Those were the days when Margaret Mueller came first to early bloom. They were the days when her personality was too big for her body, so it flowed into everything she wore; on the tips of every ribbon at her neck, she glowed with a kind of electric radiance. A flower in her hair seemed as much a part of her as the turn of her cleft chin. A bow at her bosom was vibrant with her. And to Grant even the things she touched, after she was gone, thrilled him as though they were of her.

Now the pages that are to follow in this chapter are not written for him who has reached that grand estate where he may feel disdain for the feverish follies of youth. A lad may be an ass; doubtless he is. A maid may be as fitful as the west wind, and in the story of the fitfulness and folly of the man and the maid, there is vast pathos and pain, from which pathos and pain we may learn wisdom. Now the strange part of this story is not what befell the youth and the maid; for any tragedy that befalls a youth and a maid, is natural enough and in the order of things, as Heaven knows well. The strange part of this story is that Mary and Amos Adams were, for all their high hopes of the sunrise, like the rest of us in this world—only human; stricken with that inexplicable parental blindness that covers our eyes when those we love are most needing our care.

Yet how could they know that Grant needed their care? Was he not in their eyes the fairest of ten thousand? They enshrined him in a kind of holy vision. It seems odd that a strapping, pimple-faced, freckled, red-headed boy, loudmouthed and husky-voiced, more or less turbulent and generally in trouble for his insistent defense of his weaker playmates—it seems odd that such a boy could be the center of such grand dreams as they dreamed for their boy. Yet there was the boy and there were the dreams. If he wrote a composition for school that pleased his parents, they were sure it foretold the future author, and among her bundle of notes for the Book, his mother has cherished the manuscript for his complete works. If at school Friday afternoon, he spoke a piece, "trippingly on the tongue," they harkened back over his ancestry to find the elder Adams of Massachusetts who was a great orator. When he drove a nail and made a creditable bobsled, they saw in him a future architect and stored the incident for the Romance that was to be biography. When he organized a baseball club, they saw in him the budding leadership that should make him a ruler of men. Even Grant's odd mania to take up the cause of the weak—often foolish causes that revealed a kind of fanatic chivalry in him—Mary noted too; and saw the youth a mailed knight in the Great Battle that should precede and usher in the sunrise.

Jasper was a little boy and his parents loved him dearly; but Grant, the child of their honeymooning days, held their hearts. And so their vanity for him became a kind of mellow madness that separated them from a commonsense world. And here is a curious thing also—the very facts that were making Grant a leader of his fellows should have warned Mary and Amos that their son was setting out on his journey from the heart of his childish paradise. He was growing tall, strong, big-voiced, with hands, broad and muscular, that made him a baseball catcher of a reputation wider than the school-grounds, yet he had a child's quick wit and merry heart. Such a boy dominated the school as a matter of course, yet so completely had his parents daubed their eyes with pride that they could not see that his leadership in school came from the fact that a man was rising in him—the far-casting shadow of a virility deep and significant as destiny itself. They could not see the man's body; they saw only the child's heart. It was natural that they should ask themselves what honor could possibly come to the house of Adams or to any house, for that matter, further than that which illumined it when Grant came home to announce that he had been elected President of the senior class in the Harvey High School and would deliver the valedictory address at commencement. When Mary and Amos learned that news, they had indeed found the hero for their book. After that, even his cousin, Morty Sands, home from college for a time, little, wiry, agile, and with a face half ferret and half angel, even Morty, who had an indefinite attachment for glowing exuberant Laura Nesbit, felt that so long as Grant held her attention—great, hulking, noisy, dominant Grant—even Morty arrayed in his college clothes, like Solomon, would have to wait until the fancy for Grant had passed. So Morty backed Grant with all his pocket money as a ball player while he fluttered rather gayly about Ave Calvin—and always with an effect of inadvertence.

Now if a lad is an ass—and he is—how should a poor jack be supposed to know of the wisdom of the serpent? For we must remember that early youth has been newly driven from the heart of that paradise wherein there is no good and evil. He gropes in darkness as he comes nearer the gates of his paradise, through an unchartered wilderness. But to Mary and Amos, Grant seemed to be wandering in the very midst of his Eden. They did not realize how he was groping and stumbling, nor could they know what a load he carried—this ass of a lad coming toward the gate of the Garden. In those times when he sat in his room, trying to show his soul bashfully to Laura Nesbit as he wrote to her in Maryland at school, Grant felt always, over and about him, the consciousness of the spell of Margaret Mueller, yet he did not know what the spell was. He wrestled with it when finally he came rather dimly to sense it, and tried with all the strength of his ungainly soul to be loyal to the choice of his heart. His will was loyal, yet the smiles, the eyes, the soft tempting face of Margaret always were near him. Furious storms of feeling swayed him. For youth is the time of tempest. In our teens come those floods of soul stuff through the gates of heredity, swinging open for the last time in life, floods that bring into the world the stores of the qualities of mind and heart from outside ourselves; floods stored in Heaven's reservoir, gushing from the almost limitlessly deep springs of our ancestry; floods which draw us in resistless currents to our destinies. And so the ass, laden with this relay of life from the source of life, that every young, blind ass brings into the world, floundered in the flood.

Grant thought his experience was unique. Yet it is the common lot of man. To feel his soul exposed at a thousand new areas of sense; to see a new heaven and a new earth—strange, mysterious, beautiful, unfolding to his eyes; to smell new scents; to hear new sounds in the woods and fields; to look open-eyed and wondering at new relations of things that unfold in the humdrum world about him, as he flees out of the blind paradise of childhood; to dream new dreams; to aspire to new heights, to feel impulses coming out of the dark that tremble like the blare of trumpets in the soul,—this is the way of youth.

With all his loyalty for Laura Nesbit—loyalty that enshrined her as a comrade and friend, such is the contradiction of youth that he was madly jealous of every big boy at the country school who cast eyes at Margaret Mueller. And because she was ages older than he, she knew it; and it pleased her. She knew that she could make all his combs and crests and bands and wattles and spurs glisten, and he knew in some deep instinct that when she sang the emotion in her voice was a call to him that he could not put into words. Thus through the autumn, Margaret and Grant were thrown together daily in the drab little house by the river. Now a boy and a girl thrown together commonly make the speaking donkeys of comedy. Yet one never may be sure that they may not be the dumb struggling creatures of the tragic muse. Heaven knows Margaret Mueller was funny enough in her capers. For she related her antics—her grand pouts, her elaborate condescensions, her crass coquetry and her hidings and seekings—into what she called a "case." In the only wisdom she knew, to open a flirtation was to have a "case." So Margaret ogled and laughed and touched and ran and giggled and cried and played with her prey with a practiced lore of the heart that was far beyond the boy's knowledge. Grant did not know what spell was upon him. He did not know that his great lithe body, his gripping hands, his firm legs and his long arms that had in their sinews the power that challenged her to wrestle when she was with him—he did not know what he meant to the girl who was forever teasing and bantering him when they were alone. For it was only when Margaret and Grant were alone or when no one but little Jasper was with them, that Margaret indulged in the joys of the chase. Yet often when other boys came to see her—the country boys from the Prospect school district perhaps, or lorn swains trailing up from Spring Township—Margaret did not conceal her fluttering delight in them from Mary Adams. So the elder woman and the girl had long talks in which Margaret agreed so entirely with Mary Adams that Mary doubted the evidence of her eyes. And Amos in those days was much interested in certain transcendental communications coming from his Planchette board and purporting to be from Emerson who had recently passed over. So Amos had no eyes for Margaret and Mary was fooled by the girl's fine speech. Yet sometimes late at night when Margaret was coming in from a walk or a ride with one of her young men, Mary heard a laugh—a high, hysterical laugh—that disquieted Mary Adams in spite of all Margaret's fair speaking. But never once did Mary connect in her mind Margaret's wiles with Grant. Such is the blindness of mothers; such is the deep wisdom of women!

All the while Grant floundered more hopelessly into the quicksand of Margaret's enchantment, and when he tried to write to Laura Nesbit, half-formed shames fluttered and flushed across his mind. So often he sat alone for long night hours in his attic bedroom in vague agonies and self accusations, pen in hand, trying to find honest words that would fill out his tedious letter. Being a boy and being not entirely outside the gate of his childish paradise, he did not understand the shadow that was clouding his heart.

But there came one day when the gate closed and looking back, he saw the angel—the angel with the flaming sword. Then he knew. Then he saw the face that made the shadow and that day a great trembling came into his soul, a blackness of unspeakable woe came over him, and he was ashamed of the light. After that he never wrote to Laura Nesbit.

In May Margaret's school closed, and the Adamses asked her to remain with them for the summer, and she consented rather listlessly. The busy days of the June harvest combined with the duties of printing a newspaper made their Sunday visits with the Nesbits irregular. It was in July that Mrs. Nesbit asked for Margaret, and Mary Adams remembered that Margaret, whose listlessness had grown into sullenness, had found some excuse for being absent whenever the Nesbits came to spend the afternoon with the Adamses. Then in August, when Amos came home one night, he saw Margaret hurry from the front porch. He went into the house and heard Mary and Grant sobbing inside and heard Mary's voice lifted in prayer, with agony in her voice. It was no prayer for forgiveness nor for mercy, but for guidance and strength, and he stepped to the bedroom and saw the two kneeling there with Margaret's shawl over the chair where Mary knelt. There he heard Mary tell the story of her boy's shame to her God.

