He alluded indirectly to Fred's departure in a way that turned it into ridicule. While playing a game of 'boston' he whispered into Jacqueline's ear something about the old-fashionedness and stupidity of Paul and Virginia, and his opinion of "calf-love," as the English call an early attachment, and something about the right of every girl to know a suitor long before she consents to marry him. He said he thought that the days of courtship must be the most delightful in the life of a woman, and that a man who wished to cut them short was a fellow without delicacy or discretion!

From this Jacqueline drew the conclusion that he was not willing to resemble such a fellow, and was more and more persuaded that there was tenderness in the way he pressed her waist, and that his voice had the softness of a caress when he spoke to her. He made many inquiries as to what she liked and what she wished for in the future, as if his great object in all things was to anticipate her wishes. As for his intimacy with Madame de Villegry, Jacqueline thought nothing of it, notwithstanding her habitual mistrust of those she called old women. In the first place, Madame de Villegry was her own mistress, nothing hindered them from having been married long ago had they wished it; besides, had not Madame de Villegry brought the young man to their house and let every one see, even Jacqueline herself, what was her object in doing so? In this matter she was their ally, a most zealous and kind ally, for she was continually advising her young friend as to what was most becoming to her and how she might make herself most attractive to men in general, with little covert allusions to the particular tastes of Gerard, which she said she knew as well as if he had been her brother.

All this was lightly insinuated, but never insisted upon, with the tact which stood Madame de Villegry in stead of talent, and which had enabled her to perform some marvellous feats upon the tight-rope without losing her balance completely. She, too, made fun of the tragic determination of Fred, which all those who composed the society of the De Nailles had been made aware of by the indiscreet lamentations of Madame d'Argy.

"Is not Jacqueline fortunate?" cried. Colette Odinska, who, herself always on a high horse, looked on love in its tragic aspect, and would have liked to resemble Marie Stuart as much as she could, "is she not fortunate? She has had a man who has gone abroad to get himself killed—and all for her!"

Colette imagined herself under the same circumstances, making the most of a slain lover, with a crape veil covering her fair hair, her mourning copied from that of her divorced sister, who wore her weeds so charmingly, but who was getting rather tired of a single life.

As for Miss Kate Sparks and Miss Nora, they could not understand why the breaking of half-a-dozen hearts should not be the prelude to every marriage. That, they said with much conviction, was always the case in America, and a girl was thought all the more of who had done so.

Jacqueline, however, thought more than was reasonable about the dangers that the friend of her childhood was going to encounter through her fault. Fred's departure would have lent him a certain prestige, had not a powerful new interest stepped in to divert her thoughts. Madame d'Avrigny was getting up her annual private theatricals, and wanted Jacqueline to take the principal part in the play, saying that she ought to put her lessons in elocution to some use. The piece chosen was to illustrate a proverb, and was entirely new. It was as unexceptionable as it was amusing; the most severe critic could have found no fault with its morality or with its moral, which turned on the eagerness displayed by young girls nowadays to obtain diplomas. Scylla and Charybdis was its name. Its story was that of a young bride, who, thinking to please a husband, a stupid and ignorant man, was trying to obtain in secret a high place in the examination at the Sorbonne—'un brevet superieur'. The husband, disquieted by the mystery, is at first suspicious, then jealous, and then is overwhelmed with humiliation when he discovers that his wife knows more of everything than himself. He ends by imploring her to give up her higher education if she wishes to please him. The little play had all the modern loveliness and grace which Octave Feuillet alone can give, and it contained a lesson from which any one might profit; which was by no means always the case with Madame d'Avrigny's plays, which too often were full of risky allusions, of critical situations, and the like; likely, in short, to "sail too close to the wind," as Fred had once described them. But Madame d'Avrigny's prime object was the amusement of society, and society finds pleasure in things which, if innocence understood them, would put her to the blush. This play, however, was an exception. There had been very little to cut out this time. Madame de Nailles had been asked to take the mother's part, but she declined, not caring to act such a character in a house where years before in all her glory she had made a sensation as a young coquette. So Madame d'Avrigny had to take the part herself, not sorry to be able to superintend everything on the stage, and to prompt Dolly, if necessary—Dolly, who had but four words to say, which she always forgot, but who looked lovely in a little cap as a femme de chambre.

People had been surprised that M. de Cymier should have asked for the part of the husband, a local magistrate, stiff and self-important, whom everybody laughed at. Jacqueline alone knew why he had chosen it: it would give him the opportunity of giving her two kisses. Of course those kisses were to be reserved for the representation, but whether intentionally or otherwise, the young husband ventured upon them at every rehearsal, in spite of the general outcry—not, however, very much in earnest, for it is well understood that in private theatricals certain liberties may be allowed, and M. de Cymier had never been remarkable for reserve when he acted at the clubs, where the female parts were taken by ladies from the smaller theatres. In this school he had acquired some reputation as an amateur actor. "Besides," as he remarked on making his apology, "we shall do it very awkwardly upon the stage if we are not allowed to practise it beforehand." Jacqueline burst out laughing, and did not make much show of opposition. To play the part of his wife, to hear him say to her, to respond with the affectionate and familiar 'toi', was so amusing! It was droll to see her cut out her husband in chemistry, history, and grammar, and make him confound La Fontaine with Corneille. She had such a little air while doing it! And at the close, when he said to her: "If I give you a pony to-morrow, and a good hearty kiss this very minute, shall you be willing to give up getting that degree?" she responded, with such gusto: "Indeed, I shall!" and her manner was so eager, so boyish, so full of fun, that she was wildly applauded, while Gerard embraced her as heartily as he liked, to make up to himself for her having had, as his wife, the upper hand.

All this kissing threw him rather off his balance, and he might soon have sealed his fate, had not a very sad event occurred, which restored his self-possession.

The dress rehearsal was to take place one bright spring day at about four o'clock in the afternoon. A large number of guests was assembled at the house of Madame d'Avrigny. The performance had been much talked about beforehand in society. The beauty, the singing, and the histrionic powers of the principal actress had been everywhere extolled. Fully conscious of what was expected of her, and eager to do herself credit in every way, Jacqueline took advantage of Madame Strahlberg's presence to run over a little song, which she was to—sing between the acts and in which she could see no meaning whatever. This little song, which, to most of the ladies present, seemed simply idiotic, made the men in the audience cry "Oh!" as if half-shocked, and then "Encore! Encore!" in a sort of frenzy. It was a so-called pastoral effusion, in which Colinette rhymed with herbette, and in which the false innocence of the eighteenth century was a cloak for much indelicate allusion.

"I never," said Jacqueline in self-defense, before she began the song, "sang anything so stupid. And that is saying much when one thinks of all the nonsensical words that people set to music! It's a marvel how any one can like this stuff. Do tell me what there is in it?" she added, turning to Gerard, who was charmed by her ignorance.

Standing beside the grand piano, with her arms waving as she sang, repeating, by the expression of her eyes, the question she had asked and to which she had received no answer, she was singing the verses she considered nonsense with as much point as if she had understood them, thanks to the hints given her by Madame Strahlberg, who was playing her accompaniment, when the entrance of a servant, who pronounced her name aloud, made a sudden interruption. "Mademoiselle de Nailles is wanted at home at once. Modeste has come for her."

Madame d'Avrigny went out to say to the old servant: "She can not possibly go home with you! It is only half an hour since she came. The rehearsal is just beginning."

But something Modeste said in answer made her give a little cry, full of consternation. She came quickly back, and going up to Jacqueline:

"My dear," she said, "you must go home at once—there is bad news, your father is ill."

"Ill?"

The solemnity of Madame d'Avrigny's voice, the pity in her expression, the affection with which she spoke and above all her total indifference to the fate of her rehearsal, frightened Jacqueline. She rushed away, not waiting to say good-by, leaving behind her a general murmur of "Poor thing!" while Madame d'Avrigny, recovering from her first shock, was already beginning to wonder—her instincts as an impresario coming once more to the front—whether the leading part might not be taken by Isabelle Ray. She would have to send out two hundred cards, at least, and put off her play for another fortnight. What a pity! It seemed as if misfortunes always happened just so as to interfere with pleasures.

The fiacre which had brought Modeste was at the door. The old nurse helped her young lady into it.

"What has happened to papa?" cried Jacqueline, impetuously.

There was something horrible in this sudden transition from gay excitement to the sharpest anxiety.

"Nothing—that is to say—he is very sick. Don't tremble like that, my darling-courage!" stammered Modeste, who was frightened by her agitation.

"He was taken sick, you say. Where? How happened it?"

"In his study. Pierre had just brought him his letters. We thought we heard a noise as if a chair had been thrown down, and a sort of cry. I ran in to see. He was lying at full length on the floor."

"And now? How is he now?"

"We did what we could for him. Madame came back. He is lying on his bed."

Modeste covered her face with her hands.

"You have not told me all. What else?"

"Mon Dieu! you knew your poor father had heart disease. The last time the doctor saw him he thought his legs had swelled—"

"Had!" Jacqueline heard only that one word. It meant that the life of her father was a thing of the past. Hardly waiting till the fiacre could be stopped, she sprang out, rushed into the house, opened the door of her father's chamber, pushing aside a servant who tried to stop her, and fell upon her knees beside the bed where lay the body of her father, white and rigid.

