"'SYPH. Our first design, my friend, has proved abortive; Still there remains an after-game to play: My troops are mounted; their Numidian steeds Snuff up the winds, and long to scour the desert. Let but Sempronius lead us in our flight, We'll force the gate where Marcus keeps his guard, And hew down all that would oppose our passage; A day will bring us into Caesar's camp. SEMP. Confusion! I have failed of half my purpose; Marcia, the charming Marcia's left behind.'

Well, but though he tells us the half-purpose he has failed of, he does not tell us the half that he has carried. But what does he mean by

"'Marcia, the charming Marcia's left behind'?

He is now in her own house! and we have neither seen her nor heard of her anywhere else since the play began. But now let us hear Syphax:—

"'What hinders, then, but that you find her out, And hurry her away by manly force?'

But what does old Syphax mean by finding her out? They talk as if she were as hard to be found as a hare in a frosty morning.

"'SEMP. But how to gain admission?'

Oh! she is found out then, it seems.

"'But how to gain admission? for access Is giv'n to none but Juba and her brothers.'

But, raillery apart, why access to Juba? For he was owned and received as a lover neither by the father nor by the daughter. Well, but let that pass. Syphax puts Sempronius out of pain immediately; and, being a Numidian, abounding in wiles, supplies him with a stratagem for admission that, I believe, is a nonpareil.

"'SYPH. Thou shalt have Juba's dress, and Juba's guards; The doors will open when Numidia's prince Seems to appear before them.'

"Sempronius is, it seems, to pass for Juba in full day at Cato's house, where they were both so very well known, by having Juba's dress and his guards; as if one of the Marshals of France could pass for the Duke of Bavaria at noonday, at Versailles, by having his dress and liveries. But how does Syphax pretend to help Sempronius to young Juba's dress? Does he serve him in a double capacity, as general and master of his wardrobe? But why Juba's guards? For the devil of any guards has Juba appeared with yet. Well, though this is a mighty politic invention, yet, methinks, they might have done without it: for, since the advice that Syphax gave to Sempronius was

"'To hurry her away by manly force,'

in my opinion the shortest and likeliest way of coming at the lady was by demolishing, instead of putting on an impertinent disguise to circumvent two or three slaves. But Sempronius, it seems, is of another opinion. He extols to the skies the invention of old Syphax:—

"'SEMP. Heavens! what a thought was there!'

"Now, I appeal to the reader if I have not been as good as my word. Did I not tell him that I would lay before him a very wise scene?

"But now let us lay before the reader that part of the scenery of the fourth act which may show the absurdities which the author has run into, through the indiscreet observance of the unity of place. I do not remember that Aristotle has said anything expressly concerning the unity of place. 'Tis true, implicitly he has said enough in the rules which he has laid down for the chorus. For by making the chorus an essential part of tragedy, and by bringing it on the stage immediately after the opening of the scene, and retaining it there till the very catastrophe, he has so determined and fixed the place of action that it was impossible for an author on the Grecian stage to break through that unity. I am of opinion that if a modern tragic poet can preserve the amity of place, without destroying the probability of the incidents, 'tis always best for him to do it; because by the preservation of that unity, as we have taken notice above, he adds grace and clearness and comeliness to the representation. But since there are no express rules about it, and we are under no compulsion to keep it, since we have no chorus as the Grecian poet had; if it cannot be preserved without rendering the greater part of the incidents unreasonable and absurd, and perhaps sometimes monstrous, 'tis certainly better to break it.

"Now comes bully Sempronius, comically accoutred and equipped with his Numidian dress and his Numidian guards. Let the reader attend to him with all his ears, for the words of the wise are precious:—

"'SEMP. The deer is lodged; I've tracked her to her covert.'

"Now I would fain know why this deer is said to be lodged, since we have not heard one word since the play began of her being at all out of harbour: and if we consider the discourse with which she and Lucia begin the act, we have reason to believe that they had hardly been talking of such matters in the street. However, to pleasure Sempronius, let us suppose, for once, that the deer is lodged:—

"'The deer is lodged; I've tracked her to her covert.'

"If he had seen her in the open field, what occasion had he to track her when he had so many Numidian dogs at his heels, which, with one halloo, he might have set upon her haunches? If he did not see her in the open field, how could he possibly track her? If he had seen her in the street, why did he not set upon her in the street, since through the street she must be carried at last? Now here, instead of having his thoughts upon his business, and upon the present danger; instead of meditating and contriving how he shall pass with his mistress through the southern gate, where her brother Marcus is upon the guard, and where he would certainly prove an impediment to him (which is the Roman word for the BAGGAGE); instead of doing this, Sempronius is entertaining himself with whimsies:—

"'Semp. How will the young Numidian rave to see His mistress lost! If aught could glad my soul Beyond th' enjoyment of so bright a prize, 'Twould be to torture that young, gay barbarian. But hark! what noise? Death to my hopes! 'tis he, 'Tis Juba's self! There is but one way left! He must be murdered, and a passage cut Through those his guards.'

"Pray, what are 'those guards'? I thought at present that Juba's guards had been Sempronius's tools, and had been dangling after his heels.

"But now let us sum up all these absurdities together. Sempronius goes at noon-day, in Juba's clothes and with Juba's guards, to Cato's palace, in order to pass for Juba, in a place where they were both so very well known: he meets Juba there, and resolves to murder him with his own guards. Upon the guards appearing a little bashful, he threatens them:—

"'Hah! dastards, do you tremble? Or act like men; or, by yon azure heav'n!'—

"But the guards still remaining restive, Sempronius himself attacks Juba, while each of the guards is representing Mr. Spectator's sign of the Gaper, awed, it seems, and terrified by Sempronius's threats. Juba kills Sempronius, and takes his own army prisoners, and carries them in triumph away to Cato. Now I would fain know if any part of Mr. Bayes's tragedy is so full of absurdity as this?

"Upon hearing the clash of swords, Lucia and Marcia come in. The question is, why no men come in upon hearing the noise of swords in the governor's hall? Where was the governor himself? Where were his guards? Where were his servants? Such an attempt as this, so near the governor of a place of war, was enough to alarm the whole garrison: and yet, for almost half an hour after Sempronius was killed, we find none of those appear who were the likeliest in the world to be alarmed; and the noise of swords is made to draw only two poor women thither, who were most certain to run away from it. Upon Lucia and Marcia's coming in, Lucia appears in all the symptoms of an hysterical gentlewoman:—

"'Luc. Sure 'twas the clash of swords! my troubled heart Is so cast down, and sunk amidst its sorrows, It throbs with fear, and aches at every sound!'

And immediately her old whimsy returns upon her:—

"O Marcia, should thy brothers, for my sake— I die away with horror at the thought.'

"She fancies that there can be no cutting of throats but it must be for her. If this is tragical, I would fain know what is comical. Well, upon this they spy the body of Sempronius; and Marcia, deluded by the habit, it seems, takes him for Juba; for, says she,

"'The face is muffled up within the garment.'

"Now, how a man could fight, and fall, with his face muffled up in his garment, is, I think, a little hard to conceive! Besides, Juba, before he killed him, knew him to be Sempronius. It was not by his garment that he knew this; it was by his face, then: his face therefore was not muffled. Upon seeing this man with his muffled face, Marcia falls a-raving; and, owning her passion for the supposed defunct, begins to make his funeral oration. Upon which Juba enters listening, I suppose on tip-toe; for I cannot imagine how any one can enter listening in any other posture. I would fain know how it came to pass that, during all this time, he had sent nobody—no, not so much as a candle-snuffer—to take away the dead body of Sempronius. Well, but let us regard him listening. Having left his apprehension behind him, he, at first, applies what Marcia says to Sempronius; but finding at last, with much ado, that he himself is the happy man, he quits his eaves-dropping, and discovers himself just time enough to prevent his being cuckolded by a dead man, of whom the moment before he had appeared so jealous, and greedily intercepts the bliss which was fondly designed for one who could not be the better for it. But here I must ask a question: how comes Juba to listen here, who had not listened before throughout the play? Or how comes he to be the only person of this tragedy who listens, when love and treason were so often talked in so public a place as a hall? I am afraid the author was driven upon all these absurdities only to introduce this miserable mistake of Marcia, which, after all, is much below the dignity of tragedy; as anything is which is the effect or result of trick.

"But let us come to the scenery of the fifth act. Cato appears first upon the scene, sitting in a thoughtful posture; in his hand Plato's Treatise on the Immortality of the Soul; a drawn sword on the table by him. Now let us consider the place in which this sight is presented to us. The place, forsooth, is a long hall. Let us suppose that any one should place himself in this posture, in the midst of one of our halls in London; that he should appear solus, in a sullen posture, a drawn sword on the table by him; in his hand Plato's Treatise on the Immortality of the Soul, translated lately by Bernard Lintot: I desire the reader to consider whether such a person as this would pass with them who beheld him for a great patriot, a great philosopher, or a general, or some whimsical person who fancied himself all these? and whether the people who belonged to the family would think that such a person had a design upon their midriffs or his own?

