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Literary Friends and Acquaintances
by William Dean Howells
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It is useless to wonder now what would have been his future if the publisher of the Overland Monthly had been of imagination or capital enough to meet the demand which Harte dimly intimated to his Cambridge host as the condition of his remaining in California. Publishers, men with sufficient capital, are of a greatly varying gift in the regions of prophecy, and he of the Overland Monthly was not to be blamed if he could not foresee his account in paying Harte ten thousand a year to continue editing the magazine. He did according to his lights, and Harte came to the East, and then went to England, where his last twenty-five years were passed in cultivating the wild plant of his Pacific Slope discovery. It was always the same plant, leaf and flower and fruit, but it perennially pleased the constant English world, and thence the European world, though it presently failed of much delighting these fastidious States. Probably he would have done something else if he could; he did not keep on doing the wild mining-camp thing because it was the easiest, but because it was for him the only possible thing. Very likely he might have preferred not doing anything.



IV.

The joyous visit of a week, which has been here so poorly recovered from the past, came to an end, and the host went with his guest to the station in as much vehicular magnificence as had marked his going to meet him there. Harte was no longer the alarming portent of the earlier time, but an experience of unalloyed delight. You must love a person whose worst trouble-giving was made somehow a favor by his own unconsciousness of the trouble, and it was a most flattering triumph to have got him in time, or only a little late, to so many luncheons and dinners. If only now he could be got to the train in time the victory would be complete, the happiness of the visit without a flaw. Success seemed to crown the fondest hope in this respect. The train had not yet left the station; there stood the parlor-car which Harte had seats in; and he was followed aboard for those last words in which people try to linger out pleasures they have known together. In this case the sweetest of the pleasures had been sitting up late after those dinners, and talking them over, and then degenerating from that talk into the mere giggle and making giggle which Charles Lamb found the best thing in life. It had come to this as the host and guest sat together for those parting moments, when Harte suddenly started up in the discovery of having forgotten to get some cigars. They rushed out of the train together, and after a wild descent upon the cigar-counter of the restaurant, Harte rushed back to his car. But by this time the train was already moving with that deceitful slowness of the departing train, and Harte had to clamber up the steps of the rearmost platform. His host clambered after, to make sure that he was aboard, which done, he dropped to the ground, while Harte drew out of the station, blandly smiling, and waving his hand with a cigar in it, in picturesque farewell from the platform.

Then his host realized that he had dropped to the ground barely in time to escape being crushed against the side of the archway that sharply descended beside the steps of the train, and he went and sat down in that handsomest hack, and was for a moment deathly sick at the danger that had not realized itself to him in season. To be sure, he was able, long after, to adapt the incident to the exigencies of fiction, and to have a character, not otherwise to be conveniently disposed of, actually crushed to death between a moving train and such an archway.

Besides, he had then and always afterward, the immense super-compensation of the memories of that visit from one of the most charming personalities in the world,

"In life's morning march when his bosom was young,"

and when infinitely less would have sated him. Now death has come to join its vague conjectures to the broken expectations of life, and that blithe spirit is elsewhere. But nothing can take from him who remains the witchery of that most winning presence. Still it looks smiling from the platform of the car, and casts a farewell of mock heartbreak from it. Still a gay laugh comes across the abysm of the years that are now numbered, and out of somewhere the hearer's sense is rapt with the mellow cordial of a voice that was like no other.

[This last paragraph reminds one again that, as with Holmes: a great poet writes the best prose. D.W.]



ETEXT EDITOR'S BOOKMARKS:

Always sumptuously providing out of his destitution Could only by chance be caught in earnest about anything Couldn't fire your revolver without bringing down a two volumer Death's vague conjectures to the broken expectations of life Dollars were of so much farther flight than now Enjoying whatever was amusing in the disadvantage to himself Express the appreciation of another's fit word Gay laugh comes across the abysm of the years Giggle which Charles Lamb found the best thing in life His enemies suffered from it almost as much as his friends His plays were too bad for the stage, or else too good for it Insatiable English fancy for the wild America no longer there Long breath was not his; he could not write a novel Mellow cordial of a voice that was like no other Not much of a talker, and almost nothing of a story-teller Now death has come to join its vague conjectures Offers mortifyingly mean, and others insultingly vague Only one concerned who was quite unconcerned So refined, after the gigantic coarseness of California Wrote them first and last in the spirit of Dickens



LITERARY FRIENDS AND ACQUAINTANCES—My Mark Twain

by William Dean Howells

MY MARK TWAIN



I.

It was in the little office of James T. Fields, over the bookstore of Ticknor & Fields, at 124 Tremont Street, Boston, that I first met my friend of now forty-four years, Samuel L. Clemens. Mr. Fields was then the editor of The Atlantic Monthly, and I was his proud and glad assistant, with a pretty free hand as to manuscripts, and an unmanacled command of the book-notices at the end of the magazine. I wrote nearly all of them myself, and in 1869 I had written rather a long notice of a book just winning its way to universal favor. In this review I had intimated my reservations concerning the 'Innocents Abroad', but I had the luck, if not the sense, to recognize that it was such fun as we had not had before. I forget just what I said in praise of it, and it does not matter; it is enough that I praised it enough to satisfy the author. He now signified as much, and he stamped his gratitude into my memory with a story wonderfully allegorizing the situation, which the mock modesty of print forbids my repeating here. Throughout my long acquaintance with him his graphic touch was always allowing itself a freedom which I cannot bring my fainter pencil to illustrate. He had the Southwestern, the Lincolnian, the Elizabethan breadth of parlance, which I suppose one ought not to call coarse without calling one's self prudish; and I was often hiding away in discreet holes and corners the letters in which he had loosed his bold fancy to stoop on rank suggestion; I could not bear to burn them, and I could not, after the first reading, quite bear to look at them. I shall best give my feeling on this point by saying that in it he was Shakespearian, or if his ghost will not suffer me the word, then he was Baconian.

At the time of our first meeting, which must have been well toward the winter, Clemens (as I must call him instead of Mark Twain, which seemed always somehow to mask him from my personal sense) was wearing a sealskin coat, with the fur out, in the satisfaction of a caprice, or the love of strong effect which he was apt to indulge through life. I do not know what droll comment was in Fields's mind with respect to this garment, but probably he felt that here was an original who was not to be brought to any Bostonian book in the judgment of his vivid qualities. With his crest of dense red hair, and the wide sweep of his flaming mustache, Clemens was not discordantly clothed in that sealskin coat, which afterward, in spite of his own warmth in it, sent the cold chills through me when I once accompanied it down Broadway, and shared the immense publicity it won him. He had always a relish for personal effect, which expressed itself in the white suit of complete serge which he wore in his last years, and in the Oxford gown which he put on for every possible occasion, and said he would like to wear all the time. That was not vanity in him, but a keen feeling for costume which the severity of our modern tailoring forbids men, though it flatters women to every excess in it; yet he also enjoyed the shock, the offence, the pang which it gave the sensibilities of others. Then there were times he played these pranks for pure fun, and for the pleasure of the witness. Once I remember seeing him come into his drawing-room at Hartford in a pair of white cowskin slippers, with the hair out, and do a crippled colored uncle to the joy of all beholders. Or, I must not say all, for I remember also the dismay of Mrs. Clemens, and her low, despairing cry of, "Oh, Youth!" That was her name for him among their friends, and it fitted him as no other would, though I fancied with her it was a shrinking from his baptismal Samuel, or the vernacular Sam of his earlier companionships. He was a youth to the end of his days, the heart of a boy with the head of a sage; the heart of a good boy, or a bad boy, but always a wilful boy, and wilfulest to show himself out at every, time for just the boy he was.



II.

