But curiously enough she saw only one of the goodly company of Doctor Nesbits that trudged down the hill in his white linen suit, under his broad-brimmed panama hat. Naturally she hardly might be expected to see the conscienceless boss of Hancock and Greely counties, who handled the money of privilege seekers and bought and sold men gayly as a part of the day's work. Nor could she be expected to see the helpless little man whose face crumpled, whose heart sank and whose courage melted as he stood beside her in the garden, the sad, hopeless little man who, as he went down the hill was captain of the groups that walked under his hat that hour. The amiable Doctor, who was everybody's friend and was loyal to those who served him, the daughter neglected that day; and the State Senator did not attract her. She saw only a gentle, tender, understanding father, whose love shone out of his face like a beacon and who threw merry kisses as he disappeared down the hill—a ruddy-faced, white phantom in a golden spring day!

Some place between his home and Market Street the father retired and the politician took command of Dr. Nesbit's soul. And he gave thought to the Nesbit machine. The job of the moment before the machine was to make George Brotherton, who had the strength of a man who belonged to all the lodges in town, mayor of Harvey. "Help Harvey Hump" was George's alliterative slogan, and the translation of the slogan into terms of Nesbitese was found in a rather elaborate plan to legalize the issuance of bonds by the coal and oil towns adjacent to Harvey, so that Daniel Sands could spin out his web of iron and copper and steel,—rails and wires and pipes into these huddles of shanties that he might sell them light and heat and power and communication and transportation.

Even the boss—even Old Linen Pants—was not without his sense of humor, nor without his joyous moments when he relished human nature in large, raw portions. As he walked down the hill there flashed across his mind a consciousness of the pride of George Brotherton in his candidacy. That pride expressed itself in a feud George had with Violet Mauling who, having achieved stenography, was installed in the offices of Calvin & Van Dorn as a stenographer—the stenographer in fact. She on her part was profoundly proud of her job and expressed her pride in overhanging and exceeding mischievous looking bangs upon her low and rather narrow brow. In the feud between George and Violet, it was her consecrated task to keep him waiting as long as possible before admitting him to Van Dorn's inner room, and it was Mr. Brotherton's idea never to call her by her right name, nor by any name twice in succession. She was Inez or Maude or Mabel or Gwendolyn or Pet or Sweetheart or Dearest, in rapid succession, and in return for his pseudonymnal attentions, Mr. Brotherton always was sure of receiving from Miss Mauling upon leaving the office, an elaborately turned-up nose. For Miss Mauling was peevish and far from happy. She had been conscious for nearly a year that her power over young Mr. Van Dorn was failing, or that her charms were waning, or that something was happening to clog or cloy her romance. On a certain May morning she had sat industriously writing, "When in the course of human events," "When in the course of human events it becomes necessary," "When in the course of human events it becomes necessary for a people to separate—" upon her typewriter, over and over and over again, while she listened to Captain Morton selling young Mr. Van Dorn a patent churn, and from the winks and nods and sly digs and nudges the Captain distributed through his canvass, it was obvious to Miss Mauling that affairs in certain quarters had reached a point.

That evening at Brotherton's Amen corner, where the gay young blades of the village were gathered—Captain Morton decided that as court herald of the community he should proclaim the banns between Thomas Van Dorn and Laura Nesbit. Naturally he desired a proper entrance into the conversation for his proclamation, but with the everlasting ting-aling and tym-ty-tum of Nathan Perry's mandolin and the jangling accompaniment of Morty's mandolin, opening for the court herald was not easy. Grant Adams was sitting at the opposite end of the bench from the Captain, deep in one of Mr. Brotherton's paper bound books—to-wit, "The Stones of Venice," and young Joe Calvin sadly smoking his first stogy, though still in his knickerbockers, was greedily feasting his eyes upon a copy of the pink Police Gazette hanging upon a rack above the counter. Henry Fenn and Mr. Brotherton were lounging over the cigar case, discussing matters of state as they affected a county attorney and a mayor, when the Captain, clearing his throat, addressed Mr. Brotherton thus:

"George—I sold two patent churns to two bridegrooms to-day—eh?" As the music stopped the Captain, looking at Henry Fenn, added reflectively: "Bet you four bits, George, you can't name the other one—what say?" No one said and the Captain took up his solo. "Well—it's this-away: I see what I see next door. And I hear what my girls say. So this morning I sashays around the yard till I meets a certain young lady a standing by the yaller rose bush next to our line fence and I says: 'Good morning madam,' I says, 'from what I see and hear and cogitate,' I says, 'it's getting about time for you to join my list of regular customers.' And she kind of laughs like a Swiss bellringer's chime—the way she laughs; and she pretended she didn't understand. So I broadens out and says, 'I sold Rhody Kollander her first patent rocker the day she came to town to begin housekeeping with. I sold your pa and ma a patent gate before they had a fence. I sold Joe Calvin's woman her first apple corer, and I started Ahab Wright up in housekeeping by selling him a Peerless cooker. I've sold household necessities to every one of the Mrs. Sandses' and 'y gory, madam,' I says, 'next to the probate court and the preacher, I'm about the first necessity of a happy marriage in this man's town,' I says, 'and it looks to me,' I says, 'it certainly looks to me—' And I laughs and she laughs, all redded up and asts: 'Well, what are you selling this spring, Captain?' And I says, 'The Appomattox churn,' and then one word brought on another and she says finally, 'You just tell Tom to buy one for the first of our Lares and Penates,' though I got the last word wrong and tried to sell him Lares and spuds and then Lares and Murphies before he got what I was drivin' at. But I certainly sold the other bridegroom, Henry—eh?"

A silence greeted the Captain's remarks. In it the "Stones of Venice" grew bleak and cold for Grant Adams. He rose and walked rather aimlessly toward the water cooler in the rear of the store and gulped down two cups of water. When he came back to the bench the group there was busy with the Captain's news. But the music did not start again. Morty Sands sat staring into the pearl inlaid ring around the hole in his mandolin, and his chin trembled. The talk drifted away from the Captain's announcement in a moment, and Morty saw Grant Adams standing by the door, looking through a window into the street. Grant seemed a tower of strength. For a few minutes Morty tried to restore his soul by thrumming a tune—a sweet, tinkly little tune, whose words kept dinging in his head:

"Love comes like a summer sigh, softly o'er us stealing; Love comes and we wonder why, at love's shrine we're kneeling!"

But that only unsteadied his chin further. So he tucked his mandolin under his arm, and moved rather stupidly over to Grant Adams. To Morty, Grant Adams, even though half a dozen years his junior, represented cousinship and fellowship. As Morty rose Grant stepped through the open door into the street and stood on the curb. Morty came tiptoeing up to the great rawboned youth and whispered:

"Grant—Grant—I'm so—so damned unhappy! You don't mind my telling you—do you?" Grant felt the arm of his cousin tighten around his own arm. Grant stared at the stars, and Morty gazed at the curb; presently he drew a deep sigh and said: "Thank you, Grant." He relaxed his hold of the boy's arm and walked away with his head down, and disappeared around the corner into the night. Slowly Grant followed him. Once or twice or perhaps three times he heard Morty trying vainly to thrum the sad little tune about the waywardness of love.



CHAPTER IX

WHEREIN HENRY FENN MAKES AN INTERESTING EXPERIMENT

The formal announcement of the engagement of Laura Nesbit and Thomas Van Dorn came when Mrs. Nesbit began tearing out the old floors on the second story of the Nesbit home and replacing them with hardwood floors. Having the carpenters handy she added a round tower with which to impress the Schenectady Van Dorns with the importance of the Maryland Satterthwaites. In this architectural outburst the town read the news of the engagement. The town was so moved by the news that Mrs. Hilda Herdicker was able to sell to the young women of her millinery suzerainty sixty-three hats, which had been ordered "especially for Laura Nesbit," at prices ranging from $2.00 to $57. Each hat was carefully, indeed furtively, brought from under the counter, or from the back room of the shop or from a box on a high shelf and secretly exhibited and sold with injunctions that the Nesbits must not be told what Mrs. Herdicker had done. One of these hats was in reach of Violet Mauling's humble twenty dollars! Poor Violet was having a sad time in those days. No candy, no soda water, no ice cream, no flowers; no buggy rides, however clandestine, nor fervid glances—nothing but hard work was her unhappy lot and an occasional clash with Mr. Brotherton. Thus the morning after the newly elected Mayor had heard the formal announcement of the engagement, he hurried to the offices of Calvin & Van Dorn to congratulate his friend:

"Hello, Maudie," said Mr. Brotherton. "Oh, it isn't Maudie—well then, Trilby, tell Mr. Van Dorn the handsome gentleman has came."

Hearing Brotherton's noise Van Dorn appeared, to summon his guest to the private office.

"Well, you lucky old dog!" was Mr. Brotherton's greeting. "Well, say—this is his honor, the Mayor, come up to collect your dog tax! Well, say!" As he walked into the office all the secret society pins and charms and signets—the Shriners' charm, the Odd Fellows' links, the Woodmen's ax, the Elks' tooth, the Masons' square and compass, the Knights Templars' arms, were glistening upon his wrinkled front like a mosaic of jewels!

Mr. Brotherton shook his friend's hand, repeating over and over, "Well, say—" After the congratulatory ceremony was finished Mr. Brotherton cried, "You old scoundrel—I'd rather have your luck than a license to steal in a mint!" Then with an eye to business, he suggested: "I'll just about open a box of ten centers down at my home of the letters and arts for you when the boys drop around!" He backed out of the room still shaking Mr. Van Dorn's hand, and still roaring, "Well, say!" In the outer office he waved a gracious hand at Miss Mauling and cried, "Three sugars, please, Sadie—that will do for cream!" and went laughing his seismic laugh down the stairs.

That evening the cigar box stood on the counter in Brotherton's store. It was wreathed in smilax like a votive offering and on a card back of the box Mr. Brotherton had written these pious words:

"In loving memory of the late Tom Van Dorn, Recently engaged. For here, kind friends, we all must lie; Turn, Sinner, turn before ye die! Take one."

