Winfield was presented to the bridal couple, but there was no time for conversation, since Aunt Jane was in a hurry. After the brief ceremony was over, Ruth said wickedly:

"Aunty, on the way to the minister's, Mr. Winfield told me he was going to kiss the bride. I hope you don't mind?"

Winfield looked unutterable things at Ruth, but nobly fulfilled the obligation. Uncle James beamed upon Ruth in a way which indicated that an attractive idea lay behind it, and Winfield created a diversion by tipping over a vase of flowers. "He shan't," he whispered to Ruth, "I'll be darned if he shall!"

"Ruth," said Aunt Jane, after a close scrutiny of Winfield, "if you' relayin' out to marry that awkward creeter, what ain't accustomed to a parlour, you'd better do it now, while him and the minister are both here."

Winfield was willing, but Ruth said that one wedding at a time was enough in any family, and the minister, pledged to secrecy, took his departure. The bride cut the wedding cake and each solemnly ate a piece of it. It was a sacrament, rather than a festivity.

When the silence became oppressive, Ruth suggested a walk.

"You will set here, Niece Ruth," remarked Aunt Jane, "until I have changed my dress."

Uncle James sighed softly, as she went upstairs. "Well," he said, "I'm merried now, hard and fast, and there ain't no help for it, world without end."

"Cheer up, Uncle," said Winfield, consolingly, "it might be worse."

"It's come on me all of a sudden," he rejoined. "I ain't had no time to prepare for it, as you may say. Little did I think, three weeks ago, as I set in my little store, what was wuth four or five hundred dollars, that before the month was out, I'd be merried. Me! Merried!" he exclaimed, "Me, as never thought of sech!"

When Mrs. Ball entered, clad in sombre calico, Ruth, overcome by deep emotion, led her lover into the open air. "It's bad for you to stay in there," she said gravely, "when you are destined to meet the same fate."

"I've had time to prepare for it," he answered, "in fact, I've had more time than I want."

They wandered down the hillside with aimless leisure, and Ruth stooped to pick up a large, grimy handkerchief, with "C. W." in the corner. "Here's where we were the other morning," she said.

"Blessed spot," he responded, "beautiful Hepsey and noble Joe! By what humble means are great destinies made evident! You haven't said you were glad to see me, dear."

"I'm always glad to see you, Mr. Winfield," she replied primly.

"Mr. Winfield isn't my name," he objected, taking her into his arms.

"Carl," she whispered shyly, to his coat collar.

"That isn't all of it."

"Carl—dear—" said Ruth, with her face crimson.

"That's more like it. Now let's sit down—I've brought you something and you have three guesses."

"Returned manuscript?"

"No, you said they were all in."

"Another piece of Aunt Jane's wedding cake?"

"No, guess again."

"Chocolates?"

"Who'd think you were so stupid," he said, putting two fingers into his waistcoat pocket.

"Oh—h!" gasped Ruth, in delight.

"You funny girl, didn't you expect an engagement ring? Let's see if it fits."

He slipped the gleaming diamond on her finger and it fitted exactly.

"How did you guess?" she asked, after a little.

"It wasn't wholly guess work, dearest." From another pocket, he drew a glove, of grey suede, that belonged to Ruth's left hand.

"Where did you get that?"

"By the log across the path, that first day, when you were so cross to me."

"I wasn't cross!"

"Yes you were—you were a little fiend."

"Will you forgive me?" she pleaded, lifting her face to his.

"Rather!" He forgave her half a dozen times before she got away from him. "Now let's talk sense," she said.

"We can't—I never expect to talk sense again."

"Pretty compliment, isn't it?" she asked. "It's like your telling me I was brilliant and then saying I wasn't at all like myself." "Won't you forgive me?" he inquired significantly.

"Some other time," she said, flushing, "now what are we going to do?"

"Well," he began, "I saw the oculist, and he says that my eyes are almost well again, but that I mustn't use them for two weeks longer. Then, I can read or write for two hours every day, increasing gradually as long as they don't hurt. By the first of October, he thinks I'll be ready for work again. Carlton wants me to report on the morning of the fifth, and he offers me a better salary than I had on The Herald."

"That's good!"

"We'll have to have a flat in the city, or a little house in the country, near enough for me to get to the office."

"For us to get to the office," supplemented Ruth.

"What do you think you're going to do, Miss Thorne?"

"Why—I'm going to keep right on with the paper," she answered in surprise.

"No you're not, darling," he said, putting his arm around her. "Do you suppose I'm going to have Carlton or any other man giving my wife an assignment? You can't any way, because I've resigned your position for you, and your place is already filled. Carlton sent his congratulations and said his loss was my gain, or something like that. He takes all the credit to himself."

"Why—why—you wretch!"

"I'm not a wretch—you said yourself I was nice. Look here, Ruth," he went on, in a different tone, "what do you think I am? Do you think for a minute that I'd marry you if I couldn't take care of you?"

"'T isn't that," she replied, freeing herself from his encircling arm, "but I like my work and I don't want to give it up. Besides—besides—I thought you'd like to have me near you."

"I do want you near me, sweetheart, that isn't the point. You have the same right that I have to any work that is your natural expression, but, in spite of the advanced age in which we live, I can't help believing that home is the place for a woman. I may be old-fashioned, but I don't want my wife working down town—I've got too much pride for that. You have your typewriter, and you can turn out Sunday specials by the yard, if you want to. Besides, there are all the returned manuscripts—if you have the time and aren't hurried, there's no reason why you shouldn't do work that they can't afford to refuse."

Ruth was silent, and he laid his hand upon hers. "You understand me, don't you, dear? God knows I'm not asking you to let your soul rust out in idleness, and I wouldn't have you crave expression that was denied you, but I don't want you to have to work when you don't feel like it, nor be at anybody's beck and call. I know you did good work on the paper—Carlton spoke of it, too—but others can do it as well. I want you to do something that is so thoroughly you that no one else can do it. It's a hard life, Ruth, you know that as well as I do, and I—I love you."

His last argument was convincing. "I won't do anything you don't want me to do, dear," she said, with a new humility.

"I want you to be happy, dearest," he answered, quickly. "Just try my way for a year—that's all I ask. I know your independence is sweet to you, but the privilege of working for you with hand and brain, with your love in my heart; with you at home, to be proud of me when I succeed and to give me new courage when I fail, why, it's the sweetest thing I've ever known."

"I'll have to go back to town very soon, though," she said, a little later, "I am interrupting the honeymoon."

"We'll have one of our own very soon that you can't interrupt, and, when you go back, I'm going with you. We'll buy things for the house."

"We need lots of things, don't we?" she asked.

"I expect we do, darling, but I haven't the least idea what they are. You'll have to tell me."

"Oriental rugs, for one thing," she said, "and a mahogany piano, and an instrument to play it with, because I haven't any parlour tricks, and some good pictures, and a waffle iron and a porcelain rolling pin."

"What do you know about rolling pins and waffle irons?" he asked fondly.

"My dear boy," she replied, patronisingly, "you forget that in the days when I was a free and independent woman, I was on a newspaper. I know lots of things that are utterly strange to you, because, in all probability, you never ran a woman's department. If you want soup, you must boil meat slowly, and if you want meat, you must boil it rapidly, and if dough sticks to a broom straw when you jab it into a cake, it isn't done."

He laughed joyously. "How about the porcelain rolling pin?"

"It's germ proof," she rejoined, soberly.

"Are we going to keep house on the antiseptic plan?"

"We are—it's better than the installment plan, isn't it? Oh, Carl!" she exclaimed, "I've had the brightest idea!"

"Spring it!" he demanded.

"Why, Aunt Jane's attic is full of old furniture, and I believe she'll give it to us!"

His face fell. "How charming," he said, without emotion.

"Oh, you stupid," she laughed, "it's colonial mahogany, every stick of it! It only needs to be done over!"

"Ruth, you're a genius."

"Wait till I get it, before you praise me. Just stay here a minute and I'll run up to see what frame of mind she's in."

When she entered the kitchen, the bride was busily engaged in getting supper. Uncle James, with a blue gingham apron tied under his arms, was awkwardly peeling potatoes. "Oh, how good that smells!" exclaimed Ruth, as a spicy sheet of gingerbread was taken out of the oven.

Aunt Jane looked at her kindly, with gratified pride beaming from every feature. "I wish you'd teach me to cook, Aunty," she continued, following up her advantage, "you know I'm going to marry Mr. Winfield."

"Why, yes, I'll teach you—where is he?"

"He's outside—I just came in to speak to you a minute."

"You can ask him to supper if you want to."

"Thank you, Aunty, that's lovely of you. I know he'll like to stay."

"James," said Mrs. Ball, "you're peelin' them pertaters with thick peelins' and you'll land in the poorhouse. I've never knowed it to fail."

"I wanted to ask you something, Aunty," Ruth went on quickly, though feeling that the moment was not auspicious, "you know all that old furniture up in the attic?"

"Well, what of it?"

