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La-bas
by J. K. Huysmans
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On the other hand, if his conjectures were false, if it was not Mme. Chantelouve who had written the letters, then the other, the unknown, lost a little of her subtlety by the mere fact that she could be incarnated in a creature whom he knew. Still remote, she became less so; then her beauty deteriorated, because, in turn, she took on certain features of Mme. Chantelouve, and if the latter had profited, the former, on the contrary, lost by the confusion which Durtal had established.

In one as in the other case, whether she were Mme. Chantelouve or not, he felt appeased, calmed. At heart he did not know, when he revolved the adventure, whether he preferred his chimera, even diminished, or this Hyacinthe, who at least, in her reality, was not a disenchanting frump, wrinkled with age. He profited by the respite to get back to work, but he had presumed too much upon his powers. When he tried to begin his chapter on the crimes of Gilles de Rais he discovered that he was incapable of sewing two sentences together. He wandered in pursuit of the Marshal and caught up with him, but the prose in which he wished to embody the man remained listless and lifeless, and he could think only patchily.

He threw down his pen and sank into an armchair. In revery he was transported to Tiffauges, where Satan, who had refused so obstinately to show himself, now became incarnate in the unwitting Marshal, to wallow him, vociferating, in the joys of murder.

"For this, basically, is what Satanism is," said Durtal to himself. "The external semblance of the Demon is a minor matter. He has no need of exhibiting himself in human or bestial form to attest his presence. For him to prove himself, it is enough that he choose a domicile in souls which he ulcerates and incites to inexplicable crimes. Then, he can hold his victims by that hope which he breathes into them, that instead of living in them as he does, and as they don't often know, he will obey evocations, appear to them, and deal out, duly, legally, the advantages he concedes in exchange for certain forfeits. Our very willingness to make a pact with him must be able often to produce his infusion into us.

"All the modern theories of the followers of Maudsley and Lombroso do not, in fact, render the singular abuses of the Marshal comprehensible. Nothing could be more just than to class him as a monomaniac, for he was one, if by the word monomaniac we designate every man who is dominated by a fixed idea. But so is every one of us, more or less, from the business man, all whose thoughts converge on the one idea of gain, to the artist absorbed in bringing his masterpiece into the world. But why was the Marshal a monomaniac, how did he become one? That is what all the Lombrosos in the world can't tell you. Encephalic lesions, adherence of the pia mater to the cerebrum, mean absolutely nothing in this question. For they are simple resultants, effects derived from a cause which ought to be explained, and which no materialist can explain. It is easy to declare that a disturbance of the cerebral lobes produces assassins and demonomaniacs. The famous alienists of our time claim that analysis of the brain of an insane woman disclosed a lesion or a deterioration of the grey matter. And suppose it did! It would still be a question whether, in the case of a woman possessed with demonomania, the lesion produced the demonomania, or the demonomania produced the lesion.... Admitting that there was a lesion! The spiritual Comprachicos have never resorted to cerebral surgery. They don't amputate the lobes—supposed to be reliably identified—after carefully trepanning. They simply act upon the pupil by inculcating ignoble ideas in him, developing his bad instincts, pushing him little by little into the paths of vice; and if this gymnastic of persuasion deteriorates the cerebral tissues in the subject, that proves precisely that the lesion is only the derivative and not the cause of the psychological state.

"And then, and then, these doctrines which consist nowadays in confounding the criminal with the insane, the demonomaniac with the mad, have absolutely no foundation. Nine years ago a lad of fourteen, Felix Lemaire, assassinated a little boy whom he did not know. He just wanted to see the child suffer, just wanted to hear him cry. Felix slashed the little fellow's stomach with a knife, turned the blade round and round in the warm flesh, then slowly sawed his victim's head off. Felix manifested no remorse, and in the ensuing investigation proved himself to be intelligent and atrocious. Dr. Legrand Du Saule and other specialists kept him under vigilant surveillance for months, and could not discover the slightest pathological symptom. And he had had fairly good rearing and certainly had not been corrupted by others.

"His behaviour was like that of the conscious or unconscious demonomaniacs who do evil for evil's sake. They are no more mad than the rapt monk in his cell, than the man who does good for good's sake. Anybody but a medical theorist can see that the desire for good and the desire for evil simply form the two opposing poles of the soul. In the fifteenth century these extremes were represented by Jeanne d'Arc and the Marshal de Rais. Now there is no more reason for attributing madness to Gilles than there is for attributing it to Jeanne d'Arc, whose admirable excesses certainly have no connection with vesania and delirium.

"All the same, some frightful nights must have been passed in that fortress," said Durtal. He was thinking of the chateau de Tiffauges, which he had visited a year ago, believing that it would aid him in his work to live in the country where Gilles had lived and to dig among the ruins.

He had established himself in the little hamlet which stretches along the base of the abandoned donjon. He learned what a living thing the legend of Bluebeard was in this isolated part of La Vendee on the border of Brittany.

"He was a young man who came to a bad end," said the young women. More fearful, their grandmothers crossed themselves as they went along the foot of the wall in the evening. The memory of the disembowelled children persisted. The Marshal, known only by his surname, still had power to terrify.

Durtal had gone every day from the inn where he lodged to the chateau, towering over the valleys of the Crume and of the Sevre, facing hills excoriated with blocks of granite and overgrown with formidable oaks, whose roots, protruding out of the ground, resembled monstrous nests of frightened snakes.

One might have believed oneself transported into the real Brittany. There was the same melancholy, heavy sky, the same sun, which seemed older than in other parts of the world and which but feebly gilded the sorrowful, age-old forests and the mossy sandstone. There were the same endless stretches of broken, rocky soil, pitted with ponds of rusty water, dotted with scattered clumps of gorse and fruze copse, and sprinkled with pink harebells and nameless yellow prairie flowers.

One felt that this iron-grey sky; this starving soil, empurpled only here and there by the bleeding flower of the buckwheat; that these roads, bordered with stones placed one on top of the other, without cement or plaster; that these paths, bordered with impenetrable hedges; that these grudging plants; these inhospitable fields; these crippled beggars, eaten with vermin, plastered with filth; that even the flocks, undersized and wasted, the dumpy little cows, the black sheep whose blue eyes had the cold, pale gleam that is in the eyes of the Slav or of the tribade; had perpetuated their primordial state, preserving an identical landscape through all the centuries.

Except for an incongruous factory chimney further away on the bank of the Sevre, the countryside of Tiffauges remained in perfect harmony with the immense chateau, erect among its ruins. Within the close, still to be traced by the ruins of the towers, was a whole plain, now converted into a miserable truck garden. Cabbages, in long bluish lines, impoverished carrots, consumptive navews, spread over this enormous circle where iron mail had clanked in the tournament and where processionals had slowly devolved, in the smoke of incense, to the chanting of psalms.

A thatched hut had been built in a corner. The peasant inhabitants, returned to a state of savagery, no longer understood the meaning of words, and could be roused out of their apathy only by the display of a silver coin. Seizing the coin, they would hand over the keys.

For hours one could browse around at ease among the ruins, and smoke and daydream. Unfortunately, certain parts were inaccessible. The donjon was still shut off, on the Tiffauges side, by a vast moat, at the bottom of which mighty trees were growing. One would have had to pass over the tops of the trees, growing to the very verge of the wall, to gain a porch on the other side, for there was now no drawbridge.

But quite accessible was another part which overhung the Sevre. There the wings of the castle, overgrown with ivy and white-crested viburnum, were intact. Spongy, dry as pumice stone, silvered with lichen and gilded with moss, the towers rose entire, though from their crenelated collarettes whole blocks were blown away on windy nights.

Within, room succeeded glacial room, cut into the granite, surmounted with vaulted roofs, and as close as the hold of a ship. Then by spiral stairways one descended into similar chambers, joined by cellar passageways into the walls of which were dug deep niches and lairs of unknown utility.

Beneath, those corridors, so narrow that two persons could not walk along them abreast, descended at a gentle slope, and bifurcated so that there was a labyrinth of lanes, leading to veritable cells, on the walls of which the nitre scintillated in the light of the lantern like steel mica or twinkling grains of sugar. In the cells above, in the dungeons beneath, one stumbled over rifts of hard earth, in the centre or in a corner of which yawned now the mouth of an unsealed oubliette, now a well.

Finally, at the summit of one of the towers, that at the left as one entered, there was a roofed gallery running parallel to a circular foothold cut from the rock. There, without doubt, the men-at-arms had been stationed to fire on their assailants through wide loopholes opening overhead and underfoot. In this gallery the voice, even the lowest, followed the curving walls and could be heard all around the circuit.

