In the next room, boys somewhat older were examined in Italian history, and responded correctly and promptly. They were given a sum which they performed in a miraculously short time; and their copy-books, when shown, were equally creditable to them. Their teacher was a Bolognese,—a naturalized Swiss,—who had been a soldier, and who maintained strict discipline among his irregulars, without, however, any perceptible terrorism.

The amount of work these teachers accomplish in a day is incredible: the boys' school opens at eight in the morning and closes at four, with intermission of an hour at noon. Then in the evening the same men teach a school for adults, and on Sunday have their classes in the Sunday-schools. And this the whole year round. Their pay is not great, being about twenty dollars a month, and they are evidently not wholly self-interested from this fact. The amount of good they accomplish under the direction of their superiors is in proportion to the work done. To appreciate it, the reader must consider that they take the children of the most ignorant and degraded of all the Italians; that they cause them to be washed corporeally, first of all, and then set about cleansing them morally; and having cleared away as much of the inherited corruption of ages as possible, they begin to educate them in the various branches of learning. There is no direct proselyting in the schools, but the Bible is the first study, and the children are constantly examined in it; and the result is at least not superstition. The advance upon the old condition of things is incalculably great; for till the revolution under Garibaldi in 1860, the schools of Naples were all in the hands of the priests or their creatures, and the little learning there imparted was as dangerous as it could well be made. Now these schools are free, the children are honestly and thoroughly taught, and if they are not directly instructed in Protestantism, are at least instructed to associate religion with morality, probably for the first time in their lives. Too much credit cannot be given to the Italian government which has acted in such good faith with the men engaged in this work, protecting them from all interruption and persecution; but after all, the great praise is due to their own wise, unflagging zeal. They have worked unostentatiously, making no idle attacks on time-honored prejudices, but still having a purpose of enlightenment which they frankly avowed. The people whom they seek to benefit judge them by their works, and the result is that they have quite as much before them as they can do. Their discouragements are great. The day's teaching is often undone at home; the boys forget as aptly as they learn; and from the fact that only the baser feelings of fear and interest have ever been appealed to before in the Neapolitans, they have often to build in treacherous places without foundation of good faith or gratitude. Embarrassments for want of adequate funds are sometimes felt also. But no one can study their operations without feeling that success must attend their efforts, with honor to them, and with inestimable benefits to the generation which shall one day help to govern free Italy.



XII.

BETWEEN ROME AND NAPLES.

One day it became plain even to our reluctance that we could not stay in Naples forever, and the next morning we took the train for Rome. The Villa Reale put on its most alluring charm to him that ran down before breakfast to thrid once more its pathways bordered with palms and fountains and statues; the bay beside it purpled and twinkled in the light that made silver of the fishermen's sails; far away rose Vesuvius with his nightcap of mist still hanging about his shoulders; all around rang and rattled Naples. The city was never so fair before, nor could ever have been so hard to leave; and at the last moment the landlord of the Hotel Washington must needs add a supreme pang by developing into a poet, and presenting me with a copy of a comedy he had written. The reader who has received at parting from the gentlemanly proprietor of one of our palatial hotels his "Ode on the Steam Elevator," will conceive of the shame and regret with which I thought of having upbraided our landlord about our rooms, of having stickled at small preliminaries concerning our contract for board, and for having altogether treated him as one of the uninspired. Let me do him the tardy justice to say that he keeps, after the Stella d'Oro at Ferrara, the best hotel in Italy, and that his comedy was really very sprightly. It is no small thing to know how to keep a hotel, as we know, and a poet who does it ought to have a double acclaim.

Nobody who cares to travel with decency and comfort can take the second-class cars on the road between Naples and Rome, though these are perfectly good everywhere else in Italy. The Papal city makes her influence felt for shabbiness and uncleanliness wherever she can, and her management seems to prevail on this railway. A glance into the second-class cars reconciled us to the first-class,—which in themselves were bad,—and we took our places almost contentedly.

The road passed through the wildest country we had seen in Italy; and presently a rain began to fall and made it drearier than ever. The land was much grown up with thickets of hazel, and was here and there sparsely wooded with oaks. Under these, hogs were feeding upon the acorns, and the wet swine-herds were steaming over fires built at their roots. In some places the forest was quite dense; in other places it fell entirely away, and left the rocky hill-sides bare, and solitary but for the sheep that nibbled at the scanty grass, and the shepherds that leaned upon their crooks and motionlessly stared at us as we rushed by. As we drew near Rome, the scenery grew lonelier yet; the land rose into desolate, sterile, stony heights, without a patch of verdure on their nakedness, and at last abruptly dropped into the gloomy expanse of the Campagna.

The towns along the route had little to interest us in their looks, though at San Germano we caught a glimpse of the famous old convent of Monte-Cassino, perched aloft on its cliff and looking like a part of the rock on which it was built. Fancy now loves to climb that steep acclivity, and wander through the many-volumed library of the ancient Benedictine retreat, and on the whole finds it less fatiguing and certainly less expensive than actual ascent and acquaintance with the monastery would have been. Two Croatian priests, who shared our compartment of the railway carriage, first drew our notice to the place, and were enthusiastic about it for many miles after it was out of sight. What gentle and pleasant men they were, and how hard it seemed that they should be priests and Croats! They told us all about the city of Spalato, where they lived, and gave us such a glowing account of Dalmatian poets and poetry that we began to doubt at last if the seat of literature were not somewhere on the east coast of the Adriatic; and I hope we left them the impression that the literary centre of the world was not a thousand miles from the horse-car office in Harvard Square.

Here and there repairs were going forward on the railroad, and most of the laborers were women. They were straight and handsome girls, and moved with a stately grace under the baskets of earth balanced on their heads. Brave black eyes they had, such as love to look and to be looked at; they were not in the least hurried by their work, but desisted from it to gaze at the passengers whenever the train stopped. They all wore their beautiful peasant costume,—the square white linen head-dress falling to the shoulders, the crimson bodice, and the red scant skirt; and how they contrived to keep themselves so clean at their work, and to look so spectacular in it all, remains one of the many Italian mysteries.

Another of these mysteries we beheld in the little beggar-boy at Isoletta. He stood at the corner of the station quite mute and motionless during our pause, and made no sign of supplication or entreaty. He let his looks beg for him. He was perfectly beautiful and exceedingly picturesque. Where his body was not quite naked, his jacket and trousers hung in shreds and points; his long hair grew through the top of his hat, and fell over like a plume. Nobody could resist him; people ran out of the cars, at the risk of being left behind, to put coppers into the little dirty hand held languidly out to receive them. The boy thanked none, smiled on none, but looked curiously and cautiously at all, with the quick perception and the illogical conclusions of his class and race. As we started he did not move, but remained in his attitude of listless tranquillity. As we glanced back, the mystery of him seemed to be solved for a moment: he would stand there till he grew up into a graceful, prayerful, pitiless brigand, and then he would rend from travel the tribute now go freely given him. But after all, though his future seemed clear, and he appeared the type of a strange and hardly reclaimable people, he was not quite a solution of the Neapolitan puzzle.



XIII.

ROMAN PEARLS.

I.

The first view of the ruins in the Forum brought a keen sense of disappointment. I knew that they could only be mere fragments and rubbish, but I was not prepared to find them so. I learned that I had all along secretly hoped for some dignity of neighborhood, some affectionate solicitude on the part of Nature to redeem these works of Art from the destruction that had befallen them. But in hollows below the level of the dirty cowfield, wandered over by evil-eyed buffaloes, and obscenely defiled by wild beasts of men, there stood here an arch, there a pillar, yonder a cluster of columns crowned by a bit of frieze; and yonder again, a fragment of temple, half-gorged by the facade of a hideous Renaissance church; then a height of vaulted brick-work, and, leading on to the Coliseum, another arch, and then incoherent columns overthrown and mixed with dilapidated walls—mere phonographic consonants, dumbly representing the past, out of which all vocal glory had departed. The Coliseum itself does not much better express a certain phase of Roman life than does the Arena at Verona; it is larger only to the foot-rule, and it seemed not grander otherwise, while it is vastly more ruinous. Even the Pantheon failed to impress me at first sight, though I found myself disposed to return to it again and again, and to be more and more affected by it.

Modern Rome appeared, first and last, hideous. It is the least interesting town in Italy, and the architecture is hopelessly ugly—especially the architecture of the churches. The Papal city contrives at the beginning to hide the Imperial city from your thought, as it hides it in such a great degree from your eye, and old Rome only occurs to you in a sort of stupid wonder over the depth at which it is buried. I confess that I was glad to get altogether away from it after a first look at the ruins in the Forum, and to take refuge in the Conservatorio delle Mendicanti, where we were charged to see the little Virginia G. The Conservatorio, though a charitable institution, is not so entirely meant for mendicants as its name would imply, but none of the many young girls there were the children of rich men. They were often enough of parentage actually hungry and ragged, but they were often also the daughters of honest poor folk, who paid a certain sum toward their maintenance and education in the Conservatorio. Such was the case with little Virginia, whose father was at Florence, doubly impeded from seeing her by the fact that he had fought against the Pope for the Republic of 1848, and by the other fact that he had since wrought the Pope a yet deadlier injury by turning Protestant.

