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Little Dorrit
by Charles Dickens
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'Whew!' said Mr Meagles, dressing again. 'That's comfortable. Now I am cooler.'

'You have been ruffled, Mr Meagles. What is the matter?'

'Wait a bit, and I'll tell you. Have you leisure for a turn in the Park?'

'As much as you please.'

'Come along then. Ah! you may well look at him.' He happened to have turned his eyes towards the offender whom Mr Meagles had so angrily collared. 'He's something to look at, that fellow is.'

He was not much to look at, either in point of size or in point of dress; being merely a short, square, practical looking man, whose hair had turned grey, and in whose face and forehead there were deep lines of cogitation, which looked as though they were carved in hard wood. He was dressed in decent black, a little rusty, and had the appearance of a sagacious master in some handicraft. He had a spectacle-case in his hand, which he turned over and over while he was thus in question, with a certain free use of the thumb that is never seen but in a hand accustomed to tools.

'You keep with us,' said Mr Meagles, in a threatening kind of Way, 'and I'll introduce you presently. Now then!'

Clennam wondered within himself, as they took the nearest way to the Park, what this unknown (who complied in the gentlest manner) could have been doing. His appearance did not at all justify the suspicion that he had been detected in designs on Mr Meagles's pocket-handkerchief; nor had he any appearance of being quarrelsome or violent. He was a quiet, plain, steady man; made no attempt to escape; and seemed a little depressed, but neither ashamed nor repentant. If he were a criminal offender, he must surely be an incorrigible hypocrite; and if he were no offender, why should Mr Meagles have collared him in the Circumlocution Office? He perceived that the man was not a difficulty in his own mind alone, but in Mr Meagles's too; for such conversation as they had together on the short way to the Park was by no means well sustained, and Mr Meagles's eye always wandered back to the man, even when he spoke of something very different.

At length they being among the trees, Mr Meagles stopped short, and said:

'Mr Clennam, will you do me the favour to look at this man? His name is Doyce, Daniel Doyce. You wouldn't suppose this man to be a notorious rascal; would you?'

'I certainly should not.' It was really a disconcerting question, with the man there.

'No. You would not. I know you would not. You wouldn't suppose him to be a public offender; would you?'

'No.'

'No. But he is. He is a public offender. What has he been guilty of? Murder, manslaughter, arson, forgery, swindling, house-breaking, highway robbery, larceny, conspiracy, fraud? Which should you say, now?'

'I should say,' returned Arthur Clennam, observing a faint smile in Daniel Doyce's face, 'not one of them.'

'You are right,' said Mr Meagles. 'But he has been ingenious, and he has been trying to turn his ingenuity to his country's service. That makes him a public offender directly, sir.'

Arthur looked at the man himself, who only shook his head.

'This Doyce,' said Mr Meagles, 'is a smith and engineer. He is not in a large way, but he is well known as a very ingenious man. A dozen years ago, he perfects an invention (involving a very curious secret process) of great importance to his country and his fellow-creatures. I won't say how much money it cost him, or how many years of his life he had been about it, but he brought it to perfection a dozen years ago. Wasn't it a dozen?' said Mr Meagles, addressing Doyce. 'He is the most exasperating man in the world; he never complains!'

'Yes. Rather better than twelve years ago.'

'Rather better?' said Mr Meagles, 'you mean rather worse. Well, Mr Clennam, he addresses himself to the Government. The moment he addresses himself to the Government, he becomes a public offender! Sir,' said Mr Meagles, in danger of making himself excessively hot again, 'he ceases to be an innocent citizen, and becomes a culprit.

He is treated from that instant as a man who has done some infernal action. He is a man to be shirked, put off, brow-beaten, sneered at, handed over by this highly-connected young or old gentleman, to that highly-connected young or old gentleman, and dodged back again; he is a man with no rights in his own time, or his own property; a mere outlaw, whom it is justifiable to get rid of anyhow; a man to be worn out by all possible means.'

It was not so difficult to believe, after the morning's experience, as Mr Meagles supposed.

'Don't stand there, Doyce, turning your spectacle-case over and over,' cried Mr Meagles, 'but tell Mr Clennam what you confessed to me.'

'I undoubtedly was made to feel,' said the inventor, 'as if I had committed an offence. In dancing attendance at the various offices, I was always treated, more or less, as if it was a very bad offence. I have frequently found it necessary to reflect, for my own self-support, that I really had not done anything to bring myself into the Newgate Calendar, but only wanted to effect a great saving and a great improvement.'

'There!' said Mr Meagles. 'Judge whether I exaggerate. Now you'll be able to believe me when I tell you the rest of the case.'

With this prelude, Mr Meagles went through the narrative; the established narrative, which has become tiresome; the matter-of-course narrative which we all know by heart. How, after interminable attendance and correspondence, after infinite impertinences, ignorances, and insults, my lords made a Minute, number three thousand four hundred and seventy-two, allowing the culprit to make certain trials of his invention at his own expense.

How the trials were made in the presence of a board of six, of whom two ancient members were too blind to see it, two other ancient members were too deaf to hear it, one other ancient member was too lame to get near it, and the final ancient member was too pig-headed to look at it. How there were more years; more impertinences, ignorances, and insults. How my lords then made a Minute, number five thousand one hundred and three, whereby they resigned the business to the Circumlocution Office. How the Circumlocution Office, in course of time, took up the business as if it were a bran new thing of yesterday, which had never been heard of before; muddled the business, addled the business, tossed the business in a wet blanket. How the impertinences, ignorances, and insults went through the multiplication table. How there was a reference of the invention to three Barnacles and a Stiltstalking, who knew nothing about it; into whose heads nothing could be hammered about it; who got bored about it, and reported physical impossibilities about it. How the Circumlocution Office, in a Minute, number eight thousand seven hundred and forty, 'saw no reason to reverse the decision at which my lords had arrived.' How the Circumlocution Office, being reminded that my lords had arrived at no decision, shelved the business. How there had been a final interview with the head of the Circumlocution Office that very morning, and how the Brazen Head had spoken, and had been, upon the whole, and under all the circumstances, and looking at it from the various points of view, of opinion that one of two courses was to be pursued in respect of the business: that was to say, either to leave it alone for evermore, or to begin it all over again.

'Upon which,' said Mr Meagles, 'as a practical man, I then and there, in that presence, took Doyce by the collar, and told him it was plain to me that he was an infamous rascal and treasonable disturber of the government peace, and took him away. I brought him out of the office door by the collar, that the very porter might know I was a practical man who appreciated the official estimate of such characters; and here we are!'

If that airy young Barnacle had been there, he would have frankly told them perhaps that the Circumlocution Office had achieved its function. That what the Barnacles had to do, was to stick on to the national ship as long as they could. That to trim the ship, lighten the ship, clean the ship, would be to knock them off; that they could but be knocked off once; and that if the ship went down with them yet sticking to it, that was the ship's look out, and not theirs.

'There!' said Mr Meagles, 'now you know all about Doyce. Except, which I own does not improve my state of mind, that even now you don't hear him complain.'

'You must have great patience,' said Arthur Clennam, looking at him with some wonder, 'great forbearance.'

'No,' he returned, 'I don't know that I have more than another man.'

'By the Lord, you have more than I have, though!' cried Mr Meagles.

Doyce smiled, as he said to Clennam, 'You see, my experience of these things does not begin with myself. It has been in my way to know a little about them from time to time. Mine is not a particular case. I am not worse used than a hundred others who have put themselves in the same position—than all the others, I was going to say.'

'I don't know that I should find that a consolation, if it were my case; but I am very glad that you do.'

'Understand me! I don't say,' he replied in his steady, planning way, and looking into the distance before him as if his grey eye were measuring it, 'that it's recompense for a man's toil and hope; but it's a certain sort of relief to know that I might have counted on this.'

He spoke in that quiet deliberate manner, and in that undertone, which is often observable in mechanics who consider and adjust with great nicety. It belonged to him like his suppleness of thumb, or his peculiar way of tilting up his hat at the back every now and then, as if he were contemplating some half-finished work of his hand and thinking about it.

'Disappointed?' he went on, as he walked between them under the trees. 'Yes. No doubt I am disappointed. Hurt? Yes. No doubt I am hurt. That's only natural. But what I mean when I say that people who put themselves in the same position are mostly used in the same way—'

'In England,' said Mr Meagles.

'Oh! of course I mean in England. When they take their inventions into foreign countries, that's quite different. And that's the reason why so many go there.'

Mr Meagles very hot indeed again.

'What I mean is, that however this comes to be the regular way of our government, it is its regular way. Have you ever heard of any projector or inventor who failed to find it all but inaccessible, and whom it did not discourage and ill-treat?'

'I cannot say that I ever have.'

'Have you ever known it to be beforehand in the adoption of any useful thing? Ever known it to set an example of any useful kind?'

'I am a good deal older than my friend here,' said Mr Meagles, 'and I'll answer that. Never.'

'But we all three have known, I expect,' said the inventor, 'a pretty many cases of its fixed determination to be miles upon miles, and years upon years, behind the rest of us; and of its being found out persisting in the use of things long superseded, even after the better things were well known and generally taken up?'

They all agreed upon that.

'Well then,' said Doyce, with a sigh, 'as I know what such a metal will do at such a temperature, and such a body under such a pressure, so I may know (if I will only consider), how these great lords and gentlemen will certainly deal with such a matter as mine.

I have no right to be surprised, with a head upon my shoulders, and memory in it, that I fall into the ranks with all who came before me. I ought to have let it alone. I have had warning enough, I am sure.'

With that he put up his spectacle-case, and said to Arthur, 'If I don't complain, Mr Clennam, I can feel gratitude; and I assure you that I feel it towards our mutual friend. Many's the day, and many's the way in which he has backed me.'

'Stuff and nonsense,' said Mr Meagles.

