It was not only in Greece that Byron's death was profoundly felt, but in all Europe, which was under the spell of his genius. Mrs. Anne Thackeray Ritchie, in her charming recollections of Tennyson, says:—"One day the news came to the village—the dire news which spread across the land, filling men's hearts with consternation—that Byron was dead. Alfred was then a boy about fifteen. 'Byron was dead! I thought the whole world was at an end,' he once said, speaking of those bygone days. 'I thought everything was over and finished for every one—that nothing else mattered. I remember I walked out alone and carved "Byron is dead" into the sandstone.'"



MAID OF ATHENS

Maid of Athens, ere we part, Give, oh give me back my heart! Or, since that has left my breast, Keep it now, and take the rest! Hear my vow before I go, Zoe mou, sas agapo.[107]

By those tresses unconfined, Wooed by each AEgean wind; By those lids whose jetty fringe Kiss thy soft cheeks' blooming tinge; By those wild eyes like the roe, Zoe mou, sas agapo.

By that lip I long to taste; By that zone-encircled waist; By all the token-flowers that tell What words can never speak so well; By love's alternate joy and woe, Zoe mou, sas agapo.

Maid of Athens! I am gone: Think of me, sweet! when alone. Though I fly to Istambol, Athens holds my heart and soul: Can I cease to love thee? No! Zoe mou, sas agapo.

FOOTNOTES:

[107] Zoe mou, sas agapo: "My life, I love you."

TRANSLATION OF A ROMAIC SONG

I enter thy garden of roses, Beloved and fair Haidee, Each morning where Flora reposes, For surely I see her in thee. O Lovely! thus low I implore thee, Receive this fond truth from my tongue, Which utters its song to adore thee, Yet trembles for what it has sung: As the branch, at the bidding of Nature, Adds fragrance and fruit to the tree, Through her eyes, through her every feature, Shines the soul of the young Haidee.

But the loveliest garden grows hateful When love has abandoned the bowers; Bring me hemlock—since mine is ungrateful, That herb is more fragrant than flowers. The poison, when poured from the chalice, Will deeply embitter the bowl; But when drunk to escape from thy malice, The draught shall be sweet to my soul. Too cruel! in vain I implore thee My heart from these horrors to save: Will naught to my bosom restore thee? Then open the gates of the grave.

As the chief who to combat advances Secure of his conquest before, Thus thou, with those eyes for thy lances, Hast pierced through my heart to its core. Ah, tell me, my soul, must I perish By pangs which a smile would dispel? Would the hope, which thou once bad'st me cherish, For torture repay me too well? Now sad is the garden of roses, Beloved but false Haidee! There Flora all withered reposes, And mourns o'er thine absence with me.

GREECE

From 'The Giaour'

He who hath bent him o'er the dead Ere the first day of death is fled,— The first dark day of nothingness, The last of danger and distress, (Before Decay's effacing fingers Have swept the lines where beauty lingers,)— And marked the mild angelic air, The rapture of repose that's there, The fixed yet tender traits that streak The languor of the placid cheek, And—but for that sad shrouded eye, That fires not, wins not, weeps not now, And but for that chill, changeless brow, Where cold Obstruction's apathy Appalls the gazing mourner's heart, As if to him it could impart The doom he dreads, yet dwells upon— Yes, but for these and these alone, Some moments, ay, one treacherous hour, He still might doubt the tyrant's power; So fair, so calm, so softly sealed, The first, last look by death revealed! Such is the aspect of this shore; 'Tis Greece, but living Greece no more! So coldly sweet, so deadly fair, We start, for soul is wanting there. Hers is the loveliness in death That parts not quite with parting breath; But beauty with that fearful bloom, That hue which haunts it to the tomb, Expression's last receding ray, A gilded halo hovering round decay, The farewell beam of Feeling passed away! Spark of that flame—perchance of heavenly birth— Which gleams, but warms no more its cherished earth!

Clime of the unforgotten brave! Whose land from plain to mountain-cave Was Freedom's home, or Glory's grave! Shrine of the mighty! can it be That this is all remains of thee? Approach, thou craven crouching slave: Say, is not this Thermopylae? These waters blue that round you lave, O servile offspring of the free— Pronounce what sea, what shore is this? The gulf, the rock of Salamis! These scenes, their story not unknown, Arise, and make again your own; Snatch from the ashes of your sires The embers of their former fires; And he who in the strife expires Will add to theirs a name of fear That Tyranny shall quake to hear, And leave his sons a hope, a fame, They too will rather die than shame: For Freedom's battle once begun, Bequeathed by bleeding Sire to Son, Though baffled oft, is ever won. Bear witness, Greece, thy living page, Attest it many a deathless age! While kings, in dusty darkness hid, Have left a nameless pyramid, Thy heroes, though the general doom Hath swept the column from their tomb, A mightier monument command, The mountains of their native land! There points thy Muse to stranger's eye The graves of those that cannot die!

'Twere long to tell, and sad to trace, Each step from splendor to disgrace: Enough—no foreign foe could quell Thy soul, till from itself it fell; Yes! self-abasement paved the way To villain-bonds and despot sway.

THE HELLESPONT AND TROY

From 'The Bride of Abydos'

The winds are high on Helle's wave; As on that night of stormy water, When Love, who sent, forgot to save The young, the beautiful, the brave, The lonely hope of Sestos's daughter. Oh! when alone along the sky Her turret torch was blazing high, Though rising gale, and breaking foam, And shrieking sea-birds, warned him home; And clouds aloft and tides below, With signs and sounds, forbade to go: He could not see, he would not hear, Or sound or sign foreboding fear; His eye but saw the light of love, The only star it hailed above; His ear but rang with Hero's song, "Ye waves, divide not lovers long!"— That tale is old, but love anew May nerve young hearts to prove as true.

The winds are high, and Helle's tide Rolls darkly heaving to the main; And Night's descending shadows hide That field with blood bedewed in vain, The desert of old Priam's pride, The tombs, sole relics of his reign, All—save immortal dreams that could beguile The blind old man of Scio's rocky isle!

Oh! yet—for there my steps have been; These feet have pressed the sacred shore; These limbs that buoyant wave hath borne— Minstrel! with thee to muse, to mourn, To trace again those fields of yore, Believing every hillock green Contains no fabled hero's ashes, And that around the undoubted scene Thine own "broad Hellespont" still dashes,— Be long my lot! and cold were he Who there could gaze denying thee!

GREECE AND HER HEROES

From 'The Siege of Corinth'

They fell devoted, but undying; The very gale their names seemed sighing: The waters murmured of their name; The woods were peopled with their fame; The silent pillar, lone and gray, Claimed kindred with their sacred clay; Their spirits wrapt the dusky mountain, Their memory sparkled o'er the fountain: The meanest rill, the mightiest river, Rolled mingling with their fame forever. Despite of every yoke she bears, That land is glory's still, and theirs! 'Tis still a watchword to the earth: When man would do a deed of worth He points to Greece, and turns to tread, So sanctioned, on the tyrant's head; He looks to her, and rushes on Where life is lost, or freedom won.

THE ISLES OF GREECE

From 'Don Juan'

The isles of Greece! the isles of Greece! Where burning Sappho loved and sung, Where grew the arts of war and peace, Where Delos rose and Phoebus sprung! Eternal summer gilds them yet, But all except their sun is set.

The Scian[108] and the Teian[109] muse, The hero's harp, the lover's lute, Have found the fame your shores refuse; Their place of birth alone is mute To sounds which echo further west Than your sires' "Islands of the Blest."

The mountains look on Marathon— And Marathon looks on the sea; And musing there an hour alone, I dreamed that Greece might still be free; For, standing on the Persians' grave, I could not deem myself a slave.

A king sat on the rocky brow Which looks o'er sea-born Salamis; And ships by thousands lay below, And men in nations;—all were his! He counted them at break of day— And when the sun set, where were they?

And where are they? and where art thou, My country? On thy voiceless shore The heroic lay is tuneless now— The heroic bosom beats no more! And must thy lyre, so long divine, Degenerate into hands like mine?

'Tis something, in the dearth of fame, Though linked among a fettered race, To feel at least a patriot's shame, Even as I sing, suffuse my face: For what is left the poet here? For Greeks a blush—for Greece a tear.

Must we but weep o'er days more blest? Must we but blush?—Our fathers bled. Earth! render back from out thy breast A remnant of our Spartan dead! Of the three hundred grant but three To make a new Thermopylae!

What, silent still? and silent all? Ah, no;—the voices of the dead Sound like a distant torrent's fall, And answer, "Let one living head, But one, arise—we come, we come!" 'Tis but the living who are dumb.

In vain—in vain: strike other chords; Fill high the cup with Samian wine! Leave battles to the Turkish hordes, And shed the blood of Scio's vine! Hark! rising to the ignoble call, How answers each bold Bacchanal!

You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one? You have the letters Cadmus gave— Think ye he meant them for a slave?

Fill high the bowl with Samian wine! We will not think of themes like these: It made Anacreon's song divine; He served—but served Polycrates— A tyrant: but our masters then Were still at least our countrymen.

The tyrant of the Chersonese Was freedom's best and bravest friend; That tyrant was Miltiades! Oh that the present hour would lend Another despot of the kind! Such chains as his were sure to bind.

Fill high the bowl with Samian wine! On Suli's rock, and Parga's shore, Exists the remnant of a line Such as the Doric mothers bore: And there, perhaps, some seed is sown The Heracleidan blood might own.

Trust not for freedom to the Franks— They have a king who buys and sells; In native swords and native ranks The only hope of courage dwells: But Turkish force and Latin fraud Would break your shield, however broad.

Fill high the bowl with Samian wine! Our virgins dance beneath the shade: I see their glorious black eyes shine; But, gazing on each glowing maid, My own the burning tear-drop laves, To think such breasts must suckle slaves.

Place me on Sunium's marble steep, Where nothing, save the waves and I, May hear our mutual murmurs sweep: There, swan-like, let me sing and die! A land of slaves shall ne'er be mine— Dash down yon cup of Samian wine!