"In short, that Cato should sit long enough in the aforesaid posture, in the midst of this large hall, to read over Plato's Treatise on the Immortality of the Soul, which is a lecture of two long hours; that he should propose to himself to be private there upon that occasion; that he should be angry with his son for intruding there; then that he should leave this hall upon the pretence of sleep, give himself the mortal wound in his bedchamber, and then be brought back into that hall to expire, purely to show his good breeding, and save his friends the trouble of coming up to his bedchamber; all this appears to me to be improbable, incredible, impossible."

Such is the censure of Dennis. There is, as Dryden expresses it, perhaps "too much horse-play in his railleries;" but if his jests are coarse, his arguments are strong. Yet, as we love better to be pleased than to be taught, Cato is read, and the critic is neglected. Flushed with consciousness of these detections of absurdity in the conduct, he afterwards attacked the sentiments of Cato; but he then amused himself with petty cavils and minute objections.

Of Addison's smaller poems no particular mention is necessary; they have little that can employ or require a critic. The parallel of the princes and gods in his verses to Kneller is often happy, but is too well known to be quoted. His translations, so far as I compared them, want the exactness of a scholar. That he understood his authors, cannot be doubted; but his versions will not teach others to understand them, being too licentiously paraphrastical. They are, however, for the most part, smooth and easy; and, what is the first excellence of a translator, such as may be read with pleasure by those who do not know the originals. His poetry is polished and pure; the product of a mind too judicious to commit faults, but not sufficiently vigorous to attain excellence. He has sometimes a striking line, or a shining paragraph; but in the whole he is warm rather than fervid, and shows more dexterity than strength. He was, however, one of our earliest examples of correctness. The versification which he had learned from Dryden he debased rather than refined. His rhymes are often dissonant; in his Georgic he admits broken lines. He uses both triplets and Alexandrines, but triplets more frequently in his translation than his other works. The mere structure of verses seems never to have engaged much of his care. But his lines are very smooth in Rosamond, and too smooth in Cato.

Addison is now to be considered as a critic: a name which the present generation is scarcely willing to allow him. His criticism is condemned as tentative or experimental rather than scientific; and he is considered as deciding by taste rather than by principles.

It is not uncommon for those who have grown wise by the labour of others to add a little of their own, and overlook their masters. Addison is now despised by some who perhaps would never have seen his defects but by the lights which he afforded them. That he always wrote as he would think it necessary to write now, cannot be affirmed; his instructions were such as the characters of his readers made proper. That general knowledge which now circulates in common talk was in his time rarely to be found. Men not professing learning were not ashamed of ignorance; and, in the female world, any acquaintance with books was distinguished only to be censured. His purpose was to infuse literary curiosity, by gentle and unsuspected conveyance, into the gay, the idle, and the wealthy; he therefore presented knowledge in the most alluring form, not lofty and austere, but accessible and familiar. When he showed them their defects, he showed them likewise that they might be easily supplied. His attempt succeeded; inquiry was awakened, and comprehension expanded. An emulation of intellectual elegance was excited, and from this time to our own life has been gradually exalted, and conversation purified and enlarged.

Dryden had, not many years before, scattered criticism over his prefaces with very little parsimony; but though he sometimes condescended to be somewhat familiar, his manner was in general too scholastic for those who had yet their rudiments to learn, and found it not easy to understand their master. His observations were framed rather for those that were learning to write than for those that read only to talk.

An instructor like Addison was now wanting, whose remarks, being superficial, might be easily understood, and being just, might prepare the mind for more attainments. Had he presented "Paradise Lost" to the public with all the pomp of system and severity of science, the criticism would perhaps have been admired, and the poem still have been neglected; but by the blandishments of gentleness and facility he has made Milton an universal favourite, with whom readers of every class think it necessary to be pleased. He descended now and then to lower disquisitions: and by a serious display of the beauties of "Chevy Chase" exposed himself to the ridicule of Wagstaff, who bestowed a like pompous character on Tom Thumb; and to the contempt of Dennis, who, considering the fundamental position of his criticism, that "Chevy Chase" pleases, and ought to please, because it is natural, observes; "that there is a way of deviating from nature, by bombast or tumour, which soars above nature, and enlarges images beyond their real bulk; by affectation, which forsakes nature in quest of something unsuitable; and by imbecility, which degrades nature by faintness and diminution, by obscuring its appearances, and weakening its effects." In "Chevy Chase" there is not much of either bombast or affectation; but there is chill and lifeless imbecility. The story cannot possibly be told in a manner that shall make less impression on the mind.

Before the profound observers of the present race repose too securely on the consciousness of their superiority to Addison, let them consider his Remarks on Ovid, in which may be found specimens of criticism sufficiently subtle and refined: let them peruse likewise his Essays on Wit, and on the Pleasures of Imagination, in which he founds art on the base of nature, and draws the principles of invention from dispositions inherent in the mind of man with skill and elegance, such as his contemners will not easily attain.

As a describer of life and manners, he must be allowed to stand perhaps the first of the first rank. His humour, which, as Steele observes, is peculiar to himself, is so happily diffused as to give the grace of novelty to domestic scenes and daily occurrences. He never "o'ersteps the modesty of nature," nor raises merriment or wonder by the violation of truth. His figures neither divert by distortion nor amaze by aggravation. He copies life with so much fidelity that he can be hardly said to invent; yet his exhibitions have an air so much original, that it is difficult to suppose them not merely the product of imagination.

As a teacher of wisdom, he may be confidently followed. His religion has nothing in it enthusiastic or superstitious: he appears neither weakly credulous nor wantonly sceptical; his morality is neither dangerously lax nor impracticably rigid. All the enchantment of fancy, and all the cogency of argument, are employed to recommend to the reader his real interest, the care of pleasing the Author of his being. Truth is shown sometimes as the phantom of a vision; sometimes appears half-veiled in an allegory; sometimes attracts regard in the robes of fancy; and sometimes steps forth in the confidence of reason. She wears a thousand dresses, and in all is pleasing.

"Mille habet ornatus, mille decenter habet."

His prose is the model of the middle style; on grave subjects not formal, on light occasions not grovelling; pure without scrupulosity, and exact without apparent elaboration; always equable, and always easy, without glowing words or pointed sentences. Addison never deviates from his track to snatch a grace; he seeks no ambitious ornaments, and tries no hazardous innovations. His page is always luminous, but never blazes in unexpected splendour.

It was apparently his principal endeavour to avoid all harshness and severity of diction; he is therefore sometimes verbose in his transitions and connections, and sometimes descends too much to the language of conversation; yet if his language had been less idiomatical it might have lost somewhat of its genuine Anglicism. What he attempted, he performed; he is never feeble and he did not wish to be energetic; he is never rapid and he never stagnates. His sentences have neither studied amplitude nor affected brevity; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.



SAVAGE.

It has been observed in all ages that the advantages of nature or of fortune have contributed very little to the promotion of happiness: and that those whom the splendour of their rank, or the extent of their capacity, has placed upon the summit of human life, have not often given any just occasion to envy in those who look up to them from a lower station; whether it be that apparent superiority incites great designs, and great designs are naturally liable to fatal miscarriages; or that the general lot of mankind is misery, and the misfortunes of those whose eminence drew upon them universal attention have been more carefully recorded, because they were more generally observed, and have in reality been only more conspicuous than those of others, not more frequent, or more severe.

That affluence and power, advantages extrinsic and adventitious, and therefore easily separable from those by whom they are possessed, should very often flatter the mind with expectations of felicity which they cannot give, raises no astonishment: but it seems rational to hope that intellectual greatness should produce better effects; that minds qualified for great attainments should first endeavour their own benefit, and that they who are most able to teach others the way to happiness, should with most certainty follow it themselves. But this expectation, however plausible, has been very frequently disappointed. The heroes of literary as well as civil history have been very often no less remarkable for what they have suffered than for what they have achieved; and volumes have been written only to enumerate the miseries of the learned, and relate their unhappy lives and untimely deaths.

To these mournful narratives I am about to add the Life of RICHARD SAVAGE, a man whose writings entitle him to an eminent rank in the classes of learning, and whose misfortunes claim a degree of compassion not always due to the unhappy, as they were often the consequences of the crimes of others rather than his own.