Arthur could not but glance at Daniel Doyce in the ensuing silence.

Though it was evidently in the grain of his character, and of his respect for his own case, that he should abstain from idle murmuring, it was evident that he had grown the older, the sterner, and the poorer, for his long endeavour. He could not but think what a blessed thing it would have been for this man, if he had taken a lesson from the gentlemen who were so kind as to take a nation's affairs in charge, and had learnt How not to do it.

Mr Meagles was hot and despondent for about five minutes, and then began to cool and clear up.

'Come, come!' said he. 'We shall not make this the better by being grim. Where do you think of going, Dan?'

'I shall go back to the factory,' said Dan. 'Why then, we'll all go back to the factory, or walk in that direction,' returned Mr Meagles cheerfully. 'Mr Clennam won't be deterred by its being in Bleeding Heart Yard.'

'Bleeding Heart Yard?' said Clennam. 'I want to go there.'

'So much the better,' cried Mr Meagles. 'Come along!'

As they went along, certainly one of the party, and probably more than one, thought that Bleeding Heart Yard was no inappropriate destination for a man who had been in official correspondence with my lords and the Barnacles—and perhaps had a misgiving also that Britannia herself might come to look for lodgings in Bleeding Heart Yard some ugly day or other, if she over-did the Circumlocution Office.



CHAPTER 11. Let Loose

A late, dull autumn night was closing in upon the river Saone. The stream, like a sullied looking-glass in a gloomy place, reflected the clouds heavily; and the low banks leaned over here and there, as if they were half curious, and half afraid, to see their darkening pictures in the water. The flat expanse of country about Chalons lay a long heavy streak, occasionally made a little ragged by a row of poplar trees against the wrathful sunset. On the banks of the river Saone it was wet, depressing, solitary; and the night deepened fast.

One man slowly moving on towards Chalons was the only visible figure in the landscape. Cain might have looked as lonely and avoided. With an old sheepskin knapsack at his back, and a rough, unbarked stick cut out of some wood in his hand; miry, footsore, his shoes and gaiters trodden out, his hair and beard untrimmed; the cloak he carried over his shoulder, and the clothes he wore, sodden with wet; limping along in pain and difficulty; he looked as if the clouds were hurrying from him, as if the wail of the wind and the shuddering of the grass were directed against him, as if the low mysterious plashing of the water murmured at him, as if the fitful autumn night were disturbed by him.

He glanced here, and he glanced there, sullenly but shrinkingly; and sometimes stopped and turned about, and looked all round him. Then he limped on again, toiling and muttering.

'To the devil with this plain that has no end! To the devil with these stones that cut like knives! To the devil with this dismal darkness, wrapping itself about one with a chill! I hate you!'

And he would have visited his hatred upon it all with the scowl he threw about him, if he could. He trudged a little further; and looking into the distance before him, stopped again. 'I, hungry, thirsty, weary. You, imbeciles, where the lights are yonder, eating and drinking, and warming yourselves at fires! I wish I had the sacking of your town; I would repay you, my children!'

But the teeth he set at the town, and the hand he shook at the town, brought the town no nearer; and the man was yet hungrier, and thirstier, and wearier, when his feet were on its jagged pavement, and he stood looking about him.

There was the hotel with its gateway, and its savoury smell of cooking; there was the cafe with its bright windows, and its rattling of dominoes; there was the dyer's with its strips of red cloth on the doorposts; there was the silversmith's with its earrings, and its offerings for altars; there was the tobacco dealer's with its lively group of soldier customers coming out pipe in mouth; there were the bad odours of the town, and the rain and the refuse in the kennels, and the faint lamps slung across the road, and the huge Diligence, and its mountain of luggage, and its six grey horses with their tails tied up, getting under weigh at the coach office. But no small cabaret for a straitened traveller being within sight, he had to seek one round the dark corner, where the cabbage leaves lay thickest, trodden about the public cistern at which women had not yet left off drawing water. There, in the back street he found one, the Break of Day. The curtained windows clouded the Break of Day, but it seemed light and warm, and it announced in legible inscriptions with appropriate pictorial embellishment of billiard cue and ball, that at the Break of Day one could play billiards; that there one could find meat, drink, and lodgings, whether one came on horseback, or came on foot; and that it kept good wines, liqueurs, and brandy. The man turned the handle of the Break of Day door, and limped in.

He touched his discoloured slouched hat, as he came in at the door, to a few men who occupied the room. Two were playing dominoes at one of the little tables; three or four were seated round the stove, conversing as they smoked; the billiard-table in the centre was left alone for the time; the landlady of the Daybreak sat behind her little counter among her cloudy bottles of syrups, baskets of cakes, and leaden drainage for glasses, working at her needle.

Making his way to an empty little table in a corner of the room behind the stove, he put down his knapsack and his cloak upon the ground. As he raised his head from stooping to do so, he found the landlady beside him.

'One can lodge here to-night, madame?'

'Perfectly!' said the landlady in a high, sing-song, cheery voice.

'Good. One can dine—sup—what you please to call it?'

'Ah, perfectly!' cried the landlady as before. 'Dispatch then, madame, if you please. Something to eat, as quickly as you can; and some wine at once. I am exhausted.'

'It is very bad weather, monsieur,' said the landlady.

'Cursed weather.'

'And a very long road.'

'A cursed road.'

His hoarse voice failed him, and he rested his head upon his hands until a bottle of wine was brought from the counter. Having filled and emptied his little tumbler twice, and having broken off an end from the great loaf that was set before him with his cloth and napkin, soup-plate, salt, pepper, and oil, he rested his back against the corner of the wall, made a couch of the bench on which he sat, and began to chew crust, until such time as his repast should be ready. There had been that momentary interruption of the talk about the stove, and that temporary inattention to and distraction from one another, which is usually inseparable in such a company from the arrival of a stranger. It had passed over by this time; and the men had done glancing at him, and were talking again.

'That's the true reason,' said one of them, bringing a story he had been telling, to a close, 'that's the true reason why they said that the devil was let loose.' The speaker was the tall Swiss belonging to the church, and he brought something of the authority of the church into the discussion—especially as the devil was in question.

The landlady having given her directions for the new guest's entertainment to her husband, who acted as cook to the Break of Day, had resumed her needlework behind her counter. She was a smart, neat, bright little woman, with a good deal of cap and a good deal of stocking, and she struck into the conversation with several laughing nods of her head, but without looking up from her work.

'Ah Heaven, then,' said she. 'When the boat came up from Lyons, and brought the news that the devil was actually let loose at Marseilles, some fly-catchers swallowed it. But I? No, not I.'

'Madame, you are always right,' returned the tall Swiss. 'Doubtless you were enraged against that man, madame?'

'Ay, yes, then!' cried the landlady, raising her eyes from her work, opening them very wide, and tossing her head on one side. 'Naturally, yes.'

'He was a bad subject.'

'He was a wicked wretch,' said the landlady, 'and well merited what he had the good fortune to escape. So much the worse.'

'Stay, madame! Let us see,' returned the Swiss, argumentatively turning his cigar between his lips. 'It may have been his unfortunate destiny. He may have been the child of circumstances. It is always possible that he had, and has, good in him if one did but know how to find it out. Philosophical philanthropy teaches—'

The rest of the little knot about the stove murmured an objection to the introduction of that threatening expression. Even the two players at dominoes glanced up from their game, as if to protest against philosophical philanthropy being brought by name into the Break of Day.

'Hold there, you and your philanthropy,' cried the smiling landlady, nodding her head more than ever. 'Listen then. I am a woman, I. I know nothing of philosophical philanthropy. But I know what I have seen, and what I have looked in the face in this world here, where I find myself. And I tell you this, my friend, that there are people (men and women both, unfortunately) who have no good in them—none. That there are people whom it is necessary to detest without compromise. That there are people who must be dealt with as enemies of the human race. That there are people who have no human heart, and who must be crushed like savage beasts and cleared out of the way. They are but few, I hope; but I have seen (in this world here where I find myself, and even at the little Break of Day) that there are such people. And I do not doubt that this man—whatever they call him, I forget his name—is one of them.'

The landlady's lively speech was received with greater favour at the Break of Day, than it would have elicited from certain amiable whitewashers of the class she so unreasonably objected to, nearer Great Britain.

'My faith! If your philosophical philanthropy,' said the landlady, putting down her work, and rising to take the stranger's soup from her husband, who appeared with it at a side door, 'puts anybody at the mercy of such people by holding terms with them at all, in words or deeds, or both, take it away from the Break of Day, for it isn't worth a sou.'

As she placed the soup before the guest, who changed his attitude to a sitting one, he looked her full in the face, and his moustache went up under his nose, and his nose came down over his moustache.

'Well!' said the previous speaker, 'let us come back to our subject. Leaving all that aside, gentlemen, it was because the man was acquitted on his trial that people said at Marseilles that the devil was let loose. That was how the phrase began to circulate, and what it meant; nothing more.'

'How do they call him?' said the landlady. 'Biraud, is it not?'

'Rigaud, madame,' returned the tall Swiss.

'Rigaud! To be sure.'

The traveller's soup was succeeded by a dish of meat, and that by a dish of vegetables. He ate all that was placed before him, emptied his bottle of wine, called for a glass of rum, and smoked his cigarette with his cup of coffee. As he became refreshed, he became overbearing; and patronised the company at the Daybreak in certain small talk at which he assisted, as if his condition were far above his appearance.

The company might have had other engagements, or they might have felt their inferiority, but in any case they dispersed by degrees, and not being replaced by other company, left their new patron in possession of the Break of Day. The landlord was clinking about in his kitchen; the landlady was quiet at her work; and the refreshed traveller sat smoking by the stove, warming his ragged feet.

'Pardon me, madame—that Biraud.'

'Rigaud, monsieur.'

'Rigaud. Pardon me again—has contracted your displeasure, how?'