Ringing a garrulous bell that continued to jingle some time after we were admitted, we found ourselves in a sort of reception-room, of the general quality of a cellar, and in the presence of a portress who was perceptibly preserved from mold only by the great pot of coals that stood in the centre of the place. Some young girls, rather pretty than not, attended the ancient woman, and kindly acted as the ear-trumpet through which our wishes were conveyed to her mind. The Conservatorio was not, so far, as conventual as we had imagined it; but as the gentleman of the party was strongly guarded by female friends, and asked at once to see the Superior, he concluded that there was, perhaps, something so unusually reassuring to the recluses in his appearance and manner that they had not thought it necessary to behave very rigidly. It later occurred to this gentleman that the promptness with which the pretty mendicants procured him an interview with the Superior had a flavor of self-interest in; and that he who came to the Conservatorio in the place of a father might have been for a moment ignorantly viewed as a yet dearer and tenderer possibility. From whatever danger there was in this error the Superior soon appeared to rescue him, and we were invited into a more ceremonious apartment on the first floor, and the little Virginia was sent for. The visit of the strangers caused a tumult and interest in the quiet old Conservatorio of which it is hard to conceive now, and the excitement grew tremendous when it appeared that, the signori were Americani and Protestanti. We imparted a savor of novelty and importance to Virginia herself, and when she appeared, the Superior and her assistant looked at her with no small curiosity and awe, of which the little maiden instantly became conscious, and began to take advantage. Accompanying us over the building and through the grounds, she cut her small friends wherever she met them, and was not more than respectful to the assistant.

It was from an instinct of hospitality that we were shown the Conservatorio, and instructed in regard to all its purposes. We saw the neat dormitories with their battalions of little white beds; the kitchen with its gigantic coppers for boiling broth, and the refectory with the smell of the frugal dinners of generations of mendicants in it. The assistant was very proud of the neatness of every thing, and was glad to talk of that, or, indeed, any thing else. It appeared that the girls were taught reading, writing, and plain sewing when they were young, and that the Conservatorio was chiefly sustained by pious contributions and bequests. Any lingering notion of the conventual character of the place was dispelled by the assistant's hurrying to say, "And when we can get the poor things well married, we are glad to do so."

"But how does any one ever see them?"

"Eh! well, that is easily managed. Once a month we dress the marriageable girls in their best, and take them for a walk in the street. If an honest young man falls in love with one of them going by, he comes to the Superior, and describes her as well as he can, and demands to see her. She is called, and if both are pleased, the marriage is arranged. You see it is a very simple affair."

And there was, to the assistant's mind, nothing odd in the whole business, insomuch that I felt almost ashamed of marveling at it.

Issuing from the backdoor of the convent, we ascended by stairs and gateways into garden spaces, chiefly planted with turnips and the like poor but respectable vegetables, and curiously adorned with fragments of antique statuary, and here and there a fountain in a corner, trickling from moss-grown rocks, and falling into a trough of travertine, about the feet of some poor old goddess or Virtue who had forgotten what her name was.

Once, the assistant said, speaking as if the thing had been within her recollection, though it must have been centuries before, the antiquities of the Conservatorio were much more numerous and striking; but they were now removed to the different museums. Nevertheless they had still a beautiful prospect left, which we were welcome to enjoy if we would follow her; and presently, to our surprise, we stepped from the garden upon the roof of the Temple of Peace. The assistant had not boasted without reason: away before us stretched the Campagna, a level waste, and empty, but for the umbrella-palms that here and there waved like black plumes upon it, and for the arched lengths of the acqueducts that seemed to stalk down from the ages across the melancholy expanse like files of giants, with now and then a ruinous gap in the line, as if one had fallen out weary by the way. The city all around us glittered asleep in the dim December sunshine, and far below us,—on the length of the Forum over which the Appian Way stretched from the Capitoline Hill under the Arch of Septimius Severus and the Arch of Titus to the Arch of Constantine, leaving the Coliseum on the left, and losing itself in the foliage of the suburbs,—the Past seemed struggling to emerge from the ruins, and to reshape and animate itself anew. The effort was more successful than that which we had helped the Past to make when standing on the level of the Forum; but Antiquity must have been painfully conscious of the incongruity of the red-legged Zouaves wandering over the grass, and of the bewildered tourists trying to make her out with their Murrays.

In a day or two after this we returned again to our Conservatorio, where we found that the excitement created by our first visit had been kept fully alive by the events attending the photographing of Virginia for her father. Not only Virginia was there to receive us, but her grandmother also—an old, old woman, dumb through some infirmity of age, who could only weep and smile in token of her content. I think she had but a dim idea, after all, of what went on beyond the visible fact of Virginia's photograph, and that she did not quite understand how we could cause it to be taken for her son. She was deeply compassionated by the Superior, who rendered her pity with a great deal of gesticulation, casting up her eyes, shrugging her shoulders, and sighing grievously. But the assistant's cheerfulness could not be abated even by the spectacle of extreme age; and she made the most of the whole occasion, recounting with great minuteness all the incidents of the visit to the photographer's, and running to get the dress Virginia sat in, that we might see how exactly it was given in the picture. Then she gave us much discourse concerning the Conservatorio and its usages, and seemed not to wish us to think that life there was altogether eventless. "Here we have a little amusement also," she said. "The girls have their relatives to visit them sometimes, and then in the evening they dance. Oh, they enjoy themselves! I am half old (mezzo-vecchia). I am done with these things. But for youth, always kept down, something lively is wanted."

When we took leave of these simple folks, we took leave of almost the only natural and unprepared aspect of Italian life which we were to see in Rome; but we did not know this at the time.

II.

Indeed, it seems to me that all moisture of romance and adventure has been wellnigh sucked out of travel in Italy, and that compared with the old time, when the happy wayfarer journeyed by vettura through the innumerable little states of the Peninsula,—halted every other mile to show his passport, and robbed by customs officers in every color of shabby uniform and every variety of cocked hat,—the present railroad period is one of but stale and insipid flavor. Much of local life and color remains, of course; but the hurried traveller sees little of it, and, passed from one grand hotel to another, without material change in the cooking or the methods of extortion, he might nearly as well remain at Paris. The Italians, who live to so great extent by the travel through their country, learn our abominable languages and minister to our detestable comfort and propriety, till we have slight chance to know them as we once could,—musical, picturesque, and full of sweet, natural knaveries, graceful falsehood, and all uncleanness. Rome really belongs to the Anglo-Saxon nations, and the Pope and the past seem to be carried on entirely for our diversion. Every thing is systematized as thoroughly as in a museum where the objects are all ticketed; and our prejudices are consulted even down to alms-giving, Honest Beppo is gone from the steps in the Piazza di Spagna, and now the beggars are labeled like policemen, with an immense plate bearing the image of St. Peter, so that you may know you give to a worthy person when you bestow charity on one of them, and not, alas! to some abandoned impostor, as in former days. One of these highly recommended mendicants gave the last finish to the system, and begged of us in English! No custodian will answer you, if he can help it, in the Italian which he speaks so exquisitely, preferring to speak bad French instead, and in all the shops on the Corso the English tongue is de rigueur.

After our dear friends at the Conservatorio, I think we found one of the most simple and interesting of Romans in the monk who showed us the Catacombs of St. Sebastian. These catacombs, he assured us, were not restored like those of St. Calixtus, but were just as the martyrs left them; and, as I do not remember to have read anywhere that they are formed merely of long, low, narrow, wandering underground passages, lined on either side with tombs in tiers like berths on a steamer, and expanding here and there into small square chambers, bearing the traces of ancient frescos, and evidently used as chapels,—I venture to offer the information here. The reader is to keep in his mind a darkness broken by the light of wax tapers, a close smell, and crookedness and narrowness, or he cannot realize the catacombs as they are in fact. Our monkish guide, before entering the passage leading from the floor of the church to the tombs, in which there was still some "fine small dust" of the martyrs, warned us that to touch it was to incur the penalty of excommunication, and then gently craved pardon for having mentioned the fact. But, indeed, it was only to persons who showed a certain degree of reverence that these places were now exhibited; for some Protestants who had been permitted there had stolen handfuls of the precious ashes, merely to throw away. I assured him that I thought them beasts to do it; and I was afterwards puzzled to know what should attract their wantonness in the remnants of mortality, hardly to be distinguished from the common earth out of which the catacombs were dug.

III.

Returning to the church above we found, kneeling before one of the altars, two pilgrims,—a man and a woman. The latter was habited in a nun-like dress of black, and the former in a long pilgrim's coat of coarse blue stuff. He bore a pilgrim's staff in his hand, and showed under his close hood a fine, handsome, reverent face, full of a sort of tender awe, touched with the pathos of penitence. In attendance upon the two was a dapper little silk-hatted man, with rogue so plainly written in his devotional countenance that I was not surprised to be told that he was a species of spiritual valet de place, whose occupation it was to attend pilgrims on their tour to the Seven Churches at which these devotees pray in Rome, and there to direct their orisons and join in them.

It was not to the pilgrims, but to the heretics that the monk now uncovered the precious marble slab on which Christ stood when he met Peter flying from Rome and turned him back. You are shown the prints of the divine feet, which the conscious stone received and keeps forever; and near at hand is one of the arrows with which St. Sebastian was shot. We looked at these things critically, having to pay for the spectacle; but the pilgrims and their guide were all faith and wonder.

I remember seeing nothing else so finely superstitious at Rome. In a chapel near the Church of St. John Lateran are, as is well known, the marble steps which once belonged to Pilate's house, and which the Saviour is said to have ascended when he went to trial before Pilate. The steps are protected against the wear and tear of devotion by a stout casing of wood, and they are constantly covered with penitents, who ascend and descend them upon their knees. Most of the pious people whom I saw in this act were children, and the boys enjoyed it with a good deal of giggling, as a very amusing feat. Some old and haggard women gave the scene all the dignity which it possessed; but certain well-dressed ladies and gentlemen were undeniably awkward and absurd, and I was led to doubt if there were not an incompatibility between the abandon of simple faith and the respectability of good clothes.

