I was sorry to wither his blooming enthusiasm, but it could not be helped. I interrupted, and said severely—

'I am not that kind of a surveyor. Let us change the subject, Mr. Backus.'

It was pitiful to see his confusion and hear his awkward and shamefaced apologies. I was as much distressed as he was—especially as he seemed so far from having suspected that there was anything improper in his proposition. So I hastened to console him and lead him on to forget his mishap in a conversational orgy about cattle and butchery. We were lying at Acapulco; and, as we went on deck, it happened luckily that the crew were just beginning to hoist some beeves aboard in slings. Backus's melancholy vanished instantly, and with it the memory of his late mistake.

'Now only look at that!' cried he; 'My goodness, Triangle, what WOULD they say to it in OHIO. Wouldn't their eyes bug out, to see 'em handled like that?—wouldn't they, though?'

All the passengers were on deck to look—even the gamblers—and Backus knew them all, and had afflicted them all with his pet topic. As I moved away, I saw one of the gamblers approach and accost him; then another of them; then the third. I halted; waited; watched; the conversation continued between the four men; it grew earnest; Backus drew gradually away; the gamblers followed, and kept at his elbow. I was uncomfortable. However, as they passed me presently, I heard Backus say, with a tone of persecuted annoyance—

'But it ain't any use, gentlemen; I tell you again, as I've told you a half a dozen times before, I warn't raised to it, and I ain't a-going to resk it.'

I felt relieved. 'His level head will be his sufficient protection,' I said to myself.

During the fortnight's run from Acapulco to San Francisco I several times saw the gamblers talking earnestly with Backus, and once I threw out a gentle warning to him. He chuckled comfortably and said—

'Oh, yes! they tag around after me considerable—want me to play a little, just for amusement, they say—but laws-a-me, if my folks have told me once to look out for that sort of live-stock, they've told me a thousand times, I reckon.'

By-and-bye, in due course, we were approaching San Francisco. It was an ugly black night, with a strong wind blowing, but there was not much sea. I was on deck, alone. Toward ten I started below. A figure issued from the gamblers' den, and disappeared in the darkness. I experienced a shock, for I was sure it was Backus. I flew down the companion-way, looked about for him, could not find him, then returned to the deck just in time to catch a glimpse of him as he re-entered that confounded nest of rascality. Had he yielded at last? I feared it. What had he gone below for?—His bag of coin? Possibly. I drew near the door, full of bodings. It was a-crack, and I glanced in and saw a sight that made me bitterly wish I had given my attention to saving my poor cattle-friend, instead of reading and dreaming my foolish time away. He was gambling. Worse still, he was being plied with champagne, and was already showing some effect from it. He praised the 'cider,' as he called it, and said now that he had got a taste of it he almost believed he would drink it if it was spirits, it was so good and so ahead of anything he had ever run across before. Surreptitious smiles, at this, passed from one rascal to another, and they filled all the glasses, and whilst Backus honestly drained his to the bottom they pretended to do the same, but threw the wine over their shoulders.

I could not bear the scene, so I wandered forward and tried to interest myself in the sea and the voices of the wind. But no, my uneasy spirit kept dragging me back at quarter-hour intervals; and always I saw Backus drinking his wine—fairly and squarely, and the others throwing theirs away. It was the painfullest night I ever spent.

The only hope I had was that we might reach our anchorage with speed— that would break up the game. I helped the ship along all I could with my prayers. At last we went booming through the Golden Gate, and my pulses leaped for joy. I hurried back to that door and glanced in. Alas, there was small room for hope—Backus's eyes were heavy and bloodshot, his sweaty face was crimson, his speech maudlin and thick, his body sawed drunkenly about with the weaving motion of the ship. He drained another glass to the dregs, whilst the cards were being dealt.

He took his hand, glanced at it, and his dull eyes lit up for a moment. The gamblers observed it, and showed their gratification by hardly perceptible signs.

'How many cards?'

'None!' said Backus.

One villain—named Hank Wiley—discarded one card, the others three each. The betting began. Heretofore the bets had been trifling—a dollar or two; but Backus started off with an eagle now, Wiley hesitated a moment, then 'saw it' and 'went ten dollars better.' The other two threw up their hands.

Backus went twenty better. Wiley said—

'I see that, and go you a hundred better!' then smiled and reached for the money.

'Let it alone,' said Backus, with drunken gravity.

'What! you mean to say you're going to cover it?'

'Cover it? Well, I reckon I am—and lay another hundred on top of it, too.'

He reached down inside his overcoat and produced the required sum.

'Oh, that's your little game, is it? I see your raise, and raise it five hundred!' said Wiley.

'Five hundred better.' said the foolish bull-driver, and pulled out the amount and showered it on the pile. The three conspirators hardly tried to conceal their exultation.

All diplomacy and pretense were dropped now, and the sharp exclamations came thick and fast, and the yellow pyramid grew higher and higher. At last ten thousand dollars lay in view. Wiley cast a bag of coin on the table, and said with mocking gentleness—

'Five thousand dollars better, my friend from the rural districts—what do you say NOW?'

'I CALL you!' said Backus, heaving his golden shot-bag on the pile. 'What have you got?'

'Four kings, you d—d fool!' and Wiley threw down his cards and surrounded the stakes with his arms.

'Four ACES, you ass!' thundered Backus, covering his man with a cocked revolver. 'I'M A PROFESSIONAL GAMBLER MYSELF, AND I'VE BEEN LAYING FOR YOU DUFFERS ALL THIS VOYAGE!'

Down went the anchor, rumbledy-dum-dum! and the long trip was ended.

Well—well, it is a sad world. One of the three gamblers was Backus's 'pal.' It was he that dealt the fateful hands. According to an understanding with the two victims, he was to have given Backus four queens, but alas, he didn't.

A week later, I stumbled upon Backus—arrayed in the height of fashion— in Montgomery Street. He said, cheerily, as we were parting—

'Ah, by-the-way, you needn't mind about those gores. I don't really know anything about cattle, except what I was able to pick up in a week's apprenticeship over in Jersey just before we sailed. My cattle- culture and cattle-enthusiasm have served their turn—I shan't need them any more.'

Next day we reluctantly parted from the 'Gold Dust' and her officers, hoping to see that boat and all those officers again, some day. A thing which the fates were to render tragically impossible!



Chapter 37 The End of the 'Gold Dust'

FOR, three months later, August 8, while I was writing one of these foregoing chapters, the New York papers brought this telegram—

A TERRIBLE DISASTER.

SEVENTEEN PERSONS KILLED BY AN EXPLOSION ON THE STEAMER 'GOLD DUST.'

'NASHVILLE, Aug. 7.—A despatch from Hickman, Ky., says—

'The steamer "Gold Dust" exploded her boilers at three o'clock to-day, just after leaving Hickman. Forty-seven persons were scalded and seventeen are missing. The boat was landed in the eddy just above the town, and through the exertions of the citizens the cabin passengers, officers, and part of the crew and deck passengers were taken ashore and removed to the hotels and residences. Twenty-four of the injured were lying in Holcomb's dry-goods store at one time, where they received every attention before being removed to more comfortable places.'

A list of the names followed, whereby it appeared that of the seventeen dead, one was the barkeeper; and among the forty-seven wounded, were the captain, chief mate, second mate, and second and third clerks; also Mr. Lem S. Gray, pilot, and several members of the crew.

In answer to a private telegram, we learned that none of these was severely hurt, except Mr. Gray. Letters received afterward confirmed this news, and said that Mr. Gray was improving and would get well. Later letters spoke less hopefully of his case; and finally came one announcing his death. A good man, a most companionable and manly man, and worthy of a kindlier fate.



Chapter 38 The House Beautiful

WE took passage in a Cincinnati boat for New Orleans; or on a Cincinnati boat—either is correct; the former is the eastern form of putting it, the latter the western.

Mr. Dickens declined to agree that the Mississippi steamboats were 'magnificent,' or that they were 'floating palaces,'—terms which had always been applied to them; terms which did not over-express the admiration with which the people viewed them.

Mr. Dickens's position was unassailable, possibly; the people's position was certainly unassailable. If Mr. Dickens was comparing these boats with the crown jewels; or with the Taj, or with the Matterhorn; or with some other priceless or wonderful thing which he had seen, they were not magnificent—he was right. The people compared them with what they had seen; and, thus measured, thus judged, the boats were magnificent—the term was the correct one, it was not at all too strong. The people were as right as was Mr. Dickens. The steamboats were finer than anything on shore. Compared with superior dwelling-houses and first-class hotels in the Valley, they were indubitably magnificent, they were 'palaces.' To a few people living in New Orleans and St. Louis, they were not magnificent, perhaps; not palaces; but to the great majority of those populations, and to the entire populations spread over both banks between Baton Rouge and St. Louis, they were palaces; they tallied with the citizen's dream of what magnificence was, and satisfied it.