"Papa! My poor dear—dear papa!"

The hand she pressed to her lips was as cold as ice. She raised her frightened eyes to the face over which the great change from life to death had passed. "What does it mean?" Jacqueline had never looked on death before, but she knew this was not sleep.

"Oh, speak to me, papa! It is I—it is Jacqueline!"

Her stepmother tried to raise her—tried to fold her in her arms.

"Let me alone!" she cried with horror.

It seemed to her as if her father, where he was now, so far from her, so far from everything, might have the power to look into human hearts, and know the perfidy he had known nothing of when he was living. He might see in her own heart, too, her great despair. All else seemed small and of no consequence when death was present.

Oh! why had she not been a better daughter, more loving, more devoted? why had she ever cared for anything but to make him happy?

She sobbed aloud, while Madame de Nailles, pressing her handkerchief to her eyes, stood at the foot of the bed, and the doctor, too, was near, whispering to some one whom Jacqueline at first had not perceived—the friend of the family, Hubert Marien.

Marien there? Was it not natural that, so intimate as he had always been with the dead man, he should have hastened to offer his services to the widow?

Jacqueline flung herself upon her father's corpse, as if to protect it from profanation. She had an impulse to bear it away with her to some desert spot where she alone could have wept over it.

She lay thus a long time, beside herself with grief.

The flowers which covered the bed and lay scattered on the floor, gave a festal appearance to the death-chamber. They had been purchased for a fete, but circumstances had changed their destination. That evening there was to have been a reception in the house of M. de Nailles, but the unexpected guest that comes without an invitation had arrived before the music and the dancers.



CHAPTER XIII

THE STORM BREAKS

Monsieur de Nailles was dead, struck down suddenly by what is called indefinitely heart-failure. The trouble in that organ from which he had long suffered had brought on what might have been long foreseen, and yet every one seemed, stupefied by the event. It came upon them like a thunderbolt. It often happens so when people who are really ill persist in doing all that may be done with safety by other persons. They persuaded themselves, and those about them are easily persuaded, that small remedies will prolong indefinitely a state of things which is precarious to the last degree. Friends are ready to believe, when the sufferer complains that his work is too hard for him, that he thinks too much of his ailments and that he exaggerates trifles to which they are well accustomed, but which are best known to him alone. When M. de Nailles, several weeks before his death, had asked to be excused and to stay at home instead of attending some large gathering, his wife, and even Jacqueline, would try to convince him that a little amusement would be good for him; they were unwilling to leave him to the repose he needed, prescribed for him by the doctors, who had been unanimous that he must "put down the brakes," give less attention to business, avoid late hours and over-exertion of all kinds. "And, above all," said one of the lights of science whom he had consulted recently about certain feelings of faintness which were a bad symptom, "above all, you must keep yourself from mental anxiety."

How could he, when his fortune, already much impaired, hung on chances as uncertain as those in a game of roulette? What nonsense! The failure of a great financial company had brought about a crisis on the Bourse. The news of the inability of Wermant, the 'agent de change', to meet his engagements, had completed the downfall of M. de Nailles. Not only death, but ruin, had entered that house, where, a few hours before, luxury and opulence had seemed to reign.

"We don't know whether there will be anything left for us to live upon," cried Madame de Nailles, with anguish, even while her husband's body lay in the chamber of death, and Jacqueline, kneeling beside it, wept, unwilling to receive comfort or consolation.

She turned angrily upon her stepmother and cried:

"What matter? I have no father—there is nothing else I care for."

But from that moment a dreadful thought, a thought she was ashamed of, which made her feel a monster of selfishness, rose in her mind, do what she would to hinder it. Jacqueline was sensible that she cared for something else; great as was her sense of loss, a sort of reckless curiosity seemed haunting her, while all the time she felt that her great grief ought not to give place to anything besides. "How would Gerard de Cymier behave in these circumstances?" She thought about it all one dreadful night as she and Modeste, who was telling her beads softly, sat in the faint light of the death-chamber. She thought of it at dawn, when, after one of those brief sleeps which come to the young under all conditions, she resumed with a sigh a sense of surrounding realities. Almost in the same instant she thought: "My dear father will never wake again," and "Does he love me?—does he now wish me to be his wife?—will he take me away?" The devil, which put this thought into her heart, made her eager to know the answer to these questions. He suggested how dreadful life with her stepmother would be if no means of escape were offered her. He made her foresee that her stepmother would marry again—would marry Marien. "But I shall not be there!" she cried, "I will not countenance such an infamy!" Oh, how she hoped Gerard de Cymier loved her! The hypocritical tears of Madame de Nailles disgusted her. She could not bear to have such false grief associated with her own.

Men in black, with solemn faces, came and bore away the body, no longer like the form of the father she had loved. He had gone from her forever. Pompous funeral rites, little in accordance with the crash that soon succeeded them, were superintended by Marien, who, in the absence of near relatives, took charge of everything. He seemed to be deeply affected, and behaved with all possible kindness and consideration to Jacqueline, who could not, however, bring herself to thank him, or even to look at him. She hated him with an increase of resentment, as if the soul of her dead father, who now knew the truth, had passed into her own.

Meantime, M. de Cymier took care to inform himself of the state of things. It was easy enough to do so. All Paris was talking of the shipwreck in which life and fortune had been lost by a man whose kindliness as a host at his wife's parties every one had appreciated. That was what came, people said, of striving after big dividends! The house was to be sold, with the horses, the pictures, and the furniture. What a change for his poor wife and daughter! There were others who suffered by the Wermant crash, but those were less interesting than the De Nailles. M. de Belvan found himself left by his father-in-law's failure with a wife on his hands who not only had not a sou, but who was the daughter of an 'agent de change' who had behaved dishonorably.

This was a text for dissertations on the disgrace of marrying for money; those who had done the same thing, minus the same consequences, being loudest in reprobating alliances of that kind. M. de Cymier listened attentively to such talk, looking and saying the right things, and as he heard more and more about the deplorable condition of M. de Nailles's affairs, he congratulated himself that a prudent presentiment had kept him from asking the hand of Jacqueline. He had had vague doubts as to the firm foundation of the opulence which made so charming a frame for her young beauty; it seemed to him as if she were now less beautiful than he had imagined her; the enchantment she had exercised upon him was thrown off by simple considerations of good sense. And yet he gave a long sigh of regret when he thought she was unattainable except by marriage. He, however, thanked heaven that he had not gone far enough to have compromised himself with her. The most his conscience could reproach him with was an occasional imprudence in moments of forgetfulness; no court of honor could hold him bound to declare himself her suitor. The evening that he made up his mind to this he wrote two letters, very nearly alike; one was to Madame d'Avrigny, the other to Madame de Nailles, announcing that, having received orders to join the Embassy to which he was attached at Vienna, he was about to depart at once, with great regret that he should not be able to take leave of any one. To Madame d'Avrigny he made apologies for having to give up his part in her theatricals; he entreated Madame de Nailles to accept both for herself and for Mademoiselle Jacqueline his deepest condolences and the assurance of his sympathy. The manner in which this was said was all it ought to have been, except that it might have been rather more brief. M. de Cymier said more than was necessary about his participation in their grief, because he was conscious of a total lack of sympathy. He begged the ladies would forgive him if, from feelings of delicacy and a sense of the respect due to a great sorrow, he did not, before leaving Paris, which he was about do to probably for a long time, personally present to them 'ses hommages attristes'. Then followed a few lines in which he spoke of the pleasant recollections he should always retain of the hospitality he had enjoyed under M. de Nailles's roof, in a way that gave them clearly to understand that he had no expectation of ever entering their family on a more intimate footing.

Madame de Nailles received this letter just as she had had a conversation with a man of business, who had shown her how complete was the ruin for which in a great measure she herself was responsible. She had no longer any illusions as to her position. When the estate had been settled there would be nothing left but poverty, not only for herself, who, having brought her husband no dot, had no right to consider herself wronged by the bankruptcy, but for Jacqueline, whose fortune, derived from her mother, had suffered under her father's management (there are such men—unfaithful guardians of a child's property, but yet good fathers) in every way in which it was possible to evade the provisions of the Code intended to protect the rights of minor children. In the little salon so charmingly furnished, where never before had sorrow or sadness been discussed, Madame de Nailles poured out her complaints to her stepdaughter and insisted upon plans of strict economy, when M. de Cymier's letter was brought in.

"Read!" said the Baroness, handing the strange document to Jacqueline, after she had read it through.

Then she leaned back in her chair with a gesture which signified: "This is the last straw!" and remained motionless, apparently overwhelmed, with her face covered by one hand, but furtively watching the face of the girl so cruelly forsaken.

That face told nothing, for pride supplies some sufferers with necessary courage. Jacqueline sat for some time with her eyes fixed on the decisive adieu which swept away what might have been her secret hope. The paper did not tremble in her hand, a half-smile of contempt passed over her mouth. The answer to the restless question that had intruded itself upon her in the first moments of her grief was now before her. Its promptness, its polished brutality, had given her a shock, but not the pain she had expected. Perhaps her great grief—the real, the true, the grief death brings—recovered its place in her heart, and prevented her from feeling keenly any secondary emotion. Perhaps this man, who could pay court to her in her days of happiness and disappear when the first trouble came, seemed to her not worth caring for.

She silently handed back the letter to her stepmother.

