LEAVES OF GRASS

By Walt Whitman



Come, said my soul, Such verses for my Body let us write, (for we are one,) That should I after return, Or, long, long hence, in other spheres, There to some group of mates the chants resuming, (Tallying Earth's soil, trees, winds, tumultuous waves,) Ever with pleas'd smile I may keep on, Ever and ever yet the verses owning—as, first, I here and now Signing for Soul and Body, set to them my name,

Walt Whitman



BOOK I. INSCRIPTIONS



One's-Self I Sing

One's-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse.

Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing.

Of Life immense in passion, pulse, and power, Cheerful, for freest action form'd under the laws divine, The Modern Man I sing.



As I Ponder'd in Silence

As I ponder'd in silence, Returning upon my poems, considering, lingering long, A Phantom arose before me with distrustful aspect, Terrible in beauty, age, and power, The genius of poets of old lands, As to me directing like flame its eyes, With finger pointing to many immortal songs, And menacing voice, What singest thou? it said, Know'st thou not there is but one theme for ever-enduring bards? And that is the theme of War, the fortune of battles, The making of perfect soldiers.

Be it so, then I answer'd, I too haughty Shade also sing war, and a longer and greater one than any, Waged in my book with varying fortune, with flight, advance and retreat, victory deferr'd and wavering, (Yet methinks certain, or as good as certain, at the last,) the field the world, For life and death, for the Body and for the eternal Soul, Lo, I too am come, chanting the chant of battles, I above all promote brave soldiers.



In Cabin'd Ships at Sea

In cabin'd ships at sea, The boundless blue on every side expanding, With whistling winds and music of the waves, the large imperious waves, Or some lone bark buoy'd on the dense marine, Where joyous full of faith, spreading white sails, She cleaves the ether mid the sparkle and the foam of day, or under many a star at night, By sailors young and old haply will I, a reminiscence of the land, be read, In full rapport at last.

Here are our thoughts, voyagers' thoughts, Here not the land, firm land, alone appears, may then by them be said, The sky o'erarches here, we feel the undulating deck beneath our feet, We feel the long pulsation, ebb and flow of endless motion, The tones of unseen mystery, the vague and vast suggestions of the briny world, the liquid-flowing syllables, The perfume, the faint creaking of the cordage, the melancholy rhythm, The boundless vista and the horizon far and dim are all here, And this is ocean's poem.

Then falter not O book, fulfil your destiny, You not a reminiscence of the land alone, You too as a lone bark cleaving the ether, purpos'd I know not whither, yet ever full of faith, Consort to every ship that sails, sail you! Bear forth to them folded my love, (dear mariners, for you I fold it here in every leaf;) Speed on my book! spread your white sails my little bark athwart the imperious waves, Chant on, sail on, bear o'er the boundless blue from me to every sea, This song for mariners and all their ships.



To Foreign Lands

I heard that you ask'd for something to prove this puzzle the New World, And to define America, her athletic Democracy, Therefore I send you my poems that you behold in them what you wanted.



To a Historian

You who celebrate bygones, Who have explored the outward, the surfaces of the races, the life that has exhibited itself, Who have treated of man as the creature of politics, aggregates, rulers and priests, I, habitan of the Alleghanies, treating of him as he is in himself in his own rights, Pressing the pulse of the life that has seldom exhibited itself, (the great pride of man in himself,) Chanter of Personality, outlining what is yet to be, I project the history of the future.



To Thee Old Cause

To thee old cause! Thou peerless, passionate, good cause, Thou stern, remorseless, sweet idea, Deathless throughout the ages, races, lands, After a strange sad war, great war for thee, (I think all war through time was really fought, and ever will be really fought, for thee,) These chants for thee, the eternal march of thee.

(A war O soldiers not for itself alone, Far, far more stood silently waiting behind, now to advance in this book.)

Thou orb of many orbs! Thou seething principle! thou well-kept, latent germ! thou centre! Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast results to come for thrice a thousand years,) These recitatives for thee,—my book and the war are one, Merged in its spirit I and mine, as the contest hinged on thee, As a wheel on its axis turns, this book unwitting to itself, Around the idea of thee.



Eidolons

I met a seer, Passing the hues and objects of the world, The fields of art and learning, pleasure, sense, To glean eidolons.

Put in thy chants said he, No more the puzzling hour nor day, nor segments, parts, put in, Put first before the rest as light for all and entrance-song of all, That of eidolons.

Ever the dim beginning, Ever the growth, the rounding of the circle, Ever the summit and the merge at last, (to surely start again,) Eidolons! eidolons!

Ever the mutable, Ever materials, changing, crumbling, re-cohering, Ever the ateliers, the factories divine, Issuing eidolons.

Lo, I or you, Or woman, man, or state, known or unknown, We seeming solid wealth, strength, beauty build, But really build eidolons.

The ostent evanescent, The substance of an artist's mood or savan's studies long, Or warrior's, martyr's, hero's toils, To fashion his eidolon.

Of every human life, (The units gather'd, posted, not a thought, emotion, deed, left out,) The whole or large or small summ'd, added up, In its eidolon.

The old, old urge, Based on the ancient pinnacles, lo, newer, higher pinnacles, From science and the modern still impell'd, The old, old urge, eidolons.

The present now and here, America's busy, teeming, intricate whirl, Of aggregate and segregate for only thence releasing, To-day's eidolons.

These with the past, Of vanish'd lands, of all the reigns of kings across the sea, Old conquerors, old campaigns, old sailors' voyages, Joining eidolons.

Densities, growth, facades, Strata of mountains, soils, rocks, giant trees, Far-born, far-dying, living long, to leave, Eidolons everlasting.

Exalte, rapt, ecstatic, The visible but their womb of birth, Of orbic tendencies to shape and shape and shape, The mighty earth-eidolon.

All space, all time, (The stars, the terrible perturbations of the suns, Swelling, collapsing, ending, serving their longer, shorter use,) Fill'd with eidolons only.

The noiseless myriads, The infinite oceans where the rivers empty, The separate countless free identities, like eyesight, The true realities, eidolons.

Not this the world, Nor these the universes, they the universes, Purport and end, ever the permanent life of life, Eidolons, eidolons.

Beyond thy lectures learn'd professor, Beyond thy telescope or spectroscope observer keen, beyond all mathematics, Beyond the doctor's surgery, anatomy, beyond the chemist with his chemistry, The entities of entities, eidolons.

Unfix'd yet fix'd, Ever shall be, ever have been and are, Sweeping the present to the infinite future, Eidolons, eidolons, eidolons.

The prophet and the bard, Shall yet maintain themselves, in higher stages yet, Shall mediate to the Modern, to Democracy, interpret yet to them, God and eidolons.

And thee my soul, Joys, ceaseless exercises, exaltations, Thy yearning amply fed at last, prepared to meet, Thy mates, eidolons.

Thy body permanent, The body lurking there within thy body, The only purport of the form thou art, the real I myself, An image, an eidolon.

Thy very songs not in thy songs, No special strains to sing, none for itself, But from the whole resulting, rising at last and floating, A round full-orb'd eidolon.



For Him I Sing

For him I sing, I raise the present on the past, (As some perennial tree out of its roots, the present on the past,) With time and space I him dilate and fuse the immortal laws, To make himself by them the law unto himself.



When I Read the Book

When I read the book, the biography famous, And is this then (said I) what the author calls a man's life? And so will some one when I am dead and gone write my life? (As if any man really knew aught of my life, Why even I myself I often think know little or nothing of my real life, Only a few hints, a few diffused faint clews and indirections I seek for my own use to trace out here.)



Beginning My Studies

Beginning my studies the first step pleas'd me so much, The mere fact consciousness, these forms, the power of motion, The least insect or animal, the senses, eyesight, love, The first step I say awed me and pleas'd me so much, I have hardly gone and hardly wish'd to go any farther, But stop and loiter all the time to sing it in ecstatic songs.



Beginners

How they are provided for upon the earth, (appearing at intervals,) How dear and dreadful they are to the earth, How they inure to themselves as much as to any—what a paradox appears their age, How people respond to them, yet know them not, How there is something relentless in their fate all times, How all times mischoose the objects of their adulation and reward, And how the same inexorable price must still be paid for the same great purchase.



