"Yes, you are a little out of practice, but all you have to do is to rub off the rust. Your voice is finer than ever—just like velvet." And Madame Strahlberg pretended that she envied the fine mezzo-soprano, speaking disparagingly of her own little thread of a voice, which, however, she managed so skilfully. "What a shame to take up your time teaching, with such a voice as that!" she cried; "you are out of your senses, my dear, you are raving mad. It would be sinful to keep your gifts to yourself! I am very sorry to discourage you, but you have none of the requisites for a teacher. The stage would be best for you—'Mon Dieu! why not? You will see La Rochette this evening; she is a person who would give you good advice. I wish she could hear you!"

"But my dear friend, I can not stay," murmured Jacqueline, for those unexpected words "the stage, why not?" rang in her head, made her heart beat fast, and made lights dance before her eyes. "They are expecting me to dine at home."

"At your convent? I beg your pardon, I'll take care of that. Don't you know me? My claws seldom let go of a prize, especially when that prize is worth the keeping. A little telegram has already been sent, with your excuses. The telegraph is good for that, if not for anything else: it facilitates 'impromptus'."

"Long live impromptus," cried out Colette, "there is nothing like them for fun!" And while Jacqueline was trying to get away, not knowing exactly what she was saying, but frightened, pleased, and much excited, Colette went on: "Oh! I am so glad, so glad you came to-day; now you can see the pantomime! I dreamed, wasn't it odd, only last night, that you were acting it with us. How can one help believing in presentiments? Mine are always delightful—and yours?"

"The pantomime?" repeated Jacqueline in bewilderment, "but I thought your sister told me you were all alone."

"How could we have anything like company in August?" said Madame Strahlberg, interrupting her; "why, it would be impossible, there are not four cats in Paris. No, no, we sha'n't have anybody. A few friends possibly may drop in—people passing through Paris—in their travelling-dresses. Nothing that need alarm you. The pantomime Colette talks about is only a pretext that they may hear Monsieur Szmera."

And who was M. Szmera?

Jacqueline soon learned that he was a Hungarian, second half-cousin of a friend of Kossuth, the most wonderful violinist of the day, who had apparently superseded the famous Polish pianist in these ladies' interest and esteem. As for the latter, they had almost forgotten his name, he had behaved so badly.

"But," said Jacqueline, anxiously, "you know I am obliged to be home by ten o'clock."

"Ah! that's like Cinderella," laughed Wanda. "Will the stroke of the clock change all the carriages in Paris into pumpkins? One can get 'fiacres' at any hour."

"But it is a fixed rule: I must be in," repeated Jacqueline, growing very uneasy.

"Must you really? Madame Saville says it is very easy to manage those nuns—"

"What? Do you know Madame Saville, who was boarding at the convent last winter?"

"Yes, indeed; she is a countrywoman of ours, a friend, the most charming of women. You will see her here this evening. She has gained her divorce suit—"

"You are mistaken," said Colette, "she has lost it. But that makes no difference. She has got tired of her husband. Come, say 'Yes,' Jacqueline—a nice, dear 'Yes'—you will stay, will you not? Oh, you darling!"

They dined without much ceremony, on the pretext that the cook had been turned off that morning for impertinence, but immediately after dinner there was a procession of boys from a restaurant, bringing whipped creams, iced drinks, fruits, sweetmeats, and champagne—more than would have been wanted at the buffet of a ball. The Prince, they said, had sent these things. What Prince?

As Jacqueline was asking this question, a gentleman came in whose age it would have been impossible to guess, so disguised was he by his black wig, his dyed whiskers, and the soft bloom on his cheeks, all of which were entirely out of keeping with those parts of his face that he could not change. In one of his eyes was stuck a monocle. He was bedizened with several orders, he bowed with military stiffness, and kissed with much devotion the ladies' hands, calling them by titles, whether they had them or not. His foreign accent made it as hard to detect his nationality as it was to know his age. Two or three other gentlemen, not less decorated and not less foreign, afterward came in. Colette named them in a whisper to Jacqueline, but their names were too hard for her to pronounce, much less to remember. One of them, a man of handsome presence, came accompanied by a sort of female ruin, an old lady leaning on a cane, whose head, every time she moved, glittered with jewels, placed in a very lofty erection of curled hair.

"That gentleman's mother is awfully ugly," Jacqueline could not help saying.

"His mother? What, the Countess? She is neither his mother nor his wife. He is her gentleman-in-waiting-that's all. Don't you understand? Well, imagine a man who is a sort of 'gentleman-companion'; he keeps her accounts, he escorts her to the theatre, he gives her his arm. It is a very satisfactory arrangement."

"The gentleman receives a salary, in such a case?" inquired Jacqueline, much amused.

"Why, what do you find in it so extraordinary?" said Colette. "She adores cards, and there he is, always ready to be her partner. Oh, here comes dear Madame Saville!"

There were fresh cries of welcome, fresh exchanges of affectionate diminutives and kisses, which seemed to make the Prince's mouth water. Jacqueline discovered, to her great surprise, that she, too, was a dear friend of Madame Saville's, who called her her good angel, in reference, no doubt, to the letter she had secretly put into the post. At last she said, trying to make her escape from the party: "But it must be nine o'clock."

"Oh! but—you must hear Szmera."

A handsome young fellow, stoutly built, with heavy eyebrows, a hooked nose, a quantity of hair growing low upon his forehead, and lips that were too red, the perfect type of a Hungarian gypsy, began a piece of his own composition, which had all the ardor of a mild 'galopade' and a Satanic hunt, with intervals of dying sweetness, during which the painted skeleton they called the Countess declared that she certainly heard a nightingale warbling in the moonlight.

This charming speech was forthwith repeated by her "umbra" in all parts of the room, which was now nearly filled with people, a mixed multitude, some of whom were frantic about music, others frantic about Wanda Strahlberg. There were artists and amateurs present, and even respectable women, for Madame d'Avrigny, attracted by the odor of a species of Bohemianism, had come to breathe it with delight, under cover of a wish to glean ideas for her next winter's receptions.

Then again there were women who had been dropped out of society, like Madame de Versanne, who, with her sunken eyes and faded face, was not likely again to pick up in the street a bracelet worth ten thousand francs. There was a literary woman who signed herself Fraisiline, and wrote papers on fashion—she was so painted and bedizened that some one remarked that the principal establishments she praised in print probably paid her in their merchandise. There was a dowager whose aristocratic name appeared daily on the fourth page of the newspapers, attesting the merits of some kind of quack medicine; and a retired opera-singer, who, having been called Zenaide Rochet till she grew up in Montmartre, where she was born, had had a brilliant career as a star in Italy under the name of Zina Rochette. La Rochette's name, alas! is unknown to the present generation.

In all, there were about twenty persons, who made more noise with their applause than a hundred ordinary guests, for enthusiasm was exacted by Madame Strahlberg. Profiting by the ovation to the Hungarian musician, Jacqueline made a movement toward the door, but just as she reached it she had the misfortune of falling in with her old acquaintance, Nora Sparks, who was at that moment entering with her father. She was forced to sit down again and hear all about Kate's marriage. Kate had gone back to New York, her husband being an American, but Nora said she had made up her mind not to leave Europe till she had found a satisfactory match.

"You had better make haste about it, if you expect to keep me here," said Mr. Sparks, with a peculiar expression in his eye. He was eager to get home, having important business to attend to in the West.

"Oh, papa, be quiet! I shall find somebody at Bellagio. Why, darling, are you still in mourning?"

She had forgotten that Jacqueline had lost her father. Probably she would not have thought it necessary to wear black so long for Mr. Sparks. Meantime, Madame Strahlberg and her sister had left the room.

"When are they coming back?" said Jacqueline, growing very nervous. "It seems to me this clock must be wrong. It says half-past nine. I am sure it must be later than that."

"Half-past nine!—why, it is past eleven," replied Miss Nora, with a giggle. "Do you suppose they pay any attention to clocks in this house? Everything here is topsy-turvy."

"Oh! what shall I do?" sighed poor Jacqueline, on the verge of tears.

"Why, do they keep you such a prisoner as that? Can't you come in a little late—"

"They wouldn't open the doors—they never open the doors on any pretext after ten o'clock," cried Jacqueline, beside herself.

"Then your nuns must be savages? You should teach them better."

"Don't be worried, dear little one, you can sleep on this sofa," said Madame Odinska, kindly.

To whom had she not offered that useful sofa? Wanda and Colette were just as ready to propose that others should spend the night with them as, on the smallest pretext, to accept the same hospitality from others. Wanda, indeed, always slept curled up like a cat on a divan, in a fur wrapper, which she put on early in the evening when she wanted to smoke cigarettes. She went to sleep at no regular hour. A bear's skin was placed always within her reach, so that if she were cold she could draw it over her. Jacqueline, not being accustomed to these Polish fashions, did not seem to be much attracted by the offer of the sofa. She blamed herself bitterly for her own folly in having got herself into a scrape which might lead to serious consequences.

