"That was what Brother Lion's mother said," continued Mr. Rabbit, "but Brother Lion didn't say anything. He just lay on the sheepskin pallet she made him and studied how he would be revenged on Mr. Man. After a while his hand got well, but still he said very little about the matter. The more he thought about the way he had been treated, the madder he got. He gnashed his teeth together and waved his long tail about until it looked like a snake. Finally he sent word to all his kin—his uncles and his cousins—to meet him somewhere in the woods and hold a convention to consider how they should catch the great monster, Mr. Man, who had caused a log of wood to mash Brother Lion's hand.

"Well, it wasn't long before the uncles and cousins began to arrive. They came from far and near, and they seemed to be very ferocious. They shook their manes and showed their tushes. They went off in the woods and held their convention, and Brother Lion laid his complaint before them. He told them what kind of treatment he had received from Mr. Man, and asked them if they would help to get his revenge. He made quite a speech, and when he sat down, his uncles and cousins were very much excited. They roared and howled. They said they were ready to tear Mr. Man limb from limb. They declared they were ready to go where he was, and gnaw him and claw him on account of the scandalous way he had treated their blood-kin.

"But when Brother Lion's mother heard what they proposed to do she shut her eyes and shook her head from side to side, and told the uncles and the cousins that they had better go back home, all of them. She said that before they got through with Mr. Man they'd wish they had never been born. But go they would and go they did.

"So they started out soon one morning, and traveled night and day for nearly a week. They were getting very tired and hungry, and some of the younger blood-cousins wanted to stop and rest, and some wanted to turn around and go back home. But one morning while they were going through the woods, feeling a little shaky in head and limb, they suddenly came in sight of Mr. Man. He was cutting down trees and splitting them into timber. He had his coat off, and seemed to be very busy.

"But he was not so busy that he didn't hear Mr. Lion and his uncles and blood-cousins sneaking through the woods over the dry leaves, and he wasn't so busy that he couldn't see them moving about among the trees. He was very much astonished. He wondered where so many of the Lion family came from, and what they were doing there, but he didn't stop to ask any questions. He dropped his axe and climbed a tree.

"Brother Lion and his uncles and his blood-cousins were very much pleased when they saw Mr. Man climb the tree. 'We have him now,' said Brother Lion, and the rest licked their jaws and smiled. Then they gathered around the tree and sat on their haunches and watched Mr. Man. This didn't do any good, for Mr. Man sat on a limb and swung his legs, just as contentedly as if he was sitting in his rocking-chair at home.

"Then Brother Lion and his uncles and his blood-cousins showed their teeth and growled. But this didn't do any good. Mr. Man swung his feet and whistled a dance-tune. Then Brother Lion and his blood-cousins opened their mouths wide and roared as loud as they could. But this didn't do any good. Mr. Man leaned his head against the trunk of the tree and pretended to be nodding.

"This made Brother Lion and his blood-kin very mad. They ran around the tree and tore the bark with their claws, and waved their tails back and forth. But this didn't do any good. Mr. Man just sat up there and swung his feet and laughed at them.

"Brother Lion and his blood-kin soon found that if they intended to capture Mr. Man they'd have to do something else besides caper around the foot of the tree. So they talked it over, and Brother Lion fixed up a plan. He said that he would stand at the foot of the tree and rear up against the trunk, and one of his blood-cousins could climb on his back and rear up, and then another cousin or uncle could climb up, and so on until there was a ladder of bloodthirsty Lions high enough to reach Mr. Man.

"Brother Lion, mind you, was to be at the bottom of the Lion ladder," remarked Mr. Rabbit, with a chuckle, "and he had a very good reason for it. He had had dealings with Mr. Man, and he wanted to keep as far away from him as possible. But before they made the Lion ladder, Brother Lion looked up at Mr. Man and called out:—

"'What are you doing up there?'

"'You'll find out a great deal too soon for your comfort,' replied Mr. Man.

"Brother Lion said, 'Come down from there.'

"Mr. Man answered, 'I'll come down much sooner than you want me to.'

"Then Brother Lion, his uncles, and his blood-cousins began to build their ladder. Brother Lion was the bottom round of this ladder, as you may say," continued Mr. Rabbit. "He reared up and placed his hands against the tree, and one of his uncles jumped on his shoulders, and put his hands against the tree. Then a cousin, and then another uncle, and so on until the ladder reached a considerable distance up the tree. It was such a high ladder that it began to wobble, and the last uncle had hard work to make his way to the top. He climbed up very carefully and slowly, for he was not used to this sort of business. He was the oldest and the fiercest of the old company, but his knees shook under him as he climbed up and felt the ladder shaking and wobbling.

"Mr. Man saw that by the time this big Lion got to the top of the ladder his teeth and his claws would be too close for comfort, and so he called out in an angry tone:—



"'Just hold on! Just stand right still! Wait! I'm not after any of you except that fellow at the bottom there. I'm not trying to catch any of you but him. He has bothered me before. I let him go once, but I'll not let him get away this time. Just stand right still and hold him there till I climb down the other side of the tree.'

"With that Mr. Man shook the limbs and leaves and dropped some pieces of bark. This was more than Brother Lion could stand. He was so frightened that he jumped from under the ladder, and his uncles and his blood-cousins came tumbling to the ground, howling, growling, and fighting.

"They were as sorry-looking a sight as ever you saw when they came to their senses. Those that didn't have their bones broken by the fall were torn and mangled. They had acted so foolishly that out of the whole number, Mr. Man didn't get but three lion-skins that could be called perfect.

"Brother Lion went home to his mother as fast as he could go and remained quiet a long time. And now you tell me he's in a cage."

Mr. Rabbit paused and shook his head until his ears flopped.

The children seemed to enjoy the story very much; so much so, indeed, that Mrs. Meadows wanted Mr. Rabbit to tell some of his own queer experiences, but Mr. Rabbit laughed and said that it didn't seem exactly right to be telling his own stories. He said if he told the stories just as they happened, he'd have to talk about himself a good deal, and people would think he was boastful. He declared he didn't feel like making his young friends think he was bragging.

"Oh, we shan't mind that," said Sweetest Susan, "shall we, brother?"

"Why, of course not," replied Buster John.

"La! we all done hear folks brag, till we got hardened ter braggin'!" exclaimed Drusilla.

So the children, aided by Mrs. Meadows, coaxed Mr. Rabbit until he finally consented to tell some of his queer adventures.



VIII.

BROTHER TERRAPIN'S FIDDLE-STRING.

Mr. Rabbit moved his body uneasily about, and scratched his head, and crossed and uncrossed his legs several times before he began.

"I declare it isn't right!" he exclaimed after a while. "I don't mind telling about other folks, but when it comes to talking about myself, it is a different thing."

"Don't you remember the time you tried to get Brother Terrapin to give you a fiddle-string?" asked Mrs. Meadows, laughing a little.

"Oh, that was just a joke," replied Mr. Rabbit.

"Call it a joke, then," said Mrs. Meadows. "You know what the little boy said when the man asked him his name. He said, says he, 'You may call it anything, so you call me to dinner.'"

"He wasn't very polite," remarked Sweetest Susan.

"No, indeed," Mrs. Meadows answered; "but you know that little boys can't always remember to be polite."

"I think we were at your house," suggested Mr. Rabbit, rubbing his chin.

"Yes," replied Mrs. Meadows. "In the little house by the creek. The yard sloped from the front door right to the bank."

"To be sure," exclaimed Mr. Rabbit, brightening up. "I remember the house just as well as if I had seen it yesterday. There was a little shelf on the left-hand side of the door as you came out, and there the water-bucket sat."

"Yes," said Mrs. Meadows; "and there was just room enough up there by the bucket for Brother Terrapin."

"That's so," Mr. Rabbit replied, laughing, "and when he used to go to your house to see the girls they'd set the bucket on the table in the house and lift Brother Terrapin to the shelf so he could see and be seen. I remember it used to make him very mad when I'd tell him he would be a mighty man if he wasn't so flat-footed."

"Oh, you used to talk worse than that," cried Mrs. Meadows, laughing heartily at the remembrance of it. "You used to tell him he was the only man you ever saw that sat down when he stood up. I declare! Brother Terrapin's eyes used to get right red."

"Well," said Mr. Rabbit, after a pause; "I remember I went to your house one day and I carried my fiddle. When I got there, who should I see but old Brother Terrapin sitting up on the shelf. I expected to find the girls by themselves, but there was Brother Terrapin. So I began to joke him.

"'Howdy, Brother Terrapin?' says I. 'If you had a ladder handy you could come downstairs and shake hands, couldn't you?'

"He began to get sullen and sulky at once. He wouldn't hardly make any reply. But I didn't care for that. Says I: 'Cross your legs and look comfortable, Brother Terrapin; don't be glum in company. I've got my fiddle with me, and I'm going to make your bones ache if you don't dance.'

"Then I whirled in," said Mr. Rabbit, "and played the liveliest tunes I could think of,—'Billy in the Low Grounds,' ''Possum up the Gum-Stump,' 'Chicken in the Bread-Tray,' and all those hoppery-skippery, jiggery-dancery tunes that make your feet go whether or no. But there Brother Terrapin sat, looking as unconcerned as if the fiddle had been ten miles away. He didn't even keep time to the music with his foot. More than that, he didn't even wag his head from side to side."

"I always knew Brother Terrapin had no ear for music," remarked Mrs. Meadows. "If that was a fault, he certainly had more than his share of it."

"I ought not to talk about people behind their backs," Mr. Rabbit continued, trying to shake a fly out of his ear, "but I must say that Brother Terrapin was very dull about some things. Well, I played and played, and the girls danced and seemed to enjoy it. I believe you danced a round or two yourself?" Mr. Rabbit turned to Mrs. Meadows inquiringly.

"I expect I shook my foot a little," said Mrs. Meadows with a sigh. "I was none too good."

"They danced and danced until they were tired of dancing," Mr. Rabbit resumed; "but there sat Brother Terrapin as quiet as if he were asleep. Well, I was vexed—I don't mind saying so now—I was certainly vexed. But I didn't let on. And between tunes I did my best to worry Brother Terrapin.



"'Ladies,' says I, 'don't make so much fuss. Let Brother Terrapin get his nap out. You'll turn a chair over directly, and Brother Terrapin will give a jump and fall off the shelf and break some of the furniture in his house.' This made the girls laugh very much, for they remembered the old saying that Brother Terrapin carries his house on his back. 'Don't laugh so loud,' says I, 'Brother Terrapin has earned his rest. He's been courting on the other side of the creek, and he has no carriage to ride in when he goes back and forth. Sh-h!' says I, 'don't disturb him. When a person sits down when he stands up, and lies down when he walks, some allowance must be made.'

