I made phrases to myself about the scenery as we drove along; and yes, I suppose I made phrases about the young girl who was one of the inside passengers, and who, when the common strangeness had somewhat worn off, began to sing, and sang most of the way to Concord. Perhaps she was not very sage, and I am sure she was not of the caste of Vere de Vere, but she was pretty enough, and she had a voice of a bird-like tunableness, so that I would not have her out of the memory of that pleasant journey if I could. She was long ago an elderly woman, if she lives, and I suppose she would not now point out her fellow-passenger if he strolled in the evening by the house where she had dismounted, upon her arrival in Concord, and laugh and pull another girl away from the window, in the high excitement of the prodigious adventure.



XV.

Her fellow-passenger was in far other excitement; he was to see Hawthorne, and in a manner to meet Priscilla and Zenobia, and Hester Prynne and little Pearl, and Miriam and Hilda, and Hollingsworth and Coverdale, and Chillingworth and Dimmesdale, and Donatello and Kenyon; and he had no heart for any such poor little reality as that, who could not have been got into any story that one could respect, and must have been difficult even in a Heinesque poem.

I wasted that whole evening and the next morning in fond delaying, and it was not until after the indifferent dinner I got at the tavern where I stopped, that I found courage to go and present Lowell's letter to Hawthorne. I would almost have foregone meeting the weird genius only to have kept that letter, for it said certain infinitely precious things of me with such a sweetness, such a grace, as Lowell alone could give his praise. Years afterwards, when Hawthorne was dead, I met Mrs. Hawthorne, and told her of the pang I had in parting with it, and she sent it me, doubly enriched by Hawthorne's keeping. But now if I were to see him at all I must give up my letter, and I carried it in my hand to the door of the cottage he called The Wayside. It was never otherwise than a very modest place, but the modesty was greater then than to-day, and there was already some preliminary carpentry at one end of the cottage, which I saw was to result in an addition to it. I recall pleasant fields across the road before it; behind rose a hill wooded with low pines, such as is made in Septimius Felton the scene of the involuntary duel between Septimius and the young British officer. I have a sense of the woods coming quite down to the house, but if this was so I do not know what to do with a grassy slope which seems to have stretched part way up the hill. As I approached, I looked for the tower which the author was fabled to climb into at sight of the coming guest, and pull the ladder up after him; and I wondered whether he would fly before me in that sort, or imagine some easier means of escaping me.

The door was opened to my ring by a tall handsome boy whom I suppose to have been Mr. Julian Hawthorne; and the next moment I found myself in the presence of the romancer, who entered from some room beyond. He advanced carrying his head with a heavy forward droop, and with a pace for which I decided that the word would be pondering. It was the pace of a bulky man of fifty, and his head was that beautiful head we all know from the many pictures of it. But Hawthorne's look was different from that of any picture of him that I have seen. It was sombre and brooding, as the look of such a poet should have been; it was the look of a man who had dealt faithfully and therefore sorrowfully with that problem of evil which forever attracted, forever evaded Hawthorne. It was by no means troubled; it was full of a dark repose. Others who knew him better and saw him oftener were familiar with other aspects, and I remember that one night at Longfellow's table, when one of the guests happened to speak of the photograph of Hawthorne which hung in a corner of the room, Lowell said, after a glance at it, "Yes, it's good; but it hasn't his fine 'accipitral' [pertaining to the look of a bird of prey; hawklike. D.W.] look."

In the face that confronted me, however, there was nothing of keen alertness; but only a sort of quiet, patient intelligence, for which I seek the right word in vain. It was a very regular face, with beautiful eyes; the mustache, still entirely dark, was dense over the fine mouth. Hawthorne was dressed in black, and he had a certain effect which I remember, of seeming to have on a black cravat with no visible collar. He was such a man that if I had ignorantly met him anywhere I should have instantly felt him to be a personage.

I must have given him the letter myself, for I have no recollection of parting with it before, but I only remember his offering me his hand, and making me shyly and tentatively welcome. After a few moments of the demoralization which followed his hospitable attempts in me, he asked if I would not like to go up on his hill with him and sit there, where he smoked in the afternoon. He offered me a cigar, and when I said that I did not smoke, he lighted it for himself, and we climbed the hill together. At the top, where there was an outlook in the pines over the Concord meadows, we found a log, and he invited me to a place on it beside him, and at intervals of a minute or so he talked while he smoked. Heaven preserved me from the folly of trying to tell him how much his books had been to me, and though we got on rapidly at no time, I think we got on better for this interposition. He asked me about Lowell, I dare say, for I told him of my joy in meeting him and Doctor Holmes, and this seemed greatly to interest him. Perhaps because he was so lately from Europe, where our great men are always seen through the wrong end of the telescope, he appeared surprised at my devotion, and asked me whether I cared as much for meeting them as I should care for meeting the famous English authors. I professed that I cared much more, though whether this was true, I now have my doubts, and I think Hawthorne doubted it at the time. But he said nothing in comment, and went on to speak generally of Europe and America. He was curious about the West, which be seemed to fancy much more purely American, and said he would like to see some part of the country on which the shadow (or, if I must be precise, the damned shadow) of Europe had not fallen. I told him I thought the West must finally be characterized by the Germans, whom we had in great numbers, and, purely from my zeal for German poetry, I tried to allege some proofs of their present influence, though I could think of none outside of politics, which I thought they affected wholesomely. I knew Hawthorne was a Democrat, and I felt it well to touch politics lightly, but he had no more to say about the fateful election then pending than Holmes or Lowell had.

With the abrupt transition of his talk throughout, he began somehow to speak of women, and said he had never seen a woman whom he thought quite beautiful. In the same way he spoke of the New England temperament, and suggested that the apparent coldness in it was also real, and that the suppression of emotion for generations would extinguish it at last. Then he questioned me as to my knowledge of Concord, and whether I had seen any of the notable people. I answered that I had met no one but himself, as yet, but I very much wished to see Emerson and Thoreau. I did not think it needful to say that I wished to see Thoreau quite as much because he had suffered in the cause of John Brown as because he had written the books which had taken me; and when he said that Thoreau prided himself on coming nearer the heart of a pine-tree than any other human being, I could say honestly enough that I would rather come near the heart of a man. This visibly pleased him, and I saw that it did not displease him, when he asked whether I was not going to see his next neighbor, Mr. Alcott, and I confessed that I had never heard of him. That surprised as well as pleased him; be remarked, with whatever intention, that there was nothing like recognition to make a man modest; and he entered into some account of the philosopher, whom I suppose I need not be much ashamed of not knowing then, since his influence was of the immediate sort that makes a man important to his townsmen while he is still strange to his countrymen.

Hawthorne descanted a little upon the landscape, and said certain of the pleasant fields below us be longed to him; but he preferred his hill-top, and if he could have his way those arable fields should be grown up to pines too. He smoked fitfully, and slowly, and in the hour that we spent together, his whiffs were of the desultory and unfinal character of his words. When we went down, he asked me into his house again, and would have me stay to tea, for which we found the table laid. But there was a great deal of silence in it all, and at times, in spite of his shadowy kindness, I felt my spirits sink. After tea, he showed me a book case, where there were a few books toppling about on the half-filled shelves, and said, coldly, "This is my library." I knew that men were his books, and though I myself cared for books so much, I found it fit and fine that he should care so little, or seem to care so little. Some of his own romances were among the volumes on these shelves, and when I put my finger on the 'Blithedale Romance' and said that I preferred that to the others, his face lighted up, and he said that he believed the Germans liked that best too.

Upon the whole we parted such good friends that when I offered to take leave he asked me how long I was to be in Concord, and not only bade me come to see him again, but said he would give me a card to Emerson, if I liked. I answered, of course, that I should like it beyond all things; and he wrote on the back of his card something which I found, when I got away, to be, "I find this young man worthy." The quaintness, the little stiffness of it, if one pleases to call it so, was amusing to one who was not without his sense of humor, but the kindness filled me to the throat with joy. In fact, I entirely liked Hawthorne. He had been as cordial as so shy a man could show himself; and I perceived, with the repose that nothing else can give, the entire sincerity of his soul.