"Why—why—you aren't using it, you know, and I thought perhaps you'd be willing to give it to us, so that we can go to housekeeping as soon as we're married."

"It was your grandmother's," Aunt Jane replied after long thought, "and, as you say, I ain't usin' it. I don't know but what you might as well have it as anybody else. I lay out to buy me a new haircloth parlour suit with that two hundred dollars of James's—he give the minister the hull four dollars over and above that—and—yes, you can have it," she concluded.

Ruth kissed her, with real feeling. "Thank you so much, Aunty. It will be lovely to have something that was my grandmother's."

When she went back to Winfield, he was absorbed in a calculation he was making on the back of an envelope.

"You're not to use your eyes," she said warningly, "and, oh Carl! It was my grandmother's and she's given us every bit of it, and you're to stay to supper!"

"Must be in a fine humour," he observed. "I'm ever so glad. Come here, darling, you don't know how I've missed you."

"I've been earning furniture," she said, settling down beside him. "People earn what they get from Aunty—I won't say that, though, because it's mean."

"Tell me about this remarkable furniture. What is it, and how much of it is destined to glorify our humble cottage?"

"It's all ours," she returned serenely, "but I don't know just how much there is. I didn't look at it closely, you know, because I never expected to have any of it. Let's see—there's a heavy dresser, and a large, round table, with claw feet—that's our dining-table, and there's a bed, just like those in the windows in town, when it's done over, and there's a big old-fashioned sofa, and a spinning-wheel—"

"Are you going to spin?"

"Hush, don't interrupt. There are five chairs—dining-room chairs, and two small tables, and a card table with a leaf that you can stand up against the wall, and two lovely rockers, and I don't know what else."

"That's a fairly complete inventory, considering that you 'didn't look at it closely.' What a little humbug you are!"

"You like humbugs, don't you?"

"Some, not all."

There was a long silence, and then Ruth moved away from him. "Tell me about everything," she said. "Think of all the years I haven't known you!"

"There's nothing to tell, dear. Are you going to conduct an excavation into my 'past?'"

"Indeed, I'm not! The present is enough for me, and I'll attend to your future myself."

"There's not much to be ashamed of, Ruth," he said, soberly. "I've always had the woman I should marry in my mind—'the not impossible she,' and my ideal has kept me out of many a pitfall I wanted to go to her with clean hands and a clean heart, and I have. I'm not a saint, but I'm as clean as I could be, and live in the world at all."

Ruth put her hand on his. "Tell me about your mother."

A shadow crossed his face and he waited a moment before speaking. "My mother died when I was born," he said with an effort. "I can't tell you about her, Ruth, she—she—wasn't a very good woman."

"Forgive me, dear," she answered with quick sympathy, "I don't want to know!"

"I didn't know about it until a few years ago," he continued, "when some kindly disposed relatives of father's gave me full particulars. They're dead now, and I'm glad of it. She—she—drank."

"Don't, Carl!" she cried, "I don't want to know!"

"You're a sweet girl, Ruth," he said, tenderly, touching her hand to his lips. "Father died when I was ten or twelve years old and I can't remember him very well, though I have one picture, taken a little while before he was married. He was a moody, silent man, who hardly ever spoke to any one. I know now that he was broken-hearted. I can't remember even the tones of his voice, but only one or two little peculiarities. He couldn't bear the smell of lavender and the sight of any shade of purple actually made him suffer. It was very strange.

"I've picked up what education I have," he went on. "I have nothing to give you, Ruth, but these—" he held out his hands—"and my heart."

"That's all I want, dearest—don't tell me any more!"

A bell rang cheerily, and, when they went in, Aunt Jane welcomed him with apparent cordiality, though a close observer might have detected a tinge of suspicion. She liked the ring on Ruth's finger, which she noticed for the first time. "It's real pretty, ain't it, James?" she asked.

"Yes'm, 't is so."

"It's just come to my mind now that you never give me no ring except this here one we was married with. I guess we'd better take some of that two hundred dollars you've got sewed up in that unchristian belt you insist on wearin' and get me a ring like Ruth's, and use the rest for furniture, don't you think so?"

"Yes'm," he replied. "Ring and furniture—or anythin' you'd like."

"James is real indulgent," she said to Winfield, with a certain modest pride which was at once ludicrous and pathetic.

"He should be, Mrs. Ball," returned the young man, gallantly.

She looked at him closely, as if to discover whether he was in earnest, but he did not flinch. "Young feller," she said, "you ain't layin' out to take no excursions on the water, be you?"

"Not that I know of," he answered, "why?"

"Sea-farin' is dangerous," she returned.

"Mis' Ball was terrible sea sick comin' here," remarked her husband. "She didn't seem to have no sea legs, as you may say."

"Ain't you tired of dwellin' on that?" asked Aunt Jane, sharply. "'T ain't no disgrace to be sea sick, and I wan't the only one."

Winfield came to the rescue with a question and the troubled waters were soon calm again. After supper, Ruth said: "Aunty, may I take Mr. Winfield up to the attic and show him my grandmother's things that you've just given me?"

"Run along, child. Me and James will wash the dishes."

"Poor James," said Winfield, in a low tone, as they ascended the stairs. "Do I have to wash dishes, Ruth?"

"It wouldn't surprise me. You said you wanted to work for me, and I despise dishes."

"Then we'll get an orphan to do 'em. I'm not fitted for it, and I don't think you are."

"Say, isn't this great!" he exclaimed, as they entered the attic. "Trunks, cobwebs, and old furniture! Why have I never been here before?"

"It wasn't proper," replied Ruth, primly, with a sidelong glance at him. "No, go away!"

They dragged the furniture out into the middle of the room and looked it over critically. There was all that she had described, and unsuspected treasure lay in concealment behind it. "There's almost enough to furnish a flat!" she cried, in delight.

He was opening the drawers of a cabinet, which stood far back under the eaves. "What's this, Ruth?"

"Oh, it's old blue china—willow pattern! How rich we are!"

"Is old blue willow-pattern china considered beautiful?"

"Of course it is, you goose! We'll have to have our dining-room done in old blue, now, with a shelf on the wall for these plates."

"Why can't we have a red dining-room?"

"Because it would be a fright. You can have a red den, if you like."

"All right," he answered, "but it seems to me it would be simpler and save a good deal of expense, if we just pitched the plates into the sad sea. I don't think much of 'em."

"That's because you're not educated, dearest," returned Ruth, sweetly. "When you're married, you'll know a great deal more about china—you see if you don't."

They lingered until it was so dark that they could scarcely see each other's faces. "We'll come up again to-morrow," she said. "Wait a minute."

She groped over to the east window, where there was still a faint glow, and lighted the lamp, which stood in its accustomed place, newly filled.

"You're not going to leave it burning, are you?" he asked.

"Yes, Aunt Jane has a light in this window every night."

"Why, what for?"

"I don't know, dearest. I think it's for a lighthouse, but I don't care. Come, let's go downstairs."



XIV. "For Remembrance"

The next day, while Ruth was busily gathering up her few belongings and packing her trunk, Winfield appeared with a suggestion regarding the advisability of outdoor exercise. Uncle James stood at the gate and watched them as they went down hill. He was a pathetic old figure, predestined to loneliness under all circumstances.

"That's the way I'll look when we've been married a few years," said Carl.

"Worse than that," returned Ruth, gravely. "I'm sorry for you, even now."

"You needn't be proud and haughty just because you've had a wedding at your house—we're going to have one at ours."

"At ours?"

"At the 'Widder's,' I mean, this very evening."

"That's nice," answered Ruth, refusing to ask the question.

"It's Joe and Hepsey," he continued, "and I thought perhaps you might stoop low enough to assist me in selecting an appropriate wedding gift in yonder seething mart. I feel greatly indebted to them."

"Why, of course I will; it's quite sudden, isn't it?" "Far be it from me to say so. However, it's the most reversed wedding I ever heard of. A marriage at the home of the groom, to say the least, is unusual. Moreover, the 'Widder' Pendleton is to take the bridal tour and leave the happy couple at home. She's going to visit a relative who is distant in both position and relationship—all unknown to the relative, I fancy. She starts immediately after the ceremony and it seems to me that it would be a pious notion to throw rice and old shoes after her."

"Why, Carl! You don't want to maim her, do you?"

"I wouldn't mind. If it hadn't been for my ostrich-like digestion, I wouldn't have had anything to worry about by this time. However, if you insist, I will throw the rice and let you heave the shoes. If you have the precision of aim which distinguishes your sex, the 'Widder' will escape uninjured."

"Am I to be invited?"

"Certainly—haven't I already invited you?"

"They may not like it."

"That doesn't make any difference. Lots of people go to weddings who aren't wanted."

"I'll go, then," announced Ruth, "and once again, I give you my gracious permission to kiss the bride."

"Thank you, dear, but I'm not going to kiss any brides except my own. I've signed the pledge and sworn off."