To the States

To the States or any one of them, or any city of the States, Resist much, obey little, Once unquestioning obedience, once fully enslaved, Once fully enslaved, no nation, state, city of this earth, ever afterward resumes its liberty.



On Journeys Through the States

On journeys through the States we start, (Ay through the world, urged by these songs, Sailing henceforth to every land, to every sea,) We willing learners of all, teachers of all, and lovers of all.

We have watch'd the seasons dispensing themselves and passing on, And have said, Why should not a man or woman do as much as the seasons, and effuse as much?

We dwell a while in every city and town, We pass through Kanada, the North-east, the vast valley of the Mississippi, and the Southern States, We confer on equal terms with each of the States, We make trial of ourselves and invite men and women to hear, We say to ourselves, Remember, fear not, be candid, promulge the body and the soul, Dwell a while and pass on, be copious, temperate, chaste, magnetic, And what you effuse may then return as the seasons return, And may be just as much as the seasons.



To a Certain Cantatrice

Here, take this gift, I was reserving it for some hero, speaker, or general, One who should serve the good old cause, the great idea, the progress and freedom of the race, Some brave confronter of despots, some daring rebel; But I see that what I was reserving belongs to you just as much as to any.



Me Imperturbe

Me imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less important than I thought, Me toward the Mexican sea, or in the Mannahatta or the Tennessee, or far north or inland, A river man, or a man of the woods or of any farm-life of these States or of the coast, or the lakes or Kanada, Me wherever my life is lived, O to be self-balanced for contingencies, To confront night, storms, hunger, ridicule, accidents, rebuffs, as the trees and animals do.



Savantism

Thither as I look I see each result and glory retracing itself and nestling close, always obligated, Thither hours, months, years—thither trades, compacts, establishments, even the most minute, Thither every-day life, speech, utensils, politics, persons, estates; Thither we also, I with my leaves and songs, trustful, admirant, As a father to his father going takes his children along with him.



The Ship Starting

Lo, the unbounded sea, On its breast a ship starting, spreading all sails, carrying even her moonsails. The pennant is flying aloft as she speeds she speeds so stately— below emulous waves press forward, They surround the ship with shining curving motions and foam.



I Hear America Singing

I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter's song, the ploughboy's on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day—at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.



What Place Is Besieged?

What place is besieged, and vainly tries to raise the siege? Lo, I send to that place a commander, swift, brave, immortal, And with him horse and foot, and parks of artillery, And artillery-men, the deadliest that ever fired gun.



Still Though the One I Sing

Still though the one I sing, (One, yet of contradictions made,) I dedicate to Nationality, I leave in him revolt, (O latent right of insurrection! O quenchless, indispensable fire!)



Shut Not Your Doors

Shut not your doors to me proud libraries, For that which was lacking on all your well-fill'd shelves, yet needed most, I bring, Forth from the war emerging, a book I have made, The words of my book nothing, the drift of it every thing, A book separate, not link'd with the rest nor felt by the intellect, But you ye untold latencies will thrill to every page.



Poets to Come

Poets to come! orators, singers, musicians to come! Not to-day is to justify me and answer what I am for, But you, a new brood, native, athletic, continental, greater than before known, Arouse! for you must justify me.

I myself but write one or two indicative words for the future, I but advance a moment only to wheel and hurry back in the darkness.

I am a man who, sauntering along without fully stopping, turns a casual look upon you and then averts his face, Leaving it to you to prove and define it, Expecting the main things from you.



To You

Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?



Thou Reader

Thou reader throbbest life and pride and love the same as I, Therefore for thee the following chants.



BOOK II

Starting from Paumanok

1 Starting from fish-shape Paumanok where I was born, Well-begotten, and rais'd by a perfect mother, After roaming many lands, lover of populous pavements, Dweller in Mannahatta my city, or on southern savannas, Or a soldier camp'd or carrying my knapsack and gun, or a miner in California, Or rude in my home in Dakota's woods, my diet meat, my drink from the spring, Or withdrawn to muse and meditate in some deep recess, Far from the clank of crowds intervals passing rapt and happy, Aware of the fresh free giver the flowing Missouri, aware of mighty Niagara, Aware of the buffalo herds grazing the plains, the hirsute and strong-breasted bull, Of earth, rocks, Fifth-month flowers experienced, stars, rain, snow, my amaze, Having studied the mocking-bird's tones and the flight of the mountain-hawk, And heard at dawn the unrivall'd one, the hermit thrush from the swamp-cedars, Solitary, singing in the West, I strike up for a New World.

2 Victory, union, faith, identity, time, The indissoluble compacts, riches, mystery, Eternal progress, the kosmos, and the modern reports. This then is life, Here is what has come to the surface after so many throes and convulsions.

How curious! how real! Underfoot the divine soil, overhead the sun.

See revolving the globe, The ancestor-continents away group'd together, The present and future continents north and south, with the isthmus between.

See, vast trackless spaces, As in a dream they change, they swiftly fill, Countless masses debouch upon them, They are now cover'd with the foremost people, arts, institutions, known.

See, projected through time, For me an audience interminable.

With firm and regular step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing its part and passing on, Another generation playing its part and passing on in its turn, With faces turn'd sideways or backward towards me to listen, With eyes retrospective towards me.

3 Americanos! conquerors! marches humanitarian! Foremost! century marches! Libertad! masses! For you a programme of chants.

Chants of the prairies, Chants of the long-running Mississippi, and down to the Mexican sea, Chants of Ohio, Indiana, Illinois, Iowa, Wisconsin and Minnesota, Chants going forth from the centre from Kansas, and thence equidistant, Shooting in pulses of fire ceaseless to vivify all.

4 Take my leaves America, take them South and take them North, Make welcome for them everywhere, for they are your own off-spring, Surround them East and West, for they would surround you, And you precedents, connect lovingly with them, for they connect lovingly with you.

I conn'd old times, I sat studying at the feet of the great masters, Now if eligible O that the great masters might return and study me.

In the name of these States shall I scorn the antique? Why these are the children of the antique to justify it.

5 Dead poets, philosophs, priests, Martyrs, artists, inventors, governments long since, Language-shapers on other shores, Nations once powerful, now reduced, withdrawn, or desolate, I dare not proceed till I respectfully credit what you have left wafted hither, I have perused it, own it is admirable, (moving awhile among it,) Think nothing can ever be greater, nothing can ever deserve more than it deserves, Regarding it all intently a long while, then dismissing it, I stand in my place with my own day here.

Here lands female and male, Here the heir-ship and heiress-ship of the world, here the flame of materials, Here spirituality the translatress, the openly-avow'd, The ever-tending, the finale of visible forms, The satisfier, after due long-waiting now advancing, Yes here comes my mistress the soul.

6 The soul, Forever and forever—longer than soil is brown and solid—longer than water ebbs and flows. I will make the poems of materials, for I think they are to be the most spiritual poems, And I will make the poems of my body and of mortality, For I think I shall then supply myself with the poems of my soul and of immortality.

I will make a song for these States that no one State may under any circumstances be subjected to another State, And I will make a song that there shall be comity by day and by night between all the States, and between any two of them, And I will make a song for the ears of the President, full of weapons with menacing points, And behind the weapons countless dissatisfied faces; And a song make I of the One form'd out of all, The fang'd and glittering One whose head is over all, Resolute warlike One including and over all, (However high the head of any else that head is over all.)

I will acknowledge contemporary lands, I will trail the whole geography of the globe and salute courteously every city large and small, And employments! I will put in my poems that with you is heroism upon land and sea, And I will report all heroism from an American point of view.

I will sing the song of companionship, I will show what alone must finally compact these, I believe these are to found their own ideal of manly love, indicating it in me, I will therefore let flame from me the burning fires that were threatening to consume me, I will lift what has too long kept down those smouldering fires, I will give them complete abandonment, I will write the evangel-poem of comrades and of love, For who but I should understand love with all its sorrow and joy? And who but I should be the poet of comrades?

7 I am the credulous man of qualities, ages, races, I advance from the people in their own spirit, Here is what sings unrestricted faith.