Death and partings have come across that threshold during these three decades. Amos Adams has known anguish and has sat with grief many times, but nothing ever has cut him to the heart like the dead, hopeless woe in Mary's voice as she prayed there in the bedroom with Grant that August night. A terrible half-hour came when Mary and Amos talked with Margaret. For over their shame at what their son had done, above their love for him, even beyond their high hope for him, rose their sense of duty to the child who was coming. For the child they spent the passion of their shame and love and hope as they pleaded with Margaret for a child's right to a name. But she had hardened her heart. She shook her head and would not listen to their pleadings. Then they sent Grant to her. It is not easy to say which was more dreadful, the impudent smile which she turned to the parents as she shook her head at them, or the scornful laugh they heard when Grant sat with her. That was a long and weary night they spent and the sun rose in the morning under a cloud that never was lifted from their hearts.

In the six or seven sordid, awful weeks that followed before Kenyon was born, they turned for comfort and for help to Dr. Nesbit. They made his plan to save the child's good name, their plan. Of course—the Adamses were selfish. They felt a blight was on their boy's life. They could not understand that in Heaven there is neither marriage nor giving in marriage; that when God sends a soul through the gates of earth it comes in joy even though we greet it in sorrow. Their gloom should have been lighted; part of its blackness was their own vain pride in Grant. Yet they were none the less tender with Margaret, and when she went down into the valley of the shadow, Mary went with her and stood and supported the girl in the journey.

When Doctor Nesbit was climbing into the buggy at the gate, Grant, standing by the hitching-post, said: "Doctor—sometime—when we are both older—I mean Laura—" He got no further. The Doctor looked at the boy's ashen face, and knew the cost of the words he was speaking. He stopped, reached his hand out to Grant and touched his shoulder. "I think I know, Grant—some day I shall tell her." He got into the buggy, looked at the lad a moment and said in his high, squeaky voice: "Well, Grant, boy, you understand after all it's your burden—don't you? Your mother has saved Margaret's good name. But son—son, don't you let the folks bear that burden." He paused a moment further and sighed: "Well, good-by, kid—God help you, and make a man of you," and so turning his cramping buggy, he drove away in the dusk.

Thus came Kenyon Adams, recorded in the family Bible as the third son of Mary and Amos Adams, into the wilderness of this world.



CHAPTER V

IN WHICH MARGARET MUeLLER DWELLS IN MARBLE HALLS AND HENRY FENN AND KENYON ADAMS WIN NOTABLE VICTORIES

The world into which Kenyon Adams came was a busy and noisy and ruthless world. The prairie grass was leaving Harvey when Grant Adams came, and the meadow lark left in the year that Jasper came. When Kenyon entered, even the blue sky that bent over it was threatened. For Dr. Nesbit returning from the Adamses the evening that Kenyon came to Harvey found around the well-drill at Jamey McPherson's a great excited crowd. Men were elbowing each other and craning their necks, and wagging their heads as they looked at the core of the drill. For it contained unmistakably a long worm of coal. And that night saw rising over Harvey such dreams as made the angels sick; for the dreams were all of money, and its vain display and power. And when men rose after dreaming those dreams, they swept little Jamey McPherson away in short order. For he had not the high talents of the money maker. He had only persistence, industry and a hopeful spirit and a vague vision that he was discovering coal for the common good. So when Daniel Sands put his mind to bear upon the worm of coal that came wriggling up from the drilled hole on Jamey's lot, the worm crawled away from Jamey and Jamey went to work in the shaft that Daniel sank on his vacant lot near the McPherson home. The coal smoke from Daniel Sands's mines began to splotch the blue sky above the town, and Kenyon Adams missed the large leisure and joyous comraderie that Grant had seen; indeed the only leisurely person whom Kenyon saw in his life until he was—Heaven knows how old—was Rhoda Kollander. The hum and bustle of Harvey did not ruffle the calm waters of her soul. She of all the women in Harvey held to the early custom of the town of going out to spend the day.

"So that Margaret's gone," she was saying to Mary Adams sometime during a morning in the spring after Kenyon was born. "Law me—I wouldn't have a boarder. I tell John, the sanctity of the home is invaded by boarders these days; and her going out to the dances in town the way she does, I sh'd think you'd be glad to be alone again, and to have your own little flock to do for. And so Grant's going to be a carpenter—well, well! He didn't take to the printing trade, did he? My, my!" she sighed, and folded her hands above her apron—the apron which she always put on after a meal, as if to help with the dishes, but which she never soiled or wrinkled—"I tell John I'm so thankful our little Fred has such a nice place. He waits table there at the Palace, and gets all his meals—such nice food, and can go to school too, and you wouldn't believe it if I'd tell you all the nice men he meets—drummers and everything, and he's getting such good manners. I tell John there's nothing like the kind of folks a boy is with in his teens to make him. And he sees Tom Van Dorn every day nearly and sometimes gets a dime for serving him, and now, honest, Mary, you wouldn't believe it, but Freddie says the help around the hotel say that Mauling girl at the cigar stand thinks Tom's going to marry her, but law me—he's aiming higher than the Maulings. The old man is going to die—did you know it? They came for John to sit up with him last night. John's an Odd Fellow, you know. But speaking of that Margaret, you know she's a friend of Violet's and slips into the cigar stand sometimes and Violet introduces Margaret to some nice drummers. And I heard John say that when Margaret gets this term of school taught here, the Spring Township people have made Doc Jim get her a job in the court house—register of deeds office. But I tell John—law me, you men are the worst gossips! Talk about women!"

Little Kenyon in his crib was restless, and Mary Adams was clattering the dishes, so between the two evils, Mrs. Kollander picked up the child, and rocked him and patted him and then went on: "I was over and spent the day with the Sandses the other day. Poor woman, she's real puny. Ann's such a pretty child and Mrs. Sands says that Morty's not goin' back to college again. And she says he just moons around Laura Nesbit. Seems like the boy's got no sense. Why, Laura's just a child—she's Grant's age, isn't she—not more than eighteen or nineteen, and Morty must be nearly twenty-three. My—how they have sprung up. I tell John—why, I'll be thirty-six right soon now, and here I've worked and slaved my youth away and I'll be an old woman before we know it." She laughed good naturedly and rocked the fretting child. "Law me, Mary Adams, I sh'd think you'd want Grant to stay with George Brotherton there in the cigar stand, instead of carpentering. Such elegant people he can meet there, and such refined influences since Mr. Brotherton's put in books and newspapers, and he could work in the printing office and deliver the Kansas City and St. Louis and Chicago dailies for Mr. Brotherton, and do so much better than he can carpentering. I tell John, if we can just keep our boy among nice people until he's twenty-five, he'll stay with 'em. Now look at Lide Bowman. Mary Adams, we know she was a smart woman until she married Dick and now just see her—living down there with the shanty trash and all those ignorant foreigners, and she's growing like 'em. She's lost two of her babies, and that seems to be weighing on her mind, and I can't persuade her to pick up and move out of there. It's like being in another world. And Mary Adams—let me tell you—Casper Herdicker has gone into the mine. Yes, sir, he closed his shop and is going to work in the mine, because he can make three dollars a day. But law me! you'll not see Hildy Herdicker moving down there. She'll keep her millinery store and live with the white folks."

The dishes were put away, and in the long afternoon Mary Adams sat sewing as Rhoda Kollander rambled on. For the third time Rhoda came back to comment upon the fact that Grant Adams had quit working in the printing office—a genteel trade, and had stopped delivering papers for Mr. Brotherton's newspaper stand—a rather high vocation, and was degrading himself by learning the carpenter's trade, when Mary Adams cut into the current of the stream of talk.

"Well, my dear, it was this way. There are two reasons why Grant is learning the carpenter's trade. In the first place, the boy has some sort of a passion to cast his lot among the poor. He feels they are neglected and—well, he has a sort of a fierce streak in him to fight for the under dog, and—"

"Well, law me, Mary—don't I know that? Hasn't Freddie told me time and again how Grant used to fight for Freddie when he was a little boy and the big boys plagued him. Grant whipped the whole school for teasing a little half-witted boy once—did you know that?" Mary Adams shook her head. "Well, he did, and—well now, isn't that nice. I can see just how he feels!" And she could. Never lived a more sympathetic soul than Rhoda. And as she rocked she said: "Of course, if that's the reason—law me, Mary, you never can tell how these children are going to turn out. Why, I tell John—"

"And the other reason is, Rhoda, that he is earning two dollars a day as a carpenter's helper, and since Kenyon came we seem to be miserably hard pushed for money." Mary Adams stopped and then went on as one carefully choosing her words: "And since Margaret has gone to board over at the other side of the school district, and we don't have her board money—why of course—"

"Why of course," echoed Mrs. Kollander, "of course. I tell John he's been in a county office now twenty years, drawing all the way from a thousand to three thousand a year—and what have we got to show for it? I scrimp and pinch and save, and John does too—but law me—it seems like the way times are—" Amos Adams, standing at the door, heard her and cut in:

"I was talking the other night with George Washington about the times, and they're coming around all right." The man fumbled his sandy beard, closed his eyes as if to remember something and went on: "Let's see, he wrote: 'Peas and potatoes preserve the people,' and the next day, everything in the market dropped but peas and potatoes." He nodded a wise head. "They think that planchette is nonsense, but how do they account for coincidences like that! And now tell me some news for the Tribune." The two sat talking well into the twilight and when Rhoda pulled up her chair to the supper table, the editor's notebook was full.

Grant appeared, an ox-shouldered, red-haired, bass-voiced boy with ham-like hands; Jasper came in from school full of the town's adventure into coal and the industries, and his chatter trickled into the powerful but slowly spoken insistence of Mrs. Kollander's talk and was lost and swept finally into silence. After supper Grant retired to a book from the Sea-side Library, borrowed of Mr. Brotherton from stock—"Sesame and Lilies" was its title. Jasper plunged into his bookkeeping studies and by the wood stove in the sitting-room Rhoda Kollander held her levee until bedtime sent her home.