They created a sensation in the village when they acquired the set of china which had been on exhibition over a year. During that time it had fallen at least a third in price, though its value was unchanged. Ruth bought a hideous red table-cloth, which she knew would please Hepsey, greatly to Winfield's disgust.

"Why do you do that?" he demanded. "Don't you know that, in all probability, I'll have to eat off of it? I much prefer the oilcloth, to which I am now accustomed."

"You'll have to get used to table linen, dear," she returned teasingly; "it's my ambition to have one just like this for state occasions."

Joe appeared with the chariot just in time to receive and transport the gift. "Here's your wedding present, Joe!" called Winfield, and the innocent villagers formed a circle about them as the groom-elect endeavoured to express his appreciation. Winfield helped him pack the "101 pieces" on the back seat and under it, and when Ruth, feeling like a fairy godmother, presented the red table-cloth, his cup of joy was full.

He started off proudly, with a soup tureen and two platters on the seat beside him. The red table-cloth was slung over his arm, in toreador fashion, and the normal creak of the conveyance was accentuated by an ominous rattle of crockery. Then he circled back, motioning them to wait.

"Here's sunthin' I most forgot," he said, giving Ruth a note. "I'd drive you back fer nothin', only I've got sech a load."

The note was from Miss Ainslie, inviting Miss Thorne and her friend to come at five o'clock and stay to tea. No answer was expected unless she could not come.

The quaint, old-fashioned script was in some way familiar. A flash of memory took Ruth back to the note she had found in the dresser drawer, beginning: "I thank you from my heart for understanding me." So it was Miss Ainslie who had sent the mysterious message to Aunt Jane.

"You're not paying any attention to me," complained Winfield. "I suppose, when we're married, I'll have to write out what I want to say to you, and put it on file."

"You're a goose," laughed Ruth. "We're going to Miss Ainslie's to-night for tea. Aren't we getting gay?"

"Indeed we are! Weddings and teas follow one another like Regret on the heels of Pleasure."

"Pretty simile," commented Ruth. "If we go to the tea, we'll have to miss the wedding."

"Well, we've been to a wedding quite recently, so I suppose it's better to go to the tea. Perhaps, by arranging it, we might be given nourishment at both places—not that I pine for the 'Widder's' cooking. Anyhow, we've sent our gift, and they'd rather have that than to have us, if they were permitted to choose."

"Do you suppose they'll give us anything?"

"Let us hope not."

"I don't believe we want any at all," she said. "Most of them would be in bad taste, and you'd have to bury them at night, one at a time, while I held a lantern."

"The policeman on the beat would come and ask us what we were doing," he objected; "and when we told him we were only burying our wedding presents, he wouldn't believe us. We'd be dragged to the station and put into a noisome cell. Wouldn't it make a pretty story for the morning papers! The people who gave us the things would enjoy it over their coffee."

"It would be pathetic, wouldn't it?"

"It would, Miss Thorne. I think we'd better not tell anybody until its all safely over, and then we can have a little card printed to go with the announcement, saying that if anybody is inclined to give us a present, we'd rather have the money."

"You're a very practical person, Carl. One would think you had been married several times."

"We'll be married as often as you like, dear. Judging by your respected aunt, one ceremony isn't 'rightfully bindin', and I want it done often enough to be sure that you can't get away from me."

As they entered the gate, Uncle James approached stealthily by a roundabout way and beckoned to them. "Excuse me," he began, as they came within speaking distance, "but has Mis' Ball give you furniture?"

"Yes," replied Ruth, in astonishment, "why?"

"There's clouds to starboard and she's repentin'. She's been admirin' of it the hull mornin' in the attic. I was sot in the kitchen with pertaters," he explained, "but the work is wearin' and a feller needs fresh air."

"Thank you for the tip, Uncle," said Winfield, heartily.

The old man glowed with gratification. "We men understand each other," was plainly written on his expressive face, as he went noiselessly back to the kitchen.

"You'd better go home, dear," suggested Ruth.

"Delicate hint," replied Winfield. "It would take a social strategist to perceive your hidden meaning. Still, my finer sensibilities respond instantly to your touch, and I will go. I flatter myself that I've never had to be put out yet, when I've been calling on a girl. Some subtle suggestion like yours has always been sufficient."

"Don't be cross, dear—let's see how soon you can get to the bottom of the hill. You can come back at four o'clock."

He laughed and turned back to wave his hand at her. She wafted a kiss from the tips of her fingers, which seemed momentarily to impede his progress, but she motioned him away and ran into the house.

Aunt Jane was nowhere to be seen, so she went on into the kitchen to help Uncle James with the potatoes. He had peeled almost a peck and the thick parings lay in a heap on the floor. "My goodness'" she exclaimed. "You'd better throw those out, Uncle, and I'll put the potatoes on to boil."

He hastened out, with his arms full of peelings. "You're a real kind woman, Niece Ruth," he said gratefully, when he came in. "You don't favour your aunt none—I think you're more like me."

Mrs. Ball entered the kitchen with a cloud upon her brow, and in one of those rare flashes of insight which are vouchsafed to plodding mortals, a plan of action presented itself to Ruth. "Aunty," she said, before Mrs. Ball had time to speak, "you know I'm going back to the city to-morrow, and I'd like to send you and Uncle James a wedding present—you've been so good to me. What shall it be?"

"Well, now, I don't know," she answered, visibly softening, "but I'll think it over, and let you know."

"What would you like, Uncle James?"

"You needn't trouble him about it," explained his wife. "He'll like whatever I do, won't you, James?"

"Yes'm, just as you say."

After dinner, when Ruth broached the subject of furniture, she was gratified to find that Aunt Jane had no serious objections. "I kinder hate to part with it, Ruth," she said, "but in a way, as you may say, it's yours."

"'Tisn't like giving it away, Aunty—it's all in the family, and, as you say, you're not using it."

"That's so, and then James and me are likely to come and make you a long visit, so I'll get the good of it, too."

Ruth was momentarily stunned, but rallied enough to express great pleasure at the prospect. As Aunt Jane began to clear up the dishes, Mr. Ball looked at his niece, with a certain quiet joy, and then, unmistakably, winked.

"When you decide about the wedding present, Aunty, let me know, won't you?" she asked, as Mrs. Ball came in after the rest of the dishes. "Mr. Winfield would like to send you a remembrance also." Then Ruth added, to her conscience, "I know he would."

"He seems like a pleasant-spoken feller," remarked Aunt Jane. "You can ask him to supper to-night, if you like."

"Thank you, Aunty, but we're going to Miss Ainslie's."

"Huh!" snorted Mrs. Ball. "Mary Ainslie ain't got no sperrit!" With this enigmatical statement, she sailed majestically out of the room.

During the afternoon, Ruth finished her packing, leaving out a white shirt-waist to wear to Miss Ainslie's. When she went down to the parlour to wait for Winfield, Aunt Jane appeared, with her husband in her wake.

"Ruth," she announced, "me and James have decided on a weddin' present. I would like a fine linen table-cloth and a dozen napkins."

"All right, Aunty."

"And if Mr. Winfield is disposed to it, he can give me a lemonade set—one of them what has different coloured tumblers belongin' to it."

"He'll be pleased to send it, Aunty; I know he will."

"I'm a-layin' out to take part of them two hundred dollars what's sewed up in James's belt, and buy me a new black silk," she went on. "I've got some real lace to trim it with, whet dames give me in the early years of our engagement. Don't you think a black silk is allers nice, Ruth?"

"Yes, it is, Aunty; and just now, it's very stylish."

"You appear to know about such things. I guess I'll let you get it for me in the city when you buy the weddin' present. I'll give you the money, and you can get the linin's too, while you're about it."

"I'll send you some samples, Aunty, and then you can take your choice."

"And—" began Mrs. Ball.

"Did you know Mrs. Pendleton was going away, Aunty?" asked Ruth, hastily.

"Do tell! Elmiry Peavey goin' travellin'?"

"Yes, she's going somewhere for a visit—I don't know just where."

"I had laid out to take James and call on Elmiry," she said, stroking her apron thoughtfully, while a shadow crossed Mr. Ball's expressive face; "but I guess I'll wait now till I get my new black silk. I want her to know I've done well."

A warning hiss from the kitchen and the odour of burning sugar impelled Aunt Jane to a hasty exit just as Winfield came. Uncle James followed them to the door.

"Niece Ruth," he said, hesitating and fumbling at his belt, "be you goin' to get merried?"

"I hope so, Uncle," she replied kindly.

"Then—then—I wish you'd take this and buy you sunthin' to remember your pore old Uncle James by." He thrust a trembling hand toward her, and offered her a twenty dollar bill.

"Why, Uncle!" she exclaimed. "I mustn't take this! Thank you ever so much, but it isn't right!"

"I'd be pleased," he said plaintively. "'Taint as if I wan's accustomed to money. My store was wuth five or six hundred dollars, and you've been real pleasant to me, Niece Ruth. Buy a hair wreath for the parlour, or sunthin' to remind you of your pore old Uncle."