The landlady, who had been at one moment thinking within herself that this was a handsome man, at another moment that this was an ill-looking man, observed the nose coming down and the moustache going up, and strongly inclined to the latter decision. Rigaud was a criminal, she said, who had killed his wife.

'Ay, ay? Death of my life, that's a criminal indeed. But how do you know it?'

'All the world knows it.'

'Hah! And yet he escaped justice?'

'Monsieur, the law could not prove it against him to its satisfaction. So the law says. Nevertheless, all the world knows he did it. The people knew it so well, that they tried to tear him to pieces.'

'Being all in perfect accord with their own wives?' said the guest.

'Haha!'

The landlady of the Break of Day looked at him again, and felt almost confirmed in her last decision. He had a fine hand, though, and he turned it with a great show. She began once more to think that he was not ill-looking after all.

'Did you mention, madame—or was it mentioned among the gentlemen—what became of him?' The landlady shook her head; it being the first conversational stage at which her vivacious earnestness had ceased to nod it, keeping time to what she said. It had been mentioned at the Daybreak, she remarked, on the authority of the journals, that he had been kept in prison for his own safety. However that might be, he had escaped his deserts; so much the worse.

The guest sat looking at her as he smoked out his final cigarette, and as she sat with her head bent over her work, with an expression that might have resolved her doubts, and brought her to a lasting conclusion on the subject of his good or bad looks if she had seen it. When she did look up, the expression was not there. The hand was smoothing his shaggy moustache. 'May one ask to be shown to bed, madame?'

Very willingly, monsieur. Hola, my husband! My husband would conduct him up-stairs. There was one traveller there, asleep, who had gone to bed very early indeed, being overpowered by fatigue; but it was a large chamber with two beds in it, and space enough for twenty. This the landlady of the Break of Day chirpingly explained, calling between whiles, 'Hola, my husband!' out at the side door.

My husband answered at length, 'It is I, my wife!' and presenting himself in his cook's cap, lighted the traveller up a steep and narrow staircase; the traveller carrying his own cloak and knapsack, and bidding the landlady good night with a complimentary reference to the pleasure of seeing her again to-morrow. It was a large room, with a rough splintery floor, unplastered rafters overhead, and two bedsteads on opposite sides. Here 'my husband' put down the candle he carried, and with a sidelong look at his guest stooping over his knapsack, gruffly gave him the instruction, 'The bed to the right!' and left him to his repose. The landlord, whether he was a good or a bad physiognomist, had fully made up his mind that the guest was an ill-looking fellow.

The guest looked contemptuously at the clean coarse bedding prepared for him, and, sitting down on the rush chair at the bedside, drew his money out of his pocket, and told it over in his hand. 'One must eat,' he muttered to himself, 'but by Heaven I must eat at the cost of some other man to-morrow!'

As he sat pondering, and mechanically weighing his money in his palm, the deep breathing of the traveller in the other bed fell so regularly upon his hearing that it attracted his eyes in that direction. The man was covered up warm, and had drawn the white curtain at his head, so that he could be only heard, not seen. But the deep regular breathing, still going on while the other was taking off his worn shoes and gaiters, and still continuing when he had laid aside his coat and cravat, became at length a strong provocative to curiosity, and incentive to get a glimpse of the sleeper's face.

The waking traveller, therefore, stole a little nearer, and yet a little nearer, and a little nearer to the sleeping traveller's bed, until he stood close beside it. Even then he could not see his face, for he had drawn the sheet over it. The regular breathing still continuing, he put his smooth white hand (such a treacherous hand it looked, as it went creeping from him!) to the sheet, and gently lifted it away.

'Death of my soul!' he whispered, falling back, 'here's Cavalletto!'

The little Italian, previously influenced in his sleep, perhaps, by the stealthy presence at his bedside, stopped in his regular breathing, and with a long deep respiration opened his eyes. At first they were not awake, though open. He lay for some seconds looking placidly at his old prison companion, and then, all at once, with a cry of surprise and alarm, sprang out of bed.

'Hush! What's the matter? Keep quiet! It's I. You know me?' cried the other, in a suppressed voice.

But John Baptist, widely staring, muttering a number of invocations and ejaculations, tremblingly backing into a corner, slipping on his trousers, and tying his coat by the two sleeves round his neck, manifested an unmistakable desire to escape by the door rather than renew the acquaintance. Seeing this, his old prison comrade fell back upon the door, and set his shoulders against it.

'Cavalletto! Wake, boy! Rub your eyes and look at me. Not the name you used to call me—don't use that—Lagnier, say Lagnier!'

John Baptist, staring at him with eyes opened to their utmost width, made a number of those national, backhanded shakes of the right forefinger in the air, as if he were resolved on negativing beforehand everything that the other could possibly advance during the whole term of his life.

'Cavalletto! Give me your hand. You know Lagnier, the gentleman. Touch the hand of a gentleman!'

Submitting himself to the old tone of condescending authority, John Baptist, not at all steady on his legs as yet, advanced and put his hand in his patron's. Monsieur Lagnier laughed; and having given it a squeeze, tossed it up and let it go.

'Then you were—' faltered John Baptist.

'Not shaved? No. See here!' cried Lagnier, giving his head a twirl; 'as tight on as your own.'

John Baptist, with a slight shiver, looked all round the room as if to recall where he was. His patron took that opportunity of turning the key in the door, and then sat down upon his bed.

'Look!' he said, holding up his shoes and gaiters. 'That's a poor trim for a gentleman, you'll say. No matter, you shall see how Soon I'll mend it. Come and sit down. Take your old place!'

John Baptist, looking anything but reassured, sat down on the floor at the bedside, keeping his eyes upon his patron all the time.

'That's well!' cried Lagnier. 'Now we might be in the old infernal hole again, hey? How long have you been out?'

'Two days after you, my master.'

'How do you come here?'

'I was cautioned not to stay there, and so I left the town at once, and since then I have changed about. I have been doing odds and ends at Avignon, at Pont Esprit, at Lyons; upon the Rhone, upon the Saone.' As he spoke, he rapidly mapped the places out with his sunburnt hand upon the floor. 'And where are you going?'

'Going, my master?'

'Ay!'

John Baptist seemed to desire to evade the question without knowing how. 'By Bacchus!' he said at last, as if he were forced to the admission, 'I have sometimes had a thought of going to Paris, and perhaps to England.'

'Cavalletto. This is in confidence. I also am going to Paris and perhaps to England. We'll go together.'

The little man nodded his head, and showed his teeth; and yet seemed not quite convinced that it was a surpassingly desirable arrangement.

'We'll go together,' repeated Lagnier. 'You shall see how soon I will force myself to be recognised as a gentleman, and you shall profit by it. It is agreed? Are we one?'

'Oh, surely, surely!' said the little man.

'Then you shall hear before I sleep—and in six words, for I want sleep—how I appear before you, I, Lagnier. Remember that. Not the other.'

'Altro, altro! Not Ri—' Before John Baptist could finish the name, his comrade had got his hand under his chin and fiercely shut up his mouth.

'Death! what are you doing? Do you want me to be trampled upon and stoned? Do YOU want to be trampled upon and stoned? You would be. You don't imagine that they would set upon me, and let my prison chum go? Don't think it!' There was an expression in his face as he released his grip of his friend's jaw, from which his friend inferred that if the course of events really came to any stoning and trampling, Monsieur Lagnier would so distinguish him with his notice as to ensure his having his full share of it. He remembered what a cosmopolitan gentleman Monsieur Lagnier was, and how few weak distinctions he made.

'I am a man,' said Monsieur Lagnier, 'whom society has deeply wronged since you last saw me. You know that I am sensitive and brave, and that it is my character to govern. How has society respected those qualities in me? I have been shrieked at through the streets. I have been guarded through the streets against men, and especially women, running at me armed with any weapons they could lay their hands on. I have lain in prison for security, with the place of my confinement kept a secret, lest I should be torn out of it and felled by a hundred blows. I have been carted out of Marseilles in the dead of night, and carried leagues away from it packed in straw. It has not been safe for me to go near my house; and, with a beggar's pittance in my pocket, I have walked through vile mud and weather ever since, until my feet are crippled—look at them! Such are the humiliations that society has inflicted upon me, possessing the qualities I have mentioned, and which you know me to possess. But society shall pay for it.'

All this he said in his companion's ear, and with his hand before his lips.

'Even here,' he went on in the same way, 'even in this mean drinking-shop, society pursues me. Madame defames me, and her guests defame me. I, too, a gentleman with manners and accomplishments to strike them dead! But the wrongs society has heaped upon me are treasured in this breast.'

To all of which John Baptist, listening attentively to the suppressed hoarse voice, said from time to time, 'Surely, surely!' tossing his head and shutting his eyes, as if there were the clearest case against society that perfect candour could make out.

'Put my shoes there,' continued Lagnier. 'Hang my cloak to dry there by the door. Take my hat.' He obeyed each instruction, as it was given. 'And this is the bed to which society consigns me, is it? Hah. Very well!'

As he stretched out his length upon it, with a ragged handkerchief bound round his wicked head, and only his wicked head showing above the bedclothes, John Baptist was rather strongly reminded of what had so very nearly happened to prevent the moustache from any more going up as it did, and the nose from any more coming down as it did.

'Shaken out of destiny's dice-box again into your company, eh? By Heaven! So much the better for you. You'll profit by it. I shall need a long rest. Let me sleep in the morning.'

John Baptist replied that he should sleep as long as he would, and wishing him a happy night, put out the candle. One might have Supposed that the next proceeding of the Italian would have been to undress; but he did exactly the reverse, and dressed himself from head to foot, saving his shoes. When he had so done, he lay down upon his bed with some of its coverings over him, and his coat still tied round his neck, to get through the night.

