* * * * *

MR. JOHN P. BROWN, author of "The Turkish Nights Entertainments," recently published by Putnam, is now on a visit to this country as the Secretary of the Commissioner of the Sublime Porte, Captain Ammin Bey.

* * * * *

EUGENE SUE'S new romance "The Mysteries of the People," has been prohibited in Prussia.

* * * * *

M. BURNET DE PESLE has just published the first part of his Examen Critique de la Succession des Dynasties Egyptiennes, a work to which competent critics assign a high value. He follows the method of Champollion, rejecting hypotheses and admitting only the testimony of the historians and monuments. At the same time he treats his subject with independence and originality, though he advances nothing for the sake of novelty. The second part of the work will be devoted to the discussion of the ancient inscriptions, dynasty by dynasty, and reign by reign.

* * * * *

WASHINGTON IRVING is claimed by the English as by both birth and spirit a British author. In the question of copyright lately before the Vice Chancellor, the case rested in part upon a plea that Mr. Irving's father was from the Orkneys and his mother from Falmouth, so that, though he was born in New York, he was not an alien. Still, our "Diedrich Knickerbocker" was Colonel Irving once, and served in this capacity against the king, and it will not he safe for him to establish the position assumed by his publisher.

* * * * *

M. ARAGO, having completed his love-labor in honor of Condorcet, is again abstracting from scientific pursuits a portion of his time, to prepare a memoir upon the acts and doings of the Provisional Government of 1848 of which he was a member. It is said to be a curious work which will enlighten much that is yet dark in the history of that period, throwing additional obloquy upon some members, and relieving others of a portion of that which they have hitherto borne. M. Chemiega is also engaged upon his own account in similar historical labors.

* * * * *

DR. OLIVER WENDELL HOLMES, on the 9th of September, delivered a poem, described by a correspondent of the Commercial Advertiser as one of his finest compositions, before a large audience, assembled to dedicate a rural cemetery at Pittsfield, Mass.

* * * * *

M. DUGANNE, some of whose songs and dramatic pieces have the ring of true metal, has just completed a satire entitled "Parnassus in Pillory," and with the motto, "Lend me your ears." We have seen some advance sheets of it, which are full of wit and spirit.

* * * * *

SOUTH CAROLINA has always been prolific of epics. Those of Mr. Simmons, Dr. Marks of Barhamville, and some others, have been tried, and-the court of criticism has now before it from the same quarter "America Discovered, in Twelve Books."

* * * * *

JOHN NEAL has given notice of his intention to write a history of American Literature "in two large octavo volumes," and he invites authors who are not afraid to show their books, to send them to him at Portland without delay.

* * * * *

"GERMANIA, ITS COURTS, CAMPS AND PEOPLE," is the title of a brace of volumes by "the Baroness Blaize de Bury." And who, pray, is the Baroness Blaize de Bury? A writer in The Leader answers after this wise:

"Why, sir, she is somewhat of a myth, making her avatars in literature with all the caprice and variety of Vishnou or Brougham; her maiden name of Rose Stewart has not, that we can discover, been stained with printer's ink, but we trace her as 'Arthur Dudley' in the Revue des Deux Mondes writing upon Bulwer and Dickens, we next find her as 'Maurice Flassan' in Les Francais Aeints par eux-memes. Rumor further whispereth that she had a finger in 'Albert Lunel,' one of the eccentricities of an eccentric law-lord, which was hurriedly suppressed, one knows not why; in the Edinburgh Review she wrote a paper on Moliere, and for Charles Knight's Weekly Volume a pleasant little book about Racine, on the title-page of which she is styled 'Madame Blaize Bury;' since that time you observe she has blossomed into a Baroness de Bury! Let us add that she is the wife of Henri Blaze, known as agreeable critic and the translator of Faust, that she is said to be a great favorite with the author of 'Albert Lunel,' and that she has the two novels 'Mildred Vernon' and 'Leonie Vermont' placed to her account: how many other shapes she may have assumed we know not; are these not enough? Whether, after all, a flesh-and-blood Madame de Bury exists is more than We can decide. Une supposition! what if, after all, she should turn out to be Lord Brougham himself? The restless energy of that Scottish Phenomenon renders everything possible. He does not agree with Pliny's witty friend, that it is better to be idle than to do nothing—satius est otiosum esse quam nihil agere."

* * * * *

REV. CHARLES ELLIOT, D.D. of Cincinnati, has published, through the Methodist printing house of that city, an important work on Slavery, in two duodecimo volumes. Dr. Ellliot has declined the acceptance of the Biblical Professorship in McKendree College, on the ground that he is busily engaged in preparing works for the press, including a thorough investigation of the Biblical argument in defense of slavery.

* * * * *

A NEW edition of a Lexicon of the Dakota language (of an Indian tribe near Lake Superior,) has just been completed by the missionaries. It contains upward of fifteen thousand words. Near thirteen years or more of labor have been expended upon it.

* * * * *

JUDGE SYDNEY BREESE, late U.S. Senator, at the commencement of Knox College, delivered a discourse before the Literary Societies on the Early History of Illinois. It is said to be part of a volume he is preparing, and had reference to the first ninety years of Illinois history.

* * * * *

MR. LAYARD, in excavating beneath the great pyramid at Nimroud, had penetrated a mass of masonry, within which he had discovered the tomb and statue of Sardanapalus, with full annals of that monarch's reign engraved on the walls.

* * * * *

MR. H. H. WILSON, F.R.S., has published in London, a collection of Ancient Hindu Hymns, constituting the First Ashtaka, or Book, of the Rig-Veda, the oldest Authority for the religious and social institutions of the Hindus. The translation of the Rig-Veda-Sonhita is valuable for the scholar who wishes to study the most ancient belief, opinions, and modes of the Hindus, so far as they can be gathered from hymns addressed to the deities. At the same time, their mystery or obscurity, increased by remoteness of years, is perhaps so considerable, that it will require peculiar learning to profit by the materials this most ancient and important of the Vedas contains.

* * * * *

DR. SHELTON MACKENZIE, author of "Mornings at Matlock," has been appointed, through the influence of Lord Brougham, to the office of official assignee to the Court of Bankruptcy, in Manchester.

* * * * *

The Fine Arts.

THE FINE ARTS IN AMERICA are not in a state of remarkable perfection, if we may credit a writer in the Augsburg Allgemeine Zeitung. This critic is evidently honest and impartial, but not perfectly well informed. He supposes that the majority of the artists as well as of the scholars in the country are emigrants from Europe; and affirms that artists of great talent, who have been esteemed and encouraged in Europe, have been reduced to misery in America, and compelled to resort to common labor for their living. Latterly, however, fashion has brought pictures into market; and we may now hear, in more refined circles, here and there a misapplied artistic term, which shows that art is somewhat thought of. It is characteristic that an American will often bargain for pictures by the square foot. The New York Art Union has done a good deal of good in the culture of taste for art, and from the Philadelphia Art Union much may also be expected. The daguerreotypes taken here may be compared with the best of Voightlaender of Vienna and Williams of Liverpool. The talbotypes of this country are better than all others. Lithographing is done mostly by French and Germans; wood-cutting and steel-engraving by Englishmen and Americans. The products of the latter two resemble perfectly those of the same arts in England. Dramatic and musical art are in a feeble condition. The theaters in the great cities have been visited by the writer, and nothing admirable found in them. They are all private enterprises, and no great things are to be expected in that line without the aid of a government. The theaters are built and furnished in the most elegant and even luxurious style. The Italian Opera in New York is supplied by European artists whose best days are over. The actors never rise to any commendable excellence, and the pieces they perform are well adapted to their talents. Hardly ever is anything classical produced upon the stage.

The German drama in the United States is spoken of as being in a condition of even more desperate degradation. The writer's remarks on that subject will not specially interest our readers; but we trust that what we have given above from his strictures will be edifying to all whom it may concern.

* * * * *

FROM ROME we hear of an extensive undertaking about to be commenced in the way of Catholic Art. The plan is this: Overbeck, whose designs from Scripture history are familiar to all lovers of Art who have not overlooked one of the most remarkable geniuses of the times, is now employed upon fourteen compositions representing the fourteen Stations or pauses of the Lord on his way to the cross. Part of them are already done, and to judge from them the series will surpass all previous works of this great master. These designs are to be multiplied to the greatest extent and put within the means of churches, convents and even the poorest classes of the people. They will appear of the size of the original in colored lithography, which will probably be executed in Germany. Engravings of half size on copper are to be executed by the eminent engraver Bartoccini, who is familiar with Overbeck's manner, and who has worked under him in Germany. Indeed Bartoccini is already best known from the engravings of Overbeck's designs to the New Testament, the best of which were from his burin. In addition there are to be editions of these compositions in middling and small sizes as well as in wood engravings. The object is to provide something which has real artistic merit in place of the wretched pictures which are offered for the devotion of the faithful in so many churches and in Catholic prayer-books. The Pope himself, to whom the first colored drawings have been shown, takes a lively interest in the enterprise, and will probably recommend it in a special circular to all the bishops.

* * * * *

CHARLES MULLER, a German sculptor, whose group, "The Singer's Curse," Received the second prize at the Exposition of 1849, at Paris, has arrived in this country, where he proposes to take up his residence. The Tribune states that "The Singer's Curse" will soon be exhibited to the public in this city. It was suggested by one of the finest of Uhland's works.

* * * * *

The city of Paris is about to erect along the grand avenue of the Champs Elysees three hundred statues, in marble, of Parisians distinguished in the administration of the city, in letters, in science, the fine arts or commerce. The statues will alternate with beautiful little fountains, and will form rows on each side of the avenue.

