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Hugo - A Fantasia on Modern Themes
by Arnold Bennett
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The unique point was his own prospects with Camilla. It may be said that he felt capable of shielding her from forty Ravengars.

He had torn prudence to shreds, and stamped on it, that morning, and had gone down boldly and directly to Department 42 at a quarter to nine, in order to meet Camilla. And she had not then arrived. He had then conceived the idea of, and the excuse for, a visit to the common room, through which every assistant was obliged to pass on her way to the receipt of custom. In the whole history of Hugo's a poster had never before been known to be posted on a mirror, which is utterly the wrong place for a poster, but Hugo had chosen the mirror as the field of his labours solely that he might surreptitiously observe every soul that entered the room.

The clock on the mantelpiece struck nine, and the last assistant had fled, and Hugo was left alone with the pink-aproned waitress, who was collecting glasses on a tray.

'Has Miss Payne come this morning?' he asked casually of the girl, patting the poster like an artist absorbed in his work.

It was a reckless question. He well knew that in half an hour the whole basement would be aware that Mr. Hugo had asked after Miss Payne, but he scorned the whole basement.

'Miss who, sir?'

'Miss Payne, of the millinery department.'

'A tall young lady, sir?'

'Yes.'

'With chestnut hair?'

'Now you have me,' he lied.

'I fancy I know who you mean, sir; and now I come to think of it, I don't think she has.'

The waitress spoke in an apologetic tone, and looked at the clock with an apologetic look. She was no fool, that waitress.

'Thank you.'

As he left the room Albert Shawn entered by the other door, and, perceiving nobody but the waitress, kissed the waitress, and was kissed by her heartily.

Hugo's deportment was debonnair, but his heart had seriously sunk. Just as he had before been quite sure that Camilla would come as usual, now he was quite sure that she would not come as usual. Ever since he had learnt from Ravengar that Tudor had been ignorant of Ravengar's presence in the flat, and that Ravengar had had to 'dispose of' the housekeeper, a horrid suspicion had lurked at the back of his mind, and now this suspicion sprang out upon his hopes of Camilla's arrival, and fairly strangled them. And the suspicion was that Camilla had misjudged Francis Tudor, that his intentions had throughout been perfectly honourable, and that on her return to the flat he had quickly convinced Camilla of this.

In which case, where did he, Hugo, come in?

As for the terms of the note, he perceived that he had interpreted them in a particular way because he wished to interpret them in a particular way.

He ascended in the direction of Department 42. Perhaps, after all, she had escaped his vigilance, and was at her duties.

On the way thither he was accosted by a manager.

'Mr. Hugo.'

'Well, Banbury?'

'I telephoned to New Scotland Yard, but they refused any information. However, I've got a pair from the nearest police-station. I shall order our blacksmiths to make a dozen pairs to pattern. They will be in next month's catalogue.'

'I congratulate you, Banbury.'

And he passed on. The early-rising customers were beginning to invade the galleries, the cashiers in their confessional-boxes were settling themselves in their seats, faultless shopwalkers were giving a final hitch to their lovely collars, and the rank-and-file were preparing to receive cavalry. The vast machine had started, slowly and deliberately, as an express engine starts. And already the heat, as yesterday, was formidable. But she would not suffer to-day; she was not in Department 42.

He went further and further, aimlessly penetrating to the very heart of the jungle of departments. He had glimpses of departments that he had not seen for weeks. At length he came to the verdant and delicious Flower Department (hot-house branch), and by chance he caught a word which brought him to a standstill.

'What's that?' he asked sharply, of a salesman in white.

'Order for orange-blossom, sir. A single sprig only. Rather a curious order, sir.'

'You can supply it?'

'Without doubt, sir.'

'Who is the customer?'

'Mr. Francis Tudor,' replied the salesman, looking at a paper. 'No. 7, the Flats.'

'Ah yes,' he said; and thought: 'My life is over.'

He gazed with unseeing eyes into the green and shady recesses of the palmarium, where water trickled and tinkled.

What was the power, the influence, the lever, which Francis Tudor was using to induce Camilla to marry him—him whom, on her own statement, she did not love? And could Louis Ravengar be in earnest, after all, with his savage threats?



CHAPTER IX

'WHICH?'

'And when I decide, the thing is as good as done.' Those proud, vain words of his, spoken to Louis Ravengar with all the arrogance of a man who had never met Fate like a lion in the path, often recurred to Hugo's mind during the next few weeks. And their futility exasperated him. He had decided to win Camilla, and therefore Camilla was as good as won! Only, she had been married on the very morning of those boastful words by license at a registry-office to Francis Tudor. The strange admixture of orange-blossom and registry-office was not the only strange thing about the wedding. It was clear, for example, that Tudor must have arranged the preliminaries of the ceremony before the bride's consent had been obtained—unless, indeed, Camilla had garbled the truth to Hugo on the previous night; and Hugo did not believe this to be possible.

Albert Shawn had brought the news hour by hour to Hugo.

After the wedding, the pair drove to Mr. Tudor's flat, where Senior Polycarp paid them a brief visit.

Then Hugo received by messenger a note from Tudor formally regretting that his wife had left her employment without due notice, and enclosing a cheque for the amount of a month's wages in lieu thereof.

And then Mr. and Mrs. Tudor had departed for Paris by the two-twenty Folkstone-Boulogne service from Charing Cross. And the gorgeous flat was shut up.

Albert Shawn had respectfully inquired whether there remained anything else to be done in the affair, far more mysterious to Albert than it was even to Hugo.

'No,' Hugo had said shortly.

He was Hugo, with extraordinary resources at hand, but a quite ordinary circumstance, such as ten minutes spent in a registry-office, will sometimes outweigh all the resources in the world when the success of a scheme hangs in the balance.

What could he do, in London or in Paris, civilized and police-ridden cities?

Civilization left him but one thing to do—to acknowledge his defeat, and to mourn the incomparable beauty and the distinguished spirit which had escaped his passionate grasp. And to this acknowledgment and this mourning he was reduced, feeling that he was no longer Hugo.

It was perhaps natural, however, that his employes should have been made to feel that he was more Hugo than ever. For a month he worked as he had never worked before, and three thousand five hundred people, perspiring under his glance and under the sun of a London August, knew exactly the reason why. The intense dramatic and sentimental interest surrounding Camilla Payne's disappearance from Department 42 was the sole thing which atoned to the legionaries for the inconvenience of Hugo's mistimed activity.

Then suddenly he fell limp; he perceived the uselessness of this attempt to forget in Sloane Street, and he decided to try the banks of a certain trout-stream on Dartmoor. He knew that with all the sun-glare of that season, and the water doubtless running a great deal too fine, he would be as likely to catch trout on Dartmoor as on the Thames Embankment; but he determined to go, and he announced his determination, and the entire personnel, from the managers to the sweepers, murmured privily, 'Thank Heaven!'

The moment came for the illustrious departure. His electric coupe stood at his private door, and his own luggage and Simon Shawn's luggage—for Simon never entrusted his master to other hands—lay on the roof of the coupe. Simon, anxiously looking at his watch, chatted with the driver. Hugo had been stopped on emerging from the lift by the chief accountant concerning some technical question. At length he came out into the street.

'Shaving it close, aren't we, Simon?' he remarked, and sprang into the vehicle, and Simon banged the door and sprang on to the box, and they seemed to be actually off, much to the relief of Simon, who wanted a holiday badly.

But they were not actually off. At that very instant, as the driver pulled his lever, Albert Shawn came frantically into the scene from somewhere, and signalled the driver to wait. Simon cursed his brother.

'Mr. Hugo,' Albert whispered, as he put his head into the coupe.

'Well, my lad?'

'I suppose you've heard? They've turned up again at the flat. Yes, this morning.'

'Who have turned up again?'

'That's the point, sir. Some of 'em. And there's been a funeral ordered.'

'A funeral? Whose funeral? From us?

'Yes, sir; but whose—that's another point. You see, I've just run along to let you know how far I've got. Not that you gave me any instructions. But when I heard of a funeral—'

'Is it a man's or a woman's?' Hugo demanded, thinking to himself: 'I must keep calm. I must keep calm.'

'Don't know, sir.'

'But surely the order-book—'

'No order for coffin, sir. Merely the cortege; day after to-morrow; parties making their own arrangements at cemetery. Brompton.'

'And did none of the porters see who arrived at the flat this morning?'

'None of 'em knows enough to be sure, sir.'

'Well,' said Hugo, 'there isn't likely to be a funeral without a coffin, and no porter could be blind to a coffin going upstairs.'

'I can't get wind of any coffin, sir.'

'And that's all you've learnt?'

'That's the hang of it, sir—up to now. But I can wire you to-night or to-morrow, with further particulars.'

Hugo glanced at the carriage-clock in front of him, and thought of the famine of porters at Waterloo Station in August, and invented several other plausible excuses for a resolution which he foresaw that he was about to arrive at.

'You've made me miss my train,' he said, pretending to be annoyed.

'Sorry, sir. Simon, the governor isn't going.'

Simon descended from the box for confirmation, a fratricide in all but deed.

'Have the luggage taken upstairs,' Hugo commanded.

He sat for seven hours in the dome, scarcely moving.

At nine o'clock Albert was announced.

'Coffin just come up, sir,' he said, 'from railway-station.'

But that was the limit of his news.

Within an hour Hugo went to bed. He could not sleep; he had known that he could not sleep. The wild and savage threat of Louis Ravengar, and the question, 'Which?' haunted his brain. At one o'clock in the morning he switched on all the lights, rose out of bed, and walked aimlessly about the chamber. Something, some morbid impulse, prompted him to take up the General Catalogue, which lay next to a priceless copy of the 1603 edition of Florio's 'Montaigne.' There were pages and pages about funerals in the General Catalogue, and forty fine photographic specimens of tombstones and monuments.