Winfield pressed her arm warningly, and she tucked the bill into her chatelaine bag. "Thank you, Uncle!" she said; then, of her own accord, she stooped and kissed him lightly on the cheek.

A mist came into the old man's eyes, and he put his hand to his belt again, but she hurriedly led Winfield away. "Ruth," he said, as they went down the hill, "you're a sweet girl. That was real womanly kindness to the poor devil."

"Shall I be equally kind to all 'poor devils'?"

"There's one more who needs you—if you attend to him properly, it will be enough."

"I don't see how they're going to get Aunty's silk gown and a ring like mine and a haircloth parlour suit and publish a book with less than two hundred dollars, do you?"

"Hardly—Joe says that he gave Hepsey ten dollars. There's a great discussion about the spending of it."

"I didn't know—I feel guilty."

"You needn't, darling. There was nothing else for you to do. How did you succeed with your delicate mission?"

"I managed it," she said proudly. "I feel that I was originally destined for a diplomatic career." He laughed when she described the lemonade set which she had promised in his name.

"I'll see that the furniture is shipped tomorrow," he assured her; "and then I'll go on a still hunt for the gaudy glassware. I'm blessed if I don't give 'em a silver ice pitcher, too."

"I'm in for a table-cloth and a dozen napkins," laughed Ruth; "but I don't mind. We won't bury Uncle's wedding present, will we?"

"I should say not! Behold the effect of the card, long before it's printed."

"I know," said Ruth, seriously, "I'll get a silver spoon or something like that out of the twenty dollars, and then I'll spend the rest of it on something nice for Uncle James. The poor soul isn't getting any wedding present, and he'll never know."

"There's a moral question involved in that," replied Winfield. "Is it right to use his money in that way and assume the credit yourself?"

"We'll have to think it over," Ruth answered. "It isn't so very simple after all."

Miss Ainslie was waiting for them in the garden and came to the gate to meet them. She wore a gown of lavender taffeta, which rustled and shone in the sunlight. The skirt was slightly trained, with a dust ruffle underneath, and the waist was made in surplice fashion, open at the throat. A bertha of rarest Brussels lace was fastened at her neck with the amethyst pin, inlaid with gold and surrounded by baroque pearls. The ends of the bertha hung loosely and under it she had tied an apron of sheerest linen, edged with narrow Duchesse lace. Her hair was coiled softly on top of her head, with a string of amethysts and another of pearls woven among the silvery strands.

"Welcome to my house," she said, smiling, Winfield at once became her slave. She talked easily, with that exquisite cadence which makes each word seem like a gift, but there was a certain subtle excitement in her manner, which Ruth did not fail to perceive. When Winfield was not looking at Miss Ainslie, her eyes rested upon him with a wondering hunger, mingled with tenderness and fear.

Midsummer lay upon the garden and the faint odour of mignonette and lavender came with every wandering wind. White butterflies and thistledown floated in the air, bees hummed drowsily, and the stately hollyhocks swayed slowly back and forth.

"Do you know why I asked you to come today?" She spoke to Ruth, but looked at Winfield.

"Why, Miss Ainslie?"

"Because it is my birthday—I am fifty-five years old."

Ruth's face mirrored her astonishment. "You don't look any older than I do," she said.

Except for the white hair, it was true. Her face was as fresh as a rose with the morning dew upon it, and even on her neck, where the folds of lace revealed a dazzling whiteness, there were no lines.

"Teach us how to live, Miss Ainslie," said Winfield, softly, "that the end of half a century may find us young."

A delicate pink suffused her cheeks and she turned her eyes to his. "I've just been happy, that's all," she answered.

"It needs the alchemist's touch," he said, "to change our sordid world to gold."

"We can all learn," she replied, "and even if we don't try, it comes to us once."

"What?" asked Ruth.

"Happiness—even if it isn't until the end. In every life there is a perfect moment, like a flash of sun. We can shape our days by that, if we will—before by faith, and afterward by memory."

The conversation drifted to less serious things. Ruth, remembering that Miss Ainslie did not hear the village gossip, described her aunt's home-coming, the dismissal of Hepsey, and told her of the wedding which was to take place that evening. Winfield was delighted, for he had never heard her talk so well, but Miss Ainslie listened with gentle displeasure.

"I did not think Miss Hathaway would ever be married abroad," she said. "I think she should have waited until she came home. It would have been more delicate to let him follow her. To seem to pursue a gentleman, however innocent one may be, is—is unmaidenly."

Winfield choked, then coughed violently.

"Understand me, dear," Miss Ainslie went on, "I do not mean to criticise your aunt—she is one of my dearest friends. Perhaps I should not have spoken at all," she concluded in genuine distress.

"It's all right, Miss Ainslie," Ruth assured her, "I know just how you feel."

Winfield, having recovered his composure, asked a question about the garden, and Miss Ainslie led them in triumph around her domain. She gathered a little nosegay of sweet-williams for Ruth, who was over among the hollyhocks, then she said shyly: "What shall I pick for you?"

"Anything you like, Miss Ainslie. I am at a loss to choose."

She bent over and plucked a leaf of rosemary, looking at him long and searchingly as she put it into his hand.

"For remembrance," she said, with the deep fire burning in her eyes. Then she added, with a pitiful hunger in her voice:

"Whatever happens, you won't forget me?"

"Never!" he answered, strangely stirred.

"Thank you," she whispered brokenly, drawing away from him. "You look so much like—like some one I used to know."

At dusk they went into the house. Except for the hall, it was square, with two partitions dividing it. The two front rooms were separated by an arch, and the dining-room and kitchen were similarly situated at the back of the house, with a china closet and pantry between them.

Miss Ainslie's table, of solid mahogany, was covered only with fine linen doilies, after a modern fashion, and two quaint candlesticks, of solid silver, stood opposite each other. In the centre, in a silver vase of foreign pattern, there was a great bunch of asters—white and pink and blue.

The repast was simple—chicken fried to a golden brown, with creamed potatoes, a salad made of fresh vegetables from the garden, hot biscuits, deliciously light, and the fragrant Chinese tea, served in the Royal Kaga cups, followed by pound cake, and pears preserved in a heavy red syrup.

The hostess sat at the head of the table, dispensing a graceful hospitality. She made no apology, such as prefaced almost every meal at Aunt Jane's. It was her best, and she was proud to give it—such was the impression.

Afterward, when Ruth told her that she was going back to the city, Miss Ainslie's face grew sad.

"Why—why must you go?" she asked.

"I'm interrupting the honeymoon," Ruth answered, "and when I suggested departure, Aunty agreed to it immediately. I can't very well stay now, can I?"

"My dear," said Miss Ainslie, laying her hand upon Ruth's, "if you could, if you only would—won't you come and stay with me?"

"I'd love to," replied Ruth, impetuously, "but are you sure you want me?"

"Believe me, my dear," said Miss Ainslie, simply, "it will give me great happiness."

So it was arranged that the next day Ruth's trunk should be taken to Miss Ainslie's, and that she would stay until the first of October. Winfield was delighted, since it brought Ruth nearer to him and involved no long separation.

They went outdoors again, where the crickets and katydids were chirping in the grass, and the drowsy twitter of birds came from the maples above. The moon, at its full, swung slowly over the hill, and threads of silver light came into the fragrant dusk of the garden. Now and then the moonlight shone full upon Miss Ainslie's face, touching her hair as if with loving tenderness and giving her an unearthly beauty. It was the face of a saint.

Winfield, speaking reverently, told her of their betrothal. She leaned forward, into the light, and put one hand caressingly upon the arm of each.

"I am so glad," she said, with her face illumined. Through the music of her voice ran lights and shadows, vague, womanly appeal, and a haunting sweetness neither could ever forget.

That night, the gates of Youth turned on their silent hinges for Miss Ainslie. Forgetting the hoary frost that the years had laid upon her hair, she walked, hand in hand with them, through the clover fields which lay fair before them and by the silvered reaches of the River of Dreams. Into their love came something sweet that they had not found before—the absolute need of sharing life together, whether it should be joy or pain. Unknowingly, they rose to that height which makes sacrifice the soul's dearest offering, as the chrysalis, brown and unbeautiful, gives the radiant creature within to the light and freedom of day.

When the whistle sounded for the ten o'clock train, Ruth said it was late and they must go. Miss Ainslie went to the gate with them, her lavender scented gown rustling softly as she walked, and the moonlight making new beauty of the amethysts and pearls entwined in her hair.

Ruth, aglow with happiness, put her arms around Miss Ainslie's neck and kissed her tenderly. "May I, too?" asked Winfield.

He drew her toward him, without waiting for an answer, and Miss Ainslie trembled from head to foot as she lifted her face to his.

Across the way the wedding was in full blast, but neither of them cared to go. Ruth turned back for a last glimpse of the garden and its gentle mistress, but she was gone, and the light from her candle streamed out until it rested upon a white hollyhock, nodding drowsily.