* * * * *

POWER'S STATUE OF EVE is now-having been rescued from the waters off the coast of Spain—on the way to New York, and it will soon be here. The Prince Demidoff has purchased the figure of the Greek Slave, originally commenced for Mr. Robb of New Orleans, for L700, being L100 more than Mr. Robb was to have given for it. The Prince has placed it in a room by itself, in his palace at St. Donato, near Florence. He is one of the finest critics of art now living, and his collection of masterpieces constitutes to the man of taste one of the chief attractions of Italy. From a letter of Powers now before us, we learn that the model of his "America" was finished, and on the first of August the marble was about to be commenced, in the same size. This the sculptor and his friends think will be his greatest work. We are happy in being able to mention a fact eminently honorable to a distinguished American gentleman, in this connection. When the statue of Eve was lost, Powers wrote to the underwriters to pay the insurance ($6000) to Mr. J.S. Preston of South Carolina, upon whom the loss was to fall; but Mr. Preston instantly upon hearing the circumstance directed that every cent of the money should be sent to the artist, expressing only a regret that the country suffered the loss of a performance so admirable. Mr. Powers had not at this time heard of the loss of the statue of Mr. Calhoun. This great work has not yet been recovered, but Mr. Kellogg has still hopes of its being rescued in perfect safety.

* * * * *

The Venice Statuto of the 13th August announces that Venice and Italy have experienced an irreparable loss. The celebrated Barbarigo Gallery, known for ages, comprised amongst other masterpieces seventeen paintings of Titian, the Magdalen, Venus, St. Sebastian; the famous portraits of the Doge Barbarigo, of Philip XIV., &c. After the extinction of the Barbarigo family, Count Nicholas Giustiniani, the brothers Barbaco, and the merchants Benetti, who became proprietors of the collection, presented it to the Government. The Viceroy Raniere offered it for sale in 1847 to the Austrian Government, which refused to buy it. It has been lately purchased by the Court of Russia for five hundred and sixty thousand francs.

* * * * *

PAINTING AND SCULPTURES of the early northern artists from the eighth to the sixteenth century have just been discovered in great numbers in Gothland, by Dr. Marilignis, of the Stockholm Royal Academy of Fine Arts. He was sent to search for them by the Academy, and has spent eighteen months in his mission. A large proportion of the pictures were found in chapels built during the eleventh and twelfth centuries, and were covered with thick coats of plaster, which had to be removed with great care. The results of Dr. Marilignis' investigations will be published by the Swedish Government.

* * * * *

THE INAUGURATION OF THE STATUE OF LARREY, the famous surgeon of the Imperial army, at the Val-de-Grace, took place in Paris lately. Among the assistants at this solemnity not the least interesting portion was a corps of one hundred invalids upon whom Larrey had operated. The hero of the day was Dupin, who walked in to the flourish of drums and trumpets at the head of the commission of the monument. The statue of bronze, by David, of Angers, was unvailed amid the clang of "sonorous metal blowing martial sounds." Old Dupin, in a fit of happy inspiration, jumped up on the chair from which he presided, and delivered perhaps the best speech he ever made. He drew, in lively touches, the mission of the man whose hospital is the battle-field, of his intrepid coolness and humane devotion. Larrey was wounded, while binding the wounds of others, in Egypt and at Waterloo, in the days of glory and of disaster. The President of the Assembly spoke with much feeling, and when he came down from his chair a general rush was made by his friends to embrace him.

* * * * *

THE STANDISH GALLERY OF PICTURES in the Louvre was decreed by the French courts, a few days before his death, to be the private property of the late Louis Philippe. It was left to the king by Mr. Frank Hall Standish, in 1838. The library of this collection is very valuable. It contains among other rare books the Bible of Cardinal Ximenes, valued alone at $5000. One of the last acts of Louis Philippe was to present it to the French people. He was desirous only of vindicating his rights in the courts. The gallery therefore will not be removed.

* * * * *

THE ANNUAL EXHIBITION OF PICTURES by Duesseldorf artists was opened in that city about the middle of July. Landscapes are rather predominant. In their line the works of Alexander Michelis, August Kossler, Weba and Fischer are the best. Ten pictures of peasant life in Norway by Adolf Tidemond, a Norwegian artist, are said to display very remarkable merit. They were retained in the exhibition only a few days, being destined for the royal chateau of Oskarshall. Of historical pictures there is nothing worth mentioning.

* * * * *

The Brussells Herald states that the artistic value of the works of art contained in the churches of Antwerp, eleven in number, is by the late financial report of the province estimated at 49,763,000 francs-nearly ten millions of dollars.

* * * * *

LEUTZE'S PICTURE of Washington Crossing the Delaware is nearly finished at Duesseldorf, and is much praised by several letter-writers who have seen it.

* * * * *

MR. POWELL, at Paris, expects to finish his picture for the Capitol about the first of February.

* * * * *

EDGAR ALLEN POE.

By R.W. GRISWOLD.

The family of EDGAR A. POE was one of the oldest and most reputable in Baltimore. David Poe, his paternal grandfather, was a Quartermaster-General in the Maryland line during the Revolution, and the intimate friend of Lafayette, who, during his last visit to the United States, called personally upon the General's widow, and tendered her acknowledgments for the services rendered to him by her husband. His great-grandfather, John Poe, married in England, Jane, a daughter of Admiral James McBride, noted in British naval history, and claiming Kindred with some of the most illustrious English families. His father, David Poe, jr., the fourth son of the Quartermaster-General, was several years a law student in Baltimore, but becoming enamored of an English actress, named Elizabeth Arnold, whose prettiness and vivacity more than her genius for the stage made her a favorite, he eloped with her, and after a short period, having married her, became himself an actor. They continued six or seven years in the theaters of the principal cities, and finally died, within a few weeks of each other, in Richmond, leaving three children, Henry, Edgar, and Rosalie, in utter destitution.

Edgar Poe, who was born in Baltimore, in January, 1811, was at this period of remarkable beauty, and precocious wit. Mr. John Allan, a merchant of large fortune and liberal disposition, who had been intimate with his parents, having no children of his own, adopted him, and it was generally understood among his acquaintances that he intended to make him the heir of his estate. The proud, nervous irritability of the boy's nature was fostered by his guardian's well-meant but ill-judged indulgence. Nothing was permitted which could "break his spirit." He must be the master of his masters, or not have any. An eminent and most estimable gentleman of Richmond has written to me, that when Poe was only six or seven years of age, he went to a school kept by a widow of excellent character, to whom was committed the instruction of the children of some of the principal families in the city. A portion of the grounds was used for the cultivation of vegetables, and its invasion by her pupils strictly forbidden. A trespasser, if discovered, was commonly made to wear, during school hours, a turnip or carrot, or something, of this sort, attached to his neck as a sign of disgrace. On one occasion Poe, having violated the rules, was decorated with the promised badge, which he wore in sullenness until the dismissal of the boys, when, that the full extent of his wrong might be understood by his patron, of whose sympathy he was confident, he eluded the notice of the schoolmistress, who would have relieved him of his esculent, and made the best of his way home, with it dangling at his neck. Mr. Allan's anger was aroused, and he proceeded instantly to the school-room, and after lecturing the astonished dame upon the enormity of such an insult to his son and to himself, demanded his account, determined that the child should not again be subject to such tyranny. Who can estimate the effect of this puerile triumph upon the growth of that morbid self-esteem which characterized the author in after life?

In 1816, he accompanied Mr. and Mrs. Allan to Great Britain, visited the most interesting portions of the country, and afterward passed four or five years in a school kept at Stoke Newington, near London, by the Rev. Dr. Bransby. In his tale, entitled "William Wilson," he has introduced a striking description of this school and of his life here. He says:

"My earliest recollections of a school life are connected with a large, rambling Elizabethan house, in a misty-looking village of England, where were a vast number of gigantic and gnarled trees, and where all the houses were excessively ancient. In truth, it was a dream-like and spirit-soothing place, that venerable old town. At this moment, in fancy, I feel the refreshing chilliness of its deeply-shadowed avenues, inhale the fragrance of its thousand shrubberies, and thrill anew with undefinable delight, at the deep hollow note of the church-bell, breaking, each, hour, with sullen and sudden roar, upon the stillness of the dusky atmosphere in which the fretted Gothic steeple lay embedded and asleep. It gives me, perhaps, as much of pleasure, as I can now in any manner experience to dwell upon minute recollections of the school and its concerns. Steeped in misery as I am—misery, alas! only too real—I shall be pardoned for seeking relief, however slight and temporary, in the weakness of a few rambling details. These, moreover, utterly trivial, and even ridiculous in themselves, assume, to my fancy, adventitious importance, as connected with a period and a locality when and where I recognize the first ambiguous monitions of the destiny which afterward so fully overshadowed me. Let me then remember. The house. I have said, was old and irregular. The grounds were extensive, and a high and solid brick wall, topped with a bed of mortar and broken glass, encompassed the whole. The prison-like rampart formed the limit of our domain; beyond it we saw but thrice a week—once every Saturday afternoon, when, attended by two ushers, we were permitted to take brief walks in a body through some of the neighboring fields—and twice during Sunday, when we were paraded in the same formal manner to the morning and evening service in the one church of the village. Of this church the principal of our school was pastor. With how deep a spirit of wonder and perplexity was I wont to regard him from our remote pew in the gallery, as, with step solemn and slow, he ascended the pulpit! This reverend man with countenance so demurely benign, with robes so glossy, and so clerically flowing, with wig so minutely powdered, so rigid and so vast,—could this be he who, of late, with sour visage, and in snuffy habiliments, administered, ferule in hand, the Draconian Laws of the academy? Oh, gigantic paradox, too utterly monstrous for solution! At an angle of the ponderous wall frowned a more ponderous gate. It was riveted and studded with iron bolts, and surmounted with jagged iron spikes. What impressions of deep awe did it inspire! It was never opened save for the three periodical egressions and ingressions already mentioned; then, in every creak of its mighty hinges, we found a plenitude of mystery—a world of matter for solemn remark, or for more solemn meditation. The extensive inclosure was irregular in form, having many capacious recesses. Of these, three or four of the largest constituted the play-ground. It was level, and covered with fine hard gravel. I well remember it had no trees, nor benches, nor anything similar within it. Of course it was in the rear of the house. In front lay a small parterre, planted with box and other shrubs; but through this sacred division we passed only upon rare occasions indeed—such as a first advent to school or final departure thence, or perhaps, when a parent or friend having called for us, we joyfully took our way home for the Christmas or Midsummer holidays. But the house!—how quaint an old building was this!—to me how veritably a palace of enchantment! There was really no end to its windings—to its incomprehensible subdivisions. It was difficult, at any given time, to say with certainty upon which of its two stories one happened to be. From each room to every other there were sure to be found three or four steps either in ascent or descent. Then the lateral branches were innumerable—inconceivable—and so returning in upon themselves, that our most exact ideas in regard to the whole mansion were not very far different from those with which we pondered upon infinity. During the five years of my residence here, I was never able to ascertain with precision, in what remote locality lay the little sleeping apartment assigned to myself and some eighteen or twenty other scholars. The school-room was the largest in the house—I could not help thinking, in the world. It was very long, narrow, and dismally low, with pointed Gothic windows and a ceiling of oak. In a remote and terror-inspiring angle was a square inclosure of eight or ten feet, comprising the sanctum, 'during hours,' of our principal, the Reverend Dr. Bransby. It was a solid structure, with massy door, sooner than open which in the absence of the 'Dominie,' we would all have willingly perished by the peine forte et dure. In other angles were two other similar boxes, far less reverenced, indeed, but still greatly matters of awe. One of these was the pulpit of the 'classical' usher, one of the 'English and mathematical.' Interspersed about the room, crossing and recrossing in endless irregularity, were innumerable benches and desks, black, ancient and time-worn, piled desperately with much-bethumbed books, and so beseamed with initial letters, names at full length, grotesque figures, and other multiplied efforts of the knife, as to have entirely lost what little of original form might have been their portion in days long departed. A huge bucket with water stood at one extremity of the room, and a clock of stupendous dimensions at the other.