Nothing could have been further from the behavior of this very great man than any sort of posing, apparently, or a wish to affect me with a sense of his greatness. I saw that he was as much abashed by our encounter as I was; he was visibly shy to the point of discomfort, but in no ignoble sense was he conscious, and as nearly as he could with one so much his younger he made an absolute equality between us. My memory of him is without alloy one of the finest pleasures of my life: In my heart I paid him the same glad homage that I paid Lowell and Holmes, and he did nothing to make me think that I had overpaid him. This seems perhaps very little to say in his praise, but to my mind it is saying everything, for I have known but few great men, especially of those I met in early life, when I wished to lavish my admiration upon them, whom I have not the impression of having left in my debt. Then, a defect of the Puritan quality, which I have found in many New-Englanders, is that, wittingly or unwittingly, they propose themselves to you as an example, or if not quite this, that they surround themselves with a subtle ether of potential disapprobation, in which, at the first sign of unworthiness in you, they helplessly suffer you to gasp and perish; they have good hearts, and they would probably come to your succor out of humanity, if they knew how, but they do not know how. Hawthorne had nothing of this about him; he was no more tacitly than he was explicitly didactic. I thought him as thoroughly in keeping with his romances as Doctor Holmes had seemed with his essays and poems, and I met him as I had met the Autocrat in the supreme hour of his fame. He had just given the world the last of those incomparable works which it was to have finished from his hand; the 'Marble Faun' had worthily followed, at a somewhat longer interval than usual, the 'Blithedale Romance', and the 'House of Seven Gables', and the 'Scarlet Letter', and had, perhaps carried his name higher than all the rest, and certainly farther. Everybody was reading it, and more or less bewailing its indefinite close, but yielding him that full honor and praise which a writer can hope for but once in his life. Nobody dreamed that thereafter only precious fragments, sketches more or less faltering, though all with the divine touch in them, were further to enrich a legacy which in its kind is the finest the race has received from any mind. As I have said, we are always finding new Hawthornes, but the illusion soon wears away, and then we perceive that they were not Hawthornes at all; that he had some peculiar difference from them, which, by and-by, we shall no doubt consent must be his difference from all men evermore.

I am painfully aware that I have not summoned before the reader the image of the man as it has always stood in my memory, and I feel a sort of shame for my failure. He was so altogether simple that it seems as if it would be easy to do so; but perhaps a spirit from the other world would be simple too, and yet would no more stand at parle, or consent to be sketched, than Hawthorne. In fact, he was always more or less merging into the shadow, which was in a few years wholly to close over him; there was nothing uncanny in his presence, there was nothing even unwilling, but he had that apparitional quality of some great minds which kept Shakespeare largely unknown to those who thought themselves his intimates, and has at last left him a sort of doubt. There was nothing teasing or wilfully elusive in Hawthorne's impalpability, such as I afterwards felt in Thoreau; if he was not there to your touch, it was no fault of his; it was because your touch was dull, and wanted the use of contact with such natures. The hand passes through the veridical phantom without a sense of its presence, but the phantom is none the less veridical for all that.



XVI.

I kept the evening of the day I met Hawthorne wholly for the thoughts of him, or rather for that reverberation which continues in the young sensibilities after some important encounter. It must have been the next morning that I went to find Thoreau, and I am dimly aware of making one or two failures to find him, if I ever really found him at all.

He is an author who has fallen into that abeyance, awaiting all authors, great or small, at some time or another; but I think that with him, at least in regard to his most important book, it can be only transitory. I have not read the story of his hermitage beside Walden Pond since the year 1858, but I have a fancy that if I should take it up now, I should think it a wiser and truer conception of the world than I thought it then. It is no solution of the problem; men are not going to answer the riddle of the painful earth by building themselves shanties and living upon beans and watching ant-fights; but I do not believe Tolstoy himself has more clearly shown the hollowness, the hopelessness, the unworthiness of the life of the world than Thoreau did in that book. If it were newly written it could not fail of a far vaster acceptance than it had then, when to those who thought and felt seriously it seemed that if slavery could only be controlled, all things else would come right of themselves with us. Slavery has not only been controlled, but it has been destroyed, and yet things have not begun to come right with us; but it was in the order of Providence that chattel slavery should cease before industrial slavery, and the infinitely crueler and stupider vanity and luxury bred of it, should be attacked. If there was then any prevision of the struggle now at hand, the seers averted their eyes, and strove only to cope with the less evil. Thoreau himself, who had so clear a vision of the falsity and folly of society as we still have it, threw himself into the tide that was already, in Kansas and Virginia, reddened with war; he aided and abetted the John Brown raid, I do not recall how much or in what sort; and he had suffered in prison for his opinions and actions. It was this inevitable heroism of his that, more than his literature even, made me wish to see him and revere him; and I do not believe that I should have found the veneration difficult, when at last I met him in his insufficient person, if he had otherwise been present to my glowing expectation. He came into the room a quaint, stump figure of a man, whose effect of long trunk and short limbs was heightened by his fashionless trousers being let down too low. He had a noble face, with tossed hair, a distraught eye, and a fine aquilinity of profile, which made me think at once of Don Quixote and of Cervantes; but his nose failed to add that foot to his stature which Lamb says a nose of that shape will always give a man. He tried to place me geographically after he had given me a chair not quite so far off as Ohio, though still across the whole room, for he sat against one wall, and I against the other; but apparently he failed to pull himself out of his revery by the effort, for he remained in a dreamy muse, which all my attempts to say something fit about John Brown and Walden Pond seemed only to deepen upon him. I have not the least doubt that I was needless and valueless about both, and that what I said could not well have prompted an important response; but I did my poor best, and I was terribly disappointed in the result. The truth is that in those days I was a helplessly concrete young person, and all forms of the abstract, the air-drawn, afflicted me like physical discomforts. I do not remember that Thoreau spoke of his books or of himself at all, and when he began to speak of John Brown, it was not the warm, palpable, loving, fearful old man of my conception, but a sort of John Brown type, a John Brown ideal, a John Brown principle, which we were somehow (with long pauses between the vague, orphic phrases) to cherish, and to nourish ourselves upon.

It was not merely a defeat of my hopes, it was a rout, and I felt myself so scattered over the field of thought that I could hardly bring my forces together for retreat. I must have made some effort, vain and foolish enough, to rematerialize my old demigod, but when I came away it was with the feeling that there was very little more left of John Brown than there was of me. His body was not mouldering in the grave, neither was his soul marching on; his ideal, his type, his principle alone existed, and I did not know what to do with it. I am not blaming Thoreau; his words were addressed to a far other understanding than mine, and it was my misfortune if I could not profit by them. I think, or I venture to hope, that I could profit better by them now; but in this record I am trying honestly to report their effect with the sort of youth I was then.



XVII.

Such as I was, I rather wonder that I had the courage, after this experiment of Thoreau, to present the card Hawthorne had given me to Emerson. I must have gone to him at once, however, for I cannot make out any interval of time between my visit to the disciple and my visit to the master. I think it was Emerson himself who opened his door to me, for I have a vision of the fine old man standing tall on his threshold, with the card in his hand, and looking from it to me with a vague serenity, while I waited a moment on the door-step below him. He must then have been about sixty, but I remember nothing of age in his aspect, though I have called him an old man. His hair, I am sure, was still entirely dark, and his face had a kind of marble youthfulness, chiselled to a delicate intelligence by the highest and noblest thinking that any man has done. There was a strange charm in Emerson's eyes, which I felt then and always, something like that I saw in Lincoln's, but shyer, but sweeter and less sad. His smile was the very sweetest I have ever beheld, and the contour of the mask and the line of the profile were in keeping with this incomparable sweetness of the mouth, at once grave and quaint, though quaint is not quite the word for it either, but subtly, not unkindly arch, which again is not the word.