'Funerals conducted in town or country.... Cremations and embalmments undertaken.... Special stress is laid on the appearance and efficiency of the attendants, and on the reverent manner in which they perform all their duties.... A shell finished with satin, with robe, etc.... All necessary service.... A hearse (or open car, as preferred) and four horses, three mourning coaches, with two horses each. Coachmen and attendants in mourning, with gloves. Superintendent, L38.... Estimates for cremation on application.... Broken column, in marble, L70. The same, with less carving, L48.' And so on, and so on; and at the top of every page: 'Hugo, Sloane Street, London. Telegraphic address: "Complete, London." Hugo, Sloane Street, London. Telegraphic address: "Complete, London." Hugo—'

Whom was he going to bury the day after to-morrow—he, Hugo, undertaker, with his reverent attendants of appearance guaranteed respectable?

The great catalogue slipped to the floor with a terrible noise, and Simon Shawn sprang out from his lair, and stopped at the sight of his master in pyjamas under the full-blazing electric chandelier.

'All serene,' said Hugo; 'I only dropped a book. Go to sleep. Perhaps we may reach Devonshire to-morrow,' he added kindly.

He sympathized with Simon.

'Yes, sir.'

He thought he would take a stroll on the roof; it might calm his nerves.... Foolishness! How much wiser to take a sedative!

Then he turned to the Montaigne, and after he had glanced at various pages, his eye encountered a sentence in italics: 'Wisdome hath hir excesses, and no lesse need of moderation, than follie.'

'True,' he murmured.

He dressed, and went out.



CHAPTER X

THE COFFIN

He was in that mental condition, familiar to every genuine man of action, in which, though the mind divides against itself, and there is an apparently even conflict between two impulses, the battle is lost and won before it is fought, and the fight is nothing but a sham fight. He wandered about the roofs; he went as far as the restaurant garden, and turned on all the electric festoons and standards by the secret switch, and sat down solitary at a table before an empty glass which a waiter had forgotten to remove. He extinguished the lights, wandered back to the dome, climbed to the topmost gallery, and saw the moon rising over St. Paul's Cathedral. He said he would go to bed again at once, well knowing that he would not go to bed again at once. He swore that he would conquer the overmastering impulse, well knowing that it would conquer him. He cursed, as men only curse themselves. And then, suddenly, he yielded, gladly, with relief.

He hastened out, and did not pause till he reached the balcony of flat No. 7 in the further quadrangle. He admitted frankly now that the dominant impulse which controlled his mind would force him to enter the flat during that night, by means lawful or unlawful, and he perceived with satisfaction that the great French window of the drawing-room was not quite shut. The blinds, however, had been carefully lowered, and nothing of the interior was revealed save the fact that a light burned within. In the entire quadrangle, round which, tier above tier, hundreds of people were silent in sleep or in vigil, this was the sole illumination. Hugo leaned over the balcony, and tried to pierce the depths of the vast pit below, and those thoughts came to him which come to watchers by night in the presence of sleeping armies, or on the high sea. The eternal and insoluble question troubled and teased him, and would not be put aside. In imagination, he felt the very swish of the planet as it whirled through space with its cargo of pitiful humanity. What, after all, were life, love, ambition, grief, death? What, in the incessant march of suns, could be the value of a few restless specks of vitality clinging with desperation to a minor orb?

And then he fancied he could hear a sound within the flat, and he forgot these transcendental speculations, and for him the secret of the universe lay behind the blinds of Francis Tudor's drawing-room. Yes, he could hear a sound. It was the distant sound of a man talking—loudly, slowly, and distinctly—but too far off for him to catch even one word. He guessed, as he pushed the window a little wider open, and bent his ear to the aperture, that the voice must be in a room beyond the drawing-room. It continued monotonously for a long time, with little breaks at rare intervals; it was rather like a parson reading a sermon in an empty church. Then it ceased. And there were footsteps, which approached the window, and retired. He noticed that the light within the room was being moved, but it cast no human shadow on the blind. The light came finally to a standstill, and then there followed sounds which Hugo could not diagnose—short, regular sounds, broken occasionally by a sharp clash, as of an instrument falling. And when these had come to an end, there were more footsteps—a precise, quick walking to and fro, which continued for ages of time. Lastly, the footsteps receded; something dropped, not heavily, but rather in a manner gently subsiding, and a groan (or was it a moan, a tired suspiration?) wakened in Hugo's spinal column a curious, strange thrill. Then silence, complete, definitive, terrifying.

By merely pushing the window against the blind, he could enter and know the secret of the universe.

'Why am I doing this?' he asked himself, while he pushed the window. 'Why have I done this?' he asked himself, as he stood within the immense and luxurious room.

He gazed round with a swift and timid glance, as a man would who expects to see that which ought not to be seen. To his left was the fireplace, with a magnificent mirror over it. On the mantelpiece burned a movable electric table—lamp, with twin branched lights. He observed the silk-covered cord lying across the mantelpiece and disappearing over the further edge; by the side of the lamp was a screwdriver. Exactly in front of the lamp, on a couple of trestles such as undertakers use, lay an elm coffin, its head towards the mantelpiece. At the opposite end of the room was another fireplace and another mirror, with the result that Hugo saw an endless succession of coffins and corpse-lights, repeated and repeated, till they were lost in a vague crystal blur, and by every pair of corpse-lights was a screwdriver.

He stood moveless, and listened, and could detect no faintest sound. Across the room from the principal window there was a doorway with a heavy portiere; not a fold of the portiere stirred. To his right, near the other window, was a door—the door by which Camilla had entered that night a month ago; it was shut. His glance searched among the rich confusion of furniture—fauteuils, occasional tables, sofas, statuary, vases, cabinets. He peered into every corner of the silent chamber, and saw nothing that gave a sign of life. He even gazed up guiltily at the decorated ceiling, as though some Freemason's Eye might be scanning him from above.

The coffin reigned in the room; all else was subservient to its massive and sinister presence, and the bright twin-lamps watched over its majesty with dazzling orbs.

Hugo went near the coffin, stepping on tip-toe over the thick-piled rugs, and examined it. There was no name-plate. He looked at himself in the mirror, and again he murmured a question: 'Why am I here?' Then he listened attentively, fearfully. No sound. His hands travelled to the screwdriver on the mantelpiece, and then fifty of his hands picked up fifty screwdrivers. And he listened once more. No sound.

'I must do it. I must,' he thought.

The next moment he was unscrewing the screws in the lid of the coffin, and scarcely had he begun the task when he realized that what he had heard from the balcony was the screwing of these same screws. There were twelve, and some of them were difficult to start, but in due course he had removed them all, and they stood in a row on their heads on the mantelpiece. He listened yet again. No sound. He had only to push the lid of the coffin to the left or to the right, or to lift it up. He spent several seconds in deciding whether he should push or lift, and then at length fifty Hugos lifted bodily the lids of fifty coffins. And after a dreadful hesitation he lowered his gaze and looked.

Yes, it was Camilla! He had known always that it would be Camilla.

The pale repose of death only emphasized the proud and splendid beauty of that head, with its shut eyes, its mouth firmly closed in a faint smile, and its glorious hair surrounded by all the white frippery of the shroud. Here lay the mortal part of the incomparable creature who had been coveted by three men and won by one—for a few brief days' possession. Here lay the repository of Ravengar's secrets, the grave of Hugo's happiness, the dead mate of Tudor's desire. Here lay the eternal woman, symbol of all beauty and all charm, victimized by her own loveliness. For if she had not been lovely, thought Hugo, if the curves of her cheek and her nostrils and the colour of her skin had been ever so slightly different, the world might have contained one widower, one ruined heart, and one murderer the less that night.

He did not doubt, he could not doubt, after Ravengar's threats, that she had been murdered. And yet he was not angry then. He did not feel a great grief. He was conscious of no sensation save a numbed and desolate awe. He had not begun to feel. Ledging the lid crossways on the coffin, he placed his hand gently upon Camilla's brow. It was colder than he had expected, and it had the peculiar hard, inelastic touch of incipient decay—that touch which communicates a shudder even to the most impassive.

'I must go,' he whispered, staring spell-bound at her face.

He was surprised to find drops of moisture falling on the shroud. They were his tears, and yet he had not known that he was crying.

He hid her again beneath the elm plank, and, taking the screws one by one from the mantel-piece, shut her up for ever from any human gaze. And then, nearly collapsing under a nervous tension such as he had never before experienced, he turned to leave the apartment as he had entered it, like a thief. But the mystery of the heavy velvet portiere invincibly attracted him. His steps wavered towards it. He fancied he saw something dark protruding under the curtain, and he pulled the curtain aside with a movement almost hysteric. A man lay extended at full length on his chest in the passage beyond—what Hugo had noticed was his boot.

'Tudor!' he exclaimed, kneeling to examine the half-concealed face.

At the same moment a figure came quietly down the passage. Hugo looked up, and saw a sallow-featured man of about thirty-five in a tourist suit, with light beard and hair, and long thin hands.

'What is this?' asked the stranger evenly. 'Who are you?'

'My name is Hugo,' Hugo answered with assurance. 'I was walking along the balconies, as I do sometimes at night, and I heard strange sounds here, and as the window was open I stepped in and found this. Are you a friend of Mr. Tudor's?'

The other bent in his turn, and after examining the prone body said:

'I was. He has no friends now.'

'You mean he is dead?'

'He must have died within the last quarter of an hour or so.'

'And nothing can be done?'

'Nothing can be done with death!'

'I take it you are a doctor?' said Hugo.

'My name is Darcy,' the other replied. 'Besides being Tudor's friend, I was his physician.'

'Yet even for a physician,' Hugo pursued, 'it seems to me that you have been able to decide very quickly that your friend and patient is dead. I have always understood that to say with assurance that death has taken place means a very careful and thorough examination.'

'You are right,' Darcy agreed, stroking his short, bright, silky beard. 'There is only one absolute proof of death.'

'And that is?'

'Putrefaction. Nevertheless, the inquest will show whether or not I have been in error.'

'There will have to be an inquest?'

'Certainly. In such a case as this no doctor in his senses would give his certificate without a post-mortem, and though I am an enthusiast, I am in my senses, Mr. Hugo.'

'An enthusiast?'

'Let me explain. My friend Tudor was suffering from one of the rarest of all maladies—malignant disease of the heart. The text-books will tell you that malignant disease of the heart has probably never been diagnosed. It is a disease of which there are no symptoms, in which the patient generally suffers no pain, and for which there is no treatment. Nevertheless, in my enthusiasm, I have diagnosed in this case that a very considerable extent of the cardiac wall was affected by epithelioma. We shall see. Not long since I condemned Tudor to an early and sudden death—a death which might be hastened by circumstances.'

