Five minutes later, Grant was standing in the front door of Brotherton's store, gazing into Market Street. He saw Daniel Sands and Kyle Perry and Tom Van Dorn walking out of one store and into the next. He saw John Kollander in a new blue soldier uniform stalking through the street. He saw the merchants gathering in small, volatile groups that kept forming and re-forming, and he knew that Mr. Brotherton's classic language was approximately correct when he said there was a hen on. Grant eyed the crowd that was hurrying past him to the meeting like a hungry hound watching a drove of chickens. Finally, when Grant saw that the last straggler was in the hall, he turned and stalked heavily to the Commercial Club rooms, yet he moved with the self-consciousness of one urged by a great purpose. His head was bent in reflection. His hand held his claw behind him, and his shoulders stooped. He knew his goal, but the way was hard and uncertain, and he realized the peril of a strategic misstep at the outset. Heavily he mounted the steps to the hall, entered, and took a seat in the rear. He sat with his head bowed and his gaze on the floor. He was aware that Judge Van Dorn was speaking; but what the Judge was saying did not interest Grant. His mind seemed aloof from the proceedings. Suddenly what he had prepared to say slipped out of his consciousness completely, as he heard the Judge declare, "We deem this, sir, a life and death struggle for our individual liberties; a life and death struggle for our social order; a life and death struggle for our continuance to exist as individuals." There was a long repetition of the terms "life and death." They appealed to some tin-pan rhythmic sense in the Judge's oratorical mind. But the phrase struck fire in Grant Adams's heart. Life and death, life and death, rang through his soul like a clamor of bells. "We have given our all," bellowed the Judge, "to make this Valley an industrial hive, where labor may find employment—all of our savings, all of our heritage of Anglo-Saxon organizing skill, and we view this life and death struggle for its perpetuity—" But all Grant Adams heard of that sentence was "life and death," as the great bell of his soul clanged its alarm. "We are a happy, industrial family," intoned the Judge, the suave Judge, who was something more than owner; who was Authority without responsibility, who was the voice of the absentee master; the voice, it seemed to Grant, of an enchanted peacock squawking in the garden of a dream; the voice that cried: "and to him who would overthrow all this contentment, all this admirable adjustment of industrial equilibrium we offer the life and death alternative that is given to him who would violate a peaceful home."

But all that Grant Adams sensed of his doom in the Judge's pronouncement was the combat of death with life. Life and death were meeting for their eternal struggle, and as the words resounded again and again in the Judge's oratory, there rushed into Grant Adams's mind the phrase, "I am the resurrection and the life," and he knew that in the life and death struggle for progress, for justice, for a more abundant life on this planet, it would be finally life and not death that would win.

As he sat blindly glaring at the floor, there may have stolen into his being some ember from the strange flame burning about our earth, whose touch makes men mad with the madness that men have, who come from the wildernesses of life, from the lowly walks and waste places—the madness of those who feed on locusts and wild honey; who, like St. Francis and Savonarola, go forth on hopeless quests for the unattainable ideal, or like John Brown, who burn in the scorching flame all the wisdom of the schools and the courts, and for one glorious day shine forth with their burning lives a beacon by which the world is lighted to its own sad shame.

Grant never remembered what he said by way of introduction as he stood staring at the crowd. It was a different crowd from audiences he knew. To Grant it was the market place; merchants, professional men; clerks, bankers,—well-dressed men, with pale, upturned faces stretched before him to the rear of the hall. It was all black and white, and as his soul cried "life and death" back of his conscious speech, the image came to him that all these pale, black-clad figures were in their shrouds, and that he was talking to the visible body of death—laid out stiffly before him.

What answer he made to Van Dorn does not matter. Grant Adams could not recall it when he had finished. But ever as he spoke through his being throbbed the electrical beat of the words, "I am the resurrection and the life." And he was exultant in the consciousness that in the struggle of "life and death," life would surely win. So he stood and spoke with a tongue of flame.

"If you have given all—and you have, we also have given all. But our all is more vitally our all—than yours; for it is our bodies, our food and clothing; our comfortable homes; our children's education, our wives' strength; our babies' heritage; many of us have indeed given our sons' integrity and our daughters' virtue. All these we have put into the bargain with you. We have put them into the common hopper of this industrial life, and you have taken the grain and we the chaff. It is indeed a life and death struggle. And this happy family, this well-balanced industrial adjustment, this hell of labor run through your mills like grist, this is death; death is the name for all your wicked system, that shrinks and cringes before God's ancient justice. 'I am the resurrection and the life' was not spoken across the veil that rises from the grave. It was spoken for men here in the flesh who shall soon come into a more abundant life. Life and death, life and death are struggling here this very hour, and you—you," he leaned forward shaking his steel claw in their faces, "you and your greedy system of capital are the doomed; you are death's embodiment."

Then came the outburst. All over the house rose cries. Men jumped from their chairs and waved their arms. But Judge Van Dorn quieted them. He knew that to attack Grant Adams physically at that meeting would inflame the man's followers in the Valley. So he pounded the gavel for quiet. To Adams he thundered, "Sit down, you villain!" Still the crowd hissed and jeered. A great six-footer in new blue overalls, whom Grant knew as one of the recent spies, one of the sluggers sent to the Valley, came crowding to the front of the room. But Judge Van Dorn nodded him back. When the Judge had stilled the tumult, he said in his sternest judicial manner, "Now, Adams—we have heard enough of you. Leave this district. Get out of this Valley. You have threatened us; we shall not protect you in life or limb. You are given two hours to leave the Valley, and after that you stay here at your own peril. If you try to hold your labor council, don't ask us, whom you have scorned, to surround you with the protection of the society you would overthrow in bloodshed. Now, go—get out of here," he cried, with all the fire and fury that an outraged respectability could muster. But Grant, turning, twisted his hook in the Judge's coat, held him at arm's length, and leaning toward the crowd, with the Judge all but dangling from his steel arm, cried: "I shall speak in South Harvey to-night. This is indeed a life and death struggle, and I shall preach the gospel of life. Life," he cried with a trumpet voice, "life—the life of society, and its eternal resurrection out of the forces of life that flow from the everlasting divine spring!"

After the crowd had left the hall, Grant hurried toward the street leading to South Harvey. As he turned the corner, the man whom Grant had seen in the hall met him, the man whom Grant recognized as a puddler in one of the smelters. He came up, touched Grant on the shoulder and asked:

"Adams?" Grant nodded.

"Are you going down to South Harvey?"

Grant replied, "Yes, I'm going to hold a meeting there to-night."

"Well, if you try," said the man, pushing his face close to Grant's, "you'll get your head knocked off—that's all. We don't like your kind—understand?" Grant looked at the man, took his measure physically and returned:

"All right, there'll be some one around to pick it up—maybe!"

The man walked away, but turned to say:

"Mind now—you show up in South Harvey, and we'll fix you right!"

As Grant turned to board a South Harvey car, Judge Van Dorn caught his arm, and said:

"Wait a minute, the next car will do."

The Judge's wife was with him, and Grant was shocked to see how doll-like her face had become, how the lines of character had been smoothed out, the eyelids stained, the eyebrows penciled, the lips colored, until she had a bisque look that made him shudder. He had seen faces like hers, and fancied that he knew their story.

"I would like to speak with you just a minute. Come up to the office. Margaret, dearie," said Van Dorn, "you wait for me at Brotherton's." In the office, Van Dorn squared himself before Grant and said:

"It's no use, sir. You can't hold a meeting there to-night—the thing's set against you. I can't stop them, but I know the rough element there will kill you if you try. You've done your best—why risk your head, man—for no purpose? You can't make it—and it's dangerous for you to try."

Grant looked at Van Dorn. Then he asked:

"You represent the Harvey Fuel Company, Judge?"

"Yes," replied the Judge with much pride of authority, "and we—"

Grant stopped him. "Judge," he said, "if you blow your horn—I'll ring my bell and—If I don't hold my meeting to-night, your mines won't open to-morrow morning." The Judge rose and led the way to the door.

"Oh, well," he sneered, "if you won't take advice, there's no need of wasting time on you."

"No," answered Grant, "only remember what I've said."

When Grant alighted from the car in South Harvey, he found his puddler friend waiting for him. The two went into the Vanderbilt House, where Grant greeted Mrs. Williams, the landlady, as an old friend, and the puddler cried: "Say, lady—if you keep this man—we'll burn your house."

"Well, burn it—it wouldn't be much loss," retorted the landlady, who turned her back upon the puddler and said to Grant: "We've given you the front room upstairs, Grant, for the committee. It has the outside staircase. Your room is ready. You know the Local No. 10 boys from the Independent are all coming around this afternoon—as soon as they learn where the meeting is."

The puddler walked away and Grant went out into the street; looked up at the wooden structure with the stairway rising from the sidewalk and splitting the house in two. Mounting the stairs, he found a narrow hall, leading down a long line of bedrooms. He realized that he must view his location as a general looks over a battlefield.