During the noon hour the next day in Mr. Brotherton's cigar store and news stand, the walnut bench was filled that he had just installed for the comfort of his customers. At one end, was Grant Adams who had hurried up from the mines to buy a paperbound copy of Carlyle's "French Revolution"; next to him sat deaf John Kollander smoking his noon cigar, and beside Kollander sat stuttering Kyle Perry, thriftily sponging his morning Kansas City Times over Dr. Nesbit's shoulder. The absent brother always was on the griddle at Mr. Brotherton's amen corner, and the burnt offering of the moment was Henry Fenn. He had just broken over a protracted drouth—one of a year and a half—and the group was shaking sad heads over the county attorney's downfall. The doctor was saying, "It's a disease, just as the 'ladies, God bless 'em' will become a disease with Tom Van Dorn if he doesn't stop pretty soon—a nervous disease and sooner or later they will both go down. Poor Henry—Bedelia and I noticed him at the charity ball last night; he was—"

"A trifle polite—a wee bit too punctilious for these latitudes," laughed Brotherton from behind the counter.

"I was going to say decorative—what Mrs. Nesbit calls ornate—kind of rococco in manner," squeaked the doctor, and sighed. "And yet I can see he's still fighting his devil—still trying to keep from going clear under."

"It's a sh-sh-sh-a-ame that ma-a-an should have th-that kind of a d-d-d-devil in him—is-isis-n't it?" said Kyle Perry, and John Kollander, who had been smoking in peace, blurted out, "What else can be expected under a Democratic administration? Of course, they'll return the rebel flags. They'll pension the rebel soldiers next!" He looked around for approval, and the smiles of the group would have lured him further but Tom Van Dorn came swinging through the door with his princely manner, and the Doctor rose to go. He motioned George Brotherton to the rear of the room and said gently:

"George—old man Mauling died an hour ago; John Dexter and I were there at the last. And John sent word for me to have you get your choir out—so I'll notify Mrs. Nesbit. Dexter said he was a lodge member with you—what lodge, George?"

"Odd Fellow," returned the big man, then asked, "Pall-bearer?"

"Yes," returned the Doctor. "There's no one else much but the lodge in his case. You will sing him to sleep with your choir and tuck him in as pall-bearer as you've been doing for the dead folks ever since you came to town." The Doctor turned to go, "Meet to-night at the house for choir practice, I suppose?"

Brotherton nodded, and turned to take a bill from Tom Van Dorn, who had pocketed a handful of cigars and a number of papers.

"We were just talking about Henry, Tom," remarked Mr. Brotherton, as he handed back the change.

"He's b-back-sl-slidden," prompted Perry.

"Oh, well—it's all right. Henry has his weaknesses—we all have our failings. But drunk or sober he danced a dozen times last night with that pretty school teacher from Prospect Township." Grant looked up from his book, as Van Dorn continued, "Gorgeous creature—" he shut his eyes and added: "Don't pity Henry when he can get a woman like that to favor him!"

As John Kollander thundered back some irrelevant comment on the moment's politics, Van Dorn led Brotherton to the further end of the counter and lowering his voice said:

"You know that Mauling girl at the Palace cigar counter?"

As Brotherton nodded, Van Dorn, dropping his voice to a whisper, said: "Her father's dead—poor child—she's been spending her money—she hasn't a cent. I know; I have been talking to her more or less for a year or so. Which one of your lodges does the old man belong to, George?"

When the big man said: "Odd Fellows," Van Dorn reached into an inner coat pocket, brought out some bills and slipping them to Brotherton, so that the group on the bench in the corner could not see, Van Dorn mumbled:

"Tell her folks this came from the lodge—poor little creature, she's their sole support."

As Van Dorn lighted his cigar at the alcohol burner Henry Fenn turned into the store. Fenn stood among them and smiled his electric smile, that illumined his lean, drawn face and said, "Here," a pause, then, "I am," another pause, and a more searching smile, "I am again!"

Mr. Brotherton looked up from the magazine counter where he was sorting out Centurys, and Harpers and Scribners from a pile: "Say—" he roared at the newcomer, "Well—say, Henry—this won't do. Come—take a brace; pull yourself together. We are all for you."

"Yes," answered Fenn, smiling out of some incandescence in his heart, "that's just it: You're all for me. The boys over at Riley's saloon are all for me. Mother—God bless her, down at the house is for me so strong that she never flinches or falters. I can get every vote in the delegation, but my own!"

"Oh, Henry, why these tears?" sneered Van Dorn. "We've all got to have our fun."

"I presume, Tom," snapped Fenn, "that you've got your little affairs of the heart so that you can take 'em or let 'em alone!" But to the group in the amen corner, Fenn lifted up his head in shame. He looked like a whipped dog. One by one the crowd disappeared, all but Grant, who was bending over his book, and deaf John Kollander.

Fenn and Brotherton went back to Brotherton's desk and Fenn asked, "Did I—George, was it pretty bad last night? God she—she—that Mueller girl—what a wonderful woman she is. George, do you suppose—" Fenn caught Grant's eyes wandering toward them. The name of Margaret Mueller had reached his ears. But Fenn went on, lowering his voice: "I honestly believe she could, if any one could." Fenn put his lean, tapering hand upon Brotherton's broad fat paw, and smiled a quaint, appreciative smile, frank and gentle. It was one of those smiles that carried agreement with what had been said, and with everything that might be said. Brotherton took up the hallelujah chorus for Margaret with: "Fine girl—bright, keen—well say, did you know she's buying the books here of me for the chautauqua course and is trying for a degree—something in her head besides hairpins—well, say!"

He stopped in the middle of the sentence, and brought down his great hand on his knee. "Well, say—observe me the prize idiot! Get the blue ribbon and pin it on your Uncle George. Look here at me overlooking the main bet. Well, say, Henry—here are the specifications of one large juicy plan. Funeral to-morrow—old man Mauling; obliging party to die. Uncle George and the angel choir to officiate with Uncle George doubling in brass as pall-bearer. The new Mrs. Sands, our bell-voiced contralto, is sick: also obliging party to be sick. Need new contralto: Mueller girl has voice like morning star, or stars, as the case may be." Fenn flashed on his electric smile, and rose, looking a question.

"That's the idea, Henry, that finally wormed its way into my master mind," cried Brotherton, laughing his big laugh. "That's what I said before I spoke. You are to drive into Prospect Township this evening—Hey, Grant," called Brotherton to the boy on the bench in the Amen corner, "Does that pretty school ma'am board with you people?" And when Grant shook his head, Brotherton went on: "Yes—she's moved across the district I remember now. Well, anyway, Henry, you're to drive into Prospect Township this evening and produce one large, luscious brunette contralto for choir practice at General Nesbit's piano at eight o'clock sharp." He stood facing Fenn whose eyes were glowing. The lurking devil seemed to slink away from him. Brotherton, seeing the change, again burst into his laugh and bringing Fenn to the front of the store roared: "Well, say—Hennery—are there any flies on your Uncle George's scheme?"

Grant began buttoning his coat. Fenn, free for the moment of his devil, was happy, and Brotherton looked at the two and cried, "Now get out of here—the both of you: you're spiling trade. And say," called Brotherton to Fenn, "bring her up to the Palace Hotel for supper, and we'll fill her full of rich food, so's she can sing—well, say!"

That evening going home Grant met Margaret and Fenn at a turn of the road, and before they noticed him, he saw a familiar look in her eyes as she gazed at the man, saw how closely they were sitting in the buggy, saw a score of little things that sent the blood to his face and he strode on past them without speaking. That night he slipped into the room where the baby lay playing with his toes, and there, standing over the little fellow, the youth's eyes filled with tears and for the first time he felt the horror of the baby lifting from him. He did not touch the child, but tiptoed from the room ashamed to be seen.

To Margaret Mueller, the baby's mother, that night opened a new world. To begin with, it marked her entrance through the portals of the Palace Hotel as a guest. She had sometimes flitted into the office with its loose, tiled floors and shabby, onyx splendor to speak to Miss Mauling of the news stand; then she came as a fugitive and saw things only furtively. But this night Margaret walked in through the "Ladies Entrance," sat calmly in the parlor, while Mr. Fenn wrote her name upon the register, and after some delirious moments of grand conversation with Mr. Fenn in the gilded hall of pleasure with its chenille draperies and its apoplectic furniture all puffed to the bursting point, she had walked with Mr. Fenn through the imposing halls of the wonderful edifice, like a rescued princess in a fairy tale, to the dining room, there to meet Mr. Brotherton, and the eldest Miss Morton, who recently had been playing the cabinet organ at funerals to guide Mr. Brotherton's choir. Now the eldest Miss Morton was not antique, being only a scant fifteen in short dresses and pig tails. But at the urgent request of Mr. Brotherton, and "to fill out the table, and to take the wrinkles out of her apron by a square meal at the Palace," as Mr. Brotherton explained to the Captain, she had been primped and curled and scared by her sisters and her father, and sent along with Mr. Brotherton—possibly in his great ulster pocket, and she sat breathing irregularly and looking steadily into her lap in great awe and trepidation.

Margaret Mueller, in the dining-room whose fame had spread to the outposts of Spring township and to the fastnesses of Prospect, behaved with scarcely less constraint than the eldest Miss Morton. She gazed at the beamed ceiling, the high wainscoting, the stenciled walls, the frescoes upon the panels, framed by the beams, the wide sideboard, the glittering glass and the plated silver service, and if her eyes had not been so beautiful they would have betrayed her wonder and admiration. As it was, they showed an ecstasy of delight that made them shine and when Henry Fenn saw them he looked at Mr. Brotherton, and Mr. Brotherton looked at Mr. Fenn, and the moon in Mr. Brotherton's face beamed a lively approval. Moreover the cigar salesman from Leavenworth and a hardware drummer from St. Louis and a dry-goods salesman from Chicago and a travelling auditor for the Midland saw Margaret's eyes and they too looked at one another and gave their unqualified approval. In other years—in later years—when she was at Bertolini's Grand Palace in Naples or in some of the other Grand Palaces of other effete and luxurious capitals of Europe, Margaret used to think of that first meal at the Palace house in Harvey and wonder what in the world really did become of the dozen fried oysters that she so innocently ordered. She could see them looming up, a great pyramid of brown batter, garnished with cress, and she knew that she had blundered. But she did not see the wink that Mr. Brotherton gave Mr. Fenn nor the glare that Mr. Fenn gave Mr. Brotherton; so she faced it out and whether she ate them or left them, she never could recall.