It was his great fortune to have been mostly misunderstood, and to have reached the dense intelligence of his fellow-men after a whole lifetime of perfectly simple and lucid appeal, and his countenance expressed the patience and forbearance of a wise man content to bide his time. It would be hard to persuade people now that Emerson once represented to the popular mind all that was most hopelessly impossible, and that in a certain sort he was a national joke, the type of the incomprehensible, the byword of the poor paragrapher. He had perhaps disabused the community somewhat by presenting himself here and there as a lecturer, and talking face to face with men in terms which they could not refuse to find as clear as they were wise; he was more and more read, by certain persons, here and there; but we are still so far behind him in the reach of his far-thinking that it need not be matter of wonder that twenty years before his death he was the most misunderstood man in America. Yet in that twilight where he dwelt he loomed large upon the imagination; the minds that could not conceive him were still aware of his greatness. I myself had not read much of him, but I knew the essays he was printing in the Atlantic, and I knew certain of his poems, though by no means many; yet I had this sense of him, that he was somehow, beyond and above my ken, a presence of force and beauty and wisdom, uncompanioned in our literature. He had lately stooped from his ethereal heights to take part in the battle of humanity, and I suppose that if the truth were told he was more to my young fervor because he had said that John Brown had made the gallows glorious like the cross, than because he had uttered all those truer and wiser things which will still a hundred years hence be leading the thought of the world.

I do not know in just what sort he made me welcome, but I am aware of sitting with him in his study or library, and of his presently speaking of Hawthorne, whom I probably celebrated as I best could, and whom he praised for his personal excellence, and for his fine qualities as a neighbor. "But his last book," he added, reflectively, "is a mere mush," and I perceived that this great man was no better equipped to judge an artistic fiction than the groundlings who were then crying out upon the indefinite close of the Marble Faun. Apparently he had read it, as they had, for the story, but it seems to me now, if it did not seem to me then, that as far as the problem of evil was involved, the book must leave it where it found it. That is forever insoluble, and it was rather with that than with his more or less shadowy people that the romancer was concerned. Emerson had, in fact, a defective sense as to specific pieces of literature; he praised extravagantly, and in the wrong place, especially among the new things, and he failed to see the worth of much that was fine and precious beside the line of his fancy.

He began to ask me about the West, and about some unknown man in Michigan; who had been sending him poems, and whom he seemed to think very promising, though he has not apparently kept his word to do great things. I did not find what Emerson had to say of my section very accurate or important, though it was kindly enough, and just enough as to what the West ought to do in literature. He thought it a pity that a literary periodical which had lately been started in Cincinnati should be appealing to the East for contributions, instead of relying upon the writers nearer home; and he listened with what patience he could to my modest opinion that we had not the writers nearer home. I never was of those Westerners who believed that the West was kept out of literature by the jealousy of the East, and I tried to explain why we had not the men to write that magazine full in Ohio. He alleged the man in Michigan as one who alone could do much to fill it worthily, and again I had to say that I had never heard of him.

I felt rather guilty in my ignorance, and I had a notion that it did not commend me, but happily at this moment Mr. Emerson was called to dinner, and he asked me to come with him. After dinner we walked about in his "pleached garden" a little, and then we came again into his library, where I meant to linger only till I could fitly get away. He questioned me about what I had seen of Concord, and whom besides Hawthorne I had met, and when I told him only Thoreau, he asked me if I knew the poems of Mr. William Ellery Channing. I have known them since, and felt their quality, which I have gladly owned a genuine and original poetry; but I answered then truly that I knew them only from Poe's criticisms: cruel and spiteful things which I should be ashamed of enjoying as I once did.

"Whose criticisms?" asked Emerson.

"Poe's," I said again.

"Oh," he cried out, after a moment, as if he had returned from a far search for my meaning, "you mean the jingle-man!"

I do not know why this should have put me to such confusion, but if I had written the criticisms myself I do not think I could have been more abashed. Perhaps I felt an edge of reproof, of admonition, in a characterization of Poe which the world will hardly agree with; though I do not agree with the world about him, myself, in its admiration. At any rate, it made an end of me for the time, and I remained as if already absent, while Emerson questioned me as to what I had written in the Atlantic Monthly. He had evidently read none of my contributions, for he looked at them, in the bound volume of the magazine which he got down, with the effect of being wholly strange to them, and then gravely affixed my initials to each. He followed me to the door, still speaking of poetry, and as he took a kindly enough leave of me, he said one might very well give a pleasant hour to it now and then.

A pleasant hour to poetry! I was meaning to give all time and all eternity to poetry, and I should by no means have wished to find pleasure in it; I should have thought that a proof of inferior quality in the work; I should have preferred anxiety, anguish even, to pleasure. But if Emerson thought from the glance he gave my verses that I had better not lavish myself upon that kind of thing, unless there was a great deal more of me than I could have made apparent in our meeting, no doubt he was right. I was only too painfully aware of my shortcoming, but I felt that it was shorter-coming than it need have been. I had somehow not prospered in my visit to Emerson as I had with Hawthorne, and I came away wondering in what sort I had gone wrong. I was not a forth-putting youth, and I could not blame myself for anything in my approaches that merited withholding; indeed, I made no approaches; but as I must needs blame myself for something, I fell upon the fact that in my confused retreat from Emerson's presence I had failed in a certain slight point of ceremony, and I magnified this into an offence of capital importance. I went home to my hotel, and passed the afternoon in pure misery. I had moments of wild question when I debated whether it would be better to go back and own my error, or whether it would be better to write him a note, and try to set myself right in that way. But in the end I did neither, and I have since survived my mortal shame some forty years or more. But at the time it did not seem possible that I should live through the day with it, and I thought that I ought at least to go and confess it to Hawthorne, and let, him disown the wretch who had so poorly repaid the kindness of his introduction by such misbehavior. I did indeed walk down by the Wayside, in the cool of the evening, and there I saw Hawthorne for the last time. He was sitting on one of the timbers beside his cottage, and smoking with an air of friendly calm. I had got on very well with him, and I longed to go in, and tell him how ill I had got on with Emerson; I believed that though he cast me off, he would understand me, and would perhaps see some hope for me in another world, though there could be none in this.

But I had not the courage to speak of the affair to any one but Fields, to whom I unpacked my heart when I got back to Boston, and he asked me about my adventures in Concord. By this time I could see it in a humorous light, and I did not much mind his lying back in his chair and laughing and laughing, till I thought he would roll out of it. He perfectly conceived the situation, and got an amusement from it that I could get only through sympathy with him. But I thought it a favorable moment to propose myself as the assistant editor of the Atlantic Monthly, which I had the belief I could very well become, with advantage to myself if not to the magazine. He seemed to think so too; he said that if the place had not just been filled, I should certainly have had it; and it was to his recollection of this prompt ambition of mine that I suppose I may have owed my succession to a like vacancy some four years later. He was charmingly kind; he entered with the sweetest interest into the story of my economic life, which had been full of changes and chances already. But when I said very seriously that now I was tired of these fortuities, and would like to be settled in something, he asked, with dancing eyes,

"Why, how old are you?"

"I am twenty-three," I answered, and then the laughing fit took him again.

"Well," he said, "you begin young, out there!"

In my heart I did not think that twenty-three was so very young, but perhaps it was; and if any one were to say that I had been portraying here a youth whose aims were certainly beyond his achievements, who was morbidly sensitive, and if not conceited was intolerably conscious, who had met with incredible kindness, and had suffered no more than was good for him, though he might not have merited his pain any more than his joy, I do not know that I should gainsay him, for I am not at all sure that I was not just that kind of youth when I paid my first visit to New England.



LITERARY FRIENDS AND ACQUAINTANCES—First Impressions of Literary New York

by William Dean Howells



FIRST IMPRESSIONS OF LITERARY NEW YORK

It was by boat that I arrived from Boston, on an August morning of 1860, which was probably of the same quality as an August morning of 1900. I used not to mind the weather much in those days; it was hot or it was cold, it was wet or it was dry, but it was not my affair; and I suppose that I sweltered about the strange city, with no sense of anything very personal in the temperature, until nightfall. What I remember is being high up in a hotel long since laid low, listening in the summer dark, after the long day was done, to the Niagara roar of the omnibuses whose tide then swept Broadway from curb to curb, for all the miles of its length. At that hour the other city noises were stilled, or lost in this vaster volume of sound, which seemed to fill the whole night. It had a solemnity which the modern comer to New York will hardly imagine, for that tide of omnibuses has long since ebbed away, and has left the air to the strident discords of the elevated trains and the irregular alarum of the grip-car gongs, which blend to no such harmonious thunder as rose from the procession of those ponderous and innumerable vans. There was a sort of inner quiet in the sound, and when I chose I slept off to it, and woke to it in the morning refreshed and strengthened to explore the literary situation in the metropolis.



