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Imaginary Interviews
by W. D. Howells
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We said we had heard so; at the same time we tried to look as if we always dined somewhere in society, but Heaven knows whether we succeeded.

"The combination breakfast is a form of table d'hote; and at a very attractive restaurant in a good place I have seen such a breakfast—fruit, cereal, eggs, rolls, and coffee—offered for fifteen cents. I have never tried it, not because I had not the courage, but because I thought thirty cents cheap enough; those who do not I should still hold worthy of esteem if they ate the fifteen-cent breakfast. I have also seen placarded a 'business men's lunch' for fifteen cents, which also I have not tried; I am not a business man. I make bold to say, however, that I often go for my lunch or my dinner to a certain Italian place on a good avenue, which I will not locate more definitely lest you should think me a partner of the enterprise, for fifty and sixty cents, 'vino compreso.' The material is excellent, and the treatment is artistic; the company of a simple and self-respectful domesticity which I think it an honor to be part of: fathers and mothers of families, aunts, cousins, uncles, grandparents. I do not deny a Merry Widow hat here and there, but the face under it, though often fair and young, is not a Merry Widow face. Those people all look as kind and harmless as the circle which I used to frequent farther down-town at a fifty-cent French table d'hote, but with a bouillabaisse added which I should not, but for my actual experiences, have expected to buy for any money. But there are plenty of Italian and French tables d'hote for the same price all over town. If you venture outside of the Latin race, you pay dearer and you fare worse, unless you go to those shining halls which I have been praising. If you go to a German place, you get grosser dishes and uncouth manners for more money; I do not know why that amiable race should be so dear and rude in its feeding-places, but that is my experience."

"You wander, you wander!" we exclaimed. "Why should we care for your impressions of German cooking and waiting, unless they go to prove or disprove that living in New York is cheaper than in the European capitals?"

"Perhaps I was going to say that even those Germans are not so dear as they are in the fatherland, though rude. They do not tend much if at all to tables d'hote, but the Italians and the French who do, serve you a better meal for a lower price than you would get in Paris, or Rome, or Naples. There the prevalent ideal is five francs, with neither wine nor coffee included. I'll allow that the cheap table d'hote is mainly the affair of single men and women, and does not merit the consideration I've given it. If it helps a young couple to do with one maid, or with none, instead of two, it makes for cheapness of living. Service is costly and it is greedy, and except in large households its diet is the same as the family's, so that anything which reduces it is a great saving. But the table d'hote which is cheap for one or two is not cheap for more, and it is not available if there are children. Housing and raw-provisioning and serving are the main questions, and in Europe the first and last are apparently much less expensive. Marketing is undoubtedly cheaper with us, and if you count in what you get with the newness, the wholesomeness, and handiness of an American flat, the rent is not so much greater than that of a European flat, with its elementary bareness. You could not, here, unless you descended from the apartment to the tenement, hire any quarter where you would not be supplied with hot and cold water, with steam heating, with a bath-room, and all the rest of it."

"But," we said, "you are showing that we are more comfortably housed than the Europeans, when you should be treating the fact of relative cheapness."

"I was coming to that even in the matter of housing—"

"It is too late to come to it in this paper. You have now talked three thousand words, and that is the limit. You must be silent for at least another month."

"But if I have something important to say at this juncture? If I may not care to recur to the subject a month hence? If I may have returned to Europe by that time?"

"Then you can the better verify your statistics. But the rule in this place is inflexible. Three thousand words, neither more nor less. The wisdom of Solomon would be blue-pencilled if it ran to more."



XI

WAYS AND MEANS OF LIVING IN NEW YORK

The Howadji, or the Hajii, us people called his sort in the days of Home as Found, was prompt to the hour when his month's absence was up, and he began without a moment's delay: "But of course the lion in the way of my thesis that New York is comparatively cheap is the rent, the rent of flats or houses in the parts of the town where people of gentle tastes and feelings are willing to live. Provisions are cheap; furnishings of all kinds are cheap; service, especially when you mainly or wholly dispense with it, is cheap, for one maid here will do the work of two abroad, and if the mistress of the house does her own work she can make the modern appliances her handmaids at no cost whatever. It is ridiculous, in fact, leaving all those beautiful and ingenious helps in housework to the hirelings who work only twice as hard with them for more wages than the hirelings of countries where they don't exist."

"Don't be so breathless," we interposed. "You will only be allowed to talk three thousand words, whether you talk fast or slow, and you might as well take your ease."

"That is true," the Howadji reflected. "But I am full of my subject, and I have the feeling that I am getting more out, even if I can't get more in, by talking fast. The rent question itself," he hurried on, "has been satisfactorily solved of late in the new invention of co-operative housing which you may have heard of."

We owned that we had, with the light indifference of one whom matters of more money or less did not concern, and our friend went on.

"The plan was invented, you know, by a group of artists who imagined putting up a large composite dwelling in a street where the cost of land was not absolutely throat-cutting, and finishing it with tasteful plainness in painted pine and the like, but equipping it with every modern convenience in the interest of easier housekeeping. The characteristic and imperative fact of each apartment was a vast and lofty studio whose height was elsewhere divided into two floors, and so gave abundant living-rooms in little space. The proprietorial group may have been ten, say, but the number of apartments was twice as many, and the basic hope was to let the ten other apartments for rents which would carry the expense of the whole, and house the owners at little or no cost. The curious fact is that this apparently too simple-hearted plan worked. The Philistines, as the outsiders may be called, liked being near the self-chosen people; they liked the large life-giving studio which imparted light and air to the two floors of its rearward division, and they eagerly paid the sustaining rents. The fortunate experience of one aesthetic group moved others to like enterprises; and now there are eight or ten of these co-operative studio apartment-houses in different parts of the town."

"With the same fortunate experience for the owners?" we queried, with suppressed sarcasm.

"Not exactly," our friend assented to our intention. "The successive groups have constantly sought more central, more desirable, more fashionable situations. They have built not better than they knew, for that could not be, but costlier, and they have finished in hard woods, with marble halls and marbleized hall-boys, and the first expense has been much greater; but actual disaster has not yet followed; perhaps it is too soon; we must not be impatient; but what has already happened is what happens with other beautiful things that the aesthetic invent. It has happened notoriously with all the most lovable and livable summer places which the artists and authors find out and settle themselves cheaply and tastefully in. The Philistines, a people wholly without invention, a cuckoo tribe incapable of self-nesting, stumble upon those joyous homes by chance, or by mistaken invitation. They submit meekly enough at first to be sub-neighbors ruled in all things by the genius of the place; but once in, they begin to lay their golden eggs in some humble cottage, and then they hatch out broods of palatial villas equipped with men and maid servants, horses, carriages, motors, yachts; and if the original settlers remain it is in a helpless inferiority, a broken spirit, and an overridden ideal. This tragical history is the same at Magnolia, and at York Harbor, and at Dublin, and at Bar Harbor; even at Newport itself; the co-operative housing of New York is making a like history. It is true that the Philistines do not come in and dispossess the autochthonic groups; these will not sell to them; but they have imagined doing on a sophisticated and expensive scale what the aesthetics have done simply and cheaply. They are buying the pleasanter sites, and are building co-operatively; though they have already eliminated the studio and the central principle, and they build for the sole occupancy of the owners. But the cost of their housing then is such that it puts them out of the range of our inquiry as their riches has already put them beyond the range of our sympathy. It still remains for any impecunious group to buy the cheaper lots, and build simpler houses on the old studio principle, with rents enough to pay the cost of operation, and leave the owners merely the interest and taxes, with the eventual payment of these also by the tenants. Some of the studio apartments are equipped with restaurants, and the dwellers need only do such light housekeeping as ladies may attempt without disgrace, or too much fatigue."

"Or distraction from their duties to society," we suggested.

"It depends upon what you mean by society; it's a very general and inexact term. If you mean formal dinners, dances, parties, receptions, and all that, the lightest housekeeping would distract from the duties to it; but if you mean congenial friends willing to come in for tea in the afternoon, or to a simple lunch, or not impossibly a dinner, light housekeeping is not incompatible with a conscientious recognition of society's claims. I think of two ladies, sisters, one younger and one older than the other, who keep house not lightly, but in its full weight of all the meals, for their father and brother, and yet are most gracefully and most acceptably in the sort of society which Jane Austen says is, if not good, the best: the society of gifted, cultivated, travelled, experienced, high-principled people, capable of respecting themselves and respecting their qualities wherever they find them in others. These ladies do not pretend to 'entertain,' but their table is such that they are never afraid to ask a friend to it. In a moment, if there is not enough or not good enough, one of them conjures something attractive out of the kitchen, and you sit down to a banquet. The sisters are both of that gentle class of semi-invalids whose presence in our civilization enables us to support the rudeness of the general health. They employ aesthetically the beautiful alleviations with which science has rescued domestic drudgery from so much of the primal curse; it is a pleasure to see them work; it is made so graceful, so charming, that you can hardly forbear taking hold yourself."