In the year 1697, Anne, Countess of Macclesfield, having lived some time upon very uneasy terms with her husband, thought a public confession of adultery the most obvious and expeditious method of obtaining her liberty; and therefore declared that the child with which she was then great, was begotten by the Earl Rivers. This, as may be imagined, made her husband no less desirous of a separation than herself, and he prosecuted his design in the most effectual manner: for he applied, not to the ecclesiastical courts for a divorce, but to the Parliament for an Act by which his marriage might be dissolved, the nuptial contract annulled, and the children of his wife illegitimated. This Act, after the usual deliberation, he obtained, though without the approbation of some, who considered marriage as an affair only cognisable by ecclesiastical judges; and on March 3rd was separated from his wife, whose fortune, which was very great, was repaid her, and who having, as well as her husband, the liberty of making another choice, she in a short time married Colonel Brett.

While the Earl of Macclesfield was prosecuting this affair, his wife was, on the 10th of January, 1607-8,[sic] delivered of a son: and the Earl Rivers, by appearing to consider him as his own, left none any reason to doubt of the sincerity of her declaration; for he was his godfather and gave him his own name, which was by his direction inserted in the register of St. Andrew's parish in Holborn, but unfortunately left him to the care of his mother, whom, as she was now set free from her husband, he probably imagined likely to treat with great tenderness the child that had contributed to so pleasing an event. It is not indeed easy to discover what motives could be found to overbalance that natural affection of a parent, or what interest could be promoted by neglect or cruelty. The dread of shame or of poverty, by which some wretches have been incited to abandon or murder their children, cannot be supposed to have affected a woman who had proclaimed her crimes and solicited reproach, and on whom the clemency of the Legislature had undeservedly bestowed a fortune, which would have been very little diminished by the expenses which the care of her child could have brought upon her. It was therefore not likely that she would be wicked without temptation; that she would look upon her son from his birth with a kind of resentment and abhorrence; and, instead of supporting, assisting, and defending him, delight to see him struggling with misery, or that she would take every opportunity of aggravating his misfortunes, and obstructing his resources, and with an implacable and restless cruelty continue her persecution from the first hour of his life to the last. But whatever were her motives, no sooner was her son born than she discovered a resolution of disowning him; and in a very short time removed him from her sight, by committing him to the care of a poor woman, whom she directed to educate him as her own, and enjoined never to inform him of his true parents.

Such was the beginning of the life of Richard Savage. Born with a legal claim to honour and to affluence, he was in two months illegitimated by the Parliament, and disowned by his mother, doomed to poverty and obscurity, and launched upon the ocean of life only that he might be swallowed by its quicksands, or dashed upon its rocks. His mother could not indeed infect others with the same cruelty. As it was impossible to avoid the inquiries which the curiosity or tenderness of her relations made after her child, she was obliged to give some account of the measures she had taken; and her mother, the Lady Mason, whether in approbation of her design, or to prevent more criminal contrivances, engaged to transact with the nurse, to pay her for her care, and to superintend the education of the child.

In this charitable office she was assisted by his godmother, Mrs. Lloyd, who, while she lived, always looked upon him with that tenderness which the barbarity of his mother made peculiarly necessary; but her death, which happened in his tenth year, was another of the misfortunes of his childhood, for though she kindly endeavoured to alleviate his loss by a legacy of three hundred pounds, yet as he had none to prosecute his claim, to shelter him from oppression, or call in law to the assistance of justice, her will was eluded by the executors, and no part of the money was ever paid. He was, however, not yet wholly abandoned. The Lady Mason still continued her care, and directed him to be placed at a small grammar school near St. Albans, where he was called by the name of his nurse, without the least intimation that he had a claim to any other. Here he was initiated in literature, and passed through several of the classes, with what rapidity or with what applause cannot now be known. As he always spoke with respect of his master, it is probable that the mean rank in which he then appeared did not hinder his genius from being distinguished, or his industry from being rewarded; and if in so low a state he obtained distinctions and rewards, it is not likely that they were gained but by genius and industry.

It is very reasonable to conjecture that his application was equal to his abilities, because his improvement was more than proportioned to the opportunities which he enjoyed; nor can it be doubted that if his earliest productions had been preserved, like those of happier students, we might in some have found vigorous sallies of that sprightly humour which distinguishes "The Author to be Let," and in others strong touches of that imagination which painted the solemn scenes of "The Wanderer."

While he was thus cultivating his genius, his father, the Earl Rivers, was seized with a distemper, which in a short time put an end to his life. He had frequently inquired after his son, and had always been amused with fallacious and evasive answers; but being now in his own opinion on his death-bed, he thought it his duty to provide for him among his other natural children, and therefore demanded a positive account of him, with an importunity not to be diverted or denied. His mother, who could no longer refuse an answer, determined at least to give such as should cut him off for ever from that happiness which competence affords, and therefore declared that he was dead; which is perhaps the first instance of a lie invented by a mother to deprive her son of a provision which was designed him by another, and which she could not expect herself, though he should lose it. This was therefore an act of wickedness which could not be defeated, because it could not be suspected; the earl did not imagine that there could exist in a human form a mother that would ruin her son without enriching herself, and therefore bestowed upon some other person six thousand pounds which he had in his will bequeathed to Savage.

The same cruelty which incited his mother to intercept this provision which had been intended him, prompted her in a short time to another project, a project worthy of such a disposition. She endeavoured to rid herself from the danger of being at any time made known to him, by sending him secretly to the American Plantations. By whose kindness this scheme was counteracted, or by whose interposition she was induced to lay aside her design, I know not; it is not improbable that the Lady Mason might persuade or compel her to desist, or perhaps she could not easily find accomplices wicked enough to concur in so cruel an action; for it may be conceived that those who had by a long gradation of guilt hardened their hearts against the sense of common wickedness, would yet be shocked at the design of a mother to expose her son to slavery and want, to expose him without interest, and without provocation; and Savage might on this occasion find protectors and advocates among those who had long traded in crimes, and whom compassion had never touched before.

Being hindered, by whatever means, from banishing him into another country, she formed soon after a scheme for burying him in poverty and obscurity in his own; and that his station of life, if not the place of his residence, might keep him for ever at a distance from her, she ordered him to be placed with a shoemaker in Holborn, that, after the usual time of trial, he might become his apprentice.

It is generally reported that this project was for some time successful, and that Savage was employed at the awl longer than he was willing to confess: nor was it perhaps any great advantage to him, that an unexpected discovery determined him to quit his occupation.

About this time his nurse, who had always treated him as her own son, died; and it was natural for him to take care of those effects which by her death were, as he imagined, become his own: he therefore went to her house, opened her boxes, and examined her papers, among which he found some letters written to her by the Lady Mason, which informed him of his birth, and the reasons for which it was concealed. He was no longer satisfied with the employment which had been allotted him, but thought he had a right to share the affluence of his mother; and therefore without scruple applied to her as her son, and made use of every art to awaken her tenderness and attract her regard. But neither his letters, nor the interposition of those friends which his merit or his distress procured him, made any impression on her mind. She still resolved to neglect, though she could no longer disown him. It was to no purpose that he frequently solicited her to admit him to see her; she avoided him with the most vigilant precaution, and ordered him to be excluded from her house, by whomsoever he might be introduced, and what reason soever he might give for entering it.

Savage was at the same time so touched with the discovery of his real mother, that it was his frequent practice to walk in the dark evenings for several hours before her door, in hopes of seeing her as she might come by accident to the window, or cross her apartment with a candle in her hand. But all his assiduity and tenderness were without effect, for he could neither soften her heart nor open her hand, and was reduced to the utmost miseries of want, while he was endeavouring to awaken the affection of a mother. He was therefore obliged to seek some other means of support; and, having no profession, became by necessity an author.

At this time the attention of the literary world was engrossed by the Bangorian controversy, which filled the press with pamphlets, and the coffee-houses with disputants. Of this subject, as most popular, he made choice for his first attempt, and, without any other knowledge of the question than he had casually collected from conversation, published a poem against the bishop. What was the success or merit of this performance I know not; it was probably lost among the innumerable pamphlets to which that dispute gave occasion. Mr. Savage was himself in a little time ashamed of it, and endeavoured to suppress it, by destroying all the copies that he could collect. He then attempted a more gainful kind of writing, and in his eighteenth year offered to the stage a comedy borrowed from a Spanish plot, which was refused by the players, and was therefore given by him to Mr. Bullock, who, having more interest, made some slight alterations, and brought it upon the stage, under the title of Woman's a Riddle, but allowed the unhappy author no part of the profit.

Not discouraged, however, at his repulse, he wrote two years afterwards Love in a Veil, another comedy, borrowed likewise from the Spanish, but with little better success than before; for though it was received and acted, yet it appeared so late in the year, that the author obtained no other advantage from it than the acquaintance of Sir Richard Steele and Mr. Wilks, by whom he was pitied, caressed, and relieved.