"Brother Terrapin's eyes grew redder and redder, and the skin on the back of his head began to work backward and forward. What might have happened I don't know, but just as the girls were in the middle of a dance one of my fiddle-strings broke, and it was the treble, too. I wouldn't have minded it if it had been any of the other strings, but when the treble broke I had to stop playing.

"Well, the girls were very much disappointed and so was I, for I had come for a frolic. I searched in my pockets, but I had no other string. I tried to play with three strings, but the tune wouldn't come. The girls were so sorry they didn't know what to do.

"Just then an idea struck me. 'Ladies,' says I, 'it's a thousand pities I didn't bring an extra treble, and I'm perfectly willing to go home and fetch one, but if Brother Terrapin was a little more accommodating the music could go right on. You could be dancing again in a little or no time.'

"'Oh, is that so?' says the girls. 'Well, we know Brother Terrapin will oblige us.'

"'I'm not so sure of that,' says I.

"'What do you want me to do?' says he. His voice sounded as if he had the croup.

"'Ladies,' says I, 'you may believe it or not, but if Brother Terrapin has a mind to he can lend me a treble string that will just fit my fiddle.'

"'Brother Rabbit,' says he, 'you know I have no fiddle-string. What would I be doing with one?'

"'Don't mind him, ladies. He knows just as well as I do that he has a fiddle-string in his neck. I can take my pocket-knife and get it out in half a minute,' says I.

"This made Brother Terrapin roll his eyes.

"'Be ashamed of yourself, Brother Terrapin,' says the girls. 'And we were having so much fun, too.'

"'If my neck was as long and as tough as Brother Terrapin's, I'd take one of the leaders out and make a fiddle-string of it, just to oblige the ladies,' says I.

"The girls turned up their noses and tossed their heads. 'Don't pester Brother Terrapin,' says they. 'We'll not ask him any more.'

"'Ladies,' says I, 'there is a way to get the fiddle-string without asking for it. Will you please hand me a case-knife out of the cupboard there?'

"I rose from my chair with a sort of a frown," continued Mr. Rabbit, laughing heartily, "but before I could lift my hand Brother Terrapin rolled from the shelf and went tumbling down the slope to the creek, heels over head."

"Did it hurt him much?" asked Sweetest Susan, with a touch of sympathy.

"It didn't stop his tongue," replied Mr. Rabbit. "He crawled out on the other side of the creek and said very bad words. He even went so far as to call me out of my name. But it is all over with now," said Mr. Rabbit, with a sigh. "I bear no grudges. Let bygones be bygones."

"I never heard before that Brother Terrapin had a fiddle-string in his neck," said Buster John, after he had thought the matter over a little.

"In dem times," said Drusilla, as if to satisfy her own mind, "you couldn't tell what nobody had skacely."

"Why, as to that," replied Mr. Rabbit, "the fiddle-string in his neck was news to Brother Terrapin."

There was a pause here and the children seemed to be somewhat listless.

"I'll tell you what I think," remarked Mrs. Meadows to Mr. Rabbit; "these children here are lonesome, and they'll be getting homesick long before the time comes for them to go. Oh, don't tell me!" she cried, when the children would have protested. "I know how I'd feel if I was away from home in a strange country and had nobody but queer people to talk to. We are too old. Even Chickamy Crany Crow and Tickle-My-Toes are too old, and Mr. Thimblefinger is too little."



"Well, what are we going to do about it?" asked Mr. Rabbit, running his thumb in the bowl of his pipe.

"I was just thinking," responded Mrs. Meadows. "Hadn't we better bring out the Looking-Glass family?"

"Well," said Mr. Rabbit, "I leave that to you." To hide the smile that gathered around his mouth Mr. Rabbit leaned his head over and scratched his left ear lazily with his left foot.

"That's what I'll do," Mrs. Meadows declared decisively. "These children want company they can appreciate, poor things!"

She went into the house, and presently came out again, bringing a mirror about three feet wide and five feet high.



IX.

THE LOOKING-GLASS CHILDREN.

The frame of the mirror was of dark wood, curiously carved, and it was set on pivots between two small but stout upright posts, made of the same kind of wood. As Mrs. Meadows brought the looking-glass out, it swung back and forth between these posts, and its polished surface shone with great brilliancy. The children wondered how they were to amuse themselves with this queer toy. Mrs. Meadows placed the looking-glass a little way from them, but not facing them. The frame was in profile, so that they could see neither the face nor the back of the mirror.

"You come first," she said to Buster John.

He went forward, and Mrs. Meadows placed him in front of the looking-glass. As he turned to face it, his reflection (as it seemed) stepped from the mirror and stared at him. Buster John looked at Mrs. Meadows for an explanation, but at that moment she beckoned to Sweetest Susan. When Buster John moved, his image moved. Mrs. Meadows pushed him gently aside to make room for Sweetest Susan, and it seemed that some invisible hand pushed his reflection gently aside.



Sweetest Susan stepped before the looking-glass, and her reflection walked out to meet her. Drusilla now came forward, and her image stepped forth, looking somewhat scared and showing the whites of its eyes. Mrs. Meadows went to the looking-glass, gave it a sudden turn on its pivots, and carried it into the house.

All this happened so rapidly that the children hardly had time to be surprised, but now that the looking-glass had been carried away and they were left with their reflections, their shadows, their images (or whatever it was), they didn't know what to do, or say, or think. They could only look at each other in dumb astonishment. Drusilla was the first to break the silence. In her surprise she had moved quickly back a few steps, and her image, which had come out of the looking-glass, had as quickly moved forward and toward her a few steps.

"Don't come follerin' atter me!" she cried excitedly. "Kaze ef you do, you'll sho' git hurted. I ain't done nothin' 't all ter you. I ain't gwine ter pester you, an' I ain't gwine ter let you pester me. I tell you dat now, so you'll know what ter 'pen' on."

"Don't move! Please don't move!" cried Sweetest Susan to Buster John. "If you do I can't tell you apart. I won't know which is which. That wouldn't be treating me right nor Mamma, either."

Naturally, the children were in a great predicament when Mrs. Meadows came back. She saw the trouble at once, and began to laugh. It was funny to see Buster John and Sweetest Susan and Drusilla standing there staring first at the Looking-Glass children and then at themselves, not daring to move for fear they would get mixed up with their doubles. The Looking-Glass children stared likewise, first at themselves and then at the others.

"What is the matter?" Mrs. Meadows asked. "Why don't you go and play with one another and make friends? It isn't many folks that have the chance you children have got."

"I don't feel like playing," said Sweetest Susan. "I'm afraid we'll get mixed up so that nobody will know one from the other."

"Why, there's all the difference in the world," exclaimed Mrs. Meadows, trying hard not to laugh. "The Looking-Glass children are all left-handed. You have a flower on the left side of your hat, the other Susan has a flower on the right side of hers. Your brother there has buttons on the right side of his coat; the other John has buttons on the left side. There is a flaw in the looking-glass, and Drusilla, being a little taller than you two, was just tall enough for the end of her nose to be even with the flaw. That's the reason the other Drusilla's nose looks like it had been mashed with a hammer."

"Yes 'm, it do!" exclaimed Drusilla. She involuntarily took a step forward to take a nearer view of the flawed nose, and of course the other Drusilla took a step forward as if to show the flawed nose. "Don't you dast ter come 'bout me!" exclaimed Drusilla. "Goodness knows, I don't look dat away. Go on, now! Go 'ten' ter yo' own business ef you got any."

"I don't want to play with you," said the other Drusilla. "You've got smut on your face. I don't like to play with dirty-faced girls."

"My face cleaner'n yone dis blessed minnit," retorted Drusilla.

"And your hair is not combed," said the other Drusilla. "It is wrapped with strings, and you couldn't comb it if you wanted to. I think it is a shame."

"Look at yo' own head!" retorted Drusilla angrily. "It's mo' woolly dan what mine is. 'T ain't never been kyarded much less combed. An' who got any mo' strings roun' der hair dan you got on yone?"

"How could I help it?" the other Drusilla asked. "You came and looked at me in the glass and I had to be just like you, smutty face and all. I don't think it is right. I know I never looked like this before, and I hope I never shall again."

"Tut, tut!" said Mrs. Meadows; "don't get to mooning around here. You might look better, but you don't look so bad. It will all come right on wash-day, as the woman said when she put her dress on wrong side outwards. Here comes Chickamy Crany Crow and Tickle-My-Toes. They'll be glad to see you, no matter how you look."

And they were. They ran to the Looking-Glass children and greeted them warmly. Tickle-My-Toes stared at the other Drusilla in surprise, but he didn't laugh at her. "You look as if you had fallen down the chimney," he said, "but that doesn't make any difference. So long as you are here, we are satisfied."

"Oh, I don't mind it," said the other Drusilla.

"Now, then," remarked Mrs. Meadows, "you couldn't please us better than to sing us a song. You haven't practiced together for a long time."

The other children looked at one another in a shamefaced way, and then, without a word of objection or explanation, they began to sing as with one voice, the most plaintive song that ever was heard. It may be called:—

THE LOOKING-GLASS SONG.

It's oh! and it's ah! It's alack! and alas! Just imagine you lived in a big looking-glass!

Oh, what could you say and what could you do If you lived all alone in the toe of a shoe? You could hop, you could skip, you could jump, you could dance, And you'd hear very little of "shouldn'ts" and "shan'ts." You could stump your big toe, and it would never get hurt; You could kick up the sand, you could play in the dirt.

But it's oh! and it's ah! It's alack! and alas! Just imagine you lived in a big looking-glass!

Oh, what could you do, and what would you say If you lived in the pantry all night and all day? You could say it was jolly, and splendid, and nice; You could eat all the jelly, and frighten the mice. You could taste the preserves, you could nibble the cheese— You could smell the red pepper, and sit down and sneeze.

But it's oh! and it's ah! It's alack! and alas! Just imagine you lived in a big looking-glass!

Oh, what could you do if you lived under ground? You could ride Mr. Mole and go galloping round; You could hear the black cricket a-playing his fife, For to quiet the baby and please his dear wife. You could hear the green grasshopper frying his meat, Near the nest of the June-Bug under the wheat. You could get all the goobers and artichokes, too— You could peep from the window the grub-worm went through.

But it's oh! and it's ah! It's alack! and alas! Just imagine you lived in a big looking-glass!