FOOTNOTES:

[108] Homer.

[109] Anacreon.

GREECE AND THE GREEKS BEFORE THE REVOLUTION

From 'Childe Harold's Pilgrimage'

Ancient of days! august Athena! where, Where are thy men of might? thy grand in soul? Gone—glimmering through the dream of things that were: First in the race that led to Glory's goal, They won, and passed away—is this the whole? A schoolboy's tale, the wonder of an hour! The warrior's weapon and the sophist's stole Are sought in vain, and o'er each moldering tower, Dim with the mist of years, gray flits the shade of power.

. . . . . . .

Fair Greece! sad relic of departed worth! Immortal, though no more! though fallen, great! Who now shall lead thy scattered children forth, And long accustomed bondage uncreate? Not such thy sons who whilome did await, The hopeless warriors of a willing doom, In bleak Thermopylae's sepulchral strait— Oh, who that gallant spirit shall resume, Leap from Eurotas's banks, and call thee from the tomb?

Spirit of Freedom! when on Phyle's brow Thou sat'st with Thrasybulus and his train, Couldst thou forebode the dismal hour which now Dims the green beauties of thine Attic plain? Not thirty tyrants now enforce the chain, But every earl can lord it o'er thy land: Nor rise thy sons, but idly rail in vain, Trembling beneath the scourge of Turkish hand, From birth till death enslaved; in word, in deed, unmanned.

. . . . . . .

Hereditary bondmen! know ye not Who would be free, themselves must strike the blow? By their right arms the conquest must be wrought? Will Gaul or Muscovite redress ye? No! True, they may lay your proud despoilers low, But not for you will Freedom's altars flame. Shades of the Helots! triumph o'er your foe: Greece! change thy lords, thy state is still the same; Thy glorious day is o'er, but not thy years of shame....

When riseth Lacedaemon's hardihood, When Thebes Epaminondas rears again, When Athens' children are with hearts endued, When Grecian mothers shall give birth to men, Then may'st thou be restored; but not till then. A thousand years scarce serve to form a State; An hour may lay it in the dust: and when Can man its shattered splendor renovate, Recall its virtues back, and vanquish Time and Fate?

And yet how lovely in thine age of woe, Land of lost gods and godlike men, art thou! Thy vales of evergreen, thy hills of snow, Proclaim thee Nature's varied favorite now. Thy fanes, thy temples to thy surface bow, Commingling slowly with heroic earth, Broke by the share of every rustic plough: So perish monuments of mortal birth, So perish all in turn, save well-recorded worth;

Save where some solitary column mourns Above its prostrate brethren of the cave; Save where Tritonia's airy shrine adorns Colonna's cliff, and gleams along the wave; Save o'er some warrior's half-forgotten grave, Where the gray stones and long-neglected grass Ages, but not oblivion, feebly brave, While strangers only not regardless pass, Lingering like me, perchance, to gaze, and sigh "Alas!"

Yet are thy skies as blue, thy crags as wild, Sweet are thy groves, and verdant are thy fields, Thine olive ripe as when Minerva smiled, And still his honeyed wealth Hymettus yields; There the blithe bee his fragrant fortress builds, The free-born wanderer of thy mountain air; Apollo still thy long, long summer gilds, Still in his beam Mendeli's marbles glare: Art, Glory, Freedom fail, but Nature still is fair.

Where'er we tread, 'tis haunted, holy ground; No earth of thine is lost in vulgar mold, But one vast realm of wonder spreads around, And all the Muse's tales seem truly told, Till the sense aches with gazing to behold The scenes our earliest dreams have dwelt upon: Each hill and dale, each deepening glen and wold, Defies the power which crushed thy temples gone: Age shakes Athena's tower, but spares gray Marathon.

TO ROME

From 'Childe Harold's Pilgrimage'

O Rome! my country! city of the soul! The orphans of the heart must turn to thee, Lone mother of dead empires! and control In their shut breasts their petty misery. What are our woes and sufferings? Come and see The cypress, hear the owl, and plod your way O'er steps of broken thrones and temples, ye! Whose agonies are evils of a day— A world is at our feet as fragile as our clay.

The Niobe of nations! there she stands, Childless and crownless, in her voiceless woe; An empty urn within her withered hands, Whose holy dust was scattered long ago: The Scipios' tomb contains no ashes now; The very sepulchres lie tenantless Of their heroic dwellers: dost thou flow, Old Tiber! through a marble wilderness? Rise, with thy yellow waves, and mantle her distress!

The Goth, the Christian, Time, War, Flood, and Fire Have dealt upon the seven-hilled city's pride: She saw her glories star by star expire, And up the steep, Barbarian monarchs ride, Where the car climbed the Capitol; far and wide Temple and tower went down, nor left a site:— Chaos of ruins! who shall trace the void, O'er the dim fragments cast a lunar light, And say, "Here was, or is," where all is doubly night?

The double night of ages, and of her, Night's daughter, Ignorance, hath wrapt and wrap All round us; we but feel our way to err: The ocean hath its chart, the stars their map, And Knowledge spreads them on her ample lap; But Rome is as the desert, where we steer Stumbling o'er recollections: now we clap Our hands, and cry "Eureka! it is clear—" When but some false mirage of ruin rises near.

Alas, the lofty city! and alas, The trebly hundred triumphs! and the day When Brutus made the dagger's edge surpass The conqueror's sword in bearing fame away! Alas for Tully's voice, and Virgil's lay, And Livy's pictured page! But these shall be Her resurrection; all beside—decay. Alas for Earth, for never shall we see That brightness in her eye she bore when Rome was free!

THE COLISEUM

From 'Childe Harold's Pilgrimage'

Arches on arches! as it were that Rome, Collecting the chief trophies of her line, Would build up all her triumphs in one dome, Her Coliseum stands; the moonbeams shine As 'twere its natural torches, for divine Should be the light which streams here, to illume This long explored but still exhaustless mine Of contemplation; and the azure gloom Of an Italian night, where the deep skies assume

Hues which have words, and speak to ye of heaven, Floats o'er this vast and wondrous monument, And shadows forth its glory. There is given Unto the things of earth, which Time hath bent, A spirit's feeling, and where he hath leant His hand, but broke his scythe, there is a power And magic in the ruined battlement, For which the palace of the present hour Must yield its pomp, and wait till ages are its dower.

And here the buzz of eager nations ran, In murmured pity, or loud-roared applause, As man was slaughtered by his fellow-man. And wherefore slaughtered? wherefore, but because Such were the bloody Circus's genial laws, And such the imperial pleasure.—Wherefore not? What matters where we fall to fill the maws Of worms—on battle-plains or listed spot? Both are but theatres where the chief actors rot.

I see before me the Gladiator lie: He leans upon his hand—his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low; And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower; and now The arena swims around him—he is gone, Ere ceased the inhuman shout which hailed the wretch who won.

He heard it, but he heeded not—his eyes Were with his heart, and that was far away; He recked not of the life he lost, nor prize, But where his rude hut by the Danube lay, There were his young barbarians all at play, There was their Dacian mother—he, their sire, Butchered to make a Roman holiday: All this rushed with his blood. Shall he expire, And unavenged?—Arise, ye Goths, and glut your ire!

. . . . . . .

A ruin—yet what ruin! from its mass Walls, palaces, half-cities, have been reared; Yet oft the enormous skeleton ye pass, And marvel where the spoil could have appeared. Hath it indeed been plundered, or but cleared? Alas! developed, opens the decay, When the colossal fabric's form is neared: It will not bear the brightness of the day, Which streams too much on all years, man, have reft away.

But when the rising moon begins to climb Its topmost arch, and gently pauses there; When the stars twinkle through the loops of time, And the low night-breeze waves along the air The garland-forest which the gray walls wear, Like laurels on the bald first Caesar's head; When the light shines serene, but doth not glare,— Then in this magic circle raise the dead: Heroes have trod this spot—'tis on their dust ye tread.

CHORUS OF SPIRITS

At the Storming of Rome by the Constable of Bourbon, 1527

From 'The Deformed Transformed'

'Tis the morn, but dim and dark. Whither flies the silent lark? Whither shrinks the clouded sun? Is the day indeed begun? Nature's eye is melancholy O'er the city high and holy; But without there is a din Should arouse the saints within, And revive the heroic ashes Round which yellow Tiber dashes. O ye seven hills! awaken, Ere your very base be shaken!

Hearken to the steady stamp! Mars is in their every tramp! Not a step is out of tune, As the tides obey the moon! On they march, though to self-slaughter, Regular as rolling water, Whose high waves o'ersweep the border Of huge moles, but keep their order, Breaking only rank by rank. Hearken to the armor's clank! Look down o'er each frowning warrior, How he glares upon the barrier: Look on each step of each ladder, As the stripes that streak an adder.

Look upon the bristling wall, Manned without an interval! Round and round, and tier on tier, Cannon's black mouth, shining spear, Lit match, bell-mouthed musquetoon, Gaping to be murderous soon— All the warlike gear of old, Mixed with what we now behold, In this strife 'twixt old and new, Gather like a locust's crew. Shade of Remus! 'tis a time Awful as thy brother's crime! Christians war against Christ's shrine: Must its lot be like to thine?

Near—and near—and nearer still, As the earthquake saps the hill, First with trembling, hollow motion, Like a scarce-awakened ocean, Then with stronger shock and louder, Till the rocks are crushed to powder,— Onward sweeps the rolling host! Heroes of the immortal boast! Mighty chiefs! eternal shadows! First flowers of the bloody meadows Which encompass Rome, the mother Of a people without brother! Will you sleep when nations' quarrels Plow the root up of your laurels? Ye who wept o'er Carthage burning, Weep not—strike! for Rome is mourning!