Seeing the box in the cloister and the brotherhood assembled upon the walnut bench Dr. Nesbit, who came in on a political errand, sniffed, and turned to Amos Adams. "Well, Amos," piped the Doctor, "how's Lincoln this evening?"

The editor looked up amiably at the pudgy, white-clad figure of the Doctor, and replied casually though earnestly, "Well, Doc Jim, I couldn't seem to get Lincoln to-day. But I did have a nice chat with Beecher last night and he said: 'Your friend, Dr. Nesbit, I observe, is a low church Congregationalist.' And when I asked what he meant Beecher replied, 'High church Congregationalists believe in New England; low church Congregationalists believe in God!' Sounds like him—I could just see him twitching his lips and twinkling his eyes when it came!" Captain Morton looked suspiciously over his steel-bowed glasses to say testily:

"'Y gory, Amos—that thing will get you yet—what say?" he asked, turning for confirmation to the Doctor.

Amos Adams smiled gently at the Captain, but addressed the Doctor eagerly, as one more capable of understanding matters occult: "And I'll tell you another thing—Mr. Left is coming regularly now."

"Mr. Left?" sniffed the Captain.

"Yes," explained the editor carefully, "I was telling the Doctor last week that if I go into a dark room and blindfold myself and put a pencil in my left hand, a control who calls himself Mr. Left comes and writes messages from the Other Side."

"Any more sense to 'em than your crazy planchette?" scoffed Captain Morton.

The editor closed his eyes in triumph. "Read our editorial this week on President Cleveland and the Money Power?" he asked. The Captain nodded. "Mr. Left got it without the scratch of a 't' or the dot of an 'i' from Samuel J. Tilden." He opened his eyes to catch the astonishment of the listeners.

"Humph!" snorted the Doctor in his high, thin voice, "Old Tilden seems to have got terribly chummy with Karl Marx in the last two years."

"Well, I didn't write it, and Mary says it's not even like my handwrite. And that reminds me, Doctor, I got to get her prescription filled again. That tonic you give her seems to be kind of wearing off. The baby you know—" he stopped a moment vaguely. "Someway she doesn't seem strong."

Only the Doctor caught Grant's troubled look.

The Doctor snapped his watch, and looked at Brotherton. The Doctor was not the man to loaf long of an autumn evening before any election, and he turned to Amos and said: "All right, Amos—we'll fix up something for Mary a little later. Now, George—get out that Fourth Ward voters' list and let's get to work!"

The group turned to the opening door and saw Henry Fenn, resplendent in a high silk hat and a conspicuously Sunday best suit, which advertised his condition, standing in the open door. "Good evening, gentlemen," he said slowly.

A look of common recognition of Fenn's case passed around the group in the corner. Fenn saw the look as he came in. He was walking painfully straight. "I may," he said, lapsing into the poetry that came welling from his memory and marked him for a drunken fool, "I may," opening his ardent eyes and glancing affectionately about, "have been toying with 'lucent syrups tinct with cinnamon' and my feet may be 'uncertain, coy and hard to please,'" he grinned with wide amiability, "but my head is clear as a bell." His eyes flashed nervously about the shop, resting upon nothing, seeing everything. He spied Grant, "Hello, Red," exclaimed Mr. Fenn, "glad to see you back again. 'M back again myself. Ye crags 'n' peaks 'm with you once again." As he nourished his silk hat he saw the consternation on Brotherton's big, moon face. Walking behind the counter he clapped both hands down on Brotherton's big shoulders. "Georgy, Georgy," he repeated mournfully:

"Old story, Georgy. Fight—fight, fight, then just a little, just a very little surrender; not going to give in, but just a nip for old sake's sake. Whoo-oo-oo-oo-p the skyrocket blazes and is gone, and then just another nip to cool the first and then a God damn big drink and—and—"

He laughed foolishly and leaned forward on the counter. As his arm touched the counter it brushed the smilax covered cigar box and sent the box and the cigars to the floor.

"Henry, you fool—you poor fool," cried Brotherton; but his voice was not angry as he said: "If you must mess up your own affairs for Heaven's sake have some respect for Tom's!"

"Tom's love affairs and mine," sneered the maudlin man. "'They grew in beauty side by side.' But don't you fool yourself," and Fenn wagged a drunken head, "Tom's devil isn't, dead, she sleepeth, that's what she does. The maiden is not dead she sleepeth, and some day she'll wake up and then Tom's love affair will be where my love affair is." His eyes met the doctor's. Fenn sighed and laughed fatuously and then he straightened up and said: "Mr. George Brotherton, most worshipful master, Senior Warden, Grand High Potentate, Keeper of the Records and Seals—hear me. I'm going out to No. 826 Congress Street to see the fairest of her sex—the fairest of her sex." Then he smiled like the flash of a burning soul and continued:

"'The cold, the changed, perchance the dead anew, The mourned, the loved, the lost.'"

And sighing a deep sigh, and again waving his silk hat in a profound bow, he was gone. The group in the store saw him step lightly into a waiting hack, and drive away out of their reach. Brotherton stood at the door and watched the carriage turn off Market Street, then came back, shaking a sorrowful head. He looked up at the Doctor and said: "She's bluffing—say, Doctor, you know her, what do you think?"

"Bluffing," returned the Doctor absently, then added quickly: "Come now, George, get your voters' list! It's getting late!"

George Brotherton looked blankly at the group. In every face but the Doctor's a genuine sorrow for their friend was marked. "Doc," Brotherton began apologetically, "I guess I'll just have to get you to let me off to-night!" He hesitated; then as he saw the company around him backing him up, "Why, Doc, the way I feel right now I don't care if the whole county ticket is licked! I can't work to-night, Doc—I just can't!"

The Doctor's face as he listened, changed. It was as though another soul had come upon the deck of his countenance. He answered softly in his piping voice, "No man could, George—after that!" Then turning to Grant the Doctor said gently, as one reminded of a forgotten purpose:

"Come along with me, Grant." They mounted the stairs to the Doctor's office and when the door was closed the Doctor motioned Grant to a chair and piped sharply: "Grant, Kenyon is wearing your mother's life out. I've just been down to see her. Look here, Grant, I want to know about Margaret? Does she ever come to see you folks—how does she treat Kenyon?"

Looking at the floor, Grant answered slowly, "Well she rode down on her wheel on his first birthday—slipped in when we were all out but mother, and cried and went on about her poor child, mother said, and left him a pair of little knit slippers. And she wrote him a birthday card the second time, but we didn't hear from her this time." He paused. "She never looks at him on the street, and she's just about quit speaking to me. But last winter, she came down and cried around one afternoon. Mother sent for her, I think."

"Why!" asked the Doctor quickly.

"Well," hesitated Grant, "it was when mother was first taken sick. I think father and mother thought maybe Maggie might see things different—well, about Kenyon." He stopped.

"Maggie and you?" prompted the Doctor.

"Well, something like that, perhaps," replied the boy.

The Doctor pushed back in his chair abruptly and cut in shrilly, "They still think you and Margaret should marry on account of Kenyon?" Grant nodded. "Do you want to marry her?" The Doctor leaned forward in his chair, watching the boy. The Doctor saw the flash of revulsion that spread over the youth's face before Grant raised his head, and met the Doctor's keen gaze and answered soberly, "I would if it was best."

"Well," the Doctor returned as if to himself. "I suppose so." To the younger man, he said: "Grant, she wouldn't marry you. She is after bigger game. As far as reforming Henry Fenn's concerned, she's bluffing. It doesn't interest her any more than Kenyon's lack of a mother."

The Doctor rose and Grant saw that the interview was over. The Doctor left the youth at the foot of the stairway and went out into the autumn night, where the stars could blink at all his wisdom. Though he, poor man, did not know that they were winking. For often men who know good women and love them well, are as unjust to weak women as men are who know only those women who are frail.

That night Margaret Mueller sat on the porch, where Henry Fenn left her, considering her problem. Now this problem did not remotely concern the Adamses—nor even Kenyon Adams. Margaret Mueller's problem was centered in Henry Fenn, County Attorney of Greeley County; Henry Fenn, who had visited her gorgeously drunk; Henry Fenn on whose handsome shoulder she had enjoyed rather keenly shedding some virtuous tears in chiding him for his broken promise. Yet she knew that she would take him back. And she knew that he knew that he might come back. For she had moved far forward in the siege of Harvey. She was well within the walls of the beleaguered city, and was planning for the larger siege of life and destiny.

About all there is in life is one's fundamental choice between the spiritual and the material. After that choice is made, the die of life is cast. Events play upon that choice their curious pattern, bringing such griefs and joys, such calamities and winnings as every life must have. For that choice makes character, and character makes happiness. Margaret Mueller sitting there in the night long after the last step of Henry Fenn had died away, thought of her lover's arms, remembered her lover's lips, but clearer and more moving than these vain things, her mind showed her what his hands could bring her and if her soul waved a duty signal, for the salvation of Henry Fenn, she shut her eyes to the signal and hurried into the house.

She was one of God's miracles of beauty the next day as she passed Grant Adams on the street, with his carpenter's box on his arm, going from the mine shaft to do some work in the office of the attorney for the mines. She barely nodded to Grant, yet the radiance of her beauty made him turn his head to gaze at her. Doctor Nesbit did that, and Captain Morton, and Dick Bowman,—even John Kollander turned, putting up his ear trumpet as if to hear the glory of her presence; the whole street turned after her as though some high wind had blown human heads backward when she passed. They saw a lithe, exquisite animal figure, poised strongly on her feet, walking as in the very pride of sex, radiating charms consciously, but with all the grace of a flower in the breeze. Her bright eyes, her masses of dark hair, her dimpled face and neck, her lips that flamed with the joy of life, the enchantment of her whole body, was so complete a thing that morning, that she might well have told her story to the world. The little Doctor knew what her answer to Henry Fenn had been and always would be. He knew as well as though she had told him. In spite of himself, his heart melted a little and he had consciously to stop arguing with himself that she had done the wise thing; that to throw Henry over would only hasten an end, which her powerful personality might finally avert. But George Brotherton—when he saw the light in her eyes, was sad. In the core of him, because he loved his friend, he knew what had happened to that friend. He was sad—sad and resentful, vaguely and without reason, at the mien and bearing of Margaret Mueller as she went to her work that morning.

