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As soon as he had passed the door, Margaret locked and bolted it; then, alone with the supreme anguish that had been crushed for these long, long hours, she fell upon her knees, and wept until the morning-star looked down upon her agony.
CHAPTER LXXXVIII.
PRINCE LOUIS DE ROHAN.
The cardinal prince, Louis de Rohan, French ambassador at Vienna, had petitioned the empress for a private audience, and the honor had been granted him. It was the first time, since a year, that he had enjoyed this privilege; and the proud prince had determined that all Vienna should know it, for all Vienna was fully aware of the empress's dislike to him.
Accompanied by a brilliant cortege, the prince set out for the palace. Six footmen stood behind his gilded carriage, while inside, seated upon cushions of white satin, the prince dispensed smiles to the women, and nods to the men who thronged the streets to get a glimpse of his magnificence. Four pages, in the Rohan livery, dispensed silver coin to the populace; while behind came four carriages, bearing eight noblemen of the proudest families in France, and four other carriages which bore the household of this haughty prince of church and realm. [Footnote: In the beginning of the year 1780, Prince de Rohan was made cardinal and grand almoner of France. Before that time, he had been Archbishop of Strasburg. "Memoires sur la Vie Privee de Marie Antoinette," vol. i., p. 47.]
The cortege moved slowly, and the people shouted. From every window, burgher's or nobleman's, handsome women greeted the handsome cardinal who was known to be a connoisseur in female beauty. The crowd outside followed him to the palace-gates, and when his carriage stopped, they shouted so vociferously, that the noise reached the ears of the empress; and so long, that their shouts had not ceased when the cardinal, leaving his brilliant suite, was ushered into the small reception-room where Maria Theresa awaited him.
She stood by the window, and half turned her head, as the prince, with profoundest salutations, came forward. She received his obsequious homage with a slight inclination of the head.
"Can your eminence tell me the meaning of this din?" asked she, curtly.
"I regret not to be able to do so, your majesty. I hear no din; I have heard nothing save the friendly greetings of your people, whose piety edifies my heart as a priest, and whose welcome is dear to me as a quasi subject of your majesty. For the mother of my future queen must allow me the right to consider myself almost as her subject."
"I would prefer that you considered yourself wholly the subject of my daughter; as I doubt whether she will ever find much loyalty in your heart, prince. But before we go further, pray inform me what means all this parade attendant upon the visit of the French ambassador here to-day? I am not aware that we are in the carnival; nor have I an unmarried daughter for whom any French prince can have sent you to propose. "
"Surely your majesty would not compare the follies of the carnival with the solemnity of an imperial betrothal," said the archbishop, deferentially.
"Be so good as not to evade my question. I ask why you came to the palace with a procession just fit to take its place in a carnival?"
"Because the day on which the mother of the dauphiness receives me, is a great festival for me. I have so long sued for an audience, that when it is granted me, I may well be allowed to celebrate it with the pomp which befits the honor conferred."
"And in such a style that all Vienna may know it, and the rumor of your audience reach the ears of the dauphiness herself."
"I cannot hope that the dauphiness takes interest enough in the French ambassador to care whether he be received at a foreign court or not," replied the cardinal, still in his most respectful tone. "I request you to come to the point," said Maria Theresa, impatiently. "Tell me, at once, why you have asked for an audience? What seeks the French ambassador of the empress of Austria?"
"Allow me to say that had I appeared to-day before your majesty as the French ambassador, I would have been accompanied by my attaches and received by your majesty in state. But your majesty is so gracious as to receive me in private. It follows, therefore, that the Cardinal de Rohan, the cousin of the dauphin, visits the imperial mother of the young dauphiness."
"In other words, you come hither to complain of the dauphiness-consort; again to renew the unpleasant topics which have been the cause of my repeated refusals to see you here."
"No, your majesty, no. I deem it my sacred duty to speak confidentially to the mother of the dauphiness."
"If the mother of the dauphiness-consort will listen," cried the proud empress, sharply emphasizing the word "consort."
"Pardon me, your majesty, the apparent oversight," said De ROhan, with a smile. "But as a prince of the church, it behooves me, above all things, to be truthful, and the Dauphiness of France is not yet dauphiness-consort. Your majesty knows that as well as I do."
"I know that my daughter's enemies and mine have succeeded so far in keeping herself and her husband asunder," said the empress bitterly.
"But the dauphiness possesses, in her beauty, worth, and sweetness, weapons wherewith to disarm her enemies, if she would but use them," said De Rohan, with a shrug. "Unhappily, she makes no attempt to disarm them."
"Come—say what you have to say without so much circumlocution," cried Maria Theresa, imperiously. "What new complaint have the French against my daughter?"
"Your majesty is the only person that can influence the proud spirit of the dauphiness. Marie Antoinette adores her mother, and your majesty's advice will have great weight with her."
"What advice shall I give her?"
"Advise her to give less occasion to her enemies to censure her levity and her contempt of conventional forms."
"Who dares accuse my daughter of levity?" said the empress, her eyes flashing with angry pride.
"Those who, in the corruption of their own hearts, mistake for wantonness that which is nothing more than the thoughtlessness of unsuspecting innocence."
"You are pleased to speak in riddles. I am Maria Theresa—not Oedipus. "
"I will speak intelligently," said De Rohan, with his everlasting smile. "There are many things, innocent in themselves, which do not appear so to worldly eyes. Innocence may be attractive in a cottage, but it is not so in a palace. An ordinary woman, even of rank, has the right, in the privacy of her own room, to indulge herself in childish sport; but your majesty's self cannot justify your daughter when I tell you that she is in the habit of playing wild games with the young ladies who have been selected as her companions."
"My poor little Antoinette!" exclaimed the empress, her eyes filling with compassionate tears. "Her enemies, who do not allow her to be a wife, might surely permit her to remain a child! I have heard before to-day, of the harmless diversions which she enjoys with her young sisters-in-law. If there were any sense of justice in France, you would understand that, to amuse half-grown girls, the dauphiness must herself play the child. But I know that she has been blamed for her natural gayety, poor darling; and I know that Madame de Marsan will never forgive her for feeling a sisterly interest in the education of the young princesses of France. [Footnote: Madame de Marsan was their governess.] I know that the saloons of Madame de Marsan are a hot-bed of gossip, and that every action of the dauphiness is there distorted into crime. [Footnote: "Memoires de Madame de Campan." vol. i., p. 65.] If my lord cardinal has nothing else to tell me it was scarcely worth his while to come to the palace in so pompous a manner, with such a solemn face."
"I did not come to your majesty to accuse the dauphiness, but to warn her, against her enemies; for unfortunately she HAS enemies at court. These enemies not only deride her private diversions, but, with affectation of outraged virtue, they speak of recreations, hitherto unheard of at the court of France."
"What recreations, pray?"
"The dauphiness, without the sanction of the king; indulges in private theatricals."
"Private theatricals! That must be an invention of her enemies."
"Pardon me, your majesty, it is the truth. The dauphiness and her married sisters-in-law take the female characters, and the brothers of the king the male. Sometimes Monsieur de Campan, the private secretary of the deceased queen, and his son, who fills the same office for the dauphiness, join the actors. The royal troupe give their entertainments in an empty entre-sol, to which the household have no access. The Count of Provence plays the jeune premier, but the Count d'Artois also is considered a good performer. I am told that the costumes of the princesses are magnificent, and their rivalry carried to the extreme."
The empress, affecting not to hear the last amiable remark, said "Who are the audience?"
"There is but one spectator, your majesty, the dauphin himself."
Maria Theresa's face lighted up at once, and she smiled.
The cardinal went on: "The aunts of the dauphin themselves are not admitted to their confidence, lest they might inform the king, and his majesty forbid the indecorous representations."
"I shall write to the dauphiness and advise her to give up these representations," said Maria Theresa, calmly, "not because they are indecorous, but because they are a pretext for her enemies. If she has the approbation of her husband, that of itself ought to suffice to the court; for it is not an unheard thing to have dramatic representations by the royal family. Louis XIV. appeared on the boards as a dancer; and even under the pious Madame de Maintenon, the princes and princesses of France acted the dramas of Corneille and Racine."
"But they had the permission of the king, and none of them were future queens."
"What of that? If the queen approved of the exhibition, the dauphiness might surely repeat it. My daughter is doing no more at Versailles, than she has been accustomed to do at Schonbrunn, in her mother's presence."
"The etiquette of the two courts is dissimilar," said De Rohan, with a shrug. "In Vienna, an archduchess is permitted to do that which, in Paris, would be considered an impropriety."
"Another complaint!" cried the empress, out of patience.
"The dauphiness finds it a bore," continued De Rohan, "to he accompanied wherever she goes, by two ladies of honor. She has, therefore, been seen in the palace, even in the gardens of Versailles, without any escort, except that of two servants."
"Have you come to the end of your complaints?" said the empress scarcely able to control her passion.
