"I'm in luck!" thought the collector of impressions. "This is the setting for my new novel."

Here was the Kentucky, the America, he had hitherto sought in vain, with its suggestion of the backwoods of civilization, the pioneer, the primitive. And to emphasize and give the suggestion point, here was an example of the finest feminine beauty left to this degenerating world, beauty such as the Greeks knew, large-limbed, deep-bosomed, clear-eyed, product of a vigorous past, full of splendid augury for the future.

"What sons the woman must have!" he mused, stirred; and then remembered, with quite a sense of personal injury, that there were no sons.

He looked again with new interest at the daughter: but she disappointed him. She was too dainty, too petite, with a pink-and-white Dresden prettiness that was almost insignificant. (He missed, as people often did, the shrewd gray gleam behind those infantile lashes.) He hoped that the second daughter might prove truer to type.

Jacqueline, meanwhile, had made an unobtrusive appearance through a door just behind Professor Thorpe, and manifested her presence by a pinch on his arm.

He said "Ouch!" and dropped his eye-glass.

"Hush!" she admonished him, replacing it on his nose in motherly fashion. "I want to look them over and choose a victim before they see me. Why, you old duck of a godparent! Four of them—and all so young and beautiful. Two apiece. I hope they can dance?"

"Warranted to give perfect satisfaction in the ballroom, or money returned," he murmured. "But they aren't professors, my dear. None of ours seemed young and beautiful enough for your purposes."

She gave his arm an ecstatic squeeze. "I knew it! I simply knew the one in gray, with the haughty nose, couldn't be a professor."

"He's worse," warned Thorpe. "He's an author."

She gave a little squeal. "An author! But where did you get him, Goddy?" (Such was her rather irreverent abbreviation of "godfather," employed to signify especial approbation.)

"I didn't. He got me. It is my famous nephew from Boston—'from Boston and Paris,' I believe he subscribes himself."

James Thorpe spoke with a certain fortitude which Jacqueline was quick to observe. He was a small, ugly man, with the scholar's stoop and the scholar's near-sighted, peering gaze—the sort of man who has never been really young and will never be old, looking at forty-five much as he looked at twenty, a little grayer, perhaps, a little more round-shouldered and ineffectual, but no more mature. His most marked characteristic was a certain shy amiability, which endeared him to his classes and his friends, even while it failed to command their respect. Beneath this surface manner, however, were certain qualities which Kate had had long occasion to test—dogged faithfulness, and an infinite capacity for devotion. He was a very welcome guest at Storm, their one connection with the outside world. Indeed, Kate's enemies were in the habit of referring to James Thorpe as the third man whom she had ruined. His learning and his abilities were wasted on the little college where he chose to remain in order to be near her.

It was Jacqueline's custom to treat the Professor as if he were a cross between a child and a pet dog,—a favorite pet dog. She murmured now, sympathetically, "Doesn't it like its famous nephew, then? I wonder why? He does look rather snippy. Is he so famous as all that? In the magazines and everything?"

"Pooh! He would scorn the magazines. Novels are his vehicle. Large novels, bound in purple Russia leather, my dear."

"But you've never sent us any of them."

"Heaven forbid!" murmured James Thorpe.

"Oho!" Jacqueline rounded her eyes. "They're that sort, are they? Asterisks in the critical spots?"

The Professor blushed. "Well, er—no. No asterisks whatever, anywhere. He belongs to what is called the er—decadent school."

Jacqueline gazed around him at the author with increased respect. "What's his name, Goddy?"

"James Percival Channing. 'James' is for me. Calls himself 'J. Percival,' however. He would."

"What?—not the Channing? Why, Goddy, of course I've heard of him! I had no idea you had any one belonging to you like that."

"I don't often brag of it," he murmured.

"But what is he doing here?"

"Getting next to Nature, I believe. Collecting specimens, dialect, local color, animals in their habitat, you know. Take care, or he'll be collecting you."

Her eyes twinkled. "Wouldn't it be gorgeous to be in a book! Professor Jimsy, don't you think we ought to give him a little local color at once? Some native habits, for instance. Dare me to? Come, be a sport and dare me to! Then if Mother or Jemmy scolds me, I can blame it all on you."

She stroked his hand persuasively. There was no resisting Jacqueline's blandishments. He dared her to, albeit with misgivings. Ever since her infancy, when hearing his voice in the hall she had escaped from her nurse and her bath simultaneously and arrived, slippery with wet soap, to welcome him, Jacqueline had been the source of an uneasy fascination for her godfather. She represented, in his rather humdrum life, the element of the unexpected.

Some moments later the group gathered about Mrs. Kildare—and incidentally Jemima—were startled by the appearance of a vision in pink at the head of the stairs, who casually straddled the banister and arrived in their midst with the swoop of a rocket.

"Jacqueline!" gasped her sister.

Kate shook her head reprovingly, and smiled. After all, one of her children was still a child. No need to trouble about the future yet!

Channing was the first of the guests to collect his wits, and he assisted the newcomer to alight from the newel-post with gallantry.

"What an effective entrance, Miss—ah, Jacqueline," he commented. "An idea for musical comedy, all the chorus sliding down on to the stage in a procession. I must suggest it to my friend Cohan."

The girl suddenly felt very small, but she concealed her embarrassment beneath an excessive nonchalance. "Why, in Boston don't people use their banisters? We find them so convenient, so time-saving."

"Unfortunately, in Boston," he replied blandly, "very few women seem to have such decorative legs to exhibit."

There was a shocked pause. Thorpe and Mrs. Kildare had moved out of hearing. The three other young men rushed into the breach with small talk, casting furious looks at Channing, much to his amusement.

He made a mental note: "In rural Kentucky the leg may be seen but not heard."

Later Jacqueline whispered to her sister, "What was wrong with that compliment? Why did everybody look so queer?"

Their education had not included a course in the lesser feminine proprieties. But Jemima was not one to be caught napping. Conventions came to her by instinct.

"He should have said 'limbs,'" she answered promptly. "And he should not have seen them at all!"

Jacqueline inspected her slim ankles with approval. "I don't see how he could have helped it. They're very pretty. Blossom, what's wrong with legs anyway?"

But for once Jemima was unable to enlighten her.

The collector of impressions had several occasions to congratulate himself, during the course of that evening. He ceased to trust his memory, and commenced a series of surreptitious notes on his cuff, to the acute discomfort of his uncle. Among them appeared items such as the following: "7 vegetables and no soup." "Pancakes are called bread." "The butler has bare feet."

The butler was one of the stable-boys disguised for the occasion in a white coat and apron, who partially concealed himself behind the dining-room door and announced in a tremulous roar, "White folks, yo' supper's dished!"—stage-fright having conquered recent instructions.

Mrs. Kildare, who was usually served by an elderly housewoman, gazed at this innovation in frank astonishment; but it was only the first of her surprises. The table was frivolously alight with pink candles, and in the center stood a decoration consisting of a scalloped watermelon filled with flowers, leashed to a little fleet of flower-filled canteloupes, by pink ribbons.

Jacqueline could not dissemble her admiration of this effect. "Isn't it artistic?" she demanded of the company at large. "Jemmy saw a table like this in the ladies' page of a magazine, and she copied it exactly."

"So helpful, those ladies' pages," murmured the author. "Once I got an idea out of them for turning a disused cook-stove into a dressing-table, with the aid of cretonne and a little white paint."

Jemima gave him a glance that was swift and sharp as the gleam of a knife, but she said nothing. She was too preoccupied at the moment to decide whether he was laughing at her or not. Temporarily, she gave him the benefit of the doubt. Weighty matters were on her mind that night. While Mrs. Kildare, as usual, sat at the head of her table, it was Jemima who ably and quite visibly conducted affairs.

From the pantry came suppressed guffaws, the shuffling of many feet, the steady fusillade of rattling china.

"It is a regiment preparing to charge!" thought Channing.

But when it charged, the author forgot his note-making and was content to eat. All day Jemima had been busy in the kitchen with Big Liza; both notable cooks in a country where cookery is justly regarded as one of the fine arts.

At one time Mrs. Kildare counted no less than five unaccustomed servitors, white-coated and barefooted, shuffling about the table, with fresh relays of waffles, biscuits, fried chicken. They ranged in size from the coachman's youngest to Big Liza herself, queen of the kitchen; a monumental figure whose apron-strings barely met about her blue-gingham waist, and whose giggles threatened momentarily to overcome her.

"Well, old woman, this is a surprise!" murmured her mistress. "What brings you into the dining-room?"

Big Liza shook like the aspic she was carrying. "Laws, Miss Kate, honey, I allus did have a eye fo' de gentlemen," she said coyly. "I des 'bleeged ter have a peep at de beaux. Mighty long time sense we-all's had a party at Sto'm!"

Jemima cast a reproachful glance at her mother; but the "beaux," accustomed from infancy to the ways of servants like Big Liza, responded cheerfully to the old woman's advances, bantering and teasing her till she retired to her kitchen in high delight, tossing her head.

