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Joyce turned to obey the commands. Not slavishly; after all it was but part of her woman-task. Jude feeling it necessary to tell her was the lash. It was cruelly superfluous—that was all.
She laid two heavy logs on the red embers, and stooped to brush the ashes from the hearth. Then she went to the north window and raised the sash. Before she drew the shutters she stood and looked out into the brilliant night.
Black and white. Sharp, clean and magically glittering it all looked; and the keen cold cleared the fear and fever from her head and heart.
Yes, off there in the distance Gaston was entering the pine thicket through which his private path ran. He must have walked slowly—or had all this new knowledge come so rapidly?
Gaston stood still at the entrance to the woods. Was he looking back?
Then something occurred. Once or twice before Joyce had been conscious of this. Something seemed to go out from her and follow Gaston. She, or that strange something, escaped the fear and smothering closeness of the little house. It was free and happy out there with Gaston in the night. He was strong—stronger than anybody in St. Ange. Nothing could really happen while he was near. She saw his smile; felt his compelling touch—no, not even Jude would dare hurt her, or go too far.
Gaston passed into the dim thicket. Joyce, too seemed to be going on quite happily and lightly, when——
"I say, Joyce, shut that winder, can't you?"
A silence. As Joyce had followed a certain call the night she had promised to marry Jude, and had gone to Gaston's house, so now she was going on—and on—and——
"Joyce!" At last the real clutched the unreal. The girl, for the first time, was conscious of the biting cold. She shivered and seemed to travel back to that rough call over frozen distances. With stiff fingers she drew the heavy wooden shutters together and lowered the sash. Then feeling her way with outstretched hands, like a bewildered child, she made her way to the inner chamber and Jude.
CHAPTER VIII
The following June Joyce's little boy was born. It was a most inconvenient time for him to make his appearance.
The late spring had delayed the logging season. The winter had been a long-continued, cold one; the men at the different camps had fretted under the postponed ending of their jobs, and severe discipline had been necessary in more than one camp. Hillcrest's ideas of decency had been deeply outraged; its courts of justice had been kept busy by men, who, unable to resist temptation after restraint had at last been removed, carried lawlessness to an unprecedented excess.
The river, too, with the depravity of inanimate things, had taken that occasion to leap all bounds and run wild where never before it had ventured. Not being content in carrying its legitimate burden of logs to the lower towns, it bore away, one black night, more than half of the lumber that Jude had piled near the clearing for Ralph Drew's new house.
This occurrence sent Jude into one of the fits of sullen frenzy which were becoming more and more common to him. He had been obliged to track the stolen lumber many miles to the south, seize it there, and make arrangements for bringing it back. This absence from the scene of his life battle, turned Jude into a veritable fiend for the time being. He had enough self-confidence to believe he could hold things in his own hands, when his hands and eyes were on the spot, but with absence and distance—bah!
Many a horse and man suffered that spring from Jude's evil temper.
Whether Gaston was aware of conditions or not, who could tell? He took a keen delight in the manual labour of working on Drew's house. He and Filmer, with or without Jude, hammered, sawed and made rough designs that filled their days with honest toil and brought healthy sleep to their tired bodies.
And just when the early wild flowers were timidly showing themselves, after the winter's long reign, little Malcolm Lauzoon opened his eyes upon the scene.
How could he know that the festivities at the Black Cat were interrupted by Jude's necessary absences, and Isa Tate's voluntary visits to Joyce's home?
Leon Tate, good-naturedly reaping a belated prosperity, had insisted that his wife serve Joyce how and as she might.
Jude was becoming a man to be considered. He evidently had a future, and the tavern's attractions had never held a sure power over Jude. Here was Leon's opportunity for putting Jude under obligations.
Tate thought fit to place himself and his wife on a social equality with the Lauzoons. So Isa was in command when small Malcolm arrived.
It was an early June morning, after a night of black horror, when Joyce became aware of the singing of birds out of doors, and a strange, new song in her heart.
The latter sensation almost stifled her. She tried to raise her head and look about the room, but the effort made her faint. She waited a moment, then slowly turned her head on the pillow and opened her eyes. There by the low, open window sat Isa Tate, swaying back and forth in the old-fashioned rocker, with something on her lap.
Again the strange faintness overpowered Joyce, and the big tears rolled down her face. It had not, then, been all a hideous nightmare? Something sweet and real had remained after the terror and agony had taken flight?
"Isa!" So low and trembling was the call that Isa, drowsing luxuriously as she rocked to and fro, took no heed.
It was many a day since she, detached from the demands of home cares, could make herself so comfortable.
"Isa!"—and then Isa heard.
"What is it?" she turned a steady glance toward the bed. She did not intend that Joyce should be exacting. Women were apt to be unless the nurse was rigid. "Do you want anything?"
"Oh! Isa is that—my baby?" There was such a thrill in the voice that Isa was at once convinced that Joyce was delirious.
She was going to have her hands full. A mere baby, to Isa, was no cause for that tone, and the glorified look.
"I guess there ain't any one else going to put in a claim for him," she replied with a vague sense of humorously calming the patient.
"Him!" Joyce's tears again overflowed. "Did you say 'him' Isa?"
"There, there! do be still now, Joyce, and take a nap. You won't have any too much time for lazing. You better make the most of it."
"It's a boy. Oh! It seems too, too heavenly. My little boy! Isa, is—is—he beautiful?"
And now no doubts remained in Isa's mind. She must pacify this very trying case.
"'Bout as beautiful as they make 'em," she said slowly, and tried to remember what was given to patients when they became unmanageable.
"Does—does he look—like—" the words came pantingly—"like the picture in the other room?"
Isa was sitting opposite the door leading into the living room, and her eyes fell, as Joyce spoke, upon the Madonna and Child.
Then, in spite of her anxiety and weariness, Isa laughed. The entire train of events since her arrival the day before had appealed to her latent sense of humour.
"Oh! exactly," she answered and rolling the baby in a blanket she strode over to the bed, and placed him hastily beside Joyce.
"There," she said soothingly; "now lay still or you'll hurt the little beauty. I'm going to fix something comforting to drink."
She was gone. In the mystery of the still room and the early morning, Joyce was alone with her little son!
As she felt, so all motherhood, as God designed it, should feel. Before the acceptance of the wonderful gift, motherhood stood entranced. Fear and awe hold even love in abeyance. Into poor, loving, human hands a soul—an eternal soul—was entrusted. No wonder even mother-love held back before it consecrated itself to the sacred and everlasting responsibility.
Joyce only dumbly felt this. All that she was conscious of was a fear that her joy, when she looked upon the blessed little face, would kill her, and so end what had but begun.
A new and marvellous strength came to her. She raised herself upon her elbow and reverently drew the corner of the blanket from the tiny head.
Suddenly the birds ceased singing. The June morning was enveloped in a black pall. The ominous stillness that precedes an outburst of the elements held breath in check.
Joyce was perfectly conscious. In the hideous blackness she saw her baby's face clear and distinct, and with firm fingers she tore the wrappings from the small body—she must see all, all.
Misshapen and grim in its old, sinister expression of feature, the baby lay exposed. The face was grotesque in its weazened fixity; the little legs were twisted, and the thin body lay crooked among its blankets. The big eyes stared into the horrified ones above them as if pleading for mercy. The sight turned Joyce ill.
"In spite of all," the stare seemed to challenge, "can you accept me?"
In that moment when the bitter cup was pressed to motherhood's lips, Joyce received the holiest sacrament that God ever bestows. In divine strength she accepted her child. This little, blighted creature would have no one but her to look to—to find life through. All that it was to receive, until it went out of life, must come first through her. Should she fail it?
With fumbling and untrained hands she drew it to her, and pressed it against her breast. With the touch of the small body at her heart, the dawn crept back into the room, and from afar the birds sang.
With all her striving, poor Joyce had not eliminated from the baby's life the inheritance of others' sins. He had come, bearing a heavy load of disease and deformity. All that was left for her to do now, was to lift the cross as she might from this stunted and saddened life, and walk beside him to the farther side.
The poor, little wrinkled mouth was nestling against the mother-breast. Instinct was alive in the child. Joyce laughed. At first tremblingly, then shrilly. Suddenly she began to sing a lullaby, and the tune was interrupted by laughs and moans.
Higher and higher the fever rose. Isa Tate, beside herself with fright, screamed for help, and for days Jude Lauzoon's house was the meeting place of Life and Death; then Life triumphed, and people breathed relievedly.
"A homely young-un often makes handsome old bones," comforted Isa. Now that Joyce was creeping back from the dangers that had beset her, Isa felt a glow of pride and interest. She was an honourable diploma to Isa's skill as nurse. In the future, Mrs. Tate was to feel a new importance. She was assuming the airs of a woman who has learned the market value of her services. Tate was to reap the effect of this later.
"Oh! It doesn't matter much with boys," Joyce answered, indifferently. "A girl would have been different."