IV.

In all other parts of Italy one hears constant talk among travellers of the malaria at Rome, and having seen a case of Roman fever, I know it is a thing not to be trifled with. But in Rome itself the malaria is laughed at by the foreign residents,—who, nevertheless, go out of the city in midsummer. The Romans, to the number of a hundred thousand or so, remain there the whole year round, and I am bound to say I never saw a healthier, robuster-looking population. The cheeks of the French soldiers, too, whom we met at every turn, were red as their trousers, and they seemed to flourish on the imputed unwholesomeness of the atmosphere. All at Rome are united in declaring that the fever exists at Naples, and that sometimes those who have taken it there come and die in Rome, in order to give the city a bad name; and I think this very likely.

Rome is certainly dirty, however, though there is a fountain in every square, and you are never out of the sound of falling water. The Corso and some of the principal streets do not so much impress you with their filth as with their dullness; but that part of the city where some of the most memorable relics of antiquity are to be found is unimaginably vile. The least said of the state of the archways of the Coliseum the soonest mended; and I have already spoken of the Forum. The streets near the Theatre of Pompey are almost impassable, and the so-called House of Rienzi is a stable, fortified against approach by a fosse of excrement. A noisome smell seems to be esteemed the most appropriate offering to the memory of ancient Rome, and I am not sure that the moderns are mistaken in this. In the rascal streets in the neighborhood of the most august ruins, the people turn round to stare at the stranger as he passes them; they are all dirty, and his decency must be no less a surprise to them than the neatness of the French soldiers amid all the filth is a puzzle to him. We wandered about a long time in such places one day, looking for the Tarpeian Rock, less for Tarpeia's sake than for the sake of Miriam and Donatello and the Model. There are two Tarpeian rocks, between which the stranger takes his choice; and we must have chosen the wrong one, for it seemed but a shallow gulf compared to that in our fancy. We were somewhat disappointed; but then Niagara disappoints one; and as for Mont Blanc....

V.

It is worth while for every one who goes to Rome to visit the Church of St. Peter's; but it is scarcely worth while for me to describe it, or for every one to go up into the bronze globe on the top of the cupola. In fact, this is a great labor, and there is nothing to be seen from the crevices in the ball which cannot be far more comfortably seen from the roof of the church below.

The companions of our ascent to the latter point were an English lady and gentleman, brother and sister, and both Catholics, as they at once told us. The lady and myself spoke for some time in the Tuscan tongue before we discovered that neither of us was Italian, after which we paid each other some handsome compliments upon fluency and perfection of accent. The gentleman was a pleasant purple porpoise from the waters of Chili, whither he had wandered from the English coasts in early youth. He had two leading ideas: one concerned the Pope, to whom he had just been presented, and whom he viewed as the best and blandest of beings; the other related to his boy, then in England, whom he called Jack Spratt, and considered the grandest and greatest of boys. With the view from the roof of the church this gentleman did not much trouble himself. He believed Jack Spratt could ride up to the roof where we stood on his donkey. As to the great bronze globe which we were hurrying to enter he seemed to regard it merely as a rival in rotundity, and made not the slightest motion to follow us.

I should be loth to vex the reader with any description of the scene before us and beneath us, even if I could faithfully portray it. But I recollect, with a pleasure not to be left unrecorded, the sweetness of the great fountain playing in the square before the church, and the harmony in which the city grew in every direction from it, like an emanation from its music, till the last house sank away into the pathetic solitude of the Campagna, with nothing beyond but the snow-capped mountains lighting up the remotest distance. At the same moment I experienced a rapture in reflecting that I had underpaid three hackmen during my stay in Rome, and thus contributed to avenge my race for ages of oppression.

The vastness of St. Peter's itself is best felt in looking down upon the interior from the gallery that surrounds the inside of the dome, and in comparing one's own littleness with the greatness of all the neighboring mosaics. But as to the beauty of the temple, I could not find it without or within.

VI.

In Rome one's fellow-tourists are a constant source of gratification and surprise. I thought that American travellers were by no means the most absurd among those we saw, nor even the loudest in their approval of the Eternal City. A certain order of German greenness affords, perhaps, the pleasantest pasturage for the ruminating mind. For example, at the Villa Ludovisi there was, beside numerous Englishry in detached bodies, a troop of Germans, chiefly young men, frugally pursuing the Sehenswuerdigkeiten in the social manner of their nation. They took their enjoyment very noisily, and wrangled together with furious amiability as they looked at Guercino's "Aurora." Then two of them parted from the rest, and went to a little summer-house in the gardens, while the others followed us to the top of the Casino. There they caught sight of their friends in the arbor, and the spectacle appeared to overwhelm them. They bowed, they took off their hats, they waved their handkerchiefs. It was not enough: one young fellow mounted on the balustrade of the roof at his neck's risk, lifted his hat on his cane and flourished it in greeting to the heart's-friends in the arbor, from whom he had parted two minutes before.

In strange contrast to the producer of this enthusiasm, so pumped and so unmistakably mixed with beer, a fat and pallid Englishwoman sat in a chair upon the roof and coldly, coldly sketched the lovely landscape. And she and the blonde young English girl beside her pronounced a little dialogue together, which I give, because I saw that they meant it for the public:

The Young Girl.—I wonder, you knoa, you don't draw-ow St. Petuh's!

The Artist.—O ah, you knoa, I can draw-ow St. Petuh's from so mennee powints.

I am afraid that the worst form of American greenness appears abroad in a desire to be perfectly up in critical appreciation of the arts, and to approach the great works in the spirit of the connoisseur. The ambition is not altogether a bad one. Still I could not help laughing at a fellow-countryman when he told me that he had not yet seen Raphael's "Transfiguration," because he wished to prepare his mind for understanding the original by first looking at all the copies he could find.

VII.

The Basilica San Paolo fuori le Mura surpasses every thing in splendor of marble and costly stone—porphyry, malachite, alabaster—and luxury of gilding that is to be seen at Rome. But I chiefly remember it because on the road that leads to it, through scenes as quiet and peaceful as if history had never known them, lies the Protestant graveyard in which Keats is buried. Quite by chance the driver mentioned it, pointing in the direction of the cemetery with his whip. We eagerly dismounted and repaired to the gate, where we were met by the son of the sexton, who spoke English through the beauteous line of a curved Hebrew nose. Perhaps a Christian could not be found in Rome to take charge of these heretic graves, though Christians can be got to do almost any thing there for money. However, I do not think a Catholic would have kept the place in better order, or more intelligently understood our reverent curiosity. It was the new burial-ground which we had entered, and which is a little to the right of the elder cemetery. It was very beautiful and tasteful in every way; the names upon the stones were chiefly English and Scotch, with here and there an American's. But affection drew us only to the prostrate tablet inscribed with the words, "Percy Bysshe Shelley, Cor Cordium," and then we were ready to go to the grave of him for whom we all feel so deep a tenderness. The grave of John Keats is one of few in the old burying-ground, and lies almost in the shadow of the pyramid of Caius Cestius; and I could not help thinking of the wonder the Roman would have felt could he have known into what unnamable richness and beauty his Greek faith had ripened in the heart of the poor poet, where it was mixed with so much sorrow. Doubtless, in his time, a prominent citizen like Caius Cestius was a leading member of the temple in his neighborhood, and regularly attended sacrifice: it would have been but decent; and yet I fancied that a man immersed like him in affairs might have learned with surprise the inner and more fragrant meaning of the symbols with the outside of which his life was satisfied; and I was glad to reflect that in our day such a thing is impossible.

The grave of our beloved poet is sunken to the level of the common earth, and is only marked by the quaintly lettered, simple stone bearing the famous epitaph. While at Rome I heard talk of another and grander monument which some members of the Keats family were to place over the dust of their great kinsman. But, for one, I hope this may never be done, even though the original stone should also be left there, as was intended. Let the world still keep unchanged this shrine, to which it can repair with at once pity and tenderness and respect.

A rose-tree and some sweet-smelling bushes grew upon the grave, and the roses were in bloom. We asked leave to take one of them; but at last could only bring ourselves to gather some of the fallen petals. Our Hebrew guide was willing enough, and unconsciously set us a little example of wantonness; for while he listened to our explanation of the mystery which had puzzled him ever since he had learned English, namely, why the stone should say "writ on water," and not written, he kept plucking mechanically at one of the fragrant shrubs, pinching away the leaves, and rending the tender twig, till I, remembering the once-sensitive dust from which it grew, waited for the tortured tree to cry out to him with a voice of words and blood, "Perche mi schianti?"

VIII.

It seems to me that a candid person will wish to pause a little before condemning Gibson's colored statues. They have been grossly misrepresented. They do not impress one at all as wax-work, and there is great wrong in saying that their tinted nakedness suggests impurity any more than the white nakedness of other statues. The coloring is quite conventional; the flesh is merely warmed with the hue representing life; the hair is always a very delicate yellow, the eyes a tender violet, and there is no other particularization of color; a fillet binding the hair may be gilded,—the hem of a robe traced in blue. I, who had just come from seeing the fragments of antique statuary in Naples Museum, tinted in the same way, could not feel that there was any thing preposterous in Gibson's works, and I am not ashamed to say that they gave me pleasure.