"But you do forbear," we interposed; "and do you imagine that their example is going to prevail with the great average of impecunious American housewives, or sisters, or daughters?"

"No, they will continue to 'keep a girl' whom they will enslave to the performance of duties which they would be so much better for doing themselves, both in body and mind, for that doing would develop in them the hospitable soul of those two dear ladies. They will be in terror of the casual guest, knowing well that they cannot set before him things fit to eat. They have no genius for housekeeping, which is one with home-making: they do not love it, and those ladies do love it in every detail, so that their simple flat shines throughout with a lustre which pervades the kitchen and the parlor and the chamber alike. It is the one-girl household, or the two-girl, which makes living costly because it makes living wasteful; it is not the luxurious establishments of the rich which are to blame for our banishment to the mythical cheapness of Europe."

We were not convinced by the eloquence which had overheated our friend, and we objected: "But those ladies you speak of give their whole lives to housekeeping, and ought cheapness to be achieved at such an expense?"

"In the first place, they don't; and, if they do, what do the one-girl or the two-girl housekeepers give their lives to? or, for the matter of that, the ten or twenty girl housekeepers? The ladies of whom I speak have always read the latest book worth reading; they have seen the picture which people worth while are talking of; they know through that best society which likes a cup of their tea all the aesthetic gossip of the day; they are part of the intellectual movement, that part which neither the arts nor the letters can afford to ignore; they help to make up the polite public whose opinions are the court of final appeal."

"They strike us," we said, stubbornly, "as rather romantic."

"Ah, there you are! Well, they are romantic—romantic like a gentle poem, like an idyllic tale; but I deny that they are romanticistic. Their whole lives deal with realities, the every-other-day as well as the every-day realities. But the lives of those others who make all life costly by refusing their share of its work dwell in a web of threadbare fictions which never had any color of truth in this country. They are trying to imitate poor imitations, to copy those vulgar copies of the European ideal which form the society-page's contribution to the history of our contemporary civilization."

We were so far moved as to say, "We think we see what you mean," and our friend went on.

"Speaking of civilization, do you know what a genial change the tea-room is working in our morals and manners? There are many interesting phases of its progress among us, and not the least interesting of these is its being so largely the enterprise of ladies who must not only save money, but must earn money, in order to live, not cheaply, but at all. Their fearlessness in going to work has often the charm of a patrician past, for many of them are Southern women who have come to New York to repair their broken fortunes. The tea-room has offered itself as a graceful means to this end, and they have accepted its conditions, which are mainly the more delicate kinds of cookery, with those personal and racial touches in which Southern women are so expert. But there are tea-rooms managed by Western women, if I may judge from the accents involuntarily overheard in their talk at the telephone. The tea of the tea-room means lunch, too, and in some places breakfast and dinner, or rather supper, on much the plan of the several Women's Exchanges; but these are mostly of New England inspiration and operation, and their cooking has a Northern quality. They, as well as the tea-rooms, leave something to be desired in cheapness, though they might be dearer; in some you get tea for fifteen cents, in others a no better brew for twenty-five. But they are all charmingly peaceful, and when at the noon hour they overflow with conversation, still there is a prevailing sense of quiet, finely qualified by the feminine invention and influence. Mere men are allowed to frequent these places, not only under the protection of women, but also quite unchaperoned, and when one sees them gently sipping their Souchong or Oolong, and respectfully munching their toasted muffins or their chicken-pie, one remembers with tender gratitude how recently they would have stood crooking their elbows at deleterious bars, and visiting the bowls of cheese and shredded fish and crackers to which their drink freed them, while it enslaved them to the witchery of those lurid ladies contributed by art to the evil attractions of such places: you see nowhere else ladies depicted with so little on, except in the Paris salon. The New York tea-rooms are not yet nearly so frequent as in London, but I think they are on the average cosier, and on the whole I cannot say that they are dearer. They really cheapen the midday meal to many who would otherwise make it at hotels and restaurants, and, so far as they contribute to the spread of the afternoon-tea habit, they actually lessen the cost of living: many guests can now be fobbed off with tea who must once have been asked to lunch."

"But," we suggested, "isn't that cheapness at the cost of shabbiness, which no one can really afford?"

"No, I don't think so. Whatever lightens hospitality of its cumbrousness makes for civilization, which is really more compatible with a refined frugality than with an unbridled luxury. If every a-la-carte restaurant, in the hotels and out of them, could be replaced by tea-rooms, and for the elaborate lunches and dinners of private life the informality and simplicity of the afternoon tea were substituted, we should all be healthier, wealthier, and wiser; and I should not be obliged to protract this contention for the superior cheapness of New York."

"But, wait!" we said. "There is something just occurs to us. If you proved New York the cheapest great city in the world, wouldn't it tend to increase our population even beyond the present figure, which you once found so deplorable?"

"No, I imagine not. Or, rather, it would add to our population only those who desire to save instead of those who desire to waste. We should increase through the new-comers in virtuous economy, and not as now in spendthrift vainglory. In the end the effect would be the same for civilization as if we shrank to the size of Boston."

"You will have to explain a little, Howadji," we said, "if you expect us to understand your very interesting position."

"Why, you know," he answered, with easy superiority, "that now our great influx is of opulent strangers who have made a good deal of money, and of destitute strangers willing to help them live on it. The last we needn't take account of; they are common to all cities in all ages; but the first are as new as any phenomenon can be in a world of such tiresome tautologies as ours. They come up from our industrial provinces, eager to squander their wealth in the commercial metropolis; they throw down their purses as the heroes of old threw down their gantlets for a gage of battle, and they challenge the local champions of extortion to take them up. It is said that they do not want a seasonable or a beautiful thing; they want a costly thing. If, for instance, they are offered a house or an apartment at a rental of ten or fifteen thousand, they will not have it; they require a rental of fifteen or twenty thousand, so that it may be known, 'back home,' that they are spending that much for rent in New York, and the provincial imagination taxed to proportion the cost of their living otherwise to such a sum. You may say that it is rather splendid, but you cannot deny that it is also stupid."

"Stupid, no; but barbaric, yes," we formulated the case. "It is splendid, as barbaric pearls and gold are splendid."

"But you must allow that nothing could be more mischievous. When next we go with our modest incomes against these landlords, they suppose that we too want rentals of fifteen thousand, whereas we would easily be satisfied with one of fifteen hundred or a thousand. The poor fellows' fancy is crazed by those prodigals, and we must all suffer for their madness. The extravagance of the new-comers does not affect the price of provisions so much, or of clothes; the whole population demands food and raiment within the general means, however much it must exceed its means in the cost of shelter. The spendthrifts cannot set the pace for such expenditures, no matter how much they lavish on their backs and—"

"Forbear!" we cried. "Turning from the danger we have saved you from, you will say, we suppose, that New York would be the cheapest of the great cities if it were not for the cost of shelter."

"Something like that," he assented.

"But as we understand, that difficulty is to be solved by co-operative, or composite, housing?"

"Something like that," he said again, but there was a note of misgiving in his voice.

"What is the 'out'?" we asked.

"There is no 'out,'" he said, with a deep, evasive sigh.



XII

THE QUALITY OF BOSTON AND THE QUANTITY OF NEW YORK

Later in the summer, or earlier in the fall, than when we saw him newly returned from Europe, that friend whom the veteran reader will recall as having so brashly offered his impressions of the national complexion and temperament looked in again on the Easy Chair.

"Well," we said, "do you wish to qualify, to hedge, to retract? People usually do after they have been at home as long as you."

"But I do not," he said. He took his former seat, but now laid on the heap of rejected MSS., not the silken cylinder he had so daintily poised there before, but a gray fedora that fell carelessly over in lazy curves and hollows. "I wish to modify by adding the effect of further observation and adjusting it to my first conclusions. Since I saw you I have been back to Boston; in fact, I have just come from there."

We murmured some banality about not knowing a place where one could better come from than Boston. But he brushed it by without notice.

"To begin with, I wish to add that I was quite wrong in finding the typical Boston face now prevalently Celtic."

"You call that adding?" we satirized.

He ignored the poor sneer.

"My earlier observation was correct enough, but it was a result of that custom which peoples the hills, the shores, and the sister continent in summer with the New-Englanders of the past, and leaves their capital to those New-Englanders of the future dominantly represented by the Irish. At the time of my second visit the exiles had returned, and there were the faces again that, instead of simply forbidding me, arraigned me and held me guilty till I had proved myself innocent."

"Do you think," we suggested, "that you would find this sort of indictment in them if you had a better conscience?"

