lifted from his feet. Viciously he brought down the cross-bow, as he had threatened; but it smote the empty air. The next instant Gonzaga was hurtled, bruised, into a corner of the tower.

In a rage so great that he felt it draining him of his very strength and choking the breath in his body, he made a movement to rise and fling himself again upon his aggressor. But Fortemani was down upon him, and for all his struggles contrived to turn him over on his face, twisting his arms behind him, and making them fast with a belt that lay at hand.

"Lie still, you scorpion!" growled the ruffler, breathing hard from his exertions. He rose, took the shaft with the letter tied about it, read the superscription—"To the High and Mighty Lord Gian Maria Sforza"—and with a chuckle of mingled relish and scorn, he was gone, locking the door.

Left alone, Gonzaga lay face downward where he had been flung, able to do little more than groan and sweat in the extremity of his despair, whilst he awaited the coming of those who would probably make an end of him. Not even from Valentina could he hope for mercy, so incriminating was the note he had penned. His letter was to enjoin the Duke to hold his men in readiness at the hour of the Angelus next morning, and to wait until Gonzaga should wave a handkerchief from the battlements. At that he was to advance immediately to the postern, which he would find open, and the rest, Gonzaga promised him, would be easy. He would take the whole garrison at their prayers and weaponless.

When Francesco read it a light leapt to his eye and an oath to his lips; but neither glance nor oath were of execration, as Ercole stood expecting. A sudden idea flashed through the Count's mind, so strange and humorous and yet so full of promise of easy accomplishment, that he burst into a laugh.

"Now may God bless this fool for the most opportune of traitors!" he exclaimed, in surprise at which Fortemani's mouth fell open, and the eyes of Peppe grew very round.

"Ercole, my friend, here is a bait to trap that lout my cousin, such as I could never have devised myself."

"You mean——?"

"Take it back to him," cried the Count, holding out the letter with a hand that trembled in the eagerness of his spirit. "Take it back, and get him by fair means or foul to shoot it as he intended; or if he refuses, why, then, do you seal it up and shoot it yourself. But see that it gets to Gian Maria!"

"May I not know what you intend?" quoth the bewildered Ercole.

"All in good time, my friend. First do my bidding with that letter. Listen! It were best that having read it you agree to join him in his betrayal of Roccaleone, your own fears as to the ultimate fate awaiting you at Gian Maria's hands being aroused. Urge him to promise you money, immunity, what you will, as your reward; but make him believe you sincere, and induce him to shoot his precious bolt. Now go! Lose no time, or they may be returning from chapel, and your opportunity will be lost. Come to me here, afterwards, and I will tell you what is in my mind. We shall have a busy night of it to-night, Ercole, and you must set me free when the others are abed. Now go!"

Ercole went, and Peppe, remaining, plagued the Count with questions which he answered until in the end the fool caught the drift of his scheme, and swore impudently that a greater jester than his Excellency did not live. Then Ercole returned.

"Is it done? Has the letter gone?" cried Francesco. Fortemani nodded.

"We are sworn brothers in this business, he and I. He added a line to his note to say that he had gained my cooperation, and that, therefore, immunity was expected for me too."

"You have done well, Ercole." Francesco applauded him. "Now return me the letter I gave you for Monna Valentina. There is no longer the need for it. But return to me to-night toward the fourth hour, when all are abed, and bring with you my men, Lanciotto and Zaccaria."



CHAPTER XXIV. THE INTERRUPTED MASS

The morning of that Wednesday of Corpus Christi, fateful to all concerned in this chronicle, dawned misty and grey, and the air was chilled by the wind that blew from the sea. The chapel bell tinkled out its summons, and the garrison trooped faithfully to Mass.

Presently came Monna Valentina, followed by her ladies, her pages, and lastly, Peppe, wearing under his thin mask of piety an air of eager anxiety and unrest. Valentina was very pale, and round her eyes there were dark circles that told of sleeplessness, and as she bowed her head in prayer, her ladies observed that tears were falling on the illuminated Mass-book over which she bent. And now came Fra Domenico from the sacristy in the white chasuble that the Church ordains for the Corpus Christi feast, followed by a page in a clerkly gown of black, and the Mass commenced.