As we passed, in his studio, from one room to another, the workman who showed the marbles surprised and delighted us by asking if we would like to see the sculptor, and took us up into the little room where Gibson worked. He was engaged upon a bass-relief,—a visit of Psyche to the Zephyrs, or something equally aerial and mythological,—and received us very simply and naturally, and at once began with some quaint talk about the subject in hand. When we mentioned our pleasure in his colored marbles we touched the right spring, and he went on to speak of his favorite theory with visible delight, making occasional pauses to bestow a touch on the bass-relief, and coming back to his theme with that self-corroborative "Yes!" of his, which Hawthorne has immortalized. He was dressed with extraordinary slovenliness and indifference to clothes, had no collar, I think, and evidently did not know what he had on. Every thing about him bespoke the utmost unconsciousness and democratic plainness of life, so that I could readily believe a story I heard of him. Having dined the greater part of his life in Roman restaurants where it is but wholesome to go over your plate, glass, spoon, and knife and fork with your napkin before using them, the great sculptor had acquired such habits of neatness that at table in the most aristocratic house in England he absent-mindedly went through all that ceremony of cleansing and wiping. It is a story they tell in Rome, where every body is anecdoted, and not always so good-naturedly.

IX.

One Sunday afternoon we went with some artistic friends to visit the studio of the great German painter, Overbeck; and since I first read Uhland I have known no pleasure so illogical as I felt in looking at this painter's drawings. In the sensuous heart of objective Italy he treats the themes of mediaeval Catholicism with the most subjective feeling, and I thought I perceived in his work the enthusiasm which led many Protestant German painters and poets of the romantic school back into the twilight of the Romish faith, in the hope that they might thus realize to themselves something of the earnestness which animated the elder Christian artists. Overbeck's work is beautiful, but it is unreal, and expresses the sentiment of no time; as the work of the romantic German poets seems without relation to any world men ever lived in.

Walking from the painter's house, two of us parted with the rest on the steps of the Church of Santa Maria Maggiore, and pursued our stroll through the gate of San Lorenzo out upon the Campagna, which tempts and tempts the sojourner at Rome, until at last he must go and see—if it will give him the fever. And, alas! there I caught the Roman fever—the longing that burns one who has once been in Rome to go again—that will not be cured by all the cool contemptuous things he may think or say of the Eternal City; that fills him with fond memories of its fascination, and makes it forever desired.

We walked far down the dusty road beyond the city walls, and then struck out from the highway across the wild meadows of the Campagna. They were weedy and desolate, seamed by shaggy grass-grown ditches, and deeply pitted with holes made in search for catacombs. There was here and there a farm-house amid the wide lonesomeness, but oftener a round, hollow, roofless tomb, from which the dust and memory of the dead had long been blown away, and through the top of which—fringed and overhung with grasses, and opening like a great eye—the evening sky looked marvelously sad. One of the fields was full of grim, wide-horned cattle, and in another there were four or five buffaloes lying down and chewing their cuds,—holding their heads horizontally in the air, and with an air of gloomy wickedness which nothing could exceed in their cruel black eyes, glancing about in visible pursuit of some object to toss and gore. There were also many canebrakes, in which the wind made a mournful rustling after the sun had set in golden glitter on the roofs of the Roman churches and the transparent night had fallen upon the scene.

In all our ramble we met not a soul, and I scarcely know what it is makes this walk upon the Campagna one of my vividest recollections of Rome, unless it be the opportunity it gave me to weary myself upon that many-memoried ground as freely as if it had been a woods-pasture in Ohio. Nature, where history was so august, was perfectly simple and motherly, and did so much to make me at home, that, as the night thickened and we plunged here and there into ditches and climbed fences, and struggled, heavy-footed, back through the suburbs to the city gate, I felt as if half my boyhood had been passed upon the Campagna.

X.

Pasquino, like most other great people, is not very interesting upon close approach. There is no trace now in his aspect to show that he has ever been satirical; but the humanity that the sculptor gave him is imperishable, though he has lost all character as a public censor. The torso is at first glance nothing but a shapeless mass of stone, but the life can never die out of that which has been shaped by art to the likeness of a man, and a second look restores the lump to full possession of form and expression. For this reason I lament that statues should ever be restored except by sympathy and imagination.

XI.

Regarding the face of Pompey's statue in the Spada Palace, I was more struck than ever with a resemblance to American politicians which I had noted in all the Roman statues. It is a type of face not now to be found in Rome, but frequent enough here, and rather in the South than in the North. Pompey was like the pictures of so many Southern Congressmen that I wondered whether race had not less to do with producing types than had similarity of circumstances; whether a republicanism based upon slavery could not so far assimilate character as to produce a common aspect in people widely separated by time and creeds, but having the same unquestioned habits of command, and the same boundless and unscrupulous ambition.

XII.

When the Tiber, according to its frequent habit, rises and inundates the city, the Pantheon is one of the first places to be flooded—the sacristan told us. The water climbs above the altar-tops, sapping, in its recession, the cement of the fine marbles which incrust the columns, so that about their bases the pieces have to be continually renewed. Nothing vexes you so much in the Pantheon as your consciousness of these and other repairs. Bad as ruin is, I think I would rather have the old temple ruinous in every part than restored as you find it. The sacristan felt the wrongs of the place keenly, and said, referring to the removal of the bronze roof, which took place some centuries ago, "They have robbed us of every thing" (Ci hanno levato tutto); as if he and the Pantheon were of one blood, and he had suffered personal hurt in its spoliation.

What a sense of the wildness everywhere lurking about Rome we had given us by that group of peasants who had built a fire of brushwood almost within the portico of the Pantheon, and were cooking their supper at it, the light of the flames luridly painting their swarthy faces!

XIII.

Poor little Numero Cinque Via del Gambero has seldom, I imagine, known so violent a sensation as that it experienced when, on the day of the Immaculate Conception, the Armenian Archbishop rolled up to the door in his red coach. The master of the house had always seemed to like us; now he appeared with profound respect suffusing, as it were, his whole being, and announced, "Signore, it is Monsignore come to take you to the Sistine Chapel in his carriage," and drew himself up in a line, as much like a series of serving-men as possible, to let us pass out. There was a private carriage for the ladies near that of Monsignore, for he had already advertised us that the sex were not permitted to ride in the red coach. As they appeared, however, he renewed his expressions of desolation at being deprived of their company, and assured them of his good-will with a multiplicity of smiles and nods, intermixed with shrugs of recurrence to his poignant regret. But! In fine, it was forbidden!

Monsignore was in full costume, with his best ecclesiastical clothes on, and with his great gold chain about his neck. The dress was richer than that of the western archbishops; and the long white beard of Monsignore made him look much more like a Scriptural monsignore than these. He lacked, perhaps, the fine spiritual grace of his brother, the Archbishop at Venice, to whose letter of introduction we owed his acquaintance and untiring civilities; but if a man cannot be plump and spiritual, he can be plump and pleasant, as Monsignore was to the last degree. He enlivened our ride with discourse about the Armenians at Venice, equally beloved of us; and, arrived at the Sistine Chapel, he marshaled the ladies before him, and won them early entrance through the crowd of English people crushing one another at the door. Then he laid hold upon the captain of the Swiss Guard, who was swift to provide them with the best places; and in nowise did he seem one of the uninfluential and insignificant priests that About describes the archbishops at Rome to be. According to this lively author, a Swiss guard was striking back the crowd on some occasion with the butt of his halberd, and smote a cardinal on the breast. He instantly dropped upon his knees, with "Pardon, Eminenza! I thought it was a monsignore!" Even the chief of these handsome fellows had nothing but respect and obedience for our Archbishop.

The gentlemen present were separated from the ladies, and in a very narrow space outside of the chapel men of every nation were penned up together. All talked—several priests as loudly as the rest. But the rudest among them were certain Germans, who not only talked but stood upon a seat to see better, and were ordered down by one of the Swiss with a fierce "Giu, signore, giu!" Otherwise the guard kept good order in the chapel, and were no doubt as useful and genuine as any thing about the poor old Pope. What gorgeous fellows they were, and, as soldiers, how absurd! The weapons they bore were as obsolete as the excommunication. It was amusing to pass one of these play-soldiers on guard at the door of the Vatican—tall, straight, beautiful, superb, with his halberd on his shoulder—and then come to a real warrior outside, a little, ugly, red-legged French sentinel, with his Minie on his arm.

Except for the singing of the Pope's choir—which was angelically sweet, and heavenly far above all praise—the religious ceremonies affected me, like all others of that faith, as tedious and empty. Each of the cardinals, as he entered the chapel, blew a sonorous nose; and was received standing by his brother prelates—a grotesque company of old-womanish old men in gaudy gowns. One of the last to come was Antonelli, who has the very wickedest face in the world. He sat with his eyes fastened upon his book, but obviously open at every pore to all that went on about him. As he passed out he cast gleaming, terrible, sidelong looks upon the people, full of hate and guile.

From where I stood I saw the Pope's face only in profile: it was gentle and benign enough, but not great in expression, and the smile on it almost degenerated into a simper. His Holiness had a cold; and his recitative, though full, was not smooth. He was all priest when, in the midst of the service, he hawked, held his handkerchief up before his face, a little way off, and ruthlessly spat in it!



FORZA MAGGIORE.

I imagine that Grossetto is not a town much known to travel, for it is absent from all the guide-books I have looked at. However, it is chief in the Maremma, where sweet Pia de' Tolommei languished and perished of the poisonous air and her love's cruelty, and where, so many mute centuries since, the Etrurian cities flourished and fell. Further, one may say that Grossetto is on the diligence road from Civita Vecchia to Leghorn, and that in the very heart of the place there is a lovely palm-tree, rare, if not sole, in that latitude. This palm stands in a well-sheltered, dull little court, out of every thing's way, and turns tenderly toward the wall that shields it on the north. It has no other company but a beautiful young girl, who leans out of a window high over its head, and I have no doubt talks with it. At the moment we discovered the friends, the maiden was looking pathetically to the northward, while the palm softly stirred and opened its plumes, as a bird does when his song is finished; and there is very little question but it had just been singing to her that song of which the palms are so fond,—

"Ein Fichtenbaum steht einsam Im Norden auf kahler Hoeh'."