I.

Not that I think I left this to the second day. Very probably I lost no time in going to the office of the Saturday Press, as soon as I had my breakfast after arriving, and I have a dim impression of anticipating the earliest of the Bohemians, whose gay theory of life obliged them to a good many hardships in lying down early in the morning, and rising up late in the day. If it was the office-boy who bore me company during the first hour of my visit, by-and-by the editors and contributors actually began to come in. I would not be very specific about them if I could, for since that Bohemia has faded from the map of the republic of letters, it has grown more and more difficult to trace its citizenship to any certain writer. There are some living who knew the Bohemians and even loved them, but there are increasingly few who were of them, even in the fond retrospect of youthful follies and errors. It was in fact but a sickly colony, transplanted from the mother asphalt of Paris, and never really striking root in the pavements of New York; it was a colony of ideas, of theories, which had perhaps never had any deep root anywhere. What these ideas, these theories, were in art and in life, it would not be very easy to say; but in the Saturday Press they came to violent expression, not to say explosion, against all existing forms of respectability. If respectability was your 'bete noire', then you were a Bohemian; and if you were in the habit of rendering yourself in prose, then you necessarily shredded your prose into very fine paragraphs of a sentence each, or of a very few words, or even of one word. I believe this fashion prevailed till very lately with some of the dramatic critics, who thought that it gave a quality of epigram to the style; and I suppose it was borrowed from the more spasmodic moments of Victor Hugo by the editor of the Press. He brought it back with him when he came home from one of those sojourns in Paris which possess one of the French accent rather than the French language; I long desired to write in that fashion myself, but I had not the courage.

This editor was a man of such open and avowed cynicism that he may have been, for all I know, a kindly optimist at heart; some say, however, that he had really talked himself into being what he seemed. I only know that his talk, the first day I saw him, was of such a sort that if he was half as bad, he would have been too bad to be. He walked up and down his room saying what lurid things he would directly do if any one accused him of respectability, so that he might disabuse the minds of all witnesses. There were four or five of his assistants and contributors listening to the dreadful threats, which did not deceive even so great innocence as mine, but I do not know whether they found it the sorry farce that I did. They probably felt the fascination for him which I could not disown, in spite of my inner disgust; and were watchful at the same time for the effect of his words with one who was confessedly fresh from Boston, and was full of delight in the people he had seen there. It appeared, with him, to be proof of the inferiority of Boston that if you passed down Washington Street, half a dozen men in the crowd would know you were Holmes, or Lowell, or Longfellow, or Wendell Phillips; but in Broadway no one would know who you were, or care to the measure of his smallest blasphemy. I have since heard this more than once urged as a signal advantage of New York for the aesthetic inhabitant, but I am not sure, yet, that it is so. The unrecognized celebrity probably has his mind quite as much upon himself as if some one pointed him out, and otherwise I cannot think that the sense of neighborhood is such a bad thing for the artist in any sort. It involves the sense of responsibility, which cannot be too constant or too keen. If it narrows, it deepens; and this may be the secret of Boston.



II.

It would not be easy to say just why the Bohemian group represented New York literature to my imagination; for I certainly associated other names with its best work, but perhaps it was because I had written for the Saturday Press myself, and had my pride in it, and perhaps it was because that paper really embodied the new literary life of the city. It was clever, and full of the wit that tries its teeth upon everything. It attacked all literary shams but its own, and it made itself felt and feared. The young writers throughout the country were ambitious to be seen in it, and they gave their best to it; they gave literally, for the Saturday Press never paid in anything but hopes of paying, vaguer even than promises. It is not too much to say that it was very nearly as well for one to be accepted by the Press as to be accepted by the Atlantic, and for the time there was no other literary comparison. To be in it was to be in the company of Fitz James O'Brien, Fitzhugh Ludlow, Mr. Aldrich, Mr. Stedman, and whoever else was liveliest in prose or loveliest in verse at that day in New York. It was a power, and although it is true that, as Henry Giles said of it, "Man cannot live by snapping-turtle alone," the Press was very good snapping-turtle. Or, it seemed so then; I should be almost afraid to test it now, for I do not like snapping- turtle so much as I once did, and I have grown nicer in my taste, and want my snapping-turtle of the very best. What is certain is that I went to the office of the Saturday Press in New York with much the same sort of feeling I had in going to the office of the Atlantic Monthly in Boston, but I came away with a very different feeling. I had found there a bitterness against Boston as great as the bitterness against respectability, and as Boston was then rapidly becoming my second country, I could not join in the scorn thought of her and said of her by the Bohemians. I fancied a conspiracy among them to shock the literary pilgrim, and to minify the precious emotions he had experienced in visiting other shrines; but I found no harm in that, for I knew just how much to be shocked, and I thought I knew better how to value certain things of the soul than they. Yet when their chief asked me how I got on with Hawthorne, and I began to say that he was very shy and I was rather shy, and the king of Bohemia took his pipe out to break in upon me with "Oh, a couple of shysters!" and the rest laughed, I was abashed all they could have wished, and was not restored to myself till one of them said that the thought of Boston made him as ugly as sin; then I began to hope again that men who took themselves so seriously as that need not be taken very seriously by me.

In fact I had heard things almost as desperately cynical in other newspaper offices before that, and I could not see what was so distinctively Bohemian in these 'anime prave', these souls so baleful by their own showing. But apparently Bohemia was not a state that you could well imagine from one encounter, and since my stay in New York was to be very short, I lost no time in acquainting myself further with it. That very night I went to the beer-cellar, once very far up Broadway, where I was given to know that the Bohemian nights were smoked and quaffed away. It was said, so far West as Ohio, that the queen of Bohemia sometimes came to Pfaff's: a young girl of a sprightly gift in letters, whose name or pseudonym had made itself pretty well known at that day, and whose fate, pathetic at all times, out-tragedies almost any other in the history of letters. She was seized with hydrophobia from the bite of her dog, on a railroad train; and made a long journey home in the paroxysms of that agonizing disease, which ended in her death after she reached New York. But this was after her reign had ended, and no such black shadow was cast forward upon Pfaff's, whose name often figured in the verse and the epigrammatically paragraphed prose of the 'Saturday Press'. I felt that as a contributor and at least a brevet Bohemian I ought not to go home without visiting the famous place, and witnessing if I could not share the revels of my comrades. As I neither drank beer nor smoked, my part in the carousal was limited to a German pancake, which I found they had very good at Pfaff's, and to listening to the whirling words of my commensals, at the long board spread for the Bohemians in a cavernous space under the pavement. There were writers for the 'Saturday Press' and for Vanity Fair (a hopefully comic paper of that day), and some of the artists who drew for the illustrated periodicals. Nothing of their talk remains with me, but the impression remains that it was not so good talk as I had heard in Boston. At one moment of the orgy, which went but slowly for an orgy, we were joined by some belated Bohemians whom the others made a great clamor over; I was given to understand they were just recovered from a fearful debauch; their locks were still damp from the wet towels used to restore them, and their eyes were very frenzied. I was presented to these types, who neither said nor did anything worthy of their awful appearance, but dropped into seats at the table, and ate of the supper with an appetite that seemed poor. I stayed hoping vainly for worse things till eleven o'clock, and then I rose and took my leave of a literary condition that had distinctly disappointed me. I do not say that it may not have been wickeder and wittier than I found it; I only report what I saw and heard in Bohemia on my first visit to New York, and I know that my acquaintance with it was not exhaustive. When I came the next year the Saturday Press was no more, and the editor and his contributors had no longer a common centre. The best of the young fellows whom I met there confessed, in a pleasant exchange of letters which we had afterwards, that he thought the pose a vain and unprofitable one; and when the Press was revived, after the war, it was without any of the old Bohemian characteristics except that of not paying for material. It could not last long upon these terms, and again it passed away, and still waits its second palingenesis.