Omnes! omnes! let others ignore what they may, I make the poem of evil also, I commemorate that part also, I am myself just as much evil as good, and my nation is—and I say there is in fact no evil, (Or if there is I say it is just as important to you, to the land or to me, as any thing else.)

I too, following many and follow'd by many, inaugurate a religion, I descend into the arena, (It may be I am destin'd to utter the loudest cries there, the winner's pealing shouts, Who knows? they may rise from me yet, and soar above every thing.)

Each is not for its own sake, I say the whole earth and all the stars in the sky are for religion's sake.

I say no man has ever yet been half devout enough, None has ever yet adored or worship'd half enough, None has begun to think how divine he himself is, and how certain the future is.

I say that the real and permanent grandeur of these States must be their religion, Otherwise there is just no real and permanent grandeur; (Nor character nor life worthy the name without religion, Nor land nor man or woman without religion.)

8 What are you doing young man? Are you so earnest, so given up to literature, science, art, amours? These ostensible realities, politics, points? Your ambition or business whatever it may be?

It is well—against such I say not a word, I am their poet also, But behold! such swiftly subside, burnt up for religion's sake, For not all matter is fuel to heat, impalpable flame, the essential life of the earth, Any more than such are to religion.

9 What do you seek so pensive and silent? What do you need camerado? Dear son do you think it is love?

Listen dear son—listen America, daughter or son, It is a painful thing to love a man or woman to excess, and yet it satisfies, it is great, But there is something else very great, it makes the whole coincide, It, magnificent, beyond materials, with continuous hands sweeps and provides for all.

10 Know you, solely to drop in the earth the germs of a greater religion, The following chants each for its kind I sing.

My comrade! For you to share with me two greatnesses, and a third one rising inclusive and more resplendent, The greatness of Love and Democracy, and the greatness of Religion.

Melange mine own, the unseen and the seen, Mysterious ocean where the streams empty, Prophetic spirit of materials shifting and flickering around me, Living beings, identities now doubtless near us in the air that we know not of, Contact daily and hourly that will not release me, These selecting, these in hints demanded of me.

Not he with a daily kiss onward from childhood kissing me, Has winded and twisted around me that which holds me to him, Any more than I am held to the heavens and all the spiritual world, After what they have done to me, suggesting themes.

O such themes—equalities! O divine average! Warblings under the sun, usher'd as now, or at noon, or setting, Strains musical flowing through ages, now reaching hither, I take to your reckless and composite chords, add to them, and cheerfully pass them forward.

11 As I have walk'd in Alabama my morning walk, I have seen where the she-bird the mocking-bird sat on her nest in the briers hatching her brood.

I have seen the he-bird also, I have paus'd to hear him near at hand inflating his throat and joyfully singing.

And while I paus'd it came to me that what he really sang for was not there only, Nor for his mate nor himself only, nor all sent back by the echoes, But subtle, clandestine, away beyond, A charge transmitted and gift occult for those being born.

12 Democracy! near at hand to you a throat is now inflating itself and joyfully singing.

Ma femme! for the brood beyond us and of us, For those who belong here and those to come, I exultant to be ready for them will now shake out carols stronger and haughtier than have ever yet been heard upon earth.

I will make the songs of passion to give them their way, And your songs outlaw'd offenders, for I scan you with kindred eyes, and carry you with me the same as any.

I will make the true poem of riches, To earn for the body and the mind whatever adheres and goes forward and is not dropt by death; I will effuse egotism and show it underlying all, and I will be the bard of personality, And I will show of male and female that either is but the equal of the other, And sexual organs and acts! do you concentrate in me, for I am determin'd to tell you with courageous clear voice to prove you illustrious, And I will show that there is no imperfection in the present, and can be none in the future, And I will show that whatever happens to anybody it may be turn'd to beautiful results, And I will show that nothing can happen more beautiful than death, And I will thread a thread through my poems that time and events are compact, And that all the things of the universe are perfect miracles, each as profound as any.

I will not make poems with reference to parts, But I will make poems, songs, thoughts, with reference to ensemble, And I will not sing with reference to a day, but with reference to all days, And I will not make a poem nor the least part of a poem but has reference to the soul, Because having look'd at the objects of the universe, I find there is no one nor any particle of one but has reference to the soul.

13 Was somebody asking to see the soul? See, your own shape and countenance, persons, substances, beasts, the trees, the running rivers, the rocks and sands.

All hold spiritual joys and afterwards loosen them; How can the real body ever die and be buried?

Of your real body and any man's or woman's real body, Item for item it will elude the hands of the corpse-cleaners and pass to fitting spheres, Carrying what has accrued to it from the moment of birth to the moment of death.

Not the types set up by the printer return their impression, the meaning, the main concern, Any more than a man's substance and life or a woman's substance and life return in the body and the soul, Indifferently before death and after death.

Behold, the body includes and is the meaning, the main concern and includes and is the soul; Whoever you are, how superb and how divine is your body, or any part of it!

14 Whoever you are, to you endless announcements!

Daughter of the lands did you wait for your poet? Did you wait for one with a flowing mouth and indicative hand? Toward the male of the States, and toward the female of the States, Exulting words, words to Democracy's lands.

Interlink'd, food-yielding lands! Land of coal and iron! land of gold! land of cotton, sugar, rice! Land of wheat, beef, pork! land of wool and hemp! land of the apple and the grape! Land of the pastoral plains, the grass-fields of the world! land of those sweet-air'd interminable plateaus! Land of the herd, the garden, the healthy house of adobie! Lands where the north-west Columbia winds, and where the south-west Colorado winds! Land of the eastern Chesapeake! land of the Delaware! Land of Ontario, Erie, Huron, Michigan! Land of the Old Thirteen! Massachusetts land! land of Vermont and Connecticut! Land of the ocean shores! land of sierras and peaks! Land of boatmen and sailors! fishermen's land! Inextricable lands! the clutch'd together! the passionate ones! The side by side! the elder and younger brothers! the bony-limb'd! The great women's land! the feminine! the experienced sisters and the inexperienced sisters! Far breath'd land! Arctic braced! Mexican breez'd! the diverse! the compact! The Pennsylvanian! the Virginian! the double Carolinian! O all and each well-loved by me! my intrepid nations! O I at any rate include you all with perfect love! I cannot be discharged from you! not from one any sooner than another! O death! O for all that, I am yet of you unseen this hour with irrepressible love, Walking New England, a friend, a traveler, Splashing my bare feet in the edge of the summer ripples on Paumanok's sands, Crossing the prairies, dwelling again in Chicago, dwelling in every town, Observing shows, births, improvements, structures, arts, Listening to orators and oratresses in public halls, Of and through the States as during life, each man and woman my neighbor, The Louisianian, the Georgian, as near to me, and I as near to him and her, The Mississippian and Arkansian yet with me, and I yet with any of them, Yet upon the plains west of the spinal river, yet in my house of adobie, Yet returning eastward, yet in the Seaside State or in Maryland, Yet Kanadian cheerily braving the winter, the snow and ice welcome to me, Yet a true son either of Maine or of the Granite State, or the Narragansett Bay State, or the Empire State, Yet sailing to other shores to annex the same, yet welcoming every new brother, Hereby applying these leaves to the new ones from the hour they unite with the old ones, Coming among the new ones myself to be their companion and equal, coming personally to you now, Enjoining you to acts, characters, spectacles, with me.

15 With me with firm holding, yet haste, haste on. For your life adhere to me, (I may have to be persuaded many times before I consent to give myself really to you, but what of that? Must not Nature be persuaded many times?)

No dainty dolce affettuoso I, Bearded, sun-burnt, gray-neck'd, forbidding, I have arrived, To be wrestled with as I pass for the solid prizes of the universe, For such I afford whoever can persevere to win them.

16 On my way a moment I pause, Here for you! and here for America! Still the present I raise aloft, still the future of the States I harbinge glad and sublime, And for the past I pronounce what the air holds of the red aborigines.

The red aborigines, Leaving natural breaths, sounds of rain and winds, calls as of birds and animals in the woods, syllabled to us for names, Okonee, Koosa, Ottawa, Monongahela, Sauk, Natchez, Chattahoochee, Kaqueta, Oronoco, Wabash, Miami, Saginaw, Chippewa, Oshkosh, Walla-Walla, Leaving such to the States they melt, they depart, charging the water and the land with names.