Channing listened in sheer amaze. "Primitive? Why, it's patriarchal! Positively Biblical in its simplicity!" he thought.

Jemima was as pink as her decorations.

"Judging from the Apple Blossom's expression," murmured Thorpe to Mrs. Kildare, "you have committed a hopeless social error in conversing with your cook."

"I know! It was too bad of me. She takes her little party very seriously," said the other, remorsefully. "Don't you dare laugh at her, Jim! It is her first, and she's done it all by herself!"

"If she made this puff-paste herself, no man in the world will think of laughing at her," he said heartily. "But—their social instincts are awaking, Kate. They come by them very naturally. It is time for your girls to have their chance."

She winced. "What shall I do about it? How can I manage? I have no friends now. There is nobody I can count on to help them."

He leaned toward her, his lined face for the moment almost beautiful.

"There is always me, Kate. Hasn't the time come to let me help you, for their sakes? As Mrs. Thorpe—" he paused, and continued quietly, with a rather set look about his jaw, "As Mrs. Thorpe I think I can promise you a few friends, at least. And a—protector—though I may not look like one," he finished, wistfully.

She shook her head, not meeting his eyes. She always avoided, when she could, these offers of help, knowing that when he grew tired of making them she would miss him. But she had not the courage to send him away, to break with him entirely. She was not consciously selfish. If it had been suggested to her that she was interfering with her friend's career, she would have been shocked and grieved beyond measure. Thorpe's devotion was a thing so complete, so perfect in its unobtrusiveness, that it defeated its own purpose. She simply took it for granted.

He made no protest now; even smiled at her reassuringly, knowing that it troubled her to hurt him. Only the eagerness that had for the moment beautified his face died away, and Jacqueline, happening to glance across at him, thought, "Poor Goddy! How old and out of it all he looks!"

She drew him into the conversation. "I was just telling the author, Professor Jimsy, that he inherits his patrician nose from you," she said (somewhat to the author's embarrassment). "And he says one doesn't inherit from uncles. That's nonsense! If property, why not noses? And character?" she added wickedly. "Oh, I see lots of resemblances between you!"

"Do you?" murmured the Professor, rather grimly.

"For instance, you both go in for psychology—only you don't publish yours in large purple novels."

"I do not," said the Professor.

Channing looked at her with surprise. Was it possible that this backwoods hoyden—Bouncing Bet of the Banister, he had named her to himself, with a taste for alliteration—was it possible that she had read any of his books? She was hardly more than a child. The hair hung down her back in a thick, gleaming rope, her merry gamin's face lacked as yet all those subtleties, those nuances of expression which fascinated him in such faces as her mother's. Channing was still young enough to prefer the finished product. But if she read his books....

Doubtless Mrs. Kildare was not a woman to be very particular about her young daughters' reading. The standards of a well-bred world would not prevail in this strange household. He thought suddenly of the girl's dangerous inheritance—the father, notorious even in a community that is not puritanical about the morals of its men; the mother, fought over like some hunted female of the lower creatures, yet faithful always to the lover who had done away with the husband.... Truly, the future career of young Jacqueline Kildare might be well worth watching. Despite her crude youth, there was a certain warm sweetness about her which, he noticed, drew and kept the attention of every man at the table—a caressing voice, hands that must always touch the thing that pleased her, above all a mouth of dewy scarlet, curving into deep dimples at the corner.

"Undoubtedly a mouth meant for kissing," mused Channing, the connoisseur.

He let his imagination go a little. It was a pampered imagination, that led him occasionally into indiscretions which he afterwards regretted—not too deeply, however, for after all, one owes something to one's art. "Psychological experiments," he named these indiscretions. He suspected that he was on the verge of one now, and tasted in advance some of the thrills of the pioneer.

And then, quite suddenly, he became aware of Jemima's cool, appraising, gray-green gaze fastened upon his face; not quite meeting his eyes, but placed somewhere in the region of the mouth and chin, those features which Channing euphoniously spoke of to himself as "mobile." The author started. He resisted an impulse to put a hand up over his betraying mouth.

"What ho! The pink-and-white one's been making notes on her own account," he thought.

It was a privilege he usually reserved for himself.

After dinner the phonograph was promptly started, Jacqueline explaining that the young men were going to teach them to dance.

"Teach you?" exclaimed her mother. "Why, you both dance beautifully."

She had taught them herself from earliest childhood, lessons supplemented by the best dancing-masters that money could bring to Storm. Perhaps the prettiest memory the rough old hall held was that of two tiny girls hopping about together, yellow heads bobbing, short skirts a-flutter, their baby faces earnest with endeavor.

"Pooh, two-steps and waltzes, Mummy! They're as dead as the polka. Besides, you can't really dance with another girl."

"Can't you?" Kate sighed. She exchanged a rueful glance with Thorpe, "Jim, tell me, did you know the polka was dead?"

"I haven't danced since your wedding."

They settled themselves to look on, Kate murmuring, "I hope all this noise isn't keeping Mag Henderson awake. We've got a new baby upstairs, did you know it? A poor creature who had no one to look after her at home."

"So you brought her here—of course! Kate, Kate, isn't it enough that you take in every derelict dog in the county, without taking in the derelict infants and mothers as well?"

"I take in the dogs as a sort of atonement to poor old Juno and her mongrel pups," she said, soberly. "I feel as if Storm owed something to mongrels. As for this baby, it's a good experience for Jemima and Jacqueline. I want to teach them all I can, while I can."

"Humph! Where's the woman's husband!"

"There never was any."

"What? My dear Kate! And that's the type of woman you think will be a good experience for your young daughters?"

"Jim, you psychologists have a stupid way of dividing people into types. I regard them as individuals. My girls will do Mag Henderson more good than she can do them harm," she said, with a quiet dignity which ended discussion. "Good Heavens! What sort of dance is that?"

The dancing that is called "new" was just making its triumphal progress westward into the homes of the land.

"That, I believe, is a highly fashionable performance called the Turkey Trot."

"Looks it," she commented disapprovingly, even while her feet beat time to the infectious measure.

The voice of Jacqueline rang out, "But this isn't new at all! It's just ragging, like they do at the quarters, only not so limber. We've known how to rag for ever so long, haven't we, Blossom? Watch us!"

She caught her sister around the waist and went strutting down the long hall, hips and shoulders swinging, pretty feet prancing, laughing back over her shoulder with unconscious provocation, until a delighted old negro voice at the window cried, "Dat's de style, Miss Jack! Dat's de way to git 'em, honey!"

With the first note of the phonograph, the entire domestic force had transformed itself into an unseen audience.

When Philip Benoix came to the top of the Storm road, he jerked up his horse in sheer amaze. It was a scene such as he had never expected to find in that grim old fortress-home. Past the lighted windows couples stepped rapidly to the titivating strains of "Trop Moutarde"; while on the lawn outside the entire population of the quarters pranced and capered in much the same fashion, somewhat hampered by the excited dogs. Kate Kildare stood in the open doorway, gazing from the dancers within to the dancers without, and laughing until she held her sides.

Philip's grave face warmed with sympathy. "It is good to see her laugh like that. I won't tell her to-night," he thought; and would have turned away, but that the dogs suddenly became aware of him and gave tongue.

"Heah comes Pahson to jine de high jinks!" cried the erstwhile butler, running hospitably to take his horse. It was too late for retreat.



CHAPTER X

Kate stepped down into the porch with outstretched hands. "I am so glad it is you, Phil dear. You must have felt me wishing for you. Come, come in, boy! You don't have half enough of 'high jinks'!"

He shook his head silently.

She made a little grimace. "I forgot—the Cloth does not dance. But surely the Cloth may look on?"

"From afar off, perhaps, out of the way of temptation."

He spoke smilingly, but she reproached herself for thoughtlessness. Philip was very careful not to present himself anywhere that his presence might cause restraint or embarrassment, he never forgot, no matter if others forgot, that he was the son of a convict.

"Then I shall sit out here with you." As she drew closer to him, she saw his face clearly in the light that streamed from the open doorway. It was very pale. "Oh!" she cried. "What is the matter, Philip?"

"My father—"

Her hand went to her heart.

"Not bad news," he said quickly. "Good news. To-day I had a letter from the Governor."

The newly elected Governor of the State had been the presiding judge at Jacques Benoix' trial.

"The Governor! Well? Well?"

"He said—it was a personal letter, you understand, nothing official. He said that he had always entertained grave doubts as to the justice of father's sentence, and that if I could secure the signature of certain men in the State, he would be glad to consider a petition for pardon."

* * * * *

In the house, James Thorpe, waiting for Mrs. Kildare's return, after some time became aware that he was not the only person in the room not dancing. A girl in apple-green sat, with a rather fixed smile on her lips, watching three of the young men teaching Jacqueline a new step, while Percival Channing produced upon the piano a tune too recent for the resources of the graphophone. It occurred to him that Jemima's party might leave something to be desired on the part of its instigator. He crossed the room.

Jemima withdrew her eyes from the dancers with an effort. She had evidently forgotten his existence. "But what have you done with mother?" she demanded. "I thought you were having such a nice time with her all to yourself."