Every town and village along that vast stretch of double river-frontage had a best dwelling, finest dwelling, mansion,—the home of its wealthiest and most conspicuous citizen. It is easy to describe it: large grassy yard, with paling fence painted white—in fair repair; brick walk from gate to door; big, square, two-story 'frame' house, painted white and porticoed like a Grecian temple—with this difference, that the imposing fluted columns and Corinthian capitals were a pathetic sham, being made of white pine, and painted; iron knocker; brass door knob—discolored, for lack of polishing. Within, an uncarpeted hall, of planed boards; opening out of it, a parlor, fifteen feet by fifteen—in some instances five or ten feet larger; ingrain carpet; mahogany center- table; lamp on it, with green-paper shade—standing on a gridiron, so to speak, made of high-colored yarns, by the young ladies of the house, and called a lamp-mat; several books, piled and disposed, with cast-iron exactness, according to an inherited and unchangeable plan; among them, Tupper, much penciled; also, 'Friendship's Offering,' and 'Affection's Wreath,' with their sappy inanities illustrated in die-away mezzotints; also, Ossian; 'Alonzo and Melissa:' maybe 'Ivanhoe:' also 'Album,' full of original 'poetry' of the Thou-hast-wounded-the-spirit-that-loved-thee breed; two or three goody-goody works—'Shepherd of Salisbury Plain,' etc.; current number of the chaste and innocuous Godey's 'Lady's Book,' with painted fashion-plate of wax-figure women with mouths all alike— lips and eyelids the same size—each five-foot woman with a two-inch wedge sticking from under her dress and letting-on to be half of her foot. Polished air-tight stove (new and deadly invention), with pipe passing through a board which closes up the discarded good old fireplace. On each end of the wooden mantel, over the fireplace, a large basket of peaches and other fruits, natural size, all done in plaster, rudely, or in wax, and painted to resemble the originals—which they don't. Over middle of mantel, engraving—Washington Crossing the Delaware; on the wall by the door, copy of it done in thunder-and- lightning crewels by one of the young ladies—work of art which would have made Washington hesitate about crossing, if he could have foreseen what advantage was going to be taken of it. Piano—kettle in disguise— with music, bound and unbound, piled on it, and on a stand near by: Battle of Prague; Bird Waltz; Arkansas Traveler; Rosin the Bow; Marseilles Hymn; On a Lone Barren Isle (St. Helena); The Last Link is Broken; She wore a Wreath of Roses the Night when last we met; Go, forget me, Why should Sorrow o'er that Brow a Shadow fling; Hours there were to Memory Dearer; Long, Long Ago; Days of Absence; A Life on the Ocean Wave, a Home on the Rolling Deep; Bird at Sea; and spread open on the rack, where the plaintive singer has left it, RO-holl on, silver MOO-hoon, guide the TRAV-el-lerr his WAY, etc. Tilted pensively against the piano, a guitar—guitar capable of playing the Spanish Fandango by itself, if you give it a start. Frantic work of art on the wall—pious motto, done on the premises, sometimes in colored yarns, sometimes in faded grasses: progenitor of the 'God Bless Our Home' of modern commerce. Framed in black moldings on the wall, other works of arts, conceived and committed on the premises, by the young ladies; being grim black-and-white crayons; landscapes, mostly: lake, solitary sail-boat, petrified clouds, pre-geological trees on shore, anthracite precipice; name of criminal conspicuous in the corner. Lithograph, Napoleon Crossing the Alps. Lithograph, The Grave at St. Helena. Steel-plates, Trumbull's Battle of Bunker Hill, and the Sally from Gibraltar. Copper- plates, Moses Smiting the Rock, and Return of the Prodigal Son. In big gilt frame, slander of the family in oil: papa holding a book ('Constitution of the United States'); guitar leaning against mamma, blue ribbons fluttering from its neck; the young ladies, as children, in slippers and scalloped pantelettes, one embracing toy horse, the other beguiling kitten with ball of yarn, and both simpering up at mamma, who simpers back. These persons all fresh, raw, and red—apparently skinned. Opposite, in gilt frame, grandpa and grandma, at thirty and twenty-two, stiff, old-fashioned, high-collared, puff-sleeved, glaring pallidly out from a background of solid Egyptian night. Under a glass French clock dome, large bouquet of stiff flowers done in corpsy-white wax. Pyramidal what-not in the corner, the shelves occupied chiefly with bric-a-brac of the period, disposed with an eye to best effect: shell, with the Lord's Prayer carved on it; another shell—of the long-oval sort, narrow, straight orifice, three inches long, running from end to end—portrait of Washington carved on it; not well done; the shell had Washington's mouth, originally—artist should have built to that. These two are memorials of the long-ago bridal trip to New Orleans and the French Market. Other bric-a-brac: Californian 'specimens'—quartz, with gold wart adhering; old Guinea-gold locket, with circlet of ancestral hair in it; Indian arrow-heads, of flint; pair of bead moccasins, from uncle who crossed the Plains; three 'alum' baskets of various colors— being skeleton-frame of wire, clothed-on with cubes of crystallized alum in the rock-candy style—works of art which were achieved by the young ladies; their doubles and duplicates to be found upon all what-nots in the land; convention of desiccated bugs and butterflies pinned to a card; painted toy-dog, seated upon bellows-attachment—drops its under jaw and squeaks when pressed upon; sugar-candy rabbit—limbs and features merged together, not strongly defined; pewter presidential- campaign medal; miniature card-board wood-sawyer, to be attached to the stove-pipe and operated by the heat; small Napoleon, done in wax; spread-open daguerreotypes of dim children, parents, cousins, aunts, and friends, in all attitudes but customary ones; no templed portico at back, and manufactured landscape stretching away in the distance—that came in later, with the photograph; all these vague figures lavishly chained and ringed—metal indicated and secured from doubt by stripes and splashes of vivid gold bronze; all of them too much combed, too much fixed up; and all of them uncomfortable in inflexible Sunday-clothes of a pattern which the spectator cannot realize could ever have been in fashion; husband and wife generally grouped together—husband sitting, wife standing, with hand on his shoulder—and both preserving, all these fading years, some traceable effect of the daguerreotypist's brisk 'Now smile, if you please!' Bracketed over what-not—place of special sacredness—an outrage in water-color, done by the young niece that came on a visit long ago, and died. Pity, too; for she might have repented of this in time. Horse-hair chairs, horse-hair sofa which keeps sliding from under you. Window shades, of oil stuff, with milk-maids and ruined castles stenciled on them in fierce colors. Lambrequins dependent from gaudy boxings of beaten tin, gilded. Bedrooms with rag carpets; bedsteads of the 'corded' sort, with a sag in the middle, the cords needing tightening; snuffy feather-bed—not aired often enough; cane- seat chairs, splint-bottomed rocker; looking-glass on wall, school-slate size, veneered frame; inherited bureau; wash-bowl and pitcher, possibly —but not certainly; brass candlestick, tallow candle, snuffers. Nothing else in the room. Not a bathroom in the house; and no visitor likely to come along who has ever seen one.

That was the residence of the principal citizen, all the way from the suburbs of New Orleans to the edge of St. Louis. When he stepped aboard a big fine steamboat, he entered a new and marvelous world: chimney-tops cut to counterfeit a spraying crown of plumes—and maybe painted red; pilot-house, hurricane deck, boiler-deck guards, all garnished with white wooden filigree work of fanciful patterns; gilt acorns topping the derricks; gilt deer-horns over the big bell; gaudy symbolical picture on the paddle-box, possibly; big roomy boiler-deck, painted blue, and furnished with Windsor armchairs; inside, a far-receding snow-white 'cabin;' porcelain knob and oil-picture on every stateroom door; curving patterns of filigree-work touched up with gilding, stretching overhead all down the converging vista; big chandeliers every little way, each an April shower of glittering glass-drops; lovely rainbow-light falling everywhere from the colored glazing of the skylights; the whole a long- drawn, resplendent tunnel, a bewildering and soul-satisfying spectacle! In the ladies' cabin a pink and white Wilton carpet, as soft as mush, and glorified with a ravishing pattern of gigantic flowers. Then the Bridal Chamber—the animal that invented that idea was still alive and unhanged, at that day—Bridal Chamber whose pretentious flummery was necessarily overawing to the now tottering intellect of that hosannahing citizen. Every state-room had its couple of cozy clean bunks, and perhaps a looking-glass and a snug closet; and sometimes there was even a washbowl and pitcher, and part of a towel which could be told from mosquito netting by an expert—though generally these things were absent, and the shirt-sleeved passengers cleansed themselves at a long row of stationary bowls in the barber shop, where were also public towels, public combs, and public soap.

Take the steamboat which I have just described, and you have her in her highest and finest, and most pleasing, and comfortable, and satisfactory estate. Now cake her over with a layer of ancient and obdurate dirt, and you have the Cincinnati steamer awhile ago referred to. Not all over—only inside; for she was ably officered in all departments except the steward's.

But wash that boat and repaint her, and she would be about the counterpart of the most complimented boat of the old flush times: for the steamboat architecture of the West has undergone no change; neither has steamboat furniture and ornamentation undergone any.



Chapter 39 Manufactures and Miscreants

WHERE the river, in the Vicksburg region, used to be corkscrewed, it is now comparatively straight—made so by cut-off; a former distance of seventy miles is reduced to thirty-five. It is a change which threw Vicksburg's neighbor, Delta, Louisiana, out into the country and ended its career as a river town. Its whole river-frontage is now occupied by a vast sand-bar, thickly covered with young trees—a growth which will magnify itself into a dense forest by-and-bye, and completely hide the exiled town.

In due time we passed Grand Gulf and Rodney, of war fame, and reached Natchez, the last of the beautiful hill-cities—for Baton Rouge, yet to come, is not on a hill, but only on high ground. Famous Natchez-under- the-hill has not changed notably in twenty years; in outward aspect— judging by the descriptions of the ancient procession of foreign tourists—it has not changed in sixty; for it is still small, straggling, and shabby. It had a desperate reputation, morally, in the old keel-boating and early steamboating times—plenty of drinking, carousing, fisticuffing, and killing there, among the riff-raff of the river, in those days. But Natchez-on-top-of-the-hill is attractive; has always been attractive. Even Mrs. Trollope (1827) had to confess its charms:

'At one or two points the wearisome level line is relieved by bluffs, as they call the short intervals of high ground. The town of Natchez is beautifully situated on one of those high spots. The contrast that its bright green hill forms with the dismal line of black forest that stretches on every side, the abundant growth of the pawpaw, palmetto and orange, the copious variety of sweet-scented flowers that flourish there, all make it appear like an oasis in the desert. Natchez is the furthest point to the north at which oranges ripen in the open air, or endure the winter without shelter. With the exception of this sweet spot, I thought all the little towns and villages we passed wretched- looking in the extreme.'

Natchez, like her near and far river neighbors, has railways now, and is adding to them—pushing them hither and thither into all rich outlying regions that are naturally tributary to her. And like Vicksburg and New Orleans, she has her ice-factory: she makes thirty tons of ice a day. In Vicksburg and Natchez, in my time, ice was jewelry; none but the rich could wear it. But anybody and everybody can have it now. I visited one of the ice-factories in New Orleans, to see what the polar regions might look like when lugged into the edge of the tropics. But there was nothing striking in the aspect of the place. It was merely a spacious house, with some innocent steam machinery in one end of it and some big porcelain pipes running here and there. No, not porcelain—they merely seemed to be; they were iron, but the ammonia which was being breathed through them had coated them to the thickness of your hand with solid milk-white ice. It ought to have melted; for one did not require winter clothing in that atmosphere: but it did not melt; the inside of the pipe was too cold.