"Perhaps not. And I must own I did not find them so accusing when I could study them in their contemplation of some more important subject than myself. One such occasion for philosophizing them distinctly offered itself to my chance witness when an event of the last seriousness had called some hundreds of them together. One sees strong faces elsewhere; I have seen them assembled especially in England; but I have never seen such faces as those Boston faces, so intense, so full of a manly dignity, a subdued yet potent personality, a consciousness as far as could be from self-consciousness. I found something finely visionary in it all, as if I were looking on a piece of multiple portraiture such as you see in those Dutch paintings of companies at Amsterdam, for instance. It expressed purity of race, continuity of tradition, fidelity to ideals such as no other group of faces would now express. You might have had the like at Rome, at Athens, at Florence, at Amsterdam, in their prime, possibly in the England of the resurgent parliament, though there it would have been mixed with a fanaticism absent in Boston. You felt that these men no doubt had their limitations, but their limitations were lateral, not vertical."

"Then why," we asked, not very relevantly, "don't you go and live in Boston?"

"It wouldn't make me such a Bostonian if I did; I should want a half-dozen generations behind me for that. Besides, I feel my shortcomings less in New York."

"You are difficult. Why not fling yourself into the tide of joy here, instead of shivering on the brink in the blast of that east wind which you do not even find regenerative? Why not forget our inferiority, since you cannot forgive it? Or do you think that by being continually reminded of it we can become as those Bostonians are? Can we reduce ourselves, by repenting, from four millions to less than one, and by narrowing our phylacteries achieve the unlimited Bostonian verticality, and go as deep and as high?"

"No," our friend said. "Good as they are, we can only be better by being different. We have our own message to the future, which we must deliver as soon as we understand it."

"Is it in Esperanto?"

"It is at least polyglot. But you are taking me too seriously. I wished merely to qualify my midsummer impressions of a prevailing Celtic Boston by my autumnal impressions of a persisting Puritanic Boston. But it is wonderful how that strongly persistent past still characterizes the present in every development. Even those Irish faces which I wouldn't have ventured a joke with were no doubt sobered by it; and when the Italians shall come forward to replace them it will be with no laughing Pulcinello masks, but visages as severe as those that first challenged the wilderness of Massachusetts Bay, and made the Three Hills tremble to their foundations."

"It seems to us that you are yielding to rhetoric a little, aren't you?" we suggested.

"Perhaps I am. But you see what I mean. And I should like to explain further that I believe the Celtic present and the Pelasgic future will rule Boston in their turn as the Puritanic past learned so admirably to rule it: by the mild might of irony, by the beneficent power which, in the man who sees the joke of himself enables him to enter brotherly into the great human joke, and be friends with every good and kind thing."

"Could you be a little more explicit?"

"I would rather not for the moment. But I should like to make you observe that the Boston to be has more to hope and less to fear from the newer Americans than this metropolis where these are so much more heterogeneous. Here salvation must be of the Jews among the swarming natives of the East Side; but in Boston there is no reason why the artistic instincts of the Celtic and Pelasgic successors of the Puritans should not unite in that effect of beauty which is an effect of truth, and keep Boston the first of our cities in good looks as well as good works. With us here in New York a civic job has the chance of turning out a city joy, but it is a fighting chance. In Boston there is little doubt of such a job turning out a joy. The municipality of Boston has had almost the felicity of Goldsmith—it has touched nothing which it has not adorned. Wherever its hand has been laid upon Nature, Nature has purred in responsive beauty. They used to talk about the made land in Boston, but half Boston is the work of man, and it shows what the universe might have been if the Bostonians had been taken into the confidence of the Creator at the beginning. The Back Bay was only the suggestion of what has since been done; and I never go to Boston without some new cause for wonder. There is no other such charming union of pleasaunce and residence as the Fenways; the system of parks is a garden of delight; and now the State has taken up the work, no doubt at the city's suggestion, and, turning from the land to the water, has laid a restraining touch on the tides of the sea, which, ever since the moon entered on their management, have flowed and ebbed through the channel of the Charles. The State has dammed the river; the brine of the ocean no longer enters it, but it feeds itself full of sweet water from the springs in the deep bosom of the country. The Beacon Street houses back upon a steadfast expanse as fresh as the constant floods of the Great Lakes."



"And we dare say that it looks as large as Lake Superior to Boston eyes. What do they call their dam? The Charlesea?"

"You may be sure they will call it something tasteful and fit," our friend responded, in rejection of our feeble mockery. "Charlesea would not be bad. But what I wish to make you observe is that all which has yet been done for beauty in Boston has been done from the unexhausted instinct of it in the cold heart of Puritanism, where it 'burns frore and does the effect of fire.' As yet the Celtic and Pelasgic agencies have had no part in advancing the city. The first have been content with voting themselves into office, and the last with owning their masters out-of-doors; for the Irish are the lords, and the Italians are the landlords. But when these two gifted races, with their divinely implanted sense of art, shall join forces with the deeply conscienced taste of the Puritans, what mayn't we expect Boston to be?"

"And what mayn't we expect New York to be on the same terms, or, say, when the Celtic and Pelasgic and Hebraic and Slavic elements join with the old Batavians, in whom the love of the artistic is by right also native? Come! Why shouldn't we have a larger Boston here?"

"Because we are too large," our friend retorted, undauntedly. "When graft subtly crept among the nobler motives which created the park system of Boston the city could turn for help to the State and get it; but could our city get help from our State? Our city is too big to profit by that help; our State too small to render it. The commonwealth of Massachusetts is creating a new Garden of Eden on the banks of the Charlesea; but what is the State of New York doing to emparadise the shores of the Hudson?"

"All the better for us, perhaps," we stubbornly, but not very sincerely, contended, "if we have to do our good works ourselves."

"Yes, if we do them. But shall they remain undone if we don't do them? The city of New York is so great that it swings the State of New York. The virtues that are in each do not complement one another, as the virtues of Boston and Massachusetts do. Where shall you find, in our house or in our grounds, the city and the State joining to an effect of beauty? When you come to New York, what you see of grandeur is the work of commercialism; what you see of grandeur in Boston is the work of civic patriotism. We hire the arts to build and decorate the homes of business; the Bostonians inspire them to devote beauty and dignity to the public pleasure and use. No," our friend concluded with irritating triumph, "we are too vast, too many, for the finest work of the civic spirit. Athens could be beautiful—Florence, Venice, Genoa were—but Rome, which hired or enslaved genius to create beautiful palaces, temples, columns, statues, could only be immense. She could only huddle the lines of Greek loveliness into a hideous agglomeration, and lose their effect as utterly as if one should multiply Greek noses and Greek chins, Greek lips and Greek eyes, Greek brows and Greek heads of violet hair, in one monstrous visage. No," he exulted, in this mortifying image of our future ugliness, "when a city passes a certain limit of space and population, she adorns herself in vain. London, the most lovable of the mighty mothers of men, has not the charm of Paris, which, if one cannot quite speak of her virgin allure, has yet a youth and grace which lend themselves to the fondness of the arts. Boston is fast becoming of the size of Paris, but if I have not misread her future she will be careful not to pass it, and become as New York is."

We were so alarmed by this reasoning that we asked in considerable dismay: "But what shall we do? We could not help growing; perhaps we wished to overgrow; but is there no such thing as ungrowing? When the fair, when the sex which we instinctively attribute to cities, finds itself too large in its actuality for a Directoire ideal, there are means, there are methods, of reduction. Is there no remedy, then, for municipal excess of size? Is there no harmless potion or powder by which a city may lose a thousand inhabitants a day, as the superabounding fair loses a pound of beauty? Is there nothing for New York analogous to rolling on the floor, to the straight-front corset, to the sugarless, starchless diet? Come, you must not deny us all hope! How did Boston manage to remain so small? What elixirs, what exercises, did she take or use? Surely she did not do it all by reading and thinking!" Our friend continued somewhat inexorably silent, and we pursued: "Do you think that by laying waste our Long Island suburbs, by burning the whole affiliated Jersey shore, by strangling the Bronx, as it were, in its cradle, and by confining ourselves rigidly to our native isle of Manhattan, we could do something to regain our lost opportunity? We should then have the outline of a fish; true, a nondescript fish; but the fish was one of the Greek ideals of the female form." He was silent still, and we gathered courage to press on. "As it is, we are not altogether hideous. We doubt whether there are not more beautiful buildings in New York now than there are in Boston; and as for statues, where are the like there of our Macmonnies Hale, of our Saint-Gaudens Farragut and Sherman, of our Ward Indian Hunter?"

"The Shaw monument blots them all out," our friend relentlessly answered. "But these are merely details. Our civic good things are accidental. Boston's are intentional. That is the great, the vital difference."

It did not occur to us that he was wrong, he had so crushed us under foot. But, with the trodden worm's endeavor to turn, we made a last appeal. "And with the sky-scraper itself we still expect to do something, something stupendously beautiful. Say that we have lost our sky-line! What shall we not have of grandeur, of titanic loveliness, when we have got a sky-scraper-line?"

It seemed to us that here was a point which he could not meet; and, in fact, he could only say, whether in irony or not, "I would rather not think."