Briefly, the exterior of the castle revealed a fortified place built to stand long sieges, and the dismantled interior made one think of a prison in which flesh, mildewed by the moisture, must rot in a few months. Out in the open air again, one felt a sensation of well-being, of relief, which one lost on traversing the ruins of the isolated chapel and penetrating, by a cellar door, to the crypt below.

This chapel, low, squat, its vaulted roof upheld by massive columns on whose capitals lozenges and bishop's croziers were carved, dated from the eleventh century. The altar stone survived intact. Brackish daylight, which seemed to have been filtered through layers of horn, came in at the openings, hardly lighting the shadowed, begrimed walls and the earth floor, which too was pierced by the entrance to an oubliette or by a well shaft.

In the evening after dinner he had often climbed up on the embankment and followed the cracked walls of the ruins. On bright nights one part of the castle was thrown back into shadow, and the other, by contrast, stood forth, washed in silver and blue, as if rubbed with mercurial lusters, above the Sevre, along whose surface streaks of moonlight darted like the backs of fishes. The silence was overpowering. After nine o'clock not a dog, not a soul. He would return to the poor chamber of the inn, where an old woman, in black, wearing the cornet head-dress her ancestors wore in the sixteenth century, waited with a candle to bar the door as soon as he returned.

"All this," said Durtal to himself, "is the skeleton of a dead keep. To reanimate it we must revisualize the opulent flesh which once covered these bones of sandstone. Documents give us every detail. This carcass was magnificently clad, and if we are to see Gilles in his own environment, we must remember all the sumptuosity of fifteenth century furnishing.

"We must reclothe these walls with wainscots of Irish wood or with high warp tapestries of gold and thread of Arras, so much sought after in that epoch. Then this hard, black soil must be repaved with green and yellow bricks or black and white flagstones. The vault must be starred with gold and sown with crossbows on a field azur, and the Marshal's cross, sable on shield or, must be set shining there."

Of themselves the furnishings returned, each to its own place. Here and there were high-backed signorial chairs, thrones, and stools. Against the walls were sideboards on whose carved panels were bas-reliefs representing the Annunciation and the Adoration of the Magi. On top of the sideboards, beneath lace canopies, stood the painted and gilded statues of Saint Anne, Saint Marguerite, and Saint Catherine, so often reproduced by the wood-carvers of the Middle Ages. There were linen-chests, bound in iron, studded with great nails, and covered with sowskin leather. Then there were coffers fastened by great metal clasps and overlaid with leather or fabric on which fair faced angels, cut from illuminated missal-backgrounds, had been mounted. There were great beds reached by carpeted steps. There were tasselled pillows and counterpanes heavily perfumed, and canopies and curtains embroidered with armories or sprinkled with stars.

So one must reconstruct the decorations of the other rooms, in which nothing was standing but the walls and the high, basket-funneled fireplaces, whose spacious hearths, wanting andirons, were still charred from the old fires. One could easily imagine the dining-rooms and those terrible repasts which Gilles deplored in his trial at Nantes. Gilles admitted with tears that he had ordered his diet so as to kindle the fury of his senses, and these reprobate menus can be easily reproduced. When he was at table with Eustache Blanchet, Prelati, Gilles de Sille, all his trusted companions, in the great room, the plates and the ewers filled with water of medlar, rose, and melilote for washing the hands, were placed on credences. Gilles ate beef-, salmon-, and bream-pies; levert-and squab-tarts; roast heron, stork, crane, peacock, bustard, and swan; venison in verjuice; Nantes lampreys; salads of briony, hops, beard of judas, mallow; vehement dishes seasoned with marjoram and mace, coriander and sage, peony and rosemary, basil and hyssop, grain of paradise and ginger; perfumed, acidulous dishes, giving one a violent thirst; heavy pastries; tarts of elder-flower and rape; rice with milk of hazelnuts sprinkled with cinnamon; stuffy dishes necessitating copious drafts of beer and fermented mulberry juice, of dry wine, or wine aged to tannic bitterness, of heady hypocras charged with cinnamon, with almonds, and with musk, of raging liquors clouded with golden particles—mad drinks which spurred the guests in this womanless castle to frenzies of lechery and made them, at the end of the meal, writhe in monstrous dreams.

"Remain the costumes to be restored," said Durtal to himself, and he imagined Gilles and his friends, not in their damaskeened field harness, but in their indoor costumes, their robes of peace. He visualized them in harmony with the luxury of their surroundings. They wore glittering vestments, pleated jackets, bellying out in a little flounced skirt at the waist. The legs were encased in dark skin-tight hose. On their heads were the artichoke chaperon hats like that of Charles VII in his portrait in the Louvre. The torso was enveloped in silver-threaded damask, which was crusted with jewelleries and bordered with marten.

He thought of the costume of the women of the time, robes of precious tentered stuffs, with tight sleeves, great collars thrown back over the shoulders, cramping bodices, long trains lined with fur. And as he thus dressed an imaginary manikin, hanging ropes of heavy stones, purplish or milky crystals, cloudy uncut gems, over the slashed corsage, a woman slipped in, filled the robe, swelled the bodice, and thrust her head under the two-horned steeple-headdress. From behind the pendent lace smiled the composite features of the unknown and of Mme. Chantelouve. Delighted, he gazed at the apparition without ever perceiving whom he had evoked, when his cat, jumping into his lap, distracted his thoughts and brought him back to his room.

"Well, well, she won't let me alone," and in spite of himself he began to laugh at the thought of the unknown following him even to the chateau de Tiffauges. "It's foolish to let my thoughts wander this way," he said, drawing himself up, "but daydream is the only good thing in life. Everything else is vulgar and empty.

"No doubt about it, that was a singular epoch, the Middle Epoch of ignorance and darkness, the history professors and Ages," he went on, lighting a cigarette. "For some it's all white and for others utterly black. No intermediate shade, atheists reiterate. Dolorous and exquisite epoch, say the artists and the religious savants.

"What is certain is that the immutable classes, the nobility, the clergy, the bourgeoisie, the people, had loftier souls at that time. You can prove it: society has done nothing but deteriorate in the four centuries separating us from the Middle Ages.

"True, a baron then was usually a formidable brute. He was a drunken and lecherous bandit, a sanguinary and boisterous tyrant, but he was a child in mind and spirit. The Church bullied him, and to deliver the Holy Sepulchre he sacrificed his wealth, abandoned home, wife, and children, and accepted unconscionable fatigues, extraordinary sufferings, unheard-of dangers.

"By pious heroism he redeemed the baseness of his morals. The race has since become moderate. It has reduced, sometimes even done away with, its instincts of carnage and rape, but it has replaced them by the monomania of business, the passion for lucre. It has done worse. It has sunk to such a state of abjectness as to be attracted by the doings of the lowest of the low. The aristocracy disguises itself as a mountebank, puts on tights and spangles, gives public trapeze performances, jumps through hoops, and does weight-lifting stunts in the trampled tan-bark ring!

"The clergy, then a good example—if we except a few convents ravaged by frenzied Satanism and lechery—launched itself into superhuman transports and attained God. Saints swarmed, miracles multiplied, and while still omnipotent the Church was gentle with the humble, it consoled the afflicted, defended the little ones, and mourned or rejoiced with the people of low estate. Today it hates the poor, and mysticism dies in a clergy which checks ardent thoughts and preaches sobriety of mind, continence of postulation, common sense in prayer, bourgeoisie of the soul! Yet here and there, buried in cloisters far from these lukewarm priests, there perhaps still are real saints who weep, monks who pray, to the point of dying of sorrow and prayer, for each of us. And they—with the demoniacs—are the sole connecting link between that age and this.

"The smug, sententious side of the bourgeoisie already existed in the time of Charles VII. But cupidity was repressed by the confessor, and the tradesman, just like the labourer, was maintained by the corporations, which denounced overcharging and fraud, saw that decried merchandise was destroyed, and fixed a fair price and a high standard of excellence for commodities. Trades and professions were handed down from father to son. The corporations assured work and pay. People were not, as now, subject to the fluctuations of the market and the merciless capitalistic exploitation. Great fortunes did not exist and everybody had enough to live on. Sure of the future, unhurried, they created marvels of art, whose secret remains for ever lost.

"All the artisans who passed the three degrees of apprentice, journeyman, and master, developed subtlety and became veritable artists. They ennobled the simplest of iron work, the commonest faience, the most ordinary chests and coffers. Those corporations, putting themselves under the patronage of Saints—whose images, frequently besought, figured on their banners—preserved through the centuries the honest existence of the humble and notably raised the spiritual level of the people whom they protected.