To Ruth, walking in the starlight with her lover, it seemed as if the world had been made new. The spell was upon Winfield for a long time, but at last he spoke.

"If I could have chosen my mother," he said, simply, "she would have been like Miss Ainslie."



XV. The Secret and the Dream

Ruth easily became accustomed to the quiet life at Miss Ainslie's, and gradually lost all desire to go back to the city. "You're spoiling me," she said, one day. "I don't want to go back to town, I don't want to work, I don't want to do anything but sit still and look at you. I didn't know I was so lazy."

"You're not lazy, dear," answered Miss Ainslie, "you were tired, and you didn't know how tired you were."

Winfield practically lived there. In the morning, he sat in the garden, reading the paper, while Ruth helped about the house. She insisted upon learning to cook, and he ate many an unfamiliar dish, heroically proclaiming that it was good. "You must never doubt his love," Miss Ainslie said, "for those biscuits—well, dear, you know they were—were not just right."

The amateur cook laughed outright at the gentle criticism. "They were awful," she admitted, "but I'm going to keep at it until I learn how."

The upper part of the house was divided into four rooms, with windows on all sides. One of the front rooms, with north and east windows, was Miss Ainslie's, while the one just back of it, with south and east windows, was a sitting-room.

"I keep my prettiest things up here, dear," she explained to Ruth, "for I don't want people to think I'm crazy." Ruth caught her breath as she entered the room, for rare tapestries hung on the walls and priceless rugs lay on the floor. The furniture, like that downstairs, was colonial mahogany, highly polished, with here and there a chair or table of foreign workmanship. There was a cabinet, filled with rare china, a marquetry table, and a chair of teakwood, inlaid with mother of pearl. In one corner of the room was a large chest of sandal wood, inlaid with pearl and partly covered by a wonderful antique rug.

The world had seemingly given up its beauty to adorn Miss Ainslie's room. She had pottery from Mexico, China and Japan; strange things from Egypt and the Nile, and all the Oriental splendour of India and Persia. Ruth wisely asked no questions, but once, as before, she said hesitating; "they were given to me by a—a friend."

After much pleading on Ruth's part, Winfield was allowed to come to the sitting room. "He'll think I'm silly, dear," she said, flushing; but, on the contrary, he shared Ruth's delight, and won Miss Ainslie's gratitude by his appreciation of her treasures.

Day by day, the singular attraction grew between them. She loved Ruth, but she took him unreservedly into her heart. Ruth observed, idly, that she never called him "Mr. Winfield." At first she spoke of him as "your friend" and afterward, when he had asked her to, she yielded, with an adorable shyness, and called him Carl.

He, too, had eaten of the lotus and lost the desire to go back to town. From the hilltop they could see the yellow fields and hear the soft melody of reaping from the valley around them. He and Ruth often walked together, but Miss Ainslie never would go with them. She stayed quietly at home, as she had done for many years.

Every night, when the last train came from the city, she put a lighted candle in her front window, using always the candlestick of solid silver, covered with fretwork in intricate design. If Winfield was there, she managed to have him and Ruth in another room. At half-past ten, she took it away, sighing softly as she put out the light.

Ruth wondered, but said nothing, even to Winfield. The grain in the valley was bound in sheaves, and the first colour came on the maples—sometimes in a delicate flush, or a flash of gold, and sometimes like a blood-red wound.

One morning, when Miss Ainslie came downstairs, Ruth was startled at the change in her. The quick, light step was slow and heavy, the broad, straight shoulders drooped a little, and her face, while still dimpled and fair, was subtly different. Behind her deep, violet eyes lay an unspeakable sadness and the rosy tints were gone. Her face was as pure and cold as marble, with the peace of the dead laid upon it. She seemed to have grown old in a single night.

All day she said little or nothing and would not eat. She simply sat still, looking out of the east window. "No," she said, gently, to Ruth, "nothing is the matter, deary, I'm just tired."

When Winfield came, she kept him away from Miss Ainslie without seeming to do so. "Let's go for a walk," she said. She tried to speak lightly, but there was a lump in her throat and a tightening at her heart.

They climbed the hill and took the side path which led to the woods, following it down and through the aisles of trees, to the log across the path. Ruth was troubled and sat there some little time without speaking, then suddenly, she knew that something was wrong with Carl.

Her heart was filled with strange foreboding and she vainly tried to swallow the persistent lump in her throat. She spoke to him, gently, once or twice and he did not seem to hear. "Carl!" she cried in agony, "Carl! What is it?"

He tried to shake off the spell which lay upon him. "Nothing, darling," he said unsteadily, with something of the old tenderness. "I'm weak—and foolish—that's all."

"Carl! Dearest!" she cried, and then broke down, sobbing bitterly.

Her tears aroused him and he tried to soothe her. "Ruth, my darling girl, don't cry. We have each other, sweetheart, and it doesn't matter—nothing matters in the whole, wide world."

After a little, she regained her self-control.

"Come out into the sun," he said, "it's ghostly here. You don't seem real to me, Ruth."

The mist filled her eyes again. "Don't, darling," he pleaded, "I'll try to tell you."

They sat down on the hillside, where the sun shone brightly, and where they could see Miss Ainslie's house plainly. She waited, frightened and suffering, for what seemed an eternity, before he spoke.

"Last night, Ruth," he began, "my father came to me in a dream. You know he died when I was about twelve years old, and last night I saw him as he would have been if he had lived until now—something over sixty. His hair and beard were matted and there was the most awful expression in his eyes—it makes me shudder yet. He was in his grave clothes, dead and yet not dead. He was suffering—there was something he was trying to say to me; something he wanted to explain. We were out here on the hill in the moonlight and I could see Miss Ainslie's house and hear the surf behind the cliff. All he could say to me was: 'Abby—Mary—Mary—Abby—she—Mary,' over and over again. Once he said 'mother.' Abby was my mother's name.

"It is terrible," he went on. "I can't understand it. There is something I must do, and I don't know what it is. A command is laid on me by the dead—there is some wrong for which I must atone. When I first awoke, I thought it was a dream, but it isn't, it's real. It seems as though that was the real world, and this—all our love and happiness, and you, were just dreams. I can't bear it, Ruth!"

He shuddered, and she tried to comfort him, though she was cold as a marble statue and her lips moved with difficulty. "Don't, dear," she said, "It was only a dream. I've had them sometimes, so vividly that they haunted me for days and, as you say, it seemed as if that was the real world and this the dream. I know how you feel—those things aren't pleasant, but there's nothing we can do. It makes one feel so helpless. The affairs of the day are largely under our control, but at night, when the body is asleep, the mind harks back to things that have been forgotten for years. It takes a fevered fancy as a fact, and builds upon it a whole series of disasters. It gives trivial things great significance and turns life upside down. Remembering it is the worst of all."

"There's something I can't get at, Ruth," he answered. "It's just out of my reach. I know it's reasonable to suppose it was a dream and that it can be explained by natural causes, but I don't dream very often."

"I dream every night," she said. "Sometimes they're just silly, foolish things and sometimes they're vivid and horrible realities that I can't forget for weeks. But, surely, dear, we're not foolish enough to believe in dreams?"

"No, I hope not," he replied, doubtfully.

"Let's go for a little walk," she said, "and we'll forget it."

Then she told him how changed Miss Ainslie was and how she had left her, sitting aimlessly by the window. "I don't think I'd better stay away long," she concluded, "she may need me."

"I won't be selfish, Ruth; we'll go back now. I'm sorry Miss Ainslie isn't well."

"She said she was 'just tired' but it isn't like her to be tired. She doesn't seem to want anybody near her, but you can sit in the garden this afternoon, if you'd like to, and I'll flit in and out like an industrious butterfly. Some new books have just come, and I'll leave them in the arbour for you."

"All right, dear, and if there's anything I can do, I hope you'll tell me."

As they approached the house, a brisk little man hurried out of the gate and went toward the village.

"Who's that?" asked Winfield.

"I don't know—some one who has brought something, probably. I trust she's better."

Miss Ainslie seemed more like herself, as she moved about the house, dusting and putting the rooms in order, as was her wont. At noon she fried a bit of chicken for Ruth, but took nothing herself except a cup of tea.

"No, deary," she said, in answer to Ruth's anxious question, "I'm all right—don't fret about me." "Have you any pain, Miss Ainslie?"

"No, of course I haven't, you foolish child!"

She tried to smile, but her white lips quivered pitifully.

In the afternoon, when she said she was cold, Ruth made a fire in the open fireplace, and wheeled Miss Ainslie's favourite chair in front of it. She drew her shawl about her shoulders and leaned back.

"I'm so comfortable, now," she said drowsily; "I think I'm going to sleep, dear."

Ruth sat by her, pretending to read, but, in reality, watching her closely, until the deep, regular breathing assured her that she was asleep. She went out into the garden and found Winfield in the arbour.

"How's this patient?" she asked, kissing him lightly on the forehead.

"I'm all right, dearest," he answered, drawing her down beside him, "and I'm ashamed of myself because I was so foolish."