Brotherton remembered her an hour later when, in the back part of the bookstore Henry Fenn sat, jaded, haggard, and with his dull face drawn with remorse,—a burned-out sky rocket. Brotherton was busy with his customers, but in a lull, and between sales as the trade passed in and out, they talked. Sometimes a customer coming in would interrupt them, but the talk went on as trade flowed by. It ran thus:

"Yes, George, but it's my salvation. She's the only anchor I have on earth."

"But she didn't hold you yesterday."

"I know, but God, George, it was terrific, the way that thing grabbed me yesterday. But it's all gone now."

"I know, Henry, but it will come back—can't you see what you'll be doing to her?"

Fenn, gray of face, with his straight, colorless hair, with his staring eyes, with his listless form, sat head in hands, gazing at the floor. He did not look up as he replied: "George, I just can't give her up; I won't give her up," he cried. "I believe, after the depths of love she showed me in her soul last night, I'd take her, if I knew I was taking us both to hell. Just let me have a home, George,—and her and children—George, I know children would hold me—lots of children—I can make money. I've got money—all I need to marry on, and we'll have a home and children and they will hold me—keep me up."

In Volume XXI of the "Psychological Society's Publications," page 374, will be found a part of the observations of "Mr. Left," together with copious notes upon the Adams case by an eminent authority. The excerpt herewith printed is attributed by Mr. Left to Darwin or Huxley or perhaps one of the Brownings—it is unimportant to note just which one, for Mr. Left gleaned from a wide circle of intellects. The interesting thing is that about the time these love affairs we are considering were brewing, Mr. Left wrote: "If the natural selection of love is the triumph of evolution on this planet, if the free choice of youth and maiden, unhampered by class or nationality, or wealth, or age, or parental interference, or thought of material advantage, is the greatest step taken by life since it came mysteriously into this earth, how much of the importance of the natural selection of youth in love hangs upon full and free access to all the data necessary for choice."

What irony was in the free choice of these lovers here in Harvey that day when Mr. Left wrote this. What did Henry Fenn know of the heart or the soul of the woman he adored? What did Laura Nesbit know of her lover and what did he know of her? They all four walked blindfolded. Free choice for them was as remote and impossible as it would have been if they had been auctioned into bondage.



CHAPTER X

IN WHICH MARY ADAMS TAKES A MUCH NEEDED REST

The changing seasons moved from autumn to winter, from winter to spring. One gray, wet March day, Grant Adams stood by the counter asking Mr. Brotherton to send to the city for roses.

"White roses, a dozen white roses." Mr. Brotherton turned his broad back as he wrote the order, and said gently: "They'll be down on No. 11 to-night, Grant; I'll send 'em right out."

As Grant stood hesitating, ready to go, but dreading the street, Dr. Nesbit came in. He pressed the youth's hand and did not speak. He bought his tobacco and stood cleaning his pipe. "Could your father sleep any after—when I left, Grant?" asked the Doctor.

The young man shook his head. "Mrs. Nesbit is out there, isn't she?" the Doctor asked again.

"Yes," replied the youth, "she and Laura came out before we had breakfast. And Mrs. Dexter is there."

"Has any one else come?" asked the Doctor, looking up sharply from his pipe, and added, "I sent word to Margaret Mueller."

Grant shook his head and the Doctor left the shop. At the doorway he met Captain Morton, and seemed to be telling him the news, for the Captain's face showed the sorrow and concern that he felt. He hurried in and took Grant's hand and held it affectionately.

"Grant, your mother was with my wife her last night on earth; I wish I could help you, son. I'll run right down to your father."

And the Captain left in the corner of the store the model of a patent coffee pot he was handling at the time and went away without his morning paper. Mr. Van Dorn came in, picked up his paper, snipped off the end of his cigar at the machine, lighted the cigar, considered his fine raiment a moment, adjusted his soft hat at a proper angle, pulled up his tie, and seeing the youth, said: "By George, young man, this is sad news I hear; give the good father my sympathy. Too bad."

When Grant went home, the silence of death hung over the little house, in spite of the bustling of Mrs. Nesbit. And Grant sat outside on a stone by his father under the gray sky.

In the house the prattle of the child with the women made the house seem pitifully lonesome. Jasper was expressing his sorrow by chopping wood down in the timber. Jasper was an odd sheep in the flock; he was a Sands after Daniel's own heart. So Grant and his father sat together mourning in silence. Finally the father drew in a deep broken breath, and spoke with his eyes on the ground:

"'These also died in the faith, without having received the promise!'" Then he lifted up his face and mourned, "Mary—Mary—" and again, "Oh, Mary, we need—" The child's voice inside the house calling fretfully, "Mother! mother!" came to the two and brought a quick cramp to the older man's throat and tears to his eyes. Finally, Amos found voice to say:

"I was thinking how we—you and I and Jasper need mother! But our need is as nothing compared with the baby's. Poor—lonely little thing! I don't know what to do for him, Grant." He turned to his son helplessly.

Again the little voice was lifted, and Laura Nesbit could be heard hushing the child's complaint. Not looking at his father, Grant spoke: "Dr. Nesbit said he had let Margaret know—"

The father shook his head and returned, "I presumed he would!" He looked into his son's face and said: "Maggie doesn't see things as we do, son. But, oh—what can we do! And the little fellow needs her—needs some one, who will love him and take care of him. Oh, Mary—Mary—" he cried from his bewildered heart. "Be with us, Mary, and show us what to do!"

Grant rose, went into the house, bundled up Kenyon and between showers carried him and walked with him through the bleak woods of March, where the red bird's joyous song only cut into his heart and made the young man press closer to him the little form that snuggled in his arms.

At night Jasper went to his room above the kitchen and the father turned to his lonely bed. In the cold parlor Mary Adams lay. Grant sat in the kitchen by the stove, pressing to his face his mother's apron, only three days before left hanging by her own hands on the kitchen door. He clung to this last touch of her fingers, through the long night, and as he sat there his heart filled with a blind, vague, rather impotent purpose to take his mother's place with Kenyon. From time to time he rose to put wood in the stove, but always when he went back to his chair, and stroked the apron with his face, the baby seemed to be clinging to him. The thought of the little hands forever tugging at her apron racked him with sobs long after his tears were gone.

And so as responsibility rose in him he stepped across the border from youth to manhood.

They made him dress in his Sunday best the next morning and he was still so close to that borderland of boyhood that he was standing about the yard near the gate, looking rather lost and awkward when the Nesbits drove up with Kenyon, whom they had taken for the night. When the others had gone into the house the Doctor asked:

"Did she come, Grant?"

The youth lifted his face to the Doctor and looked him squarely in the eye as man to man and answered sharply, "No."

The Doctor cocked one eye reflectively and said slowly, "So—" and drove away.

It was nearly dusk when the Adamses came back from the cemetery to the empty house. But a bright fire was burning in the kitchen stove and the kettle was boiling and the odor of food cooking in the oven was in the air. Kenyon was moving fitfully about the front room. Mrs. Dexter was quietly setting the table. Amos Adams hung up his hat, took off his coat, and went to his rocker by the kitchen door; Jasper sat stiffly in the front room. Grant met Mrs. Dexter in the dining room, and she saw that the child had hold of the young man's finger and she heard the baby calling, "Mother—mother! Grant, I want mother!" with a plaintive little cry, over and over again. Grant played with the child, showed the little fellow his toys and tried to stop the incessant call of "Mother—mother—where's mother!" At last the boy's eyes filled. He picked up the child, knocking his own new hat roughly to the floor. He drew up his chin, straightened his trembling jaw, batted his eyes so that the moisture left them and said to his father in a hard, low voice—a man's voice:

"I am going to Margaret; she must help."

It was dark when he came to town and walked up Congress Street with the little one snuggled in his arms. Just before he arrived at the house, the restless child had asked to walk, and they went hand in hand up the steps of the house where Margaret Mueller lived. She was sitting alone on the veranda—clearly waiting for some one, and when she saw who was coming up the steps she rose and hurried to them, greeting them on the very threshold of the veranda. She was white and her bosom was fluttering as she asked in a tense whisper:

"What do you want—quick, what do you want?"

She stood before Grant, as if stopping his progress. The child's plaintive cry, "Mother—Grant, I want mother!" not in grief, but in a great question, was the answer.

He looked into her staring, terror-stricken eyes until they drooped and for a moment he dominated her. But she came back from some outpost of her nature with reenforcements.

"Get out of here—get out of here. Don't come here with your brat—get out," she snarled in a whisper. The child went to her, plucked her skirts and cried, "Mother, mother." Grant pointed to the baby and broke out: "Oh, Maggie—what's to become of Kenyon?—what can I do! He's only got you now. Oh, Maggie, won't you come?" He saw fear flit across her face in a tense second before she answered. Then fear left and she crouched at him trembling, red-eyed, gaping, mouthed, the embodiment of determined hate; swiping the child's little hands away from her, she snapped:

"Get out of here!—leave! quick!" He stood stubbornly before her and only the child's voice crying, "Grant, Grant, I want to go home to mother," filled the silence. Finally she spoke again, cutting through the baby's complaint. "I shall never, never, never take that child; I loathe him, and I hate you and I want both of you always to keep away from me."

Without looking at her again, he caught up the toddling child, lifted it to his shoulder and walked down the steps. As they turned into the street they ran into Henry Fenn, who in his free choice of a mate was hurrying to one who he thought would give him a home—a home and children, many children to stand between him and his own insatiate devil. Henry greeted Grant:

"Why, boy—oh, yes, been to see Maggie? I wish she could help you, Grant."

And from the veranda came a sweet, rich voice, crying:

"Yes, Henry—do you know where they can get a good nurse girl?"