"Encompassed by the massy walls of this venerable academy, I passed, yet not in tedium or disgust, the years of the third lustrum of my life. The teeming brain of childhood requires no external world of incident to occupy or amuse it; and the apparently dismal monotony of a school was replete with more intense excitement than my riper youth has derived from luxury, or my full manhood from crime. Yet I must believe that my first mental development had in it much of the uncommon—even much of the outre. Upon mankind at large the events of very early existence rarely leave in mature age any definite impression. All is gray shadow—a weak and irregular remembrance—an indistinct regathering of feeble pleasures and phantasmagoric pains. With me this is not so. In childhood I must have felt with the energy of a man what I now find stamped upon memory in lines as vivid, as deep; and as durable as the exergues of the Carthaginian medals. Yet the fact—in the fact of the world's view-how little was there to remember. The morning's awakening, the nightly summons to bed; the connings, the recitations; the periodical half-holidays and perambulations; the playground, with its broils, its pastimes, its intrigues; these, by a mental sorcery long forgotten, were made to involve a wilderness of sensation, a world of rich incident, an universe of varied emotion, of excitement the most passionate and spirit-stirring. 'Oh, le bon temps, que se siecle de fer!'"

In 1822, he returned to the United States, and after passing a few months at an academy in Richmond, he entered the University at Charlottesville, where he led a very dissipated life; the manners which then prevailed there were extremely dissolute, and he was known as the wildest and most reckless student of his class; but his unusual opportunities, and the remarkable ease with which he mastered the most difficult studies, kept him all the while in the first rank for scholarship, and he would have graduated with the highest honors, had not his gambling, intemperance, and other vices, induced his expulsion from the university.

At this period he was noted for feats of hardihood, strength, and activity; and on one occasion, in a hot day of June, he swam from Richmond to Warwick, seven miles and a half, against a tide running probably from two to three miles an hour.[A] He was expert at fence, had some skill in drawing, and was a ready and eloquent conversationist and declaimer.

[Footnote A: This statement was first printed during Mr. Poe's lifetime, and its truth being questioned in some of the journals, the following certificate was published by a distinguished gentleman of Virginia:

"I was one of several who witnessed this swimming feat. We accompanied Mr. Poe in boats. Messrs. Robert Stannard, John Lyle, (since dead) Robert Saunders, John Munford, I think, and one or two others, were also of the party. Mr. P. did not seem at all fatigued, and walked back to Richmond immediately after the feat—which was undertaken for a wager.

"ROBERT G. CABELL."]

His allowance of money while at Charlottesville had been liberal, but he quitted the place very much in debt; and when Mr. Allan refused to accept some of the drafts with which he had paid losses in gaming, he wrote to him an abusive letter, quitted his house, and soon after left the country with the quixotic intention of joining the Greeks, then in the midst of their struggle with the Turks. He never reached his destination, and we know but little of his adventures in Europe for nearly a year. By the end of this time he had made his way to St. Petersburg, and our Minister in that capital, the late Mr. Henry Middleton, of South Carolina, was ummoned one morning to save him from penalties incurred in a drunken debauch. Through Mr. Middleton's kindness he was set at liberty and enabled to return to this country.

His meeting with Mr. Allan was not very cordial, but that gentleman declared himself willing to serve him in any way that should seem judicious; and when Poe expressed some anxiety to enter the Military Academy, he induced Chief Justice Marshall, Andrew Stevenson, General Scott, and other eminent persons, to sign an application which secured his appointment to a scholarship in that institution.

Mrs. Allan, whom Poe appears to have regarded with much affection, and who had more influence over him than any one else at this period, died on the 27th of February, 1829, which I believe was just before Poe left Richmond for West Point. It has been erroneously stated by all Poe's biographers, that Mr. Allan was now sixty-five years of age, and that Miss Paterson, to whom he was married afterward, was young enough to be his granddaughter. Mr. Allan was in his forty-eighth year, and the difference between his age and that of his second wife was not so great as justly to attract any observation.

For a few weeks the cadet applied himself with much assiduity to his studies, and he became at once a favorite with his mess and with the officers and professors of the Academy; but his habits of dissipation were renewed; he neglected his duties and disobeyed orders; and in ten months from his matriculation he was cashiered.

He went again to Richmond, and was received into the family of Mr. Allan, who was disposed still to be his friend, and in the event of his good behavior to treat him like a son; but it soon became necessary to close his doors against him forever. According to Poe's own statement he ridiculed the marriage of his patron with Miss Paterson, and had a quarrel with her; but a different story,[B] scarcely suitable for repetition here, was told by the friends of the other party. Whatever the circumstances, they parted in anger, and Mr. Allan from that time declined to see or in any way to assist him. Mr. Allan died in the spring of 1834, in the fifty-fourth year of his age, leaving three children to share his property, of which not a mill was bequeathed to Poe.

[Footnote B: The writer of an eulogium upon the life and genius of Mr. Poe, in the Southern Literary Messenger, for March, 1850, thus refers to this point in his history:

"The story of the other side is different: and if true, throws a dark shade upon the quarrel, and a very ugly light upon Poe's character. We shall not insert it, because it is one of those relations, which we think, with Sir Thomas Browne, should never be recorded,—being 'verities whose truth we fear and heartily wish there were no truth therein ... whose relations honest minds do deprecate. For of sins heteroclital, and such as want name or precedent, there is ofttimes a sin even in their history. We do desire no record of enormities: sins should he accounted new. They omit of their monstrosity as they fall from their rarity; for men count it venial to err with their forefathers, and foolishly conceive they divide a sin in its society.... In things of this nature, silence commendeth history: 'tis the veniable part of things lost; wherein there must never arise a Pancirollus, nor remain any register but that of hell.'"]

Soon after he left West Point Poe had printed at Baltimore a small volume of verses, ("Al Aaraaf," of about four hundred lines, "Tamerlane," of about three hundred lines, with smaller pieces,) and the favorable manner in which it was commonly referred to confirmed his belief that he might succeed in the profession of literature. The contents of the book appear to have been written when he was between sixteen and nineteen years of age; but though they illustrated the character of his abilities and justified his anticipations of success, they do not seem to me to evince, all things considered, a very remarkable precocity. The late Madame d'Ossoli refers to some of them as the productions of a boy of eight or ten years, but I believe there is no evidence that anything of his which has been published was written before he left the university. Certainly, it was his habit so constantly to labor upon what he had produced—he was at all times so anxious and industrious in revision—that his works, whenever first composed, displayed the perfection of his powers at the time when they were given to the press.

His contributions to the journals attracted little attention, and his hopes of gaining a living in this way being disappointed, he enlisted in the army as a private soldier. How long he remained in the service I have not been able to ascertain. He was recognized by officers who had known him at West Point and efforts were made, privately, but with prospects of success, to obtain for him a commission, when it was discovered by his friends that he had deserted.