When he started up, the Godfather Break of Day was peeping at its namesake. He rose, took his shoes in his hand, turned the key in the door with great caution, and crept downstairs. Nothing was astir there but the smell of coffee, wine, tobacco, and syrups; and madame's little counter looked ghastly enough. But he had paid madame his little note at it over night, and wanted to see nobody—wanted nothing but to get on his shoes and his knapsack, open the door, and run away.

He prospered in his object. No movement or voice was heard when he opened the door; no wicked head tied up in a ragged handkerchief looked out of the upper window. When the sun had raised his full disc above the flat line of the horizon, and was striking fire out of the long muddy vista of paved road with its weary avenue of little trees, a black speck moved along the road and splashed among the flaming pools of rain-water, which black speck was John Baptist Cavalletto running away from his patron.



CHAPTER 12. Bleeding Heart Yard

In London itself, though in the old rustic road towards a suburb of note where in the days of William Shakespeare, author and stage-player, there were Royal hunting-seats—howbeit no sport is left there now but for hunters of men—Bleeding Heart Yard was to be found; a place much changed in feature and in fortune, yet with some relish of ancient greatness about it. Two or three mighty stacks of chimneys, and a few large dark rooms which had escaped being walled and subdivided out of the recognition of their old proportions, gave the Yard a character. It was inhabited by poor people, who set up their rest among its faded glories, as Arabs of the desert pitch their tents among the fallen stones of the Pyramids; but there was a family sentimental feeling prevalent in the Yard, that it had a character.

As if the aspiring city had become puffed up in the very ground on which it stood, the ground had so risen about Bleeding Heart Yard that you got into it down a flight of steps which formed no part of the original approach, and got out of it by a low gateway into a maze of shabby streets, which went about and about, tortuously ascending to the level again. At this end of the Yard and over the gateway, was the factory of Daniel Doyce, often heavily beating like a bleeding heart of iron, with the clink of metal upon metal. The opinion of the Yard was divided respecting the derivation of its name. The more practical of its inmates abided by the tradition of a murder; the gentler and more imaginative inhabitants, including the whole of the tender sex, were loyal to the legend of a young lady of former times closely imprisoned in her chamber by a cruel father for remaining true to her own true love, and refusing to marry the suitor he chose for her. The legend related how that the young lady used to be seen up at her window behind the bars, murmuring a love-lorn song of which the burden was, 'Bleeding Heart, Bleeding Heart, bleeding away,' until she died. It was objected by the murderous party that this Refrain was notoriously the invention of a tambour-worker, a spinster and romantic, still lodging in the Yard. But, forasmuch as all favourite legends must be associated with the affections, and as many more people fall in love than commit murder—which it may be hoped, howsoever bad we are, will continue until the end of the world to be the dispensation under which we shall live—the Bleeding Heart, Bleeding Heart, bleeding away story, carried the day by a great majority. Neither party would listen to the antiquaries who delivered learned lectures in the neighbourhood, showing the Bleeding Heart to have been the heraldic cognisance of the old family to whom the property had once belonged. And, considering that the hour-glass they turned from year to year was filled with the earthiest and coarsest sand, the Bleeding Heart Yarders had reason enough for objecting to be despoiled of the one little golden grain of poetry that sparkled in it.

Down in to the Yard, by way of the steps, came Daniel Doyce, Mr Meagles, and Clennam. Passing along the Yard, and between the open doors on either hand, all abundantly garnished with light children nursing heavy ones, they arrived at its opposite boundary, the gateway. Here Arthur Clennam stopped to look about him for the domicile of Plornish, plasterer, whose name, according to the custom of Londoners, Daniel Doyce had never seen or heard of to that hour.

It was plain enough, nevertheless, as Little Dorrit had said; over a lime-splashed gateway in the corner, within which Plornish kept a ladder and a barrel or two. The last house in Bleeding Heart Yard which she had described as his place of habitation, was a large house, let off to various tenants; but Plornish ingeniously hinted that he lived in the parlour, by means of a painted hand under his name, the forefinger of which hand (on which the artist had depicted a ring and a most elaborate nail of the genteelest form) referred all inquirers to that apartment.

Parting from his companions, after arranging another meeting with Mr Meagles, Clennam went alone into the entry, and knocked with his knuckles at the parlour-door. It was opened presently by a woman with a child in her arms, whose unoccupied hand was hastily rearranging the upper part of her dress. This was Mrs Plornish, and this maternal action was the action of Mrs Plornish during a large part of her waking existence.

Was Mr Plornish at home? 'Well, sir,' said Mrs Plornish, a civil woman, 'not to deceive you, he's gone to look for a job.'

'Not to deceive you' was a method of speech with Mrs Plornish. She would deceive you, under any circumstances, as little as might be; but she had a trick of answering in this provisional form.

'Do you think he will be back soon, if I wait for him?'

'I have been expecting him,' said Mrs Plornish, 'this half an hour, at any minute of time. Walk in, sir.' Arthur entered the rather dark and close parlour (though it was lofty too), and sat down in the chair she placed for him.

'Not to deceive you, sir, I notice it,' said Mrs Plornish, 'and I take it kind of you.'

He was at a loss to understand what she meant; and by expressing as much in his looks, elicited her explanation.

'It ain't many that comes into a poor place, that deems it worth their while to move their hats,' said Mrs Plornish. 'But people think more of it than people think.'

Clennam returned, with an uncomfortable feeling in so very slight a courtesy being unusual, Was that all! And stooping down to pinch the cheek of another young child who was sitting on the floor, staring at him, asked Mrs Plornish how old that fine boy was?

'Four year just turned, sir,' said Mrs Plornish. 'He IS a fine little fellow, ain't he, sir? But this one is rather sickly.' She tenderly hushed the baby in her arms, as she said it. 'You wouldn't mind my asking if it happened to be a job as you was come about, sir, would you?' asked Mrs Plornish wistfully.

She asked it so anxiously, that if he had been in possession of any kind of tenement, he would have had it plastered a foot deep rather than answer No. But he was obliged to answer No; and he saw a shade of disappointment on her face, as she checked a sigh, and looked at the low fire. Then he saw, also, that Mrs Plornish was a young woman, made somewhat slatternly in herself and her belongings by poverty; and so dragged at by poverty and the children together, that their united forces had already dragged her face into wrinkles.

'All such things as jobs,' said Mrs Plornish, 'seems to me to have gone underground, they do indeed.' (Herein Mrs Plornish limited her remark to the plastering trade, and spoke without reference to the Circumlocution Office and the Barnacle Family.)

'Is it so difficult to get work?' asked Arthur Clennam.

'Plornish finds it so,' she returned. 'He is quite unfortunate. Really he is.' Really he was. He was one of those many wayfarers on the road of life, who seem to be afflicted with supernatural corns, rendering it impossible for them to keep up even with their lame competitors.

A willing, working, soft hearted, not hard-headed fellow, Plornish took his fortune as smoothly as could be expected; but it was a rough one. It so rarely happened that anybody seemed to want him, it was such an exceptional case when his powers were in any request, that his misty mind could not make out how it happened. He took it as it came, therefore; he tumbled into all kinds of difficulties, and tumbled out of them; and, by tumbling through life, got himself considerably bruised.

'It's not for want of looking after jobs, I am sure,' said Mrs Plornish, lifting up her eyebrows, and searching for a solution of the problem between the bars of the grate; 'nor yet for want of working at them when they are to be got. No one ever heard my husband complain of work.'

Somehow or other, this was the general misfortune of Bleeding Heart Yard. From time to time there were public complaints, pathetically going about, of labour being scarce—which certain people seemed to take extraordinarily ill, as though they had an absolute right to it on their own terms—but Bleeding Heart Yard, though as willing a Yard as any in Britain, was never the better for the demand. That high old family, the Barnacles, had long been too busy with their great principle to look into the matter; and indeed the matter had nothing to do with their watchfulness in out-generalling all other high old families except the Stiltstalkings.

While Mrs Plornish spoke in these words of her absent lord, her lord returned. A smooth-cheeked, fresh-coloured, sandy-whiskered man of thirty. Long in the legs, yielding at the knees, foolish in the face, flannel-jacketed, lime-whitened.

'This is Plornish, sir.'

'I came,' said Clennam, rising, 'to beg the favour of a little conversation with you on the subject of the Dorrit family.'

Plornish became suspicious. Seemed to scent a creditor. Said, 'Ah, yes. Well. He didn't know what satisfaction he could give any gentleman, respecting that family. What might it be about, now?'

'I know you better,' said Clennam, smiling, 'than you suppose.'

Plornish observed, not Smiling in return, And yet he hadn't the pleasure of being acquainted with the gentleman, neither.

'No,' said Arthur, 'I know your kind offices at second hand, but on the best authority; through Little Dorrit.—I mean,' he explained, 'Miss Dorrit.'

'Mr Clennam, is it? Oh! I've heard of you, Sir.'

'And I of you,' said Arthur.

'Please to sit down again, Sir, and consider yourself welcome.—Why, yes,' said Plornish, taking a chair, and lifting the elder child upon his knee, that he might have the moral support of speaking to a stranger over his head, 'I have been on the wrong side of the Lock myself, and in that way we come to know Miss Dorrit. Me and my wife, we are well acquainted with Miss Dorrit.' 'Intimate!' cried Mrs Plornish. Indeed, she was so proud of the acquaintance, that she had awakened some bitterness of spirit in the Yard by magnifying to an enormous amount the sum for which Miss Dorrit's father had become insolvent. The Bleeding Hearts resented her claiming to know people of such distinction.

'It was her father that I got acquainted with first. And through getting acquainted with him, you see—why—I got acquainted with her,' said Plornish tautologically.

'I see.'