"All that is decisively at an end. The bourgeoise has taken the place forfeited by a wastrel nobility which now subsists only to set ignoble fashions and whose sole contribution to our 'civilization' is the establishment of gluttonous dining clubs, so-called gymnastic societies, and pari-mutuel associations. Today the business man has but these aims, to exploit the working man, manufacture shoddy, lie about the quality of merchandise, and give short weight.

"As for the people, they have been relieved of the indispensable fear of hell, and notified, at the same time, that they are not to expect to be recompensed, after death, for their sufferings here. So they scamp their ill-paid work and take to drink. From time to time, when they have ingurgitated too violent liquids, they revolt, and then they must be slaughtered, for once let loose they would act as a crazed stampeded herd.

"Good God, what a mess! And to think that the nineteenth century takes on airs and adulates itself. There is one word in the mouths of all. Progress. Progress of whom? Progress of what? For this miserable century hasn't invented anything great.

"It has constructed nothing and destroyed everything. At the present hour it glorifies itself in this electricity which it thinks it discovered. But electricity was known and used in remotest antiquity, and if the ancients could not explain its nature nor even its essence, the moderns are just as incapable of identifying that force which conveys the spark and carries the voice—acutely nasalized—along the wire. This century thinks it discovered the terrible science of hypnotism, which the priests and Brahmins in Egypt and India knew and practised to the utmost. No, the only thing this century has invented is the sophistication of products. Therein it is passed master. It has even gone so far as to adulterate excrement. Yes, in 1888 the two houses of parliament had to pass a law destined to suppress the falsification of fertilizer. Now that's the limit."

The doorbell rang. He opened the door and nearly fell over backward.

Mme. Chantelouve was before him.

Stupefied, he bowed, while Mme. Chantelouve, without a word, went straight into the study. There she turned around, and Durtal, who had followed, found himself face to face with her.

"Won't you please sit down?" He advanced an armchair and hastened to push back, with his foot, the edge of the carpet turned up by the cat. He asked her to excuse the disorder. She made a vague gesture and remained standing.

In a calm but very low voice she said, "It is I who wrote you those mad letters. I have come to drive away this bad fever and get it over with in a quite frank way. As you yourself wrote, no liaison between us is possible. Let us forget what has happened. And before I go, tell me that you bear me no grudge."

He cried out at this. He would not have it so. He had not been beside himself when he wrote her those ardent pages, he was in perfectly good faith, he loved her—

"You love me! Why, you didn't even know that those letters were from me. You loved an unknown, a chimera. Well, admitting that you are telling the truth, the chimera does not exist now, for here I am."

"You are mistaken. I knew perfectly that it was Mme. Chantelouve hiding behind the pseudonym of Mme. Maubel." And he half-explained to her, without, of course, letting her know of his doubts, how he had lifted her mask.

"Ah!" She reflected, blinking her troubled eyes. "At any rate," she said, again facing him squarely, "you could not have recognized me in the first letters, to which you responded with cries of passion. Those cries were not addressed to me."

He contested this observation, and became entangled in the dates and happenings and in the sequence of the notes. She at length lost the thread of his remarks. The situation was so ridiculous that both were silent. Then she sat down and burst out laughing.

Her strident, shrill laugh, revealing magnificent, but short and pointed teeth, in a mocking mouth, vexed him.

"She has been playing with me," he said to himself, and dissatisfied with the turn the conversation had taken, and furious at seeing this woman so calm, so different from her burning letters, he asked, in a tone of irritation, "Am I to know why you laugh?"

"Pardon me. It's a trick my nerves play on me, sometimes in public places. But never mind. Let us be reasonable and talk things over. You tell me you love me—"

"And I mean it."

"Well, admitting that I too am not indifferent, where is this going to lead us? Oh, you know so well, you poor dear, that you refused, right at first, the meeting which I asked in a moment of madness—and you gave well-thought-out reasons for refusing."

"But I refused because I did not know then that you were the women in the case! I have told you that it was several days later that Des Hermies unwittingly revealed your identity to me. Did I hesitate as soon as I knew? No! I immediately implored you to come."

"That may be, but you admit that I'm right when I claim that you wrote your first letters to another and not me."

She was pensive for a moment. Durtal began to be prodigiously bored by this discussion. He thought it more prudent not to answer, and was seeking a change of subject that would put an end to the deadlock.

She herself got him out of his difficulty. "Let us not discuss it any more," she said, smiling, "we shall not get anywhere. You see, this is the situation: I am married to a very nice man who loves me and whose only crime is that he represents the rather insipid happiness which one has right at hand. I started this correspondence with you, so I am to blame, and believe me, on his account I suffer. You have work to do, beautiful books to write. You don't need to have a crazy woman come walking into your life. So, you see, the best thing is for us to remain friends, but true friends, and go no further."

"And it is the woman who wrote me such vivid letters, who now speaks to me of reason, good sense, and God knows what!"

"But be frank, now. You don't love me."

"I don't?"

He took her hands, gently. She made no resistance, but looking at him squarely she said, "Listen. If you had loved me you would have come to see me; and yet for months you haven't tried to find out whether I was alive or dead."

"But you understand that I could not hope to be welcomed by you on the terms we now are on, and too, in your parlour there are guests, your husband—I have never had you even a little bit to myself at your home."

He pressed her hands more tightly and came closer to her. She regarded him with her smoky eyes, in which he now saw that dolent, almost dolorous expression which had captivated him. He completely lost control of himself before this voluptuous and plaintive face, but with a firm gesture she freed her hands.

"Enough. Sit down, now, and let's talk of something else. Do you know your apartment is charming? Which saint is that?" she asked, examining the picture, over the mantel, of the monk on his knees beside a cardinal's hat and cloak.

"I do not know."

"I will find out for you. I have the lives of all the saints at home. It ought to be easy to find out about a cardinal who renounced the purple to go live in a hut. Wait. I think Saint Peter Damian did, but I am not sure. I have such a poor memory. Help me think."

"But I don't know who he is!"

She came closer to him and put her hand on his shoulder.

"Are you angry at me?"

"I should say I am! When I desire you frantically, when I've been dreaming for a whole week about this meeting, you come here and tell me that all is over between us, that you do not love me—"

She became demure. "But if I did not love you, would I have come to you? Understand, then, that reality kills a dream; that it is better for us not to expose ourselves to fearful regrets. We are not children, you see. No! Let me go. Do not squeeze me like that!" Very pale, she struggled in his embrace. "I swear to you that I will go away and that you shall never see me again if you do not let me loose." Her voice became hard. She was almost hissing her words. He let go of her. "Sit down there behind the table. Do that for me." And tapping the floor with her heel, she said, in a tone of melancholy, "Then it is impossible to be friends, only friends, with a man. But it would be very nice to come and see you without having evil thoughts to fear, wouldn't it?" She was silent. Then she added, "Yes, just to see each other—and if we did not have any sublime things to say to each other, it is also very nice to sit and say nothing!"

Then she said, "My time is up. I must go home."

"And leave me with no hope?" he exclaimed, kissing her gloved hands.

She did not answer, but gently shook her head, then, as he looked pleadingly at her, she said, "Listen. If you will promise to make no demands on me and to be good, I will come here night after next at nine o'clock."

He promised whatever she wished. And as he raised his head from her hands and as his lips brushed lightly over her breast, which seemed to tighten, she disengaged her hands, caught his nervously, and, clenching her teeth, offered her neck to his lips. Then she fled.

"Oof!" he said, closing the door after her. He was at the same time satisfied and vexed.

Satisfied, because he found her enigmatic, changeful, charming. Now that he was alone he recalled her to memory. He remembered her tight black dress, her fur cloak, the warm collar of which had caressed him as he was covering her neck with kisses. He remembered that she wore no jewellery, except sparkling blue sapphire eardrops. He remembered the wayward blonde hair escaping from under the dark green otter hat. Holding his hands to his nostrils he sniffed again the sweet and distant odour, cinnamon lost among stronger perfumes, which he had caught from the contact of her long, fawn-coloured suede gloves, and he saw again her moist, rodent teeth, her thin, bitten lips, and her troubled eyes, of a grey and opaque lustre which could suddenly be transfigured with radiance. "Oh, night after next it will be great to kiss all that!"

Vexed also, both with himself and with her. He reproached himself with having been brusque and reserved. He ought to have shown himself more expansive and less restrained. But it was her fault, for she had abashed him! The incongruity between the woman who cried with voluptuous suffering in her letters and the woman he had seen, so thoroughly mistress of herself in her coquetries, was truly too much!