"That's a sensible way to look at it," Isa agreed. "I often think that a man with good looks has just that much temptation to be a bigger fool than what he otherwise would be. It's one agin 'em whichever way you take it. They don't need looks. They gets what they wants, anyway, and if they are side-tracked by their countenances, it's ten to one they will get distracted in their aims, and make more trouble than usual.
"Now that I hark back, the only men as I can remember that amounted to enough to make you willing to overlook their cussedness, was men as had a handicap in looks.
"There was Pierre Laval's brother Damon. He was born with twelve toes, twelve fingers—two extry thumbs they was—and four front teeth.
"He certainly was the most audacious ugly young-un I ever set eyes on. I wasn't much more than a girl, to be sure, when I saw him first, but I went into yelling hysterics, and took to my bed. Pierre was handsome—and, you know how he ended? Damon, he gritted his teeth—and in his case he could do that early—and made up his mind to make good for his deficiencies—if you can say that 'bout one as had more rather than less than Nature generally bestows. Land! the learning that child was capable of absorbing! Hillcrest School just sunk into him like he was a sponge. When he got all he could over there, he just walked off as natural as could be, without a cent to his name—and they do say, so I've heard, that down the state they set an awful store by his knowledge of stars and moons and such-like. And Mick Falstar, cousin to Pete—"
"Never mind, Isa." Joyce looked wan and nerveless. These tales only accentuated the agony she felt whenever she was forced to concentrate her thoughts upon actualities.
When she was left to herself, she was beginning to regain the power of ignoring facts and living among ideals. She was growing more and more able to see a little spiritual baby at her breast—a beautiful child. And with that vision growing clearer she felt her own spirit gaining strength for flights into a future where this little son of hers, borne aloft by her determined will and purpose, should hold his own among men. Surely, she thought, God would not cripple mind, body and soul. God would be content with testing her love by the twisted body. The mind and soul would be—glorious!
Day by day, the young mother, creeping back into the warm, summer life, watched for intelligence to awaken in the grim little face; the first flying signal of the overpowering intellect that was to make recompense for all that had been withheld.
The misshapen body was always swathed in disguising wrappings; even the claw-like, groping hands were held under blankets when curious eyes were near. Isa had won Joyce's everlasting gratitude by holding her tongue regarding the child's bodily deformity; and the Hillcrest doctor, who had been summoned when the fever grew, did not consider the circumstance important enough to weigh on his memory when once the payment for his services was, to his surprise, forthcoming.
But the sad, little old face with its fringe of straight black hair! That must be public property, and its piteous appeal had no power beyond the mother, to stay the cruel jest and jibe.
"Say, Jude," Peter Falstar had said in offering his maudlin congratulations, "what's that you got up to your place—a baby or a Chinese idol? That comes of having a handsome wife, what has notions beyond what women can digest."
Jude did not take this pleasantry as one might suppose he would. His own primitive aversion to the strange, deformed child made him weakly sensitive. He recoiled from Falstar's gibe with a sneaking shame he dared not defend by a physical outburst.
"He ain't a very handsome chap," he returned foolishly, "don't favour either father or mother—hey?"
Gaston overheard this and other similar witticisms, and his blood rose hot within him.
The cruelty and indelicacy of it all made him hate, where, heretofore, he had but felt contempt.
He realized most keenly that in his lonely life among the pines the few interests and friendships that he had permitted himself were deeper than he had believed.
Jock Filmer, during the closer contact of daily labour, had become to him a rude prototype of a Jonathan. They had found each other out, and behind the screen that divided them from others, they held communion sacred to themselves. They read together in Gaston's shack. They had, at times, skimmed dangerously near the Pasts that both, for reasons of their own, kept shrouded. After one of these close calls of confidence, they would drift apart for a time—afraid of each other—but the growing attraction they felt was strengthening after the three or four years wherein an unconscious foundation had been laid.
Then Gaston, too, realized that he had banked much upon the marriage he had brought about between Jude and Joyce. In saving himself from temptation, he felt he had sacrificed the girl, unless he could bring into her life an element that would satisfy her blind gropings.
To argue that in saving himself he had saved her, was no comfort. He had not been called upon to elect himself arbiter of Joyce's future. No; to put it baldly, in his loneliness he had dabbled in affairs that did not concern him—and he must pay for his idiocy.
To that end he had, at first, put himself and his private funds at Jude's disposal. He had had hopes that by so doing he might help Jude to decent manliness. But that hope soon died. Jude, lazy with the inertness of a too sharply defined ancestry, became rapidly a well-developed parasite.
Even when he accepted the contract to build Ralph Drew's house, he had done so from two motives. By this means he could, he found, command more of Gaston's money than in any other way, and by assuming the responsibility he placed himself on a social pinnacle that satisfied his vanity. He became a man of importance. Gaston and Filmer, glad with the intelligence of men who know the value of work, took the actual burden upon themselves. Lauzoon had the empty glory; they had the blessing of toil that brought their faculties into play, and gave them relief from somberer thoughts. But Gaston was too normal a man not to consider the gravity of conditions that were developing. His hopes of Jude had long ago sunk into a contemptuous understanding of the shiftless fellow. He had, however, believed that the hold he had upon him insured a comparatively easy life for Joyce. This, too, he now saw was a false belief.
He knew the girl. He knew that mere housing and assured food were little to her, if deeper things failed.
It was this essentially spiritual side of Joyce that had interested him and appealed to him from the beginning.
One by one he gave up his hopes for her happiness. He saw that Jude was impossible long before Joyce did; then he put his faith in the little child—and now that had failed! Poor girl! he thought; and in the inner chamber of his shack with the doors and shutters barred, the pistol lying at hand upon his desk, he cursed himself for a fool who had tried to enrich his own wasted life with an interest in the lives of others that had brought about as bad a state of affairs as any meddler could well conceive.
Then he grew reckless. Things couldn't be much worse, anyway, and if he might brighten that dull life in the little house, he'd brighten it and Jude be—the laugh that Gaston laughed was perhaps better than the word he might have used had he finished his sentence.
There was the regular income from the outer world; as long as that was at Gaston's command he felt he could control Lauzoon, and who else mattered, except Filmer? Well, Filmer had sense to keep his opinions to himself—although the look in his eyes when he disapproved of anything, was unpleasant and—impertinent.
A clam like Filmer had no right to personal opinions of other folks' conduct. Unless he let light in upon his own excuse for being, he should withhold condemnation.
So Gaston spent his days' ends on Jude's little piazza, or in the bay window of the sitting room when the air was too cool for the baby snuggling against the young mother's breast.
Gaston brought his fiddle along, and those were wonderful tunes he drew from the strings. Sometimes he explained what they meant, his words running along in monotone that yet kept time to the alluring strains.
Joyce smiled, and her ready tears came, but the colour was coming back into her beautiful face; the brooding eyes once again had the glint of sweet mischief in them, and the lip curled away from the pretty teeth.
She had never been so beautiful before. Living in the ideal where her baby was concerned made it perilously easy for her to live ideally in all other ways.
Jude became a blurred reality. He was, when she thought of him at all, endowed with the graces and attractiveness of Gaston. Joyce did not consider Jude as he really existed. She smiled vaguely at him—his personality now, neither annoyed her nor appealed to her. While living with him outwardly, she was to all intents and purposes, spiritually living with Gaston. For she gave to Jude the attributes that made Gaston her hero, just as she gave to her poor, twisted baby the beautiful contours and heavenly beauty of the Madonna's exquisite Child.
The summer throbbed and glowed in St. Ange.
Was it possible that things were as they always had been? Jared Birkdale kept his distance and silence; and Joyce grew to forget him.
The Black Cat flourished, and Jude made no attempt to curb his growing desire for popularity there. He was developing a talent for instructing his elders, and laying down the law. He was endeavoring to fill Birkdale's place. Jared had always been the tavern orator. Some one has to occupy that pedestal in all such places, while the others enjoy their pipes and mugs in speculative contemplation.
But nothing was as it had been with Joyce. She had the look of one on the threshold of big happenings. Her pale beauty had a new glow. The thinness of girlhood had given place to a slender womanhood, all grace and charm.
She was rarely seen without her baby on her bosom. Even in her work she managed to bear him on one arm.
Away from her, he wailed pitifully and almost constantly; while pressed against the warm, loving heart he sank into comfort and peace. When he was awake his elfish eyes were fixed in solemn stare upon the mother-face. Not knowingly nor indifferently, but intently, as if from the depths of past experience he was wondering and endeavouring to understand.
One evening, and such an evening it was in late July, Joyce, in her low rocker, the baby on her knees, sat on the piazza facing westward, when Gaston came around the house, fiddle in hand.
"Alone, Joyce?" It was an idle question, but it would do.
"Yes; Jude seems to have a lot to do about Mr. Drew's house, you know."
Joyce still kept up a pretty defence of Jude. Not that it was in the least necessary, or even sensible, but it had its part in her detached and dreamy life.
"The house is about finished," Gaston replied, tuning up the fiddle. "And then what?" he said, placing the instrument.
"I wonder?" Joyce looked down happily upon her child.