'Poor chap!' Hugo murmured.

The dead man looked so young, artless, and content.

'Why "poor"?' Darcy turned on him sharply but coldly. 'Is not a sudden death the best? Would you not wish it for yourself, for your friends?'

'Yes,' said Hugo; 'but when one is dead one is dead. That's all I meant.'

'I have heard much of you, Mr. Hugo,' said the other. 'And, if I may be excused a certain bluntness, it is very obvious that, though you say little, you are no ordinary man. Can it be possible that you have lived so long and so fully and are yet capable of pitying the dead? Have you not learnt that it is only they who are happy?' He vaguely indicated the corpse. 'If you will be so good as to assist me—'

'Willingly,' said Hugo, who could find nothing else to say. 'I suppose we must call the servants?'

'Why call the servants? To begin with, there is only one here, a somewhat antique housekeeper. Let her sleep. She has been through sufficient to-day. Morning will be time enough for the futile formalities which civilization has invented to protect itself. Night, which is the season of death, should not be disturbed by them.'

'As you think best,' Hugo concurred.

'And now,' Darcy began, in a somewhat relieved tone, when he had finished his task, and the remains of Francis Tudor lay decently covered on a sofa in the drawing-room, that mortuary chamber, 'will you oblige me by coming into the study for a while? I am not in the mood for sleep, and perhaps you are not. And I will admit frankly that I should prefer not to be alone at present. Yes,' he added, with a faint deprecatory smile, 'my theories about death are thoroughly philosophical, but one cannot always act up to one's theories.'

And in the study, at the other end of the flat, far from the relics of humanity, he began to roll cigarettes with marvellous swiftness in his long thin fingers.

Hugo surmised that under his singular and almost glacial calm the man concealed a temperament highly nervous and sensitive.

'You do not inquire about the—the coffin?' said Darcy at length, when they had smoked for a few moments in silence.

As a fact, Hugo had determined that, at no matter what cost to his feelings, he would not be the first to mention the other fatality.

The two men looked at each other, and each blew out a lance of smoke.

'What did she die of?' Hugo demanded curtly.

'You are aware, then, who it is?'

'Naturally, I guessed.'

'Ah! she died of typhoid fever. You knew her?'

'I knew her.'

'Of course; I remember. She was in your employ. Yes,' he sighed; 'she contracted typhoid fever in Paris. It's always more or less endemic there. And what with this hot summer and their water-supply and their drainage, it's been more rife than usual lately. Tudor called me in at once. I am qualified both in England and France, but I practise in Paris. It was a fairly ordinary case, except that she suffered from severe and persistent headaches at the beginning. But in typhoid the danger is seldom in the fever; it is in the complications. She had a haemorrhage. I—I failed. A haemorrhage in typhoid is not necessarily fatal, but it often proves so. She died from exhaustion.'

'I thought,' said Hugo, in a low, unnatural voice, 'that typhoid marked the patient—spots on the face.'

'Not invariably. Oh no; but why do you say that?'

'I only meant that I hope her face was not marked.'

'It was not. You mean that you hope her face was not marked because she was so beautiful?'

'Exactly,' said Hugo. 'And so Tudor brought the body over to England for burial?'

'Yes; he insisted on that. And he insisted on my coming with him. I could not refuse.'

'And now he, too, is gone! Tell me, was he expecting it—his own death?'

Darcy lighted another cigarette.

'Who can say?' he observed to the ceiling. 'Who can say what premonitions such a man may not have had?'

'I heard talking before I came into the flat from the balcony,' said Hugo abruptly. 'It went on for a long time. Was it you and he?'

'No,' the doctor replied; 'I was in here, writing.' He pointed to some papers on a desk. 'I did not even hear him fall.'

'Yet you heard me?'

'No, I didn't. I was just coming to find out what Tudor was doing when I saw you.'

'It is curious that I heard talking, and walking about, too.'

'Possibly he was talking to himself. Did you hear two voices?'

'Perhaps I heard only one.'

'Then no doubt he was talking to himself. You won't be surprised to learn that he had been in an excessively emotional condition all day.... It is all very sad. Only a month ago, and Tudor was—but what am I saying? Who knows what perils and misfortunes he—they—may not have escaped? For my part, I envy—yes, I envy Tudor.'

'But not her? You do not envy her? In your quality of philosophy, you regret her death?'

'Do not ask me to be consistent,' said the philosopher, after a long pause.

Hugo rose and approached Darcy.

'Are you acquainted with a man named Louis Ravengar?' he demanded in a rather loud tone.

The doctor scanned his face.

'I have heard Tudor mention the name, but I do not know him.'

'And upon my soul I believe you,' cried Hugo. 'Nevertheless—'

'Nevertheless what?'

Darcy seemed startled. Hugo's strange outburst was indeed startling.

'Oh, nothing!' Hugo muttered. 'Nothing.' He walked to the window, which looked out on Blair Street. The first heralds of the dawn were in the eastern sky, and the moon overhead was paling. 'It will be daylight in a minute,' he said. 'I must go. Come with me first to the drawing-room, will you?'

And they passed together along the passage to the drawing-room, where the electric lamp was still keeping watch. Hugo stood by the side of the coffin.

'What is it?' Darcy quietly asked.

'Have you ever been in love?' Hugo questioned him.

'Yes,' said Darcy.

'Then I will tell you. You will understand. I must tell someone. I loved her.'

He touched the elm-wood gently, and hurried out of the room by the French window.

* * * * *

Four days later Mr. Senior Polycarp called on Hugo in his central office.

In the meantime the inquest had proved the correctness of Mr. Darcy's diagnosis. Francis Tudor was buried, and Francis Tudor's wife was buried. Hugo, who had accompanied the funerals disguised as one of his own 'respectful attendants,' saw scarcely anyone. He had to recover the command of his own soul, and to adopt some definite attitude towards the army of suspicions which naturally had assailed him. Could he believe Darcy? He decided that he could, and that he must. Darcy had inspired him with confidence, and there was no doubt that the man had an extensive practice in Paris, and was well known at the British Embassy. Camilla, then, had really died of typhoid fever on her honeymoon, and hence Ravengar had not murderously compassed her death. And people did die of typhoid fever, and people did die on their honeymoons.

Either Ravengar's threats had been idle, or Fate had mercifully robbed him of the opportunity to execute them. Hugo remembered that he had begun by regarding the threats as idle, and that it was only later, in presence of Camilla's corpse, that he had thought otherwise of them. So he drove back the army of suspicions, and settled down to accustom himself to the eternal companionship of a profound and irremediable grief.

Then it was that Polycarp called.

'I come to you,' said the white-moustached solicitor, 'on behalf of my late client, Mr. Tudor. He made his will after his marriage, and before starting for Paris, and it contains a peculiar clause. Mr. Tudor had the flat on a three years' agreement, renewable at his option for a further period of two years. Over two years of the three are expired.'

'That is so,' said Hugo. 'You want to get rid of the tenancy at once? Well, I don't mind. I can easily—'

'No,' Polycarp interrupted him, 'I wish to give notice of renewal. The will provides that if the testator should die within two months of the date of it the flat shall be sealed up exactly as it stands for twelve months after his death, and that the estate shall be held by me, as executor and trustee, for that period, and then dealt with according to instructions deposited in the testator's private safe in the vault which I rent from you in your Safe Deposit.'

'But—'

'I have just sealed up the flat—doors, windows, ventilators, everything.'

'Mr. Polycarp, this is impossible.'

'Not at all. It is done.'

'But the reason?'

'I know no more than yourself. As executor, I have carried out the terms of the will. I thought that you, as landlord, were entitled to the information which I have given you.'

'As landlord,' said Hugo, 'I object. And I shall demand entrance.'

'On what ground?'

'Under the clause which in all tenancy agreements gives the landlord the right to enter at reasonable times in order to inspect the condition of the premises,' Hugo answered defiantly to the lawyer.

'I had considered that. But I shall dispute the right. You may bring an action. What then? No court will give you leave to force an entrance. An Englishman's furnished flat, just as much as his house, is his castle. I could certainly keep you out for a year.'

'And may I ask why you are so anxious to keep me out, Mr. Polycarp?'

'I am anxious merely to fulfil my duties. May I ask why you are so anxious to get in? Why do you want to thwart the wishes of a dead man?'

'I could not permit that mystery to remain for a whole year in the very middle of my block of flats.'

'What mystery?' Polycarp suavely inquired.

During this brief conversation all Hugo's suspicions had hurriedly returned, and he had examined them anew and more favourably. Polycarp? Was it not curious that Polycarp should be acting for both Ravengar and Tudor?... Darcy? Were there not very strange features in the behaviour of this English doctor who preferred to practise in Paris?... And the haemorrhage? And, lastly, this monstrous, unaccountable, inexplicable shutting-up of the flat?

He felt already that those empty rooms, dark, silent, sealed, guarding in some recess he knew not what dreadful secret, were getting on his nerves. And was he to suffer for a year?

'Come, Mr. Hugo,' said Polycarp; 'I may count on your goodwill?'

'I don't know,' Hugo replied—'I don't know.'



PART II THE PHONOGRAPH



CHAPTER XI

SALE

Strange sights are to be seen in London.

At five minutes to nine a.m. on the first day of the year seven vast crowds stood before the seven principal entrances to Hugo's; seven crowds of immortal souls enclosed in the bodies of women. They meant to begin the year well by an honest attempt to get something for nothing. It was a cold, dank, raw, and formidable morning; Hugo's tessellated pavements were covered with moisture, and, moreover, day had not yet conquered night. But the seven crowds, growing larger each moment, recked nothing of these inconveniences. They waited stolidly, silently, in a suppressed and dangerous fever, as besiegers await the signal for an attack. Between the various entrances, on the three facades of the establishment, ran the long lines of windows dressed with all the materials for happiness, and behind these ramparts of materials could be glimpsed Hugo's assistants moving about in anxious expectation under the electric lights, which burned red in the foggy gloom. Over every portal was a purple warning: 'Beware of pickpockets, male and female.' No possible male pickpockets, however, were visible to the eye; perhaps they were disguised as ladies. The seven crowds wedged themselves closer and closer, clutched tighter and tighter their purses, and stared at the golden commissionaires through the glass doors with a glance more and more ferocious. Then suddenly something went off with a boom; it was the first stroke of the great Hugo clock under the dome. Six pairs of double doors opened simultaneously, six pairs of golden commissionaires were overthrown like ninepins, and in a fraction of time six companies of determined and remorseless women had swept like Prussian cavalry into the interior of the doomed edifice.