We were silent, and, upon the reflection to which our silence invited us, we found that we would rather not ourselves think of the image we had invoked. We preferred to take up the question at another point.

"Well," we said, "in your impressions of Bostonian greatness we suppose that you received the effect of her continued supremacy in authors as well as authorship, in artists as well as art? You did not meet Emerson or Longfellow or Lowell or Prescott or Holmes or Hawthorne or Whittier about her streets, but surely you met their peers, alive and in the flesh?"

"No," our friend admitted, "not at every corner. But what I did meet was the effect of those high souls having abode there while on the earth. The great Boston authors are dead, and the great Boston artists are worse—they have come to New York; they have not even waited to die. But whether they have died, or whether they have come to New York, they have left their inspiration in Boston. In one sense the place that has known them shall know them no more forever; but in another sense it has never ceased to know them. I can't say how it is, exactly, but though you don't see them in Boston, you feel them. But here in New York—our dear, immense, slattern mother—who feels anything of the character of her great children? Who remembers in these streets Bryant or Poe or Hallock or Curtis or Stoddard or Stedman, or the other poets who once dwelt in them? Who remembers even such great editors as Greeley or James Gordon Bennett or Godkin or Dana? What malignant magic, what black art, is it that reduces us all to one level of forgottenness when we are gone, and even before we are gone? Have those high souls left their inspiration here, for common men to breathe the breath of finer and nobler life from? I won't abuse the millionaires who are now our only great figures; even the millionaires are gone when they go. They die, and they leave no sign, quite as if they were so many painters and poets. You can recall some of their names, but not easily. No, if New York has any hold upon the present from the past, it isn't in the mystical persistence of such spirits among us."

"Well," we retorted, hardily, "we have no need of them. It is the high souls of the future which influence us."

Our friend looked at us as if he thought there might be something in what we said. "Will you explain?" he asked.

"Some other time," we consented.



XIII

THE WHIRL OF LIFE IN OUR FIRST CIRCLES

One of those recurrent selves who frequent the habitat of the Easy Chair, with every effect of exterior identities, looked in and said, before he sat down, and much before he was asked to sit down, "Are you one of those critics of smart or swell society (or whatever it's called now) who despise it because they can't get into it, or one of those censors who won't go into it because they despise it?"

"Your question," we replied, "seems to be rather offensive, but we don't know that it's voluntarily so, and it's certainly interesting. On your part, will you say what has prompted you, just at the moment, to accost us with this inquiry?" Before he could answer, we hastened to add: "By-the-way, what a fine, old-fashioned, gentlemanly word accost is! People used to accost one another a great deal in polite literature. 'Seeing her embarrassment from his abrupt and vigorous stare, he thus accosted her.' Or, 'Embarrassed by his fixed and penetrating regard, she timidly accosted him.' It seems to us that we remember a great many passages like these. Why has the word gone out? It was admirably fitted for such junctures, and it was so polished by use that it slipped from the pen without any effort of the brain, and—"

"I have no time for idle discussions of a mere literary nature," our other self returned. "I am very full of the subject which I have sprung upon you, and which I see you are trying to shirk."

"Not at all," we smilingly retorted. "We will answer you according to your folly without the least reluctance. We are not in smart or swell society because we cannot get in; but at the same time we would not get in if we could, because we despise it too much. We wonder," we continued, speculatively, "why we always suspect the society satirist of suffering from a social snub? It doesn't in the least follow. Was Pope, when he invited his S'in' John to

'leave all meaner things To low ambition and the pride of kings'

goaded to magnanimity by a slight from royalty? Was Mr. Benson when he came over here from London excluded from the shining first circles of New York and Newport, which are apparently reflected with such brilliant fidelity in The Relentless City, and was he wreaking an unworthy resentment in portraying our richly moneyed, blue-blooded society to the life? How are manners ever to be corrected with a smile if the smile is always suspected of being an agonized grin, the contortion of the features by the throes of a mortified spirit? Was George William Curtis in his amusing but unsparing Potiphar Papers—"

"Ah, now you are shouting!" our other self exclaimed.

"Your slang is rather antiquated," we returned, with grave severity. "But just what do you mean by it in this instance?"

"I mean that manners are never corrected with a smile, whether of compassion or of derision. The manners that are bad, that are silly, that are vulgar, that are vicious, go on unchastened from generation to generation. Even the good manners don't seem to decay: simplicity, sincerity, kindness, don't really go out, any more than the other things, and fortunately the other things are confined only to a small group in every civilization, to the black sheep of the great, whity-brown or golden-fleeced human family."

"What has all this vague optimism to do with the Potiphar Papers and smart society and George William Curtis?" we brought the intruder sharply to book.

"A great deal, especially the part relating to the continuity of bad manners. I've just been reading an extremely clever little book by a new writer, called New York Society on Parade, which so far as its basal facts are concerned might have been written by the writer of 'Our Best Society' and the other Potiphar Papers. The temperament varies from book to book; Mr. Ralph Pulitzer has a neater and lighter touch than George William Curtis; his book is more compact, more directly and distinctly a study, and it is less alloyed with the hopes of society reform which could be more reasonably indulged fifty-six years ago. Do you remember when 'Our Best Society' came out in the eldest Putnam's Magazine, that phoenix of monthlies which has since twice risen from its ashes? Don't pretend that our common memory doesn't run back to the year 1853! We have so many things in common that I can't let you disgrace the firm by any such vain assumption of extreme youth!"

"Why should we assume it? The Easy Chair had then been three years firmly on its legs, or its rockers, and the succession of great spirits, now disembodied, whom its ease invited, were all more or less in mature flesh. We remember that paper on 'Our Best Society' vividly, and we recall the shock that its facts concerning the Upper Ten Thousand of New York imparted to the innocent, or at least the virtuous, Lower Twenty Millions inhabiting the rest of the United States. Do you mean to say that the Four Hundred of this day are no better than the Ten Thousand of that? Has nothing been gained for quality by that prodigious reduction in quantity?"

"On the contrary, the folly, the vanity, the meanness, the heartlessness, the vulgarity, have only been condensed and concentrated, if we are to believe Mr. Pulitzer; and I don't see why we should doubt him. Did you say you hadn't seen his very shapely little study? It takes, with all the unpitying sincerity of a kodak, the likeness of our best society in its three most characteristic aspects; full-face at dinner, three-quarters-face at the opera, and profile at a ball, where proud beauty hides its face on the shoulder of haughty commercial or financial youth, and moneyed age dips its nose in whatever symbolizes the Gascon wine in the paternal library. Mr. Pulitzer makes no attempt at dramatizing his persons. There is no ambitious Mrs. Potiphar with a longing for fashionable New York worlds to conquer, yet with a secret heartache for the love of her country girlhood; no good, kind, sordid Potiphar bewildered and bedevilled by the surroundings she creates for him; no soft Rev. Cream Cheese, tenderly respectful of Mammon while ritually serving God; no factitious Ottoman of a Kurz Pasha, laughingly yet sadly observant of us playing at the forms of European society. Those devices of the satirist belonged to the sentimentalist mood of the Thackerayan epoch. But it is astonishing how exactly history repeats itself in the facts of the ball in 1910 from the ball of 1852. The motives, the personnel, almost the materiel, the incidents, are the same. I should think it would amuse Mr. Pulitzer, imitating nature from his actual observation, to find how essentially his study is the same with that of Curtis imitating nature fifty-seven years ago. There is more of nature in bulk, not in variety, to be imitated now, but as Mr. Pulitzer studies it in the glass of fashion, her mean, foolish, selfish face is the same. He would find in the sketches of the Mid-Victorian satirist all sorts of tender relentings and generous hopes concerning the 'gay' New York of that time which the Early Edwardian satirist cannot indulge concerning the gay New York of this time. It seems as if we had really gone from bad to worse, not qualitatively—we couldn't—but quantitatively. There is more money, there are more men, more women, but otherwise our proud world is the proud world of 1853."

"You keep saying the same thing with 'damnable iterance,'" we remarked. "Don't you suppose that outside of New York there is now a vast society, as there was then, which enjoys itself sweetly, kindly, harmlessly? Is there no gentle Chicago or kind St. Louis, no pastoral Pittsburg, no sequestered Cincinnati, no bucolic Boston, no friendly Philadelphia, where 'the heart that is humble may look for' disinterested pleasure in the high-society functions of the day or night? Does New York set the pace for all these places, and are dinners given there as here, not for the delight of the guests, but as the dire duty of the hostesses? Do the inhabitants of those simple sojourns go to the opera to be seen and not to hear? Do they follow on to balls before the piece is done only to bear the fardels of ignominy heaped upon them by the german's leaders, or to see their elders and fatters getting all the beautiful and costly favors while their own young and gracile loveliness is passed slighted by because they give no balls where those cruel captains can hope to shine in the van? It seems to us that in our own far prime—now well-nigh lost in the mists of antiquity—life was ordered kindlier; that dinners and opera-parties and dances were given

'To bless and never to ban.'"