But this was neither time nor place for expressions of anxiety; it would be absurd to trouble every one present with her regrets. Besides, the harm was done—it was irreparable—and while she was turning over in her mind in what manner she could explain to the Mother Superior that the mistake about the hour had been no fault of hers—and the Mother Superior, alas! would be sure to make inquiries as to the friends whom she had visited—the magic violin of M. Szmera played its first notes, accompanied by Madame Odinska on the piano, and by a delicious little flute. They played an overture, the dreamy sweetness of which extorted cries of admiration from all the women.

Suddenly, the screens parted, and upon the little platform that represented a stage bounded a sort of anomalous being, supple and charming, in the traditional dress of Pierrot, whom the English vulgarize and call Harlequin. He had white camellias instead of buttons on his loose white jacket, and the bright eyes of Wanda shone out from his red-and-white face. He held a mandolin, and imitated the most charming of serenades, before a make-believe window, which, being opened by a white, round arm, revealed Colette, dressed as Colombine.

The little pantomime piece was called 'Pierrot in Love'. It consisted of a series of dainty coquetries, sudden quarrels, fits of jealousy, and tender reconciliations, played by the two sisters. Colette with her beauty, Wanda with her talent, her impishness, her graceful and voluptuous attitudes, electrified the spectators, especially in a long monologue, in which Pierrot contemplated suicide, made more effective by the passionate and heart-piercing strains of the Hungarian's violin, so that old Rochette cried out: "What a pity such a wonder should not be upon the stage!" La Rochette, now retired into private life, wearing an old dress, with her gray hair and her black eyes, like those of a watchful crocodile, took the pleasure in the pantomime that all actors do to the very last in everything connected with the theatre. She cried 'brava' in tones that might reach Italy; she blew kisses to the actors in default of flowers.

Madame d'Avrigny was also transported to the sixth heaven, but Jacqueline's presence somewhat marred her pleasure. When she first perceived her she had shown great surprise. "You here, my dear?" she cried, "I thought you safe with our own excellent Giselle."

"Safe, Madame? It seems to me one can be safe anywhere," Jacqueline answered, though she was tempted to say "safe nowhere;" but instead she inquired for Dolly.

Dolly's mother bit her lips and then replied: "You see I have not brought her. Oh, yes, this house is very amusing—but rather too much so. The play was very pretty, and I am sorry it would not do at my house. It is too—too 'risque', you know;" and she rehearsed her usual speech about the great difficulties encountered by a lady who wished to give entertainments and provide amusement for her friends.

Meantime Pierrot, or rather Madame Strahlberg, had leaped over an imaginary barrier and came dancing toward the company, shaking her large sleeves and settling her little snake-like head in her large quilled collar, dragging after her the Hungarian, who seemed not very willing. She presented him to Madame d'Avrigny, hoping that so fashionable a woman might want him to play at her receptions during the winter, and to a journalist who promised to give him a notice in his paper, provided—and here he whispered something to Pierrot, who, smiling, answered neither yes nor no. The sisters kept on their costumes; Colette was enchanting with her bare neck, her long-waisted black velvet corsage, her very short skirt, and a sort of three-cornered hat upon her head. All the men paid court to her, and she accepted their homage, becoming gayer and gayer at every compliment, laughing loudly, possibly that her laugh might exhibit her beautiful teeth.

Wanda, as Pierrot, sang, with her hands in her pockets, a Russian village song: "Ah! Dounai-li moy Dounai" ("Oh! thou, my Danube"). Then she imperiously called Jacqueline to the piano:—"It is your turn now," she said, "most humble violet."

Up to that moment, Jacqueline's deep mourning had kept the gentlemen present from addressing her, though she had been much stared at. Although she did not wish to sing, for her heart was heavy as she thought of the troubles that awaited her the next day at the convent, she sang what was asked of her without resistance or pretension. Then, for the first time, she experienced the pride of triumph. Szmera, though he was furious at not being the sole lion of the evening, complimented her, bowing almost to the ground, with one hand on his heart; Madame Rochette assured her that she had a fortune in her throat whenever she chose to seek it; persons she had never seen and who did not know her name, pressed her hands fervently, saying that her singing was adorable. All cried "Encore," "Encore!" and, yielding to the pleasure of applause, she thought no more of the flight of time. Dawn was peeping through the windows when the party broke up.

"What kind people!" thought the debutante, whom they had encouraged and applauded; "some perhaps are a little odd, but how much cordiality and warmth there is among them! It is catching. This is the sort of atmosphere in which talent should live."

Being very much fatigued, she fell asleep upon the offered sofa, half-pleased, half-frightened, but with two prominent convictions: one, that she was beginning to return to life; the other, that she stood on the edge of a precipice. In her dreams old Rochette appeared to her, her face like that of an affable frog, her dress the dress of Pierrot, and she croaked out, in a variety of tones: "The stage! Why not? Applauded every night—it would be glorious!" Then she seemed in her dream to be falling, falling down from a great height, as one falls from fairyland into stern reality. She opened her eyes: it was noon. Madame Odinska was waiting for her: she intended herself to take her to the convent, and for that purpose had assumed the imposing air of a noble matron.

Alas! it was in vain! Jacqueline, was made to understand that such an infraction of the rules could not be overlooked. To pass the night without leave out of the convent, and not with her own family, was cause for expulsion. Neither the prayers nor the anger of Madame Odinska had any power to change the sentence. While the Mother Superior calmly pronounced her decree, she was taking the measure of this stout foreigner who appeared in behalf of Jacqueline, a woman overdressed, yet at the same time shabby, who had a far from well-bred or aristocratic air. "Out of consideration for Madame de Talbrun," she said, "the convent consents to keep Mademoiselle de Nailles a few days longer—a few weeks perhaps, until she can find some other place to go. That is all we can do for her."

Jacqueline listened to this sentence as she might have watched a game of dice when her fate hung on the result, but she showed no emotion. "Now," she thought, "my fate has been decided; respectable people will have nothing more to do with me. I will go with the others, who, perhaps, after all are not worse, and who most certainly are more amusing."

A fortnight after this, Madame de Nailles, having come back to Paris, from some watering-place, was telling Marien that Jacqueline had started for Bellagio with Mr. and Miss Sparks, the latter having taken a notion that she wanted that kind of chaperon who is called a companion in England and America.

"But they are of the same age," said Marien.

"That is just what Miss Sparks wants. She does not wish to be hampered by an elderly chaperon, but to be accompanied, as she would have been by her sister."

"Jacqueline will be exposed to see strange things; how could you have consented—"

"Consented? As if she cared for my consent! And then she manages to say such irritating things as soon as one attempts to blame her or advise her. For example, this is one of them: 'Don't you suppose,' she said to me, 'that every one will take the most agreeable chance that offers for a visit to Italy?' What do you think of that allusion? It closed my lips absolutely."

"Perhaps she did not mean what you think she meant."

"Do you think so? And when I warned her against Madame Strahlberg, saying that she might set her a very bad example, she answered: 'I may have had worse.' I suppose that was not meant for impertinence either!"

"I don't know," said Hubert Marien, biting his lips doubtfully, "but—"

He was silent a few moments, his head drooped on his breast, he was in some painful reverie.

"Go on. What are you thinking about?" asked Madame de Nailles, impatiently.

"I beg your pardon. I was only thinking that a certain responsibility might rest on those who have made that young girl what she is."

"I don't understand you," said the stepmother, with an impatient gesture. "Who can do anything to counteract a bad disposition? You don't deny that hers is bad? She is a very devil for pride and obstinacy—she has no affection—she has proved it. I have no inclination to get myself wounded by trying to control her."

"Then you prefer to let her ruin herself?"

"I should prefer not to give the world a chance to talk, by coming to an open rupture with her, which would certainly be the case if I tried to contradict her. After all, the Sparks and Madame Odinska are not yet put out of the pale of good society, and she knew them long ago. An early intimacy may be a good explanation if people blame her for going too far—"

"So be it, then; if you are satisfied it is not for me to say anything," replied Marien, coldly.

"Satisfied? I am not satisfied with anything or anybody," said Madame de Nailles, indignantly. "How could I be satisfied; I never have met with anything but ingratitude."