"I have, your majesty. Allow me to add, that the reputation of a woman seldom dies from a single blow—it expires gradually from repeated pricks of the needle. And queens are as liable to such mortality as other women."
"It ill becomes the Prince de Rohan to pass judgment upon the honor of women," cried Maria Theresa, exasperated by his lip-morality. "If the French ambassador presumes to come to me with such trivial complaints as I have heard to-day, I will direct my minister in Paris to make representations to the king of another and a more serious nature."
"Regarding the unpardonable indifference of the dauphin to his wife?" asked the cardinal, with sympathizing air.
"No. Regarding the unpardonable conduct of the French ambassador in Vienna." exclaimed the empress. "If the cardinal is so shocked at a slight breach of etiquette, he should be careful to conceal his own deformities under its sheltering veil. Innocence may sin against ceremony; but he, who leads a dissolute and voluptuous life, should make decorum a shield wherewith to cover his own shame!"
"I thank your majesty for this axiom so replete with worldly wisdom. But for whom can it be intended? Certainly not for the dauphiness."
"No; for yourself, prince and cardinal!" cried the empress, beside herself with anger. "For the prelate who, unmindful of his rank and of its obligations, carries on his shameless intrigues even with the ladies of my court. For the ambassador who, leading a life of Oriental magnificence, is treading under foot the honor of his country, by living upon the credulity of his inferiors. All Vienna knows that your household makes unworthy use of your privileges as a foreign minister, by importing goods free of tax, and reselling them here. All Vienna knows that there are more silk stockings sold at the hotel of the French embassy than in all Paris and Lyons together. The world blames me for having revoked the privilege enjoyed by foreign embassies to import their clothing free of duty. It does not know that the abuse of this privilege by yourself has forced me to the measure."
"Your majesty is very kind to take so much trouble to investigate the affairs of my household. You are more au fait to the details than myself. I was not aware, for instance, that silk stockings were sold at the embassy. No more than I was aware that I had had any amours with the ladies of the court. I have a very cold heart, and, perhaps, that is the reason why I have never seen one to whom I would devote a second thought. As regards my manner of living, I consider it appropriate to my rank, titles, and means; and that is all that I feel it necessary to say on the subject."
"You dispose of these charges in a summary manner. To hear you, one would really suppose there was not the slightest ground for reproach in your life," said the empress, satirically.
"That this is quite within the range of possibility, is proved by the case of the dauphiness," replied De Rohan. "If your majesty thinks so little of her breaches of etiquette, it seems to me that mine are of still less consequence. And allow me to say, that the French nation will sooner forgive me a thousand intrigues with the ladies of Vienna, than pass over the smallest deviation from court usages on the part of the dauphiness. Marie Antoinette has defied them more than once, and I fear me, she will bitterly repent her thoughtlessness. Her enemies are watchful and—"
"Oh, I see that they are watchful," exclaimed Maria Theresa, "I see it. Do not deny it, you are one of those whose evil eyes see evil doings in every impulse of my dear defenceless child's heart. But have a care, sir cardinal, the friendless dauphiness will one day be Queen of France, and she will then have it in her power to bring to justice those who persecute her now!" [Footnote: "Memoires de Madame de Campan," vol. i., p. 47.]
"I hope that I shall never be accused of such fellowship," said De Rohan, for the first time losing his proud self-possession.
"I, the Empress of Austria, accuse you to-day of it!" cried Maria Theresa, with threatening mien. "Oh, my lord, it does you little honor—you, a royal personage and a prince of the church, to exchange letters with a Du Barry, to whose shameless ears you defame the mother of your future queen!"
"When did I do this? When was I so lost to honor as to speak a disrespectful word of the Empress of Austria?"
"You deny it—do you? Let me tell you that your praise or your blame are all one to me; and if I have granted you this interview, it was to show you how little I am disturbed by your censorious language. I know something of the intriguing at Versailles. I have even heard of the private orgies of the 'Oeil de Boeuf,' where Louis entertains his favorites. And I will tell you what took place at the last one. The Countess du Barry was diverting the company with accounts of the hypocrisy of the Empress of Austria; and to prove it, she drew from her pocket-book a letter, saying: 'Hear what the Cardinal de Rohan says about her.' Now, cardinal, do you still deny that you correspond with her?"
"I do deny it," said the prince, firmly. "I deny that I ever have written her a word."
The empress took from her pocket a paper, and read as follows
"True, I have seen Maria Theresa weeping over the fate of Poland, but this sovereign, who is such an adept in the art of dissimulation, appears to have tears and sighs at her command. In one hand she holds her pocket-handkerchief, and in the other the sword with which she cuts off a third of that unhappy country." [Footnote: "Memoires de Weber concernant Marie Antoinette," vol. viii., p. 803.]
"Now, sir cardinal, upon your sacred honor, did you or did you not write these words?"
The prince turned pale, and grasped the arm of the chair on which he sat.
"Upon your honor and your conscience, before God!" reiterated the empress.
The cardinal raised his eyes slowly, and in a low voice, said "I dare not deny it. I wrote them. In an unlucky hour I wrote them—but not to Du Barry."
"To whom, then?"
"To one who has betrayed me to Du Barry. Far be it for me to name him. I alone will bear the weight of your majesty's displeasure. I alone am the culprit."
"I know of no culprit in the matter," replied Maria Theresa, throwing back her stately head. "I stand before God and before the world, and every man has a right to pass sentence upon my actions—even the Cardinal de Rohan. I merely wish to show him that the dauphiness and her mother both know what to expect of his eminence."
"The dauphiness knows of this letter?" cried De Rohan.
"It is she who sent me this copy."
The prince bowed his head down upon his hands.
"I am lost!" murmured he.
The empress surveyed him with mistrust. Such emotion on the part of such a man astonished her, and she doubted its sincerity.
"Why this comedy, prince?" said she. "I have already told you that I am indifferent to your opinion."
"But the dauphiness never will forgive me," said he, uncovering his face. "My contrition is no comedy: for I look with prophetic eyes into the future—and there I see anguish and tears."
"For whom?" said Maria Theresa, scornfully.
"For me, and perchance for the dauphiness. She considers me her enemy, and will treat me as such. But hatred is a two-edged sword which is as apt to wound the one who holds it as the one for whom it is unsheathed. Oh, your majesty, warn the dauphiness! She stands upon the brow of a precipice, and if she do not recede, her enemies will thrust her headlong into the abyss below. Marie Antoinette is an angel of innocence and chastity, but the world in which she lives does not understand the language of angels; and the wicked will soil her wings, that her purity may not be a reproach to their own foulness. Warn the dauphiness to beware of her enemies. But, as God hears me, I am not one of them. Marie Antoinette will never believe me, and, therefore, my fate is sealed. I beg leave of your majesty to withdraw."
Without awaiting the answer, the prince bowed and retired.
Maria Theresa looked thoughtfully after him, and long after be had closed the door, she remained standing in the centre of the room, a prey to the anxious misgivings which his visit had kindled in her heart.
"He is right," said she, after a time. "She wanders upon the edge of a precipice, and I must save her. But, oh my God! where shall I find a friend who will love her enough to brave her displeasure, and, in the midst of the flattery which surrounds her, will raise the honest voice of reproof and censure? Ah, she is so unhappy, my little Antoinette, and I have no power to help her! Oh my God! succor my persecuted child!"
CHAPTER LXXXIX.
THE POLES AT VIENNA.
The three powers which had lived so long at variance, had united themselves in one common cause—the pacification of Poland. In vain had Stanislaus refused his assent to their friendly intervention. In vain had he appealed to England and France for help. Neither of these powers was willing, for the sake of unhappy Poland, to become involved in a war with three nations, who were ready to hurl their consolidated strength against any sovereign who would have presumed to dispute their joint action.
In vain King Stanislaus began, by swearing, that sooner than consent to the dismemberment of Poland, he would lose his right hand. The three powers, tired of his impotent struggles, informed him, through their envoys at Warsaw, that there were limits to the moderation which decorum prescribed to governments; that they stood upon these limits, and awaited his speedy acquiescence to the act of partition. [Footnote: Raumer, "Contributions to Modern History," vol. iv., p 516.] The Russian empress added that, if Stanislaus did not call a convention of the Polish Diet to recognize the act, she would devastate his land, so that he would not have a silver spoon left to him. [Footnote: Raumer, "Contributions to Modern History," vol. i., p. 507.]
The unhappy king had no longer the nerve to brave such terrific threats. He submitted to the will of his tyrants, and came in as a fourth power, eager to obtain as much as he could for his own individual advantage.
The wretched Poles took no notice of the edicts of a king who had been forced upon them by a strange sovereign. Only a few cowards and hirelings obeyed the call for a convention; so that in all, there were only thirty-six members, who, under the surveillance of Austrian and Prussian hussars, signed their names to the act of partition.
The King of Prussia received Pomerelia, and the district of Nantz; Russia took Livonia, and several important waywodeships; and Austria obtained the county of Zips, a portion of Galicia and of Lodomeria, and half of the palatinate of Cracow.