He had probably found relief from the monotony of a soldier's life in literary composition. His mind was never in repose, and without some such resort the dull routine of camp or barracks would have been insupportable. When he next appears, he has a volume of MS. stories, which he desires to print under the title of "Tales of the Folio Club." An offer by the proprietor of the Baltimore Saturday Visitor, of two prizes, one for the best tale and one for the best poem, induced him to submit the pieces entitled "MS. Found in a Bottle," "Lionizing," "The Visionary," and three others, with "The Coliseum," a poem, to the committee, which consisted of Mr. John P. Kennedy, the author of "Horse-Shoe Robinson;" Mr. J.H.B. Latrobe, and Dr. James H. Miller. Such matters are usually disposed of in a very off-hand way: Committees to award literary prizes drink to the payer's health in good wines, over unexamined MSS., which they submit to the discretion of publishers, with permission to use their names in such a way as to promote the publishers' advantage. So perhaps it would have been in this case, but that one of the committee, taking up a little book remarkably beautiful and distinct in caligraphy, was tempted to read several pages; and becoming interested, he summoned the attention of the company to the half-dozen compositions it contained. It was unanimously decided that the prizes should be paid to "the first of geniuses who had written legibly." Not another MS. was unfolded. Immediately the "confidential envelope" was opened, and the successful competitor was found to bear the scarcely-known name of Poe. The committee indeed awarded to him the premiums for both the tale and the poem, but subsequently altered their decision, so as to exclude him from the second premium, in consideration of his having obtained the higher one. The prize tale was the "MS. found in a Bottle." This award was published on the twelfth of October, 1833. The next day the publisher called to see Mr. Kennedy, and gave him an account of the author, which excited his curiosity and sympathy, and caused him to request that he should be brought to his office. Accordingly he was introduced. The prize-money had not yet been paid, and he was in the costume in which he had answered the advertisement of his good fortune. Thin, and pale even to ghastliness, his whole appearance indicated sickness and the utmost destitution. A well-worn frock-coat concealed the absence of a shirt, and imperfect boots disclosed the want of hose. But the eyes of the young man were luminous with intelligence and feeling, and his voice and conversation and manner, all won upon the lawyer's regard. Poe told his history, and his ambition, and it was determined that he should not want means for a suitable appearance in society, nor opportunities for just display of his abilities in literature. Mr. Kennedy accompanied him to a clothing-store, and purchased for him a respectable suit, with changes of linen, and sent him to a bath, from which he returned with the suddenly regained style of a gentleman.

His new friends were very kind to him, and availed themselves of every Opportunity to serve him. Near the close of the year 1834 the late Mr. T.W. White established in Richmond the Southern Literary Messenger. He was a man of much simplicity, purity, and energy of character, but not a writer, and he frequently solicited his acquaintances' literary assistance. On receiving from him an application for an article, early in 1835, Mr. Kennedy, who was busy with the duties of his profession, advised Poe to send one, and in a few weeks he had occasion to inclose the following answer to a letter from Mr. White:

"BALTIMORE, April 13, 1835.

"Dear Sir: Poe did right in referring to me. He is very clever with his pen—classical and scholarlike. He wants experience and direction, but I have no doubt he can be made very useful to you. And, poor fellow! he is very poor. I told him to write something for every number of your magazine, and that you might find it to your advantage to give him some permanent employ. He has a volume of very bizarre tales in the hands of ——, in Philadelphia, who for a year past has been promising to publish them. This young fellow is highly imaginative, and a little given to the terrific. He is at work upon a tragedy, but I have turned him to drudging upon whatever may make money, and I have no doubt you and he will find your account in each other."

In the next number of the "Messenger" Mr. White announced that Poe was its editor, or in other words, that he had made arrangements with a gentleman of approved literary taste and attainments to whose especial management the editorial department would be confided, and it was declared that this gentleman would "devote his exclusive attention to the work." Poe continued, however, to reside in Baltimore, and it is probable that he was engaged only as a general contributor and a writer of critical notices of books. In a letter to Mr. White, under the date of the thirtieth of May, he says:

"In regard to my critique of Mr. Kennedy's novel, I seriously feel ashamed of what I have written. I fully intended to give the work a thorough review, and examine it in detail. Ill health alone prevented me from so doing. At the time I made the hasty sketch I sent you, I was so ill as to be hardly able to see the paper on which I wrote, and I finished it in a state of complete exhaustion. I have not, therefore, done anything like justice to the book, and I am vexed about the matter, for Mr. Kennedy has proved himself a kind friend to me in every respect, and I am sincerely grateful to him for many acts of generosity and attention. You ask me if I am perfectly, satisfied with your course. I reply that I am—entirely. My poor services are not worth what you give me for them."

About a month afterward he wrote:

"You ask me if I would be willing to come on to Richmond if you should have occasion, for my services during the coming winter. I reply that nothing would give me greater pleasure. I have been desirous for some time past of paying a visit to Richmond, and would be glad of an reasonable excuse for so doing. Indeed I am anxious to settle myself in that city, and if, by any chance, you hear of a situation likely to suit me, I would gladly accept it, were the salary even the merest trifle. I should, indeed, feel myself greatly indebted to you if through your means I could accomplish this object. What you say in the conclusion of your letter, in relation to the supervision of proof-sheets, gives me reason to hope that possibly you might find something for me to do in your office. If so I should be very glad—for at present only a very small portion of my time is employed."

He continued in Baltimore till September. In this period he wrote several long reviews, which for the most part were rather abstracts of works than critical discussions, and published, with others, "Hans Phall," a story in some respects very similar to Mr. Locke's celebrated account of Herschel's Discoveries in the Moon. At first he appears to have been ill satisfied with Richmond, or with his duties, for in two or three weeks after his removal to that city we find Mr. Kennedy writing to him:

"I am sorry to see you in such plight as your letter shows you in. It is strange that just at this time, when everybody is praising you, and when fortune is beginning to smile upon your hitherto wretched circumstances, you should be invaded by those blue devils. It belongs, however, to your age and temper to be thus buffeted—but be assured, it only wants a little resolution to master the adversary forever. You will doubtless do well henceforth in literature, and add to your comforts as well as to your reputation, which it gives me great pleasure to assure you is everywhere rising in popular esteem."

But he could not bear his good fortune. On receiving a month's salary he gave himself up to habits which only necessity had restrained at Baltimore. For a week he was in a condition of brutish drunkenness, and Mr. White dismissed him. When he became sober, however, he had no recourse but in reconciliation, and he wrote letters and induced acquaintances to call upon Mr. White with professions of repentance and promises of reformation. With his usual considerate and judicious kindness that gentleman answered him:

"My dear Edgar: I cannot address you in such language as this occasion and my feelings demand: I must be content to speak to you in my plain way. That you are sincere in all your promises I firmly believe. But when you once again tread these streets, I have my fears that your resolutions will fail, and that you will again drink till your senses are lost. If you rely on your strength you are gone. Unless you look to your Maker for help you will not be safe. How much I regretted parting from you is known to Him only and myself. I had become attached to you; I am still; and I would willingly say return, did not a knowledge of your past life make me dread a speedy renewal of our separation. If you would make yourself contented with quarters in my house, or with any other private family, where liquor is not used, I should think there was some hope for you. But, if you go to a tavern, or to any place where it is used at table, you are not safe. You have fine talents, Edgar, and you ought to have them respected, as well as yourself. Learn to respect yourself, and you will soon find that you are respected. Separate yourself from the bottle, and from bottle companions, forever. Tell me if you can and will do so. If you again become an assistant in my office, it must be understood that all engagements on my part cease the moment you get drunk. I am your true friend, T. W. W."

A new contract was arranged, but Poe's irregularities frequently interrupted the kindness and finally exhausted the patience of his generous though methodical employer, and in the number of the "Messenger" for January, 1837 he thus took leave of its readers:

"Mr. Poe's attention being called in another direction, he will decline, with the present number, the editorial duties of the Messenger. His Critical Notices for this month end with Professor Anthon's Cicero-what follows is from another hand. With the best wishes to the magazine, and to its few foes as well as many friends, he is now desirous of bidding all parties a peaceful farewell."

While in Richmond, with an income of but five hundred dollars a year, he had married his cousin, Virginia Clemm, a very amiable and lovely girl, who was as poor as himself, and little fitted, except by her gentle temper, to be tho wife of such a person. He went from Richmond to Baltimore; and after a short time, to Philadelphia, and to New York. A slight acquaintance with Dr. Hawks had led that acute and powerful writer to invite his contributions to the "New York Review," and he had furnished for the second number of it (for October, 1837) an elaborate but not very remarkable article upon Stephens's then recently published "Incidents of Travel in Egypt, Arabia Petrea, and the Holy Land." His abilities were not of the kind demanded for such work, and he never wrote another paper for this or for any other Review of the same class. He had commenced in the "Literary Messenger," a story of the sea under the title of "Arthur Gordon Pym"[A], and upon the recommendation of Mr. Paulding and others, it was printed by the Harpers. It is his longest work, and is not without some sort of merit, but it received little attention. The publishers sent one hundred copies to England, and being mistaken at first for a narrative of real experiences it was advertised to be reprinted, but a discovery of its character, I believe, prevented such a result. An attempt is made in it, by simplicity of style, minuteness of nautical descriptions, and circumstantiality of narration, to give it that air of truth which constitutes the principal attraction of Sir Edward Seaward's narrative, and Robinson Cursoe; but it has none of the pleasing interest of these tales; it is as full of wonders as Munchausen, has as many atrocities as the Book of Pirates, and as liberal an array of paining and revolting horrors as ever was invented by Anne Radcliffe or George Walker. Thus far a tendency to extravagance had been the most striking infirmity of his genius. He had been more anxious to be intense than to be natural; and some of his bizarreries had been mistaken for satire, and admired for that quality. Afterward he was more judicious, and if his outlines were incredible it was commonly forgotten in the simplicity of his details and their cohesive cumulation.

[Footnote A: THE NARRATIVE OF ARTHUR GORDON PYM, OF NANTUCKET; comprising the Details of a Mutiny and Atrocious Butchery on board the American Brig Grampus, on her way to the South Seas—with an account of the Re-capture of the Vessel by the Survivors; their Shipwreck, and subsequent Horrible Sufferings from Famine; their Deliverance by means of the British schooner Jane Gray; the brief Cruise of this latter Vessel in the Antarctic ocean; her Capture, and the Massacre of the Crew among a Group of Islands in the 84th parallel of southern latitude; together with the incredible Adventures and Discoveries still further South, to which that distressing calamity gave rise.—I vol. 12mo. pp. 198 New-York, Harper & Brothers, 1838.]