CHAPTER XVI. THE SAILOR'S RETURN

Madame D'Argy did not leave her son in ignorance of all the freaks and follies of Jacqueline. He knew every particular of the wrong-doings and the imprudences of his early friend, and even the additions made to them by calumny, ever since the fit of in dependence which, after her father's death, had led her to throw off all control. She told of her sudden departure from Fresne, where she might have found so safe a refuge with her friend and cousin. Then had not her own imprudence and coquetry led to a rupture with the families of d'Etaples and Ray? She told of the scandalous intimacy with Madame Strahlberg; of her expulsion from the convent, where they had discovered, even before she left, that she had been in the habit of visiting undesirable persons; and finally she informed him that Jacqueline had gone to Italy with an old Yankee and his daughter—he being a man, it was said, who had laid the foundation of his colossal fortune by keeping a bar-room in a mining camp in California. This last was no fiction, the cut of Mr. Sparks's beard and his unpolished manners left no doubt on the subject; and she wound up by saying that Madame d'Avrigny, whom no one could accuse of ill-nature, had been grieved at meeting this unhappy girl in very improper company, among which she seemed quite in her element, like a fish in water. It was said also that she was thinking of studying for the stage with La Rochette—M. de Talbrun had heard it talked about in the foyer of the Opera by an old Prince from some foreign country—she could not remember his name, but he was praising Madame Strahlberg without any reserve as the most delightful of Parisiennes. Thereupon Talbrun had naturally forbidden his wife to have anything to do with Jacqueline, or even to write to her. Fat Oscar, though he was not all that he ought to be himself, had some very strict notions of propriety. No one was more particular about family relations, and really in this case no one could blame him; but Giselle had been very unhappy, and to the very last had tried to stand up for her unhappy friend. Having told him all this, she added, she would say no more on the subject.

Giselle was a model woman in everything, in tact, in goodness, in good sense, and she was very attentive to the poor old mother of Fred, who but for her must have died long ago of loneliness and sorrow. Thereupon ensued the poor lady's usual lamentations over the long, long absence of her beloved son; as usual, she told him she did not think she should live to see him back again; she gave him a full account of her maladies, caused, or at least aggravated, by her mortal, constant, incurable sorrow; and she told how Giselle had been nursing her with all the patience and devotion of a Sister of Charity. Through all Madame d'Argy's letters at this period the angelic figure of Giselle was contrasted with the very different one of that young and incorrigible little devil of a Jacqueline.

Fred at first believed his mother's stories were all exaggeration, but the facts were there, corroborated by the continued silence of the person concerned. He knew his mother to be too good wilfully to blacken the character of one whom for years she had hoped would be her daughter-in-law, the only child of her best friend, the early love of her son. But by degrees he fancied that the love so long living at the bottom of his heart was slowly dying, that it had been extinguished, that nothing remained of it but remembrance, such remembrance as we retain for dead things, a remembrance without hope, whose weight added to the homesickness which with him was increasing every day.

There was no active service to enable him to endure exile. The heroic period of the war had passed. Since a treaty of peace had been signed with China, the fleet, which had distinguished itself in so many small engagements and bombardments, had had nothing to do but to mount guard, as it were, along a conquered coast. All round it in the bay, where it lay at anchor, rose mountains of strange shapes, which seemed to shut it into a kind of prison. This feeling of nothing to be done—of nothing likely to be done, worked in Fred's head like a nightmare. The only thing he thought of was how he could escape, when could he once more kiss the faded cheeks of his mother, who often, when he slept or lay wakeful during the long hours of the siesta, he saw beside him in tears. Hers was the only face that he recalled distinctly; to her and to her only were devoted his long reveries when on watch; that time when he formerly composed his love verses, tender or angry, or full of despair. That was all over! A sort of mournful resignation had succeeded his bursts of excited feeling, his revolt against his fate.

This was Fred's state of mind when he received orders to return home—orders as unexpected as everything seems to be in the life of a naval man. "I am going back to her!" he cried. Her was his mother, her was France. All the rest had disappeared as if into a fog. Jacqueline was a phantom of the past; so many things had happened since the old times when he had loved her. He had crossed the Indian Ocean and the China Sea; he had seen long stretches of interminable coast-line; he had beheld misery, and glory, and all the painful scenes that wait on warfare; he had seen pestilence, and death in every shape, and all this had wrought in him a sort of stoicism, the result of long acquaintance with solitude and danger. He remembered his old love as a flower he had once admired as he passed it, a treacherous flower, with thorns that had wounded him. There are flowers that are beneficent, and flowers that are poisonous, and the last are sometimes the most beautiful. They should not be blamed, he thought; it was their nature to be hurtful; but it was well to pass them by and not to gather them.

By the time he had debarked Fred had made up his mind to let his mother choose a wife for him, a daughter-in-law suited to herself, who would give her the delight of grandchildren, who would bring them up well, and who would not weary of Lizerolles. But a week later the idea of this kind of marriage had gone out of his head, and this change of feeling was partly owing to Giselle. Giselle gave him a smile of welcome that went to his heart, for that poor heart, after all, was only waiting for a chance again to give itself away. She was with Madame d'Argy, who had not been well enough to go to the sea-coast to meet her son, and he saw at the same moment the pale and aged face which had visited him at Tonquin in his dreams, and a fair face that he had never before thought so beautiful, more oval than he remembered it, with blue eyes soft and tender, and a mouth with a sweet infantine expression of sincerity and goodness. His mother stretched out her trembling arms, gave a great cry, and fainted away.

"Don't be alarmed; it is only joy," said Giselle, in her soft voice.

And when Madame d'Argy proved her to be right by recovering very quickly, overwhelming her son with rapid questions and covering him with kisses, Giselle held out her hand to him and said:

"I, too, am very glad you have come home."

"Oh!" cried the sick woman in her excitement, "you must kiss your old playfellow!"

Giselle blushed a little, and Fred, more embarrassed than she, lightly touched with his lips her pretty smooth hair which shone upon her head like a helmet of gold. Perhaps it was this new style of hairdressing which made her seem so much more beautiful than he remembered her, but it seemed to him he saw her for the first time; while, with the greatest eagerness, notwithstanding Giselle's attempts to interrupt her, Madame d'Argy repeated to her son all she owed to that dear friend "her own daughter, the best of daughters, the most patient, the most devoted of daughters, could not have done more! Ah! if there only could be found another one like her!"

Whereupon the object of all these praises made her escape, disclaiming everything.

Why, after this, should she have hesitated to come back to Lizerolles every day, as of late had been her custom? Men know so little about taking care of sick people. So she came, and was present at all the rejoicings and all the talks that followed Fred's return. She took her part in the discussions about Fred's future. "Help me, my pet," said Madame d'Argy, "help me to find a wife for him: all we ask is that she should be like you."

In answer to which Fred declared, half-laughing and half-seriously, that that was his ideal.

She did not believe much of this, but, following her natural instinct, she assumed the dangerous task of consolation, until, as Madame d'Argy grew better, she discontinued her daily visits, and Fred, in his turn, took a habit of going over to Fresne without being invited, and spending there a good deal of his time.

"Don't send me away. You who are always charitable," he said. "If you only knew what a pleasure a Parisian conversation is after coming from Tonquin!"

"But I am so little of a Parisienne, or at least what you mean by that term, and my conversation is not worth coming for," objected Giselle.

In her extreme modesty she did not realize how much she had gained in intellectual culture. Women left to themselves have time to read, and Giselle had done this all the more because she had considered it a duty. Must she not know enough to instruct and superintend the education of her son? With much strong feeling, yet with much simplicity, she spoke to Fred of this great task, which sometimes frightened her; he gave her his advice, and both discussed together the things that make up a good man. Giselle brought up frequently the subject of heredity: she named no one, but Fred could see that she had a secret terror lest Enguerrand, who in person was very like his father, might also inherit his character. Fears on this subject, however, appeared unfounded. There was nothing about the child that was not good; his tastes were those of his mother. He was passionately fond of Fred, climbing on his lap as soon as the latter arrived and always maintaining that he, too, wanted a pretty red ribbon to wear in his buttonhole, a ribbon only to be got by sailing far away over the seas, like sailors.

"A sailor! Heaven forbid!" cried Madame de Talbrun.

"Oh! sailors come back again. He has come back. Couldn't he take me away with him soon? I have some stories about cabin-boys who were not much older than I."

"Let us hope that your friend Fred won't go away," said Giselle. "But why do you wish to be a cabinboy?"

"Because I want to go away with him, if he does not stay here—because I like him," answered Enguerrand in a tone of decision.

Hereupon Giselle kissed her boy with more than usual tenderness. He would not take to the hunting-field, she thought, the boulevard, and the corps de ballet. She would not lose him. "But, oh, Fred!" she cried, "it is not to be wondered at that he is so fond of you! You spoil him! You will be a devoted father some day; your vocation is evidently for marriage."

She thought, in thus speaking, that she was saying what Madame d'Argy would like her to say.

"In the matter of children, I think your son is enough for me," he said, one day; "and as for marriage, you would not believe how all women—I mean all the young girls among whom I should have to make a choice—are indifferent to me. My feeling almost amounts to antipathy."

For the first time she ventured to say: "Do you still care for Jacqueline?"

"About as much as she cares for me," he answered, dryly. "No, I made a mistake once, and that has made me cautious for the future."

Another day he said:

"I know now who was the woman I ought to have loved."