17 Expanding and swift, henceforth, Elements, breeds, adjustments, turbulent, quick and audacious, A world primal again, vistas of glory incessant and branching, A new race dominating previous ones and grander far, with new contests, New politics, new literatures and religions, new inventions and arts.

These, my voice announcing—I will sleep no more but arise, You oceans that have been calm within me! how I feel you, fathomless, stirring, preparing unprecedented waves and storms.

18 See, steamers steaming through my poems, See, in my poems immigrants continually coming and landing, See, in arriere, the wigwam, the trail, the hunter's hut, the flat-boat, the maize-leaf, the claim, the rude fence, and the backwoods village, See, on the one side the Western Sea and on the other the Eastern Sea, how they advance and retreat upon my poems as upon their own shores, See, pastures and forests in my poems—see, animals wild and tame—see, beyond the Kaw, countless herds of buffalo feeding on short curly grass, See, in my poems, cities, solid, vast, inland, with paved streets, with iron and stone edifices, ceaseless vehicles, and commerce, See, the many-cylinder'd steam printing-press—see, the electric telegraph stretching across the continent, See, through Atlantica's depths pulses American Europe reaching, pulses of Europe duly return'd, See, the strong and quick locomotive as it departs, panting, blowing the steam-whistle, See, ploughmen ploughing farms—see, miners digging mines—see, the numberless factories, See, mechanics busy at their benches with tools—see from among them superior judges, philosophs, Presidents, emerge, drest in working dresses, See, lounging through the shops and fields of the States, me well-belov'd, close-held by day and night, Hear the loud echoes of my songs there—read the hints come at last.

19 O camerado close! O you and me at last, and us two only. O a word to clear one's path ahead endlessly! O something ecstatic and undemonstrable! O music wild! O now I triumph—and you shall also; O hand in hand—O wholesome pleasure—O one more desirer and lover! O to haste firm holding—to haste, haste on with me.



BOOK III

Song of Myself

1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.

I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form'd from this soil, this air, Born here of parents born here from parents the same, and their parents the same, I, now thirty-seven years old in perfect health begin, Hoping to cease not till death.

Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten, I harbor for good or bad, I permit to speak at every hazard, Nature without check with original energy.

2 Houses and rooms are full of perfumes, the shelves are crowded with perfumes, I breathe the fragrance myself and know it and like it, The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the distillation, it is odorless, It is for my mouth forever, I am in love with it, I will go to the bank by the wood and become undisguised and naked, I am mad for it to be in contact with me.

The smoke of my own breath, Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and vine, My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and dark-color'd sea-rocks, and of hay in the barn,

The sound of the belch'd words of my voice loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hill-sides, The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun.

Have you reckon'd a thousand acres much? have you reckon'd the earth much? Have you practis'd so long to learn to read? Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun, (there are millions of suns left,) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from your self.

3 I have heard what the talkers were talking, the talk of the beginning and the end, But I do not talk of the beginning or the end.

There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.

Urge and urge and urge, Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and increase, always sex, Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learn'd and unlearn'd feel that it is so.

Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams, Stout as a horse, affectionate, haughty, electrical, I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not my soul.

Lack one lacks both, and the unseen is proved by the seen, Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age, Knowing the perfect fitness and equanimity of things, while they discuss I am silent, and go bathe and admire myself.

Welcome is every organ and attribute of me, and of any man hearty and clean, Not an inch nor a particle of an inch is vile, and none shall be less familiar than the rest.

I am satisfied—I see, dance, laugh, sing; As the hugging and loving bed-fellow sleeps at my side through the night, and withdraws at the peep of the day with stealthy tread, Leaving me baskets cover'd with white towels swelling the house with their plenty, Shall I postpone my acceptation and realization and scream at my eyes, That they turn from gazing after and down the road, And forthwith cipher and show me to a cent, Exactly the value of one and exactly the value of two, and which is ahead?

4 Trippers and askers surround me, People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself.

Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.

5 I believe in you my soul, the other I am must not abase itself to you, And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat, Not words, not music or rhyme I want, not custom or lecture, not even the best, Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning, How you settled your head athwart my hips and gently turn'd over upon me, And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart, And reach'd till you felt my beard, and reach'd till you held my feet.

Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God is the promise of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love, And limitless are leaves stiff or drooping in the fields, And brown ants in the little wells beneath them, And mossy scabs of the worm fence, heap'd stones, elder, mullein and poke-weed.

6 A child said What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is any more than he.

I guess it must be the flag of my disposition, out of hopeful green stuff woven.

Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the vegetation.

Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps.

This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing.

I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps.

What do you think has become of the young and old men? And what do you think has become of the women and children?

They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd.

All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.

7 Has any one supposed it lucky to be born? I hasten to inform him or her it is just as lucky to die, and I know it.

I pass death with the dying and birth with the new-wash'd babe, and am not contain'd between my hat and boots, And peruse manifold objects, no two alike and every one good, The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth, I am the mate and companion of people, all just as immortal and fathomless as myself, (They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female, For me those that have been boys and that love women, For me the man that is proud and feels how it stings to be slighted, For me the sweet-heart and the old maid, for me mothers and the mothers of mothers, For me lips that have smiled, eyes that have shed tears, For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded, I see through the broadcloth and gingham whether or no, And am around, tenacious, acquisitive, tireless, and cannot be shaken away.

8 The little one sleeps in its cradle, I lift the gauze and look a long time, and silently brush away flies with my hand.

The youngster and the red-faced girl turn aside up the bushy hill, I peeringly view them from the top.

The suicide sprawls on the bloody floor of the bedroom, I witness the corpse with its dabbled hair, I note where the pistol has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of the promenaders, The heavy omnibus, the driver with his interrogating thumb, the clank of the shod horses on the granite floor, The snow-sleighs, clinking, shouted jokes, pelts of snow-balls, The hurrahs for popular favorites, the fury of rous'd mobs, The flap of the curtain'd litter, a sick man inside borne to the hospital, The meeting of enemies, the sudden oath, the blows and fall, The excited crowd, the policeman with his star quickly working his passage to the centre of the crowd, The impassive stones that receive and return so many echoes, What groans of over-fed or half-starv'd who fall sunstruck or in fits, What exclamations of women taken suddenly who hurry home and give birth to babes, What living and buried speech is always vibrating here, what howls restrain'd by decorum, Arrests of criminals, slights, adulterous offers made, acceptances, rejections with convex lips, I mind them or the show or resonance of them—I come and I depart.

9 The big doors of the country barn stand open and ready, The dried grass of the harvest-time loads the slow-drawn wagon, The clear light plays on the brown gray and green intertinged, The armfuls are pack'd to the sagging mow.

I am there, I help, I came stretch'd atop of the load, I felt its soft jolts, one leg reclined on the other, I jump from the cross-beams and seize the clover and timothy, And roll head over heels and tangle my hair full of wisps.

10 Alone far in the wilds and mountains I hunt, Wandering amazed at my own lightness and glee, In the late afternoon choosing a safe spot to pass the night, Kindling a fire and broiling the fresh-kill'd game, Falling asleep on the gather'd leaves with my dog and gun by my side.

The Yankee clipper is under her sky-sails, she cuts the sparkle and scud, My eyes settle the land, I bend at her prow or shout joyously from the deck.

The boatmen and clam-diggers arose early and stopt for me, I tuck'd my trowser-ends in my boots and went and had a good time; You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west, the bride was a red girl, Her father and his friends sat near cross-legged and dumbly smoking, they had moccasins to their feet and large thick blankets hanging from their shoulders, On a bank lounged the trapper, he was drest mostly in skins, his luxuriant beard and curls protected his neck, he held his bride by the hand, She had long eyelashes, her head was bare, her coarse straight locks descended upon her voluptuous limbs and reach'd to her feet.