He explained.

"Oh, Philip, of course! Mother does spoil Philip dreadfully, poor fellow! She was a great friend of his mother's, you know, and his father is—but of course you know about his father. Phil simply worships mother, and I think she likes it. Any woman does," said Jemima, with the air of elderly wisdom which always amused Professor Thorpe. "Still, it's too bad of her to go off with him to-night, when I'd promised you a whole evening with her alone."

He winced. He was beginning to realize that evenings alone profited him no more than evenings in company.

"Since you've broken your promise," he said severely, "I think you will have to make me some reparation. This new dancing, now"—he mastered a certain trepidation—"it looks easy, if unbeautiful. Do you think you could teach it to me?"

She rose with alacrity. "Of course I could! I always learn things much quicker than Jacky. You see it's taking three of them to teach her—two to dance for her and one to dance with her—and I know the steps already. Professor Jim," she said irrelevantly, with a faint sigh, "do you think it pays to be clever?"

If Mrs. Kildare had noticed, she would have been more than a little astonished by the vision of shy and awkward James Thorpe, one of the leading psychologists of the country, capering nimbly in a lady's chamber under the guidance of her eldest child. But she did not notice.

* * * * *

"Do you know what this means?" she said, after a long silence. "It means that we have won, my dear. The very judge who tried him!"

Philip nodded, without speaking.

Her hand groped for his and clung to it. As the sisters of Lazarus must have felt when he who was dead came to them out of the tomb in his cere-cloths, so these two felt now. After seventeen years, the thing they had vainly hoped and striven for was about to be granted—not justice (it was too late for that), but mercy, freedom. And after seventeen years, what was a man to do with freedom?

"I am—frightened, a little," Philip said at last, turning to her. "What am I to do with father?"

"You are to bring him straight to me. No, I will go with you and bring him home myself."

"Home? To Basil Kildare's house?"

She lifted her head, "What matter whose house? We shall be married at once."

He said in a low voice, "Have you forgotten—the will?"

"Forgotten it?" she laughed. "Do you think that likely? Why do you suppose I have worked as I have, scheming, saving, paring corners—done my own selling and buying and overseeing, driven my men and myself to the limit of endurance, got for myself the reputation of a female Shylock? Because I like that sort of thing? Because I enjoy making money? No, my dear. When I rob my girls of their inheritance, as rob them I must, I shall be able to give them each a little fortune to take its place. I am a rich woman now, aside from the Storm property. Basil Kildare had the right, perhaps, to do as he chose with his property. Thank God he cannot lay a finger on mine!"

She stared out straight in the direction of the little cornfield graveyard, as if defying some ghostly presence there to do its worst.

Philip lifted the hand he held to his lips. When he spoke there was trouble in his voice. "Do you think that when my father hears the terms of Kildare's will, he will consent to such a sacrifice?"

She turned on him sharply. "He does not know about the will, and he must not, certainly until after we are married. Who would tell him—you, Philip?" Her eyes met his. "Philip! What do you mean?"

"Suppose," he said very low, "it were a matter of my conscience?"

"Then I ask you not to listen to your conscience, but to me!" She put her hands on his shoulders. "If, as you say, you owe me anything—if you value my friendship—if you love me, Philip—promise that you will never tell your father!"

It was a great temptation through which he passed at that moment; a temptation all the more subtle in that he could tell himself truly it was for her sake he hesitated. One word to Jacques Benoix, and the thing he dreaded, the thing suddenly so near, would never come to pass.

"Don't you know it will hurt you to give up Storm?" His voice was hoarse. "It has been your life so long. You love the land, every stick and stone of it."

"And every twig and grass-blade. But," she said quietly, "I love Jacques more. Promise, dear."

He promised.

The silence fell again. Across Kate's face a moonbeam strayed and rested, and the young man sitting in the shadow a little behind her could not take his eyes away. He had the strange feeling that he was looking for the last time on the woman he loved, who belonged now irrevocably to his father. It was a glowing face, with eyes as lovely, and lips as tremulous, as those of a dreaming bride. Before Philip she made no attempt to conceal her thoughts. They had been confidantes too long.

It came to him that his father must be a remarkable man to have held through years of absence such a love as this.

"I wish I knew him better," he said, thinking aloud. "To me he is almost a stranger."

"A stranger!" She smiled incredulously. "I should think you would find it difficult to write those long weekly letters of yours to a 'stranger.'"

Philip had never found it difficult, because from the first the subject of those letters had been herself.

At the last meeting between Jacques and his son, the man in his extremity had turned to the boy for aid, pleading with the terrified, bewildered little fellow as if with a man who understood. And Philip, already old beyond his years, born with the instinct of the priest and confessor, had understood.

"You will tell me of her?" Jacques had pleaded. "I have no friend but you, boy. You will take care of her? You will write me how she does?"

Philip had not failed his father. Every detail of Kate's life was known to the man in prison, her comings and goings, her daily habits, her work, her successes and failures, the very color of the gowns she wore. There had been from the first a sort of glamour about her, to the imagination of a lonely, dreaming boy. Even at fourteen he had been a little in love with Kate Kildare, as a page may be in love with a queen. With the passing years, more of Philip's self than he knew had crept into those weekly letters to his father; so that if Jacques Benoix was a stranger to him now, he was no stranger to his father.

"It is queer, though," he mused, still thinking aloud. "Often as I write to him, he rarely answers. Once a year, on my birthday, and again at Christmas. It is as if he wanted me to forget him!"

"I think he does," she said. "That is why he never writes to me at all. I have had only one letter, begging me never to come there, nor to allow you to come there. He even asked me not to write to him, and I have not written. But—forget Jacques!" She smiled proudly. "He does not know us, does he? Nor himself. Why, there is not a man or woman in the county who has forgotten him!"

Philip was staring at her in amaze. "You mean to say that you never hear from him, either, and that you have never seen him—?"

Her face paled. "Yes, I have seen him. Once. There were convicts working on one of the roads near Frankfort. I spoke to them as I passed—men in that dress always interest me now. One of them did not answer me, did not even lift his head to look at me. I looked more closely—"

"It was he?"

She nodded. "Working on the road like a common laborer, a negro! Oh, I went to the warden about it myself. I railed at him, asked him how he dared put such a man at that work, a gentleman. He heard me through patiently enough—after all, what business was it of mine? When I finished, he explained that he had put Jacques on the road at his own request, granted as a reward for help during an epidemic in the prison. Jacques had chosen it."

"Chosen it! Why?"

"Because it was out of doors, beyond the walls. Because he wanted to see the sky, and trees, and birds. He always loved birds...."

She felt Philip shaking, and with a gesture of infinite tenderness, drew his head down on her shoulder.

"He had changed so little, dear, so little. But it was years ago. Now he must seem older. Have you forgotten how he looks? You were such a child when he went. Glance into your mirror and you will see him again. The same eyes that flash blue in your dark face, the same smile, the same look of gentleness; strong gentleness. You are simply your father over again. That is why I love you so." She laid her cheek on his hair.

If the words brought a stab of pain that was almost unendurable, she did not guess it. From the moment her first child was laid in her arms, Kate, like many another woman, regarded herself as a mother to all mankind. For her, this was the boy Jacques had left in her care, the husband she had chosen for her own little girl; doubly, therefore, her son. That she was less than ten years his senior, the one beautiful woman in his world, the heroine of all a young man's idealism—of these things she was as unaware as of the fact that Jacques' boy had long ago left boyhood behind him.

He stayed where she lightly held him, his head rigid upon her shoulder, conscious in every fiber of his being of the cheek pressing his hair, the warmth and fragrance of her, the rise and fall of her soft bosom—praying with all the strength that was in him to become to this beloved woman only the son she thought him, nothing more, never anything more. The Benoix men came of a race of great lovers.

She released him presently and he rose, moving with a curious stiffness as of muscles consciously controlled.

"What, going so soon? I have so much more to say to you about him—but there! You look tired—you look not quite happy, Philip. What is it? Are you still wondering what to do with him? Don't! Leave that to me, dear. And now go straight to bed and get a good night's rest. To-morrow we shall begin on the petition—our last, thank God! I will see the men the Governor mentions myself."

When he was gone, she sat a while longer in the dark. She was not quite ready yet to face strangers, to face even her daughters. Jacques was coming back to her! She said the words over and over to herself, till they rang through her head like the refrain of a song. All the years between them, the long, lonely, weary years, filled with work and with the sort of happiness that comes from successful endeavor,—these were suddenly as naught, and she was a girl again, a wistful, dreaming girl with a baby in her arms, listening there in her garden for the pit-a-patter of her lover's horse.

She closed her eyes. Presently the voice of the graphophone broke in upon her dreams, and she became aware of the dancers that passed and repassed the lighted windows; among them a man in spectacles, guiding and being guided by a determined young person in apple-green, his face flushed and earnest, his grizzled hair somewhat awry. "Why—it's Jim Thorpe!" she thought, with a stab of remorse. "I'd forgotten him. But he's dancing, he's enjoying himself like a boy. Bless that thoughtful girl of mine! She's made him look ten years younger. Dear, faithful old Jim!"