There were absent only from the gathering Gonzaga and Fortemani, besides a sentry and the three prisoners. Francesco and his two followers.

Gonzaga had presented himself to Valentina with the plausible tale that, as the events of which Fanfulla's letter had given them knowledge might lead Gian Maria at any moment to desperate measures, it might be well that he should reinforce the single man-at-arms patrolling the walls. Valentina, little recking now whether the castle held or fell, and still less such trifles as Gonzaga's attendance at Mass, had assented without heeding the import of what he said.

And so, his face drawn and his body quivering with the excitement of what he was about to do, Gonzaga had repaired to the ramparts so soon as he had seen them all safely into chapel. The sentinel was that same clerkly youth Aventano, who had read to the soldiers that letter Gian Maria had sent Gonzaga. This the courtier accepted as a good omen. If a man there was among the soldiery at Roccaleone with whom he deemed that he had an account to settle, that man was Aventano.

The mist was rapidly lightening, and the country grew visible for miles around. In the camp of Gian Maria he observed a coming and going of men that argued an inordinate bustle for so early an hour. They awaited his signal.

He approached the young sentinel, growing more and more nervous as the time for action advanced. He cursed Fortemani, who had selfishly refused to take an active part in the admission of Gian Maria. Here was a task that Fortemani could perform more satisfactorily than he. He had urged this fact on Ercole's attention, but the swashbuckler had grinned and shook his head. To Gonzaga fell the greater reward, and so Gonzaga must do the greater work. It was only fair, the knave had urged; and while Gonzaga was about it, he would watch the chapel door against interruption. And so Gonzaga had been forced to come alone to try conclusions with the sentry.

He gave the young man a nervous but pleasant "Good-morrow," and observed with satisfaction that he wore no body armour. His original intention had been to attempt to suborn him, and render him pliable by bribery; but now that the moment for action was arrived he dared not make the offer. He lacked for words in which to present his proposal, and he was afraid lest the man should resent it, and in a fit of indignation attack him with his partisan. He little imagined that Aventano had been forewarned by Ercole that a bribe would be offered him and that he was to accept it promptly. Ercole had chosen this man because he was intelligent, and had made him understand enough of what was toward, besides offering a substantial reward if he played his part well, and Aventano waited. But Gonzaga, knowing naught of this, abandoned at the last moment the notion of bribing him—which Ercole had enjoined him, and which he in his turn had promised Ercole was the course he would pursue.

"You seem cold, Excellency," said the young man deferentially, for he had observed that Gonzaga shivered.

"A chill morning, Aventano," returned the gallant, with a grin.

"True; but the sun is breaking through yonder. It will be warmer soon."

"Why, yes," answered the other abstractedly, and still he remained by the sentinel, his hand, under the gay mantle of blue velvet, nervously fingering the hilt of a dagger that he dared not draw. It came to him that moments were passing, and that the thing must be done. Yet Aventano was a sinewy youth, and if the sudden stab he meditated failed him, he would be at the fellow's mercy. At the thought he shivered again, and his face turned grey. He moved away a step, and then inspiration brought him a cruel ruse. He uttered a cry.

"What is that?" he exclaimed, his eyes on the ground.

In an instant Aventano was beside him, for his voice had sounded alarmed—a tone, in his present condition, not difficult to simulate.

"What, Excellency?"

"Down there," cried Gonzaga excitedly. "There from that fissure in the stone. Saw you nothing?" And he pointed to the ground at a spot where two slabs met.

"I saw nothing, Illustrious."

"It was like a flash of yellow light below there. What is under us here? I'll swear there's treachery at work. Get down on your knees, and try if anything is to be seen."

With a wondering glance at the courtier's white, twitching face, the unfortunate young man went down on all fours to do his bidding. After all—poor fellow!—he was hardly intelligent as Fortemani opined.