But the seventh crowd was left on the pavement, for the seventh pair of doors had not opened. And this was the more extraordinary in that the seventh crowd was the largest crowd, and stood before the entrance nearest to the principal scene of the day's operations. Instantly the world became aware that Hugo's management was less perfect than usual, and people recalled incidents in his business during the previous four months which had not been to his credit. The seventh crowd was staggered, furious, and homicidal. If glances could have killed the impassive pair of golden commissionaires behind the seventh portal, they would certainly have fallen down dead. If the glass of the seventh portal had not been set in small squares of immense thickness, it would have been shattered to bits, and the stronghold forced. Many women cried out that justice had come to an end in England, for was it not an elementary principle of justice that all doors should open together? A few women, more practical, and near the edge of the enraged horde, slipped away to other entrances. One woman fainted, but she was held upright by the press, and as no one paid the slightest attention to her she rapidly came to. Then at length a tall gentleman in a beautiful frock-coat was seen to be expostulating sternly with the seventh pair of golden commissionaires; the recalcitant doors flew open, and the beautiful frock-coat was hurled violently against a marble pillar for its pains. Just as the seventh regiment was disappearing to join in the sack and loot, a young and pretty girl drove up in a hansom, threw the driver a shilling (which the driver contemplated with a scorn too deep for words), and joined the tail of the regiment.

'I knew I should do it,' she said to herself, 'and Alb said I shouldn't.'

In another moment Hugo's was a raging sea of petticoats. In half an hour the doors had to be shut and locked, and new crowds formed on the tessellated pavements; Hugo's was full.

Hugo's was full!

For three days past Hugo had bought whole pages of every daily paper in London, in order to break gently to the public the tremendous fact that his annual sale would commence on New Year's Day, and the still more tremendous fact that it would close on the third of January. There are only three genuine annual sales in the Metropolis. One is Hugo's, another happens in Tottenham Court Road, and the third—but why disclose the situation of the third, since all persons from Putney to Peckham Rise who are worthy to know it, know it? Hugo's was naturally the greatest, the largest, the most exciting, the most marvellous, the most powerful in its appeal to the most powerful of human instincts—the instinct to get half a crown's worth of value for two shillings. In earlier years Hugo had made his annual sale prodigious and incredible, with no thought of profit, merely for the pleasure of the affair. But he found that the more he offered to the public the more he received from them, and that it was practically impossible to lose money by giving things away. This is, of course, a fundamental axiom of commerce. And now Hugo's annual sale was to be more astonishing than ever; some said that he meant at any cost to efface the memory of those discreditable incidents before mentioned. Decidedly, many of the advertised bargains were remarkable in the highest degree. There was, for example, the 'fine silvered fox-stole, with real brush at each end,' at a guinea. Every woman who can tell a silvered fox-stole from a cock's-feather boa is aware that a silvered fox-stole simply cannot be sold for a guinea. Yet Hugo had announced that he would sell two thousand of them at that price, not to mention muffs to match at the same figure. And there was the famous 'Incroyable' corset, white coutille, with wide belted band round hips, double belt to buckle at sides, cut low—' Enough! Further indiscretions of description are not necessary to show that eighteen and nine is the lowest price at which a reasonable creature could hope to obtain the 'Incroyable' corset. But Hugo's price was twelve and eleven. And the whole-page advertisements were a solid blazing mass of such jewels.

The young and pretty girl who had known that she would 'do it' hastened with assured steps, and as quickly as the jostling multitudes would allow, to the fur department. She was in pursuit of one of the silvered fox-stoles with real brush at each end. She had her husband's permission—nay, his command—to purchase a silvered fox-stole at a guinea—if she could. On the way to her goal she encountered by chance Simon Shawn, and it occurred that a temporary block compelled her to halt before him. The two gazed at each other, and Simon looked away, flushing. It was plain that, though acquainted, they were not on speaking terms. The fact was, that their silence covered a domestic drama—a drama which had arisen as the consequence of a great human truth—namely, that even detectives will marry.

It will be remembered that on a certain morning in July, after Hugo had finished pasting a notice on a mirror in one of the common rooms, in the presence of a pink-aproned waitress, Albert Shawn entered, and kissed the pink-aproned waitress. So far as possible, whom Albert Shawn kissed he married, and he had married the waitress just the week before Christmas, and this was she. Simon had objected sternly to the mesalliance. It seemed shocking to Simon that a rising detective should marry a girl who waited on shop-girls. Hence the drama. Hugo had positively refused to allow an open quarrel between the brothers, because of its inconvenience to himself, but he could not prevent a quarrel between Simon and Lily—such was her name. They met now for the first time since the marriage, and Lily's demeanour may be imagined. She gazed through Simon as though he did not exist, and passed magnificently onwards as soon as the throng permitted. She was Mrs. Albert Shawn, as neat as ninepence, as smart and pert as a French maid out for the day. She drove in hansoms, and she had a five-pound note in her pocket.

Albert had been granted two weeks' vacation for his honeymoon, and he ought to have resumed his duties of detection that morning. The honeymoon, however, had lasted only nine days, and the remaining five days of the period had been spent by him in some secret affair of his own, an affair which had ended in an accident to his left foot, so that he could not walk. The consequence was that, on this day of all days, Hugo's was deprived of his services. Lily was, perhaps, not altogether sorry for the catastrophe which kept him a prisoner in the nest-like home in Radipole Road, for it had resulted in this excursion of hers to the sale. Albert had bidden her to go to buy a stole and other things, to keep her eyes open, and to report to Hugo in person if she observed anything queer. He had even given her a pass which would ensure her immediate admittance to any of Hugo's private lairs. Therefore, Lily felt extremely important, extremely like a detective's wife. She knew that Albert trusted her, and she was very proud that she had not asked him any questions concerning a matter exasperatingly mysterious. Albert had taught her that a detective's wife should crucify curiosity.

She fought her way to a counter in the fur department.

'The guinea stoles?' she inquired from a shopwalker.

'I—I beg pardon, miss,' said the shopwalker.

'Madam,' Lily corrected him. 'I want one of those silvered fox-stoles advertised at a guinea.'

'You'll probably find them over there, madam,' said the shopwalker, pointing.

'Aren't you sure?' she asked tartly. 'I don't want to struggle across there and then find they're somewhere else.'

The shopwalker turned his back on her.

'Well, I never!' she exclaimed to herself, and decided that Albert should avenge her.

Then, behind the counter, she saw a girl whom she used to serve with a glass of milk every morning.

'Oh, Miss Lawton,' she cried, as an equal to an equal, 'can you tell me where the stoles are to be found?'

'Probably over there, Mrs. Shawn,' said Miss Lawton kindly, nodding the greeting she had no time to utter.

So Lily got away from the counter, plunged into a chartless sea of customers, and eventually emerged in the quarter which had been indicated.

'All sold out, miss!'

Such was the blunt answer to her demand for a silvered fox-stole.

'Don't talk to me like that!' said Mrs. Albert Shawn. 'It isn't above half-past nine on the first morning of the sale, and you advertised two thousand of them.'

'Sorry, miss. All sold out,' repeated the second shopwalker.

'I shall report this to Mr. Hugo. Do you know who I am? I'm—'

And the second shopwalker also turned his back.

Could these things be happening at Hugo's, at Hugo's, so famous for the courtesy, the long patience, the indestructible politeness of its well-paid employes? And could Hugo have descended to the trickeries of the eleven-pence-halfpenny draper, who proclaimed non-existent bargains to lure the unwary into his shop? Lily might have wondered if she was not dreaming, but she was far too practical ever to be in the least doubt as to whether she was asleep or awake. And now she perceived that scores of angry women about her were equally disappointed by the disgraceful absence of those stoles. The department, misty, stuffy, and noisy, had the air of being the scene of an insurrection. One lady was informing the public generally that she had demanded a guinea stole at three minutes past nine, and had been put off with a monstrous excuse. And then a newspaper reporter appeared, and began to take notes. The din increased, though shopwalkers said less and less, and the chances seemed in favour of the insurrection becoming a riot. Other admirable bargains in furs were indubitably to be had—muffs, for example—and the cashiers were busy; but nothing could atone for the famine of stoles.

Lily had a suspicion that Albert would have wished her to report these singular circumstances to Hugo at once. But she dismissed the suspicion, because she passionately desired an 'Incroyable' corset at twelve and eleven, and she feared lest the corsets might have vanished as strangely as the stoles. In ten minutes, breathless, she had reached the corset department, demanded an 'Incroyable' of the correct size, and bought it. There was no dissatisfaction in the corset department.

'Shall we send it, miss?'

'Madam,' said Lily proudly. 'No, I'll take it.'

'Yes, madam.'

At the cash desk (No. 56) she had to wait her turn in a disorderly queue before she could tender the bill and her five-pound note. Customers pressed round her on all sides as she put down the note and peered through the wire network into the interior of the desk.

'Next, please,' said the cashier sharply, after a moment.

'My change,' demanded Lily.

'You have had it, madam.'

'Oh,' said Lily, 'I have had it, have I? Now, none of your nonsense, young man! Do you know who I am? I'm Mrs. Albert Shawn.'

'Mr. Randall,' the cashier called out coldly, and a grave and gigantic shopwalker appeared who knew not the name of Albert Shawn, and who firmly told Mrs. Shawn that if she wished to make a complaint she must make it at the Central Inquiry Office, ground-floor, Department 1A.

Lily had been brazenly robbed at Hugo's by an employe of Hugo! She was elbowed away by other women apparently anxious to be robbed. She wanted to cry, but suddenly remembering her identity, and her pass to the presence of Hugo, she threw up her head and marched off through the crowds.