But it was a glorious occasion in spite of the fried oysters. What though the tiles of the floor of the Palace were cracked; what though the curtains sagged, and the furniture was shabby, and the walls were faded and dingy; what though the great beams in the dining-room were dirty and the carpets in the halls bedraggled, and the onyx gapping in great cracks upon the warped walls of the office; what though the paint had faded and the varnish cracked all over the house! To Margaret Mueller and also to the eldest Miss Morton, who only managed to breathe below her locket when they were under the stars, it was a dream of marble halls, and the frowsy Freddie Kollander and the other waiter who brought in the food on thick, cracked oblong dishes were vassals and serfs by their sides.

When they started up Sixth Avenue, the eldest Miss Morton was trying to think of everything that had happened to tell the younger Misses Morton, Martha and Ruth—what they ate and what Miss Mueller wore, and what Freddie Kollander who waited on them, and also went to high school, did when he saw her, and how Mr. Fenn acted when Miss Mueller got the big platter of oysters, and what olives tasted like and if anything had been cooked in the Peerless Cooker that father had just sold Mr. Paxton and in general why the spirit of mortal should be proud.

But Miss Mueller entertained no such thoughts. She was treading upon the air of some elysium, and she took and held Mr. Fenn's arm with an unnecessary tightness and began humming the tune that told of the girl who dreamed she dwelt in marble halls; and then, as they left the thick of the town and were walking along the board sidewalks that lead to Elm Crest on Elm Street, they all fell to singing that tune; and as one good tune deserved another, and as they were going to practice the funeral music that evening, they sang other tunes of a highly secular nature that need not be enumerated here. And as Miss Mueller had a substantial dinner folded snugly within her, and the ambition of her life was looming but a few blocks ahead of her, she walked closer to Mr. Fenn, county attorney in and for Greeley county, than was really necessary. So when Mr. Brotherton walked alongside with the eldest Miss Morton stumbling intermittently over the edge of the sidewalk and walking in the dry weeds beside it, Miss Mueller put some feeling into her singing voice and they struck what Mr. Brotherton was pleased to call a barbershop chord, and held it to his delight. And the frosty air rang with their voices, and the rich tremulous voice of the young woman thrilled with passion too deep for words. So deep was it that it might have stirred the hovering soul of the dead whose dirges they were to sing and brought back to him the time when he too had thrilled with youth and its inexpressible joy.

Up the hill they go, arm in arm, with fondling voices uttering the unutterable. And now they turn into a long, broad avenue of elms, of high, plumey elms trimmed and tended, mulched and cultivated for nearly twenty years, the apple of one man's eye; great elms set in blue grass, branching only at the tops, elms that stand in a grove around an irregular house, elms that shade a broad stone walk leading up to a wide, hospitable door. The young people ring. There is a stirring in the house, Margaret Mueller's heart is a-flutter—and the eldest Miss Morton wonders whether Laura or the hired girl will open the door, and in a moment—enter Margaret Mueller into the home of the Nesbits.

As the wide door opens, a glow of light and life falls upon the young people. Standing in the broad reception room is Doctor Nesbit, with his finger in a book—a poetry book if you please—and before him with his arm about her and her head beneath his chin stands his daughter. Coming down the stairs is Mrs. Bedelia Satterthwaite Nesbit—of the Maryland Satterthwaites—tall, well-upholstered, with large features and a Roman nose and with the makings of a double chin, if she ever would deign to bend her queenly head, and finally with the pomp of a major general in figure and mien.

She ignores the debris of the carpenters who have been putting in the hardwood floors, without glancing at it, and walking to her guests, welcomes them with regal splendor, receiving Miss Mueller with rather obvious dignity. Mrs. Nesbit in those days was a woman of whom the doctor said, "There is no foolishness about Bedelia." The jovial Mr. Brotherton attempts some pleasant hyperbole of speech, which the hostess ignores and the Doctor greets with a smile. Mrs. Nesbit leads the way to the piano, being a woman of purpose, and whisks the eldest Miss Morton upon a stool and has the hymn book opened in less time than it takes to tell how she did it. The Doctor and Laura stand watching the company, and perhaps they stand awkwardly; which prompts Mr. Brotherton in the goodness of his heart to say, "Doctor, won't you sit and hear the music?"

Mrs. Nesbit looks around, sees the two figures standing near the fire and replies, "No, the Doctor won't."

To which he chirps a mocking echo—"No, the Doctor won't."

Mr. Brotherton glances at Mr. Fenn, and the Doctor sees it. "That's all right, boys—that's all right; I may be satrap of Harvey and have the power of life and death over my subjects, but that's down town. Out here, I'm the minority report."

Mrs. Nesbit opens the hymn book, smooths the fluttering leaves and says without looking toward the Doctor: "I suppose we may as well begin now." And she begins beating the time with her index finger and marking the accents with her foot.

As they sing they can hear the gentle drone of the Doctor's soft voice in the intervals in the music, reading in some nearby room to his daughter. They are reading Tennyson's "Maud" and sometimes in the emotional passages his voice breaks and his eyes fill up and he cannot go on. At such times, the daughter puts her head upon his shoulder and often wipes her tears away upon his coat and they are silent until he can begin again. When his throat cramps, she pats his cheek and they sit dreaming for a time and the dreams they dream and the dreams they read differ only in that the poetry is made with words.

It is a proud night for Margaret Mueller. She has come into a new world—the world of her deep desire. Mrs. Nesbit sees the girl's wandering eyes, taking note of the furniture, as one making an inventory. No article of the vast array of vases and jars and plaques and jugs and statuettes and grotesque souvenirs of far journeys across the world, nor etchings nor steel engravings nor photographs of Roman antiquities nor storied urns nor animated busts escapes the wandering, curious brown eyes of the girl. But in her vast wonderment, though her eyes wander far and wide, they never are too far to flash back betimes at Henry Fenn's who drinks from the woman's eyes as from a deep and bewitching well. He does not see that she is staring. But as the minutes speed, he knows that he is electrified with alternating currents from her glowing face and that they bring to him a rapture that he has never known before.

But you may be sure of one thing: Mrs. Nesbit—she that was Satterthwaite of the Maryland Satterthwaites—she sees what is in the wind. She is not wearing gold-rimmed nose glasses for her health. Her health is exceptionally good. And what is more to the point, as they are singing, Mrs. Nesbit gives George Brotherton a look—one of the genuine old Satterthwaite looks that speak volumes, and in effect it tells him that if he has any sense, he will take Henry Fenn home before he makes a fool of himself. And the eldest Miss Morton, swinging her legs under the piano stool and drumming away to Mrs. Nesbit's one- and two- and three- and four-ands, peeps out of the corners of her eyes and sees Miss Mueller gobbling Mr. Fenn right down without chewing him, and whoopee but Mrs. Nesbit is biting nails, and Mr. Brotherton, he can't hardly keep his face straight from laughing at all, and if Ruth and Martha ever tell she will never tell them another thing in the world. And she mustn't forget to ask Mrs. Nesbit if she's used the Peerless Cooker and if she has, will she please say something nice about it to Mrs. Ahab Wright, for Papa is so anxious to sell one to the Wrights!

It is nearly nine o'clock. Mr. Fenn has been eaten up these twenty times. The wandering eyes have caressed the bric-a-brac over and over. Mrs. Nesbit's tireless index finger has marked the time while the great hands of the tall hall clock have crept around and halfway around again. They are upon the final rehearsal of it.

"Other refuge have I none," says the voice and the eyes say even more and are mutely answered by another pair of eyes.

"Hangs my helpless soul on thee," says the deep passionate voice, and the eyes say things even more tender to eyes that falter only because they are faint with joy. In the short interval the moving finger of Mrs. Nesbit goes up, and then comes a rattling of the great front door. A moment later it is opened and the flushed face of Grant Adams is seen. He is collarless, and untidy; he rushes into the room crying, "O, doctor—doctor, come—our baby—he is choking." The youth sees Margaret, and with passion cries: "Kenyon—Kenyon—the baby, he is dying; for God's sake—Mag, where is the Doctor?"

In an instant the little figure of the Doctor is in the room. He stares at the red-faced boy, and quick as a flash he sees the open mouth, the dazed, gaping eyes, the graying face of Margaret as she leans heavily upon George Brotherton. In another instant the Doctor sees her rally, grapple with herself, bring back the slow color as if by main strength, and smile a hard forced smile, as the boy stands in impotent anguish before them.

"I have the spring wagon here, Doctor—hurry—hurry please," expostulates the youth, as the Doctor climbs into his overcoat, and then looking at Margaret the boy exclaims wildly—"Wouldn't you like to go, too, Maggie? Wouldn't you?"

She has hold of herself now and replies: "No, Grant, I don't think your mother will need me," but she almost loses her grip as she asks weakly, "Do you?"

In another second they are gone, the boy and the Doctor, out into the night, and the horse's hoofs, clattering fainter and fainter as they hurry down the road, bring to her the sound of a little heart beating fainter and fainter, and she holds on to her soul with a hard hand.

Before long Margaret Mueller and Henry Fenn are alone in a buggy driving to Prospect township.