"No more than I expected," said the Baroness.

"Indeed?" replied Jacqueline with complete indifference. She wished to give no opening to any expressions of sympathy on the part of Madame de Nailles.

"Poor Madame d'Avrigny," she added, "has bad luck; all her actors seem to be leaving her."

This speech was the vain bravado of a young soldier going into action. The poor child betrayed herself to the experienced woman, trained either to detect or to practise artifice, and who found bitter amusement in watching the girl's assumed 'sang-froid'. But the mask fell off at the first touch of genuine sympathy. When Giselle, forgetful of a certain coolness between them ever since Fred's departure, came to clasp her in her arms, she showed only her true self, a girl suffering all the bitterness of a cruel, humiliating desertion. Long talks ensued between the friends, in which Jacqueline poured into Giselle's ear her sad discoveries in the past, her sorrows and anxieties in the present, and her vague plans for the future. "I must go away," she said; "I must escape somewhere; I can not go on living with Madame de Nailles—I should go mad, I should be tempted every day to upbraid her with her conduct."

Giselle made no attempt to curb an excitement which she knew would resist all she could say to calm it. She feigned agreement, hoping thereby to increase her future influence, and advised her friend to seek in a convent the refuge that she needed. But she must do nothing rashly; she should only consider it a temporary retreat whose motive was a wish to remain for a while within reach of religious consolation. In that way she would give people nothing to talk about, and her step mother could not be offended. It was never of any use to get out of a difficulty by breaking all the glass windows with a great noise, and good resolutions are made firmer by being matured in quietness. Such were the lessons Giselle herself had been taught by the Benedictine nuns, who, however deficient they might be in the higher education of women, knew at least how to bring up young girls with a view to making them good wives. Giselle illustrated this day by day in her relations to a husband as disagreeable as a husband well could be, a man of small intelligence, who was not even faithful to her. But she did not cite herself as an example. She never talked about herself, or her own difficulties.

"You are an angel of sense and goodness," sobbed Jacqueline. "I will do whatever you wish me to do."

"Count upon me—count upon all your friends," said Madame de Talbrun, tenderly.

And then, enumerating the oldest and the truest of these friends, she unluckily named Madame d'Argy. Jacqueline drew herself back at once:

"Oh, for pity's sake!" she cried, "don't mention them to me!"

Already a comparison between Fred's faithful affection and Gerard de Cymier's desertion had come into her mind, but she had refused to entertain it, declaring resolutely to herself that she never should repent her refusal. She was sore, she was angry with all men, she wished all were like Cymier or like Marien, that she might hate every one of them; she came to the conclusion in her heart of hearts that all of them, even the best, if put to the proof, would turn out selfish. She liked to think so—to believe in none of them. Thus it happened that an unexpected visit from Fred's mother, among those that she received in her first days of orphanhood, was particularly agreeable to her.

Madame d'Argy, on hearing of the death and of the ruin of M. de Nailles, was divided by two contradictory feelings. She clearly saw the hand of Providence in what had happened: her son was in the squadron on its way to attack Formosa; he was in peril from the climate, in peril from Chinese bullets, and assuredly those who had brought him into peril could not be punished too severely; on the other hand, the last mail from Tonquin had brought her one of those great joys which always incline us to be merciful. Fred had so greatly distinguished himself in a series of fights upon the river Min that he had been offered his choice between the Cross of the Legion of Honor or promotion. He told his mother now that he had quite recovered from a wound he had received which had brought him some glory, but which he assured her had done him no bodily harm, and he repeated to her what he would not tell her at first, some words of praise from Admiral Courbet of more value in his eyes than any reward.

Triumphant herself, and much moved by pity for Jacqueline, Madame d'Argy felt as if she must put an end to a rupture which could not be kept up when a great sorrow had fallen on her old friends, besides which she longed to tell every one, those who had been blind and ungrateful in particular, that Fred had proved himself a hero. So Jacqueline and her stepmother saw her arrive as if nothing had ever come between them. There were kisses and tears, and a torrent of kindly meant questions, affectionate explanations, and offers of service. But Fred's mother could not help showing her own pride and happiness to those in sorrow. They congratulated her with sadness. Madame d'Argy would have liked to think that the value of what she had lost was now made plain to Jacqueline. And if it caused her one more pang—what did it matter? He and his mother had suffered too. It was the turn of others. God was just. Resentment, and kindness, and a strange mixed feeling of forgiveness and revenge contended together in the really generous heart of Madame d'Argy, but that heart was still sore within her. Pity, however, carried the day, and had it not been for the irritating coldness of "that little hard-hearted thing," as she called Jacqueline, she would have entirely forgiven her. She never suspected that the exaggerated reserve of manner that offended her was owing to Jacqueline's dread (commendable in itself) of appearing to wish in her days of misfortune for the return of one she had rejected in the time of prosperity.

In spite of the received opinion that society abandons those who are overtaken by misfortune, all the friends of the De Nailles flocked to offer their condolences to the widow and the orphan with warm demonstrations of interest. Curiosity, a liking to witness, or to experience, emotion, the pleasure of being able to tell what has been seen and heard, to find out new facts and repeat them again to others, joined to a sort of vague, commonplace, almost intrusive pity, are sentiments, which sometimes in hours of great disaster, produce what appears to wear the look of sympathy. A fortnight after M. de Nailles's death, between the acts of Scylla and Charybdis, the principal parts in which were taken by young d'Etaples and Isabelle Ray, the company, as it ate ices, was glibly discussing the real drama which had produced in their own elegant circle much of the effect a blow has upon an ant-hill—fear, agitation, and a tumultuous rush to the scene of the disaster.

Great indignation was expressed against the man who had risked the fortune of his family in speculation. Oh! the thing had been going on for a long while. His fortune had been gradually melting away; Grandchaux was loaded down with mortgages and would bring almost nothing at a forced sale.

Everybody forgot that had M. de Nailles's speculations been successful they would have been called matters of business, conducted with great ability on a large scale. When a performer falls from the tightrope, who remembers all the times he has not failed? It is simply said that he fell from his own carelessness.

"The poor Baroness is touchingly resigned," said Madame de Villegry, with a deep sigh; "and heaven knows how many other cares she has besides the loss of money! I don't mean only the death of her husband—and you know how much they were attached to each other—I am speaking of that unaccountable resolution of Jacqueline's."

Madame d'Avrigny here came forward with her usual equanimity which nothing disturbed, unless it were something which interfered with the success of her salon.

She was of course very sorry for her friends in trouble, but the vicissitudes that had happened to her theatricals she had more at heart.

"After all," she said, "the first act did not go off badly, did it? The musical part made up for the rest. That divine Strahlberg is ready for any emergency. How well she sang that air of 'La Petite Mariee!' It was exquisite, but I regretted Jacqueline. She was so charming in that lively little part. What a catastrophe!

"What a terrible catastrophe! Were you speaking of the retreat she wishes to make in a convent? Well, I quite understand how she feels about it! I should feel the same myself. In the bewilderment of a first grief one does not care to see anything of the world. 'Mon Dieu'! youth always has these exaggerated notions. She will come back to us. Poor little thing! Of course it was no fault of hers, and I should not think of blaming Monsieur de Cymier. The exigencies of his career—but you all must own that unexpected things happen so suddenly in this life that it is enough to discourage any one who likes to open her house and provide amusement for her friends."

Every one present pitied her for the contretemps over which she had triumphed so successfully. Then she resumed, serenely:

"Don't you think that Isabelle played the part almost as well as Jacqueline? Up to the last moment I was afraid that something would go wrong. When one gets into a streak of ill-luck—but all went off to perfection, thank heaven!"

Meantime Madame Odinska was whispering to one of those who sat near her her belief that Jacqueline would never get over her father's loss. "It would not astonish me," she said, "to hear that the child, who has a noble nature, would remain in the convent and take the veil."

Any kind of heroic deed seemed natural to this foolish enthusiast, who, as a matter of fact, in her own life, had never shown any tendency to heroic virtues; her mission in life had seemed to be to spoil her daughters in every possible way, and to fling away more money than belonged to her.

"Really? Was she so very fond of her father!" asked Madame Ray, incredulously. "When he was alive, they did not seem to make much of him in his own house. Maybe this retreat is a good way of getting over a little wound to her 'amour-propre'."

"The proper thing, I think," said Madame d'Etaples, "would be for the mother and daughter to keep together, to bear the troubles before them hand in hand. Jacqueline does not seem to think much of the last wishes of the father she pretends to be so fond of. The Baroness showed me, with many tears, a letter he left joined to his will, which was written some years ago, and which now, of course, is of no value. He told mother and daughter to take care of each other and hoped they would always remain friends, loving each other for love of him. Jacqueline's conduct amazes me; it looks like ingratitude."

"Oh! she is a hard-hearted little thing! I always thought so!" said Madame de Villegry, carelessly.

Here the rising of the curtain stopped short these discussions, which displayed so much good-nature and perspicacity. But some laid the blame on the influence of that little bigot of a Talbrun, who had secretly blown up the fire of religious enthusiasm in Jacqueline, when Madame d'Avrigny's energetic "Hush!" put an end to the discussion. It was time to come back to more immediate interests, to the play which went on in spite of wind and tide.