Giselle did not look up; she was devoting all her attention to Enguerrand.

Fred held certain theories which he used to talk about. He believed in a high, spiritual, disinterested affection which would raise a man above himself, making him more noble, inspiring a disgust for all ignoble pleasures. The woman willing to accept such homage might do anything she pleased with a heart that would be hers alone. She would be the lady who presided over his life, for whose sake all good deeds and generous actions would be done, the idol, higher than a wife or any object of earthly passion, the White Angel whom poets have sung.

Giselle pretended that she did not understand him, but she was divinely happy. This, then, was the reward of her spotless life! She was the object of a worship no less tender than respectful. Fred spoke of the woman he ought to have loved as if he meant to say, "I love you;" he pressed his lips on the auburn curls of little Enguerrand where his mother had just kissed him. Day after day he seemed more attracted to that salon where, dressed with more care than she had ever dressed before, she expected him. Then awoke in her the wish to please, and she was beautiful with that beauty which is not the insipid beauty of St. Agnes, but that which, superior to all other, is seen when the face reflects the soul. All that winter there was a new Giselle—a Giselle who passed away again among the shadows, a Giselle of whom everybody said, even her husband, "Ma foi! but she is beautiful!" Oscar de Talbrun, as he made this remark, never thought of wondering why she was more beautiful. He was ready to take offense and was jealous by nature, but he was perfectly sure of his wife, as he had often said. As to Fred, the idea of being jealous of him would never have entered his mind. Fred was a relative and was admitted to all the privileges of a cousin or a brother; besides, he was a fellow of no consequence in any way.

While this platonic attachment grew stronger and stronger between Fred and Giselle, assisted by the innocent complicity of little Enguerrand, Jacqueline was discovering how hard it is for a girl of good birth, if she is poor, to carry out her plans of honest independence. Possibly she had allowed herself to be too easily misled by the title of "companion," which, apparently more cordial than that of 'demoiselle de compagnie', means in reality the same thing—a sort of half-servile position.

Money is a touchstone which influences all social relations, especially when on one side there is a somewhat morbid susceptibility, and on the other a lack of good breeding and education. The Sparks, father and daughter, Americans of the lower class, though willing to spend any number of dollars for their own pleasure, expected that every penny they disbursed should receive its full equivalent in service; the place therefore offered so gracefully and spontaneously to Mademoiselle de Nailles was far from being a sinecure. Jacqueline received her salary on the same footing as Justine, the Parisian maid, received her wages, for, although her position was apparently one of much greater importance and consideration than Justine's, she was really at the beck and call of a girl who, while she called her "darling," gave her orders and paid her for her services. Very often Miss Nora asked her to sew, on the plea that she was as skilful with her fingers as a fairy, but in reality that her employer might feel the superiority of her own position.

Hitherto Miss Nora had been delighted to meet at watering-places a friend of whom she could say proudly, "She is a representative of the old nobility of France" (which was not true, by the way, for the title of Baron borne by M. de Nailles went no farther back than the days of Louis XVIII); and she was still more proud to think that she was now waited on by this same daughter of a nobleman, when her own father had kept a drinking-saloon. She did not acknowledge this feeling to herself, and would certainly have maintained that she never had had such an idea, but it existed all the same, and she was under its influence, being very vain and rather foolish. And, indeed, Jacqueline, would have been very willing to plan trimmings and alter finery from morning to night in her own chamber in a hotel, exactly as Mademoiselle Justine did, if she could by this means have escaped the special duties of her difficult position, which duties were to follow Miss Nora everywhere, like her own shadow, to be her confidant and to act sometimes as her screen, or even as her accomplice, in matters that occasionally involved risks, and were never to her liking.

The young American girl had already said to her father, when he asked her to give up her search for an entirely satisfactory European suitor, which search he feared might drag on forever without any results: "Oh! I shall be sure to find him at Bellagio!" And she made up her mind that there he was to be sought and found at any price. Hotel life offered her opportunities to exercise her instincts for flirtation, for there she met many specimens of men she called chic, with a funny little foreign accent, which seemed to put new life into the wornout word. Twenty times a day she baited her hook, and twenty times a day some fish would bite, or at least nibble, according as he was a fortune-hunter or a dilettante. Miss Nora, being incapable of knowing the difference, was ready to capture good or bad, and went about dragging her slaves at her chariot-wheels. Sometimes she took them rowing, with the Stars and Stripes floating over her boat, by moonlight; sometimes she drove them recklessly in a drag through roads bordered by olive-groves and vineyards; all these expeditions being undertaken under-pretence of admiring the romantic scenery. Her father was not disposed to interfere with what he called "a little harmless dissipation." He was confident his daughter's "companion" must know what was proper, she being, as he said, accustomed to good society. Were not all Italian ladies attended by gentlemen? Who could blame a young girl for amusing herself? Meantime Mr. Sparks amused himself after his own fashion, which was to sit comfortably, with his feet up on the piazza rail of the hotel, imbibing strong iced drinks through straws. But in reality Jacqueline had no power whatever to preserve propriety, and only compromised herself by her associations, though her own conduct was irreproachable. Indeed she was considered quite prudish, and the rest of the mad crowd laughed at her for having the manners of a governess. In vain she tried to say words of warning to Nora; what she said was laughed at or resented in a tone that told her that a paid companion had not the right to speak as frankly as a friend.

Her business, she was plainly told one day, was to be on the spot in case any impertinent suitor should venture too far in a tete-a-tete, but short of that she was not to "spoilsport." "I am not doing anything wrong; it is allowable in America," was Miss Nora's regular speech on such occasions, and Jacqueline could not dispute the double argument. Nora's conduct was not wicked, and in America such things might be allowed. Yet Jacqueline tried to demonstrate that a young girl can not pass unscathed through certain adventures, even if they are innocent in the strict sense of the word; which made Nora cry out that all she said was subterfuge and that she had no patience with prejudices.

In vain her young companion pointed out to her charge that other Americans at Bellagio seemed far from approving her conduct. American ladies of a very different class, who were staying at the hotel, held aloof from her, and treated her with marked coldness whenever they met; declaring that her manners would be as objectionable in her own country, in good society, as they were in Italy.

But Miss Sparks was not to be put down by any argument. "Bah! they are stuck-up Bostonians. And do you know, Jacqueline, you are getting very tiresome? You were faster yourself than I when we were the Blue Band at Treport."

Nora's admirers, sometimes encouraged, sometimes snubbed, when treated cavalierly by this young lady, would occasionally pay court to the 'demoiselle de compagnie', who indeed was well worth their pains; but, to their surprise, the subordinate received their attentions with great coldness. Having entered her protest against what was going on, and having resisted the contagion of example, it was natural she should somewhat exaggerate her prudery, for it is hard to hit just the right point in such reaction. The result was, she made herself so disagreeable to Miss Sparks that the latter determined on getting rid of her as tactfully as possible.

Their parting took place on the day after an excursion to the Villa Sommariva, where Miss Sparks and her little court had behaved with their usual noise and rudeness. They had gone there ostensibly to see the pictures, about which none of them cared anything, for Nora, wherever she was, never liked any one to pay attention to anybody or to look at anything but her own noisy, all-pervading self.

It so happened that at the most riotous moment of the picnic an old gentleman passed near the lively crowd. He was quite inoffensive, pleasant-mannered, and walked leaning on his cane, yet, had the statue of the Commander in Don Juan suddenly appeared it could not have produced such consternation as his presence did on Jacqueline, when, after a moment's hesitation, he bowed to her. She recognized in him a friend of Madame d'Argy, M. Martel, whom she had often met at her house in Paris and at Lizerolles. When he recognized her, she fancied she had seen pass over his face a look of painful surprise. He would surely tell how he had met her; what would her old friends think of her? What would Fred? For some time past she had thought more than ever before of what Fred would think of her. The more she grew disgusted with the men she met, the more she appreciated his good qualities, and the more she thought of the honest, faithful love he had offered her—love that she had so madly thrown away. She never should meet such love again, she thought. It was the idea of how Fred would blame her when he heard what she pictured to herself the old gentleman would say of her, that suddenly decided her to leave Bellagio.

She told Mr. Sparks that evening that she was not strong enough for such duties as were required of a companion.

He looked at her with pity and annoyance.

"I should have thought you had more energy. How do you expect to live by work if you are not strong enough for pleasure?"

"Pleasure needs strength as well as labor," she said, smiling; "I would rather work in the fields than go on amusing myself as I have been doing."

"My dear, you must not be so difficult to please. When people have to earn their bread, it is a bad plan. I am afraid you will find out before long that there are harder ways of making a living than lunching, dancing, walking, and driving from morning to night in a pretty country—"

Here Mr. Sparks began to laugh as he thought of all he had had to do, without making objections, in the Far West, in the heroic days of his youthful vigor. He was rather fond of recalling how he had carried his pick on his shoulder and his knife in his belt, with two Yankee sayings in his head, and little besides for baggage: "Muscle and pluck!—Muscle and pluck!" and "Go ahead for ever!" That was the sort of thing to be done when a man or a woman had not a cent.