The closing of the public halls to Grant and his cause had not discouraged him. He knew that he still had the great free out-of-doors, and he had thought that an open air meeting would give the cause dramatic setting. He felt that to be barred from the halls of the Valley helped rather than hurt his meeting. The barring proved to the workers the righteousness of their demands. So Grant sallied forth to locate a vacant lot; he shot out of his room full of the force of his enthusiasm, but his force met another force as strong as his, and ruthless. God's free out of doors, known and beloved of Grant from his boyhood, was preempted: What he found in his quest for a meeting place was a large red sign, "No trespassing," upon the nearest vacant lot, and a special policeman parading back and forth in front of the lot on the sidewalk. He found a score of lots similarly placarded and patrolled. He sent men to Magnus and Foley scurrying like ants through the Valley, but no lot was available.

Up town in Harvey, the ants also were busy. The company was sending men over Market Street, picking out the few individuals who owned vacant lots, leasing them for the month and preparing to justify the placarding and patrolling that already had been done. One of the ants that went hurrying out of the Sands hill on this errand, was John Kollander, and after he had seen Wright & Perry and the few other merchants who owned South Harvey real estate, he encountered Captain Ezra Morton, who happened to have a vacant lot, given to the Captain in the first flush of the South Harvey boom, in return for some service to Daniel Sands. John Kollander explained his errand to the Captain, who nodded wisely, and stroked his goatee meditatively.

"I got to think it over," he bawled, and walked away, leaving John Kollander puzzled and dismayed. But Captain Morton spent no time in academic debate. In half an hour he was in South Harvey, climbing the stairs of the Vanderbilt House, and knocking at Grant Adams's door. Throwing open the door Grant found Captain Morton, standing to attention with a shotgun in his hands. The Captain marched in, turned a square corner to a chair, but slumped into it with a relieved sigh.

"Well, Grant—I heard your speech this morning to the Merchants' Association. You're crazy as a bed bug—eh? That's what I told 'em all. And then they said to let you go to it—you couldn't get a hall, and the company could keep you off the lots all over the Valley, and if you tried to speak on the streets they'd run you in—what say?" His old eyes snapped with some virility, and he lifted up his voice and cried:

"But 'y gory—is that the way to do a man, I says? No—why, that ain't free speech! I remember when they done Garrison and Lovejoy and those old boys that way before the war. I fit, bled and died for that, Grant—eh? And I says to the girls this noon: 'Girls—your pa's got a lot in South Harvey, over there next to the Red Dog saloon, that he got way back when they were cheap, and now that the company's got all their buildings up and don't want to buy any lots—why, they're cheaper still—what say?'

"And 'y gory, I says to the girls—'If your ma was living I know what she'd say. She'd say, "You just go over there and tell that Adams boy that lot's hisn, and if any one tries to molest him, you blow 'em to hell"—that's what your ma'd say'—only words to that effect—eh? And so by the jumping John Rogers, Grant—here I am!"

He looked at the shotgun. "One load's bird shot—real fine and soft, with a small charge of powder." He put his hand to his mouth sheepishly and added apologetically, "I suppose I won't need it,—but I just put the blamedest load of buck shot and powder in that right barrel you ever saw—what say?"

Grant said: "Well, Captain—this isn't your fight. You don't believe in what I'm talking about—you've proved your patriotism in a great war. Don't get into this, Captain."

"Grant Adams," barked the Captain as if he were drilling his company, "I believe if you're not a Socialist, you're just as bad. But 'y gory, I fought for the right of free speech, and free meetings, and Socialist or no Socialist, that's your right. I'm going to defend you on my own lot." He rose again, straightened up in rheumatic pain, marched to the door, saluted, and said:

"I brought my supper along with me. It's in my coat pocket. I'm going over to the lot and sit there till you come. I know this class of people down here. They ain't worth hell room, Grant," admonished the Captain earnestly. "But if I'm not there, the company will crowd their men in on that lot as sure as guns, when they know you are to meet there. And I'm going there to guard it till you come. Good day—sir."

And with that he thumped limpingly down the narrow stairs, across the little landing, out of the door and into the street.

Grant stood at the top of the stairs and watched him out of sight. Then Grant pulled himself together, and went out to see the gathering members of the Labor Council in the hotel office and the men of Local No. 10 to announce the place of meeting. Later in the afternoon he met Nathan Perry. When he told Nathan of the meeting, the young man cried in his rasping Yankee voice:

"Good—you're no piker. They said they had scared the filling out of you at the meeting this morning, and they've bragged they were going to beat you up this afternoon and kill you to-night. You look pretty husky—but watch out. They really are greatly excited."

"Well," replied Grant grimly, "I'll be there to-night."

"Nevertheless," returned Nathan, snapping off his words as though he was cutting them with steel scissors, "Anne and I agreed to-day, that I must come to Mrs. Williams's and take you to the meeting. They may get ugly after dark."

Half an hour later on the street, Grant was passing his cousin Anne, wheeling Daniel Kyle Perry out to take the air. He checked his hurried step when he caught her smile and said, "Well, Anne, Nate told me that you wish to send him over to the meeting to-night, as my body guard. I don't need a body guard, and you keep Nate at home." He smiled down on his cousin and for a moment all of the emotional storm in his face was melted by the gentleness of that smile. "Anne," he said—"what a brick you are!"

She laughed and gave him the full voltage of her joyous eyes and answered:

"Grant, I'd rather be the widow of a man who would stand by you and what you are doing, than to be the wife of a man who shrank from it." She lowered her voice, "And Grant, here's a curious thing: this second Mrs. Van Dorn called me up on the phone a little bit ago, and said she knew you and I were cousins and that you and Nate were such friends, but would I tell Nate to keep you away from any meeting to-night? She said she couldn't tell me, but she had just learned some perfectly awful things they were going to do, and she didn't want to see any trouble. Wasn't that queer?"

Grant shook his head. "Well, what did you say?" he asked.

"Oh, I said that while they were doing such perfectly awful things to you, your friends wouldn't be making lace doilies! And she rang off. What do you think of it?" she asked.

"Just throwing a scare into me—under orders," responded the man and hurried on.

When Grant returned to the hotel at supper time, he found Mr. Brotherton sitting in a ramshackle rocking chair in the upstairs bedroom, waiting.

"I thought I'd come over and bring a couple of friends," explained Mr. Brotherton, pointing to the corner, where two shotguns leaned against the wall.

"Why, man," exclaimed Grant, "that's good of you, but in all the time I've been in the work of organization, I've never carried a gun, nor had one around. I don't want a gun, Mr. Brotherton."

"I do," returned the elder man, "and I'm here to say that moral force is a grand thing, but in these latitudes when you poke Betsy Jane under the nose of an erring comrade, he sees the truth with much more clearness than otherwise. I stick to the gun—and you can go in hard for moral suasion.

"Also," he added, "I've just taken a survey of these premises, and told the missus to bring the supper up here. There may be an early curtain raiser on this entertainment, and if they are going to chase you out of town to-night, I want a good seat at the performance." He grinned. "Nate Perry will join us in a little quiet social manslaughter. I called him up an hour ago, and he said he'd be here at six-thirty. I think he's coming now." In another minute the slim Yankee figure of Nathan was in the room. It was scarcely dusk outside. Mrs. Williams came up with a tray of food. As she set it down she said:

"There's a crowd around at the Hot Dog, you can see them through the window."

Nate and Grant looked. Mr. Brotherton went into the supper. "Crowd all right," assented Nate. There was no mistaking the crowd and its intention. There were new men from the day shift at the smelter, imported by the company to oppose the unions. A thousand such men had been brought into the district within a few months.

"There's another saloon across the road here," said Mr. Brotherton, looking up from his food. "My understanding is that they're going to make headquarters across the street in Dick's Place. You know I got a pipe-line in on the enemy through the Calvin girl. She gets it at home, and her father gets it at the office. Our estimable natty little friend Joe will be down here—he says to keep the peace. That's what he tells at home. I know what he's coming for. Tom Van Dorn will sit in the back room of that saloon and no one will know he's there, and Joseph will issue Tom's orders. Lord," cried Mr. Brotherton, waving a triangle of pie in his hand, "don't I know 'em like a book."

While he was talking the crowd slowly was swelling in front of the Hot Dog saloon. It was a drinking and noisy crowd. Men who appeared to be leaders were taking other men in to the bar, treating them, then bringing them out again, and talking excitedly to them. The crowd grew rapidly, and the noise multiplied. Another crowd was gathering—just a knot of men down the street by the Company's store, in the opposite direction from the Hot Dog crowd. Grant and Nate noticed the second crowd at the same time. It was Local No. 10. Grant left the window and lighted the lamp. He wrote on a piece of paper, a few lines, handed it to Nathan, saying:

"Here, sign it with me." It read:

"Boys—whatever you do, don't start anything—of any kind—no matter what happens to us. We can take care of ourselves."

Nathan Perry signed it, slipped down the stairs into the hall, and beckoned to his men at the Company's store. The crowd at the Hot Dog saw him and yelled, but Evan Evans came running for the note and took it back. Little Tom Williams came up the stairs with Nathan, saying:

"Well—they're getting ready for business. I brought a gun up to No. 3 this afternoon. I'm with Grant in this."

The little landlord went into No. 3, appeared with a rifle, and came bobbing into the room.

Grant at the window could see the crowd marching from the Hot Dog to Dick's Place, yelling and cursing as it went. The group in the bedroom over the street opened the street windows to see better and hear better. An incandescent over the door of the saloon lighted the narrow street. In front of the saloon and under the light the mob halted. The men in the room with Grant were at the windows watching. Suddenly—as by some prearranged order, four men with revolvers in their hands ran across the street towards the hotel. Brotherton, Williams and Perry ran to the head of the stairs, guns in hand. Grant followed them. There they stood when the door below was thrown open, and the four men below rushed across the small landing to the bottom of the stairs. It was dark in the upper hall, but a light from the street flooded the lower hall. The men below did not look up; they were on the stairs.