The runaway slave came to my house and stopt outside, I heard his motions crackling the twigs of the woodpile, Through the swung half-door of the kitchen I saw him limpsy and weak, And went where he sat on a log and led him in and assured him, And brought water and fill'd a tub for his sweated body and bruis'd feet, And gave him a room that enter'd from my own, and gave him some coarse clean clothes, And remember perfectly well his revolving eyes and his awkwardness, And remember putting plasters on the galls of his neck and ankles; He staid with me a week before he was recuperated and pass'd north, I had him sit next me at table, my fire-lock lean'd in the corner.

11 Twenty-eight young men bathe by the shore, Twenty-eight young men and all so friendly; Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank, She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best? Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you, You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth bather, The rest did not see her, but she saw them and loved them.

The beards of the young men glisten'd with wet, it ran from their long hair, Little streams pass'd all over their bodies.

An unseen hand also pass'd over their bodies, It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the sun, they do not ask who seizes fast to them, They do not know who puffs and declines with pendant and bending arch, They do not think whom they souse with spray.

12 The butcher-boy puts off his killing-clothes, or sharpens his knife at the stall in the market, I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil, Each has his main-sledge, they are all out, there is a great heat in the fire.

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even with their massive arms, Overhand the hammers swing, overhand so slow, overhand so sure, They do not hasten, each man hits in his place.

13 The negro holds firmly the reins of his four horses, the block swags underneath on its tied-over chain, The negro that drives the long dray of the stone-yard, steady and tall he stands pois'd on one leg on the string-piece, His blue shirt exposes his ample neck and breast and loosens over his hip-band, His glance is calm and commanding, he tosses the slouch of his hat away from his forehead, The sun falls on his crispy hair and mustache, falls on the black of his polish'd and perfect limbs.

I behold the picturesque giant and love him, and I do not stop there, I go with the team also.

In me the caresser of life wherever moving, backward as well as forward sluing, To niches aside and junior bending, not a person or object missing, Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what is that you express in your eyes? It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and day-long ramble, They rise together, they slowly circle around.

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider green and violet and the tufted crown intentional, And do not call the tortoise unworthy because she is not something else, And the in the woods never studied the gamut, yet trills pretty well to me, And the look of the bay mare shames silliness out of me.

14 The wild gander leads his flock through the cool night, Ya-honk he says, and sounds it down to me like an invitation, The pert may suppose it meaningless, but I listening close, Find its purpose and place up there toward the wintry sky.

The sharp-hoof'd moose of the north, the cat on the house-sill, the chickadee, the prairie-dog, The litter of the grunting sow as they tug at her teats, The brood of the turkey-hen and she with her half-spread wings, I see in them and myself the same old law.

The press of my foot to the earth springs a hundred affections, They scorn the best I can do to relate them.

I am enamour'd of growing out-doors, Of men that live among cattle or taste of the ocean or woods, Of the builders and steerers of ships and the wielders of axes and mauls, and the drivers of horses, I can eat and sleep with them week in and week out.

What is commonest, cheapest, nearest, easiest, is Me, Me going in for my chances, spending for vast returns, Adorning myself to bestow myself on the first that will take me, Not asking the sky to come down to my good will, Scattering it freely forever.

15 The pure contralto sings in the organ loft, The carpenter dresses his plank, the tongue of his foreplane whistles its wild ascending lisp, The married and unmarried children ride home to their Thanksgiving dinner, The pilot seizes the king-pin, he heaves down with a strong arm, The mate stands braced in the whale-boat, lance and harpoon are ready, The duck-shooter walks by silent and cautious stretches, The deacons are ordain'd with cross'd hands at the altar, The spinning-girl retreats and advances to the hum of the big wheel, The farmer stops by the bars as he walks on a First-day loafe and looks at the oats and rye, The lunatic is carried at last to the asylum a confirm'd case, (He will never sleep any more as he did in the cot in his mother's bed-room;) The jour printer with gray head and gaunt jaws works at his case, He turns his quid of tobacco while his eyes blurr with the manuscript; The malform'd limbs are tied to the surgeon's table, What is removed drops horribly in a pail; The quadroon girl is sold at the auction-stand, the drunkard nods by the bar-room stove, The machinist rolls up his sleeves, the policeman travels his beat, the gate-keeper marks who pass, The young fellow drives the express-wagon, (I love him, though I do not know him;) The half-breed straps on his light boots to compete in the race, The western turkey-shooting draws old and young, some lean on their rifles, some sit on logs, Out from the crowd steps the marksman, takes his position, levels his piece; The groups of newly-come immigrants cover the wharf or levee, As the woolly-pates hoe in the sugar-field, the overseer views them from his saddle, The bugle calls in the ball-room, the gentlemen run for their partners, the dancers bow to each other, The youth lies awake in the cedar-roof'd garret and harks to the musical rain, The Wolverine sets traps on the creek that helps fill the Huron, The squaw wrapt in her yellow-hemm'd cloth is offering moccasins and bead-bags for sale, The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways, As the deck-hands make fast the steamboat the plank is thrown for the shore-going passengers, The young sister holds out the skein while the elder sister winds it off in a ball, and stops now and then for the knots, The one-year wife is recovering and happy having a week ago borne her first child, The clean-hair'd Yankee girl works with her sewing-machine or in the factory or mill, The paving-man leans on his two-handed rammer, the reporter's lead flies swiftly over the note-book, the sign-painter is lettering with blue and gold, The canal boy trots on the tow-path, the book-keeper counts at his desk, the shoemaker waxes his thread, The conductor beats time for the band and all the performers follow him, The child is baptized, the convert is making his first professions, The regatta is spread on the bay, the race is begun, (how the white sails sparkle!) The drover watching his drove sings out to them that would stray, The pedler sweats with his pack on his back, (the purchaser higgling about the odd cent;) The bride unrumples her white dress, the minute-hand of the clock moves slowly, The opium-eater reclines with rigid head and just-open'd lips, The prostitute draggles her shawl, her bonnet bobs on her tipsy and pimpled neck, The crowd laugh at her blackguard oaths, the men jeer and wink to each other, (Miserable! I do not laugh at your oaths nor jeer you;) The President holding a cabinet council is surrounded by the great Secretaries, On the piazza walk three matrons stately and friendly with twined arms, The crew of the fish-smack pack repeated layers of halibut in the hold, The Missourian crosses the plains toting his wares and his cattle, As the fare-collector goes through the train he gives notice by the jingling of loose change, The floor-men are laying the floor, the tinners are tinning the roof, the masons are calling for mortar, In single file each shouldering his hod pass onward the laborers; Seasons pursuing each other the indescribable crowd is gather'd, it is the fourth of Seventh-month, (what salutes of cannon and small arms!) Seasons pursuing each other the plougher ploughs, the mower mows, and the winter-grain falls in the ground; Off on the lakes the pike-fisher watches and waits by the hole in the frozen surface, The stumps stand thick round the clearing, the squatter strikes deep with his axe, Flatboatmen make fast towards dusk near the cotton-wood or pecan-trees, Coon-seekers go through the regions of the Red river or through those drain'd by the Tennessee, or through those of the Arkansas, Torches shine in the dark that hangs on the Chattahooche or Altamahaw, Patriarchs sit at supper with sons and grandsons and great-grandsons around them, In walls of adobie, in canvas tents, rest hunters and trappers after their day's sport, The city sleeps and the country sleeps, The living sleep for their time, the dead sleep for their time, The old husband sleeps by his wife and the young husband sleeps by his wife; And these tend inward to me, and I tend outward to them, And such as it is to be of these more or less I am, And of these one and all I weave the song of myself.

16 I am of old and young, of the foolish as much as the wise, Regardless of others, ever regardful of others, Maternal as well as paternal, a child as well as a man, Stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine, One of the Nation of many nations, the smallest the same and the largest the same, A Southerner soon as a Northerner, a planter nonchalant and hospitable down by the Oconee I live, A Yankee bound my own way ready for trade, my joints the limberest joints on earth and the sternest joints on earth, A Kentuckian walking the vale of the Elkhorn in my deer-skin leggings, a Louisianian or Georgian, A boatman over lakes or bays or along coasts, a Hoosier, Badger, Buckeye; At home on Kanadian snow-shoes or up in the bush, or with fishermen off Newfoundland, At home in the fleet of ice-boats, sailing with the rest and tacking, At home on the hills of Vermont or in the woods of Maine, or the Texan ranch, Comrade of Californians, comrade of free North-Westerners, (loving their big proportions,) Comrade of raftsmen and coalmen, comrade of all who shake hands and welcome to drink and meat, A learner with the simplest, a teacher of the thoughtfullest, A novice beginning yet experient of myriads of seasons, Of every hue and caste am I, of every rank and religion, A farmer, mechanic, artist, gentleman, sailor, quaker, Prisoner, fancy-man, rowdy, lawyer, physician, priest.