During the afternoon Ruth made frequent trips to the house, each time finding Miss Ainslie sound asleep. It was after six o'clock when she woke and rubbed her eyes, wonderingly.

"How long have I been asleep, Ruth?"

"All the afternoon, Miss Ainslie—do you feel better now?"

"Yes, I think I do. I didn't sleep last night, but it's been years since I've taken a nap in the daytime."

Ruth invited Carl to supper, and made them both sit still while she prepared the simple meal, which, as he said, was "astonishingly good." He was quite himself again, but Miss Ainslie, though trying to assume her old manner, had undergone a great change.

Carl helped Ruth with the dishes, saying he supposed he might as well become accustomed to it, and, feeling the need of sleep, went home very early.

"I'm all right," he said to Ruth, as he kissed her at the door, "and you're just the sweetest girl in the world. Good night, darling."

A chill mist came inland, and Ruth kept pine knots burning in the fireplace. They sat without other light, Miss Ainslie with her head resting upon her hand, and Ruth watching her narrowly. Now and then they spoke aimlessly, of commonplaces.

When the last train came in, Miss Ainslie raised her eyes to the silver candlestick that stood on the mantel and sighed.

"Shall I put the light in the window?" asked Ruth.

It was a long time before Miss Ainslie answered.

"No, deary," she said sadly, "never any more."

She was trying to hide her suffering, and Ruth's heart ached for her in vain. The sound of the train died away in the distance and the firelight faded.

"Ruth," she said, in a low voice, "I am going away."

"Away, Miss Ainslie? Where?"

"I don't know, dear—it's where we all go—'the undiscovered country from whose bourne no traveller returns.' Sometimes it's a long journey and sometimes a short one, but we all take it—alone—at the last."

Ruth's heart throbbed violently, then stood still.

"Don't!" she cried, sharply.

"I'm not afraid, dear, and I'm ready to go, even though you have made me so happy—you and he."

Miss Ainslie waited a moment, then continued, in a different tone:

"To-day the lawyer came and made my will. I haven't much—just this little house, a small income paid semi-annually, and my—my things. All my things are for you—the house and the income are for—for him."

Ruth was crying softly and Miss Ainslie went to her, laying her hand caressingly upon the bowed head. "Don't, deary," she pleaded, "don't be unhappy. I'm not afraid. I'm just going to sleep, that's all, to wake in immortal dawn. I want you and him to have my things, because I love you—because I've always loved you, and because I will—even afterward."

Ruth choked down her sobs, and Miss Ainslie drew her chair closer, taking the girl's cold hand in hers. That touch, so strong and gentle, that had always brought balm to her troubled spirit, did not fail in its ministry now.

"He went away," said Miss Ainslie, after a long silence, as if in continuation of something she had said before, "and I was afraid. He had made many voyages in safety, each one more successful than the last, and he always brought me beautiful things, but, this time, I knew that it was not right for him to go."

"When he came back, we were to be married." The firelight shone on the amethyst ring as Miss Ainslie moved it on her finger. "He said that he would have no way of writing this time, but that, if anything happened, I would know. I was to wait—as women have waited since the world began.

"Oh, Ruth, do you know what waiting means? Mine has lasted through thirty-three interminable years. Each day, I have said: 'he will come to-morrow.' When the last train came in, I put the light in the window to lead him straight to me. Each day, I have made the house ready for an invited guest and I haven't gone away, even for an hour. I couldn't bear to have him come and find no welcome waiting, and I have always worn the colour he loved. When people have come to see me, I've always been afraid they would stay until he came, except with you—and Carl. I was glad to have you come to stay with me, because, lately, I have thought that it would be more—more delicate than to have him find me alone. I loved you, too, dear," she added quickly.

"I—I asked your aunt to keep the light in the window. I never told her why, but I think she knew, and you must tell her, dear, the next time you see her, that I thank her, and that she need never do it again. I thought, if he should come in a storm, or, perhaps, sail by, on his way to me—"

There was another long silence, then, with an effort, she went on. "I have been happy, for he said he wanted me to be, though sometimes it was hard. As nearly as I could, I made my dream real. I have thought, for hours, of the things we would say to each other when the long years were over and we were together again. I have dressed for his eyes alone, and loved him—perhaps you know—"

"I know, Miss Ainslie," said Ruth, softly, her own love surging in her heart, "I know."

"He loved me, Ruth," she said, lingering upon the words, "as man never loved before. In all of God's great universe, there was never anything like that—even in Heaven, there can't be anything so beautiful, though we have to know human love before we can understand God's. All day, I have dreamed of our little home together, and at night, sometimes—of baby lips against my breast. I could always see him plainly, but I never could see our—our child. I have missed that. I have had more happiness than comes to most women, but that has been denied me."

She leaned back in her chair and closed her eyes. Her lips were white and quivering, but there were no tears. At length she sat upright and fixed her eyes upon Ruth.

"Don't be afraid of anything," she said in a strange tone, "poverty or sickness or death, or any suffering God will let you bear together. That isn't love—to be afraid. There's only one thing—the years! Oh, God, the bitter, cruel, endless years!"

Miss Ainslie caught her breath and it sounded like a sob, but she bravely kept it back. "I have been happy," she said, in pitiful triumph; "I promised him that I would be, and I have kept my word. Sometimes it was hard, but I had my dream. Lately, this last year, I have often been afraid that—that something had happened. Thirty-three years, and you know, dear," she added, with a quaint primness, "that I am a woman of the world."

"In the world, but not of it," was on Ruth's lips, but she did not say it.

"Still, I know it was wrong to doubt him—I couldn't, when I thought of our last hour together, out on the hill in the moonlight. He said it was conceivable that life might keep him from me, but death never could. He told me that if he died, I would know, that he would come and tell me, and that in a little while afterward, we should be together."

The dying embers cast a glow upon her face. It was almost waxen in its purity; she seemed transfigured with the light of another world. "Last night, he came to me—in a dream. He is dead—he has been dead for a long time. He was trying to explain something to me—I suppose he was trying to tell me why he had not come before. He was old—an old man, Ruth, and I have always thought of him as young. He could not say anything but my name—'Mary—Abby—Mary—Abby—' over and over again; and, once, 'mother.' I was christened 'Mary Abigail,' but I never liked the middle name, so I dropped it; and he used to tease me sometimes by calling me 'Abby.' And—from his saying 'mother,' I know that he, too, wherever he may be, has had that dream of—of our child."

Ruth was cold from head to foot, and her senses reeled. Every word that Winfield had said in the morning sounded again in her ears. What was it that went on around her, of which she had no ken? It seemed as though she stood absolutely alone, in endless space, while planets swept past, out of their orbits, with all the laws of force set suddenly aside.

Miss Ainslie felt her shuddering fear. "Don't be afraid, dear," she said again, "everything is right. I kept my promise, and he kept his. He is suffering—he is very lonely without me; but in a little while we shall be together."

The fire died out and left the room in darkness, broken only by the last fitful glow. Ruth could not speak, and Miss Ainslie sat quietly in her chair. "Come," she said at last, stretching out her hand, "let's go upstairs. I have kept you up, deary, and I know you must be very tired."

The house seemed filled with a shadowy presence—something intangible, but portentous, for both good and ill. Ruth took down the heavy mass of white hair and brushed it back, tying it at the neck with a ribbon, in girlish fashion, as Miss Ainslie always did. Her night gown, of sheerest linen, was heavy with Valenciennes lace, and where it fell back from her throat, it revealed the flesh, exquisitely white, set in gracious curves and womanly softness, as if by a sculptor who loved his clay.

The sweet, wholesome scent of the lavender flowers breathed from the folds of Miss Ainslie's gown, as she stood there in the candle light, smiling, with the unearthly glow still upon her face.

"Good night, deary," she said; "you'll kiss me, won't you?"

For a moment the girl's face was buried among Miss Ainslie's laces, then their lips met. Ruth was trembling and she hurried away, swallowing the lump in her throat and trying to keep back the tears.

The doors were open, and there was no sound save Miss Ainslie's deep breathing, but Ruth kept a dreary vigil till almost dawn.



XVI. Some One Who Loved Her

The summer waned and each day, as it slipped away, took a little of Miss Ainslie's strength with it. There was neither disease nor pain—it was simply a letting go. Carl sent to the city for a physician of wide repute, but he shook his head. "There's nothing the matter with her," he said, "but she doesn't want to live. Just keep her as happy as you can."

For a time she went about the house as usual, but, gradually, more and more of her duties fell to Ruth. Hepsey came in every day after breakfast, and again in the late afternoon.

Ruth tried to get her to go out for a drive, but she refused. "No, deary," she said, smiling, "I've never been away, and I'm too old to begin now." Neighbours, hearing of her illness, came to offer sympathy and help, but she would see none of them—not even Aunt Jane.

One night, she sat at the head of the table as usual; for she would not surrender her place as hostess, even though she ate nothing, and afterward a great weakness came upon her. "I don't know how I'll ever get upstairs," she said, frightened; "it seems such a long way!"