"Stop," shouted Brotherton with his great voice.

That halted them. They looked up into darkness. They could see no faces—only four gun barrels. The men farthest up the stairs literally fell into the arms of those below. Then the four men below scrambled down the stairs as Mr. Brotherton roared:

"I'll kill the first man who puts his foot on the bottom step again."

With a cry of terror they rushed out. The crowd at the Company store hooted, and the mob before the saloon jeered. But the four men scurried across the street, and told the crowd what had happened. For a few minutes no move was made. Then Grant, who had left the hallway and was looking through the window, saw the little figure of Joseph Calvin moving officiously among the men. He went into the saloon, and came out again after a time. Then Grant cried to Brotherton at the head of the stairs:

"Watch out—they're coming; more of them this time." And half a dozen armed men rushed across the street and appeared at the door of the hallway.

"Stop," yelled Brotherton—whose great voice itself sounded a terrifying alarm in the darkened hallway. The feet of two men were on the first steps of the stairs—they looked up and saw three gun barrels pointing down at them, and heard Brotherton call "one—two—three," but before he could say "fire" the men fell back panic stricken and ran out of the place.

The crowd left the sidewalk and moved into the saloon, and the street was deserted for a time. Local No. 10 held its post down by the Company Store. It seemed like an age to the men at the head of the stairs. Yet Mr. Brotherton's easy running fire of ribaldry never stopped. He was excited and language came from his throat without restraint.

Then Grant's quick ear caught a sound that made him shudder. It was far away, a shrill high note; in a few seconds the note was repeated, and with it the animal cry one never mistakes who hears it—the cry of an angry mob. They could hear it roaring over the bridge upon the Wahoo and they knew it was the mob from Magnus, Plain Valley and Foley coming. On it came, with its high-keyed horror growing louder and louder. It turned into the street and came roaring and whining down to the meeting place at the saloon. It filled the street. Then appeared Mr. Calvin following a saloon porter, who was rolling a whiskey barrel from the saloon. The porter knocked in the head, and threw tin cups to the crowd.

"What do you think of that for a praying Christian?" snarled Mr. Brotherton. No one answered Mr. Brotherton, for the whiskey soon began to make the crowd noisy. But the leaders waited for the whiskey to make the crowd brave. The next moment, Van Dorn's automobile—the old one, not the new one—came chugging up. Grant, at the window, looked out and turned deathly sick. For he saw the puddler who had bullied him during the day get out of the car, and in the puddler's grasp was Kenyon—with white face, but not whimpering.

The men made way for the puddler, who hurried the boy into the saloon. Grant did not speak, but stood unnerved and horror-stricken staring at the saloon door which had swallowed up the boy.

"Well, for God—" cried Brotherton.

"A screen—they're going to use the boy as a shield—the damn cowards!" rasped Nathan Perry.

The little Welshman moaned. And the three men stood staring at Grant whose eyes did not shift from the saloon door. He was rigid and his face, which trembled for a moment, set like molten bronze.

"If I surrender now, if they beat me here with anything less than my death, the whole work of years is gone—the long struggle of these men for their rights." He spoke not to his companions, but through them to himself. "I can't give up—not even for Kenyon," he cried. "Tom—Tom," Grant turned to the little Welshman. "You stood by and heard Dick Bowman order Mugs to hold the shovel over my face! Did he shrink? Well, this cause is the life and death struggle of all the Dicks in the Valley—not for just this week, but for always."

Below the crowd was hushed. Joe Calvin had appeared and was giving orders in a low tone. The hulking figure of the puddler could be seen picking out his men; he had three set off in a squad. The men in the room could see the big beads of sweat stand out on Grant's forehead. "Kenyon—Kenyon," he cried in agony. Then George Brotherton let out his bellow, "Grant—look here—do you think I'm going to fire on—"

But the next minute the group at the window saw something that made even George Brotherton's bull voice stop. Into the drab street below flashed something all red. It was the Van Dorn motor car, the new one. But the red of the car was subdued beside the scarlet of the woman in the back seat—a woman without hat or coat, holding something in her arms. The men at the window could not see what those saw in the street; but they could see Joe Calvin fall back; could see the consternation on his face, could see him waving his hands to the crowd to clear the way. And then those at the window above saw Margaret Van Dorn rise in the car and they heard her call, "Joe Calvin! Joe Calvin—" she screamed, "bring my husband out from behind that wine room door—quick—quick," she shrieked, "quick, I say."

The mob parted for her. The men at the hotel window could not see what she had in her arms. She made the driver wheel, drive to the opposite side of the street directly under the hotel window—directly in front of the besieged door. In another instant Van Dorn, ghastly with rage, came bare-headed out of the saloon. He ran across the street crying:

"You she devil, what do you—"

But he stopped without finishing his sentence. The men above looked down at what he was looking at and saw a child—Tom Van Dorn's child, Lila, in the car.

"My God, Margaret—what does this mean?" he almost whispered in terror.

"It means," returned the strident voice of the woman, "that when you sent for your car and the driver told me he was going to Adamses—I knew why—from what you said, and now, by God," she screamed, "give me that boy—or this girl goes to the union men as their shield."

Van Dorn did not speak. His mouth seemed about to begin, but she stopped him, crying:

"And if you touch her I'll kill you both. And the child goes first."

The woman had lost control of her voice. She swung a pistol toward the child.

"Give me that boy!" she shrieked, and Van Dorn, dumb and amazed, stood staring at her. "Tell them to bring that boy before I count five: One, two," she shouted, "three—"

"Oh, Joe," called Van Dorn as his whole body began to tremble, "bring the Adams boy quick—here!" His voice broke into a shriek with nervous agitation and the word "here" was uttered with a piercing yell, that made the crowd wince.

Calvin brought Kenyon out and sent him across the street. Grant opened a window and called out: "Get into the car with Lila, Kenyon—please."

The woman in the car cried: "Grant, Grant, is that you up there? They were going to murder the boy, Grant. Do you want his child up there?"

She looked up and the arc light before the hotel revealed her tragic, shattered face—a wreck of a face, crumpled and all out of line and focus as the flickering glare of the arc-light fell upon it. "Shall I send you his child?" she babbled hysterically, keeping the revolver pointed at Lila—"His child that he's silly about?"

Van Dorn started for her car, but Brotherton at the window bellowed across a gun sight: "Move an inch and I'll shoot."

Grant called down: "Margaret, take Lila and Kenyon home, please."

Then, with Mr. Brotherton's gun covering the father in the street below, the driver of the car turned it carefully through the parting crowd, and was gone as mysteriously and as quickly as he came.

"Now," cried Mr. Brotherton, still sighting down the gun barrel pointed at Van Dorn, standing alone in the middle of the street, "you make tracks, and don't you go to that saloon either—you go home to the bosom of your family. Stop," roared Mr. Brotherton, as the man tried to break into a run. Van Dorn stopped. "Go down to the Company store where the union men are," commanded Mr. Brotherton. "They will take you home.

"Hey—you Local No. 10," howled the great bull voice of Brotherton. "You fellows take this man home to his own vine and fig tree."

Van Dorn, looking ever behind him for help that did not come, edged down the street and into the arms of Local No. 10, and was swallowed up in that crowd. A rock from across the street crashed through the window where the gun barrels were protruding, but there was no fire in return. Another rock and another came. But there was no firing.

Grant, who knew something of mobs, felt instinctively that the trouble was over. Nathan and Brotherton agreed. They stood for a time—a long time it seemed to them—guarding the stairs. Then some one struck a match and looked at his watch. It was half past eight. It was too late for Grant to hold his meeting. But he felt strongly that the exit of Van Dorn had left the crowd without a leader and that the fight of the night was won.

"Well," said Grant, drawing a deep breath. "They'll not run me out of town to-night. I could go to the lot now and hold the meeting; but it's late and it will be better to wait until to-morrow night. They should sleep this off—I'm going to talk to them."

He stepped to an iron balcony outside the window and putting his hands to his mouth uttered a long horn-like blast. The men saw him across the street. "Come over here, all of you—" he called. "I want to talk to you—just a minute."

The crowd moved, first one or two, then three or four, then by tens. Soon the crowd stood below looking up half curiously—half angrily.

"You see, men," he smiled as he shoved his hand in his pocket, and put his head humorously on one side:

"We are more hospitable when you all come than when you send your delegations. It's more democratic this way—just to kind of meet out here like a big family and talk it over. Some way," he laughed, "your delegates were in a hurry to go back and report. Well, now, that was right. That is true representative government. You sent 'em, they came; were satisfied and went back and told you all about it." The crowd laughed. He knew when they laughed that he could talk on. "But you see, I believe in democratic government. I want you all to come and talk this matter over—not just a few."

He paused; then began again: "Now, men, it's late. I've got so much to say I don't want to begin now. I don't like to have Tom Van Dorn and Joe Calvin divide time with me. I want the whole evening to myself. And," he leaned over clicking his iron claw on the balcony railing while his jaw showed the play of muscles in the light from below, "what's more I'm going to have it, if it takes all summer. Now then," he cried: "The Labor Council of the Wahoo Valley will hold its meeting to-morrow night at seven-thirty sharp on Captain Morton's vacant lot just the other side of the Hot Dog saloon. I'll talk to that meeting. I want you to come to that meeting and hear what we have to say about what we are trying to do."