CHAPTER XI

HERE OUR FOOL GROPES FOR A SPIRIT AND CAN FIND ONLY DUST

Henry Fenn and Margaret Mueller sat naming their wedding day, while Grant Adams walked home with his burden. Henry Fenn had been fighting through a long winter, against the lust for liquor that was consuming his flesh. At times it seemed to him that her presence as he fought his battle, helped him; but there were phases of his fight, when she too fashioned herself in his imagination as a temptress, and she seemed to blow upon the coals that were searing his weak flesh.

At such times he was taciturn, and went about his day's work as one who is busy at a serious task. He smiled his amiable smile, he played his man's part in the world without whimpering, and fought on like a gentleman. The night he met Grant and the child at the steps of the house where Margaret lived, he had called to set the day for their marriage. And that night she glowed before him and in his arms like a very brand of a woman blown upon by some wind from another world. When he left her his throat grew parched and dry and his lips quivered with a desire for liquor that seemed to simmer in his vitals. But he set his teeth, and ran to his room, and locked himself in, throwing the key out of the window into the yard. He sat shivering and whimpering and fighting, by turns conquering his devil, and panting under its weight, but always with the figure and face of his beloved in his eyes, sometimes beckoning him to fight on, sometimes coaxing him to yield and stop the struggle. But as the day came in he fell asleep with one more battle to his credit.

In Harvey for many years Henry Fenn's name was a byword; but the pitying angels who have seen him fight in the days of his strength and manhood—they looked at Henry Fenn, and touched reverent foreheads in his high honor. Then why did they who know our hearts so well, let the blow fall upon him, you ask. But there you trespass upon that old question that the Doctor and Amos Adams have thrashed out so long. Has man a free will, or has the illusion of time and space wound him up in its predestined tangle, to act as he must and be what he is without appeal or resistance, or even hope of a pardon?

Doctor Nesbit and Amos Adams were trying to solve the mystery of human destiny at the gate of the Adams' home the day after the funeral. Amos had his foot on the hub of the Doctor's buggy and was saying: "But Doctor, can't you see that it isn't all material? Suppose that every atom of the universe does affect every other atom, and that the accumulated effect of past action holds the stars in their courses, and that if we knew what all the past was we should be able to foretell the future, because it would be mathematically calculable—what of it? That does not prove your case, man! Can't you see that in free will another element enters—the spiritual, if you please, that is not amenable to atomic action past or present?" Amos smiled deprecatingly and added sadly: "Got that last night from Schopenhauer." The Doctor, clearly unawed by Schopenhauer, broke out: "Aye, there I have you, Amos. Isn't the brain matter, and doesn't the brain secrete consciousness?"

"Does this buggy secrete distance, Jim? Go 'long with you, man." Before the Doctor could reply, around the corner of the house, bringing little Kenyon Adams in his best bib and tucker, came the lofty figure of Mrs. Nesbit. With her came her daughter. Then up spoke Mrs. Bedelia Satterthwaite Nesbit of the Maryland Satterthwaites, "Look here, Amos Adams—I don't care what you say, I'm going to take this baby." There was strong emphasis upon the "I'm," and she went on: "You can have him every night, and Grant can take care of the child after supper when he comes home from work. But every morning at eight I'm going to have this baby." Further emphasis upon the first person. "I'm not going to see a child turned over to a hired girl all day and me with a big house and no baby and a daughter about to marry and leave me and a houseful of help, if I needed it, which thank Heavens I don't." She put her lips together sternly, and, "Not a word, Amos Adams," she said to Amos, who had not opened his mouth. "Not another word. Kenyon will be home at six o'clock."

She put the child into the Doctor's submissive arms—helped her daughter into the buggy, and when she had climbed in herself, she glared triumphantly over her glasses and above her Roman nose, as she said: "Now, Amos—have some sense. Doctor,—go on." And in a moment the buggy was spinning up the hill toward the town.

Thus it was that every day, rain or shine, until the day of her wedding, Laura Nesbit drove her dog cart to the Adamses before the men went to their work and took little Kenyon home with her and brought him back in the evening. And always she took him from the arms of Grant—Grant, red-headed, freckled, blue-eyed, who was hardening into manhood and premature maturity so fast that he did not realize the change that it made in his face. It grew set, but not hard, a woman's tenderness crept into the features, and with that tenderness came at times a look of petulant impatience. It was a sad face—a sadly fanatic face—yet one that lighted with human feeling under a smile.

Little by little, meeting daily—often meeting morning and evening, Grant and Laura established a homely, wholesome, comfortable relation.

One evening while Laura was waiting for Tom Van Dorn and Grant was waiting for Kenyon she and Grant sitting upon the veranda steps of the Nesbit home, looked into the serene, wide lawn that topped the hill above the quiet town. They could look across the white and green of the trees and houses, across the prosperous, solid, red roofs of the stone and brick stores and offices on Market Street, into the black smudge of smoke and the gray, unpainted, sprawling rows of ill-kept tenements around the coal mines, that was South Harvey. They could see even then the sky stains far down the Wahoo Valley, where the villages of Foley and Magnus rose and duplicated the ugliness of South Harvey.

The drift of the conversation was personal. The thoughts of youth are largely personal. The universe is measured by one's own thumb in the twenties. "Funny, isn't it," said Grant, playing with a honeysuckle vine that climbed the post beside him, "I guess I'm the only one of the old crowd who is outlawed in overalls. There's Freddie Kollander and Nate Perry and cousin Morty and little Joe Calvin, all up town counterjumping or working in offices. The girls all getting married." He paused. "But as far as that goes I'm making more money than any of the fellows!" He paused again a moment and added as he gazed moodily into the pillars of smoke rising above South Harvey, "Gee, but I'll miss you when you're gone—"

The girl's silvery laugh greeted his words. "Now, Grant," she said, "where do you think I'm going? Why, Tom and I will be only a block from here—just over on Tenth Street in the Perry House."

Grant grinned as he shook his head. "You're lost and gone forever, just the same, Miss Clementine. In about three years I'll probably be that 'red-headed boss carpenter in the mine——let me see, what's his name?'"

"Oh, Grant," scoffed the girl. She saw that his heart was sadder than his face.

She took courage and said: "Grant, you never can know how often I think of you—how much I want you to win everything worth while in this world, how much I want you to be happy—how I believe in you and—and—bet on you, Grant—bet on you!"

Grant did not answer her. Presently he looked up and over the broad valley below them. The sun behind the house was touching the limestone ledge far across the valley with golden rays. The smoke from South Harvey on their right was lighted also. The youth looked into the smoke. Then he turned his eyes back from the glowing smoke and spoke.

"This is how I look at it. I don't mean you're any different from any one else. What I was trying to say was that I'm the only one of our old crowd in the High School you know that used to have parties and go together in the old days—I'm the only one that's wearing overalls, and my way is down there"; he nodded his head toward the mines and smelters and factories in the valley.

"Look at these hands," he said, solemnly spreading out his wide, muscular hands on his knees; showing one bruised blue-black finger nail. The hands were flinty and hairy and brown, but they looked effective with an intelligence almost apart from the body which they served.

"I'm cut out for work. It's all right. That's my job, and I'm proud of it so far as that goes. I could get a place clerking if I wanted to, and be in the dancing crowd in six months, and be out to the Van Dorns for dinner in a year." He paused and looked into the distant valley and cried. "But I tell you—my job is down there. And I'm not going to quit them. God knows they're getting the rough end of it. If you knew," his voice raised slightly and a petulant indignation tempered it. "If you knew the gouging and pocket picking and meanness that is done by the people up town to the people down there in the smoke, you'd be one of those howling red-mouthed anarchists you read about."

The girl looked at him silently and at length asked: "For instance—what's just one thing?"

"Well, for instance—in the mines where I work all the men come up grimy and greasy and vile. They have to wash. In Europe we roughnecks know that wash-houses are provided by the company, but here," he cried excitedly, "the company doesn't provide even a faucet; instead the men—father and son and maybe a boarder or two have to go home—into those little one and two roomed houses the company has built, and strip to the hide with the house full of children and wash. What if your girlhood had been used to seeing things like that—could you laugh as you laugh now?" He looked up at her savagely. "Oh, I know they're ignorant foreigners and little better than animals and those things don't hurt them—only if you had a little girl who had to be in and out of the single room of your home when the men came home to wash up—"

He broke off, and then began again, "Why, I was talking to a dago last night at the shaft mouth going down to work on the graveyard shift and he said that he came here believing he would find a free, beautiful country in which his children could grow up self-respecting men and women, and then he told me about his little girls living down there where all the vice is scattered through the tenements, and—about this washing up proposition, and now one of the girls is gone and they can't find her." He threw out a despairing hand; "So I'm a roughneck, Laura—I'm a jay, and I'm going to stay with them."

"But your people," she urged. "What about them—your father and brothers?"

"Jap's climbing out. Father's too old to get in. And Kenyon—" he flinched, "I hope to God I'll have the nerve to stay when the test on him comes." He turned to the girl passionately: "But you—you—oh, you—I want you to know—" He did not finish the sentence, but rose and walked into the house and called: "Dad—Kenyon—come on, it's getting late. Stars are coming out."

Half an hour later Tom Van Dorn, in white flannels, with a red silk tie, and with a white hat and shoes, came striding across the lawn. His black silky mustache, his soft black hair, his olive skin, his shining black eyes, his alert emotional face, dark and swarthy, was heightened even in the twilight by the soft white clothes he wore.

"Hello, popper-in-law," he cried. "Any room left on the veranda?"

"Come in, Thomas," piped the older man. "The girls are doing the dishes, Bedelia and Laura, and we'll just sit out two or three dances."

The young man lolled in the hammock shaded by the vines. The elder smoked and reflected. Then slowly and by degrees, as men who are feeling their way to conversation, they began talking of local politics. They were going at a high rate when the talk turned to Henry Fenn. "Doing pretty well, Doctor," put in the younger man. "Only broke over once in eighteen months—that's the record for Henry. Shows what a woman can do for a man." He looked up sympathetically, and caught the Doctor's curious eyes.