The editor passed away too, not long after, and the thing that he had inspired altogether ceased to be. He was a man of a certain sardonic power, and used it rather fiercely and freely, with a joy probably more apparent than real in the pain it gave. In my last knowledge of him he was much milder than when I first knew him, and I have the feeling that he too came to own before he died that man cannot live by snapping-turtle alone. He was kind to some neglected talents, and befriended them with a vigor and a zeal which he would have been the last to let you call generous. The chief of these was Walt Whitman, who, when the Saturday Press took it up, had as hopeless a cause with the critics on either side of the ocean as any man could have. It was not till long afterwards that his English admirers began to discover him, and to make his countrymen some noisy reproaches for ignoring him; they were wholly in the dark concerning him when the Saturday Press, which first stood his friend, and the young men whom the Press gathered about it, made him their cult. No doubt he was more valued because he was so offensive in some ways than he would have been if he had been in no way offensive, but it remains a fact that they celebrated him quite as much as was good for them. He was often at Pfaff's with them, and the night of my visit he was the chief fact of my experience. I did not know he was there till I was on my way out, for he did not sit at the table under the pavement, but at the head of one farther into the room. There, as I passed, some friendly fellow stopped me and named me to him, and I remember how he leaned back in his chair, and reached out his great hand to me, as if he were going to give it me for good and all. He had a fine head, with a cloud of Jovian hair upon it, and a branching beard and mustache, and gentle eyes that looked most kindly into mine, and seemed to wish the liking which I instantly gave him, though we hardly passed a word, and our acquaintance was summed up in that glance and the grasp of his mighty fist upon my hand. I doubt if he had any notion who or what I was beyond the fact that I was a young poet of some sort, but he may possibly have remembered seeing my name printed after some very Heinesque verses in the Press. I did not meet him again for twenty years, and then I had only a moment with him when he was reading the proofs of his poems in Boston. Some years later I saw him for the last time, one day after his lecture on Lincoln, in that city, when he came down from the platform to speak with some handshaking friends who gathered about him. Then and always he gave me the sense of a sweet and true soul, and I felt in him a spiritual dignity which I will not try to reconcile with his printing in the forefront of his book a passage from a private letter of Emerson's, though I believe he would not have seen such a thing as most other men would, or thought ill of it in another. The spiritual purity which I felt in him no less than the dignity is something that I will no more try to reconcile with what denies it in his page; but such things we may well leave to the adjustment of finer balances than we have at hand. I will make sure only of the greatest benignity in the presence of the man. The apostle of the rough, the uncouth, was the gentlest person; his barbaric yawp, translated into the terms of social encounter, was an address of singular quiet, delivered in a voice of winning and endearing friendliness.

As to his work itself, I suppose that I do not think it so valuable in effect as in intention. He was a liberating force, a very "imperial anarch" in literature; but liberty is never anything but a means, and what Whitman achieved was a means and not an end, in what must be called his verse. I like his prose, if there is a difference, much better; there he is of a genial and comforting quality, very rich and cordial, such as I felt him to be when I met him in person. His verse seems to me not poetry, but the materials of poetry, like one's emotions; yet I would not misprize it, and I am glad to own that I have had moments of great pleasure in it. Some French critic quoted in the Saturday Press (I cannot think of his name) said the best thing of him when he said that he made you a partner of the enterprise, for that is precisely what he does, and that is what alienates and what endears in him, as you like or dislike the partnership. It is still something neighborly, brotherly, fatherly, and so I felt him to be when the benign old man looked on me and spoke to me.



III.

That night at Pfaff's must have been the last of the Bohemians for me, and it was the last of New York authorship too, for the time. I do not know why I should not have imagined trying to see Curtis, whom I knew so much by heart, and whom I adored, but I may not have had the courage, or I may have heard that he was out of town; Bryant, I believe, was then out of the country; but at any rate I did not attempt him either. The Bohemians were the beginning and the end of the story for me, and to tell the truth I did not like the story.. I remember that as I sat at that table. under the pavement, in Pfaff's beer-cellar, and listened to the wit that did not seem very funny, I thought of the dinner with Lowell, the breakfast with Fields, the supper at the Autocrat's, and felt that I had fallen very far. In fact it can do no harm at this distance of time to confess that it seemed to me then, and for a good while afterwards, that a person who had seen the men and had the things said before him that I had in Boston, could not keep himself too carefully in cotton; and this was what I did all the following winter, though of course it was a secret between me and me. I dare say it was not the worst thing I could have done, in some respects.

My sojourn in New York could not have been very long, and the rest of it was mainly given to viewing the monuments of the city from the windows of omnibuses and the platforms of horse-cars. The world was so simple then that there were perhaps only a half-dozen cities that had horse-cars in them, and I travelled in those conveyances at New York with an unfaded zest, even after my journeys back and forth between Boston and Cambridge. I have not the least notion where I went or what I saw, but I suppose that it was up and down the ugly east and west avenues, then lying open to the eye in all the hideousness now partly concealed by the elevated roads, and that I found them very stately and handsome. Indeed, New York was really handsomer then than it is now, when it has so many more pieces of beautiful architecture, for at that day the skyscrapers were not yet, and there was a fine regularity in the streets that these brute bulks have robbed of all shapeliness. Dirt and squalor there were a plenty, but there was infinitely more comfort. The long succession of cross streets was yet mostly secure from business, after you passed Clinton Place; commerce was just beginning to show itself in Union Square, and Madison Square was still the home of the McFlimsies, whose kin and kind dwelt unmolested in the brownstone stretches of Fifth Avenue. I tried hard to imagine them from the acquaintance Mr. Butler's poem had given me, and from the knowledge the gentle satire of The 'Potiphar Papers' had spread broadcast through a community shocked by the excesses of our best society; it was not half so bad then as the best now, probably. But I do not think I made very much of it, perhaps because most of the people who ought to have been in those fine mansions were away at the seaside and the mountains.

The mountains I had seen on my way down from Canada, but the sea-side not, and it would never do to go home without visiting some famous summer resort. I must have fixed upon Long Branch because I must have heard of it as then the most fashionable; and one afternoon I took the boat for that place. By this means I not only saw sea-bathing for the first time, but I saw a storm at sea: a squall struck us so suddenly that it blew away all the camp-stools of the forward promenade; it was very exciting, and I long meant to use in literature the black wall of cloud that settled on the water before us like a sort of portable midnight; I now throw it away upon the reader, as it were; it never would come in anywhere. I stayed all night at Long Branch, and I had a bath the next morning before breakfast: an extremely cold one, with a life-line to keep me against the undertow. In this rite I had the company of a young New- Yorker, whom I had met on the boat coming down, and who was of the light, hopeful, adventurous business type which seems peculiar to the city, and which has always attracted me. He told me much about his life, and how he lived, and what it cost him to live. He had a large room at a fashionable boardinghouse, and he paid fourteen dollars a week. In Columbus I had such a room at such a house, and paid three and a half, and I thought it a good deal. But those were the days before the war, when America was the cheapest country in the world, and the West was incredibly inexpensive.

After a day of lonely splendor at this scene of fashion and gaiety, I went back to New York, and took the boat for Albany on my way home. I noted that I had no longer the vivid interest in nature and human nature which I had felt in setting out upon my travels, and I said to myself that this was from having a mind so crowded with experiences and impressions that it could receive no more; and I really suppose that if the happiest phrase had offered itself to me at some moments, I should scarcely have looked about me for a landscape or a figure to fit it to. I was very glad to get back to my dear little city in the West (I found it seething in an August sun that was hot enough to have calcined the limestone State House), and to all the friends I was so fond of.



IV.