"However you look at them, these women are astonishing creatures," he thought. "Here is one who accomplishes the most difficult thing you can imagine: coming to a man's room after having written him excessive letters. I, I act like a goose. I stand there ill at ease. She, in a second, has the self-assurance of a person in her own home, or visiting in a drawing-room. No awkwardness, pretty gestures, a few words, and eyes which supply everything! She isn't very agreeable," he thought, reminded of the curt tone she had used when disengaging herself, "and yet she has her tender spots," he continued dreamily, remembering not so much her words as certain inflections of her voice and a certain bewildered look in her eyes. "I must go about it prudently that night," he concluded, addressing his cat, which, never having seen a woman before, had fled at the arrival of Mme. Chantelouve and taken refuge under the bed, but had now advanced almost grovelling, to sniff the chair where she had sat.

"Come to think of it, she is an old hand, Mme. Hyacinthe! She would not have a meeting in a cafe nor in the street. She scented from afar the assignation house or the hotel. And though, from the mere fact of my not inviting her here, she could not doubt that I did not want to introduce her to my lodging, she came here deliberately. Then, this first denial, come to think of it, is only a fine farce. If she were not seeking a liaison she would not have visited me. No, she wanted me to beg her to do what she wanted to do. Like all women, she wanted me to offer her what she desired. I have been rolled. Her arrival has knocked the props out from under my whole method. But what does it matter? She is no less desirable," he concluded, happy to get rid of disagreeable reflections and plunge back into the delirious vision which he retained of her. "That night won't be exactly dreary," he thought, seeing again her eyes, imagining them in surrender, deceptive and plaintive, as he would disrobe her and make a body white and slender, warm and supple, emerge from her tight skirt. "She has no children. That is an earnest promise that her flesh is quite firm, even at thirty!"

A whole draft of youth intoxicated him. Durtal, astonished, took a look at himself in the mirror. His tired eyes brightened, his face seemed more youthful, less worn. "Lucky I had just shaved," he said to himself. But gradually, as he mused, he saw in this mirror, which he was so little in the habit of consulting, his features droop and his eyes lose their sparkle. His stature, which had seemed to increase in this spiritual upheaval, diminished again. Sadness returned to his thoughtful mien. "I haven't what you would call the physique of a lady's man," he concluded. "What does she see in me? for she could very easily find someone else with whom to be unfaithful to her husband. Enough of these rambling thoughts. Let's cease to think them. To sum up the situation: I love her with my head and not my heart. That's the important thing. Under such conditions, whatever happens, a love affair is brief, and I am almost certain to get out of it without committing any follies."



CHAPTER IX

The next morning he woke, thinking of her, just as he had been doing when he went to sleep. He tried to rationalize the episode and revolved his conjectures over and over. Once again he put himself this question: "Why, when I went to her house, did she not let me see that I pleased her? Never a look, never a word to encourage me. Why this correspondence, when it was so easy to insist on having me to dine, so simple to prepare an occasion which would bring us together, either at her home or elsewhere?" And he answered himself, "It would have been usual and not at all diverting. She is perhaps skilled in these matters. She knows that the unknown frightens a man's reason away, that the unembodied puts the soul in ferment, and she wished to give me a fever before trying an attack—to call her advances by their right name.

"It must be admitted that if my conjectures are correct she is strangely astute. At heart she is, perhaps, quite simply a crazy romantic or a comedian. It amuses her to manufacture little adventures, to throw tantalizing obstacles in the way of the realization of a vulgar desire. And Chantelouve? He is probably aware of his wife's goings on, which perhaps facilitate his career. Otherwise, how could she arrange to come here at nine o'clock at night, instead of the morning or afternoon on pretence of going shopping?"

To this new question there could be no answer, and little by little he ceased to interrogate himself on the point. He began to be obsessed by the real woman as he had been by the imaginary creature. The latter had completely vanished. He did not even remember her physiognomy now. Mme. Chantelouve, just as she was in reality, without borrowing the other's features, had complete possession of him and fired his brain and senses to white heat. He began to desire her madly and to wish furiously for tomorrow night. And if she did not come? He felt cold in the small of his back at the idea that she might be unable to get away from home or that she might wilfully stay away.

"High time it was over and done with," he said, for this Saint Vitus' dance went on not without certain diminution of force, which disturbed him. In fact he feared, after the febrile agitation of his nights, to reveal himself as a sorry paladin when the time came. "But why bother?" he rejoined, as he started toward Carhaix's, where he was to dine with the astrologer Gevingey and Des Hermies.

"I shall be rid of my obsession awhile," he murmured, groping along in the darkness of the tower.

Des Hermies, hearing him come up the stair, opened the door, casting a shaft of light into the spiral. Durtal, reaching the landing, saw his friend in shirt sleeves and enveloped in an apron.

"I am, as you see, in the heat of composition," and upon a stew-pan boiling on the stove Des Hermies cast that brief and sure look which a mechanic gives his machine, then he consulted, as if it were a manometer, his watch, hanging to a nail. "Look," he said, raising the pot lid.

Durtal bent over and through a cloud of vapour he saw a coiled napkin rising and falling with the little billows. "Where is the leg of mutton?"

"It, my friend, is sewn into that cloth so tightly that the air cannot enter. It is cooking in this pretty, singing sauce, into which I have thrown a handful of hay, some pods of garlic and slices of carrot and onion, some grated nutmeg, and laurel and thyme. You will have many compliments to make me if Gevingey doesn't keep us waiting too long, because a gigot a l'Anglaise won't stand being cooked to shreds."

Carhaix's wife looked in.

"Come in," she said. "My husband is here."

Durtal found him dusting the books. They shook hands. Durtal, at random, looked over some of the dusted books lying on the table.

"Are these," he asked, "technical works about metals and bell-founding or are they about the liturgy of bells?"

"They are not about founding, though there is sometimes reference to the founders, the 'sainterers' as they were called in the good old days. You will discover here and there some details about alloys of red copper and fine tin. You will even find, I believe, that the art of the 'sainterer' has been in decline for three centuries, probably due to the fact that the faithful no longer melt down their ornaments of precious metals, thus modifying the alloy. Or is it because the founders no longer invoke Saint Anthony the Eremite when the bronze is boiling in the furnace? I do not know. It is true, at any rate, that bells are now made in carload lots. Their voices are without personality. They are all the same. They're like docile and indifferent hired girls when formerly they were like those aged servants who became part of the family whose joys and griefs they have shared. But what difference does that make to the clergy and the congregation? At present these auxiliaries devoted to the cult do not represent any symbol. And that explains the whole difficulty.

"You asked me, a few seconds ago, whether these books treated of bells from the liturgical point of view. Yes, most of them give tabulated explanations of the significance of the various component parts. The interpretations are simple and offer little variety."

"What are a few of them?"

"I can sum them all up for you in a very few words. According to the Rational of Guillaume Durand, the hardness of the metal signifies the force of the preacher. The percussion of the clapper on the sides expresses the idea that the preacher must first scourge himself to correct himself of his own vices before reproaching the vices of others. The wooden frame represents the cross of Christ, and the cord, which formerly served to set the bell swinging, allegorizes the science of the Scriptures which flows from the mystery of the Cross itself.

"The most ancient liturgists expound practically the same symbols. Jean Beleth, who lived in 1200, declares also that the bell is the image of the preacher, but adds that its motion to and fro, when it is set swinging, teaches that the preacher must by turns elevate his language and bring it down within reach of the crowd. For Hugo of Saint Victor the clapper is the tongue of the officiating priest, which strikes the two sides of the vase and announces thus, at the same time, the truth of the two Testaments. Finally, if we consult Fortunatus Amalarius, perhaps the most ancient of the liturgists, we find simply that the body of the bell denotes the mouth of the preacher and the hammer his tongue."

"But," said Durtal, somewhat disappointed, "it isn't—what shall I say?—very profound."

The door opened.

"Why, how are you!" said Carhaix, shaking hands with Gevingey, and then introducing him to Durtal.

While the bell-ringer's wife finished setting the table, Durtal examined the newcomer. He was a little man, wearing a soft black felt hat and wrapped up like an omnibus conductor in a cape with a military collar of blue cloth.

His head was like an egg with the hollow downward. The skull, waxed as if with siccatif, seemed to have grown up out of the hair, which was hard and like filaments of dried coconut and hung down over his neck. The nose was bony, and the nostrils opened like two hatchways, over a toothless mouth which was hidden by a moustache grizzled like the goatee springing from the short chin. At first glance one would have taken him for an art-worker, a wood engraver or a glider of saints' images, but on looking at him more closely, observing the eyes, round and grey, set close to the nose, almost crossed, and studying his solemn voice and obsequious manners, one asked oneself from what quite special kind of sacristy the man had issued.