"Oh, I think that is splendid," cried Sweetest Susan.

"Mr. Rabbit doesn't like it much," replied Mrs. Meadows, "but I tell him it is pretty good for children that were raised in a Looking-Glass."

"It will do very well," remarked Mr. Rabbit, "but you'll hear nicer songs by the time you are as old as I am."

"Dem ar white chillun done mighty well," said Drusilla, "but I don't like de way dat ar nigger gal hilt her head."

"Do they have to stay in the looking-glass?" asked Buster John. "If they do I'm sorry for them."

"I ain't sorry fer dat black gal," said Drusilla spitefully. "She too ugly ter suit me."

"Whose fault is it but yours?" cried Chickamy Crany Crow.

"Yes, whose fault is it?" cried Tickle-My-Toes.

"Come, come!" cries Mrs. Meadows. "We want no trouble here."

"We'll not trouble her," answered Tickle-My-Toes. "Old Rawhead-and-Bloody-Bones will do the troubling."

"Now you all heah dat!" exclaimed Drusilla, in some alarm. "I ain't pesterin' nobody, an' I ain't doin' nothin' 't all. Ef I can't talk I des ez well quit livin'. I'm gwine home, I am, an' ef I can't fin' de way, den I'll know who'll have ter answer fer it."

"Well, if you go," said Mrs. Meadows, "you'll have company. The other black girl will have to go too."

"How come dat?" exclaimed Drusilla.

"It would take me too long to tell you," replied Mrs. Meadows. "Why does your shadow in a looking-glass make every motion that you make? Because it's obliged to—that's all. That's just the reason the other black girl would follow you."

"Don't mind Drusilla," said Buster John. "She just talks to hear herself talk. Her mouth flies open before she knows it."

"Well, the poor things won't trouble you long," said Mrs. Meadows. "They'll want to go back home presently."

"Do they have to stay in the looking-glass?" inquired Buster John, repeating a question he had already asked.

"Well, they were born and raised there," replied Mrs. Meadows. "It is their home, and, although they are glad to get out for a little while, they wouldn't be very happy if they had to stay out."



The children and the Looking-Glass children played together a little while, or made believe to play, but they didn't seem to enjoy themselves. Mrs. Meadows noticed this and asked Mr. Rabbit the reason.

"Simple enough, simple enough," Mr. Rabbit answered. "They are so much alike in their looks and ways and so different in their raising that they can't get on together. How would I feel if my double were to walk out of the side of the house and sit here facing me and mimicking my every motion? I wouldn't feel very comfortable, I can tell you."

"I reckon not," said Mrs. Meadows. Presently she called the children, brought out the looking-glass and told them it was time to bid the others good-by. At this the other children seemed to be very well pleased. The other Buster John and the other Sweetest Susan shook hands all round, and the other Drusilla made a curtsey to the company. Then, with a run and a jump, they plunged into the big looking-glass as you have seen youngsters plunge into a pond of water.

"Ho!" cried Mr. Thimblefinger, "they jumped in with a splash, but they never made a ripple."

"They haven't room enough in there to turn around," said Sweetest Susan.

"Why not?" inquired Mr. Thimblefinger. "To them the world is a looking-glass, and a mighty little one at that. If you were to peep in their glass now they'd peep back at you; but, as they look at it, you are in a looking-glass and they are out of it. And I wouldn't be surprised if they are a great deal sorrier for you than you are for them."

"When are we to go home?" asked Sweetest Susan plaintively.

"Oho! you want to get back into your looking-glass!" cried Mr. Thimblefinger merrily. "Well, you won't have long to wait. By rights, you ought to stay here twelve hours, but the old Spring Lizard and I have put our heads together, and we've fixed it so that you can get back before sundown."

"Isn't it night at home now?" inquired Buster John.

"Why, they are hardly through washing the dinner dishes," replied Mrs. Meadows.

"It is just half past two," said Mr. Thimblefinger, looking at his watch.

"Well, it look so dark all dis time dat I done got hungry fer supper," remarked Drusilla.



X.

MR. RABBIT AS A RAIN-MAKER.

"I hope it won't rain," said Sweetest Susan, "for then the spring would fill up so we couldn't get out, and we should get wet down here."

"Oh, no," replied Mr. Thimblefinger, "the water is never wet down here. It is a little damp, that's all."

"Well, that's enough, I'm sure," remarked Mr. Rabbit. "It's enough to give me the wheezes when I first get up in the morning, and it's not at all comfortable, I can tell you."

"There is one funny thing about springs," said Mrs. Meadows, "no matter how much it rains, they never get any fuller. They may run a little freer, but they never get any fuller. Speaking of rains," she continued, turning to Mr. Rabbit and laughing, "don't you remember the time you set yourself up as a rain-maker?"

Mr. Rabbit chuckled so that he bent nearly double.

"I don't remember that," sighed Mr. Thimblefinger. "You two have more jokes between you than you can shake a stick at. That comes of me being small and puny. Tell us about it, please."

Mr. Rabbit fingered his pipe—a way he had when he put on his thinking-cap, as Mrs. Meadows expressed it—and presently said:—

"It's not such a joke after all, but I'll let you judge for yourself. Once upon a time, when all of us lived next door, on the other side of the spring, there was a tremendous drouth. I had been living a long time, but never before had seen such a long dry spell. Everybody was farming except myself, and even I had planted a small garden.

"Well, there was a big rain about planting-time, but after that came the drouth, and the hot weather with it. One month, six weeks, two months, ten weeks—and still no sign of rain. The cotton was all shriveled up, and the corn looked as if it would catch a-fire, it was so dry; even the cow-peas turned yellow. Everything was parched. The creeks ran dry, and the rivers got so low the mills had to stop. I remember that when Brother Bear tried to carry me across the ferry his flatboat ran aground in the middle of the river, and the water was so low we found we could wade out.

"The drouth got so bad that everybody was complaining—everybody except me. Brother Wolf and Brother Bear would come and sit on my front porch and do nothing but complain; but I said nothing. I simply smoked my pipe and shook my head, and said nothing. They noticed this, after so long a time, and one day, while they were sitting there complaining and declaring that they were ruined, I went in to get a drink of water. I came back gently and heard them asking each other how it was that I didn't join in their complaints. When I came out, Brother Wolf says, says he: 'Brother Rabbit, how are your craps?' I remember he said 'craps.'

"'Well,' says I, 'my craps are middling good. They might be better, and they might be worse, but I have no cause to grumble.'

"They looked at each other, and then Brother Bear asked if I had had any rain at my house. 'None,' says I, 'to brag about—a drizzle here and a drizzle there, but nothing to boast of.'

"They looked at each other in great surprise, and then Brother Wolf spoke up. 'Brother Rabbit,' says he, 'how can you get a drizzle and the rest of us not a drop?'

"'Well,' says I, 'some folks that know me call me the rain-maker. They may be right. They may be wrong. I'm not going to squabble about it. You can call me what you please. I shall not dispute with you.'

"Presently they went away, but it wasn't long before they came back, bringing with them all the neighbors for miles around. They gathered in the porch and in the yard and outside the gate, and begged me, if I was a rain-maker, to make it rain there and then to save their crops. They begged me and begged me, but I sat cross-legged and smoked my pipe—this same pipe you see here. Brother Fox, who had done me many a mean trick (though he was always well paid for it), got on his knees and begged me to make it rain for them.

"Finally I told them that I'd make it rain for the whole settlement on two conditions. The first condition was that every one was to pay toll."



"Toll is the pay the miller takes out at the mill," remarked Buster John.

"Yes," replied Mr. Rabbit, "you take your turn of meal to the mill and the miller takes his payment out of the meal. Well, I told them they'd have to pay toll. They agreed to that, and then asked what else they'd have to do, but I said we'd attend to one thing at a time. First let the toll be paid.

"They went off, and in due time they came back. Some brought corn and some brought meal; some brought wheat and some brought flour; some brought milk and some brought butter; some brought honey in the clean, and some brought honey in the comb; some brought one thing and some brought another, but they all brought something.

"Then they gathered around and asked what else they had to do. 'Well,' says I, 'you certainly act as if you wanted rain—all of you—there's no disputing that. You have paid the toll according to agreement. You have surely earned the rain, and now there's nothing for me to do but to find out how much rain you want.'

"With that they all began to talk at once, especially Brother Bear, who lived in the upland district, where the drouth had been the worst, but I put an end to that at once.

"'Hold on there!' says I, 'just wait! Don't get into any dispute around here. You are on my grounds and at my house. Let's have no squabbling. I'm not feeling so mighty well, anyhow, and the least fuss will be enough to upset me. But the world is wide. Just go on yonder hill and fix up the whole matter to suit yourselves. Just come to some agreement as to how much rain you want, and as soon as you agree send me word, and then go home and hoist your parasols, for there'll surely be a sprinkle.'

"Well," Mr. Rabbit continued, "this was such a sensible plan that they couldn't help but agree to it, and presently they all went to the hill and began to talk the matter over, while I went into the house.

"This was in the morning. Well, dinner-time came, but still no word had come from the convention on the hill. I went out into the porch, flung my red handkerchief over my face to keep the flies off, and took my afternoon nap, but still no word came from the hill. Then I fell to laughing, and laughed until I nearly choked myself."

"But what were you laughing at?" Buster John inquired, with a serious air.

Mr. Rabbit paused, looked at the youngster solemnly, and said, "Well, I'll tell you. I didn't laugh because anybody had hurt my feelings. I just laughed at circumstances. I sat and waited until the afternoon was half gone, and then slipped up the hill to see what was to be seen and hear what was to be heard. Everything was very quiet up there. Those who had gone up there to decide what sort of rain they wanted were sitting; around under the pine-trees, looking very sour and saying nothing. The ground was torn up a little in spots, and I thought I could see scattered around little patches of hair and little pieces of hide. I judged from that that the arguments they had used were very serious. I watched them from behind the bushes a little while, and then Brother Bear walked out into the open and declared that any one who didn't want the rain to be a trash-mover was anything but a nice fellow. At this Brother Coon, who lived in the low grounds, remarked that anybody who wanted anything more than a drizzle was not well raised at all.

"Then I soon found out what the trouble was. Brother Bear, living on the uplands, wanted a big rain; Brother Coon, who lived in the low grounds, wanted a little rain; Brother Fox wanted a tolerably heavy shower; and Brother Mink just wanted a cloudy night to coax the frogs out. Some wanted a freshet, some wanted a drizzle, and some wanted a fog.