It did not greatly matter, for now Gaston had struck into one of those compelling airs, so intensely sweet and melodious that it all but hurt; and the red sunset trembled as the tear-dimmed eyes beheld it.
The tune changed. It danced elfishly, and trippingly—for very joy it made one laugh. The tear rolled down Joyce's face, as the smile replaced it, and dropped upon the thin cheek of the baby. He did not flinch, and the staring eyes did not falter, but something drew the mother's attention. As the final tripping notes died away, she said softly.
"Mr. Gaston, just look—at the baby."
The child had rarely drawn them together. It was to make her forget the child—and other things—that Gaston called so often.
He came now, and bent over the two.
"Does—he—look—just the same to you?" she asked.
"Why, yes!" Gaston repressed the desire to laugh. "You see babies are not much in my line. I don't think I ever saw such a little fellow before. They look about the same for a long time, don't they?"
"Oh! no. They change every day, and many times during the day. I weighed baby to-day," she faltered, "and do you know, he weighs less than when he was born!"
"The ungrateful little heathen!"
"I'm afraid—I'm not a good mother." The sweet face quivered. "And I want to be that more than anything else on earth. You see if I can get him through—through this awful time when I can't tell just what might be the matter—it will be easy enough. But young babies are so—so—unreal. You don't know whether you've got them to keep or not. They seem to be kind of holding on to another life, while they clutch this. A good mother knows how to unloose them from that other hold."
Gaston was touched by the yearning in the low voice, but the weazened face of the child repelled him, even while it attracted him.
"Would it be so—so terrible if he did not let go that—other hold?"
It was a stupid thing to say, and Gaston despised himself for being so brutal when he saw the look of horror on the upturned face.
"Terrible?" Joyce gasped. "Why, if—if he should leave me, I couldn't live. You don't know how it seems to have him warm and little and soft against your heart. The whole world would be empty—empty, until it would kill me with the emptiness—and I'd always think, you know, he'd found out I wasn't fit to be his mother. It's a foolish fancy, but you know, Mr. Gaston, I think they come to try us mothers—if they find us out—not fit—they don't stay. Such a lot of babies don't stay!"
"Why Joyce!" Gaston tried to turn his gaze from that awful baby-stare. "Full of whim-whams and moonshine. You must get about more. You must come up to Drew's house to-morrow. It's a palace of a place—and Filmer had a letter from Drew to-day. He's coming before the autumn cold sets in—he's going to bring an aunt and a sister—just get your idle fancy on the doings, and let Master Malcolm jog along at his own pace. If he doesn't like you for a mother, he isn't worth considering. Look at him now—he sees the joke, the brazen little cuss, he's actually laughing in our faces."
"Oh!" Joyce sat rigidly up, and her own face became transformed. The moment she had lived and waited for had come! The blank stare gave place to a broken, crinkling expression; the thin shapeless lips trembled over the toothless gums, and into the big eyes a wonder broke. A light seemed to shine forth—and the baby smiled into the adoring face looking down!
To Gaston, the sight was, in a sense, awful. The majesty of Joyce's attitude toward the change in the child, was the only thing that saved the occasion.
"Is—it hungry?" he asked with the same dense stupidity he had displayed before.
"Oh, no!" Joyce laughed gleefully. "Don't you see, he—he knows me. He—he—does like—me—he's going to stay, and he takes this heavenly way to show it."
"The deuce he does!" and now Gaston laughed. "He's going to be a comical imp, if I don't miss my guess. See, he's calming down now, and regulating his features."
"But—he—smiled!" And just then Jude came around the corner of the house.
Gaston saw the expression of his face, and something stifled him for a moment. He wondered if money was always going to be a check to Jude, after all.
And if it should cease to hold him in leash—then what would happen?
He went away soon after, but he sat up until toward daylight, just outside his shack. He feared something was going to occur. But nothing did; and the next thing in Joyce's life story that tugged at his heart-strings, was the sickness and sudden death of little Malcolm.
CHAPTER IX
It was the evening of the day that the baby had been laid under a slim, tall young pine tree back of the little house.
Jude felt that he had borne himself heroically throughout the trying episode.
Never having cared for the child in life, he considered himself a pretty good father to hide his relief at its early taking off.
As a man of means—what mattered if they were Gaston's means?—he had had a really impressive funeral for his son.
The Methodist minister from Hillcrest had preached for full an hour over the tiny casket. Not often did the clergyman have so good an opportunity to tell the St. Angeans what he thought of them.
He dealt with them along old and approved lines. He had heard of Drew's religious views and he took this occasion to include a warning of the damning influence that was about to enter the vicinity with the young minister's return.
"I warn you now," he thundered over the dead baby, "to make the life of this infidel, this God-hater, a burden to him."
Filmer from his rear corner, winked at Gaston at this. Gaston could see nothing amusing in the service—it was all in the passing show—a pitiful and added agony.
In that the show was a little grimmer than usual he found his resentment rising. So Gaston did not return the pleasantry of Jock's wink.
After the service, Jude had insisted that there should be no unseemly haste, and had instructed his chosen representatives to form a line and walk from the house to the tavern and back twice with the tiny remains, before they were finally laid to rest. This show of respect was talked of in St. Ange for days.
Through all the bitter day Joyce had followed dumbly whatever others did. It was like walking in her sleep, and she was grateful that she felt no sorrow.
She had feared if the baby died it might kill her, and now that it was dead she did not mind at all.
Her arms ached a little at times. She thought that was queer; they had never ached when they bore the baby.
At last she and Jude were back in the awful, quiet house. It was more awful now that Jude was there. For after the burial, and before the evening meal, he had been lessening his tension with some boon companions, down at the Black Cat, and Joyce had had the place to herself.
Jude, having relaxed to the state of geniality, was willing to let bygones be bygones in the broadest sense of the word. He had big plans afoot—he had had them the night he came home and found Gaston and Joyce hanging over the baby. These plans had been set aside while the baby was taking his pitiful leave of life after his one smile, but Jude must hurry his case now. Nothing stood in the way—and, although many a woman might get what she deserved, Jude was going to forgive Joyce again and take her to his bosom in a new life, and they'd both forget what was past.
The hold of youth and beauty clutched the man's inflamed senses. The evening meal, which Joyce had mechanically prepared, had been partaken of—by Jude—until little but fragments was left.
A black shower, which had passed over St. Ange in the late afternoon, had changed the sultry heat to ominous chill. The wind among the pines sobbed dismally as if it were a human thing and could understand.
Jude got up and shut the door. It was quite dark outside, and the lamp flickered in the breeze.
At his action Joyce sprang from the chair, and the dull calm that had possessed her for the past day or so was shattered. Her eyes blazed, and the colour came and went in the stern, white face.
"Don't—do—that!" she panted, springing to the door and flinging it back.
"What in thunder is the matter with you?" Jude stepped aside. Something in this change and fury startled him.
"Don't shut—the—door, Jude. We—we—can't leave him out there alone in the cold. He's so little—our—baby!"
Jude had a moment of doubt as to how he should deal with this foolery. If he were quite sure it was just Joyce's nonsense—but perhaps she had gone crazy. The thought stayed him.
Then he considered that in either case he must get the upper hand, and at once. All depended upon that.
"Go and set down," he commanded, eyeing the girl as she stood in the open doorway. "You don't 'spose we're going to live with open doors, do you?"
There was mastery in the tone, and, to gain her end, the woman resorted to her only course.
"Just—for to-night, Jude—just a little way open. I'd choke if I—shut him away so soon—and he so little and—and—all."
Fear of what he did not understand roused in Jude a brutish desire to overcome this something that threatened. For a moment he decided to rush from the house and leave the thing to work out its own way; but second thought brought with it his plans, which must be set in motion at once.
This attitude of Joyce's was a new obstacle, but if he conquered her, he might overcome it. So by sheer force of weak will he strode over to the woman who defied him, even while she pleaded, and grasped her roughly by the shoulder.
In that touch Joyce recognized what all suppressed and deprived womanhood has always felt, and she recoiled to reconnoitre.
"You do as I tell you, Joyce, and go and set down. The door is going to be shut and you take that in, plain and quick." He drew her away, and slammed the door with a crash.
Joyce went quietly to her chair, but a new and terrible look came into her eyes.
Jude sat on the edge of the table, disregarding the spotless cover and soiled dishes. He wanted to be near Joyce in case of an outbreak, and he had much to say.
"Are you listening to me?" he asked slowly, as if he were speaking to a child.
"Oh! yes," Joyce replied, and her tone reassured him; "I'm listening."
"Do you think you've ever taken me in any?"
The man's sullen black eyes held the clear, bluish-gray ones.
"Oh, never, Jude! You're terribly smart. I've always known that—but please—" the strained eyes turned for the last time toward the door.
"Cut that out!" said Jude. "You're just acting. You can't pull me by the nose, but it will pay you to calm down and listen to what I've got to say. I've heard from your father!"
"Have you?" The white impassive face did not change expression.
"Yes; by thunder! I have; and as it concerns you as much as it does me, you better take more interest. I heard from him more'n two weeks ago. I met him, too, in the south woods, a few nights back."