She had not proceeded twenty yards before she was stopped by a group of persons round a policeman—a policeman obviously called in from Sloane Street. A stout woman of lady-like appearance had been arrested on a charge of attempted pocket-picking. An accusatory shopwalker charged her, and she replied warmly that she was Lady Brice (nee Kentucky-Webster), the American wife of the well-known philanthropist, and that her carriage was waiting outside. The policeman and the shopwalker smiled. It was so easy to be the wife of a well-known philanthropist, and in these days all the best pickpockets had their carriages waiting outside.

'I know this lady by sight,' said Lily. 'She visited the common-rooms last year to see the arrangements, with Mr. Hugo, and he called her Lady Brice, and I can tell you he'll be very angry with you.'

'And who are you, my young friend?' said the policeman sceptically, and threateningly.

'I'm—'

The formula proved useless. Lady Brice (nee Kentucky-Webster) was led off in all her vast speechless, outraged impeccability, and poor little Lily was glad to escape with her freedom and the memory of Lady Brice's grateful bow.

She ran, gliding in and out between the knots of visitors, until she was stopped by a pair of doors being suddenly shut and fastened in her face. The reason for the obstruction was plain. Those doors admitted to the blouse department, and the blouse department, as Lily could see through the diamond panes, was a surging sea of bargain-hunters, amid which shopwalkers stood up like light-houses, while the girls behind the counters trembled in fear of being washed away. Discipline, order, management, had ceased to exist at Hugo's.

Mrs. Shawn turned to seek another route, but already dozens of women were upon her, and she could not retire. The crowd of candidates for admission to the blouse department swelled till it filled the gallery between that department and its neighbour. Then someone cried out for air, and someone else protested that the doors at the other end of the short gallery had also been shut. Lily, whose manifold misfortunes had not quenched her interest in the 'Incroyable' corset, opened her parcel, and found that the corset was not an 'Incroyable' at all, but an inferior substitute, with no proper belted band, and of a shape to startle even a Brighton bathing-woman! The change must have been effected by the assistant in making up the parcel.

'Well!'

She could say no more, and think no more, than this 'Well!'

And, moreover, the condition of the packed gallery soon caused her to forget even the final swindle of the corset. The air had rapidly become exhausted. Women clutched at each other; women rapped frenziedly against the heavy, glazed doors; women screamed. It was the Black Hole of Calcutta over again, and yet no one in the blouse department seemed to notice the signals of distress. Lily felt the perspiration on her brow and chin, and then she knew that she, too, must scream and clutch; and she cried out, and the pressure which forced her against the door grew more and more terrible.... She had dropped the corset.... She murmured feebly 'Alb—'.... She began to dream queer dreams and to see strange lights.... And then something gave way with a crash, and she fell forward, and regiments of horses trampled over her, and at last all living things receded from her, and she was in the midst of a great silence. And then even the silence was gone, and there was nothing.

So ended the first part of Lily's adventures at Hugo's infamous annual sale.

* * * * *

When she recovered perfect consciousness, she was in the dome. She knew it was the dome because Albert had once, at her urgent request, taken her surreptitiously to see it. Simon was standing over her, as sympathetic as the most exigent sister-in-law could wish, and the great Shawn family feud had expired.

In two minutes she was her intensely practical self again. In five minutes she had acquainted Simon with all her experiences; they were but the complement of what he himself had witnessed.

The sense of a mysterious calamity over-hanging Hugo's, and the sense of the shame which had already disgraced Hugo's, pressed heavily on both of them. They knew that only one man could retrieve what had been lost and avert irreparable disaster. Their faith in that man was undiminished, and Simon at least was sure that he had been victimized by some immense conspiracy.

'Why don't you find Mr. Hugo?' Lily demanded.

'I've looked everywhere. A letter was brought up to him about an hour ago, and he went off instantly.'

'And where's the letter?'

'I expect it's in that drawer, where he throws all his private letters,' said Simon, pointing to a drawer in the big writing-table on the opposite side of the room from the piano.

'Is it locked—the drawer?'

'No.'

'Then open it.'

'It's the governor's private drawer,' said Simon. 'I've never—'

'Stuff!' Lily exclaimed, and she opened the drawer and drew out the topmost letter.

It was on blue paper.

'Yes, that's it,' said Simon. 'The envelope was blue, I remember.'

'He must be in the Safe Deposit,' said Lily, perusing the letter with flying glance.

And Simon, at length sufficiently emboldened, seized the letter and read:

'SIR,

'Mr. Polycarp has just been here, and accidentally left behind him keys of his vault, including safe of late Mr. Francis Tudor, etc. In these peculiar circumstances I shall be glad to know what I am to do.

'Yours respectfully,

'H. BROWN,

'Head Guardian,

'Hugo's Safe Deposit.'

'What on earth can Brown be thinking about?' muttered Simon. 'Hadn't he got enough gumption to send a messenger after Mr. Polycarp, without troubling the governor? He'll catch it.'

'Never mind that,' said Lily sharply. 'Run down to the Safe Deposit. Run, Simon.'

It was as though a delay of minutes might mean ruin. Who could say what was even then happening in the disorganized and masterless departments?



CHAPTER XII

SAFE DEPOSIT

The Safe Deposit at Hugo's was perhaps the most wonderful of all the departments. Until Hugo thought of it, and paid a trinity of European experts to design and devise it, there had existed no such thing as an absolutely impregnable asylum for valuables. In Dakota a strong-room alleged to be impregnable had been approached underground, tunnelled, mined, and emptied by thieves with imagination. In the North of England a safe, which its inventor had defied the whole universe of crime to open, had been rifled by the aid of so simple a dodge as duplicate keys. Even in Tottenham Court Road a couple of ingenious persons had burnt a hole in a guaranteed safe by means of common gas at three and threepence per thousand cubic feet. These surprises could not occur at Hugo's. His Safe Deposit really was what it pretended to be. All contingencies were provided for. It was the final retort of virtue to vice.

You approached it by a door of quite ordinary appearance (no one cares to be seen leaving what is obviously a safe deposit), and you signed your name before entering a lift. You descended forty feet below the surface of the earth, gave a password on emerging from the lift, traversed a corridor, and at length stood in front of the sole entrance to the Safe Deposit. A guardian, when you had signed your name again, unlocked three unpickable, incombustible, and gunpowder-proof locks in a massive steel door, and you were admitted, assuming always that the hour was between nine and six. Out of hours and on Saturday after-noons and on Sundays a time-lock rendered it utterly impossible for any person whatever to turn any key in the Safe Deposit. Once the lock was set, Hugo himself could not have entered, not even to save the British Empire from instant destruction, until the time-lock had run its course.

You found yourself in an electrically lighted world of passages built in flashing steel, with floors of steel and ceilings of steel—a world where the temperature was always 65 deg.. Every passage was separated from every other passage by steel grilles, and at intervals uniformed and gigantic officials wandered about with impassive, haughty faces—faces that indicated a sublime confidence in the safety of the multifarious riches committed to their care. You might have guessed yourself in the fell grip of the Inquisition. As a fact, you were in something far more fell. You were in a vast chamber of steel, and that chamber was itself enclosed on all sides by three feet of solid concrete. No thief could tunnel or mine you without first getting through the District Railway on the one hand, or the main drainage system of London on the other. No thief could rifle you by means of duplicate keys, for no vault and no safe could be opened except in the presence of the head guardian, who possessed a key without which the renter's key was useless. No tricks could be played with the gas, because there was no gas, and the electric light could only be turned off or on from the top of the lift-well.

Now, it was a singular thing that when Simon Shawn, having proved his identity and his mission at the lift, arrived at the entrance to the Safe Deposit, he discovered the great steel door ajar, and no door-guardian in the leather chair where a door-guardian always sat. This condition of affairs did not affect the essential impregnability of any individual vault or safe, but, nevertheless, it was singular.

Simon walked straight in.

'There's no one at the door,' he said to the patrol, whom he met in the main passage. 'I want to see Mr. Hugo at once. He's down here somewhere, or he's been here.'

'Yes, Mr. Shawn,' said the patrol politely; 'I did see Mr. Hugo here about an hour or so ago. I'll ask Mr. Brown. Will you step into the waiting-room?'

Half-way along the main corridor was a large room, whose steel walls were masked by tapestries, where renters could examine their treasures on marble tables. It was empty when Simon went in. The patrol carefully closed the door on him, and then in a moment came back to say that Mr. Brown was not in his office, and had probably gone out to lunch, the hour being noon.

'Where did you see Mr. Hugo?' Simon asked, hurrying out of the room in a state of considerable agitation.

'I saw him just here, sir,' said the patrol, turning down a short side corridor—the grille was unfastened—and stopping before a door numbered thirty-nine. 'He was talking to Mr. Brown, and the door of the vault was open.'

'That must be Mr. Polycarp's vault,' Simon observed; and then he started, and put his ear against the door. 'Listen!' he exclaimed to the patrol. 'Can't you hear anything inside?'

And the patrol also put his ear to the steel face of the door.

'I seem to hear a faint knocking, but it's that faint as you scarcely can hear it. There! it's stopped.'

'He is inside,' Shawn whispered.

'Who's inside?'

'Mr. Hugo.'

'It's God help him, then,' said the patrol, 'if he's there long. There's no ventilation, Mr. Shawn. We'd better telephone for Mr. Polycarp. The other key will be in the key-safe. I can get it. But how do you make out, sir, that Mr. Hugo can be in there? The vault could only be locked by Mr. Polycarp and Mr. Brown together, and surely they couldn't both—'

'Mr. Polycarp left his keys behind by accident. He had gone before Mr. Hugo came down.'

'There's been no Mr. Polycarp here this morning,' said the patrol a minute later. 'I've looked at the signature-book. I thought it was queer I hadn't seen him. And, what's more, that isn't Mr. Polycarp's vault at all. Mr. Polycarp's vault is No. 37. This vault has been empty for several weeks.'

'Then you have both the keys?' Simon demanded quickly.

'No, sir. It's very strange. There's only one key of No. 39 in the key-safe, and it's the renter's key.'

'Then Mr. Brown must have the other.'