A few men clapped their hands. Grant Adams turned back into the room and in due course the crowd slowly dissolved. At ten o'clock he was standing in the door of the Vanderbilt House looking at his watch, ready to turn in for the night. Suddenly he remembered the Captain. He hurried around to the Hot Dog, and there peering into the darkness of the vacant lot saw the Captain with his gun on his shoulder pacing back and forth, a silent, faithful sentry, unrelieved from duty.

When Grant had relieved him and told him that the trouble was over, the little old man looked up with his snappy eyes and his dried, weazened smile and said: "'Y gory, man—I'm glad you come. I was just a-thinking I bet them girls of mine haven't cooked any potatoes to go with the meat to make hash for breakfast—eh? and I'm strong for hash."



CHAPTER XXXVII

IN WHICH WE WITNESS A CEREMONY IN THE TEMPLE OF LOVE

George Brotherton took the Captain to the street car that night. They rode face to face and all that the Captain had seen and more, outside the Vanderbilt House, and all that George Brotherton had seen within its portals, a street car load of Harvey people heard with much "'Y gorying" and "Well—saying," as the car rattled through the fields and into Market Street. Amiable satisfaction with the night's work beamed in the moon-face of Mr. Brotherton and the Captain was drunk with martial spirit. He shouldered his gun and marched down the full length of the car and off, dragging Brotherton at his chariot wheels like a spoil of battle.

"Come on, George," called the Captain as the audience in the car smiled. "Young man, I need you to tell the girls that their pa ain't gone stark, staring mad—eh? And I want to show 'em a hero!—What say? A genuine hee-ro!"

It was half an hour after the Captain bursting upon his hearthstone like a martial sky rocket, had exploded the last of his blue and green candles. The three girls, sitting around the cold base burner, beside and above which Mr. Brotherton stood in statuesque repose, heard the Captain's tale and the protests of Mr. Brotherton much as Desdemona heard of Othello's perils. And when the story was finished and retold and refinished and the Captain was rising with what the girls called the hash-look in his snappy little eyes, Martha saw Ruth swallow a vast yawn and Martha turned to Emma an appreciative smile at Ruth's discomfiture.

But Emma's eyes were fixed upon Mr. Brotherton and her face turned toward him with an aspect of tender adoration. Mr. Brotherton, who was not without appreciation of his own heroic caste, saw the yawn and the smile and then he saw the face of Emma Morton.

It came over him in a flash of surprise that Ruth and Martha were young things, not of his world; and that Emma was of his world and very much for him in his world. It got to him through the busy guard of his outer consciousness with a great rush of tenderness that Emma really cared for the dangers he had faced and was proud of the part he had played. And Mr. Brotherton knew that, with Ruth and Martha, it was a tale that was told.

As he saw her standing among her sisters, his heart hid from him the little school teacher with crow's feet at her eyes, but revealed instead the glowing heart of an exalted woman, who did not realize that she was uncovering her love, a woman who in the story she had heard was living for a moment in high romance. Her beloved, imperiled, was restored to her; the lost was found and the journey which ends so happily in lovers' meetings was closing.

His eyes filled and his voice needed a cough to prime it. The fire, glowing in Emma Morton's eyes, steamed up George Brotherton's will—the will which had sent him crashing forward in life from a train peddler to a purveyor of literature and the arts in Harvey. Deeds followed impulses with him swiftly, so in an instant the floor of the Morton cottage was shaking under his tread and with rash indifference, high and heroic, ignoring with equal disdain two tittering girls, an astonished little old man and a cold base burner, the big man stalked across the room and cried:

"Well, say—why, Emma—my dear!" He had her hands in his and was putting his arm about her as he bellowed: "Girls—" his voice broke under its heavy emotional load. "Why, dammit all, I'm your long-lost brother George! Cap, kick me, kick me—me the prize jackass—the grand sweepstake prize all these years!"

"No, no, George," protested the wriggling maiden. "Not—not here! Not—"

"Don't you 'no—no' me, Emmy Morton," roared the big man, pulling her to his side. "Girl—girl, what do we care?" He gave her a resounding kiss and gazed proudly around and exclaimed, "Ruthie, run and call up the Times and give 'em the news. Martha, call up old man Adams—and I'll take a bell to-morrow and go calling it up and down Market Street. Then, Cap, you tell Mrs. Herdicker. This is the big news." As he spoke he was gathering the amazed Ruth and Martha under his wing and kissing them, crying, "Take that one for luck—and that to grow on." Then he let out his laugh. But in vain did Emma Morton try to squirm from his grasp; in vain she tried to quiet his clatter. "Say, girls, cluster around Brother George's knee—or knees—and let's plan the wedding."

"You are going to have a wedding, aren't you, Emma?" burst in Ruth, and George cut in:

"Wedding—why, this is to be the big show—the laughing show, all the wonders of the world and marvels of the deep under one canvas. Why, girls—"

"Well, Emma, you've just got to wear a veil," laughed Martha hysterically.

"Veil nothing—shame on you, Martha Morton. Why, George hasn't asked—"

"Now ain't it the truth!" roared Brotherton. "Why veil! Veil?" he exclaimed. "She's going to wear seven veils and forty flower girls—forty—count 'em—forty! And Morty Sands best man—"

"Keep still, George," interrupted Ruth. "Now, Emma, when—when, I say, are you going to resign your school?"

Mr. Brotherton gave the youngest and most practical Miss Morton a look of quick intelligence. "Don't you fret; Ruthie, I'm hog tied by the silken skein of love. She's going to resign her school to-morrow."

"Indeed I am not, George Brotherton—and if you people don't hush—"

But Mr. Brotherton interrupted the bride-to-be, incidentally kissing her by way of punctuation, and boomed on in his poster tone, "Morty Sands best man with his gym class from South Harvey doing ground and lofty tumbling up and down the aisles in pink tights. Doc Jim in linen pants whistling the Wedding March to Kenyon Adams's violin obligato, with the General hitting the bones at the organ! The greatest show on earth and the baby elephant in evening clothes prancing down the aisle like the behemoth of holy writ! Well, say—say, I tell you!"

The Captain touched the big man on the shoulder apologetically. "George, of course, if you could wait a year till the Household Horse gets going good, I could stake you for a trip to the Grand Canyon myself, but just now, 'y gory, man!"

"Grand Canyon!" laughed Brotherton. "Why, Cap, we're going to go seven times around the world and twice to the moon before we turn up in Harvey. Grand Canyon—"

"Well, at least, father," cried Martha, "we'll get her that tan traveling dress and hat she's always wanted."

"But I tell you girls to keep still," protested the bride-to-be, still in the prospective groom's arms and proud as Punch of her position. "Why, George hasn't even asked me and—"

"Neither have you asked me, Emma, ''eathen idol made of mud what she called the Great God Buhd.'" He stooped over tenderly and when his face rose, he said softly, "And a plucky lot she cared for tan traveling dresses when I kissed her where she stud!" And then and there before the Morton family assembled, he kissed his sweetheart again, a middle-aged man unashamed in his joy.

It was a tremendous event in the Morton family and the Captain felt his responsibility heavily. The excited girls, half-shocked and half-amused and wholly delighted, tried to lead the Captain away and leave the lovers alone after George had hugged them all around and kissed them again for luck. But the Captain refused to be led. He had many things to say. He had to impress upon Mr. Brotherton, now that he was about to enter the family, the great fact that the Mortons were about to come into riches. Hence a dissertation on the Household Horse and its growing popularity among makers of automobiles; Nate Perry's plans in blue print for the new factory were brought in, and a wilderness of detail spread before an ardent lover, keen for his first hour alone with the woman who had touched his bachelor heart. A hundred speeches came to his lips and dissolved—first formal and ardent love vows—while the Captain rattled on recounting familiar details of his dream.

Then Ruth and Martha rose in their might and literally dragged their father from the room and upstairs. Half an hour later the two lovers in the doorway heard a stir in the house behind them. They heard the Captain cry:

"The hash—George, she's the best girl—'Y gory, the best girl in the world. But she will forget to chop the hash over night!"

As George Brotherton, bumping his head upon the eternal stars, turned into the street, he saw the great black hulk of the Van Dorn house among the trees. He smiled as he wondered how the ceremonies were proceeding in the Temple of Love that night.

It was not a ceremony fit for smiles, but rather for the tears of gods and men, that the priest and priestess had performed. Margaret Van Dorn had taken Kenyon home, then dropped Lila at the Nesbit door as she returned from South Harvey. When she found that her husband had not reached home, she ran to her room to fortify herself for the meeting with him. And she found her fortifications in the farthest corner of the bottom drawer of her dresser. From its hiding place she brought forth a little black box and from the box a brown pellet. This fortification had been her refuge for over a year when the stress of life in the Temple of Love was about to overcome her. It gave her courage, quickened her wits and loosened her tongue. Always she retired to her fortress when the combat in the Temple threatened to strain her nerves. So she had worn a beaten path of habit to her refuge.