I did what I could to prove myself unworthy of them by refusing their invitations, and giving myself wholly to literature, during the early part of the winter that followed; and I did not realize my error till the invitations ceased to come, and I found myself in an unbroken intellectual solitude. The worst of it was that an ungrateful Muse did little in return for the sacrifices I made her, and the things I now wrote were not liked by the editors I sent them to. The editorial taste is not always the test of merit, but it is the only one we have, and I am not saying the editors were wrong in my case. There were then such a very few places where you could market your work: the Atlantic in Boston and Harper's in New York were the magazines that paid, though the Independent newspaper bought literary material; the Saturday Press printed it without buying, and so did the old Knickerbocker Magazine, though there was pecuniary good-will in both these cases. I toiled much that winter over a story I had long been writing, and at last sent it to the Atlantic, which had published five poems for me the year before. After some weeks, or it may have been months, I got it back with a note saying that the editors had the less regret in returning it because they saw that in the May number of the Knickerbocker the first chapter of the story had appeared. Then I remembered that, years before, I had sent this chapter to that magazine, as a sketch to be printed by itself, and afterwards had continued the story from it. I had never heard of its acceptance, and supposed of course that it was rejected; but on my second visit to New York I called at the Knickerbocker office, and a new editor, of those that the magazine was always having in the days of its failing fortunes, told me that he had found my sketch in rummaging about in a barrel of his predecessors manuscripts, and had liked it, and printed it. He said that there were fifteen dollars coming to me for that sketch, and might he send the money to me? I said that he might, though I do not see, to this day, why he did not give it me on the spot; and he made a very small minute in a very large sheet of paper (really like Dick Swiveller), and promised I should have it that night; but I sailed the next day for Liverpool without it. I sailed without the money for some verses that Vanity Fair bought of me, but I hardly expected that, for the editor, who was then Artemus Ward, had frankly told me in taking my address that ducats were few at that moment with Vanity Fair. I was then on my way to be consul at Venice, where I spent the next four years in a vigilance for Confederate privateers which none of them ever surprised. I had asked for the consulate at Munich, where I hoped to steep myself yet longer in German poetry, but when my appointment came, I found it was for Rome. I was very glad to get Rome even; but the income of the office was in fees, and I thought I had better go on to Washington and find out how much the fees amounted to. People in Columbus who had been abroad said that on five hundred dollars you could live in Rome like a prince, but I doubted this; and when I learned at the State Department that the fees of the Roman consulate came to only three hundred, I perceived that I could not live better than a baron, probably, and I despaired. The kindly chief of the consular bureau said that the President's secretaries, Mr. John Nicolay and Mr. John Hay, were interested in my appointment, and he advised my going over to the White House and seeing them. I lost no time in doing that, and I learned that as young Western men they were interested in me because I was a young Western man who had done something in literature, and they were willing to help me for that reason, and for no other that I ever knew. They proposed my going to Venice; the salary was then seven hundred and fifty, but they thought they could get it put up to a thousand. In the end they got it put up to fifteen hundred, and so I went to Venice, where if I did not live like a prince on that income, I lived a good deal more like a prince than I could have done at Rome on a fifth of it.

If the appointment was not present fortune, it was the beginning of the best luck I have had in the world, and I am glad to owe it all to those friends of my verse, who could have been no otherwise friends of me. They were then beginning very early careers of distinction which have not been wholly divided. Mr. Nicolay could have been about twenty-five, and Mr. Hay nineteen or twenty. No one dreamed as yet of the opportunity opening to them in being so constantly near the man whose life they have written, and with whose fame they have imperishably interwrought their names. I remember the sobered dignity of the one, and the humorous gaiety of the other, and how we had some young men's joking and laughing together, in the anteroom where they received me, with the great soul entering upon its travail beyond the closed door. They asked me if I had ever seen the President, and I said that I had seen him at Columbus, the year before; but I could not say how much I should like to see him again, and thank him for the favor which I had no claim to at his hands, except such as the slight campaign biography I had written could be thought to have given me. That day or another, as I left my friends, I met him in the corridor without, and he looked at the space I was part of with his ineffably melancholy eyes, without knowing that I was the indistinguishable person in whose "integrity and abilities he had reposed such special confidence" as to have appointed him consul for Venice and the ports of the Lombardo-Venetian Kingdom, though he might have recognized the terms of my commission if I had reminded him of them. I faltered a moment in my longing to address him, and then I decided that every one who forebore to speak needlessly to him, or to shake his hand, did him a kindness; and I wish I could be as sure of the wisdom of all my past behavior as I am of that piece of it. He walked up to the watercooler that stood in the corner, and drew himself a full goblet from it, which he poured down his throat with a backward tilt of his head, and then went wearily within doors. The whole affair, so simple, has always remained one of a certain pathos in my memory, and I would rather have seen Lincoln in that unconscious moment than on some statelier occasion.



V.

I went home to Ohio; and sent on the bond I was to file in the Treasury Department; but it was mislaid there, and to prevent another chance of that kind I carried on the duplicate myself. It was on my second visit that I met the generous young Irishman William D. O'Connor, at the house of my friend Piatt, and heard his ardent talk. He was one of the promising men of that day, and he had written an anti-slavery novel in the heroic mood of Victor Hugo, which greatly took my fancy; and I believe he wrote poems too. He had not yet risen to be the chief of Walt Whitman's champions outside of the Saturday Press, but he had already espoused the theory of Bacon's authorship of Shakespeare, then newly exploited by the poor lady of Bacon's name, who died constant to it in an insane asylum. He used to speak of the reputed dramatist as "the fat peasant of Stratford," and he was otherwise picturesque of speech in a measure that consoled, if it did not convince. The great war was then full upon us, and when in the silences of our literary talk its awful breath was heard, and its shadow fell upon the hearth where we gathered round the first fires of autumn, O'Connor would lift his beautiful head with a fine effect of prophecy, and say, "Friends, I feel a sense of victory in the air." He was not wrong; only the victory was for the other aide.

Who beside O'Connor shared in these saddened symposiums I cannot tell now; but probably other young journalists and office-holders, intending litterateurs, since more or less extinct. I make certain only of the young Boston publisher who issued a very handsome edition of 'Leaves of Grass', and then failed promptly if not consequently. But I had already met, in my first sojourn at the capital, a young journalist who had given hostages to poetry, and whom I was very glad to see and proud to know. Mr. Stedman and I were talking over that meeting the other day, and I can be surer than I might have been without his memory, that I found him at a friend's house, where he was nursing himself for some slight sickness, and that I sat by his bed while our souls launched together into the joyful realms of hope and praise. In him I found the quality of Boston, the honor and passion of literature, and not a mere pose of the literary life; and the world knows without my telling how true he has been to his ideal of it. His earthly mission then was to write letters from Washington for the New York World, which started in life as a good young evening paper, with a decided religious tone, so that the Saturday Press could call it the Night-blooming Serious. I think Mr. Stedman wrote for its editorial page at times, and his relation to it as a Washington correspondent had an authority which is wanting to the function in these days of perfected telegraphing. He had not yet achieved that seat in the Stock Exchange whose possession has justified his recourse to business, and has helped him to mean something more single in literature than many more singly devoted to it. I used sometimes to speak about that with another eager young author in certain middle years when we were chafing in editorial harness, and we always decided that Stedman had the best of it in being able to earn his living in a sort so alien to literature that he could come to it unjaded, and with a gust unspoiled by kindred savors. But no man shapes his own life, and I dare say that Stedman may have been all the time envying us our tripods from his high place in the Stock Exchange. What is certain is that he has come to stand for literature and to embody New York in it as no one else does. In a community which seems never to have had a conscious relation to letters, he has kept the faith with dignity and fought the fight with constant courage. Scholar and poet at once, he has spoken to his generation with authority which we can forget only in the charm which makes us forget everything else.