ETEXT EDITOR'S BOOKMARKS:

A mother's geese are always swans Bathers, who exhibited themselves in all degrees of ugliness Fred's verses were not good, but they were full of dejection Hang out the bush, but keep no tavern A familiarity which, had he known it, was not flattering His sleeplessness was not the insomnia of genius Importance in this world are as easily swept away as the sand Natural longing, that we all have, to know the worst Notion of her husband's having an opinion of his own Pride supplies some sufferers with necessary courage Seemed to enjoy themselves, or made believe they did This unending warfare we call love Unwilling to leave him to the repose he needed



JACQUELINE

By THERESE BENTZON (MME. BLANC)



BOOK 3.



CHAPTER XIV

BITTER DISILLUSION

Some people in this world who turn round and round in a daily circle of small things, like squirrels in a cage, have no idea of the pleasure a young creature, conscious of courage, has in trying its strength; this struggle with fortune loses its charm as it grows longer and longer and more and more difficult, but at the beginning it is an almost certain remedy for sorrow.

To her resolve to make head against misfortune Jacqueline owed the fact that she did not fall into those morbid reveries which might have converted her passing fancy for a man who was simply a male flirt into the importance of a lost love. Is there any human being conscious of energy, and with faith in his or her own powers, who has not wished to know something of adversity in order to rise to the occasion and confront it? To say nothing of the pleasure there is in eating brown bread, when one has been fed only on cake, or of the satisfaction that a child feels when, after strict discipline, he is left to do as he likes, to say nothing of the pleasure ladies boarding in nunneries are sure to feel on reentering the world, at recovering their liberty, Jacqueline by nature loved independence, and she was attracted by the novelty of her situation as larks are attracted by a mirror. She was curious to know what life held for her in reserve, and she was extremely anxious to repair the error she had committed in giving way to a feeling of which she was now ashamed. What could do this better than hard work? To owe everything to herself, to her talents, to her efforts, to her industry, such was Jacqueline's ideal of her future life.

She had, before this, crowned her brilliant reputation in the 'cours' of M. Regis by passing her preliminary examination at the Sorbonne; she was confident of attaining the highest degree—the 'brevet superieur', and while pursuing her own studies she hoped to give lessons in music and in foreign languages, etc. Thus assured of making her own living, she could afford to despise the discreditable happiness of Madame de Nailles, who, she had no doubt, would shortly become Madame Marien; also the crooked ways in which M. de Cymier might pursue his fortune-hunting. She said to herself that she should never marry; that she had other objects of interest; that marriage was for those who had nothing better before them; and the world appeared to her under a new aspect, a sphere of useful activity full of possibilities, of infinite variety, and abounding in interests. Marriage might be all very well for rich girls, who unhappily were objects of value to be bought and sold; her semi-poverty gave her the right to break the chains that hampered the career of other well-born women—she would make her own way in the world like a man.

Thus, at eighteen, youth is ready to set sail in a light skiff on a rough sea, having laid in a good store of imagination and of courage, of childlike ignorance and self-esteem.

No doubt she would meet with some difficulties; that thought did but excite her ardor. No doubt Madame de Nailles would try to keep her with her, and Jacqueline had provided herself beforehand with some double-edged remarks by way of weapons, which she intended to use according to circumstances. But all these preparations for defense or attack proved unnecessary. When she told the Baroness of her plans she met with no opposition. She had expected that her project of separation would highly displease her stepmother; on the contrary, Madame de Nailles discussed her projects quietly, affecting to consider them merely temporary, but with no indication of dissatisfaction or resistance. In truth she was not sorry that Jacqueline, whose companionship became more and more embarrassing every day, had cut the knot of a difficult position by a piece of wilfulness and perversity which seemed to put her in the wrong. The necessity she would have been under of crushing such a girl, who was now eighteen, would have been distasteful and unprofitable; she was very glad to get rid of her stepdaughter, always provided it could be done decently and without scandal. Those two, who had once so loved each other and who were now sharers in the same sorrows, became enemies—two hostile parties, which only skilful strategy could ever again bring together. They tacitly agreed to certain conditions: they would save appearances; they would remain on outwardly good terms with each other whatever happened, and above all they would avoid any explanation. This programme was faithfully carried out, thanks to the great tact of Madame de Nailles.

No one could have been more watchful to appear ignorant of everything which, if once brought to light, would have led to difficulties; for instance, she feigned not to know that her stepdaughter was in possession of a secret which, if the world knew, would forever make them strangers to each other; nor would she seem aware that Hubert Marien, weary to death of the tie that bound him to her, was restrained from breaking it only by a scruple of honor. Thanks to this seeming ignorance, she parted from Jacqueline without any open breach, as she had long hoped to do, and she retained as a friend who supplied her wants a man who was only too happy to be allowed at this price to escape the act of reparation which Jacqueline, in her simplicity, had dreaded.

All those who, having for years dined and danced under the roof of the Nailles, were accounted their friends by society, formed themselves into two parties, one of which lauded to the skies the dignity and resignation of the Baroness, while the other admired the force of character in Jacqueline.

Visitors flocked to the convent which the young girl, by the advice of Giselle, had chosen for her retreat because it was situated in a quiet quarter. She who looked so beautiful in her crape garments, who showed herself so satisfied in her little cell with hardly any furniture, who was grateful for the services rendered her by the lay sisters, content with having no salon but the convent parlor, who was passing examinations to become a teacher, and who seemed to consider it a favor to be sometimes allowed to hear the children in the convent school say their lessons—was surely like a heroine in a novel. And indeed Jacqueline had the agreeable sensation of considering herself one. Public admiration was a great help to her, after she had passed through that crisis in her grief during which she could feel nothing but the horror of knowing she should never see her father again, when she had ceased to weep for him incessantly, to pray for him, and to turn, like a wounded lioness, on those who blamed his reckless conduct, though she herself had been its chief victim.

For three months she hardly left the convent, walking only in the grounds and gardens, which were of considerable extent. From time to time Giselle came for her and took her to drive in the Bois at that hour of the day when few people were there.

Enguerrand, who, thanks to his mother's care, was beginning to be an intelligent and interesting child, though he was still painfully like M. de Talbrun, was always with them in the coupe, kindhearted Giselle thinking that nothing could be so likely to assuage grief as the prattle of a child. She was astonished—she was touched to the heart, by what she called naively the conversion of Jacqueline. It was true that the young girl had no longer any whims or caprices. All the nuns seemed to her amiable, her lodging was all she needed, her food was excellent; her lessons gave her amusement. Possibly the excitement of the entire change had much to do at first with this philosophy, and in fact at the end of six months Jacqueline owned that she was growing tired of dining at the table d'hote.

There was a little knot of crooked old ladies who were righteous overmuch, and several sour old maids whose only occupation seemed to be to make remarks on any person who had anything different in dress, manners, or appearance from what they considered the type of the becoming. If it is not good that man should live alone, it is equally true that women should not live together. Jacqueline found this out as soon as her powers of observation came back to her. And about the same time she discovered that she was not so free as she had flattered herself she should be. The appearance of a lady, fair and with light hair, very pretty and about her own age, gave her for the first time an inclination to talk at table. She and this young woman met twice a day at their meals, in the morning and in the evening; their rooms were next each other, and at night Jacqueline could hear her through the thin partition giving utterance to sighs, which showed that she was unhappy. Several times, too, she came upon her in the garden looking earnestly at a place where the wall had been broken, a spot whence it was said a Spanish countess had been carried off by a bold adventurer. Jacqueline thought there must be something romantic in the history of this newcomer, and would have liked exceedingly to know what it might be. As a prelude to acquaintance, she offered the young stranger some holy water when they met in the chapel, a bow and a smile were interchanged, their fingers touched. They seemed almost friends. After this, Jacqueline contrived to change her seat at table to one next to this unknown person, so prettily dressed, with her hair so nicely arranged, and, though her expression was very sad, with a smile so very winning. She alone represented the world, the world of Paris, among all those ladies, some of whom were looking for places as companions, some having come up from the provinces, and some being old ladies who had seen better days. Her change of place was observed by the nun who presided at the table, and a shade of displeasure passed over her face. It was slight, but it portended trouble. And, indeed, when grace had been said, Mademoiselle de Nailles was sent for by the Mother Superior, who gave her to understand that, being so young, it was especially incumbent on her to be circumspect in her choice of associates. Her place thenceforward was to be between Madame de X——-, an old, deaf lady, and Mademoiselle J——-, a former governess, as cold as ice and exceedingly respectable. As to Madame Saville, she had been received in the convent for especial reasons, arising out of circumstances which did not make her a fit companion for inexperienced girls. The Superior hesitated a moment and then said: "Her husband requested us to take charge of her," in a tone by which Jacqueline quite understood that "take charge" was a synonym for "keep a strict watch upon her." She was spied upon, she was persecuted—unjustly, no doubt.

All this increased the interest that Jacqueline already felt in the lady with the light hair. But she made a low curtsey to the Mother Superior and returned no answer. Her intercourse with her neighbor was thenceforward; however, sly and secret, which only made it more interesting and exciting. They would exchange a few words when they met upon the stairs, in the garden, or in the cloisters, when there was no curious eye to spy them out; and the first time Jacqueline went out alone Madame Saville was on the watch, and, without speaking, slipped a letter into her hand.