He took off his things and appeared in a black frock coat of square, boxlike cut. A fine gold chain, passed about his neck, lost itself in the bulging pocket of an old vest. Durtal gasped when Gevingey, as soon as he had seated himself, complacently put his hands on exhibition, resting them on his knees. Enormous, freckled with blotches of orange, and terminating in milk-white nails cut to the quick, the fingers were covered with huge rings, the sets of which formed a phalanx.

Seeing Durtal's gaze fixed on his fingers, he smiled. "You examine my valuables, monsieur. They are of three metals, gold, platinum, and silver. This ring bears a scorpion, the sign under which I was born. That with its two accoupled triangles, one pointing downward and the other upward, reproduces the image of the macrocosm, the seal of Solomon, the grand pantacle. As for the little one you see here," he went on, showing a lady's ring set with a tiny sapphire between two roses, "that is a present from a person whose horoscope I was good enough to cast."

"Ah!" said Durtal, somewhat surprised at the man's self-satisfaction.

"Dinner is ready," said the bell-ringer's wife.

Des Hermies, doffing his apron, appeared in his tight cheviot garments. He was not so pale as usual, his cheeks being red from the heat of the stove. He set the chairs around.

Carhaix served the broth, and everyone was silent, taking spoonfuls of the cooler broth at the edge of the bowl. Then madame brought Des Hermies the famous leg of mutton to cut. It was a magnificent red, and large drops flowed beneath the knife. Everybody ecstasized when tasting this robust meat, aromatic with a puree of turnips sweetened with caper sauce.

Des Hermies bowed under a storm of compliments. Carhaix filled the glasses, and, somewhat confused in the presence of Gevingey, paid the astrologer effusive attention to make him forget their former ill-feeling. Des Hermies assisted in this good work, and wishing also to be useful to Durtal, brought the conversation around to the subject of horoscopes.

Then Gevingey mounted the rostrum. In a tone of satisfaction he spoke of his vast labours, of the six months a horoscope required, of the surprise of laymen when he declared that such work was not paid for by the price he asked, five hundred francs.

"But you see I cannot give my science for nothing," he said. "And now people doubt astrology, which was revered in antiquity. Also in the Middle Ages, when it was almost sacred. For instance, messieurs, look at the portal of Notre Dame. The three doors which archeologists—not initiated into the symbolism of Christianity and the occult—designate by the names of the door of Judgment, the door of the Virgin, and the door of Saint Marcel or Saint Anne, really represent Mysticism, Astrology, and Alchemy, the three great sciences of the Middle Ages. Today you find people who say, 'Are you quite sure that the stars have an influence on the destiny of man?' But, messieurs, without entering here into details reserved for the adept, in what way is this spiritual influence stranger than that corporal influence which certain planets, the moon, for example, exercise on the organs of men and women?

"You are a physician, Monsieur Des Hermies, and you are not unaware that the doctors Gillespin, Jackson, and Balfour, of Jamaica, have established the influence of the constellations on human health in the West Indies. At every change of the moon the number of sick people augments. The acute crises of fever coincide with the phases of our satellite. Finally, there are lunatics. Go out in the country and ascertain at what periods madness becomes epidemic. But does this serve to convince the incredulous?" he asked sorrowfully, contemplating his rings.

"It seems to me, on the contrary, that astrology is picking up," said Durtal. "There are now two astrologers casting horoscopes in the next column to the secret remedies on the fourth page of the newspapers."

"And it's a shame! Those people don't even know the first thing about the science. They are simply tricksters who hope thus to pick up some money. What's the use of speaking of them when they don't even exist! Really it must be admitted that only in England and America is there anybody who knows how to establish the genethliac theme and construct a horoscope."

"I am very much afraid," said Des Hermies, "that not only these so-called astrologers, but also all the mages, theosophists, occultists, and cabalists of the present day, know absolutely nothing—those with whom I am acquainted are indubitably, incontestably, ignorant imbeciles. And that is the pure truth, messieurs. These people are, for the most part, down-and-out journalists or broken spendthrifts seeking to exploit the taste of a public weary of positivism. They plagiarize Eliphas Levi, steal from Fabre d'Olivet, and write treatises of which they themselves are incapable of making head or tail. It's a real pity, when you come to think of it."

"The more so as they discredit sciences which certainly contain verities omitted in their jumble," said Durtal.

"Then another lamentable thing," said Des Hermies, "is that in addition to the dupes and simpletons, these little sects harbour some frightful charlatans and windbags."

"Peladan, among others. Who does not know that shoddy mage, commercialized to his fingertips?" cried Durtal.

"Oh, yes, that fellow—"

"Briefly, messieurs," resumed Gevingey, "all these people are incapable of obtaining in practise any effect whatever. The only man in this century who, without being either a saint or a diabolist, has penetrated the mysteries, is William Crookes." And as Durtal, who appeared to doubt the apparitions sworn to by this Englishman, declared that no theory could explain them, Gevingey perorated, "Permit me, messieurs. We have the choice between two diverse, and I venture to say, very clear-cut doctrines. Either the apparition is formed by the fluid disengaged by the medium in trance to combine with the fluid of the persons present; or else there are in the air immaterial beings, elementals as they are called, which manifest themselves under very nearly determinable conditions; or else, and this is the theory of pure spiritism, the phenomena are produced by souls evoked from the dead."

"I know it," Durtal said, "and that horrifies me. I know also the Hindu dogma of the migrations of souls after death. These disembodied souls stray until they are reincarnated or until they attain, from avatar to avatar, to complete purity. Well, I think it's quite enough to live once. I'd prefer nothingness, a hole in the ground, to all those metamorphoses. It's more consoling to me. As for the evocation of the dead, the mere thought that the butcher on the corner can force the soul of Hugo, Balzac, Baudelaire, to converse with him, would put me beside myself, if I believed it. Ah, no. Materialism, abject as it is, is less vile than that."

"Spiritism," said Carhaix, "is only a new name for the ancient necromancy condemned and cursed by the Church."

Gevingey looked at his rings, then emptied his glass.

"In any case," he returned, "you will admit that these theories can be upheld, especially that of the elementals, which, setting Satanism aside, seems the most veridic, and certainly is the most clear. Space is peopled by microbes. Is it more surprising that space should also be crammed with spirits and larvae? Water and vinegar are alive with animalcules. The microscope shows them to us. Now why should not the air, inaccessible to the sight and to the instruments of man, swarm, like the other elements, with beings more or less corporeal, embryos more or less mature?"

"That is probably why cats suddenly look upward and gaze curiously into space at something that is passing and that we can't see," said the bell-ringer's wife.

"No, thanks," said Gevingey to Des Hermies, who was offering him another helping of egg-and-dandelion salad.

"My friends," said the bell-ringer, "you forget only one doctrine, that of the Church, which attributes all these inexplicable phenomena to Satan. Catholicism has known them for a long time. It did not need to wait for the first manifestations of the spirits—which were produced, I believe, in 1847, in the United States, through the Fox family—before decreeing that spirit rapping came from the Devil. You will find in Saint Augustine the proof, for he had to send a priest to put an end to noises and overturning of objects and furniture, in the diocese of Hippo, analogous to those which Spiritism points out. At the time of Theodoric also, Saint Caesaraeus ridded a house of lemurs haunting it. You see, there are only the City of God and the City of the Devil. Now, since God is above these cheap manipulations, the occultists and spiritists satanize more or less, whether they wish to or not."

"Nevertheless, Spiritism has accomplished one important thing. It has violated the threshold of the unknown, broken the doors of the sanctuary. It has brought about in the extranatural a revolution similar to that which was effected in the terrestrial order in France in 1789. It has democratized evocation and opened a whole new vista. Only, it has lacked initiates to lead it, and, proceeding at random without science, it has agitated good and bad spirits together. In Spiritism you will find a jumble of everything. It is the hash of mystery, if I may be permitted the expression."

"The saddest thing about it," said Des Hermies, laughing, "is that at a seance one never sees a thing! I know that experiments have been successful, but those which I have witnessed—well, the experimenters seemed to take a long shot and miss."

"That is not surprising," said the astrologer, spreading some firm candied orange jelly on a piece of bread, "the first law to observe in magism and Spiritism is to send away the unbelievers, because very often their fluid is antagonistic to that of the clairvoyant or the medium."