"Very likely, on the low society level on which our joint life moved," our other self replied, with his unsparing candor. "You know we were a country village, city-of-the-second-class personality. Even in the distant epoch painted in the Potiphar Papers the motives of New York society were the same as now. It was not the place where birth and rank and fame relaxed or sported, as in Europe, or where ardent innocence played and feasted as in the incorrupt towns of our interior. If Curtis once represented it rightly, it was the same ridiculous, hard-worked, greedy, costly, stupid thing which Mr. Pulitzer again represents it."

"And yet," we mused aloud, "this is the sort of thing which the 'unthinking multitude' who criticise, or at least review, books are always lamenting that our fiction doesn't deal with. Why, in its emptiness and heaviness, its smartness and dulness, it would be the death of our poor fiction!"

"Well, I don't know," our counterpart responded. "If our fiction took it on the human ground, and ascertained its inner pathos, its real lamentableness, it might do a very good thing with those clubmen and society girls and grandes dames. But that remains to be seen. In the mean time it is very much to have such a study of society as Mr. Pulitzer has given us. For the most part it is 'satire with no pity in it,' but there's here and there a touch of compassion, which moves the more because of its rarity. When the author notes that here and there a pretty dear finds herself left with no one to take her out to supper at the ball, his few words wring the heart. 'These poor victims of their sex cannot, like the men, form tables of their own. All that each can do is to disappear as swiftly and as secretly as possible, hurrying home in humiliation for the present and despair for the future.'"

"Do such cruel things really happen in our best society?" we palpitated, in an anguish of sympathy.

"Such things and worse," our other self responded, "as when in the german the fair debutante sees the leader advancing toward her with a splendid and costly favor, only to have him veer abruptly off to bestow it on some fat elderling who is going to give the next ball. But Mr. Pulitzer, though he has these spare intimations of pity, has none of the sentiment which there is rather a swash of in the Potiphar Papers. It's the difference between the Mid-Victorian and the Early Edwardian point of view. Both satirists are disillusioned, but in the page of Curtis there is

'The tender grace of a day that is dead'

and the soft suffusion of hope for better things, while in the page of Mr. Pulitzer there is no such qualification of the disillusion. Both are enamoured of the beauty of those daughters of Mammon, and of the distinction of our iron-clad youth, the athletic, well-groomed, well-tailored worldlings who hurry up-town from their banks and brokers' offices and lawyers' offices to the dinners and opera-boxes and dances of fashion. 'The girls and women are of a higher average of beauty than any European ball-room could produce. The men, too, are generally well built, tall, and handsome, easily distinguishable from the waiters,' Mr. Pulitzer assures us."

"Well, oughtn't that to console?" we defied our other self. "Come! It's a great thing to be easily distinguishable from the waiters, when the waiters are so often disappointed 'remittance men' of good English family, or the scions of Continental nobility. We mustn't ask everything."

"No, and apparently the feeding is less gross than it was in Curtis's less sophisticated time. Many of the men seem still to smoke and booze throughout the night with the host in his 'library,' but the dancing youth don't get drunk as some of them did at Mrs. Potiphar's supper, and people don't throw things from their plates under the table."

"Well, why do you say, then, that there is no change for the better in our best society, that there is no hope for it?"

"Did I say that? If I did, I will stick to it. We must let our best society be as it now imagines itself. I don't suppose that in all that gang of beautiful, splendid, wasteful, expensively surfeited people there are more than two or three young men of intellectual prowess or spiritual distinction, though there must be some clever and brilliant toadies of the artist variety. In fact, Mr. Pulitzer says as much outright; and it is the hard lot of some of the arts to have to tout for custom among the vulgar ranks of our best society."

"Very well, then," we said, with considerable resolution, "we must change the popular ideal of the best society. We must have a four hundred made up of the most brilliant artists, authors, doctors, professors, scientists, musicians, actors, and ministers, with their wives, daughters, and sisters, who will walk to one another's dinners, or at worst go by trolley, and occupy the cheaper seats at the opera, and dance in small and early assemblages, and live in seven-room-with-bath flats. Money must not count at all in the choice of these elect and beautiful natures. The question is, how shall we get the dense, unenlightened masses to regard them as the best society; how teach the reporters to run after them, and the press to chronicle their entertainments, engagements, marriages, divorces, voyages to and from Europe, and the other facts which now so dazzle the common fancy when it finds them recorded in the society intelligence of the newspapers?"

"Yes, as General Sherman said when he had once advocated the restriction of the suffrage and had been asked how he was going to get the consent of the majority whose votes he meant to take away—'yes, that is the devil of it.'"

We were silent for a time, and then we suggested, "Don't you think that a beginning could be made by those real elite we have decided on refusing to let associate with what now calls itself our best society?"

"But hasn't our soi-disant best society already made that beginning for its betters by excluding them?" our other self responded.

"There is something in what you say," we reluctantly assented, "but by no means everything. The beginning you speak of has been made at the wrong end. The true beginning of society reform must be made by the moral, aesthetic, and intellectual superiors of fashionable society as we now have it. The grandes dames must be somehow persuaded that to be really swell, really smart, or whatever the last word for the thing is, they must search Who's Who in New York for men and women of the most brilliant promise and performance and invite them. They must not search the banks and brokers' offices and lawyers' offices for their dancing-men, but the studios, the editorial-rooms, the dramatic agencies, the pulpits, for the most gifted young artists, assignment men, interviewers, actors, and preachers, and apply to the labor-unions for the cleverest and handsomest artisans; they must look up the most beautiful and intelligent girl-students of all the arts and sciences, and department stores for cultivated and attractive salesladies. Then, when all such people have received cards to dinners or dances, it will only remain for them to have previous engagements, and the true beginning is made. Come! You can't say the thing is impossible."

"Not impossible, no," our complementary self replied. "But difficult."



XIV

THE MAGAZINE MUSE

Two aging if not aged poets, one much better if not much older than the other, were talking of the Muse as she was in their day and of the Muse as she is in this. At the end, their common mind was that she was a far more facile Muse formerly than she is now. In other words, as the elder and better poet put it, they both decided that many, many pieces of verse are written in these times, and hidden away in the multitude of the magazines, which in those times would have won general recognition if not reputation for the authors; they would have been remembered from month to month, and their verses copied into the newspapers from the two or three periodicals then published, and, if they were not enabled to retire upon their incomes, they would have been in the enjoyment of a general attention beyond anything money can buy at the present day. This conclusion was the handsomer in the two poets, because they had nothing to gain and something to lose by it if their opinion should ever become known. It was in a sort the confession of equality, and perhaps even inferiority, which people do not make, unless they are obliged to it, in any case. But these poets were generous even beyond their unenvious tribe, and the younger, with a rashness which his years measurably excused, set about verifying his conviction in a practical way, perhaps the only practical way.

He asked his publishers to get him all the American magazines published; and has the home-keeping reader any notion of the vastness of the sea on which this poet had embarked in his daring exploration? His publishers sent him a list of some eighty-two monthly periodicals in all kinds, which, when he had begged them to confine it to the literary kind, the aesthetic kind only, amounted to some fifty. By far the greater number of these, he found, were published in New York, but two were from Philadelphia, one from Boston, one from Indianapolis, and one even from Chicago; two were from the Pacific Slope generally. That is to say, in this city there are issued every month about forty-five magazines devoted to belles-lettres, of varying degrees of excellence, not always connoted by their varying prices. Most of them are of the ten-cent variety, and are worth in most cases ten cents, and in a few cases twenty-five or thirty-five cents, quite like those which ask such sums for themselves. The cheapest are not offensive to the eye altogether, as they lie closed on the dealer's counter, though when you open them you find them sometimes printed on paper of the wood-pulp, wood-pulpy sort, and very loathly to the touch. Others of the cheapest present their literature on paper apparently as good as that of the dearest; and as it is not always money which buys literary value, especially from the beginners in literature, there seemed every reason for the poet to hope that there would be as good poetry in the one sort as in the other. In his generous animation, he hoped to find some good poetry on the wood-pulp paper just as in the Golden Age he might have found it carved by amorous shepherds on the bark of trees.

He promised himself a great and noble pleasure from his verification of the opinion he shared with that elder and better poet, and if his delight must be mixed with a certain feeling of reserved superiority, it could hardly be less a delight for that reason. In turning critic, the friendliest critic, he could not meet these dear and fair young poets on their own level, but he could at least keep from them, and from himself as much as possible, the fact that he was looking down on them. All the magazines before him were for the month of January, and though it was possible that they might have shown a certain exhaustion from their extraordinary efforts in their Christmas numbers, still there was a chance of the overflow of riches from those numbers which would trim the balance and give them at least the average poetic value. At this point, however, it ought to be confessed that the poet, or critic, was never so willing a reader as writer of occasional verse, and it cannot be denied that there was some girding up of the loins for him before the grapple with that half-hundred of magazines. Though he took them at their weakest point, might they not be too much for him?