'I expect so. But he ought not to have. It's against rules,' said the patrol. 'I know where he takes his lunch. I'll send for him.'

Simon put his ear again to the face of the door. The faint knocking had ceased, but after a few seconds it recommenced.

'And suppose you don't find Mr. Brown?' he queried, still listening.

'Then that vault can't be opened. But never you fear, Mr. Shawn. I'll have him here in three minutes. It's funny as he should have left anybody in there by accident—and Mr. Hugo of all people in this blessed world....'

The patrol's accents died away as he passed down the main corridor.

Within the next half-hour Simon, who had the rare virtue of being honest with himself, was freely admitting, in the privacy of his own mind, that the crisis had got beyond his power to grapple with it, and he had begun to fear complications more dreadful than he dared to put into words. For the patrol had failed to find Mr. Brown. Mr. Brown, head guardian of the Safe Deposit, had disappeared. Nor was this all. A renter had come to take his belongings from a safe in the third side-passage on the left, and the sub-guardian imprisoned in that passage could not open the grille between it and the main corridor. He had his key, but the key would not turn in the glittering lock. The renter, too impatient to wait, had departed very angrily at this excess of safety. Then it was gradually discovered that every sub-guardian in every side-passage was similarly imprisoned. Not a key in the entire place would turn. The patrol rushed to the main door. The three keys had clearly been turned while the door was opened, and the shot bolts prevented the door from closing. This explained why the door was ajar, but it did not explain the absence of the doorkeeper, who had apparently followed in the footsteps of his chief, Mr. Brown.

'The time-lock! Someone must have set it!' cried the patrol to Shawn, and the two hastened to the other end of the main corridor, where the dial of the machine glistened under an electric lamp.

And all the sub-guardians stirred and grumbled in their beautiful bright cages like wrathful lions. No such scene had ever been known in that Safe Deposit or any other safe deposit before.

The patrol was right. The dial of the time-lock showed that it had been set against every lock, great and small, in the Safe Deposit, until nine a.m. the next day.

'It's all up!' the patrol said solemnly.

'Do you mean to say nothing can be done to open that vault till nine to-morrow?' Simon demanded in despair.

'Nothing. The blooming Czar couldn't manage it with all his Cossacks! No, nor Bobs either! This is a Safe Deposit, this is, and if Mr. Hugo is in that vault, it's Mr. Hugo as knows it's a Safe Deposit by now.'

A brief silence ensued, and then Simon said:

'We must telephone to the police. There's a telephone in the waiting-room, isn't there?'

The patrol admitted that there was, but his manner hinted a low opinion of the utility of the police. He stood mute while Simon Shawn told the telephone receiver what had occurred in the bowels of the earth beneath Hugo's.

'Wait a minute,' said the telephone, and then, after a pause: 'Are you there? I'm Inspector Winter.'

'That's him as has charge of all the strong-room cases,' the patrol interjected to Simon.

'I've got Mr. Jack Galpin here, as it happens,' said the telephone.

'Mr. Jack Galpin?' Simon questioned.

'He's just done eighteen months for an attempt in Lombard Street,' the patrol explained. 'I've heard of him.'

'I'll come down with him immediately in a cab,' said the telephone.

When Simon returned to the impregnable door of Vault 39 he listened in vain for a sound. Then he knocked with his pen-knife on the polished steel, and presently there was an answering signal from within—a series of scarcely perceptible irregular taps. It struck him that the irregularity of the taps formed a rhythm, and after a few seconds he recognised the rhythm of the Intermezzo from 'Cavalleria Rusticana,' which he had played for Hugo that very morning.

It was at this moment that the messenger-boy attached to the department came whistling into the steel corridors, and delivered to the patrol a small white packet, which, he said, Mr. Brown had handed to him with instructions to hand it to the patrol. He had seen Mr. Brown in a cab outside the building, and Mr. Brown had the appearance of being very ill.

The packet contained the second key of Vault 39.

'But this'll be no use till to-morrow,' was the patrol's comment, 'and by then—'



CHAPTER XIII

MR. GALPIN

When the patrol and Simon between them had explained the mysterious and fatal situation to Mr. Jack Galpin, Mr. Jack Galpin leaned against one of the marble tables in the waiting-room, and roared with laughter.

'Well,' observed Mr. Galpin, 'he didn't have his Safe Deposit built for nothing, anyhow!'

And he laughed again.

'But he's slowly dying in there!' said Simon.

'Yes, I know,' said Mr. Galpin. 'That's what makes it such a good joke.'

'I don't see it, sir,' Simon remarked.

'Simply because your sense of humour is a bit off. What are you?'

'I am Mr. Hugo's man.'

'My respects.'

Mr. Galpin had arrived with Inspector Winter, and Inspector Winter had introduced him as knowing more about safes than any other man in England, or perhaps in Europe. After the introduction, Inspector Winter, being pressed for time, had departed. Mr. Galpin was aged about forty, and looked like an extremely successful commercial traveller. No one would have suspected that he had recently done eighteen months anywhere but in a first-class hotel; even his thin hands were white, and if his hair was a little short—well, the hair of very many respectable persons is often a little short. It appeared that he was under obligations to Inspector Winter, and anxious to oblige. The relations between distinguished law-breakers and distinguished detectives are frequently such as can only exist between artists who esteem each other. For the rest, Mr. Galpin had brought a brown bag.

'You see, the time-lock is placed so that—' began the patrol.

'Shut up!' said Mr. Galpin curtly. 'I know all that. I've got scale-plans of every Safe Deposit in London, and I decided long since that this one was too good to try. Of course, with the aid of the entire staff things might be a bit easier, but not much—not much!' he repeated scornfully. 'If I can manage a job at all, I can usually manage it alone, and in spite of the entire staff.'

'I suppose you couldn't burn the door of the vault with oxy-hydrogen?' Simon suggested.

'Yes, I could,' said Mr. Galpin; 'and with the brand of steel used here I should get through about this time to-morrow. I could blow the bally vault up with gun-cotton in something under two seconds, but no doubt your Mr. Hugo would go up with it, and then the Yard would be angry. No!'

He hummed an air, and strolled out into the main corridor to stare at the curious dial of the time-lock.

'Why not blow up the clock of the time-lock?' ventured the patrol.

'Look here!' said Mr. Galpin, 'you ought to know better than that, even if this other gent doesn't. Any violence to the clock automatically jams all the connecting levers. Stop the clock, and it's all up. Nothing but unbuilding the whole place would free the locks after that. And it would be a mighty smart firm that could unbuild this place inside a fortnight. No!' he said again. 'No gammon with the clock—unless we could make it go quicker.'

'Then there's nothing,' Simon stammered.

Mr. Galpin gazed at the young man.

'Assuming I do the job, what's the job worth?' he asked.

'It's worth anything.'

'Is it worth a hundred pounds?'

'Yes.'

'Cash?'

'Yes, I promise it. I will hand you my savings-bank book if you like.'

'I only ask because I have a sort of a notion about that clock. It's a pendulum clock, and you know how fast a clock ticks when you take the pendulum away, and the escapement can run free. It does an hour in about three minutes. Now, if I could get the pendulum out without alarming the clock ... it would be nine to-morrow morning in no time. See?'

'I see that,' said the patrol. 'I see that. But what I don't see—'

'Never mind what you don't see,' Mr. Jack Galpin murmured. 'Bring me my bag out of there. I may tell you,' he went on to Simon, 'that I thought of this scheme months ago, just as a pleasant sort of a fancy, but quite practical. It's a queer world, isn't it?'

'Here's your bag,' said the patrol.

'Now you two can just go into the waiting-room, and wait till I call you. Understand? And tell all these wild beasts round here to hold their tongues and sit tight. I haven't got to be disturbed in a job like this.... And it's a hundred pounds if I do it, mister, no more and no less, eh?'

Within exactly twenty-five minutes Mr. Galpin entered the waiting-room.

'See that?' he said, holding up a pendulum. 'That's it. You can come and look now. But I don't invite the public to see my own private melting process. Not me!'

He had burnt two holes through the half-inch plate of Bessemer steel in which the clock was enclosed, and by means of two pairs of tweezers (which must certainly have been imitated from the armoury of a dentist) he had detached the pendulum without stopping the clock. The hands of the clock could be plainly seen to move, and its ticking was furiously rapid.

Mr. Galpin made a calculation on his dazzling cuff.

'In three-quarters of an hour the clock will have run out,' he informed his audience, 'and you will be able to open any locks that you've got keys for. I shall call to-morrow morning, young man, for the swag. And don't you forget that there's only one Jack Galpin in the world. My address is 205, the Waterloo Road.'

He left, with his bag.

Simon rushed to Vault 39 to encourage the captive by continual knocking.

Then the messenger-boy, who had been despatched to obtain food for the prisoners behind the various grilles, came back with the desired food, and with a copy of the Evening Herald. The back page of the Herald bore Hugo's immense advertisement. The front page was also chiefly devoted to Hugo. It displayed headings such as: 'Shocking Scenes at a Sloane Street Sale,' 'Women Injured,' 'Customers Complain of Wholesale Swindling,' 'Scandalous Mismanagement,' 'The Hugo Safe Deposit Suddenly Closed,' 'Reported Disappearance of Mr. Hugo,' 'Is He a Lunatic?'

And when the three-quarters of an hour had expired Simon and the patrol unlocked the massive portal of Vault 39, and swung it open, fearful of what they might see within. And Hugo, pale and feeble, but alive, staggered heavily forward, and put a hand on Simon's shoulder.

'Let us get away from this,' he whispered, as if in profound mental agony.

Ignoring everything, he passed out of the impregnable Safe Deposit, with its flashing steel walls, on Simon's obedient arm.



CHAPTER XIV

TEA

Arrived on the ground-floor, Simon managed to avoid the busy parts of the establishment, but he happened to choose a way to Hugo's private lift which led past the service-door of the Hugo Grand Central Restaurant. And Hugo, although apparently in a sort of torpor, noticed it.

'Tea!' he ejaculated. 'If I could have some at once!'