I resist any thing better than my own diversity, Breathe the air but leave plenty after me, And am not stuck up, and am in my place.

(The moth and the fish-eggs are in their place, The bright suns I see and the dark suns I cannot see are in their place, The palpable is in its place and the impalpable is in its place.)

17 These are really the thoughts of all men in all ages and lands, they are not original with me, If they are not yours as much as mine they are nothing, or next to nothing, If they are not the riddle and the untying of the riddle they are nothing, If they are not just as close as they are distant they are nothing.

This is the grass that grows wherever the land is and the water is, This the common air that bathes the globe.

18 With music strong I come, with my cornets and my drums, I play not marches for accepted victors only, I play marches for conquer'd and slain persons.

Have you heard that it was good to gain the day? I also say it is good to fall, battles are lost in the same spirit in which they are won.

I beat and pound for the dead, I blow through my embouchures my loudest and gayest for them.

Vivas to those who have fail'd! And to those whose war-vessels sank in the sea! And to those themselves who sank in the sea! And to all generals that lost engagements, and all overcome heroes! And the numberless unknown heroes equal to the greatest heroes known!

19 This is the meal equally set, this the meat for natural hunger, It is for the wicked just same as the righteous, I make appointments with all, I will not have a single person slighted or left away, The kept-woman, sponger, thief, are hereby invited, The heavy-lipp'd slave is invited, the venerealee is invited; There shall be no difference between them and the rest.

This is the press of a bashful hand, this the float and odor of hair, This the touch of my lips to yours, this the murmur of yearning, This the far-off depth and height reflecting my own face, This the thoughtful merge of myself, and the outlet again.

Do you guess I have some intricate purpose? Well I have, for the Fourth-month showers have, and the mica on the side of a rock has.

Do you take it I would astonish? Does the daylight astonish? does the early redstart twittering through the woods? Do I astonish more than they?

This hour I tell things in confidence, I might not tell everybody, but I will tell you.

20 Who goes there? hankering, gross, mystical, nude; How is it I extract strength from the beef I eat?

What is a man anyhow? what am I? what are you?

All I mark as my own you shall offset it with your own, Else it were time lost listening to me.

I do not snivel that snivel the world over, That months are vacuums and the ground but wallow and filth.

Whimpering and truckling fold with powders for invalids, conformity goes to the fourth-remov'd, I wear my hat as I please indoors or out.

Why should I pray? why should I venerate and be ceremonious?

Having pried through the strata, analyzed to a hair, counsel'd with doctors and calculated close, I find no sweeter fat than sticks to my own bones.

In all people I see myself, none more and not one a barley-corn less, And the good or bad I say of myself I say of them.

I know I am solid and sound, To me the converging objects of the universe perpetually flow, All are written to me, and I must get what the writing means.

I know I am deathless, I know this orbit of mine cannot be swept by a carpenter's compass, I know I shall not pass like a child's carlacue cut with a burnt stick at night.

I know I am august, I do not trouble my spirit to vindicate itself or be understood, I see that the elementary laws never apologize, (I reckon I behave no prouder than the level I plant my house by, after all.)

I exist as I am, that is enough, If no other in the world be aware I sit content, And if each and all be aware I sit content.

One world is aware and by far the largest to me, and that is myself, And whether I come to my own to-day or in ten thousand or ten million years, I can cheerfully take it now, or with equal cheerfulness I can wait.

My foothold is tenon'd and mortis'd in granite, I laugh at what you call dissolution, And I know the amplitude of time.

21 I am the poet of the Body and I am the poet of the Soul, The pleasures of heaven are with me and the pains of hell are with me, The first I graft and increase upon myself, the latter I translate into new tongue.

I am the poet of the woman the same as the man, And I say it is as great to be a woman as to be a man, And I say there is nothing greater than the mother of men.

I chant the chant of dilation or pride, We have had ducking and deprecating about enough, I show that size is only development.

Have you outstript the rest? are you the President? It is a trifle, they will more than arrive there every one, and still pass on.

I am he that walks with the tender and growing night, I call to the earth and sea half-held by the night.

Press close bare-bosom'd night—press close magnetic nourishing night! Night of south winds—night of the large few stars! Still nodding night—mad naked summer night.

Smile O voluptuous cool-breath'd earth! Earth of the slumbering and liquid trees! Earth of departed sunset—earth of the mountains misty-topt! Earth of the vitreous pour of the full moon just tinged with blue! Earth of shine and dark mottling the tide of the river! Earth of the limpid gray of clouds brighter and clearer for my sake! Far-swooping elbow'd earth—rich apple-blossom'd earth! Smile, for your lover comes.

Prodigal, you have given me love—therefore I to you give love! O unspeakable passionate love.

22 You sea! I resign myself to you also—I guess what you mean, I behold from the beach your crooked fingers, I believe you refuse to go back without feeling of me, We must have a turn together, I undress, hurry me out of sight of the land, Cushion me soft, rock me in billowy drowse, Dash me with amorous wet, I can repay you.

Sea of stretch'd ground-swells, Sea breathing broad and convulsive breaths, Sea of the brine of life and of unshovell'd yet always-ready graves, Howler and scooper of storms, capricious and dainty sea, I am integral with you, I too am of one phase and of all phases.

Partaker of influx and efflux I, extoller of hate and conciliation, Extoller of amies and those that sleep in each others' arms.

I am he attesting sympathy, (Shall I make my list of things in the house and skip the house that supports them?)

I am not the poet of goodness only, I do not decline to be the poet of wickedness also.

What blurt is this about virtue and about vice? Evil propels me and reform of evil propels me, I stand indifferent, My gait is no fault-finder's or rejecter's gait, I moisten the roots of all that has grown.

Did you fear some scrofula out of the unflagging pregnancy? Did you guess the celestial laws are yet to be work'd over and rectified?

I find one side a balance and the antipedal side a balance, Soft doctrine as steady help as stable doctrine, Thoughts and deeds of the present our rouse and early start.

This minute that comes to me over the past decillions, There is no better than it and now.

What behaved well in the past or behaves well to-day is not such wonder, The wonder is always and always how there can be a mean man or an infidel.

23 Endless unfolding of words of ages! And mine a word of the modern, the word En-Masse.

A word of the faith that never balks, Here or henceforward it is all the same to me, I accept Time absolutely.

It alone is without flaw, it alone rounds and completes all, That mystic baffling wonder alone completes all.

I accept Reality and dare not question it, Materialism first and last imbuing.

Hurrah for positive science! long live exact demonstration! Fetch stonecrop mixt with cedar and branches of lilac, This is the lexicographer, this the chemist, this made a grammar of the old cartouches, These mariners put the ship through dangerous unknown seas. This is the geologist, this works with the scalper, and this is a mathematician.

Gentlemen, to you the first honors always! Your facts are useful, and yet they are not my dwelling, I but enter by them to an area of my dwelling.

Less the reminders of properties told my words, And more the reminders they of life untold, and of freedom and extrication, And make short account of neuters and geldings, and favor men and women fully equipt, And beat the gong of revolt, and stop with fugitives and them that plot and conspire.

24 Walt Whitman, a kosmos, of Manhattan the son, Turbulent, fleshy, sensual, eating, drinking and breeding, No sentimentalist, no stander above men and women or apart from them, No more modest than immodest.

Unscrew the locks from the doors! Unscrew the doors themselves from their jambs!

Whoever degrades another degrades me, And whatever is done or said returns at last to me.

Through me the afflatus surging and surging, through me the current and index.

I speak the pass-word primeval, I give the sign of democracy, By God! I will accept nothing which all cannot have their counterpart of on the same terms.