Her heart was open to all the world just then. She went to the window and smiled in at him tenderly.

Perhaps it was just as well that James Thorpe could not see that smile, and misunderstand it.



CHAPTER XI

Late summer in Kentucky; deep, umbrageous woodlands fragrant with fern, dreaming noons, shimmering in the heat, with the locust drowsily shrilling; warm and silver nights, made musical by the loves of many mocking-birds; the waste places green tangles of blossoming weed, the roads a-flutter with hovering yellow butterflies, over all the land a brooding hush, not the silence of idleness, of emptiness, but of life, intense and still as a spinning top is still. Beneath it those who listen are aware of a faint, constant stirring, a whisper of green and eager things pushing themselves up from the fecund soil.

More than ever before was Kate aware of the sympathy that bound her to these fields of hers, soon to be hers no longer. She could not keep away from them. Early and late the Madam and her racking mare were to be seen about the roads and lanes, inspecting dairies, stables, hog-pens, poultry-yards, watching the field-hands at their labor, hearing in person the requests and complaints of tenants. Much of her phenomenal success was due to personal supervision, as she knew; even, perhaps to personal charm, for field-hands and tenants are alike human. Now the executive habit stood her in good stead. None of the business of the great farm was neglected; but active as her mind was, through it all her heart was dreaming, not as a girl dreams, but as a woman may who knows well what she has missed of life. Spring had passed her by, with all its promise blighted. Now, like her fields, she had come to late summer, to the season of fulfilment.

There was much to be done in connection with Jacques Benoix' pardon; certain men to be interviewed, not always successfully, though the woman who had made Storm was heard with more respect than had been the desperate young heroine of a scandal; lawyers to be seen, land-agents, cattle-dealers, for in resigning her stewardship of the estate, a certain amount of liquidation was necessary. Optimist that she was, however, for years she had been preparing for this contingency. Her affairs were in such order that at any moment she could turn them over to others. Nothing that had any claim upon her was overlooked. The servants, the horses in her stable, the very mongrel dogs who by the instinct of their kind had discovered her weakness and spread the discovery broadcast,—all had their share in her planning for the future—their future, not hers.

Hers was to be put without question into the hands of Jacques Benoix. She would go to him at the door of his prison-house and say, "Here I am, as you left me. What will you do with us, me and my children?"

She would trust the answer to his wisdom, ready, glad to follow wherever he should lead. Yet so much of herself, of her vital force, had gone into the building up of Storm that sometimes a realization of what was about to happen stabbed through her dreaming like a sharp pain. For twenty years this had been her world, and she was about to leave it. Often, as she passed among her young orchard trees, she laid a hand upon them yearningly, as a mother might touch children with whom she was about to part.

In all her planning, there was only one problem that baffled her, a new problem: Mag Henderson. It was difficult to arrange a future for Mag Henderson.

"I shall simply have to leave it to Jacques. He will know what to do with her," she decided, with a thrill at the thought of her coming dependence. It is only strength that realizes to the full the joy of leaning.

Mag and her child were both thriving under the care lavished upon them at Storm. They had been established in a room of the long-disused guest-wing, where young Jemima might keep a capable if impersonal eye upon their welfare. But Jacqueline, somewhat to her sister's surprise, had promptly relieved her of all responsibility with regard to the baby, and was doing her best to relieve the mother of responsibility also. From the first she regarded the child as her own personal possession, neglecting in its behalf the various colts and puppies which had hitherto occupied most of her waking moments.

The girl had a fund of maternal instinct that sat oddly upon her careless, madcap nature. It was a queer and rather a touching thing to Philip Benoix to see this young tomboy running about the place with an infant tucked casually under her arm or across her shoulder; and to Jemima, for some reason, it was rather a shocking thing.

"She's perfectly possessed by the child, always bathing it or dressing it or something, just as she used to do with dolls. You know we couldn't make her give up dolls till a year or two ago. She is actually persuading Mag to wean it, Philip," complained Jemima, who had no reserves with her friend, "so that she can keep it in her room at night. Did you ever hear of such a thing? A squalling infant that would much rather be with its mother! Isn't it—unseemly of her?"

But Philip did not find it unseemly. "She's growing up, that's all," he said, looking at his young playmate and pupil with eyes newly observant.

Since his acceptance of the Storm parish, Philip had supplanted all other tutors to Kate's children, and was "finishing" their education with an attention to detail not possible in even the best of girls' finishing schools.

Mag had needed little persuasion to give over the care of her child to Jacqueline. She was not lacking in animal instinct, and those who advocated taking the child from her permanently would have found a fury to deal with. But she had also the ineradicable laziness of the "poor white," and it took effort to keep the baby up to the standard of Storm cleanliness. If one of the young ladies chose to take this effort off her hands, so much the better. Besides, it was Jacqueline who had kissed her.

Her temporary interest in the novel state of maternity was soon superseded by an interest still more novel and far more absorbing—the passion for dress.

Even in her abject poverty, there had been something noticeable about Mag Henderson, aside from mere prettiness. Her print frocks, while often ragged and rarely clean, fitted her figure very neatly, and she managed effects with a bit of ribbon and a cheap feather that might have roused the envy of many a professional milliner. Now that she had become the possessor of several cast-off dresses of Jemima's and Jacqueline's, her pleasure in them was a rather piteous thing to see. As her strength rapidly returned, under the influence of care and good feeding, she became absorbed in the task of altering these treasures to fit herself. For this she showed such aptitude and taste that Jemima spoke to her mother about it.

"I believe I've found what Mag is meant for—dressmaking."

Kate gave her daughter a delighted hug. "You clever Blossom! What should I do without you? We'll give Mag a profession. That solves the problem. Write to town at once for patterns and material, and set her to work. Teach her all you can, and whatever you do, now that she is getting strong, keep her busy."

Mrs. Kildare was a firm believer in the adage with regard to Satan and idle hands.

Jemima nodded responsibly. As it happened, this suggestion fitted in very well with certain schemes of her own. Like all good generals, she realized that equipment plays a vital part in war; and little as her mother realized it, the recent "party" was the opening move in a well-thought-out campaign. Jemima had no idea of passing her entire life in the role of exiled princess; and since her mother evidently did not realize certain of the essential duties of motherhood, she intended to supply deficiencies herself.

So the voice of the sewing-machine began to hum through the old house like a cheerful bumble-bee, and Mag entered upon what was certainly the happiest period of her career. Laces, silks, fine muslins—these had the effect upon her developing soul that a virgin canvas has upon the painter. Her fingers wrought with them eagerly, deftly, achieving results which astonished Jemima, herself a dressmaker of parts. Her attitude toward Mag lost something of its cool patronage. She had always great respect for ability.

It was perhaps her absorption in Mag's efforts and the approaching campaign which blinded her keen young eyes to certain changes which had taken place in her mother. She did notice that she spent more time than usual in the juniper-tree eyrie; and one night when the three sat as usual in the great hall, busy with books and sewing, she suddenly realised that her mother had been reading for an hour without once turning her page.

"Mother's got something on her mind. I wonder why she doesn't consult me," she thought, characteristically; but at the moment she had too many weighty affairs on her own mind to give the matter her usual attention.

Occasionally Kate wandered into the sewing-room in the rather vague way that had come to her recently, quite unlike her usual brisk alertness.

"What are you up to, you and Mag?" she asked on one of these occasions. "You seem to be turning out garments by the wholesale." She fingered the dainty pile of fineries on the bed. "What a pretty petticoat! And a peignoir to match. How grand they are! And what's this—no sleeves in it, no waist to speak of—Why, it's a ball-dress! Where in the world have you ever seen a ball-dress, Jemmy girl?"

"In a magazine." Jemima spoke rather anxiously, with a mouth full of pins. "Does it look all right, Mother? Did you use to wear as—as little as that at a ball?"

"Well, not quite as little, perhaps," murmured Kate—the frock in her hand was of the Empire period. "Fashions change, however, and it looks very pretty. But what do you need with such a dress at Storm, dear?"

The girl said rather tensely, "Mother, do you expect Jacqueline and me to spend the rest of our lives at Storm?"

Kate's eyes dropped. "No," she answered in a low voice. She wondered whether the time had come to make the announcement she dreaded.

"Well, then!" said Jemima with a breath of relief. "You see I believe in being forehanded. Young ladies in society need lots of clothes, don't they?"

"You are not exactly young ladies in society."

"Not yet. But we mean to be," said Jemima, quietly.

Kate winced. She had not forgotten it, the thing her daughter called "society"; the little, cruel, careless, prurient world she had left far behind her and thought well lost. To Jemima it meant balls and beaux and gaiety. To her it meant the faces of women, life-long friends, turned upon her blank and frozen as she walked down a church aisle carrying the child she had named for her lover. Wider, kinder worlds were open to her children, surely, the world of books, of travel, of new acquaintance. But the thing Jemima craved, the simple, trivial, pleasure-filled neighborhood life that made her own girlhood bright to remember—of this she had deprived her children forever.