Sir Richard Steele, having declared in his favour with all the ardour of benevolence which constituted his character, promoted his interest with the utmost zeal, related his misfortunes, applauded his merit, took all the opportunities of recommending him, and asserted that "the inhumanity of his mother had given him a right to find every good man his father." Nor was Mr. Savage admitted to his acquaintance only, but to his confidence, of which he sometimes related an instance too extraordinary to be omitted, as it affords a very just idea of his patron's character. He was once desired by Sir Richard, with an air of the utmost importance, to come very early to his house the next morning. Mr. Savage came as he had promised, found the chariot at the door, and Sir Richard waiting for him, and ready to go out. What was intended, and whither they were to go, Savage could not conjecture, and was not willing to inquire; but immediately seated himself with Sir Richard. The coachman was ordered to drive, and they hurried with the utmost expedition to Hyde Park Corner, where they stopped at a petty tavern, and retired to a private room. Sir Richard then informed him that he intended to publish a pamphlet, and that he had desired him to come thither that he might write for him. He soon sat down to the work. Sir Richard dictated, and Savage wrote, till the dinner that had been ordered was put upon the table. Savage was surprised at the meanness of the entertainment, and after some hesitation ventured to ask for wine, which Sir Richard, not without reluctance, ordered to be brought. They then finished their dinner, and proceeded in their pamphlet, which they concluded in the afternoon.

Mr. Savage then imagined his task over, and expected that Sir Richard would call for the reckoning, and return home; but his expectations deceived him, for Sir Richard told him that he was without money, and that the pamphlet must be sold before the dinner could be paid for; and Savage was therefore obliged to go and offer their new production to sale for two guineas, which with some difficulty he obtained. Sir Richard then returned home, having retired that day only to avoid his creditors, and composed the pamphlet only to discharge his reckoning.

Mr. Savage related another fact equally uncommon, which, though it has no relation to his life, ought to be preserved. Sir Richard Steele having one day invited to his house a great number of persons of the first quality, they were surprised at the number of liveries which surrounded the table; and after dinner, when wine and mirth had set them free from the observation of a rigid ceremony, one of them inquired of Sir Richard how such an expensive train of domestics could be consistent with his fortune. Sir Richard very frankly confessed that they were fellows of whom he would very willingly be rid. And being then asked why he did not discharge them, declared that they were bailiffs, who had introduced themselves with an execution, and whom, since he could not send them away, he had thought it convenient to embellish with liveries, that they might do him credit while they stayed. His friends were diverted with the expedient, and by paying the debt, discharged their attendance, having obliged Sir Richard to promise that they should never again find him graced with a retinue of the same kind.

Under such a tutor, Mr. Savage was not likely to learn prudence or frugality; and perhaps many of the misfortunes which the want of those virtues brought upon him in the following parts of his life, might be justly imputed to so unimproving an example. Nor did the kindness of Sir Richard end in common favours. He proposed to have established him in some settled scheme of life, and to have contracted a kind of alliance with him, by marrying him to a natural daughter, on whom he intended to bestow a thousand pounds. But though he was always lavish of future bounties, he conducted his affairs in such a manner that he was very seldom able to keep his promises, or execute his own intentions; and, as he was never able to raise the sum which he had offered, the marriage was delayed. In the meantime he was officiously informed that Mr. Savage had ridiculed him; by which he was so much exasperated that he withdrew the allowance which he had paid him, and never afterwards admitted him to his house.

It is not, indeed, unlikely that Savage might by his imprudence expose himself to the malice of a talebearer; for his patron had many follies, which, as his discernment easily discovered, his imagination might sometimes incite him to mention too ludicrously. A little knowledge of the world is sufficient to discover that such weakness is very common, and that there are few who do not sometimes, in the wantonness of thoughtless mirth, or the heat of transient resentment, speak of their friends and benefactors with levity and contempt, though in their cooler moments they want neither sense of their kindness nor reverence for their virtue; the fault, therefore, of Mr. Savage was rather negligence than ingratitude. But Sir Richard must likewise be acquitted of severity, for who is there that can patiently bear contempt from one whom he has relieved and supported, whose establishment he has laboured, and whose interest he has promoted?

He was now again abandoned to fortune without any other friend than Mr. Wilks; a man who, whatever were his abilities or skill as an actor, deserves at least to be remembered for his virtues, which are not often to be found in the world, and perhaps less often in his profession than in others. To be humane, generous, and candid is a very high degree of merit in any case; but those qualifications deserve still greater praise when they are found in that condition which makes almost every other man, for whatever reason, contemptuous, insolent, petulant, selfish, and brutal.

As Mr. Wilks was one of those to whom calamity seldom complained without relief, he naturally took an unfortunate wit into his protection, and not only assisted him in any casual distresses, but continued an equal and steady kindness to the time of his death. By this interposition Mr. Savage once obtained from his mother fifty pounds, and a promise of one hundred and fifty more; but it was the fate of this unhappy man that few promises of any advantage to him were performed. His mother was infected, among others, with the general madness of the South Sea traffic; and having been disappointed in her expectations, refused to pay what perhaps nothing but the prospect of sudden affluence prompted her to promise.

Being thus obliged to depend upon the friendship of Mr. Wilks, he was consequently an assiduous frequenter of the theatres: and in a short time the amusements of the stage took such possession of his mind that he never was absent from a play in several years. This constant attendance naturally procured him the acquaintance of the players, and, among others, of Mrs. Oldfield, who was so much pleased with his conversation, and touched with his misfortunes, that she allowed him a settled pension of fifty pounds a year, which was during her life regularly paid. That this act of generosity may receive its due praise, and that the good actions of Mrs. Oldfield may not be sullied by her general character, it is proper to mention that Mr. Savage often declared, in the strongest terms, that he never saw her alone, or in any other place than behind the scenes.

At her death he endeavoured to show his gratitude in the most decent manner, by wearing mourning as for a mother; but did not celebrate her in elegies, because he knew that too great a profusion of praise would only have revived those faults which his natural equity did not allow him to think less because they were committed by one who favoured him; but of which, though his virtue would not endeavour to palliate them, his gratitude would not suffer him to prolong the memory or diffuse the censure.

In his "Wanderer" he has indeed taken an opportunity of mentioning her; but celebrates her not for her virtue, but her beauty, an excellence which none ever denied her: this is the only encomium with which he has rewarded her liberality, and perhaps he has even in this been too lavish of his praise. He seems to have thought that never to mention his benefactress would have an appearance of ingratitude, though to have dedicated any particular performance to her memory would have only betrayed an officious partiality, and that without exalting her character would have depressed his own. He had sometimes, by the kindness of Mr. Wilks, the advantage of a benefit, on which occasions he often received uncommon marks of regard and compassion; and was once told by the Duke of Dorset that it was just to consider him as an injured nobleman, and that in his opinion the nobility ought to think themselves obliged, without solicitation, to take every opportunity of supporting him by their countenance and patronage. But he had generally the mortification to hear that the whole interest of his mother was employed to frustrate his applications, and that she never left any expedient untried by which he might be cut off from the possibility of supporting life. The same disposition she endeavoured to diffuse among all those over whom nature or fortune gave her any influence, and indeed succeeded too well in her design; but could not always propagate her effrontery with her cruelty; for some of those whom she incited against him were ashamed of their own conduct, and boasted of that relief which they never gave him. In this censure I do not indiscriminately involve all his relations; for he has mentioned with gratitude the humanity of one lady, whose name I am now unable to recollect, and to whom, therefore, I cannot pay the praises which she deserves for having acted well in opposition to influence, precept, and example.

The punishment which our laws inflict upon those parents who murder their infants is well known, nor has its justice ever been contested; but, if they deserve death who destroy a child in its birth, what pain can be severe enough for her who forbears to destroy him only to inflict sharper miseries upon him; who prolongs his life only to make him miserable; and who exposes him, without care and without pity, to the malice of oppression, the caprices of chance, and the temptations of poverty; who rejoices to see him overwhelmed with calamities; and, when his own industry, or the charity of others, has enabled him to rise for a short time above his miseries, plunges him again into his former distress?

The kindness of his friends not affording him any constant supply, and the prospect of improving his fortune by enlarging his acquaintance necessarily leading him to places of expense, he found it necessary to endeavour once more at dramatic poetry; for which he was now better qualified by a more extensive knowledge and longer observation. But having been unsuccessful in comedy, though rather for want of opportunities than genius, he resolved to try whether he should not be more fortunate in exhibiting a tragedy. The story which he chose for the subject was that of Sir Thomas Overbury, a story well adapted to the stage, though perhaps not far enough removed from the present age to admit properly the fictions necessary to complete the plan; for the mind, which naturally loves truth, is always most offended with the violation of those truths of which we are most certain; and we of course conceive those facts most certain which approach nearer to our own time. Out of this story he formed a tragedy, which, if the circumstances in which he wrote it be considered, will afford at once an uncommon proof of strength of genius and evenness of mind, of a serenity not to be ruffled and an imagination not to be suppressed.