"They wouldn't agree because they couldn't agree," continued Brother Rabbit, "and finally they slunk off to their homes one at a time. So I didn't have to make any rain at all."

"But you couldn't have made it rain," said Sweetest Susan placidly.

"I didn't say I could," replied Mr. Rabbit. "I told them I would make the rain if they would agree among themselves."

"But you took what they brought you?" suggested Sweetest Susan in a tone that was intended for a rebuke.



"Well," Mr. Rabbit answered, "you know what the old saying is—'Fools have to pay for their folly.' They might as well have paid me as to pay somebody else. That's the way I looked at it in those days. I don't know how I'd look at it now, because I'm not so nimble footed as I used to be, nor so full of mischief."

"If there had been many more such fools in your neighborhood," remarked Mr. Thimblefinger, "you could have set up a grocery-store."

There was a little pause, and then Mrs. Meadows, looking around, exclaimed:—

"Just look yonder, will you?"

Chickamy Crany Crow had two sticks, and with these she was playing on an imaginary fiddle. Tickle-My-Toes had the broom, and this, he pretended, was a banjo.

The two queer-looking creatures wagged their heads from side to side and patted the ground with their feet, just as though they were making sure-enough music, and presently Tickle-My-Toes sang this song to a very lively tune:—

OH, LULLYMALOO!

I'll up and I'll grin if you tickle my chin, And I'll sneeze if you tickle my nose; I'll up and I'll cry if you tickle my eye— But I'll squeal if you tickle my toes!

Oh, grin with your chinnery in, And sneeze with your nosery oze, And cry with your wipery eye, But please don't tickle my toes!

I'll grin and I'll sneeze, I'll cry and I'll squeal, And scare you with ouches! and ohs! You may tickle my head, you may tickle my heel, But please don't tickle my toes!

Oh, grin with your innery chin, And sneeze with your ozery nose, And cry with your wipery eye, But please don't tickle my toes!

I'll grin, tee-hee! and I'll cry, boo-hoo! And I'll sneeze, icky chow! icky-chose! And I'll squeal just as loud, Oh, Lullymaloo! Whenever you tickle my toes!

Buster John, Sweetest Susan, and Drusilla laughed so heartily at this that Chickamy Crany Crow and Tickle-My-Toes didn't wait to repeat the chorus of the song, but ran away, pretending to be very much frightened. This made the children laugh still more, and for the first time they felt thoroughly at home in Mr. Thimblefinger's queer country.



XI.

HOW BROTHER BEAR'S HAIR WAS COMBED.

While Buster John, Sweetest Susan, and Drusilla were watching Chickamy Crany Crow and Tickle-My-Toes run away, and laughing at them, suddenly the sky in Mr. Thimblefinger's queer country grew brighter. The dark shadow of the buttermilk-jug had disappeared, and there were wavering lines of white light flashing across, as though the sun were trying to shine through. Along with these flashing lines there were wavering lines of shadow that rippled and danced about curiously. There seemed to be some tremendous commotion going on. If some person with the learning and wisdom of an astronomer had seen this wonderful display, he would have been overcome with awe and fear. He would have concluded that the sky was about to go to pieces, and ten to one he would have left his unreflecting telescope swinging in the air, and crawled under the bed.

But there was no astronomer in Mr. Thimblefinger's queer country, and the children had seen too many strange sights to be very much alarmed. Besides, Drusilla solved the mystery before they had time to gather their fears together.

"Shuh!" she exclaimed; "'t ain't nothin' 't all. When dey tuck de jug outin' de spring de water 'bleedge to be shuck up."

And it was true. The rippling and wavering in the sky of Mr. Thimblefinger's queer country were caused by lifting the buttermilk-jug from the spring. As soon as the commotion ceased, it was seen that across the sky, from horizon to horizon, dark lines and shadows extended. They were irregular, and branched out here and there in every direction. Drusilla gazed at them for some moments without venturing to explain them. Suddenly a shadow that seemed to have life and motion made its appearance, and darted about among the dark lines. Drusilla laughed.

"La! Hit's dat dead lim' ober de spring, an' dere's a jay-bird hoppin' about in it right now. Ain't I done heah yo' pa say dat lim' 'll hafter be cut off 'fo' it fall an' break somebody's head?"

"Well, well! She ain't so bad off up here as I thought she was," said Mr. Thimblefinger, tapping his forehead significantly.

"Ain't I done tell you dat dey's mo' in my head dan what you kin comb out?" exclaimed Drusilla indignantly.

"Speaking of combing and things of that sort," remarked Mr. Rabbit, turning to Mrs. Meadows, "did I ever tell you how Brother Bear learned to comb his hair?"

Mrs. Meadows reflected a moment, or pretended to reflect. "Now, I'm not right certain about that. Maybe you have and maybe you haven't; I don't remember. How did you teach Brother Bear to keep his hair roached and parted? Mostly when I used to know him, he went about looking mighty ragged and shabby."

Mr. Rabbit chuckled for several moments and then said: "Well, in my courting-days, you know, I used to go around fixed up in style. Many and many a time I've heard the girls whisper to one another and say, 'Oh, my! Ain't Mr. Rabbit looking spruce to-day?' There was one season in particular that I was careful to primp up and look sassy. I put bergamot oil on my hair, and kept it brushed so slick that a fly would slip up and cripple himself if he lit on it.

"It so happened that my road took me by Brother Bear's house every day—right by the front gate. Sometimes Mrs. Bear would be hanging out clothes on the fence, sometimes she would be sweeping off the front porch, and sometimes she would be working in the garden; but no matter what she was doing I'd cough and catch her eye, and then I'd bow just as polite as you please."

"What were you doing all that for?" asked Buster John.

"Well, I'll tell you," Mr. Rabbit replied. "I had a grudge against Brother Bear, and I wanted to work a little scheme. Along at first I just went on by the back of Brother Bear's house, and around through the woods home, but in a few days I'd pass by the house and then get over the fence and creep back to hear what Mrs. Bear had to say. One morning I heard her talking. She was out in the yard fixing to do her week's washing while Brother Bear was in the house dozing. I could hear what Mrs. Bear said, but I was too far off to hear what answer Brother Bear made.



"Mrs. Bear says, says she: 'Honey, you ain't asleep, are you? Brother Rabbit has just gone along by the gate dressed to kill.' A grumbling sound came from the house. Mrs. Bear says, says she, 'I wonder where he goes every day, with his hair combed so slick?' Grumble in the house. 'You'd better wish you looked half as nice,' says Mrs. Bear. Grumble in the house. 'Well, I don't care if he is a grand rascal, he looks nice and clean, and that's more than anybody can say about you,' says Mrs. Bear. Growl in the house. Mrs. Bear says, says she, 'Oh, you can rip and rear, but Brother Rabbit goes about with his head combed, and he looks lots better that way than them that go about with rat nests in their hair—lots better.'"

Here Brother Rabbit chuckled again. "I thought to myself, thinks I, that I'd better be getting on toward home, and so I crept back up the fence and went on my way.

"The next day as I was going along the road, who should I meet but old Brother Bear himself. Well, here's a row, thinks I, but it didn't turn out so. Brother Bear was just as polite to me as I had been to his old woman.

"We passed the time of day and talked about the crops a little while, but I could see that Brother Bear had something serious on his mind. Finally, he shuffled around and sat down on a stump beside the roadside.

"'Brother Rabbit,' he says, says he, 'how in the world do you manage to keep your hair so slick and smooth all the time? My old woman sees you passing by every day, and she's been worrying the life out of me because I don't keep my hair combed that way. So I said to myself I'd ask you the very next time I met you.'

"Brother Bear was looking pretty rough and tough, and so I says, says I, 'You look as if she had been tousling you about it.'

"He hung his head at this, and shuffled around and changed his seat. Says he: 'No, it's not so bad as all that, but I want to ask you plump and plain, if it's a fair question, how you comb your hair so it will stay nice?'

"I looked at him and shook my head. Says I, 'Brother Bear, I don't comb my hair.'

"He was so much surprised that he opened his mouth, and his tongue hung out on one side—a big, red tongue that had known the taste of innocent blood."

"That's the truth!" exclaimed Mrs. Meadows.

Sweetest Susan shuddered.

"Says he, 'Brother Rabbit, if you don't comb your hair, how in the wide world do you keep it so smooth?'"

"Says I, 'Easy enough. Every morning my old woman takes the axe and chops my head off—'"

"Oh!" cried Sweetest Susan.

"'Takes the axe and chops off my head,'" Mr. Rabbit continued, as solemn as a judge, "'and carries it out in the yard, where she can have light to see and room to work, and then she combs it and combs it until every kink comes straight and every hair is in its place. Then she brings my head back, puts it where it belongs, and there it is—all combed.'

"Brother Bear seemed to be very much astonished. Says he, 'Doesn't it hurt, Brother Rabbit?'

"Says I, 'Hurt who? I'm no chicken.'

"Says he, 'Doesn't it bleed?'

"Says I, 'No more than enough to make my appetite good.'"

Mr. Rabbit paused and looked up at the ripples of light and shade that were chasing each other across the sky in Mr. Thimblefinger's queer country. Then he looked at the children.

"The upshot of it was," he continued, "that Brother Bear went home and told Mrs. Bear how I had my head combed every day. Woman-like, she wanted to try it at once; so Brother Bear laid his head on a log of wood, and Mrs. Bear got the axe and raised it high in the air. Brother Bear had just time to squall out, 'Cut it off easy, old woman!' when the axe fell on his neck, and there he was!"

"Oh, did it kill him?" cried Sweetest Susan.

"That's what the neighbors said," replied Mr. Rabbit placidly.

Sweetest Susan didn't seem to be at all pleased. Seeing this, Mrs. Meadows exclaimed:—

"To think of the poor little pigs Brother Bear killed and ate!"

"Yes," said Mr. Rabbit, "and the lambs!"

"Worse than that!" cried Mr. Thimblefinger. "Think of the little children he devoured! Think of it!"

"I'm glad he had his head cut off," said Buster John heartily.

"Me too, honey," assented Drusilla.



XII.

A SINGING-MATCH.

After telling how Brother Bear learned to comb his hair, Mr. Rabbit closed his eyes and seemed to be about to fall into a doze, as old people have been known to do. During the pause that followed, Sweetest Susan saw what appeared to be a bird of peculiar shape sailing around in the sky of Mr. Thimblefinger's queer country.

It was long of body and seemed to have no wings, and yet it sailed about overhead as majestically and easily as an eagle could have done.