She caught the girl to her in a gesture of protection that was almost fierce. "What does it matter? Haven't you been happy with me, you and Jacqueline? Hasn't your mother been enough for you, my darling?"

Jemima submitted to the embrace with a certain distaste. "Of course. Don't be a goose, Mother dear! There'll never be any place I love as well as Storm—" (Kate winced again)—"or anybody I love as well as you. But we've our position in the world to think of, we Kildares," she ended, with the stateliness of a duchess.

"The world? Kentucky's a very small part of the world, dear."

"It happens to be the part we live in," said Jemima, unanswerably. "And ever since there was a Kentucky, there have been Kildares at the top of it. I do wish," she freed herself gently, "that you wouldn't always feel like embracing me when I've just done my hair! You're as bad as Jacky."

"Forgive me," said Kate humbly, releasing her. "So you can't be happy without 'society,' Jemmy? Parties don't always mean pleasure, my little girl."

"I know that—" Jemima spoke soberly. "I don't believe I'm going to have a very good time at parties. Jacqueline is. I don't know why—" her voice was quite impersonal. "I'm prettier than she is, really, and lots cleverer, but Jacky gets all the beaux. Even that author man, though you'd think.... Queer, isn't it?" She put her wistful question again: "Mother, do you think it pays to be clever?"

Kate, with a pang at the heart for this clear-eyed child of hers, answered as best she could this plaint of clever women since the world began. "Certainly it pays. Clever people usually get what they want."

"They get it, yes," mused the girl. "But it doesn't seem to come of its own accord. And things are nicer if they come of their own accord." She gave a faint sigh. "However, we must do what we can. And of course people don't go to parties, or give them, just to have a good time."

"No?" murmured Kate. "Why, then?"

"To make friends," explained the girl, patiently. "You see Jacky and I have to make our own friends."

Kate's eyes smote her suddenly with compunction, and she leaned her head against her mother's arm, quite impulsively for Jemima. "Not that I'm blaming you, Mummy. You've done the best you know how for us, and this is going to be my affair. It's all quite right for you to be a hermit, if you like. You're a widow, you've had your life. But Jacky and I aren't widows, and if we keep on this way, we'll never have a chance to be."

She was surprised by her mother's sudden chuckle. Jemima was never intentionally amusing.

"So," she finished, "Professor Jim is going to help us all he can."

"What! Jim Thorpe to the rescue again?" Kate could not accustom herself to the thought of this shy, awkward, scholarly man, the least considered of her girlhood adorers, in the role of social sponsor to her children.

"I asked him," explained Jemima, "whether he did not know all the worth while people in Lexington and thereabouts, and he said he did. So he is going to see that they invite us to their balls and things. Of course, we shall have to do our share, too. And then," she added with a hesitating glance, "I thought perhaps we might go to New York some day, and visit our father's aunt Jemima."

"That is an idea you may put out of your head at once," said Kate, quietly. "Your father's aunt and I are not on friendly terms."

"I know. I've often wondered why." She paused, but Kate's face did not encourage questioning. "She's very rich, and old, and has no children. Oughtn't we to make friends with her?"

"Jemima!" said her mother, sharply.

The girl looked at her in genuine surprise. "Have you never thought of that? Well, I think you should have, for our sakes. Even if you and she aren't good friends, need that make any difference with Jacky and me? You see, Mother dear, it is we who are really Kildares, not you."

Kate turned abruptly and left the room, more hurt than she cared to show. Sometimes the paternal inheritance showed so strongly in Jemima as to frighten her; the same fierce pride of race, the same hardness, the same almost brutal frankness of purpose. A terrifying question rose in her mind. When they heard the truth about her, as hear it they soon must, would her children he loyal to her? Would they understand, and believe in her? As the girl had said, they were Kildares, and she was not.

So far, despite the frequently urged advice of Philip, she had kept them in ignorance of the facts of their father's death. They knew that he had been killed by a fall from his horse. They knew, too, that Philip's father was in the penitentiary, a "killer" as the phrase goes in a hot-blooded country where many crimes are regarded as less forgivable than homicide. But to connect the two tragedies had never occurred to them, and the isolation of their life, passed almost entirely among inferiors and dependents, had made it possible to keep the truth from them. It would not be possible much longer.

But once more the mother postponed her moment of confession. It was the one cowardice of her life.



CHAPTER XII

The fact that, while the countryside had been astir for weeks with rumors of Jacques Benoix' impending release, her daughters were quite unaware of them was evidence of the Madam's complete sovereignty over her realm. It would have been a brave man or woman who dared to gossip of Mrs. Kildare's affairs with her children. They remained unconscious of the undercurrent of excitement and speculation in the atmosphere about them. In time, mention of the pardon and reference to the old-time scandal it revived, was made in the newspapers; but these papers failed to reach the reading-table at Storm, and the girls did not miss them. Kate had never encouraged the reading of newspapers in her household, finding the monthly reviews cleaner and more reliable; and indeed the doings of people in the far-off world were less real to Jemima and Jacqueline than episodes in such novels as their mother read aloud by the evening lamp, while one girl sewed and the other lost herself in those dreams of youth which are such "long, long dreams."

They wondered a little, it is true, over Kate's frequent absences from home, and over the defection of Philip.

"He hasn't been here for days, and he used to come every evening," complained Jacqueline, always his sworn ally and companion. "No time for riding, or music, or even lessons—not that I'm complaining of that! But he's never been too busy for us before."

The fact was that Philip dared not trust himself at Storm just yet, not until he had accustomed himself to the immediate thought of Kate Kildare as his mother.

"Philip looks a little queer, too—sort of hollow about the eyes," mused Jemima, the observant. "Still, he always was rather a solemn person."

"No such thing, Jemmy!" cried Jacqueline, who could bear no criticism of the thing or person she loved. "He's positively giddy sometimes when I have him alone. Anyway, wouldn't you be solemn yourself, if you had a father in the penitentiary?"

"He ought to be used to it by this time. No, I don't believe it is that. I believe it is mother."

"What do you mean—'mother'?"

"Oh, nothing. Only"—Jemima severely bit off a thread—"I do wish mother'd grow wrinkled or—or fat, or something, like other people's mothers."

"Why, Jemmy Kildare!" cried the other, shocked. "How can you say such a thing? Mother's the most beautiful person in the world!"

"Exactly. If I'm not mistaken, Philip thinks so too."

"Well, why shouldn't he? That's nothing to be solemn about."

The other smiled an enigmatical smile.

"Stop looking like that horrid Mona Lisa. You mean—" Jacqueline stared, then shouted with laughter. "Blossom, you're too silly! Of course mother's the most beautiful person in the world, but after all she is—mother! She's old."

"Remember Henry Esmond."

"Pooh! That's in a novel. Why, Philip might as well get up a romantic passion for—for the Sistine Madonna."

"Which would be exactly like him," commented Jemima; but Jacqueline dismissed the absurdity from her mind with another laugh.

From day to day now, Kate put off the breaking of her news. "Not yet," she pleaded with her better judgment. "I will wait till everything is settled."

She waited a day too long.

Jemima had driven down to the crossroads store for some pressing necessity of the sewing-room. Like many country stores, it combined the sale of groceries, fishing-tackle, hardware, dry-goods, and other commodities with the sale of wet-goods, the latter being confined to the rear portion of the establishment, opening upon a different road from the front portion.

The proprietor's wife, who usually managed the dry-goods and groceries' section, happened to be absent at the time, and the proprietor's unaccustomed efforts to find the buttons Jemima needed aroused her quick impatience.

"Never mind—let me find them myself, Mr. Tibbits," she urged. "I'll put them down in your book. There's a customer in the back store. Do go and attend to him."

Tibbits meekly obeyed, murmuring, "You might find them buttons on the shelf with the canned goods, or then agin they might be under the counter behind them bolts of mosquito-bar."

So it happened that Jemima was on her knees behind the counter, quite invisible, when two women in sunbonnets entered, deep in a congenial discussion of their betters, such as might have been heard in a dozen homes in the vicinity that day. They had failed to recognize the buggy at the door as a Storm equipage.

"What I want to know is how's she ever goin' to manage with the two of them at once. They do say the young parson's sort of took his father's place with her."

"Laws! I should think she'd be ashamed. Her old enough to be his mother!"

"No, she ain't, either. She wa'n't twenty, nothin' like, when Mr. Kildare brought her here, and the French doctor's boy must a-been about ten then. Ten years or less ain't such a heap of difference, not when you hold your looks the way she does. Anyway, they been seen kissin'."

"You don't say!"

The informer nodded, pursing her lips. "It come to me pretty straight. That old nigger Zeke, who does chores about, seen 'em with his own eyes, and tol' me about it next day when he was doin' some work in my patch. Said he caught 'em kissin' and just carryin' on, right in the public road."

"The idea! What for do you s'pose they want the father pardoned out, then? She got up the petition herself. Laws, what a mix-up! I shouldn't think she'd dare have anything to do with either of them. Don't look good, does it? Him killin' her husband and all."