Winfield took her in his arms and carried her up, as gently and easily as if she had been a child. Her cheeks were flushed and her eyes bright when he put her down. "I never thought it would be so easy," she said, in answer to his question. "You'll stay with me, won't you, Carl? I don't want you to go away."

"I'll stay as long as you want me, Miss Ainslie, and Ruth will, too. We couldn't do too much for you."

That night, as they sat in front of the fire, while Miss Ainslie slept upstairs, Ruth told him what she had said about leaving him the house and the little income and giving her the beautiful things in the house.

"Bless her sweet heart," he said tenderly, "we don't want her things—we'd rather have her."

"Indeed we would," she answered quickly.

Until the middle of September she went back and forth from her own room to the sitting-room with comparative ease. They took turns bringing dainties to tempt her appetite, but, though she ate a little of everything and praised it warmly, especially if Ruth had made it, she did it, evidently, only out of consideration for them.

She read a little, talked a little, and slept a great deal. One day she asked Carl to pull the heavy sandal wood chest over near her chair, and give her the key, which hung behind a picture.

"Will you please go away now," she asked, with a winning smile, "for just a little while?"

He put the bell on a table within her reach and asked her to ring if she wanted anything. The hours went by and there was no sound. At last he went up, very quietly, and found her asleep. The chest was locked and the key was not to be found. He did not know whether she had opened it or not, but she let him put it in its place again, without a word.

Sometimes they read to her, and she listened patiently, occasionally asking a question, but more often falling asleep.

"I wish," she said one day, when she was alone with Carl, "that I could hear something you had written."

"Why, Miss Ainslie," he exclaimed, in astonishment, "you wouldn't be interested in the things I write—it's only newspaper stuff."

"Yes, I would," she answered softly; "yes, I would."

Something in the way she said it brought the mist to his eyes.

She liked to have Ruth brush her hair, but her greatest delight was in hearing Winfield talk about her treasures.

"Won't you tell me about the rug, Carl, the one on the sandal wood chest?" she asked, for the twentieth time.

"It's hundreds of years old," he began, "and it came from Persia, far, far beyond the sea. The shepherds watched their flocks night and day, and saved the finest fleeces for the rug. They made colour from flowers and sweet herbs; from strange things that grew on the mountain heights, where only the bravest dared to go. The sumac that flamed on the hills, the rind of the swaying pomegranates, lichens that grew on the rocks by the Eastern sea, berries, deep-sea treasures, vine leaves, the juice of the grape—they all made colours for the rug, and then ripened, like old wine.

"After a long time, when everything was ready, the Master Craftsman made the design, writing strange symbols into the margin, eloquent with hidden meanings, that only the wisest may understand. "They all worked upon it, men and women and children. Deep voices sang love songs and the melody was woven into the rug. Soft eyes looked love in answer and the softness and beauty went in with the fibre. Baby fingers clutched at it and were laughingly untangled. At night, when the fires of the village were lighted, and the crimson glow was reflected upon it, strange tales of love and war were mingled with the thread. "The nightingale sang into it, the roses from Persian gardens breathed upon it, the moonlight put witchery into it; the tinkle of the gold and silver on the women's dusky ankles, the scent of sandal wood and attar of rose—it all went into the rug.

"Poets repeated their verses to it, men knelt near it to say their prayers, and the soft wind, rising from the sea, made faintest music among the threads.

"Sometimes a workman made a mistake, and the Master Craftsman put him aside. Often, the patient fingers stopped weaving forever, and they found some one else to go on with it. Sometimes they went from one place to another, but the frame holding the rug was not injured. From mountain to valley and back again, urged by some strange instinct, past flowing rivers and over the golden sands of the desert, even to the deep blue waters that broke on the shore—they took the rug.

"The hoof-beats of Arabian horses, with white-robed Bedouins flashing their swords; all the glitter and splendour of war were woven into it. Songs of victory, the rush of a cavalry charge, the faith of a dying warrior, even the slow marches of defeat—it all went into the rug.

"Perhaps the Master Craftsman died, but the design was left, and willing fingers toiled upon it, through the long years, each day putting new beauty into it and new dreams. Then, one day, the final knot was tied, by a Veiled Lady, who sighed softly in the pauses of her song, and wondered at its surpassing loveliness." "And—" said Miss Ainslie, gently.

"Some one who loved you brought it to you."

"Yes," she repeated, smiling, "some one who loved me. Tell me about this," she pleaded, touching a vase of Cloisonne.

"It came from Japan," he said, "a strange world of people like those painted on a fan. The streets are narrow and there are quaint houses on either side. The little ladies flit about in gay attire, like so many butterflies—they wear queer shoes on their dainty feet. They're as sweet as their own cherry blossoms.

"The little man who made this vase, wore a blue tunic and had no robes of state, because he was poor. He loved the daughter of a nobleman and she loved him, too, though neither dared to say so. So he sat in front of his house and worked on this vase. He made a model of clay, shaping it with his fingers until it was perfect. Then a silver vase was cast from it and over and over it he went, very carefully, making a design with flat, silver wire. When he was satisfied with it, he filled it in with enamel in wonderful colours, making even the spots on the butterflies' wings like those he had seen in the fields. Outside the design, he covered the vase with dark enamel, so the bright colours would show.

"As he worked, the little lady he loved came and watched him sometimes for a moment or two, and then he put a tiny bit of gold into the vase. He put a flower into the design, like those she wore in her hair, and then another, like the one she dropped at his feet one day, when no one was looking.

"The artist put all his love into the vase, and he hoped that when it was done, he could obtain a Court position. He was very patient with the countless polishings, and one afternoon, when the air was sweet with the odour of the cherry blossoms, the last touches were put upon it.

"It was so beautiful that he was commissioned to make some great vases for the throne room, and then, with joy in his heart, he sought the hand of the nobleman's daughter.

"The negotiations were conducted by another person, and she was forced to consent, though her heart ached for the artist in the blue tunic, whose name she did not know. When she learned that her husband was to be the man she had loved for so long, tears of happiness came into her dark eyes.

"The vase had disappeared, mysteriously, and he offered a large reward for its recovery. At last they were compelled to give up the hope of finding it, and he promised to make her another one, just like it, with the same flowers and butterflies and even the little glints of gold that marked the days she came. So she watched him, while he made the new one, and even more love went into it than into the first one."

"And—" began Miss Ainslie.

"Some one who loved you brought it to you."

"Yes," she repeated, smiling, "some one who loved me."

Winfield fitted a story to every object in the room. Each rug had a different history and every bit of tapestry its own tale. He conjured up an Empress who had once owned the teakwood chair, and a Marquise, with patches and powdered hair, who wrote love letters at the marquetry table.

He told stories of the sea shells, and of the mermaids who brought them to the shore, that some one who loved her might take them to her, and that the soft sound of the sea might always come to her ears, with visions of blue skies and tropic islands, where the sun forever shone.

The Empress and the Marquise became real people to Miss Ainslie, and the Japanese lovers seemed to smile at her from the vase. Sometimes, holding the rug on her lap, she would tell them how it was woven, and repeat the love story of a beautiful woman who had worked upon the tapestry. Often, in the twilight, she would sing softly to herself, snatches of forgotten melodies, and, once, a lullaby. Ruth and Carl sat by, watching for the slightest change, but she never spoke of the secret in her heart.

Ruth had the north room, across the hall, where there were two dressers. One of them had been empty, until she put her things into it, and the other was locked. She found the key, one day, hanging behind it, when she needed some things for Miss Ainslie.

As she had half expected, the dresser was full of lingerie, of the finest lawn and linen. The dainty garments were edged with real lace—Brussels, Valenciennes, Mechlin, Point d'Alencon, and the fine Irish laces. Sometimes there was a cluster of tucks, daintily run by hand, but, usually, only the lace, unless there was a bit of insertion to match. The buttons were mother of pearl, and the button holes were exquisitely made. One or two of the garments were threaded with white ribbon, after a more modern fashion, but most of them were made according to the quaint old patterns. There was a dozen of everything.

The dried lavender flowers rustled faintly as Ruth reverently lifted the garments, giving out the long-stored sweetness of Summers gone by. The white had changed to an ivory tint, growing deeper every day. There were eleven night gowns, all made exactly alike, with high neck and long sleeves, trimmed with tucks and lace. Only one was in any way elaborate. The sleeves were short, evidently just above the elbow, and the neck was cut off the shoulders like a ball gown. A deep frill of Venetian point, with narrower lace at the sleeves, of the same pattern, was the only trimming, except a tiny bow of lavender ribbon at the fastening, pinned on with a little gold heart.

When Ruth went in, with one of the night gowns over her arm, a faint colour came into Miss Ainslie's cheeks.

"Did—did—you find those?" she asked.

"Yes," answered Ruth, "I thought you'd like to wear them."

Miss Ainslie's colour faded and it was some time before she spoke again.