There is a gap in my recollections of Clemens, which I think is of a year or two, for the next thing I remember of him is meeting him at a lunch in Boston, given us by that genius of hospitality, the tragically destined Ralph Keeler, author of one of the most unjustly forgotten books, 'Vagabond Adventures', a true bit of picaresque autobiography. Keeler never had any money, to the general knowledge, and he never borrowed, and he could not have had credit at the restaurant where he invited us to feast at his expense. There was T. B. Aldrich, there was J. T. Fields, much the oldest of our company, who had just freed himself from the trammels of the publishing business, and was feeling his freedom in every word; there was Bret Harte, who had lately come East in his princely progress from California; and there was Clemens. Nothing remains to me of the happy time but a sense of idle and aimless and joyful talk-play, beginning and ending nowhere, of eager laughter, of countless good stories from Fields, of a heat-lightning shimmer of wit from Aldrich, of an occasional concentration of our joint mockeries upon our host, who took it gladly; and amid the discourse, so little improving, but so full of good fellowship, Bret Harte's fleeting dramatization of Clemens's mental attitude toward a symposium of Boston illuminates. "Why, fellows," he spluttered, "this is the dream of Mark's life," and I remember the glance from under Clemens's feathery eyebrows which betrayed his enjoyment of the fun. We had beefsteak with mushrooms, which in recognition of their shape Aldrich hailed as shoe-pegs, and to crown the feast we had an omelette souse, which the waiter brought in as flat as a pancake, amid our shouts of congratulations to poor Keeler, who took them with appreciative submission. It was in every way what a Boston literary lunch ought not to have been in the popular ideal which Harte attributed to Clemens.

Our next meeting was at Hartford, or, rather, at Springfield, where Clemens greeted us on the way to Hartford. Aldrich was going on to be his guest, and I was going to be Charles Dudley Warner's, but Clemens had come part way to welcome us both. In the good fellowship of that cordial neighborhood we had two such days as the aging sun no longer shines on in his round. There was constant running in and out of friendly houses where the lively hosts and guests called one another by their Christian names or nicknames, and no such vain ceremony as knocking or ringing at doors. Clemens was then building the stately mansion in which he satisfied his love of magnificence as if it had been another sealskin coat, and he was at the crest of the prosperity which enabled him to humor every whim or extravagance. The house was the design of that most original artist, Edward Potter, who once, when hard pressed by incompetent curiosity for the name of his style in a certain church, proposed that it should be called the English violet order of architecture; and this house was so absolutely suited to the owner's humor that I suppose there never was another house like it; but its character must be for recognition farther along in these reminiscences. The vividest impression which Clemens gave us two ravenous young Boston authors was of the satisfying, the surfeiting nature of subscription publication. An army of agents was overrunning the country with the prospectuses of his books, and delivering them by the scores of thousands in completed sale. Of the 'Innocents Abroad' he said, "It sells right along just like the Bible," and 'Roughing It' was swiftly following, without perhaps ever quite overtaking it in popularity. But he lectured Aldrich and me on the folly of that mode of publication in the trade which we had thought it the highest success to achieve a chance in. "Anything but subscription publication is printing for private circulation," he maintained, and he so won upon our greed and hope that on the way back to Boston we planned the joint authorship of a volume adapted to subscription publication. We got a very good name for it, as we believed, in Memorable Murders, and we never got farther with it, but by the time we reached Boston we were rolling in wealth so deep that we could hardly walk home in the frugal fashion by which we still thought it best to spare car fare; carriage fare we did not dream of even in that opulence.



III.

The visits to Hartford which had begun with this affluence continued without actual increase of riches for me, but now I went alone, and in Warner's European and Egyptian absences I formed the habit of going to Clemens. By this time he was in his new house, where he used to give me a royal chamber on the ground floor, and come in at night after I had gone to bed to take off the burglar alarm so that the family should not be roused if anybody tried to get in at my window. This would be after we had sat up late, he smoking the last of his innumerable cigars, and soothing his tense nerves with a mild hot Scotch, while we both talked and talked and talked, of everything in the heavens and on the earth, and the waters under the earth. After two days of this talk I would come away hollow, realizing myself best in the image of one of those locust- shells which you find sticking to the bark of trees at the end of summer. Once, after some such bout of brains, we went down to New York together, and sat facing each other in the Pullman smoker without passing a syllable till we had occasion to say, "Well, we're there." Then, with our installation in a now vanished hotel (the old Brunswick, to be specific), the talk began again with the inspiration of the novel environment, and went on and on. We wished to be asleep, but we could not stop, and he lounged through the rooms in the long nightgown which he always wore in preference to the pajamas which he despised, and told the story of his life, the inexhaustible, the fairy, the Arabian Nights story, which I could never tire of even when it began to be told over again. Or at times he would reason high—

"Of Providence, foreknowledge, will and fate, Fixed fate, free will, foreknowledge absolute,"

walking up and down, and halting now and then, with a fine toss and slant of his shaggy head, as some bold thought or splendid joke struck him.

He was in those days a constant attendant at the church of his great friend, the Rev. Joseph H. Twichell, and at least tacitly far from the entire negation he came to at last. I should say he had hardly yet examined the grounds of his passive acceptance of his wife's belief, for it was hers and not his, and he held it unscanned in the beautiful and tender loyalty to her which was the most moving quality of his most faithful soul. I make bold to speak of the love between them, because without it I could not make him known to others as he was known to me. It was a greater part of him than the love of most men for their wives, and she merited all the worship he could give her, all the devotion, all the implicit obedience, by her surpassing force and beauty of character. She was in a way the loveliest person I have ever seen, the gentlest, the kindest, without a touch of weakness; she united wonderful tact with wonderful truth; and Clemens not only accepted her rule implicitly, but he rejoiced, he gloried in it. I am not sure that he noticed all her goodness in the actions that made it a heavenly vision to others, he so had the habit of her goodness; but if there was any forlorn and helpless creature in the room Mrs. Clemens was somehow promptly at his side or hers; she was always seeking occasion of kindness to those in her household or out of it; she loved to let her heart go beyond the reach of her hand, and imagined the whole hard and suffering world with compassion for its structural as well as incidental wrongs. I suppose she had her ladyhood limitations, her female fears of etiquette and convention, but she did not let them hamper the wild and splendid generosity with which Clemens rebelled against the social stupidities and cruelties. She had been a lifelong invalid when he met her, and he liked to tell the beautiful story of their courtship to each new friend whom he found capable of feeling its beauty or worthy of hearing it. Naturally, her father had hesitated to give her into the keeping of the young strange Westerner, who had risen up out of the unknown with his giant reputation of burlesque humorist, and demanded guaranties, demanded proofs. "He asked me," Clemens would say, "if I couldn't give him the names of people who knew me in California, and when it was time to hear from them I heard from him. 'Well, Mr. Clemens,' he said, 'nobody seems to have a very good word for you.' I hadn't referred him to people that I thought were going to whitewash me. I thought it was all up with me, but I was disappointed. 'So I guess I shall have to back you myself.'"

Whether this made him faithfuler to the trust put in him I cannot say, but probably not; it was always in him to be faithful to any trust, and in proportion as a trust of his own was betrayed he was ruthlessly and implacably resentful. But I wish now to speak of the happiness of that household in Hartford which responded so perfectly to the ideals of the mother when the three daughters, so lovely and so gifted, were yet little children. There had been a boy, and "Yes, I killed him," Clemens once said, with the unsparing self-blame in which he would wreak an unavailing regret. He meant that he had taken the child out imprudently, and the child had taken the cold which he died of, but it was by no means certain this was through its father's imprudence. I never heard him speak of his son except that once, but no doubt in his deep heart his loss was irreparably present. He was a very tender father and delighted in the minds of his children, but he was wise enough to leave their training altogether to the wisdom of their mother. He left them to that in everything, keeping for himself the pleasure of teaching them little scenes of drama, learning languages with them, and leading them in singing. They came to the table with their parents, and could have set him an example in behavior when, in moments of intense excitement, he used to leave his place and walk up and down the room, flying his napkin and talking and talking.

It was after his first English sojourn that I used to visit him, and he was then full of praise of everything English: the English personal independence and public spirit, and hospitality, and truth. He liked to tell stories in proof of their virtues, but he was not blind to the defects of their virtues: their submissive acceptance of caste, their callousness with strangers; their bluntness with one another. Mrs. Clemens had been in a way to suffer socially more than he, and she praised the English less. She had sat after dinner with ladies who snubbed and ignored one another, and left her to find her own amusement in the absence of the attention with which Americans perhaps cloy their guests, but which she could not help preferring. In their successive sojourns among them I believe he came to like the English less and she more; the fine delight of his first acceptance among them did not renew itself till his Oxford degree was given him; then it made his cup run over, and he was glad the whole world should see it.