"What's he hiding for?" the monotonous tone jarred Jude more than any outbreak of temper could have done. His recent restraint, and his pent-up plans had worn his nerves to the raw edge. He was in the slow, consuming stage of emotions that was likely to lead him to a desperate move if he were balked.
"Now look here," he blurted out; "you and me has got to get down to business, and that to once! I've kept mum long of the kid's taking-off." Joyce's eyes widened as she stared through the open window over which the rose-vine was being lashed by a new storm.
"I've bided my time, and it was more for you than for me, you can bet.
"This is the big time of our lives, and I ain't going to hold back any facts what can make things clear and reasonable. Me and your father want you, maybe for different reasons, maybe not. You ain't the common sort, and we know you can help us. If you was like most women, him and me wouldn't have no compunctions about cutting, and leaving you to ways what you seem to hanker after. But he's actually pining for a sight of you, and even knowing what I do about you, I can't give you up! That's the plain situation as far as you're concerned, and you can take it for what it's worth. Are you listening?"
"Oh! yes, yes, I'm listening, Jude." And so she was. She was listening to the moan in the tree-tops. It sounded like the last plaintive cry her child had made, and it hurt her cruelly.
"I've got more money in hand, Joyce, than what I ever had—I've got fifteen hundred dollars."
Somehow this had power to reach the listener as nothing before had done. Her aching eyes fell upon Jude, and a new fear contracted them.
"Where did you get it—the money—Jude?"
"That's my business. I'm only dealing with facts."
"Yes, but I must know. It—it isn't yours, Jude."
"Isn't it?" Jude laughed. "Well, then, we'll call it mine for argerment. That pa of yours is a slick one!" The sudden change of subject relaxed the brief interest Joyce had shown in the conversation.
"Leaving here in the sulks about you, what does he do but go down to what he calls civilization, and strikes a rich claim first thing. All that was lacking was ready money. Back he comes, and finds out the lay of the land here, without so much as showing his nose. He says he had several plans to get money—but this plan of mine is the easiest, so we're going to work it. All my life I've dreamed by day and night"—a sudden glow illumined Jude's dark face,—"of the road and where it leads. Always, as true as God hears me, Joyce, always, as boy and man, when I've fancied myself on the road, and beyond the forests, I've always seen you beside me. I don't care what you are, or what temptations beset you—you've always been the one girl for me. We're going to begin a new life now—with no back flings at each other. Give me a kiss on it, girl."
Jude came over to her, and she felt his hot, excited breath on her cheek and throat.
Dazed as she was by what he had said, she was frightened at his manner, and drew back, warding him off with rigid hands.
"Don't!" she cried, hoarsely. "Don't touch me. You're all wrong—I'm not going anywhere with you. I'm going to stay right here—I swear it!"
"You won't go?" Everything swayed and trembled before Jude. "But if I promise to—to—pay it back? You know there was no time set." This was the last concession Jude was to make. His horrible suspicions were choking him.
"I'm not going. I—I couldn't—I—couldn't leave—him." The white face quivered and the big eyes overflowed with tears.
Jude had only one thought—a thought lashed to the fore by his jealous rage, and defeated hopes. And poor Joyce, distraught and grief-crazed, realized not the terrible blunder he was making.
"You're—staying—just—for him?" Jude was close to her now, and his breath came short and hard.
"Yes; I know you won't ever understand. If I was away, I couldn't bear my life—this—this longing would be always tugging at me—and I could never help it. If we stay here, Jude, I'll go on just the—same; it's being—near—that counts!"
"You—tell me this to my face—you fool!"
For an instant Joyce's dull agony wavered, and an inkling of what Jude meant rushed upon her.
"Oh!" she gasped, and put her hands out to him. But it was too late. The hot blood was surging in the weak brain. With a violence he had never shown before, the man flung the outstretched hands from him, then he struck viciously the white terrified face twice, leaving dull, red marks to bear witness.
His rage fed upon the brutality. Now that he had let himself loose, he gave full rein to his hate and revenge.
He gripped the slim, childish arm, and pushed the shrinking form before him.
"Go—you!" With one hand he drew the door back, and hurled the girl out into the black storm. "Go to him!"
Joyce kept her feet, but she staggered on until a tree stopped her course. The contact was another hurt, but she gave small heed to it.
Like a burning flash she seemed to see two things: Jude's true understanding of her blundering words; and her possible future, after she had made him understand. For, of course, she must go back and make him understand, and then—well, after such a scene, a woman's life was never safe in St. Ange. It was like a taste of blood to a wild animal. Still she must go back. In all the world there was nothing else for her to do.
Her face stung and throbbed, her arm ached where Jude had crushed the tender flesh. She leaned against the tree that had added to her pain, and wept miserably for very self-pity. She was downed and beaten. After all she was to be like the rest of St. Ange women.
Sounds roused her. Strange, terrific sounds.
What was Jude doing?
Trembling in every limb, she went forward and peered through the rose-vine into the room.
The rain was cooling her face and the wind was clearing the agonized brain.
Inside, the scene struck terror to the watcher's heart.
Jude was crashing the furniture to pieces in a frenzy of revenge.
The chairs were dashed against the chimney; the books hurled near and far. One almost hit the white face among the vines, as it went crashing outward.
Then Jude attacked the pictures—her beautiful pictures!
The mountain peak was shattered by a blow from the remnant of the little rocker, then the ocean picture fell with the sound of splintered glass. Last the Madonna! Joyce clutched her heart as the heavenly face was obliterated by the savage blow. Then, maddened still further by his own excesses, Jude laughed and struck with mighty force, the lamp from the table—and the world was in blackness!
How long Joyce stood clinging to the vine in abject terror, she was never to know.
Consciousness of the live, vivid sort, was mercifully spared her for a space. She knew, but did not comprehend, the true horror of her situation.
No thought of explaining now to Jude occurred to her as she stood cringing and trembling against the house in the darkness. Only one thought possessed her vitally—Jude must never see her again. If he did, he would kill her. Kill her as Pierre was said to have killed poor little Lola, long, long ago.
Joyce's teeth chattered and she gripped her shaking hands over them. When her heart did beat—and minutes seemed to pass when it made no motion—it hurt her cruelly.
What was he doing in there? The storm was gaining power, and no other sound rose in the blackness. Then suddenly Jude rushed from the house. He passed so close to Joyce that his coat touched her. By some power entirely outside of ordinary hearing or seeing, Joyce knew that he was making for the Black Cat with the tale of his wrongs. They all did that. It was the finishing stroke for the woman.
Alone, in the blackness and storm, reason reasserted itself in Joyce's mind. It brought no comfort with its restored poise; rather, it brought a realization of her true position. Her life was as utterly shattered and devastated as was the little home. Everything was gone. The future, with pitiful choice, was as densely black as the night that shut her in with her dull misery. With Jude, there could be no possible understanding. To confront him, even with the powers of the Black Cat at call, would be the wildest folly. There was nothing to say—nothing.
Still, Jude had money. It was quite plain to the keen mind now—it was Gaston's money! Ralph Drew had probably sent the money in payment and instead of passing the amount on to Gaston, who had advanced the different sums, Jude was making off with it. She must stop that. For herself, what did it matter? But still, if Gaston, who had such power, could hold Jude and claim the money, he might find a way out of this awful trouble. She must go to Gaston, and at once.
Aching in every limb, and soaked to the skin, Joyce turned toward the North Woods. The howling wind was with her, and it was the only help she had. So she came at last to the lonely little shack among the pines.
Gaston had built a roaring piney fire upon the hearth of his outer room. He was luxuriating before this with a long-stemmed pipe between his lips.
The day had perplexed and touched him deeply. Never before in all his St. Ange life had he seemed to get so close to the heart, the human heart, of things. Joyce's white, still anguish over the death of her baby had tugged at his feelings.
So that was what mother-love meant the world over?
A sharp, quick knock startled him. Gaston rose at once. He knew upon the instant who it was. He knew that from some dire necessity Joyce was calling for his aid.
There was no time nor inclination for him to fall back upon that inner sense of his and seek to peer beyond the present and its need. He strode to the door, flung it open, and Joyce and the terrific storm burst into the room together!
"He—he's driven me from the house." The girl's wild face made unnecessary the idle question that Gaston spoke.
"Who?"
"Jude." Then Gaston shut and barred the heavy door. He could at least exclude the rain and wind.
"Look here! and here!" the girl pointed to her bruised face upon which the storm's moisture rested, and the slender arm with its brutal mark.
"Good God!" ejaculated Gaston, as he gazed in horror, "and on this day!"
Rage against Jude, tenderness for Jude's victim, struggled hotly in Gaston's mind; but presently a divine pity for the girl alone consumed him.
Her misery was appalling. Now that she was comparatively safe, bodily weakness overpowered her. She swayed, and put her hands out childishly for support—any support that might steady her as her world went black.
Gaston caught her and placed her gently in his deep, low chair.