Then she made herself presentable; took care of her hair, smoothed her face at the mirror and behind the shield of the drug she waited. She heard the old car rattling up the street, and braced herself for the struggle. She knew—she had learned by bitter experience that the first blow in a rough and tumble was half the battle. As he came raging through the door, slamming it behind him, she faced him, and before he could speak, she sneered:

"Ah, you coward—you sneaking, cur coward—who would murder a child to win—Ach!" she cried. "You are loathsome—get away from me!"

The furious man rushed toward her with his hands clinched. She stood with her arms akimbo and said slowly:

"You try that—just try that."

He stopped. She came over and rubbed her body against his, purring, with a pause after each word:

"You are a coward—aren't you?"

She put her fingers under his jaw, and sneered, "If ever you lay hands on me—just one finger on me, Tom Van Dorn—" She did not finish her sentence.

The man uttered a shrill, insane cry of fury and whirled and would have run, but she caught him, and with a gross physical power, that he knew and dreaded, she swung him by force into a chair.

"Now," she panted, "sit down like a man and tell me what you are going to do about it? Look up—dawling!" she cried, as Van Dorn slumped in the chair.

The man gave her a look of hate. His eyes, that showed his soul, burned with rage and from his face, so mobile and expressive, a devil of malice gaped impotently at his wife, as he sat, a heap of weak vanity, before her. He pulled himself up and exclaimed:

"Well, there's one thing damn sure, I'll not live with you any more—no man would respect me if I did after to-night."

"And no man," she smiled and said in her mocking voice, "will respect you if you leave me. How Laura's friends will laugh when you go, and say that Tom Van Dorn simply can't live with any one. How the Nesbit crowd will titter when you leave me, and say Tom Van Dorn got just what he had coming! Why—go on—leave me—if you dare! You know you don't dare to. It's for better or worse, Tom, until death do us part—dawling!"

She laughed and winked indecently at him.

"I will leave you, I tell you, I will leave you," he burst forth, half rising. "All the devils of hell can't keep me here."

"Except just this one," she mocked. "Oh, you might leave me and go with your present mistress! By the way, who is our latest conquest—dawling? I'm sure that would be fine. Wouldn't they cackle—the dear old hens whose claws scratch your heart so every day?" She leaned over, caressing him devilishly, and cried, "For you know when you get loose from me, you'll pretty nearly have to marry the other lady—wouldn't that be nice? 'Through sickness and health, for good or for ill,'—isn't it nice?" she scoffed. Then she turned on him savagely, "So you will try to hide behind a child, and use him for a shield—Oh, you cur—you despicable dog," she scorned. Then she drew herself up and spoke in a passion that all but hissed at him. "I tell you, Tom Van Dorn, if you ever, in this row that's coming, harm a hair of that boy's head—you'll carry the scar of that hair to your grave. I mean it."

Van Dorn sprang up. He cried: "What business is it of yours? You she devil, what's the boy to you? Can't I run my own business? Why do you care so much for the Adams brat? Answer me, I tell you—answer me," he cried, his wrath filling his voice.

"Oh, nothing, dawling," she made a wicked, obscene eye at him, and simpered: "Oh, nothing, Tom—only you see I might be his mother!"

She played with the vulgar diamonds that hid her fingers and looked down coyly as she smiled into his gray face.

"Great God," he whispered, "were you born a—" he stopped, ashamed of the word in his mouth.

The woman kept twinkling her indecent eyes at him and put her head on one side as she replied: "Whatever I am, I'm the wife of Judge Van Dorn; so I'm quite respectable now—whatever I was once. Isn't that lawvly, dawling!" She began talking in her baby manner.

Her husband was staring at her with doubt and fear and weak, footless wrath playing like scurrying clouds across his proud, shamed face.

"Oh, Margaret, tell me the truth," he moaned, as the fear of the truth baffled him—a thousand little incidents that had attracted his notice and passed to be stirred up by a puzzled consciousness came rushing into his memory—and the doubt and dread overcame even his hate for a moment and he begged. But she laughed, and scouted the idea and then called out in anguish:

"Why—why have you a child to love—to love and live for even if you cannot be with her—why can I have none?"

Her voice had broken and she felt she was losing her grip on herself, and she knew that her time was limited, that her fortifications were about to crumble. She sat down before her husband.

"Tom," she said coldly, "no matter why I'm fond of Kenyon Adams—that's my business; Lila is your business, and I don't interfere, do I? Well," she said, looking the man in the eyes with a hard, mean, significant stare, "you let the boy alone—do you understand? Do what you please with Grant or Jasper or the old man; but Kenyon—hands off!"

She rose, slipped quickly to the stairway, and as she ran up she called, "Good night, dawling." Before he was on his feet he heard the lock click in her door, and with a horrible doubt, an impotent rage, and a mantling shame stifling him, he went upstairs and from her distant room she heard the bolt click in the door of his room. And behind the bolted doors stood two ghosts—the ghosts of rejected children, calling across the years, while the smudge of the extinguished torch of life choked two angry hearts.



CHAPTER XXXVIII

GRANT ADAMS VISITS THE SONS OF ESAU

"My dear," quoth the Doctor to his daughter as he sat poking his feet with his cane in her little office at the Kindergarten, after they had discussed Lila's adventure of the night before, "I saw Tom up town this morning and he didn't seem to be exactly happy. I says, 'Tom, I hear you beat God at his own game last night!' and," the Doctor chuckled, "Laura, do you know, he wouldn't speak to me!" As he laughed, the daughter interrupted:

"Why, father—that was mean—"

"Of course it was mean. Why—considering everything, I'd lick a man if he'd talk that mean to me. But my Eenjiany devil kind of got control of my forbearing Christian spirit and I cut loose."

The daughter smiled, then she sighed, and asked: "Father—tell me, why did that woman object to Tom's use of Kenyon in the riot last night?"

Doctor Nesbit opened his mouth as if to answer her. Then he smiled and said, "Don't ask me, child. She's a bad egg!"

"Lila says," continued the daughter, "that Margaret appears at every public place where Kenyon plays. She seems eager to talk to him about his accomplishments, and has a sort of fascinated interest in whatever he does, as nearly as I can understand it? Why, father? What do you suppose it is? I asked Grant, who was here this morning with a Croatian baby whose mother is in the glass works, and Grant only shook his head." The father looked at his daughter over his glasses and asked:

"Croatians, eh? That's what the new colony is down in Magnus. Well, we've got Letts and Lithuanians and why not Croatians? What a mix we have here in the Valley! I wouldn't wash 'em for 'em!"

"Well, father, I would. And when you get the dirt off they're mostly just folks—just Indiany, as you call it. They all take my flower seeds. And they all love bright colors in their windows. And they are spreading the glow of blooms across the district, just as well as the Germans and the French and the Belgians and the Irish. And they are here for exactly the same thing which we are here for, father. We're all in the same game."

He looked at her blankly, and ventured, "Money?"

"No—you stupid. You know better. It's children. They're here for their children—to lift their children out of poverty. It's the children who carry the banner of civilization, the hope of progress, the real sunrise. These people are all confused and more or less dumb and loggy about everything else in life but this one thing; they all hope greatly for their children. For their children they joyfully endure the hardships of poverty; the injustice of it; to live here in these conditions that seem to us awful, and to work terrible hours that their children may rise out of the worse condition that they left in Europe. And they have left Europe, father, spiritually as well as physically. Here they are reborn into America. The first generation may seem foreign, may hold foreign ways—on the outside. But these American born boys and girls, they are American—as much as we are, with all their foreign names. They are of our spirit. When America calls they will hear and follow. Whatever blood they will shed will be real American blood, because as children, born under the same aspiring genius for freedom under which we were born, as children they became Americans. Oh, father, it's for the children that these people here in Harvey—these exploited people everywhere in this country,—plant the flowers and brighten up their homes. It's for their children that they are going with Grant to organize for better things. The fire of life runs ahead of us in hope for our children, and if we haven't children or the love of them in our hearts—why, father, that's what's eating Tom's heart out, and blasting this miserable woman's life! Grant said to-day: 'This baby here symbolizes all that I stand for, all that I hope to do, all that the race dreams!"

The Doctor had lighted his pipe, and was puffing meditatively. He liked to hear his daughter talk. He took little stock in what she said. But when she asked him for help—he gave it to her unstinted, but often with a large, tolerant disbelief in the wisdom of her request. As she paused he turned to her quickly, "Laura—tell me, what do you make out of Grant?"

He eyed her sharply as she replied: "Father, Grant is a lonely soul without chick or child, and I'm sorry for him. He goes—"

"Well, now, Laura," piped the little man, "don't be too sorry. Sorrow is a dangerous emotion."

The daughter turned her face to her father frankly and said: "I realize that, father. Don't concern yourself about that. But I see Grant some way, eating the locusts and wild honey in the wilderness, calling out to a stiff-necked generation to repent. His eyes are focussed on to-morrow. He expects an immediate millennium. But he is at least looking forward, not back. And the world back of us is so full of change, that I am sure the world before us also must be full of change, and maybe sometime we shall arrive at Grant's goal. He's not working for himself, either in fame or in power, or in any personal thing. He's just following the light as it is given him to see it, here among the poor."

The daughter lifted a face full of enthusiasm to her father. He puffed in silence. "Well, my dear, that's a fine speech. But when I asked you about Grant I was rising to a sort of question of personal privilege. I thought perhaps I would mix around at his meeting to-night! If you think I should, just kind of stand around to give him countenance—and," he chuckled and squeaked: "To bundle up a few votes!"