"Then how can there be any assurance of the reality of the phenomena?" thought Durtal.

Carhaix rose. "I shall be back in ten minutes." He put on his greatcoat, and soon the sound of his steps was lost in the tower.

"True," murmured Durtal, consulting his watch. "It's a quarter to eight."

There was a moment of silence in the room. As all refused to have any more dessert, Mme. Carhaix took up the tablecloth and spread an oilcloth in its place.

The astrologer played with his rings, turning them about; Durtal was rolling a pellet of crumbled bread between his fingers; Des Hermies, leaning over to one side, pulled from his patch pocket his embossed Japanese pouch and made a cigarette.

Then when the bell-ringer's wife had bidden them good night and retired to her room, Des Hermies got the kettle and the coffee pot.

"Want any help?" Durtal proposed.

"You can get the little glasses and uncork the liqueur bottles, if you will."

As he opened the cupboard, Durtal swayed, dizzy from the strokes of the bells which shook the walls and filled the room with clamour.

"If there are spirits in this room, they must be getting knocked to pieces," he said, setting the liqueur glasses on the table.

"Bells drive phantoms and spectres away," Gevingey answered, doctorally, filling his pipe.

"Here," said Des Hermies, "will you pour hot water slowly into the filter? I've got to feed the stove. It's getting chilly here. My feet are freezing."

Carhaix returned, blowing out his lantern. "The bell was in good voice, this clear, dry night," and he took off his mountaineer cap and his overcoat.

"What do you think of him?" Des Hermies asked Durtal in a very low voice, and pointed at the astrologer, now lost in a cloud of pipe smoke.

"In repose he looks like an old owl, and when he speaks he makes me think of a melancholy and discursive schoolmaster."

"Only one," said Des Hermies to Carhaix, who was holding a lump of sugar over Des Hermies's coffee cup.

"I hear, monsieur, that you are occupied with a history of Gilles de Rais," said Gevingey to Durtal.

"Yes, for the time being I am up to my eyes in Satanism with that man."

"And," said Des Hermies, "we were just going to appeal to your extensive knowledge. You only can enlighten my friend on one of the most obscure questions of Diabolism."

"Which one?"

"That of incubacy and succubacy."

Gevingey did not answer at once. "That is a much graver question than Spiritism," he said at last, "and grave in a different way. But monsieur already knows something about it?"

"Only that opinions differ. Del Rio and Bodin, for instance, consider the incubi as masculine demons which couple with women and the succubi as demons who consummate the carnal act with men.

"According to their theories the incubi take the semen lost by men in dream and make use of it. So that two questions arise: first, can a child be born of such a union? The possibility of this kind of procreation has been upheld by the Church doctors, who affirm, even, that children of such commerce are heavier than others and can drain three nurses without taking on flesh. The second question is whether the demon who copulates with the mother or the man whose semen has been taken is the father of the child. To which Saint Thomas answers, with more or less subtle arguments, that the real father is not the incubus but the man."

"For Sinistrari d'Ameno," observed Durtal, "the incubi and succubi are not precisely demons, but animal spirits, intermediate between the demon and the angel, a sort of satyr or faun, such as were revered in the time of paganism, a sort of imp, such as were exorcised in the Middle Ages. Sinistrari adds that they do not need to pollute a sleeping man, since they possess genitals and are endowed with prolificacy."

"Well, there is nothing further," said Gevingey. "Goerres, so learned, so precise, in his Mystik passes rapidly over this question, even neglects it, and the Church, you know, is completely silent, for the Church does not like to treat this subject and views askance the priest who does occupy himself with it."

"I beg your pardon," said Carhaix, always ready to defend the Church. "The Church has never hesitated to declare itself on this detestable subject. The existence of succubi and incubi is certified by Saint Augustine, Saint Thomas, Saint Bonaventure, Denys le Chartreux, Pope Innocent VIII, and how many others! The question is resolutely settled for every Catholic. It also figures in the lives of some of the saints, if I am not mistaken. Yes, in the legend of Saint Hippolyte, Jacques de Voragine tells how a priest, tempted by a naked succubus, cast his stole at its head and it suddenly became the corpse of some dead woman whom the Devil had animated to seduce him."

"Yes," said Gevingey, whose eyes twinkled. "The Church recognizes succubacy, I grant. But let me speak, and you will see that my observations are not uncalled for.

"You know very well, messieurs," addressing Des Hermies and Durtal, "what the books teach, but within a hundred years everything has changed, and if the facts I am are unknown to the many members of the clergy, and you will not find them cited in any book whatever.

"At present it is less frequently demons than bodies raised from the dead which fill the indispensable role of incubus and succubus. In other words, formerly the living being subject to succubacy was known to be possessed. Now that vampirism, by the evocation of the dead, is joined to demonism, the victim is worse than possessed. The Church did not know what to do. Either it must keep silent or reveal the possibility of the evocation of the dead, already forbidden by Moses, and this admission was dangerous, for it popularized the knowledge of acts that are easier to produce now than formerly, since without knowing it Spiritism has traced the way.

"So the Church has kept silent. And Rome is not unaware of the frightful advance incubacy has made in the cloisters in our days."

"That proves that continence is hard to bear in solitude," said Des Hermies.

"It merely proves that the soul is feeble and that people have forgotten how to pray," said Carhaix.

"However that may be, messieurs, to instruct you completely in this matter, I must divide the creatures smitten with incubacy or succubacy into two classes. The first is composed of persons who have directly and voluntarily given themselves over to the demoniac action of the spirits. These persons are quite rare and they all die by suicide or some other form of violent death. The second is composed of persons on whom the visitation of spirits has been imposed by a spell. These are very numerous, especially in the convents dominated by the demoniac societies. Ordinarily these victims end in madness. The psychopathic hospitals are crowded with them. The doctors and the majority of the priests do not know the cause of their madness, but the cases are curable. A thaumaturge of my acquaintance has saved a good many of the bewitched who without his aid would be howling under hydrotherapeutic douches. There are certain fumigations, certain exsufflations, certain commandments written on a sheet of virgin parchment thrice blessed and worn like an amulet which almost always succeed in delivering the patient."

"I want to ask you," said Des Hermies, "does a woman receive the visit of the incubus while she is asleep or while she is awake?"

"A distinction must be made. If the woman is not the victim of a spell, if she voluntarily consorts with the impure spirit, she is always awake when the carnal act takes place. If, on the other hand, the woman is the victim of sorcery, the sin is committed either while she is asleep or while she is awake, but in the latter case she is in a cataleptic state which prevents her from defending herself. The most powerful of present-day exorcists, the man who has gone most thoroughly into this matter, one Johannes, Doctor of Theology, told me that he had saved nuns who had been ridden without respite for two, three, even four days by incubi!"

"I know that priest," remarked Des Hermies.

"And the act is consummated in the same manner as the normal human act?"

"Yes and no. Here the dirtiness of the details makes me hesitate," said Gevingey, becoming slightly red. "What I can tell you is more than strange. Know, then, that the organ of the incubus is bifurcated and at the same time penetrates both vases. Formerly it extended, and while one branch of the fork acted in the licit channels, the other at the same time reached up to the lower part of the face. You may imagine, gentlemen, how life must be shortened by operations which are multiplied through all the senses."

"And you are sure that these are facts?"

"Absolutely."

"But come now, you have proofs?"

Gevingey was silent, then, "The subject is so grave and I have gone so far that I had better go the rest of the way. I am not mad nor the victim of hallucination. Well, messieurs, I slept one time in the room of the most redoubtable master Satanism now can claim."

"Canon Docre," Des Hermies interposed.

"Yes, and my sleep was fitful. It was broad daylight. I swear to you that the succubus came, irritant and palpable and most tenacious. Happily, I remembered the formula of deliverance, which kept me—

"So I ran that very day to Doctor Johannes, of whom I have spoken. He immediately and forever, I hope, liberated me from the spell."

"If I did not fear to be indiscreet, I would ask you what kind of thing this succubus was, whose attack you repulsed."

"Why, it was like any naked woman," said the astrologer hesitantly.

"Curious, now, if it had demanded its little gifts, its little gloves—" said Durtal, biting his lips.

"And do you know what has become of the terrible Docre?" Des Hermies inquired.

"No, thank God. They say he is in the south, somewhere around Nimes, where he formerly resided."

"But what does this abbe do?" inquired Durtal.

"What does he do? He evokes the Devil, and he feeds white mice on the hosts which he consecrates. His frenzy for sacrilege is such that he had the image of Christ tattooed on his heels so that he could always step on the Saviour!"