His wife would not chill the ardor of his early Anglomania, and in this, as in everything, she wished to humor him to the utmost. No one could have realized more than she his essential fineness, his innate nobleness. Marriages are what the parties to them alone really know them to be, but from the outside I should say that this marriage was one of the most perfect. It lasted in his absolute devotion to the day of her death, that delayed long in cruel suffering, and that left one side of him in lasting night. From Florence there came to me heartbreaking letters from him about the torture she was undergoing, and at last a letter saying she was dead, with the simple-hearted cry, "I wish I was with Livy." I do not know why I have left saying till now that she was a very beautiful woman, classically regular in features, with black hair smooth over her forehead, and with tenderly peering, myopia eyes, always behind glasses, and a smile of angelic kindness. But this kindness went with a sense of humor which qualified her to appreciate the self-lawed genius of a man who will be remembered with the great humorists of all time, with Cervantes, with Swift, or with any others worthy his company; none of them was his equal in humanity.



IV.

Clemens had appointed himself, with the architect's connivance, a luxurious study over the library in his new house, but as his children grew older this study, with its carved and cushioned arm-chairs, was given over to them for a school-room, and he took the room above his stable, which had been intended for his coachman. There we used to talk together, when we were not walking and talking together, until he discovered that he could make a more commodious use of the billiard-room at the top of his house, for the purposes of literature and friendship. It was pretty cold up there in the early spring and late fall weather with which I chiefly associate the place, but by lighting up all the gas- burners and kindling a reluctant fire on the hearth we could keep it well above freezing. Clemens could also push the balls about, and, without rivalry from me, who could no more play billiards than smoke, could win endless games of pool, while he carried points of argument against imaginable differers in opinion. Here he wrote many of his tales and sketches, and for anything I know some of his books. I particularly remember his reading me here his first rough sketch of Captain Stormfield's Visit to Heaven, with the real name of the captain, whom I knew already from his many stories about him.

We had a peculiar pleasure in looking off from the high windows on the pretty Hartford landscape, and down from them into the tops of the trees clothing the hillside by which his house stood. We agreed that there was a novel charm in trees seen from such a vantage, far surpassing that of the farther scenery. He had not been a country boy for nothing; rather he had been a country boy, or, still better, a village boy, for everything that Nature can offer the young of our species, and no aspect of her was lost on him. We were natives of the same vast Mississippi Valley; and Missouri was not so far from Ohio but that we were akin in our first knowledges of woods and fields as we were in our early parlance. I had outgrown the use of mine through my greater bookishness, but I gladly recognized the phrases which he employed for their lasting juiciness and the long-remembered savor they had on his mental palate.

I have elsewhere sufficiently spoken of his unsophisticated use of words, of the diction which forms the backbone of his manly style. If I mention my own greater bookishness, by which I mean his less quantitative reading, it is to give myself better occasion to note that he was always reading some vital book. It might be some out-of-the-way book, but it had the root of the human matter in it: a volume of great trials; one of the supreme autobiographies; a signal passage of history, a narrative of travel, a story of captivity, which gave him life at first-hand. As I remember, he did not care much for fiction, and in that sort he had certain distinct loathings; there were certain authors whose names he seemed not so much to pronounce as to spew out of his mouth. Goldsmith was one of these, but his prime abhorrence was my dear and honored prime favorite, Jane Austen. He once said to me, I suppose after he had been reading some of my unsparing praises of her—I am always praising her, "You seem to think that woman could write," and he forbore withering me with his scorn, apparently because we had been friends so long, and he more pitied than hated me for my bad taste. He seemed not to have any preferences among novelists; or at least I never heard him express any. He used to read the modern novels I praised, in or out of print; but I do not think he much liked reading fiction. As for plays, he detested the theatre, and said he would as lief do a sum as follow a plot on the stage. He could not, or did not, give any reasons for his literary abhorrences, and perhaps he really had none. But he could have said very distinctly, if he had needed, why he liked the books he did. I was away at the time of his great Browning passion, and I know of it chiefly from hearsay; but at the time Tolstoy was doing what could be done to make me over Clemens wrote, "That man seems to have been to you what Browning was to me." I do not know that he had other favorites among the poets, but he had favorite poems which he liked to read to you, and he read, of course, splendidly. I have forgotten what piece of John Hay's it was that he liked so much, but I remembered how he fiercely revelled in the vengefulness of William Morris's 'Sir Guy of the Dolorous Blast,' and how he especially exalted in the lines which tell of the supposed speaker's joy in slaying the murderer of his brother:

"I am threescore years and ten, And my hair is 'nigh turned gray, But I am glad to think of the moment when I took his life away."

Generally, I fancy his pleasure in poetry was not great, and I do not believe he cared much for the conventionally accepted masterpieces of literature. He liked to find out good things and great things for himself; sometimes he would discover these in a masterpiece new to him alone, and then, if you brought his ignorance home to him, he enjoyed it, and enjoyed it the more the more you rubbed it in.

Of all the literary men I have known he was the most unliterary in his make and manner. I do not know whether he had any acquaintance with Latin, but I believe not the least; German he knew pretty well, and Italian enough late in life to have fun with it; but he used English in all its alien derivations as if it were native to his own air, as if it had come up out of American, out of Missourian ground. His style was what we know, for good and for bad, but his manner, if I may difference the two, was as entirely his own as if no one had ever written before. I have noted before this how he was not enslaved to the consecutiveness in writing which the rest of us try to keep chained to. That is, he wrote as he thought, and as all men think, without sequence, without an eye to what went before or should come after. If something beyond or beside what he was saying occurred to him, he invited it into his page, and made it as much at home there as the nature of it would suffer him. Then, when he was through with the welcoming of this casual and unexpected guest, he would go back to the company he was entertaining, and keep on with what he had been talking about. He observed this manner in the construction of his sentences, and the arrangement of his chapters, and the ordering or disordering of his compilations.—[Nowhere is this characteristic better found than in Twain's 'Autobiography,' it was not a "style" it was unselfconscious thought D.W.]—I helped him with a Library of Humor, which he once edited, and when I had done my work according to tradition, with authors, times, and topics carefully studied in due sequence, he tore it all apart, and "chucked" the pieces in wherever the fancy, for them took him at the moment. He was right: we were not making a text-book, but a book for the pleasure rather than the instruction of the reader, and he did not see why the principle on which he built his travels and reminiscences and tales and novels should not apply to it; and I do not now see, either, though at the time it confounded me. On minor points he was, beyond any author I have known, without favorite phrases or pet words. He utterly despised the avoidance of repetitions out of fear of tautology. If a word served his turn better than a substitute, he would use it as many times in a page as he chose.



V.

At that time I had become editor of The Atlantic Monthly, and I had allegiances belonging to the conduct of what was and still remains the most scrupulously cultivated of our periodicals. When Clemens began to write for it he came willingly under its rules, for with all his wilfulness there never was a more biddable man in things you could show him a reason for. He never made the least of that trouble which so abounds for the hapless editor from narrower-minded contributors. If you wanted a thing changed, very good, he changed it; if you suggested that a word or a sentence or a paragraph had better be struck out, very good, he struck it out. His proof-sheets came back each a veritable "mush of concession," as Emerson says. Now and then he would try a little stronger language than 'The Atlantic' had stomach for, and once when I sent him a proof I made him observe that I had left out the profanity. He wrote back: "Mrs. Clemens opened that proof, and lit into the room with danger in her eye. What profanity? You see, when I read the manuscript to her I skipped that." It was part of his joke to pretend a violence in that gentlest creature which the more amusingly realized the situation to their friends.

I was always very glad of him and proud of him as a contributor, but I must not claim the whole merit, or the first merit of having him write for us. It was the publisher, the late H. O. Houghton, who felt the incongruity of his absence from the leading periodical of the country, and was always urging me to get him to write. I will take the credit of being eager for him, but it is to the publisher's credit that he tried, so far as the modest traditions of 'The Atlantic' would permit, to meet the expectations in pay which the colossal profits of Clemens's books might naturally have bred in him. Whether he was really able to do this he never knew from Clemens himself, but probably twenty dollars a page did not surfeit the author of books that "sold right along just like the Bible."