"There is nothing, Excellency," he said. "The plaster is cracked. But—— Ah!"

In a panic of haste Gonzaga had whipped the dagger from its sheath and sunk it into the middle of Aventano's broad back. The fellow's arms slid out, and with a long-drawn, gurgling sigh he sank down and stretched himself horribly on the stones.

In that instant the clouds parted overhead and the sun came out in a blaze of golden glory. High above Gonzaga's head a lark burst into song.

For a moment the assassin remained standing above the body of his victim with head sunk between the shoulders like a man who expects a blow, his face grey, his teeth chattering, and his mouth twitching hideously. A shudder shook him. It was the first life he had taken, and that carrion at his feet filled him with sickly horror. Not for a kingdom—not to save his vile soul from the eternal damnation that act had earned it—would he have dared stoop to pluck the dagger from the back of the wretch he had murdered. With something like a scream he turned, and fled in a panic from the spot. Panting with horror, yet subconsciously aware of the work he had to do, he paused a moment to wave a kerchief, then dashed down the steps to the postern.

With trembling fingers he unlocked the door and set it wide to Gian Maria's men, who, in answer to his signal, were now hurrying forward with a bridge composed of pine trees, that they had hastily and roughly put together during the previous day. This, with some efforts and more noise than Gonzaga relished, was thrust across the moat. One of the men crept across, and assisted Gonzaga to make fast his end.

A moment later Gian Maria and Guidobaldo stood in the castle-yard, and after them came almost every man of the five score that Gian Maria had brought to that siege. This was what Francesco had confidently expected, knowing that it was not his cousin's way to run any risks.

The Duke of Babbiauo, whose face was disfigured by a bristling hedge of reddish stubble—for in obedience to the vow he had made, he now carried a fortnight's growth of beard on his round face—turned to Gonzaga.

"Is all well?" he asked, in a friendly tone, whilst Guidobaldo contemptuously eyed the popinjay.

Gonzaga assured them that the whole thing had been effected without disturbing the garrison at their prayers. Now that he deemed himself well protected his usual serenity of manner returned.

"You may felicitate yourself, Highness," he ventured to say, with a grin, to Guidobaldo, "that you have reared your niece in devout ways."

"Did you address me?" quoth the Duke of Urbino coldly. "I trust it may not again be necessary."

Before the look of loathing in his handsome face Gonzaga cringed. Gian Maria laughed in his piping treble.

"Have I not served your Highness faithfully?" fawned the gallant.

"So has the meanest scullion in my kitchens, the lowliest groom in my stables—and with more honour to himself," answered the proud Duke. "Yet he does not go the length of jesting with me." His eye carried a menace so eloquent that Gonzaga drew back, afraid; but Gian Maria clapped him on the shoulder in a friendly manner.

"Be of good heart, Judas," he laughed, his pale face a-grin, "I shall find room for you in Babbiano, and work too, if you do it as well as this. Come; the men are here now. Let us go forward whilst they are at their prayers. But we must not disturb them," he added, more seriously. "I will not be guilty of an impiety. We can lie in wait for them without."

He laughed gaily, for he seemed in a preposterously good humour, and bidding Gonzaga lead the way he followed, with Guidobaldo at his side. They crossed the courtyard, where his men were ranged, armed to the teeth, and at the door of the archway leading to the inner court they paused for Gonzaga to open it.

A moment the gallant stood staring. Then he turned a face of consternation on the Dukes. His knees shook visibly.

"It is locked," he announced, in a husky voice.

"We made too much noise in entering," suggested Guidobaldo, "and they have taken the alarm."

The explanation relieved the growing uneasiness in Gian Maria's mind. He turned with an oath to his men.

"Here, some of you," his sharp voice commanded. "Beat me down this door. By the Host! Do the fools think to keep me out so easily?"