'Ah! And there's manners! There's polish! There's a gentleman to have run to seed in the Marshalsea jail! Why, perhaps you are not aware,' said Plornish, lowering his voice, and speaking with a perverse admiration of what he ought to have pitied or despised, 'not aware that Miss Dorrit and her sister dursn't let him know that they work for a living. No!' said Plornish, looking with a ridiculous triumph first at his wife, and then all round the room. 'Dursn't let him know it, they dursn't!'

'Without admiring him for that,' Clennam quietly observed, 'I am very sorry for him.' The remark appeared to suggest to Plornish, for the first time, that it might not be a very fine trait of character after all. He pondered about it for a moment, and gave it up.

'As to me,' he resumed, 'certainly Mr Dorrit is as affable with me, I am sure, as I can possibly expect. Considering the differences and distances betwixt us, more so. But it's Miss Dorrit that we were speaking of.'

'True. Pray how did you introduce her at my mother's!'

Mr Plornish picked a bit of lime out of his whisker, put it between his lips, turned it with his tongue like a sugar-plum, considered, found himself unequal to the task of lucid explanation, and appealing to his wife, said, 'Sally, you may as well mention how it was, old woman.'

'Miss Dorrit,' said Sally, hushing the baby from side to side, and laying her chin upon the little hand as it tried to disarrange the gown again, 'came here one afternoon with a bit of writing, telling that how she wished for needlework, and asked if it would be considered any ill-conwenience in case she was to give her address here.' (Plornish repeated, her address here, in a low voice, as if he were making responses at church.) 'Me and Plornish says, No, Miss Dorrit, no ill-conwenience,' (Plornish repeated, no ill-conwenience,) 'and she wrote it in, according. Which then me and Plornish says, Ho Miss Dorrit!' (Plornish repeated, Ho Miss Dorrit.) 'Have you thought of copying it three or four times, as the way to make it known in more places than one? No, says Miss Dorrit, I have not, but I will. She copied it out according, on this table, in a sweet writing, and Plornish, he took it where he worked, having a job just then,' (Plornish repeated job just then,) 'and likewise to the landlord of the Yard; through which it was that Mrs Clennam first happened to employ Miss Dorrit.' Plornish repeated, employ Miss Dorrit; and Mrs Plornish having come to an end, feigned to bite the fingers of the little hand as she kissed it.

'The landlord of the Yard,' said Arthur Clennam, 'is—'

'He is Mr Casby, by name, he is,' said Plornish, 'and Pancks, he collects the rents. That,' added Mr Plornish, dwelling on the subject with a slow thoughtfulness that appeared to have no connection with any specific object, and to lead him nowhere, 'that is about what they are, you may believe me or not, as you think proper.'

'Ay?' returned Clennam, thoughtful in his turn. 'Mr Casby, too! An old acquaintance of mine, long ago!'

Mr Plornish did not see his road to any comment on this fact, and made none. As there truly was no reason why he should have the least interest in it, Arthur Clennam went on to the present purport of his visit; namely, to make Plornish the instrument of effecting Tip's release, with as little detriment as possible to the self-reliance and self-helpfulness of the young man, supposing him to possess any remnant of those qualities: without doubt a very wide stretch of supposition. Plornish, having been made acquainted with the cause of action from the Defendant's own mouth, gave Arthur to understand that the Plaintiff was a 'Chaunter'—meaning, not a singer of anthems, but a seller of horses—and that he (Plornish) considered that ten shillings in the pound 'would settle handsome,' and that more would be a waste of money. The Principal and instrument soon drove off together to a stable-yard in High Holborn, where a remarkably fine grey gelding, worth, at the lowest figure, seventy-five guineas (not taking into account the value of the shot he had been made to swallow for the improvement of his form), was to be parted with for a twenty-pound note, in consequence of his having run away last week with Mrs Captain Barbary of Cheltenham, who wasn't up to a horse of his courage, and who, in mere spite, insisted on selling him for that ridiculous sum: or, in other words, on giving him away. Plornish, going up this yard alone and leaving his Principal outside, found a gentleman with tight drab legs, a rather old hat, a little hooked stick, and a blue neckerchief (Captain Maroon of Gloucestershire, a private friend of Captain Barbary); who happened to be there, in a friendly way, to mention these little circumstances concerning the remarkably fine grey gelding to any real judge of a horse and quick snapper-up of a good thing, who might look in at that address as per advertisement. This gentleman, happening also to be the Plaintiff in the Tip case, referred Mr Plornish to his solicitor, and declined to treat with Mr Plornish, or even to endure his presence in the yard, unless he appeared there with a twenty-pound note: in which case only, the gentleman would augur from appearances that he meant business, and might be induced to talk to him. On this hint, Mr Plornish retired to communicate with his Principal, and presently came back with the required credentials. Then said Captain Maroon, 'Now, how much time do you want to make the other twenty in? Now, I'll give you a month.' Then said Captain Maroon, when that wouldn't suit, 'Now, I'll tell what I'll do with you. You shall get me a good bill at four months, made payable at a banking-house, for the other twenty!' Then said Captain Maroon, when THAT wouldn't suit, 'Now, come; Here's the last I've got to say to you. You shall give me another ten down, and I'll run my pen clean through it.' Then said Captain Maroon when THAT wouldn't suit, 'Now, I'll tell you what it is, and this shuts it up; he has used me bad, but I'll let him off for another five down and a bottle of wine; and if you mean done, say done, and if you don't like it, leave it.' Finally said Captain Maroon, when THAT wouldn't suit either, 'Hand over, then!'—And in consideration of the first offer, gave a receipt in full and discharged the prisoner.

'Mr Plornish,' said Arthur, 'I trust to you, if you please, to keep my secret. If you will undertake to let the young man know that he is free, and to tell him that you were employed to compound for the debt by some one whom you are not at liberty to name, you will not only do me a service, but may do him one, and his sister also.'

'The last reason, sir,' said Plornish, 'would be quite sufficient. Your wishes shall be attended to.'

'A Friend has obtained his discharge, you can say if you please. A Friend who hopes that for his sister's sake, if for no one else's, he will make good use of his liberty.'

'Your wishes, sir, shall be attended to.'

'And if you will be so good, in your better knowledge of the family, as to communicate freely with me, and to point out to me any means by which you think I may be delicately and really useful to Little Dorrit, I shall feel under an obligation to you.'

'Don't name it, sir,' returned Plornish, 'it'll be ekally a pleasure an a—it'l be ekally a pleasure and a—' Finding himself unable to balance his sentence after two efforts, Mr Plornish wisely dropped it. He took Clennam's card and appropriate pecuniary compliment.

He was earnest to finish his commission at once, and his Principal was in the same mind. So his Principal offered to set him down at the Marshalsea Gate, and they drove in that direction over Blackfriars Bridge. On the way, Arthur elicited from his new friend a confused summary of the interior life of Bleeding Heart Yard. They was all hard up there, Mr Plornish said, uncommon hard up, to be sure. Well, he couldn't say how it was; he didn't know as anybody could say how it was; all he know'd was, that so it was.

When a man felt, on his own back and in his own belly, that poor he was, that man (Mr Plornish gave it as his decided belief) know'd well that he was poor somehow or another, and you couldn't talk it out of him, no more than you could talk Beef into him. Then you see, some people as was better off said, and a good many such people lived pretty close up to the mark themselves if not beyond it so he'd heerd, that they was 'improvident' (that was the favourite word) down the Yard. For instance, if they see a man with his wife and children going to Hampton Court in a Wan, perhaps once in a year, they says, 'Hallo! I thought you was poor, my improvident friend!' Why, Lord, how hard it was upon a man! What was a man to do? He couldn't go mollancholy mad, and even if he did, you wouldn't be the better for it. In Mr Plornish's judgment you would be the worse for it. Yet you seemed to want to make a man mollancholy mad. You was always at it—if not with your right hand, with your left. What was they a doing in the Yard? Why, take a look at 'em and see. There was the girls and their mothers a working at their sewing, or their shoe-binding, or their trimming, or their waistcoat making, day and night and night and day, and not more than able to keep body and soul together after all—often not so much. There was people of pretty well all sorts of trades you could name, all wanting to work, and yet not able to get it. There was old people, after working all their lives, going and being shut up in the workhouse, much worse fed and lodged and treated altogether, than—Mr Plornish said manufacturers, but appeared to mean malefactors. Why, a man didn't know where to turn himself for a crumb of comfort. As to who was to blame for it, Mr Plornish didn't know who was to blame for it. He could tell you who suffered, but he couldn't tell you whose fault it was. It wasn't HIS place to find out, and who'd mind what he said, if he did find out? He only know'd that it wasn't put right by them what undertook that line of business, and that it didn't come right of itself. And, in brief, his illogical opinion was, that if you couldn't do nothing for him, you had better take nothing from him for doing of it; so far as he could make out, that was about what it come to. Thus, in a prolix, gently-growling, foolish way, did Plornish turn the tangled skein of his estate about and about, like a blind man who was trying to find some beginning or end to it; until they reached the prison gate. There, he left his Principal alone; to wonder, as he rode away, how many thousand Plornishes there might be within a day or two's journey of the Circumlocution Office, playing sundry curious variations on the same tune, which were not known by ear in that glorious institution.



CHAPTER 13. Patriarchal

The mention of Mr Casby again revived in Clennam's memory the smouldering embers of curiosity and interest which Mrs Flintwinch had fanned on the night of his arrival. Flora Casby had been the beloved of his boyhood; and Flora was the daughter and only child of wooden-headed old Christopher (so he was still occasionally spoken of by some irreverent spirits who had had dealings with him, and in whom familiarity had bred its proverbial result perhaps), who was reputed to be rich in weekly tenants, and to get a good quantity of blood out of the stones of several unpromising courts and alleys. After some days of inquiry and research, Arthur Clennam became convinced that the case of the Father of the Marshalsea was indeed a hopeless one, and sorrowfully resigned the idea of helping him to freedom again. He had no hopeful inquiry to make at present, concerning Little Dorrit either; but he argued with himself that it might—for anything he knew—it might be serviceable to the poor child, if he renewed this acquaintance. It is hardly necessary to add that beyond all doubt he would have presented himself at Mr Casby's door, if there had been no Little Dorrit in existence; for we all know how we all deceive ourselves—that is to say, how people in general, our profounder selves excepted, deceive themselves—as to motives of action.