Sunk into the floor were numberless tin boxes, a foot square and two feet long, and open at the top end. These were full of clear water; and around each box, salt and other proper stuff was packed; also, the ammonia gases were applied to the water in some way which will always remain a secret to me, because I was not able to understand the process. While the water in the boxes gradually froze, men gave it a stir or two with a stick occasionally—to liberate the air-bubbles, I think. Other men were continually lifting out boxes whose contents had become hard frozen. They gave the box a single dip into a vat of boiling water, to melt the block of ice free from its tin coffin, then they shot the block out upon a platform car, and it was ready for market. These big blocks were hard, solid, and crystal-clear. In certain of them, big bouquets of fresh and brilliant tropical flowers had been frozen-in; in others, beautiful silken-clad French dolls, and other pretty objects. These blocks were to be set on end in a platter, in the center of dinner- tables, to cool the tropical air; and also to be ornamental, for the flowers and things imprisoned in them could be seen as through plate glass. I was told that this factory could retail its ice, by wagon, throughout New Orleans, in the humblest dwelling-house quantities, at six or seven dollars a ton, and make a sufficient profit. This being the case, there is business for ice-factories in the North; for we get ice on no such terms there, if one take less than three hundred and fifty pounds at a delivery.

The Rosalie Yarn Mill, of Natchez, has a capacity of 6,000 spindles and 160 looms, and employs 100 hands. The Natchez Cotton Mills Company began operations four years ago in a two-story building of 50 x 190 feet, with 4,000 spindles and 128 looms; capital $105,000, all subscribed in the town. Two years later, the same stockholders increased their capital to $225,000; added a third story to the mill, increased its length to 317 feet; added machinery to increase the capacity to 10,300 spindles and 304 looms. The company now employ 250 operatives, many of whom are citizens of Natchez. 'The mill works 5,000 bales of cotton annually and manufactures the best standard quality of brown shirtings and sheetings and drills, turning out 5,000,000 yards of these goods per year.'{footnote [New Orleans Times-Democrat, 26 Aug, 1882.]} A close corporation—stock held at $5,000 per share, but none in the market.

The changes in the Mississippi River are great and strange, yet were to be expected; but I was not expecting to live to see Natchez and these other river towns become manufacturing strongholds and railway centers.

Speaking of manufactures reminds me of a talk upon that topic which I heard—which I overheard—on board the Cincinnati boat. I awoke out of a fretted sleep, with a dull confusion of voices in my ears. I listened— two men were talking; subject, apparently, the great inundation. I looked out through the open transom. The two men were eating a late breakfast; sitting opposite each other; nobody else around. They closed up the inundation with a few words—having used it, evidently, as a mere ice-breaker and acquaintanceship-breeder—then they dropped into business. It soon transpired that they were drummers—one belonging in Cincinnati, the other in New Orleans. Brisk men, energetic of movement and speech; the dollar their god, how to get it their religion.

'Now as to this article,' said Cincinnati, slashing into the ostensible butter and holding forward a slab of it on his knife-blade, 'it's from our house; look at it—smell of it—taste it. Put any test on it you want to. Take your own time—no hurry—make it thorough. There now— what do you say? butter, ain't it. Not by a thundering sight—it's oleomargarine! Yes, sir, that's what it is—oleomargarine. You can't tell it from butter; by George, an EXPERT can't. It's from our house. We supply most of the boats in the West; there's hardly a pound of butter on one of them. We are crawling right along—JUMPING right along is the word. We are going to have that entire trade. Yes, and the hotel trade, too. You are going to see the day, pretty soon, when you can't find an ounce of butter to bless yourself with, in any hotel in the Mississippi and Ohio Valleys, outside of the biggest cities. Why, we are turning out oleomargarine NOW by the thousands of tons. And we can sell it so dirt-cheap that the whole country has GOT to take it—can't get around it you see. Butter don't stand any show—there ain't any chance for competition. Butter's had its DAY—and from this out, butter goes to the wall. There's more money in oleomargarine than—why, you can't imagine the business we do. I've stopped in every town from Cincinnati to Natchez; and I've sent home big orders from every one of them.'

And so-forth and so-on, for ten minutes longer, in the same fervid strain. Then New Orleans piped up and said—

Yes, it's a first-rate imitation, that's a certainty; but it ain't the only one around that's first-rate. For instance, they make olive-oil out of cotton-seed oil, nowadays, so that you can't tell them apart.'

'Yes, that's so,' responded Cincinnati, 'and it was a tip-top business for a while. They sent it over and brought it back from France and Italy, with the United States custom-house mark on it to indorse it for genuine, and there was no end of cash in it; but France and Italy broke up the game—of course they naturally would. Cracked on such a rattling impost that cotton-seed olive-oil couldn't stand the raise; had to hang up and quit.'

'Oh, it DID, did it? You wait here a minute.'

Goes to his state-room, brings back a couple of long bottles, and takes out the corks—says:

'There now, smell them, taste them, examine the bottles, inspect the labels. One of 'm's from Europe, the other's never been out of this country. One's European olive-oil, the other's American cotton-seed olive-oil. Tell 'm apart? 'Course you can't. Nobody can. People that want to, can go to the expense and trouble of shipping their oils to Europe and back—it's their privilege; but our firm knows a trick worth six of that. We turn out the whole thing—clean from the word go—in our factory in New Orleans: labels, bottles, oil, everything. Well, no, not labels: been buying them abroad—get them dirt-cheap there. You see, there's just one little wee speck, essence, or whatever it is, in a gallon of cotton-seed oil, that give it a smell, or a flavor, or something—get that out, and you're all right—perfectly easy then to turn the oil into any kind of oil you want to, and there ain't anybody that can detect the true from the false. Well, we know how to get that one little particle out—and we're the only firm that does. And we turn out an olive-oil that is just simply perfect—undetectable! We are doing a ripping trade, too—as I could easily show you by my order-book for this trip. Maybe you'll butter everybody's bread pretty soon, but we'll cotton-seed his salad for him from the Gulf to Canada, and that's a dead-certain thing.'

Cincinnati glowed and flashed with admiration. The two scoundrels exchanged business-cards, and rose. As they left the table, Cincinnati said—

'But you have to have custom-house marks, don't you? How do you manage that?'

I did not catch the answer.

We passed Port Hudson, scene of two of the most terrific episodes of the war—the night-battle there between Farragut's fleet and the Confederate land batteries, April 14th, 1863; and the memorable land battle, two months later, which lasted eight hours—eight hours of exceptionally fierce and stubborn fighting—and ended, finally, in the repulse of the Union forces with great slaughter.



Chapter 40 Castles and Culture

BATON ROUGE was clothed in flowers, like a bride—no, much more so; like a greenhouse. For we were in the absolute South now—no modifications, no compromises, no half-way measures. The magnolia-trees in the Capitol grounds were lovely and fragrant, with their dense rich foliage and huge snow-ball blossoms. The scent of the flower is very sweet, but you want distance on it, because it is so powerful. They are not good bedroom blossoms—they might suffocate one in his sleep. We were certainly in the South at last; for here the sugar region begins, and the plantations—vast green levels, with sugar-mill and negro quarters clustered together in the middle distance—were in view. And there was a tropical sun overhead and a tropical swelter in the air.

And at this point, also, begins the pilot's paradise: a wide river hence to New Orleans, abundance of water from shore to shore, and no bars, snags, sawyers, or wrecks in his road.

Sir Walter Scott is probably responsible for the Capitol building; for it is not conceivable that this little sham castle would ever have been built if he had not run the people mad, a couple of generations ago, with his medieval romances. The South has not yet recovered from the debilitating influence of his books. Admiration of his fantastic heroes and their grotesque 'chivalry' doings and romantic juvenilities still survives here, in an atmosphere in which is already perceptible the wholesome and practical nineteenth-century smell of cotton-factories and locomotives; and traces of its inflated language and other windy humbuggeries survive along with it. It is pathetic enough, that a whitewashed castle, with turrets and things—materials all ungenuine within and without, pretending to be what they are not—should ever have been built in this otherwise honorable place; but it is much more pathetic to see this architectural falsehood undergoing restoration and perpetuation in our day, when it would have been so easy to let dynamite finish what a charitable fire began, and then devote this restoration- money to the building of something genuine.

Baton Rouge has no patent on imitation castles, however, and no monopoly of them. Here is a picture from the advertisement of the 'Female Institute' of Columbia; Tennessee. The following remark is from the same advertisement—

'The Institute building has long been famed as a model of striking and beautiful architecture. Visitors are charmed with its resemblance to the old castles of song and story, with its towers, turreted walls, and ivy-mantled porches.'

Keeping school in a castle is a romantic thing; as romantic as keeping hotel in a castle.

By itself the imitation castle is doubtless harmless, and well enough; but as a symbol and breeder and sustainer of maudlin Middle-Age romanticism here in the midst of the plainest and sturdiest and infinitely greatest and worthiest of all the centuries the world has seen, it is necessarily a hurtful thing and a mistake.

Here is an extract from the prospectus of a Kentucky 'Female College.' Female college sounds well enough; but since the phrasing it in that unjustifiable way was done purely in the interest of brevity, it seems to me that she-college would have been still better—because shorter, and means the same thing: that is, if either phrase means anything at all—

'The president is southern by birth, by rearing, by education, and by sentiment; the teachers are all southern in sentiment, and with the exception of those born in Europe were born and raised in the south. Believing the southern to be the highest type of civilization this continent has seen, the young ladies are trained according to the southern ideas of delicacy, refinement, womanhood, religion, and propriety; hence we offer a first-class female college for the south and solicit southern patronage.'