But his fame was still before him when we met, and I could bring to him an admiration for work which had not yet made itself known to so many; but any admirer was welcome. We talked of what we had done, and each said how much he liked certain thing of the other's; I even seized my advantage of his helplessness to read him a poem of mine which I had in my pocket; he advised me where to place it; and if the reader will not think it an unfair digression, I will tell here what became of that poem, for I think its varied fortunes were amusing, and I hope my own sufferings and final triumph with it will not be without encouragement to the young literary endeavorer. It was a poem called, with no prophetic sense of fitness, "Forlorn," and I tried it first with the 'Atlantic Monthly', which would not have it. Then I offered it in person to a former editor of 'Harper's Monthly', but he could not see his advantage in it, and I carried it overseas to Venice with me. From that point I sent it to all the English magazines as steadily as the post could carry it away and bring it back. On my way home, four years later, I took it to London with me, where a friend who knew Lewes, then just beginning with the 'Fortnightly Review', sent it to him for me. It was promptly returned, with a letter wholly reserved as to its quality, but full of a poetic gratitude for my wish to contribute to the Fortnightly. Then I heard that a certain Mr. Lucas was about to start a magazine, and I offered the poem to him. The kindest letter of acceptance followed me to America, and I counted upon fame and fortune as usual, when the news of Mr. Lucas's death came. I will not poorly joke an effect from my poem in the fact; but the fact remains. By this time I was a writer in the office of the 'Nation' newspaper, and after I left this place to be Mr. Fields's assistant on the Atlantic, I sent my poem to the Nation, where it was printed at last. In such scant measure as my verses have pleased it has found rather unusual favor, and I need not say that its misfortunes endeared it to its author.

But all this is rather far away from my first meeting with Stedman in Washington. Of course I liked him, and I thought him very handsome and fine, with a full beard cut in the fashion he has always worn it, and with poet's eyes lighting an aquiline profile. Afterwards, when I saw him afoot, I found him of a worldly splendor in dress, and envied him, as much as I could envy him anything, the New York tailor whose art had clothed him: I had a New York tailor too, but with a difference. He had a worldly dash along with his supermundane gifts, which took me almost as much, and all the more because I could see that he valued himself nothing upon it. He was all for literature, and for literary men as the superiors of every one. I must have opened my heart to him a good deal, for when I told him how the newspaper I had written for from Canada and New England had ceased to print my letters, he said, "Think of a man like sitting in judgment on a man like you!" I thought of it, and was avenged if not comforted; and at any rate I liked Stedman's standing up so stiffly for the honor of a craft that is rather too limp in some of its votaries.

I suppose it was he who introduced me to the Stoddards, whom I met in New York just before I sailed, and who were then in the glow of their early fame as poets. They knew about my poor beginnings, and they were very, very good to me. Stoddard went with me to Franklin Square, and gave the sanction of his presence to the ineffectual offer of my poem there. But what I relished most was the long talks I had with them both about authorship in all its phases, and the exchange of delight in this poem and that, this novel and that, with gay, wilful runs away to make some wholly irrelevant joke, or fire puns into the air at no mark whatever. Stoddard had then a fame, with the sweetness of personal affection in it, from the lyrics and the odes that will perhaps best keep him known, and Mrs. Stoddard was beginning to make her distinct and special quality felt in the magazines, in verse and fiction. In both it seems to me that she has failed of the recognition which her work merits. Her tales and novels have in them a foretaste of realism, which was too strange for the palate of their day, and is now too familiar, perhaps. It is a peculiar fate, and would form the scheme of a pretty study in the history of literature. But in whatever she did she left the stamp of a talent like no other, and of a personality disdainful of literary environment. In a time when most of us had to write like Tennyson, or Longfellow, or Browning, she never would write like any one but herself.

I remember very well the lodging over a corner of Fourth Avenue and some downtown street where I visited these winning and gifted people, and tasted the pleasure of their racy talk, and the hospitality of their good-will toward all literature, which certainly did not leave me out. We sat before their grate in the chill of the last October days, and they set each other on to one wild flight of wit after another, and again I bathed my delighted spirit in the atmosphere of a realm where for the time at least no

"——rumor of oppression or defeat, Of unsuccessful or successful war,"

could penetrate. I liked the Stoddards because they were frankly not of that Bohemia which I disliked so much, and thought it of no promise or validity; and because I was fond of their poetry and found them in it. I liked the absolutely literary keeping of their lives. He had then, and for long after, a place in the Custom house, but he was no more of that than Lamb was of India House. He belonged to that better world where there is no interest but letters, and which was as much like heaven for me as anything I could think of.

The meetings with the Stoddards repeated themselves when I came back to sail from New York, early in November. Mixed up with the cordial pleasure of them in my memory is a sense of the cold and wet outdoors, and the misery of being in those infamous New York streets, then as for long afterwards the squalidest in the world. The last night I saw my friends they told me of the tragedy which had just happened at the camp in the City Hall Park. Fitz James O'Brien, the brilliant young Irishman who had dazzled us with his story of "The Diamond Lens," and frozen our blood with his ingenious tale of a ghost—"What was It"—a ghost that could be felt and heard, but not seen—had enlisted for the war, and risen to be an officer with the swift process of the first days of it. In that camp he had just then shot and killed a man for some infraction of discipline, and it was uncertain what the end would be. He was acquitted, however, and it is known how he afterwards died of lockjaw from a wound received in battle.



VI.

Before this last visit in New York there was a second visit to Boston, which I need not dwell upon, because it was chiefly a revival of the impressions of the first. Again I saw the Fieldses in their home; again the Autocrat in his, and Lowell now beneath his own roof, beside the study fire where I was so often to sit with him in coming years. At dinner (which we had at two o'clock) the talk turned upon my appointment, and he said of me to his wife: "Think of his having got Stillman's place! We ought to put poison in his wine," and he told me of the wish the painter had to go to Venice and follow up Ruskin's work there in a book of his own. But he would not let me feel very guilty, and I will not pretend that I had any personal regret for my good fortune.

The place was given me perhaps because I had not nearly so many other gifts as he who lost it, and who was at once artist, critic, journalist, traveller, and eminently each. I met him afterwards in Rome, which the powers bestowed upon him instead of Venice, and he forgave me, though I do not know whether he forgave the powers. We walked far and long over the Campagna, and I felt the charm of a most uncommon mind in talk which came out richest and fullest in the presence of the wild nature which he loved and knew so much better than most other men. I think that the book he would have written about Venice is forever to be regretted, and I do not at all console myself for its loss with the book I have written myself.

At Lowell's table that day they spoke of what sort of winter I should find in Venice, and he inclined to the belief that I should want a fire there. On his study hearth a very brisk one burned when we went back to it, and kept out the chill of a cold easterly storm. We looked through one of the windows at the rain, and he said he could remember standing and looking out of that window at such a storm when he was a child; for he was born in that house, and his life had kept coming back to it. He died in it, at last.

In a lifting of the rain he walked with me down to the village, as he always called the denser part of the town about Harvard Square, and saw me aboard a horse-car for Boston. Before we parted he gave me two charges: to open my mouth when I began to speak Italian, and to think well of women. He said that our race spoke its own tongue with its teeth shut, and so failed to master the languages that wanted freer utterance. As to women, he said there were unworthy ones, but a good woman was the best thing in the world, and a man was always the better for honoring women.



ETEXT EDITOR'S BOOKMARKS:

Abstract, the air-drawn, afflicted me like physical discomforts Bayard Taylor: incomparable translation of Faust Became gratefully strange Best talkers are willing that you should talk if you like Charles Reade Could easily believe now that it was some one else who saw it Death of the joy that ought to come from work Did not feel the effect I would so willingly have experienced Dinner was at the old-fashioned Boston hour of two Edward Everett Hale Either to deny the substance of things unseen, or to affirm it Emerson Espoused the theory of Bacon's authorship of Shakespeare Feigned the gratitude which I could see that he expected First dinner served in courses that I had sat down to Forbearance of a wise man content to bide his time Forebore to speak needlessly to him, or to shake his hand Hate of hate, the scorn of scorn, The love of love Heine Hollowness, the hopelessness, the unworthiness of life I did not know, and I hated to ask I find this young man worthy If he was half as bad, he would have been too bad to be If he was not there to your touch, it was no fault of his In the South there was nothing but a mistaken social ideal Incredible in their insipidity Industrial slavery Lincoln Love of freedom and the hope of justice Lowell Man who had so much of the boy in him Men who took themselves so seriously as that need Met with kindness, if not honor Might so far forget myself as to be a novelist Napoleonic height which spiritually overtops the Alps Never paid in anything but hopes of paying Not quite himself till he had made you aware of his quality Odious hilarity, without meaning and without remission Praised extravagantly, and in the wrong place Quebec was a bit of the seventeenth century Remember the dinner-bell Seen through the wrong end of the telescope Stoddard Things common to all, however peculiar in each Thoreau Visited one of the great mills Welcome me, and make the least of my shyness and strangeness Wit that tries its teeth upon everything