With a comfortable impression upon him, and quite an honest one in its way, that he was still patronising Little Dorrit in doing what had no reference to her, he found himself one afternoon at the corner of Mr Casby's street. Mr Casby lived in a street in the Gray's Inn Road, which had set off from that thoroughfare with the intention of running at one heat down into the valley, and up again to the top of Pentonville Hill; but which had run itself out of breath in twenty yards, and had stood still ever since. There is no such place in that part now; but it remained there for many years, looking with a baulked countenance at the wilderness patched with unfruitful gardens and pimpled with eruptive summerhouses, that it had meant to run over in no time.

'The house,' thought Clennam, as he crossed to the door, 'is as little changed as my mother's, and looks almost as gloomy. But the likeness ends outside. I know its staid repose within. The smell of its jars of old rose-leaves and lavender seems to come upon me even here.'

When his knock at the bright brass knocker of obsolete shape brought a woman-servant to the door, those faded scents in truth saluted him like wintry breath that had a faint remembrance in it of the bygone spring. He stepped into the sober, silent, air-tight house—one might have fancied it to have been stifled by Mutes in the Eastern manner—and the door, closing again, seemed to shut out sound and motion. The furniture was formal, grave, and quaker-like, but well-kept; and had as prepossessing an aspect as anything, from a human creature to a wooden stool, that is meant for much use and is preserved for little, can ever wear. There was a grave clock, ticking somewhere up the staircase; and there was a songless bird in the same direction, pecking at his cage, as if he were ticking too. The parlour-fire ticked in the grate. There was only one person on the parlour-hearth, and the loud watch in his pocket ticked audibly.

The servant-maid had ticked the two words 'Mr Clennam' so softly that she had not been heard; and he consequently stood, within the door she had closed, unnoticed. The figure of a man advanced in life, whose smooth grey eyebrows seemed to move to the ticking as the fire-light flickered on them, sat in an arm-chair, with his list shoes on the rug, and his thumbs slowly revolving over one another. This was old Christopher Casby—recognisable at a glance—as unchanged in twenty years and upward as his own solid furniture—as little touched by the influence of the varying seasons as the old rose-leaves and old lavender in his porcelain jars.

Perhaps there never was a man, in this troublesome world, so troublesome for the imagination to picture as a boy. And yet he had changed very little in his progress through life. Confronting him, in the room in which he sat, was a boy's portrait, which anybody seeing him would have identified as Master Christopher Casby, aged ten: though disguised with a haymaking rake, for which he had had, at any time, as much taste or use as for a diving-bell; and sitting (on one of his own legs) upon a bank of violets, moved to precocious contemplation by the spire of a village church. There was the same smooth face and forehead, the same calm blue eye, the same placid air. The shining bald head, which looked so very large because it shone so much; and the long grey hair at its sides and back, like floss silk or spun glass, which looked so very benevolent because it was never cut; were not, of course, to be seen in the boy as in the old man. Nevertheless, in the Seraphic creature with the haymaking rake, were clearly to be discerned the rudiments of the Patriarch with the list shoes.

Patriarch was the name which many people delighted to give him. Various old ladies in the neighbourhood spoke of him as The Last of the Patriarchs. So grey, so slow, so quiet, so impassionate, so very bumpy in the head, Patriarch was the word for him. He had been accosted in the streets, and respectfully solicited to become a Patriarch for painters and for sculptors; with so much importunity, in sooth, that it would appear to be beyond the Fine Arts to remember the points of a Patriarch, or to invent one. Philanthropists of both sexes had asked who he was, and on being informed, 'Old Christopher Casby, formerly Town-agent to Lord Decimus Tite Barnacle,' had cried in a rapture of disappointment, 'Oh! why, with that head, is he not a benefactor to his species! Oh! why, with that head, is he not a father to the orphan and a friend to the friendless!' With that head, however, he remained old Christopher Casby, proclaimed by common report rich in house property; and with that head, he now sat in his silent parlour. Indeed it would be the height of unreason to expect him to be sitting there without that head.

Arthur Clennam moved to attract his attention, and the grey eyebrows turned towards him.

'I beg your pardon,' said Clennam, 'I fear you did not hear me announced?'

'No, sir, I did not. Did you wish to see me, sir?'

'I wished to pay my respects.'

Mr Casby seemed a feather's weight disappointed by the last words, having perhaps prepared himself for the visitor's wishing to pay something else. 'Have I the pleasure, sir,' he proceeded—'take a chair, if you please—have I the pleasure of knowing—? Ah! truly, yes, I think I have! I believe I am not mistaken in supposing that I am acquainted with those features? I think I address a gentleman of whose return to this country I was informed by Mr Flintwinch?'

'That is your present visitor.'

'Really! Mr Clennam?'

'No other, Mr Casby.'

'Mr Clennam, I am glad to see you. How have you been since we met?'

Without thinking it worth while to explain that in the course of some quarter of a century he had experienced occasional slight fluctuations in his health and spirits, Clennam answered generally that he had never been better, or something equally to the purpose; and shook hands with the possessor of 'that head' as it shed its patriarchal light upon him.

'We are older, Mr Clennam,' said Christopher Casby.

'We are—not younger,' said Clennam. After this wise remark he felt that he was scarcely shining with brilliancy, and became aware that he was nervous.

'And your respected father,' said Mr Casby, 'is no more! I was grieved to hear it, Mr Clennam, I was grieved.'

Arthur replied in the usual way that he felt infinitely obliged to him.

'There was a time,' said Mr Casby, 'when your parents and myself were not on friendly terms. There was a little family misunderstanding among us. Your respected mother was rather jealous of her son, maybe; when I say her son, I mean your worthy self, your worthy self.'

His smooth face had a bloom upon it like ripe wall-fruit. What with his blooming face, and that head, and his blue eyes, he seemed to be delivering sentiments of rare wisdom and virtue. In like manner, his physiognomical expression seemed to teem with benignity. Nobody could have said where the wisdom was, or where the virtue was, or where the benignity was; but they all seemed to be somewhere about him. 'Those times, however,' pursued Mr Casby, 'are past and gone, past and gone. I do myself the pleasure of making a visit to your respected mother occasionally, and of admiring the fortitude and strength of mind with which she bears her trials, bears her trials.' When he made one of these little repetitions, sitting with his hands crossed before him, he did it with his head on one side, and a gentle smile, as if he had something in his thoughts too sweetly profound to be put into words. As if he denied himself the pleasure of uttering it, lest he should soar too high; and his meekness therefore preferred to be unmeaning.

'I have heard that you were kind enough on one of those occasions,' said Arthur, catching at the opportunity as it drifted past him, 'to mention Little Dorrit to my mother.'

'Little—Dorrit? That's the seamstress who was mentioned to me by a small tenant of mine? Yes, yes. Dorrit? That's the name. Ah, yes, yes! You call her Little Dorrit?'

No road in that direction. Nothing came of the cross-cut. It led no further.

'My daughter Flora,' said Mr Casby, 'as you may have heard probably, Mr Clennam, was married and established in life, several years ago. She had the misfortune to lose her husband when she had been married a few months. She resides with me again. She will be glad to see you, if you will permit me to let her know that you are here.'

'By all means,' returned Clennam. 'I should have preferred the request, if your kindness had not anticipated me.'

Upon this Mr Casby rose up in his list shoes, and with a slow, heavy step (he was of an elephantine build), made for the door. He had a long wide-skirted bottle-green coat on, and a bottle-green pair of trousers, and a bottle-green waistcoat. The Patriarchs were not dressed in bottle-green broadcloth, and yet his clothes looked patriarchal.

He had scarcely left the room, and allowed the ticking to become audible again, when a quick hand turned a latchkey in the house-door, opened it, and shut it. Immediately afterwards, a quick and eager short dark man came into the room with so much way upon him that he was within a foot of Clennam before he could stop.

'Halloa!' he said.

Clennam saw no reason why he should not say 'Halloa!' too.

'What's the matter?' said the short dark man.

'I have not heard that anything is the matter,' returned Clennam.

'Where's Mr Casby?' asked the short dark man, looking about. 'He will be here directly, if you want him.'

'I want him?' said the short dark man. 'Don't you?' This elicited a word or two of explanation from Clennam, during the delivery of which the short dark man held his breath and looked at him. He was dressed in black and rusty iron grey; had jet black beads of eyes; a scrubby little black chin; wiry black hair striking out from his head in prongs, like forks or hair-pins; and a complexion that was very dingy by nature, or very dirty by art, or a compound of nature and art. He had dirty hands and dirty broken nails, and looked as if he had been in the coals; he was in a perspiration, and snorted and sniffed and puffed and blew, like a little labouring steam-engine.

'Oh!' said he, when Arthur told him how he came to be there. 'Very well. That's right. If he should ask for Pancks, will you be so good as to say that Pancks is come in?' And so, with a snort and a puff, he worked out by another door.