{footnote (long one) [Illustrations of it thoughtlessly omitted by the advertiser:

KNOXVILLE, Tenn., October 19.—This morning a few minutes after ten o'clock, General Joseph A. Mabry, Thomas O'Connor, and Joseph A. Mabry, Jr., were killed in a shooting affray. The difficulty began yesterday afternoon by General Mabry attacking Major O'Connor and threatening to kill him. This was at the fair grounds, and O'Connor told Mabry that it was not the place to settle their difficulties. Mabry then told O'Connor he should not live. It seems that Mabry was armed and O'Connor was not. The cause of the difficulty was an old feud about the transfer of some property from Mabry to O'Connor. Later in the afternoon Mabry sent word to O'Connor that he would kill him on sight. This morning Major O'Connor was standing in the door of the Mechanics' National Bank, of which he was president. General Mabry and another gentleman walked down Gay Street on the opposite side from the bank. O'Connor stepped into the bank, got a shot gun, took deliberate aim at General Mabry and fired. Mabry fell dead, being shot in the left side. As he fell O'Connor fired again, the shot taking effect in Mabry's thigh. O'Connor then reached into the bank and got another shot gun. About this time Joseph A. Mabry, Jr., son of General Mabry, came rushing down the street, unseen by O'Connor until within forty feet, when the young man fired a pistol, the shot taking effect in O'Connor's right breast, passing through the body near the heart. The instant Mabry shot, O'Connor turned and fired, the load taking effect in young Mabry's right breast and side. Mabry fell pierced with twenty buckshot, and almost instantly O'Connor fell dead without a struggle. Mabry tried to rise, but fell back dead. The whole tragedy occurred within two minutes, and neither of the three spoke after he was shot. General Mabry had about thirty buckshot in his body. A bystander was painfully wounded in the thigh with a buckshot, and another was wounded in the arm. Four other men had their clothing pierced by buckshot. The affair caused great excitement, and Gay Street was thronged with thousands of people. General Mabry and his son Joe were acquitted only a few days ago of the murder of Moses Lusby and Don Lusby, father and son, whom they killed a few weeks ago. Will Mabry was killed by Don Lusby last Christmas. Major Thomas O'Connor was President of the Mechanics' National Bank here, and was the wealthiest man in the State.—ASSOCIATED PRESS TELEGRAM.

One day last month, Professor Sharpe, of the Somerville, Tenn., Female College, 'a quiet and gentlemanly man,' was told that his brother-in- law, a Captain Burton, had threatened to kill him. Burton, t seems, had already killed one man and driven his knife into another. The Professor armed himself with a double-barreled shot gun, started out in search of his brother-in-law, found him playing billiards in a saloon, and blew his brains out. The 'Memphis Avalanche' reports that the Professor's course met with pretty general approval in the community; knowing that the law was powerless, in the actual condition of public sentiment, to protect him, he protected himself.

About the same time, two young men in North Carolina quarreled about a girl, and 'hostile messages' were exchanged. Friends tried to reconcile them, but had their labor for their pains. On the 24th the young men met in the public highway. One of them had a heavy club in his hand, the other an ax. The man with the club fought desperately for his life, but it was a hopeless fight from the first. A well-directed blow sent his club whirling out of his grasp, and the next moment he was a dead man.

About the same time, two 'highly connected' young Virginians, clerks in a hardware store at Charlottesville, while 'skylarking,' came to blows. Peter Dick threw pepper in Charles Roads's eyes; Roads demanded an apology; Dick refused to give it, and it was agreed that a duel was inevitable, but a difficulty arose; the parties had no pistols, and it was too late at night to procure them. One of them suggested that butcher-knives would answer the purpose, and the other accepted the suggestion; the result was that Roads fell to the floor with a gash in his abdomen that may or may not prove fatal. If Dick has been arrested, the news has not reached us. He 'expressed deep regret,' and we are told by a Staunton correspondent of the PHILADELPHIA PRESS that 'every effort has been made to hush the matter up.'—EXTRACTS FROM THE PUBLIC JOURNALS.]}

What, warder, ho! the man that can blow so complacent a blast as that, probably blows it from a castle.

From Baton Rouge to New Orleans, the great sugar plantations border both sides of the river all the way, and stretch their league-wide levels back to the dim forest-walls of bearded cypress in the rear. Shores lonely no longer. Plenty of dwellings all the way, on both banks— standing so close together, for long distances, that the broad river lying between the two rows, becomes a sort of spacious street. A most home-like and happy-looking region. And now and then you see a pillared and porticoed great manor-house, embowered in trees. Here is testimony of one or two of the procession of foreign tourists that filed along here half a century ago. Mrs. Trollope says—

'The unbroken flatness of the banks of the Mississippi continued unvaried for many miles above New Orleans; but the graceful and luxuriant palmetto, the dark and noble ilex, and the bright orange, were everywhere to be seen, and it was many days before we were weary of looking at them.'

Captain Basil Hall—

'The district of country which lies adjacent to the Mississippi, in the lower parts of Louisiana, is everywhere thickly peopled by sugar planters, whose showy houses, gay piazzas, trig gardens, and numerous slave-villages, all clean and neat, gave an exceedingly thriving air to the river scenery.

All the procession paint the attractive picture in the same way. The descriptions of fifty years ago do not need to have a word changed in order to exactly describe the same region as it appears to-day—except as to the 'trigness' of the houses. The whitewash is gone from the negro cabins now; and many, possibly most, of the big mansions, once so shining white, have worn out their paint and have a decayed, neglected look. It is the blight of the war. Twenty-one years ago everything was trim and trig and bright along the 'coast,' just as it had been in 1827, as described by those tourists.

Unfortunate tourists! People humbugged them with stupid and silly lies, and then laughed at them for believing and printing the same. They told Mrs. Trollope that the alligators—or crocodiles, as she calls them— were terrible creatures; and backed up the statement with a blood- curdling account of how one of these slandered reptiles crept into a squatter cabin one night, and ate up a woman and five children. The woman, by herself, would have satisfied any ordinarily-impossible alligator; but no, these liars must make him gorge the five children besides. One would not imagine that jokers of this robust breed would be sensitive—but they were. It is difficult, at this day, to understand, and impossible to justify, the reception which the book of the grave, honest, intelligent, gentle, manly, charitable, well-meaning Capt. Basil Hall got.



Chapter 41 The Metropolis of the South

THE approaches to New Orleans were familiar; general aspects were unchanged. When one goes flying through London along a railway propped in the air on tall arches, he may inspect miles of upper bedrooms through the open windows, but the lower half of the houses is under his level and out of sight. Similarly, in high-river stage, in the New Orleans region, the water is up to the top of the enclosing levee-rim, the flat country behind it lies low—representing the bottom of a dish— and as the boat swims along, high on the flood, one looks down upon the houses and into the upper windows. There is nothing but that frail breastwork of earth between the people and destruction.

The old brick salt-warehouses clustered at the upper end of the city looked as they had always looked; warehouses which had had a kind of Aladdin's lamp experience, however, since I had seen them; for when the war broke out the proprietor went to bed one night leaving them packed with thousands of sacks of vulgar salt, worth a couple of dollars a sack, and got up in the morning and found his mountain of salt turned into a mountain of gold, so to speak, so suddenly and to so dizzy a height had the war news sent up the price of the article.

The vast reach of plank wharves remained unchanged, and there were as many ships as ever: but the long array of steamboats had vanished; not altogether, of course, but not much of it was left.

The city itself had not changed—to the eye. It had greatly increased in spread and population, but the look of the town was not altered. The dust, waste-paper-littered, was still deep in the streets; the deep, trough-like gutters alongside the curbstones were still half full of reposeful water with a dusty surface; the sidewalks were still—in the sugar and bacon region—encumbered by casks and barrels and hogsheads; the great blocks of austerely plain commercial houses were as dusty- looking as ever.

Canal Street was finer, and more attractive and stirring than formerly, with its drifting crowds of people, its several processions of hurrying street-cars, and—toward evening—its broad second-story verandas crowded with gentlemen and ladies clothed according to the latest mode.

Not that there is any 'architecture' in Canal Street: to speak in broad, general terms, there is no architecture in New Orleans, except in the cemeteries. It seems a strange thing to say of a wealthy, far- seeing, and energetic city of a quarter of a million inhabitants, but it is true. There is a huge granite U.S. Custom-house—costly enough, genuine enough, but as a decoration it is inferior to a gasometer. It looks like a state prison. But it was built before the war. Architecture in America may be said to have been born since the war. New Orleans, I believe, has had the good luck—and in a sense the bad luck— to have had no great fire in late years. It must be so. If the opposite had been the case, I think one would be able to tell the 'burnt district' by the radical improvement in its architecture over the old forms. One can do this in Boston and Chicago. The 'burnt district' of Boston was commonplace before the fire; but now there is no commercial district in any city in the world that can surpass it—or perhaps even rival it—in beauty, elegance, and tastefulness.

However, New Orleans has begun—just this moment, as one may say. When completed, the new Cotton Exchange will be a stately and beautiful building; massive, substantial, full of architectural graces; no shams or false pretenses or uglinesses about it anywhere. To the city, it will be worth many times its cost, for it will breed its species. What has been lacking hitherto, was a model to build toward; something to educate eye and taste; a SUGGESTER, so to speak.

The city is well outfitted with progressive men—thinking, sagacious, long-headed men. The contrast between the spirit of the city and the city's architecture is like the contrast between waking and sleep. Apparently there is a 'boom' in everything but that one dead feature. The water in the gutters used to be stagnant and slimy, and a potent disease-breeder; but the gutters are flushed now, two or three times a day, by powerful machinery; in many of the gutters the water never stands still, but has a steady current. Other sanitary improvements have been made; and with such effect that New Orleans claims to be (during the long intervals between the occasional yellow-fever assaults) one of the healthiest cities in the Union. There's plenty of ice now for everybody, manufactured in the town. It is a driving place commercially, and has a great river, ocean, and railway business. At the date of our visit, it was the best lighted city in the Union, electrically speaking. The New Orleans electric lights were more numerous than those of New York, and very much better. One had this modified noonday not only in Canal and some neighboring chief streets, but all along a stretch of five miles of river frontage. There are good clubs in the city now—several of them but recently organized—and inviting modern-style pleasure resorts at West End and Spanish Fort. The telephone is everywhere. One of the most notable advances is in journalism. The newspapers, as I remember them, were not a striking feature. Now they are. Money is spent upon them with a free hand. They get the news, let it cost what it may. The editorial work is not hack- grinding, but literature. As an example of New Orleans journalistic achievement, it may be mentioned that the 'Times-Democrat' of August 26, 1882, contained a report of the year's business of the towns of the Mississippi Valley, from New Orleans all the way to St. Paul—two thousand miles. That issue of the paper consisted of forty pages; seven columns to the page; two hundred and eighty columns in all; fifteen hundred words to the column; an aggregate of four hundred and twenty thousand words. That is to say, not much short of three times as many words as there are in this book. One may with sorrow contrast this with the architecture of New Orleans.