Onward sweep the varied nations! Famine long hath dealt their rations. To the wall, with hate and hunger, Numerous as wolves, and stronger, On they sweep. O glorious city! Must thou be a theme for pity? Fight like your first sire, each Roman! Alaric was a gentle foeman, Matched with Bourbon's black banditti. Rouse thee, thou eternal city! Rouse thee! Rather give the torch With thine own hand to thy porch, Than behold such hosts pollute Your worst dwelling with their foot.

Ah! behold yon bleeding spectre! Ilion's children find no Hector; Priam's offspring loved their brother; Rome's great sire forgot his mother, When he slew his gallant twin, With inexpiable sin. See the giant shadow stride O'er the ramparts high and wide! When the first o'erleapt thy wall, Its foundation mourned his fall. Now, though towering like a Babel, Who to stop his steps are able? Stalking o'er thy highest dome, Remus claims his vengeance, Rome!

Now they reach thee in their anger; Fire and smoke and hellish clangor Are around thee, thou world's wonder! Death is in thy walls and under. Now the meeting steel first clashes, Downward then the ladder crashes, With its iron load all gleaming, Lying at its foot blaspheming. Up again! for every warrior Slain, another climbs the barrier. Thicker grows the strife; thy ditches Europe's mingling gore enriches. Rome! although thy wall may perish, Such manure thy fields will cherish, Making gay the harvest-home; But thy hearths! alas, O Rome!— Yet be Rome amidst thine anguish, Fight as thou wast wont to vanquish!

Yet once more, ye old Penates, Let not your quenched hearths be Ate's! Yet again, ye shadowy heroes, Yield not to these stranger Neros! Though the son who slew his mother Shed Rome's blood, he was your brother: 'Twas the Roman curbed the Roman;— Brennus was a baffled foeman. Yet again, ye saints and martyrs, Rise! for yours are holier charters! Mighty gods of temples falling, Yet in ruin still appalling, Mightier founders of those altars True and Christian—strike the assaulters! Tiber! Tiber! let thy torrent Show even nature's self abhorrent. Let each breathing heart dilated Turn, as doth the lion baited: Rome be crushed to one wide tomb, But be still the Roman's Rome!

VENICE

From 'Childe Harold's Pilgrimage'

I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand; I saw from out the wave her structures rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying glory smiles O'er the far times when many a subject land Looked to the winged Lion's marble piles, Where Venice sat in state, throned on her hundred isles!

She looks a sea Cybele, fresh from ocean, Rising with her tiara of proud towers At airy distance, with majestic motion, A ruler of the waters and their powers: And such she was; her daughters had their dowers From spoils of nations, and the exhaustless East Poured in her lap all gems in sparkling showers. In purple was she robed, and of her feast Monarchs partook, and deemed their dignity increased.

In Venice, Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone—but Beauty still is here. States fall, arts fade—but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!

But unto us she hath a spell beyond Her name in story, and her long array Of mighty shadows, whose dim forms despond Above the Dogeless city's vanished sway: Ours is a trophy which will not decay With the Rialto; Shylock and the Moor, And Pierre, cannot be swept or worn away— The keystones of the arch! though all were o'er, For us repeopled were the solitary shore.

The beings of the mind are not of clay; Essentially immortal, they create And multiply in us a brighter ray And more beloved existence: that which Fate Prohibits to dull life, in this our state Of mortal bondage, by these spirits supplied, First exiles, then replaces what we hate; Watering the heart whose early flowers have died, And with a fresher growth replenishing the void.

ODE TO VENICE

I

O Venice! Venice! when thy marble walls Are level with the waters, there shall be A cry of nations o'er thy sunken halls, A loud lament along the sweeping sea! If I, a northern wanderer, weep for thee, What should thy sons do?—anything but weep: And yet they only murmur in their sleep. In contrast with their fathers—as the slime, The dull green ooze of the receding deep, Is with the dashing of the spring-tide foam That drives the sailor shipless to his home— Are they to those that were; and thus they creep, Crouching and crab-like, through their sapping streets. Oh, agony! that centuries should reap No mellower harvest! Thirteen hundred years Of wealth and glory turned to dust and tears; And every monument the stranger meets, Church, palace, pillar, as a mourner greets; And even the Lion all subdued appears, And the harsh sound of the barbarian drum, With dull and daily dissonance, repeats The echo of thy tyrant's voice along The soft waves, once all musical to song, That heaved beneath the moonlight with the throng Of gondolas—and to the busy hum Of cheerful creatures, whose most sinful deeds Were but the overbeating of the heart, And flow of too much happiness, which needs The aid of age to turn its course apart From the luxuriant and voluptuous flood Of sweet sensations, battling with the blood. But these are better than the gloomy errors, The weeds of nations in their last decay, When Vice walks forth with her unsoftened terrors, And Mirth is madness, and but smiles to slay: And Hope is nothing but a false delay, The sick man's lightning half an hour ere death, When Faintness, the last mortal birth of Pain, And apathy of limb, the dull beginning Of the cold staggering race which Death is winning, Steals vein by vein and pulse by pulse away, Yet so relieving the o'er-tortured clay, To him appears renewal of his breath, And freedom the mere numbness of his chain; And then he talks of life, and how again He feels his spirit soaring—albeit weak, And of the fresher air, which he would seek: And as he whispers knows not that he gasps, That his thin finger feels not what it clasps, And so the film comes o'er him—and the dizzy Chamber swims round and round—and shadows busy, At which he vainly catches, flit and gleam, Till the last rattle chokes the strangled scream, And all is ice and blackness—and the earth That which it was the moment ere our birth.

II

There is no hope for nations!—Search the page Of many thousand years—the daily scene, The flow and ebb of each recurring age, The everlasting to be which hath been, Hath taught us naught, or little: still we lean On things that rot beneath our weight, and wear Our strength away in wrestling with the air: For 'tis our nature strikes us down; the beasts Slaughtered in hourly hecatombs for feasts Are of as high an order—they must go Even where their driver goads them, though to slaughter. Ye men, who pour your blood for kings as water, What have they given your children in return? A heritage of servitude and woes, A blindfold bondage, where your hire is blows. What! do not yet the red-hot plowshares burn, O'er which you stumble in a false ordeal, And deem this proof of loyalty the real; Kissing the hand that guides you to your scars, And glorying as you tread the glowing bars? All that your sires have left you, all that Time Bequeaths of free, and History of sublime, Spring from a different theme! Ye see and read, Admire and sigh, and then succumb and bleed! Save the few spirits who, despite of all, And worse than all—the sudden crimes engendered By the down-thundering of the prison-wall, And thirst to swallow the sweet waters tendered Gushing from Freedom's fountains, when the crowd, Maddened with centuries of drought, are loud, And trample on each other to obtain The cup which brings oblivion of a chain Heavy and sore, in which long yoked they plowed The sand; or if there sprung the yellow grain, 'Twas not for them,—their necks were too much bowed, And their dead palates chewed the cud of pain;— Yes! the few spirits who, despite of deeds Which they abhor, confound not with the cause Those momentary starts from Nature's laws Which, like the pestilence and earthquake, smite But for a term, then pass, and leave the earth With all her seasons to repair the blight With a few summers, and again put forth Cities and generations—fair when free— For, Tyranny, there blooms no bud for thee!

III

Glory and Empire! once upon these towers With Freedom—godlike Triad!—how ye sate! The league of mightiest nations in those hours When Venice was an envy, might abate, But did not quench her spirit; in her fate All were enwrapped: the feasted monarchs knew And loved their hostess, nor could learn to hate, Although they humbled. With the kingly few The many felt, for from all days and climes She was the voyager's worship; even her crimes Were of the softer order—born of Love. She drank no blood, nor fattened on the dead, But gladdened where her harmless conquests spread; For these restored the Cross, that from above Hallowed her sheltering banners, which incessant Flew between earth and the unholy Crescent, Which if it waned and dwindled, Earth may thank The city it has clothed in chains, which clank Now, creaking in the ears of those who owe The name of Freedom to her glorious struggles; Yet she but shares with them a common woe, And called the "kingdom" of a conquering foe, But knows what all—and, most of all, we—know, With what set gilded terms a tyrant juggles!

IV

The name of Commonwealth is past and gone O'er the three fractions of the groaning globe: Venice is crushed, and Holland deigns to own A sceptre, and endures the purple robe; If the free Switzer yet bestrides alone His chainless mountains, 'tis but for a time, For tyranny of late is cunning grown, And in its own good season tramples down The sparkles of our ashes. One great clime, Whose vigorous offspring by dividing ocean Are kept apart and nursed in the devotion Of Freedom, which their fathers fought for and Bequeathed—a heritage of heart and hand, And proud distinction from each other land, Whose sons must bow them at a monarch's motion, As if his senseless sceptre were a wand Full of the magic of exploded science— Still one great clime, in full and free defiance, Yet rears her crest, unconquered and sublime, Above the far Atlantic! She has taught Her Esau-brethren that the haughty flag, The floating fence of Albion's feebler crag, May strike to those whose red right hands have bought Rights cheaply earned with blood. Still, still forever, Better, though each man's life-blood were a river, That it should flow, and overflow, than creep Through thousand lazy channels in our veins, Dammed like the dull canal with locks and chains, And moving as a sick man in his sleep, Three paces, and then faltering:—better be Where the extinguished Spartans still are free, In their proud charnel of Thermopylae, Than stagnate in our marsh,—or o'er the deep Fly, and one current to the ocean add, One spirit to the souls our fathers had, One freeman more, America, to thee!

THE EAST

From 'The Bride of Abydos'

Know ye the land where the cypress and myrtle Are emblems of deeds that are done in their clime? Where the rage of the vulture, the love of the turtle, Now melt into sorrow, now madden to crime? Know ye the land of the cedar and vine, Where the flowers ever blossom, the beams ever shine; Where the light wings of Zephyr, oppressed with perfume, Wax faint o'er the gardens of Guel in her bloom; Where the citron and olive are fairest of fruit, And the voice of the nightingale never is mute: Where the tints of the earth and the hues of the sky, In color though varied, in beauty may vie, And the purple of ocean is deepest in dye; Where the virgins are soft as the roses they twine, And all, save the spirit of man, is divine? 'Tis the clime of the East! 'tis the land of the Sun! Can he smile on such deeds as his children have done? Oh! wild as the accents of lovers' farewell Are the hearts which they bear, and the tales which they tell.