Grossetto does her utmost to hide the secret of this tree's existence, as if a hard, matter-of-fact place ought to be ashamed of a sentimentality of the kind. It pretended to be a very worldly town, and tried to keep us in the neighborhood of its cathedral, where the caffe and shops are, and where, in the evening, four or five officers of the garrison clinked their sabres on the stones, and promenaded up and down, and as many ladies shopped for gloves; and as many citizens sat at the principal caffe and drank black coffee. This was lively enough; and we knew that the citizens were talking of the last week's news and the Roman question; that the ladies were really looking for loves, not gloves; that such of the officers as had no local intrigue to keep their hearts at rest were terribly bored, and longed for Florence or Milan or Turin.

Besides the social charms of her piazza, Grossetto put forth others of an artistic nature. The cathedral was very old and very beautiful,—built of alternate lines of red and white marble, and lately restored in the best spirit of fidelity and reverence. But it was not open, and we were obliged to turn from it to the group of statuary in the middle of the piazza, representative of the Maremma and Family returning thanks to the Grand Duke Leopold III. of Tuscany for his goodness in causing her swamps to be drained. The Maremma and her children are arrayed in the scant draperies of Allegory, but the Grand Duke is fully dressed, and is shown looking down with some surprise at their figures, and with a visible doubt of the propriety of their public appearance in that state.

There was also a Museum at Grossetto, and I wonder what was in it?

The wall of the town was perfect yet, though the moat at its feet had been so long dry that it was only to be known from the adjacent fields by the richness of its soil. The top of the wall had been leveled, and planted with shade, and turned into a peaceful promenade, like most of such mediaeval defenses in Italy; though I am not sure that a little military life did not still linger about a bastion here and there. From somewhere, when we strolled out early in the morning, to walk upon the wall, there came to us a throb of drums; but I believe that the only armed men we saw, beside the officers in the piazza, were the numerous sportsmen resorting at that season to Grossetto for the excellent shooting in the marshes. All the way to Florence we continued to meet them and their dogs; and our inn at Grossetto overflowed with abundance of game. On the kitchen floor and in the court were heaps of larks, pheasants, quails, and beccafichi, at which a troop of scullion-boys constantly plucked, and from which the great, noble, beautiful, white-aproned cook forever fried, stewed, broiled, and roasted. We lived chiefly upon these generous birds during our sojourn, and found, when we attempted to vary our bill of fare, that the very genteel waiter attending us had few distinct ideas beyond them. He was part of the repairs and improvements which that hostelry had recently undergone, and had evidently come in with the four-pronged forks, the chromo-lithographs of Victor Emanuel, Garibaldi, Solferino, and Magenta in the large dining-room, and the iron stove in the small one. He had nothing, evidently, in common with the brick floors of the bed-chambers, and the ancient rooms with great fire-places. He strove to give a Florentine blandishment to the rusticity of life in the Maremma; and we felt sure that he must know what beefsteak was. When we ordered it, he assumed to be perfectly conversant with it, started to bring it, paused, turned, and, with a great sacrifice of personal dignity, demanded, "Bifsteca di manzo, o bifsteca di motone?"—"Beefsteak of beef, or beefsteak of mutton?"

Of Grossetto proper, this is all I remember, if I except a boy whom I heard singing after dark in the streets,—

"Camicia rossa, O Garibaldi!"

The cause of our sojourn there was an instance of forza maggiore, as the agent of the diligence company defiantly expressed it, in refusing us damages for our overturn into the river. It was in the early part of the winter when we started from Rome for Venice, and we were travelling northward by diligence because the railways were still more or less interrupted by the storms and floods predicted of Matthieu de la Drome,—the only reliable prophet France has produced since Voltaire;—and if our accident was caused by an overruling Providence, the company, according to the very law of its existence, was not responsible. To be sure, we did not see how an overruling Providence was to blame for loading upon our diligence the baggage of two diligences, or for the clumsiness of our driver; but on the other hand, it is certain that the company did not make it rain or cause the inundation. And, in fine, although we could not have travelled by railway, we were masters to have taken the steamer instead of the diligence at Civita Vecchia.

The choice of either of these means of travel had presented itself in vivid hues of disadvantage all the way from Rome to the Papal port, where the French steamer for Leghorn lay dancing a hornpipe upon the short, chopping waves, while we approached by railway. We had leisure enough to make the decision, if that was all we wanted. Our engine-driver had derived his ideas of progress from an Encyclical Letter, and the train gave every promise of arriving at Civita Vecchia five hundred years behind time. But such was the desolating and depressing influence of the weather and the landscape, that we reached Civita Vecchia as undecided as we had left Rome. On the one hand, there had been the land, soaked and sodden,—wild, shagged with scrubby growths of timber and brooded over by sullen clouds, and visibly inhabited only by shepherds, leaning upon their staves at an angle of forty-five degrees, and looking, in their immovable dejection, with their legs wrapped in long-haired goat-skins, like satyrs that had been converted, and were trying to do right; turning dim faces to us, they warned us with every mute appeal against the land, as a waste of mud from one end of Italy to the other. On the other hand, there was the sea-wind raving about our train and threatening to blow it over, and whenever we drew near the coast, heaping the waves upon the beach in thundering menace.

We weakly and fearfully remembered our former journeys by diligence over broken railway routes; we recalled our cruel voyage from Genoa to Naples by sea; and in a state of pitiable dismay we ate five francs' worth at the restaurant of the Civita Vecchia station before we knew it, and long before we had made up our minds. Still we might have lingered and hesitated, and perhaps returned to Rome at last, but for the dramatic resolution of the old man who solicited passengers for the diligence, and carried their passports for a final Papal visa at the police-office. By the account he gave of himself, he was one of the best men in the world, and unique in those parts for honesty and truthfulness; and he besought us, out of that affectionate interest with which our very aspect had inspired him, not to go by steamer, but to go by diligence, which in nineteen hours would land us safe, and absolutely refreshed by the journey, at the railway station in Follonica. And now, once, would we go by diligence? twice, would we go? three times, would we go?

"Signore," said our benefactor, angrily, "I lose my time with you;" and ran away, to be called back in the course of destiny, as he knew well enough, and besought to take us as a special favor.

From the passports he learned that there was official dignity among us, and addressed the unworthy bearer of public honors as Eccellenza, and, at parting bequeathed his advantage to the conductor, commending us all in set terms to his courtesy. He hovered caressingly about us as long as we remained, straining politeness to do us some last little service; and when the diligence rolled away, he did all that one man could to give us a round of applause.

We laughed together at this silly old man, when out of sight; but we confessed that, if travel in our own country ever came, with advancing corruption, to be treated with the small deceits practiced upon it in Italy, it was not likely to be treated with the small civilities also there attendant on it,—and so tried to console ourselves.

At the moment of departure, we were surprised to have enter the diligence a fellow-countryman, whom we had first seen on the road from Naples to Rome. He had since crossed our path with that iteration of travel which brings you again and again in view of the same trunks and the same tourists in the round of Europe, and finally at Civita Vecchia he had turned up, a silent spectator of our scene with the agent of the diligence, and had gone off apparently a confirmed passenger by steamer. Perhaps a nearer view of the sailor's hornpipe, as danced by that vessel in the harbor, shook his resolution. At any rate, here he was again, and with his ticket for Follonica,—a bright-eyed, rosy-cheeked man, and we will say a citizen of Portland, though he was not. For the first time in our long acquaintance with one another's faces, we entered into conversation, and wondered whether we should find brigands or any thing to eat on the road, without expectation of finding either. In respect of robbers, we were not disappointed; but shortly after nightfall we stopped at a lonely post-house to change horses, and found that the landlord had so far counted on our appearance as to have, just roasted and fragrantly fuming, a leg of lamb, with certain small fried fish, and a sufficiency of bread. It was a very lonely place as I say; the sky was gloomy overhead; and the wildness of the landscape all about us gave our provision quite a gamy flavor; and brigands could have added nothing to our sense of solitude.

The road creeps along the coast for some distance from Civita Vecchia, within hearing of the sea, and nowhere widely forsakes it, I believe, all the way to Follonica. The country is hilly, and we stopped every two hours to change horses; at which times we looked out, and, seeing that it was a gray and windy night, though not rainy, exulted that we had not taken the steamer. With very little change, the wisdom of our decision in favor of the diligence formed the burden of our talk during the whole night; and to think of eluded sea-sickness requited us in the agony of our break-neck efforts to catch a little sleep, as, mounted upon our nightmares, we rode steeple-chases up and down the highways and by-ways of horror. Any thing that absolutely awakened us was accounted a blessing; and I remember few things in life with so keen a pleasure as the summons that came to us to descend from our places and cross a river in one boat, while the two diligences of our train followed in another. Here we had time to see our fellow-passengers, as the pulsating light of their cigars illumined their faces, and to discover among them that Italian, common to all large companies, who speaks English, and is very eager to practice it with you,—who is such a benefactor if you do not know his own language, and such a bore if you do. After this, being landed, it was rapture to stroll up and down the good road, and feel it hard and real under our feet, and not an abysmal impalpability, while all the grim shapes of our dreams fled to the spectral line of small boats sustaining the ferry-barge, and swaying slowly from it as the drowned men at their keels tugged them against the tide.