This first time Jacqueline went out was an epoch in her life, as small events are sometimes in the annals of nations; it was the date of her emancipation, it coincided with what she called her choice of a career. Thinking herself sure of possessing a talent for teaching, she had spoken of it to several friends who had come to see her, and who each and all exclaimed that they would like some lessons, a delicate way of helping her quite understood by Jacqueline. Pupils like Belle Ray and Yvonne d'Etaples, who wanted her to come twice a week to play duets with them or to read over new music, were not nearly so interesting as those in her little class who had hardly more than learned their scales! Besides this, Madame d'Avrigny begged her to come and dine with her, when there would be only themselves, on Mondays, and then practise with Dolly, who had not another moment in which she could take a lesson. She should be sent home scrupulously before ten o'clock, that being the hour at the convent when every one must be in. Jacqueline accepted all these kindnesses gratefully. By Giselle's advice she hid her slight figure under a loose cloak and put on her head a bonnet fit for a grandmother, a closed hat with long strings, which, when she first put it on her head, made her burst out laughing. She imagined herself to be going forth in disguise. To walk the streets thus masked she thought would be amusing, so amusing that the moment she set foot on the street pavement she felt that the joy of living was yet strong in her. With a roll of music in her hand, she walked on rather hesitatingly, a little afraid, like a bird just escaped from the cage where it was born; her heart beat, but it was with pleasure; she fancied every one was looking at her, and in fact one old gentleman, not deceived by the cloak, did follow her till she got into an omnibus for the first time in her life—a new experience and a new pleasure. Once seated, and a little out of breath, she remembered Madame Saville's letter, which she had slipped into her pocket. It was sealed and had a stamp on it; it was too highly scented to be in good taste, and it was addressed to a lieutenant of chasseurs with an aristocratic name, in a garrison at Fontainebleau.

Then Jacqueline began vaguely to comprehend that Madame Saville's husband might have had serious reasons for commending his wife to the surveillance of the nuns, and that there might have been some excuse for their endeavoring to hinder all intimacy between herself and the little blonde.

This office of messenger, thrust upon her without asking permission, was not agreeable to Jacqueline, and she resolved as she dropped the missive, which, even on the outside, looked compromising, into the nearest post-box, to be more reserved in future. For which reason she responded coldly to a sign Madame Saville made her when, in the evening, she returned from giving her lessons.

Those lessons—those excursions which took her abroad in all weathers, though with praiseworthy and serious motives, into the fashionable parts of Paris, from which she had exiled herself by her own will—were greatly enjoyed by Jacqueline. Everything amused her, being seen from a point of view in which she had never before contemplated it. She seemed to be at a play, all personal interests forgotten for the moment, looking at the world of which she was no longer a part with a lively, critical curiosity, without regrets but without cynicism. The world did not seem to her bad—only man's higher instincts had little part in it. Such, at least, was what she thought, so long as people praised her for her courage, so long as the houses in which another Jacqueline de Nailles had been once so brilliant, received her with affection as before, though she had to leave in an anteroom her modest waterproof or wet umbrella. They were even more kind and cordial to her than ever, unless an exaggerated cordiality be one form of impertinence. But the enthusiasm bestowed on splendid instances of energy in certain circles, to which after all such energy is a reproach, is superficial, and not being genuine is sure not to last long. Some people said that Jacqueline's staid manners were put on for effect, and that she was only attempting to play a difficult part to which she was not suited; others blamed her for not being up to concert-pitch in matters of social interest. The first time she felt the pang of exclusion was at Madame d'Avrigny's, who was at the same moment overwhelming her with expressions of regard. In the first place, she could see that the little family dinner to which she had been so kindly invited was attended by so many guests that her deep mourning seemed out of place among them. Then Madame d'Avrigny would make whispered explanations, which Jacqueline was conscious of, and which were very painful to her. Such words as: "Old friend of the family;" "Is giving music lessons to my daughter;" fell more than once upon her ear, followed by exclamations of "Poor thing!" "So courageous!" "Chivalric sentiments!" Of course, everyone added that they excused her toilette. Then when she tried to escape such remarks by wearing a new gown, Dolly, who was always a little fool (there is no cure for that infirmity) cried out in a tone such as she never would have dared to use in the days when Jacqueline was a model of elegance: "Oh, how fine you are!" Then again, Madame d'Avrigny, notwithstanding the good manners on which she prided herself, could not conceal that the obligation of sending home the recluse to the ends of the earth, at a certain hour, made trouble with her servants, who were put out of their way. Jacqueline seized on this pretext to propose to give up the Monday music-lesson, and after some polite hesitation her offer was accepted, evidently to Madame d'Avrigny's relief.

In this case she had the satisfaction of being the one to propose the discontinuance of the lessons. At Madame Ray's she was simply dismissed. About the close of winter she was told that as Isabelle was soon to be married she would have no time for music till her wedding was over, and about the same time the d'Etaples told her much the same thing. This was not to be wondered at, for Mademoiselle Ray was engaged to an officer of dragoons, the same Marcel d'Etaples who had acted with her in Scylla and Charybdis, and Madame Ray, being a watchful mother, was not long in perceiving that Marcel came to pay court to Isabelle too frequently at the hour for her music-lesson. Madame d'Etaples on her part had made a similar discovery, and both judged that the presence of so beautiful a girl, in Jacqueline's position, might not be desirable in these interviews between lovers.

When Giselle, as she was about to leave town for the country in July, begged Jacqueline, who seemed run down and out of spirits, to come and stay with her, the poor child was very glad to accept the invitation. Her pupils were leaving her one after another, she could not understand why, and she was bored to death in the convent, whose strict rules were drawn tighter on her than before, for the nuns had begun to understand her better, and to discover the real worldliness of her character. At the same time, that retreat within these pious walls no longer seemed like paradise to Jacqueline; her transition from the deepest crape to the softer tints of half mourning, seemed to make her less of an angel in their eyes. They said to each other that Mademoiselle de Nailles was fanciful, and fancies are the very last things wanted in a convent, for fancies can brave bolts, and make their escape beyond stone walls, whatever means may be taken to clip their wings.

"She does not seem like the same person," cried the good sisters, who had been greatly edified at first by her behavior, and who were almost ready now to be shocked at her.

The course of things was coming back rapidly into its natural channel; in obedience to the law which makes a tree, apparently dead, put forth shoots in springtime. And that inevitable re-budding and reblossoming was beautiful to see in this young human plant. M. de Talbrun, Jacqueline's host, could not fail to perceive it. At first he had been annoyed with Giselle for giving the invitation, having a habit of finding fault with everything he had not ordered or suggested, by virtue of his marital authority, and also because he hated above all things, as he said, to have people in his house who were "wobegones." But in a week he was quite reconciled to the idea of keeping Mademoiselle de Nailles all the summer at the Chateau de Fresne. Never had Giselle known him to take so much trouble to be amiable, and indeed Jacqueline saw him much more to advantage at home than in Paris, where, as she had often said, he diffused too strong an odor of the stables. At Fresne, it was more easy to forgive him for talking always of his stud and of his kennel, and then he was so obliging! Every day he proposed some new jaunt, an excursion to see some view, to visit all the ruined chateaux or abbeys in the neighborhood. And, with surprising delicacy, M. de Talbrun refrained from inviting too many of his country neighbors, who might perhaps have scared Jacqueline and arrested her gradual return to gayety. They might also have interrupted his tete-a-tete with his wife's guest, for they had many such conversations. Giselle was absorbed in the duty of teaching her son his a, b, c. Besides, being very timid, she had never ridden on horseback, and, naturally, riding was delightful to her cousin. Jacqueline was never tired of it; while she paid as little attention to the absurd remarks Oscar made to her between their gallops as a girl does at a ball to the idle words of her partner. She supposed it was his custom to talk in that manner—a sort of rough gallantry—but with the best intentions. Jacqueline was disposed to look upon her life at Fresne as a feast after a long famine. Everything was to her taste, the whole appearance of this lordly chateau of the time of Louis XIII, the splendid trees in the home park, the gardens laid out 'a la Francais', decorated with art and kept up carefully. Everything, indeed, that pertained to that high life which to Giselle had so little importance, was to her delightful. Giselle's taste was so simple that it was a constant subject of reproach from her husband. To be sure, it was with him a general rule to find fault with her about everything. He did not spare her his reproaches on a multitude of subjects; all day long he was worrying her about small trifles with which he should have had nothing to do. It is a mistake to suppose that a man can not be brutal and fussy at the same time. M. de Talbrun was proof to the contrary.

"You are too patient," said Jacqueline often to Giselle. "You ought to answer him back—to defend yourself. I am sure if you did so you would have him, by-and-bye, at your beck and call."

"Perhaps so. I dare say you could have managed better than I do," replied Giselle, with a sad smile, but without a spark of jealousy. "Oh, you are in high favor. He gave up this week the races at Deauville, the great race week from which he has never before been absent, since our marriage. But you see my ambition has become limited; I am satisfied if he lets me alone." Giselle spoke these words with emphasis, and then she added: "and lets me bring up his son my own way. That is all I ask."

Jacqueline thought in her heart that it was wrong to ask so little, that poor Giselle did not know how to make the best of her husband, and, curious to find out what line of conduct would serve best to subjugate M. de Talbrun, she became herself—that is to say, a born coquette —venturing from one thing to another, like a child playing fearlessly with a bulldog, who is gentle only with him, or a fly buzzing round a spider's web, while the spider lies quietly within.