Now, in the old days at home, certain audacious doubts respecting the last of the Patriarchs, which were afloat in the air, had, by some forgotten means, come in contact with Arthur's sensorium. He was aware of motes and specks of suspicion in the atmosphere of that time; seen through which medium, Christopher Casby was a mere Inn signpost, without any Inn—an invitation to rest and be thankful, when there was no place to put up at, and nothing whatever to be thankful for. He knew that some of these specks even represented Christopher as capable of harbouring designs in 'that head,' and as being a crafty impostor. Other motes there were which showed him as a heavy, selfish, drifting Booby, who, having stumbled, in the course of his unwieldy jostlings against other men, on the discovery that to get through life with ease and credit, he had but to hold his tongue, keep the bald part of his head well polished, and leave his hair alone, had had just cunning enough to seize the idea and stick to it. It was said that his being town-agent to Lord Decimus Tite Barnacle was referable, not to his having the least business capacity, but to his looking so supremely benignant that nobody could suppose the property screwed or jobbed under such a man; also, that for similar reasons he now got more money out of his own wretched lettings, unquestioned, than anybody with a less nobby and less shining crown could possibly have done. In a word, it was represented (Clennam called to mind, alone in the ticking parlour) that many people select their models, much as the painters, just now mentioned, select theirs; and that, whereas in the Royal Academy some evil old ruffian of a Dog-stealer will annually be found embodying all the cardinal virtues, on account of his eyelashes, or his chin, or his legs (thereby planting thorns of confusion in the breasts of the more observant students of nature), so, in the great social Exhibition, accessories are often accepted in lieu of the internal character.

Calling these things to mind, and ranging Mr Pancks in a row with them, Arthur Clennam leaned this day to the opinion, without quite deciding on it, that the last of the Patriarchs was the drifting Booby aforesaid, with the one idea of keeping the bald part of his head highly polished: and that, much as an unwieldy ship in the Thames river may sometimes be seen heavily driving with the tide, broadside on, stern first, in its own way and in the way of everything else, though making a great show of navigation, when all of a sudden, a little coaly steam-tug will bear down upon it, take it in tow, and bustle off with it; similarly the cumbrous Patriarch had been taken in tow by the snorting Pancks, and was now following in the wake of that dingy little craft.

The return of Mr Casby with his daughter Flora, put an end to these meditations. Clennam's eyes no sooner fell upon the subject of his old passion than it shivered and broke to pieces.

Most men will be found sufficiently true to themselves to be true to an old idea. It is no proof of an inconstant mind, but exactly the opposite, when the idea will not bear close comparison with the reality, and the contrast is a fatal shock to it. Such was Clennam's case. In his youth he had ardently loved this woman, and had heaped upon her all the locked-up wealth of his affection and imagination. That wealth had been, in his desert home, like Robinson Crusoe's money; exchangeable with no one, lying idle in the dark to rust, until he poured it out for her. Ever since that memorable time, though he had, until the night of his arrival, as completely dismissed her from any association with his Present or Future as if she had been dead (which she might easily have been for anything he knew), he had kept the old fancy of the Past unchanged, in its old sacred place. And now, after all, the last of the Patriarchs coolly walked into the parlour, saying in effect, 'Be good enough to throw it down and dance upon it. This is Flora.'

Flora, always tall, had grown to be very broad too, and short of breath; but that was not much. Flora, whom he had left a lily, had become a peony; but that was not much. Flora, who had seemed enchanting in all she said and thought, was diffuse and silly. That was much. Flora, who had been spoiled and artless long ago, was determined to be spoiled and artless now. That was a fatal blow.

This is Flora!

'I am sure,' giggled Flora, tossing her head with a caricature of her girlish manner, such as a mummer might have presented at her own funeral, if she had lived and died in classical antiquity, 'I am ashamed to see Mr Clennam, I am a mere fright, I know he'll find me fearfully changed, I am actually an old woman, it's shocking to be found out, it's really shocking!'

He assured her that she was just what he had expected and that time had not stood still with himself.

'Oh! But with a gentleman it's so different and really you look so amazingly well that you have no right to say anything of the kind, while, as to me, you know—oh!' cried Flora with a little scream, 'I am dreadful!'

The Patriarch, apparently not yet understanding his own part in the drama under representation, glowed with vacant serenity.

'But if we talk of not having changed,' said Flora, who, whatever she said, never once came to a full stop, 'look at Papa, is not Papa precisely what he was when you went away, isn't it cruel and unnatural of Papa to be such a reproach to his own child, if we go on in this way much longer people who don't know us will begin to suppose that I am Papa's Mama!'

That must be a long time hence, Arthur considered.

'Oh Mr Clennam you insincerest of creatures,' said Flora, 'I perceive already you have not lost your old way of paying compliments, your old way when you used to pretend to be so sentimentally struck you know—at least I don't mean that, I—oh I don't know what I mean!' Here Flora tittered confusedly, and gave him one of her old glances.

The Patriarch, as if he now began to perceive that his part in the piece was to get off the stage as soon as might be, rose, and went to the door by which Pancks had worked out, hailing that Tug by name. He received an answer from some little Dock beyond, and was towed out of sight directly.

'You mustn't think of going yet,' said Flora—Arthur had looked at his hat, being in a ludicrous dismay, and not knowing what to do: 'you could never be so unkind as to think of going, Arthur—I mean Mr Arthur—or I suppose Mr Clennam would be far more proper—but I am sure I don't know what I am saying—without a word about the dear old days gone for ever, when I come to think of it I dare say it would be much better not to speak of them and it's highly probable that you have some much more agreeable engagement and pray let Me be the last person in the world to interfere with it though there was a time, but I am running into nonsense again.'

Was it possible that Flora could have been such a chatterer in the days she referred to? Could there have been anything like her present disjointed volubility in the fascinations that had captivated him?

'Indeed I have little doubt,' said Flora, running on with astonishing speed, and pointing her conversation with nothing but commas, and very few of them, 'that you are married to some Chinese lady, being in China so long and being in business and naturally desirous to settle and extend your connection nothing was more likely than that you should propose to a Chinese lady and nothing was more natural I am sure than that the Chinese lady should accept you and think herself very well off too, I only hope she's not a Pagodian dissenter.'

'I am not,' returned Arthur, smiling in spite of himself, 'married to any lady, Flora.'

'Oh good gracious me I hope you never kept yourself a bachelor so long on my account!' tittered Flora; 'but of course you never did why should you, pray don't answer, I don't know where I'm running to, oh do tell me something about the Chinese ladies whether their eyes are really so long and narrow always putting me in mind of mother-of-pearl fish at cards and do they really wear tails down their back and plaited too or is it only the men, and when they pull their hair so very tight off their foreheads don't they hurt themselves, and why do they stick little bells all over their bridges and temples and hats and things or don't they really do it?' Flora gave him another of her old glances. Instantly she went on again, as if he had spoken in reply for some time.

'Then it's all true and they really do! good gracious Arthur!—pray excuse me—old habit—Mr Clennam far more proper—what a country to live in for so long a time, and with so many lanterns and umbrellas too how very dark and wet the climate ought to be and no doubt actually is, and the sums of money that must be made by those two trades where everybody carries them and hangs them everywhere, the little shoes too and the feet screwed back in infancy is quite surprising, what a traveller you are!'

In his ridiculous distress, Clennam received another of the old glances without in the least knowing what to do with it.

'Dear dear,' said Flora, 'only to think of the changes at home Arthur—cannot overcome it, and seems so natural, Mr Clennam far more proper—since you became familiar with the Chinese customs and language which I am persuaded you speak like a Native if not better for you were always quick and clever though immensely difficult no doubt, I am sure the tea chests alone would kill me if I tried, such changes Arthur—I am doing it again, seems so natural, most improper—as no one could have believed, who could have ever imagined Mrs Finching when I can't imagine it myself!'

'Is that your married name?' asked Arthur, struck, in the midst of all this, by a certain warmth of heart that expressed itself in her tone when she referred, however oddly, to the youthful relation in which they had stood to one another. 'Finching?'

'Finching oh yes isn't it a dreadful name, but as Mr F. said when he proposed to me which he did seven times and handsomely consented I must say to be what he used to call on liking twelve months, after all, he wasn't answerable for it and couldn't help it could he, Excellent man, not at all like you but excellent man!'

Flora had at last talked herself out of breath for one moment. One moment; for she recovered breath in the act of raising a minute corner of her pocket-handkerchief to her eye, as a tribute to the ghost of the departed Mr F., and began again.

'No one could dispute, Arthur—Mr Clennam—that it's quite right you should be formally friendly to me under the altered circumstances and indeed you couldn't be anything else, at least I suppose not you ought to know, but I can't help recalling that there was a time when things were very different.'

'My dear Mrs Finching,' Arthur began, struck by the good tone again.

'Oh not that nasty ugly name, say Flora!'

'Flora. I assure you, Flora, I am happy in seeing you once more, and in finding that, like me, you have not forgotten the old foolish dreams, when we saw all before us in the light of our youth and hope.'

'You don't seem so,' pouted Flora, 'you take it very coolly, but however I know you are disappointed in me, I suppose the Chinese ladies—Mandarinesses if you call them so—are the cause or perhaps I am the cause myself, it's just as likely.'

'No, no,' Clennam entreated, 'don't say that.'

'Oh I must you know,' said Flora, in a positive tone, 'what nonsense not to, I know I am not what you expected, I know that very well.'

In the midst of her rapidity, she had found that out with the quick perception of a cleverer woman. The inconsistent and profoundly unreasonable way in which she instantly went on, nevertheless, to interweave their long-abandoned boy and girl relations with their present interview, made Clennam feel as if he were light-headed.

'One remark,' said Flora, giving their conversation, without the slightest notice and to the great terror of Clennam, the tone of a love-quarrel, 'I wish to make, one explanation I wish to offer, when your Mama came and made a scene of it with my Papa and when I was called down into the little breakfast-room where they were looking at one another with your Mama's parasol between them seated on two chairs like mad bulls what was I to do?'

'My dear Mrs Finching,' urged Clennam—'all so long ago and so long concluded, is it worth while seriously to—'

'I can't Arthur,' returned Flora, 'be denounced as heartless by the whole society of China without setting myself right when I have the opportunity of doing so, and you must be very well aware that there was Paul and Virginia which had to be returned and which was returned without note or comment, not that I mean to say you could have written to me watched as I was but if it had only come back with a red wafer on the cover I should have known that it meant Come to Pekin Nankeen and What's the third place, barefoot.'