It was here that the girl behind the counter, flushed and furious and just about to speak, suddenly lost her color.

"There was some that never believed he done it, Miz Sykes. If you'd ever known the French doctor—always so sort of soft and gentle in his ways, didn't believe in huntin' rabbits unless for food, used to doctor animals just as if they was folks. He didn't seem the sort of man to make a killer. But there! You never can tell with for'ners. And Kildare wa'n't the sort of man to let his wife go gallivantin' round the country with a lover, that's certain. We was s'prised he stood it long as he did. Oh, I ain't sayin' Dr. Benoix done his killin' in cold blood! He prob'ly done it in self-defense. The gentlest critter'll fight if it's got to. But killin' it certainly was. No axdent about that!"

They went toward the back store, still talking, unaware of the white-lipped girl who slipped out from behind the counter and gained the refuge of her buggy with trembling knees.

Her knees might tremble, but her lips did not. They were set in a straight, grim line, and her brows met over eyes that had grown almost black. It would have been difficult to recognize in this stricken face the pink-and-white Dresden prettiness that had won her the sobriquet of "Apple Blossom."

An old man, fumbling at his cap as she passed, suddenly paused and stared after the buggy, aghast. He thought for the moment that he had seen the ghost of Basil Kildare.

She went straight to her mother's office, a small room opening off the great hall. She opened the door without knocking, and closed it after her.

"One moment, please, I am busy," murmured Kate, glancing up from her desk in surprise. She was not often interrupted so unceremoniously. But instantly she rose to her feet. She had no need to ask what had happened. The girl's face told her.

"Mother!" Jemima's voice was hoarse. "Is it true that—Philip's father—is coming out of the penitentiary?"

Kate inclined her head, paling.

"And that you are getting him out?"

"Philip and I together."

"Why?"

Kate did not answer. She was struggling to collect her wits for this sudden necessity.

Jemima came quite close, searching her face with curious grimness; and Kate saw the resemblance the old man had seen, and shivered.

"Mother, that was not the only news I heard at the store. I overheard some women talking. They said—"

"Surely we need not concern ourselves with village gossip, my child!" Kate was fighting for time.

But the appeal to the girl's pride went for once unheeded. "If they lied," she said tensely, "they must be punished for it. If they did not—Mother, what they said was that my father was not killed by accident. They said the man who killed him was Dr. Benoix. They said—why."

Kate moistened her lips. The time had come to speak, to explain what she could, to lie if necessary—anything to wipe out of her child's face that look of frozen horror.

But her tongue refused her bidding. She was hypnotized by the realization of her own utter folly. To have left such a discovery to chance! To have hoped that some impossible luck would keep her daughters in ignorance of her tragedy—and this in a rural community where nothing is ever forgotten, where every sordid detail of its one great scandal had been for years a household word!

The two stared at each other. Slowly the ruthless inquiry in the girl's eyes changed into fear, into a very piteous dismay. "Can't you deny—anything?" she whispered at last. "Mother! say it isn't so. I'll believe you."

She began to cry; not weakly with hidden face, but as a man cries, painful tears rolling unheeded down her cheeks, her shoulders heaving with hard sobs.

It came to Kate that never since her babyhood had she seen this child of hers in tears. She held out her arms, infinitely touched. "My dear, my baby!" she said. "Come here to Mother."

But the girl avoided her touch with a sort of shrinking. "All these years we've been trusting you, loving you, almost worshiping you—and you were that sort! Oh, Mother! Your husband's murderer—and his son coming and going about our house as if he were our brother. Those women said something about you and Philip, too,—but never mind that now. Will you tell me the truth, please? Before my father's death, you and—that man—loved each other?"

"Yes, Jemima, but—"

The girl silenced her. "And now that he is coming out of prison, you will go on—being lovers?"

Her mother answered quietly, "I shall marry him, dear, if that is what you mean."

Without another word, the girl turned and went out of the room. Kate hurried after her. "Wait, daughter, I haven't finished. There are some things I must tell you. Where are you going?"

"To tell Jacqueline."

Kate cried out, "No, not Jacqueline! She's too young. Wait, please—"

She followed up the stairs, commanding, pleading. "Wait! I prefer to tell her myself. Please, please! Jemima, do you hear me? I insist."

Jemima never paused. "My sister must know the truth. I owe that much to my father. Young or not, Jacqueline is a Kildare," she said stonily at the door of her room; and shut her mother out into the world of people who were not Kildares.

All that morning the Madam, greatly to the bewilderment of her household, wandered about the house in utter idleness, never stopping; saying to herself reasonably, "I must find something to do. Now is the time to be doing something;" wondering with that helpless, childlike egotism of people in great distress, how the sun happened to be shining so brightly out-of-doors, the birds singing quite as usual.

Invariably her footsteps came back to the door of the room that had been the nursery. It was there the two tiny cribs had stood, the rocking-horse, the doll's house, the little desks at which her babies had lisped their first lessons. It was there they murmured together now through the endless morning, discussing her fate, sitting in final judgment upon their mother.

She could not keep away from the door. Sometimes she pressed against it soundlessly, as if the passionate throbbing of her heart might send a wave through to reach them, to help them understand. How else could she help them to understand? Only by blackening now the memory of a father who was not there to defend himself, a father whom she herself had taught them to respect and to love.

It was an expedient that did not once occur to Kate Kildare.

"My little girls!" she whispered to herself. "My poor little frightened babies!"

If only she had been more with them, had taught them to know her better! In those hours she accused herself of neglecting her children, of leaving them too much to the care of others while she absented herself upon their business. She begrudged, as mothers of dead children begrudge, every necessary moment she had spent away from them. What things were they saying in there, what things were they thinking of their mother?

At last she went upon her knees beside the door, her ear shamelessly at the keyhole. Jemima heard her there, and opened.

She said coldly, "You might have come in, if you wanted so much to hear what we were saying. The door was not locked. We have been deciding where we shall go."

Kate got with difficulty to her feet. "Where you shall go?" she repeated.

Then she thought she understood. Jemima had remembered the terms of her father's will, by which in case of her mother's re-marriage the property of Storm was forfeit.

"Oh, but daughter!"—the words tumbled over each other in their eagerness to be out. "You need not trouble about that! Losing Storm won't matter. You lose only what your father left, and I have doubled that—trebled it. Besides, there is the little property that came to me from my parents. I've always meant, when I married, to give you more than my marriage would cost you. That is why I have worked so hard, and saved. Perhaps you thought me miserly, grasping? I know people do. But that is why. The money is to be yours, all yours and Jacqueline's—at once, not after I die. We shall need very little, Jacques and I. Just a start somewhere—"

The girl stopped the hurrying words with a gesture of some dignity. "We have not thought about the money part yet, Mother. We were simply deciding where to live now."

"To live?" The words were puzzled.

"Yes. Surely you don't expect us to go on living with you and our father's murderer?"

Kate groped at the wall behind her for support. Here was a thing she had not thought of. She had known that she might lose her children's respect, perhaps, temporarily, their love; but she had counted unconsciously upon the force of daily habit, of companionship, of her own personal magnetism, to win back both, as she had won them from others. Deprived of their companionship, what chance had she? They were lost to her, utterly. Yet not even in that bitter moment did it occur to her that she might fail the man who was coming back to her out of his living death.

She said tonelessly, "You are very young to leave your mother. Where could you go?"

The girl had her answer ready. "To my father's aunt Jemima. Now I understand why you and she have not been on good terms. I understand many things now. When she hears that we are leaving you, and why, I think she will be glad to offer us a home."

Kate bowed her head, "And Jacqueline? Is she, too, willing to leave me?"

At this there was a cry from inside the door, and a dishevelled, sobbing figure flung itself into Kate's arms and clung, desperately.

"No, no, no! Don't let her make me. I won't, I won't! She's been saying—oh, terrible things, Mummy! I tried not to listen. She said you didn't love us, you loved him. She said that when he comes—that man, Philip's father—you wouldn't want us around any more. But I know better. No matter who comes, you'll want me, you'll want your baby! Won't you, Mother? Dearest, darlingest Mother!"

"Jacky, don't be so weak," commanded her sister, sternly. "Remember what I told you. Remember our father."

"But I never knew our father. What do I care about him? It's Mummy I want. Whoever she loves, I love. I don't care what she's done! I wouldn't care if she'd killed Father herself—"

"Child, hush, hush!" whispered the trembling woman.

"I wouldn't! I'd just know he needed killing. There, there—" she had her mother's head on her breast now, fondling it, crooning over it as if it were Mag's baby. "Look—you've made her cry!" She stamped a furious foot at her sister. "What are you staring at with your cold, wicked eyes? You told me she was a bad woman—my mother! If she is, then I choose to be bad myself. I'd rather be bad and like her than good as—God. Now, then! Get out of here, you Jemmy Kildare!"

Jemima went. Sternly she closed her door upon the clinging pair, shutting both out together into the world of people who were not Kildares. But they were together.