She sees above her on the hill the lights in the great house of her desire. And she knows that down in the valley where shimmers a single light is a little body choking for breath, fighting for life.

"Hangs my helpless soul on thee," swirls through her brain, and she is cold—very cold, and sits aloof and will not talk, cannot talk. Ever the patter of the horse's feet in the valley is borne upward by the wind, and she feels in her soul the faltering of a little heart. She dares not hope that it will start up again; she cannot bear the fear that it will stop.

So she leaves the man who knew her inmost soul but an hour ago; hardly a word she speaks at parting; hardly she turns to him as she slips into the house, cold and shivering with the sound of every hoof-beat on the road in the night, bringing her back to the helpless soul fluttering in the little body that once she warmed in hers.

Thus the watchers watched the fighting through the night, the child fighting so hard to live. For life is dear to a child—even though its life perpetuates shame and brings only sorrow—life still is dear to that struggling little body there under that humble roof, where even those that love it, and hover in agony over it in its bed of torture, feel that if it goes out into the great mystery from whence it came, it will take a sad blot from the world with it. And so hope and fear and love and tenderness and grief are all mingled in the horror that it may die, in the mute question that asks if death would not be merciful and kind. And all night the watchers watched, and the watcher who was absent was afraid to pray, and as the daylight came in, wan and gray, the child on the rack of misery sank to sleep, and smiled a little smile of peace at victory.

Then in the pale dawn, a weary man, trudging afoot slowly up the hill into Harvey, met another going out into the fields. The Doctor looked up and was astonished to see Henry Fenn, with hard drawn features, trembling limbs, hollow eyes and set lips. He too had been fighting hard and he also had won his victory. The Doctor met the man's furtive, burning eyes and piped out softly:

"Stick to it, Henry—by God, stick hard," and trudged on into the morning gloaming.



CHAPTER VI

ENTER THE BEAUTY AND CHIVALRY OF HARVEY; ALSO HEREIN WE BREAK OUR FIRST HEART

Towns are curiously like individuals. They take their character largely from their experiences, laid layer upon layer in their consciousnesses, as time moves, and though the experiences are seemingly forgotten, the results of those experiences are ineffaceably written into the towns. Four or five towns lie buried under the Harvey that is to-day, each one possible only as the other upholds it, and all inexorably pointing to the destiny of the Harvey that is, and to the many other Harveys yet to rise upon the townsite—the Harveys that shall be. There was, of course, heredity before the town was; the strong New England strain of blood that was mixed in the Ohio Valley and about the Great Lakes and changed by the upheaval of the Civil War. Then came the hegira across the Mississippi and the infant town in the Missouri Valley—the town of the pioneers—the town that only obeyed its call and sought instinctively the school house, the newspaper, orderly government, real estate gambling and "the distant church that topt the neighboring hill." In the childhood of the town the cattle trail appeared and with the cattle trade came wild days and sad disorder. But the railroad moved westward and the cattle trail moved with the railroad and then in the early adolescence of the town came coal and gas and oil. And suddenly Harvey blossomed into youth.

It was a place of adventure; men were made rich overnight by the blow of a drill in a well. Then was the time for that equality of opportunity to come which the pioneers sought if ever it was coming. But alas, even in matters of sheer luck, the fates played favorites. In those fat years it began raining red-wheeled buggies on Sundays, and smart traps drawn by horses harnessed gaudily in white or tan appeared on the streets. Morty Sands often hired a band from Omaha or Kansas City, and held high revel in the Sands opera house, where all the new dances of that halcyon day were tripped. The waters of the Wahoo echoed with the sounds of boating parties—also frequently given by Morty Sands, and his mandolin twittered gayly on a dozen porches during the summer evenings of that period. It was Morty who enticed Henry Fenn into the second suit of evening clothes ever displayed in Harvey, though Tom Van Dorn and George Brotherton appeared a week later in evening clothes plus white gloves and took much of the shine from Henry and Morty's splendor. Those were the days when Nate Perry and young Joe Calvin and Freddie Kollander organized the little crowd—the Spring Chickens, they called themselves—and the little crowd was wont to ape its elders and peek through the fence at the grandeur of the grown-ups. But alas for the little crowd, month by month it was doomed to see its little girls kidnaped to bloom in the upper gardens. Thus Emma Morton went; thus Ave Calvin disappeared, and so Laura Nesbit vanished from the Spring Chickens and appeared in Morty Sands's bower! Doctor Nesbit in those days called Morty the "head gardener in the 'rosebud garden of girls!'" And a lovely garden it was. Of course, it was more or less democratic; for every one was going to be rich; every one was indeed just on the verge of riches, and lines of caste were loosely drawn. For wealth was the only line that marked the social differences. So when Henry Fenn, the young county attorney, in his new evening clothes brought Margaret Mueller of the Register of Deeds office to Morty Sands's dances, Margaret had whatever social distinction her wits gave her; which upon the whole was as much distinction as Rhoda Kollander had whose husband employed Margaret. The press of the social duties in that day weighed heavily upon Rhoda, who was not the woman to neglect her larger responsibilities to so good a husband as John Kollander, by selfishly staying at home and keeping house for him. She had a place in society to maintain, that the flag of her country might not be sullied by barring John from a county office.

The real queen-rose in the garden was Laura Nesbit. How vivid she was! What lips she had in those days of her first full bloom, and what frank, searching eyes! And her laugh—that chimed like bells through the merriment of the youth that always was gathered about her—her laugh could start a reaction in Morty Sands's heart as far as he could hear the chime. It was a matter of common knowledge in the "crowd," that Morty Sands had one supreme aim in life: the courtship of Laura Nesbit. For her he lavished clothes upon himself until he became known as the iridescent dream! For her he bought a high-seated cart of great price, drawn by a black horse in white kid harness! For her he learned a whole concert of Schubert's songs upon the mandolin and organized a serenading quartette that wore the grass smooth under her window. For her candy, flowers, books—usually gift books with padded covers, or with handpainted decorations, or with sumptuous engravings upon them or in them, sifted into the Nesbits' front room, and lay in a thick coating upon the parlor table.

Someway these votive offerings didn't reach the heart of the goddess. She rode beside him in his stanhope, and she wore his bouquets and read his books, such as were intended for reading; and alas for her figure, she ate his candy. But these things did not prosper his suit. She was just looking around in the market of life. Pippa was forever passing through her heart singing, "God's in his heaven—all's right with the world." She did not blink at evil; she knew it, abhorred it, but challenged it with love. She had a vague idea that evil could be vanquished by inviting it out to dinner and having it in for tea frequently and she believed if it still refused to transform itself into good, that the thing to do with evil was to be a sister to it.

The closest she ever came to overcoming evil with evil was when she spanked little Joe Calvin for persisting in tying cans to the Morton cat's tail, whereupon Morty Sands rose and gave the girl nine rahs, exhibiting an enthusiasm that inspired him for a year. So Laura thought that if the spanking had not helped much the soul of little Joe, it had put something worth while into Morty Sands. The thought cheered her. For Morty was her problem. During the first months after her return from boarding school, she had broken him—excepting upon minor moonlight relapses—of trying to kiss her, and she had sufficiently discouraged his declarations of undying devotion, so that they came only at weddings, or after other mitigating circumstances which, after pinching his ear, she was able to overlook.

But she could not get him to work for a living. He wouldn't even keep office hours. Lecturing settled nothing. Lecturing a youth in a black and gold blazer, duck trousers and a silk shirt and a red sash, with socks and hat to match his coat, lecturing a youth who plays the mandolin while you talk, and looks at you through hazel eyes with all the intelligence of an affectionate pup, lecturing a youth who you know would be kissing you at the moment if you weren't twenty pounds heavier and twice as strong—someway doesn't arouse enthusiasm. So Morty Sands remained a problem.

Now an affair of the heart when a man is in his twenties and a girl is just passing out of her teens, is never static; it is dynamic and always there is something doing.

It was after one of Morty's innumerable summer dances in the Sands Opera House, that Fate cast her dies for the final throw. Morty had filled Laura Nesbit's program scandalously full. Two Newports, three military schottisches, the York, the Racket—ask grandpa and grammer about these dances, ye who gyrate in to-day's mazes—two waltz quadrilles and a reel. And when you have danced half the evening with a beautiful girl, Fate is liable to be thumping vigorously on the door of your heart. So Morty walking home under a drooping August moon with Laura Nesbit that night determined to bring matters to a decision. As they came up the walk to the Nesbit home, the girl was humming the tune that beat upon his heart, and almost unconsciously they fell to waltzing. At the veranda steps they paused, and his arm was around her. She tried to move away from him, and cuffed him as she cried: "Now Morty—you know—you know very well what I've always—"

"Laura—Laura—" he cried, as he held her hand to his face and tried to focus her soul with his brown eyes, "Laura," he faltered, then words deserted him: the fine speech he had planned melted into, "O, my dear—my dear!" But he kept her hand. The pain and passion in his voice cut into the girl's heart. She was not frightened. She did not care to run. She did not even take his persisting arm from about her. She let him kiss her hand reverently, then she sat with him on the veranda step and as they sat she drew his arm from her waist until it was hooked in her arm, and her hand held his.

"Oh, I'm in earnest to-night, Laura," said Morty, gripping her hand. "I'm staking my whole life to-night, Laura. I'm deadly—oh, quite deadly serious, Laura, and oh—"

"And I'm serious too, Morty," said the girl—"just as serious as you!" She slipped her hand away from his and put her hand upon his shoulder gently, almost tenderly. But the youth felt a certain calmness in her touch that disheartened him.