'My dear Mrs Finching, you were not to blame, and I never blamed you. We were both too young, too dependent and helpless, to do anything but accept our separation.—Pray think how long ago,' gently remonstrated Arthur. 'One more remark,' proceeded Flora with unslackened volubility, 'I wish to make, one more explanation I wish to offer, for five days I had a cold in the head from crying which I passed entirely in the back drawing-room—there is the back drawing-room still on the first floor and still at the back of the house to confirm my words—when that dreary period had passed a lull succeeded years rolled on and Mr F. became acquainted with us at a mutual friend's, he was all attention he called next day he soon began to call three evenings a week and to send in little things for supper it was not love on Mr F.'s part it was adoration, Mr F. proposed with the full approval of Papa and what could I do?'

'Nothing whatever,' said Arthur, with the cheerfulest readiness, 'but what you did. Let an old friend assure you of his full conviction that you did quite right.'

'One last remark,' proceeded Flora, rejecting commonplace life with a wave of her hand, 'I wish to make, one last explanation I wish to offer, there was a time ere Mr F. first paid attentions incapable of being mistaken, but that is past and was not to be, dear Mr Clennam you no longer wear a golden chain you are free I trust you may be happy, here is Papa who is always tiresome and putting in his nose everywhere where he is not wanted.'

With these words, and with a hasty gesture fraught with timid caution—such a gesture had Clennam's eyes been familiar with in the old time—poor Flora left herself at eighteen years of age, a long long way behind again; and came to a full stop at last.

Or rather, she left about half of herself at eighteen years of age behind, and grafted the rest on to the relict of the late Mr F.; thus making a moral mermaid of herself, which her once boy-lover contemplated with feelings wherein his sense of the sorrowful and his sense of the comical were curiously blended.

For example. As if there were a secret understanding between herself and Clennam of the most thrilling nature; as if the first of a train of post-chaises and four, extending all the way to Scotland, were at that moment round the corner; and as if she couldn't (and wouldn't) have walked into the Parish Church with him, under the shade of the family umbrella, with the Patriarchal blessing on her head, and the perfect concurrence of all mankind; Flora comforted her soul with agonies of mysterious signalling, expressing dread of discovery. With the sensation of becoming more and more light-headed every minute, Clennam saw the relict of the late Mr F. enjoying herself in the most wonderful manner, by putting herself and him in their old places, and going through all the old performances—now, when the stage was dusty, when the scenery was faded, when the youthful actors were dead, when the orchestra was empty, when the lights were out. And still, through all this grotesque revival of what he remembered as having once been prettily natural to her, he could not but feel that it revived at sight of him, and that there was a tender memory in it.

The Patriarch insisted on his staying to dinner, and Flora signalled 'Yes!' Clennam so wished he could have done more than stay to dinner—so heartily wished he could have found the Flora that had been, or that never had been—that he thought the least atonement he could make for the disappointment he almost felt ashamed of, was to give himself up to the family desire. Therefore, he stayed to dinner.

Pancks dined with them. Pancks steamed out of his little dock at a quarter before six, and bore straight down for the Patriarch, who happened to be then driving, in an inane manner, through a stagnant account of Bleeding Heart Yard. Pancks instantly made fast to him and hauled him out.

'Bleeding Heart Yard?' said Pancks, with a puff and a snort. 'It's a troublesome property. Don't pay you badly, but rents are very hard to get there. You have more trouble with that one place than with all the places belonging to you.'

Just as the big ship in tow gets the credit, with most spectators, of being the powerful object, so the Patriarch usually seemed to have said himself whatever Pancks said for him.

'Indeed?' returned Clennam, upon whom this impression was so efficiently made by a mere gleam of the polished head that he spoke the ship instead of the Tug. 'The people are so poor there?'

'You can't say, you know,' snorted Pancks, taking one of his dirty hands out of his rusty iron-grey pockets to bite his nails, if he could find any, and turning his beads of eyes upon his employer, 'whether they're poor or not. They say they are, but they all say that. When a man says he's rich, you're generally sure he isn't. Besides, if they ARE poor, you can't help it. You'd be poor yourself if you didn't get your rents.'

'True enough,' said Arthur.

'You're not going to keep open house for all the poor of London,' pursued Pancks. 'You're not going to lodge 'em for nothing. You're not going to open your gates wide and let 'em come free. Not if you know it, you ain't.'

Mr Casby shook his head, in Placid and benignant generality.

'If a man takes a room of you at half-a-crown a week, and when the week comes round hasn't got the half-crown, you say to that man, Why have you got the room, then? If you haven't got the one thing, why have you got the other? What have you been and done with your money? What do you mean by it? What are you up to? That's what YOU say to a man of that sort; and if you didn't say it, more shame for you!' Mr Pancks here made a singular and startling noise, produced by a strong blowing effort in the region of the nose, unattended by any result but that acoustic one.

'You have some extent of such property about the east and north-east here, I believe?' said Clennam, doubtful which of the two to address.

'Oh, pretty well,' said Pancks. 'You're not particular to east or north-east, any point of the compass will do for you. What you want is a good investment and a quick return. You take it where you can find it. You ain't nice as to situation—not you.'

There was a fourth and most original figure in the Patriarchal tent, who also appeared before dinner. This was an amazing little old woman, with a face like a staring wooden doll too cheap for expression, and a stiff yellow wig perched unevenly on the top of her head, as if the child who owned the doll had driven a tack through it anywhere, so that it only got fastened on. Another remarkable thing in this little old woman was, that the same child seemed to have damaged her face in two or three places with some blunt instrument in the nature of a spoon; her countenance, and particularly the tip of her nose, presenting the phenomena of several dints, generally answering to the bowl of that article. A further remarkable thing in this little old woman was, that she had no name but Mr F.'s Aunt.

She broke upon the visitor's view under the following circumstances: Flora said when the first dish was being put on the table, perhaps Mr Clennam might not have heard that Mr F. had left her a legacy? Clennam in return implied his hope that Mr F. had endowed the wife whom he adored, with the greater part of his worldly substance, if not with all. Flora said, oh yes, she didn't mean that, Mr F. had made a beautiful will, but he had left her as a separate legacy, his Aunt. She then went out of the room to fetch the legacy, and, on her return, rather triumphantly presented 'Mr F.'s Aunt.'

The major characteristics discoverable by the stranger in Mr F.'s Aunt, were extreme severity and grim taciturnity; sometimes interrupted by a propensity to offer remarks in a deep warning voice, which, being totally uncalled for by anything said by anybody, and traceable to no association of ideas, confounded and terrified the Mind. Mr F.'s Aunt may have thrown in these observations on some system of her own, and it may have been ingenious, or even subtle: but the key to it was wanted. The neatly-served and well-cooked dinner (for everything about the Patriarchal household promoted quiet digestion) began with some soup, some fried soles, a butter-boat of shrimp sauce, and a dish of potatoes. The conversation still turned on the receipt of rents. Mr F.'s Aunt, after regarding the company for ten minutes with a malevolent gaze, delivered the following fearful remark:

'When we lived at Henley, Barnes's gander was stole by tinkers.' Mr Pancks courageously nodded his head and said, 'All right, ma'am.' But the effect of this mysterious communication upon Clennam was absolutely to frighten him. And another circumstance invested this old lady with peculiar terrors. Though she was always staring, she never acknowledged that she saw any individual.

The polite and attentive stranger would desire, say, to consult her inclinations on the subject of potatoes. His expressive action would be hopelessly lost upon her, and what could he do? No man could say, 'Mr F.'s Aunt, will you permit me?' Every man retired from the spoon, as Clennam did, cowed and baffled.

There was mutton, a steak, and an apple-pie—nothing in the remotest way connected with ganders—and the dinner went on like a disenchanted feast, as it truly was. Once upon a time Clennam had sat at that table taking no heed of anything but Flora; now the principal heed he took of Flora was to observe, against his will, that she was very fond of porter, that she combined a great deal of sherry with sentiment, and that if she were a little overgrown, it was upon substantial grounds. The last of the Patriarchs had always been a mighty eater, and he disposed of an immense quantity of solid food with the benignity of a good soul who was feeding some one else. Mr Pancks, who was always in a hurry, and who referred at intervals to a little dirty notebook which he kept beside him (perhaps containing the names of the defaulters he meant to look up by way of dessert), took in his victuals much as if he were coaling; with a good deal of noise, a good deal of dropping about, and a puff and a snort occasionally, as if he were nearly ready to steam away.

All through dinner, Flora combined her present appetite for eating and drinking with her past appetite for romantic love, in a way that made Clennam afraid to lift his eyes from his plate; since he could not look towards her without receiving some glance of mysterious meaning or warning, as if they were engaged in a plot. Mr F.'s Aunt sat silently defying him with an aspect of the greatest bitterness, until the removal of the cloth and the appearance of the decanters, when she originated another observation—struck into the conversation like a clock, without consulting anybody.

Flora had just said, 'Mr Clennam, will you give me a glass of port for Mr F.'s Aunt?'

'The Monument near London Bridge,' that lady instantly proclaimed, 'was put up arter the Great Fire of London; and the Great Fire of London was not the fire in which your uncle George's workshops was burned down.'

Mr Pancks, with his former courage, said, 'Indeed, ma'am? All right!' But appearing to be incensed by imaginary contradiction, or other ill-usage, Mr F.'s Aunt, instead of relapsing into silence, made the following additional proclamation:

'I hate a fool!'

She imparted to this sentiment, in itself almost Solomonic, so extremely injurious and personal a character by levelling it straight at the visitor's head, that it became necessary to lead Mr F.'s Aunt from the room. This was quietly done by Flora; Mr F.'s Aunt offering no resistance, but inquiring on her way out, 'What he come there for, then?' with implacable animosity.

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