ORIENTAL ROYALTY

From 'Don Juan'

He had fifty daughters and four dozen sons, Of whom all such as came of age were stowed— The former in a palace, where like nuns They lived till some Bashaw was sent abroad, When she whose turn it was, was wed at once, Sometimes at six years old—though this seems odd, 'Tis true: the reason is, that the Bashaw Must make a present to his sire-in-law.

His sons were kept in prison, till they grew Of years to fill a bowstring or the throne,— One or the other, but which of the two Could yet be known unto the Fates alone: Meantime the education they went through Was princely, as the proofs have always shown; So that the heir-apparent still was found No less deserving to be hanged than crowned.

A GRECIAN SUNSET

From 'The Curse of Minerva'

Slow sinks, more lovely ere his race be run, Along Morea's hills the setting sun; Not, as in Northern climes, obscurely bright, But one unclouded blaze of living light: O'er the hushed deep the yellow beam he throws, Gilds the green wave that trembles as it glows. On cold AEgina's rock and Idra's isle The god of gladness sheds his parting smile; O'er his own regions lingering, loves to shine, Though there his altars are no more divine. Descending fast, the mountain shadows kiss Thy glorious gulf, unconquered Salamis! Their azure arches through the long expanse, More deeply purpled meet his mellowing glance, And tenderest tints, along their summits driven, Mark his gay course, and own the hues of heaven; Till, darkly shaded from the land and deep, Behind his Delphian cliff he sinks to sleep.

On such an eve his palest beam he cast, When, Athens! here thy Wisest looked his last. How watched thy better sons his farewell ray, That closed their murdered sage's latest day! Not yet—not yet—Sol pauses on the hill— The precious hour of parting lingers still: But sad his light to agonizing eyes, And dark the mountain's once delightful dyes; Gloom o'er the lovely land he seemed to pour, The land where Phoebus never frowned before: But ere he sank below Cithaeron's head, The cup of woe was quaffed—the spirit fled; The soul of him who scorned to fear or fly— Who lived and died as none can live or die.

But lo! from high Hymettus to the plain, The queen of night asserts her silent reign. No murky vapor, herald of the storm, Hides her fair face, nor girds her glowing form. With cornice glimmering as the moonbeams play, Where the white column greets her grateful ray, And, bright around with quivering beams beset, Her emblem sparkles o'er the minaret; The groves of olive scattered dark and wide, Where meek Cephisus pours his scanty tide, The cypress saddening by the sacred mosque, The gleaming turret of the gay kiosk, And, dun and sombre 'mid the holy calm, Near Theseus's fane yon solitary palm,— All, tinged with varied hues, arrest the eye, And dull were his that passed them heedless by.

Again the AEgean, heard no more afar, Lulls his chafed breast from elemental war; Again his waves in milder tints unfold Their long array of sapphire and of gold, Mixed with the shades of many a distant isle, That frown where gentler ocean deigns to smile.

AN ITALIAN SUNSET

From 'Childe Harold's Pilgrimage'

The moon is up, and yet it is not night— Sunset divides the sky with her—a sea Of glory streams along the Alpine height Of blue Friuli's mountains; Heaven is free From clouds, but of all colors seems to be, Melted to one vast Iris of the West, Where the Day joins the past Eternity; While, on the other hand, meek Dian's crest Floats through the azure air—an island of the blest!

A single star is at her side, and reigns With her o'er half the lovely heaven; but still Yon sunny sea heaves brightly, and remains Rolled o'er the peak of the far Rhaetian hill, As Day and Night contending were, until Nature reclaimed her order:—gently flows The deep-dyed Brenta, where their hues instil The odorous purple of a new-born rose, Which streams upon her stream, and glassed within it glows,

Filled with the face of heaven, which from afar Comes down upon the waters; all its hues, From the rich sunset to the rising star, Their magical variety diffuse: And now they change; a paler shadow strews Its mantle o'er the mountains; parting day Dies like the dolphin, whom each pang imbues With a new color as it gasps away, The last still loveliest, till—'tis gone—and all is gray.

TWILIGHT

From 'Don Juan'

T' our tale.—The feast was over, the slaves gone, The dwarfs and dancing girls had all retired; The Arab lore and poet's song were done, And every sound of revelry expired; The lady and her lover, left alone, The rosy flood of twilight sky admired;— Ave Maria! o'er the earth and sea, That heavenliest hour of Heaven is worthiest thee!

Ave Maria! blessed be the hour, The time, the clime, the spot, where I so oft Have felt that moment in its fullest power Sink o'er the earth so beautiful and soft, While swung the deep bell in the distant tower, Or the faint dying day hymn stole aloft, And not a breath crept through the rosy air, And yet the forest leaves seemed stirred with prayer.

Ave Maria! 'tis the hour of prayer! Ave Maria! 'tis the hour of love! Ave Maria! may our spirits dare Look up to thine and to thy Son's above! Ave Maria! oh that face so fair! Those downcast eyes beneath the Almighty Dove— What though 'tis but a pictured image strike? That painting is no idol—'tis too like.

Some kindly casuists are pleased to say, In nameless print, that I have no devotion; But set those persons down with me to pray, And you shall see who has the properest notion Of getting into heaven the shortest way: My altars are the mountains and the ocean, Earth, air, stars—all that springs from the great Whole, Who hath produced and will receive the soul.

Sweet hour of twilight!—in the solitude Of that pine forest, and the silent shore Which bounds Ravenna's immemorial wood, Rooted where once the Adrian wave flowed o'er To where the last Caesarean fortress stood,— Evergreen forest! which Boccaccio's lore And Dryden's lay made haunted ground to me, How have I loved the twilight hour and thee!

The shrill cicalas, people of the pine, Making their summer lives one ceaseless song, Were the sole echoes, save my steed's and mine, And vesper bells that rose the boughs along: The spectre huntsman of Onesti's line, His hell-dogs and their chase, and the fair throng Which learned from this example not to fly From a true lover—shadowed my mind's eye.

O Hesperus! thou bringest all good things: Home to the weary, to the hungry cheer, To the young bird the parent's brooding wings, The welcome stall to the o'er-labored steer; Whatever of peace about our hearthstone clings, Whate'er our household gods protect of dear, Are gathered round us by thy look of rest; Thou bring'st the child, too, to the mother's breast.

Soft hour! which wakes the wish and melts the heart Of those who sail the seas, on the first day When they from their sweet friends are torn apart; Or fills with love the pilgrim on his way As the far bell of vesper makes him start, Seeming to weep the dying day's decay. Is this a fancy which our reason scorns? Ah! surely nothing dies but something mourns.

AN ALPINE STORM

From 'Childe Harold's Pilgrimage'

The sky is changed—and such a change!—O Night, And storm, and darkness, ye are wondrous strong, Yet lovely in your strength, as is the light Of a dark eye in woman! Far along, From peak to peak, the rattling crags among, Leaps the live thunder! Not from one lone cloud, But every mountain now hath found a tongue, And Jura answers through her misty shroud Back to the joyous Alps, who call to her aloud!

And this is in the night.—Most glorious night! Thou wert not sent for slumber! let me be A sharer in thy fierce and far delight— A portion of the tempest and of thee! How the lit lake shines, a phosphoric sea, And the big rain comes dancing to the earth! And now again 'tis black—and now the glee Of the loud hills shakes with its mountain-mirth, As if they did rejoice o'er a young earthquake's birth.

Now, where the swift Rhone cleaves his way between Heights which appear as lovers who have parted In hate, whose mining depths so intervene That they can meet no more, though broken-hearted! Though in their souls which thus each other thwarted, Love was the very root of that fond rage Which blighted their life's bloom, and then departed; Itself expired, but leaving them an age Of years all winters—war within themselves to wage—

Now, where the quick Rhone thus hath cleft his way, The mightiest of the storms hath ta'en his stand: For here not one, but many, make their play And fling their thunderbolts from hand to hand, Flashing and cast around: of all the band, The brightest through these parted hills hath forked His lightnings; as if he did understand That in such gaps as desolation worked, There the hot shaft should blast whatever therein lurked.

Sky, mountains, river, winds, lake, lightnings! ye, With night, and clouds, and thunder, and a soul To make these felt and feeling, well may be Things that have made me watchful; the far roll Of your departing voices is the knoll Of what in me is sleepless,—if I rest. But where of ye, O tempests! is the goal? Are ye like those within the human breast? Or do ye find at length, like eagles, some high nest?

THE OCEAN

From 'Childe Harold's Pilgrimage'

But I forgot: my Pilgrim's shrine is won, And he and I must part;—so let it be: His task and mine alike are nearly done; Yet once more let us look upon the sea: The midland ocean breaks on him and me, And from the Alban Mount we now behold Our friend of youth, that ocean, which when we Beheld it last by Calpe's rock unfold Those waves, we followed on till the dark Euxine rolled

Upon the blue Symplegades: long years— Long, though not very many—since have done Their work on both; much suffering and some tears Have left us nearly where we had begun: Yet not in vain our mortal race hath run,— We have had our reward, and it is here; That we can yet feel gladdened by the sun, Can reap from earth, sea, joy almost as dear As if there were no man to trouble what is clear.

Oh that the desert were my dwelling-place, With one fair Spirit for my minister, That I might all forget the human race, And, hating no one, love but only her! Ye Elements!—in whose ennobling stir I feel myself exalted—can ye not Accord me such a being? Do I err In deeming such inhabit many a spot? Though with them to converse can rarely be our lot.

There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep Sea, and music in its roar: I love not Man the less, but Nature more, From these our interviews, in which I steal From all I may be, or have been before, To mingle with the Universe, and feel What I can ne'er express, yet cannot all conceal.