He fetched a long breath, and opened first that magazine, clarum et venerabile nomen, from which he might reasonably expect the greatest surprises of merit in the verse. There were only two pieces, and neither seemed to him of the old-time quality, but neither was such as he would himself have perhaps rejected if he had been editor. Then he plunged at the heap, and in a fifteen-cent magazine of recent renown he found among five poems a good straight piece of realistic characterization which did much to cheer him. In this, a little piece of two stanzas, the author had got at the heart of a good deal of America. In another cheap magazine, professing to be devoted wholly to stories, he hoped for a breathing-space, and was tasked by nothing less familiar than Swift's versification of a well-known maxim of La Rouchefoucauld. In a ten-cent magazine which is too easily the best of that sort, he found two pieces of uncommon worth, which opened the way so promisingly, indeed, for happier fortunes that he was not as much surprised as he might later have been in finding five poems, all good, in one of the four greater, or at least dearer, magazines. One of these pieces was excellent landscape, and another a capital nature piece; if a third was somewhat strained, it was also rather strong, and a fourth had the quiet which it is hard to know from repose. Two poems in another of the high-priced magazines were noticeable, one for sound poetic thinking, and the other as very truthfully pathetic. The two in a cheap magazine, by two Kentucky poets, a song and a landscape, were one genuinely a song, and the other a charming communion with nature. In a pair of periodicals devoted to outdoor life, on the tamer or wilder scale, there were three poems, one celebrating the delights of a winter camp, which he found simple, true in feeling, and informal in phrasing; another full of the joy of a country ride, very songy, very blithe, and original; and a third a study of scenery which it realized to the mind's eye, with some straining in the wording, but much felicity in the imagining. A Mid-Western magazine had an excellent piece by a poet of noted name, who failed to observe that his poem ended a stanza sooner than he did. In a periodical devoted to short stories, or abandoned to them, there were two good pieces, one of them delicately yet distinctly reproducing certain poetic aspects of New York, and giving the sense of a fresh talent. Where the critic would hardly have looked for them, in a magazine of professed fashion and avowed smartness, he came upon three pieces, one sweet and fine, one wise and good, one fresh and well turned. A newer periodical, rather going in for literary quality, had one fine piece, with a pretty surprise in it, and another touched with imaginative observation.

The researches of the critic carried him far into the night, or at least hours beyond his bedtime, and in the dreamy mood in which he finally pursued them he was more interested in certain psychological conditions of his own than in many of the verses. Together with a mounting aversion to the work, he noted a growing strength for it. He could dispatch a dozen poems in almost as many minutes, and not slight them, either; but he no longer jumped to his work. He was aware of trying to cheat himself in it, of pretending that the brief space between titles in the table of contents, which naturally implied a poem, sometimes really indicated a short bit of prose. He would run his eye hastily over an index, and seek to miss rather than find the word "poem" repeated after a title, and when this ruse succeeded he would go back to the poem he had skipped with the utmost unwillingness. If his behavior was sinful, he was duly punished for it, in the case of a magazine which he took up well toward midnight, rejoicing to come upon no visible sign of poetry in it. But his glance fell to a grouping of titles in a small-print paragraph at the bottom of the page, and he perceived, on close inspection, that these were all poems, and that there were eighteen of them.

He calculated, roughly, that he had read from eighty-five to a hundred poems before he finished; after a while he ceased to take accurate count as he went on, but a subsequent review of the magazines showed that his guess was reasonably correct. From this review it appeared that the greater number of the magazines published two poems in each month, while several published but one, and several five or seven or four. Another remarkable fact was that the one or two in the more self-denying were as bad as the whole five or seven or nine or eighteen of those which had more freely indulged themselves in verse. Yet another singular feature of the inquiry was that one woman had a poem in five or six of the magazines, and, stranger yet, always a good poem, so that no editor would have been justified in refusing it. There was a pretty frequent recurrence of names in the title-pages, and mostly these names were a warrant of quality, but not always of the author's best quality. The authorship was rather equally divided between the sexes, and the poets were both young and old, or as old as poets ever can be.

When the explorer had returned from the search, which covered apparently a great stretch of time, but really of space, he took his notes and went with them to that elder friend of his whose generous enthusiasm had prompted his inquiry. Together they looked them over and discussed the points evolved. "Then what is your conclusion?" the elder of the two demanded. "Do you still think I was right, or have you come to a different opinion?"

"Oh, how should I safely confess that I am of a different opinion? You would easily forgive me, but what would all those hundred poets whom I thought not so promising as you believed do to my next book? Especially what would the poetesses?"

"There is something in that. But you need not be explicit. If you differ with me, you can generalize. What, on the whole, was the impression you got? Had none of the pieces what we call distinction, for want of a better word or a clearer idea?"

"I understand. No, I should say, not one; though here and there one nearly had it—so nearly that I held my breath from not being quite sure. But, on the other hand, I should say that there was a good deal of excellence, if you know what that means."

"I can imagine," the elder poet said. "It is another subterfuge. What do you really intend?"

"Why, that the level was pretty high. Never so high as the sky, but sometimes as high as the sky-scraper. There was an occasional tallness, the effect, I think, of straining to be higher than the thought or the feeling warranted. And some of the things had a great deal of naturalness."

"Come! That isn't so bad."

"But naturalness can be carried to a point where it becomes affectation. This happened in some cases where I thought I was going to have some pleasure of the simplicity, but found at last that the simplicity was a pose. Sometimes there was a great air of being untrammelled. But there is such a thing as being informal, and there is such a thing as being unmannerly."

"Yes?"

"I think that in the endeavor to escape from convention our poets have lost the wish for elegance, which was a prime charm of the Golden Age. Technically, as well as emotionally, they let themselves loose too much, and the people of the Golden Age never let themselves loose. There is too much Nature in them, which is to say, not enough; for, after all, in her little aesthetic attempts, Nature is very modest."

The elder poet brought the younger sharply to book. "Now you are wandering. Explain again."

"Why, when you and I were young—you were always and always will be young—"

"None of that!"

"It seemed to me that we wished to be as careful of the form as the most formal of our poetic forebears, and that we would not let the smallest irregularity escape us in our study to make the form perfect. We cut out the tall word; we restrained the straining; we tried to keep the wording within the bounds of the dictionary; we wished for beauty in our work so much that our very roughness was the effect of hammering; the grain we left was where we had used the file to produce it."

"Was it? And you say that with these new fellows it isn't so?"

"Well, what do you say to such a word as 'dankening,' which occurred in a very good landscape?"

"One such word in a hundred poems?"

"One such word in a million would have been too many. It made me feel that they would all have liked to say 'dankening,' or something of the sort. And in the new poets, on other occasions, I have found faulty syntax, bad rhymes, limping feet. The editors are to blame for that, when it happens. The editor who printed 'dankening' was more to blame than the poet who wrote it, and loved the other ugly word above all his other vocables." The elder poet was silent, and the other took fresh courage. "Yes, I say it! You were wrong in your praise of the present magazine verse at the cost of that in our day. When we were commencing poets, the young or younger reputations were those of Stedman, of Bayard Taylor, of the Stoddards, of Aldrich, of Celia Thaxter, of Rose Terry, of Harriet Prescott, of Bret Harte, of Charles Warren Stoddard, of the Piatts, of Fitz James O'Brien, of Fitzhugh Ludlow, of a dozen more, whom the best of the newest moderns cannot rival. These were all delicate and devoted and indefatigable artists and lovers of form. It cannot do the later generation any good to equal them with ours."

"There is something in what you say." The elder poet was silent for a time. Then he asked, "Out of the hundred poems you read in your fifty magazines, how many did you say were what you would call good?"

His junior counted up, and reported, "About twenty-four."

"Well, don't you call that pretty fair, in a hundred? I do. Reflect that these were all the magazines of one month, and it is probable that there will be as many good poems in the magazines of every month in the year. That will give us two hundred and eighty-eight good poems during 1907. Before the first decade of the new century is ended, we shall have had eleven hundred and fifty-two good magazine poems. Do you suppose that as many good magazine poems were written during the last four years of the first decade of the eighteenth century? Can you name as many yourself?"

"Certainly not. Nobody remembers the magazine poems of that time, and nobody will remember the poems of the four years ending the present decade."

"Do you mean to say that not one of them is worth remembering?"

The younger poet paused a moment. Then he said, with the air of a cross-examined witness, "Under advice of counsel, I decline to answer."