"What sort of a bird is it?" inquired Sweetest Susan, pointing out the object to Mrs. Meadows.

"Now, really, I don't know," was the reply. "They are so high in the sky and I've seen them so often that I've never bothered my head about them."

Mr. Thimblefinger climbed on the back of a chair, so as to get a better view of the curious bird, but he shook his head and climbed nimbly down again. The queer bird was too much for Mr. Thimblefinger. Mr. Rabbit opened his eyes lazily and looked at it.

"If I'm not much mistaken—" he started to say, but Drusilla broke in without any ceremony:—

"'T ain't nothin' 't all, but one er dem ar meller bugs what swims roun' in de spring."

"Why, I expect it is a mellow bug," said Mrs. Meadows, laughing. "I used to catch them when I was a girl and put them in my handkerchief. They smell just like a ripe apple."

"I thought it was a buzzard," said Buster John.

"No," remarked Mr. Rabbit, "I used to be well acquainted with Brother Buzzard, and when he's in the air he's longer from side to side than he is from end to end. I don't know when I've thought of Brother Buzzard before. I never liked him much, but I used to see him sailing around on sunshiny days, or sitting in the top of a dead pine drying his wings after a heavy rain. He cut a very funny figure sitting up there, with his wings spread out and drooping like a sick chicken.



"I remember the time, too, when he had a singing-match with Brother Crow, and I nearly laughed myself to death over it."

"Oh, tell us about it," cried Buster John.

"There's nothing in it when it is told," replied Mr. Rabbit. "There are some things that are funny when you see them, but not funny at all when you come to tell about them."

"We don't mind that," said Sweetest Susan.

"I don't know exactly how it came about," resumed Mr. Rabbit, after a pause, "but as near as I can remember, Brother Buzzard and Brother Crow met with each other early one morning in a big pine-tree. They howdied, but there was a sort of coolness between them on account of the fact that Brother Buzzard had been going about the neighborhood making his brags and his boasts that he could outfly Brother Crow. They hadn't been up in the tree very long before they began to dispute. Brother Buzzard was not a very loud talker in those days, whatever he may be now, but Brother Crow could squall louder than a woman who has been married twenty-two years. And so there they had it, quarreling and disputing and disturbing the peace."

"What were they quarreling about?" Buster John inquired.

"Well," replied Mr. Rabbit, "you know the road that leads to Brag is the shortest route to Bluster. Brother Buzzard and Brother Crow were quarreling because they had been bragging, and a little more and they'd have had a regular pitched battle then and there.

"'Maybe you can outfly me, Brother Buzzard,' says Mr. Crow, 'but I'll be bound you can't outsing me.'

"'I have never tried,' says Brother Buzzard, says he.

"'Well, suppose you try it now,' says Brother Crow. 'I'll go you a fine suit of clothes, and a cocked hat to boot, that I can sit here and sing longer than you can,' says he.

"'Oh, ho!' says Brother Buzzard, 'you may sing louder, but you can't sing longer than I can,' says he.

"'Is it a go?' says Brother Crow.

"'It's a go,' says Brother Buzzard, says he.

"'It's no fair bet,' says Brother Crow, 'because you are a bigger man than I am, and it stands to reason that you have got more wind in your craw than I have, but I shall give you one trial if I split my gizzard,' says he.

"Yes," remarked Mr. Rabbit, scratching his head thoughtfully, "those were the very words he used—'if I split my gizzard,' says he. Well, they shook hands to ratify the bet, and then Brother Crow, without making any flourishes, raised the tune,—

"'Oh, Susy, my Susy, gangloo! Oh, Milly, my Molly, langloo!'

"Then Brother Buzzard flung his head back and chimed in,—

"'Oh, Susy, my Susy, gangloo! Oh, Milly, my Molly, langloo!'

and such another racket as they made I never heard before, and have never heard since."

"Why, what kind of a song was it?" inquired Sweetest Susan. "I'm sure I never heard such a song."

"Well," replied Mr. Rabbit, "you are young and I am old, but you know just as much about that song as I do, and maybe more than I do, for you haven't been pestered with it as long as I have. It is a worse riddle to me than it was the day I heard it."

"What did they do then?" asked Buster John.

"Well," Mr. Rabbit replied, "they sat there and sang just as I told you. Brother Buzzard would stop to catch his breath and then break out,—

"'Oh, Susy, my Susy, gangloo! Oh, Milly, my Molly, langloo!'

and then Brother Crow would squall out,—

"'Oh, Susy, my Susy, gangloo! Oh, Milly, my Molly, langloo!'

"They sang on until they began to get hungry, and as Brother Buzzard seemed to be the biggest and fattest of the two, everybody thought he would hold out the longest. But Brother Crow was plucky, and he sang right along in spite of the emptiness in his craw. He didn't squall as loud as he did at first, but every time Brother Buzzard sang, Brother Crow would sing, too. By and by, they both began to get very weak.

"At last, as luck would have it, Brother Crow saw his wife flying over, and he sang out as loud as he could:—



"'Oh, Susy!—Go tell my children—my Susy,—to bring my dinner—gangloo!—and tell them—oh, Milly, my Molly,—to bring it quickly—langloo!'

"It wasn't very long after that before all Brother Crow's family connections came flying to help him, and as soon as they found out how matters stood they brought him more victuals than he knew what to do with. Brother Buzzard held out as long as he could, but he was obliged to give up, and since that time there has been mighty little singing in the Buzzard family.

"But that isn't all," remarked Mr. Rabbit, as solemnly as if he were pointing a moral. "Since that time Brother Crow, who was dressed in white, has been wearing the black suit that he won from Brother Buzzard."

"Speaking of singing birds," said Mr. Thimblefinger, turning to Mrs. Meadows, "what is that song I used to hear you humming about a little bird?"

"Oh, it's just a nonsense song," replied Mrs. Meadows. "It has no beginning and no ending."

But the children said they wanted to hear it, anyhow, and so Mrs. Meadows sang about—

THE LITTLE BIRD.

There was once a little Bird so full of Song That he sang in the Rose-Bush the whole Night long.

And "Oh," said the Redbird to the Jay, "Don't you wish you could sit and sing that way?" "Mercy, no!" said the Jay; "for he sings too late; I sing well enough for to please my Mate."

There was once a little Bird so full of Song That he sang in the Rose-Bush the whole Night long.

Then "Oh," said the Redbird to the Crow, "Don't you wish you could sit and sing just so?" "Do hush," said the Crow, "or I'll start for to weep, Be—caw—caw—cause he's a-losing of his sleep."

There was once a little Bird so full of Song That he sang in the Rose-Bush the whole Night long.

And "Oh," said the Redbird to the Wren, "Don't you wish you could sing so now and then?" "Not me," said the Wren as she shook her Head; "I think his Mamma ought to put him to Bed."

But the Singing Bird was so full of Glee That he sang all night in the Rose-Bush Tree.



XIII.

THE STRAWBERRY-GIRL.

"Isn't it almost time for us to start home?" said Sweetest Susan, turning to Mr. Thimblefinger.

"Why, you've got all the afternoon before you," replied Mr. Thimblefinger. "Besides it will be downhill all the way. I was just going to tell you a story, but if you really want to go I'll put off the telling of it until some of your grandchildren tumble in the spring when the wet water has run out and the dry water has taken its place."

"Tell the story, please," said Buster John.

"It's about a girl," remarked Mr. Thimblefinger. "She was called the Strawberry-Girl. My mother knew the girl well, and I've heard her tell the story many a time. But if you want to go home—"

"Oh, please tell the story," cried Sweetest Susan.

"Well," said Mr. Thimblefinger; "once there was an old woman who lived in the woods. She lived all alone, and people said she was a witch. She was so old that the skin on her forehead had deep wrinkles in it, and these wrinkles caused everybody to think that the old woman was frowning all the time. People called her Granny Grim-Eye.

"Whenever Granny Grim-Eye got hungry she went to a strawberry-patch in the field near where she lived, and gathered a basket of strawberries. One day when she went after strawberries she found a beautiful little girl asleep in the patch.

"'Hity-tity!' said Granny Grim-Eye, 'what are you doing here? Where did you come from, and where are you going?'

"The little girl awoke and stared at Granny Grim-Eye. She was tied to a blackberry-bush by a silver chain so fine that the links of it could hardly be seen with the naked eye. 'Who are you?' asked Granny Grim-Eye.

"'Nothing nor nobody,' replied the little girl, and that was all the answer Granny Grim-Eye could get from the child.



"'Well,' said Granny Grim-Eye, 'this is my strawberry-patch, and everything I find in it belongs to me. I'll take you home and see what I can make out of you.'

"So she took the girl home and cared for her, giving her the name of the Strawberry-Girl. In the course of time the Strawberry-Girl grew to be the most beautiful young woman in the country, but her mind was not bright. In fact, I have heard my mother say that the Strawberry-Girl was as stupid and as silly as she could be, but she was so beautiful that people were inclined to forgive her for being stupid.

"Granny Grim-Eye used to send her with strawberries to sell to the rich man who owned nearly all the land in that part of the country. Now, this rich man fell in love with the Strawberry-Girl, but when he found that she was both stupid and silly he gave up all thought of marrying her. He was very fond of her, nevertheless, and bought all the berries she had for sale. But when she began to talk he would turn away with a sigh, for everything she said was stupid.

"It so happened one day that Granny Grim-Eye was too sick to pick the strawberries herself, as she always had done, and she was afraid to trust the Strawberry-Girl to pick them. But the rich man sent word that he was to have a company of friends to dinner and he must have some strawberries. There was nothing for Granny Grim-Eye to do but to send the Strawberry-Girl to the patch. Granny Grim-Eye called her up and cautioned her not to pick anything but good, ripe strawberries, and then sent her off to the patch.

"But on the way the Strawberry-Girl saw some red berries growing on bushes, and these she picked and put in the basket until it was full. 'These are just as red as ripe strawberries,' she said, 'and they will do just as well. Besides, they are a great deal easier to pick.'

"The way to the rich man's house led through a very thick wood, and while the Strawberry-Girl was going through this wood a little old man stepped from a hollow tree and stood in the path before her.

"'Aha!' says he, 'I find you alone at last. Where are you going, and what have you got?'



"'I am carrying some strawberries to your master,' says the Strawberry-Girl, who imagined that the rich man was everybody's master.

"'My master!' cries the little old man; 'my master! But if he were my master, and I wanted to get rid of him, I'd not get in your path, for every berry in your basket is rank poison.'