"Do, father—do—you must!"

"Well," squeaked the little voice, "so long as I must I'm glad to know that Tom made it easy for me, by turning all of Harvey and the Valley over to Grant at the riot last night. Why, if Tom tried to stop Grant's meeting to-night Market Street itself would mob Tom—mob the very Temple of Love." The Doctor chuckled and returned to his own affairs. "Being on the winning side isn't really important. But it's like carrying a potato in your pocket for rheumatism: it gives a feller confidence. And after all, the devil's rich and God's poor have all got votes. And votes count!" He grinned and revived his pipe.

He was about to speak again when Laura interrupted him, "Oh, father—they're not God's poor, whose ever they are. Don't say that. They're Daniel Sands's poor, and the Smelter Trust's poor, and the Coal Trust's poor, and the Glass and Cement and Steel company's poor. I've learned that down here. Why, if the employers would only treat the workers as fairly as they treat the machines, keeping them fit, and modern and bright, God would have no poor!"

The Doctor rose and stretched and smiled indulgently at his daughter. "Heigh-ho the green holly," he droned. "Well, have it your way. God's poor or Dan's poor, they're my votes, if I can get 'em. So we'll come to the meeting to-night and blow a few mouthfuls on the fires of revolution, for the good of the order!"

He would have gone, but his daughter begged him to stay and dine with her in South Harvey, before they went to the meeting. So for an hour the Doctor sat in his daughter's office by the window, sometimes giving attention to the drab flood of humanity passing along the street as the shifts changed for evening in the mines and smelters, and then listening to the day's stragglers who came and went through his daughter's office: A father for medicine for a child, a mother for advice, a breaker boy for a book, a little girl from the glass works for a bright bit of sewing upon which she was working, a woman from Violet Hogan's room with a heartbreak in her problem, a group of women from little Italy with a complaint about a disorderly neighbor in their tenement, a cripple from the mines to talk over his career, whether it should be pencils or shoe strings, or a hand organ, or some attempt at handicraft; the head of a local labor union paying some pittance to Laura, voted by the men to help her with her work; a shy foreign woman with a badly spelled note from her neighbor, asking for flower seeds and directions translated by Laura into the woman's own language telling how to plant the seeds; a belated working mother calling for the last little tot in the nursery and explaining her delay. Laura heard them all and so far as she could, she served them all. The Doctor was vastly proud of the effective way in which she dispatched her work.

It was six o'clock, but the summer sun still was high and the traffic in the street was thick. For a time, while a woman with a child with shriveled legs was talking to Laura about the child's education, the Doctor sat gazing into the street. When the room was empty, he exclaimed, "It's a long weary way from the sunshine and prairie grass, child! How it all has changed with the years! Ten years ago I knew 'em all, the men and the employers. Now they are all newcomers—men and masters. Why, I don't even know their nationalities; I don't even know what part of the earth they come from. And such sad-faced droves of them; so many little scamps, underfed, badly housed for generations. The big, strapping Irish and Germans and Scotch and the wide-chested little Welshmen, and the agile French—how few of them there are compared with this slow-moving horde of runts from God knows where! It's been a long time since I've been down here to see a shift change, Laura. Lord—Lord have mercy on these people—for no one else seems to care!"

"Amen, and Amen, father," answered the daughter. "These are the people that Grant is trying to stir to consciousness. These are the people who—"

"Well, yes," he turned a sardonic look upon his daughter, "they're the boys who voted against me the last time because Tom and Dan hired a man in every precinct to spread the story that I was a teetotaler, and that your mother gave a party on Good Friday—and all because Tom and Dan were mad at me for pushing that workingmen's compensation bill! But now I look at 'em—I don't blame 'em! What do they know about workingmen's compensation!" The Doctor stopped and chuckled; then he burst out: "I tell you, Laura, when a man gets enough sense to stand by his friends—he no longer needs friends. When these people get wise enough not to be fooled by Tom and old Dan, they won't need Grant! In the meantime—just look at 'em—look at 'em paying twice as much for rent as they pay up town: gouged at the company stores down here for their food and clothing; held up by loan sharks when they borrow money; doped with aloes in their beer, and fusil oil in their whiskey, wrapped up in shoddy clothes and paper shoes, having their pockets picked by weighing frauds at the mines, and their bodies mashed in speed-up devices in the mills; stabled in filthy shacks without water or sewers or electricity which we uptown people demand and get for the same money that they pay for these hog-pens—why, hell's afire and the cows are out—Laura! by Godfrey's diamonds, if I lived down here I'd get me some frisky dynamite and blow the whole place into kindling." He sat blinking his indignation; then began to smile. "Instead of which," he squeaked, "I shall endeavor by my winning ways to get their votes." He waved a gay hand and added, "And with God be the rest!"

Towering above a group of workers from the South of Europe—a delegation from the new wire mill in Plain Valley, Grant Adams came swinging down the street, a Gulliver among his Lilliputians. Although it was not even twilight, it was evident to the Doctor that something more than the changing shifts in the mills was thickening the crowds in the street. Little groups were forming at the corners, good-natured groups who seemed to know that they were not to be molested. And the Doctor at his window watched Grant passing group after group, receiving its unconscious homage; just a look, or a waving hand, or an affectionate, half-abashed little cheer, or the turning of a group of heads all one way to catch Grant's eyes as he passed.

At the Captain's vacant lot, Grant rose before a cheering throng that filled the lot, and overflowed the sidewalk and crowded far down the street. Two flickering torches flared at his head. An electric in front of the Hot Dog and a big arc-light over the door of the smelter lighted the upturned faces of the multitude. When the crowd had ceased cheering, Grant, looking into as many eyes of his hearers as he could catch, began:

"I have come to talk to Esau—the disinherited—to Esau who has forfeited his birthright. I am here to speak to those who are toiling in the world's rough work unrequited—I am here, one of the poor to talk to the poor."

His voice held back so much of his strength, his gaunt, awkward figure under the uncertain torches, his wide, impassioned gestures, with the carpenter's nail claw always before his hearers, made him a strange kind of specter in the night. Yet the simplicity of his manner and the directness of his appeal went to the hearts of his hearers. The first part of his message was one of peace. He told the workers that every inch they gained they lost when they tried to overcome cunning with force. "The dynamiter tears the ground from under labor—not from under capital; he strengthens capital," said Grant. "Every time I hear of a bomb exploding in a strike, or of a scab being killed I think of the long, hard march back that organized labor must make to retrieve its lost ground. And then," he cried passionately, and the mad fanatic glare lighted his face, "my soul revolts at the iniquity of those who, by craft and cunning while we work, teach us the false doctrine of the strength of force, and then when we use what they have taught us, point us out in scorn as lawbreakers. Whether they pay cash to the man who touched the fuse or fired the gun or whether they merely taught us to use bombs and guns by the example of their own lawlessness, theirs is the sin, and ours the punishment. Esau still has lost his birthright—still is disinherited."

He spoke for a time upon the aims of organization, and set forth the doctrine of class solidarity. He told labor that in its ranks altruism, neighborly kindness that is the surest basis of progress, has a thousand disintegrated expressions. "The kindness of the poor to the poor, if expressed in terms of money, would pay the National debt over night," he said, and, letting out his voice, and releasing his strength, he begged the men and women who work and sweat at their work to give that altruism some form and direction, to put it into harness—to form it into ranks, drilled for usefulness. Then he spoke of the day when class consciousness would not be needed, when the unions would have served their mission, when the class wrong that makes the class suffering and thus marks the class line, would disappear just as they have disappeared in the classes that have risen during the last two centuries.

"Oh, Esau," he cried in the voice that men called insane because of its intensity, "your birthright is not gone. It lies in your own heart. Quicken your heart with love—and no matter what you have lost, nor what you have mourned in despair, in so much as you love shall it all be restored to you."

They did not cheer as he talked. But they stood leaning forward intently listening. Some of his hearers had expected to hear class hatred preached. Others were expecting to hear the man lash his enemies and many had assumed that he would denounce those who had committed the mistakes of the night before. Instead of giving his hearers these things, he preached a gospel of peace and love and hope. His hearers did not understand that the maimed, lean, red-faced man before them was dipping deeply into their souls and that they were considering many things which they had not questioned before.

When he plunged into the practical part of his speech, an explanation of the allied unions of the Valley, he told in detail something of the ten years' struggle to bring all the unions together under one industrial council in the Wahoo Valley, and listed something of the strength of the organization. He declared that the time had come for the organization to make a public fight for recognition; that organization in secret and under cover was no longer honorable. "The employers are frankly and publicly allied," said Grant. "They have their meetings to talk over matters of common interest. Why should not the unions do the same thing? The smelter men, the teamsters, the miners, the carpenters, the steel workers, the painters, the glass workers, the printers—all the organized men and women in this district have the same common interests that their employers have, and we should in no wise be ashamed of our organization. This meeting is held to proclaim our pride in the common ground upon which organized labor stands with organized capital in the Wahoo Valley."