Through me many long dumb voices, Voices of the interminable generations of prisoners and slaves, Voices of the diseas'd and despairing and of thieves and dwarfs, Voices of cycles of preparation and accretion, And of the threads that connect the stars, and of wombs and of the father-stuff, And of the rights of them the others are down upon, Of the deform'd, trivial, flat, foolish, despised, Fog in the air, beetles rolling balls of dung.

Through me forbidden voices, Voices of sexes and lusts, voices veil'd and I remove the veil, Voices indecent by me clarified and transfigur'd.

I do not press my fingers across my mouth, I keep as delicate around the bowels as around the head and heart, Copulation is no more rank to me than death is.

I believe in the flesh and the appetites, Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.

Divine am I inside and out, and I make holy whatever I touch or am touch'd from, The scent of these arm-pits aroma finer than prayer, This head more than churches, bibles, and all the creeds.

If I worship one thing more than another it shall be the spread of my own body, or any part of it, Translucent mould of me it shall be you! Shaded ledges and rests it shall be you! Firm masculine colter it shall be you! Whatever goes to the tilth of me it shall be you! You my rich blood! your milky stream pale strippings of my life! Breast that presses against other breasts it shall be you! My brain it shall be your occult convolutions! Root of wash'd sweet-flag! timorous pond-snipe! nest of guarded duplicate eggs! it shall be you! Mix'd tussled hay of head, beard, brawn, it shall be you! Trickling sap of maple, fibre of manly wheat, it shall be you! Sun so generous it shall be you! Vapors lighting and shading my face it shall be you! You sweaty brooks and dews it shall be you! Winds whose soft-tickling genitals rub against me it shall be you! Broad muscular fields, branches of live oak, loving lounger in my winding paths, it shall be you! Hands I have taken, face I have kiss'd, mortal I have ever touch'd, it shall be you.

I dote on myself, there is that lot of me and all so luscious, Each moment and whatever happens thrills me with joy, I cannot tell how my ankles bend, nor whence the cause of my faintest wish, Nor the cause of the friendship I emit, nor the cause of the friendship I take again.

That I walk up my stoop, I pause to consider if it really be, A morning-glory at my window satisfies me more than the metaphysics of books.

To behold the day-break! The little light fades the immense and diaphanous shadows, The air tastes good to my palate.

Hefts of the moving world at innocent gambols silently rising freshly exuding, Scooting obliquely high and low.

Something I cannot see puts upward libidinous prongs, Seas of bright juice suffuse heaven.

The earth by the sky staid with, the daily close of their junction, The heav'd challenge from the east that moment over my head, The mocking taunt, See then whether you shall be master!

25 Dazzling and tremendous how quick the sun-rise would kill me, If I could not now and always send sun-rise out of me.

We also ascend dazzling and tremendous as the sun, We found our own O my soul in the calm and cool of the daybreak.

My voice goes after what my eyes cannot reach, With the twirl of my tongue I encompass worlds and volumes of worlds.

Speech is the twin of my vision, it is unequal to measure itself, It provokes me forever, it says sarcastically, Walt you contain enough, why don't you let it out then?

Come now I will not be tantalized, you conceive too much of articulation, Do you not know O speech how the buds beneath you are folded? Waiting in gloom, protected by frost, The dirt receding before my prophetical screams, I underlying causes to balance them at last, My knowledge my live parts, it keeping tally with the meaning of all things, Happiness, (which whoever hears me let him or her set out in search of this day.)

My final merit I refuse you, I refuse putting from me what I really am, Encompass worlds, but never try to encompass me, I crowd your sleekest and best by simply looking toward you.

Writing and talk do not prove me, I carry the plenum of proof and every thing else in my face, With the hush of my lips I wholly confound the skeptic.

26 Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it.

I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.)

I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast.

I hear the chorus, it is a grand opera, Ah this indeed is music—this suits me.

A tenor large and fresh as the creation fills me, The orbic flex of his mouth is pouring and filling me full.

I hear the train'd soprano (what work with hers is this?) The orchestra whirls me wider than Uranus flies, It wrenches such ardors from me I did not know I possess'd them, It sails me, I dab with bare feet, they are lick'd by the indolent waves, I am cut by bitter and angry hail, I lose my breath, Steep'd amid honey'd morphine, my windpipe throttled in fakes of death, At length let up again to feel the puzzle of puzzles, And that we call Being.

27 To be in any form, what is that? (Round and round we go, all of us, and ever come back thither,) If nothing lay more develop'd the quahaug in its callous shell were enough.

Mine is no callous shell, I have instant conductors all over me whether I pass or stop, They seize every object and lead it harmlessly through me.

I merely stir, press, feel with my fingers, and am happy, To touch my person to some one else's is about as much as I can stand.

28 Is this then a touch? quivering me to a new identity, Flames and ether making a rush for my veins, Treacherous tip of me reaching and crowding to help them, My flesh and blood playing out lightning to strike what is hardly different from myself, On all sides prurient provokers stiffening my limbs, Straining the udder of my heart for its withheld drip, Behaving licentious toward me, taking no denial, Depriving me of my best as for a purpose, Unbuttoning my clothes, holding me by the bare waist, Deluding my confusion with the calm of the sunlight and pasture-fields, Immodestly sliding the fellow-senses away, They bribed to swap off with touch and go and graze at the edges of me, No consideration, no regard for my draining strength or my anger, Fetching the rest of the herd around to enjoy them a while, Then all uniting to stand on a headland and worry me.

The sentries desert every other part of me, They have left me helpless to a red marauder, They all come to the headland to witness and assist against me.

I am given up by traitors, I talk wildly, I have lost my wits, I and nobody else am the greatest traitor, I went myself first to the headland, my own hands carried me there.

You villain touch! what are you doing? my breath is tight in its throat, Unclench your floodgates, you are too much for me.

29 Blind loving wrestling touch, sheath'd hooded sharp-tooth'd touch! Did it make you ache so, leaving me?

Parting track'd by arriving, perpetual payment of perpetual loan, Rich showering rain, and recompense richer afterward.

Sprouts take and accumulate, stand by the curb prolific and vital, Landscapes projected masculine, full-sized and golden.

30 All truths wait in all things, They neither hasten their own delivery nor resist it, They do not need the obstetric forceps of the surgeon, The insignificant is as big to me as any, (What is less or more than a touch?)

Logic and sermons never convince, The damp of the night drives deeper into my soul.

(Only what proves itself to every man and woman is so, Only what nobody denies is so.)

A minute and a drop of me settle my brain, I believe the soggy clods shall become lovers and lamps, And a compend of compends is the meat of a man or woman, And a summit and flower there is the feeling they have for each other, And they are to branch boundlessly out of that lesson until it becomes omnific, And until one and all shall delight us, and we them.

31 I believe a leaf of grass is no less than the journey work of the stars, And the pismire is equally perfect, and a grain of sand, and the egg of the wren, And the tree-toad is a chef-d'oeuvre for the highest, And the running blackberry would adorn the parlors of heaven, And the narrowest hinge in my hand puts to scorn all machinery, And the cow crunching with depress'd head surpasses any statue, And a mouse is miracle enough to stagger sextillions of infidels.

I find I incorporate gneiss, coal, long-threaded moss, fruits, grains, esculent roots, And am stucco'd with quadrupeds and birds all over, And have distanced what is behind me for good reasons, But call any thing back again when I desire it.

In vain the speeding or shyness, In vain the plutonic rocks send their old heat against my approach, In vain the mastodon retreats beneath its own powder'd bones, In vain objects stand leagues off and assume manifold shapes, In vain the ocean settling in hollows and the great monsters lying low, In vain the buzzard houses herself with the sky, In vain the snake slides through the creepers and logs, In vain the elk takes to the inner passes of the woods, In vain the razor-bill'd auk sails far north to Labrador, I follow quickly, I ascend to the nest in the fissure of the cliff.

32 I think I could turn and live with animals, they are so placid and self-contain'd, I stand and look at them long and long.

They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth.

So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession.

I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them?

Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly terms.

A gigantic beauty of a stallion, fresh and responsive to my caresses, Head high in the forehead, wide between the ears, Limbs glossy and supple, tail dusting the ground, Eyes full of sparkling wickedness, ears finely cut, flexibly moving.