XV

COMPARATIVE LUXURIES OF TRAVEL

On a night well toward its noon, many years ago, a friend of the Easy Chair (so close as to be at the same time its worst enemy) was walking wearily up and down in the station at Portland, Maine, and wondering if the time for his train to start would ever come, and, if the time did come, whether his train would really take advantage of that opportunity to leave Portland. It was, of course, a night train, and of course he had engaged a lower berth in the sleeping-car; there are certain things that come by nature with the comfortable classes to which the friend of the Easy Chair belonged. He would no more have thought of travelling in one of the empty day coaches side-tracked in the station than he would have thought of going by stage, as he could remember doing in his boyhood. He stopped beside the cars and considered their potential passengers with amaze and compassion; he laughed at the notion of his being himself one of them; and, when he turned his back on them, he was arrested by the sight of an elderly pair looking from the vantage of the platform into the interior of a lighted Pullman parlor-car which, for reasons of its own, was waiting in luminous detachment apart from the day coaches. There was something engaging in the gentle humility of the elderly pair who peered into the long, brilliant saloon with an effect not so much of ignorance as of inexperience. They were apparently not so rustic as they were what another friend of the Easy Chair calls villaginous; and they seemed not of the commonest uninformed villaginosity, but of general intelligence such as comes of reading and thinking of many modern things which one has never seen. As the eavesdropper presently made out from a colloquy unrestrained by consciousness of him, they had never seen a parlor-car before, except perhaps as it flashed by their meek little home depot with the rest of some express train that never stopped there.

"It is splendid, John," the woman said, holding by the man's arm while she leaned forward to the window which she tiptoed to reach with her eager eyes.

"I guess it's all of that," the man consented, sadly.

"I presume we sha'n't ever go in one," she suggested.

"Not likely," he owned, in the same discouraged tone.

They were both silent for a time. Then the woman said, with a deep, hopeless aspiration, "Dear! I wish I could see inside one, once!"

The man said nothing, and if he shared her bold ambition he made no sign.

The eavesdropper faltered near their kind backs, wishing for something more from them which should give their souls away, but they remained silently standing there, and he did not somehow feel authorized to make them reflect that, if the car was lighted up, it must be open, and that the friendly porter somewhere within would not mind letting them look through it under his eye. Perhaps they did reflect, and the woman was trying to embolden the man to the hardy venture. In the end they did not attempt it, but they turned away with another sigh from the woman which found its echo in the eavesdropper's heart. Doubtless if they had penetrated that splendid interior without having paid for seats, it would, in some fine, mystical sort, have pauperized them; it would have corrupted them; they would have wished after that always to travel in such cars, when clearly they could not afford it; very possibly it might have led to their moral if not financial ruin. So he tried to still his bosom's ache, but he could never quite forget that gentle pair with their unrequited longing, and the other day they came almost the first thing into his mind when he read that a great German steamship company had some thoughts of putting on a train of Pullman cars from the port of arrival to the mercantile metropolis which was the real end of their ships' voyages. He thought, whimsically, perversely, how little difference it would make to that pair, how little to those measureless most whose journeys shall end in heaven, where Pullman passengers, or even passengers by the ordinary European first-class cars, may be only too glad to meet them. He gave a looser rein to his thoughts and considered how very little the ordinary necessities of life, such as Pullman cars and taxicabs and electric radiators and non-storage chickens and unsalted butter concern the great mass of the saints, who would find them the rarest luxuries, and could hardly be imagined coveting them; and then from this wild revery he fell to asking himself whether a Pullman train would be such a great advance or advantage over the old-fashioned European first-class carriages in which he had been so long content to travel with the native nobility. Self-brought to book on this point, he had to own that he had once had moments of thinking in a German second-class car that he would not change to an American Pullman if he could for even less than a third more money. He recalled a pleasant run from Crewe to Edinburgh in a third-class English car, when he never once thought of a Pullman car except to think it was no better. To be sure, this was after two-thirds of his third-class fellow-passengers had got out, and he was left to the sole enjoyment of two-thirds of the seats. It is the luxury of space which your more money buys you in England, where no one much lower than a duke or a prime minister now goes first class for a long haul. For short hauls it is different, and on the Continent it is altogether different. There you are often uncomfortably crowded in the first-class carriages, and doubtless would be in a Pullman if there were any, so that if you are wise, or only well informed, you will give the guard a shilling to telegraph before leaving London and get you a number on the Rapide from Calais to Paris.

It is astonishing how quickly knowledge of any such advisable precaution spreads among even such arrogantly stupid people as first-class passengers ordinarily are. By the time a certain train had started for Dover with that friend of the Easy Chair's already mentioned, every soul in his first-class compartment had telegraphed ahead, and when they arrived in Calais the earliest Englishman who got past the customs ran ahead and filled the racks of the carriage with his hand-baggage, so that the latest Frenchman was obliged to jump up and down and scream, and perhaps swear in his strange tongue, before he could find room for his valise, and then calm down and show himself the sweetest and civilest of men, and especially the obedient humble servant of the Englishman who had now made a merit of making way for his bag.

At this point the fable teaches that money will not buy everything in European travel, though some Americans imagine it will. It will not, for instance, buy comfort or decency, though it will secure privacy in a French sleeper between Paris and Marseilles either way. For an augmentation of forty-five francs, or nine dollars, on the price of a first-class ticket, it will buy you a berth in a small pen which you must share with another animal, and be tossed hither and yon, night long, as in the berth of a Bermuda steamer. Second-class passengers in France or Italy cannot buy a berth in a sleeper for any money, and they may go hang or stand, for all the International Sleeping-Car Company cares; and this suggests the question whether in our own free and equal land the passengers in the ordinary day coaches are ever invited, by the first call or the last, to share the hospitalities of our dining-cars; or are these restricted to the proud stomachs of the Pullman passengers?

No, no; the privacy of a French sleeping-car is all very well, but for decency give our friend a good, old-fashioned Pullman sleeper at a third the money, with its curtains swaying with the motion of the car and muting the long-drawn, loud-drawn breathing of the serried sleepers behind them. To be sure, in the morning, when stooping backs begin to round the curtains out, and half-shod feet to thrust into the narrow gangway between them, the effect is of a familiarity, an intimacy; but so much trust, so much brotherly kindness goes with it all that you could not call it indecency, though certainly you could not claim it privacy. It only proves, as that friend of ours was saying, that money cannot buy everything, and that, if you expect the Pullman parlor-cars to be an improvement on the German first-class cars, you will be disappointed, probably. First-class cars vary much all over Europe; even second-class cars do. In Austria they are not nearly so good as in Germany, and in Italy—poor, dear Italy!—they are worse still. That is because, the enemies of socialism say, the roads are state roads, or because, the friends of socialism say, the expropriated companies have dumped their worn-out rolling-stock on the commonwealth, which must bear the shame of it with the stranger. Between these clashing claims we will not put our blade. All we say is that Italian railroad travel is as bad as heart could wish—the heart that loves Italy and holds dear the memory of the days when there were few railroads, if any, there, and one still went by diligence or vettura. The only absolutely good railroad travel is in England, where the corridor car imagined from the Pullman has realized the most exacting ideal of the traveller of any class. In the matter of dining-cars we have stood still (having attained perfection at a bound), while the English diner has shot ahead in simplicity and quality of refection. With us a dollar buys more dinner than you wish or like; with them three shillings pay for an elegant sufficiency, and a tip of sixpence purchases an explicit gratitude from the waiter which a quarter is often helpless to win from his dark antitype with us. The lunch served on the steamer train from London to Liverpool leaves the swollen, mistimed dinner on the Boston express—

"But what about that 5 P.M. breakfast which you got, no longer ago than last September, on the express between Salisbury and Exeter?" our friend exults to ask; and we condescend to answer with forced candor:

Yes, that was rather droll. No Englishman would dream of ordering afternoon tea consisting of chops, boiled potatoes, and a pot of souchong, and, if we chose to do so, we took a serious chance. But starvation will drive one to anything; we had had nothing to eat since leaving Salisbury three hours before, and in the English air this is truly famine. Besides, the amiable agent who came to our compartment for our order pledged his word that those potatoes should be ready in twenty minutes; and so they were, and so were the chops, and so, of course, was the tea. What he had failed to specify was that the dining-car had been left, by divers defections at the junctions passed, the last car in our train, and that it was now straining at its leash in wild leaps and bounds. One reached it by passing through more corridor cars than there are Pullmans and day coaches in a west-bound Lake Shore train, and when one arrived one reeled and flounced into one's seat by such athletics as one uses in a Bermuda steamer (or did use in the old fifteen-hundred-ton kind) crossing the Gulf Stream. When once comparatively secure in one's chair, the combat with the lunch began. Mrs. Siddons would have been at home there, for there was nothing for it but to stab the potatoes, and all one's cunning of fence was needed to hold one's own with the chops. But how delicious they were! How the first mealed and the last melted in the mouth; and the tea, when once poured from the dizzy height at which the pot had to be held, and the wild whirl in which the cup had to be caught to the lips, how it cheered without inebriating, and how the spirit rose to meet it! The waiter, dancing and swaying like any ship's steward, served the stray Americans with as much respectful gravity as if they had been county-family English and he had been for generations in their service. He did not deprecate the capers of the car, but only casually owned that, when it happened to be the last in the train, it did pitch about a bit, sir.