I have been speaking of public architecture only. The domestic article in New Orleans is reproachless, notwithstanding it remains as it always was. All the dwellings are of wood—in the American part of the town, I mean—and all have a comfortable look. Those in the wealthy quarter are spacious; painted snow-white usually, and generally have wide verandas, or double-verandas, supported by ornamental columns. These mansions stand in the center of large grounds, and rise, garlanded with roses, out of the midst of swelling masses of shining green foliage and many- colored blossoms. No houses could well be in better harmony with their surroundings, or more pleasing to the eye, or more home-like and comfortable-looking.

One even becomes reconciled to the cistern presently; this is a mighty cask, painted green, and sometimes a couple of stories high, which is propped against the house-corner on stilts. There is a mansion-and- brewery suggestion about the combination which seems very incongruous at first. But the people cannot have wells, and so they take rain-water. Neither can they conveniently have cellars, or graves,{footnote [The Israelites are buried in graves—by permission, I take it, not requirement; but none else, except the destitute, who are buried at public expense. The graves are but three or four feet deep.]} the town being built upon 'made' ground; so they do without both, and few of the living complain, and none of the others.



Chapter 42 Hygiene and Sentiment

THEY bury their dead in vaults, above the ground. These vaults have a resemblance to houses—sometimes to temples; are built of marble, generally; are architecturally graceful and shapely; they face the walks and driveways of the cemetery; and when one moves through the midst of a thousand or so of them and sees their white roofs and gables stretching into the distance on every hand, the phrase 'city of the dead' has all at once a meaning to him. Many of the cemeteries are beautiful, and are kept in perfect order. When one goes from the levee or the business streets near it, to a cemetery, he observes to himself that if those people down there would live as neatly while they are alive as they do after they are dead, they would find many advantages in it; and besides, their quarter would be the wonder and admiration of the business world. Fresh flowers, in vases of water, are to be seen at the portals of many of the vaults: placed there by the pious hands of bereaved parents and children, husbands and wives, and renewed daily. A milder form of sorrow finds its inexpensive and lasting remembrancer in the coarse and ugly but indestructible 'immortelle'—which is a wreath or cross or some such emblem, made of rosettes of black linen, with sometimes a yellow rosette at the conjunction of the cross's bars—kind of sorrowful breast-pin, so to say. The immortelle requires no attention: you just hang it up, and there you are; just leave it alone, it will take care of your grief for you, and keep it in mind better than you can; stands weather first-rate, and lasts like boiler-iron.

On sunny days, pretty little chameleons—gracefullest of legged reptiles—creep along the marble fronts of the vaults, and catch flies. Their changes of color—as to variety—are not up to the creature's reputation. They change color when a person comes along and hangs up an immortelle; but that is nothing: any right-feeling reptile would do that.

I will gradually drop this subject of graveyards. I have been trying all I could to get down to the sentimental part of it, but I cannot accomplish it. I think there is no genuinely sentimental part to it. It is all grotesque, ghastly, horrible. Graveyards may have been justifiable in the bygone ages, when nobody knew that for every dead body put into the ground, to glut the earth and the plant-roots, and the air with disease-germs, five or fifty, or maybe a hundred persons must die before their proper time; but they are hardly justifiable now, when even the children know that a dead saint enters upon a century-long career of assassination the moment the earth closes over his corpse. It is a grim sort of a thought. The relics of St. Anne, up in Canada, have now, after nineteen hundred years, gone to curing the sick by the dozen. But it is merest matter-of-course that these same relics, within a generation after St. Anne's death and burial, MADE several thousand people sick. Therefore these miracle-performances are simply compensation, nothing more. St. Anne is somewhat slow pay, for a Saint, it is true; but better a debt paid after nineteen hundred years, and outlawed by the statute of limitations, than not paid at all; and most of the knights of the halo do not pay at all. Where you find one that pays—like St. Anne—you find a hundred and fifty that take the benefit of the statute. And none of them pay any more than the principal of what they owe—they pay none of the interest either simple or compound. A Saint can never QUITE return the principal, however; for his dead body KILLS people, whereas his relics HEAL only—they never restore the dead to life. That part of the account is always left unsettled.

'Dr. F. Julius Le Moyne, after fifty years of medical practice, wrote: "The inhumation of human bodies, dead from infectious diseases, results in constantly loading the atmosphere, and polluting the waters, with not only the germs that rise from simply putrefaction, but also with the SPECIFIC germs of the diseases from which death resulted."

'The gases (from buried corpses) will rise to the surface through eight or ten feet of gravel, just as coal-gas will do, and there is practically no limit to their power of escape.

'During the epidemic in New Orleans in 1853, Dr. E. H. Barton reported that in the Fourth District the mortality was four hundred and fifty-two per thousand—more than double that of any other. In this district were three large cemeteries, in which during the previous year more than three thousand bodies had been buried. In other districts the proximity of cemeteries seemed to aggravate the disease.

'In 1828 Professor Bianchi demonstrated how the fearful reappearance of the plague at Modena was caused by excavations in ground where, THREE HUNDRED YEARS PREVIOUSLY, the victims of the pestilence had been buried. Mr. Cooper, in explaining the causes of some epidemics, remarks that the opening of the plague burial-grounds at Eyam resulted in an immediate outbreak of disease.'—NORTH AMERICAN REVIEW, NO. 3, VOL. 135.

In an address before the Chicago Medical Society, in advocacy of cremation, Dr. Charles W. Purdy made some striking comparisons to show what a burden is laid upon society by the burial of the dead:—

'One and one-fourth times more money is expended annually in funerals in the United States than the Government expends for public-school purposes. Funerals cost this country in 1880 enough money to pay the liabilities of all the commercial failures in the United States during the same year, and give each bankrupt a capital of $8,630 with which to resume business. Funerals cost annually more money than the value of the combined gold and silver yield of the United States in the year 1880! These figures do not include the sums invested in burial-grounds and expended in tombs and monuments, nor the loss from depreciation of property in the vicinity of cemeteries.'

For the rich, cremation would answer as well as burial; for the ceremonies connected with it could be made as costly and ostentatious as a Hindu suttee; while for the poor, cremation would be better than burial, because so cheap {footnote [Four or five dollars is the minimum cost.]}—so cheap until the poor got to imitating the rich, which they would do by-and-bye. The adoption of cremation would relieve us of a muck of threadbare burial-witticisms; but, on the other hand, it would resurrect a lot of mildewed old cremation-jokes that have had a rest for two thousand years.

I have a colored acquaintance who earns his living by odd jobs and heavy manual labor. He never earns above four hundred dollars in a year, and as he has a wife and several young children, the closest scrimping is necessary to get him through to the end of the twelve months debtless. To such a man a funeral is a colossal financial disaster. While I was writing one of the preceding chapters, this man lost a little child. He walked the town over with a friend, trying to find a coffin that was within his means. He bought the very cheapest one he could find, plain wood, stained. It cost him twenty-six dollars. It would have cost less than four, probably, if it had been built to put something useful into. He and his family will feel that outlay a good many months.



Chapter 43 The Art of Inhumation

ABOUT the same time, I encountered a man in the street, whom I had not seen for six or seven years; and something like this talk followed. I said—

'But you used to look sad and oldish; you don't now. Where did you get all this youth and bubbling cheerfulness? Give me the address.'

He chuckled blithely, took off his shining tile, pointed to a notched pink circlet of paper pasted into its crown, with something lettered on it, and went on chuckling while I read, 'J. B——, UNDERTAKER.' Then he clapped his hat on, gave it an irreverent tilt to leeward, and cried out—

'That's what's the matter! It used to be rough times with me when you knew me—insurance-agency business, you know; mighty irregular. Big fire, all right—brisk trade for ten days while people scared; after that, dull policy-business till next fire. Town like this don't have fires often enough—a fellow strikes so many dull weeks in a row that he gets discouraged. But you bet you, this is the business! People don't wait for examples to die. No, sir, they drop off right along—there ain't any dull spots in the undertaker line. I just started in with two or three little old coffins and a hired hearse, and now look at the thing! I've worked up a business here that would satisfy any man, don't care who he is. Five years ago, lodged in an attic; live in a swell house now, with a mansard roof, and all the modern inconveniences.'

'Does a coffin pay so well. Is there much profit on a coffin?'

'Go-way! How you talk!' Then, with a confidential wink, a dropping of the voice, and an impressive laying of his hand on my arm; 'Look here; there's one thing in this world which isn't ever cheap. That's a coffin. There's one thing in this world which a person don't ever try to jew you down on. That's a coffin. There's one thing in this world which a person don't say—"I'll look around a little, and if I find I can't do better I'll come back and take it." That's a coffin. There's one thing in this world which a person won't take in pine if he can go walnut; and won't take in walnut if he can go mahogany; and won't take in mahogany if he can go an iron casket with silver door-plate and bronze handles. That's a coffin. And there's one thing in this world which you don't have to worry around after a person to get him to pay for. And that's a coffin. Undertaking?—why it's the dead-surest business in Christendom, and the nobbiest.

'Why, just look at it. A rich man won't have anything but your very best; and you can just pile it on, too—pile it on and sock it to him— he won't ever holler. And you take in a poor man, and if you work him right he'll bust himself on a single lay-out. Or especially a woman. F'r instance: Mrs. O'Flaherty comes in—widow—wiping her eyes and kind of moaning. Unhandkerchiefs one eye, bats it around tearfully over the stock; says—

'"And fhat might ye ask for that wan?"