The Doctor puffed, cleaned out his pipe, absently put it away, then rose and deliberately pulled his chair over to the hammock: "Tom—I'm a generation older than you—nearly. I want to tell you something—" He smiled. "Boy—you've got the devil's own fight ahead of you—did you know it—I mean," he paused, "the—well, the woman proposition."

Van Dorn fingered his mustache, and looked serious.

"Tom," the elder man chirped, "you're a handsome pup—a damn handsome, lovable pup. Sometimes." He let his voice run whimsically into its mocking falsetto, "I almost catch myself getting fooled too."

They laughed.

"Boy, the thing's in your blood. Did you realize that you've got just as hard a fight as poor Henry Fenn? It's all right now—for a while; but the time will come—we might just as well look this thing squarely in the face now, Tom—the time will come in a few years when the devil will build the same kind of a fire under you he is building under Henry Fenn—only it won't be whisky; it will be the woman proposition. Damn it, boy," cried the elder man squeakily, "it's in your blood; you've let it grow in your very blood. I've known you ten years now, and I've seen it grow. Tom—when the time comes, can you stand up and fight like Henry Fenn—can you, Tom? And will you?" he cried with a piteous fierceness that stirred all the sympathy in the young man's heart.

He rose to the height of the Doctor's passion. Tears came into Van Dorn's bright eyes. His breast expanded emotionally and he exclaimed: "I know what I am, oh, I know it. But for her—you and I together—you'll help and we'll stand together and fight it out for her." The father looked at the mobile features of his companion, and sensed the thin plating of emotion under the vain voice. Whereupon the Doctor heaved a deep, troubled sigh.

"Heigh-ho, heigh-ho." He put his arm upon the broad, handsome, young shoulder. "But you'll try to be a good boy, won't you—" he repeated. "Just try hard to be a good boy, Tom—that's all any of us can do," and turning away he whistled into the house and a girlish trill answered him.

After the Doctor had jogged down the hill behind his old horse making his evening professional visits, Mrs. Nesbit came out and made a show of sitting with the young people for a time. And not until she left did they go into those things that were near their hearts.

When Mrs. Nesbit left the veranda the young man moved over to the girl and she asked: "Tom, I wonder—oh, so much and so often—about the soul of us and the body of us—about the justice of things." She was speaking out of the heart that Grant had touched to the quick with his outburst about the poor. But Tom Van Dorn could not know what was moving within her and if he had known, perhaps he would have had small sympathy with her feeling. Then she said: "Oh, Tom, Tom, tell me—don't you suppose that our souls pay for the bodies that we crush—I mean all of us—all of us—every one in the world?"

The man looked at her blankly. Then he put his arm tenderly about her and answered: "I don't know about our souls—much—" He kissed her. "But I do know about you—your wonderful eyes—and your magic hair, and your soft cheek!" He left her in no doubt as to her lover's mood.

Vaguely the girl felt unsatisfied with his words. Not that she doubted the truth of them; but as she drew back from him she said softly: "But if I were not beautiful, what then?"

"Ah, but you are—you are; in all the world there is not another like you for me." In the rapture that followed, her soul grew in a wave of joy, yet she spoke shyly.

"Tom," she said wistfully, "how can you fail to see it—this great, beautiful truth that makes me glad: That the miracle of our love proves God."

He caressed her hands and pressed closer to her. "Call it what you will, little girl: God if it pleases you, I call it nature."

"Oh, it's bigger than that, Tom," and she shook a stubborn Satterthwaite head, "and it makes me so happy and makes me so humble that I want to share it with all the world." She laid an abashed cheek on his hands that were still fondling hers.

But young Mr. Van Dorn spoke up manfully, "Well, don't you try sharing it. I want all of it, every bit of it." He played with her hair, and relaxed in a languor of complete possession of her.

"Doesn't love," she questioned, "lift you? Doesn't it make you love every living thing?" she urged.

"I love only you—only you in all the world—your eyes thrill me; when your body is near I am mad with delight; when I touch you I am in heaven. When I close my eyes before the jury I see you and I put the bliss of my vision into my voice, and," he clinched his hands, "all the devils of hell couldn't win that jury away from me. You spur me to my best, put springs in every muscle, put power in my blood."

"But, Tom, tell me this?" Still wistfully, she came close to him, and put her chin on her clasped hands that rested on his shoulder. "Love makes me want to be so good, so loyal, so brave, so kind—isn't it that way with you? Isn't love the miracle that brings the soul out into the world through the senses." She did not wait for his answer. She clasped her hands tighter on his shoulder. "I feel that I'm literally stealing when I have a single thought that I do not bring to you. In every thrill of my heart about the humblest thing, I find joy in knowing that we shall enjoy it together. Let me tell you something. Grant Adams and his father were here to-day for dinner. Well, you know Grant is in a kind of obsession of love for that little motherless child Mrs. Adams left; Grant mothers him and fathers him and literally loves him to distraction. And Grant's growing so manly, and so loyal and so strong in the love of that little boy—he doesn't realize it; but I can see it in him. Oh, Tom, can you see it in me?"

Before her mood had changed she told him all that Grant Adams had said; and her voice broke when she retold the Italian's story. Tears were in her eyes when she finished. And young Mr. Van Dorn was emotionally touched also, but not in sympathy with the story the girl was telling. She ended it:

"And then I looked at Grant's big rough hands—bony and hairy, and Tom, they told me the whole story of his destiny; just as your soft, effective, gentle white hands prophesy our destiny. Oh, why—why—I am beginning to wonder why, Tom, why things must be so. Why do some of us have to do all the world's rough, hard, soul-killing work, and others of us have lives that are beautiful, aspiring, glorious? How can we let such injustices be, and not try to undo them!"

In his face an indignation was rising which she could not comprehend. Finally he found words to say:

"So that's what that Adams boy is putting in your head! Why do you want to bother with such nonsense?"

But the girl stopped him: "Tom, it's not nonsense. They do work and dig and grind down there in a way which we up here know nothing about. It's real—this—this miserable unfair way things are done in the world. O my dear, my dear, it's because I love you so, it's because I know now what love really is that it hurts to see—" He took her face in his hands caressingly, and tried to put an added tenderness into his voice that his affection might blunt the sharpness of his words.

"Well, it's nonsense I tell you! Look here, Laura, if there is a God, he's put those dagos and ignorant foreigners down there to work; just as he's put the fish in the sea to be caught, and the beasts of the field to be eaten, and it's none of my business to ask why! My job is myself—myself and you! I refuse to bear burdens for people. I love you with all the intensity of my nature—but it's my nature—not human nature—not any common, socialized, diluted love; it's individual and it's forever between you and me! What do I care for the rest of the world! And if you love me as you will some day, you'll love me so that they can't set you off mooning about other people's troubles. I tell you, Laura, I'm going to make you love me so you can't think of anything day or night but me—and what I am to you! That's my idea of love! It's individual, intimate, restricted, qualified and absolutely personal—and some day you'll see that!"

As he tripped down the hill from the Nesbit home that spring night, he wondered what Laura Nesbit meant when she spoke of Grant Adams, and his love for the motherless baby. The idea that this love bore any sort of resemblance to the love of educated, cultivated people as found in the love that Laura and her intended husband bore toward each other, puzzled the young lawyer. Being restless, he turned off his homeward route, and walked under the freshly leaved trees. Over and over again the foolish phrases and sentences from Laura Nesbit's love making, many other nights in which she seemed to assume the unquestioned truth of the hypothesis of God, also puzzled him. Whatever his books had taught him, and whatever life had taught him, convinced him that God was a polite word for explaining one's failure. Yet, here was a woman whose mind he had to respect, using the term as a proved theorem. He looked at the stars, wheeling about with the monstrous pulleys of gravitation and attraction, and the certain laws of motion. A moment later he looked southward in the sky to that flaming, raging, splotched patch where the blue and green and yellow flames from the smelters and the belching black smoke from the factories hid the low-hanging stars and marked the seething hell of injustice and vice and want and woe that he knew was in South Harvey, and he held the glowing cigarette stub in his hand and laughed when he thought of God. "Free will," says "Mr. Left" in one of his rather hazy and unconvincing observations, "is of limited range. Man faces two buttons. He must choose the material or the spiritual—and when he has chosen fate plays upon his choice the grotesque variation of human destiny. But when the cloth of life is finished, the pattern of the passing events may be the same in either choice, riches or poverty, misery or power, only the color of the cloth differs; in one piece, however rich, the pattern is drab with despair, the other cloth sheens in happiness." Which Mr. Van Dorn in later life, reading the Psychological Journal, turned back to a second time, and threw aside with a casual and unappreciative, "Oh hell," as his only comment.



CHAPTER XII

IN WHICH WE LEARN THAT LOVE IS THE LEVER THAT MOVES THE WORLD

Mrs. Nesbit tried to put the Doctor into his Sunday blacks the day of her daughter's wedding, but he would have none of them. He appeared on Market Street and went his rounds among the sick in his linen clothes with his Panama hat and his pleated white shirt. He did not propose to have the visiting princes, political and commercial, who had been summoned to honor the occasion, find him in his suzerainty without the insignia of his power. For it was "Old Linen Pants," not Dr. James Nesbit, who was the boss of the northern district and a member of the State's triumvirate. So the Doctor in the phaeton, drawn by his amiable, motherly, sorrel mare, the Doctor, white and resplendent in a suit that shimmered in the hot June sun, flaxed around town, from his office to the hotel, from the hotel to the bank, from the bank to South Harvey. As a part of the day's work he did the honors of the town, soothed the woes of the weary, healed the sick, closed a dying man's eyes, held a mother's hands away from death as she brought life into the world, made a governor, paid his overdue note, got a laborer work, gave a lift to a fallen woman, made two casual purchases: a councilman and a new silk vest, with cash in hand; lent a drunkard's wife the money for a sack of flour, showed three Maryland Satterthwaites where to fish for bass in the Wahoo, took four Schenectady Van Dorns out to lunch, and was everywhere at once doing everything, clicking his cane, whistling gently or humming a low, crooning tune, smiling for the most part, keeping his own counsel and exhibiting no more in his face of what was in his heart than the pink and dimpled back of a six-months' baby.