She would tease him, contradict him, and make him listen to long pieces of scientific music as she played them on the piano, when she knew he always said that music to him was nothing but a disagreeable noise; she would laugh at his thanks when a final chord, struck with her utmost force, roused him from a brief slumber; in short, it amused her to prove that this coarse, rough man was to her alone no object of fear. She would have done better had she been afraid.

Thus it came to pass that, as they rode together through some of the prettiest roads in the most beautiful part of Normandy, M. de Talbrun began to talk, with an ever-increasing vivacity, of the days when they first met, at Treport, relating a thousand little incidents which Jacqueline had forgotten, and from which it was easy to see that he had watched her narrowly, though he was on the eve of his own marriage. With unnecessary persistence, and stammering as he was apt to do when moved by any emotion, he repeated over and over again, that from the first moment he had seen her he had been struck by her—devilishly struck by her—he had been, indeed! And one day when she answered, in order not to appear to attach any importance to this declaration, that she was very glad of it, he took an opportunity, as their horses stopped side by side before a beautiful sunset, to put his arm suddenly round her waist, and give her a kiss, so abrupt, so violent, so outrageous, that she screamed aloud. He did not remove his arm from her, his coarse, red face drew near her own again with an expression that filled her with horror. She struggled to free herself, her horse began to rear, she screamed for help with all her might, but nothing answered her save an echo. The situation seemed critical for Jacqueline. As to M. de Talbrun, he was quite at his ease, as if he were accustomed to make love like a centaur; while the girl felt herself in peril of being thrown at any moment, and trampled under his horse's feet. At last she succeeded in striking her aggressor a sharp blow across the face with her riding-whip. Blinded for a moment, he let her go, and she took advantage of her release to put her horse to its full speed. He galloped after her, beside himself with wrath and agitation; it was a mad but silent race, until they reached the gate of the Chateau de Fresne, which they entered at the same moment, their horses covered with foam.

"How foolish!" cried Giselle, coming to meet them. "Just see in what a state you have brought home your poor horses."

Jacqueline, pale and trembling, made no answer. M. de Talbrun, as he helped her to dismount, whispered, savagely: "Not a word of this!"

At dinner, his wife remarked that some branch must have struck him on the cheek, there was a red mark right across his face like a blow.

"We were riding through the woods," he answered, shortly.

Then Giselle began to suspect something, and remarked that nobody was talking that evening, asking, with a half-smile, whether they had been quarrelling.

"We did have a little difference," Oscar replied, quietly.

"Oh, it did not amount to anything," he said, lighting his cigar; "let us make friends again, won't you?" he added, holding out his hand to Jacqueline. She was obliged to give him the tips of her fingers, as she said in her turn, with audacity equal to his own:

"Oh, it was less than nothing. Only, Giselle, I told your husband that I had had some bad news, and shall have to go back to Paris, and he tried to persuade me not to go."

"I beg you not to go," said Oscar, vehemently.

"Bad news?" repeated Giselle, "you did not say a word to me about it!"

"I did not have a chance. My old Modeste is very ill and asks me to come to her. I should never forgive myself if I did not go."

"What, Modeste? So very ill? Is it really so serious? What a pity! But you will come back again?"

"If I can. But I must leave Fresne to-morrow morning."

"Oh, I defy you to leave Fresne!" said M. de Talbrun.

Jacqueline leaned toward him, and said firmly, but in a low voice: "If you attempt to hinder me, I swear I will tell everything."

All that evening she did not leave Giselle's side for a moment, and at night she locked herself into her chamber and barricaded the door, as if a mad dog or a murderer were at large in the chateau.

Giselle came into her room at an early hour.

"Is what you said yesterday the truth, Jacqueline? Is Modeste really ill? Are you sure you have had no reason to complain of anybody in this place?—of any one?"

Then, after a pause, she added:

"Oh, my darling, how hard it is to do good even to those whom we most dearly love."

"I don't understand you," said Jacqueline, with an effort. "Everybody has been kind to me."

They kissed each other with effusion, but M. de Talbrun's leave-taking was icy in the extreme. Jacqueline had made a mortal enemy.

The grand outline of the chateau, built of brick and stone with its wings flanked by towers, the green turf of the great park in which it stood, passed from her sight as she drove away, like some vision in a dream.

"I shall never come back—never come back!" thought Jacqueline. She felt as if she had been thrust out everywhere. For one moment she thought of seeking refuge at Lizerolles, which was not very many miles from the railroad station, and when there of telling Madame d'Argy of her difficulties, and asking her advice; but false pride kept her from doing so—the same false pride which had made her write coldly, in answer to the letters full of feeling and sympathy Fred had written to her on receiving news of her father's death.



CHAPTER XV

TREACHEROUS KINDNESS

The experience through which Jacqueline had just passed was not calculated to fortify her or to elevate her soul. She felt for the first time that her unprotected situation and her poverty exposed her to insult, for what other name could she give to the outrageous behavior of M. de Talbrun, which had degraded her in her own eyes?

What right had that man to treat her as his plaything? Her pride and all her womanly instincts rose up in rebellion. Her nerves had been so shaken that she sobbed behind her veil all the way to her destination. Paris, when she reached it, offered her almost nothing that could comfort or amuse her. That city is always empty and dull in August, more so than at any other season. Even the poor occupation of teaching her little class of music pupils had been taken away by the holidays. Her sole resource was in Modeste's society. Modeste—who, by the way, had never been ill, and who suffered from nothing but old age—was delighted to receive her dear young lady in her little room far up under the roof, where, though quite infirm, she lived comfortably, on her savings. Jacqueline, sitting beside her as she sewed, was soothed by her old nursery tales, or by anecdotes of former days. Her own relatives were often the old woman's theme. She knew the history of Jacqueline's family from beginning to end; but, wherever her story began, it invariably wound up with:

"If only your poor papa had not made away with all your money!"

And Jacqueline always answered:

"He was quite at liberty to do what he pleased with what belonged to him."

"Belonged to him! Yes, but what belonged to you? And how does it happen that your stepmother seems so well off? Why doesn't some family council interfere? My little pet, to think of your having to work for your living. It's enough to kill me!"

"Bah! Modeste, there are worse things than being poor."

"Maybe so," answered the old nurse, doubtfully, "but when one has money troubles along with the rest, the money troubles make other things harder to bear; whereas, if you have money enough you can bear anything, and you would have had enough, after all, if you had married Monsieur Fred."

At which point Jacqueline insisted that Modeste should be silent, and answered, resolutely: "I mean never to marry at all."

To this Modeste made answer: "That's another of your notions. The worst husband is always better than none; and I know, for I never married."

"That's why you talk such nonsense, my poor dear Modeste! You know nothing about it."

One day, after one of these visits to the only friend, as she believed, who remained to her in the world—for her intimacy with Giselle was spoiled forever—she saw, as she walked with a heavy heart toward her convent in a distant quarter, an open fiacre pull up, in obedience to a sudden cry from a passenger who was sitting inside. The person sprang out, and rushed toward Jacqueline with loud exclamations of joy.

"Madame Strahlberg!"

"Dear Jacqueline! What a pleasure to meet you!" And, the street being nearly empty, Madame Strahlberg heartily embraced her friend.

"I have thought of you so often, darling, for months past—they seem like years, like centuries! Where have you been all that long time?"

In point of fact, Jacqueline had no proof that the three Odinska ladies had ever remembered her existence, but that might have been partly her own fault, or rather the fault of Giselle, who had made her promise to have as little as possible to do with such compromising personages. She was seized with a kind of remorse when she found such warmth of recognition from the amiable Wanda. Had she not shown herself ungrateful and cowardly? People about whom the world talks, are they not sometimes quite as good as those who have not lost their standing in society, like M. de Talbrun? It seemed to her that, go where she would, she ran risks.

The cynicism that is the result of sad experience was beginning to show itself in Jacqueline.

"Oh, forgive me!" she said, feeling, contrite.

"Forgive you for what, you beautiful creature?" asked Madame Strahlberg, with sincere astonishment.

She had the excellent custom of never observing when people neglected her, or at least, of never showing that she did so, partly because her life was so full of varied interests that she cared little for such trifles, and secondly because, having endured several affronts of that nature, she had ceased to be very sensitive.

"I knew, through the d'Avrignys," she said, "that you were still at the convent. You are not going to take the veil there, are you? It would be a great pity. No? You wish to lead the life of an intelligent woman who is free and independent? That is well; but it was rather an odd idea to begin by going into a cloister. Oh!—I see, public opinion?" And Madame Strahlberg made a little face, expressive of her contempt for public opinion.

"It does not pay to consult other people's opinions—it is useless, believe me. The more we sacrifice to public opinion, the more it asks of us. I cut that matter short long ago. But how glad I am to hear that you don't intend to hide that lovely face in a convent. You are looking better than ever—a little too pale, still, perhaps—a little too interesting. Colette will be so glad to see you, for you must let me take you home with me. I shall carry you off, whether you will or not, now I have caught you. We will have a little music just among ourselves, as we had in the good old times—you know, our dear music; you will feel like yourself again. Ah, art—there is nothing to compare with art in this world, my darling!"