We had several short contributions from Clemens first, all of capital quality, and then we had the series of papers which went mainly to the making of his great book, 'Life on the Mississippi'. Upon the whole I have the notion that Clemens thought this his greatest book, and he was supported in his opinion by that of the 'portier' in his hotel at Vienna, and that of the German Emperor, who, as he told me with equal respect for the preference of each, united in thinking it his best; with such far- sundered social poles approaching in its favor, he apparently found himself without standing for opposition. At any rate, the papers won instant appreciation from his editor and publisher, and from the readers of their periodical, which they expected to prosper beyond precedent in its circulation. But those were days of simpler acceptance of the popular rights of newspapers than these are, when magazines strictly guard their vested interests against them. 'The New York Times' and the 'St. Louis Democrat' profited by the advance copies of the magazine sent them to reprint the papers month by month. Together they covered nearly the whole reading territory of the Union, and the terms of their daily publication enabled them to anticipate the magazine in its own restricted field. Its subscription list was not enlarged in the slightest measure, and The Atlantic Monthly languished on the news-stands as undesired as ever.



VI.

It was among my later visits to Hartford that we began to talk up the notion of collaborating a play, but we did not arrive at any clear intention, and it was a telegram out of the clear sky that one day summoned me from Boston to help with a continuation of Colonel Sellers. I had been a witness of the high joy of Clemens in the prodigious triumph of the first Colonel Sellers, which had been dramatized from the novel of 'The Gilded Age.' This was the joint work of Clemens and Charles Dudley Warner, and the story had been put upon the stage by some one in Utah, whom Clemens first brought to book in the courts for violation of his copyright, and then indemnified for such rights as his adaptation of the book had given him. The structure of the play as John T. Raymond gave it was substantially the work of this unknown dramatist. Clemens never pretended, to me at any rate, that he had the least hand in it; he frankly owned that he was incapable of dramatization; yet the vital part was his, for the characters in the play were his as the book embodied them, and the success which it won with the public was justly his. This he shared equally with the actor, following the company with an agent, who counted out the author's share of the gate money, and sent him a note of the amount every day by postal card. The postals used to come about dinner-time, and Clemens would read them aloud to us in wild triumph.

One hundred and fifty dollars—two hundred dollars—three hundred dollars were the gay figures which they bore, and which he flaunted in the air before he sat down at table, or rose from it to brandish, and then, flinging his napkin into his chair, walked up and down to exult in.

By-and-by the popularity, of the play waned, and the time came when he sickened of the whole affair, and withdrew his agent, and took whatever gain from it the actor apportioned him. He was apt to have these sudden surceases, following upon the intensities of his earlier interest; though he seemed always to have the notion of making something more of Colonel Sellers. But when I arrived in Hartford in answer to his summons, I found him with no definite idea of what he wanted to do with him. I represented that we must have some sort of plan, and he agreed that we should both jot down a scenario overnight and compare our respective schemes the next morning. As the author of a large number of little plays which have been privately presented throughout the United States and in parts of the United Kingdom, without ever getting upon the public stage except for the noble ends of charity, and then promptly getting off it, I felt authorized to make him observe that his scheme was as nearly nothing as chaos could be. He agreed hilariously with me, and was willing to let it stand in proof of his entire dramatic inability. At the same time he liked my plot very much, which ultimated Sellers, according to Clemens's intention, as a man crazed by his own inventions and by his superstition that he was the rightful heir to an English earldom. The exuberant nature of Sellers and the vast range of his imagination served our purpose in other ways. Clemens made him a spiritualist, whose specialty in the occult was materialization; he became on impulse an ardent temperance reformer, and he headed a procession of temperance ladies after disinterestedly testing the deleterious effects of liquor upon himself until he could not walk straight; always he wore a marvellous fire-extinguisher strapped on his back, to give proof in any emergency of the effectiveness of his invention in that way.

We had a jubilant fortnight in working the particulars of these things out. It was not possible for Clemens to write like anybody else, but I could very easily write like Clemens, and we took the play scene and scene about, quite secure of coming out in temperamental agreement. The characters remained for the most part his, and I varied them only to make them more like his than, if possible, he could. Several years after, when I looked over a copy of the play, I could not always tell my work from his; I only knew that I had done certain scenes. We would work all day long at our several tasks, and then at night, before dinner, read them over to each other. No dramatists ever got greater joy out of their creations, and when I reflect that the public never had the chance of sharing our joy I pity the public from a full heart. I still believe that the play was immensely funny; I still believe that if it could once have got behind the footlights it would have continued to pack the house before them for an indefinite succession of nights. But this may be my fondness.

At any rate, it was not to be. Raymond had identified himself with Sellers in the play-going imagination, and whether consciously or unconsciously we constantly worked with Raymond in our minds. But before this time bitter displeasures had risen between Clemens and Raymond, and Clemens was determined that Raymond should never have the play. He first offered it to several other actors, who eagerly caught it, only to give it back with the despairing renunciation, "That is a Raymond play." We tried managers with it, but their only question was whether they could get Raymond to do it. In the mean time Raymond had provided himself with a play for the winter—a very good play, by Demarest Lloyd; and he was in no hurry for ours. Perhaps he did not really care for it perhaps he knew when he heard of it that it must come to him in the end. In the end it did, from my hand, for Clemens would not meet him. I found him in a mood of sweet reasonableness, perhaps the more softened by one of those lunches which our publisher, the hospitable James R. Osgood, was always bringing people together over in Boston. He said that he could not do the play that winter, but he was sure that he should like it, and he had no doubt he would do it the next winter. So I gave him the manuscript, in spite of Clemens's charges, for his suspicions and rancors were such that he would not have had me leave it for a moment in the actor's hands. But it seemed a conclusion that involved success and fortune for us. In due time, but I do not remember how long after, Raymond declared himself delighted with the piece; he entered into a satisfactory agreement for it, and at the beginning of the next season he started with it to Buffalo, where he was to give a first production. At Rochester he paused long enough to return it, with the explanation that a friend had noted to him the fact that Colonel Sellers in the play was a lunatic, and insanity was so serious a thing that it could not be represented on the stage without outraging the sensibilities of the audience; or words to that effect. We were too far off to allege Hamlet to the contrary, or King Lear, or to instance the delight which generations of readers throughout the world had taken in the mad freaks of Don Quixote. Whatever were the real reasons of Raymond for rejecting the play, we had to be content with those he gave, and to set about getting it into other hands. In this effort we failed even more signally than before, if that were possible. At last a clever and charming elocutionist, who had long wished to get himself on the stage, heard of it and asked to see it. We would have shown it to any one by this time, and we very willingly showed it to him. He came to Hartford and did some scenes from it for us. I must say he did them very well, quite as well as Raymond could have done them, in whose manner he did them. But now, late toward spring, the question was where he could get an engagement with the play, and we ended by hiring a theatre in New York for a week of trial performances.

Clemens came on with me to Boston, where we were going to make some changes in the piece, and where we made them to our satisfaction, but not to the effect of that high rapture which we had in the first draft. He went back to Hartford, and then the cold fit came upon me, and "in visions of the night, in slumberings upon the bed," ghastly forms of failure appalled me, and when I rose in the morning I wrote him: "Here is a play which every manager has put out-of-doors and which every actor known to us has refused, and now we go and give it to an elocutioner. We are fools." Whether Clemens agreed with me or not in my conclusion, he agreed with me in my premises, and we promptly bought our play off the stage at a cost of seven hundred dollars, which we shared between us. But Clemens was never a man to give up. I relinquished gratis all right and title I had in the play, and he paid its entire expenses for a week of one-night stands in the country. It never came to New York; and yet I think now that if it had come, it would have succeeded. So hard does the faith of the unsuccessful dramatist in his work die.



VII.

There is an incident of this time so characteristic of both men that I will yield to the temptation of giving it here. After I had gone to Hartford in response to Clemens's telegram, Matthew Arnold arrived in Boston, and one of my family called on his, to explain why I was not at home to receive his introduction: I had gone to see Mark Twain. "Oh, but he doesn't like that sort of thing, does he?" "He likes Mr. Clemens very much," my representative answered, "and he thinks him one of the greatest men he ever knew." I was still Clemens's guest at Hartford when Arnold came there to lecture, and one night we went to meet him at a reception. While his hand laxly held mine in greeting, I saw his eyes fixed intensely on the other side of the room. "Who-who in the world is that?" I looked and said, "Oh, that is Mark Twain." I do not remember just how their instant encounter was contrived by Arnold's wish, but I have the impression that they were not parted for long during the evening, and the next night Arnold, as if still under the glamour of that potent presence, was at Clemens's house. I cannot say how they got on, or what they made of each other; if Clemens ever spoke of Arnold, I do not recall what he said, but Arnold had shown a sense of him from which the incredulous sniff of the polite world, now so universally exploded, had already perished. It might well have done so with his first dramatic vision of that prodigious head. Clemens was then hard upon fifty, and he had kept, as he did to the end, the slender figure of his youth, but the ashes of the burnt-out years were beginning to gray the fires of that splendid shock of red hair which he held to the height of a stature apparently greater than it was, and tilted from side to side in his undulating walk. He glimmered at you from the narrow slits of fine blue-greenish eyes, under branching brows, which with age grew more and more like a sort of plumage, and he was apt to smile into your face with a subtle but amiable perception, and yet with a sort of remote absence; you were all there for him, but he was not all there for you.