Near the end of the year 1838 he settled in Philadelphia. He had no very Definite purposes, but trusted for support to the chances of success as a magazinist and newspaper correspondent. Mr. Burton, the comedian, had recently established the "Gentleman's Magazine," and of this he became a contributor, and in May, 1839, the chief editor, devoting to it, for ten dollars a week, two hours every day, which left him abundant time for more important labors. In the same month he agreed to furnish such reviewals as he had written for the "Literary Messenger," for the "Literary Examiner," a new magazine at Pittsburgh. But his more congenial pursuit was tale-writing, and he produced about this period some of his most remarkable and characteristic works in a department of imaginative composition in which he was henceforth alone and unapproachable. "The Fall of the House of Usher" and "Legeia", are the most interesting illustrations of his mental organization—his masterpieces in a peculiar vein of romantic creation. They have theunquestionable stamp of genius. The analyses of the growth of madness in one, and the thrilling revelations of the existence of a first wife in the person of a second, in the other, are made with consummate skill; and the strange and solemn and fascinating beauty which informs the style and invests the circumstances of both, drugs the mind, and makes us forget the improbabilities of their general design.

An awakened ambition and the healthful influence of a conviction that his works were appreciated, and that his fame was increasing, led him for a while to cheerful views of life, and to regular habits of conduct. He wrote to a friend, the author of "Edge Hill," in Richmond, that he had quite overcome "the seductive and dangerous besetment" by which he had so often been prostrated, and to another friend that, incredible as it might seem, he had become a "model of temperance," and of "other virtues," which it had sometimes been difficult for him to practice. Before the close of the summer, however, he relapsed into his former courses, and for weeks was regardless of everything but a morbid and insatiable appetite for the means of intoxication.

In the autumn he published all the prose stories he had then written, in two volumes, under the title of "Tales of the Grotesque and the Arabesque." The work was not salable, perhaps because its contents were too familiar from recent separate publication in magazines; and it was not so warmly praised, generally, as I think it should have been, though in point of style the pieces which it embraced are much less perfect than they were made subsequently.

He was with Mr. Burton until June, 1840—more than a year. Mr. Burton Appreciated his abilities and would have gladly continued the connection; but Poe was so unsteady of purpose and so unreliable that the actor was never sure when he left the city that his business would be cared for. On one occasion, returning after the regular day of publication, he found the number unfinished, and Poe incapable of duty. He prepared the necessary copy himself, published the magazine, and was proceeding with arrangements with for another month, when he received a letter from his assistant, of which the tone may be inferred from this answer:

"I am sorry you have thought it necessary to send me such a letter. Your troubles have given a morbid tone to your feelings which it is your duty to discourage. I myself have been as severely handled by the world as you can possibly have been, but my sufferings have not tinged my mind with melancholy, nor jaundiced my views of society. You must rouse your energies, and if care assail you, conquer it. I will gladly overlook the past. I hope you will as easily fulfill your pledges for the future. We shall agree very well, thought I cannot permit the magazine to be made a vehicle for that sort of severity which you think is so 'successful with the mob.' I am truly much less anxious about making a monthly 'sensation' than I am upon the point of fairness. You must, my dear sir, get rid of your avowed ill-feelings toward your brother authors. You see I speak plainly; I cannot do otherwise upon such a subject. You say the people love havoc. I think they love justice. I think you yourself would not have written the article on Dawes, in a more healthy state of mind. I am not trammeled by any vulgar consideration of expediency; I would rather lose money than by such undue severity wound the feelings of a kind-hearted and honorable man. And I am satisfied that Dawes has something the true fire in him. I regretted your word-catching spirit. But I wander from my design. I accept your proposition to recommence your interrupted avocations upon the Maga. Let us meet as if we had not exchanged letters. Use more exercise, write when feelings prompt, and be assured of my friendship. You will soon regain a healthy activity of mind, and laugh at your past vagaries."

This letter was kind and judicious. It gives us a glimpse of Poe's theory of criticism, and displays the temper and principles of the literary comedian in an honorable light. Two or three months afterward Burton went out of town to fulfill a professional engagement, leaving material and directions for completing the next number of the magazine in four days. He was absent nearly a fortnight, and on returning he found that his printers in the meanwhile had not received a line of copy; but that Poe had prepared the prospectus of a new monthly, and obtained transcripts of his subscription and account books, to be used in a scheme for supplanting him. He encountered his associate late in the evening at one of his accustomed haunts, and said, "Mr. Poe, I am astonished: Give me my manuscripts so that I can attend to the duties you have so shamefully neglected, and when you are sober we will settle." Poe interrupted him with "Who are you that presume to address me in this manner? Burton, I am—the editor—of the Penn.—Magazine—and you are—hiccup—a fool." Of course this ended his relations with the "Gentleman's."

In November, 1840, Burton's miscellany was merged in "The Casket," owned by Mr. George R. Graham, and the new series received the name of its proprietor, who encouraged Poe in its editorship. His connection with "Graham's Magazine" lasted about a year and a half, and this was one of the most active and brilliant periods of his literary life. He wrote in it several of his finest tales and most trenchant criticisms, and challenged attention by his papers entitled "Autography," and those on cryptology and ciphers. In the first, adopting a suggestion of Lavater, he attempted the illustration of character from handwriting; and in the second, he assumed that human ingenuity could construct no secret writing which human ingenuity could not resolve; a not very dangerous proposition, since it implied no capacity in himself to discover every riddle of this kind that should be invented. He however succeeded with several difficult cryptographs that were sent to him, and the direction of his mind to the subject led to the composition of some of the tales of ratiocination which so largely increased his reputation. The infirmities which induced his separation from Mr. White and Mr. Burton at length compelled Mr. Graham to seek for another editor; but Poe still remained in Philadelphia, engaged from time to time in various literary occupations, and in the vain effort to establish a journal of his own to be called "The Stylus." Although it requires considerable capital to carry on a monthly of the description he proposed, I think it would not have been difficult, with his well-earned fame as a magazinist, for him to have found a competent and suitable publisher, but for the unfortunate notoriety of his habits, and the failure in succession of three persons who had admired him for his genius and pitied him for his misfortunes, by every means that tact or friendship could suggest, to induce the consistency and steadiness of application indispensable to success in such pursuits. It was in the spring of 1848—more than a year after his dissociation from Graham—that he wrote the story of "The Gold Bug," for which he was paid a prize of one hundred dollars. It has relation to Captain Kyd's treasure, and is one of the most remarkable illustrations of his ingenuity of construction and apparent subtlety of reasoning. The interest depends upon the solution of an intricate cypher. In the autumn of 1844 Poe removed to New York.

It was while he resided in Philadelphia that I became acquainted with him. His manner, except during his fits of intoxication, was very quiet and gentlemanly; he was usually dressed with simplicity and elegance; and when once he sent for me to visit him, during a period of illness caused by protracted and anxious watching at the side of his sick wife, I was impressed by the singular neatness and the air of refinement in his home. It was in a small house, in one of the pleasant and silent neighborhoods far from the center of the town, and though slightly and cheaply furnished, everything in it was so tasteful and so fitly disposed that it seemed altogether suitable for a man of genius. For this and for most of the comforts he enjoyed in his brightest as in his darkest years, he was chiefly indebted to his mother-in-law, who loved him with more than maternal devotion and constancy.

He had now written his most acute criticisms and his most admirable tales. Of tales, beside those to which I have referred, he had produced "The Descent into the Maelstroem," "The Premature Burial," "The Purloined Letter," "The Murders of the Rue Morgue," and its sequel, "The Mystery of Marie Roget." The scenes of the last three are in Paris, where the author's friend, the Chevalier Auguste Dupin, is supposed to reveal to him the curiosities of his experience and observation in matters of police. "The Mystery of Marie Roget" was first published in the autumn of 1842, before an extraordinary excitement, occasioned by the murder of a young girl named Mary Rogers, in the vicinity of New York, had quite subsided, though several months after the tragedy. Under the pretense of relating the fate of a Parisian grisette, Mr. Poe followed in minute detail the essential while merely paralleling the inessential facts of the real murder. His object appears to have been to reinvestigate the case and to settle his own conclusions as to the probable culprit. There is a great deal of hair-splitting in the incidental discussions by Dupin, throughout all these stories, but it is made effective. Much of their popularity, as well as that of other tales of ratiocination by Poe, arose from their being in a new key. I do not mean to say that they are not ingenious; but they have been thought more ingenious than they are, on account of their method and air of method. In "The Murders of the Rue Morgue," for instance, what ingenuity is displayed in unraveling a web which has been woven for the express purpose of unraveling? The reader is made to confound the ingenuity of the supposititious Dupin with that of the writer of the story. These works brought the name of Poe himself somewhat conspicuously before the law courts of Paris. The journal, La Commerce, gave a feuilleton in which "The Murders of the Rue Morgue" appeared in translation. Afterward a writer for La Quotidienne served it for that paper under the title of "L'Orang-Otang." A third party accused La Quotidienne of plagiary from La Commerce, and in the course of the legal investigation which ensued, the feuilletoniste of La Commerce proved to the satisfaction of the tribunal that he had stolen the tale entirely from Mr. Poe,[A] whose merits were soon after canvassed in the "Revue des Deux Mondes," and whose best tales were upon this impulse translated by Mme. Isabelle Meunier for the Democratic Pacifique and other French gazettes.