In a storm of despair he spoke: "Laura—Laura, can't you see—how can you let me go on loving you as I do until I am mad! Can't you see that my soul is yours and always has been! You can call it into heights it will never know without you! You—you—O, sometimes I feel that I could pray to you as to God!" He turned to her a face glowing with a white and holy passion, and dropped her hand from his shoulder and did not touch her as he spoke. Their eyes met steadfastly in a silence. Then the girl bowed her head and sobbed. For she knew, even in her teens, she knew with the intuitions that are old as human love upon the planet that she was in the naked presence of an adoring soul. When she could speak she picked up the man's soft white hand, and kissed it. She could not have voiced her eternal denial more certainly. And Morty Sands lifted an agonized face to the stars and his jaws trembled. He had lighted his altar fire and it was quenched. The girl, still holding his hand, said tenderly:

"I'm so sorry—so sorry, Morty. But I can't! I never—never—never can!" She hesitated, and repeated, shaking her head sadly, "I never, never can love you, Morty—never! And it's kind—"

"Yes, yes," he answered as one who realizes a finality. "It's kind enough—yes, I know you're kind, Laura!" He stopped and gazed at her in the moonlight—and it was as if a flame on the charred altar of his heart had sprung up for a second as he spoke: "And I never—never shall—I never shall love any one else—I never, never shall!"

The girl rose. A moment later the youth followed her. Back into its sheath under his countenance his soul slipped, and he stood before the girl smiling a half deprecatory smile. But the girl's face was racked with sorrow. She had seen tragedy. Her pain wounded him and he winced in his heart. Wherefore he smiled quite genuinely, and stepped back, and threw a kiss at the girl as he said: "It's nothing, Laura! Don't mind! It's nothing at all and we'll forget it! Won't we?"

And turning away, he tripped down the walk, leaving her gazing after him in the moonlight. At the street he turned back with a gay little gesture, blew a kiss from his white finger tips and cried, "It's nothing at all—nothing at all!" And as she went indoors she heard him call, "It's nothing at all!"

She heard him lift his whistle to the tune of the waltz quadrille, but she stood with tears in her eyes until the brave tune died in the distance.



CHAPTER VII

IN WHICH WE SEE HOW LIFE TRANSLATES ITSELF INTO THE MATERIALISM AROUND IT

Coal and oil and gas and lead and zinc. The black sprite, the brown sprite, the invisible sprite, the two gray sprites—elemental sprites they were—destined to be bound servants of man. Yet when they came rushing out of the earth there at Harvey, man groveled before them, and sold his immortal soul to these trolls. Naturally enough Daniel Sands was the high priest at their altar. It was fitting that a devil worship which prostrated itself before coal and oil and gas and lead and zinc should make a spider the symbol of its servility. So the spider's web, all iron and steel in pipes below ground, all steel and iron and copper in wires and rails above ground, spread out over the town, over the country near the town, and all the pipes and tubes and rails and wires led to the dingy little room where Daniel Sands sat spinning his web. He was the town god. Even the gilded heifer of Baal was a nobler one. And the curious thing about this orgy of materialism, was that Harvey and all the thousands of Harveys great and small that filled America in those decades believed with all their hearts—and they were essentially kind hearts—that quick, easy and exorbitant profits, really made the equality of opportunity which every one desired. They thought in terms of democracy—which is at bottom a spiritual estate,—and they acted like gross materialists. So they fooled the world, while they deceived themselves. For the soul of America was not reflected in that debauch of gross profit making. The soul of America still aspired for justice; but in the folly of the day, believed quite complacently because a few men got rich quick (stupid men too,) and many men were well-to-do, that justice was achieved, and the world ready for the millennium. But there came a day when Harvey, and all its kind saw the truth in shame.

And life in Harvey shaped itself into a vast greedy dream. A hard, metallic timbre came into the soft, high voice of Dr. James Nesbit, but did not warn men of the metallic plate that was galvanizing the Doctor's soul; nor did it disturb the Doctor. Amos Adams saw the tinplate covering, heard the sounding brass, and Mary his wife saw and heard too; but they were only two fools and the Doctor who loved them laughed at them and turned to the healing of the sick and the subjugation of his county. So men sent him to the state Senate. Curiously Mrs. Nesbit—she whom George Brotherton always called the General—she did not shake the spell of the trolls from her heart. They were building wings and ells and lean-tos on the house that she called her home, and she came to love the witchery of the time and place and did not see its folly. Yet there walked between these two entranced ones, another who should have awakened. For she was young, fresh from the gods of life. Her eyes, unflinching, glorious eyes, should have seen through the dream of that day. But they were only a girl's eyes and were happy, so they could not see beyond the spell that fell around them. And alas, even when the prince arrived, his kiss was poisoned too.

When young Thomas Van Dorn came to the Nesbit house on a voyage of exploration and discovery—came in a handsome suit of gray, with hat and handkerchief to match, and a flowing crepe tie, black to harmonize with his flowing mustache and his wing of fine jet black hair above his ivory tinted face, Laura Nesbit considered him reflectively, and catalogued him.

"Tom," explained the daughter to her father rather coldly one morning, after the young man had been reading Swinburne in his deep, mellow pipe-organ of a voice to the family until bedtime the night before, "Tom Van Dorn, father, is the kind of a man who needs the influence of some strong woman!"

Mrs. Nesbit glanced at her husband furtively and caught his grin as he piped gayly:

"Who also must carry the night key!"

The three laughed but the daughter went on with the cataloguing: "He is a young man of strong predilections, of definite purpose and more than ordinary intellectual capacity."

"And so far as I have counted, Laura," her father interrupted again, "I haven't found an honest hair in his handsome head; though I haven't completed the count yet!" The father smiled amiably as he made the final qualification.

The girl caught the mother's look of approval shimmering across the table and laughed her gay, bell-like chime. "O, you've made a bad guess, mother."

Again she laughed gayly: "It's not for me to open a school for the Direction of Miscalculated Purposes. Still," this she said seriously, "a strong woman is what he needs."

"Not omitting the latch-key," gibed her father, and the talk drifted into another current.

The next Sunday afternoon young Tom Van Dorn appeared with Rossetti added to his Swinburne, and crowded Morty Sands clear out of the hammock so that Morty had to sleep in a porch chair, and woke up frequently and was unhappy. While the gilded youth slept the Woman woke and listened, and Morty was left disconsolate.

The shadows were long and deep when Tom Van Dorn rose from the hammock, closed his book, and stood beside the girl, looking with a gentle tenderness from the burning depths of his black eyes into her eyes. He paused before starting away, and held up a hand so that she could see, wound about it, a flaxen hair, probably drawn from the hammock pillow. He smiled rather sadly, dropped his eyes to the book closed in his hands, and quoted softly:

"'And around his heart, one strangling golden hair!'"

He did not speak again, but walked off at a great stride down the stone path to the street. The next day Rossetti's sonnets came to Laura Nesbit in a box of roses.

The Sunday following Laura Nesbit made it a point to go with her parents to spend the day with the Adamses down by the river on their farm. But not until the Nesbits piled into their phaeton to leave did Grant appear. He met the visitors at the gate with a great bouquet of woods flowers, saying, "Here, Mrs. Nesbit—I thought you might like them." But they found Laura's hands, and he smiled gratefully at her for taking them. As they drove off, leaving him looking eagerly after them, Dr. Nesbit said when they were out of hearing, "I tell you, girls—there's the makings of a man—a real man!"

That night Laura Nesbit in her room looking at the stars, rose and smelled the woods flowers on her table beside some fading roses.

As her day dreams merged into vague pictures flitting through her drowsy brain, she heard the plaintive, trembling voice of Morty Sands's mandolin, coming nearer and nearer, and his lower whistle taking the tune while the E string crooned an obligato; he passed the house, went down the street to the Mortons' and came back and went home again, still trilling his heart out like a bird. As the chirping faded into the night sounds, the girl smiled compassionately and slept.

As she slept young Thomas Van Dorn walked alone under the elm trees that plumed over the sidewalks in those environs with hands clasped behind him, occasionally gazing into the twinkling stars of the summer night, considering rather seriously many things. He had come out to think over his speech to the jury the next day in a murder case pending in the court. But the murderer kept sinking from his consciousness; the speech would not shape itself to please him, and the young lawyer was forever meeting rather squarely and abruptly the vision of Laura Nesbit, who seemed to be asking him disagreeable and conclusive questions, which he did not like to answer. Was she worth it—the sacrifice that marriage would require of him? Was he in love with her? What is love anyway? Wherein did it differ from certain other pleasurable emotions, to which he was not a stranger? And why was the consciousness of her growing larger and larger in his life? He tried to whistle reflectively, but he had no music in his soul and whistling gave him no solace.

It was midnight when he found himself walking past the Nesbit home, looking toward it and wondering which of the open windows was nearest to her. He flinched with shame when he recollected himself before other houses gazing at other windows, and he unpursed his lips that were wont to whistle a signal, and went down the street shuddering. Then after an impulse in which some good angel of remorse shook his teeth to rouse his soul, he lifted his face to the sky and would have cried in his heart for help, but instead he smiled and went on, trying to think of his speech and resolving mightily to put Laura Nesbit out of his heart finally for the night. He held himself to his high resolve for four or five minutes. It is only fair to say that the white clad figure of the Doctor coming clicking up the street with his cane keeping time to a merry air that he hummed as he walked distracted the young man. His first thought was to turn off and avoid the Doctor who came along swinging his medicine case gayly. But there rushed over Van Dorn a feeling that he would like to meet the Doctor. He recognized that he would like to see any one who was near to Her. It was a pleasing sensation. He coddled it. He was proud of it; he knew what it meant. So he stopped the preoccupied figure in white, and cried, "Doctor—we're late to-night!"

"Well, Tom, I've got a right to be! Two more people in Harvey to-night than were here at five o'clock this afternoon because I am a trifle behindhand. Girl at your partner's—Joe Calvin's, and a boy down at Dick Bowman's!" He paused and smiled and added musingly, "And they're as tickled down at Dick's as though he was heir to a kingdom!"