Jacqueline yielded without hesitation, only too glad of the unhoped-for good fortune which relieved her from her ennui and her depression. And soon the hired victoria was on its way to that quarter of the city which is made up of streets with geographical names, and seems as if it were intended to lodge all the nations under heaven. It stopped in the Rue de Naples, before a house that was somewhat showy, but which showed from its outside, that it was not inhabited by high-bred people. There were pink linings to lace curtains at the windows, and quantities of green vines drooped from the balconies, as if to attract attention from the passers-by. Madame Strahlberg, with her ostentatious and undulating walk, which caused men to turn and notice her as she went by, went swiftly up the stairs to the second story. She put one finger on the electric bell, which caused two or three little dogs inside to begin barking, and pushed Jacqueline in before her, crying: "Colette! Mamma! See whom I have brought back to you!" Meantime doors were hurriedly opened, quick steps resounded in the antechamber, and the newcomer found herself received with a torrent of affectionate and delighted exclamations, pressed to the ample bosom of Madame Odinska, covered with kisses by Colette, and fawned upon by the three toy terriers, the most sociable of their kind in all Paris, their mistresses declared.

Jacqueline was passing through one of those moments when one is at the mercy of chance, when the heart which has been closed by sorrow suddenly revives, expands, and softens under the influence of a ray of sunshine. Tears came into her eyes, and she murmured:

"My friends—my kind friends!"

"Yes, your friends, whatever happens, now and always," said Colette, eagerly, though she had probably barely given a thought to Jacqueline for eighteen months. Nevertheless, on seeing her, Colette really thought she had not for a moment ceased to be fond of her. "How you have suffered, you poor pussy! We must set to work and make you feel a little gay, at any price. You see, it is our duty. How lucky you came to-day—"

A sign from her sister stopped her.

They carried Jacqueline into a large and handsome salon, full of dust and without curtains, with all the furniture covered up as if the family were on the eve of going to the country. Madame Strahlberg, nevertheless, was not about to leave Paris, her habit being to remain there in the summer, sometimes for months, picnicking as it were, in her own apartment. What was curious, too, was that the chandelier and all the side-lights had fresh wax candles, and seats were arranged as if in preparation for a play, while near the grand piano was a sort of stage, shut off from the rest of the room by screens.

Colette sat down on one of the front row of chairs and cried: "I am the audience—I am all ears." Her sister hurriedly explained all this to Jacqueline, with out waiting to be questioned: "We have been giving some little summer entertainments of late, of which you see the remains." She went at once to the piano, and incited Jacqueline to sing by beginning one of their favorite duets, and Jacqueline, once more in her native element, followed her lead. They went on from one song to another, from the light to the severe, from scientific music to mere tunes and airs, turning over the old music-books together.

"Yes, you are a little out of practice, but all you have to do is to rub off the rust. Your voice is finer than ever—just like velvet." And Madame Strahlberg pretended that she envied the fine mezzo-soprano, speaking disparagingly of her own little thread of a voice, which, however, she managed so skilfully. "What a shame to take up your time teaching, with such a voice as that!" she cried; "you are out of your senses, my dear, you are raving mad. It would be sinful to keep your gifts to yourself! I am very sorry to discourage you, but you have none of the requisites for a teacher. The stage would be best for you—'Mon Dieu! why not? You will see La Rochette this evening; she is a person who would give you good advice. I wish she could hear you!"

"But my dear friend, I can not stay," murmured Jacqueline, for those unexpected words "the stage, why not?" rang in her head, made her heart beat fast, and made lights dance before her eyes. "They are expecting me to dine at home."

"At your convent? I beg your pardon, I'll take care of that. Don't you know me? My claws seldom let go of a prize, especially when that prize is worth the keeping. A little telegram has already been sent, with your excuses. The telegraph is good for that, if not for anything else: it facilitates 'impromptus'."

"Long live impromptus," cried out Colette, "there is nothing like them for fun!" And while Jacqueline was trying to get away, not knowing exactly what she was saying, but frightened, pleased, and much excited, Colette went on: "Oh! I am so glad, so glad you came to-day; now you can see the pantomime! I dreamed, wasn't it odd, only last night, that you were acting it with us. How can one help believing in presentiments? Mine are always delightful—and yours?"

"The pantomime?" repeated Jacqueline in bewilderment, "but I thought your sister told me you were all alone."

"How could we have anything like company in August?" said Madame Strahlberg, interrupting her; "why, it would be impossible, there are not four cats in Paris. No, no, we sha'n't have anybody. A few friends possibly may drop in—people passing through Paris—in their travelling-dresses. Nothing that need alarm you. The pantomime Colette talks about is only a pretext that they may hear Monsieur Szmera."

And who was M. Szmera?

Jacqueline soon learned that he was a Hungarian, second half-cousin of a friend of Kossuth, the most wonderful violinist of the day, who had apparently superseded the famous Polish pianist in these ladies' interest and esteem. As for the latter, they had almost forgotten his name, he had behaved so badly.

"But," said Jacqueline, anxiously, "you know I am obliged to be home by ten o'clock."

"Ah! that's like Cinderella," laughed Wanda. "Will the stroke of the clock change all the carriages in Paris into pumpkins? One can get 'fiacres' at any hour."

"But it is a fixed rule: I must be in," repeated Jacqueline, growing very uneasy.

"Must you really? Madame Saville says it is very easy to manage those nuns—"

"What? Do you know Madame Saville, who was boarding at the convent last winter?"

"Yes, indeed; she is a countrywoman of ours, a friend, the most charming of women. You will see her here this evening. She has gained her divorce suit—"

"You are mistaken," said Colette, "she has lost it. But that makes no difference. She has got tired of her husband. Come, say 'Yes,' Jacqueline—a nice, dear 'Yes'—you will stay, will you not? Oh, you darling!"

They dined without much ceremony, on the pretext that the cook had been turned off that morning for impertinence, but immediately after dinner there was a procession of boys from a restaurant, bringing whipped creams, iced drinks, fruits, sweetmeats, and champagne—more than would have been wanted at the buffet of a ball. The Prince, they said, had sent these things. What Prince?

As Jacqueline was asking this question, a gentleman came in whose age it would have been impossible to guess, so disguised was he by his black wig, his dyed whiskers, and the soft bloom on his cheeks, all of which were entirely out of keeping with those parts of his face that he could not change. In one of his eyes was stuck a monocle. He was bedizened with several orders, he bowed with military stiffness, and kissed with much devotion the ladies' hands, calling them by titles, whether they had them or not. His foreign accent made it as hard to detect his nationality as it was to know his age. Two or three other gentlemen, not less decorated and not less foreign, afterward came in. Colette named them in a whisper to Jacqueline, but their names were too hard for her to pronounce, much less to remember. One of them, a man of handsome presence, came accompanied by a sort of female ruin, an old lady leaning on a cane, whose head, every time she moved, glittered with jewels, placed in a very lofty erection of curled hair.

"That gentleman's mother is awfully ugly," Jacqueline could not help saying.

"His mother? What, the Countess? She is neither his mother nor his wife. He is her gentleman-in-waiting-that's all. Don't you understand? Well, imagine a man who is a sort of 'gentleman-companion'; he keeps her accounts, he escorts her to the theatre, he gives her his arm. It is a very satisfactory arrangement."

"The gentleman receives a salary, in such a case?" inquired Jacqueline, much amused.

"Why, what do you find in it so extraordinary?" said Colette. "She adores cards, and there he is, always ready to be her partner. Oh, here comes dear Madame Saville!"

There were fresh cries of welcome, fresh exchanges of affectionate diminutives and kisses, which seemed to make the Prince's mouth water. Jacqueline discovered, to her great surprise, that she, too, was a dear friend of Madame Saville's, who called her her good angel, in reference, no doubt, to the letter she had secretly put into the post. At last she said, trying to make her escape from the party: "But it must be nine o'clock."

"Oh! but—you must hear Szmera."

A handsome young fellow, stoutly built, with heavy eyebrows, a hooked nose, a quantity of hair growing low upon his forehead, and lips that were too red, the perfect type of a Hungarian gypsy, began a piece of his own composition, which had all the ardor of a mild 'galopade' and a Satanic hunt, with intervals of dying sweetness, during which the painted skeleton they called the Countess declared that she certainly heard a nightingale warbling in the moonlight.

This charming speech was forthwith repeated by her "umbra" in all parts of the room, which was now nearly filled with people, a mixed multitude, some of whom were frantic about music, others frantic about Wanda Strahlberg. There were artists and amateurs present, and even respectable women, for Madame d'Avrigny, attracted by the odor of a species of Bohemianism, had come to breathe it with delight, under cover of a wish to glean ideas for her next winter's receptions.

Then again there were women who had been dropped out of society, like Madame de Versanne, who, with her sunken eyes and faded face, was not likely again to pick up in the street a bracelet worth ten thousand francs. There was a literary woman who signed herself Fraisiline, and wrote papers on fashion—she was so painted and bedizened that some one remarked that the principal establishments she praised in print probably paid her in their merchandise. There was a dowager whose aristocratic name appeared daily on the fourth page of the newspapers, attesting the merits of some kind of quack medicine; and a retired opera-singer, who, having been called Zenaide Rochet till she grew up in Montmartre, where she was born, had had a brilliant career as a star in Italy under the name of Zina Rochette. La Rochette's name, alas! is unknown to the present generation.