CHAPTER XIII

The night before Jacques Benoix' release found Kate Kildare lying sleepless within sight of a grim gray wall that blocked the end of the street upon which her window opened. A great fatigue was upon her, a fatigue more of the spirit than of the body. For years, it seemed to her, she had been fighting the world alone, unaided; and now that victory was within her grasp it tasted strangely like defeat.

She tried to realize that the gray wall no longer stood between her and happiness; was a menace that with the sun's rays would disappear out of her life like so much mist. But the effort was useless. The aura of shadow that hung always over that place wrapped her in its suffocating miasma, became part of the very air she breathed.

She had taken rooms in an old hostelry near the railroad station, wishing to avoid the curious recognition that would have been inevitable in the town's one good hotel. She was occupying what had been known in days of former prosperity as the bridal suite. This consisted of a dingy parlor, in which on the morrow Philip was to perform the ceremony that made her his father's wife, and of the room in which she lay, its walls dimly visible in the light of an arc-lamp just outside the window, gay with saffron cupids who disported themselves among roses of the same complexion. Over the mantel-piece of black iron hung an improbably colored lithograph of lovers embracing.

Kate found the effect of these decorations ironic, curiously depressing. She was not usually so responsive to environment.

Very near her now Jacques must be lying sleepless, too; watching for the dawn as she was watching—but with what eagerness, what trembling hope! Her depression shamed her. She tried in vain to conjure up a consoling vision of the man she had loved so long. The figure that came to her mind was more Philip than his father. She put it from her impatiently, angrily.

"I believe I'm developing nerves," she thought.

Her eyes, weary of the meaningless, leering antics of the cupids, presently came to rest on the ceiling above her bed, which appeared to be a-flutter with small pieces of pasteboard. She made them out to be business cards, evidently momentoes of passing knights of the road who had amused themselves by sailing their credentials heavenward, each with a transfixing pin. Kate smiled a little, oddly cheered by these reminders of carefree, commonplace humanity which had lain sleepless also in that dreary bridal chamber. The knights of the road were better company for her thoughts than brides who might have dreamed there dreams to which she had forfeited her right; young, innocent brides who were not fighting their way to happiness over the happiness of their children.

Now and again a train came thundering past her window, till the old house shook to its foundation. For these she listened, tense and quivering. One of them would be bearing away from her forever the first-born of her children....

While she made ready for her journey, Jemima had also made ready for a journey, grimly; Jacqueline wandering between the two like a woebegone young specter, all her gaiety dissolved in tears. Mrs. Kildare herself had written to her husband's aunt, for the first time in years, explaining briefly her own intentions and Jemima's attitude with regard to them. The reply had come by telegraph, not to her, but to Jemima. Kate did not ask to see it. Without comment, she had observed the girl's preparations for immediate departure. She could not trust herself to speak.

It was known throughout the countryside by this time that the French doctor was indeed coming out of prison, and that the Madam intended to marry him. The news brought Professor Thorpe post-haste to Storm, pale, but ready as ever with his services.

"I never knew Dr. Benoix well, but now I shall make up for lost time," he said quietly. "What are your arrangements? Will you need a best man, or anything of that sort? Here I am."

Kate thanked him with tears in her eyes, declining.

"Jacques will prefer to see nobody, just at first, but Philip and me, I think. But if you could do something with Jemmy? She will listen to you, if to anybody. Make her understand, somehow—make her believe—" Her choking voice could not finish, and Thorpe silently patted her shoulder.

He had done his loyal best with the girl already, without success. He was handicapped by his promise not to say anything that would shake Jemima's passionate pride and faith in her father.

"I have nothing further to do with my mother's affairs," was her stony answer to all his arguments. "The day she brings that man into my father's house, I leave it, naturally; and I shall do my best to make Jacqueline leave it. That is all."

Her packing went on apace. On the last morning she found a check-book at her breakfast plate.

"Do you mean me to have this, Mother?" she asked in the coldly courteous voice she had used toward Kate since her discovery.

"Yes. There will be a deposit to your credit on the first day of each month until you come of age, when a third of my property will be turned over to you."

The girl flushed deeply, but said nothing except "Thank you." She would have liked to refuse all aid from her mother; but after all, was she not being deprived of her rightful inheritance? Let her mother make what reparation was possible.

To the last moment Kate hoped for some sign of relenting, struggled to find some explanation, some plea, that would draw the girl to her. But those who have formed the habit of ruling, suffer one disadvantage among their fellows: it is impossible for them to become suppliants.

"Good-by, Mother."

When she started for the train that was to take her to Frankfort, Jemima followed her to the door.

"You will be here when—we return, to-morrow?" Kate's steady voice hid very successfully her agonized suspense.

"No, Mother."

"Ah!... Then your aunt expects you? She knows what train to meet?"

"Yes, thank you. Professor Thorpe has made all the arrangements. He will put me on the train in Lexington."

Kate bent over her child. "Good-by, my daughter."

Even then the tremble of a lip, a tear on an eyelash, might have brought them into each other's arms. But neither was the sort of woman who weeps in a crisis. They kissed, their lips quite cool and firm.

It was Jacqueline who did the weeping for both of them, and insisted upon sitting in her mother's lap all the way to the station, so that Kate had some difficulty in driving....

Such were the scenes and memories that flitted through Kate's brain all the night before her wedding; and the night was long.

Near morning she slept at last, and dreamed. Somebody stood beside her, smiling down—a stranger, she thought him, till she met his eyes.

"Jacques!" she cried, starting up with hands outstretched. "You, Jacques!"

The consoling vision for which she yearned had come at last; but not as she had seen it before, not in the prime of manhood, strong to hear her burdens. This was an elderly man, stooping, gray-haired, frail. Only the eyes were the same, blue as a child's in his wan face, warm as a caress. He spoke to her. He seemed to promise something.

She awoke with his name on her lips, and saw that it was morning. Peace had come to her with the vision. She faced a new day, a new life, serene and unafraid. What was it that he had promised? No matter. She would ask him when she saw him, soon now.

Smiling at her own credulity, she began with hasty hands to dress.

Out in the street she heard the crisp trot of horses, stopping beneath her window. Looking down, she saw one of her own vehicles, a light phaeton drawn by a pair of young blooded colts she had sent in to Frankfort some days earlier, that they might be rested and fresh for the day's drive back to Storm, which was to be their wedding journey. She looked them over critically.

"They are in excellent condition. We ought to make it in eight hours," she thought. "How he will love to drive those pretty fillies! He was always so fond of horses."

Philip knocked on her door. His voice said, "I am ready now."

It had been her idea to send him for Jacques alone, so that father and son might have a little time together before they came to her. She opened to him and stood, a white-clad vision, framed in the doorway of that dreary bridal suite.

"You see, I am ready too," she said, blushing a little. "Do you like my dress, Philip?"

He stared at her without speaking. His eyes were heavy and rimmed with shadow. For Philip, too, the night had been long.

She asked again rather anxiously, "Do I look nice, Philip? It doesn't seem too—young for me, this white?" She was in need of all her vanity just then. The mirror had shown her a face pale and luminous, not less beautiful—she knew that—but far older than the face whose memory Jacques carried with him into prison. She was obsessed by the fear that he would not recognize her.

But for once Philip's comforting admiration failed her. "I don't know how you look," he muttered, and turned abruptly away.

She stared after him in surprise. "Dear Phil—he must be very much upset to speak to me like that!" she thought.

She went into the parlor, and busied herself arranging flowers she had ordered to make the place less cheerless for the little wedding. The proprietress came in presently with more flowers, a box bearing the card of James Thorpe. The woman was in a flutter of excitement.

"They's two reporters in the office already, Mrs. Kildare," she said, emphasizing the name, "and more on the way, I reckon. If I'd 'a guessed who you were, I'd 'a' had a weddin'-cake baked, I surely would. I've been on your side from the very first!"

"Thank you," said Kate, wearily.

"We've often had folks stayin' here to meet a friend who was comin' out,"—she jerked a significant thumb over her shoulder toward the penitentiary—"but never any one so famous, and never a weddin' right at the very gate, so to speak," she added unctuously.

Kate winced. She had registered under a false name, hoping thus to escape notoriety. Now she saw the folly of any such hope. From the first, no detail of her unfortunate romance had escaped notoriety.

"Let the reporters come up," she sighed. "Perhaps if I speak to them now they will let us alone afterwards."

She was speaking to them, when she heard in the street outside the familiar, crisp trot of the colts from Storm. Her voice broke off in the middle of a sentence, and the two reporters, exchanging glances, tactfully withdrew.

Kate was suddenly very weak in the knees. She stood by the window for a moment, clinging to the curtains, with closed eyes. "I must be prepared for changes," she said to herself. "It is many years, many years—"

She opened her eyes and looked down. Philip had alighted, throwing the lines to a porter. As he crossed the sidewalk, he glanced up at her window and she saw his face. No one followed him.

She met him at the head of the stairs. "Where is he, Philip?" Her voice was very quiet.

"Gone."

He led her into the room, closing the door in the faces of the eager reporters.

"Father caught a train that went through Frankfort just after dawn," he said tonelessly.