"And Joe—I suppose—not quite—"

"Oh, Joe, he's still in the barn, I dropped in to tell him it was a girl. But he won't venture into the house to see the mother before noon to-morrow! Then he'll go when she's asleep!"

"Dick really isn't more than two jumps ahead of the wolf, is he, Doctor?"

"Well," grinned the elder man, "maybe a jump-and-a-half or two jumps."

The young man exclaimed, "Say, Doctor! I think it would be a pious act to make the fellows put up fifty dollars for Dick to-night. I'll just go down and raid a few poker games and make them do it."

The Doctor stopped him: "Better let me give it to Dick if you get it, Tom!" Then he added, "Why don't you keep Christian hours, boy? You can't try that Yengst case to-morrow and be up all night!"

"That's just what I'm out here for, Doctor—to get my head in shape for the closing speech."

"Well," sniffed the Doctor, "I wish you no bad luck, but I hope you lose. Yengst is guilty, and you've no business—"

"Doctor," cut in Van Dorn, "there's not a penny in the Yengst case for me! He was a poor devil in trouble and he came to my office for help! Do you consider the morals of your sick folks—whether they have lived virtuous and upright lives when they come to you stricken and in pain? They're just sick folks to you in your office, and they're just poor devils in trouble for me."

The Doctor cocked his head on one side, sparrow-wise, looked for a moment at the young man and piped, "You're a brassy pup, aren't you!"

A second later the Doctor was trudging up the street, homeward, humming his bee-like song. Van Dorn watched him until his white clothes faded into the shades of the night, then he turned and walked slowly townward, with his hands behind him and his eyes on the ground. He forgot the Yengst case, and everything else in the universe except a girl's gray eyes, her radiant face, and the glory of her aspiring soul. It was calling with all its power to Tom Van Dorn to rise and shine and take up the journey to the stars. And when one hears that call, whether it come from man or maid, from friend or brother, or sweetheart or child, or from the challenge within him of the holy spirit, when he heeds its call, no matter where he is while he hears, he walks with God!

So it came to pass the next day that Thomas Van Dorn went before the jury and pleaded for the murderer in the Yengst case with the tongue of men and of angels. For he knew that Dr. Nesbit was loitering in the clerk's office, adjoining the courtroom to listen to the plea. Every faculty of his mind and every capacity of his body was awake, and they said around the court house that it was "the speech of Tom's life!" The Doctor on the front steps of the courthouse met the young man in the daze that follows an oratorical flight, munching a sandwich to relieve his brain, while the multitude made way for him as he went to his office.

"Well, Tom—" piped the Doctor as he grasped the sweaty, cold hands of the young orator, "if Yengst had been innocent do you suppose you could have done as well?"

Van Dora, gave his sandwich to a passing dog, and took the Doctor's arm as they walked to their common stairway. Before they had walked a dozen steps the Doctor had unfolded a situation in local politics that needed attention, and Van Dorn could not lead the elder man back to further praises of his speech. Yet the young lawyer knew that he had moved the Doctor deeply.

That night in his office Tom Van Dorn and Henry Fenn sat with their feet in the window sill, looking through the open window into the moon. In their discourse they used that elaborate, impersonal anonymity that youth engages to carry the baggage of its intimate confidences.

"I've got to have a pretty woman, Henry," quoth the lawyer to his friend, while the moon blushed behind a cloud. "She must have beauty above everything, and after that good manners, and after that good blood."

The moon came out and smiled at Henry. "Tom, let me tell you something, I don't care! I used to think I'd be pickey and choosey. But I know my own heart. I don't care! I'm the kind of fellow, I guess, who just gets it bad and comes down all broken out with it." He turned his glowing smile into Tom Van Dorn's face, and finding no quick response smiled whimsically back at the moon.

"Some fellows are that way, Henry," assented Van Dorn, "but not I! I couldn't love a servant girl no matter how pretty she was—not for keeps, and I couldn't love an ugly princess, and I'd leave a bluestocking and elope with a chorus girl if I found the bluestocking crocked or faded in the wash! Yet a beautiful woman, who remained a woman and didn't become a moral guide—" he stared brazenly at the moon and in the cloud that whisked by he saw a score of fancies of other women whose faces had shone there, and had passed. He went on: "Oh, she could hold me—she could hold me—I think!"

The street noises below filled the pause. Henry rose, looked eagerly into the sky and wistfully at the moon as he spoke, "Hold me? Hold me?" he cried. "Why, Tom, though I'd fall into hell myself a thousand times—she couldn't lose me! I'd still—still," he faltered, "I'd still—" He did not finish, but sat down and putting his hand on the arm of his friend's chair, he bent forward, smiled into the handsome young face in the moonlight and said: "Well—you know the kind of a fool I am, Tom—now!"

"That's what you say, Henry—that's what you say now." Van Dorn turned and looked at his friend. "You're sticking it out all right, Henry—against the rum fiend—I presume? When does your sentence expire?"

"Next October," answered Fenn.

"Going to make it then?"

"That's the understanding," returned Fenn.

"And you say you've got it bad," laughed Van Dorn. "And yet—say, Henry—why didn't you do better with the jury this afternoon in the Yengst case? Doesn't it—I mean that tremendous case you have on with the Duchess of Mueller—doesn't it put an edge on you? What was the matter with you to-day?"

Fenn shook his head slowly and said: "It's different with me. I just couldn't help feeling that if I was worth any woman's giving herself—was worth anything as a man, I'd want to be dead square with that Yengst creature—and I got to thinking, maybe in his place, drunk and hungry—well, I just couldn't, Tom—because—because of—well, I wanted her to marry a human being first—not a county attorney!"

"You're a damn fool!" retorted Van Dorn. "Do you think you'll succeed in this world on that basis! I tell you if I was in love with a woman I'd want to take that Yengst case and lay it before her as a trophy I'd won—lay it before her like a dog!"

Fenn hesitated. He disliked to give pain. But finally he said, "I suppose, Tom, I'd like to lay it before her—like a man!"

"Hell's delight!" sneered Van Dorn, and they turned off the subject of the tender passion, and went to considering certain stipulations that Van Dorn was asking of the county attorney in another matter before the court.

The next day young Thomas Van Dorn began rather definitely to prepare his pleading in still another suit in another court, and before the summer's end, Morty Sands's mandolin was wrapped in its chamois skin bag and locked in its mahogany case. Sometimes Morty, whistling softly and dolefully, would pass the Nesbit home late at night, hoping that his chirping might reach her heart; at times he made a rather formal call upon the entire Nesbit family, which he was obviously encouraged to repeat by the elders. But Morty was inclined to hide in the thicket of his sorrow and twitter his heart out to the cold stars. Tom Van Dorn pervaded the Nesbit home by day with his flowers and books and candy, and by night—as many nights a week as he could buy, beg or steal—by night he pervaded the Nesbit home like an obstinate haunt.

He fell upon the whole family and made violent love to the Doctor and Mrs. Nesbit. He read Browning to the Doctor and did his errands in politics like a retrieving dog. Mrs. Nesbit learned through him to her great joy that the Satterthwaite, who was the maternal grandfather of the Tory governor of Maryland, was not descended from the same Satterlee hanged by King John in his war with the barons, but from the Sussex branch of the family that remained loyal to the Crown. But Tom Van Dorn wasted no time or strength in foolishness with the daughter of the house. His attack upon her heart was direct and unhalting. He fended off other suitors with a kind of animal jealousy. He drove her even from so unimportant a family friend as Grant Adams.

Gradually, as the autumn deepened into winter and Tom Van Dorn found himself spending more and more time in the girl's company he had glimpses of his own low estate through the contrast forced upon him daily by his knowledge of what a good woman's soul was. The self-revelation frightened him; he was afraid of what he saw inside himself in those days, and there can be no doubt that for a season his soul was wrestling with its doom for release. No make-believe passion was it that spurred him forward in his attack upon the heart of Laura Nesbit. Within him, there raged the fierce battle between the spirit of the times—crass, material and ruthless—and the spirit of things as they should be. It was the old fight between compromise and the ideal.

As for the girl, she was in that unsettled mind in which young women in their first twenties often find themselves when sensing by an instinct new to them the coming of a grown-up man with real matrimonial intentions. Given a girl somewhat above the middle height, with a slim, full-blown figure, with fair hair, curling and blowing about a pink and white face, and with solemn eyes—prematurely gray eyes, her father called them—with red lips, with white teeth that flashed when she smiled, and with a laugh like the murmur of gay waters; given a more than usual amount of inherited good sense, and combine that with a world of sentiment that perfect health can bring to a girl of twenty-two; then add one exceptionally fascinating man of thirty—more or less—a handsome young man; a successful man as young men go, with the oratorical temperament and enough of a head to be a good consulting lawyer as well as a jury lawyer with more than local reputation; add to the young man that vague social iridescence, or aura or halo that young men wear in glamor, and that old men wear in shame—a past; and then let public opinion agree that he is his own worst enemy and declare that if he only had some strong woman to take hold of him—and behold there are the ingredients of human gunpowder!

Doctor Nesbit smelled the burning powder. Vainly he tried to stamp out the fire before the explosion.

"Bedelia," said the Doctor one day, as the parents heard the girl talking eagerly with the young man, "what do you make out of this everlasting 'Tom, Tom, Tom,' out there in the living room?"

Mrs. Nesbit rocked in her chair and shook an ominous head. Finally she said: "I wish he'd Tom himself home and stay there, Doctor." The wife spoke as an oracle with emphasis and authority. "You must speak to the child!"

The little man puckered his loose-skinned face into a sad, absurdly pitiful smile and shrilled back:

"Yes—I did speak to her. And she—" he paused.