"Well," murmured Carhaix, whose militant moustache bristled while his great eyes flamed, "if that abominable priest were here, I swear to you that I would respect his feet, but that I would throw him downstairs head first."

"And the black mass?" inquired Des Hermies.

"He celebrates it with foul men and women. He is openly accused of having influenced people to make wills in his favor and of causing inexplicable death. Unfortunately, there are no laws to repress sacrilege, and how can you prosecute a man who sends maladies from a distance and kills slowly in such a way that at the autopsy no traces of poison appear?"

"The modern Gilles de Rais!" exclaimed Durtal.

"Yes, less savage, less frank, more hypocritically cruel. He does not cut throats. He probably limits himself to 'sendings' or to causing suicide by suggestion," said Des Hermies, "for he is, I believe, a master hypnotist."

"Could he insinuate into a victim the idea to drink, regularly, in graduated doses, a toxin which he would designate, and which would simulate the phases of a malady?" asked Durtal.

"Nothing simpler. 'Open window burglars' that the physicians of the present day are, they recognize perfectly the ability of a more skilful man to pull off such jobs. The experiments of Beaunis, Liegois, Liebaut, and Bernheim are conclusive: you can even get a person assassinated by another to whom you suggest, without his knowledge, the will to the crime."

"I was thinking of something, myself," said Carhaix, who had been reflecting and not listening to this discussion of hypnotism. "Of the Inquisition. It certainly had its reason for being. It is the only agent that could deal with this fallen priest whom the Church has swept out."

"And remember," said Des Hermies, with his crooked smile playing around the corner of his mouth, "that the ferocity of the Inquisition has been greatly exaggerated. No doubt the benevolent Bodin speaks of driving long needles between the nails and the flesh of the sorcerers' fingers. 'An excellent gehenna,' says he. He eulogizes equally the torture by fire, which he characterizes as 'an exquisite death.' But he wishes only to turn the magicians away from their detestable practises and save their souls. Then Del Rio declares that 'the question' must not be applied to demoniacs after they have eaten, for fear they will vomit. He worried about their stomachs, this worthy man. Wasn't it also he who decreed that the torture must not be repeated twice in the same day, so as to give fear and pain a chance to calm down? Admit that the good Jesuit was not devoid of delicacy!"

"Docre," Gevingey went on, not paying any attention to the words of Des Hermies, "is the only individual who has rediscovered the ancient secrets and who obtains results in practise. He is rather more powerful, I would have you believe, than all those fools and quacks of whom we have been speaking. And they know the terrible canon, for he has sent many of them serious attacks of ophthalmia which the oculists cannot cure. So they tremble when the name Docre is pronounced in their presence."

"But how did a priest fall so low?"

"I can't say. If you wish ampler information about him," said Gevingey, addressing Des Hermies, "question your friend Chantelouve."

"Chantelouve!" cried Durtal.

"Yes, he and his wife used to be quite intimate with Canon Docre, but I hope for their sakes that they have long since ceased to have dealings with the monster."

Durtal listened no more. Mme. Chantelouve knew Canon Docre! Ah, was she Satanic, too? No, she certainly did not act like a possessed. "Surely this astrologer is cracked," he thought. She! And he called her image before him, and thought that tomorrow night she would probably give herself to him. Ah, those strange eyes of hers, those dark clouds suddenly cloven by radiant light!

She came now and took complete possession of him, as before he had ascended to the tower. "But if I didn't love you would I have come to you?" That sentence which she had spoken, with a caressing inflection of the voice, he heard again, and again he saw her mocking and tender face.

"Ah, you are dreaming," said Des Hermies, tapping him on the shoulder. "We have to go. It's striking ten."

When they were in the street they said good night to Gevingey, who lived on the other side of the river. Then they walked along a little way.

"Well," said Des Hermies, "are you interested in my astrologer?"

"He is slightly mad, isn't he?"

"Slightly? Humph."

"Well, his stories are incredible."

"Everything is incredible," said Des Hermies placidly, turning up the collar of his overcoat. "However, I will admit that Gevingey astounds me when he asserts that he was visited by a succubus. His good faith is not to be doubted, for I know him to be a man who means what he says, though he is vain and doctorial. I know, too, that at La Salpetriere such occurrences are not rare. Women smitten with hystero-epilepsy see phantoms beside them in broad daylight and mate with them in a cataleptic state, and every night couch with visions that must be exactly like the fluid creatures of incubacy. But these women are hystero-epileptics, and Gevingey isn't, for I am his physician. Then, what can be believed and what can be proved? The materialists have taken the trouble to revise the accounts of the sorcery trials of old. They have found in the possession-cases of the Ursulines of Loudun and the nuns of Poitiers, in the history, even, of the convulsionists of Saint Medard, the symptoms of major hysteria, the same contractions of the whole system, the same muscular dissolutions, the same lethargies, even, finally, the famous arc of the circle. And what does this demonstrate, that these demonomaniacs were hystero-epileptics? Certainly. The observations of Dr. Richet, expert in such matters, are conclusive, but wherein do they invalidate possession? From the fact that the patients of La Salpetriere are not possessed, though they are hysterical, does it follow that others, smitten with the same malady as they, are not possessed? It would have to be demonstrated also that all demonopathics are hysterical, and that is false, for there are women of sound mind and perfectly good sense who are demonopathic without knowing it. And admitting that the last point is controvertible, there remains this unanswerable question: is a woman possessed because she is hysterical, or is she hysterical because she is possessed? Only the Church can answer. Science cannot.

"No, come to think it over, the effrontery of the positivists is appalling. They decree that Satanism does not exist. They lay everything at the account of major hysteria, and they don't even know what this frightful malady is and what are its causes. No doubt Charcot determines very well the phases of the attack, notes the nonsensical and passional attitudes, the contortionistic movements; he discovers hysterogenic zones and can, by skilfully manipulating the ovaries, arrest or accelerate the crises, but as for foreseeing them and learning the sources and the motives and curing them, that's another thing. Science goes all to pieces on the question of this inexplicable, stupefying malady, which, consequently, is subject to the most diversified interpretations, not one of which can be declared exact. For the soul enters into this, the soul in conflict with the body, the soul overthrown in the demoralization of the nerves. You see, old man, all this is as dark as a bottle of ink. Mystery is everywhere and reason cannot see its way."

"Mmmm," said Durtal, who was now in front of his door. "Since anything can be maintained and nothing is certain, succubacy has it. Basically it is more literary—and cleaner—than positivism."



CHAPTER X

The day was long and hard to kill. Waking at dawn, full of thoughts of Mme. Chantelouve, he could not stay in one place, and kept inventing excuses for going out. He had no cakes, bonbons, and exotic liqueurs, and one must not be without all the little essentials when expecting a visit from a woman. He went by the longest route to the avenue de l'Opera to buy fine essences of cedar and of that alkermes which makes the person tasting it think he is in an Oriental pharmaceutic laboratory. "The idea is," he said, "not so much to treat Hyacinthe as to astound her by giving her a sip of an unknown elixir."

He came back laden with packages, then went out again, and in the street was assailed by an immense ennui. After an interminable tour of the quays he finally tumbled into a beer hall. He fell on a bench and opened a newspaper.

What was he thinking as he sat, not reading but just looking at the police news? Nothing, not even of her. From having revolved the same matter over and over again and again his mind had reached a deadlock and refused to function. Durtal merely found himself very tired, very drowsy, as one in a warm bath after a night of travel.

"I must go home pretty soon," he said when he could collect himself a little, "for Pere Rateau certainly has not cleaned house in the thorough fashion which I commanded, and of course I don't want the furniture to be covered with dust. Six o'clock. Suppose I dine, after a fashion, in some not too unreliable place."

He remembered a nearby restaurant where he had eaten before without a great deal of dread. He chewed his way laboriously through an extremely dead fish, then through a piece of meat, flabby and cold; then he found a very few lentils, stiff with insecticide, beneath a great deal of sauce; finally he savoured some ancient prunes, whose juice smelt of mould and was at the same time aquatic and sepulchral.

Back in his apartment, he lighted fires in his bedroom and in his study, then he inspected everything. He was not mistaken. The concierge had upset the place with the same brutality, the same haste, as customarily. However, he must have tried to wash the windows, because the glass was streaked with finger marks.

Durtal effaced the imprints with a damp cloth, smoothed out the folds in the carpet, drew the curtains, and put the bookcases in order after dusting them with a napkin. Everywhere he found grains of tobacco, trodden cigarette ashes, pencil sharpenings, pen points eaten with rust. He also found cocoons of cat fur and crumpled bits of rough draft manuscript which had been whirled into all corners by the furious sweeping.