[Footnote A: The controversy is wittily described in the following extract from a Parisian journal, L'Entr*ficte, of the 20th of October, 1846:

"Un grand journal accusait l'autre jour M. Old-Nick d'avoir vole un orang-outang. Cet interessant animal flanait dans le feuilleton de la Quotidienne, lorsque M. Old-Nick le vit, le trouva a son gout et s'en empara. Notre confrere avait sans doute besoin d'un groom. On sait que les Anglais ont depuis long-temps colonise les orangs-outangs, et les ont instruits dans Part de porter bottes. Il paraitrait, toujours suivant le meme grand journal, que M. Old-Nick, apres avoir derobe cet orang-outang a la Quotidienne, l'aurait ensuite cede au Commerce, comme propriete a lui appartenant. Je sais que M. Old-Nick est un garcon plein d'esprit et plein d'honneur, assez riche de son propre fond pour ne pas s'approprier les orangs-outangs des autres; cette accusation me surprit. Apres tout, me dis-je, il y a eu des monomanies plus extraodinaires que celle-la; le grand Bacon ne pouvait voir un baton de cire a cacheter sans se l'approprier: dans une conference avec M. de Metternich aux Tuileries, l'Empereur s'apercut que le diplomate autrichien glissait des pains a cacheter dans sa poche. M. Old-Nick a une autre manic, il fait les orangs-outangs. Je m'attendais toujours a ce que la Quotidienne jeat feu et flammes et demandat a grads cris son homme des bois. Il faut vous dire ques j'avais la son histoire dans le Commerce, elle etait charmante d'esprit et de style, pleine de rapidite et de desinvolture; la Quotidienne l'avait egalement publiee, mais en trois feuilletons. L'orang-outang du Commerce n'avait que neuf colonnes. Il s'agissait done d'un autre quadrumane litteraire. Ma foi non! c'etait le meme; seulement il n'appartenait ni a la Quotidienne, ni au Commerce. M. Old-Nick l'avait emprunte a un romancier American qu'il est en train d'inventer dans la Revue des Deux-Mondes. Ce romancier s'appelle Poe; je ne dis pas contraire. Voila done un ecrivain qui use du droit legitime d'arranger les nouvelles d'un romancier American qu'il a invente, et on l'accuse de plagiat, de vol au feuilleton; on alarme ses amis en leu faisant croire que set ecrivain est possede de la monomaine des orangs-outangs. Par la Courchamps! voila qui me parait leger. M. Old Nick a ecrit au journal en question une reponse pour retablir sa moralite, attaquee a l'endroit des orangs-outangs. Cet orang-outang a mis, ces jours derniers, toute la litterature en emoi; personne n'a cru un seul instant a l'accusation qu'on a essaye, de faire peser sur M. Old Nick, d'autant plus qu'il avait pris soin d'indiquer luimeme la cage ou il avait pris son orang-outang. Ceci va fournir de nouvelles armes a la secte qui ereit aux romanciers Americans. Le prejuge de l'existence de Cooper en prendra des nouvelles forces. En attendant que la verite se decouvre, nous sommes forces de convenir que ce Poe est un gaillard bien fin, bien spirituel, quand il est arre par M. Old-Nick."]

In New York Poe entered upon a new sort of life. Heretofore, from the Commencement of his literary career, he had resided in provincial towns. Now he was in a metropolis, and with a reputation which might have served as a passport to any society he might desire. For the first time he was received into circles capable of both the appreciation and the production of literature. He added to his fame soon after he came to the city by the publication of that remarkable composition "The Raven," of which Mr. Willis has observed that in his opinion "it is the most effective single example of fugitive poetry ever published in this country, and is unsurpassed in English poetry for subtle conception, masterly ingenuity of versification, and consistent sustaining of imaginative lift;" and by that of one of the most extraordinary instances of the naturalness of detail—-the verisimilitude of minute narrative—for which lie was preeminently distinguished, his "Mesmeric Revelation," purporting to be the last conversation of a somnambule, held with his magnetizer just before his death, which was followed by the yet more striking exhibition of abilities in the same way, entitled "The Facts in the case of M. Vaklemar," in which the subject is represented as having been mesmerized in articulo mortis. These pieces were reprinted throughout the literary and philosophical world, in nearly all languages, everywhere causing sharp and curious speculation, and where readers could be persuaded that they were fables, challenging a reluctant but genuine admiration.

He had not been long in New York before he was engaged by Mr. Willis and General Morris as a critic and assistant editor of The Mirror. He remained in this situation about six months, when he became associated with Mr. Briggs in the conduct of The Broadway Journal, which, in October 1845, passed entirely into his possession. He had now the long sought but never before enjoyed absolute control of a literary gazette, and, with much friendly assistance, he maintained it long enough to show, that whatever his genius, he had not the kind or degree of talent necessary to such a position. His chief critical writing in The Broadway Journal, were a paper on Miss Barrett's Poems, and a long discussion of the subject of plagiarism, with especial reference to Mr. Longfellow. In March, 1845, he had given a lecture at the Society Library upon the American poets, composed, for the most part, of fragments of his previously published reviewals; and in the autumn he accepted an invitation to read a poem before the Boston Lyceum. A week after the event, he printed in The Broadway Journal the following account of it, in reply to a paragraph in one of the city papers, founded upon a statement in the Boston Transcript.

"Our excellent friend, Major Noah, has suffered himself to be cajoled by that most beguiling of all beguiling little divinities, Miss Walter, of The Transcript. We have been looking all over her article with the aid of a taper, to see if we could discover a single syllable of truth in it—and really blush to acknowledge that we cannot. The adorable creature has been telling a parcel of fibs about us, by way of revenge for something that we did to Mr. Longfellow (who admires her very much) and for calling her 'a pretty little witch' into the bargain. The facts of the case seem to be these: We were invited 'deliver'(stand and deliver) a poem before the Boston Lyceum. As a matter of course, we accepted the invitation. The audience was 'large and distinguished.' Mr Cushing[B] preceded us with a very capital discourse. He was much applauded. On arising we were most cordially received. We occupied some fifteen minutes with an apology for not 'delivering,' as is usual in such cases, a didactic poem: a didactic poem, in our opinion, being precisely no poem at all. After some farther words—still of apology—for the 'indefiniteness' and 'general imbecility' of what we had to offer—all so unworthy a Bostonian audience—we commenced, and with many interruptions of applause, concluded. Upon the whole, the approbation was considerably more (the more the pity too) than that bestowed upon Mr. Cushing. When we had made an end the audience of course arose to depart; and about one-tenth of them, probably, had really departed, when Mr. Coffin, one of the managing committee, arrested those who remained, by the announcement that we had been requested to deliver 'The Raven.' We delivered 'The Raven' forthwith—(without taking a receipt)—were very cordially applauded again—and this was the end of it—with the exception of the sad tale invented to suit her own purposes, by that amiable little enemy of ours, Miss Walter. We shall never call a woman 'a pretty little witch' again as long as we live.

[Footnote B: Hon. Caleb Cushing, then recently returned from his mission to China.]

"We like Boston. We were born there—and perhaps it is just as well not to mention that we are heartily ashamed of the fact. The Bostonians are very well in their way. Their hotels are bad. Their pumpkin pies are delicious. Their poetry is not so good. Their common is no common thing—and the duck-pond might answer-if its answer could be heard for the frogs. But with all these good qualities, the Bostonians have no soul. They have always evinced toward us, individually, the basest ingratitude for the services we rendered them in enlightening them about the originality of Mr. Longfellow. When we accepted, therefore, an invitation to 'deliver' a poem in Boston, we accepted it simply and solely, because we had a curiosity to know how it felt to be publicly hissed—and because we wished to see what effect we could produce by a neat little impromptu speech in reply. Perhaps, however, we overrated our own importance, or the Bostonian want of common civility—which is not quite so manifest as one or two of their editors would wish the public to believe. We assure Major Noah that he is wrong. The Bostonians are well-bred—as very dull persons very generally are. Still, with their vile ingratitude staring us in the eyes, it could scarcely be supposed that we would put ourselves to the trouble of composing for the Bostonians anything in the shape of an original poem. We did not. We had a poem, of about 500 lines, lying by us—one quite as good as new—one, at all events, that we considered would answer sufficiently well for an audience of Transcendentalists. That we gave them—it was the best that we had—for the price—and it did answer remarkably well. Its name was not 'The Messenger-Star'—who but Miss Walter would ever think of so delicious a little bit of invention as that? We had no name for it at all. The poem is what is occasionally called a 'juvenile poem,' but the fact is it is anything but juvenile now, for we wrote it, printed it, and published it, in book form, before we had completed our tenth year. We read it verbatim, from a copy now in our possession, and which we shall be happy to show at any moment to any of our inquisitive friends. We do not, ourselves, think the poem a remarkably good one: it is not sufficiently transcendental. Still it did well enough for the Boston audience—who evinced characteristic discrimination in understanding, and especially applauding all those knotty passages which we ourselves have not yet been able to understand.

"As regards the auger of The Boston Times, and one or two other absurdities—as regards, we say the wrath of Achilles—we incurred it-or rather its manifestation—by letting some of our cat out of the bag a few hours sooner than we had intended. Over a bottle of champagne, that night, we confessed to Messrs. Cushing, Whipple, Hudson, Fields, and a few other natives who swear not altogether by the frog-pond-we confessed, we say, the soft impeachment of the hoax. Et hine ille irae. We should have waited a couple of days."

It is scarcely necessary to suggest that this must have been written before he had quite recovered from the long intoxication which maddened him at the time to which it refers—that he was not born in Boston-that the poem was not published in his tenth year, and that the "hoax" was all an after-thought. Two weeks later he renewed the discussion of the subject in The Broadway Journal, commenting as follows upon allusions to it by other parties:

"Were the question demanded of us—'What is the most exquisite of sublunary pleasures?' we should reply, without hesitation, the making a fuss, or in the classical words of a western friend, the 'kicking up a bobbery.' Never was a 'bobbery' more delightful than that which we have just succeeded in 'kicking up' all around about Boston Common. We never saw the Frogpondians so lively in our lives. They seem absolutely to be upon the point of waking up. In about nine days the puppies may get open their eyes. That is to say, they may get open their eyes to certain facts which have long been obvious to all the world except themselves-the facts that there exist other cities than Boston—other men of letters than Professor Longfellow—other vehicles of literary information than the Down-East Review.'