And he directed Simon into the restaurant, and so came plump upon one of the worst scenes in the entire place. The first day of the great annual sale was closing in almost a riot, and there in the restaurant the primeval and savage instincts of the vast, angry crowd were naturally to be seen in their crudest form. The famous walnut buffet, eighty feet in length, was besieged by an army of customers, chiefly women, who were competing for food in a manner which ignored even the rudiments of politeness. It would be difficult to deny that several scores of well-dressed ladies, robbed of their self-possession and their lunch by delays and vexations and impositions in the departments, were actually fighting for food. The girls behind the buffet remained nobly at their posts, but the situation had outgrown their experience. Every now and then a crash of crockery or crystal was heard over the din of shrill voices, and occasionally a loud protest. Away from the buffet, on the fine floor of the restaurant, a few waitresses hurried distracted and aimless between the tables at which sat irate and scandalized persons who firmly believed themselves to be dying of hunger. A number of people were most obviously stealing food, not merely from the sideboards, but from their fellows. At a table near to the corner in which Hugo, shocked by the spectacle, had fallen limp into a chair, was seated an old, fierce man, who looked like a retired Indian judge, and who had somehow secured a cup of tea all to himself. A pretty young woman approached him, and deliberately snatched the cup from under his very nose—and without spilling a drop. The Indian judge sprang up, roared 'Hussy!' and knocked the table over with a prodigious racket, then proceeded to pick the table up again.

'Is it like this everywhere?' asked Hugo of Shawn.

And Shawn nodded.

'I might have foreseen,' Hugo murmured.

'I'll try to get you some tea, sir,' Shawn said, with an attempt to be cheerful.

'Don't leave me,' begged Hugo, like a sick child. 'Don't leave me.'

'Only for a moment, sir,' said Shawn, departing.

Hugo felt that he was about to swoon, that he had suffered just as much as a man could suffer, and that Fate was dropping the last straw on the camel's back. His head fell forward. He was beaten for that day by too many mysteries and too many tortures. And then he observed that the pretty young woman who had stolen the cup of tea from the Indian judge was hastening towards him with the cup of tea in one hand and several pieces of bread-and-butter in the other.

'Drink this, Mr. Hugo,' she whispered, standing over him. He hesitated. 'Drink it, I say, or must I throw it over you?'

He sipped, and sipped again, obediently.

'Good, isn't it?' she questioned.

He looked up at her. He was stronger already.

'It's very good,' he said, with conviction. 'Now a bit of bread-and-butter. Thanks.' Yes, the excellence and power of the Hugo tea was not to be denied, and he was deeply glad in that moment that he owned his private plantations in Ceylon. 'Who are you, may I ask?' he demanded of his rescuer.

'If you please, sir, I'm Albert's wife.'

'Albert?'

'Albert Shawn, your detective, sir.'

'Of course you are!'

'You gave us a bedroom suite for a wedding present, sir.'

'Of course I did! By the way, where's Albert?'

'He's had an accident to his foot, and couldn't come to-day. You're less pale than you were, sir. Take this other piece.'

Then Simon returned, empty-handed, and Lily's eye indicated to him her real opinion of the value of a male in a crisis. She asked no questions concerning the events which had ended in Hugo's collapse. She merely dealt with the collapse, and in the intervals of dealing with it she explained to Simon how she had waited and waited in the dome, and then descended and tried in vain to enter the Safe Deposit, and been insulted by the messenger-boy, and had finally drifted to the restaurant, where she had caught sight of Hugo and himself, and guessed immediately that something in the highest degree unusual had occurred.

'Come,' said Hugo at last, in curt command, 'I am better.'

He had recovered. He was Hugo again. And Simon was once more nothing but his body servant, and Lily nothing but an ex-waitress who had married rather well. He thanked Lily, and told her to go and look after her husband as well as she had looked after him.

In the dome Simon ventured to show him the Evening Herald. And, having read it, Hugo nodded his head and pressed his lips together. He had ordered champagne and sandwiches, and was consuming them, at the same time opening a series of yellow envelopes which lay on a table. These latter were reports from his detective corps, which had accumulated during the day.

'Get a sheet of plain paper,' he said to Simon, 'and write this letter. Are you ready? Yes, it will do in pencil; I even prefer it in pencil.

'"DEAR SIR,

'"I have reason to think that you may be interested in some extraordinary information which I have in my possession concerning Camilla Tudor, who is supposed to have been buried at Brompton Cemetery in July last year. If I am right, perhaps you will accompany the bearer to my rooms. At present I will not disclose my name.

'"Yours, etc."

'Put any initials you like. Address it to Louis Ravengar, Esquire. Now listen to me. Go down to the auto garage, and choose a good man to take the note instantly; a second man must go with him. If they bring back Ravengar, he is to be taken to No. 6, Blair Street, shown upstairs, and brought along the bridge-passage into the building. It will be quite dark, and he will never guess. If necessary, he must be brought to me by force, once he is inside. Have two or three porters in attendance to see to that. But if it's managed properly, he'll come without a suspicion, and he'll be finely surprised when he finds that the long passage ends in just this room. Come back to me as soon as you've attended to that.'

'Yes, sir,' said Simon, quite mystified, but none the less enchanted to see Hugo so actively the old Hugo.

In ten minutes he had returned, and was beginning to relate new facts which he had learnt while downstairs.

'Stop!' said Hugo. 'Don't worry me with needless details. I know enough. And don't ask me any questions. We can't hope to remedy the state of affairs to-day. Nevertheless, we can do something for to-morrow. I must have Mr. Bentley, the drapery manager, brought here before six o'clock. He must be found.'

'He is found, sir. He has shot himself in his house in Pimlico Road.'

Hugo started.

'Ah!' was all he said at first. He added dryly: 'Good! And Brown?'

'I have no news of him, sir. He's vanished.'

'Telephone down to the press department that Mr. Aked must come up to see me at seven o'clock precisely, and, in the meantime, he must secure an extra half-page in all to-morrow's papers.'

'Yes, sir.'

'And after closing-time the entire staff must assemble, the men in the carpet-rooms, and the women in the central restaurant—or what's left of it. I shall speak to them. Have notices put in the common-rooms.'

'Yes, sir.'

'And send me all the buyers from the drapery department. They must go round and buy every silvered fox-stole in London to-night, at no matter what price.'

'Certainly, sir.'

'And telephone to Y.Z. that I shall be down there as soon as I can about these things.'

He touched the pile of yellow envelopes. Y.Z. was the name always given to the detectives' private room.

'Precisely, sir.'

'That's all.'

Simon Shawn gathered that his master had a very definite clue to the origin of the unique and fatal events of that day, and that all dark places were about to be made light with a blinding light.



CHAPTER XV

RAVENGAR IN CAPTIVITY

'Ravengar, what a fool you are!'

The dome was in darkness. Hugo, who stood concealed near the switch, turned on all the lights as soon as he had uttered this singular greeting, and stepped forward. He had decided to kill Ravengar. The desire to murder was in his heart, and in order to give all his instincts full play he had chosen a theatrical method of welcoming his victim into the fastness from which he was never to escape.

'D—n!' exclaimed Ravengar, evidently astounded to the uttermost to find himself in Hugo's dome, and in the presence of Hugo.

He sprang back to the door of the dressing-room by which he had so unsuspectingly entered.

'What a fool you are to fall into a trap so simple! No; don't try to get away. You can't. That door is locked now. And, moreover, I have a revolver here, and also a pair of handcuffs, which I shall use if I have any trouble with you.'

Ravengar gazed at his captor, irresolute. His clean-shaven upper lip seemed longer than ever, and his short gray beard and gray locks gave him an appearance of sanctimony which not even his sinister eyes could destroy. Then he sat down on a chair.

'I should like to know—' he began, trying to speak steadily.

'You would like to know,' Hugo took him up, 'why I am here alive, instead of being in that vault, suffocated. It was a pretty dodge of yours to get me down there. You counted on my curiosity about the Tudor mystery. You felt sure I should yield to the temptation. And I did yield. You were right. I was prepared to commit a breach of faith in order to satisfy that curiosity. No sooner was the door closed on me by that scoundrel Brown, and I found the vault not Polycarp's vault at all, than I knew to a certainty that you were at the bottom of the affair. So easy to make out afterwards that it was an accident! So easy to spirit Brown away! So easy to explain everything! Why, Ravengar, you intended to murder me! I saw the whole scheme in a flash. You have corrupted many of my servants to-day. But you didn't corrupt all of them. And because you didn't, because you couldn't, I am alive. You would like to know how I got out. But you will never know, Ravengar. You will die without knowing.'

Ravengar put his hands in his pockets.

'I can only assume that you are going mad, Owen,' said he. 'I have long guessed that you were. Nothing else will explain this extraordinary action of yours towards me.'

'You act well,' replied Hugo, sitting down and eyeing Ravengar critically. 'You act well. But you gave the whole show away by the tone in which you swore two minutes ago. If there is anyone mad in this room, it is yourself. Your schemes show that queer mixture of amazing ingenuity and amazing folly which is characteristic of madmen. Let us hope you are mad, at any rate.'

'My schemes!' sneered Ravengar. 'You might at least tell the madman what his schemes are.'

Hugo laughed.

'You must have been maturing the day's business quite a long time, my boyhood's companion, my floater of public companies, my pearl of financiers. Yes, decidedly parts of it were wonderfully ingenious. To sow the place with pickpockets, to get at my cashiers, my commissionaires, and my servers. To substitute your own false shopwalkers for the genuine article. To arrange for the arrest of important customers on preposterous charges of theft. To lock up a hundred women in a gallery till they nearly died. To have my best and most advertised bargains removed in the night. To deprive the restaurants of food, and to employ women to turn them upside down. To produce, as you contrived to do, a general air of pandemonium, and to ruin the discipline of over three thousand of the best-trained employes in England. All this, and much else which I do not mention, was devilish clever in its conception, and the execution of it commands my unqualified admiration. Especially having regard to the fact that you contrived not to arouse my suspicions. I may tell you that certain strange incidents which occurred in my establishment during the autumn did indeed lead me vaguely to suspect that you were at work against me, but you were sufficiently smart to put me off the track again. Let me add that until this afternoon I did not perceive that your purchase of a controlling share in the Evening Herald was only a portion of a mightier plan.'