And now, what was Jacqueline to do next? She reflected that in a very short time she had attempted many things. It seemed to her that all she could do now was to follow the advice which, when first given her by Madame Strahlberg, had frightened her, though she had found it so attractive. She would study with Madame Rochette; she would go to the Milan Conservatory, and as soon as she came of age she would go upon the stage, under a feigned name, of course, and in a foreign country. She would prove to the world, she said to herself, that the career of an actress is compatible with self-respect. This resolve that she would never be found wanting in self-respect held a prominent place in all her plans, as she began to understand better those dangers in life which are for the most part unknown to young girls born in her social position. Jacqueline's character, far from being injured by her trials and experiences, had gained in strength. She grew firmer as she gained in knowledge. Never had she been so worthy of regard and interest as at the very time when her friends were saying sadly to themselves, "She is going to the bad," and when, from all appearances, they were right in this conclusion.



CHAPTER XVII. TWIN DEVILS

Jacqueline came to the conclusion that she had better seriously consult Madame Strahlberg. She therefore stopped at Monaco, where this friend, whom she intended to honor with the strange office of Mentor, was passing the winter in a little villa in the Condamine quarter—a cottage surrounded by roses and laurel-bushes, painted in soft colors and looking like a plaything.

Madame Strahlberg had already urged Jacqueline to come and make acquaintance with her "paradise," without giving her any hint of the delights of that paradise, from which that of gambling was not excluded, for Madame Strahlberg was eager for any kind of excitement. Roulette now occupied with her a large part of every night—indeed, her nights had been rarely given to slumber, for her creed was that morning is the time for sleep, for which reason they never took breakfast in the pink villa, but tea, cakes, and confectionery were eaten instead at all hours until the evening. Thus it happened very often that they had no dinner, and guests had to accommodate themselves to the strange ways of the family. Jacqueline, however, did not stay long enough to know much of those ways.

She arrived, poor thing, with weary wing, like some bird, who, escaping from the fowler's net, where it has left its feathers, flies straight to the spot where a sportsman lies ready to shoot it. She was received with the same cries of joy, the same kisses, the same demonstrations of affection, as those which, the summer before, had welcomed her to the Rue de Naples. They told her she could sleep on a sofa, exactly like the one on which she had passed that terrible night which had resulted in her expulsion from the convent; and it was decided that she must stay several days, at least, before she went on to Paris, to begin the life of hard study and courageous work which would make of her a great singer.

Tired?—No, she was hardly tired at all. The journey over the enchanting road of the Corniche had awakened in her a fervor of admiration which prevented her from feeling any bodily needs, and now she seemed to have reached fairyland, where the verdure of the tropics was like the hanging gardens of Babylon, only those had never had a mirror to reflect back their ancient, far-famed splendor, like that before her eyes, as she looked down upon the Mediterranean, with the sun setting in the west in a sky all crimson and gold.

Notwithstanding the disorder of her travelling-dress, Jacqueline allowed her friend to take her straight from the railway station to the Terrace of Monte Carlo. She fell into ecstasies at sight of the African cacti, the century plants, and the fig-trees of Barbary, covering the low walls whence they looked down into the water; at the fragrance of the evergreens that surrounded the beautiful palace with its balustrades, dedicated to all the worst passions of the human race; with the sharp rocky outline of Turbia; with an almost invisible speck on the horizon which they said was Corsica; with everything, which, whether mirage or reality, lifted her out of herself, and plunged her into that state of excited happiness and indescribable sense of bodily comfort, which exterior impressions so easily produce upon the young.

After exhausting her vocabulary in exclamations and in questions, she stood silent, watching the sun as it sank beneath the waters, thinking that life is well worth living if it can give us such glorious spectacles, notwithstanding all the difficulties that may have to be passed through. Several minutes elapsed before she turned her radiant face and dazzled eyes toward Wanda, or rather toward the spot where Wanda had been standing beside her. "Oh! my dear—how beautiful!" she murmured with a long sigh.

The sigh was echoed by a man, who for a few moments had looked at her with as much admiration as she had looked at the landscape. He answered her by saying, in a low voice, the tones of which made her tremble from head to foot:

"Jacqueline!"

"Monsieur de Cymier!"

The words slipped through her lips as they suddenly turned pale. She had an instinctive, sudden persuasion that she had been led into a snare. If not, why was Madame Strahlberg now absorbed in conversation with three other persons at some little distance.

"Forgive me—you did not expect to see me—you seem quite startled," said the young man, drawing near her. With an effort she commanded herself and looked full in his face. Her anger rose. She had seen the same look in the ugly, brutal face of Oscar de Talbrun. From the Terrace of Monte Carlo her memory flew back to a country road in Normandy, and she clenched her hand round an imaginary riding-whip. She needed coolness and she needed courage. They came as if by miracle.

"It is certain, Monsieur," she answered, slowly, "that I did not expect to meet you here."

"Chance has had pity on me," he replied, bowing low, as she had set him the example of ceremony.

But he had no idea of losing time in commonplace remarks—he wished to take up their intimacy on the terms it had been formerly, to resume the romance he himself had interrupted.

"I knew," he said in the same low voice, full of persuasion, which gave especial meaning to his words, "I knew that, after all, we should meet again."

"I did not expect it," said Jacqueline, haughtily.

"Because you do not believe in the magnetism of a fixed desire."

"No, I do not believe any such thing, when, opposed to such a desire, there is a strong, firm will," said Jacqueline, her eyes burning.

"Ah!" he murmured, and he might have been supposed to be really moved, so much his look changed, "do not abuse your power over me—do not make me wretched; if you could only understand—"

She made a swift movement to rejoin Madame Strahlberg, but that lady was already coming toward them with the same careless ease with which she had left them together.

"Well! you have each found an old acquaintance," she said, gayly. "I beg your pardon, my loveliest, but I had to speak to some old friends, and ask them to join us to-morrow evening. We shall sup at the restaurant of the Grand Hotel, after the opera—for, I did not tell you before, you will have the good luck to hear Patti. Monsieur de Cymier, we shall expect you. Au revoir."

He had been on the point of asking leave to walk home with them. But there was something in Jacqueline's look, and in her stubborn silence, that deterred him. He thought it best to leave a skilful advocate to plead his cause before he continued a conversation which had not begun satisfactorily. Not that Gerard de Cymier was discouraged by the behavior of Jacqueline. He had expected her to be angry at his defection, and that she would make him pay for it; but a little skill on his part, and a little credulity on hers, backed by the intervention of a third party, might set things right.

One moment he lingered to look at her, admiring her as she stood in the light of the dying sun, as beautiful in her plain dress and her indignant paleness, while she looked far out to sea, that she might not be obliged to look at him, as she had been when he had known her in prosperity.

At that moment he knew she hated him, but it would be an additional delight to overcome that feeling.

The two women, when he left them, continued walking on the terrace side by side, without a word. Wanda watched her companion out of the corners of her eyes, and hummed an air to herself to break the silence. She saw a storm gathering under Jacqueline's black eyebrows, and knew that sharp arrows were likely to shoot forth from those lips which several times had opened, though not a word had been uttered, probably through fear of saying too little or too much.

At last she made some trifling comment on the view, explaining something about pigeon-shooting.

"Wanda," interrupted Jacqueline, "did you not know what happened once?"

"Happened, how? About what?" asked Madame Strahlberg, with an air of innocence.

"I am speaking of the way Monsieur de Cymier treated me."

"Bah! He was in love with you. Who didn't know it? Every one could see that. It was all the more reason why you should have been glad to meet him."

"He did not act as if he were much in love," said Jacqueline.

"Because he went away when your family thought he was about to make his formal proposal? Not all men are marrying men, my dear, nor have all women that vocation. Men fall in love all the same."

"Do you think, then, that when a man knows he has no intention of marrying he should pay court to a young girl? I think I told you at the time that he had paid court to me, and that he afterward—how shall I say it?—basely deserted me."

The sharp and thrilling tone in which Jacqueline said this amused Madame Strahlberg.

"What big words, my dear! No, I don't remember that you ever said anything of the sort to me before. But you are wrong. As we grow older we lay aside harsh judgments and sharp words. They do no good. In your place I should be touched by the thought that a man so charming had been faithful to me."

"Faithful!" cried Jacqueline, her dark eyes flashing into the cat-like eyes of Madame Strahlberg.

Wanda looked down, and fastened a ribbon at her waist.

"Ever since we have been here," she said, "he has been talking of you."

"Really—for how long?"

"Oh, if you must know, for the last two weeks."

"It is just a fortnight since you wrote and asked me to stay with you," said Jacqueline, coldly and reproachfully.