"We had tact enough not to be 'taken in and done for' by the Bostonians. Timeo Danaos et dona ferentes—(for timeo substitute contemno or turn-up-your-nose-o.) We knew very well that among a certain clique of the Frogpondians, there existed a predetermination to abuse us under any circumstances. We knew, that write what we would, they would swear it to be worthless. We knew, that were we to compose for them a 'Paradise Lost,' they would pronounce it an indifferent poem. It would have been very weak in us, then, to put ourselves to the trouble of attempting to please these people. We preferred pleasing ourselves. We read before them a 'juvenile'—a very 'juvenile' poem—and thus the Frogpondians were had—were delivered up to the enemy bound hand and foot. Never were a set of people more completely demolished. They have blustered and flustered—but what have they done or said that has not made them more thoroughly ridiculous? What, in the name of Momus, is it possible for them to do or say? We 'delivered' them the 'juvenile poem,' and they received it with applause. This is accounted for by the fact, that the clique (contemptible in numbers as in everything else) were overruled by the rest of the assembly. These malignants did not dare to interrupt by their preconcerted hisses, the respectful and profound attention of the majority. We have been told, indeed, that as many as three or four of the personal friends of the little old lady entitled Miss Walter, did actually leave the hall during the recitation—but, upon the whole, this was the very best thing they could do. We have been told this, we say—we did not see them take their departure:—the fact is, they belong to a class of people that we make it a point never to see. The poem being thus well received, in spite of this ridiculous little cabal—the next thing to be done was to abuse it in the papers. Here, they imagined, they were sure of their game. But what have they accomplished? The poem, they say, is bad. We admit it. We insisted upon this fact in our prefatory remarks, and we insist upon it now, over and over again. It is bad—it is wretched—and what then? We wrote it at ten years of age—had it been worth even a pumpkin-pie, undoubtedly we should not have 'delivered' it to them. To demonstrate its utter worthlessness, The Boston Star has copied the poem in full, with two or three columns of criticism (we suppose), by way of explaining that we should have been hanged for its perpetration. There is no doubt of it whatever—we should. The Star, however, (a dull luminary,) has done us more honor than it intended; it has copied our third edition of the poem, revised and improved. We considered this too good for the occasion by one-half, and so 'delivered' our first edition with all its imperfections on its head. It is the first—the original edition—the delivered edition—which we now republish in our collection of Poems."

When he accepted the invitation of the Lyceum he intended to write an original poem, upon a subject which he said had haunted his imagination for years; but cares, anxieties, and feebleness of will, prevented; and a week before the appointed night he wrote to a friend imploring assistance. "You compose with such astonishing facility," he urged in his letter, "that you can easily furnish me, quite soon enough, a poem that shall be equal to my reputation. For the love of God I beseech you to help me in this extremity." The lady wrote him kindly, advising him judiciously, but promising to attempt the fulfillment of his wishes She was, however, an invalid, and so failed.[C] At last, instead of pleading illness himself, as he had previously done on a similar occasion, he determined to read his poem of "Al Aaraaf," the original publication of which, in 1829, has already been stated.

The last number of the Broadway Journal was published on the third of January,1846, and Poe soon after commenced the series of papers entitled "The Literati of New-York City," which was published in The Lady's Book in six numbers, from May to October. Their spirit, boldness, and occasional causticity caused them to be much talked about, and three editions were necessary to supply the demand for some numbers of the magazine containing them. They however led to a disgraceful quarrel, and this to a premature conclusion. Dr. Thomas Dunn English, who had at one time sustained the most intimate relations with Poe, chose to evince his resentment of the critic's unfairness by the publication of a card in which he painted strongly the infirmities of Poe's life and character, and alleged that he had on several occasions inflicted upon him personal chastisement. This was not a wise confession, for a gentleman never appeals to his physical abilities except for defense. But the entire publication, even if every word of it were true, was unworthy of Dr. English, unnecessary, and not called for by Poe's article, though that, as every one acquainted with the parties might have seen, was entirely false in what purported to be its facts. The statement of Dr. English appeared in the New York Mirror of the twenty-third of June, and on the twenty-seventh Mr. Poe sent to Mr. Godey for publication in the Lady's Book his rejoinder, which would have made about five of the large pages of that miscellany. Mr. Godey very properly declined to print it, and observed, in the communication of his decision, that the tone of the article was regarded as unsuitable for his work and as altogether wrong. In compliance with the author's wishes, however, he had caused its appearance in a daily paper. Poe then wrote to him:

"The man or men who told you that there was anything wrong in the tone of my reply, were either my enemies, or your enemies, or asses. When you see them, tell them so, from me. I have never written an article upon which I more confidently depend for literary reputation than that Reply. Its merit lay in its being precisely adapted to its purpose. In this city I have had upon it the favorable judgments of the best men. All the error about it was yours. You should have done as I requested—published it in the Book. It is of no use to conceive a plan if you have to depend upon another for its execution."

Nevertheless, I agree with Mr. Godey. Poe's article was as bad as that of English. Yet a part of one of its paragraphs is interesting, and it is here transcribed:

—"Let me not permit any profundity of disgust to induce, even for an instant, a violation of the dignity of truth. What is not false, amid the scurrility of this man's statements, it is not in my nature to brand as false, although oozing from the filthy lips of which a lie is the only natural language. The errors and frailties which I deplore, it cannot at least be asserted that I have been the coward to deny. Never, even, have I made attempt at extenuating a weakness which is (or, by the blessing of God, was) a calamity, although those who did not know me intimately had little reason to regard it otherwise than a crime. For, indeed, had my pride, or that of my family permitted, there was much—very much—there was everything to be offered in extenuation. Perhaps, even, there was an epoch at which it might not have been wrong in me to hint—what by the testimony of Dr. Francis and other medical men I might have demonstrated, had the public, indeed, cared for the demonstration—that the irregularities so profoundly lamented were the effect of a terrible evil rather than its cause.—And now let me thank God that in redemption from the physical ill I have forever got rid of the moral."

Dr. Francis never gave any such testimony. On one occasion Poe borrowed fifty dollars from a distinguished literary woman of South Carolina, promising to return it in a few days, and when he failed to do so, and was asked for a written acknowledgment of the debt that might be exhibited to the husband of the friend who had thus served him, he denied all knowledge of it, and threatened to exhibit a correspondence which he said would make the woman infamous, if she said any more on the subject. Of course there had never been any such correspondence, but when Poe heard that a brother of the slandered party was in quest of him for the purpose of taking the satisfaction supposed to be due in such cases, he sent for Dr. Francis and induced him to carry to the gentleman his retraction and apology, with a statement which seemed true enough for the moment, that Poe was "out of his head." It is an ungracious duty to describe such conduct in a person of Poe's unquestionable genius and capacities of greatness, but those who are familiar with the career of this extraordinary creature can recall but too many similar anecdotes; and as to his intemperance, they perfectly well understand that its pathology was like that of ninety-nine of every hundred cases of the disease.

[Footnote C: This lady was the late Mrs. Osgood, and a fragment of what she wrote under these circumstances may be found in the last edition of her works under the title of "Lullin, or the Diamond Fay."]

As the autumn of 1846 wore on, Poe's habits of frequent intoxication and his inattention to the means of support reduced him to much more than common destitution. He was now living at Fordham, several miles from the city, so that his necessities were not generally known even among his acquaintances; but when the dangerous illness of his wife was added to his misfortunes, and his dissipation and accumulated causes of anxiety had prostrated all his own energies, the subject was introduced into the journals. The Express said:

"We regret to learn that Edgar A. Poe and his wife are both dangerously ill with the consumption, and that the hand of misfortune lies heavy upon their temporal affairs. We are sorry to mention the fact that they are so far reduced as to be barely able to obtain the necessaries of life. This is indeed a hard lot, and we hope that the friends and admirers of Mr. Poe will come promptly to his assistance in his bitterest hour of need."

Mr. Willis, in an article in the Home Journal suggesting a hospital for disabled laborers with the brain, said—

"The feeling we have long entertained on this subject, has been freshened by a recent paragraph in the Express, announcing that Mr. Edgar A. Poe and his wife were both dangerously ill, and suffering for want of the common necessaries of life. Here is one of the finest scholars, one of the most original men of genius, and one of the most industrious of the literary profession of our country, whose temporary suspension of labor, from bodily illness, drops him immediately to a level with the common objects of public charity. There was no intermediate stopping-place-no respectful shelter where, with the delicacy due to genius and culture, he might secure aid, unadvertised, till, with returning health, he could resume his labors and his unmortified sense of independence. He must either apply to individual friends—(a resource to which death is sometimes almost preferable)—or suffer down to the level where Charity receives claimants, but where Rags and Humiliation are the only recognized Ushers to her presence. Is this right? Should there not be, in all highly civilized communities, an Institution designed expressly for educated and refined objects of charity—a hospital, a retreat, a home of seclusion and comfort, the sufficient claims to which would be such susceptibilities as are violated by the above mentioned appeal in a daily newspaper."

The entire article from which this paragraph is taken, was an ingenious apology for Mr. Poe's infirmities; but it was conceived and executed in a generous spirit, and it had a quick effect in various contributions, which relieved the poet from pecuniary embarrassments. The next week he published the following letter:

"My Dear Willis:—The paragraph which has been put in circulation respecting my wife's illness, my own, my poverty, etc., is now lying before me; together with the beautiful lines by Mrs. Locke and those by Mrs. ——, to which the paragraph has given rise, as well as your kind and manly comments in The Home Journal. The motive of the paragraph I leave to the conscience of him or her who wrote it or suggested it. Since the thing is done, however, and since the concerns of my family are thus pitilessly thrust before the public, I perceive no mode of escape from a public statement of what is true and what erroneous in the report alluded to. That my wife is ill, then, is true; and you may imagine with what feelings I add that this illness, hopeless from the first, has been heightened and precipitated by her reception at two different periods, of anonymous letters,—one inclosing the paragraph now in question; the other, those published calumnies of Messrs. ——, for which I yet hope to find redress in a court of justice.