VIII.

I shall, not try to give chronological order to my recollections of him, but since I am just now with him in Hartford I will speak of him in association with the place. Once when I came on from Cambridge he followed me to my room to see that the water was not frozen in my bath, or something of the kind, for it was very cold weather, and then hospitably lingered. Not to lose time in banalities I began at once from the thread of thought in my mind. "I wonder why we hate the past so," and he responded from the depths of his own consciousness, "It's so damned humiliating," which is what any man would say of his past if he were honest; but honest men are few when it comes to themselves. Clemens was one of the few, and the first of them among all the people I have known. I have known, I suppose, men as truthful, but not so promptly, so absolutely, so positively, so almost aggressively truthful. He could lie, of course, and did to save others from grief or harm; he was, not stupidly truthful; but his first impulse was to say out the thing and everything that was in him. To those who can understand it will not be contradictory of his sense of humiliation from the past, that he was not ashamed for anything he ever did to the point of wishing to hide it. He could be, and he was, bitterly sorry for his errors, which he had enough of in his life, but he was not ashamed in that mean way. What he had done he owned to, good, bad, or indifferent, and if it was bad he was rather amused than troubled as to the effect in your mind. He would not obtrude the fact upon you, but if it were in the way of personal history he would not dream of withholding it, far less of hiding it.

He was the readiest of men to allow an error if he were found in it. In one of our walks about Hartford, when he was in the first fine flush of his agnosticism, be declared that Christianity had done nothing to improve morals and conditions, and that the world under the highest pagan civilization was as well off as it was under the highest Christian influences. I happened to be fresh from the reading of Charles Loring Brace's 'Gesta Christi'; or, 'History of Humane Progress', and I could offer him abundant proofs that he was wrong. He did not like that evidently, but he instantly gave way, saying be had not known those things. Later be was more tolerant in his denials of Christianity, but just then he was feeling his freedom from it, and rejoicing in having broken what he felt to have been the shackles of belief worn so long. He greatly admired Robert Ingersoll, whom he called an angelic orator, and regarded as an evangel of a new gospel—the gospel of free thought. He took the warmest interest in the newspaper controversy raging at the time as to the existence of a hell; when the noes carried the day, I suppose that no enemy of perdition was more pleased. He still loved his old friend and pastor, Mr. Twichell, but he no longer went to hear him preach his sage and beautiful sermons, and was, I think, thereby the greater loser. Long before that I had asked him if he went regularly to church, and he groaned out: "Oh yes, I go. It 'most kills me, but I go," and I did not need his telling me to understand that he went because his wife wished it. He did tell me, after they both ceased to go, that it had finally come to her saying, "Well, if you are to be lost, I want to be lost with you." He could accept that willingness for supreme sacrifice and exult in it because of the supreme truth as he saw it. After they had both ceased to be formal Christians, she was still grieved by his denial of immortality, so grieved that he resolved upon one of those heroic lies, which for love's sake he held above even the truth, and he went to her, saying that he had been thinking the whole matter over, and now he was convinced that the soul did live after death. It was too late. Her keen vision pierced through his ruse, as it did when he brought the doctor who had diagnosticated her case as organic disease of the heart, and, after making him go over the facts of it again with her, made him declare it merely functional.

To make an end of these records as to Clemens's beliefs, so far as I knew them, I should say that he never went back to anything like faith in the Christian theology, or in the notion of life after death, or in a conscious divinity. It is best to be honest in this matter; he would have hated anything else, and I do not believe that the truth in it can hurt any one. At one period he argued that there must have been a cause, a conscious source of things; that the universe could not have come by chance. I have heard also that in his last hours or moments he said, or his dearest ones hoped he had said, something about meeting again. But the expression, of which they could not be certain, was of the vaguest, and it was perhaps addressed to their tenderness out of his tenderness. All his expressions to me were of a courageous, renunciation of any hope of living again, or elsewhere seeing those he had lost. He suffered terribly in their loss, and he was not fool enough to try ignoring his grief. He knew that for this there were but two medicines; that it would wear itself out with the years, and that meanwhile there was nothing for it but those respites in which the mourner forgets himself in slumber. I remember that in a black hour of my own when I was called down to see him, as he thought from sleep, he said with an infinite, an exquisite compassion, "Oh, did I wake you, did I wake, you?" Nothing more, but the look, the voice, were everything; and while I live they cannot pass from my sense.



IX.

He was the most caressing of men in his pity, but he had the fine instinct, which would have pleased Lowell, of never putting his hands on you—fine, delicate hands, with taper fingers, and pink nails, like a girl's, and sensitively quivering in moments of emotion; he did not paw you with them to show his affection, as so many of us Americans are apt to do. Among the half-dozen, or half-hundred, personalities that each of us becomes, I should say that Clemens's central and final personality was something exquisite. His casual acquaintance might know him, perhaps, from his fierce intensity, his wild pleasure in shocking people with his ribaldries and profanities, or from the mere need of loosing his rebellious spirit in that way, as anything but exquisite, and yet that was what in the last analysis he was. They might come away loathing or hating him, but one could not know him well without realizing him the most serious, the most humane, the most conscientious of men. He was Southwestern, and born amid the oppression of a race that had no rights as against ours, but I never saw a man more regardful of negroes. He had a yellow butler when I first began to know him, because he said he could not bear to order a white man about, but the terms of his ordering George were those of the softest entreaty which command ever wore. He loved to rely upon George, who was such a broken reed in some things, though so stanch in others, and the fervent Republican in politics that Clemens then liked him to be. He could interpret Clemens's meaning to the public without conveying his mood, and could render his roughest answer smooth to the person denied his presence. His general instructions were that this presence was to be denied all but personal friends, but the soft heart of George was sometimes touched by importunity, and once he came up into the billiard-room saying that Mr. Smith wished to see Clemens. Upon inquiry, Mr. Smith developed no ties of friendship, and Clemens said, "You go and tell Mr. Smith that I wouldn't come down to see the Twelve Apostles." George turned from the threshold where he had kept himself, and framed a paraphrase of this message which apparently sent Mr. Smith away content with himself and all the rest of the world.

The part of him that was Western in his Southwestern origin Clemens kept to the end, but he was the most desouthernized Southerner I ever knew. No man more perfectly sensed and more entirely abhorred slavery, and no one has ever poured such scorn upon the second-hand, Walter-Scotticized, pseudo-chivalry of the Southern ideal. He held himself responsible for the wrong which the white race had done the black race in slavery, and he explained, in paying the way of a negro student through Yale, that he was doing it as his part of the reparation due from every white to every black man. He said he had never seen this student, nor ever wished to see him or know his name; it was quite enough that he was a negro. About that time a colored cadet was expelled from West Point for some point of conduct "unbecoming an officer and gentleman," and there was the usual shabby philosophy in a portion of the press to the effect that a negro could never feel the claim of honor. The man was fifteen parts white, but, "Oh yes," Clemens said, with bitter irony, "it was that one part black that undid him." It made him a "nigger" and incapable of being a gentleman. It was to blame for the whole thing. The fifteen parts white were guiltless.

Clemens was entirely satisfied with the result of the Civil War, and he was eager to have its facts and meanings brought out at once in history. He ridiculed the notion, held by many, that "it was not yet time" to philosophize the events of the great struggle; that we must "wait till its passions had cooled," and "the clouds of strife had cleared away." He maintained that the time would never come when we should see its motives and men and deeds more clearly, and that now, now, was the hour to ascertain them in lasting verity. Picturesquely and dramatically he portrayed the imbecility of deferring the inquiry at any point to the distance of future years when inevitably the facts would begin to put on fable.