She cried out. "Just after dawn!" It was the hour of her vision. "He did not get our letters, then? He did not know that we were coming to take him home? There was some mistake!"

"There was no mistake. From the first he did not mean to see us. The warden said so."

"Where has he gone?"

"I do not know. The warden would not tell me."

Kate ran into her room, and returned with a hat and coat. "He will tell me," she said. "Come."

The warden received them in his private office, grave with sympathy.

"I understand what a blow this is to you," he said. "I argued with him to make him change his intention—Dr. Benoix was as nearly my personal friend as was possible under the circumstances. But from his first coming here he was determined never to be a burden upon his son—nor upon you, Mrs. Kildare. He felt, rightly or wrongly, that he had already darkened your life too much. It was for that reason he declined to write to you or to receive letters from you. He did not wish to keep alive a—a sentiment which would be better dead."

Kate gasped, "He said that?"

"Yes," said the warden, gently. "He asks that you forget him, if it is possible, or that you think of him as one who has died."

After a moment she said in her resolute voice, "You must tell us where he is."

The other shook his head. "I cannot, and I would not if I could. He has the right to make his life as he chooses. But you may be sure that wherever he has gone, there will be a place for him." The warden's voice changed, "He will be missed here. My business is not a sentimental one. It does not soften a man. We see a great deal of evil in this place, and very little that is good, and it is easy to—to question the ways of Providence, if there is any belief left in Providence. But when men like Benoix come to us, as occasionally they do come, the old-fashioned idea of a guardian Providence becomes—well, more tangible. There seems to be a reason back of such miscarriage of justice. I believe," he said rather haltingly, "that Benoix was sent here, not because he had any need of prison, but because prison had need of him."

He told them something of the doctor's prison life; of an epidemic that had raged through the wards, when he offered his services to the jail physician and for many days and nights had gone without sleep in his efforts to assuage suffering; of women in the surgical wards who mentioned his name beside that of God in their prayers; of men to whom he had given new hope and a new outlook on life by curing them of obscure disease from which they had not known they suffered.

"I would have recommended him for pardon or parole years ago, but he forbade me. He said he had more opportunity for research here than elsewhere." The warden smiled. "By 'research' he meant help, of course, he held the modern theory that crime is always a thing for the surgeon's knife, or the physician, or the teacher, to handle. We let him practise his theories wherever possible, because he was of great assistance to us. He could do more with the prisoners than we could, being one of them. Whenever we had trouble with an inmate, his first punishment was Benoix. He did not often need a second. It is many years since the whipping-post, or the standing-irons, or solitary confinement, have been used in this place, as perhaps you know. Many of our prison reforms may be traced to Benoix' influence, though he will never get the credit of them. He said once, 'What is the use of making men desperate? What you want is to make them ashamed. And that comes from inside.' Young man," he turned to Philip, "convict or not, you need never be ashamed of your father."

"I never have been," said Philip.

They went away, each with a letter Jacques had left for them. Kate's was very short:

I have known always that you would come, and that I must not let you. I am going while I have the strength to go. Fill up your busy, useful life without me, Kate. I thank God that you have your children and my boy, whom you have made a man. Once I left him to your care. Now I leave you to his, without fear. He is worthy.

Do not trouble your great heart for me. I shall find my work in a world that is so full of people—work and friends, too. We cannot be together, you and I, but remember always that I am not far from you wherever I may go, never so far that any need of yours will not reach me.

JACQUES.

She gave this letter, silently, to Philip, but he did not offer her his own. There were things his father had said to him in farewell not meant for other eyes to read; and for a long time they left him awed and silent.



CHAPTER XIV

Kate made the long drive back to Storm, which was to have been her wedding journey, with Philip beside her. They rarely spoke. Conversation was never necessary between them, and now both were busy with their thoughts. She drove, sitting erect as was her custom, her hands very light upon the lines, steadying the young horses now and then with a word, never urging or hurrying them; yet after a few coltish alarms and excursions they settled down to their work with a long, steady trot that ate up the miles like magic.—It was always a pleasure to Philip to see her drive. It was her great gift, he thought, settling men and horses alike to their stride.

They stopped for the nooning at a farmhouse where they were expected, and where their hostess met them eagerly at the gate. But when she saw who was Kate's companion, her face fell, and she hurried to her dining-room to remove from the table a large cake, decorated in candy roses. She asked no questions. There was that in the Madam's face which made questioning impossible.

After the meal and a brief rest for the horses, they drove on, still in silence, the colts trotting steadily now like old, sedate roadsters. Philip's thoughts were still too chaotic for speech. Disappointment, sorrow for his father, admiration, struggled with an unwilling relief, a secret gladness that made him sick with shame.

"Poor father! What am I thinking of!" he said to himself, angrily. "He may be ill, he may be without money. Why did I not ask more questions? Oh, I must find him somehow, I must! And yet—What a solution! She is here beside me. He will not take her from me. How did he know? I shall never have to call her 'mother.' He gives her to me. His whole life has been a sacrifice. What was it he wrote—'We must consider nothing now except her happiness, you and I, except her greatest good.' I wonder, I wonder—"

He dared not look at her often, but sat quite still through the long miles, thrilling to the touch of her skirts when they blew against his knees. The thoughts within him clamored so that sometimes he feared she must be aware of them.

But Kate had forgotten that he was there. Her eyes gazed straight before her down the white road, over which yellow August butterflies hovered like drifting flowers; across the dappled, fragrant fields of the wide valley they crossed to the hills, whose vanguard, Storm, was already to be distinguished by the pennant of smoke flying from its tip. She longed for her home with a great longing, as children who have been hurt yearn for the comfort of their mother's arms.

Her mind was too bruised, too weary for consecutive thought. Sometimes the dream she had at dawn came back to her.—How broken he was, how frail! It did not seem to her that she had seen only a vision. It was Jacques himself. She understood now what promise he had made her. He was indeed never so far away that any need of hers could fail to reach him. He was giving her back her child, giving her back the land she loved, the work she loved; he was giving her what he could of happiness. But he was taking with him the hope that had kept her young.

Storm stood out clearly now against its background of hills, and a cloud of dust approached down the road, which presently revealed the galloping figure of Jacqueline, waving a large bouquet.

"Your wedding bouquet, Mummy," she cried from afar off, with rather tremulous gaiety. "Welcome home! Welcome home!"

Then, as her eyes made out the second figure in the phaeton, her expressive face changed. "Why—it's only you, Philip? Where is he?"

Philip said huskily, "We do not know."

"You don't know! You—you haven't lost him?"

Philip nodded. To his surprise he found that he was sobbing, crying as he had not cried since he was a boy.

"Oh—oh!" gasped Jacqueline. Then, "Stop, please, Mummy. I want to get in and comfort Phil."

She turned her horse loose with a slap on the flank, and clambered in between them.

Jacqueline knew a great deal about comforting people. It was a knowledge that had been given to her with her warm lips, and her crooning voice, and her clinging, caressing hands. She said nothing, because she could think of nothing to say; but for the rest of the way Philip was aware of a young arm wound tight about his shoulders, and more than once of lips fluttering against his cheek. Jacqueline's kisses were like the dew from heaven, which falls alike upon the just and the unjust; none the less blessed, perhaps, for that.

Philip had more than his share of these attentions, because Kate did not seem to need them. She still drove silently, sitting upright, staring straight before her.

Once the girl leaned far out of the phaeton, and waved a handkerchief three times, as if she were signaling. There was an answering flutter from beneath the juniper-tree.

"Who is that in the eyrie?" It was the first time Kate had spoken for hours, and her voice seemed to come with a great effort.

"Why, it's the Blossom, Mother. She hasn't gone yet. She was waiting till the last possible moment, to be sure whether—whether Philip's father was with you. I promised to signal her yes or no."

Kate turned suddenly and looked at her. "Why did Jemima think he might not be with me?"

The girl answered very low, "Because—because she wrote to him."

The colts with a last gallant effort breasted the hill at a trot. At the door a wagon was waiting with a trunk in it, and Jemima stood beside it, dressed for traveling. But as they appeared, she dropped the satchel out of her hand and ran toward the phaeton.

"Bring brandy, Mag—be quick!" she called over her shoulder as she ran.

She had seen what the others had failed to notice: that her mother, still sitting upright with the lines in her hands, was quite unconscious.



CHAPTER XV

Years before, when gentle Mrs. Leigh turned her back forever upon the beloved Bluegrass town of her youth, and came to spend the remaining years of her life at Storm—for with all her ineffectiveness she was not the woman to leave her daughter alone in disgrace and sorrow—Kate had tried to make the strange country more homelike for her by building an Episcopal church. Meeting-houses of several denominations had been long established there; but to Mrs. Leigh, with Virginia and English antecedents, "church" meant candles on the altar, a vested choir, a rector in robes reading the familiar service of her childhood. She was willing to concede to Methodists, Baptists, Campbellites, other attendants of meeting-houses, a possible place in heaven; but hardly in the best society of heaven; and she was one of the people who cannot worship God comfortably except in the best society.