Here and there an isolated voice was raised to protest against the stupendous robbery; but it was lost amidst the clash of arms and the tread of soldiery. Whenever a word was spoken that fretted the sensibilities of Austria or Prussia, Catharine said she was willing to bear all the blame of the thing; and, laughing heartily, she called the protests that were sent on the subject, "moutarde apres diner." Frederick resorted to self-deception, proclaiming to the world, "that for the first tune the King and the Republic of Poland were established on a firm basis; that they could now apply themselves in peace to the construction of such a government as would tend to preserve the balance of power between proximate nations, and prevent them from clashing." [Footnote: Raumer, "Contributions," p. 542.]
The Poles, in silent rancor, submitted to their fate, and took the oath of allegiance to their oppressors. New boundary-lines were drawn, and new names assigned to the sundered provinces of the dismembered fatherland. The citadels were given over to their foreign masters, and now the deed was consummated.
Even Maria Theresa rejoiced to know it, and whether to relieve her burdened heart, or to pretend to the world that she approved of the transaction, she ordered a solemn "Te Deum" to be sung in the cathedral of St. Stephen, in commemoration of the event.
The entire court was to assist at this ceremony, after which the empress was to receive the oath exacted from those of her new subjects who desired to retain possession of their property.
The ladies of the court were in the anteroom, awaiting the entrance of the sovereigns. Their handsome, rouged faces were bright with satisfaction; for they had all suffered from the misery which, for a year past, had been endured by their imperial mistress. Now they might look forward to serene skies and a renewal of court festivities, and they congratulated one another in triumph.
But they were cautious not to give too audible expression to their hopes. They whispered their expectations of pleasure, now and then casting stolen glances at a tall figure in black, which, sorrowful and alone, stood tearfully regarding the crowds in the streets who were hurrying to church to celebrate her country's downfall. This was the Countess von Salmour, governess to the Archduchess Mariana. With the other ladies of the palace, she was to accompany the empress to the cathedral; but it was clear to all beholders that to her this was a day of supreme humiliation.
The great bell of St. Stephen's announced to her people that the empress was about to leave the palace. The folding-doors were flung open, and she appeared leaning on the arm of the emperor, followed by the princes, princesses, generals, and statesmen of her realms. Silently the ladies of honor ranged themselves on either side of the room to let the imperial family pass by. Maria Theresa's eyes glanced hastily around, and fell upon the pale, wan features of the Countess von Salmour.
All eyes now sought the face of the unhappy lady, whose sad mourning garments were in such striking contrast with the magnificent dresses of the ladies around her.
"Madame von Salmour," said the empress, "I dispense you from your duties for this day. You need not accompany the court to church."
The countess courtesied deeply, and replied: "Your majesty is right to excuse me; for had I gone with the court to church, I might have been tempted to utter treason to Heaven against the oppressors of my country."
The company were aghast at the audacity of the rejoinder, but the empress replied with great mildness:
"You are right; for the temptation would indeed be great, and it is noble of you to speak the truth. I respect your candor."
She was about to pass on, but paused as if she had forgotten something.
"Is the Countess Wielopolska in Vienna?" asked she.
"She arrived yesterday, your majesty."
"Go to her while we are at church." said Maria Theresa, compassionately.
Madame von Salmour glanced toward the emperor, who, with an expression of painful embarrassment, was listening to their conversation.
"Pardon me, your majesty," said the lady, "the Countess Wielopolska is making preparations for a journey, and she receives no one. We parted yesterday. To-morrow she leaves Vienna forever."
"I am glad that she intends to travel," said Maria Theresa; approvingly. "It will divert her mind;" and with a friendly smile, she took leave of the governess, and passed on.
Joseph followed with wildly throbbing heart; and neither the triumphant strains of the Te Deum, nor the congratulatory shouts of his subjects, could bring back serenity to his stormy brow. He knelt before the altar, and with burning shame thought of his first entry into St. Stephen's as Emperor of Austria. It had been the anniversary of the deliverance of Vienna by John Sobieski and his Poles; and in the self-same spot where the emperor had thanked God for this deliverance, he now knelt in acknowledgment of the new principalities which were the fruits of his own ingratitude to Poland.
From these painful and humiliating retrospections, the emperor's thoughts wandered to the beautiful being, who, like a hamadryad, had blended her life with the tree of Polish liberty. He thought of that face whose pallid splendor reminded him of the glories of waning day; and he listened through the long, dim aisles of memory, to the sound of that enchanting voice, whose melody had won his heart long ago on that first, happy evening at Neustadt.
The Countess Wielopolska was leaving Vienna forever, and yet there was no message for him. A longing, that seemed to drown him in the flood of its intensity, rushed over his soul. He would fly to her presence and implore her to forgive the chant of victory that was rejoicing over her country's grave! Oh, the crash of that stunning harmony, how it maddened him, as kneeling, he listened to its last exultant notes!
It was over, and Joseph scarcely knew where he was, until his mother laid her hand upon his shoulder and motioned him to rise.
In the great reception-room, with all the pomp of imperial splendor, Maria Theresa sat upon her throne and received the homage of her new subjects. Each one, as he passed, knelt before the powerful empress, and as he rose, the chief marshal of the household announced his name and rank. The ceremony over, Maria Theresa descended from the throne to greet her Polish subjects in a less formal manner. No one possessed to a greater degree than herself the art of bewitching those whom she desired to propitiate; and to-day, though her youth and beauty were no longer there to heighten the charms of her address, her elegant carriage, her ever-splendid eyes, and graceful affability, were as potent to win hearts as ever. Discontent vanished from the faces of the Poles, and by and by they gathered into groups, in which were mingled Hungarians, Italians, and Austrians, all the subjects of that one great empress.
The majority of the Poles had adopted the French costume of the day. Few had possessed the hardihood to appear before their new sovereign in their rich national dress. Among these few was an old man of tall stature and distinguished appearance, who attracted the attention of every one present.
While his countrymen unbent their brows to the sunshine of Maria Theresa's gracious words, he remained apart in the recess of a window. With scowling mien and folded arms, he surveyed the company; nor could the empress herself, obtain from him more than a haughty inclination of the head.
The emperor was conversing gayly with two Polish noblemen, whose cheerful demeanor bore evidence to the transitory nature of their national grief, when he observed this old man.
"Can you tell me," said he, "the name of yonder proud and angry nobleman?"
The faces of the two grew scarlet, as following the direction of the emperor's finger, they saw the eyes of the old man fixed, with scorn, upon their smiling countenances.
"That," said one of them, uneasily, "is Count Kannienski."
"Ah, the old partisan leader!" exclaimed the emperor. "As he does not seem inclined to come to me, I will go forward and greet him myself."
So saying, Joseph crossed over to the window where, the old count was standing. He received him with a cold, solemn bow.
"I rejoice to meet Count Kannienski, and to express to him my esteem for his character," began the emperor, reaching out his hand.
The count did not appear to perceive the gesture, and merely made a silent bow. But Joseph would not be deterred from his purpose by a hauteur which he knew very well how to excuse.
"Is this your first visit to Vienna?" asked he.
"My first and last visit, sire."
"Are you pleased with the Austrian capital?"
"No, your majesty, Vienna does not please me."
The emperor smiled. Instead of being irritated at the haughtiness with which his advances were met, he felt both respect and sympathy for the noble old man who disdained to conceal his discontent from the eyes of the sovereign himself.
"I wonder that you do not like Vienna. It has great attractions for strangers, and you meet so many of your countrymen here just now!—there were never as many Poles in Vienna before."
An angry glance shot athwart the face of the old man. "There were many more when John Sobieski delivered Vienna from the hands of her enemies," said he. "But that is almost a hundred years ago, and the memory of princes does not extend so far to the obligations of the past. [Footnote: This whole conversation is historical. It was often related by the emperor who said that he had been so touched by Count Kannienski's patriotism and boldness, that but for the fear of a repulse, he would have embraced him. Swinburne, vol. i., page 349.] But," continued he, more courteously, "I did not come here to speak of my country. We must be resigned to the fate apportioned to us by Providence, and you see how readily my countrymen adapt themselves to the vicissitudes of their national life."
"And yet, count, their smiles are less pleasing to me than your frowns. In spite of the present, I cherish the past, and honor those who mourn over the misfortunes of their native land."
The old man was touched, and looked at the handsome, expressive face of the emperor. "Sire," said he, sadly, "if Stanislaus had resembled you, Poland would have been free. But I have not come hither to-day to whine over the unalterable past. Nor did I come to pay homage to the empress."
"Nevertheless the empress would rejoice to become acquainted with the brave Count Kannienski. Allow me, count, to present you."
Kannienski shook his gray locks. "No, sire, I came to Vienna purely for the sake of a woman who will die under the weight of this day's anguish. I came to console her with what poor consolation I have to bestow."
"Is she a Pole?" asked Joseph, anxiously.
"Yes, sire; she is the last true-hearted Polish woman left on earth, and I fear she is about to die upon the grave of her fatherland."