Roll on, thou deep and dark blue Ocean—roll! Ten thousand fleets sweep over thee in vain; Man marks the earth with ruin—his control Stops with the shore;—upon the watery plain The wrecks are all thy deed, nor doth remain A shadow of man's ravage, save his own, When for a moment, like a drop of rain, He sinks into thy depths with bubbling groan, Without a grave, unknelled, uncoffined, and unknown.

His steps are not upon thy paths—thy fields Are not a spoil for him—thou dost arise And shake him from thee; the vile strength he wields For earth's destruction thou dost all despise, Spurning him from thy bosom to the skies, And send'st him, shivering in thy playful spray, And howling, to his gods, where haply lies His petty hope in some near port or bay, And dashest him again to earth: there let him lay.

The armaments which thunderstrike the walls Of rock-built cities, bidding nations quake And monarchs tremble in their capitals,— The oak leviathans, whose huge ribs make Their clay creator the vain title take Of lord of thee, and arbiter of war,— These are thy toys, and as the snowy flake, They melt into thy yeast of waves, which mar Alike the Armada's pride, or spoils of Trafalgar.

Thy shores are empires, changed in all save thee— Assyria, Greece, Rome, Carthage, what are they? Thy waters wasted them while they were free, And many a tyrant since: their shores obey The stranger, slave, or savage; their decay Has dried up realms to deserts;—not so thou, Unchangeable save to thy wild waves' play. Time writes no wrinkle on thine azure brow; Such as creation's dawn beheld, thou rollest now.

Thou glorious mirror, where the Almighty's form Glasses itself in tempests: in all time, Calm or convulsed—in breeze, or gale, or storm, Icing the pole, or in the torrid clime Dark-heaving;—boundless, endless, and sublime; The image of eternity, the throne Of the Invisible: even from out thy slime The monsters of the deep are made; each zone Obeys thee; thou goest forth, dread, fathomless, alone.

And I have loved thee, Ocean! and my joy Of youthful sports was on thy breast to be Borne, like thy bubbles, onward; from a boy I wantoned with thy breakers—they to me Were a delight; and if the freshening sea Made them a terror—'twas a pleasing fear, For I was as it were a child of thee, And trusted to thy billows far and near, And laid my hand upon thy mane—as I do here.

THE SHIPWRECK

From 'Don Juan'

'Twas twilight, and the sunless day went down Over the waste of waters; like a veil Which, if withdrawn, would but disclose the frown Of one whose hate is masked but to assail; Thus to their hopeless eyes the night was shown, And grimly darkled o'er their faces pale, And the dim desolate deep: twelve days had Fear Been their familiar, and now Death was here.

. . . . . . .

There was no light in heaven but a few stars; The boats put off, o'ercrowded with their crews: She gave a heel, and then a lurch to port, And going down head foremost—sunk, in short.

Then rose from sea to sky the wild farewell! Then shrieked the timid and stood still the brave; Then some leaped overboard with dreadful yell, As eager to anticipate their grave; And the sea yawned around her like a hell, And down she sucked with her the whirling wave, Like one who grapples with his enemy, And tries to strangle him before he die.

At first one universal shriek there rushed, Louder than the loud ocean, like a crash Of echoing thunder: and then all was hushed, Save the wild wind and the remorseless dash Of billows; but at intervals there gushed, Accompanied with a convulsive splash, A solitary shriek—the bubbling cry Of some strong swimmer in his agony.

LOVE ON THE ISLAND

From 'Don Juan'

It was the cooling hour, just when the rounded Red sun sinks down behind the azure hill, Which then seems as if the whole earth it bounded, Circling all nature, hushed, and dim, and still, With the far mountain-crescent half-surrounded On one side, and the deep sea calm and chill Upon the other, and the rosy sky, With one star sparkling through it like an eye.

And thus they wandered forth, and hand in hand, Over the shining pebbles and the shells, Glided along the smooth and hardened sand, And in the worn and wild receptacles Worked by the storms, yet worked as it were planned, In hollow halls, with sparry roofs and cells, They turned to rest; and, each clasped by an arm, Yielded to the deep twilight's purple charm.

They looked up to the sky, whose floating glow Spread like a rosy ocean, vast and bright; They gazed upon the glittering sea below, Whence the broad moon rose circling into sight; They heard the waves splash, and the wind so low, And saw each other's dark eyes darting light Into each other—and, beholding this, Their lips drew near, and clung into a kiss:

A long, long kiss, a kiss of youth and love And beauty, all concentrating like rays Into one focus, kindled from above; Such kisses as belong to early days, Where heart, and soul, and sense, in concert move, And the blood's lava, and the pulse a blaze, Each kiss a heart-quake—for a kiss's strength, I think, it must be reckoned by its length.

By length I mean duration; theirs endured Heaven knows how long—no doubt they never reckoned; And if they had, they could not have secured The sum of their sensations to a second: They had not spoken; but they felt allured, As if their souls and lips each other beckoned, Which, being joined, like swarming bees they clung— Their hearts the flowers from whence the honey sprung.

They were alone, but not alone as they Who, shut in chambers, think it loneliness; The silent ocean, and the starlit bay, The twilight glow, which momently grew less, The voiceless sands, and dropping caves, that lay Around them, made them to each other press, As if there were no life beneath the sky Save theirs, and that their life could never die.

They feared no eyes nor ears on that lone beach, They felt no terrors from the night; they were All in all to each other: though their speech Was broken words, they thought a language there; And all the burning tongues the passions teach Found in one sigh the best interpreter Of nature's oracle, first love,—that all Which Eve has left her daughters since her fall.

And when those deep and burning moments passed, And Juan sank to sleep within her arms, She slept not, but all tenderly, though fast, Sustained his head upon her bosom's charms; And now and then her eye to heaven is cast, And then on the pale cheek her breast now warms, Pillowed on her o'erflowing heart, which pants With all it granted, and with all it grants.

An infant when it gazes on the light, A child the moment when it drains the breast A devotee when soars the Host in sight, An Arab with a stranger for a guest, A sailor when the prize has struck in fight, A miser filling his most hoarded chest, Feel rapture; but not such true joy are reaping, As they who watch o'er what they love while sleeping.

For there it lies, so tranquil, so beloved; All that it hath of life with us is living; So gentle, stirless, helpless, and unmoved, And all unconscious of the joy 'tis giving. All it hath felt, inflicted, passed, and proved, Hushed into depths beyond the watcher's diving: There lies the thing we love, with all its errors And all its charms, like death without its terrors.

The lady watched her lover—and that hour Of Love's, and Night's, and Ocean's solitude, O'erflowed her soul with their united power; Amidst the barren sand and rocks so rude, She and her wave-worn love had made their bower Where naught upon their passion could intrude; And all the stars that crowded the blue space Saw nothing happier than her glowing face.

Alas, the love of women! it is known To be a lovely and a fearful thing; For all of theirs upon that die is thrown, And if 'tis lost, life hath no more to bring To them but mockeries of the past alone, And their revenge is as the tiger's spring, Deadly and quick and crushing; yet as real Torture is theirs—what they inflict they feel.

THE TWO BUTTERFLIES

From 'The Giaour'

As, rising on its purple wing, The insect queen of eastern spring O'er emerald meadows of Kashmeer Invites the young pursuer near, And leads him on from flower to flower, A weary chase and wasted hour, Then leaves him, as it soars on high, With panting heart and tearful eye: So beauty lures the full-grown child, With hue as bright, and wing as wild,— A chase of idle hopes and fears, Begun in folly, closed in tears. If won, to equal ills betrayed, Woe waits the insect and the maid: A life of pain, the loss of peace, From infant's play and man's caprice. The lovely toy so fiercely sought Hath lost its charm by being caught, For every touch that wooed its stay Hath brushed its brightest hues away, Till, charm and hue and beauty gone, 'Tis left to fly or fall alone. With wounded wing or bleeding breast, Ah, where shall either victim rest? Can this with faded pinion soar From rose to tulip as before? Or Beauty, blighted in an hour, Find joy within her broken bower? No: gayer insects fluttering by Ne'er droop the wing o'er those that die, And lovelier things have mercy shown To every failing but their own, And every woe a tear can claim, Except an erring sister's shame.

TO HIS SISTER

From 'Childe Harold's Pilgrimage'

The castled crag of Drachenfels Frowns o'er the wide and winding Rhine, Whose breast of waters broadly swells Between the banks which bear the vine; And hills all rich with blossomed trees, And fields which promise corn and wine. And scattered cities crowning these, Whose far white walls along them shine, Have strewed a scene which I should see With double joy, wert thou with me!

And peasant girls, with deep-blue eyes, And hands which offer early flowers, Walk smiling o'er this paradise; Above, the frequent feudal towers Through green leaves lift their walls of gray. And many a rock which steeply lours, And noble arch in proud decay, Look o'er this vale of vintage bowers; But one thing want these banks of Rhine— Thy gentle hand to clasp in mine!

I send the lilies given to me; Though long before thy hand they touch, I know that they must withered be. But yet reject them not as such; For I have cherished them as dear. Because they yet may meet thine eye, And guide thy soul to mine even here, When thou beholdest them drooping nigh, And knowest them gathered by the Rhine, And offered from my heart to thine!

The river nobly foams and flows, The charm of this enchanted ground, And all its thousand turns disclose Some fresher beauty varying round; The haughtiest breast its wish might bound Through life to dwell delighted here; Nor could on earth a spot be found To nature and to me so dear, Could thy dear eyes in following mine Still sweeten more these banks of Rhine!

ODE TO NAPOLEON

Tis done—but yesterday a King, And armed with Kings to strive; And now thou art a nameless thing, So abject—yet alive! Is this the man of thousand thrones, Who strewed our earth with hostile bones, And can he thus survive? Since he, miscalled the Morning Star, Nor man nor fiend hath fallen so far.

Ill-minded man! why scourge thy kind Who bowed so low the knee? By gazing on thyself grown blind, Thou taught'st the rest to see. With might unquestioned—power to save— Thine only gift hath been the grave To those that worshiped thee; Nor till thy fall could mortals guess Ambition's less than littleness!