He called the rolls of the unions in the trades council and for an hour men stood and responded and reported conditions among workers in their respective trades. It was an impressive roll call. After their organization had been completed, a great roar of pride rose and Grant Adams threw out his steel claw and leaning forward cried:

"We have come to bring brotherhood into this earth. For in the union every man sacrifices something to the common good; mutual help means mutual sacrifice, and self-denial is brotherly love. Fraternity and democracy are synonymous. We must rise together by self-help. I know how easy it is for the rich man to become poor. I know that often the poor man becomes rich. But when Esau throws off the yoke of Jacob, when the poor shall rise and come into their own, the rise shall not be as individuals, but as a class. The glass workers are better paid than the teamsters; but their interests are common, and the better paid workers cannot rise except their poorly paid fellow workmen rise with them. It is a class problem and it must have a class solution."

Grant Adams stood staring at the crowd. Then he spread out his two gaunt arms and closed his eyes and cried: "Oh, Esau, Esau, you were faint and hungry in that elder day when you drank the red pottage and sold your birthright. But did you know when you bartered it away, that in that bargain went your children's souls? Down here in the Valley, five babies die in infancy where one dies up there on the hill. Ninety per cent. of the boys in jail come from the homes in the Valley and ten per cent. from the homes on the hill. And the girls who go out in the night, never to come home—poor girls always. Crime and shame and death were in that red pottage, and its bitterness still burns our hearts. And why—why in the name of our loving Christ who knew the wicked bargain Jacob made—why is our birthright gone? Why does Esau still serve his brother unrequited?" Then he opened his eyes and cried stridently—"I'll tell you why. The poor are poor because the rich are rich. We have been working a decade and a half in this Valley, and profits, not new capital, have developed it. Profits that should have been divided with labor in wages have gone to buy new machines—miles and miles of new machines have come here, bought and paid for with the money that labor earned, and because we have not the machines which our labor has bought, we are poor—we are working long hours amid squalor surrounded with death and crime and shame. Oh, Esau, Esau, what a pottage it was that you drank in the elder day! Oh, Jacob, Jacob, wrestle, wrestle with thy conscience; wrestle with thy accusing Lord; wrestle, Jacob, wrestle, for the day is breaking and we will not let thee go! How long, O Lord, how long will you hold us to that cruel bargain!"

He paused as one looking for an answer—hesitant, eager, expectant. Then he drew a long breath, turned slowly and sadly and walked away.

No cheer followed him. The crowd was stirred too deeply for cheers. But the seed he had sown quickened in a thousand hearts even if in some hearts it fell among thorns, even if in some it fell upon stony ground. The sower had gone forth to sow.



CHAPTER XXXIX

BEING NO CHAPTER AT ALL BUT AN INTERMEZZO BEFORE THE LAST MOVEMENT

The stage is dark. In the dim distance something is moving. It is a world hurrying through space. Somewhat in the foreground but enveloped in the murk sit three figures. They are tending a vast loom. Its myriad threads run through illimitable space and the woof of the loom is time. The three figures weaving through the dark do not know whence comes the power that moves the loom eternally. They have not asked. They work in the pitch of night.

From afar in the earth comes a voice—high-keyed and gentle:

A Voice, pianissimo:

"This business of governing a sovereign people is losing its savor. I must be getting some kind of spiritual necrosis. Generally speaking, about all the real pleasure a grand llama of politics finds in life, is in counting his ingrates—his governors and senators and congressmen! Why, George, it's been nearly ten years since I've cussed out a senator or a governor, yet I read Browning with joy and the last time I heard Beethoven's Fifth Symphony, I went stark mad. But woe is me, George! Woe is me. When the Judge and Dan Sands named the postmaster last month without consulting me, I didn't care. I tell you, George, I must be getting old!"

Second Voice, fortissimo:

"No, Doc—you're not getting old—why, you're not sixty—a mere spring chicken yet—and Dan Sands is seventy-five if he's a day. What's the matter with you in this here Zeitgeist that Carlyle talks about! It's this restless little time spirit that's the matter with you. You're all broke out and sick abed with the Zeitgeist. You've got no more necrosis than a Belgian hare's got paresis—I'm right here to tell you and my diagnosis goes."

Third Voice, adagio:

"James, my guides say that we're beginning a great movement from the few to the many. That is their expression. Cromwell thinks it means economic changes; but I was talking with Jefferson the other night and he says no—it means political changes in order to get economic. He says Tilden tells him—"

The Second Voice, fortissimo:

"Who cares what Tilden says! My noodle tells me that there's to be a big do in this world, and my control tinkles the cash register, pops into the profit account, eats up ten cent magazines, and gets away with five feet of literary dynamite fuse every week. I'm that old Commodore Noah that's telling you to get out your rubbers for the flood."

The First Voice, andante con expression:

"It's a queer world—a mighty queer world. Here's Laura's kindergarten growing until it joins with Violet Hogan's day nursery and Laura's flower seeds splashing color out of God's sunshine in front yards clear down to Plain Valley. Money coming in about as they need it. Dan Sands and Morty, Wright and Perry and the Dago saloon keeper, Joe Calvin, John Dexter and the gamblers—all the robbers, high and low, dividing their booty. With all the prosperity we are having, with all the opening of mills and factories—it's getting easier to make money and consequently harder to respect it. The more money there is, the less it buys, and that is true in public sentiment just as it is in groceries and furniture. Do you fellows realize that it's been ten years since the Times has run any of those 'Pen Portraits of Self-Made Men'?" A silence, then the voice continues:

"George, I honestly believe, if money keeps getting crowded farther and farther into the background of life—we'll develop an honest politician. We know that to give a bribe is just as bad as to take one. Think of the men debauched with money disguised as campaign expenses, or with offices or with franks and passes and pull and power! Think of all the bad government fostered, all the injustices legalized, just to win a sordid game! The best I can do now is to cry, 'Lord have mercy on me, a sinner! The harlot and the thief are my betters.'"

The voices cease. The earth whirls on. The brooding spirits at the loom muse in silence, for they need no voices.

The First Fate: "The birds! The birds! I seemed to hear the night birds twittering to bring in the dawn."

The Second Fate: "The birds do not bring in the dawn. The dawn comes."

The First Fate: "But always and always before the day, we hear these voices."

The Third Fate: "World after world threads its time through our loom. We watch the pattern grow. Days and eras and ages pass. We know nothing of meanings. We only weave. We know that the pattern brightens as new days come and always voices in the dark tell us of the changing pattern of a new day."

The First Fate: "But the birds—the birds! I seem to hear the night birds' voices that make the dawn."

The Second Fate: "They are not birds calling, but the whistle of shot and shell and the shrill, far cries of man in air. But still I say the dawn comes, the voices do not bring it."

The Third Fate: "We do not know how the awakening voices in the dark know that the light is coming. We do not know what power moves the loom. We do not know who dreams the pattern. We only weave and muse and listen for the voices of change as a world threads its events through the woof of time on our loom."

* * * * *

The stage is dark. The weavers weave time into circumstances and in the blackness the world moves on. Slowly it grays. A thousand voices rise. Then circumstance begins to run brightly on the loom, and a million voices join in the din of the dawn. The loom goes. The weavers fade. The light in the world pales the thread of time and the whirl of the earth no longer is seen. But instead we see only a town. Half of it shines in the morning sun—half of it hides in the smoke. In the sun on the street is a man.



CHAPTER XL

HERE WE HAVE THE FELLOW AND THE GIRL BEGINNING TO PREPARE FOR THE LAST CHAPTER

A tall, spare, middle-aged person was Thomas Van Dorn in the latter years of the first decade of the twentieth century; tall and spare and tight-skinned. The youthful olive texture of the skin was worn off and had been replaced by a leathery finish—rather reddish brown in color. The slight squint of his eyes was due somewhat to the little puffs under them, and a suspicious, crafty air had grown into the full orbs, which once glowed with emotion, when the younger man mounted in his oratorical flights. His hands were gloved to match his exactly formal clothes, and his hat—a top-hat when Judge Van Dorn was in the East, and a sawed-off compromise with the local prejudice against top-hats when he was in Harvey—was always in the latest mode. Often the hat was made to match his clothes. He had become rigorous in his taste in neckties and only grays and blacks and browns adorned the almost monkish severity of his garb. Harsh, vertical lines had begun to appear at the sides of the sensuous mouth, and horizontal lines—perhaps of hurt pride and shame—were pressed into his wide, handsome forehead and the zigzag scar was set white in a reddening field.

All these things a photograph would show. But there was that about his carriage, about his mien, about the personality that emerged from all these things which the photograph would not show. For to the eyes of those who had known him in the flush of his youth, something—perhaps it was time, perhaps the burden of the years—seemed to be sapping him, seemed to be drying him out, fruitless, pod-laden, dry and listless, with a bleached soul, naked to the winds that blow across the world. The myriad criss-crosses of minute red veins that marked his cheek often were wet with water from the eyes that used to glow out of a very volcano of a personality behind them. But after many hours of charging up and down the earth in his great noisy motor, red rims began to form about the watery eyes and they peered furtively and savagely at the world, like wolves from a falling temple.

As he stood by the fire in Mr. Brotherton's sanctuary, holding his Harper's Weekly in his hand, and glancing idly over the new books carelessly arranged on the level of the eye upon the wide oak mantel, the Judge came to be conscious of the presence of Amos Adams on a settee near by.

"How do you do, sir?" The habit of speaking to every one persisted, but the suave manner was affected, and the voice was mechanical. The old man looked up from his book—one of Professor Hyslop's volumes, and answered, "Why, hello, Tom—how are you?" and ducked back to his browsing.