"S' accommodino, Signori!" cries the cheerful voice of the conductor, and we ascend to our places in the diligence. The nightmares are brought out again; we mount, and renew the steeple-chase as before.

Suddenly, it all comes to an end, and we sit wide awake in the diligence, amid a silence only broken by the hiss of rain against the windows, and the sweep of gusts upon the roof. The diligence stands still; there is no rattle of harness, nor other sound to prove that we have arrived at the spot by other means than dropping from the clouds. The idea that we are passengers in the last diligence destroyed before the Deluge, and are now waiting our fate on the highest ground accessible to wheels, fades away as the day dimly breaks, and we find ourselves planted, as the Italians say, on the banks of another river. There is no longer any visible conductor, the horses have been spirited away, the driver has vanished.

The rain beats and beats upon the roof, and begins to drop through upon us in great, wrathful tears, while the river before us rushes away with a momently swelling flood. Enter now from the depths of the storm a number of rainy peasants, with our conductor and driver perfectly waterlogged, and group themselves on the low, muddy shore, near a flat ferry-barge, evidently wanting but a hint of forza maggiore to go down with any thing put into it. A moment they dispute in pantomime, sending now and then a windy tone of protest and expostulation to our ears, and then they drop into a motionless silence, and stand there in the tempest, not braving it, but enduring it with the pathetic resignation of their race, as if it were some form of hopeless political oppression. At last comes the conductor to us and says, It is impossible for our diligences to cross in the boat, and he has sent for others to meet us on the opposite shore. He expected them long before this, but we see! They are not come. Patience and malediction!

Remaining planted in these unfriendly circumstances from four o'clock till ten, we have still the effrontery to be glad that we did not take the steamer. What a storm that must be at sea! When at last our connecting diligences appear on the other shore, we are almost light-hearted, and make a jest of the Ombrone, as we perilously pass it in the ferry-boat too weak for our diligences. Between the landing and the vehicles there is a space of heavy mud to cross, and when we reach them we find the coupe appointed us occupied by three young Englishmen, who insist that they shall be driven to the boat. With that graceful superiority which endears their nation to the world, and makes the travelling Englishman a universal favorite, they keep the seats to which they have no longer any right, while the tempest drenches the ladies to whom the places belong; and it is only by the forza maggiore of our conductor that they can be dislodged. In the mean time the Portland man exchanges with them the assurances of personal and national esteem, which that mighty bond of friendship, the language of Shakespeare and Milton, enables us to offer so idiomatically to our transatlantic cousins.

What Grossetto was like, as we first rode through it, we scarcely looked to see. In four or five hours we should strike the railroad at Follonica; and we merely asked of intermediate places that they should not detain us. We dined in Grossetto at an inn of the Larthian period,—a cold inn and a damp, which seemed never to have been swept since the broom dropped from the grasp of the last Etrurian chambermaid,—and we ate with the two-pronged iron forks of an extinct civilization. All the while we dined, a boy tried to kindle a fire to warm us, and beguiled his incessant failures with stories of inundation on the road ahead of us. But we believed him so little, that when he said a certain stream near Grossetto was impassable, our company all but hissed him.

When we left the town and hurried into the open country, we perceived that he had only too great reason to be an alarmist. Every little rill was risen, and boiling over with the pride of harm, and the broad fields lay hid under the yellow waters that here and there washed over the road. Yet the freshet only presented itself to us as a pleasant excitement; and even when we came to a place where the road itself was covered for a quarter of a mile, we scarcely looked outside the diligence to see how deep the water was. We were surprised when our horses were brought to a stand on a rising ground, and the conductor, cap in hand, appeared at the door. He was a fat, well-natured man, full of a smiling goodwill; and he stood before us in a radiant desperation.

Would Eccellenza descend, look at the water in front, and decide whether to go on? The conductor desired to content; it displeased him to delay,—ma, in somma!—the rest was confided to the conductor's eloquent shoulders and eyebrows.

Eccellenza, descending, beheld but a disheartening prospect. On every hand the country was under water. The two diligences stood on a stone bridge spanning the stream, that, now swollen to an angry torrent, brawled over a hundred yards of the road before us. Beyond, the ground rose, and on its slope stood a farm-house up to its second story in water. Without the slightest hope in his purpose and merely as an experiment, Eccellenza suggested that a man should be sent in on horseback; which being done, man and horse in a moment floundered into swimming depths.

The conductor, vigilantly regarding Eccellenza, gave a great shrug of desolation.

Eccellenza replied with a foreigner's broken shrug,—a shrug of sufficiently correct construction, but wanting the tonic accent, as one may say, though expressing, however imperfectly, an equal desolation.

It appeared to be the part of wisdom not to go ahead, but to go back if we could; and we reentered the water we had just crossed. It had risen a little meanwhile, and the road could now be traced only by the telegraph-poles. The diligence before us went safely through; but our driver, trusting rather to inspiration than precedent, did not follow it carefully, and directly drove us over the side of a small viaduct. All the baggage of the train having been lodged upon the roof of our diligence, the unwieldy vehicle now lurched heavily, hesitated, as if preparing, like Caesar, to fall decently, and went over on its side with a stately deliberation that gave us ample time to arrange our plans for getting out.

The torrent was only some three feet deep, but it was swift and muddy, and it was with a fine sense of shipwreck that Eccellenza felt his boots filling with water, while a conviction that it would have been better, after all, to have taken the steamer, struck coldly home to him. We opened the window in the top side of the diligence, and lifted the ladies through it and the conductor, in the character of life-boat, bore them ashore; while the driver cursed his horses in a sullen whisper, and could with difficulty be diverted from that employment to cut the lines and save one of them from drowning.

Here our compatriot, whose conversation with the Englishman at the Ombrone we had lately admired, showed traits of strict and severe method which afterward came into even bolder relief. The ladies being rescued, he applied himself to the rescue of their hats, cloaks, rubbers, muffs, books, and bags, and handed them up through the window with tireless perseverance, making an effort to wring or dry each article in turn. The other gentleman on top received them all rather grimly, and had not perhaps been amused by the situation but for the exploit of his hat. It was of the sort called in Italian as in English slang a stove-pipe (canna), and having been made in Italy, it was of course too large for its wearer. It had never been any thing but a horror and reproach to him, and he was now inexpressibly delighted to see it steal out of the diligence in company with one of the red-leather cushions, and glide darkly down the flood. It nodded and nodded to the cushion with a superhuman tenderness and elegance, and had a preposterous air of whispering, as it drifted out of sight,—

"It may be we shall reach the Happy Isles,— It may be that the gulfs shall wash us down."

The romantic interest of this episode had hardly died away, when our adventure acquired an idyllic flavor from the appearance on the scene of four peasants in an ox-cart. These the conductor tried to engage to bring out the baggage and right the fallen diligence; and they, after making him a little speech upon the value of their health, which might be injured, asked him, tentatively, two hundred francs for the service. The simple incident enforced the fact already known to us,—that, if Italians sometimes take advantage of strangers, they are equally willing to prey upon each other; but I doubt if any thing could have taught a foreigner the sweetness with which our conductor bore the enormity, and turned quietly from those brigands to carry the Portland man from the wreck, on which he lingered, to the shore.

Here in the gathering twilight the passengers of both diligences grouped themselves, and made merry over the common disaster. As the conductor and the drivers brought off the luggage our spirits rose with the arrival of each trunk, and we were pleased or not as we found it soaked or dry. We applauded and admired the greater sufferers among us: a lady who opened a dripping box was felt to have perpetrated a pleasantry; and a Brazilian gentleman, whose luggage dropped to pieces and was scattered in the flood about the diligence, was looked upon as a very subtile humorist. Our own contribution to these witty passages was the epigrammatic display of a reeking trunk full of the pretty rubbish people bring away from Rome and Naples,—copies of Pompeian frescos more ruinous than the originals; photographs floating loose from their cards; little earthen busts reduced to the lumpishness of common clay; Roman scarfs stained and blotted out of all memory of their recent hues; Roman pearls clinging together in clammy masses.

We were a band of brothers and sisters, as we all crowded into one diligence and returned to Grossetto. Arrived there, our party, knowing that a public conveyance in Italy—and everywhere else—always stops at the worst inn in a place, made bold to seek another, and found it without ado, though the person who undertook to show it spoke of it mysteriously and as of difficult access, and tried to make the simple affair as like a scene of grand opera as he could.

We took one of the ancient rooms in which there was a vast fire-place, as already mentioned, and we there kindled such a fire as could not have been known in that fuel-sparing land for ages. The drying of the clothes was an affair that drew out all the energy and method of our compatriot, and at a late hour we left him moving about among the garments that dangled and dripped from pegs and hooks and lines, dealing with them as a physician with his sick, and tenderly nursing his dress-coat, which he wrung and shook and smoothed and pulled this way and that with a never-satisfied anxiety. At midnight, he hired a watcher to keep up the fire and turn the steaming raiment, and, returning at four o'clock, found his watcher dead asleep before the empty fire-place. But I rather applaud than blame the watcher for this. He must have been a man of iron nerve to fall asleep amid all that phantasmal show of masks and disguises. What if those reeking silks had forsaken their nails, and, decking themselves with the blotted Roman scarfs and the slimy Roman pearls, had invited the dress-coats to look over the dripping photographs? Or if all those drowned garments had assumed the characters of the people whom they had grown to resemble, and had sat down to hear the shade of Pia de' Tolommei rehearse the story of her sad fate in the Maremma? I say, if a watcher could sleep in such company, he was right to do so.