During a considerable part of the time in which he was employed upon this performance, he was without lodging, and often without meat; nor had he any other conveniences for study than the fields or the streets allowed him; there he used to walk and form his speeches, and afterwards step into a shop, beg for a few moments the use of the pen and ink, and write down what he had composed upon paper which he had picked up by accident.

If the performance of a writer thus distressed is not perfect, its faults ought surely to be imputed to a cause very different from want of genius, and must rather excite pity than provoke censure. But when, under these discouragements, the tragedy was finished, there yet remained the labour of introducing it on the stage, an undertaking which, to an ingenuous mind, was in a very high degree vexatious and disgusting; for, having little interest or reputation, he was obliged to submit himself wholly to the players, and admit, with whatever reluctance, the emendations of Mr. Cibber, which he always considered as the disgrace of his performance. He had, indeed, in Mr. Hill another critic of a very different class, from whose friendship he received great assistance on many occasions, and whom he never mentioned but with the utmost tenderness and regard. He had been for some time distinguished by him with very particular kindness, and on this occasion it was natural to apply to him as an author of an established character. He therefore sent this tragedy to him, with a short copy of verses, in which he desired his correction. Mr. Hill, whose humanity and politeness are generally known, readily complied with his request; but as he is remarkable for singularity of sentiment, and bold experiments in language, Mr. Savage did not think this play much improved by his innovation, and had even at that time the courage to reject several passages which he could not approve; and, what is still more laudable, Mr. Hill had the generosity not to resent the neglect of his alterations, but wrote the prologue and epilogue, in which he touches on the circumstances of the author with great tenderness.

After all these obstructions and compliances, he was only able to bring his play upon the stage in the summer, when the chief actors had retired, and the rest were in possession of the house for their own advantage. Among these, Mr. Savage was admitted to play the part of Sir Thomas Overbury, by which he gained no great reputation, the theatre being a province for which nature seems not to have designed him; for neither his voice, look, nor gesture were such as were expected on the stage, and he was so much ashamed of having been reduced to appear as a player, that he always blotted out his name from the list when a copy of his tragedy was to be shown to his friends.

In the publication of his performance he was more successful, for the rays of genius that glimmered in it, that glimmered through all the mists which poverty and Cibber had been able to spread over it, procured him the notice and esteem of many persons eminent for their rank, their virtue, and their wit. Of this play, acted, printed, and dedicated, the accumulated profits arose to a hundred pounds, which he thought at that time a very large sum, having been never master of so much before.

In the dedication, for which he received ten guineas, there is nothing remarkable. The preface contains a very liberal encomium on the blooming excellence of Mr. Theophilus Cibber, which Mr. Savage could not in the latter part of his life see his friends about to read without snatching the play out of their hands. The generosity of Mr. Hill did not end on this occasion; for afterwards, when Mr. Savage's necessities returned, he encouraged a subscription to a Miscellany of Poems in a very extraordinary manner, by publishing his story in the Plain Dealer, with some affecting lines, which he asserts to have been written by Mr. Savage upon the treatment received by him from his mother, but of which he was himself the author, as Mr. Savage afterwards declared. These lines, and the paper in which they were inserted, had a very powerful effect upon all but his mother, whom, by making her cruelty more public, they only hardened in her aversion.

Mr. Hill not only promoted the subscription to the Miscellany, but furnished likewise the greatest part of the poems of which it is composed, and particularly "The Happy Man," which he published as a specimen.

The subscriptions of those whom these papers should influence to patronise merit in distress, without any other solicitation, were directed to be left at Button's Coffee-house; and Mr. Savage going thither a few days afterwards, without expectation of any effect from his proposal, found, to his surprise, seventy guineas, which had been sent him in consequence of the compassion excited by Mr. Hill's pathetic representation.

To this Miscellany he wrote a preface, in which he gives an account of his mother's cruelty in a very uncommon strain of humour, and with a gaiety of imagination which the success of his subscription probably produced. The dedication is addressed to the Lady Mary Wortley Montagu, whom he flatters without reserve, and, to confess the truth, with very little art. The same observation may be extended to all his dedications: his compliments are constrained and violent, heaped together without the grace of order, or the decency of introduction. He seems to have written his panegyrics for the perusal only of his patrons, and to imagine that he had no other task than to pamper them with praises, however gross, and that flattery would make its way to the heart, without the assistance of elegance or invention.

Soon afterwards the death of the king furnished a general subject for a poetical contest, in which Mr. Savage engaged, and is allowed to have carried the prize of honour from his competitors: but I know not whether he gained by his performance any other advantage than the increase of his reputation, though it must certainly have been with farther views that he prevailed upon himself to attempt a species of writing, of which all the topics had been long before exhausted, and which was made at once difficult by the multitudes that had failed in it, and those that had succeeded.

He was now advancing in reputation, and though frequently involved in very distressful perplexities, appeared, however, to be gaining upon mankind, when both his fame and his life were endangered by an event, of which it is not yet determined whether it ought to be mentioned as a crime or a calamity.

On the 20th of November, 1727, Mr. Savage came from Richmond, where he then lodged that he might pursue his studies with less interruption, with an intent to discharge another lodging which he had in Westminster; and accidentally meeting two gentlemen, his acquaintances, whose names were Merchant and Gregory, he went in with them to a neighbouring coffee-house, and sat drinking till it was late, it being in no time of Mr. Savage's life any part of his character to be the first of the company that desired to separate. He would willingly have gone to bed in the same house, but there was not room for the whole company, and therefore they agreed to ramble about the streets, and divert themselves with such amusements as should offer themselves till morning. In this walk they happened unluckily to discover a light in Robinson's Coffee-house, near Charing Cross, and therefore went in. Merchant with some rudeness demanded a room, and was told that there was a good fire in the next parlour, which the company were about to leave, being then paying their reckoning. Merchant, not satisfied with this answer, rushed into the room, and was followed by his companions. He then petulantly placed himself between the company and the fire, and soon after kicked down the table. This produced a quarrel, swords were drawn on both sides, and one Mr. James Sinclair was killed. Savage, having likewise wounded a maid that held him, forced his way, with Merchant, out of the house; but being intimidated and confused, without resolution either to fly or stay, they were taken in a back court by one of the company, and some soldiers, whom he had called to his assistance. Being secured and guarded that night, they were in the morning carried before three justices, who committed them to the Gatehouse, from whence, upon the death of Mr. Sinclair, which happened the same day, they were removed in the night to Newgate, where they were, however, treated with some distinction, exempted from the ignominy of chains, and confined, not among the common criminals, but in the Press yard.

When the day of trial came, the court was crowded in a very unusual manner, and the public appeared to interest itself as in a cause of general concern. The witnesses against Mr. Savage and his friends were, the woman who kept the house, which was a house of ill-fame, and her maid, the men who were in the room with Mr. Sinclair, and a woman of the town, who had been drinking with them, and with whom one of them had been seen. They swore in general, that Merchant gave the provocation, which Savage and Gregory drew their swords to justify; that Savage drew first, and that he stabbed Sinclair when he was not in a posture of defence, or while Gregory commanded his sword; that after he had given the thrust he turned pale, and would have retired, but the maid clung round him, and one of the company endeavoured to detain him, from whom he broke by cutting the maid on the head, but was afterwards taken in a court. There was some difference in their depositions; one did not see Savage give the wound, another saw it given when Sinclair held his point towards the ground; and the woman of the town asserted that she did not see Sinclair's sword at all. This difference, however, was very far from amounting to inconsistency; but it was sufficient to show, that the hurry of the dispute was such that it was not easy to discover the truth with relation to particular circumstances, and that therefore some deductions were to be made from the credibility of the testimonies.

Sinclair had declared several times before his death that he received his wound from Savage: nor did Savage at his trial deny the fact, but endeavoured partly to extenuate it, by urging the suddenness of the whole action, and the impossibility of any ill design or premeditated malice; and partly to justify it by the necessity of self-defence, and the hazard of his own life, if he had lost that opportunity of giving the thrust: he observed, that neither reason nor law obliged a man to wait for the blow which was threatened, and which, if he should suffer it, he might never be able to return; that it was allowable to prevent an assault, and to preserve life by taking away that of the adversary by whom it was endangered. With regard to the violence with which he endeavoured to escape, he declared that it was not his design to fly from justice, or decline a trial, but to avoid the expenses and severities of a prison; and that he intended to appear at the bar without compulsion.