He had powers of sarcasm and a relentless rancor in his contempt which those who knew him best appreciated most. The late Noah Brooks, who had been in California at the beginning of Clemens's career, and had witnessed the effect of his ridicule before he had learned to temper it, once said to me that he would rather have any one else in the world down on him than Mark Twain. But as Clemens grew older he grew more merciful, not to the wrong, but to the men who were in it. The wrong was often the source of his wildest drolling. He considered it in such hopelessness of ever doing it justice that his despair broke in laughter.



X.

I go back to that house in Hartford, where I was so often a happy guest, with tenderness for each of its endearing aspects. Over the chimney in the library which had been cured of smoking by so much art and science, Clemens had written in perennial brass the words of Emerson, "The ornament of a house is the friends who frequent it," and he gave his guests a welcome of the simplest and sweetest cordiality: but I must not go aside to them from my recollections of him, which will be of sufficient garrulity, if I give them as fully as I wish. The windows of the library looked northward from the hillside above which the house stood, and over the little valley with the stream in it, and they showed the leaves of the trees that almost brushed them as in a Claude Lorraine glass. To the eastward the dining-room opened amply, and to the south there was a wide hall, where the voices of friends made themselves heard as they entered without ceremony and answered his joyous hail. At the west was a little semicircular conservatory of a pattern invented by Mrs. Harriet Beecher Stowe, and adopted in most of the houses of her kindly neighborhood. The plants were set in the ground, and the flowering vines climbed up the sides and overhung the roof above the silent spray of a fountain companied by callas and other water-loving lilies. There, while we breakfasted, Patrick came in from the barn and sprinkled the pretty bower, which poured out its responsive perfume in the delicate accents of its varied blossoms. Breakfast was Clemens's best meal, and he sat longer at his steak and coffee than at the courses of his dinner; luncheon was nothing to him, unless, as might happen, he made it his dinner, and reserved the later repast as the occasion of walking up and down the room, and discoursing at large on anything that came into his head. Like most good talkers, he liked other people to have their say; he did not talk them down; he stopped instantly at another's remark and gladly or politely heard him through; he even made believe to find suggestion or inspiration in what was said. His children came to the table, as I have told, and after dinner he was apt to join his fine tenor to their trebles in singing.

Fully half our meetings were at my house in Cambridge, where he made himself as much at home as in Hartford. He would come ostensibly to stay at the Parker House, in Boston, and take a room, where he would light the gas and leave it burning, after dressing, while he drove out to Cambridge and stayed two or three days with us. Once, I suppose it was after a lecture, he came in evening dress and passed twenty-four hours with us in that guise, wearing an overcoat to hide it when we went for a walk. Sometimes he wore the slippers which he preferred to shoes at home, and if it was muddy, as it was wont to be in Cambridge, he would put a pair of rubbers over them for our rambles. He liked the lawlessness and our delight in allowing it, and he rejoiced in the confession of his hostess, after we had once almost worn ourselves out in our pleasure with the intense talk, with the stories and the laughing, that his coming almost killed her, but it was worth it.

In those days he was troubled with sleeplessness, or, rather, with reluctant sleepiness, and he had various specifics for promoting it. At first it had been champagne just before going to bed, and we provided that, but later he appeared from Boston with four bottles of lager-beer under his arms; lager-beer, he said now, was the only thing to make you go to sleep, and we provided that. Still later, on a visit I paid him at Hartford, I learned that hot Scotch was the only soporific worth considering, and Scotch-whiskey duly found its place on our sideboard. One day, very long afterward, I asked him if he were still taking hot Scotch to make him sleep. He said he was not taking anything. For a while he had found going to bed on the bath-room floor a soporific; then one night he went to rest in his own bed at ten o'clock, and had gone promptly to sleep without anything. He had done the like with the like effect ever since. Of course, it amused him; there were few experiences of life, grave or gay, which did not amuse him, even when they wronged him.

He came on to Cambridge in April, 1875, to go with me to the centennial ceremonies at Concord in celebration of the battle of the Minute Men with the British troops a hundred years before. We both had special invitations, including passage from Boston; but I said, Why bother to go into Boston when we could just as well take the train for Concord at the Cambridge station? He equally decided that it would be absurd; so we breakfasted deliberately, and then walked to the station, reasoning of many things as usual. When the train stopped, we found it packed inside and out. People stood dense on the platforms of the cars; to our startled eyes they seemed to project from the windows, and unless memory betrays me they lay strewn upon the roofs like brakemen slain at the post of duty.

Whether this was really so or not, it is certain that the train presented an impenetrable front even to our imagination, and we left it to go its way without the slightest effort to board. We remounted the fame-worn steps of Porter's Station, and began exploring North Cambridge for some means of transportation overland to Concord, for we were that far on the road by which the British went and came on the day of the battle. The liverymen whom we appealed to received us, some with compassion, some with derision, but in either mood convinced us that we could not have hired a cat to attempt our conveyance, much less a horse, or vehicle of any description. It was a raw, windy day, very unlike the exceptionally hot April day when the routed redcoats, pursued by the Colonials, fled panting back to Boston, with "their tongues hanging out like dogs," but we could not take due comfort in the vision of their discomfiture; we could almost envy them, for they had at least got to Concord. A swift procession of coaches, carriages, and buggies, all going to Concord, passed us, inert and helpless, on the sidewalk in the peculiarly cold mud of North Cambridge. We began to wonder if we might not stop one of them and bribe it to take us, but we had not the courage to try, and Clemens seized the opportunity to begin suffering with an acute indigestion, which gave his humor a very dismal cast. I felt keenly the shame of defeat, and the guilt of responsibility for our failure, and when a gay party of students came toward us on the top of a tally ho, luxuriously empty inside, we felt that our chance had come, and our last chance. He said that if I would stop them and tell them who I was they would gladly, perhaps proudly, give us passage; I contended that if with his far vaster renown he would approach them, our success would be assured. While we stood, lost in this "contest of civilities," the coach passed us, with gay notes blown from the horns of the students, and then Clemens started in pursuit, encouraged with shouts from the merry party who could not imagine who was trying to run them down, to a rivalry in speed. The unequal match could end only in one way, and I am glad I cannot recall what he said when he came back to me. Since then I have often wondered at the grief which would have wrung those blithe young hearts if they could have known that they might have had the company of Mark Twain to Concord that day and did not.

We hung about, unavailingly, in the bitter wind a while longer, and then slowly, very slowly, made our way home. We wished to pass as much time as possible, in order to give probability to the deceit we intended to practise, for we could not bear to own ourselves baffled in our boasted wisdom of taking the train at Porter's Station, and had agreed to say that we had been to Concord and got back. Even after coming home to my house, we felt that our statement would be wanting in verisimilitude without further delay, and we crept quietly into my library, and made up a roaring fire on the hearth, and thawed ourselves out in the heat of it before we regained our courage for the undertaking. With all these precautions we failed, for when our statement was imparted to the proposed victim she instantly pronounced it unreliable, and we were left with it on our hands intact. I think the humor of this situation was finally a greater pleasure to Clemens than an actual visit to Concord would have been; only a few weeks before his death he laughed our defeat over with one of my family in Bermuda, and exulted in our prompt detection.



XI.

From our joint experience in failing I argue that Clemens's affection for me must have been great to enable him to condone in me the final defection which was apt to be the end of our enterprises. I have fancied that I presented to him a surface of such entire trustworthiness that he could not imagine the depths of unreliability beneath it; and that never realizing it, he always broke through with fresh surprise but unimpaired faith. He liked, beyond all things, to push an affair to the bitter end, and the end was never too bitter unless it brought grief or harm to another. Once in a telegraph office at a railway station he was treated with such insolent neglect by the young lady in charge, who was preoccupied in a flirtation with a "gentleman friend," that emulous of the public spirit which he admired in the English, he told her he should report her to her superiors, and (probably to her astonishment) he did so. He went back to Hartford, and in due time the poor girl came to me in, terror and in tears; for I had abetted Clemens in his action, and had joined my name to his in his appeal to the authorities. She was threatened with dismissal unless she made full apology to him and brought back assurance of its acceptance. I felt able to give this, and, of course, he eagerly approved; I think he telegraphed his approval. Another time, some years afterward, we sat down together in places near the end of a car, and a brakeman came in looking for his official note- book. Clemens found that he had sat down upon it, and handed it to him; the man scolded him very abusively, and came back again and again, still scolding him for having no more sense than to sit down on a note-book. The patience of Clemens in bearing it was so angelic that I saw fit to comment, "I suppose you will report this fellow." "Yes," he answered, slowly and sadly. "That's what I should have done once. But now I remember that he gets twenty dollars a month."