'"Thirty-nine dollars, madam," says I.

'"It 's a foine big price, sure, but Pat shall be buried like a gintleman, as he was, if I have to work me fingers off for it. I'll have that wan, sor."

'"Yes, madam," says I, "and it is a very good one, too; not costly, to be sure, but in this life we must cut our garment to our clothes, as the saying is." And as she starts out, I heave in, kind of casually, "This one with the white satin lining is a beauty, but I am afraid—well, sixty-five dollars is a rather—rather—but no matter, I felt obliged to say to Mrs. O'Shaughnessy—"

'"D'ye mane to soy that Bridget O'Shaughnessy bought the mate to that joo-ul box to ship that dhrunken divil to Purgatory in?"

'"Yes, madam."

'"Then Pat shall go to heaven in the twin to it, if it takes the last rap the O'Flaherties can raise; and moind you, stick on some extras, too, and I'll give ye another dollar."

'And as I lay-in with the livery stables, of course I don't forget to mention that Mrs. O'Shaughnessy hired fifty-four dollars' worth of hacks and flung as much style into Dennis's funeral as if he had been a duke or an assassin. And of course she sails in and goes the O'Shaughnessy about four hacks and an omnibus better. That used to be, but that's all played now; that is, in this particular town. The Irish got to piling up hacks so, on their funerals, that a funeral left them ragged and hungry for two years afterward; so the priest pitched in and broke it all up. He don't allow them to have but two hacks now, and sometimes only one.'

'Well,' said I, 'if you are so light-hearted and jolly in ordinary times, what must you be in an epidemic?'

He shook his head.

'No, you're off, there. We don't like to see an epidemic. An epidemic don't pay. Well, of course I don't mean that, exactly; but it don't pay in proportion to the regular thing. Don't it occur to you, why?'

No.

'Think.'

'I can't imagine. What is it?'

'It's just two things.'

'Well, what are they?'

'One's Embamming.'

'And what's the other?'

'Ice.'

'How is that?'

'Well, in ordinary times, a person dies, and we lay him up in ice; one day two days, maybe three, to wait for friends to come. Takes a lot of it—melts fast. We charge jewelry rates for that ice, and war-prices for attendance. Well, don't you know, when there's an epidemic, they rush 'em to the cemetery the minute the breath's out. No market for ice in an epidemic. Same with Embamming. You take a family that's able to embam, and you've got a soft thing. You can mention sixteen different ways to do it—though there AIN'T only one or two ways, when you come down to the bottom facts of it—and they'll take the highest-priced way, every time. It's human nature—human nature in grief. It don't reason, you see. Time being, it don't care a dam. All it wants is physical immortality for deceased, and they're willing to pay for it. All you've got to do is to just be ca'm and stack it up—they'll stand the racket. Why, man, you can take a defunct that you couldn't GIVE away; and get your embamming traps around you and go to work; and in a couple of hours he is worth a cool six hundred—that's what HE'S worth. There ain't anything equal to it but trading rats for di'monds in time of famine. Well, don't you see, when there's an epidemic, people don't wait to embam. No, indeed they don't; and it hurts the business like hell-th, as we say—hurts it like hell-th, HEALTH, see?—Our little joke in the trade. Well, I must be going. Give me a call whenever you need any—I mean, when you're going by, sometime.'

In his joyful high spirits, he did the exaggerating himself, if any has been done. I have not enlarged on him.

With the above brief references to inhumation, let us leave the subject. As for me, I hope to be cremated. I made that remark to my pastor once, who said, with what he seemed to think was an impressive manner—

'I wouldn't worry about that, if I had your chances.' Much he knew about it—the family all so opposed to it.



Chapter 44 City Sights

THE old French part of New Orleans—anciently the Spanish part—bears no resemblance to the American end of the city: the American end which lies beyond the intervening brick business-center. The houses are massed in blocks; are austerely plain and dignified; uniform of pattern, with here and there a departure from it with pleasant effect; all are plastered on the outside, and nearly all have long, iron-railed verandas running along the several stories. Their chief beauty is the deep, warm, varicolored stain with which time and the weather have enriched the plaster. It harmonizes with all the surroundings, and has as natural a look of belonging there as has the flush upon sunset clouds. This charming decoration cannot be successfully imitated; neither is it to be found elsewhere in America.

The iron railings are a specialty, also. The pattern is often exceedingly light and dainty, and airy and graceful—with a large cipher or monogram in the center, a delicate cobweb of baffling, intricate forms, wrought in steel. The ancient railings are hand-made, and are now comparatively rare and proportionately valuable. They are become BRIC-A-BRAC.

The party had the privilege of idling through this ancient quarter of New Orleans with the South's finest literary genius, the author of 'the Grandissimes.' In him the South has found a masterly delineator of its interior life and its history. In truth, I find by experience, that the untrained eye and vacant mind can inspect it, and learn of it, and judge of it, more clearly and profitably in his books than by personal contact with it.

With Mr. Cable along to see for you, and describe and explain and illuminate, a jog through that old quarter is a vivid pleasure. And you have a vivid sense as of unseen or dimly seen things—vivid, and yet fitful and darkling; you glimpse salient features, but lose the fine shades or catch them imperfectly through the vision of the imagination: a case, as it were, of ignorant near-sighted stranger traversing the rim of wide vague horizons of Alps with an inspired and enlightened long- sighted native.

We visited the old St. Louis Hotel, now occupied by municipal offices. There is nothing strikingly remarkable about it; but one can say of it as of the Academy of Music in New York, that if a broom or a shovel has ever been used in it there is no circumstantial evidence to back up the fact. It is curious that cabbages and hay and things do not grow in the Academy of Music; but no doubt it is on account of the interruption of the light by the benches, and the impossibility of hoeing the crop except in the aisles. The fact that the ushers grow their buttonhole- bouquets on the premises shows what might be done if they had the right kind of an agricultural head to the establishment.

We visited also the venerable Cathedral, and the pretty square in front of it; the one dim with religious light, the other brilliant with the worldly sort, and lovely with orange-trees and blossomy shrubs; then we drove in the hot sun through the wilderness of houses and out on to the wide dead level beyond, where the villas are, and the water wheels to drain the town, and the commons populous with cows and children; passing by an old cemetery where we were told lie the ashes of an early pirate; but we took him on trust, and did not visit him. He was a pirate with a tremendous and sanguinary history; and as long as he preserved unspotted, in retirement, the dignity of his name and the grandeur of his ancient calling, homage and reverence were his from high and low; but when at last he descended into politics and became a paltry alderman, the public 'shook' him, and turned aside and wept. When he died, they set up a monument over him; and little by little he has come into respect again; but it is respect for the pirate, not the alderman. To-day the loyal and generous remember only what he was, and charitably forget what he became.

Thence, we drove a few miles across a swamp, along a raised shell road, with a canal on one hand and a dense wood on the other; and here and there, in the distance, a ragged and angular-limbed and moss-bearded cypress, top standing out, clear cut against the sky, and as quaint of form as the apple-trees in Japanese pictures—such was our course and the surroundings of it. There was an occasional alligator swimming comfortably along in the canal, and an occasional picturesque colored person on the bank, flinging his statue-rigid reflection upon the still water and watching for a bite.

And by-and-bye we reached the West End, a collection of hotels of the usual light summer-resort pattern, with broad verandas all around, and the waves of the wide and blue Lake Pontchartrain lapping the thresholds. We had dinner on a ground-veranda over the water—the chief dish the renowned fish called the pompano, delicious as the less criminal forms of sin.

Thousands of people come by rail and carriage to West End and to Spanish Fort every evening, and dine, listen to the bands, take strolls in the open air under the electric lights, go sailing on the lake, and entertain themselves in various and sundry other ways.

We had opportunities on other days and in other places to test the pompano. Notably, at an editorial dinner at one of the clubs in the city. He was in his last possible perfection there, and justified his fame. In his suite was a tall pyramid of scarlet cray-fish—large ones; as large as one's thumb—delicate, palatable, appetizing. Also deviled whitebait; also shrimps of choice quality; and a platter of small soft- shell crabs of a most superior breed. The other dishes were what one might get at Delmonico's, or Buckingham Palace; those I have spoken of can be had in similar perfection in New Orleans only, I suppose.

In the West and South they have a new institution—the Broom Brigade. It is composed of young ladies who dress in a uniform costume, and go through the infantry drill, with broom in place of musket. It is a very pretty sight, on private view. When they perform on the stage of a theater, in the blaze of colored fires, it must be a fine and fascinating spectacle. I saw them go through their complex manual with grace, spirit, and admirable precision. I saw them do everything which a human being can possibly do with a broom, except sweep. I did not see them sweep. But I know they could learn. What they have already learned proves that. And if they ever should learn, and should go on the war- path down Tchoupitoulas or some of those other streets around there, those thoroughfares would bear a greatly improved aspect in a very few minutes. But the girls themselves wouldn't; so nothing would be really gained, after all.

The drill was in the Washington Artillery building. In this building we saw many interesting relics of the war. Also a fine oil-painting representing Stonewall Jackson's last interview with General Lee. Both men are on horseback. Jackson has just ridden up, and is accosting Lee. The picture is very valuable, on account of the portraits, which are authentic. But, like many another historical picture, it means nothing without its label. And one label will fit it as well as another—

First Interview between Lee and Jackson.

Last Interview between Lee and Jackson.

Jackson Introducing Himself to Lee.

Jackson Accepting Lee's Invitation to Dinner.

Jackson Declining Lee's Invitation to Dinner—with Thanks.

Jackson Apologizing for a Heavy Defeat.

Jackson Reporting a Great Victory.

Jackson Asking Lee for a Match.

It tells ONE story, and a sufficient one; for it says quite plainly and satisfactorily, 'Here are Lee and Jackson together.' The artist would have made it tell that this is Lee and Jackson's last interview if he could have done it. But he couldn't, for there wasn't any way to do it. A good legible label is usually worth, for information, a ton of significant attitude and expression in a historical picture. In Rome, people with fine sympathetic natures stand up and weep in front of the celebrated 'Beatrice Cenci the Day before her Execution.' It shows what a label can do. If they did not know the picture, they would inspect it unmoved, and say, 'Young girl with hay fever; young girl with her head in a bag.'