"'Well, anyhow, they are red,' says the stupid Strawberry-Girl.

"'So they are,' says the little old man. 'But if you want to kill your master carry them to him.'

"'Oh, I don't want to kill him,' says the Strawberry-Girl. 'He pays too well.'

"'Once you belonged to me,' says the little old man. 'I tied you to a blackberry-bush with a fine silver chain, and left you there until I could attend to some business in the city. When I came back you were gone. I hunted for you high and low only to hear that you had been found by Granny Grim-Eye. What is the result? You have grown up beautiful and stupid. After all these years you don't know a strawberry from a dragon's-apple. If you had remained with me you would have grown to be the most beautiful as well as the wittiest woman in the world. You would have known everything that is hidden in nature—everything that has been stored between the lids of all the books. It is a great pity!'

"'Yes,' says the stupid Strawberry-Girl, 'I expect it is; but what must I do with these berries? I haven't time to pick more.'

"'Well,' says the little old man, 'I'll make a bargain with you. I'll fill your basket with the finest berries that were ever seen, and I'll make you the wittiest woman in the world if at the end of one year you will marry me.'

"The stupid Strawberry-Girl gave her promise, and then the little old man touched her on the forehead with his left thumb, pointed at a bright star with his right forefinger, and then went back to his hollow tree, warning the girl not to forget her promise.

"When she looked in the basket the red dragon's-apples had disappeared, and in their place she saw the finest strawberries that had ever been grown. These she carried to the rich man, who was as much surprised at the size and lusciousness of the berries as his guests were at the extraordinary beauty of the young girl. They praised her beauty to their host, who shook his head and said that beauty ceased to be beautiful when it was tied to stupidity. The guests, however, would not believe that so beautiful a creature could be stupid, and to satisfy them the rich man sent for the girl and engaged her in conversation. Her replies were so wise, so apt, and so witty, as to astound all the company, while the rich man was dumfounded with astonishment.

"After that, when the Strawberry-Girl came with berries for sale, the rich man always sent for her, and her wit and intelligence were so pleasing to him that he finally asked her to be his wife. But she remembered the bargain she had made with the little old man who had met her in the wood, and she told the rich man that she would have to take time to consider his proposal.

"She was very much worried. She fretted until she began to lose some of her beauty, and when Granny Grim-Eye saw this she began to ask questions, and it was not long before she found out all about the bargain the Strawberry-Girl had made with the little Old Man of the Wood.

"'Oho!' she cried. 'He is up to his old tricks, is he? Well, we shall see!'

"So she went to her chest and got the silver chain with which the Strawberry-Girl had been fastened to the blackberry-bush, and wrapped and twined it in the shape of a star. This star she fixed on the Strawberry-Girl's forehead by means of a velvet band, and told her to wear it constantly.

"It happened that on the very day the year expired the Strawberry-Girl was walking through the wood. The little old man jumped from his hollow tree and ran forward to claim his bride. But when he saw the star shining on her forehead he gave a loud cry, threw his hands before his eyes, and turned and fled through the wood faster than any deer could have done. Nobody ever saw him again, and the Strawberry-Girl married the rich man and lived happily for many long years."

"I think that is a nice story," said Sweetest Susan.

"I'm glad you do," remarked Mr. Thimblefinger. "My mother knew all the facts in the case, and I've heard her tell it many a time. I may have left out some of the happenings, but these and many others you can supply for yourself."



XIV.

THE WITCH OF THE WELL.

While Mr. Thimblefinger was telling the story of the Strawberry-Girl, Chickamy Crany Crow and Tickle-My-Toes had drawn near to listen. Chickamy Crany Crow stood near Mrs. Meadows, and seemed to be very much interested. When Mr. Thimblefinger had concluded, she would have gone away, but Mrs. Meadows detained her.

"No," said Mrs. Meadows, as Chickamy Crany Crow tried to pull her hand away; "you must stay right here and tell the children the story of the Witch of the Well."

"They know it already," said Chickamy Crany Crow, trying to hide behind Mrs. Meadows's chair.

"No, we don't," exclaimed Buster John. "We know the old rhyme about

"'Chickamy, Chickamy Crany Crow, Went to the well to wash her toe, And when she came back her chicken was gone.'

That's the rhyme we say in the game, but we never heard the story."

"I can't tell it to so many," said Chickamy Crany Crow.

"Well, tell it to me, then," replied Mrs. Meadows coaxingly. "The rest won't listen any more than they can help."

"Well," said Chickamy Crany Crow, "one time there was an old woman that lived near a well. For a long time nobody thought she was a witch, but after a while people began to have their suspicions. There was a quagmire in the road right in front of the old woman's house, and every traveler passing that way was sure to get mud on his feet. No matter whether he was riding horseback or in a buggy, it was all the same. He was sure to get his feet muddy. And the mud was so black, and thick, and heavy, that he was anxious to get it off as soon as possible.

"It happened, too, that every time a traveler crossed the quagmire, after getting the black, heavy mud on his feet, the old woman would be sitting in her door smoking a cob pipe.

"'Howdy, dearie!' she would say. 'Why, you're full of nasty mud! Go to the well yonder, dearie, and wash it off.'

"The traveler would leave his buggy and horse, or his horse and saddle, or his bundle at the old witch's door, and go to the well to wash his feet. When he came back everything would be gone,—witch, horse, buggy, saddle, or bundle. The quagmire would be dried up, and the road itself would seem to be a different road. Sometimes it would be days and days before the traveler could find his way to the place where he started.

"One day a traveler came along the road in a fine carriage. With him he had a beautiful little girl with long golden hair. She had eyes as blue and as clear as the water in the spring when the sunshine slants through, and her skin was as white as milk. When the carriage had crossed the quagmire, the traveler found that his feet were covered with the black, heavy mud. He couldn't imagine how it had happened. There was no hole in the bottom of the carriage, the door was shut tight, and there was no way for the mud to get in. He said to the little girl:—

"'Daughter, are your feet muddy?'

"'Not a bit, father.'

"When the carriage crossed the quagmire, there sat the old woman in the door.

"'Howdy, dearie!' says she. 'And how did you get the nasty mud on your feet? Yonder is a well; leave your carriage here and go wash it off.'

"So the traveler kissed his daughter, for he was very fond of her, and went to the well to wash his feet. When he came back, daughter, carriage, and old woman had all disappeared. He wandered around like a crazy man for many days, and at last came to where my mother lived and told his story. This wasn't the first time she had heard such a tale, and she concluded to see what the matter was. So she called me and gave me a black chicken and told me to go by the old woman's house and see what happened.

"I took the chicken, which was tied by the legs, and went along the road until I came to the quagmire. I tried to pick my way around it, but the black mud bubbled up and flew at my feet, and finally it became so thick and heavy I could scarcely walk. When I got across, there sat the old woman smoking her cob pipe and grinning.

"'Howdy, dearie!' says she.

"'Howdy, granny!' says I.

"'Leave your fat chicken here,' says she, 'and go to yonder well and wash your toe.'

"'Thanky, granny; that I will,' says I.

"So I went to the well, but when I came back my chicken was gone. And so was the old woman, and the quagmire. But I didn't get frightened. I went back to the well and began to sing,—

"'Chickamy, Chickamy Crany Crow, I went to the well to wash my toe, But when I came back my chicken was gone— What o'clock, old witch?'

"I hadn't been there long before the mud began to bubble up again, and out of it came the old witch. And then what seemed to be a thick mist cleared away, and there was the old witch's house, and inside I could see the beautiful little girl crying for her father. I intended to run home and tell what I had seen, but before I could move out of my tracks I heard the old woman coming to the well. In coming up out of the quagmire she had got mud on her feet. She had pulled off her shoes for comfort, and had been going about in her stocking-feet, and of course when she disappeared in the quagmire, and came up through it again, her stockings were full of mud; and so she came to the well to wash them.

"I didn't know whether to run or stay, but I stayed, and as soon as the old woman got in sight, I sat on the ground and began to rock my body backwards and forwards, crying,—

"'Oh, mercy me! Oh, what shall I do? I can't get the black mud off of my shoe!'

"The old woman seemed to be very angry when she first saw me, but I pretended to pay no attention to her. I just rocked backwards and forwards, and cried that I couldn't get the black mud off of my shoe. The old woman sat down and pulled off her stockings, and began to wash them. When she had finished one, she threw it behind her on the grass to dry. Being wet and heavy it fell farther from her hand than she intended. It fell close to me, and I picked it up and stuffed it in my pocket."

"What for?" asked Buster John bluntly.

"Well, I hardly know," replied Chickamy Crany Crow, somewhat embarrassed at the suddenness of the question. "I wanted to get even with her for stealing my fat chicken. I hardly knew what I was doing, and I certainly didn't know how it would turn out. Well, I stuffed the old woman's wet stocking in my pocket, and kept on crying out that I didn't know how to get the black mud off of my shoe.

"'Do as I do,' said the old woman. Then I went and sat on the grass in front of her, and washed the mud from my shoe.

"For the first time I saw what a horrible-looking creature the old woman was. Her eyes were sunk in her head, her nose was hooked over her mouth, and she had two long upper teeth that hung lower than her under lip. I says to myself, 'Well, old lady, if you are not a witch, there never was one.' She washed her stocking, mumbling and chewing, and when she had finished she threw it behind her, and sat hugging her knees, and glaring at me in a way that made my flesh crawl.

"'What is your name?' says she.

"'Chickamy Crany Crow,' says I.

"'What are you doing here?' says she.

"Says I, 'I went to the well to wash my toe, but when I came back my chicken was gone.'

"Then the old woman began to laugh like a cackling hen, and she laughed so loud and laughed so long that it scared me. I got up and pretended to be going home, but when I had gone a little way I hid behind a big tree, and watched the old woman's antics. She kept on laughing for some time, and then she reached out for her stockings. She found the only one she had left, and put it on. Then she reached around for the other, but failed to find it, because I had it in my pocket. This seemed to puzzle her. She stood up and looked all around for her missing stocking, but it wasn't there. Then she sat down again, pulled off the stocking she had on, and put it on the other foot.

"But she still lacked a stocking. This seemed to puzzle the old witch worse than ever. Once more she pulled off the stocking and put it on the other foot, and appeared to be very much astonished because one foot was still bare."

"She couldn't 'a' had much sense!" exclaimed Drusilla.

"Not about stockings and things like that," said Chickamy Crany Crow. "Well, she sat there, pulling the stocking from one foot and putting it on the other, until she seemed to forget about everything else. I watched her until I got tired, and then I thought I would take her missing stocking and throw it in the quagmire.