Nothing could have been wiser, nothing tenderer, and his humanity was not for humanity alone. He abhorred the dull and savage joy of the sportsman in a lucky shot, an unerring aim, and once when I met him in the country he had just been sickened by the success of a gunner in bringing down a blackbird, and he described the poor, stricken, glossy thing, how it lay throbbing its life out on the grass, with such pity as he might have given a wounded child. I find this a fit place to say that his mind and soul were with those who do the hard work of the world, in fear of those who give them a chance for their livelihoods and underpay them all they can. He never went so far in socialism as I have gone, if he went that way at all, but he was fascinated with Looking Backward and had Bellamy to visit him; and from the first he had a luminous vision of organized labor as the only present help for working-men. He would show that side with such clearness and such force that you could not say anything in hopeful contradiction; he saw with that relentless insight of his that with Unions was the working-man's only present hope of standing up like a man against money and the power of it. There was a time when I was afraid that his eves were a little holden from the truth; but in the very last talk I heard from him I found that I was wrong, and that this great humorist was as great a humanist as ever. I wish that all the work-folk could know this, and could know him their friend in life as he was in literature; as he was in such a glorious gospel of equality as the 'Connecticut Yankee in King Arthur's Court.'



XII.

Whether I will or no I must let things come into my story thoughtwise, as he would have let them, for I cannot remember them in their order. One night, while we were giving a party, he suddenly stormed in with a friend of his and mine, Mr. Twichell, and immediately began to eat and drink of our supper, for they had come straight to our house from walking to Boston, or so great a part of the way as to be a-hungered and a-thirst. I can see him now as he stood up in the midst of our friends, with his head thrown back, and in his hand a dish of those escalloped oysters without which no party in Cambridge was really a party, exulting in the tale of his adventure, which had abounded in the most original characters and amusing incidents at every mile of their progress. They had broken their journey with a night's rest, and they had helped themselves lavishly out by rail in the last half; but still it had been a mighty walk to do in two days. Clemens was a great walker, in those years, and was always telling of his tramps with Mr. Twichell to Talcott's Tower, ten miles out of Hartford. As he walked of course he talked, and of course he smoked. Whenever he had been a few days with us, the whole house had to be aired, for he smoked all over it from breakfast to bedtime. He always went to bed with a cigar in his mouth, and sometimes, mindful of my fire insurance, I went up and took it away, still burning, after he had fallen asleep. I do not know how much a man may smoke and live, but apparently he smoked as much as a man could, for he smoked incessantly.

He did not care much to meet people, as I fancied, and we were greedy of him for ourselves; he was precious to us; and I would not have exposed him to the critical edge of that Cambridge acquaintance which might not have appreciated him at, say, his transatlantic value. In America his popularity was as instant as it was vast. But it must be acknowledged that for a much longer time here than in England polite learning hesitated his praise. In England rank, fashion, and culture rejoiced in him. Lord mayors, lord chief justices, and magnates of many kinds were his hosts; he was desired in country houses, and his bold genius captivated the favor of periodicals which spurned the rest of our nation. But in his own country it was different. In proportion as people thought themselves refined they questioned that quality which all recognize in him now, but which was then the inspired knowledge of the simple-hearted multitude. I went with him to see Longfellow, but I do not think Longfellow made much of him, and Lowell made less. He stopped as if with the long Semitic curve of Clemens's nose, which in the indulgence of his passion for finding every one more or less a Jew he pronounced unmistakably racial. It was two of my most fastidious Cambridge friends who accepted him with the English, the European entirety—namely, Charles Eliot Norton and Professor Francis J. Child. Norton was then newly back from a long sojourn abroad, and his judgments were delocalized. He met Clemens as if they had both been in England, and rejoiced in his bold freedom from environment, and in the rich variety and boundless reach of his talk. Child was of a personal liberty as great in its fastidious way as that of Clemens himself, and though he knew him only at second hand, he exulted in the most audacious instance of his grotesquery, as I shall have to tell by-and-by, almost solely. I cannot say just why Clemens seemed not to hit the favor of our community of scribes and scholars, as Bret Harte had done, when he came on from California, and swept them before him, disrupting their dinners and delaying their lunches with impunity; but it is certain he did not, and I had better say so.

I am surprised to find from the bibliographical authorities that it was so late as 1875 when he came with the manuscript of Tom Sawyer, and asked me to read it, as a friend and critic, and not as an editor. I have an impression that this was at Mrs. Clemens's instance in his own uncertainty about printing it. She trusted me, I can say with a satisfaction few things now give me, to be her husband's true and cordial adviser, and I was so. I believe I never failed him in this part, though in so many of our enterprises and projects I was false as water through my temperamental love of backing out of any undertaking. I believe this never ceased to astonish him, and it has always astonished me; it appears to me quite out of character; though it is certain that an undertaking, when I have entered upon it, holds me rather than I it. But however this immaterial matter may be, I am glad to remember that I thoroughly liked Tom Sawyer, and said so with every possible amplification. Very likely, I also made my suggestions for its improvement; I could not have been a real critic without that; and I have no doubt they were gratefully accepted and, I hope, never acted upon. I went with him to the horse-car station in Harvard Square, as my frequent wont was, and put him aboard a car with his MS. in his hand, stayed and reassured, so far as I counted, concerning it. I do not know what his misgivings were; perhaps they were his wife's misgivings, for she wished him to be known not only for the wild and boundless humor that was in him, but for the beauty and tenderness and "natural piety"; and she would not have had him judged by a too close fidelity to the rude conditions of Tom Sawyer's life. This is the meaning that I read into the fact of his coming to me with those doubts.



XIII.

Clemens had then and for many years the habit of writing to me about what he was doing, and still more of what he was experiencing. Nothing struck his imagination, in or out of the daily routine, but he wished to write me of it, and he wrote with the greatest fulness and a lavish dramatization, sometimes to the length of twenty or forty pages, so that I have now perhaps fifteen hundred pages of his letters. They will no doubt some day be published, but I am not even referring to them in these records, which I think had best come to the reader with an old man's falterings and uncertainties. With his frequent absences and my own abroad, and the intrusion of calamitous cares, the rich tide of his letters was more and more interrupted. At times it almost ceased, and then it would come again, a torrent. In the very last weeks of his life he burst forth, and, though too weak himself to write, he dictated his rage with me for recommending to him a certain author whose truthfulness he could not deny, but whom he hated for his truthfulness to sordid and ugly conditions. At heart Clemens was romantic, and he would have had the world of fiction stately and handsome and whatever the real world was not; but he was not romanticistic, and he was too helplessly an artist not to wish his own work to show life as he had seen it. I was preparing to rap him back for these letters when I read that he had got home to die; he would have liked the rapping back.

He liked coming to Boston, especially for those luncheons and dinners in which the fertile hospitality of our publisher, Osgood, abounded. He dwelt equidistant from Boston and New York, and he had special friends in New York, but he said he much preferred coming to Boston; of late years he never went there, and he had lost the habit of it long before he came home from Europe to live in New York. At these feasts, which were often of after-dinner-speaking measure, he could always be trusted for something of amazing delightfulness. Once, when Osgood could think of no other occasion for a dinner, he gave himself a birthday dinner, and asked his friends and authors. The beautiful and splendid trooper-like blaring was there, and I recall how in the long, rambling speech in which Clemens went round the table hitting every head at it, and especially visiting Osgood with thanks for his ingenious pretext for our entertainment, he congratulated blaring upon his engineering genius and his hypnotic control of municipal governments. He said that if there was a plan for draining a city at a cost of a million, by seeking the level of the water in the down-hill course of the sewers, blaring would come with a plan to drain that town up-hill at twice the cost and carry it through the Common Council without opposition. It is hard to say whether the time was gladder at these dinners, or at the small lunches at which Osgood and Aldrich and I foregathered with him and talked the afternoon away till well toward the winter twilight.