"Poor girl!" he murmured, "Poor Joyce! You're as wet as a leaf. Here!" He quickly brought one of the red blankets from the inner room. "Here, let me at least wrap you in something dry. And now drink this, it will do you good."
He poured some wine into a glass and held it to her blue, cold lips.
"Come, Joyce! We'll straighten things out. Trust me."
She gulped the warming wine, and shivered in the blanket's muffling comfort.
"And now," Gaston was flinging logs on the blazing embers, "you're coming around. Whatever it is, Joyce, it isn't worth all this agony of yours."
"I'm—I'm afraid they'll come and kill us." Joyce's eyes widened and the old fear seized her again. The momentary comfort and thought of safety lost their hold.
"In God's name, Joyce, hush! You're safe and I'm not afraid. Come, don't you see if you want me to help you, you must pull yourself together?"
"Yes; yes; and we—I must hurry."
Now that he had time to think, Gaston knew pretty well what had occurred. The vulgar details did not matter. The one important and hideous fact was, that for some reason, Jude, with the crazy brutality that had long been gathering, had flung his young wife from his protection on to Gaston's.
Well, he would accept the responsibility. He was quite calm, and his blood was up. A pleasurable excitement possessed him, and he laughed to calm the fear he saw in Joyce's eyes.
The clock struck nine. All that was respectable and innocent in St. Ange was in bed at that hour.
Gaston wondered what he was going to do with the girl. The thought did not disturb him; but, of course, he must make arrangements.
Long ago he had so shut out his own world that he could not, now, call upon it for Joyce's protection. St. Ange was impossible as a working basis—his thoughts flew to Filmer. Yes; as soon as Joyce could explain, he would go for Filmer and together they would solve this riddle for the poor, battered soul, shrinking before him.
He must hurry her a little. St. Ange and nine o'clock must be considered.
The wine had brought life and colour into the white face. The glorious hair, now rapidly drying in the warm room, was curling in childish fashion above the wide eyes.
She was certainly too young and pretty to run the risk that the night might bring.
A complication arose. Divine pity made way for a sense of the girl's beauty and helplessness. The bruise upon the soft cheek cried out for tenderness and protection. Gaston strove to detach himself from the personal element. He strove to feel old and fatherly but he was still young; Fate was tempting him in the subtlest manner. The best and the worst of the man came to the fore.
The wind howled outside; the warmth and comfort held them close—together, and alone.
What did anything matter? They had both done their parts. They had tried to be what the world called good—and here they were tossed back upon each other, and not a hope beyond.
Then Gaston found himself speaking quite outside of the consciousness that was almost stifling him with its allurement.
"Joyce, I must take you home as soon as you can walk. I can straighten this out. It shall not happen again. You forget I have a certain hold over Jude."
"There is no home." The words fell dully from the girl. "He—he broke and destroyed everything before—he went to the Black Cat."
Gaston started.
"But he—did not know you came here? You see it will be in your favour, if they find you there among the ruins. I'll see to it—that they go and find you there. Can you walk now?"
"Yes, but—but you do not understand. The money—it was that I came to tell you about—Jude has a great deal of money—I think Mr. Drew has just sent it. He's going to—get away—with my—father."
Gaston now saw that no time must be wasted. If necessary he must carry Joyce, and set her down near her fallen shrine—then he must stop Jude. The money did not matter; but a frenzy of self-preservation, mingled with his desire to save Joyce, rose within him. The money was his hold on Jude; it was the only salvation for this critical moment.
Now that he faced the grim possibility, he found that he was as eager to preserve a clean future for himself as for her.
He must get her back. He must find Filmer, and he must lay hold of Jude.
"Come, Joyce, trust me, I swear to you that it will be all right."
He took her hand and led her toward the door. Then a confused noise outside stayed them.
There was a crushing of underbrush as if a light wagon was being driven over the narrow path; a mingling of voices rose excitedly.
"You damned scoundrel!" It was Filmer's voice. "Don't you utter that lie again until he's had a chance to fling it back in your teeth. Whatever your cursed row has been, he's got nothing to do with it. Shut up!"
"Hold on there, Filmer." It was Tate speaking. "This here wagon's got wedged in the trees. I want to see this thing settled square. If she's—" a bristling string of epithets followed, then Tate apparently freed the vehicle he was in, for he jumped to the ground and joined the knockers at the door.
So the morality of St. Ange was at stake! Gaston showed his teeth in a hard smile. There was but one conclusion for them all to come to, of course.
"Say, Gaston, old man!" Filmer shouted; "open up. I thought maybe you'd like to bid Jude an affectionate farewell before he skipped. If he owes you—anything, here's your chance!" Another knock shook the door.
The two inside looked at each other—man and woman! They both knew with what they had to deal. A dare-devil expression rose to Gaston's face. He tossed precaution to the winds.
Abject terror possessed Joyce and she reeled as she stood, clutching the blanket closer. Gaston put an arm about her, strode to the door, unbarred it, and flung it back.
"Well," he said to the men on the threshold, "what are you going to do about it?"
Filmer staggered as if Gaston had struck him, and the look in his eyes went scathingly to Gaston's heart. But while it hurt, it aroused resentment. What right had Filmer to judge—Who knew his past? But Gaston knew Filmer was not judging. He knew he was only bidding farewell to his one friend of the Solitudes. The friend he had trusted and revered.
The effect upon Jude was quite different. No doubt swayed him—he was merely debating in his mind whether he could now get away with the money and the wagon he had hired.
"Since you've got her—" he stammered, "how about—the—the money?"
The question nerved Gaston.
"Money?" he cried; "get out with it, you thief and would-be murderer. Use it to get as far from here as you can, for as true as there is a heaven above us, if you ever interfere with me or—mine—again, I'll shoot you at sight. Get out—all of you!"
He slammed the door violently shut, and with clenched hands and blazing eyes, he faced his companion.
He and she were the only ones in the new world. Stung by the memory of the look of lost faith in the eyes of the one friend to whom he had planned to turn in this emergency; recalling Jude's glance of triumph as he turned away, Gaston's moral sense reeled, and the elemental passions rose.
Joyce stood shrinking before him. Beaten, bruised and trapped, she awaited her doom.
Her primitive love for this man held no part in her present condition. Whatever he consigned her to, that must she accept. St. Ange standards were well known to her. The people would be quick enough to spurn personal responsibility for her, but if she were independent of them—well, they were not the ones to hold resentment!
No moral training had ever had part in this girl's life; nothing held her now but a fear, born of her past experience with man's authority, as to her future fate.
She was abandoned and disowned. Her recent loss and grief had bereft her of any personal pride and hope—like a slave before its master, she faced Gaston—and mutely waited.
The unexpected happened. Gaston laughed. Laughed in the old, unconcerned way; but presently the rising awe and question in the lovely eyes looking into his own, sobered him. He began to understand and to get her point of view. He stood straighter, and a new expression passed over his face.
"Sit down, Joyce," he said, urging her gently toward the chair, "I must mend the fire. Things look as if they had fallen to pieces, but they have not. Believe me—they have not. For heaven's sake stop trembling; every shudder you give is an insult to me. There, there, you don't understand, but, it's coming out all right. It was only when others were meddling that we got on the rocks. I've got the rudder in my hand now, and by God's help," he was fiercely flinging on the logs, "we'll sail out into the open with colours flying. When did you eat last?"
She was watching him with alert, feverish eyes. Like an ensnared animal she felt a frenzied eagerness to be ready for the snarer's next move.
"Eat?" she faltered, "why, why, I have forgotten. Yesterday—to-day—oh! does it matter? I'm not hungry."
"Well, I am. I always wanted a snatch after the play."
"The—the play?" Joyce leaned forward.
"After an infernal row, if you like that better. They both play the dickens with your digestion."
Bringing out the food, and making coffee eased the tension of the situation and after they had eaten, for Joyce struggled to follow his example, the atmosphere was less electrical.
The hands of the clock got around to ten-thirty; it was of no consequence, however, and then Gaston cleared the table, kicked a rebellious log back to its duty, and drew a chair beside Joyce.
The little bruised arm lay stretched pitifully along the arm of the chair. Gaston winced as he saw it, and he laid his strong, warm hand over the cold fingers that did not draw away.
"Joyce." His voice was almost solemn in its intensity. "I don't believe there is anything I can say that you would understand now. God knows, I pity you from the bottom of my soul and, God helping me, I'm going to help you in the best way I can. You need rest more than any other little woman in the world to-night, I reckon, go in there," he nodded toward his own chamber, "and try your best to sleep. I want to smoke and think it all out here by the fire. Remember, you are safe."
She rose stiffly and stood before him. Fear was gone from her; weakness remained; a horrible, sickening weakness, but no fear. Vaguely, gropingly, she tried to understand what lay behind his slow, solemn words, but the effort was too great. She sighed and looked down upon him as if he had suddenly become a stranger to her, then, stepping backward, with uncertain faltering movement, she gained the door of that room where no foot but Gaston's had ever before stepped.