"That son of yours doesn't seem to have set the Wahoo afire with his unions in the last two or three years, does he?" said Van Dorn. He could not resist taking this poke at the old man, who replied without looking up:

"Probably not."

Then fearing that he might have been curt the old man lifted his eyes from his book and looking kindly over his glasses continued: "The Wahoo isn't ablaze, Tom, but you know as well as I that the wage scale has been raised twice in the mines, and once in the glass factory and once in the smelter in the past three years without strikes—and that's what Grant is trying to do. More than that, every concern in the Valley now recognizes the union in conferring with the men about work conditions. That's something—that's worth all his time for three years or so, if he had done nothing else."

"Well, what else has he done?" asked Van Dorn quickly.

"Well, Tom, for one thing the men are getting class conscious, and in a strike that will be a strong cement to make them stick."

Van Dorn's neck reddened, as he replied: "Yes—the damn anarchists—class consciousness is what undermines patriotism."

"And patriotism," replied the old man, thumbing the lapel of his coat that held his loyal legion button, "patriotism is the last resort—of plutocrats!"

He laughed good-naturedly and silently. Then he rose and said as he started to go:

"Well, Tom,—we won't quarrel over a little thing like our beloved country. Why, Lila—" the old man looked up and saw the girl, "bless my eyes, child, how you do grow, and how pretty you look in your new ginghams—just like your mother, twenty years ago!" Amos Adams was talking to a shy young girl—blue-eyed and brown-haired, who was walking out of the store after buying a bottle of ink of Miss Calvin. Lila spoke to the old man and would have gone with him, but for the booming voice of Mr. Brotherton, the gray-clad benedict, who looked not unlike the huge, pot-bellied gray jars which adorned "the sweet serenity of books and wall paper."

Mr. Brotherton had glanced up from his ledger at Amos Adams's mention of Lila's name. Coming forward, he saw her in her new dress, a bright gingham dress that reached so nearly to her shoe tops that Mr. Brotherton cried: "Well, look who's here—if it isn't Miss Van Dorn! And a great pleasure it is to see and know you, Miss Van Dorn."

He repeated the name two or three times gently, while Lila smiled in shy appreciation of Mr. Brotherton's ambushed joke. Her father, standing by a squash-necked lavender jug in the "serenity," did not entirely grasp Mr. Brotherton's point. But while the father was groping for it, Mr. Brotherton went on:

"Miss Van Dorn, once I had a dear friend—such a dear little friend named Lila. Perhaps you may see her sometimes? Maybe sometimes at night she comes to see you—maybe she peeps in when you are alone and asks to play. Well, say—Lila," called Mr. Brotherton as gently as a fog horn tooting a nocturne, "if she ever comes, if you ever see her, will you give her my love? It would be highly improper for a married gentleman with asthmatic tendencies and too much waistband to send his love or anything like it to Miss Van Dorn; it would surely cause comment. But if Lila ever comes, Miss Van Dorn," frolicked the elephant, "give her my love and tell her that often here in the serenity, I shut my eyes and see her playing out on Elm Street, a teenty, weenty girl—with blue hair and curly eyes—or maybe it was the other way around," Mr. Brotherton heaved a prodigious sigh and waved a weary, fat hand—"and here, my lords and gentlemen, is Miss Van Dorn with her dresses down to her shoe tops!"

The girl was smiling and blushing, sheepishly and happily, while Mr. Brotherton was mentally calculating that he would be in his middle fifties before a possible little girl of his might be putting on her first long dresses. It saddened him a little, and he turned, rather subdued, and called into the alcove to the Judge and said:

"Tom, this is our friend, Miss Van Dorn—I was just sending a message by her to a dear—a very dear friend I used to have, named Lila, who is gone. Miss Van Dorn knows Lila, and sees her sometimes. So now that you are here, I'm going to send this to Lila," he raised the girl's hand to his lips and awkwardly kissed it, as he said clumsily, "well, say, my dear—will you see that Lila gets that?"

Her father stepped toward the embarrassed girl and spoke:

"Lila—Lila—can't you come here a moment, dear?"

He was standing by the smoldering fire, brushing a rolled newspaper against his leg. Something within him—perhaps Mr. Brotherton's awkward kiss stirred it—was trying to soften the proud, hard face that was losing the mobility which once had been its charm. He held out a hand, and leaned toward the girl. She stepped toward him and asked, "What is it?"

An awkward pause followed, which the man broke with, "Well—nothing in particular, child; only I thought maybe you'd like—well, tell me how are you getting along in High School, little girl."

"Oh, very well; I believe," she answered, but did not lift her eyes to his. Mr. Brotherton moved back to his desk. Again there was silence. The girl did not move away, though the father feared through every painful second that she would. Finally he said: "I hear your mother is getting on famously down in South Harvey. Our people down there say she is doing wonders with her cooking club for girls."

Lila smiled and answered: "She'll be glad to know it, I'm sure." Again she paused, and waited.

"Lila," he cried, "won't you let me help you—do something for you?—I wish so much—so much to fill a father's place with you, my dear—so much."

He stepped toward her, felt for her hand, but could not find it. She looked up at him, and in her eyes there rose the old cloud of sadness that came only once in a long time. It was a puzzled face that he saw looking steadily into his.

"I don't know what you could do," she answered simply.

Something about the pathetic loneliness of his unfathered child, evidenced by the sadness that flitted across her face, touched a remote, unsullied part of his nature, and moved him to say:

"Oh, Lila—Lila—Lila—I need you—I need you—God knows, dear, how I do need you. Won't you come to me sometimes? Won't your mother ever relent—won't she? If she knew, she would be kind. Oh, Lila, Lila," he called as the two stood together there in the twilight with the glow of the coals in the fireplace upon them, "Lila, won't you let me take you home even—in my car? Surely your mother wouldn't care for that, would she?"

The girl looked into the fire and answered, "No," and shook her head. "No—mother would be pleased, I think. She has always told me to be kind to you—to be respectful to you, sir. I've tried to be, sir?"

Her voice rose in a question. He answered by taking her arm and pleading, "Oh, come—won't you let me take you home in my car, Lila—it's getting late—won't you, Lila?"

But the girl turned away; he let her arm drop. She answered, shaking her head:

"I think, sir, if you don't mind—I'd rather walk."

In another second she was gone. Her father leaned against the mantel and the dying coals warmed tears in his hungry, furtive eyes, and his face twitched for a moment before he turned, and walked with some show of pride to his grand car. Half an hour later he was driving homeward, looking neither to the right nor to the left, when his ear caught the word, "Lila," in a girlish treble near him. He looked up to see a young miss—a Calvin young miss, in fact—running and waving her hands toward a group of boys and girls in their middle teens and late teens, trooping up the hill along the sidewalk. They were neighborhood children, and Lila seemed to be the center of the circle. He slowed down his car to watch them. Near Lila was Kenyon Adams, a tall, beautiful youth, fiddle box in hand, but still a boy even though he was twenty. Other boys played about the group and through it, but none was so striking as Kenyon, tall, lithe, with a beautifully poised head of crinkly chestnut hair, who strode gayly among the youths and maidens and yet was not quite of them. Even the Judge could see that Kenyon did not exactly belong—that he was rare and exotic. But as her father's car crept unnoticed past the group, he could see that Lila belonged. She was in no way exotic among the Calvins and Kollanders and the Wrights, and the children of the neighbors in Elm Street. Lila's clear, merry laugh—a laugh that rang like an old bell through Tom Van Dorn's heart—rose above the adolescent din of the group and to the father seemed to be the dominant note in the hilarious cadenza of young life. It struck him that they were like fireflies, glowing and darting and disappearing and weaving about.

And fireflies indeed they were. For in them the fires of life were just beginning to sparkle. Slowly the great bat of a car moved up past them, then darted around the block like the blind creature that it was, and whirling its awkward circle came swooping up again to the glowing, animated stars that held him in a deadly fascination. For those twinkling, human stars playing like fireflies in exquisite joy at the first faint kindling in their hearts of the fires that flame forever in the torch of life, might well have held in their spell a stronger man than Thomas Van Dorn. For the first evanescent fires of youth are the most sacred fires in the world. And well might the great, black bat of a car circle again and again and even again around and come always back to the beautiful light.

But Thomas Van Dorn came back not happily but in sad unrest. It was as though the black bat carried captive on its back a weary pilgrim from the Primrose Hunt, jaded and spent and dour, who saw in the sacred fires what he had cast away, what he had deemed worthless and of a sudden had seen in its true beauty and in its real value. Once again as the fireflies played their ceaseless game with the ever flickering glow of youth shining through eyes and cheeks from their hearts, the great bat carrying its captive swooped around them—and then out into the darkness of his own charred world.

But the fireflies in the gay spring twilight kept darting and criss-crossing and frolicking up the walk. One by one, each swiftly or lazily disappeared from the maze, and at last only two, Kenyon and Lila, went weaving up the lawn toward the steps of the Nesbit house.

It had been one of those warm days when spring is just coming into the world. All day the boy had been roaming the wide prairies. The voices of the wind in the brown grass and in the bare trees by the creek had found their way into his soul. A curious soul it was—the soul of a poet, the soul of one who felt infinitely more than he knew—the soul of a man in the body of a callow youth.