'Really, Owen—'

'Don't waste your breath in denials. You will have none at all presently, like Bentley.'

'Bentley?' repeated Ravengar, with a slight movement.

'Yes; but we will come to Bentley in a few minutes. I have enlarged to you on your own cleverness. I must enlarge to you on your folly. What folly! What was the end of all this to be, Ravengar? I have tried to put myself in your place, and to follow your thoughts. You hate me. You think I robbed you of a fortune, and that I helped to rob you of a woman. You wished to buy my business, and add it to the roll of your companies. And I deprived you of that triumph. Your hatred of me grew and grew. Leading a solitary and narrow life, you allowed it to develop into a species of monomania. I had come out on top once too often for your peace of mind. In your opinion the world was too small to hold both of us. Accordingly, you evolved your terrific campaign. My business was to be seriously damaged. And I was to be murdered. And then you were to get the concern cheap from my executors, and to float me dead since you could not float me living. What folly, Ravengar! What stupendous folly! Even if the fanciful and grotesque scheme had succeeded as far as my death, it could not have succeeded beyond that point.'

'I don't know what you are chattering about, Owen, but you look as if you expected me to ask, "Why?" Anything to oblige you. Why?'

'You would have known the reason had you lived long enough to read the provisions of my will,' said Hugo.

'I see,' said Ravengar.

'You do,' said Hugo. 'You see, you hear, you breathe, but Bentley doesn't. Bentley has killed himself.' (Ravengar started.) 'So that if you have not my blood on your conscience, you have his. You tempted him; he fell ... and he has repented. Admit that you tempted him!'

Ravengar smiled superiorly. And then Hugo sprang forward in a sudden overmastering passion.

'Hate breeds hate,' he cried, 'and I have learnt from you how to hate. Admit that you have tried to ruin and to murder me, or, by G—! I will kill you sooner than I intended.'

He had no weapon in his hands; the revolver was in a drawer; but nevertheless Ravengar shrank from those menacing hands.

'Look here, Hugo—'

'Will you admit it? Or shall I have to—'

Their wills met in a supreme conflict.

'Oh, very well, then,' muttered Ravengar.

The conflict was over.

Hugo returned to his chair.

'Miserable cur!' he exclaimed. 'You were afraid of me. I knew I could frighten you. I would have liked to be able to admire something more than your ingenuity. Ravengar, I do believe I could have forgiven your attempt to murder me if it had not included an attempt to dishonour me at the same time. There is something simple and grand about a straightforward murder—I shall prove to you soon that I do not always regard murder as a crime—but to murder a man amid circumstances of shame, to finish him off while making him look a fool—that is the act of a—of a Ravengar.'

Ravengar yawned and glanced at his watch.

'It's nearly my dinner-time,' said he.

Again Hugo sprang forward, and, snatching at the watch, tore it and the chain from Ravengar's waistcoat, dashed them to the floor, and stamped on them. He was amazed, and he was also delighted, at his own fury. The lust of destruction had got hold of him.

'Ass!' he murmured, suddenly lowering his voice. 'Can't you guess what I mean to do?'

'I cannot,' Ravengar stammered.

'I mean to put you to the same test to which you put me. You arranged that I should spend twenty-two hours in a vault without ventilation. At the end of five hours I was by no means dead. I might have survived the twenty-two. But, frankly, I don't fancy I should. And I don't fancy you will. In fact, I'm convinced that you won't.'

'Indeed!' said Ravengar uncertainly.

'You think this scene is not real,' Hugo continued. 'You think it can't be real. You refuse to credit the fact that this time to-morrow you will be dead. You refuse to admit to yourself that I am in earnest—deadly, fatal earnest.'

'Upon my soul!' Ravengar burst out, standing, 'I believe you are.'

'Good,' said Hugo. 'You are waking up, positively. You are getting accustomed to the unpleasant prospect of not dying in your bed surrounded by inconsolable dependants.'

'Hugo,' Ravengar began persuasively, 'you must be aware that all these suspicions of yours are a figment of your excited brain. You must be aware that I never meant to murder you.'

'My dear fellow,' Hugo replied with calm bitterness, 'I don't intend to murder you. I intend merely to put you in that vault. Your death will be an accidental consequence, as mine would have been. And why should you not die? Can you give me a single good reason why you should continue to live? What good are you doing on the earth? Are you making anyone happy? Are you making yourself happy? That spark of vitality which constitutes your soul has chanced on an unfortunate incarnation. Suppose that I release it, and give it a fresh opportunity, shall I not be acting worthily? For you must agree that murder in the strict sense is an impossible thing. The immortal cannot die. Vital energy cannot be destroyed. All that the murderer does is to end one incarnation and begin another.'

'So that is your theory!'

'Was it not yours, when you got me deposited in the vault?' Hugo demanded with ferocious irony. 'I am bound to believe that it was. The common outcry against murder (as it is called) can have no weight with enlightened persons like you and me, Ravengar.'

'Perhaps not,' said Ravengar, summoning his powers of self-control. 'But the common outcry against murder is apt to be very inconvenient for the person who chooses, as you put it, to end one incarnation and begin another. Has it not struck you, Owen, that inquiries would be made for me, that my death would be certain to be discovered, and that ultimately you would suffer the penalty?'

'My arrangements for the future are far more complete than yours could have been in regard to me,' Hugo answered smoothly. 'You betrayed some clumsiness. I shall profit by your mistakes. No one will see you go into the Safe Deposit except myself and a man whom I can trust. No one at all except myself will see you go into the vault. I can manage the operation alone. A little chloroform will quieten you for a time. The vault once closed will not be opened during my lifetime, unless at four o'clock to-morrow night I hear you knocking on the door. Of course, inquiries will be made, but they will be futile. People often simply disappear. You will simply disappear.'

The clock struck six.

'And your conscience?' Ravengar muttered.

'It's soon well under control. Besides, I shall be doing the human race, and especially the investing part of the human race, a very good turn.'

Then Ravengar approached Hugo, and, Hugo rising to meet him, their faces almost touched in the middle of the great room.

'You called me a cur,' he said. 'Yet perhaps I am not such a cur after all. You have beaten me. You mean to finish me; I can see it in your face. Well, you will regret it more than I shall. Do you know I have often wished to die? You are right in saying that there is no reason why I should live. I am only a curse to the world. But you are wrong to scorn me when you kill me. You ought to pity me. Did I choose my temperament, my individuality? As I am, so I was born, and from his character no man can escape.'

And he sat down, and Hugo sat down.

'When is it to be?' Ravengar questioned.

'In a few minutes,' said Hugo impassively, feeding his mortal resentment on the memory of those hours when he himself had waited for death in the vault.

'Then I shall have time to ask you how you came to know that Camilla Payne, or rather Camilla Tudor, is alive.'

'She is not alive,' Hugo explained. 'The suggestion contained in my decoy letter was a pure invention in order to entice you. As you tempted me into the vault, so I tempted you here on your way to the vault.'

'But she is alive all the same!' Ravengar persisted. 'It is the fact that she is not dead that makes me less unwilling to die, for a word from her might send me to a death more shameful than the one you have so kindly arranged for me.'

Hugo in that instant admired Ravengar, and he replied quite gently:

'You are mistaken. Where can you have got the idea that she is not dead? She is dead. I myself—I myself screwed her up in her coffin.'

The words sounded horrible.

'Then you were in the plot!' Ravengar cried.

'What plot?'

'The plot to persuade me falsely that she is dead. Bah! I know more than you think. I know, for example, that her body is not in the coffin in Brompton Cemetery. And I am almost sure that I know where she is hiding. I should have known beyond doubt before to-morrow morning. However, what does it matter now?'

'Not in the coffin?' Hugo whispered, as if to himself. His whole frame trembled, shook, and his heart, leaping, defied his intellect.



CHAPTER XVI

BURGLARS

When at eleven o'clock that same winter night Hugo stood hesitating, with certain tools and a hooded electric lamp in his hand, on the balcony in front of the drawing-room window of Francis Tudor's sealed flat, he thought what a strange, illogical, and capricious thing is the human heart.

He knew that Camilla was dead. He had had the very best and most convincing evidence of the fact. He knew that Ravengar's suspicions were without foundation, utterly wrong-headed; and yet those statements of his enemy had unsettled him. They had not unsettled the belief of his intelligence, but they had unsettled his soul's peace. And that curiosity to learn the whole truth about the history of the relations between Francis Tudor and Camilla, that curiosity which had slumbered for months, and which had been so suddenly awakened by Ravengar's lure of the morning, was now urged into a violent activity.

Nor was this all. Camilla was surely dead. But supposing that by some incredible chance she was not dead (lo! the human heart), could he kill Ravengar? This question had presented itself to him as he sat in the dome listening to Ravengar's asseverations that Camilla lived. And the mere ridiculous, groundless suspicion that she lived, the mere fanciful dream that she lived, had quite changed and softened Hugo's mood. He had struggled hard to keep his resolution to kill Ravengar, but it had melted away; he had fanned the fire of his mortal hatred, but it had cooled, and at length he had admitted to himself, angrily, reluctantly, that Ravengar had escaped the ordeal of the vault. And this being decided, what could he do with Ravengar? Retain him under lock and key? Why? To what end? Such illegal captivities were not practicable for long in London. Besides, they were absurd, melodramatic, and futile. As the moments passed and the fumes of a murderous intoxication gradually cleared away, Hugo had regained his natural, sagacious perspective, and he had perceived that there was only one thing to do with Ravengar.

He let Ravengar go. He showed him politely out.

It was an anti-climax, but the incalculable and peremptory processes of the heart often result in an anti-climax.

The night was cold and damp, as the morning had been, and Hugo shivered, but not with cold. He shivered in the mere exciting eagerness of anticipation. He had chosen the drawing-room window because the panes were very large. He found it perfectly simple, by means of the treacled cardboard which he carried, to force in the pane noiselessly. He pushed aside the blind, and crept within the room. So simple was it to violate the will of a dead man, and the solemnly affixed seals of his executor! He had arranged that the pane should be replaced before dawn, and the new putty darkened to match the rest. Thus, no trace would remain of the burglarious entry. No seal on door or window would have been broken.

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