"Oh, well—what's the harm? Suppose I did think your presence would increase the attractions of Monaco?"

"Why did you not tell me?"

"Because I never write a word more than is necessary; you know how lazy I am. And also because, I may as well confess, it might have scared you off, you are so sensitive."

"Then you meant to take me by surprise?" said Jacqueline, in the same tone.

"Oh! my dear, why do you try to quarrel with me?" replied Madame Strahlberg, stopping suddenly and looking at her through her eyeglass. "We may as well understand what you mean by a free and independent life."

And thereupon ensued an address to which Jacqueline listened, leaning one hand on a balustrade of that enchanted garden, while the voice of the serpent, as she thought, was ringing in her ears. Her limbs shook under her—her brain reeled. All her hopes of success as a singer on the stage Madame Strahlberg swept away, as not worth a thought. She told her that, in her position, had she meant to be too scrupulous, she should have stayed in the convent. Everything to Jacqueline seemed to dance before her eyes. The evening closed around them, the light died out, the landscape, like her life, had lost its glow. She uttered a brief prayer for help, such a prayer as she had prayed in infancy. She whispered it in terror, like a cry in extreme danger. She was more frightened by Wanda's wicked words than she had been by M. de Talbrun or by M. de Cymier. She ceased to know what she was saying till the last words, "You have good sense and you will think about it," met her ear.

Jacqueline said not a word.

Wanda took her arm. "You may be sure," she said, "that I am thinking only of your good. Come! Would you like to go into the Casino and look at the pictures? No, you are tired? You can see them some evening. The ballroom holds a thousand persons. Yes, if you prefer, we will go home. You can take a nap till dinner-time. We shall dine at eight o'clock."

Conversation languished till they reached the Villa Rosa. Notwithstanding Jacqueline's efforts to appear natural, her own voice rang in her ears in tones quite new to her, a laugh that she uttered without any occasion, and which came near resulting in hysterics. Yet she had power enough over her nerves to notice the surroundings as she entered the house. At the door of the room in which she was to sleep, and which was on the first story, Madame Strahlberg kissed her with one of those equivocal smiles which so long had imposed on her simplicity.

"Till eight o'clock, then."

"Till eight o'clock," repeated Jacqueline, passively.

But when eight o'clock came she sent word that she had a severe headache, and would try to sleep it off.

Suppose, she thought, M. de Cymier should have been asked to dinner; suppose she should be placed next to him at table? Anything in that house seemed possible now.

They brought her a cup of tea. Up to a late hour she heard a confused noise of music and laughter. She did not try to sleep. All her faculties were on the alert, like those of a prisoner who is thinking of escape. She knew what time the night trains left the station, and, abandoning her trunk and everything else that she had with her, she furtively—but ready, if need were, to fight for her liberty with the strength of desperation—slipped down the broad stairs over their thick carpet and pushed open a little glass door. Thank heaven! people came in and went out of that house as if it had been a mill. No one discovered her flight till the next morning, when she was far on her way to Paris in an express train. Modeste, quite unprepared for her young mistress's arrival, was amazed to see her drop down upon her, feverish and excited, like some poor hunted animal, with strength exhausted. Jacqueline flung herself into her nurse's arms as she used to do when, as a little girl, she was in what she fancied some great trouble, and she cried: "Oh, take me in—pray take me in! Keep me safe! Hide me!" And then she told Modeste everything, speaking rapidly and disconnectedly, thankful to have some one to whom she could open her heart. In default of Modeste she would have spoken to stone walls.

"And what will you do now, my poor darling?" asked the old nurse, as soon as she understood that her young lady had come back to her, "with weary foot and broken wing," from what she had assured her on her departure would be a brilliant excursion.

"Oh! I don't know," answered Jacqueline, in utter discouragement; "I am too worn out to think or to do anything. Let me rest; that is all."

"Why don't you go to see your stepmother?"

"My stepmother? Oh, no! She is at the bottom of all that has happened to me."

"Or Madame d'Argy? Or Madame de Talbrun? Madame de Talbrun is the one who would give you good advice."

Jacqueline shook her head with a sad smile.

"Let me stay here. Don't you remember—years ago—but it seems like yesterday—all the rest is like a nightmare—how I used to hide myself under your petticoats, and you would say, going on with your knitting: 'You see she is not here; I can't think where she can be.' Hide me now just like that, dear old Modeste. Only hide me."

And Modeste, full of heartfelt pity, promised to hide her "dear child" from every one, which promise, however, did not prevent her, for she was very self-willed, from going, without Jacqueline's knowledge, to see Madame de Talbrun and tell her all that had taken place. She was hurt and amazed at her reception by Giselle, and at her saying, without any offer of help or words of sympathy, "She has only reaped what she has sown." Giselle would have been more than woman had not Fred, and a remembrance of the wrongs that he had suffered through Jacqueline, now stood between them. For months he had been the prime object in her life; her mission of comforter had brought her the greatest happiness she had ever known. She tried to make him turn his attention to some serious work in life; she wanted to keep him at home, for his mother's sake, she thought; she fancied she had inspired him with a taste for home life. If she had examined herself she might have discovered that the task she had undertaken of doing good to this young man was not wholly for his sake but partly for her own. She wanted to see him nearly every day and to occupy a place in his life ever larger and larger. But for some time past the conscientious Giselle had neglected the duty of strict self-examination. She was thankful to be happy—and though Fred was a man little given to self-flattery in his relations with women, he could not but be pleased at the change produced in her by her intercourse with him.

But while Fred and Giselle considered themselves as two friends trying to console each other, people had begun to talk about them. Even Madame d'Argy asked herself whether her son might not have escaped from the cruel claws of a young coquette of the new school to fall into a worse scrape with a married woman. She imagined what might happen if the jealousy of "that wild boar of an Oscar de Talbrun" were aroused; the dangers, far more terrible than the perils of the sea, that might in such a case await her only son, the child for whose safety her mother-love caused her to suffer perpetual torments. "O mothers! mothers!" she often said to herself, "how much they are to be pitied. And they are very blind. If Fred must get into danger and difficulty for any woman, it should not have been for Giselle de Talbrun."



CHAPTER XVIII. "AN AFFAIR OF HONOR"

A meeting took place yesterday at Vesinet between the Vicomte de Cymier, secretary of Embassy at Vienna, and M. Frederic d'Argy, ensign in the navy. The parties fought with swords. The seconds of M. de Cymier were the Prince de Moelk and M. d'Etaples, captain in the—th Hussars; those of M. d'Argy Hubert Marien, the painter. M. d'Argy was wounded in the right arm, and for the present the affair is terminated, but it is said it will be resumed on M. d'Argy's recovery, although this seems hardly probable, considering the very slight cause of the quarrel—an altercation at the Cercle de la Rue Boissy d'Anglas, which took place over the card-table.

Such was the announcement in a daily paper that met the eyes of Jacqueline, as she lay hidden in Modeste's lodging, like a fawn in its covert, her eyes and ears on the alert, watching for the least sign of alarm, in fear and trembling. She expected something, she knew not what; she felt that her sad adventure at Monaco could not fail to have its epilogue; but this was one of which she never had dreamed.

"Modeste, give me my hat! Get me a carriage! Quick! Oh, my God, it is my fault!—I have killed him!"

These incoherent cries came from her lips while Modeste, in alarm, picked up the newspaper and adjusted her silver spectacles upon her nose to read the paragraph. "Monsieur Fred wounded! Holy Virgin! His poor mother! That is a new trouble fallen on her, to be sure. But this quarrel had nothing to do with you, my pet; you see they say it was about cards."

And folding up the Figaro, while Jacqueline in all haste was wrapping her head in a veil, Modeste, with the best intentions, went on to say: "Nobody ever dies of a sword-thrust in the arm."

"But you see it says that they are going to fight all over again—don't you understand? You are so stupid! What could they have had to quarrel about but me? O God! Thou art just! This is indeed punishment—too much punishment for me!"

So saying, she ran down the many stairs that led up to Modeste's little lodging in the roof, her feet hardly touching them as she ran, while Modeste followed her more slowly, crying: "Wait for me! Wait for me, Mademoiselle!"

Calling a fiacre, Jacqueline, almost roughly, pushed the old woman into it, and gave the coachman the address of Madame d'Argy, having, in her excitement, first given him that of their old house in the Parc Monceau, so much was she possessed by the idea that this was a repetition of that dreadful day, when with Modeste, just as now, she went to meet an irreparable loss. She seemed to see before her her dead father—he looked like Fred, and now, as before, Marien had his part in the tragedy. Could he not have prevented the duel? Could he not have done something to prevent Fred from exposing himself? The wound might be no worse than it was said to be in the newspaper—but then a second meeting was to take place. No!—it should not, she would stop it at any price!