His nostrils dilate as my heels embrace him, His well-built limbs tremble with pleasure as we race around and return.

I but use you a minute, then I resign you, stallion, Why do I need your paces when I myself out-gallop them? Even as I stand or sit passing faster than you.

33 Space and Time! now I see it is true, what I guess'd at, What I guess'd when I loaf'd on the grass, What I guess'd while I lay alone in my bed, And again as I walk'd the beach under the paling stars of the morning.

My ties and ballasts leave me, my elbows rest in sea-gaps, I skirt sierras, my palms cover continents, I am afoot with my vision.

By the city's quadrangular houses—in log huts, camping with lumber-men, Along the ruts of the turnpike, along the dry gulch and rivulet bed, Weeding my onion-patch or hosing rows of carrots and parsnips, crossing savannas, trailing in forests, Prospecting, gold-digging, girdling the trees of a new purchase, Scorch'd ankle-deep by the hot sand, hauling my boat down the shallow river, Where the panther walks to and fro on a limb overhead, where the buck turns furiously at the hunter, Where the rattlesnake suns his flabby length on a rock, where the otter is feeding on fish, Where the alligator in his tough pimples sleeps by the bayou, Where the black bear is searching for roots or honey, where the beaver pats the mud with his paddle-shaped tall; Over the growing sugar, over the yellow-flower'd cotton plant, over the rice in its low moist field, Over the sharp-peak'd farm house, with its scallop'd scum and slender shoots from the gutters, Over the western persimmon, over the long-leav'd corn, over the delicate blue-flower flax, Over the white and brown buckwheat, a hummer and buzzer there with the rest, Over the dusky green of the rye as it ripples and shades in the breeze; Scaling mountains, pulling myself cautiously up, holding on by low scragged limbs, Walking the path worn in the grass and beat through the leaves of the brush, Where the quail is whistling betwixt the woods and the wheat-lot, Where the bat flies in the Seventh-month eve, where the great goldbug drops through the dark, Where the brook puts out of the roots of the old tree and flows to the meadow, Where cattle stand and shake away flies with the tremulous shuddering of their hides, Where the cheese-cloth hangs in the kitchen, where andirons straddle the hearth-slab, where cobwebs fall in festoons from the rafters; Where trip-hammers crash, where the press is whirling its cylinders, Wherever the human heart beats with terrible throes under its ribs, Where the pear-shaped balloon is floating aloft, (floating in it myself and looking composedly down,) Where the life-car is drawn on the slip-noose, where the heat hatches pale-green eggs in the dented sand, Where the she-whale swims with her calf and never forsakes it, Where the steam-ship trails hind-ways its long pennant of smoke, Where the fin of the shark cuts like a black chip out of the water, Where the half-burn'd brig is riding on unknown currents, Where shells grow to her slimy deck, where the dead are corrupting below; Where the dense-starr'd flag is borne at the head of the regiments, Approaching Manhattan up by the long-stretching island, Under Niagara, the cataract falling like a veil over my countenance, Upon a door-step, upon the horse-block of hard wood outside, Upon the race-course, or enjoying picnics or jigs or a good game of base-ball, At he-festivals, with blackguard gibes, ironical license, bull-dances, drinking, laughter, At the cider-mill tasting the sweets of the brown mash, sucking the juice through a straw, At apple-peelings wanting kisses for all the red fruit I find, At musters, beach-parties, friendly bees, huskings, house-raisings; Where the mocking-bird sounds his delicious gurgles, cackles, screams, weeps, Where the hay-rick stands in the barn-yard, where the dry-stalks are scatter'd, where the brood-cow waits in the hovel, Where the bull advances to do his masculine work, where the stud to the mare, where the cock is treading the hen, Where the heifers browse, where geese nip their food with short jerks, Where sun-down shadows lengthen over the limitless and lonesome prairie, Where herds of buffalo make a crawling spread of the square miles far and near, Where the humming-bird shimmers, where the neck of the long-lived swan is curving and winding, Where the laughing-gull scoots by the shore, where she laughs her near-human laugh, Where bee-hives range on a gray bench in the garden half hid by the high weeds, Where band-neck'd partridges roost in a ring on the ground with their heads out, Where burial coaches enter the arch'd gates of a cemetery, Where winter wolves bark amid wastes of snow and icicled trees, Where the yellow-crown'd heron comes to the edge of the marsh at night and feeds upon small crabs, Where the splash of swimmers and divers cools the warm noon, Where the katy-did works her chromatic reed on the walnut-tree over the well, Through patches of citrons and cucumbers with silver-wired leaves, Through the salt-lick or orange glade, or under conical firs, Through the gymnasium, through the curtain'd saloon, through the office or public hall; Pleas'd with the native and pleas'd with the foreign, pleas'd with the new and old, Pleas'd with the homely woman as well as the handsome, Pleas'd with the quakeress as she puts off her bonnet and talks melodiously, Pleas'd with the tune of the choir of the whitewash'd church, Pleas'd with the earnest words of the sweating Methodist preacher, impress'd seriously at the camp-meeting; Looking in at the shop-windows of Broadway the whole forenoon, flatting the flesh of my nose on the thick plate glass, Wandering the same afternoon with my face turn'd up to the clouds, or down a lane or along the beach, My right and left arms round the sides of two friends, and I in the middle; Coming home with the silent and dark-cheek'd bush-boy, (behind me he rides at the drape of the day,) Far from the settlements studying the print of animals' feet, or the moccasin print, By the cot in the hospital reaching lemonade to a feverish patient, Nigh the coffin'd corpse when all is still, examining with a candle; Voyaging to every port to dicker and adventure, Hurrying with the modern crowd as eager and fickle as any, Hot toward one I hate, ready in my madness to knife him, Solitary at midnight in my back yard, my thoughts gone from me a long while, Walking the old hills of Judaea with the beautiful gentle God by my side, Speeding through space, speeding through heaven and the stars, Speeding amid the seven satellites and the broad ring, and the diameter of eighty thousand miles, Speeding with tail'd meteors, throwing fire-balls like the rest, Carrying the crescent child that carries its own full mother in its belly, Storming, enjoying, planning, loving, cautioning, Backing and filling, appearing and disappearing, I tread day and night such roads.

I visit the orchards of spheres and look at the product, And look at quintillions ripen'd and look at quintillions green.

I fly those flights of a fluid and swallowing soul, My course runs below the soundings of plummets.

I help myself to material and immaterial, No guard can shut me off, no law prevent me.

I anchor my ship for a little while only, My messengers continually cruise away or bring their returns to me.

I go hunting polar furs and the seal, leaping chasms with a pike-pointed staff, clinging to topples of brittle and blue.

I ascend to the foretruck, I take my place late at night in the crow's-nest, We sail the arctic sea, it is plenty light enough, Through the clear atmosphere I stretch around on the wonderful beauty, The enormous masses of ice pass me and I pass them, the scenery is plain in all directions, The white-topt mountains show in the distance, I fling out my fancies toward them, We are approaching some great battle-field in which we are soon to be engaged, We pass the colossal outposts of the encampment, we pass with still feet and caution, Or we are entering by the suburbs some vast and ruin'd city, The blocks and fallen architecture more than all the living cities of the globe.

I am a free companion, I bivouac by invading watchfires, I turn the bridegroom out of bed and stay with the bride myself, I tighten her all night to my thighs and lips.

My voice is the wife's voice, the screech by the rail of the stairs, They fetch my man's body up dripping and drown'd.

I understand the large hearts of heroes, The courage of present times and all times, How the skipper saw the crowded and rudderless wreck of the steamship, and Death chasing it up and down the storm, How he knuckled tight and gave not back an inch, and was faithful of days and faithful of nights, And chalk'd in large letters on a board, Be of good cheer, we will not desert you; How he follow'd with them and tack'd with them three days and would not give it up, How he saved the drifting company at last, How the lank loose-gown'd women look'd when boated from the side of their prepared graves, How the silent old-faced infants and the lifted sick, and the sharp-lipp'd unshaved men; All this I swallow, it tastes good, I like it well, it becomes mine, I am the man, I suffer'd, I was there.