"May I ask her name?"
"Countess Anna Wielopolska. She it is who sent me to the palace, and I came because she asked of me one last friendly service."
"You bring me a message?" faltered the emperor.
"The countess begs to remind the emperor of the promise he made on the day when the empress signed the act of—"
"I remember," interrupted the emperor.
"She asks, if mindful of his promise, he will visit her to-morrow afternoon at six o'clock."
"Where shall I find her?"
"In the very same room which she occupied before. I have delivered my message. Your majesty will, therefore, permit me to withdraw."
He bowed and turned away. Slowly and proudly he made his way through the giddy crowd, without a word of recognition for the frivolous Poles who saluted him as he passed.
"He is the last Polish hero, as she is the last Polish heroine," sighed the emperor, as he followed the old man with his eyes. "Our destiny is accomplished. She would bid me a last farewell."
CHAPTER XC.
THE LAST FAREWELL.
Countess Anna Wielopolska was alone in her room, which, like herself, was decked to receive some great and distinguished guest. A rich carpet covered the floor, flowers bloomed in costly vases, the piano was opened, and the music on the stand showed that the countess still found consolation in her genius. But she herself was strangely altered since the day on which she had thrown her bouquet to the emperor in Neustadt. Nevertheless she wore the same dress of black velvet, the same jewels, and in her bosom the same bouquet of white roses, bound with a long scarlet ribbon.
Her heart beat high, and her anxious eyes wandered to the little bronze clock that stood upon a console opposite. The clock struck six, and her pale cheek flushed with anticipated happiness.
"It is the hour," said she. "I shall see him once more." And as she spoke, a carriage stopped, and she heard his step within the vestibule below. Trembling in every limb, she approached the door, and bent her ear to listen.
"Yes, he comes," whispered she, while, with a gesture of extreme agitation she drew from her pocket a little case, whence she took a tiny flask, containing a transparent, crimson liquid. She held it for a few seconds to the light, and now she could hear the sound of his voice, as he spoke with Matuschka in the anteroom. The steps came nearer and nearer yet.
"It is time," murmured she; and hastily moving the golden capsule that covered the vial, she put it to her lips and drank it to the last drop.
"One hour of happiness," said she, replacing the vial in her pocket, and hastening back to the door.
It was opened, and the emperor entered the room. Anna met him, with both hands outstretched, and smiled with unmistakable love as he came forward to greet her. Silent, but with visible agitation, the emperor looked into those eyes, which were already resplendent with the glory of approaching death. Long they gazed upon each other without a word, yet speaking love with eyes and lips.
Suddenly the emperor dropped her hands, and laying his own gently upon her cheeks, he drew down her head, and rested it upon his breast. She left it there, and looked up with a tender smile.
"Do not speak, love," said he. "I am an astrologer, who looks into his heaven to read the secrets there. And, oh," sighed he, after he had gazed for a time. "I see sorrow and suffering written upon that snowy brow. Tears have dimmed the splendor of my stars, but they have not been able to lessen their beauty. I know you again, my queen of the night, as you first appeared to me at Neustadt. You are still the same proud being, Anna."
"No, dearest, no. I am a trembling woman, craving nothing from earth save the glance of my beloved, and the privilege of dying in his embrace."
"She who loves, desires to live for her lover," said he, pressing her again and again to his heart.
"Death is the entrance to eternal life, and she who truly loves will love throughout eternity."
"Speak not of death in this hour of ecstasy, when I have found you once more as I had pictured you in dreams. Oh, Anna, Anna! will you part me from you again? Have you indeed brought me hither to cheat me with visions of love, and then to say farewell, forever!"
"No, Joseph, I bid you eternal welcome. Oh, my lover, my soul has gone forth to meet yours, and nothing shall ever part us again."
"And are you mine at last!" cried Joseph, kissing her passionately. "Has the statue felt the ray of love, and uttered its first sweet sound? Oh, how I longed to hear that sound! I have gone about by day, wearing the weight of sovereignty upon my fainting shoulders; and by night I have wept like a lovesick boy for your sake, Anna; but no one suspected it. No one knew that the emperor was unhappy."
"I knew it," whispered she—"I knew it; for your sorrows have all been mine."
"No, no!" cried Joseph, awaking from his dream of bliss, "you told me that Poland was dearer to you than I. I remember it now You refused me your hand, and forsook me for the sake of your country."
"But, now, beloved," said she, clinging to him, "now I am but a woman—a woman who abandons her fatherland with all its memories, and asks but one blessing of Heaven—the blessing of living and dying in her lover's arms."
"Oh, if you would not kill me, speak no more of dying, Anna! Now you are mine—mine for life; and my heart leaps with joy as it did when first I heard your heavenly voice. Let me hear it once more. Sing to me, my treasure."
She went to the harpsichord, and the emperor bent over her, smiling as he watched the motion of her graceful hands upon the keys. She struck a few full chords, and then glided into a melody of melancholy sweetness. The emperor listened attentively; then, suddenly smiling, he recognized the song which she had sung before the King of Prussia and himself.
The words were different now. They represented Poland as a beggared queen, wandering from door to door, repulsed by all. She is starving, but she remembers that death will release her from shame and hunger.
The countess was singing these lines—
"If life to her hath brought disgrace, Honor returns with death's embrace—"
when she stopped and her hands fell powerless from the instrument. The emperor raised her head, and saw with alarm that her face was distorted by pain. Without a word, he took her in his arms, and, carrying her across the room, laid her gently upon the sofa. She raised her loving eyes to his, and tried to steal her arm around his neck, but it fell heavily to her side. Joseph saw it, and a pang of apprehension shook his manly frame.
"Anna!" groaned he, "what means this?"
"Honor returns with death's embrace," whispered she.
The emperor uttered a savage cry, and raised his despairing arms to heaven. "And it was false," cried he, almost mad with grief—"it was false! She had not forgotten Poland. Oh, cruel, cruel Anna!" and he sobbed piteously, while she strove to put her trembling hand upon his head.
"Cruel to myself, Joseph, for I have just begun to value life. But I swore to my mother that I would not outlive the disgrace of Poland; and you would have ceased to love me had I violated my oath. Forgive the pain I inflict upon you, dearest. I longed for one single hour of happiness, and I have found it here. With my dying breath I bless you."
"Is there no remedy?" asked he, scarcely able to speak.
"None," said she, with a fluttering smile. "I obtained the poison from Cagliostro. Nay—dear one, do not weep: you see that I could not live. Oh, do not hide your face from me; let me die with my eyes fixed upon yours!"
"And," cried Joseph, "must I live forever?"
"You must live for your subjects—live to be great and good, yet ever mistrusted, ever misunderstood. But onward, my prince, and the blessing of God be upon you! Think, too, that the Poles, my brethren, are among your subjects, and promise me to love and cherish them?"
"I promise."
"Try to reconcile them to their fate—do not return their ill-will; swear to me that you will be clement to my countrymen?"
"I swear! I swear to respect their misfortunes, and to make them happy!"
One last, beaming illuminated her face. "Thank you—dearest," said she, with difficulty. "My spirit shall look out from the eye of every Pole, to whom you will have given—one moment—of joy! Oh, what agony! Farewell!"
One more look—one shudder—and all was still.
The emperor fell upon his knees by the body, and prayed long and fervently. The little clock struck seven. The hour of happiness had passed away forever.
The following day, Joseph, pale, but perfectly calm, sought an interview with his mother.
"I come to ask leave of absence of your majesty," said he, languidly.
"Leave of absence, my son? Do you wish to travel again so soon?"
"I must travel, your majesty. I must make a journey to Galicia, to become acquainted with our new subjects."
"Perhaps it might be as well for us to show them some consideration at this period. I had already thought of this; but I have been told that Galicia is rather an uncivilized country, and that the people are ill-disposed toward us."
"We cannot expect them to love their oppressors, your majesty."
"No—but it is a dreadful country. No roads—no inns—miles and miles of uninhabited woods, infested by robbers. Oh, my son, postpone your journey to a milder season! I shall be trembling for your safety."
"There is no danger, your majesty. Give me your consent; I am very, very desirous of visiting Poland."
"But no vehicle can travel there at this time of year, my son."
"I will go on horseback, your majesty."
"But where will you get provisions, Joseph? Where will you rest at night?"
"I will rest wherever night overtakes me, either in a cottage, on my horse, or on the ground. And as for food, mother, if there is food for our people, there will be some for me; and if there should be scarcity, it is but just that I should share their hardships. Let me go, I entreat you."
"Go, then, my son, and God's blessing be with you," said the empress, kissing her son's forehead.
"Joseph!" said she, as he was leaving the room, "have you heard that the poor young Countess Anna has committed suicide on account of the troubles in Poland?"
"Yes, your majesty," replied Joseph, without flinching.