* * * * *

On the third day after our return to Grossetto, we gathered together our damaged effects, and packed them into refractory trunks. Then we held the customary discussion with the landlord concerning the effrontery of his account, and drove off once more toward Follonica. We could scarcely recognize the route for the one we had recently passed over; and it was not until we came to the scene of our wreck, and found the diligence stranded high and dry upon the roadside, that we could believe the whole landscape about us had been flooded three days before. The offending stream had shrunk back to its channel, and now seemed to feign an unconsciousness of its late excess, and had a virtuous air of not knowing how in the world to account for that upturned diligence. The waters, we learned, had begun to subside the night after our disaster; and the vehicle might have been righted and drawn off—for it was not in the least injured—forty-eight hours previously; but I suppose it was not en regle to touch it without orders from Rome. I picture it to myself still lying there, in the heart of the marshes, and thrilling sympathetic travel with the spectacle of its ultimate ruin:

"Disfecemi Maremma."

We reached Follonica at last, and then the cars hurried us to Leghorn. We were thoroughly humbled in spirit, and had no longer any doubt that we did ill to take the diligence at Civita Vecchia instead of the steamer; for we had been, not nineteen hours, but four days on the road, and we had suffered as aforementioned.

But we were destined to be partially restored to our self-esteem, if not entirely comforted for our losses, when we sat down to dinner in the Hotel Washington, and the urbane head-waiter, catching the drift of our English discourse, asked us,—

"Have the signori heard that the French steamer, which left Civita Vecchia the same day with their diligence, had to put back and lie in port more than two days on account of the storm? She is but now come into Leghorn, after a very dangerous passage."



AT PADUA

I.

Those of my readers who have frequented the garden of Doctor Rappaccini no doubt recall with perfect distinctness the quaint old city of Padua. They remember its miles and miles of dim arcade over-roofing the sidewalks everywhere, affording excellent opportunity for the flirtation of lovers by day and the vengeance of rivals by night. They have seen the now-vacant streets thronged with maskers, and the Venetian Podesta going in gorgeous state to and from the vast Palazzo della Ragione. They have witnessed ringing tournaments in those sad empty squares, and races in the Prato della Valle, and many other wonders of different epochs, and their pleasure makes me half-sorry that I should have lived for several years within an hour by rail from Padua, and should know little or nothing of these great sights from actual observation. I take shame to myself for having visited Padua so often and so familiarly as I used to do,—for having been bored and hungry there,—for having had toothache there, upon one occasion,—for having rejoiced more in a cup of coffee at Pedrocchi's than in the whole history of Padua,—for having slept repeatedly in the bad-bedded hotels of Padua and never once dreamt of Portia,—for having been more taken by the salti mortali[Salti mortali are those prodigious efforts of mental arithmetic by which Italian waiters, in verbally presenting your account, arrive at six as the product of two and two.] of a waiter who summed up my account at a Paduan restaurant, than by all the strategies with which the city has been many times captured and recaptured. Had I viewed Padua only over the wall of Doctor Rappaccini's garden, how different my impressions of the city would now be! This is one of the drawbacks of actual knowledge. "Ah! how can you write about Spain when once you have been there?" asked Heine of Theophile Gautier setting out on a journey thither.

Nevertheless it seems to me that I remember something about Padua with a sort of romantic pleasure. There was a certain charm which I can dimly recall, in sauntering along the top of the old wall of the city, and looking down upon the plumy crests of the Indian corn that flourished up so mightily from the dry bed of the moat. At such times I could not help figuring to myself the many sieges that the wall had known, with the fierce assault by day, the secret attack by night, the swarming foe upon the plains below, the bristling arms of the besieged upon the wall, the boom of the great mortars made of ropes and leather and throwing mighty balls of stone, the stormy flight of arrows, the ladders planted against the defenses and staggering headlong into the moat, enriched for future agriculture not only by its sluggish waters, but by the blood of many men. I suppose that most of these visions were old stage spectacles furbished up anew, and that my armies were chiefly equipped with their obsolete implements of warfare from museums of armor and from cabinets of antiquities; but they were very vivid for all that.

I was never able, in passing a certain one of the city gates, to divest myself of an historic interest in the great loads of hay waiting admission on the outside. For an instant they masked again the Venetian troops that, in the War of the League of Cambray, entered the city in the hay-carts, shot down the landsknechts at the gates, and, uniting with the citizens, cut the German garrison to pieces. But it was a thing long past. The German garrison was here again; and the heirs of the landsknechts went clanking through the gate to the parade-ground, with that fierce clamor of their kettle-drums which is so much fiercer because unmingled with the noise of fifes. Once more now the Germans are gone, and, let us trust, forever; but when I saw them, there seemed little hope of their going. They had a great Biergarten on the top of the wall, and they had set up the altars of their heavy Bacchus in many parts of the city.

I please myself with thinking that, if I walked on such a spring day as this in the arcaded Paduan streets, I should catch glimpses, through the gate-ways of the palaces, of gardens full of vivid bloom, and of fountains that tinkle there forever. If it were autumn, and I were in the great market-place before the Palazzo della Ragione, I should hear the baskets of amber-hued and honeyed grapes humming with the murmur of multitudinous bees, and making a music as if the wine itself were already singing in their gentle hearts. It is a great field of succulent verdure, that wide old market-place; and fancy loves to browse about among its gay stores of fruits and vegetables, brought thither by the world-old peasant-women who have been bringing fruits and vegetables to the Paduan market for so many centuries. They sit upon the ground before their great panniers, and knit and doze, and wake up with a drowsy "Comandala?" as you linger to look at their grapes. They have each a pair of scales,—the emblem of Injustice,—and will weigh you out a scant measure of the fruit if you like. Their faces are yellow as parchment, and Time has written them so full of wrinkles that there is not room for another line. Doubtless these old parchment visages are palimpsests, and would tell the whole history of Padua if you could get at each successive inscription. Among their primal records there must be some account of the Roman city, as each little contadinella remembered it on market-days; and one might read of the terror of Attila's sack, a little later, with the peasant-maid's personal recollections of the bold Hunnish trooper who ate up the grapes in her basket, and kissed her hard, round red cheeks,—for in that time she was a blooming girl,—and paid nothing for either privilege. What wild and confused reminiscences on the wrinkled visage we should find thereafter of the fierce republican times, of Ecelino, of the Carraras, of the Venetian rule! And is it not sad to think of systems and peoples all passing away, and these ancient women lasting still, and still selling grapes in front of the Palazzo della Ragione? What a long mortality!

The youngest of their number is a thousand years older than the palace, which was begun in the twelfth century, and which is much the same now as it was when first completed. I know that, if I entered it, I should be sure of finding the great hall of the palace—the vastest hall in the world—dim and dull and dusty and delightful, with nothing in it except at one end Donatello's colossal marble-headed wooden horse of Troy, stared at from the other end by the two dog-faced Egyptian women in basalt placed there by Belzoni.

Late in the drowsy summer afternoons I should have the Court of the University all to myself, and might study unmolested the blazons of the noble youth who have attended the school in different centuries ever since 1200, and have left their escutcheons on the walls to commemorate them. At the foot of the stairway ascending to the schools from the court is the statue of the learned lady who was once a professor in the University, and who, if her likeness belie not her looks, must have given a great charm to student life in other times. At present there are no lady professors at Padua any more than at Harvard; and during late years the schools have suffered greatly from the interference of the Austrian government, which frequently closed them for months, on account of political demonstrations among the students. But now there is an end of this and many other stupid oppressions; and the time-honored University will doubtless regain its ancient importance. Even in 1864 it had nearly fifteen hundred students, and one met them everywhere under the arcades, and could not well mistake them, with that blended air of pirate and dandy which these studious young men loved to assume. They were to be seen a good deal on the promenades outside the walls, where the Paduan ladies are driven in their carriages in the afternoon, and where one sees the blood-horses and fine equipages for which Padua is famous. There used once to be races in the Prato della Valle, after the Italian notion of horse-races; but these are now discontinued, and there is nothing to be found there but the statues of scholars and soldiers and statesmen, posted in a circle around the old race-course. If you strolled thither about dusk on such a day as this, you might see the statues unbend a little from their stony rigidity, and in the failing light nod to each other very pleasantly through the trees. And if you stayed in Padua over night, what could be better to-morrow morning than a stroll through the great Botanical Garden,—the oldest botanical garden in the world,—the garden which first received in Europe the strange and splendid growths of our hemisphere,—the garden where Doctor Rappaccini doubtless found the germ of his mortal plant?

On the whole, I believe I would rather go this moment to Padua than to Lowell or Lawrence, or even to Worcester; and as to the disadvantage of having seen Padua, I begin to think the whole place has now assumed so fantastic a character in my mind that I am almost as well qualified to write of it as if I had merely dreamed it.

The day that we first visited the city was very rainy, and we spent most of the time in viewing the churches. These, even after the churches of Venice, one finds rich in art and historic interest, and they in no instance fall into the maniacal excesses of the Renaissance to which some of the temples of the latter city abandon themselves. Their architecture forms a sort of border-land between the Byzantine of Venice and the Lombardic of Verona. The superb domes of St. Anthony's emulate those of St. Mark's; and the porticos of other Paduan churches rest upon the backs of bird-headed lions and leopards that fascinate with their mystery and beauty.