I found the half-forgotten Southern intonations and elisions as pleasing to my ear as they had formerly been. A Southerner talks music. At least it is music to me, but then I was born in the South. The educated Southerner has no use for an r, except at the beginning of a word. He says 'honah,' and 'dinnah,' and 'Gove'nuh,' and 'befo' the waw,' and so on. The words may lack charm to the eye, in print, but they have it to the ear. When did the r disappear from Southern speech, and how did it come to disappear? The custom of dropping it was not borrowed from the North, nor inherited from England. Many Southerners—most Southerners— put a y into occasional words that begin with the k sound. For instance, they say Mr. K'yahtah (Carter) and speak of playing k'yahds or of riding in the k'yahs. And they have the pleasant custom—long ago fallen into decay in the North—of frequently employing the respectful 'Sir.' Instead of the curt Yes, and the abrupt No, they say 'Yes, Suh', 'No, Suh.'

But there are some infelicities. Such as 'like' for 'as,' and the addition of an 'at' where it isn't needed. I heard an educated gentleman say, 'Like the flag-officer did.' His cook or his butler would have said, 'Like the flag-officer done.' You hear gentlemen say, 'Where have you been at?' And here is the aggravated form—heard a ragged street Arab say it to a comrade: 'I was a-ask'n' Tom whah you was a-sett'n' at.' The very elect carelessly say 'will' when they mean 'shall'; and many of them say, 'I didn't go to do it,' meaning 'I didn't mean to do it.' The Northern word 'guess'—imported from England, where it used to be common, and now regarded by satirical Englishmen as a Yankee original—is but little used among Southerners. They say 'reckon.' They haven't any 'doesn't' in their language; they say 'don't' instead. The unpolished often use 'went' for 'gone.' It is nearly as bad as the Northern 'hadn't ought.' This reminds me that a remark of a very peculiar nature was made here in my neighborhood (in the North) a few days ago: 'He hadn't ought to have went.' How is that? Isn't that a good deal of a triumph? One knows the orders combined in this half- breed's architecture without inquiring: one parent Northern, the other Southern. To-day I heard a schoolmistress ask, 'Where is John gone?' This form is so common—so nearly universal, in fact—that if she had used 'whither' instead of 'where,' I think it would have sounded like an affectation.

We picked up one excellent word—a word worth traveling to New Orleans to get; a nice limber, expressive, handy word—'lagniappe.' They pronounce it lanny-yap. It is Spanish—so they said. We discovered it at the head of a column of odds and ends in the Picayune, the first day; heard twenty people use it the second; inquired what it meant the third; adopted it and got facility in swinging it the fourth. It has a restricted meaning, but I think the people spread it out a little when they choose. It is the equivalent of the thirteenth roll in a 'baker's dozen.' It is something thrown in, gratis, for good measure. The custom originated in the Spanish quarter of the city. When a child or a servant buys something in a shop—or even the mayor or the governor, for aught I know—he finishes the operation by saying—

'Give me something for lagniappe.'

The shopman always responds; gives the child a bit of licorice-root, gives the servant a cheap cigar or a spool of thread, gives the governor—I don't know what he gives the governor; support, likely.

When you are invited to drink, and this does occur now and then in New Orleans—and you say, 'What, again?—no, I've had enough;' the other party says, 'But just this one time more—this is for lagniappe.' When the beau perceives that he is stacking his compliments a trifle too high, and sees by the young lady's countenance that the edifice would have been better with the top compliment left off, he puts his 'I beg pardon—no harm intended,' into the briefer form of 'Oh, that's for lagniappe.' If the waiter in the restaurant stumbles and spills a gill of coffee down the back of your neck, he says 'For lagniappe, sah,' and gets you another cup without extra charge.



Chapter 45 Southern Sports

IN the North one hears the war mentioned, in social conversation, once a month; sometimes as often as once a week; but as a distinct subject for talk, it has long ago been relieved of duty. There are sufficient reasons for this. Given a dinner company of six gentlemen to-day, it can easily happen that four of them—and possibly five—were not in the field at all. So the chances are four to two, or five to one, that the war will at no time during the evening become the topic of conversation; and the chances are still greater that if it become the topic it will remain so but a little while. If you add six ladies to the company, you have added six people who saw so little of the dread realities of the war that they ran out of talk concerning them years ago, and now would soon weary of the war topic if you brought it up.

The case is very different in the South. There, every man you meet was in the war; and every lady you meet saw the war. The war is the great chief topic of conversation. The interest in it is vivid and constant; the interest in other topics is fleeting. Mention of the war will wake up a dull company and set their tongues going, when nearly any other topic would fail. In the South, the war is what A.D. is elsewhere: they date from it. All day long you hear things 'placed' as having happened since the waw; or du'in' the waw; or befo' the waw; or right aftah the waw; or 'bout two yeahs or five yeahs or ten yeahs befo' the waw or aftah the waw. It shows how intimately every individual was visited, in his own person, by that tremendous episode. It gives the inexperienced stranger a better idea of what a vast and comprehensive calamity invasion is than he can ever get by reading books at the fireside.

At a club one evening, a gentleman turned to me and said, in an aside—

'You notice, of course, that we are nearly always talking about the war. It isn't because we haven't anything else to talk about, but because nothing else has so strong an interest for us. And there is another reason: In the war, each of us, in his own person, seems to have sampled all the different varieties of human experience; as a consequence, you can't mention an outside matter of any sort but it will certainly remind some listener of something that happened during the war—and out he comes with it. Of course that brings the talk back to the war. You may try all you want to, to keep other subjects before the house, and we may all join in and help, but there can be but one result: the most random topic would load every man up with war reminiscences, and shut him up, too; and talk would be likely to stop presently, because you can't talk pale inconsequentialities when you've got a crimson fact or fancy in your head that you are burning to fetch out.'

The poet was sitting some little distance away; and presently he began to speak—about the moon.

The gentleman who had been talking to me remarked in an 'aside:' 'There, the moon is far enough from the seat of war, but you will see that it will suggest something to somebody about the war; in ten minutes from now the moon, as a topic, will be shelved.'

The poet was saying he had noticed something which was a surprise to him; had had the impression that down here, toward the equator, the moonlight was much stronger and brighter than up North; had had the impression that when he visited New Orleans, many years ago, the moon—

Interruption from the other end of the room—

'Let me explain that. Reminds me of an anecdote. Everything is changed since the war, for better or for worse; but you'll find people down here born grumblers, who see no change except the change for the worse. There was an old negro woman of this sort. A young New-Yorker said in her presence, "What a wonderful moon you have down here!" She sighed and said, "Ah, bless yo' heart, honey, you ought to seen dat moon befo' de waw!"'

The new topic was dead already. But the poet resurrected it, and gave it a new start.

A brief dispute followed, as to whether the difference between Northern and Southern moonlight really existed or was only imagined. Moonlight talk drifted easily into talk about artificial methods of dispelling darkness. Then somebody remembered that when Farragut advanced upon Port Hudson on a dark night—and did not wish to assist the aim of the Confederate gunners—he carried no battle-lanterns, but painted the decks of his ships white, and thus created a dim but valuable light, which enabled his own men to grope their way around with considerable facility. At this point the war got the floor again—the ten minutes not quite up yet.

I was not sorry, for war talk by men who have been in a war is always interesting; whereas moon talk by a poet who has not been in the moon is likely to be dull.

We went to a cockpit in New Orleans on a Saturday afternoon. I had never seen a cock-fight before. There were men and boys there of all ages and all colors, and of many languages and nationalities. But I noticed one quite conspicuous and surprising absence: the traditional brutal faces. There were no brutal faces. With no cock-fighting going on, you could have played the gathering on a stranger for a prayer-meeting; and after it began, for a revival—provided you blindfolded your stranger—for the shouting was something prodigious.

A negro and a white man were in the ring; everybody else outside. The cocks were brought in in sacks; and when time was called, they were taken out by the two bottle-holders, stroked, caressed, poked toward each other, and finally liberated. The big black cock plunged instantly at the little gray one and struck him on the head with his spur. The gray responded with spirit. Then the Babel of many-tongued shoutings broke out, and ceased not thenceforth. When the cocks had been fighting some little time, I was expecting them momently to drop dead, for both were blind, red with blood, and so exhausted that they frequently fell down. Yet they would not give up, neither would they die. The negro and the white man would pick them up every few seconds, wipe them off, blow cold water on them in a fine spray, and take their heads in their mouths and hold them there a moment—to warm back the perishing life perhaps; I do not know. Then, being set down again, the dying creatures would totter gropingly about, with dragging wings, find each other, strike a guesswork blow or two, and fall exhausted once more.

I did not see the end of the battle. I forced myself to endure it as long as I could, but it was too pitiful a sight; so I made frank confession to that effect, and we retired. We heard afterward that the black cock died in the ring, and fighting to the last.

Evidently there is abundant fascination about this 'sport' for such as have had a degree of familiarity with it. I never saw people enjoy anything more than this gathering enjoyed this fight. The case was the same with old gray-heads and with boys of ten. They lost themselves in frenzies of delight. The 'cocking-main' is an inhuman sort of entertainment, there is no question about that; still, it seems a much more respectable and far less cruel sport than fox-hunting—for the cocks like it; they experience, as well as confer enjoyment; which is not the fox's case.

We assisted—in the French sense—at a mule race, one day. I believe I enjoyed this contest more than any other mule there. I enjoyed it more than I remember having enjoyed any other animal race I ever saw. The grand-stand was well filled with the beauty and the chivalry of New Orleans. That phrase is not original with me. It is the Southern reporter's. He has used it for two generations. He uses it twenty times a day, or twenty thousand times a day; or a million times a day— according to the exigencies. He is obliged to use it a million times a day, if he have occasion to speak of respectable men and women that often; for he has no other phrase for such service except that single one. He never tires of it; it always has a fine sound to him. There is a kind of swell medieval bulliness and tinsel about it that pleases his gaudy barbaric soul. If he had been in Palestine in the early times, we should have had no references to 'much people' out of him. No, he would have said 'the beauty and the chivalry of Galilee' assembled to hear the Sermon on the Mount. It is likely that the men and women of the South are sick enough of that phrase by this time, and would like a change, but there is no immediate prospect of their getting it.