The door was broken down, and they advanced. But only some half-dozen paces, for at the end of that short gallery they found the second door barring their progress. Through this, too, they broke, Gian Maria fiercely blaspheming at the delay. Yet when it was done he was none so eager to lead the way.

In the second courtyard he deemed it extremely probable that they should find Valentina's soldiers awaiting them. So bidding his men pass on, he remained behind with Guidobaldo until he heard word that the inner court was likewise empty.

And now the entire hundred of his followers were assembled there to overpower the twenty that served Monna Valentina; and Guidobaldo—despite Gian Maria's scruples—strode coolly forward to the chapel door.

* * * * *

Within the chapel Mass had started. Fra Domenico at the foot of the altar had pattered through the Confiteor, his deep voice responded to by the soprano of the ministering page. The Kyrie was being uttered when the attention of the congregation was attracted by the sound of steps approaching the chapel door to the accompaniment of an ominous clank of steel. The men rose in a body, fearing treachery, and cursing—despite the sanctity of the place—the circumstance that they were without weapons.

Then the door opened, and down the steps rang the armed heels of the new-comers, so that every eye was turned upon them, including that of Fra Domenico, who had pronounced the last "Christe eleison" in a quavering voice.

A gasp of relief, followed by an angry cry from Valentina, went up when they recognised those that came. First stepped the Count of Aquila in full armour, sword at side and dagger on hip, carrying his head-piece on the crook of his left arm. Behind him towered the bulk of Fortemani, his great face flushed with a strange excitement, a leather hacketon over his steel cuirass, girt, too, with sword and dagger, and carrying his shining morion in his hand. Last came Lanciotto and Zaccaria, both fully equipped and armed at all points.

"Who are you that come thus accoutred into God's House to interrupt the holy Mass?" cried the bass voice of the friar.

"Patience, good father," answered Francesco calmly, "The occasion is our justification."

"What does this mean, Fortemani?" demanded Valentina imperiously, her eyes angrily set upon her captain, utterly ignoring the Count. "Do you betray me too?"

"It means, Madonna," answered the giant bluntly, "that your lap-dog, Messer Gonzaga, is at this very moment admitting Gian Maria and his forces to Roccaleone, by the postern."

There was a hoarse cry from the men, which Francesco silenced by a wave of his mailed hand.

Valentina looked wildly at Fortemani, and then, as if drawn by a greater will than her own, her eyes were forced to travel to the Count. He instantly advanced, and bowed his head before her.

"Madonna, this is no hour for explanations. Action is needed, and that at once. I was wrong in not disclosing my identity to you before you discovered it by such unfortunate means and with the assistance of the only traitor Roccaleone has harboured, Romeo Gonzaga—who, as Fortemani has just told you, is at this moment admitting my cousin and your uncle to the castle. But that my object was ever other than to serve you, or that I sought, as was represented to you, to turn this siege to my own political profit, that, Madonna, I implore you in your own interests to believe untrue."

She sank on to her knees and with folded hands began to pray to the Mother of Mercy, deeming herself lost, for his tone carried conviction, and he had said that Gian Maria was entering the castle.

"Madonna," he cried, touching her lightly on the shoulder; "let your prayers wait until they can be of thanksgiving. Listen. By the vigilance of Peppe there, who, good soul that he is, never lost faith in me or deemed me a dastard, we were informed last night—Fortemani and I—of this that Gonzaga was preparing. And we have made our plans and prepared the ground. When Gian Maria's soldiers enter, they will find the outer doors barred and locked, and we shall gain a little time while they break through them. My men, as you will observe, are even now barring the door of the chapel to impose a further obstacle. Now while they are thus engaged we must act. Briefly, then, if you will trust us we will bear you out of this, for we four have worked through the night to some purpose."

She looked at him through a film of tears, her face drawn and startled. Then she put her hands to her brow in a gesture of bewildered helplessness.

"But they will follow us," she complained.

"Not so," he answered, smiling. "For that, too, have we provided. Come, Madonna, time presses."