This defence, which took up more than an hour, was heard by the multitude that thronged the court with the most attentive and respectful silence. Those who thought he ought not to be acquitted owned that applause could not be refused him; and those who before pitied his misfortunes now reverenced his abilities. The witnesses which appeared against him were proved to be persons of characters which did not entitle them to much credit; a common strumpet, a woman by whom strumpets were entertained, a man by whom they were supported: and the character of Savage was by several persons of distinction asserted to be that of a modest, inoffensive man, not inclined to broils or to insolence, and who had, to that time, been only known for his misfortunes and his wit. Had his audience been his judges, he had undoubtedly been acquitted, but Mr. Page, who was then upon the bench, treated him with his usual insolence and severity, and when he had summed up the evidence, endeavoured to exasperate the jury, as Mr. Savage used to relate it, with this eloquent harangue:—

"Gentlemen of the jury, you are to consider that Mr. Savage is a very great man, a much greater man than you or I, gentlemen of the jury; that he wears very fine clothes, much finer clothes than you or I, gentlemen of the jury; that he has abundance of money in his pockets, much more money than you or I, gentlemen of the jury; but, gentlemen of the jury, is it not a very hard case, gentlemen of the jury, that Mr. Savage should therefore kill you or me, gentlemen of the jury?"

Mr. Savage, hearing his defence thus misrepresented, and the men who were to decide his fate incited against him by invidious comparisons, resolutely asserted that his cause was not candidly explained, and began to recapitulate what he had before said with regard to his condition, and the necessity of endeavouring to escape the expenses of imprisonment; but the judge having ordered him to be silent, and repeated his orders without effect, commanded that he should be taken from the bar by force.

The jury then heard the opinion of the judge, that good characters were of no weight against positive evidence, though they might turn the scale where it was doubtful; and that though, when two men attack each other, the death of either is only manslaughter; but where one is the aggressor, as in the case before them, and, in pursuance of his first attack, kills the other, the law supposes the action, however sudden, to be malicious. They then deliberated upon their verdict, and determined that Mr. Savage and Mr. Gregory were guilty of murder, and Mr. Merchant, who had no sword, only of manslaughter.

Thus ended this memorable trial, which lasted eight hours. Mr. Savage and Mr. Gregory were conducted back to prison, where they were more closely confined, and loaded with irons of fifty pounds' weight. Four days afterwards they were sent back to the court to receive sentence, on which occasion Mr. Savage made, as far as it could be retained in memory, the following speech:—

"It is now, my lord, too late to offer anything by way of defence or vindication; nor can we expect from your lordships, in this court, but the sentence which the law requires you, as judges, to pronounce against men of our calamitous condition. But we are also persuaded that as mere men, and out of this seat of rigorous justice, you are susceptive of the tender passions, and too humane not to commiserate the unhappy situation of those whom the law sometimes perhaps exacts from you to pronounce upon. No doubt you distinguish between offences which arise out of premeditation, and a disposition habituated to vice or immorality, and transgressions which are the unhappy and unforeseen effects of casual absence of reason, and sudden impulse of passion. We therefore hope you will contribute all you can to an extension of that mercy which the gentlemen of the jury have been pleased to show to Mr. Merchant, who (allowing facts as sworn against us by the evidence) has led us into this our calamity. I hope this will not be construed as if we meant to reflect upon that gentleman, or remove anything from us upon him, or that we repine the more at our fate because he has no participation of it. No, my Lord! For my part, I declare nothing could more soften my grief than to be without any companion in so great a misfortune."

Mr. Savage had now no hopes of life but from the mercy of the Crown, which was very earnestly solicited by his friends, and which, with whatever difficulty the story may obtain belief, was obstructed only by his mother.

To prejudice the queen against him, she made use of an incident which was omitted in the order of time, that it might be mentioned together with the purpose which it was made to serve. Mr. Savage, when he had discovered his birth, had an incessant desire to speak to his mother, who always avoided him in public, and refused him admission into her house. One evening, walking, as was his custom, in the street that she inhabited, he saw the door of her house by accident open; he entered it, and finding no person in the passage to hinder him, went up-stairs to salute her. She discovered him before he entered the chamber, alarmed the family with the most distressful outcries, and when she had by her screams gathered them about her, ordered them to drive out of the house that villain, who had forced himself in upon her and endeavoured to murder her. Savage, who had attempted with the most submissive tenderness to soften her rage, hearing her utter so detestable an accusation, thought it prudent to retire, and, I believe, never attempted afterwards to speak to her.

But shocked as he was with her falsehood and her cruelty, he imagined that she intended no other use of her lie than to set herself free from his embraces and solicitations, and was very far from suspecting that she would treasure it in her memory as an instrument of future wickedness, or that she would endeavour for this fictitious assault to deprive him of his life. But when the queen was solicited for his pardon, and informed of the severe treatment which he had suffered from his judge, she answered that, however unjustifiable might be the manner of his trial, or whatever extenuation the action for which he was condemned might admit, she could not think that man a proper object of the king's mercy who had been capable of entering his mother's house in the night with an intent to murder her.

By whom this atrocious calumny had been transmitted to the queen, whether she that invented had the front to relate it, whether she found any one weak enough to credit it, or corrupt enough to concur with her in her hateful design, I know not, but methods had been taken to persuade the queen so strongly of the truth of it, that she for a long time refused to hear any one of those who petitioned for his life.

Thus had Savage perished by the evidence of a bawd, a strumpet, and his mother, had not justice and compassion procured him an advocate of rank too great to be rejected unheard, and of virtue too eminent to be heard without being believed. His merit and his calamities happened to reach the ear of the Countess of Hertford, who engaged in his support with all the tenderness that is excited by pity, and all the zeal which is kindled by generosity, and, demanding an audience of the queen, laid before her the whole series of his mother's cruelty, exposed the improbability of an accusation by which he was charged with an intent to commit a murder that could produce no advantage, and soon convinced her how little his former conduct could deserve to be mentioned as a reason for extraordinary severity.

The interposition of this lady was so successful, that he was soon after admitted to bail, and, on the 9th of March, 1728, pleaded the king's pardon.

It is natural to inquire upon what motives his mother could persecute him in a manner so outrageous and implacable; for what reason she could employ all the arts of malice, and all the snares of calumny, to take away the life of her own son, of a son who never injured her, who was never supported by her expense, nor obstructed any prospect of pleasure or advantage. Why she would endeavour to destroy him by a lie—a lie which could not gain credit, but must vanish of itself at the first moment of examination, and of which only this can be said to make it probable, that it may be observed from her conduct that the most execrable crimes are sometimes committed without apparent temptation.

This mother is still (1744) alive, and may perhaps even yet, though her malice was so often defeated, enjoy the pleasure of reflecting that the life which she often endeavoured to destroy was at last shortened by her maternal offices; that though she could not transport her son to the plantations, bury him in the shop of a mechanic, or hasten the hand of the public executioner, she has yet had the satisfaction of embittering all his hours, and forcing him into exigencies that hurried on his death. It is by no means necessary to aggravate the enormity of this woman's conduct by placing it in opposition to that of the Countess of Hertford. No one can fail to observe how much more amiable it is to relieve than to oppress, and to rescue innocence from destruction than to destroy without an injury.

Mr. Savage, during his imprisonment, his trial, and the time in which he lay under sentence of death, behaved with great firmness and equality of mind, and confirmed by his fortitude the esteem of those who before admired him for his abilities. The peculiar circumstances of his life were made more generally known by a short account which was then published, and of which several thousands were in a few weeks dispersed over the nation; and the compassion of mankind operated so powerfully in his favour, that he was enabled, by frequent presents, not only to support himself, but to assist Mr. Gregory in prison; and when he was pardoned and released, he found the number of his friends not lessened.

The nature of the act for which he had been tried was in itself doubtful; of the evidences which appeared against him, the character of the man was not unexceptionable, that of the woman notoriously infamous; she whose testimony chiefly influenced the jury to condemn him afterwards retracted her assertions. He always himself denied that he was drunk, as had been generally reported. Mr. Gregory, who is now (1744) collector of Antigua, is said to declare him far less criminal than he was imagined, even by some who favoured him; and Page himself afterwards confessed that he had treated him with uncommon rigour. When all these particulars are rated together, perhaps the memory of Savage may not be much sullied by his trial. Some time after he obtained his liberty, he met in the street the woman who had sworn with so much malignity against him. She informed him that she was in distress, and, with a degree of confidence not easily attainable, desired him to relieve her. He, instead of insulting her misery, and taking pleasure in the calamities of one who had brought his life into danger, reproved her gently for her perjury, and, changing the only guinea that he had, divided it equally between her and himself. This is an action which in some ages would have made a saint, and perhaps in others a hero, and which, without any hyperbolical encomiums, must be allowed to be an instance of uncommon generosity, an act of complicated virtue, by which he at once relieved the poor, corrected the vicious, and forgave an enemy; by which he at once remitted the strongest provocations, and exercised the most ardent charity. Compassion was indeed the distinguishing quality of Savage: he never appeared inclined to take advantage of weakness, to attack the defenceless, or to press upon the falling. Whoever was distressed was certain at least of his good wishes; and when he could give no assistance to extricate them from misfortunes, he endeavoured to soothe them by sympathy and tenderness. But when his heart was not softened by the sight of misery, he was sometimes obstinate in his resentment, and did not quickly lose the remembrance of an injury. He always continued to speak with anger of the insolence and partiality of Page, and a short time before his death revenged it by a satire.