"Did—did you find the other—the one with Venetian point?" "Yes, Miss Ainslie, do you want that one It's beautiful."

"No," she said, "not now, but I thought that I'd like to wear that—afterward, you know."

A shadow crossed Ruth's face and her lips tightened.

"Don't, dear," said Miss Ainslie, gently.

"Do you think he would think it was indelicate if—if my neck were bare then?"

"Who, Miss Ainslie?"

"Carl. Would he think it was wrong if I wore that afterward, and my neck and shoulders showed? Do you think he would?"

"No!" cried Ruth, "I know he wouldn't! Oh, Miss Ainslie, you break my heart!"

"Ruth," said Miss Ainslie, gently; "Ruth, dear, don't cry! I won't talk about it any more, deary, I promise you, but I wanted to know so much!"

Ruth kissed her and went away, unable to bear more just then. She brought her chair into the hall, to be near her if she were needed. Miss Ainslie sighed, and then began to croon a lullaby.



XVII. Dawn

As Miss Ainslie became weaker, she clung to Carl, and was never satisfied when he was out of her sight. When she was settled in bed for the night, he went in to sit by her and hold her hand until she dropped asleep. If she woke during the night she would call Ruth and ask where he was.

"He'll come over in the morning, Miss Ainslie," Ruth always said; "you know it's night now."

"Is it?" she would ask, drowsily. "I must go to sleep, then, deary, so that I may be quite rested and refreshed when he comes."

Her room, in contrast to the rest of the house, was almost Puritan in its simplicity. The bed and dresser were mahogany, plain, but highly polished, and she had a mahogany rocker with a cushion of old blue tapestry. There was a simple white cover on the bed and another on the dresser, but the walls were dead white, unrelieved by pictures or draperies. In the east window was a long, narrow footstool, and a prayer book and hymnal lay on the window sill, where this maiden of half a century, looking seaward, knelt to say her prayers.

One morning, when Ruth went in, she said: "I think I won't get up this morning, dear; I am so very tired. If Carl should come over, will you say that I should like to see him?"

She would see no one but Carl and Ruth, and Mrs. Ball was much offended because her friend did not want her to come upstairs. "Don't be harsh with her, Aunt Jane," pleaded Ruth, "you know people often have strange fancies when they are ill. She sent her love to you, and asked me to say that she thanked you, but you need not put the light in the attic window any more."

Mrs. Ball gazed at her niece long and earnestly. "Be you tellin' me the truth?" she asked.

"Why, of course, Aunty."

"Then Mary Ainslie has got sense from somewheres. There ain't never been no need for that lamp to set in the winder; and when she gets more sense, I reckon she'll be willin' to see her friends." With evident relief upon her face, Mrs. Ball departed.

But Miss Ainslie seemed quite satisfied, and each day spoke more lovingly to Ruth and Carl. He showed no signs of impatience, but spent his days with her cheerfully. He read to her, held her hand, and told her about the rug, the Marquise, and the Japanese lovers. At the end she would always say, with a quiet tenderness: "and some one who loved me brought it to me!"

"Yes, Miss Ainslie; some one who loved you. Everybody loves you; don't you know that?"

"Do you?" she asked once, suddenly and yet shyly.

"Indeed I do, Miss Ainslie—I love you with all my heart."

She smiled happily and her eyes filled. "Ruth," she called softly, "he says he loves me!"

"Of course he does," said Ruth; "nobody in the wide world could help loving you."

She put out her left hand to touch Ruth, and the amethyst ring slipped off, for her fingers were thin. She did not seem to notice when Ruth slipped it on again, and, shortly afterward, fell asleep.

That night Winfield stayed very late. "I don't want to leave you, dear," he said to Ruth. "I'm afraid something is going to happen."

"I'm not afraid—I think you'd better go."

"Will you put a light in your window if you want me, darling?" "Yes, I will."

"I can see it from my room, and I'll be watching for it. If you want me, I'll come."

He awoke from an uneasy sleep with the feeling that Ruth needed him, and was not surprised to see the light from her candle streaming out into the darkness. He dressed hurriedly, glancing at his watch by the light of a match. It was just three o'clock.

Ruth was waiting for him at the lower door. "Is she—is she—"

"No, she seems to be just the same, but she wants you. She's been calling for you ever since you went away."

As they went upstairs Miss Ainslie's sweet voice came to them in pitiful pleading: "Carl, Carl, dear! Where are you? I want you!"

"I'm here, Miss Ainslie," he said, sitting down on the bed beside her and taking her hot hands in his. "What can I do for you?"

"Tell me about the rug."

With no hint of weariness in his deep, quiet voice, he told her the old story once more. When he had finished, she spoke again. "I can't seem to get it just right about the Japanese lovers. Were they married?"

"Yes, they were married and lived happily ever afterward—like the people in the fairy tales."

"That was lovely," she said, with evident satisfaction. "Do you think they wanted me to have their vase?"

"I know they did. Some one who loved you brought it to you. Everybody loves you, Miss Ainslie."

"Did the Marquise find her lover?"

"Yes, or rather, he found her."

"Did they want me to have their marquetry table?"

"Of course they did. Didn't some one who loved you bring it to you?"

"Yes," she sighed, "some one who loved me."

She sang a little, very softly, with her eyes closed. It was a quaint old-fashioned tune, with a refrain of "Hush-a-by" and he held her hand until the song ceased and she was asleep. Then he went over to Ruth. "Can't you go to sleep for a little while, dearest? I know you're tired."

"I'm never tired when I'm with you," Ruth answered, leaning upon his arm, "and besides, I feel that this is the end."

Miss Ainslie slept for some time, then, all at once, she started as if in terror. "Letters," she said, very distinctly, "Go!"

He went to her and tried to soothe her, but failed. "No," she said again, "letters—Ruth—chest."

"She wants some letters that are in the sandal wood chest," he said to Ruth, and Miss Ainslie nodded. "Yes," she repeated, "letters."

Ruth went into the sitting-room, where a light was burning dimly, but the chest was locked. "Do you know where the key is, Carl?" she asked, coming back for a moment.

"No, I don't, dear," he answered. Then he asked Miss Ainslie where the key was, but she only murmured: "letters."

"Shall I go and help Ruth find them?"

"Yes," she said, "help—letters."

Together, they broke open the lock of the chest, while Miss Ainslie was calling, faintly: "Carl, Carl, dear! Where are you? I want you!"

"We'd better turn the whole thing out on the floor," he said, suiting the action to the word, then put it back against the wall, empty. "We'll have to shake everything out, carefully," returned Ruth, "that's the only way to find them."

Wrapped carefully in a fine linen sheet, was Miss Ainslie's wedding gown, of heavy white satin, trimmed simply with priceless Venetian point. They shook it out hurriedly and put it back into the chest. There were yards upon yards of lavender taffeta, cut into dress lengths, which they folded up and put away. Three strings of amethysts and two of pearls slipped out of the silk as they lifted it, and there was another length of lustrous white taffeta, which had changed to an ivory tint.

Four shawls of Canton crepe, three of them lavender and one ivory white, were put back into the chest. There were several fans, of fine workmanship, a girdle of oxidized silver, set with amethysts and pearls, and a large marquetry box, which contained tea. "That's all the large things," he said; "now we can look these over."

Ruth was gathering up great quantities of lace—Brussels, Point d'Alencon, Cluny, Mechlin, Valenciennes, Duchesse and Venetian point. There was a bridal veil of the Venetian lace, evidently made to match that on the gown. Tiny, dried petals rustled out of the meshes, for Miss Ainslie's laces were laid away in lavender, like her love.

"I don't see them," she said, "yes, here they are." She gave him a bundle of yellowed letters, tied with lavender ribbon. "I'll take them to her," he answered, picking up a small black case that lay on the floor, and opening it. "Why, Ruth!" he gasped. "It's my father's picture!"

Miss Ainslie's voice rose again in pitiful cadence. "Carl, Carl, dear! Where are you? I want you—oh, I want you!"

He hastened to her, leaving the picture in Ruth's hand. It was an ambrotype, set into a case lined with purple velvet. The face was that of a young man, not more than twenty-five or thirty, who looked strangely like Winfield. The eyes, forehead and the poise of the head were the same.

The earth trembled beneath Ruth's feet for a moment, then, all at once, she understood. The light in the attic window, the marked paragraph in the paper, and the death notices—why, yes, the Charles Winfield who had married Abigail Weatherby was Miss Ainslie's lover, and Carl was his son. "He went away!" Miss Ainslie's voice came again to Ruth, when she told her story, with no hint of her lover's name. He went away, and soon afterward, married Abigail Weatherby, but why? Was it love at first sight, or did he believe that his sweetheart was dead? Then Carl was born and the mother died. Twelve years afterward, he followed her—broken hearted. Carl had told her that his father could not bear the smell of lavender nor the sight of any shade of purple—and Miss Ainslie always wore lavender and lived in the scent of it—had he come to shrink from it through remorse?

THE END