Thanks for that lesson—it will teach To after-warriors more Than high Philosophy can preach, And vainly preached before. That spell upon the minds of men Breaks never to unite again, That led them to adore Those pagod things of sabre sway, With fronts of brass and feet of clay.

The triumph and the vanity, The rapture of the strife[110]— The earthquake voice of Victory, To thee the breath of life— The sword, the sceptre, and that sway Which man seemed made but to obey, Wherewith renown was rife— All quelled!—Dark Spirit! what must be The madness of thy memory!

The Desolator desolate! The victor overthrown! The Arbiter of others' fate A Suppliant for his own! Is it some yet imperial hope That with such change can calmly cope, Or dread of death alone? To die a prince, or live a slave— Thy choice is most ignobly brave!

He who of old would rend the oak[111] Dreamed not of the rebound; Chained by the trunk he vainly broke— Alone—how looked he round! Thou, in the sternness of thy strength, An equal deed hast done at length, And darker fate hast found: He fell, the forest prowlers' prey; But thou must eat thy heart away!

The Roman,[112] when his burning heart Was slaked with blood of Rome, Threw down the dagger—dared depart In savage grandeur, home: He dared depart, in utter scorn Of men that such a yoke had borne, Yet left him such a doom! His only glory was that hour Of self-upheld abandoned power.

The Spaniard,[113] when the lust of sway Had lost its quickening spell, Cast crowns for rosaries away, An empire for a cell; A strict accountant of his beads, A subtle disputant on creeds, His dotage trifled well: Yet better had he neither known A bigot's shrine, nor despot's throne.

But thou—from thy reluctant hand The thunderbolt is wrung; Too late thou leav'st the high command To which thy weakness clung; All Evil Spirit as thou art, It is enough to grieve the heart To see thine own unstrung; To think that God's fair world hath been The footstool of a thing so mean!

And Earth hath spilt her blood for him, Who thus can hoard his own! And Monarchs bowed the trembling limb, And thanked him for a throne! Fair Freedom! we may hold thee dear, When thus thy mightiest foes their fear In humblest guise have shown. Oh! ne'er may tyrant leave behind A brighter name to lure mankind!

Thine evil deeds are writ in gore, Nor written thus in vain— Thy triumphs tell of fame no more, Or deepen every stain: If thou hadst died, as honor dies, Some new Napoleon might arise, To shame the world again; But who would soar the solar height, To set in such a starless night?

Weighed in the balance, hero dust Is vile as vulgar clay; Thy scales, Mortality! are just To all that pass away; But yet methought the living great Some higher sparks should animate, To dazzle and dismay: Nor deemed Contempt could thus make mirth Of these, the Conquerors of the earth.

And she, proud Austria's mournful flower, Thy still imperial bride, How bears her breast the torturing hour? Still clings she to thy side? Must she too bend, must she too share Thy late repentance, long despair, Thou throneless Homicide? If still she loves thee, hoard that gem— 'Tis worth thy vanished diadem!

Then haste thee to thy sullen Isle, And gaze upon the sea; That element may meet thy smile— It ne'er was ruled by thee! Or trace with thine all idle hand, In loitering mood upon the sand, That Earth is now as free! That Corinth's pedagogue[114] hath now Transferred his byword to thy brow.

Thou Timour! in his captive's cage, What thoughts will there be thine, While brooding in thy prisoned rage? But one—"The world was mine!" Unless, like him of Babylon, All sense is with thy sceptre gone, Life will not long confine That spirit poured so widely forth— So long obeyed—so little worth!

FOOTNOTES:

[110] "Certaminis gaudia"—the expression of Attila in his harangue to his army, previous to the battle of Chalons.

[111] Milo of Croton.

[112] Sulla.

[113] The Emperor Charles V., who abdicated in 1555.

[114] Dionysius of Sicily, who, after his fall, kept a school at Corinth.

THE BATTLE OF WATERLOO

From 'Childe Harold's Pilgrimage'

There was a sound of revelry by night, And Belgium's capital had gathered then Her beauty and her chivalry, and bright The lamps shone o'er fair women and brave men; A thousand hearts beat happily; and when Music arose with its voluptuous swell, Soft eyes looked love to eyes which spake again, And all went merry as a marriage-bell; But hush! hark! a deep sound strikes like a rising knell!

Did ye not hear it?—No; 'twas but the wind, Or the car rattling o'er the stony street; On with the dance! let joy be unconfined; No sleep till morn, when Youth and Pleasure meet To chase the glowing Hours with flying feet. But hark! that heavy sound breaks in once more, As if the clouds its echo would repeat, And nearer, clearer, deadlier than before! Arm! arm! it is—it is—the cannon's opening roar!

Within a windowed niche of that high hall Sat Brunswick's fated chieftain; he did hear That sound the first amidst the festival, And caught its tone with Death's prophetic ear; And when they smiled because he deemed it near, His heart more truly knew that peal too well, Which stretched his father on a bloody bier, And roused the vengeance blood alone could quell: He rushed into the field, and foremost fighting, fell.

Ah! then and there was hurrying to and fro, And gathering tears, and tremblings of distress, And cheeks all pale, which but an hour ago Blushed at the praise of their own loveliness: And there were sudden partings, such as press The life from out young hearts; and choking sighs, Which ne'er might be repeated: who could guess If ever more should meet those mutual eyes, Since upon night so sweet such awful morn could rise!

And there was mounting in hot haste: the steed, The mustering squadron, and the clattering car, Went pouring forward with impetuous speed, And swiftly forming in the ranks of war; And the deep thunder peal on peal afar; And near, the beat of the alarming drum Roused up the soldier ere the morning star; While thronged the citizens with terror dumb, Or whispering with white lips—"The foe! They come! they come!"

And wild and high the "Cameron's gathering" rose! The war-note of Lochiel, which Albyn's hills Have heard, and heard, too, have her Saxon foes: How in the noon of night that pibroch thrills Savage and shrill! But with the breath which fills Their mountain pipe, so fill the mountaineers With the fierce native daring which instills The stirring memory of a thousand years, And Evan's, Donald's fame rings in each clansman's ears!

And Ardennes waves above them her green leaves, Dewy with nature's teardrops, as they pass, Grieving, if aught inanimate e'er grieves, Over the unreturning brave—alas! Ere evening to be trodden like the grass Which now beneath them, but above shall grow In its next verdure, when this fiery mass Of living valor, rolling on the foe, And burning with high hope, shall molder cold and low.

Last noon beheld them full of lusty life, Last eve in Beauty's circle proudly gay, The midnight brought the signal-sound of strife, The morn the marshaling in arms—the day Battle's magnificently stern array! The thunder-clouds close o'er it, which when rent, The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse—friend, foe—in one red burial blent!

MAZEPPA'S RIDE

From 'Mazeppa'

The last of human sounds which rose, As I was darted from my foes, Was the wild shout of savage laughter, Which on the wind came roaring after A moment from that rabble rout: With sudden wrath I wrenched my head, And snapped the cord which to the mane Had bound my neck in lieu of rein, And, writhing half my form about, Howled back my curse; but 'midst the tread, The thunder of my courser's speed, Perchance they did not hear nor heed; It vexes me—for I would fain Have paid their insult back again. I paid it well in after days: There is not of that castle gate, Its drawbridge and portcullis weight, Stone, bar, moat, bridge, or barrier left; Nor of its fields a blade of grass, Save what grows on a ridge of wall, Where stood the hearthstone of the hall; And many a time ye there might pass, Nor dream that e'er that fortress was: I saw its turrets in a blaze, Their crackling battlements all cleft, And the hot lead pour down like rain From off the scorched and blackening roof, Whose thickness was not vengeance-proof. They little thought, that day of pain When, launched as on the lightning's flash, They bade me to destruction dash, That one day I should come again, With twice five thousand horse, to thank The Count for his uncourteous ride. They played me then a bitter prank, When, with the wild horse for my guide, They bound me to his foaming flank: At length I played them one as frank— For time at last sets all things even— And if we do but watch the hour, There never yet was human power Which could evade, if unforgiven, The patient search and vigil long Of him who treasures up a wrong.

. . . . . . .

We rustled through the leaves like wind, Left shrubs, and trees, and wolves behind. By night I heard them on the track, Their troop came hard upon our back, With their long gallop, which can tire The hound's deep hate and hunter's fire: Where'er we flew they followed on, Nor left us with the morning sun; Behind I saw them, scarce a rood, At daybreak winding through the wood, And through the night had heard their feet Their stealing, rustling step repeat. Oh! how I wished for spear or sword, At least to die amidst the horde, And perish—if it must be so— At bay, destroying many a foe. When first my courser's race begun, I wished the goal already won; But now I doubted strength and speed. Vain doubt! his swift and savage breed Had nerved him like the mountain roe; Not faster falls the blinding snow Which whelms the peasant near the door Whose threshold he shall cross no more, Bewildered with the dazzling blast, Than through the forest-paths he passed— Untired, untamed, and worse than wild; All furious as a favored child Balked of its wish; or fiercer still— A woman piqued—who has her will.

. . . . . . .

Onward we went—but slack and slow: His savage force at length o'erspent, The drooping courser, faint and low, All feebly foaming went.... At length, while reeling on our way, Methought I heard a courser neigh, From out yon tuft of blackening firs. Is it the wind those branches stirs? No, no! from out the forest prance A trampling troop; I see them come! In one vast squadron they advance! I strove to cry—my lips were dumb. The steeds rush on in plunging pride; But where are they the reins to guide? A thousand horse—and none to ride! With flowing tail, and flying mane, Wide nostrils, never stretched by pain, Mouths bloodless to the bit or rein, And feet that iron never shod, And flanks unscarred by spur or rod, A thousand horse, the wild, the free, Like waves that follow o'er the sea, Came thickly thundering on, As if our faint approach to meet; The sight re-nerved my courser's feet; A moment staggering, feebly fleet, A moment, with a faint low neigh, He answered, and then fell; With gasps and glazing eyes he lay, And reeking limbs immovable— His first and last career is done!