"The moment I did this, the quagmire began to bubble, and hiss, and roll, and toss and tumble about, and soon it disappeared altogether. A little fog arose when the quagmire sank out of sight, and when this cleared away, there stood the carriage that had brought the beautiful little girl with the golden hair, and the little girl herself was sitting in it, ready to go to her father. But this wasn't all. All around, there were numbers of horses and buggies, and all sorts of bundles and money-purses, and everything that travelers carry along with them.

"Well, I got in the carriage with the beautiful little girl, clucked to the horses, and drove to my mother's house. All the horses with saddles, and all the horses hitched to buggies, followed along after us, and there was great rejoicing among the people as we went by."

"What became of the old witch?" asked Buster John.

"She stayed there, trying to make one stocking do for two feet, until the well dried up, and after that I don't know what became of her."

"You ought to have been a young man," said Sweetest Susan, who had been reading fairy stories, "so that you could have married the beautiful girl with golden hair, after rescuing her. Besides, your name would have been in the books."

"Oh," answered Chickamy Crany Crow, smiling for the first time, "there are plenty of names in the books that you never hear of; but now, wherever little children get together to play games, you will hear them saying the rhyme that tells a part of my story,—

"'Chickamy, Chickamy Crany Crow, Went to the well to wash her toe, But when she got back her chicken was gone.'"



XV.

THE BEWITCHED HUNTSMAN.

"There used to be a great many more witches than there are now," remarked Mr. Thimblefinger. "I reckon it's because folks have more business of their own to attend to; or, it may be a change in the climate. I hear old people say that the winters are colder now than they used to be, and the summers hotter. Maybe that has something to do with it. Anyhow, something has happened to thin the witches out."

"Yes," said Mr. Rabbit; "I've noticed that they are scarcer than they used to be, but I never inquired into the whys and wherefores. They never bothered me, and I never bothered them."

"Well, when I first came here," said Mr. Thimblefinger, "I noticed Jimmy Jay-Bird bringing sand and mortar every Friday, and it occurred to me that he was preparing to lay the foundations of a witch's house in this country. So I says to myself, says I, 'I'll keep an eye on Jimmy, and see where he gets in and out; for, surely, he doesn't come by way of the spring.' But Jimmy Jay-Bird was pretty slick, and it was some time before I found out where he came down and went out. By some means or other, he had discovered the big hollow poplar on the spring branch, and he was coming and going that way."

"I know where it is," said Buster John.

"Yes," replied Mr. Thimblefinger. "It is the oldest and the biggest tree in the whole country next door. But as soon as I found that Jimmy Jay-Bird was using it as a passageway, I drove a peg in the hole and put an end to his schemes, whatever they may have been. I don't know where he carries his sand and mortar now, and I don't care.

"But I didn't start out to tell anything about Jimmy Jay-Bird," continued Mr. Thimblefinger, after pausing a moment. "I was thinking about the way a witch was caught by a boy no bigger and not much older than our young friend here."

"Tell us about it, please!" cried Buster John enthusiastically.

"Well," said Mr. Thimblefinger, "it's not much of a story. You can't take a handful of facts and make a story of them unless you know how to fling them together. The best I can do is to tell it just as it happened as near as I can remember.

"When I was a little bit of a fellow—now don't laugh!" cried Mr. Thimblefinger, seeing Mr. Rabbit wink at Mrs. Meadows,—"I mean when I was in my teens. Well, when I was younger than I am now, an old witch lived not far from our house. Her eyes were red around the rims, and her eyeballs looked as if they had been boiled. Everybody called her Peggy Pig-Eye, and she answered to that name about as well as she did to any other. Near her house there lived a man who had a wife and a son. He was a tolerably well-to-do man, and all the neighbors thought very well of him. But he used to go to town every sale-day, and at night he would come home feeling very gay. I don't know what there was in town to make him feel so gay, but I know that he used to come by our house singing at the top of his voice and cutting up all sorts of shines.

"Well, one night when he was going back home whooping and yelling, he saw something dark in the road before him, and he rode his horse at it full tilt. The horse seemed to have little taste for such sport, for he snorted and wanted to shy around the dark object. But the man clapped spurs to the horse and drove him right at it. The black thing ran, and the man spurred his horse after it. It ran down the road, then across an old field and back into the road again, the man pursuing it as hard as he could make his horse go. Finally it ran into Peggy Pig-Eye's yard and under her house, and the man went clattering after it. Just as he pulled his horse up (to keep the animal from running broadside into the house) the door opened, and Peggy Pig-Eye put her head out.

"'Oh, it's you, is it?' she cried. 'And you are after me, are you? Very well!' With that she clapped the door to, and the man rode on home, not feeling as lively as he had felt.

"Now, it happened that this man was a great hunter. He had a pack of fine dogs, and he was very fond of them. He hunted deer with them by day, and raccoons and 'possums by night. The first time he went hunting after riding into Peggy Pig-Eye's yard was at night. He didn't go very far from his house before his dogs struck a warm trail and went scurrying towards the big swamp at a great rate. A negro, who went along to carry the light and cut the tree down, shook his head and declared the dogs were not barking to suit him. He said there was more whine than growl to the noise they were making.

"Anyhow, the dogs went scurrying to the big swamp, and the man and the negro followed as fast as they could. The dogs treed right at the edge of the swamp, and when the man and the negro got there, they were barking up a big poplar. The negro held his torch behind him so as to 'shine' in the raccoon's eyes,—if it was a raccoon,—but he could see nothing.

"'Cut the tree down,' said the man.

"The negro shook his head, but he whacked away at the poplar with his axe, and cut it so that it would fall away from the swamp. The tree fell with a tremendous crash, and the dogs rushed into the top limbs, followed by the man and the negro. But before they could wink their eyes, something tall and white walked out, and cried:—

"'You are always after me!'

"The negro threw down the torch and the axe, and ran home as fast as he could. The dogs tried hard to catch the white thing, whatever it was, but as soon as they got near enough to bite it, they tucked their tails between their legs and ran howling back to their master.

"This happened every time the man went out to hunt raccoons and 'possums. The dogs would strike a warm trail not far from the house, run to the edge of the swamp, and bay up a tree, and then when the tree was cut down, something tall and white would walk from the top limbs, and cry out:

"'You are always after me!'

"The man thought it was very queer, but he wasn't frightened. He said to himself that if he couldn't catch raccoons and 'possums, maybe he could catch a fox. So he called up his dogs one morning just about day, mounted his horse, and started out to catch a fox. Before they had gone a hundred yards from the house, the dogs found a warm trail and began to follow it in lively style. The man spurred his horse after them and harked them on. They ran around in a wide circle, and presently something white flitted by the man, with the dogs after it in full cry. As it went by it screamed out:—

"'You are always after me!'

"Then it disappeared, and after a while the dogs came back, panting as hard as if they had run forty miles. The man went back home and sat by the fire and studied about it, and the more he studied the worse he was troubled. He sat so long without saying anything that his little boy asked him what the matter was, but the man shook his head, and said there were some things that children ought not to know. The boy was fourteen years old, and very small for his age, but he had plenty of sense, and was very brave. He told his mother that his father was in some deep trouble, and begged her to find out what it was, and tell him about it.

"So the little boy's mother set herself to work to find out what was troubling her husband. She pressed him so hard with questions that he finally told her about his strange adventures while out hunting. The wife was so frightened that she begged her husband not to go hunting any more, but to give up his dogs and attend to business that was not so dangerous.

"The man promised that he would hunt no more raccoons or 'possums or foxes, but he said he needed his dogs to hunt deer. The woman told her son all that her husband had said to her, and after that the little boy made it a habit to go off in the woods and sit at the foot of a big chestnut-tree, and wonder what it was that ran before his father's dogs.

"Matters went on this way until finally one day the man said he would go out and catch a deer. He called his dogs, especially Old Top, the oldest one of all. Top was a big hound, and hunted nothing else but deer, and he was never known to fail to run down and catch the deer he got after. Old Top went along when he was called, but it was very plain to the little boy, who was watching, that he didn't go willingly. Anyhow, Old Top went, though he looked back at the little boy and wagged his tail knowingly more than once.

"Before the hunter got out of hearing, the dogs struck a trail and pursued it in the direction of the big woods beyond the creek. For a long time the little boy listened to the dogs running. Sometimes they seemed to come nearer, and then they would go farther, and finally the sound of their trailing died away altogether.

"After waiting and listening for some time, the little boy went into the woods and sat at the foot of the chestnut-tree. While he was sitting there thinking, and watching the big black ants chase each other up and down the tree, he heard the bushes shake, and suddenly a little old man appeared before him.

"'Heyday!' said the little old man. 'You are too young to be thinking. Leave thoughts for old people; you should be at play.'

"'But sometimes,' replied the little boy, 'children have to think, too. It doesn't make my head ache to think.'

"'I see, I see!' exclaimed the little old man; 'your name is Three Wits. Three Wits, how are you? I hope you are well. You ought to have come here a little sooner. There is a famous hunt going on in these woods. It passed here awhile ago—a fool on a frightened horse and seven crazy dogs galloping after Satan's sister. Oh, it is jolly! Stay where you are, Three Wits. This famous hunt will pass this way again directly, and you will have a plain view of it.'

"After a while the little boy heard the dogs coming, and presently he saw the strangest sight his eyes had ever beheld. Going through the woods as swift as the wind, he saw a great white Stag. On the back of the Stag, and holding to its antlers, was an old woman. She was grinning horribly, and her gray hair was streaming out behind her like a ragged banner. The Stag, bearing the old woman, rushed through the woods and disappeared. Then came the dogs in full cry, and after the dogs came the little boy's father, spurring his horse and yelling in the excitement of the chase.

"'What do you think of it, Three Wits?' asked the little old man, laughing.

"'I don't like it,' replied the boy. 'That man is my father.'

"'Your father!' cried the little old man. 'Oho! That alters the case. Well, well! Let's see—let's see!'

"The little old man took from the wallet he had on his back a thick book with a red cover. Then he sat at the foot of the chestnut-tree and turned the well-thumbed leaves until he found the place he was hunting for. He closed the book, but kept his forefinger between the leaves, and took the little boy's hand in his."



XVI.

THE THREE IVORY BOBBINS.

"The little old man took the boy's hand in his, but before he could say anything, a rustling was heard in the bushes. Presently, Old Top, the deerhound, made his appearance. He went up to the boy, smelt of him, wagged his tail as a sign of satisfaction, and then curled up in the leaves as if to take a nap. But he didn't go to sleep. Every once in awhile, Old Top raised his head and listened wistfully to the running dogs that could be heard in the distance.