To say that the Doctor was everywhere in Harvey is inexact. He was everywhere except on Quality Hill in Elm Street. There, from the big, bulging house with its towers and minarets and bow windows and lean-tos, ells and additions, the Doctor was barred. There was chaos, and the spirit that breathed on the face of the waters was the Harvey representative of the Maryland Satterthwaites, with her crimping pins bristling like miniature gun barrels, and with the look of command upon her face, giving orders in a firm, cool voice and then executing the orders herself before any one else could turn around. She could call the spirits from the vasty deep of the front hall or the back porch and they came, or she knew the reason why. With an imperial wave of her hand she sent her daughter off to some social wilderness of monkeys with all the female Satterthwaites and Van Dorns and Mrs. Senators and Miss Governors and Misses Congressmen, and with the offices of Mrs. John Dexter, Mrs. Herdicker, the ladies' hatter, and two Senegambian slaveys, Mrs. Nesbit brought order out of what at one o'clock seemed without form and void.

It was late in the afternoon, almost evening, though the sun still was high enough in the heavens to throw cloud shadows upon the hills across the valley when the Doctor stabled his mare and came edging into the house from the barn. He could hear the clamor of many voices; for the Maryland Satterthwaites had come home from the afternoon's festivity. He slipped into his office-study, and as it was stuffy there he opened the side door that let out upon the veranda. He sat alone behind the vines, not wishing to be a part of the milling in the rooms. His heart was heavy. He blinked and sighed and looked across the valley, and crooned his old-fashioned tune while he tried to remember all of the life of the little girl who had come out of the mystery of birth into his life when Elm Street was a pair of furrows on a barren, wind-swept prairie hill; tried to remember how she had romped in girlhood under the wide sunshine in the prairie grass, how her little playhouse had sat where the new dining-room now stood, how her dolls used to litter the narrow porch that grew into the winding, serpentine veranda that belted the house, how she read his books, how she went about with him on his daily rounds, and how she had suddenly bloomed into a womanhood that made him feel shy and abashed in her presence. He wondered where it was upon the way that he had lost clasp of her hand: where did it drop from him? How did the little fingers that he used to hold so tightly, slip into another's hand? Her life's great decision had been made without consulting him; when did he lose her confidence? She had gone her way an independent soul—flown like a bird from the cage, he thought, and was going a way that he felt would be a way of pain, and probably sorrow, yet he could not stop her. All the experience of his life was worthless to her. All that he knew of men, all that he feared of her lover, were as chaff in the scales for her.

The Doctor, the boss, the friend, the man, withdrew from his consciousness as he sat behind the vines and he became the impersonal, universal father, wondering at the mystery of life. As he sat musing, he heard a step behind him, and saw his daughter coming across the porch to greet him. "Father," she said, "I have just this half hour that's to be ours. I've planned for it all day. Mother has promised to keep every one away."

The father's jaw began to tremble and his cherubic face to wrinkle in an emotional pucker. He put the girl's arm about his neck, and rubbed her hand upon his cheek. Then the father said softly:

"I never felt poor before until this minute." The girl looked inquiringly at him and was about to protest. He stopped her: "Money wouldn't do you much good—not all the money in the world."

"Well, father, I don't want money: we don't need it," said the girl. "Why, we have a beautiful home and Tom is making—"

"It's not that, my dear—not that." He played with her hand a moment longer. "I feel that I ought to give you something better than money; my—my—well, my view of life—what they call philosophy of life. It's the accumulation of fifty years of living." He fumbled in his pocket for his pipe. "Let me smoke, and maybe I can talk."

"Laura—girl—" He puffed bashfully in a pause, and began again: "There's a lot of Indiana—real common Eendiany," he mocked, "about your father, and I just some way can't talk under pressure." He caressed the girl's hand and pulled at his pipe as one giving birth to a system of philosophy. Yet he was dumb as he sat before the warm glow of the passing torch of life which was shining from his daughter's face. Finally he burst forth, piping impatience at his own embarrassment.

"I tell you, daughter, it's just naturally hell to be pore." The girl saw his twitching mouth and the impotence of his swimming eyes; but before she could protest he checked her.

"Pore! Pore!" he repeated hopelessly. "Why, if we had a million, I would still be just common, ornery, doless pore folks—tongue-tied and helpless, and I couldn't give you nothin—nothin!" he cried, "but just rubbish! Yet there are so many things I'd like to give you, Laura—so many, many things!" he repeated. "God Almighty's put a terrible hog-tight inheritance tax on experience, girl!" He smiled a crooked, tearful little smile—looked up into her eyes in dog-like wistfulness as he continued: "I'd like to give you some of mine—some of the wisdom I've got one way and another—but, Lord, Lord," he wailed, "I can't. The divine inheritance tax bars me." He patted her with one hand, holding his smoldering pipe in the other. Then he shrilled out in the impotence of his pain: "I just must give you this, Laura: Whatever comes and whatever goes—and lots of sad things will come and lots of sad things will go, too, for that matter—always remember this: Happiness is from the heart out—not from the world in! Do you understand, child—do you?"

The girl smiled and petted him, but he saw that he hadn't reached her consciousness. He puffed at a dead pipe a moment, then he cried as he beat his hands together in despair: "I suppose it's no use. It's no use. But you can at least remember these words, Laura, and some time the meaning will get to you. Always carry your happiness under your bonnet! It's the only thing I can give you—out of all my store!"

The girl put her arm about him and pressed closely to him, and they rose, as she said: "Why, father—I understand. Of course I understand. Don't you see I understand, father?"

She spoke eagerly and clasped her arms tighter about the pudgy little figure. They stood quietly a moment, as the father looked earnestly, dog-wise, up into her face, as if trying by his very gaze to transmit his loving wisdom. Then, as he found voice: "No, Laura, probably you'll need fifty years to understand; but look over on the hill across the valley at the moving cloud shadows. They are only shadows—not realities. They are just unrealities that prove the real—just trailing anchors of the sun!" He had pocketed his pipe and his hand came up from his pocket as he waved to the distant shadows and piped: "Trouble—heartaches—all the host of clouds that cover life—are only—only—" he let his voice drop gently as he sighed: "only anchors of the sun; Laura, they only prove—just prove—"

She did not let him finish, but bent to kiss him and she could feel the shudder of a smothered sob rack him as she touched his cheek.

Then he smiled at her and chirped: "Just Eendiany—sis'. Just pore, dumb Eendiany! Hi, ho! Now run and be a good girl! And here's a jim-crack your daddy got you!"

From his pocket he drew out a little package, and dangled a sparkling jewel in his hands. He saw a flash of pleasure on her face. But his heart was full, and he turned away his head as he handed the gift to her. Her eyes were upon the sparkling jewel, as he led her into the house, saying with a great sigh: "Come on, my dear—let's go in."

At nine o'clock that night, the great foundry of a house, with its half a score of chimneys, marking its various epochs of growth, literally was stuffed with smilax, ferns, roses, orange blossoms, and daisy chains. In the mazes of these aisles of verdure, a labyrinth of Van Dorns and Satterthwaites and visiting statesmen with highly powdered womankind was packed securely. George Brotherton, who was born a drum major, wearing all of his glittering insignia of a long line of secret societies, moved as though the welding humanity were fluid. He had presided at too many funerals not to know the vast importance of keeping the bride's kin from the groom's kin, and when he saw that they were ushered into the wedding supper, in due form and order, it was with the fine abandon of a grand duke lording it over the populace. Senators, Supreme Court justices, proud Satterthwaites, haughty Van Dorns, Congressmen, governors, local gentry, were packed neatly but firmly in their proper boxes.

The old families of Harvey—Captain Morton and his little flock, the Kollanders, Ahab Wright with his flaring side-whiskers, his white necktie and his shadow of a wife; Joseph Calvin and his daughter in pigtails, Mrs. Calvin having written Mrs. Nesbit that it seemed that she just never did get to go anywhere and be anybody, having said as much and more to Mr. Calvin with emphasis; Mrs. Brotherton, mother of George, beaming with pride at her son's part; stuttering Kyle Perry and his hatchet-faced son, the Adamses all starched for the occasion, Daniel Sands, a widower pro tem. with a broadening interest in school teachers, Mrs. Herdicker, the ladies' hatter, classifying the Satterthwaites and the Van Dorns according to the millinery of their womenkind; Morty Sands wearing the first white silk vest exhibited in Harvey and making violent eyes at a daughter of the railroad aristocracy—either a general manager's daughter or a general superintendent's, and for the life of her Mrs. Nesbit couldn't say; for she had not the highest opinion in the world of the railroad aristocracy, but took them, president, first, second and third vice, general managers, ticket and passenger agents, and superintendents, as a sort of social job-lot because they came in private cars, and the Doctor desired them, to add to his trophies of the occasion,—Henry Fenn, wearing soberly the suit in which he appeared when he rode the skyrocket, and forming part of the bridal chorus, stationed in the cigar-box of a sewing-room on the second floor to sing, "Oh, Day So Dear," as the happy couple came down the stairs—the old families of Harvey were all invited to the wedding. And the old and the new and most of the intermediary families of no particular caste or standing, came to the reception after the ceremony. But because she had the best voice in town, Margaret Mueller sang "Oh, Promise Me," in a remote bedroom—to give the effect of distant music, low and sweet, and after that song was over, and after Henry Fenn's great pride had been fairly sated, Margaret Mueller mingled with the guests and knew more of the names and stations of the visiting nobility from the state house and railroad offices than any other person present. And such is the perversity of the male sex that there were more "by Georges," and more "Look—look, looks," and more faint whistles, and more "Tch—tch tchs," and more nudging and pointing among the men when Margaret appeared than when the bride herself, pink and white and beautiful, came down the stairs. Even the eyes of the groom, as he stood beside the bride, tall, youthful, strong, and handsome as a man may dare to be and earn an honest living, even his eyes sometimes found themselves straying toward the figure and face of the beautiful girl whom he had scarcely noticed while she worked in the court house. But this may be said for the groom, that when his eyes did wander, he pulled them back with an almost irritated jerk, and seemed determined to keep them upon the girl by his side.