"Of the facts, that I myself have been long and dangerously ill, and that my illness has been a well-understood thing among my brethren of the press, the best evidence is afforded by the innumerable paragraphs of personal and literary abuse with which I have been latterly assailed. This matter, however, will remedy itself. At the very first blush of my new prosperity, the gentlemen who toadied me in the old, will recollect themselves and toady me again. You, who know me, will comprehend that I speak of these things only as having served, in a measure, to lighten the gloom of unhappiness, by a gentle and not unpleasant sentiment of mingled pity, merriment and contempt. That, as the inevitable consequence of so long an illness, I have been in want of money, it would be folly in me to deny—but that I have ever materially suffered from privation, beyond the extent of my capacity for suffering, is not altogether true. That I am 'without friends' is a gross calumny, which I am sure you never could have believed, and which a thousand noble-hearted men would have good right never to forgive me for permitting to pass unnoticed and undenied. Even in the city of New York I could have no difficulty in naming a hundred persons, to each of whom—when the hour for speaking had arrived—I could and would have applied for aid with unbounded confidence, and with absolutely no sense of humiliation. I do not think, my dear Willis, that there is any need of my saying more. I am getting better, and may add—if it be any comfort to my enemies—that I have little fear of getting worse. The truth is, I have a great deal to do; and I have made up my mind not to die till it is done. Sincerely yours,

"December 30th, 1846. EDGAR A. POE."

This was written for effect. He had not been ill a great while, nor dangerously at all; there was no literary or personal abuse of him in the journals; and his friends in town had been applied to for money until their patience was nearly exhausted. His wife, however, was very sick, and in a few weeks she died. In a letter to a lady in Massachusetts, who, upon the appearance of the newspaper articles above quoted, had sent him money and expressions of sympathy, he wrote, under date of March 10, 1847:

"In answering your kind letter permit me in the first place to absolve myself from a suspicion which, under the circumstances, you could scarcely have failed to entertain—a suspicion of discourtesy toward yourself, in not having more promptly replied to you.... I could not help feeling that should you see my letter to Mr. Willis—in which a natural pride, which I feel you could not blame, impelled me to shrink from public charity, even at the cost of truth, in denying those necessities which were but too real—I could not help fearing that, should you see this letter, you would yourself feel pained at having caused me pain-at having been the means of giving further publicity to an unfounded report—at all events to the report of a wretchedness which I had thought it prudent (since the world regards wretchedness as a crime) so publicly to disavow. In a word, venturing to judge your noble nature by my own, I felt grieved lest my published denial might cause you to regret what you had done; and my first impulse was to write you, and assure you, even at the risk of doing so too warmly, of the sweet emotion, made up of respect and gratitude alone, with which my heart was filled to overflowing. While I was hesitating, however, in regard to the propriety of this step, I was overwhelmed by a sorrow so poignant as to deprive me for several weeks of all power of thought or action. Your letter, now lying before me, tells me that I had not been mistaken in your nature, and that I should not have hesitated to address you; but believe me, my dear Mrs. L——, that I am already ceasing to regard those difficulties or misfortunes which have led me to even this partial correspondence with yourself."

For nearly a year Mr. Poe was not often before the public, but he was as industrious, perhaps, as he had been at any time, and early in 1848 advertisement was made of his intention to deliver several lectures, with a view to obtain an amount of money sufficient to establish his so-long-contemplated monthly magazine. His first lecture—and only one at this period—was given at the Society Library, in New York, on the ninth of February, and was upon the cosmogony of the Universe: it was attended by an eminently intellectual auditory, and the reading of it occupied about two hours and a half; it was what he afterward published under the title of "Eureka, a Prose Poem."

To the composition of this work he brought his subtlest and highest capacities, in their most perfect development. Denying that the arcana of the universe can be explored by induction, but informing his imagination with the various results of science, he entered with unhesitating boldness, though with no guide but the divinest instinct,—that sense of beauty, in which our great Edwards recognizes the flowering of all truth—into the sea of speculation, and there built up of according laws and their phenomena, as under the influence of a scientific inspiration, his theory of Nature. I will not attempt the difficult task of condensing his propositions; to be apprehended they must be studied in his own terse and simple language; but in this we have a summary of that which he regards as fundamental: "The law which we call Gravity," he says, "exists on account of matter having been radiated, at its origin, atomically, into a limited sphere of space, from one, individual, unconditional irrelative, and absolute Particle Proper, by the sole process in which it was possible to satisfy, at the same time, the two conditions, radiation and equable distribution throughout the sphere—that is to say, by a force varying in direct proportion with the squares of the distances between the radiated atoms, respectively, and the particular center of radiation."

Poe was thoroughly persuaded that he had discovered the great secret: that the propositions of "Eureka" were true; and he was wont to talk of the subject with a sublime and electrical enthusiasm which they cannot have forgotten who were familiar with him at the period of its publication. He felt that an author known solely by his adventures in the lighter literature, throwing down the gauntlet to professors of science, could not expect absolute fairness, and he had no hope but in discussions led by wisdom and candor. Meeting me, he said, "Have you read 'Eureka?'" I answered, "Not yet: I have just glanced at the notice of it by Willis, who thinks it contains no more fact than fantasy, and I am sorry to see—sorry if it be true—suggests that it corresponds in tone with that gathering of sham and obsolete hypotheses addressed to fanciful tyros, the 'Vestiges of Creation;' and our good and really wise friend Bush, whom you will admit to be of all the professors, in temper one of the most habitually just, thinks that while you may have guessed very shrewdly, it would not be difficult to suggest many difficulties in the way of your doctrine." "It is by no means ingenuous," he replied, "to hint that there are such difficulties, and yet to leave them unsuggested. I challenge the investigation of every point in the book. I deny that there are any difficulties which I have not met and overthrown. Injustice is done me by the application of this word 'guess:' I have assumed nothing and proved all." In his preface he wrote: "To the few who love me and whom I love; to those who feel rather than to those who think; to the dreamers and those who put faith in dreams as in the only realities—I offer this book of truths, not in the character of Truth-Teller, but for the beauty that abounds in its truth: constituting it true. To these I present the composition as an Art-Product alone:—-let us say as a Romance; or, if it be not urging too lofty a claim, as a Poem. What I here propound is true: therefore it cannot die: or it by any means it be now trodden down so that it die, it will rise again to the life everlasting."

When I read "Eureka" I could not help but think it immeasurably superior as an illustration of genius to the "Vestiges of Creation;" and as I admired the poem, (except the miserable attempt at humor in what purports to be a letter found in a bottle floating on the Mare tenebrarum,) so I regretted its pantheism, which is not necessary to its main design. To some of the objections to his work be made this answer in a letter to Mr. C.F. Hoffman, then editor of the Literary World:

"Dear Sir:—In your paper of July 29, I find some comments on 'Eureka,' a late book of my own; and I know you too well to suppose for a moment, that you will refuse me the privilege of a few words in reply. I feel, even, that I might safely claim, from Mr. Hoffman, the right, which every author has, of replying to his critic tone for tone—that is to say, of answering your correspondent, flippancy by flippancy and sneer by sneer—but in the first place, I do not wish to disgrace the World; and, in the second, I feel that I never should be done sneering, in the present instance, were I once to begin. Lamartine blames Voltaire for the use which he made of (ruse) misrepresentation, in his attacks on the priesthood; but our young students of Theology do not seem to be aware that in defense or what they fancy to be defense, of Christianity, there is anything wrong in such gentlemanly peccadillos as the deliberate perversion of an author's text—to say nothing of the minor indecora of reviewing a book without reading it and without having the faintest suspicion of what it is about.

"You will understand that it is merely the misrepresentations of the critique in question to which I claim the privilege of reply:—the mere opinions of the writer can be of no consequence to me—and I should imagine of very little to himself—that is to say if he knows himself, personally, as well as I have the honor of knowing him. The first misrepresentation is contained in this sentence:—'This letter is a keen burlesque on the Aristotelian or Baconian methods of ascertaining Truth, both of which the writer ridicules and despises, and pours forth his rhapsodical ecstasies in a glorification of the third mode—the noble art of guessing.' What I really say is this:—That there is no absolute certainty either in the Aristotelian or Baconian process—that, for this reason, neither Philosophy is so profound as it fancies itself—and that neither has a right to sneer at that seemingly imaginative process called Intuition (by which the great Kepler attained his laws); since 'Intuition,' after all, 'is but the conviction arising from those inductions or deductions of which the processes are so shadowy as to escape our consciousness, elude our reason or defy our capacity of expression.' The second misrepresentation runs thus:—'The developments of electricity and the formation of stars and suns, luminous and nonluminous, moons and planets, with their rings, &c., is deduced, very much according to the nebular theory of Laplace, from the principle propounded above.' Now the impression intended to be made here upon the reader's mind, by the 'Student of Theology,' is evidently, that my theory may all be very well in its way, but that it is nothing but Laplace over again, with some modifications that he (the Student of Theology) cannot regard as at all important. I have only to say that no gentleman can accuse me of the disengenuousness here implied; inasmuch as, having proceeded with my theory up to that point at which Laplace's theory meets it, I then give Laplace's theory in full, with the expression of my firm conviction of its absolute truth at all points. The ground covered by the great French astronomer compares with that covered by my theory, as a bubble compares with the ocean on which it floats; nor has he the slightest allusion to the 'principle propounded above,' the principle of Unity being the source of all things—the principle of Gravity being merely the Reaction of the Divine Act which irradiated all things from Unity. In fact no point of my theory has been even so much as alluded to by Laplace. I have not considered it necessary, here to speak of the astronomical knowledge displayed in the 'stars and suns' of the Student of Theology, nor to hint that it would be better to say that 'development and formation are, than that development and formation is. The third misrepresentation lies in a foot-note, where the critic says:—'Further than this, Mr. Poe's claim that he can account for the existence of all organized beings—man included—merely from those principles on which the origin and present appearance of suns and worlds are explained, must be set down as mere bald assertion, without a particle of evidence. In other words we should term it arrant fudge.' The perversion at this point is involved in a willful misapplication of the word 'principles.' I say 'wilful' because, at page 63, I am particularly careful to distinguish between the principles proper, Attraction and Repulsion, and those merely resultant sub-principles which control the universe in detail. To these sub-principles, swayed by the immediate spiritual influence of Deity. I leave, without examination, all that which the Student of Theology so roundly asserts I account for on the principles which account for the constitution of suns, &c.