"'A very sensible dog!' exclaimed the little old man. 'He knows something is wrong.'

"'What is it?' asked the boy.

"'Well, Three Wits,' said the little old man, 'I'll tell you. The man, the horse, and the dogs, are under a spell. They are bewitched, and they will continue to be bewitched until doomsday, unless the spell is broken. They will go round and round on the trail until they exhaust themselves, and then they will gradually grow thinner and thinner until they disappear; and then nothing will be heard but the barking of the dogs, and the sound of that will grow fainter and fainter, until no human ear can hear it. Now, the question is, Three Wits, do you wish the spell broken?'

"'I do,' replied the boy, 'for my mother's sake.'

"'Now that is well spoken,' said the old man, rising and laying his hand gently on the boy's head. 'For, behold, Three Wits, what is written in the book.'

"The old man opened the red volume and read as follows, pointing to each word with his finger:—

"'Whoever shall, for the sake of his mother, earnestly desire to break the spells worked by Paggia Paggiola, the Hunting-Witch, is in a way to have his desire fulfilled. For this is the indispensable condition. Moreover, he who hopes to succeed must have the innocence of youth and the courage of manhood. On his left arm there should grow a mole, and in this mole are three white hairs.'

"'I have the mole,' said the boy, opening his vest.

"Sure enough, there was the mole, and on the mole were growing three long white hairs as fine as silk. With a pair of silver tweezers that he found in his wallet, the little old man pulled the long white hairs from the mole. One by one he pulled them. One by one he ran them through his fingers, and one by one they seemed to grow longer and stronger, each time they were pulled through the little old man's swift-moving fingers.

"Then, searching in his wallet, he found three ivory bobbins; and on these he wound the long, strong, and silken hairs. He wound and wound, and as he wound he sang:—

"'Now on this bobbin I wind a hair, White, and silken, and long; I wind it slow, I wind it fair, Glossy, and white, and strong.

"'I wind it here in shade and sun, For one, one, one are three— Three and no more where the stag shall run, Close by the chestnut-tree.

"'And one shall catch, and two shall hold, And three shall clamp and kill; Just say to your hand, Be steady and bold; And say to your heart, I will.'

"The boy was surprised to see, as the old man sang and wound, that the white hairs spun out into silver wires hundreds of feet long, and stronger than steel.

"'Take these, Three Wits,' said the old man, after he had finished winding the bobbins. 'Take these, and when the hunt runs this way again, fling one at the Stag, and one at the dogs, and one at the horse the huntsman rides. You must fling them quickly, one after the other. It is easy enough to miss the Stag, but you must not fail to catch the dogs. You may fail on the Stag and horse, but you must not fail on the dogs. Be strong. Brace yourself for three quick and hard throws.'

"Then they stood there listening; and presently Old Top, the deerhound, raised his head and whistled through his nose, the whistle ending in a whine.

"'They are coming now, Three Wits!' exclaimed the little old man. 'Get ready! Throw quick and hard! Don't be afraid!'

"In the distance, the baying of the dogs could be heard, and Old Top rose and shook himself and growled. In another moment the Stag, ridden by the grinning old woman, flitted past; but, quick as a flash, Three Wits threw the first bobbin, and he threw it so hard that it made a zooning sound in the air. The Stag made one tremendous bound and disappeared. The dogs came next, and Three Wits threw the second bobbin. It zooned through the air, and the silver wire unwound with a twanging sound, and fell full upon the panting and baying pack. It fell upon them, and wound itself about them, and smothered their cries, and held them fast in its glistening meshes.

"Then came the rushing horse and its furious rider. Three Wits threw the third bobbin, but the horse shied at the motion of the boy's hand, and flew through the woods in the direction taken by the Stag. When Three Wits saw both the Stag and the horse escape, he fell upon the ground and began to weep.

"'Hity-tity!' exclaimed the little old man, coming from behind the tree where he had concealed himself. 'What's this? Why, I was about to cry "Bravo!" and here I find you pretending to be a baby. Get up. If I am not mistaken you have accomplished even more than I expected you would. Let's see.'

"He lifted Three Wits to his feet, and then the two went to where the hunt had passed. At one point the dogs were entangled in the silver wire, and were unable to free themselves. A little farther in, they found a thick wisp of gray hair which the wire had cut from the head of the grinning old woman who rode the Stag. The little old man clapped his hands with delight and cut some joyful capers, for he was very nimble.

"'Good!' he exclaimed. 'Another half inch and you would have cut off her head instead of her hair! But where is the bobbin? I don't see the bobbin! We must have the bobbin!'

"Three Wits hunted, but he could find no bobbin. Then he caught hold of the wire, and found that it led into the woods the way the Stag had gone. He caught hold of it and followed it along, calling to the little old man. They followed the silver wire far into the woods, and finally they came to the end of it, and there was the Stag, strangled and dead. The weight of the bobbin had carried the wire around his body and around his neck, and the bobbin itself had caught in the fork of one of his antlers.



"The little old man seemed to be very happy. He patted Three Wits on the shoulder, and declared that he was a good boy, a fine boy. 'But there is more to be done,' said the little old man,—'a great deal more. And you will have to go alone. I can help you, but I can't be with you.'

"Then he found the ivory bobbins, rewound the silver wire, which seemed to spin out still longer, and gave them to Three Wits. 'Take these,' he said, 'and go to the witch's house.'

"'Do you mean Peggy Pig-Eye's house?' asked Three Wits.

"'Why, of course.' replied the little old man. 'Her right name, as you saw by the book, is Paggia Paggiola, but people call her Peggy Pig-Eye for short. Go to her house, throw one of the bobbins over the roof, and then throw one around each end. Throw quick and hard, and, as you throw, cry out,—

"'Bibbity bobbity bobbin, Go hibbity hob hobnobbin.'

"'But wait!' cried the little old man. 'You may need these dogs.' He took a wisp of the witch's hair, and whipped them back to life. And maybe you'll need a horse to ride. So he went into the woods where the Stag lay dead, and whipped him to his feet with the witch's hair.

"'This is your horse,' he said to Three Wits. But the boy was afraid to mount the Stag. 'Be bold!' cried the little old man; 'all depends on that! Give me your foot. There you are! Loop the silver wire over his horns, and touch him with the bobbin the way you want him to go. He'll carry you safely. Good-by! Be bold!'

"Following the little old man's directions, Three Wits was soon cantering down the road on the Stag's back. The dogs seemed to take everything for granted, and followed along after the Stag as readily as if he had been their master's horse. But travelers who chanced to be going along the road went into the wood when they saw a boy riding a big Stag. They were not used to such a queer sight.

"The spirits of Three Wits rose as he went along. Everything had turned out so happily, and the Stag moved along so gracefully and easily that Three Wits felt quite like a hero.

"He went ambling along the road, the people staring at him, until he came to the witch's house. Everything was quiet there. The windows and doors were closed, and the only sign of life about the place was a big black cat that sat on the water-shelf. Three Wits rode the Stag around the house three times. Then over the roof he threw a bobbin. To the right he threw another, and to the left another. The silver wire seemed to whirl until it became a tangle of wire all over the house. The big black cat made an attempt to escape, but it was caught in the wire as a fly is caught in a spider's web, and it hung helpless by the water-shelf.

"And then a very wonderful thing happened. The silver wire seemed to become so heavy that the roof of the house couldn't bear its weight. The cabin swayed, and finally the roof fell in with a crash. Out of the dust and wreck walked the father of Three Wits, leading his horse, and, following him, came a dozen or more elegantly dressed gentlemen whom Three Wits had never seen before. They shook hands with the boy and thanked him for coming to their rescue, and each gave him a large sum of gold, so that when they started on their way home, Three Wits found that he was very rich. As for the father, he seized Three Wits in his arms and embraced him again and again, and declared that even a king might be proud to have such a brave son.

"While they were talking, the little old man came out of the wood. He went straight to Three Wits, placed his hand on the boy's head, and seemed to be blessing him. Then he lifted Three Wits from the Stag's back, mounted in his place, waved his hand twice, and, in a twinkling, had disappeared in the wood. That was the end of the witch, and this is the end of the story."

"Well, I think it is a very good story," said Buster John.

"I think so, too," remarked Sweetest Susan; "but I'm sorry there was no little girl in it."



XVII.

"KEEN-POINT," "COB-HANDLE," AND "BUTCH."

"The three bobbins," said Mrs. Meadows, "remind me of a circumstance—"

"Is a circumstance a story?" interrupted Sweetest Susan.

"Oh, you mustn't mind my country talk," replied Mrs. Meadows, laughing. "It was a trick of my tongue. I didn't want to say 'story' because you might be disappointed. But I reckon I may as well call it a story. Well, as I was saying, the three bobbins remind me of a story that was partly about a little girl."

"I know it must be a nice story," cried Sweetest Susan enthusiastically.

But Mrs. Meadows shook her head. "From all I can hear," she said, "matters and things in general are a great deal nicer in books than they are outside of books. Folks are folks, anyway you can fix them, I don't care what the books say. But I'll not deny that in my day and time I have seen folks mighty near as nice and as pretty as those you read about in the books, and one of these was the little girl I am going to tell you about.

"Once upon a time, in the country where I then lived,—and I've lived in a good many countries, for wherever you find mountains, hills, and rivers, there you'll find the Meadows family,—there was a little girl who was both beautiful and good. She was not as good nor as beautiful as those you read about in the books, but she was good enough for the people who knew her. For a wonder she didn't have long golden hair. Her hair was black, and curled about her head in the loveliest way; and her eyes were large and brown, and her skin creamy white, with just the shadow of rose color in her face. Her parents were rich and proud, but they were prouder of their little girl than they were of their money, as well they might be, seeing that she was the smartest and most beautiful child to be found in all the country round."

"Were there no princes and castles in that country?" inquired Sweetest Susan.

"Oh, dear, no!" replied Mrs. Meadows. "The folks were just plain, common, every-day people. Those that were fortunate enough to be honest and contented were much better off than any princes you ever heard of; and a hut where happiness lives is a much finer place than the finest castle.

"Well, as I was telling you, the parents of this little girl with black curly hair were very proud of her. They watched over her very carefully, and neglected nothing that would make her happy and contented. Some little girls that I have known would have been spoiled by so much kindness and attention, but this little girl with the black curly hair wasn't spoiled at all. She was as good as she was beautiful.