"Perhaps you had better defer your journey for a day to attend her funeral. All the Poles will be there; and as we both knew and admired her, I think it would propitiate our new subjects if we gave some public mark of sympathy by following the body to the grave. I have forbidden mention to be made of the manner of her death, that she may not be denied a resting-place within consecrated ground."
How she probed his wound until the flesh quivered with agony!
"The Countess Wielopolska is not to be interred in Austria, your majesty," said he. "Count Kannienski will accompany the body to Poland. Near Cracow there is a mound wherein it is said that Wanda, the first Queen of Poland, was buried. Anna Wielopolska will share her tomb. Her heroic spirit could rest nowhere save in Poland. When I visit Cracow I will go thither to plant flowers upon her grave, that the white roses she loved may grow from the consecrated earth that lies upon her heart."
CHAPTER XCI.
THE CONCERT.
Therese Paradies was to give a concert, the first at which she had performed since the restoration of her sight. Of course, the hall was thronged, for in spite of the incontrovertible fact itself, and of its corroboration by the Paradies family, there were two parties in Vienna—one who believed in the cure, and the other who did not. Those who did not, doubted upon the respectable testimony of Professor Barth, Doctor Ingenhaus, and the entire faculty, who, one and all, protested against the shameful imposition which Mesmer was practising upon an enlightened public.
The audience, therefore, was less interested in Therese's music, wonderful as it was, than in her eyes; for her father had announced that during the pauses Therese would prove to the incredulous that her cure was no deception.
Professor Barth, Doctor Ingenhaus, and the astronomer were there in the front row, sneering away the convictions of all who were within hearing. Herr Paradies now appeared, and as he stood reckoning the profits that were to gladden his pockets on that eventful evening, Barth left his seat and approached him.
"You really believe, do you, that your daughter sees?" said the professor.
"She sees as well as I do. Were you not there to witness it yourself when her bandage was removed?"
"I humored the jest to see how far the impudence of Mesmer and the credulity of his admirers would travel together. I hear curious accounts of your daughter's mistakes, granting her the use of her eyesight. It is said that some one presented her a flower, when, looking at it, she remarked, 'What a pretty star!' And did she not put a hair-pin in her mother's cheek while trying to fasten her hair?"
"Yes, she did both these things, but I think they prove her to be making awkward use of a new faculty. She is not likely to know the name of a thing when she sees it for the first time; neither has she learned to appreciate distances. Objects quite close to her she sometimes stumbles upon, and those out of reach she puts out her hand to take. All this will correct itself, and when Therese has become as familiar with prospective illusions as the rest of us, she will go out into the streets, and the world will be convinced."
"You really believe it, then?"
"I am as convinced of it as that I see myself."
"It is very disinterested of you to publish it," said the professor, looking significantly at the happy father. "This acknowledgment will cost you a considerable sum."
"How?" asked Von Paradies, frightened. "I do not understand."
"It is very simple, nevertheless," said the professor, carelessly. "Does the empress give your daughter a pension?"
"Certainly. You know she does, and a handsome one, too."
"Of course it is lost to her," replied Berth, enjoying the sudden paleness which overspread the radiant face of Von Paradies. "A girl who sees has no right to the money which is given to the blind, and I heard Von Stork this very day saying that as soon as it was proved that your daughter could see, he intended to apply to the empress for her pension in behalf of another party."
"But this pension is our chief support; it enables us to live very comfortably. If it were withdrawn, I should be a beggar."
"That would not alter the case. Pensions are granted to those who by their misfortunes have a claim upon the public charity. The claim dies from the moment that your daughter's infirmity is removed. Through the favor of the empress she has become a scientific musician, and this now must be her capital. She can teach music and give concerts."
"But that will not maintain us respectably," urged Von Paradies, with increasing uneasiness.
"Of course it will not maintain you as you live with your handsome pension. But you need not starve. Be that as it may, there is a blind countess who is my patient, for whom Von Stork is to obtain the pension as soon as you can convince the faculty that your daughter is no longer in need of it. This patient, I assure you, will receive it as long as she lives, for it will never enter into her head to fancy that she has been cured by Master Mesmer."
"But, my dear professor," entreated Von Paradies, "have mercy on me and my family! For sixteen years we have received this income, and it had been secured to us during Therese's lifetime."
"Nevertheless, it goes to the countess, if she is not blind, I tell you. The empress (so says Von Stork) has never refused a request of his because he never asks any thing but that which is just and reasonable."
"We are ruined!" exclaimed Von Paradies, in accents of despair.
"Not unless you prove to us that your daughter IS NOT DECEIVING YOU," replied Barth, with sharp emphasis. "If you can show her to be blind, you are saved; and Von Stork would petition the empress, in consideration of the shameful imposition practised upon your paternal love, to increase the pension. Well—this evening's entertainment will decide the matter. Meanwhile, adieu!"
The professor lounged back to his seat, leaving his poisoned arrow behind.
"I think," said Barth, smiling, as he saw the victim writhe, "that I have given him a receipt for his daughter's eyes that will be more potent than Mesmer's passes. It will never do to restore the age of miracles."
"No, indeed; if miracles are to make their appearance upon the stage of this world, what becomes of science?" asked Ingenhaus.
"Let us await the end of the farce," said the professor. "Here she comes."
A murmur went through the hall as Therese entered. The guests rose from their seats to obtain a sight of her. They had known her from infancy; but to-night she was an object of new and absorbing interest, even to the elegant crowd, who seldom condescended to be astonished at anything.
Therese seemed to feel her position, for whereas she had been accustomed to trip into the concert-room with perfect self-possession, she now came timidly forward, with downcast eyes. The audience had always received her with enthusiasm, for she was a great artiste; but now perfect silence greeted her entrance, for nothing was remembered, save the marvel which her appearance there was to attest.
Whether accidentally or intentionally, several chairs were in her way as she passed to the instrument. She avoided them with perfect confidence, scarcely brushing them with the folds of her white satin dress.
"She is cured! She is no longer blind!" murmured the spectators; and with renewed curiosity, they watched her every motion.
There were three people within the concert-room upon whom these murmurs produced profound and dissimilar impressions. Barth frowned angrily; Von Paradies grew paler and trembled like a coward as he was; while Mesmer, who leaned against a pillar, fixed his eyes upon Therese with a glance of supreme happiness. Therese returned the glance with one of such deep trust and love, that no one who saw it could doubt her power of vision. The audience burst out into one simultaneous storm of applause, and this reminded the young girl that she was not alone with her "master." She raised her eyes for the first time toward the spectators, and met every glance directed toward herself.
The sight of this sea of upturned faces so terrified the poor child, that she felt faint and dizzy. She groped about with her hands, to find a seat, for she could scarcely stand.
The action attracted universal attention. A significant look passed between Von Paradies and Barth, while Mesmer's brow darkened, and his face flushed with disappointment. It was very unfortunate—that faintness of Therese. She stood irresolute and alone, unable to advance, and too weak to see the chair that stood close at hand.
For some time, the audience surveyed her with breathless interest. Suddenly the silence was broken by a voice in the crowd:
"Will no one take pity upon the girl and lead her to the harpsichord? Do you not see that she is as blind as ever?"
Therese recovered herself when she heard these insulting words, and her eyes flashed strangely for eyes that could not see.
"I am not blind!" cried she, in a clear, firm voice, and as if the sneer had restored her strength and self-possession, she came forward at once, and took her seat.
The audience applauded a second time, and Therese bowed and smiled. While she drew off her gloves, she looked back at Mesmer, who returned the glance with one of affectionate pride.
Scarcely knowing what she did, Therese began to play. She kept her eyes fixed upon Mesmer, and as she felt the power of his magnetic glance, she soared into heights of harmony that ravished the ears of her listeners, and left all her previous performances far behind.
She ended with a sigh, as though awaking from some heavenly dream. Never had she been so enthusiastically applauded as now. This time it was not her vision, but her incomparable skill which had elicited the acclamations of the public; and Therese, happy in her success, bowed, and smiled again upon her admirers.
And now the artistic exhibition was at an end. Herr von Paradies, advancing, informed the public that they would now proceed to test the genuineness of his daughter's cure. He then came to the edge of the platform, and spoke in a loud, distinct voice: "I request the distinguished company, who have brought books or music for the purpose, to hand them to me, that we may discover whether in truth she sees, or imagines that she sees. I beg so much the more for your attention, ladies and gentlemen," continued he, in a faltering voice, "that this night is to decide a fearful doubt in my own mind. Doctor Mesmer affirms that my daughter's vision has been restored. I, alas! believe that she is yet blind!"
The audience expressed astonishment; Therese uttered a cry of horror, and turned to Mesmer, who, pale and stunned by the shock of her father's cruel words, had lost all power to come to the poor child's assistance.
Barth was laughing behind his pocket-handkerchief. "The remedy works," whispered he to Ingenhaus—"the remedy works."
Two gentlemen arose. One handed a book, the other a sheet of music. As Von Paradies turned the book over to his daughter, she gave him a reproachful look. She opened it and read: "Emilia Galotti, by Gotthold Ephraim Lessing."