It is natural to inquire in what terms Mr. Savage spoke of this fatal action when the danger was over, and he was under no necessity of using any art to set his conduct in the fairest light. He was not willing to dwell upon it; and, if he transiently mentioned it, appeared neither to consider himself as a murderer, nor as a man wholly free from the guilt of blood. How much and how long he regretted it appeared in a poem which he published many years afterwards. On occasion of a copy of verses, in which the failings of good men are recounted, and in which the author had endeavoured to illustrate his position, that "the best may sometimes deviate from virtue," by an instance of murder committed by Savage in the heat of wine, Savage remarked that it was no very just representation of a good man, to suppose him liable to drunkenness, and disposed in his riots to cut throats.

He was now indeed at liberty, but was, as before, without any other support than accidental favours and uncertain patronage afforded him; sources by which he was sometimes very liberally supplied, and which at other times were suddenly stopped; so that he spent his life between want and plenty, or, what was yet worse, between beggary and extravagance, for, as whatever he received was the gift of chance, which might as well favour him at one time as another, he was tempted to squander what he had because he always hoped to be immediately supplied. Another cause of his profusion was the absurd kindness of his friends, who at once rewarded and enjoyed his abilities by treating him at taverns, and habituating him to pleasures which he could not afford to enjoy, and which he was not able to deny himself, though he purchased the luxury of a single night by the anguish of cold and hunger for a week.

The experience of these inconveniences determined him to endeavour after some settled income, which, having long found submission and entreaties fruitless, he attempted to extort from his mother by rougher methods. He had now, as he acknowledged, lost that tenderness for her which the whole series of her cruelty had not been able wholly to repress, till he found, by the efforts which she made for his destruction, that she was not content with refusing to assist him, and being neutral in his struggles with poverty, but was ready to snatch every opportunity of adding to his misfortunes; and that she was now to be considered as an enemy implacably malicious, whom nothing but his blood could satisfy. He therefore threatened to harass her with lampoons, and to publish a copious narrative of her conduct, unless she consented to purchase an exemption from infamy by allowing him a pension.

This expedient proved successful. Whether shame still survived, though virtue was extinct, or whether her relations had more delicacy than herself, and imagined that some of the darts which satire might point at her would glance upon them, Lord Tyrconnel, whatever were his motives, upon his promise to lay aside his design of exposing the cruelty of his mother, received him into his family, treated him as his equal, and engaged to allow him a pension of two hundred pounds a year. This was the golden part of Mr. Savage's life; and for some time he had no reason to complain of fortune. His appearance was splendid, his expenses large, and his acquaintance extensive. He was courted by all who endeavoured to be thought men of genius, and caressed by all who valued themselves upon a refined taste. To admire Mr. Savage was a proof of discernment; and to be acquainted with him was a title to poetical reputation. His presence was sufficient to make any place of public entertainment popular, and his approbation and example constituted the fashion. So powerful is genius, when it is invested with the glitter of affluence! Men willingly pay to fortune that regard which they owe to merit, and are pleased when they have an opportunity at once of gratifying their vanity and practising their duty.

This interval of prosperity furnished him with opportunities of enlarging his knowledge of human nature, by contemplating life from its highest gradations to its lowest; and, had he afterwards applied to dramatic poetry, he would perhaps not have had many superiors, for, as he never suffered any scene to pass before his eyes without notice, he had treasured in his mind all the different combinations of passions, and the innumerable mixtures of vice and virtue, which distinguished one character from another; and, as his conception was strong, his expressions were clear, he easily received impressions from objects, and very forcibly transmitted them to others. Of his exact observations on human life he has left a proof, which would do honour to the greatest names, in a small pamphlet, called "The Author to be Let," where he introduces Iscariot Hackney, a prostitute scribbler, giving an account of his birth, his education, his disposition and morals, habits of life, and maxims of conduct. In the introduction are related many secret histories of the petty writers of that time, but sometimes mixed with ungenerous reflections on their birth, their circumstances, or those of their relations; nor can it be denied that some passages are such as Iscariot Hackney might himself have produced. He was accused likewise of living in an appearance of friendship with some whom he satirised, and of making use of the confidence which he gained by a seeming kindness, to discover failings and expose them. It must be confessed that Mr. Savage's esteem was no very certain possession, and that he would lampoon at one time those whom he had praised at another.

It may be alleged that the same man may change his principles, and that he who was once deservedly commended may be afterwards satirised with equal justice, or that the poet was dazzled with the appearance of virtue, and found the man whom he had celebrated, when he had an opportunity of examining him more narrowly, unworthy of the panegyric which he had too hastily bestowed; and that, as a false satire ought to be recanted, for the sake of him whose reputation may be injured, false praise ought likewise to be obviated, lest the distinction between vice and virtue should be lost, lest a bad man should be trusted upon the credit of his encomiast, or lest others should endeavour to obtain like praises by the same means. But though these excuses may be often plausible, and sometimes just, they are very seldom satisfactory to mankind; and the writer who is not constant to his subject, quickly sinks into contempt, his satire loses its force, and his panegyric its value; and he is only considered at one time as a flatterer, and a calumniator at another. To avoid these imputations, it is only necessary to follow the rules of virtue, and to preserve an unvaried regard to truth. For though it is undoubtedly possible that a man, however cautious, may be sometimes deceived by an artful appearance of virtue, or by false evidences of guilt, such errors will not be frequent; and it will be allowed that the name of an author would never have been made contemptible had no man ever said what he did not think, or misled others but when he was himself deceived.

"The Author to be Let" was first published in a single pamphlet, and afterwards inserted in a collection of pieces relating to the "Dunciad," which were addressed by Mr. Savage to the Earl of Middlesex, in a dedication which he was prevailed upon to sign, though he did not write it, and in which there are some positions that the true author would perhaps not have published under his own name, and on which Mr. Savage afterwards reflected with no great satisfaction. The enumeration of the bad effects of the uncontrolled freedom of the press, and the assertion that the "liberties taken by the writers of journals with their superiors were exorbitant and unjustifiable," very ill became men who have themselves not always shown the exactest regard to the laws of subordination in their writings, and who have often satirised those that at least thought themselves their superiors, as they were eminent for their hereditary rank, and employed in the highest offices of the kingdom. But this is only an instance of that partiality which almost every man indulges with regard to himself: the liberty of the press is a blessing when we are inclined to write against others, and a calamity when we find ourselves overborne by the multitude of our assailants; as the power of the Crown is always thought too great by those who suffer by its influence, and too little by those in whose favour it is exerted; and a standing army is generally accounted necessary by those who command, and dangerous and oppressive by those who support it.

Mr. Savage was likewise very far from believing that the letters annexed to each species of bad poets in the Bathos were, as he was directed to assert, "set down at random;" for when he was charged by one of his friends with putting his name to such an improbability, he had no other answer to make than that "he did not think of it;" and his friend had too much tenderness to reply, that next to the crime of writing contrary to what he thought was that of writing without thinking.

After having remarked what is false in this dedication, it is proper that I observe the impartiality which I recommend, by declaring what Savage asserted—that the account of the circumstances which attended the publication of the "Dunciad," however strange and improbable, was exactly true.

The publication of this piece at this time raised Mr. Savage a great number of enemies among those that were attacked by Mr. Pope, with whom he was considered as a kind of confederate, and whom he was suspected of supplying with private intelligence and secret incidents; so that the ignominy of an informer was added to the terror of a satirist. That he was not altogether free from literary hypocrisy, and that he sometimes spoke one thing and wrote another, cannot be denied, because he himself confessed that, when he lived with great familiarity with Dennis, he wrote an epigram against him.

Mr. Savage, however, set all the malice of all the pigmy writers at defiance, and thought the friendship of Mr. Pope cheaply purchased by being exposed to their censure and their hatred; nor had he any reason to repent of the preference, for he found Mr. Pope a steady and unalienable friend almost to the end of his life.

About this time, notwithstanding his avowed neutrality with regard to party, he published a panegyric on Sir Robert Walpole, for which he was rewarded by him with twenty guineas, a sum not very large, if either the excellence of the performance or the affluence of the patron be considered; but greater than he afterwards obtained from a person of yet higher rank, and more desirous in appearance of being distinguished as a patron of literature.