A long moment she looked at him. Then brushing aside the tears that dimmed her sight, she set a hand on either of his shoulders, and stood so, before them all, gazing up into his calm face.

"How shall I know that what you say is true—that I may trust you?" she asked, but her voice was not the voice of one that demands an overwhelming proof ere she will believe.

"By my honour and my knighthood," he answered, in a ringing voice, "I make oath here, at the foot of God's altar, that my purpose—my only purpose—has been, is, and shall be to serve you, Monna Valentina."

"I believe you," she cried; to sob a moment later:

"Forgive me, Francesco, and may God, too, forgive my lack of faith in you."

He softly breathed her name in such sweet accents that a happy peace pervaded her, and the bright courage of yore shone in her brown eyes.

"Come, sirs!" he cried now, with a sudden briskness that startled them into feverish obedience. "You, Fra Domenico, cut off your sacerdotals, and gird high your habit. There is climbing for you. Here, a couple of you, move aside that altar-step. My men and I have spent the night in loosening its old hinges."

They raised the slab, and in the gap beneath it was disclosed a flight of steps leading down to the dungeons and cellars of Roccaleone.

Down this they went in haste but in good order, marshalled by Francesco, and when the last had passed down, he and Lanciotto, aided by others below, who had seized a rope that he had lowered them, replaced the slab from underneath, so that no trace should remain of the way by which they had come.

A postern had been unbarred below by Fortemani, who had led the way with a half-dozen of the men; and a huge scaling ladder that lay in readiness in that subterranean gallery was rushed out across the moat, which at this point was a roaring torrent.

Fortemani was the first to descend that sloping bridge, and upon reaching the ground he made fast the lower end.

Next went a dozen men at Francesco's bidding, armed with the pikes that had been left overnight in the gallery. At a word of command they slipped quietly away. Then came the women, and lastly, the remainder of the men.

Of the enemy they caught no glimpse; not so much as a sentry, for every one of Gian Maria's men had been pressed into the investment of the castle. Thus they emerged from Roccaleone, and made their way down that rough bridge into the pleasant meadows to the south. Already Fortemani and his dozen men had disappeared at the trot, making for the front of the castle, when Francesco stepped last upon the bridge, and closed the postern after him. Then he glided rapidly to the ground, and with the assistance of a dozen ready hands he dragged away the scaling ladder. They carried it some yards from the brink of the torrent, and deposited it in the meadow. With a laugh of purest relish Francesco stepped to Valentina's side.

"It will exercise their minds to discover how we got out," he cried, "and they will be forced to the conclusion that we are angels all, with wings beneath our armour. We have not left them a single ladder or a strand of rope in Roccaleone by which to attempt to follow us, even if they discover how we came. But come, Valentina mia, the comedy is not finished yet. Already Fortemani will have removed the bridge by which they entered and engaged such few men as may have been left behind, and we have the High and Mighty Gian Maria in the tightest trap that was ever fashioned."



CHAPTER XXV. THE CAPITULATION OF ROCCALEONE

In the sunshine of that bright May morning Francesco and his men went merrily to work to possess themselves of the ducal camp, and the first business of the day was to arm those soldiers who had come out unarmed. Of weapons there was no lack, and to these they helped themselves in liberal fashion, whilst here and there a man would pause to don a haubergeon or press a steel cap on his head.

Three sentries only had been left to guard the tents, and of these Fortemani and a couple of his men had made prisoners whilst the others were removing the bridge by which the invaders had entered. And now beneath the open postern by the drawbridge gaped a surging torrent that no man would have the hardihood to attempt to swim.

In that opening, presently, appeared Gian Maria, his face red for once, and behind him a clamouring crowd of men-at-arms who shared their master's rage at the manner in which they had been trapped.

At the rear of the tents Valentina and her ladies awaited the issue of the parley that now seemed toward. The bulk of the men were busy at Gian Maria's cannons, and under Francesco's supervision they were training them upon the drawbridge.