"And, now," continued she, "if one of the ladies present will select a passage, and another will look over me as I read, the audience can thus convince themselves that I see."
One of the most distinguished ladies in Vienna approached Therese and stood close by her side, while another, a celebrated actress, requested her to open the book at page 71.
Therese turned over the leaves and found the place.
"That is right, my love," said the countess. "Now read."
Therese began to read, and when she ended, the excitement of the people knew no bounds.
"She sees! She sees!" cried the people. "Who can doubt it?"
And now from the crowd arose a voice:
"We have enough proof. The fact is self-evident, and we may all congratulate the fraulein upon the recovery of her sight. Let us have more of her delightful music."
"I am sorry that I cannot agree with Doctor Mesmer's invisible patron," said Von Paradies. "I strive to forget that I am her father, and place myself on the side of the incredulous public, who have a right to demand whether indeed the days of miracles have returned."
"My remedy does wonders," said Barth to the faculty.
Herr von Paradies continued: "This being the case, it is easier for us to suppose that the distinguished actress, who selected the page, has been requested to do so, than to believe that my daughter has seen the words just read; for this lady is known to be a follower of Doctor Mesmer. Perhaps the countess did not remark that the corner of the leaf is slightly turned down."
He took the book and passed the leaves rapidly over his thumb.
"Here it is," said he, holding it up.
"Father!" exclaimed Therese, indignantly, "I saw you turn the leaf a few minutes ago with your own hand."
"SAW" cried Von Paradies, raising his hands. Then turning to the audience, he continued: "As regards this book, it was handed to me just now by Baron von Horka, one of Mesmer's most devoted adherents. He may have been commissioned to select this particular work, and Therese may be aware of it. If I am thus stringent in my acceptance of the evidence in this case, it is because I long to possess the sweet assurance of my dear child's complete cure."
"Hear him," laughed Barth, touching Ingenhaus on the elbow.
Therese, meanwhile, was growing embarrassed; and, looking to Mesmer for encouragement she lost sight of every thing under the influence of his eyes. Her father held the paper before her, but she was not aware of it. The audience whispered, but Mesmer at that moment, turning away from Therese, she sighed, and, recovering her self-possession, took the paper and placed it before the harpsichord.
"March, from 'OEdipus,'" said she, seating herself before the instrument.
"Why, Therese," cried her father, "you read the title without turning to the title-page."
"I saw the piece when it was handed to you by Ritter Gluck."
"You are acquainted with Gluck?" asked Von Paradies. "He has never been to our house."
"I have seen him at Doctor Mesmer's," replied Therese.
"Ah, indeed! Ritter Gluck, who hands the music, is like Baron von Horka, who brought the book, a friend of Mesmer's," said Von Paradies, with a sneer that affrighted his daughter and made her tremble.
But she placed her hands upon the keys and began to play.
The enraptured audience again forgot her eyes, and, entranced by the music, hung breathless upon her notes, while she executed the magnificent funeral march in "OEdipus." Suddenly, at the conclusion of a passage of exquisite beauty, she ceased, and her hands wandered feebly over the keys, Her father, who was turning the leaves, looked almost scornfully at the poor girl; who, alarmed and bewildered by his unaccountable conduct, grew deadly pale, and finally, with a deep sigh, closed her eyes.
After a few moments she began again. From her agile fingers dropped showers of pearly notes, while, through all the fanciful combinations of sound, was beard the solemn and majestic chant of the funeral march. The audience could scarcely contain their raptures; and yet they dared not applaud for fear of losing a note.
She seemed to be astray in a wilderness of harmony, when her father, with an impatient gesture, laid his hands upon her fingers and held them down.
"You are no longer playing by note!" exclaimed he, with affected surprise. "You are giving us voluntaries from 'Orpheus,' instead of the funeral march. I appeal to the public to say whether my daughter is playing the funeral march?"
There was a pause, then a voice, tremulous with emotion, said, "No, it is no longer the funeral march; it is now a beautiful arrangement from 'Orpheus.'"
Herr von Paradies, with an expression of profoundest anguish, threw his arm around his daughter, exclaiming, "Oh, my beloved child, it is then as I feared! We have been deceived, and you are blind for life."
"Father!" screamed Therese, flinging him off; "father, you know—"
"I know that you are blind," cried he, following her, and again clasping her in his arms. "Come, my poor child, come, and fear nothing! Your father will work for you; and his hand shall guide your faltering steps. Oh, my child! May God forgive those who have brought this bitter disappointment upon my head! My dream of hope is over. You are blind, Therese, hopelessly blind, and your father's heart is broken!"
The audience were deeply moved by this outburst of paternal grief and tenderness. Here and there were heard half-audible murmurs of sympathy, and many of the ladies had their handkerchiefs to their eyes. Everybody was touched except Professor Barth. He, on the contrary, was chuckling with satisfaction, and felt much more inclined to applaud than to commiserate. He looked at Ingenhaus, who, not being in the secret, was divided between sympathy for the father and indignation toward the charlatan. Indeed, he had so far forgotten his own interest in the scene, that he was weeping with the rest.
"Console yourself, my friend," said Barth, "all this is the result of my efforts in behalf of science. I deserve a public vote of thanks for having out-mesmered Mesmer."
He stopped—for Therese's voice was heard in open strife with her father. "Let me go!" cried she, with passion. "I am not blind. As God hears me, I see—but oh, how fearful have been the revelations that sight has made to me this night!"
Poor, poor Therese! The shock of her father's treachery had proved too great for her girlish frame. She reeled and fell back insensible in his arms.
Von Paradies, with simulated anguish, turned to the audience and bowed his stricken head. Then raising his daughter in his arms, he carried her away from the stage.
CHAPTER XCII.
THE CATASTROPHE.
Therese lay for several hours unconscious, while her mother wept, and watched over her, and her father stood by, sullenly awaiting the result.
At last she heaved a sigh and opened her eyes. "Where am I?" asked she, feebly.
"At home, darling," replied the tender mother, bending over and kissing her.
"No—I am in the fearful concert-room. They stare at me with those piercing daggers which men call eyes; and oh, their glances hurt me, mother! There they sit, heartlessly applauding my misery, because it has shaped itself into music! Let me go; I am strong, and I SEE!"
She attempted to rise, but her father held her back. "Lie still, my child," said he, reproachfully; "it is in vain for you to carry this deception further. Trust your parents, and confess that you are blind. Were it otherwise, you would not mistake your own familiar chamber for the vast concert-room. For Mesmer's sake, you have sought to deceive us, but it is useless, for we know that you are blind."
"You are blind—you are blind!" These oft-repeated words seemed fraught with a power that almost made her doubt her own senses. She saw, and yet she felt as if sight were receding from her eyes.
"Oh, my God! Why will my father madden me!" cried the unhappy girl, rising in spite of all efforts to detain her, and looking around the room. "Ah—now I remember, I fainted and was brought home. Yes, father, yes, I tell you that I see," cried she, wringing her hands, and writhing with the agony he was inflicting upon her. "I see in the window the blue flower-pot which Mesmer brought me yesterday—there opposite stands my harpsichord, and its black and white keys are beckoning me to come and caress them. Two open books lie upon the table, and over it are scattered drawings and engravings. Oh, father, have I not described things as they are?"
"Yes, child—you have long been familiar with this room, and need not the help of eyes to describe it."
"And then," continued she, "I see you both. I see my mother's dear face, tender as it was when first my eyes opened to the light of its love; and, my father, I see you with the same frown that terrified me in the concert-room—the same scowl that to my frightened fancy, seemed that of some mocking fiend who sought to drive me back to blindness! What is it, father? What has changed you so that you love your child no longer, and seek to take the new life that God has just bestowed?"
"God has bestowed nothing upon you, and I will no longer be the tool of an impostor," replied he, morosely. "Am I to be the laughing-stock of Vienna, while men of distinction see through the tricks of the charlatan? I must and will have the strength to confess my folly, and to admit that you are blind."
Therese uttered a cry, and shook as though a chill had seized her. "O God, help me!" murmured the poor girl, sinking in her mother's outstretched arms, and weeping piteously. Suddenly she raised her head and gradually her face brightened, her cheeks flushed, her lips parted with a smile, and her large expressive eyes beamed with happiness. Once more she trembled—but with joy, and leaning her head upon her mother's shoulder, she whispered, "He comes."
The door opened, and Mesmer's tall and commanding figure advanced toward the group. Therese flew to meet him and grasped his hands in hers.
"Come, master, come and shield me! God be thanked, you are here to shelter me. If you leave again, I shall lose my sight."
He passed his hands lightly over her face, and looked earnestly into her eyes.
"You are dissatisfied with me, master," said she anxiously. "You are displeased at my childish behavior. I know that I was silly; but when I saw those multitudinous heads so close together, all with eyes that were fixed on me alone, I began again to feel afraid of my own race. It seemed as if the walls were advancing to meet me—and I retreated in terror."
"What confused you at the harpsichord, child?"