THE IRISH AVATAR

Ere the Daughter of Brunswick is cold in her grave, And her ashes still float to their home o'er the tide, Lo! George the triumphant speeds over the wave, To the long-cherished Isle which he loved like his—bride.

True, the great of her bright and brief era are gone, The rainbow-like epoch where Freedom could pause For the few little years, out of centuries won, Which betrayed not, or crushed not, or wept not her cause.

True, the chains of the Catholic clank o'er his rags; The castle still stands, and the senate's no more; And the famine which dwelt on her freedomless crags Is extending its steps to her desolate shore.

To her desolate shore—where the emigrant stands For a moment to gaze ere he flies from his hearth; Tears fall on his chain, though it drops from his hands, For the dungeon he quits is the place of his birth.

But he comes! the Messiah of royalty comes! Like a goodly leviathan rolled from the waves! Then receive him as best such an advent becomes, With a legion of cooks, and an army of slaves!

He comes in the promise and bloom of threescore, To perform in the pageant the sovereign's part— But long live the shamrock which shadows him o'er! Could the green in his hat be transferred to his heart!

Could that long-withered spot but be verdant again, And a new spring of noble affections arise— Then might Freedom forgive thee this dance in thy chain, And this shout of thy slavery which saddens the skies.

Is it madness or meanness which clings to thee now? Were he God—as he is but the commonest clay, With scarce fewer wrinkles than sins on his brow— Such servile devotion might shame him away.

Ay, roar in his train! let thine orators lash Their fanciful spirits to pamper his pride; Not thus did thy Grattan indignantly flash His soul o'er the freedom implored and denied.

Ever glorious Grattan! the best of the good! So simple in heart, so sublime in the rest! With all which Demosthenes wanted, endued, And his rival or victor in all he possessed.

Ere Tully arose in the zenith of Rome, Though unequaled, preceded, the task was begun; But Grattan sprung up like a god from the tomb Of ages, the first, last, the savior, the one!

With the skill of an Orpheus to soften the brute; With the fire of Prometheus to kindle mankind; Even Tyranny, listening, sate melted or mute, And corruption shrunk scorched from the glance of his mind.

But back to our theme! Back to despots and slaves! Feasts furnished by Famine! rejoicings by Pain! True Freedom but welcomes, while slavery still raves, When a week's Saturnalia hath loosened her chain.

Let the poor squalid splendor thy wreck can afford (As the bankrupt's profusion his ruin would hide) Gild over the palace. Lo! Erin, thy lord! Kiss his foot with thy blessing, his blessings denied!

Or if freedom past hope be extorted at last, If the idol of brass find his feet are of clay, Must what terror or policy wring forth be classed With what monarchs ne'er give, but as wolves yield their prey?

Each brute hath its nature; a king's is to reign,— To reign! in that word see, ye ages, comprised The cause of the curses all annals contain, From Caesar the dreaded to George the despised!

Wear, Fingal, thy trapping! O'Connell, proclaim His accomplishments! His!!! and thy country convince Half an age's contempt was an error of fame, And that "Hal is the rascalliest, sweetest young prince!"

Will thy yard of blue riband, poor Fingal, recall The fetters from millions of Catholic limbs? Or has it not bound thee the fastest of all The slaves, who now hail their betrayer with hymns?

Ay! "Build him a dwelling!" let each give his mite! Till like Babel the new royal dome hath arisen! Let thy beggars and Helots their pittance unite— And a palace bestow for a poor-house and prison!

Spread—spread for Vitellius the royal repast, Till the gluttonous despot be stuffed to the gorge! And the roar of his drunkards proclaim him at last The Fourth of the fools and oppressors called "George"!

Let the tables be loaded with feasts till they groan! Till they groan like thy people, through ages of woe! Let the wine flow around the old Bacchanal's throne, Like their blood which has flowed, and which yet has to flow.

But let not his name be thine idol alone— On his right hand behold a Sejanus appears! Thine own Castlereagh! let him still be thine own! A wretch never named but with curses and jeers!

Till now, when the isle which should blush for his birth, Deep, deep as the gore which he shed on her soil, Seems proud of the reptile which crawled from her earth, And for murder repays him with shouts and a smile!

Without one single ray of her genius, without The fancy, the manhood, the fire of her race— The miscreant who well might plunge Erin in doubt If she ever gave birth to a being so base.

If she did—let her long-boasted proverb be hushed, Which proclaims that from Erin no reptile can spring: See the cold-blooded serpent, with venom full flushed, Still warming its folds in the breast of a King!

Shout, drink, feast, and flatter! O Erin, how low Wert thou sunk by misfortune and tyranny, till Thy welcome of tyrants hath plunged thee below The depth of thy deep in a deeper gulf still!

My voice, though but humble, was raised for thy right: My vote, as a freeman's, still voted thee free; This hand, though but feeble, would arm in thy fight, And this heart, though outworn, had a throb still for thee!

Yes, I loved thee and thine, though thou art not my land; I have known noble hearts and great souls in thy sons, And I wept with the world o'er the patriot band Who are gone, but I weep them no longer as once.

For happy are they now reposing afar,— Thy Grattan, thy Curran, thy Sheridan, all Who for years were the chiefs in the eloquent war, And redeemed, if they have not retarded, thy fall.

Yes, happy are they in their cold English graves! Their shades cannot start to thy shouts of to-day,— Nor the steps of enslavers and chain-kissing slaves Be stamped in the turf o'er their fetterless clay.

Till now I had envied thy sons and their shore, Though their virtues were hunted, their liberties fled; There was something so warm and sublime in the core Of an Irishman's heart, that I envy—thy dead.

Or if aught in my bosom can quench for an hour My contempt for a nation so servile, though sore. Which though trod like the worm will not turn upon power, 'Tis the glory of Grattan, and genius of Moore!

THE DREAM

I

Our life is twofold: sleep hath its own world, A boundary between the things misnamed Death and existence; sleep hath its own world, And a wide realm of wild reality; And dreams in their development have breath, And tears, and tortures, and the touch of joy; They leave a weight upon our waking thoughts, They take a weight from off our waking toils, They do divide our being; they become A portion of ourselves as of our time, And look like heralds of eternity; They pass like spirits of the past,—they speak Like sibyls of the future; they have power— The tyranny of pleasure and of pain; They make us what we were not—what they will, And make us with the vision that's gone by, The dread of vanished shadows.—Are they so? Is not the past all shadow? What are they? Creations of the mind?—The mind can make Substance, and people planets of its own With beings brighter than have been, and give A breath to forms which can outlive all flesh. I would recall a vision which I dreamed Perchance in sleep—for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour.

II

I saw two beings in the hues of youth Standing upon a hill, a gentle hill, Green and of mild declivity, the last As 'twere the cape of a long ridge of such, Save that there was no sea to lave its base, But a most living landscape, and the wave Of woods and corn-fields, and the abodes of men Scattered at intervals, and wreathing smoke Arising from such rustic roofs;—the hill Was crowned with a peculiar diadem Of trees, in circular array, so fixed, Not by the sport of nature, but of man: These two, a maiden and a youth, were there Gazing—the one on all that was beneath Fair as herself—but the boy gazed on her; And both were young, and one was beautiful; And both were young, yet not alike in youth. As the sweet moon on the horizon's verge, The maid was on the eve of womanhood; The boy had fewer summers, but his heart Had far outgrown his years, and to his eye There was but one beloved face on earth, And that was shining on him; he had looked Upon it till it could not pass away; He had no breath, no being, but in hers; She was his voice; he did not speak to her, But trembled on her words; she was his sight, For his eye followed hers, and saw with hers, Which colored all his objects;—he had ceased To live within himself; she was his life, The ocean to the river of his thoughts, Which terminated all: upon a tone, A touch of hers, his blood would ebb and flow, And his cheek change tempestuously—his heart Unknowing of its cause of agony. But she in these fond feelings had no share: Her sighs were not for him; to her he was Even as a brother—but no more: 'twas much, For brotherless she was, save in the name Her infant friendship had bestowed on him; Herself the solitary scion left Of a time-honored race.—It was a name Which pleased him, and yet pleased him not—and why? Time taught him a deep answer—when she loved Another; even now she loved another, And on the summit of that hill she stood Looking afar if yet her lover's steed Kept pace with her expectancy, and flew.

III

A change came o'er the spirit of my dream. There was an ancient mansion, and before Its walls there was a steed caparisoned. Within an antique oratory stood The boy of whom I spake;—he was alone, And pale, and pacing to and fro; anon He sat him down, and seized a pen, and traced Words which I could not guess of: then he leaned His bowed head on his hands, and shook as 'twere With a convulsion—then arose again, And with his teeth and quivering hands did tear What he had written, but he shed no tears. And he did calm himself, and fix his brow Into a kind of quiet: as he paused, The lady of his love re-entered there; She was serene and smiling then, and yet She knew she was by him beloved,—she knew, For quickly comes such knowledge, that his heart Was darkened with her shadow, and she saw That he was wretched; but she saw not all. He rose, and with a cold and gentle grasp He took her hand; a moment o'er his face A tablet of unutterable thoughts Was traced, and then it faded as it came; He dropped the hand he held, and with slow steps Retired, but not as bidding her adieu, For they did part with mutual smiles; he passed From out the massy gate of that old hall, And mounting on his steed he went his way, And ne'er repassed that hoary threshold more.

IV

A change came o'er the spirit of my dream. The boy was sprung to manhood: in the wilds Of fiery climes he made himself a home, And his soul drank their sunbeams: he was girt With strange and dusky aspects; he was not Himself like what he had been; on the sea And on the shore he was a wanderer. There was a mass of many images Crowded like waves upon me, but he was A part of all; and in the last he lay Reposing from the noontide sultriness, Couched among fallen columns, in the shade Of ruined walls that had survived the names Of those who reared them; by his sleeping side Stood camels grazing, and some goodly steeds Were fastened near a fountain; and a man Clad in a flowing garb did watch the while, While many of his tribe slumbered around: And they were canopied by the blue sky, So cloudless, clear, and purely beautiful, That God alone was to be seen in Heaven.