As he was very far from approving the conduct of Sir Robert Walpole, and in conversation mentioned him sometimes with acrimony, and generally with contempt, as he was one of those who were always zealous in their assertions of the justice of the late opposition, jealous of the rights of the people, and alarmed by the long-continued triumph of the Court, it was natural to ask him what could induce him to employ his poetry in praise of that man who was, in his opinion, an enemy to liberty, and an oppressor of his country? He alleged that he was then dependent upon the Lord Tyrconnel, who was an implicit follower of the ministry: and that, being enjoined by him, not without menaces, to write in praise of the leader, he had not resolution sufficient to sacrifice the pleasure of affluence to that of integrity.

On this, and on many other occasions, he was ready to lament the misery of living at the tables of other men, which was his fate from the beginning to the end of his life; for I know not whether he ever had, for three months together, a settled habitation, in which he could claim a right of residence.

To this unhappy state it is just to impute much of the inconsistency of his conduct, for though a readiness to comply with the inclinations of others was no part of his natural character, yet he was sometimes obliged to relax his obstinacy, and submit his own judgment, and even his virtue, to the government of those by whom he was supported. So that if his miseries were sometimes the consequences of his faults, he ought not yet to be wholly excluded from compassion, because his faults were very often the effects of his misfortunes.

In this gay period of his life, while he was surrounded by affluence and pleasure, he published "The Wanderer," a moral poem, of which the design is comprised in these lines:—

"I fly all public care, all venal strife, To try the still, compared with active, life; To prove, by these, the sons of men may owe The fruits of bliss to bursting clouds of woe; That ev'n calamity, by thought refined, Inspirits and adorns the thinking mind."

And more distinctly in the following passage:—

"By woe, the soul to daring action swells; By woe, in plaintless patience it excels: From patience prudent, clear experience springs, And traces knowledge through the course of things. Thence hope is formed, thence fortitude, success, Renown—whate'er men covet and caress."

This performance was always considered by himself as his masterpiece; and Mr. Pope, when he asked his opinion of it, told him that he read it once over, and was not displeased with it; that it gave him more pleasure at the second perusal, and delighted him still more at the third.

It has been generally objected to "The Wanderer," that the disposition of the parts is irregular; that the design is obscure, and the plan perplexed; that the images, however beautiful, succeed each other without order; and that the whole performance is not so much a regular fabric, as a heap of shining materials thrown together by accident, which strikes rather with the solemn magnificence of a stupendous ruin than the elegant grandeur of a finished pile. This criticism is universal, and therefore it is reasonable to believe it at least in a degree just; but Mr. Savage was always of a contrary opinion, and thought his drift could only be missed by negligence or stupidity, and that the whole plan was regular, and the parts distinct. It was never denied to abound with strong representations of nature, and just observations upon life; and it may easily be observed that most of his pictures have an evident tendency to illustrate his first great position, "that good is the consequence of evil." The sun that burns up the mountains fructifies the vales; the deluge that rushes down the broken rocks with dreadful impetuosity is separated into purling brooks; and the rage of the hurricane purifies the air.

Even in this poem he has not been able to forbear one touch upon the cruelty of his mother, which, though remarkably delicate and tender, is a proof how deep an impression it had upon his mind. This must be at least acknowledged, which ought to be thought equivalent to many other excellences, that this poem can promote no other purposes than those of virtue, and that it is written with a very strong sense of the efficacy of religion. But my province is rather to give the history of Mr. Savage's performances than to display their beauties, or to obviate the criticisms which they have occasioned, and therefore I shall not dwell upon the particular passages which deserve applause. I shall neither show the excellence of his descriptions, nor expatiate on the terrific portrait of suicide, nor point out the artful touches by which he has distinguished the intellectual features of the rebels, who suffer death in his last canto. It is, however, proper to observe, that Mr. Savage always declared the characters wholly fictitious, and without the least allusion to any real persons or actions.

From a poem so diligently laboured, and so successfully finished, it might be reasonably expected that he should have gained considerable advantage; nor can it, without some degree of indignation and concern, be told, that he sold the copy for ten guineas, of which he afterwards returned two, that the two last sheets of the work might be reprinted, of which he had in his absence entrusted the correction to a friend, who was too indolent to perform it with accuracy.

A superstitious regard to the correction of his sheets was one of Mr. Savage's peculiarities: he often altered, revised, recurred to his first reading or punctuation, and again adopted the alteration; he was dubious and irresolute without end, as on a question of the last importance, and at last was seldom satisfied. The intrusion or omission of a comma was sufficient to discompose him, and he would lament an error of a single letter as a heavy calamity. In one of his letters relating to an impression of some verses he remarks that he had, with regard to the correction of the proof, "a spell upon him;" and indeed the anxiety with which he dwelt upon the minutest and most trifling niceties, deserved no other name than that of fascination. That he sold so valuable a performance for so small a price was not to be imputed either to necessity, by which the learned and ingenious are often obliged to submit to very hard conditions, or to avarice, by which the booksellers are frequently incited to oppress that genius by which they are supported, but to that intemperate desire of pleasure, and habitual slavery to his passions, which involved him in many perplexities. He happened at that time to be engaged in the pursuit of some trifling gratification, and, being without money for the present occasion, sold his poem to the first bidder, and perhaps for the first price that was proposed, and would probably have been content with less if less had been offered him.

This poem was addressed to the Lord Tyrconnel, not only in the first lines, but in a formal dedication filled with the highest strains of panegyric, and the warmest professions of gratitude, but by no means remarkable for delicacy of connection or elegance of style. These praises in a short time he found himself inclined to retract, being discarded by the man on whom he had bestowed them, and whom he then immediately discovered not to have deserved them. Of this quarrel, which every day made more bitter, Lord Tyrconnel and Mr. Savage assigned very different reasons, which might perhaps all in reality concur, though they were not all convenient to be alleged by either party. Lord Tyrconnel affirmed that it was the constant practice of Mr. Savage to enter a tavern with any company that proposed it, drink the most expensive wines with great profusion, and when the reckoning was demanded to be without money. If, as it often happened, his company were willing to defray his part, the affair ended without any ill consequences; but if they were refractory, and expected that the wine should be paid for by him that drank it, his method of composition was, to take them with him to his own apartment, assume the government of the house, and order the butler in an imperious manner to set the best wine in the cellar before his company, who often drank till they forgot the respect due to the house in which they were entertained, indulged themselves in the utmost extravagance of merriment, practised the most licentious frolics, and committed all the outrages of drunkenness. Nor was this the only charge which Lord Tyrconnel brought against him. Having given him a collection of valuable books, stamped with his own arms, he had the mortification to see them in a short time exposed to sale upon the stalls, it being usual with Mr. Savage, when he wanted a small sum, to take his books to the pawnbroker.

Whoever was acquainted with Mr. Savage easily credited both these accusations; for having been obliged, from his first entrance into the world, to subsist upon expedients, affluence was not able to exalt him above them; and so much was he delighted with wine and conversation, and so long had he been accustomed to live by chance, that he would at any time go to the tavern without scruple, and trust for the reckoning to the liberality of his company, and frequently of company to whom he was very little known. This conduct, indeed, very seldom drew upon him those inconveniences that might be feared by any other person, for his conversation was so entertaining, and his address so pleasing, that few thought the pleasure which they received from him dearly purchased by paying for his wine. It was his peculiar happiness that he scarcely ever found a stranger whom he did not leave a friend; but it must likewise be added, that he had not often a friend long without obliging him to become a stranger.

Mr. Savage, on the other hand, declared that Lord Tyrconnel quarrelled with him because he would not subtract from his own luxury and extravagance what he had promised to allow him, and that his resentment was only a plea for the violation of his promise. He asserted that he had done nothing that ought to exclude him from that subsistence which he thought not so much a favour as a debt, since it was offered him upon conditions which he had never broken: and that his only fault was, that he could not be supported with nothing. He acknowledged that Lord Tyrconnel often exhorted him to regulate his method of life, and not to spend all his nights in taverns, and that he appeared desirous that he would pass those hours with him which he so freely bestowed upon others. This demand Mr. Savage considered as a censure of his conduct which he could never patiently bear, and which, in the latter and cooler parts of his life, was so offensive to him, that he declared it as his resolution "to spurn that friend who should pretend to dictate to him;" and it is not likely that in his earlier years he received admonitions with more calmness. He was likewise inclined to resent such expectations, as tending to infringe his liberty, of which he was very jealous, when it was necessary to the gratification of his passions; and declared that the request was still more unreasonable as the company to which he was to have been confined was insupportably disagreeable. This assertion affords another instance of that inconsistency of his writings with his conversation which was so often to be observed. He forgot how lavishly he had, in his dedication to "The Wanderer," extolled the delicacy and penetration, the humanity and generosity, the candour and politeness of the man whom, when he no longer loved him, he declared to be a wretch without understanding, without good nature, and without justice; of whose name he thought himself obliged to leave no trace in any future edition of his writings, and accordingly blotted it out of that copy of "The Wanderer" which was in his hands.