As for the wedding ceremony itself—it was like all others. The women looked exultant, and the men—the groom, the bride's father, the groomsmen, and even Rev. John Dexter, had a sort of captured look and went through the service as though they wished that marriages which are made in Heaven were celebrated there also. But after the service was actually accomplished, after the bride and groom had been properly congratulated, after the multitude had been fed in serried ranks according to social precedence, after the band on the lawn outside had serenaded the happy couple, and after further interminable handshaking and congratulations, from those outside, after the long line of invited guests had filed past the imposing vista of pickle dishes, cutlery, butter dishes and cake plates, reaching around the walls of three bedrooms,—to say nothing of an elaborate wax representation of nesting cupids bearing the card of the Belgian Society from the glass works and sent, according to the card, to "Mlle. Lille'n'en Pense"; after the carriage, bedecked and bedizened with rice and shoes and ribbons, that was supposed to bear away the bride and groom, had gone amid the shouting and the tumult of the populace, and after the phaeton and the sorrel mare had actually taken the bride and groom from the barn to the railway station, after the fiddle and the bassoon and the horn and the tinkling cymbal at Morty Sands's dance had frayed and torn the sleep of those pale souls who would sleep on such a night in Harvey, Grant Adams and his father, leaving Jasper to trip whatever fantastic toes he might have, in the opera house, drove down the hill through the glare of the furnaces, the creaking of the oil derricks and the smell of the straw paper mill through the heart of South Harvey.

They made little talk as they rode. Their way led them through the street which is shaded and ashamed by day, and which glows and flaunts itself by night. Men and women, gambling, drinking, carousing, rioted through the street, in and out of doors that spilled puddles of yellow light on the board sidewalks and dirt streets; screaming laughter, hoarse calls, the stench of liquor, the muffled noises of gambling, sputter of electric lights and the flash of glimmering reflections from bar mirrors rasped their senses and kept the father and son silent as they rode. When they had passed into the slumbering tenements, the father spoke: "Well, son, here it is—the two kinds of playing, and here we have what they call the bad people playing. The Van Dorns and the Satterthwaites will tell you that vice is the recreation of the poor. And it's more or less true." The elder man scratched his beard and faced the stars: "It's a devilish puzzle. Character makes happiness; I've got that down fine. But what makes character? Why is vice the recreation of the poor? Why do we recruit most of our bad boys and all of our wayward girls from those neighborhoods in every city where the poor live? Why does the clerk on $12 a week uptown crowd into Doctor Jim's wedding party, and the glass blower at $4 a day down here crowd into 'Big Em's' and 'Joe's Place' and the 'Crescent'? Is poverty caused by vice; or is vice a symptom of poverty? And why does the clerk's wife move in 'our best circles' and the miner's wife, with exactly the same money to spend, live in outer social darkness?"

"I've asked myself that question lots of times," exclaimed the youth. "I can't make it work out on any theory. But I tell you, father," the son clinched the hand that was free from the lines, and shook it, "it's wrong—some way, somehow, it's wrong, way down at the bottom of things—I don't know how nor why—but as sure as I live, I'll try to find out."

The clang of an engine bell in the South Harvey railroad yards drowned the son's answer. The two were crossing the track and turning the corner that led to the South Harvey station. The midnight train was about due. As the buggy came near the little gray box of a station a voice called, "Adams—Adams," and a woman's voice, "Oh, Grant."

"Why," exclaimed the father, "it's the happy couple." Grant stopped the horse and climbed out over the sleeping body of little Kenyon. "In a moment," replied Grant. Then he came to a shadow under the station eaves and saw the young people hiding. "Adams, you can help us," said Van Dorn. "We slipped off in the Doctor's phaeton, to get away from the guying crowd and we have tried to get the house on the 'phone, and in some way they don't answer. The horse is tied over by the lumber yard there. Will you take it home with you to-night, and deliver it to the Doctor in the morning—whatever—" But Grant cut in:

"Why, of course. Glad to have the chance." He was awkward and ill at ease, and repeated, "Why, of course, anything." But Van Dorn interjected: "You understand, I'll pay for it—" Grant Adams stared at him. "Why—why—no—" stammered Grant in confusion, while Van Dorn thrust a five-dollar bill upon him. He tried to return it, but the bride and groom ran to the train, leaving the young man alone and hurt in his heart. The father from the buggy saw what had happened. In a few minutes they were leading the Doctor's horse behind the Adams buggy. "I didn't want their money," exclaimed Grant, "I wanted their—their—"

"You wanted their friendship, Grant—that's what you wanted," said the father.

"And he wanted a hired man," cried Grant. "Just a hired man, and she—why, didn't she understand? She knew I would have carried the old horse on my back clear to town, if she'd let me, just to hear her laugh once. Father," the son's voice was bitter as he spoke, "why didn't she understand——why did she side with him?"

The father smiled. "Perhaps, on your wedding trip, Grant, your wife will agree with you too, son."

As they rode home in silence, the young man asked himself over and over again, what lines divided the world into classes; why manual toil shuts off the toilers from those who serve the world otherwise. Youth is sensitive; often it is supersensitive, and Grant Adams saw or thought he saw in the little byplay of Tom Van Dorn the caste prod of society jabbing labor back into its place.

"Tom," said the bride as they watched Grant Adams unhitch the horse by the lumber yard, "why did you force that money on Grant——he would have much preferred to have your hand when he said good-by."

"He's not my kind of folks, Laura," replied Van Dorn. "I know you like him. But that five will do him lots more good than my shaking his hand, and if that youth wasn't as proud as Lucifer he'd rather have five dollars than any man's hand. I would——if it comes to that."

"But, Tom," answered the girl, "that wasn't pride, that was self-respect."

"Well, my dear," he squeezed her gloved hand and in the darkness put his arm about her, "let's not worry about him. All I know is that I wanted to square it with him for taking care of the horse and five dollars won't hurt his self-respect. And," said the bridegroom as he pressed the bride very close to his heart, "what is it to us? We have each other, so what do we care——what is all the world to us?"

As the midnight train whistled out of South Harvey Grant Adams sitting on a bedside was fondly unbuttoning a small body from its clothes, ready to hear a sleepy child's voice say its evening prayers. In his heart there flamed the love for the child that was beckoning him into love for every sentient thing. And as Laura Van Dorn, bride of Thomas of that name, heard the whistle, her being was flooded with a love high and marvelous, washing in from the infinite love that moves the universe and carrying her soul in aspiring thrills of joy out to ride upon the mysterious currents that we know are not of ourselves, and so have called divine.

In the morning, in the early gray of morning, when Grant Adams rose to make the fire for breakfast, he found his father, sitting by the kitchen table, half clad as he had risen from a restless bed. Scrawled sheets of white paper lay around him on the floor and the table. He said sadly:

"She can't come, Grant—she can't come. I dreamed of her last night; it was all so real—just as she was when we were young, and I thought—I was sure she was near." He sighed as he leaned back in his chair. "But they've looked for her—all of them have looked for her. She knows I'm calling—but she can't come." The father fumbled the papers, rubbed his gray beard, and shut his fine eyes as he shook his head, and whispered: "What holds her—what keeps her? They all come but her."

"What's this, father?" asked Grant, as a page closely written in a fine hand fluttered to the floor.

"Oh, nothing—much—just Mr. Left bringing me some message from Victor Hugo. It isn't much."

But the Eminent Authority who put it into the Proceedings of the Psychological Society laid more store by it than he did by the scraps and incoherent bits of jargon which pictured the old man's lonely grief. They are not preserved for us, but in the Proceedings, on page 1125, we have this from Mr. Left:

"The vice of the poor is crass and palpable. It carries a quick and deadly corrective poison. But the vices of the well-to-do are none the less deadly. To dine in comfort and know your brother is starving; to sleep in peace and know that he is wronged and oppressed by laws that we sanction, to gather one's family in contentment around a hearth, while the poor dwell in a habitat of vice that kills their souls, to live without bleeding hearts for the wrong on this earth—that is the vice of the well-to-do. And so it shall come to pass that when the day of reckoning appears it shall be a day of wrath. For when God gives the poor the strength to rise (and they are waxing stronger every hour), they will meet not a brother's hand but a glutton's—the hard, dead hand of a hard, dead soul. Then will the vicious poor and the vicious well-to-do, each crippled by his own vices, the blind leading the blind, fall to in a merciless conflict, mad and meaningless, born of a sad, unnecessary hate that shall terrorize the earth, unless God sends us another miracle of love like Christ or some vast chastening scourge of war, to turn aside the fateful blow."



CHAPTER XIII

IN WHICH WE OBSERVE THE INTERIOR OF A DESERTED HOUSE

An empty, lonely house was that on Quality Hill in Elm Street after the daughter's marriage. It was not that the Doctor and Mrs. Nesbit did not see their daughter often; but whether she came every day or twice a week or every week, always she came as a visitor. No one may have two homes. And the daughter of the house of Nesbit had her own home;—a home wherein she was striving to bind her husband to a domesticity which in itself did not interest him. But with her added charm to it, she believed that she could lure him into an acceptance of her ideal of marriage. So with all her powers she fell to her task. Consciously or unconsciously, directly or by indirection, but always with the joy of adventure in her heart, whether with books or with music or with comradeship, she was bending herself to the business of wifehood, so that her own home filled her life and the Nesbit home was lonely; so lonely was it that by way of solace and diversion, Mrs. Nesbit had all the woodwork downstairs "done over" in quarter-sawed oak with elaborate carvings. Ferocious gargoyles, highly excited dolphins, improper, pot-bellied little cupids, and mermaids without a shred of character, seemed about to pounce out from banister, alcove, bookcase, cozy corner and china closet.