CHAPTER X
It was mid-October when Ralph Drew, his pretty sister Constance and his devoted maiden aunt—Miss Sally Drew—arrived in St. Ange and took up their new life in the bungalow which, under Jude Lauzoon's contractorship, had been made ready.
During his first short stay in St. Ange young Drew had regained not only his lost strength, but he had gained an insight into the needs of the men and women of the small place. He had always intended doing something for the village and its inhabitants after his return to town for they had appealed strongly to his emotional and sympathetic nature. But what St. Ange had vouchsafed in the way of restored health, she had begrudgingly bestowed. To have and to hold what she had given, the recipient must, in return, vow allegiance to her, and, forsaking all others, cling to her pines and silent places. He must forswear old habits and environment—he must give up all else and fling himself upon her mercy.
It had been hard. Back there in the town, where the pulse of things beat high, he had fought the knowledge inch by inch.
"Would a year be enough?" It would be useless. "If winters were spent there—several winters?" The big specialist shook his head.
High, dry mountains, somewhere, were the only hope. St. Ange was comparatively near, she had given a hint as to what she could do—better trust her.
One after another the outposts of lingering hope were taken by the grim, white Spectre. He must abdicate, and accept what terms the enemy offered.
Wan, and defeated, but still with the high courage that was his only possession, Drew tried to get the new outlook.
If there were to be—life, then there must be work, God's work; he was no coward, he would do his part.
Mingled with the many, dear, familiar things of the life that no longer was to be his, was a slim, pretty, little girl whom he had enshrined in his college days, and before whom he had laid his heart's sacredest offerings since. She, and his splendid courage would make even St. Ange a Paradise.
Raising his eyes to her face, as she sat beside his bed the day the specialist had given his final command, Drew whispered his hope to her.
The soft, saintly eyes fell before the trusting, pitiful ones.
"Dear," he said, a new doubt faced him—one he had never believed possible; "they say I will be well—quite well, there if I stay. And you and I—" but that drooping face drove him back among the shadows.
"We—must—think of others." It was the voice of a self-sacrificing saint, but the heart-touch was lacking, and Drew received his sentence then and there.
For a few, weak days he decided to remain and finish it all and forever.
Then his manly faith bade him sternly to gather the poor remnant of his strength together; grasp the broken blade that was his only weapon, and finish the fight how and where he could.
"We'll go with you, laddie," Aunt Sally whispered, hanging over this boy whom she loved as her own.
"And, dear," Constance sobbed on his pillow, "she wasn't worth your love. I just knew it from the start. She's a selfish—egotistical—" a thin, feverish hand stayed the girlish outburst.
"Never mind, Connie, we'll fly to the woods, and try to forget all about it." And taking advantage of the golden October calm, they came to St. Ange.
Lying upon his bed in the bungalow chamber, looking out over the hills and meadows, gorgeous in autumn tints, Drew began slowly, interruptedly to be sure, but perceptibly, to gain strength.
Having relinquished finally the old ideal of life, it was wonderful, even to Drew himself, to find how much seemed unimportant and trivial. It was rather shocking, in a mild way, for him to realize that a certain girl's face was growing less and less vivid. At first he attributed this to bodily weakness; then to weakness of character; finally, thank God! to common sense. With that conclusion reached, the present began feebly to be vital and full of meaning.
Had perfect health been his, a call to serve the cause to which he had dedicated himself might have taken him farther than St. Ange from his old life. It was the finality of the decree that had put him in that panic. Well, he would not permit finality to hold part in his plans. He would live as if all things might come to him, as to other men. It should be, day by day, and he would accept these people—if they would accept him—not as minister and parishioners, but in the larger, deeper sense—as brothers. With this outlook determined upon, a change for the better began. Before it, while the old weakness possessed him, Jock Filmer, sitting daily by his bed, was merely some one who was helping nurse the fever-racked body; afterward, Jock materialized into the most important and satisfying personality to be imagined. He was untiring in his devotion and gentleness. Caught on the rebound from the shock Gaston had caused him, Filmer went over to the new call to his friendship with an abandon that proved his own sore need of sympathy.
The family, grateful for the signs of returning health in the sick man, thankful for Jock's assistance and enlivening humour, disregarded conventions, and admitted the new friend to the holy of holies in their bungalow life.
Jock had not been so supremely happy in years. The companionship healed the wound Gaston had given his faith, and he found himself shielding and defending both Gaston and Joyce against his own crude judgments.
Before coming to St. Ange, Drew had been kept in touch with all that the men who were working for him considered his legitimate business. Anything pertaining to his house was fully explained; village scandal, however, had been ignored, and when Drew was able to be moved in a steamer-chair to his broad porch facing the west, he had many astounding things to learn.
One morning, lying luxuriously back among his cushions and inhaling the pine-filled air with relish, Drew electrified Filmer, who sat near him on the porch railing, by observing calmly:
"Filmer, I've a load of questions I want to ask."
"Heave 'em out." Jock sighed resignedly. Of course, he had anticipated this hour, and he knew that he must be the high priest. "Heave 'em out, and then settle down 'mong facts."
"Where is Jude Lauzoon?" This was hitting the bull's eye with a vengeance.
"Gone off for change of air and scene—somewhere." Jock presented a stolid, blank face to his inquisitor.
"Gone where?"
"Now how in—how do you expect I know? Just gone."
"Taken that pretty little wife of his to new scenes, eh? Well, she never seemed to me to belong here rightfully. I hope they'll do well."
Jock hitched uncomfortably.
"Well," he broke in, feeling it was inevitable, "Joyce didn't, as you might say, go with Jude. She's stopping on here."
"With the baby? There was a baby, I recall. My sister talked of it a good deal. She was interested in Joyce Lauzoon from what I told her."
"Well," Filmer felt his way, "there was, as you say, a—a baby, at least a kind of—a—baby. It was about as near a failure as I ever saw; but Joyce was plain crazy about it."
"Was? Is—the child dead?" Drew's big eyes were full of sympathy.
"Well, I should say so! And women is queer creatures, Drew. Now any one with an open mind would have been blamed glad when that poor little cuss cut loose. It never would have had a show in life; it was a big mistake from the beginning, but after it went, and was comfortably planted behind the shack, what do you think? Why, she came back one night and dug him up and put him—" In his endeavour to keep Drew from more unsafe topics, Filmer had plunged straight into an abyss.
"Put him where?" Drew felt the gripping of life. It hurt, but it stimulated him. He was suffering with his people—his people! Joyce's lovely face, as he remembered it, pleaded with him for sympathy. It was her face that had first given him assurance. She should not call in vain.
"Oh! back of where she is stopping now. They've made the spot quite a little garden plot, and—"
"Filmer, see here, tell me all about it!"
"Well, by thunder, then, here is the yarn. You see in the first place, you didn't marry Jude and Joyce as tight as an older and more experienced hand would have done. I ain't blaming you, but I've used the thought to help me to be more Christian in my views about what happened. The knot you tied was a slipknot all right."
A shadow passed over the sick man's face.
"You mean—" he began.
"I certainly do. There was a hell of a—excuse me—there was a rumpus of some sort the night the kid was buried. It ended up with a general smash-a-reen of furniture, pictures and such—and I guess Joyce came in for a share of bruises, from what has leaked out since. But the outcome was, she walked up to Gaston's shack that same evening, and what happened there hasn't got into the society news yet; but when Jude and me and Tate went up to straighten out what I thought was a drunken lie of Lauzoon's, there she was all right, wrapped up in Gaston's red blanket, his arm around her, and him asking what we was going to do about it?"
"What have you—done?" the even words came slowly.
"Nothing. Jude evaporated. I got a bit of a jog about Gaston; I ain't over virtuous, but Gaston was a sort of pattern to me, and I'd got him into my system while we was working on your house. He made me—believe in something clean and big—and I didn't enjoy seeing him spattered with mud of his own kicking up. But Lord! It ain't any of my business."
"And the others here? Do they make her and him—feel it?"
Filmer laughed.
"You forget," he replied; "Gaston's got about all the floating capital there is around here. Where he gets it, is his own affair, and him and Joyce don't ask no favours. The whole thing has settled into shape. You needn't get excited over it. Of course, the women folks have warned your aunt and sister off. I believe they call Joyce the worst woman in the place—when they're whispering—but they don't take any chances of giving offence by speaking out loud."
"Poor little girl!" Drew's eyes were misty. He shivered slightly and pulled his fur coat closer about his chin. "How does she look, Filmer?"
"As handsome as—well, a queen would give her back teeth to look like Joyce. I never seen the like. Head up, back as straight as a pine sapling, eyes shining and hair like—like mist with sunlight in it. Gaston has taught her to speak like he does. You know he always kept his language up-to-date and stylish? Well, she's caught the trick now. You'd think she'd travelled the way she hugs her g's and d's. She trips over the grammar rules occasionally—but I always said they had to be born in your blood to make you sure, and even then—you have to exercise them daily."
"Poor little Joyce! I always felt she was only half awake, as she stood that day before me. If I had it to do now—I would wake her up, before I made the tie fast."