No, England is the only country where you can get the whole worth of your money in railroad travel, and the well-to-do sinner can enjoy the comfort which must be his advance recompense in this world for the happiness he cannot warrantably count upon in the next. That steamer train of Pullmans in Germany will never contest the palm with the English corridor train; nor will our palatial, porterless depots vie with the simplest of these English wayside stations, where the soft endearments of the railway servants penetrate to the very interior of the arriving stranger's compartment and relieve him of all anxiety for his hand-baggage. Then the cloak-room, that refuge of temporary sojourn, where his baggage remains in the porter's charge till it is put back into the train, who will contend that our parcels' windows, with their high counters fencing the depositor from the grim youths standing like receiving and paying tellers within, compare with the English cloak-room? Its very name descends from the balls and assemblies of the past, and graces the public enjoyment of its convenience with something of the courtesy and dignity of the exclusive pleasures of the upper classes; it brings to one sense a vision of white shoulders bent over trim maids slippering slim feet, and to another the faint, proud odors of flowers that withered a hundred years ago.

But what vain concession is this to the outworn ideals of a state and a condition justly superseded! How far we have got from that gentle pair with whom we began peering into the parlor-car in Portland, Maine! To such as they it will matter little whether Pullman cars are or are not put on that steamer train in North Germany. A great danger is that the vast horde of Americans who travel will forget the immeasurable majority who remain at home, and will lose in their sophistication the heaven-glimpsing American point of view. It is very precious, that point of view, and the foreigner who wins it is a happier man than the native who purse-proudly puts it away. When we part with the daily habit of trolleys and begin to think in cabs and taxicabs; when we pass the line of honest day coaches and buy a seat in the parlor-car; when we turn from pie, or baked beans, and coffee at the refreshment-counter and keep our hunger for the table d'hote of the dining-car; when we buy a room in the steamboat in disdain of the berth that comes with our ticket; when we refuse to be one of four or even two in the cabin of the simpler steamers and will not go abroad on any vessel of less than twenty or thirty thousand tons, with small, separate tables and tuxedos in the saloon; when we forsake the clothing-store with its democratic misfit for all figures and order our suits in London, then we begin to barter away our birthright of republican simplicity, and there is soon nothing for us but a coronet by marriage in the family or a quarter-section of public land in northwestern Canada.

There has been altogether too much talk (some of it, we contritely own, has been ours) of the comparative comforts and discomforts of life for the better-to-do in Europe and America. In the demand for Pullman trains between our port of arrival and the end of our journey when we go to the Continent for a much-needed rest, we are apt to forget the fellow-citizens whom we saw across the impassable barrier dividing our first class from them on the steamer, and who will find the second-class German cars quite good enough for them, and better than our day coaches at home. If we cannot remember these, then let us remember those for whom Pullmans are not good enough and who spurn the dust of our summer ways in their automobiles, and leave the parlor-cars to our lower-class vulgarity. Such people take their automobiles to Europe with them, and would not use that possible Pullman train if they found it waiting for them at the port of arrival in Germany. What is the use? It will soon not be an affair of automobiles, but of aeroplanes, at the ports of European arrival, and a Pullman train will look sadly strange and old to the debarking passengers. No one will want to take it, as no one would now want to take a bicycle, or even a "bicycle built for two." These things are all comparative; there is nothing positive, nothing ultimate in the luxuries, the splendors of life. Soon the last word in them takes on a vulgarity of accent; and Distinction turns from them "with sick and scornful looks averse," and listens for the

"airy tongues that syllable men's names On sands and shores and desert wildernesses."

Simplicity, at the furthest possible remove from all complexity, will be the next word—the word that follows the last, the woman's word.



XVI

QUALITIES WITHOUT DEFECTS

They had got to that point in their walk and talk where the talk might be best carried forward by arresting the walk; and they sat down on a bench of the Ramble in Central Park, and provisionally watched a man feeding a squirrel with peanuts. The squirrel had climbed up the leg of the man's trousers and over the promontory above, and the man was holding very still, flattered by the squirrel's confidence, and anxious not to frighten it away by any untoward movement; if the squirrel had been a child bestowing its first intelligent favors upon him the man could not have been prouder. He was an old fellow, one of many who pamper the corrupt rodents of the Park, and reduce them from their native independence to something like the condition of those pauper wards of the nation on our Indian Reservations, to whom a blurred image of the chase offers itself at stated intervals in the slaughter of the Government's dole of beef-cattle.

The friend to whom this imperfect parallel occurred recalled his thoughts from it and said, with single reference to the man and the squirrel: "I suppose that's an expression of the sort of thing we've been talking about. Kindness to animals is an impulse, isn't it, of the 'natural piety' embracing the fatherhood of God and the brotherhood of man?"



"I don't think it's quite so modern as that formulation," the other friend questioned. "I was thinking it was very eighteenth-century; part of the universal humanitarian movement of the time when the master began to ask himself whether the slave was not also a man and a brother, and the philanthropist visited the frightful prisons of the day and remembered those in bonds as bound with them."

"Yes, you may say that," the first allowed. "But benevolence toward dumb creatures originated very much further back than the eighteenth century. There was St. Francis of Assisi, you know, who preached to the birds, didn't he? and Walter von der Vogelweide, who pensioned them. And several animals—cats, crocodiles, cows, and the like—enjoyed a good deal of consideration among the Egyptians. The serpent used to have a pretty good time as a popular religion. And what about the Stoics? They were rather kind to animals, weren't they? Why should Pliny's Doves have come down to us in mosaic if he cultivated them solely for the sake of broiled squabs? It's true that the modern Roman, before the extension of the S.P.C.A. to his city, used his horse cruelly upon the perfectly unquestionable ground that the poor beast was not a Christian."

"I don't remember about the Stoics exactly," the second friend mused aloud; and the first let this go, though they both understood that very likely he not only did not remember, but had never known. "They had so many virtues that they must have been kind to brutes, but I taste something more Cowperian, more Wordsworthian, than Marcus-Aurelian in our own kindness. These poets taught me, so far as I could learn, not to

'enter on my list of friends the man Who needlessly sets foot upon a worm,'

and

'Never to mix my pleasure or my pride With sorrow of the meanest thing that breathes.'"

"Yes, but I don't like giving up the Stoics; we may have to come back to their ground if things keep on going the way they have gone for the last generation. The Stoics had a high ideal of duty; it's hard to see that the Christian ideal is higher, though they taught themselves to be proudly good, and we (if we may still say we when we say Christians) are always trying to teach ourselves to be humbly good."

"What do you mean," the second of the friends demanded, "by coming back to their ground?"

"Why," the first responded, picking up a twig that opportunely dropped at his feet, and getting out his knife to whittle it, "I suppose they were the first agnostics, and we who don't so much deny the Deity as ignore Him——"

"I see," the second answered, sadly. "But aren't you throwing up the sponge for faith rather prematurely? The power of believing has a tremendous vitality. I heard a Catholic once say to a Protestant friend, 'You know the Church has outlived schisms much older than yours.' And inside of Protestantism as well as Catholicism there is a tremendous power of revival. We have seen it often. After an age of unbelief an age of belief is rather certain to follow."

"Well, well, I'm willing. I'm no more agnostic than you are. I should be glad of an age of faith for the rest to my soul, if for no other reason. I was harking back to the Stoics not only because they were good to animals, if they were good, but because they seemed to have the same barren devotion to duty which has survived my faith as well as my creed. But why, if I neither expect happiness nor dread misery, should I still care to do my duty? And I certainly always do."

"What, always?"

"Well, nearly always."

The friends laughed together, and the first said, "What a pity the Gilbertian humor has gone out so; you can't adapt it to a daily need any longer without the risk of not being followed."

The other sighed. "Nearly everything goes out, except duty. If that went out, I don't think I should have much pleasure in life."

"No, you would be dead, without the hope of resurrection. If there is anything comes direct from the Creative Force, from

'La somma sapienza e il primo amore,'

it is the sense of duty, 'the moral law within us,' which Kant divined as unmistakably delivered from God to man. I use the old terminology."

"Don't apologize. It still serves our turn; I don't know that anything else serves it yet. And you make me think of what dear old M.D. C——told me shortly after his wife died. He had wished, when they both owned that the end was near, to suggest some comfort in the hope of another life, to clutch at that straw to save his drowning soul; but she stopped him. She said, 'There is nothing but duty, the duty we have wished to do and tried to do.'"

The friends were silent in the pathos of the fact, and then the first said, "I suppose we all wish to do our duty, even when we don't try or don't try hard enough."

The other conjectured, "Perhaps, after all, it's a question of strength; wickedness is weakness."

"That formula won't always serve; still, it will serve in a good many cases; possibly most. It won't do to preach it, though."

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