He finally could not help asking himself why he had so long tolerated the fuzzy filth which obscured and incrusted his household. While he dusted, his indignation against Rateau increased mightily. "Look at that," he said, perceiving his wax candles grown as yellow as tallow ones. He changed them. "That's better." He arranged his desk into studied disarray. Notebooks, and books with paper-cutters in them for book-marks, he laid in careful disorder. "Symbol of work," he said, smiling, as he placed an old folio, open, on a chair. Then he passed into his bedroom. With a wet sponge he freshened up the marble of the dresser, then he smoothed the bed cover, straightened his photographs and engravings, and went into the bathroom. Here he paused, disheartened. In a bamboo rack over the wash-bowl there was a chaos of phials. Resolutely he grabbed the perfume bottles, scoured the bottoms and necks with emery, rubbed the labels with gum elastic and bread crumbs, then he soaped the tub, dipped the combs and brushes in an ammoniac solution, got his vapourizer to working and sprayed the room with Persian lilac, washed the linoleum, and scoured the seat and the pipes. Seized with a mania for cleanliness, he polished, scrubbed, scraped, moistened, and dried, with great sweeping strokes of the arm. He was no longer vexed at the concierge; he was even sorry the old villain had not left him more to do.

Then he shaved, touched up his moustache, and proceeded to make an elaborate toilet, asking himself, as he dressed, whether he had better wear button shoes or slippers. He decided that shoes were less familiar and more dignified but resolved to wear a flowing tie and a blouse, thinking that this artistic negligee would please a woman.

"All ready," he said, after a last stroke of the brush. He made the turn of the other rooms, poked the fires, and fed the cat, which was running about in alarm, sniffing all the cleaned objects and doubtless thinking that those he rubbed against every day without paying any attention to them had been replaced by new ones.

"Oh, the 'little essentials' I am forgetting!" Durtal put the teakettle on the hob and placed cups, teapot, sugar bowl, cakes, bonbons, and tiny liqueur glasses on an old lacquered "waiter" so as to have everything on hand when it was time to serve.

"Now I'm through. I've given the place a thorough cleaning. Let her come," he said to himself, realigning some books whose backs stuck out further than the others on the shelves. "Everything in good shape. Except the chimney of the lamp. Where it bulges, there are caramel specks and blobs of soot, but I can't get the thing out; I don't want to burn my fingers; and anyway, with the shade lowered a bit she won't notice.

"Well, how shall I proceed when she does come?" he asked himself, sinking into an armchair. "She enters. Good. I take her hands. I kiss them. Then I bring her into this room. I have her sit down beside the fire, in this chair. I station myself, facing her, on this stool. Advancing a little, touching her knees, I can seize her. I make her bend over. I am supporting her whole weight. I bring her lips to mine and I am saved!

"—Or rather lost. For then the bother begins. I can't bear to think of getting her into the bedroom. Undressing and going to bed! That part is appalling unless you know each other very well. And when you are just becoming acquainted! The nice way is to have a cosy little supper for two. The wine has an ungodly kick to it. She immediately passes out, and when she comes to she is lying in bed under a shower of kisses. As we can't do it that way we shall have to avoid mutual embarrassment by making a show of passion. If I speed up the tempo and pretend to be in a frenzy perhaps we shall not have time to think about the miserable details. So I must possess her here, in this very spot, and she must think I have lost my head when she succumbs.

"It's hard to arrange in this room, because there isn't any divan. The best way would be to throw her down on the carpet. She can put her hands over her eyes, as they always do. I shall take good care to turn down the lamp before she rises.

"Well, I had better prepare a cushion for her head." He found one and slid it under the chair. "And I had better not wear suspenders, for they often cause ridiculous delays." He took them off and put on a belt. "But then there is that damned question of the skirts! I admire the novelists who can get a virgin unharnessed from her corsets and deflowered in the winking of an eye—as if it were possible! How annoying to have to fight one's way through all those starched entanglements! I do hope Mme. Chantelouve will be considerate and avoid those ridiculous difficulties as much as possible—for her own sake."

He consulted his watch. "Half-past eight. I mustn't expect her for nearly an hour, because, like all women, she will come late. What kind of an excuse will she make to Chantelouve, to get away tonight? Well, that is none of my business. Hmmm. This water heater beside the fire looks like the invitation to the toilet, but no, the tea things handy banish any gross idea."

And if Hyacinthe did not come?

"She will come," he said to himself, suddenly moved. "What motive would she have for staying away? She knows that she cannot inflame me more than I am inflamed." Then, jumping from phase to phase of the same old question, "This will turn out badly, of course," he decided. "Once I am satisfied, disenchantment is inevitable. Oh, well, so much the better, for with this romance going on I cannot work."

"Miserable me! relapsing—only in mind, alas!—to the age of twenty. I am waiting for a woman. I who have scorned the doings of lovers for years and years. I look at my watch every five minutes, and I listen, in spite of myself, thinking it is her step I hear on the stair.

"No, there is no getting around it. The little blue flower, the perennial of the soul, is difficult to extirpate, and it keeps growing up again. It does not show itself for twenty years, and then all of a sudden, you know not why nor how, it sprouts, and then forth comes a burst of blossoms. My God! I am getting foolish."

He jumped from his chair. There was a gentle ring. "Not nine o'clock yet. It isn't she," he murmured, opening the door.

He squeezed her hands and thanked her for being so punctual.

She said she was not feeling well. "I came only because I didn't want to keep you waiting in vain."

His heart sank.

"I have a fearful headache," she said, passing her gloved hands over her forehead.

He took her furs and motioned her to the armchair. Prepared to follow his plan of attack, he sat down on the stool, but she refused the armchair and took a seat beside the table. Rising, he bent over her and caught hold of her fingers.

"Your hand is burning," she said.

"Yes, a bit of fever, because I get so little sleep. If you knew how much I have thought about you! Now I have you here, all to myself," and he spoke of that persistent odour of cinnamon, faint, distant, expiring amid the less definite odours which her gloves exhaled, "well," and he sniffed her fingers, "you will leave some of yourself here when you go away."

She rose, sighing. "I see you have a cat. What is his name?"

"Mouche."

She called to the cat, which fled precipitately.

"Mouche! Mouche!" Durtal called, but Mouche took refuge under the bed and refused to come out. "You see he is rather bashful. He has never seen a woman."

"Oh, would you try to make me think you have never received a woman here?"

He swore that he never had, that she was the first....

"And you were not really anxious that this—first—should come?"

He blushed. "Why do you say that?"

She made a vague gesture. "I want to tease you," she said, sitting down in the armchair. "To tell you the truth, I do not know why I like to ask you such presumptuous questions."

He had sat down in front of her. So now, at last, the scene was set as he wished and he must begin the attack. His knee touched hers.

"You know," he said, "that you cannot presume here. You have claims on—"

"No, I haven't and I want none."

"Why?"

"Because.... Listen," and her voice became grave and firm. "The more I reflect, the more inclined I am to ask you, for heaven's sake, not to destroy our dream. And then.... Do you want me to be frank, so frank that I shall doubtless seem a monster of selfishness? Well, personally, I do not wish to spoil the—the—what shall I say?—the extreme happiness our relation gives me. I know I explain badly and confusedly, but this is the way it is: I possess you when and how I please, just as, for a long time, I have possessed Byron, Baudelaire, Gerard de Nerval, those I love—"

"You mean ...?"

"That I have only to desire them, to desire you, before I go to sleep...."

"And?"

"And you would be inferior to my chimera, to the Durtal I adore, whose caresses make my nights delirious!"

He looked at her in stupefaction. She had that dolent, troubled look in her eyes. She even seemed not to see him, but to be looking into space. He hesitated.... In a sudden flash of thought he saw the scenes of incubacy of which Gevingey had spoken. "We shall untangle all this later," he thought within himself, "meanwhile—" He took her gently by the arms, drew her to him and abruptly kissed her mouth.

She rebounded as if she had had an electric shock. She struggled to rise. He strained her to him and embraced her furiously, then with a strange gurgling cry she threw her head back and caught his leg between both of hers.

He emitted a howl of rage, for he felt her haunches move. He understood now—or thought he understood! She wanted a miserly pleasure, a sort of solitary vice....

He pushed her away. She remained there, quite pale, choking, her eyes closed, her hands outstretched like those of a frightened child. Then Durtal's wrath vanished. With a little cry he came up to her and caught her again, but she struggled, crying, "No! I beseech you, let me go."

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