V

A change came o'er the spirit of my dream. The lady of his love was wed with one Who did not love her better: in her home, A thousand leagues from his,—her native home, She dwelt, begirt with growing infancy, Daughters and sons of beauty,—but behold! Upon her face there was the tint of grief, The settled shadow of an inward strife, And an unquiet drooping of the eye, As if its lid were charged with unshed tears. What could her grief be?—she had all she loved, And he who had so loved her was not there To trouble with bad hopes, or evil wish, Or ill-repressed affliction, her pure thoughts. What could her grief be?—she had loved him not, Nor given him cause to deem himself beloved, Nor could he be a part of that which preyed Upon her mind—a spectre of the past.

VI

A change came o'er the spirit of my dream. The wanderer was returned.—I saw him stand Before an altar with a gentle bride; Her face was fair, but was not that which made The star-light of his boyhood;—as he stood Even at the altar, o'er his brow there came The self-same aspect, and the quivering shock That in the antique oratory shook His bosom in its solitude; and then— As in that hour—a moment o'er his face The tablet of unutterable thoughts Was traced—and then it faded as it came, And he stood calm and quiet, and he spoke The fitting vows, but heard not his own words, And all things reeled around him; he could see Not that which was, nor that which should have been— But the old mansion, and the accustomed hall, And the remembered chambers, and the place, The day, the hour, the sunshine and the shade, All things pertaining to that place and hour, And her who was his destiny came back, And thrust themselves between him and the light: What business had they there at such a time?

VII

A change came o'er the spirit of my dream. The lady of his love—oh! she was changed As by the sickness of the soul; her mind Had wandered from its dwelling, and her eyes, They had not their own lustre, but the look Which is not of the earth; she was become The queen of a fantastic realm; her thoughts Were combinations of disjointed things; And forms impalpable and unperceived Of others' sight, familiar were to hers. And this the world calls frenzy: but the wise Have a far deeper madness, and the glance Of melancholy is a fearful gift; What is it but the telescope of truth? Which strips the distance of its phantasies, And brings life near in utter nakedness, Making the cold reality too real!

VIII

A change came o'er the spirit of my dream. The wanderer was alone as heretofore; The beings which surrounded him were gone, Or were at war with him; he was a mark For blight and desolation, compassed round With hatred and contention; pain was mixed In all which was served up to him, until, Like to the Pontic monarch of old days, He fed on poisons, and they had no power, But were a kind of nutriment; he lived Through that which had been death to many men And made him friends of mountains: with the stars And the quick spirit of the universe He held his dialogues; and they did teach To him the magic of their mysteries; To him the book of night was opened wide, And voices from the deep abyss revealed A marvel and a secret—Be it so.

IX

My dream was past; it had no further change. It was of a strange order, that the doom Of these two creatures should be thus traced out Almost like a reality—the one To end in madness—both in misery.

SHE WALKS IN BEAUTY

From 'Hebrew Melodies'

She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellowed to that tender light Which heaven to gaudy day denies.

One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express How pure, how dear, their dwelling-place.

And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!

THE DESTRUCTION OF SENNACHERIB

The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen; Like the leaves of the forest when Autumn hath blown, That host on the morrow lay withered and strown.

For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed; And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and forever grew still!

And there lay the steed with his nostril all wide, But through it there rolled not the breath of his pride: And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf.

And there lay the rider distorted and pale, With the dew on his brow and the rust on his mail; And the tents were all silent, the banners alone, The lances unlifted, the trumpets unblown.

And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!

FROM 'THE PRISONER OF CHILLON'

My hair is gray, but not with years. Nor grew it white In a single night, As men's have grown from sudden fears; My limbs are bowed, though not with toil, But rusted with a vile repose, For they have been a dungeon's spoil, And mine has been the fate of those To whom the goodly earth and air Are banned and barred—forbidden fare: But this was for my father's faith I suffered chains and courted death; That father perished at the stake For tenets he would not forsake; And for the same his lineal race In darkness found a dwelling-place; We were seven who now are one, Six in youth, and one in age, Finished as they had begun, Proud of persecution's rage; One in fire, and two in field, Their belief with blood have sealed; Dying as their father died, For the God their foes denied; Three were in a dungeon cast, Of whom this wreck is left the last.

There are seven pillars of Gothic mold In Chillon's dungeons deep and old; There are seven columns, massy and gray, Dim with a dull imprisoned ray, A sunbeam which hath lost its way, And through the crevice and the cleft Of the thick wall is fallen and left; Creeping o'er the floor so damp, Like a marsh's meteor lamp: And in each pillar there is a ring, And in each ring there is a chain; That iron is a cankering thing, For in these limbs its teeth remain, With marks that will not wear away, Till I have done with this new day, Which now is painful to these eyes, Which have not seen the sun so rise For years—I cannot count them o'er; I lost their long and heavy score When my last brother drooped and died, And I lay living by his side....

Lake Leman lies by Chillon's walls: A thousand feet in depth below, Its massy waters meet and flow; Thus much the fathom-line was sent From Chillon's snow-white battlement, Which round about the wave enthralls: A double dungeon wall and wave Have made—and like a living grave Below the surface of the lake The dark vault lies wherein we lay; We heard it ripple night and day; Sounding o'er our heads it knocked; And I have felt the winter's spray Wash through the bars when winds were high And wanton in the happy sky; And then the very rock hath rocked, And I have felt it shake unshocked, Because I could have smiled to see The death that would have set me free.

PROMETHEUS

I

Titan! to whose immortal eyes The sufferings of mortality, Seen in their sad reality, Were not as things that gods despise: What was thy pity's recompense? A silent suffering, and intense: The rock, the vulture, and the chain, All that the proud can feel of pain, The agony they do not show, The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless.

II

Titan! to thee the strife was given Between the suffering and the will, Which torture where they cannot kill; And the inexorable Heaven, And the deaf tyranny of Fate, The ruling principle of Hate, Which for its pleasure doth create The things it may annihilate, Refused thee even the boon to die; The wretched gift eternity Was thine—and thou hast borne it well. All that the Thunderer wrung from thee Was but the menace which flung back On him the torments of thy rack; The fate thou didst so well foresee, But would not to appease him tell; And in thy Silence was his Sentence, And in his Soul a vain repentance, And evil dread so ill dissembled That in his hand the lightnings trembled.

III

Thy Godlike crime was to be kind, To render with thy precepts less The sum of human wretchedness, And strengthen Man with his own mind; But baffled as thou wert from high, Still in thy patient energy, In the endurance and repulse Of thine impenetrable Spirit, Which Earth and Heaven could not convulse, A mighty lesson we inherit: Thou art a symbol and a sign To Mortals of their fate and force; Like thee, Man is in part divine, A troubled stream from a pure source; And Man in portions can foresee His own funereal destiny; His wretchedness and his resistance, And his sad unallied existence: To which his Spirit may oppose Itself—and equal to all woes, And a firm will, and a deep sense, Which even in torture can descry Its own concentred recompense, Triumphant where it dares defy, And making Death a Victory.

A SUMMING-UP

From 'Childe Harold's Pilgrimage'

I have not loved the world, nor the world me; I have not flattered its rank breath, nor bowed To its idolatries a patient knee,— Nor coined my cheek to smiles,—nor cried aloud In worship of an echo: in the crowd They could not deem me one of such; I stood Among them, but not of them, in a shroud Of thoughts which were not their thoughts, and still could, Had I not filed my mind, which thus itself subdued.

I have not loved the world, nor the world me,— But let us part fair foes. I do believe, Though I have found them not, that there may be Words which are things,—hopes which will not deceive, And virtues which are merciful, nor weave Snares for the failing: I would also deem O'er others' griefs that some sincerely grieve; That two, or one, are almost what they seem, That goodness is no name, and happiness no dream.

ON THIS DAY I COMPLETE MY THIRTY-SIXTH YEAR

Missolonghi, January 22d, 1824.

'Tis time this heart should be unmoved, Since others it hath ceased to move: Yet, though I cannot be beloved, Still let me love!

My days are in the yellow leaf; The flowers and fruits of love are gone: The worm, the canker, and the grief Are mine alone!

The fire that on my bosom preys Is lone as some volcanic isle; No torch is kindled at its blaze— A funeral pile.

The hope, the fear, the jealous care, The exalted portion of the pain And power of love, I cannot share, But wear the chain.

But 'tis not thus, and 'tis not here, Such thoughts should shake my soul—nor now, Where glory decks the hero's bier, Or binds his brow.

The sword, the banner, and the field, Glory and Greece, around me see! The Spartan, borne upon his shield, Was not more free.

Awake! (not Greece—she is awake!) Awake, my spirit! Think through whom Thy life-blood tracks its parent lake, And then strike home!

Tread those reviving passions down, Unworthy manhood!—unto thee Indifferent should the smile or frown Of beauty be.

If thou regrett'st thy youth, why live? The land of honorable death Is here:—up to the field, and give Away thy breath!

Seek out—less often sought than found— A soldier's grave, for thee the best; Then look around, and choose thy ground, And take thy rest.



FERNAN CABALLERO

(CECILIA BOeHL DE FABER)

(1796-1877)

England, France, and Spain have each produced within this century a woman of genius, taking rank among the very first writers of their respective countries. Fernan Caballero, without possessing the breadth of intellect or the scholarship of George Eliot, or the artistic sense of George Sand, is yet worthy to be named with these two great novelists for the place she holds in Spanish literature. Interesting parallels might be drawn between them, aside from the curious coincidence that each chose a masculine pen-name to conceal her sex, and to gain the ear of a generation suspicious of feminine achievements. Each portrayed both the life of the gentleman and that of the rustic, and each is at her best in her homelier portraitures.