George Brotherton pretended to find resemblances in the effigies to people about Harvey, and to the town's echoing delight he began to name the figures after their friends, and always saluted the figures intimately, as Maggie, or Henry, or the Captain, or John Kollander, or Lady Herdicker. But through the wooden menagerie in the big house the Doctor whistled and hummed and smoked and chirruped more or less drearily. To him the Japanese screens, the huge blue vases, the ponderous high-backed chairs crawly with meaningless carvings, the mantels full of jars and pots and statuettes, brought no comfort. He was forever putting his cane over his arm and clicking down the street to the Van Dorn home; but he felt in spite of all his daughter's efforts to welcome him—and perhaps because of them—that he was a stranger there. So slowly and rather imperceptibly to him, certainly without any conscious desire for it, a fondness for Kenyon Adams sprang up in the Doctor's heart. For it was exceedingly soft in spots and those spots were near his home. He was domestic and he was fond of home joys. So when Mrs. Nesbit put aside the encyclopedia, from which she was getting the awful truth about Babylonian Art for her paper to be read before the Shakespeare Club, and going to the piano, brought from the bottom of a pile of yellow music a tattered sheet, played a Chopin nocturne in a rolling and rather grand style that young women affected before the Civil War, the Doctor's joy was scarcely less keen than the child's. Then came rare occasions when Laura, being there for the night while her husband was away on business, would play melodies that cut the child's heart to the quick and brought tears of joy to his big eyes. It seemed to him at those times as if Heaven itself were opened for him, and for days the melodies she played would come ringing through his heart. Often he would sit absorbed at the piano when he should have been practicing his lesson, picking out those melodies and trying with a poignant yearning for perfection to find their proper harmonies. But at such times after he had frittered away a few minutes, Mrs. Nesbit would call down to him, "You, Kenyon," and he would sigh and take up his scales and runs and arpeggios.

Kenyon was developing into a shy, lovely child of few noises; he seemed to love to listen to every continuous sound—a creaking gate, a waterdrip from the eaves, a whistling wind—a humming wire. Sometimes the Doctor would watch Kenyon long minutes, as the child listened to the fire's low murmur in the grate, and would wonder what the little fellow made of it all. But above everything else about the child the Doctor was interested in watching his eyes develop into the great, liquid, soulful orbs that marked his mother. To the Doctor the resemblance was rather weird. But he could see no other point in the child's body or mind or soul whereon Margaret Mueller had left a token. The Doctor liked to discuss Kenyon with his wife from the standpoint of ancestry. He took a sort of fiendish delight—if one may imagine a fiend with a seraphic face and dancing blue eyes and a mouth that loved to pucker in a pensive whistle—in Mrs. Nesbit's never failing stumble over the child's eyes.

Any evening he would lay aside his Browning——even in a knotty passage wherein the Doctor was wont to take much pleasure, and revert to type thus:

"Yes, I guess there's something in blood as you say! The child shows it! But where do you suppose he gets those eyes?" His wife would answer energetically, "They aren't like Amos's and they certainly are not much like Mary's! Yet those eyes show that somewhere in the line there was fine blood and high breeding."

And the Doctor, remembering the kraut-peddling Mueller, who used to live back in Indiana, and who was Kenyon's great-grandfather, would shake a wise head and answer:

"Them eyes is certainly a throw-back to the angel choir, my dear—a sure and certain throw-back!"

And while Mrs. Nesbit was climbing the Sands family tree, from Mary Adams back to certain Irish Sandses of the late eighteenth century, the Doctor would flit back to "Paracelsus," to be awakened from its spell by: "Only the Irish have such eyes! They are the mark of the Celt all over the world! But it's curious that neither Mary nor Daniel had those eyes!"

"It's certainly curious like," squeaked the Doctor amicably—"certainly curious like, as the treetoad said when he couldn't holler up a rain. But it only proves that blood always tells! Bedelia, there's really nothing so true in this world as blood!"

And Mrs. Nesbit would ask him a moment later what he could find so amusing in "Paracelsus"? She certainly never had found anything but headaches in it.

Yet there came a time when the pudgy little stomach of the Doctor did not shake in merriment. For he also had his problem of blood to solve. Tom Van Dorn was, after all, the famous Van Dorn baby!

One evening in the late winter as the Doctor was trudging home from a belated call, he saw the light in Brotherton's window marking a yellow bar across the dark street. As he stepped in for a word with Mr. Brotherton about the coming spring city election, he saw quickly that the laugh was in some way on Tom Van Dorn, who rose rather guiltily and hurried out of the shop.

"Seegars on George!" exclaimed Captain Morton; then answered the Doctor's gay, inquiring stare: "Henry bet George a box of Perfectos Tom wouldn't be a year from his wedding asking 'what's her name' when the boys were discussing some girl or other, and they've laid for Tom ever since and got him to-night, eh?"

The Captain laughed, and then remembering the Doctor's relationship with the Van Dorns, colored and tried to cover his blunder with: "Just boys, you know, Doc—just their way."

The Doctor grinned and piped back, "Oh, yes—yes—Cap—I know, boys will be dogs!"

Toddling home that night the Doctor passed the Van Dorn house. He saw through the window the young couple in their living-room. The doctor had a feeling that he could sense the emotions of his daughter's heart. It was as though he could see her trying in vain to fasten the steel grippers of her soul into the heart and life of the man she loved. Over and over the father asked himself if in Tom Van Dorn's heart was any essential loyalty upon which the hooks and bonds of the friendship and fellowship of a home could fasten and hold. The father could see the handsome young face of Van Dorn in the gas light, aflame with the joy of her presence, but Dr. Nesbit realized that it was a passing flame—that in the core of the husband was nothing to which a wife might anchor her life; and as the Doctor clicked his cane on the sidewalk vigorously he whispered to himself: "Peth—peth—nothing in his heart but peth."

A day came when the parents stood watching their daughter as she went down the street through the dusk, after she had kissed them both and told them, and after they had all said they were very happy over it. But when she was out of sight the hands of the parents met and the Doctor saw fear in Bedelia Nesbit's face for the first time. But neither spoke of the fear. It took its place by the vague uneasiness in their hearts, and two spectral sentinels stood guard over their speech.

Thus their talk came to be of those things which lay remote from their hearts. It was Mrs. Nesbit's habit to read the paper and repeat the news to the Doctor, who sat beside her with a book. He jabbed in comments; she ignored them. Thus: "I see Grant Adams has been made head carpenter for all the Wahoo Fuel Companies mines and properties." To which the Doctor replied: "Grant, my dear, is an unusual young man. He'll have ten regular men under him—and I claim that's fine for a boy in his twenties—with no better show in life than Grant has had." But Mrs. Nesbit had in general a low opinion of the Doctor's estimates of men. She held that no man who came from Indiana and was fooled by men who wore cotton in their ears and were addicted to chilblains, could be trusted in appraising humanity.

So she answered, "Yes," dryly. It was her custom when he began to bestow knighthood upon common clay to divert him with some new and irrelevant subject. "Here's an item in the Times this morning I fancy you didn't read. After describing the bride's dress and her beauty, it says, 'And the bride is a daughter of the late H. M. Von Mueller, who was an exile from his native land and gave up a large estate and a title because of his participation in the revolution of '48. Miss Mueller might properly be called the Countess Von Mueller, if she chose to claim her rightful title!'—what is there to that?"

The Doctor threw back his head and chuckled:

"Pennsylvania Dutch for three generations—I knew old Herman Mueller's father—before I came West—when he used to sell kraut and cheese around Vincennes before the war, and Herman's grandfather came from Pennsylvania."

"I thought so," sniffed Mrs. Nesbit. And then she added: "Doctor, that girl is a minx."

"Yes, my dear," chirped the Doctor. "Yes, she's a minx; but this isn't the open season for minxes, so we must let her go. And," he added after a pause, during which he read the wedding notice carefully, "she may put a brace under Henry—the blessed Lord knows Henry will need something, though he's done mighty well for a year—only twice in eighteen months. Poor fellow—poor fellow!" mused the Doctor. Mrs. Nesbit blinked at her husband for a minute in sputtering indignation. Then she exclaimed: "Brace under Henry!" And to make it more emphatic, repeated it and then exploded: "The cat's foot—brace for Henry, indeed—that piece!"

And Mrs. Nesbit stalked out of the room, brought back a little dress—a very minute dress—she was making and sat rocking almost imperceptibly while her husband read. Finally, after a calming interval, she said in a more amiable tone, "Doctor Nesbit, if you've cut up all the women you claim to have dissected in medical school, you know precious little about what's in them, if you get fooled in that Margaret woman."

"The only kind we ever cut up," returned the Doctor in a mild, conciliatory treble, "were perfect—all Satterthwaites."

And when the Doctor fell back to his book, Mrs. Nesbit spent some time reflecting upon the virtues of her liege lord and wondering how such a paragon ever came from so common a State as Indiana, where so far as any one ever knew there was never a family in the whole commonwealth, and the entire population as she understood it carried potatoes in their pockets to keep away rheumatism.

The evening wore away and Dr. and Mrs. Nesbit were alone by the ashes in the smoldering fire in the grate. They were about to go up stairs when the Doctor, who had been looking absent-mindedly into the embers, began meditating aloud about local politics while his wife sewed. His meditation concerned a certain trade between the city and Daniel Sands wherein the city parted with its stock in Sands's public utilities with a face value of something like a million dollars. The stocks were to go to Mr. Sands, while the city received therefor a ten-acre tract east of town on the Wahoo, called Sands Park. After bursting into the Doctor's political nocturne rather suddenly and violently with her feminine disapproval, Mrs. Nesbit sat rocking, and finally she exclaimed: "Good Lord, Jim Nesbit, I wish I was a man."

"I've long suspected it, my dear," piped her husband,

"Oh, it isn't that—not your politics," retorted Mrs. Nesbit, "though that made me think of it. Do you know what else old Dan Sands is doing?"