"The sight of the small, dazzling notes, and the singular motions of my own fingers. I am so unaccustomed to see, that hands and notes appeared to be dancing a mad Morrisco, until at last I grew confused and saw nothing."
"All this is so natural," said Mesmer sadly, "for the seat of your infirmity lay in the nerves. And now that they require rest, you are a prey to agitation and to tears. Unhappy Therese, there are some who seek to plunge you back into the darkness from whence I have rescued you!"
She put her arms upon his shoulders and sobbed, "Save me, master, save me—I could not bear blindness now!"
At the other end of the room stood Von Paradies and his wife. She laid her hand upon his arm, saying imploringly:
"What signifies all this mystery, husband? Why do you torture our little Therese so cruelly? You know that she sees; why, then, do you—"
"Peace!" interrupted Von Paradies angrily. "If Therese does not become blind again, we shall lose our pension."
"My poor child," sobbed the mother, "you are lost!"
"I have come to your help, Therese," said Mesmer audibly. "I know all that is passing under this roof," continued he, with a look of scorn at her parents. "They are trying to deprive you of your sight, and they well know that excitement and weeping will destroy it. But my name and honor are linked with your fortunes, child; and I shall struggle for both. I have come to take you to the villa, with my other patients. You shall be under my wife's care, and will remain with us until your eyes are fortified against nervous impressions. The carriage is at the door."
"I am ready to go," replied Therese joyfully.
"I will not suffer her to leave the house!" cried Von Paradies, striding angrily forward. "Therese is my daughter, and shall not be torn from her father's protection."
"She goes with me," thundered Mesmer with eyes that flashed lightning, like those of Olympian Zeus. "You gave her to me as a patient, and until she is cured she belongs to her physician."
He took Therese in his arms and carried her toward the door. But Von Paradies, with a roar like that of some wild animal, placed himself before it and defended the passage.
"Let me pass," cried he.
"Go—but first put down Therese."
"No—you shall not deprive her of the sight I have bestowed." With these words, he raised his muscular right arm, and swinging off Von Paradies as if he had been a child, Mesmer passed the opening and stood outside.
"Farewell, and fear nothing," cried he, "for your pension will not be withdrawn. Therese is once more blind. But as God is just, I will restore her again to sight!"
Mesmer, however, was destined to be foiled. His enemies were richer and more influential than he; and Von Paradies, in mortal terror for his pension, sustained them. Von Stork obtained an order, commanding the relinquishment of Therese to her natural guarians; and her father, armed with the document, went and demanded his daughter. Therese flew to Mesmer's arms, and a fearful scene ensued. It shall be described in Mesmer's own words.
"The father of Therese, resolved to carry her away by main force, rushed upon me with an unsheathed sword. I succeeded in disarming him, but the mother and daughter both fell insensible at my feet: the former from terror, the latter because her unnatural father had hurled her against the wall, where she had struck her head with such violence as to lose all consciousness. Madame von Paradies recovered and went home; but poor Therese was in a state of such nervous agony that she lost her sight entirely. I trembled for her life and reason. Having no desire to revenge myself upon her parents, I did all that I could to save her. Herr von Paradies, sustained by those who had instigated him, filled Vienna with the cry of persecution. I became an object of universal contumely, and a second order was obtained by which I was commanded to deliver Therese to her father." [Footnote: Justinus Kerner, "Fraaz Anton Mesmer," p.70.]
From this time Therese remained blind, and continued to give concerts in Vienna, as she had done before. Barth and his accomplices were triumphant; and Mesmer, disgusted with his countrymen, left Vienna, and made his home in Paris.
Therese von Paradies then, as her father asserted, was blind. Whether she ever was any thing else, remains to this day an open question. The faculty denied furiously that she had seen; Mesmer's friends, on the contrary, declared solemnly that she had been restored by animal magnetism; but that her cruel father, for the sake of the pension, had persecuted her, and so succeeded in destroying her eyesight forever.
MARIE ANTOINETTE
CHAPTER XCIII.
LE ROI EST MORT, VIVE LE ROI!
It was the evening of the tenth of May, 1774. The palace of Versailles, the seat of royal splendor, was gloomy, silent, and empty. Regality, erst so pleasure-loving and voluptuous, now lay with crown all dim, and purple all stained, awaiting the last sigh of an old, expiring king, whose demise was to restore to it an inheritance of youth, beauty, and strength.
In one wing of the palace royalty hovered over a youthful pair, as the genius of hope; in another it frowned upon the weak old king as the implacable angel of death.
Louis the Fifteenth was balancing the great account of his life—a life of luxury, voluptuousness, and supreme selfishness. Yielding to the entreaties of his daughters, he had sent for the Archbishop of Paris; but knowing perfectly well that the sacraments of the church would not be administered under a roof which was polluted by the presence of Du Barry, the old libertine had banished her to the Chateau de Ruelles.
But Monseigneur de Beaumontr required something more than this of the royal sinner. He exacted that he should make public confession of his scandalous life in presence of the court to which he had given such shameful example. The king had struggled against such open humiliation, but the archbishop was firm, and the fear of death predominating over pride, Louis consented to make the sacrifice.
For three days the courtiers had hung about the anteroom, afraid to enter (for the king's disease was small-pox), yet afraid to take flight, lest by some chance he should recover. But now the doors of the royal apartments were flung wide open, and there was great trepidation among the crowd. The archbishop in his canonicals was seen standing by the bed of state; on one side of him stood the grand almoner, and on the other the minister, the Duke d'Aiguillon. At the foot of the bed knelt the daughters of the king, who in soft whispers were trying to comfort their miserable father.
"The king wishes to bid adieu to his friends!" cried the Duke d'Aiguillon, in a loud voice.
Here was a dilemma! Everybody was afraid of the small-pox, for the handsome Marquis de Letorieres, whom Louis had insisted upon seeing, had just died of the infection, and nobody desired to follow him. And yet the king might outlive this attack, and then—what?
Once more the Duke d'Aiguillon called out for the king's friends; and, trembling from apprehension of results that might follow this latter contingency, they entered the chamber of death. The atmosphere was fearful. Not all the fumes of the incense which was sending its vapory wreaths to the pictured ceilings could overpower the odor of approaching dissolution. In vain the acolytes swung their golden censers—death was there, and the scent of the grave.
Breathless and with compressed lips the king's friends listened to his indistinct mutterings, and looked upon his swollen, livid, blackened face. Each one had hurried by, and now they all were free again, and were preparing to fly as far as possible from the infected spot. But the clear, solemn voice of the archbishop—that voice which so often had stricken terror to their worldly hearts—was heard again, and he bade them stay.
"The king asks pardon of his subjects for the wicked and scandalous life which he has led on earth," said the archbishop. "Although as a man he is responsible to God alone for his deeds, as a sovereign he acknowledges to his subjects that he heartily repents of his wickedness, and desires to live only that he may do penance for the past and make amends for the future."
A piteous groan escaped from the lips of the dying monarch, but his "friends" did not stay to hear it; they fled precipitately from the frightful scene.
While here a trembling soul was being driven from its earthly dwelling, in another wing of the palace the other members of the royal family were in the chapel at prayer. The evening services were over, and the chaplain was reading the "forty hours' prayer," when the sky became suddenly obscured, peal upon peal of thunder resounded along the heavens, and night enveloped the chapel in its dismal pall of black. Livid flashes of lightning lit up the pale faces of the royal supplicants, while to every faltering prayer that fell from their lips the answer came from above in the roar of the angry thunder-clap.
There, before the altar, knelt the doomed pair, the innocent heirs of a selfish and luxurious race of kings; whose sins were to be visited upon their unconscious heads. No wonder they wept—no wonder they shuddered on the dark and stormy night which heralded their reign.
The rites were ended, and the dauphin and dauphiness went silently together to their apartments. The few trusty attendants who were gathered in the anteroom greeted them with faint smiles, and uttered silent orisons in their behalf; for who could help compassionating these two young creatures, upon whose inexperienced heads the thorny crown of royalty was so soon to be placed?
As they entered the door, a flash of lightning; that seemed like the fire which smote the guilty cities of Israel, flashed athwart their paths, and the thunder cracked and rattled above the roof as though it had been riving that palace-dome asunder. The dauphiness cried out, and clung to her husband's arm. He, scarcely less appalled, stood motionless on the threshold.
The violence of the wind at that moment had burst open some outer door. The lights in the chandeliers were almost extinguished, and one solitary wax-light, that had been burning in the recess of a window, went entirely out. Regardless of etiquette, and of the presence of the royal pair, Monsieur de Campan sprang to the chandelier, and, relighting the candle, quickly replaced it in the window.
The dauphin beheld the act with astonishment, for no one at that court was more observant of decorum than Monsieur de Campan.
"What means that light in the window?" inquired the dauphin, in his clear, touching voice.
"Pardon me, your highness, it is merely a ceremony," replied Monsieur de Campan, confused.
"What ceremony?" asked the dauphin, with surprise.