From the castle a mighty shout went up. The men disappeared from the postern to reappear a moment later on the ramparts, and Francesco laughed deep down in his throat as he perceived the purpose of this. They had bethought them of the guns that were mounted there, and were gone to use them against Valentina's little army. Gun after gun they tried, and a fierce cry of rage burst forth when they realised by what dummies they had been held in check during the past week. This was followed by a silence of some moments, terminated at last by the sound of a bugle.

Answering that summons to a parley, and with a last word of injunction to Fortemani, who was left in charge of the men at the guns, Francesco rode forward on one of Gian Maria's horses, escorted by Lanciotto and Zaccaria similarly mounted, and each armed with a loaded arquebuse.

Under the walls of Roccaleone he drew rein, laughing to himself at this monstrous change of sides. As he halted—helmet on head, but beaver open—a body came hurtling over the battlements and splashed into the foaming waters below. It was the corpse of Aventano, which Gian Maria had peremptorily bidden them to remove from his sight.

"I desire to speak with Monna Valentina della Rovere," cried the furious Duke.

"You may speak with me, Gian Maria," answered Francesco's voice, clear and metallic. "I am her representative, her sometime Provost of Roccaleone."

"Who are you?" quoth the Duke, struck by a familiar note in that mocking voice.

"Francesco del Falco, Count of Aquila."

"By God! You!"

"An age of marvels, is it not?" laughed Francesco.

"Which will you lose, my cousin—a wife or a duchy?"

Rage struck Gian Maria speechless for a moment. Then he turned to Guidobaldo and whispered something; but Guidobaldo, who seemed vastly interested now in this knight below, merely shrugged his shoulders.

"I will lose neither, Messer Francesco," roared the Duke. "Neither, by God!" he screamed. "Neither, do you hear me?"

"I should be deaf else," was the easy answer, "But you are gravely at fault. One or the other you must relinquish, and it is yours to make a choice between them. The game has gone against you, Gian Maria, and you must pay."

"But have I no voice in the bartering of my niece?" asked Guidobaldo, with cold dignity. "Is it for you, Lord Count, to say whether your cousin shall wed her or not?"

"Why, no. He may wed her if he will, but he will be a duke no longer. In fact, he will be an outcast with no title to lay claim to, if indeed the Babbianians will leave him a head at all; whilst I, at least, though not a duke with a tottering throne, am a count with lands, small but securely held, and shall become a duke if Gian Maria refuses to relinquish me your niece. So that if he be disposed to marry her, will you be disposed to let her marry a homeless vagrant or a headless corpse?"

Guidobaldo's face seemed to change, and his eyes looked curiously at the white-faced Duke beside him.

"So you are the other pretender to my niece's hand, Lord Count?" he asked, in his coldest voice.

"I am, Highness," answered Francesco quietly. "The matter stands thus: Unless Gian Maria is in Babbiano by morning, he forfeits his crown, and it passes to me by the voice of the people; but if he will relinquish his claim to Monna Valentina in my favour, then I shall journey straight to Aquila, and I shall trouble Babbiano no more. If he refuses, and insists upon this wedding, abhorrent to Monna Valentina, why, then, my men shall hold him captive behind those walls until it be too late for him to reach his duchy in time to save the crown. In the meantime I will ride to Babbiano in his stead, and—reluctant though I be to play the duke—I shall accept the throne and silence the people's importunities. He can then endeavour to win your Highness's consent to the union."

For perhaps the first time in his life Guidobaldo was guilty of an act of positive discourtesy. He broke into a laugh—a boisterous, amused laugh that cut into Gian Maria's heart like a knife.

"Why, Lord Count," he said, "I confess that you have us very much in your hands to mould us as you will. Now, you are such a soldier and such a strategist as it would pleasure me to have about my person in Urbino. What says your Highness?" he continued, turning now to the almost speechless Gian Maria. "I have yet another niece with whom we might cement the union of the two duchies; and she might prove more willing. Women, it seems, will insist upon being women. Do you not think that Monna Valentina and this your valiant cousin——"