And yet, as the coach drew nearer to the Rue de Varenne, where Madame d'Argy had her winter residence, a little calm, a little sense returned to Jacqueline. She did not see how she could dare to enter that house, where probably they cursed her very name. She would wait in the street with the carriage-blinds pulled down, and Modeste should go in and ask for information. Five minutes passed—ten minutes passed—they seemed ages. How slow Modeste was, slow as a tortoise! How could she leave her there when she knew she was so anxious? What could she be doing? All she had to do was to ask news of M. Fred in just two words!

At last, Jacqueline could bear suspense no longer. She opened the coach-door and jumped out on the pavement. Just at that moment Modeste appeared, brandishing the umbrella that she carried instead of a stick, in a manner that meant something. It might be bad news, she would know in a moment; anything was better than suspense. She sprang forward.

"What did they say, Modeste? Speak!—Why have you been such a time?"

"Because the servants had something else to do than to attend to me. I wasn't the only person there—they were writing in a register. Get back into the carriage, Mademoiselle, or somebody will see you—There are lots of people there who know you—Monsieur and Madame d'Etaples—"

"What do I care?—The truth! Tell me the truth—"

"But didn't you understand my signals? He is going on well. It was only a scratch—Ah! Madame that's only my way of talking. He will be laid up for a fortnight. The doctor was there—he has some fever, but he is not in any danger."

"Oh! what a blessing! Kiss me, Modeste. We have a fortnight in which we may interfere—But how—Oh, how?—Ah! there is Giselle! We will go to Giselle at once!"

And the 'fiacre' was ordered to go as fast as possible to the Rue Barbet-de-Jouy. This time Jacqueline herself spoke to the concierge.

"Madame la Comtesse is out."

"But she never goes out at this hour. I wish to see her on important business. I must see her."

And Jacqueline passed the concierge, only to encounter another refusal from a footman, who insisted that Madame la Comtesse was at home to no one.

"But me, she will see me. Go and tell her it is Mademoiselle de Nailles."

Moved by her persistence, the footman went in to inquire, and came back immediately with the answer:

"Madame la Comtesse can not see Mademoiselle."

"Ah!" thought Jacqueline, "she, too, throws me off, and it is natural. I have no friends left. No one will tell me anything!—I think it will drive me mad?"

She was half-mad already. She stopped at a newsstand and bought all the evening journals; then, up in her garret, in her poor little nest under the roof-which, as she felt bitterly, was her only refuge, she began to look over those printed papers in which she might possibly find out the true cause of the duel. Nearly all related the event in almost the exact terms used by the Figaro. Ah!—here was a different one! A reporter who knew something more added, in Gil Blas: "We have stated the cause of the dispute as it has been given to the public, but in affairs of this nature more than in any others, it is safe to remember the old proverb: 'Look for the woman.' The woman could doubtless have been found enjoying herself on the sunny shores of the Mediterranean, while men were drawing swords in her defense."

Jacqueline went on looking through the newspapers, crumpling up the sheets as she laid them down. The last she opened had the reputation of being a repository of scandals, never to be depended on, as she well knew. Several times it had come to her hand and she had not opened it, remembering what her father had always said of its reputation. But where would she be more likely to find what she wanted than in the columns of a journal whose reporters listened behind doors and peeped through keyholes? Under the heading of 'Les Dessous Parisiens', she read on the first page:

"Two hens lived in peace; a cock came And strife soon succeeded to joy; E'en as love, they say, kindled the flame That destroyed the proud city of Troy.

"This quarrel was the outcome of a violent rupture between the two hens in question, ending in the flight of one of them, a young and tender pullet, whose voice we trust soon to hear warbling on the boards at one of our theatres. This was the subject of conversation in a low voice at the Cercle, at the hour when it is customary to tell such little scandals. M. de C——-was enlarging on the somewhat Bohemian character of the establishment of a lovely foreign lady, who possesses the secret of being always surrounded by delightful friends, young ladies who are self-emancipated, quasi- widows who, by divorce suits, have regained their liberty, etc. He was speaking of one of the beauties who are friends of his friend Madame S——, as men speak of women who have proved themselves careless of public opinion; when M. d'A——, in a loud voice, interrupted him; the lie was given in terms that of course led to the hostile meeting of which the press has spoken, attributing it to a dispute about the Queen of Spades, when it really concerned the Queen of Hearts."

Then she had made no mistake; it had been her flight from Madame Strahlberg's which had led to her being attacked by one man, and defended by the other! Jacqueline found it hard to recognize herself in this tissue of lies, insinuations, and half-truths. What did the paper mean its readers to understand by its account? Was it a jealous rivalry between herself and Madame Strahlberg?—Was M. de Cymier meant by the cock? And Fred had heard all this—he had drawn his sword to refute the calumny. Brave Fred! Alas! he had been prompted only by chivalric generosity. Doubtless he, also, looked upon her as an adventuress.

All night poor Jacqueline wept with such distress that she wished that she might die. She was dropping off to sleep at last, overpowered by fatigue, when a ring at the bell in the early morning roused her. Then she heard whispering:

"Do you think she is so unhappy?"

It was the voice of Giselle.

"Come in—come in quickly!" she cried, springing out of bed. Wrapped in a dressing-gown, with bare feet, her face pale, her eyelids red, her complexion clouded, she rushed to meet her friend, who was almost as much disordered as herself. It seemed as if Madame de Talbrun might also have passed a night of sleeplessness and tears.

"You have come! Oh! you have come at last!" cried Jacqueline, throwing her arms around her, but Giselle repelled her with a gesture so severe that the poor child could not but understand its meaning. She murmured, pointing to the pile of newspapers: "Is it possible?—Can you have believed all those dreadful things?"

"What things? I have read nothing," said Giselle, harshly. "I only know that a man who was neither your husband nor your brother, and who consequently was under no obligation to defend you, has been foolish enough to be nearly killed for your sake. Is not that a proof of your downfall? Don't you know it?"

"Downfall?" repeated Jacqueline, as if she did not understand her. Then, seizing her friend's hand, she forcibly raised it to her lips: "Ah! what can anything matter to me," she cried, "if only you remain my friend; and he has never doubted me!"

"Women like you can always find defenders," said Giselle, tearing her hand from her cousin's grasp.

Giselle was not herself at that moment. "But, for your own sake, it would have been better he should have abstained from such an act of Quixotism."

"Giselle! can it be that you think me guilty?"

"Guilty!" cried Madame de Talbrun, her pale face aflame. "A little more and Monsieur de Cymier's sword-point would have pierced his lungs."

"Good heavens!" cried Jacqueline, hiding her face in her hands. "But I have done nothing to—"

"Nothing except to set two men against each other; to make them suffer, or to make fools of them, and to be loved by them all the same."

"I have not been a coquette," said Jacqueline, with indignation.

"You must have been, to authorize the boasts of Monsieur de Cymier. He had seen Fred so seldom, and Tonquin had so changed him that he spoke in his presence—without supposing any one would interfere. I dare not tell you what he said—"

"Whatever spite or revenge suggested to him, no doubt," said Jacqueline.

"Listen, Giselle—Oh, you must listen. I shall not be long."

She forced her to sit down; she crouched on a foot stool at her feet, holding her hands in hers so tightly that Giselle could not draw them away, and began her story, with all its details, of what had happened to her since she left Fresne. She told of her meeting with Wanda; of the fatal evening which had resulted in her expulsion from the convent; her disgust at the Sparks family; the snare prepared for her by Madame Strahlberg. "And I can not tell you all," she added, "I can not tell you what drove me away from my true friends, and threw me among these people—"

Giselle's sad smile seemed to answer, "No need—I am aware of it—I know my husband." Encouraged by this, Jacqueline went on with her confession, hiding nothing that was wrong, showing herself just as she had been, a poor, proud child who had set out to battle for herself in a dangerous world. At every step she had been more and more conscious of her own imprudence, of her own weakness, and of an ever-increasing desire to be done with independence; to submit to law, to be subject to any rules which would deliver her from the necessity of obeying no will but her own.

"Ah!" she cried, "I am so disgusted with independence, with amusement, and amusing people! Tell me what to do in future—I am weary of taking charge of myself. I said so the other day to the Abbe Bardin. He is the only person I have seen since my return. It seems to me I am coming back to my old ideas—you remember how I once wished to end my days in the cell of a Carmelite? You might love me again then, perhaps, and Fred and poor Madame d'Argy, who must feel so bitterly against me since her son was wounded, might forgive me. No one feels bitterly against the dead, and it is the same as being dead to be a Carmelite nun. You would all speak of me sometimes to each other as one who had been very unhappy, who had been guilty of great foolishness, but who had repaired her faults as best she could."

Poor Jacqueline! She was no longer a girl of the period; in her grief and humiliation she belonged to the past. Old-fashioned forms of penitence attracted her.

"And what did the Abbe Bardin tell you?" asked Giselle, with a slight movement of her shoulders.