"Your highness commands me?"
"I request you—if the dauphiness permits," said Louis, turning to his wife, who, almost exhausted, leaned for support against him, and bowed her head.
"Your majesty has given orders, that as soon as the event, which is about to take place, has occurred, the whole court shall leave Versailles for Choisy. Now it would not be possible to issue verbal orders in such a moment as the one which we await; so that the master of the horse and myself had agreed upon a signal by which the matter could be arranged without speech. The garden du corps, pages, equerries, coaches, coachmen, and outriders, are all assembled in the court-yard, their eyes fixed upon this light. As soon as it is extinguished, it will be understood that the moment has arrived when the court is to leave Versailles."
"The disappearance of the light, then, will communicate the tidings of the king's death?"
Monsieur de Campan bowed. Louis drew his wife hurriedly forward, and passed into another room, where, with his hands folded behind him, he walked to and fro.
"God is just," murmured he to himself, "and there is retribution in heaven."
Marie Antoinette, whose large violet eyes had followed her husband's motions, raised them to his face with a look of inquiry. She rose from the divan on which she was sitting, and putting her small, white hand upon the dauphin's shoulder, said:
"What do you mean, Louis?"
"I mean that this solitary light, for whose disappearance these people are waiting, shines in retribution for the fearful death-bed of my father."
"I do not understand."
"No, Antoinette, how should you? You have never heard the tragic story of my father's death, have you?"
"No, my husband," said she, tenderly; "tell it to me now."
"I will, Antoinette. He was one of the best and truest hearts that ever lived; and yet these selfish courtiers all forsook him in his dying hour. He lay alone and abandoned in his room by all save my angelic mother, who nursed him as loving woman alone can nurse. The court was at Fontainebleau, and the dauphin's father announced that as soon as his son had expired, they would all journey to Choisy. My father, who in an arm-chair, was inhaling, for the last time, the balmy breath of spring, saw these hurried preparations for departure from the open window where he sat. He saw carriages, horses, trunks, lackeys, and equerries ready at a moment's warning to move. He saw that the signal for the rushing crowd to depart was to be his death. Turning to his physician, he said, with a sad smile, 'I must not be too long in dying, for these people are becoming impatient.'" [Footnote: Soulavie, "Memoires," etc., vol. i.]
"Shameful!" cried Marie Antoinette, wiping away her tears.
"Ay, more than shameful!" exclaimed Louis. "Now, you see, that the hour of retribution has come, for once more the court grows impatient with the length of a dying sovereign's agony. Oh, would that my noble father were alive! How much more worthy was he to be a king than I."
"From my heart I echo your wish," said Antoinette, fervently. "How was it that he died so young?"
Louis looked searchingly at the face of his young wife. "He died of a malady whose name is an impeachment of the honor of those who survive him," said the dauphin, sternly, "and my mother died of the same disease. [Footnote: It was generally believed that the dauphin and his wife were poisoned by a political party, whose leader was the Duke de Choiseul. The royal couple belonged to the anti-Austrian party. "Memoires de Campan," vol. i., p. 78.] But let us not throw any darker shadows over the gloom of this heavy hour. I am stifled—I have a presentiment of—" A loud shout interrupted the dauphin. It came nearer and nearer, and now it reached the anteroom, where the crowding courtiers were pouring in to greet King Louis XVI.
The dauphin and his wife were at no loss to understand these shouts. They exchanged glances of fear, and side by side they fell upon their knees while, with tear-streaming eyes, they faltered. "O God have mercy upon us, we are so young to reign!" [Footnote: "Memoires de Campan," vol. i., p. 78.]
The doors were thrown open, and the mistress of ceremonies of Marie Antoinette appeared. Behind her came a multitude of lords and ladies, their curious eyes peering at what they had never expected to see—a royal couple assuming the purple, not with pomp and pride, but with humility, distrust, and prayer.
They rose, and faced their subjects. Madame de Noailles courtesied so low that she was upon her knees.
"Your majesties will forgive this intrusion," said she, with all the aplomb of her dignity. "I come to request that your majesties will repair to the state reception-room to receive the congratulations of your royal relatives, and those of your court, who are all waiting anxiously to do you homage."
Such a request, from the lips of Madame de Noailles, was the exaction of an indispensable form of court-etiquette, which the young couple dared not evade.
Arm in arm they went, Marie Antoinette hiding her tears with her handkerchief, and looking inexpressibly lovely in her childish emotions, while the loud greetings of a magnificent court hailed her as their queen.
While the consorts of the royal princes folded their sister-in-law in their arms, the princes, with courtly decorum, bowed ceremoniously before the king.
"Permit us, sire," began the Count of Provence, "to be the first to lay our homage at your majesty's feet, and to—"
"My brothers, my brothers!" cried Louis, deeply affected, "is my crown to rob me of the dear ties of kindred? Oh, do not call me king, for I cannot afford to lose the dear companions of my childhood."
"Sire," replied the Count of Provence, "you shall not lose them; and for us, our gain is two-fold. We receive from God a gracious king, and retain our much-loved brother." And the count embraced the king, who had opened his arms to receive him.
A quarter of an hour later, the chateau of Versailles was deserted. The courtiers, pages, equerries, and lackeys, had all departed, delighted to leave that infected atmosphere within whose poisonous influence the iron rules of etiquette had detained them while Louis XV. lived. None of them felt inclined to do homage to departed royalty. Even the Duke de Villequier, first gentleman of the bed-chamber, in his terror, forgot etiquette; and instead of watching the king's corpse, he, too, made ready to go with the rest.
"Monsieur," said the duke to Andouille, the king's physician, "I leave you that you may be able to open and embalm the body." Andouille grew pale, for he knew perfectly well that the performance of such a ceremony as that, was his death-warrant. However, after a pause, he replied, "I am ready, your grace, but you must remain to hold the king's head. It is, as you know, a part of your duty as gentleman of the bedchamber." [Footnote: Campan, vol. i., p. 79]
The Duke de Villequier said nothing. He merely bowed and hurried from the room. Andouille followed his example, but, more considerate than the other attendants of the king, he made some provision for the deserted corpse. He sent for one of the subordinates of the palace, and ordered him to watch by the body. Then, going to his carriage, he saw several hodmen lounging about, who were carrying mortar for some repairs that were being made at the palace. The physician called them, and bade them go tell the lord-Steward that the king's coffin must be saturated with spirits of wine, and his winding-sheet also.
Such were the preparations that were made for the obsequies of the defunct king; and his body was watched by a few servants and these hodmen whom Andouille had employed as messengers.
CHAPTER XCIV.
THE MEMORANDA.
It was early in the morning. The court had accompanied the king and queen to Choisy, and thither had flocked the representatives of every class in Paris, to do homage to the king and wish him a prosperous reign.
The people seemed wild with joy, and nobody vouchsafed a thought to the memory of the "Bien-aime," whose body was even now being taken to its last rest, in the vaults of St. Denis. The funeral train was any thing but imposing. The coffin, placed upon a large hunting-wagon, was followed by two carriages, containing the Duke d'Ayen, the Duke d'Aumont, and two priests. Twenty pages and as many grooms closed the procession, which went along without attracting the notice of anybody. The burial-service was read in the crypt, and the coffin hastily lowered in the vault, which was not only walled up, but cemented also, for fear the infection imprisoned within might escape from the dungeon of the dead and infest the abodes of the living.
Not one of the royal family had followed the body. The king was at Choisy, and all hearts were turned to him. Thousands of men went in and out of the palace, each one with his burden of fears, hopes, uneasiness or expectations. Who was now to find favor at court! Would it be the queen, or the aunts of the king? What fate awaited Du Barry? Who would be prime minister?
While these matters were being discussed without, the king, who had not yet made his appearance, was in his cabinet. His disordered mien, tangled hair, and red eyes, as well as the lights that still flickered in the chaneliers, showed plainly that he had not been to bed that night.
He could not sleep. The future lowered dark and threatening before him, and day had not brought comfort to his anxious mind. Great drops of sweat stood upon his brow, and his face, never at the best of tunes handsome, to-day was less attractive than ever. "I am so young!" thought he, despondently. "I know of no man at this court, in whose honesty I can confide. Every man of them has curried favor with that shameless woman whose presence has defiled the throne of my ancestors, and disgraced the declining years of my grandfather. To whom shall I turn? Who will give counsel to a poor, inexperienced youth?"
A slight knock was heard at the door. The king rose and opened it.
"Monsieur de Nicolai," said Louis, surprised, as the old man stood. before him with head inclined. "What brings you to me?"
"The will of your deceased father, sire."
The king stepped back and motioned him to enter. "Now speak," said he. "I know that you were with my father on his death-bed; and I have often sought to win your friendship, but until now leave sought in vain."
"Sire, I was afraid that if I betrayed an interest in your majesty, I might not be allowed to live long enough to fulfil the trust confided to me by your father. I had sworn that on the day you ascended the throne of France I would deliver his will to your majesty." |
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