LITERARY FRIENDS AND ACQUAINTANCES—Roundabout to Boston

by William Dean Howells



ROUNDABOUT TO BOSTON

During the four years of my life in Venice the literary intention was present with me at all times and in all places. I wrote many things in verse, which I sent to the magazines in every part of the English- speaking world, but they came unerringly back to me, except in three instances only, when they were kept by the editors who finally printed them. One of these pieces was published in the Atlantic Monthly; another in Harpers Magazine; the third was got into the New York Ledger through the kindness of Doctor Edward Everett Hale, who used I know not what mighty magic to that end. I had not yet met him; but he interested himself in my ballad as if it had been his own. His brother, Charles Hale, later Consul-General for Egypt, whom I saw almost every moment of the two visits he paid Venice in my time, had sent it to him, after copying it in his own large, fair hand, so that it could be read. He was not quite of that literary Boston which I so fondly remembered my glimpses of; he was rather of a journalistic and literary Boston which I had never known; but he was of Boston, after all. He had been in Lowell's classes at Harvard; he had often met Longfellow in Cambridge; he knew Doctor Holmes, of course; and he let me talk of my idols to my heart's content. I think he must have been amused by my raptures; most people would have been; but he was kind and patient, and he listened to me with a sweet intelligence which I shall always gratefully remember. He died too young, with his life's possibilities mainly unfulfilled; but none who knew him could fail to imagine them, or to love him for what he was.



I.

Besides those few pitiful successes, I had nothing but defeats in the sort of literature which I supposed was to be my calling, and the defeats threw me upon prose; for some sort of literary thing, if not one, then another, I must do if I lived; and I began to write those studies of Venetian life which afterwards became a book, and which I contributed as letters to the 'Boston Advertiser', after vainly offering them to more aesthetic periodicals. However, I do not imagine that it was a very smiling time for any literary endeavorer at home in the life-and-death civil war then waging. Some few young men arose who made themselves heard amid the din of arms even as far as Venice, but most of these were hushed long ago. I fancy Theodore Winthrop, who began to speak, as it were, from his soldier's grave, so soon did his death follow the earliest recognition by the public, and so many were his posthumous works, was chief of these; but there were others whom the present readers must make greater effort to remember. Forceythe Willson, who wrote The Old Sergeant, became known for the rare quality of his poetry; and now and then there came a poem from Aldrich, or Stedman, or Stoddard. The great new series of the 'Biglow Papers' gathered volume with the force they had from the beginning. The Autocrat was often in the pages of the Atlantic, where one often found Whittier and Emerson, with many a fresh name now faded. In Washington the Piatts were writing some of the most beautiful verse of the war, and Brownell was sounding his battle lyrics like so many trumpet blasts. The fiction which followed the war was yet all to come. Whatever was done in any kind had some hint of the war in it, inevitably; though in the very heart of it Longfellow was setting about his great version of Dante peacefully, prayerfully, as he has told in the noble sonnets which register the mood of his undertaking.

At Venice, if I was beyond the range of literary recognition I was in direct relations with one of our greatest literary men, who was again of that literary Boston which mainly represented American literature to me. The official chief of the consul at Venice was the United States Minister at Vienna, and in my time this minister was John Lothrop Motley, the historian. He was removed, later, by that Johnson administration which followed Lincoln's so forgottenly that I name it with a sense of something almost prehistoric. Among its worst errors was the attempted discredit of a man who had given lustre to our name by his work, and who was an ardent patriot as well as accomplished scholar. He visited Venice during my first year, which was the darkest period of the civil war, and I remember with what instant security, not to say severity, he rebuked my scarcely whispered misgivings of the end, when I ventured to ask him what he thought it would be. Austria had never recognized the Secessionists as belligerents, and in the complications with France and England there was little for our minister but to share the home indignation at the sympathy of those powers with the South. In Motley this was heightened by that feeling of astonishment, of wounded faith, which all Americans with English friendships experienced in those days, and which he, whose English friendships were many, experienced in peculiar degree.

I drifted about with him in his gondola, and refreshed myself, long a-hungered for such talk, with his talk of literary life in London. Through some acquaintance I had made in Venice I was able to be of use to him in getting documents copied for him in the Venetian Archives, especially the Relations of the Venetian Ambassadors at different courts during the period and events he was studying. All such papers passed through my hands in transmission to the historian, though now I do not quite know why they need have done so; but perhaps he was willing to give me the pleasure of being a partner, however humble, in the enterprise. My recollection of him is of courtesy to a far younger man unqualified by patronage, and of a presence of singular dignity and grace. He was one of the handsomest men I ever saw, with beautiful eyes, a fine blond beard of modish cut, and a sensitive nose, straight and fine. He was altogether a figure of worldly splendor; and I had reason to know that he did not let the credit of our nation suffer at the most aristocratic court in Europe for want of a fit diplomatic costume, when some of our ministers were trying to make their office do its full effect upon all occasions in "the dress of an American gentleman." The morning after his arrival Mr. Motley came to me with a handful of newspapers which, according to the Austrian custom at that day, had been opened in the Venetian post-office. He wished me to protest against this on his behalf as an infringement of his diplomatic extra-territoriality, and I proposed to go at once to the director of the post: I had myself suffered in the same way, and though I knew that a mere consul was helpless, I was willing to see the double-headed eagle trodden under foot by a Minister Plenipotentiary. Mr. Motley said that he would go with me, and we put off in his gondola to the post-office. The director received us with the utmost deference. He admitted the irregularity which the minister complained of, and declared that he had no choice but to open every foreign newspaper, to whomsoever addressed. He suggested, however, that if the minister made his appeal to the Lieutenant-Governor of Venice, Count Toggenburg would no doubt instantly order the exemption of his newspapers from the general rule.

Mr. Motley said he would give himself the pleasure of calling upon the Lieutenant-Governor, and "How fortunate," he added, when we were got back into the gondola, "that I should have happened to bring my court dress with me!" I did not see the encounter of the high contending powers, but I know that it ended in a complete victory for our minister.

I had no further active relations of an official kind with Mr. Motley, except in the case of a naturalized American citizen, whose property was slowly but surely wasting away in the keeping of the Venetian courts. An order had at last been given for the surrender of the remnant to the owner; but the Lombardo-Venetian authorities insisted that this should be done through the United States Minister at Vienna, and Mr. Motley held as firmly that it must be done through the United States Consul at Venice. I could only report to him from time to time the unyielding attitude of the Civil Tribunal, and at last he consented, as he wrote, "to act officiously, not officially, in the matter," and the hapless claimant got what was left of his estate.

I had a glimpse of the historian afterwards in Boston, but it was only for a moment, just before his appointment to England, where he was made to suffer for Sumner in his quarrel with Grant. That injustice crowned the injuries his country had done a most faithful patriot and high- spirited gentleman, whose fame as an historian once filled the ear of the English-speaking world. His books seemed to have been written in a spirit already no longer modern; and I did not find the greatest of them so moving as I expected when I came to it with all the ardor of my admiration for the historian. William the Silent seemed to me, by his worshipper's own showing, scarcely level with the popular movement which he did not so much direct as follow; but it is a good deal for a prince to be able even to follow his people; and it cannot be said that Motley does not fully recognize the greatness of the Dutch people, though he may see the Prince of Orange too large. The study of their character made at least a theoretical democrat of a scholar whose instincts were not perhaps democratic, and his sympathy with that brave little republic between the dikes strengthened him in his fealty to the great commonwealth between the oceans. I believe that so far as he was of any political tradition, he was of the old Boston Whig tradition; but when I met him at Venice he was in the glow of a generous pride in our war as a war against slavery. He spoke of the negroes and their simple-hearted, single-minded devotion to the Union cause in terms that an original abolitionist might have used, at a time when original abolitionists were not so many as they have since become.