"He only told me that he could not say at present whether that were my vocation."

"Nor can I," said Giselle.

Jacqueline lifted up her face, wet with tears, which she had been leaning on the lap of Giselle.

"I do not see what else I can do, unless you would get me a place as governess somewhere at the ends of the earth," she said. "I could teach children their letters. I should not mind doing anything. I never should complain. Ah! if you lived all by yourself, Giselle, how I should implore you to take me to teach little Enguerrand!"

"I think you might do better than that," said Giselle, wiping her friend's eyes almost as a mother might have done, "if you would only listen to Fred."

Jacqueline's cheeks became crimson.

"Don't mock me—it is cruel—I am too unworthy—it would pain me to see him. Shame—regret—you understand! But I can tell you one thing, Giselle—only you. You may tell it to him when he is quite old, when he has been long married, and when everything concerning me is a thing of the past. I never had loved any one with all my heart up to the moment when I read in that paper that he had fought for me, that his blood had flowed for me, that after all that had passed he still thought me worthy of being defended by him."

Her tears flowed fast, and she added: "I shall be proud of that all the rest of my life! If only you, too, would forgive me."

The heart of Giselle was melted by these words.

"Forgive you, my dear little girl? Ah! you have been better than I. I forgot our old friendship for a moment—I was harsh to you; and I have so little right to blame you! But come! Providence may have arranged all for the best, though one of us may have to suffer. Pray for that some one. Good-by—'au revoir!"

She kissed Jacqueline's forehead and was gone, before her cousin had seized the meaning of her last words. But joy and peace came back to Jacqueline. She had recovered her best friend, and had convinced her of her innocence.



CHAPTER XIX. GENTLE CONSPIRATORS

Before Giselle went home to her own house she called on the Abbe Bardin, whom a rather surly servant was not disposed to disturb, as he was just eating his breakfast. The Abbe Bardin was Jacqueline's confessor, and he held the same relation to a number of other young girls who were among her particular friends. He was thoroughly acquainted with all that concerned their delicate and generally childish little souls. He kept them in the right way, had often a share in their marriages, and in general kept an eye upon them all their lives. Even when they escaped from him, as had happened in the case of Jacqueline, he did not give them up. He commended them to God, and looked forward to the time of their repentance with the patience of a father. The Abbe Bardin had never been willing to exercise any function but that of catechist; he had grown old in the humble rank of third assistant in a great parish, when, with a little ambition, he might have been its rector. "Suffer little children to come unto me," had been his motto. These words of his Divine Master seemed more often than any others on his lips-lips so expressive of loving kindness, though sometimes a shrewd smile would pass over them and seem to say: "I know, I can divine." But when this smile, the result of long experience, did not light up his features, the good Abbe Bardin looked like an elderly child; he was short, his walk was a trot, his face was round and ruddy, his eyes, which were short-sighted, were large, wide-open, and blue, and his heavy crop of white hair, which curled and crinkled above his forehead, made him look like a sixty-year-old angel, crowned with a silvery aureole.

Rubbing his hands affably, he came into the little parlor where Madame de Talbrun was waiting for him. There was probably no ecclesiastic in all Paris who had a salon so full of worked cushions, each of which was a keepsake—a souvenir of some first communion. The Abbe did not know his visitor, but the name Talbrun seemed to him connected with an honorable and well-meaning family. The lady was probably a mother who had come to put her child into his hands for religious instruction. He received visits from dozens of such mothers, some of whom were a little tiresome, from a wish to teach him what he knew better than they, and at one time he had set apart Wednesday as his day for receiving such visits, that he might not be too greatly disturbed, as seemed likely to happen to him that day. Not that he cared very much whether he ate his cutlet hot or cold, but his housekeeper cared a great deal. A man may be a very experienced director, and yet be subject to direction in other ways.

The youth of Giselle took him by surprise.

"Monsieur l'Abbe," she said, without any preamble, while he begged her to sit down, "I have come to speak to you of a person in whom you take an interest, Jacqueline de Nailles."

He passed the back of his hand over his brow and said, with a sigh: "Poor little thing!"

"She is even more to be pitied than you think. You have not seen her, I believe, since last week."

"Yes—she came. She has kept up, thank God, some of her religious duties."

"For all that, she has played a leading part in a recent scandal."

The Abbe sprang up from his chair.

"A duel has taken place because of her, and her name is in all men's mouths—whispered, of course—but the quarrel took place at the Club. You know what it is to be talked of at the Club."

"The poison of asps," growled the Abbe; "oh! those clubs—think of all the evil reports concocted in them, of which women are the victims!"

"In the present case the evil report was pure calumny. It was taken up by some one whom you also know—Frederic d'Argy."

"I have had profound respect these many years for his excellent and pious mother."

"I thought so. In that case, Monsieur l'Abbe, you would not object to going to Madame d'Argy's house and asking how her son is."

"No, of course not; but—it is my duty to disapprove—"

"You will tell her that when a young man has compromised a young girl by defending her reputation in a manner too public, there is but one thing he can do afterward-marry her."

"Wait one moment," said the Abbe, who was greatly surprised; "it is certain that a good marriage would be the best thing for Jacqueline. I have been thinking of it. But I do not think I could so suddenly—so soon after—"

"Today at four o'clock, Monsieur l'Abbe. Time presses. You can add that such a marriage is the only way to stop a second duel, which will otherwise take place."

"Is it possible?"

"And it is also the only way to bring Frederic to decide on sending in his resignation. Don't forget that—it is important."

"But how do you know—"

The poor Abbe stammered out his words, and counted on his fingers the arguments he was desired to make use of.

"And you will solemnly assure them that Jacqueline is innocent."

"Oh! as to that, there are wolves in sheeps' clothing, as the Bible tells us; but believe me, when such poor young things are in question, it is more often the sheep which has put on the appearance of a wolf—to seem in the fashion," added the Abbe, "just to seem in the fashion. Fashion will authorize any kind of counterfeiting."

"Well, you will say all that, will you not, to Madame d'Argy? It will be very good of you if you will. She will make no difficulties about money. All she wants is a quietly disposed daughter-in-law who will be willing to pass nine months of the year at Lizerolles, and Jacqueline is quite cured of her Paris fever."

"A fever too often mortal," murmured the Abbe; "oh, for the simplicity of nature! A priest whose lot is cast in the country is fortunate, Madame, but we can not choose our vocation. We may do good anywhere, especially in cities. Are you sure, however, that Jacqueline—"

"She loves Monsieur d'Argy."

"Well, if that is so, we are all right. The great misfortune with many of these poor girls is that they have never learned to love anything; they know nothing but agitations, excitements, curiosities, and fancies. All that sort of thing runs through their heads."

"You are speaking of a Jacqueline before the duel. I can assure you that ever since yesterday, if not before, she has loved Monsieur d'Argy, who on his part for a long time—a very long time—has been in love with her."

Giselle spoke eagerly, as if she forced herself to say the words that cost her pain. Her cheeks were flushed under her veil. The Abbe, who was keen-sighted, observed these signs.

"But," continued Giselle, "if he is forced to forget her he may try to expend elsewhere the affection he feels for her; he may trouble the peace of others, while deceiving himself. He might make in the world one of those attachments—Do not fail to represent all these dangers to Madame d'Argy when you plead the cause of Jacqueline."

"Humph! You are evidently much attached, Madame, to Mademoiselle de Nailles."

"Very much, indeed," she answered, bravely, "very much attached to her, and still more to him; therefore you understand that this marriage must—absolutely must take place."

She had risen and was folding her cloak round her, looking straight into the Abbe's eyes. Small as she was, their height was almost the same; she wanted him to understand thoroughly why this marriage must take place.

He bowed. Up to that time he had not been quite sure that he had not to do with one of those wolves dressed in fleece whose appearance is as misleading as that of sheep disguised as wolves: now his opinion was settled.

"Mon Dieu! Madame," he said, "your reasons seem to me excellent—a duel to be prevented, a son to be kept by the side of his sick mother, two young people who love each other to be married, the saving, possibly, of two souls—"

"Say three souls, Monsieur l'Abbe!"

He did not ask whose was the third, nor even why she had insisted that this delicate commission must be executed that same day. He only bowed when she said again: "At four o'clock: Madame d'Argy will be prepared to see you. Thank you, Monsieur l'Abbe." And then, as she descended the staircase, he bestowed upon her silently his most earnest benediction, before returning to the cold cutlet that was on his breakfast table.

Giselle did not breakfast much better than he. In truth, M. de Talbrun being absent, she sat looking at her son, who was eating with a good appetite, while she drank only a cup of tea; after which, she dressed herself, with more than usual care, hiding by rice-powder the trace of recent tears on her complexion, and arranging her fair hair in the way that was most becoming to her, under a charming little bonnet covered with gold net-work which corresponded with the embroidery on an entirely new costume.