"Lord help us!" Jock felt the relief of an unburdened mind; "is it in your religion to tie anything fast?"
"Yes; yes." Drew was looking over the sunlighted hills and thinking of that lovely, dreaming face of a year ago.
"And now," Filmer was drawling on, "while you and me are on this sort of house-cleaning spell, let me drop another item of interest into your think-tank. We-all up here ain't going to stand for any preaching business. I say this outspoken and friendly, meaning no ill feeling; just plain, what's what. You see them ideas of yours what you handed out last year set folks thinking. They sounded so blasted innercent and easy that we all chewed on 'em for a time, and some of us got stung. Now them as is native here can't think without suffering; and them as came here, came to get rid of thinking, and so you see none of us want to be riled along that line. See?"
"I see." Drew smiled, and stretched his thin white hand out to Filmer. "Thanks. But if they'll let me live—that's all I want. It's my only way of preaching, anyhow—and Filmer, I am going to live. I feel the blood running to my heart and brain. I feel it bringing back hope and interest—a man can make a place for himself anywhere if there are men and women about. I thought first—back there—when I dropped everything, that there never could be anything else worth while, but I tell you old man, if you take even a remnant of life and love to Death's portal you're always mighty glad to get the chance to come back and see the game out. It's when you go empty-handed, that you long to slip in and have done with it. Filmer, there's something yet left for me to do."
Jock was holding the boyish hand in a grim grip. He tried to speak, but could not. He stared silently at the muffled figure in the long chair, then with an impatient grunt, dropped his hold and actually fled in order to hide the feelings that surged in his heart.
Left alone, Drew sank wearily back and closed his eyes. The lately-acquired strength proved often a deserter when it was tested, and for the moment the sick man felt all the depression and inertia of the past. He felt, and that was his only gain. Before, he had been too indifferent to feel or care.
"Poor, little, pretty thing!" he thought, with Joyce's face before him against the closed eyelids. "She couldn't stand it. She didn't look as if she could. I'm sorry she had to find her way out by such a commonplace path. What was Gaston thinking of to let her? He knew—he should have kept his hands off and not blasted what little hope might have been hers."
Half dreamily he recalled what Filmer had just told him. His weakened body held no firm clutch on his imagination at that time of his life—it ran riot, often giving him abnormal pleasure by its vivid touches; occasionally causing him excruciating pain as he suffered, in an exaggerated way, with suffering.
He saw Joyce, bruised and shuddering as a result of Jude's cruelty; he saw her poor little idols dashed to pieces before her eyes; he felt her grief for the dead baby, and when he remembered Jock's account of her taking the small casket to the only spot where she herself was safe, the weak tears rolled down his cold, thin face. He was too exhausted and full of pain to wipe them away.
He heard his aunt and sister come out of the house.
"Asleep!" whispered the older woman in a glad tone.
"I'll go for a walk," Constance added, tip-toeing away. "Have the milk and egg ready when he wakes, auntie. Did you ever see such a day? I feel as if I had just been made, and placed in a world that hadn't been used up by millions of people."
They were gone, and Drew sighed relievedly.
Presently he opened his eyes, if he had slept he was not conscious of it, and there sat the girl of his dreams near him.
"Mrs.—" he faltered, "Mrs. Lauzoon, how good of you to come and see me. I hope you know I would have come to you as soon as I was able?"
Joyce had been studying his face—nothing had escaped her: its wanness, the sharp outline, and the tears congealed in the hollows of his cheeks. She pulled her chair nearer, and took his extended hand.
"I'm sorry you've been sick," she said simply.
Then they smiled at each other.
It was hard for Drew to readjust his ideas and fit this beautiful woman into the guise of the Magdalene of his late thoughts.
Vaguely he saw that whatever she had undergone, she had brought from her experiences new beauty; a new force, and a power to guard her possessions with marvellous calm. She was being made as she went along in life. Her spiritual and mental architecture, so to speak, could not be properly estimated until all was finished. This conclusion chilled Drew's enthusiasm. He would have felt kinder had she been less sure of herself.
"You are looking—well, Mrs. Lauzoon." Drew felt the awkwardness of the situation growing.
"Please, Mr. Drew, I'm just Joyce again. Perhaps you have not heard?" Her great eyes were still smiling that contented, peaceful smile.
"I've heard. Need we talk of it, Joyce?"
"Unless you're too weak, we must; now or at some other time. You see I have been waiting to talk to you. I've been saying over and over, 'He'll understand. He'll make me sure that I've done right.'"
Drew, for the life of him, could not repress a feeling of repulsion. Joyce noticed this, and leaned back, folding her hands in her lap.
Drew saw that her hands were white and smooth. Then she gathered her heavy, red cloak around her, and hid those silent marks of her new refinement.
"They call me"—the old, half-childish smile came to the face looking full at Drew—"the worst woman in town. At least, they call me that when they think I won't hear. You know they were always afraid of Mr. Gaston a little. But I hear and it makes me laugh."
The listener closed his eyes for a moment. He could better steady his moral sense when that sweet beauty did not interfere with his judgment.
"You see, if I had stayed on—with Jude, and lived—that—awful life": a sudden awe stole into her voice—"then, if they had thought of me at all, they would have thought of me as—good. It would have been—good for me to have—poor, sad little children—like—like my—my baby—You've heard?" Her lips were quivering. The play of expression on her face, the varying tones of her voice unnerved Drew. He nodded to her question.
"It was such a—dreadful, little, crooked form, Mr. Drew—such—a hideous thing to hold a—a—soul. Just once, the soul smiled at me through the big, dark eyes—it wanted me to know it was a soul—then it went away."
Even while the smile trembled on the girl's lips the tears stood in her eyes.
"You see," she went on, "no one would have blamed me if I had gone on like that—the misshapen children, and soon they would have stopped having souls—and Jude's cruelty,"—again that fearsome catch in the voice—"they would have called me good—if I had stayed on—but you will understand?" She bent toward him with pleading and yearning in her face. "Oh! how I have just hungered to talk it over with you—and to feel sure! There isn't any one else in all the world, you know, to whom I could say this."
"How about Gaston?" Drew heard his own words, and they sounded brutal, but they were forced from him.
Joyce stared surprisedly.
"Why—we never talk of—of that. How could we? But I read—and Mr. Gaston has taught me to think—straight—and don't you notice how much better I talk?"
"Yes—and dress." All that was hard in Drew rose in arms. This girl was like the rest of her kind for all her wood-setting and strange beauty. The only puzzling thing in the matter was her desire to talk it out with him.
"I have lots of pretty things to wear." Joyce smoothed her heavy cloak. "He's the kindest man I ever knew. That's another reason I had for wanting to come to you. I want you to show him just how you understand. I begin to see how lonely he is—how lonely he has always been up here—there is no one quite like him—but you. But Mr. Drew, do you remember what you preached that day you—married us—Jude and me, I mean?"
"I'm afraid not—so many things have happened since." Drew tried to keep his feelings in check.
"Well, I remember every word." The glowing face again bent toward Drew. "Can't you think back? It was about what we've brought into the world, what we get here and shape into our lives, and then what we leave when we go—away. The blazed trail, you know, and clearing the way for others. Oh, it was the sort of thing that when you thought about it you didn't dare go on being careless."
"I do—recall." Her intensity was gripping Drew in spite of himself. "It was an old fancy. But it has helped me to live."
"It has made me live. I tried it fair and honest with Jude, Mr. Drew, but no one could do it with him. The trail got choked with—awful things—and I only had strength enough to run away, after one year. If I had stayed—I—I would have rotted as I stood." She breathed thick and fast. Her old life, even in memory, smothered her. Drew caught a slight impression of what it must have been for this strange-natured woman. He began to think she was not yet awake, and the thought made him kinder in his estimate of her.
"But," he said gently, "was there no other way out of your difficulty?"
She looked pityingly at him.
"I didn't go to Mr. Gaston to—to stay," she whispered: "there was a reason for my going—a reason about Jude—then things happened that I guess were meant to happen. There was no other way out for me—but I had not thought that far. I guess if God ever took care of any one, he took care of me that night."
This utterly pagan outlook on the proprieties positively stirred Drew to unholy mirth. But it did something else—it made him realize that the girl before him was quite outside the reach of any of his preconceived ideas. He could afford to sit down upon her plane and feel no moral indignation. Perhaps, after all, she had brought his work to him when she came herself.
"You see, after Jude and Mr. Tate and Jock Filmer found me there late at night—there was nothing else for me to do. Jude would have killed me—if I had gone away alone—he was—awful. Besides, where could I have gone?"
"Gaston should have acted for you. He knew what he was doing to you."
The righteous indignation confused the girl.
"Why, he did act for me." The fire sprang to the wondering eyes. "He is the best man on earth. There are more ways of being good than one. The people here can't see that—but surely you can. Mr. Gaston made my life safe and clean. I could grow better every day. Why, look at me." She flung her arms wide as if by the gesture she laid bare her new life.