In all, there were about twenty persons, who made more noise with their applause than a hundred ordinary guests, for enthusiasm was exacted by Madame Strahlberg. Profiting by the ovation to the Hungarian musician, Jacqueline made a movement toward the door, but just as she reached it she had the misfortune of falling in with her old acquaintance, Nora Sparks, who was at that moment entering with her father. She was forced to sit down again and hear all about Kate's marriage. Kate had gone back to New York, her husband being an American, but Nora said she had made up her mind not to leave Europe till she had found a satisfactory match.

"You had better make haste about it, if you expect to keep me here," said Mr. Sparks, with a peculiar expression in his eye. He was eager to get home, having important business to attend to in the West.

"Oh, papa, be quiet! I shall find somebody at Bellagio. Why, darling, are you still in mourning?"

She had forgotten that Jacqueline had lost her father. Probably she would not have thought it necessary to wear black so long for Mr. Sparks. Meantime, Madame Strahlberg and her sister had left the room.

"When are they coming back?" said Jacqueline, growing very nervous. "It seems to me this clock must be wrong. It says half-past nine. I am sure it must be later than that."

"Half-past nine!—why, it is past eleven," replied Miss Nora, with a giggle. "Do you suppose they pay any attention to clocks in this house? Everything here is topsy-turvy."

"Oh! what shall I do?" sighed poor Jacqueline, on the verge of tears.

"Why, do they keep you such a prisoner as that? Can't you come in a little late—"

"They wouldn't open the doors—they never open the doors on any pretext after ten o'clock," cried Jacqueline, beside herself.

"Then your nuns must be savages? You should teach them better."

"Don't be worried, dear little one, you can sleep on this sofa," said Madame Odinska, kindly.

To whom had she not offered that useful sofa? Wanda and Colette were just as ready to propose that others should spend the night with them as, on the smallest pretext, to accept the same hospitality from others. Wanda, indeed, always slept curled up like a cat on a divan, in a fur wrapper, which she put on early in the evening when she wanted to smoke cigarettes. She went to sleep at no regular hour. A bear's skin was placed always within her reach, so that if she were cold she could draw it over her. Jacqueline, not being accustomed to these Polish fashions, did not seem to be much attracted by the offer of the sofa. She blamed herself bitterly for her own folly in having got herself into a scrape which might lead to serious consequences.

But this was neither time nor place for expressions of anxiety; it would be absurd to trouble every one present with her regrets. Besides, the harm was done—it was irreparable—and while she was turning over in her mind in what manner she could explain to the Mother Superior that the mistake about the hour had been no fault of hers—and the Mother Superior, alas! would be sure to make inquiries as to the friends whom she had visited—the magic violin of M. Szmera played its first notes, accompanied by Madame Odinska on the piano, and by a delicious little flute. They played an overture, the dreamy sweetness of which extorted cries of admiration from all the women.

Suddenly, the screens parted, and upon the little platform that represented a stage bounded a sort of anomalous being, supple and charming, in the traditional dress of Pierrot, whom the English vulgarize and call Harlequin. He had white camellias instead of buttons on his loose white jacket, and the bright eyes of Wanda shone out from his red-and-white face. He held a mandolin, and imitated the most charming of serenades, before a make-believe window, which, being opened by a white, round arm, revealed Colette, dressed as Colombine.

The little pantomime piece was called 'Pierrot in Love'. It consisted of a series of dainty coquetries, sudden quarrels, fits of jealousy, and tender reconciliations, played by the two sisters. Colette with her beauty, Wanda with her talent, her impishness, her graceful and voluptuous attitudes, electrified the spectators, especially in a long monologue, in which Pierrot contemplated suicide, made more effective by the passionate and heart-piercing strains of the Hungarian's violin, so that old Rochette cried out: "What a pity such a wonder should not be upon the stage!" La Rochette, now retired into private life, wearing an old dress, with her gray hair and her black eyes, like those of a watchful crocodile, took the pleasure in the pantomime that all actors do to the very last in everything connected with the theatre. She cried 'brava' in tones that might reach Italy; she blew kisses to the actors in default of flowers.

Madame d'Avrigny was also transported to the sixth heaven, but Jacqueline's presence somewhat marred her pleasure. When she first perceived her she had shown great surprise. "You here, my dear?" she cried, "I thought you safe with our own excellent Giselle."

"Safe, Madame? It seems to me one can be safe anywhere," Jacqueline answered, though she was tempted to say "safe nowhere;" but instead she inquired for Dolly.

Dolly's mother bit her lips and then replied: "You see I have not brought her. Oh, yes, this house is very amusing—but rather too much so. The play was very pretty, and I am sorry it would not do at my house. It is too—too 'risque', you know;" and she rehearsed her usual speech about the great difficulties encountered by a lady who wished to give entertainments and provide amusement for her friends.

Meantime Pierrot, or rather Madame Strahlberg, had leaped over an imaginary barrier and came dancing toward the company, shaking her large sleeves and settling her little snake-like head in her large quilled collar, dragging after her the Hungarian, who seemed not very willing. She presented him to Madame d'Avrigny, hoping that so fashionable a woman might want him to play at her receptions during the winter, and to a journalist who promised to give him a notice in his paper, provided—and here he whispered something to Pierrot, who, smiling, answered neither yes nor no. The sisters kept on their costumes; Colette was enchanting with her bare neck, her long-waisted black velvet corsage, her very short skirt, and a sort of three-cornered hat upon her head. All the men paid court to her, and she accepted their homage, becoming gayer and gayer at every compliment, laughing loudly, possibly that her laugh might exhibit her beautiful teeth.

Wanda, as Pierrot, sang, with her hands in her pockets, a Russian village song: "Ah! Dounai-li moy Dounai" ("Oh! thou, my Danube"). Then she imperiously called Jacqueline to the piano:—"It is your turn now," she said, "most humble violet."

Up to that moment, Jacqueline's deep mourning had kept the gentlemen present from addressing her, though she had been much stared at. Although she did not wish to sing, for her heart was heavy as she thought of the troubles that awaited her the next day at the convent, she sang what was asked of her without resistance or pretension. Then, for the first time, she experienced the pride of triumph. Szmera, though he was furious at not being the sole lion of the evening, complimented her, bowing almost to the ground, with one hand on his heart; Madame Rochette assured her that she had a fortune in her throat whenever she chose to seek it; persons she had never seen and who did not know her name, pressed her hands fervently, saying that her singing was adorable. All cried "Encore," "Encore!" and, yielding to the pleasure of applause, she thought no more of the flight of time. Dawn was peeping through the windows when the party broke up.

"What kind people!" thought the debutante, whom they had encouraged and applauded; "some perhaps are a little odd, but how much cordiality and warmth there is among them! It is catching. This is the sort of atmosphere in which talent should live."

Being very much fatigued, she fell asleep upon the offered sofa, half-pleased, half-frightened, but with two prominent convictions: one, that she was beginning to return to life; the other, that she stood on the edge of a precipice. In her dreams old Rochette appeared to her, her face like that of an affable frog, her dress the dress of Pierrot, and she croaked out, in a variety of tones: "The stage! Why not? Applauded every night—it would be glorious!" Then she seemed in her dream to be falling, falling down from a great height, as one falls from fairyland into stern reality. She opened her eyes: it was noon. Madame Odinska was waiting for her: she intended herself to take her to the convent, and for that purpose had assumed the imposing air of a noble matron.

Alas! it was in vain! Jacqueline, was made to understand that such an infraction of the rules could not be overlooked. To pass the night without leave out of the convent, and not with her own family, was cause for expulsion. Neither the prayers nor the anger of Madame Odinska had any power to change the sentence. While the Mother Superior calmly pronounced her decree, she was taking the measure of this stout foreigner who appeared in behalf of Jacqueline, a woman overdressed, yet at the same time shabby, who had a far from well-bred or aristocratic air. "Out of consideration for Madame de Talbrun," she said, "the convent consents to keep Mademoiselle de Nailles a few days longer—a few weeks perhaps, until she can find some other place to go. That is all we can do for her."

Jacqueline listened to this sentence as she might have watched a game of dice when her fate hung on the result, but she showed no emotion. "Now," she thought, "my fate has been decided; respectable people will have nothing more to do with me. I will go with the others, who, perhaps, after all are not worse, and who most certainly are more amusing."

A fortnight after this, Madame de Nailles, having come back to Paris, from some watering-place, was telling Marien that Jacqueline had started for Bellagio with Mr. and Miss Sparks, the latter having taken a notion that she wanted that kind of chaperon who is called a companion in England and America.

"But they are of the same age," said Marien.

"That is just what Miss Sparks wants. She does not wish to be hampered by an elderly chaperon, but to be accompanied, as she would have been by her sister."

"Jacqueline will be exposed to see strange things; how could you have consented—"

"Consented? As if she cared for my consent! And then she manages to say such irritating things as soon as one attempts to blame her or advise her. For example, this is one of them: 'Don't you suppose,' she said to me, 'that every one will take the most agreeable chance that offers for a visit to Italy?' What do you think of that allusion? It closed my lips absolutely."

"Perhaps she did not mean what you think she meant."

"Do you think so? And when I warned her against Madame Strahlberg, saying that she might set her a very bad example, she answered: 'I may have had worse.' I suppose that was not meant for impertinence either!"