"Well?" demanded the mother.

"She just fed me back all the decent things I have said of Tom when he has done my errands." He drummed his fingers helplessly on his chair and sighed mournfully: "I wonder why I said those things! I really wonder!"

But the voices of the young people rose gayly and disturbed his musings.

It is easy now after a quarter of a century has unfolded its events for us to lay blame and grow wise in retrospect. It is easy to say that what happened was foredoomed to happen; and yet here was a man, walking up and down the curved verandahs that Mrs. Nesbit had added to the house at odd times, walking up and down, and speaking to a girl in the moonlight, with much power and fire, of life and his dreams and his aspirations.

Over and over he had sung his mating song. Formerly he had made love as he tried lawsuits, exhibiting only such fervor as the case required. There can be no doubt, however, that when he made love to Laura Nesbit, it was with all the powers of his heart and mind. If he could plead with a jury for hire, if he could argue with the court and wrangle with council, how could he meet reason, combat objections, and present the case of his soul and make up the brief for his own destiny?

He did not try to shield himself when he wooed Laura Nesbit, but she saw all that he could be. A woman has her vanity of sex, her elaborate, prematernal pride in her powers, and when man appeals to a woman's powers for saving him, when he submits the proofs that he is worth saving, and when he is handsome, with an education in the lore of the heart that gives him charm and breaks down reserves and barriers—but these are bygones now—bygones these twenty-five years and more. What was to be had to be, and what might have been never was, and what their hopes and high aims were, whose hearts glowed in the fires of life in Harvey so long ago—and what all our vain, unfruited hopes are worth, only a just God who reads us truly may say. And a just God would give to the time and the place, the spirit of the age, its share in all that followed.



CHAPTER VIII

CAPTAIN MORTON ACTS AS COURT HERALD AND MORTY SANDS AND GRANT ADAMS HEAR SAD NEWS

Spring in Mrs. Nesbit's garden, even in those days when a garden in Harvey meant chiefly lettuce and radishes and peas, was no casual event. Spring opened formally for the Nesbits with crocuses and hyacinths; smiled genially in golden forsythia, bridal wreath and tulips, preened itself in flags and lilacs before glowing in roses and peonies. Now the spring is always wise; for it knows what the winter only hopes or fears. Events burst forth in spring that have been hidden since their seedtime. And it was with the coming of the first crocuses that Dr. Nesbit found in his daughter's eyes a joyous look, new and exultant—a look which never had been inspired by the love he lavished upon her. It was not meant for him. Yet it was as truly a spring blossom as any that blushed in the garden. When it came and when the father realized that the mother also saw it, they feared to speak of it—even to themselves and by indirection.

For they knew their winter conspiracies had failed. In vain was the trip to Baltimore; in vain was the week with grand opera in New York, and they both knew that the proposed trip to Europe never would occur. When the parents saw that look of triumphant joy in their daughter's face, when they saw how it lighted up her countenance like a flame when Tom Van Dorn was near or was on his way to her, they knew that from the secret recesses of her heart, from the depths of her being, love was springing. They knew that they could not uproot it, and they had no heart to try. For they accepted love as a fact of life, and felt that when once it has seeded and grown upon a heart, it is a part of that heart and only God's own wisdom and mercy may change the destiny that love has written upon the life in which love rests. So in the wisdom of the spring, the parents were mute and sad.

There was no hint of anger in their sorrow. They realized that if she was wrong, and they were right, she needed them vastly more than if they were wrong and she was right, and so they tried to rejoice with her—not of course expressly and baldly, but in a thousand ways that lay about them, they made her as happy as they could. Their sweet acquiescence in what she knew was cutting the elders to the quick, gave the girl many an hour of poignant distress. Yet the purpose of her heart was not moved. The Satterthwaite in her was dominant.

"Doctor," spoke the wife one morning as they sat alone over their breakfast, "I think—" She stopped, and he knew she was listening to the daughter, who was singing in an undertone in the garden.

"Yes," he answered, "so do I. I think they have settled it."

The man dropped his glance to the table before him, where his hands rested helplessly and cried, "Bedelia—I don't—I don't like it!"

The color of her woe darkened Mrs. Nesbit's face as her features trembled for a second, before she controlled herself. "No, Jim—no—no! I don't—I'm afraid—afraid, of I don't know what!"

"Of course, he's of excellent family—the very best!" the wife ventured.

"And he's making money—and has lots of money from his people!" returned the father.

"And he's a man among men!" added the mother.

"Oh, yes—very much that,—and he's trying to be decent! Honestly, Bedelia, I believe the fellow's got a new grip on himself!" The Doctor's voice had regained its timbre; it was just a little hard, and it broke an instant later as he cried: "O Lord, Lord, mother—we can't fool ourselves; let's not try!" They looked into the garden, where the girl stood by the blooming lilacs with her arms filled with blossoms.

At length the mother spoke, "What shall we do?"

"What can we do?" the Doctor echoed. "What can any human creatures do in these cases! To interfere does no good! The thing is here. Why has it come? I don't know." He repeated the last sentence piteously, and went on gently:

"'They say it was a stolen tide—the Lord who sent it, He knows all!' But why—why—why—did it wash in here? What does it mean? What have we done—and what—what has she done?"

The little Doctor looked up into the strong face of his wife rather helplessly, then the time spirit that is after all our sanity—touched them, and they smiled. "Perhaps, Jim," the smile broke into something almost like a laugh, "father said something like that to mother the day I stood among the magnolias trying to pluck courage with the flowers to tell him that I was going with you!"

They succeeded in raising a miserable little laugh, and he squeezed her hand.

The girl moved toward the house. The father turned and put on his hat as he went to meet her. She was a hesitant, self-conscious girl in pink, who stopped her father as he toddled down the front steps with his medicine case, and she put her hand upon him, saying:

"Father," she paused, looking eagerly at him, then continued, "there's the loveliest yellow flag over here." The father smiled, put his arm about the girl and piped: "So the pink rosebud will take us to the yellow flag!" They walked across the garden to the flower and she exclaimed: "Oh, father—isn't it lovely!"

The father looked tenderly into her gray eyes, patted her on the shoulder and with his arm still about her, he led her to a seat under the lilacs before the yellow flower. He looked from the flower to her face and then kissed her as he whispered: "Oh my dear, my dear." She threw her arms about him and buried her face, all flushed, upon his shoulder. He felt her quiver under the pressure of his arm and before she could look at him, she spoke:

"Oh, father! Father! You—you won't—you won't blame—" Then she lifted up her face to his and cried passionately: "But all the world could not stop it now—not now! But, oh, father, I want you with me," and she shook his arm. "You must understand. You must see Tom as I see him, father." She looked the question of her soul in an anxious, searching glance. Her father reached for one of her hands and patted it. He gazed downward at the yellow iris, but did not see it.

"Yes, dear, I know—I understand."

"I was sure that you would know without my spelling it all out to you. But, oh, father," she cried, "I don't want you and mother to feel as you do about Tom, for you are wrong. You are all—all wrong!"

The Doctor's fat hand pressed the strong hand of the girl. "Well," he began slowly, his high-keyed voice was pitched to a soft tone and he spoke with a woman's gentleness, "Tom's quite a man, but—" he could only repeat, "quite a man." Then he added gently: "And I feel that he thinks it's genuine now—his—love for you, daughter." The Doctor's face twitched, and he swallowed a convulsive little sob as he said, "Laura—child—can't you see, it really makes no difference about Tom—not finally!" He blinked and gulped and went on with renewed courage. "Can't you see, child—you're all we've got—mother and I—and if you want Tom—why—" his face began to crumple, but he controlled it, and blurted out, "Why by johnnie you can have him. And what's more," his voice creaked with emotion as he brought his hand down on his knee, "I'm going to make Tom the best father-in-law in the whole United States." His body rocked for a moment as he spurred himself to a last effort. Then he said: "And mother—mother'll be—mother will—she'll make him—" he could get no further, but he felt the pressure of her hand, and knew that she understood. "Mother and I just want you to be happy and if it takes Tom for that—why Tom's what it takes, I guess—and that's all we want to know!"

The girl felt the tears on his face as she laid her cheek against his.

Then she spoke: "But you don't know him, father! You don't understand him! It's beautiful to be able to do what I can do—but," she shuddered, "it's so awful—I mean all that devil that used to be in him. He is so ashamed, so sorry—and it's gone—all gone—all, every bit of it gone, father!" She put her father's hand to her flaming cheek and whispered, "You think so, don't you, father?"

The father's eyes filled again and his throat choked. "Laura," he said very gently, "my professional opinion is this: You've a fighting chance with Tom Van Dorn—about one in ten. He's young. You're a strong, forceful woman—lots of good Satterthwaite in you, and precious little of the obliging Nesbits. Now I'll tell you the truth, Laura; Tom's got a typical cancer on his soul. But he's young; and you're young, and just now he's undergoing a moral regeneration. You are new blood. You may purify him. If the moral tissue isn't all rotten, you may cure him."

The girl gripped her father's hand and cried: "But you think I can—father, you think I can?"

"No," piped the little man sadly, "no, daughter, I don't think you can. But I hope you can; and if you'd like to know, I'm going to pray the God that sent me to your mother to give you the sense and power He gave her." The Doctor smiled, withdrew his arm, and started for the street. He turned, "And if you do save him, Laura, I'll be mighty proud of you. For," he squeaked good naturedly, "it's a big job—but when you've done it you'll have something to show for it—I'll say that for him—you'll certainly have something to show for it," he repeated. He did not whistle as he walked down the street and the daughter thought that he kept his eyes upon the ground. As he was about to pass from her view, he turned, waved his hand and threw her a kiss, and with it she felt a blessing.