"He has taught me until I can see and think, wide and sure. He is always gentle—and he never lets me work until—until I'm too tired to want to live.
"Isn't it being good when you are growing into the thing God meant you to be? Ought you not to take any way God offers to reach that kind of life?" Joyce flung the questions out fiercely. She was perplexed by Drew's attitude. If he were as much like Gaston as she had believed, why did he look and act as he was doing?
"If—if you have, and if you are, all that you say, why do you question me so?" Drew asked. He was feeling his way blindly through this new moral, or unmoral, thicket.
"Because sometimes a queer thought comes to me. I know it is because these people can not understand; but you can, and when you have told me it is all right—I shall never have the thought again."
"What is the thought, Joyce?"
"You see," she almost touched him now in her intensity, "I do not know anything about Mr. Gaston—really. About what he was, what his life was before he came here. I would not hurt him for anything God could give to me—and sometimes I have wondered if—if in that life that was; the life that might come again to him, you know,—for for he is so different from any one here—I wonder if what he has done for me, could hurt him? Could anything that is so heavenly good for me—hurt him?—tell me, tell me!"
And now Drew dropped his eyes and sent a swift prayer to God for forgiveness.
He had thought her without conscience, without soul. He felt himself in a dim valley, and he hardly dared to raise his eyes to her.
"I am perfectly happy." The words quivered to him, and belied themselves. "And he says he—is—but would he be if he were back there—where he came from? In my getting of my life, am I taking from his?"
"Good God!"
"You—you do not understand, either?"
"Yes; I do, Joyce—I understand. I understand."
"Am I hurting him?"
"He must answer that, Joyce, no one else can. He must face that some day, and also whether he is hurting you or not. We cannot any of us choose a little sunny spot in life for ourselves and shut out the past and future by a high wall. The present faces both ways, Joyce, and light is let in from all sides. Light and blackest gloom, God help us!
"What Gaston's other life was—he alone knows—he ought to tell you if he hopes to help you really. If he's the good man he seems to you, Joyce, he will tell you, and give you a chance to play the game." Suddenly an inspiration came to Drew. "Tell him," he said slowly, "that I have friends coming here—friends who will probably build summer homes and introduce a new life. It's none of my business, perhaps, but you've come to me for help—and as God shows me, I must help you. Gaston has no right to injure your future by playing a game with you that you in no wise understand. It isn't fair—and he knows it, if he stops to think. Perhaps there was no way for him to help you that night, but the way he took. Perhaps he nobly did the only thing he could—I hope to God this is true; but there are other ways now, Joyce—he must know and give you a choice."
"I—I—do not see—what you mean?" A frightened look spread over Joyce's face, and she shivered even in the full glow of the autumn sunlight. "I feel—you make me feel—as if I had been—as if I am—shut in a little room, with the doors and windows about to be opened. What is coming in, Mr. Drew? What am I going to see? You—you frighten me. I cannot—I will not believe—anything dreadful could happen to him or me—when I am so happy and safe."
The excitement was wearing upon Drew frightfully. His ghastly face appealed suddenly to Joyce as she looked at him through her own growing doubt.
"I'm going," she said, starting up; "I've made you worse. What can I do?"
Drew smiled wanly and held out a trembling hand.
"Come again," he whispered. "It's all right, I'm much better—than when you came."
And so he was, spiritually, for he had retained his belief in God's goodness, somehow. Just why, he could not have told, but had the girl been what he had, for a moment, believed, it would all have seemed so uselessly hopeless and crude.
From the strange confession he had obtained but a blurred impression, but that impression saved his faith in Joyce, at least. She was not a bad, ignoble woman. Whatever she had done, had been done from the best that was in her, and if Gaston had accepted her sacrifice he had, in some way, managed to keep himself noble in her sight.
It was a baffling thing all around. A thing that he must approach from a new standpoint; the one, the only comfort was, the girl's own evolution. It was not possible Drew thought, that all was evil which had produced what he had just seen.
CHAPTER XI
Gaston often took a trip to Hillcrest, remaining several days, at times, and Joyce never questioned. Gradually she had accepted the place in Gaston's life that he had allotted her without expectation or regret. To live in the light and joy of his presence had become enough—almost enough. She studied, and sought to be what he desired. She was, after the very first, genuinely happy and full of quaint sweetness. As the black interval of her life faded, she turned with grateful appreciation to the present and played the part expected of her in an amazing manner.
Sometimes that disturbing doubt, hardly strong enough to be classified, made her pause, wide-eyed and still, but it fled before Gaston's laugh and jest.
With Drew's coming she grasped the subtle restlessness and comforted herself with the thought that he who understood so much, he, who was, in kind, like Gaston, he would clear away the elusive doubt forever.
She had never forgotten that it was Drew who had first set her feet on the upward path; he, above all others, would be glad of her better life, and sympathize with her happiness.
When she pondered upon Gaston's possible past, she felt guilty. What he did not entrust to her, she had no right to consider—so she tried to push the thought away. She was glad of so good an excuse for putting a fretting thing aside. But it would not remain hidden. During Gaston's absences it reared its hated head—with his return it slunk into shadow.
Taking advantage of one of Gaston's brief visits from home, Joyce had gone to Drew, timing her call when she knew his womenkind were away. She had an instinctive aversion to her own sex. She had thought it was contempt for St. Ange womanhood; she did not speculate about these others.
Her talk with the young minister, instead of clearing her sky of the tiny cloud, had resulted in a general atmosphere of doubts and shapeless fears that doomed her days to unhappiness, and her lonely nights to actual misery.
Things were not right. That was the overpowering conviction that grew apace. If she knew all—all what? Well, if she insisted upon knowing all—what would happen?
She caught her breath sharply, and frantically turned to bodily toil in order to down the spectre which now confronted her with brazen insistence. Things must go on as before. Ralph Drew was nothing but a boy—what were his opinions compared to Gaston's? Gaston could do no wrong. She was content to abide by his decree.
She sang, and turned from one task to another with determined haste. At one moment she vowed the subject should never be thought of again; the next, she promised herself that she would put the whole matter before Gaston as soon as he returned, and, by so doing, prove the unimportance of the thing. But whichever way she looked at it, she hourly grew to dread Gaston's return. Life was never going to be the same. Something was going to happen!
Oh, she had often had these premonitions before. Gaston laughed at them, and called her funny names when she voiced them to him.
Three days and nights dragged on, after that visit to Drew, before Gaston came back.
The house had been cleaned and recleaned until it shone. The fire was kept brilliant, and Joyce donned, in turn, every pretty bit of adornment that she owned. She decked the pictures with ground-pine, and, in the act of preparing the dishes for supper that Gaston liked best, he found her.
"Hello, little girl," he called cheerily; "it look like Christmas. It's lucky I have some presents in my pack. I believe you fixed up to catch me, and make me feel like a tight-wad. But I'm one to the good. Don't peek. After supper we'll have a lark. Have you a kiss by way of welcome?"
Joyce turned from the lamp she was lighting, and put both her hands on his shoulders.
"Oh, but it's good to have you back!" she said, and raised her lips to his.
This fond response to him was the greatest recompense the change in their lives had brought to Gaston. It warmed the lonely places of his heart.
It was a jovial meal that followed. Gaston was hungry, the food was excellent, and Joyce glowed and beamed in the atmosphere of regained trust.
It was, though, a fleeting peace. When the dishes were removed, Gaston noticed how tired she looked.
"Happy?" he asked, with a laugh.
"Perfectly." Joyce was filling his pipe.
"Perfectly nothing!" he exclaimed, drawing her down to the arm of his chair. "Now own up, my lady, what have you been doing?"
Gaston expected a rehearsal of daily tasks, more energetically performed, perhaps, than was necessary.
"I went to see Mr. Drew." The smile fled from Gaston's face. So it was not housework!
"How is the young D. D.?"
"He looks very ill, but they say he is getting better."
"Did you have a pleasant call?"
Gaston was unreasonably annoyed, but he was curious also.
Joyce dropped her eyes. In a subtle way Gaston felt a change in her. She was never anything but direct and truthful with him, her attitude was now, therefore, more significant. He had beaten his life, his personal life, into a monotonous round outlined on that first night when Joyce had been thrust into his care. He had grown to think that emotions were dead and done with; this sudden realization that the first touch from the outer world could disturb his calm, irritated him beyond measure.
"Mr. Drew was very—kind," Joyce's voice fell dully upon Gaston's impatience; "he's coming—to see us!"
"The devil he is!" The outburst seemed so childish that Gaston laughed, and his gloom passed.
By persistent practice he had felled every circumstance to a dead level—he would raze this new element, too, to the ground, and things would assume the old placidity.
"We'll welcome him when he comes, Joyce. I'm a selfish brute and don't want to be disturbed; but of course any one who cares to come will be welcome."
She shot a swift glance at him, then her eyes fell.
Gaston stared at her, and his face flushed. It had not been easy during the past year to keep the man in him under control, but he had begun to think, lately, the victory was assured. So confident was he of himself, that he had planned a final test in order to make sure the future held no danger for him—and her! |
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