The New Orleans editor has a strong, compact, direct, unflowery style; wastes no words, and does not gush. Not so with his average correspondent. In the Appendix I have quoted a good letter, penned by a trained hand; but the average correspondent hurls a style which differs from that. For instance—

The 'Times-Democrat' sent a relief-steamer up one of the bayous, last April. This steamer landed at a village, up there somewhere, and the Captain invited some of the ladies of the village to make a short trip with him. They accepted and came aboard, and the steamboat shoved out up the creek. That was all there was 'to it.' And that is all that the editor of the 'Times-Democrat' would have got out of it. There was nothing in the thing but statistics, and he would have got nothing else out of it. He would probably have even tabulated them, partly to secure perfect clearness of statement, and partly to save space. But his special correspondent knows other methods of handling statistics. He just throws off all restraint and wallows in them—

'On Saturday, early in the morning, the beauty of the place graced our cabin, and proud of her fair freight the gallant little boat glided up the bayou.'

Twenty-two words to say the ladies came aboard and the boat shoved out up the creek, is a clean waste of ten good words, and is also destructive of compactness of statement.

The trouble with the Southern reporter is—Women. They unsettle him; they throw him off his balance. He is plain, and sensible, and satisfactory, until a woman heaves in sight. Then he goes all to pieces; his mind totters, he becomes flowery and idiotic. From reading the above extract, you would imagine that this student of Sir Walter Scott is an apprentice, and knows next to nothing about handling a pen. On the contrary, he furnishes plenty of proofs, in his long letter, that he knows well enough how to handle it when the women are not around to give him the artificial-flower complaint. For instance—

'At 4 o'clock ominous clouds began to gather in the south-east, and presently from the Gulf there came a blow which increased in severity every moment. It was not safe to leave the landing then, and there was a delay. The oaks shook off long tresses of their mossy beards to the tugging of the wind, and the bayou in its ambition put on miniature waves in mocking of much larger bodies of water. A lull permitted a start, and homewards we steamed, an inky sky overhead and a heavy wind blowing. As darkness crept on, there were few on board who did not wish themselves nearer home.'

There is nothing the matter with that. It is good description, compactly put. Yet there was great temptation, there, to drop into lurid writing.

But let us return to the mule. Since I left him, I have rummaged around and found a full report of the race. In it I find confirmation of the theory which I broached just now—namely, that the trouble with the Southern reporter is Women: Women, supplemented by Walter Scott and his knights and beauty and chivalry, and so on. This is an excellent report, as long as the women stay out of it. But when they intrude, we have this frantic result—

'It will be probably a long time before the ladies' stand presents such a sea of foam-like loveliness as it did yesterday. The New Orleans women are always charming, but never so much so as at this time of the year, when in their dainty spring costumes they bring with them a breath of balmy freshness and an odor of sanctity unspeakable. The stand was so crowded with them that, walking at their feet and seeing no possibility of approach, many a man appreciated as he never did before the Peri's feeling at the Gates of Paradise, and wondered what was the priceless boon that would admit him to their sacred presence. Sparkling on their white-robed breasts or shoulders were the colors of their favorite knights, and were it not for the fact that the doughty heroes appeared on unromantic mules, it would have been easy to imagine one of King Arthur's gala-days.'

There were thirteen mules in the first heat; all sorts of mules, they were; all sorts of complexions, gaits, dispositions, aspects. Some were handsome creatures, some were not; some were sleek, some hadn't had their fur brushed lately; some were innocently gay and frisky; some were full of malice and all unrighteousness; guessing from looks, some of them thought the matter on hand was war, some thought it was a lark, the rest took it for a religious occasion. And each mule acted according to his convictions. The result was an absence of harmony well compensated by a conspicuous presence of variety—variety of a picturesque and entertaining sort.

All the riders were young gentlemen in fashionable society. If the reader has been wondering why it is that the ladies of New Orleans attend so humble an orgy as a mule-race, the thing is explained now. It is a fashion-freak; all connected with it are people of fashion.

It is great fun, and cordially liked. The mule-race is one of the marked occasions of the year. It has brought some pretty fast mules to the front. One of these had to be ruled out, because he was so fast that he turned the thing into a one-mule contest, and robbed it of one of its best features—variety. But every now and then somebody disguises him with a new name and a new complexion, and rings him in again.

The riders dress in full jockey costumes of bright-colored silks, satins, and velvets.

The thirteen mules got away in a body, after a couple of false starts, and scampered off with prodigious spirit. As each mule and each rider had a distinct opinion of his own as to how the race ought to be run, and which side of the track was best in certain circumstances, and how often the track ought to be crossed, and when a collision ought to be accomplished, and when it ought to be avoided, these twenty-six conflicting opinions created a most fantastic and picturesque confusion, and the resulting spectacle was killingly comical.

Mile heat; time 2:22. Eight of the thirteen mules distanced. I had a bet on a mule which would have won if the procession had been reversed. The second heat was good fun; and so was the 'consolation race for beaten mules,' which followed later; but the first heat was the best in that respect.

I think that much the most enjoyable of all races is a steamboat race; but, next to that, I prefer the gay and joyous mule-rush. Two red-hot steamboats raging along, neck-and-neck, straining every nerve—that is to say, every rivet in the boilers—quaking and shaking and groaning from stem to stern, spouting white steam from the pipes, pouring black smoke from the chimneys, raining down sparks, parting the river into long breaks of hissing foam—this is sport that makes a body's very liver curl with enjoyment. A horse-race is pretty tame and colorless in comparison. Still, a horse-race might be well enough, in its way, perhaps, if it were not for the tiresome false starts. But then, nobody is ever killed. At least, nobody was ever killed when I was at a horse- race. They have been crippled, it is true; but this is little to the purpose.



Chapter 46 Enchantments and Enchanters

THE largest annual event in New Orleans is a something which we arrived too late to sample—the Mardi-Gras festivities. I saw the procession of the Mystic Crew of Comus there, twenty-four years ago—with knights and nobles and so on, clothed in silken and golden Paris-made gorgeousnesses, planned and bought for that single night's use; and in their train all manner of giants, dwarfs, monstrosities, and other diverting grotesquerie—a startling and wonderful sort of show, as it filed solemnly and silently down the street in the light of its smoking and flickering torches; but it is said that in these latter days the spectacle is mightily augmented, as to cost, splendor, and variety. There is a chief personage—'Rex;' and if I remember rightly, neither this king nor any of his great following of subordinates is known to any outsider. All these people are gentlemen of position and consequence; and it is a proud thing to belong to the organization; so the mystery in which they hide their personality is merely for romance's sake, and not on account of the police.

Mardi-Gras is of course a relic of the French and Spanish occupation; but I judge that the religious feature has been pretty well knocked out of it now. Sir Walter has got the advantage of the gentlemen of the cowl and rosary, and he will stay. His medieval business, supplemented by the monsters and the oddities, and the pleasant creatures from fairy- land, is finer to look at than the poor fantastic inventions and performances of the reveling rabble of the priest's day, and serves quite as well, perhaps, to emphasize the day and admonish men that the grace-line between the worldly season and the holy one is reached.

This Mardi-Gras pageant was the exclusive possession of New Orleans until recently. But now it has spread to Memphis and St. Louis and Baltimore. It has probably reached its limit. It is a thing which could hardly exist in the practical North; would certainly last but a very brief time; as brief a time as it would last in London. For the soul of it is the romantic, not the funny and the grotesque. Take away the romantic mysteries, the kings and knights and big-sounding titles, and Mardi-Gras would die, down there in the South. The very feature that keeps it alive in the South—girly-girly romance—would kill it in the North or in London. Puck and Punch, and the press universal, would fall upon it and make merciless fun of it, and its first exhibition would be also its last.

Against the crimes of the French Revolution and of Bonaparte may be set two compensating benefactions: the Revolution broke the chains of the ANCIEN REGIME and of the Church, and made of a nation of abject slaves a nation of freemen; and Bonaparte instituted the setting of merit above birth, and also so completely stripped the divinity from royalty, that whereas crowned heads in Europe were gods before, they are only men, since, and can never be gods again, but only figureheads, and answerable for their acts like common clay. Such benefactions as these compensate the temporary harm which Bonaparte and the Revolution did, and leave the world in debt to them for these great and permanent services to liberty, humanity, and progress.

Then comes Sir Walter Scott with his enchantments, and by his single might checks this wave of progress, and even turns it back; sets the world in love with dreams and phantoms; with decayed and swinish forms of religion; with decayed and degraded systems of government; with the sillinesses and emptinesses, sham grandeurs, sham gauds, and sham chivalries of a brainless and worthless long-vanished society. He did measureless harm; more real and lasting harm, perhaps, than any other individual that ever wrote. Most of the world has now outlived good part of these harms, though by no means all of them; but in our South they flourish pretty forcefully still. Not so forcefully as half a generation ago, perhaps, but still forcefully. There, the genuine and wholesome civilization of the nineteenth century is curiously confused and commingled with the Walter Scott Middle-Age sham civilization; and so you have practical, common-sense, progressive ideas, and progressive works; mixed up with the duel, the inflated speech, and the jejune romanticism of an absurd past that is dead, and out of charity ought to be buried. But for the Sir Walter disease, the character of the Southerner—or Southron, according to Sir Walter's starchier way of phrasing it—would be wholly modern, in place of modern and medieval mixed, and the South would be fully a generation further advanced than it is. It was Sir Walter that made every gentleman in the South a Major or a Colonel, or a General or a Judge, before the war; and it was he, also, that made these gentlemen value these bogus decorations. For it was he that created rank and caste down there, and also reverence for rank and caste, and pride and pleasure in them. Enough is laid on slavery, without fathering upon it these creations and contributions of Sir Walter.