It was the wish to see the attributive Giottos in the Chapter which drew us first to St. Anthony's, and we saw them with the satisfaction naturally attending the contemplation of frescos discovered only since 1858, after having been hidden under plaster and whitewash for many centuries; but we could not believe that Giotto's fame was destined to gain much by their rescue from oblivion. They are in nowise to be compared with this master's frescos in the Chapel of the Annunziata,—which, indeed, is in every way a place of wonder and delight. You reach it by passing through a garden lane bordered with roses, and a taciturn gardener comes out with clinking keys, and lets you into the chapel, where there is nobody but Giotto and Dante, nor seems to have been for ages. Cool it is, and of a pulverous smell, as a sacred place should be; a blessed benching goes round the walls, and you sit down and take unlimited comfort in the frescos. The gardener leaves you alone to the solitude and the silence, in which the talk of the painter and the exile is plain enough. Their contemporaries and yours are cordial in their gay companionship: through the half-open door falls, in a pause of the rain, the same sunshine that they saw lie there; the deathless birds that they heard sing out in the garden trees; it is the fresh sweetness of the grass mown so many hundred years ago that breathes through all the lovely garden grounds.

But in the midst of this pleasant communion with the past, you have a lurking pain; for you have hired your brougham by the hour; and you presently quit the Chapel of Giotto on this account.

We had chosen our driver from among many other drivers of broughams in the vicinity of Pedrocchi's, because he had such an honest look, and was not likely, we thought, to deal unfairly with us.

"But first," said the signor who had selected him, "how much is your brougham an hour?"

So and so.

"Show me the tariff of fares."

"There is no tariff."

"There is. Show it to me."

"It is lost, signor."

"I think not. It is here in this pocket. Get it out."

The tariff appears, and with it the fact that he had demanded just what the boatman of the ballad received in gift,—thrice his fee.

The driver mounted his seat, and served us so faithfully that day in Padua that we took him the next day for Arqua. At the end, when he had received his due, and a handsome mancia besides, he was still unsatisfied, and referred to the tariff in proof that he had been under-paid. On that confronted and defeated, he thanked us very cordially, gave us the number of his brougham, and begged us to ask for him when we came next to Padua and needed a carriage.

From the Chapel of the Annunziata he drove us to the Church of Santa Giustina, where is a very famous and noble picture by Romanino. But as this writing has nothing in the world to do with art, I here dismiss that subject, and with a gross and idle delight follow the sacristan down under the church to the prison of Santa Giustina.

Of all the faculties of the mind there is none so little fatiguing to exercise as mere wonder; and, for my own sake, I try always to wonder at things without the least critical reservation. I therefore, in the sense of deglutition, bolted this prison at once, though subsequent experiences led me to look with grave indigestion upon the whole idea of prisons, their authenticity, and even their existence.

As far as mere dimensions are concerned, the prison of Santa Giustina was not a hard one to swallow, being only three feet wide by about ten feet in length. In this limited space, Santa Giustina passed five years of the paternal reign of Nero (a virtuous and a long-suffering prince, whom, singularly enough, no historic artist has yet arisen to whitewash), and was then brought out into the larger cell adjoining, to suffer a blessed martyrdom. I am not sure now whether the sacristan said she was dashed to death on the stones, or cut to pieces with knives; but whatever the form of martyrdom, an iron ring in the ceiling was employed in it, as I know from seeing the ring,—a curiously well-preserved piece of iron-mongery. Within the narrow prison of the saint, and just under the grating, through which the sacristan thrust his candle to illuminate it, was a mountain of candle-drippings,—a monument to the fact that faith still largely exists in this doubting world. My own credulity, not only with regard to this prison, but also touching the coffin of St. Luke, which I saw in the church, had so wrought upon the esteem of the sacristan, that he now took me to a well, into which, he said, had been cast the bones of three thousand Christian martyrs. He lowered a lantern into the well, and assured me that, if I looked through a certain screenwork there, I could see the bones. On experiment I could not see the bones, but this circumstance did not cause me to doubt their presence, particularly as I did see upon the screen a great number of coins offered for the repose of the martyrs' souls. I threw down some soldi, and thus enthralled the sacristan.

If the signor cared to see prisons, he said, the driver must take him to those of Ecelino, at present the property of a private gentleman near by. As I had just bought a history of Ecelino, at a great bargain, from a second-hand book-stall, and had a lively interest in all the enormities of that nobleman, I sped the driver instantly to the villa of the Signor P——.

It depends here altogether upon the freshness or mustiness of the reader's historical reading whether he cares to be reminded more particularly who Ecelino was. He flourished balefully in the early half of the thirteenth century as lord of Vicenza, Verona, Padua, and Brescia, and was defeated and hurt to death in an attempt to possess himself of Milan. He was in every respect a remarkable man for that time,—fearless, abstemious, continent, avaricious, hardy, and unspeakably ambitious and cruel. He survived and suppressed innumerable conspiracies, escaping even the thrust of the assassin whom the fame of his enormous wickedness had caused the Old Man of the Mountain to send against him. As lord of Padua he was more incredibly severe and bloody in his rule than as lord of the other cities, for the Paduans had been latest free, and conspired the most frequently against him. He extirpated whole families on suspicion that a single member had been concerned in a meditated revolt. Little children and helpless women suffered hideous mutilation and shame at his hands. Six prisons in Padua were constantly filled by his arrests. The whole country was traversed by witnesses of his cruelties,—men and women deprived of an arm or leg, and begging from door to door. He had long been excommunicated; at last the Church proclaimed a crusade against him, and his lieutenant and nephew—more demoniacal, if possible, than himself—was driven out of Padua while he was operating against Mantua. Ecelino retired to Verona, and maintained a struggle against the crusade for nearly two years longer, with a courage which never failed him. Wounded and taken prisoner, the soldiers of the victorious army gathered about him, and heaped insult and reproach upon him; and one furious peasant, whose brother's feet had been cut off by Ecelino's command, dealt the helpless monster four blows upon the head with a scythe. By some, Ecelino is said to have died of these wounds alone; but by others it is related that his death was a kind of suicide, inasmuch as he himself put the case past surgery by tearing off the bandages from his hurts, and refusing all medicines.

II.

Entering at the enchanted portal of the Villa P——, we found ourselves in a realm of wonder. It was our misfortune not to see the magician who compelled all the marvels on which we looked, but for that very reason, perhaps, we have the clearest sense of his greatness. Everywhere we beheld the evidences of his ingenious but lugubrious fancy, which everywhere tended to a monumental and mortuary effect. A sort of vestibule first received us, and beyond this dripped and glimmered the garden. The walls of the vestibule were covered with inscriptions setting forth the sentiments of the philosophy and piety of all ages concerning life and death; we began with Confucius, and we ended with Benjamino Franklino. But as if these ideas of mortality were not sufficiently depressing, the funereal Signor P—— had collected into earthen amphorae the ashes of the most famous men of ancient and modern times, and arranged them so that a sense of their number and variety should at once strike his visitor. Each jar was conspicuously labeled with the name its illustrious dust had borne in life; and if one escaped with comparative cheerfulness from the thought that Seneca had died, there were in the very next pot the cinders of Napoleon to bully him back to a sense of his mortality.

We were glad to have the gloomy fascination of these objects broken by the custodian, who approached to ask if we wished to see the prisons of Ecelino, and we willingly followed him into the rain out of our sepulchral shelter.

Between the vestibule and the towers of the tyrant lay that garden already mentioned, and our guide led us through ranks of weeping statuary, and rainy bowers, and showery lanes of shrubbery, until we reached the door of his cottage. While he entered to fetch the key to the prisons, we noted that the towers were freshly painted and in perfect repair; and indeed the custodian said frankly enough, on reappearing, that they were merely built over the prisons on the site of the original towers. The storied stream of the Bacchiglione sweeps through the grounds, and now, swollen by the rainfall, it roared, a yellow torrent, under a corner of the prisons. The towers rise from masses of foliage, and form no unpleasing feature of what must be, in spite of Signor P——, a delightful Italian garden in sunny weather. The ground is not so flat as elsewhere in Padua, and this inequality gives an additional picturesqueness to the place. But as we were come in search of horrors, we scorned these merely lovely things, and hastened to immure ourselves in the dungeons below. The custodian, lighting a candle, (which ought, we felt, to have been a torch,) went before.

We found the cells, though narrow and dark, not uncomfortable, and the guide conceded that they had undergone some repairs since Ecelino's time. But all the horrors for which we had come were there in perfect grisliness, and labeled by the ingenious Signor P—— with Latin inscriptions.

In the first cell was a shrine of the Virgin, set in the wall. Beneath this, while the wretched prisoner knelt in prayer, a trap-door opened and precipitated him upon the points of knives, from which his body fell into the Bacchiglione below. In the next cell, held by some rusty iron rings to the wall, was a skeleton, hanging by the wrists.

"This," said the guide, "was another punishment of which Ecelino was very fond."

A dreadful doubt seized my mind. "Was this skeleton found here?" I demanded.

Without faltering an instant, without so much as winking an eye, the custodian replied, "Appunto."

It was a great relief, and restored me to confidence in the establishment. I am at a loss to explain how my faith should have been confirmed afterwards by coming upon a guillotine—an awful instrument in the likeness of a straw-cutter, with a decapitated wooden figure under its blade—which the custodian confessed to be a modern improvement placed there by Signor P——. Yet my credulity was so strengthened by his candor, that I accepted without hesitation the torture of the water-drop when we came to it. The water-jar was as well preserved as if placed there but yesterday, and the skeleton beneath it—found as we saw it—was entire and perfect.

In the adjoining cell sat a skeleton—found as we saw it—with its neck in the clutch of the garrote, which was one of Ecelino's more merciful punishments; while in still another cell the ferocity of the tyrant appeared in the penalty inflicted upon the wretch whose skeleton had been hanging for ages—as we saw it—head downwards from the ceiling.