He was a great figure, and the principal figure, at one of the first of the now worn-out Authors' Readings, which was held in the Boston Museum to aid a Longfellow memorial. It was the late George Parsons Lathrop (everybody seems to be late in these sad days) who imagined the reading, but when it came to a price for seats I can always claim the glory of fixing it at five dollars. The price if not the occasion proved irresistible, and the museum was packed from the floor to the topmost gallery. Norton presided, and when it came Clemens's turn to read he introduced him with such exquisite praises as he best knew how to give, but before he closed he fell a prey to one of those lapses of tact which are the peculiar peril of people of the greatest tact. He was reminded of Darwin's delight in Mark Twain, and how when he came from his long day's exhausting study, and sank into bed at midnight, he took up a volume of Mark Twain, whose books he always kept on a table beside him, and whatever had been his tormenting problem, or excess of toil, he felt secure of a good night's rest from it. A sort of blank ensued which Clemens filled in the only possible way. He said he should always be glad that he had contributed to the repose of that great man, whom science owed so much, and then without waiting for the joy in every breast to burst forth, he began to read. It was curious to watch his triumph with the house. His carefully studied effects would reach the first rows in the orchestra first, and ripple in laughter back to the standees against the wall, and then with a fine resurgence come again to the rear orchestra seats, and so rise from gallery to gallery till it fell back, a cataract of applause from the topmost rows of seats. He was such a practised speaker that he knew all the stops of that simple instrument man, and there is no doubt that these results were accurately intended from his unerring knowledge. He was the most consummate public performer I ever saw, and it was an incomparable pleasure to hear him lecture; on the platform he was the great and finished actor which he probably would not have been on the stage. He was fond of private theatricals, and liked to play in them with his children and their friends, in dramatizations of such stories of his as 'The Prince and the Pauper;' but I never saw him in any of these scenes. When he read his manuscript to you, it was with a thorough, however involuntary, recognition of its dramatic qualities; he held that an actor added fully half to the character the author created. With my own hurried and half- hearted reading of passages which I wished to try on him from unprinted chapters (say, out of 'The Undiscovered Country' or 'A Modern Instance') he said frankly that my reading could spoil anything. He was realistic, but he was essentially histrionic, and he was rightly so. What we have strongly conceived we ought to make others strongly imagine, and we ought to use every genuine art to that end.



XIV.

There came a time when the lecturing which had been the joy of his prime became his loathing, loathing unutterable, and when he renounced it with indescribable violence. Yet he was always hankering for those fleshpots whose savor lingered on his palate and filled his nostrils after his withdrawal from the platform. The Authors' Readings when they had won their brief popularity abounded in suggestion for him. Reading from one's book was not so bad as giving a lecture written for a lecture's purpose, and he was willing at last to compromise. He had a magnificent scheme for touring the country with Aldrich and Mr. G. W. Cable and myself, in a private car, with a cook of our own, and every facility for living on the fat of the land. We should read only four times a week, in an entertainment that should not last more than an hour and a half. He would be the impresario, and would guarantee us others at least seventy- five dollars a day, and pay every expense of the enterprise, which he provisionally called the Circus, himself. But Aldrich and I were now no longer in those earlier thirties when we so cheerfully imagined 'Memorable Murders' for subscription publication; we both abhorred public appearances, and, at any rate, I was going to Europe for a year. So the plan fell through except as regarded Mr. Cable, who, in his way, was as fine a performer as Clemens, and could both read and sing the matter of his books. On a far less stupendous scale they two made the rounds of the great lecturing circuit together. But I believe a famous lecture- manager had charge of them and travelled with them.

He was a most sanguine man, a most amiable person, and such a believer in fortune that Clemens used to say of him, as he said of one of his early publishers, that you could rely upon fifty per cent. of everything he promised. I myself many years later became a follower of this hopeful prophet, and I can testify that in my case at least he was able to keep ninety-nine, and even a hundred, per cent. of his word. It was I who was much nearer failing of mine, for I promptly began to lose sleep from the nervous stress of my lecturing and from the gratifying but killing receptions afterward, and I was truly in that state from insomnia which Clemens recognized in the brief letter I got from him in the Western city, after half a dozen wakeful nights. He sardonically congratulated me on having gone into "the lecture field," and then he said: "I know where you are now. You are in hell."

It was this perdition which he re-entered when he undertook that round- the-world lecturing tour for the payment of the debts left to him by the bankruptcy of his firm in the publishing business. It was not purely perdition for him, or, rather, it was perdition for only one-half of him, the author-half; for the actor-half it was paradise. The author who takes up lecturing without the ability to give histrionic support to the literary reputation which he brings to the crude test of his reader's eyes and ears, invokes a peril and a misery unknown to the lecturer who has made his first public from the platform. Clemens was victorious on the platform from the beginning, and it would be folly to pretend that he did not exult in his triumphs there. But I suppose, with the wearing nerves of middle life, he hated more and more the personal swarming of interest upon him, and all the inevitable clatter of the thing. Yet he faced it, and he labored round our tiresome globe that he might pay the uttermost farthing of debts which he had not knowingly contracted, the debts of his partners who had meant well and done ill, not because they were evil, but because they were unwise, and as unfit for their work as he was. "Pay what thou owest." That is right, even when thou owest it by the error of others, and even when thou owest it to a bank, which had not lent it from love of thee, but in the hard line of business and thy need.

Clemens's behavior in this matter redounded to his glory among the nations of the whole earth, and especially in this nation, so wrapped in commerce and so little used to honor among its many thieves. He had behaved like Walter Scott, as millions rejoiced to know, who had not known how Walter Scott had behaved till they knew it was like Clemens. No doubt it will be put to his credit in the books of the Recording Angel, but what the Judge of all the Earth will say of it at the Last Day there is no telling. I should not be surprised if He accounted it of less merit than some other things that Clemens did and was: less than his abhorrence of the Spanish War, and the destruction of the South-African republics, and our deceit of the Filipinos, and his hate of slavery, and his payment of his portion of our race's debt to the race of the colored student whom he saw through college, and his support of a poor artist for three years in Paris, and his loan of opportunity to the youth who became the most brilliant of our actor-dramatists, and his eager pardon of the thoughtless girl who was near paying the penalty of her impertinence with the loss of her place, and his remembering that the insolent brakeman got so few dollars a month, and his sympathy for working-men standing up to money in their Unions, and even his pity for the wounded bird throbbing out its little life on the grass for the pleasure of the cruel fool who shot it. These and the thousand other charities and beneficences in which he abounded, openly or secretly, may avail him more than the discharge of his firm's liabilities with the Judge of all the Earth, who surely will do right, but whose measures and criterions no man knows, and I least of all men.

He made no great show of sympathy with people in their anxieties, but it never failed, and at a time when I lay sick for many weeks his letters were of comfort to those who feared I might not rise again. His hand was out in help for those who needed help, and in kindness for those who needed kindness. There remains in my mind the dreary sense of a long, long drive to the uttermost bounds of the South End at Boston, where he went to call upon some obscure person whose claim stretched in a lengthening chain from his early days in Missouri—a most inadequate person, in whose vacuity the gloom of the dull day deepened till it was almost too deep for tears. He bore the ordeal with grim heroism, and silently smoked away the sense of it, as we drove back to Cambridge, in his slippered feet, sombrely musing, sombrely swearing. But he knew he had done the right, the kind thing, and he was content. He came the whole way from Hartford to go with me to a friendless play of mine, which Alessandro Salvini was giving in a series of matinees to houses never enlarging themselves beyond the count of the brave two hundred who sat it through, and he stayed my fainting spirit with a cheer beyond flagons, joining me in my joke at the misery of it, and carrying the fun farther.

Before that he had come to witness the aesthetic suicide of Anna Dickinson, who had been a flaming light of the political platform in the war days, and had been left by them consuming in a hapless ambition for the theatre. The poor girl had had a play written especially for her, and as Anne Boleyn she ranted and exhorted through the five acts, drawing ever nearer the utter defeat of the anticlimax. We could hardly look at each other for pity, Clemens sitting there in the box he had taken, with his shaggy head out over the corner and his slippered feet curled under him: he either went to a place in his slippers or he carried them with him, and put them on as soon as he could put off his boots. When it was so that we could not longer follow her failure and live, he began to talk of the absolute close of her career which the thing was, and how probably she had no conception that it was the end. He philosophized the mercifulness of the fact, and of the ignorance of most of us, when mortally sick or fatally wounded. We think it is not the end, because we have never ended before, and we do not see how we can end. Some can push by the awful hour and live again, but for Anna Dickinson there could be, and was, no such palingenesis. Of course we got that solemn joy out of reading her fate aright which is the compensation of the wise spectator in witnessing the inexorable doom of others.

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