From the time of Mena has come down to us an ebony tablet, as shown in the illustration. This is the most complete of the inscriptions of this king, and was found in two portions in the tombs marked B 18 and B 19. The signs upon the tablet are most interesting. On the top line, after the cartouche of Aha-Mena, there are two sacred boats, probably of Sokaris, and a shrine and temenos of Nit. In the line below is seen a man making an offering, and behind him is a bull running over undulating ground into a net stretched between two poles, while at the end, standing upon a shrine, is a bird, which appears to be the ibis of Thot. A third line shows three boats upon a canal or river, passing between certain places, and it has been reasonably conjectured that the other signs in this line indicate these places as being Biu, a district of Memphis; Pa She (or "the dwelling of the lake"), the capital of the Fayum; and the Canal of Mer, or Bahr Yusef. So far this tablet contains picture signs, but the fourth line gives a continued series of hieroglyphics, and is the oldest line of such characters yet discovered. Mr. F. LI. Griffiths translates these characters as "who takes the throne of Horus."

In the north-west corner of the tomb, a stairway of bricks was roughly inserted in later times in order to give access to the shrine of Osiris. That this is not an original feature is manifest: the walls are burnt red by the burning of the tomb, while the stairs are built of black mud brick with fresh mud mortar smeared over the reddened wall. It is notable that the burning of these tombs took place before their re-use in the eighteenth dynasty; as is also seen by the re-built doorway of the tomb of Den, which is of large black bricks over smaller red burnt bricks. It is therefore quite beside the mark to attribute this burning to the Kopts.

The tomb of King Zer has an important secondary history as the site of the shrine of Osiris, established in the eighteenth dynasty (for none of the pottery offered there is earlier than that of Amenhothes III.), and visited with offerings from that time until the twenty-sixth dynasty, when additional sculptures were placed here.



Afterwards it was despoiled by the Kopts in erasing the worship of Osiris. It is the early state of the place as the tomb of King Zer that we have to study here, and not its later history.

The tomb chamber has been built of wood; and the brick cells around it were built subsequently against the wooden chamber, as their rough, unplastered ends show; moreover, the cast of the grain of the wood can be seen on the mud mortar adhering to the bricks. There are also long, shallow grooves in the floor, a wide one near the west wall, three narrow ones parallel to that, and a short cross groove, all probably the places of beams which supported the wooden chamber. Besides these there was till recently a great mass of carbonised wood along the north side of the floor. This was probably part of the flooring of the tomb, which, beneath the woodwork, was covered with a layer of bricks, which lay on clean sand. But all the middle of the tomb had been cleared to the native marl for building the Osiris shrine, of which some fragments of sculpture in hard limestone are now all that remain.

A strange feature here is that of the red recesses, such as were also found in the tomb of Zet. The large ones are on the west wall, and in the second cell on the north wall. No meaning can yet be assigned to these, except as spirit-entrances to the cells of offerings, like the false doors in tombs of the Old Kingdom.

In spite of the plundering of the tombs in various ages, the work of the Egypt Exploration Fund was so thorough that not a few gold objects have been found in the course of recent excavations. By far the most important discovery of recent years was that of some jewelry in the tomb of King Zer. The story of this find is so entertaining, and illustrates so admirably the method of the modern scientific explorer, that we give the account of it in Professor Petrie's own words:

"While my workmen were clearing the tomb, they noticed among the rubbish which they were moving a piece of the arm of a mummy in its wrappings. It lay in a broken hole in the north wall of the tomb. The party of four who found it looked into the end of the wrappings and saw a large gold bead, the rosette in the second bracelet. They did not yield to the natural wish to search further or to remove it; but laid the arm down where they found it until Mr. Mace should come and verify it. Nothing but obtaining the complete confidence of the workmen, and paying them for all they find, could ever make them deal with valuables in this careful manner. On seeing it, Mr. Mace told them to bring it to our huts intact, and I received it quite undisturbed. In the evening the most intelligent of the party was summoned as a witness of the opening of the wrappings, so that there should be no suspicion that I had not dealt fairly with the men. I then cut open the linen bandages, and found, to our great surprise, the four bracelets of gold and jewelry. The verification of the exact order of threading occupied an hour or two, working with a magnifier, my wife and Mr. Mace assisting. When recorded, the gold was put in the scales and weighed against sovereigns before the workman, who saw everything. Rather more than the value of gold was given to the men, and thus we ensured their good-will and honesty for the future."

The hawk bracelet consists of thirteen gold and fourteen turquoise plaques in the form of the facade with the hawk, which usually encloses the ka name of the king. The gold hawks have been cast in a mould with two faces, and the junction line has been carefully removed and burnished. The gold was worked by chisel and burnishing; no grinding or file marks are visible. In the second bracelet, with the rosette, two groups of beads are united at the sides by bands of gold wire and thick hair. The fastening of the bracelet was by a loop and button. This button is a hollow ball of gold with a shank of gold wire fastened in it. The third bracelet is formed of three similar groups, one larger, and the other smaller on either side. The middle of each group consists of three beads of dark purple lazuli. The fastening of this bracelet was by a loop and button. The fourth bracelet is fashioned of hour-glass beads.

In this extraordinary group of the oldest jewelry known, we see unlimited variety and fertility of design. Excepting the plain gold balls, there is not a single bead in any one bracelet which would be interchangeable with those in another bracelet. Each is of independent design, fresh and free from all convention or copying.

The tomb of Zet consists of a large chamber twenty feet wide and thirty feet long, with smaller chambers around it at its level, the whole bounded by a thick brick wall, which rises seven and a half feet to the roof, and then three and a half feet more to the top of the retaining wall. Outside of this on the north is a line of small tombs about five feet deep, and on the south a triple line of tombs of the same depth. And apparently of the same system and same age is the mass of tombs marked W, which are parallel to the tomb of Zet. Later there appears to have been built the long line of tombs, placed askew, in order not to interfere with those which have been mentioned, and then this skew line gave the di-rection to the next tomb, that of Merneit, and later on to that of Azab. The private graves around the royal tomb are all built of mud brick, with a coat of mud plaster over it, and the floor is of sand, usually also coated over with mud.



The first question about these great tombs is how they were covered over. Some have said that such spaces could not be roofed, and at first sight it would seem almost impossible. But the actual beams found yet remaining in the tombs are as long as the widths of the tombs, and therefore timber of such sizes could be procured. In the tomb of Qa the holes for the beams yet remain in the walls, and even the cast of the end of a beam, and in the tombs of Merneit, Azab, and Mer-sekha are posts and pilasters to help in supporting a roof. The clear span of the chamber of Zet is 240 inches, or 220 if the beams were carried on a wooden lining, as seems likely. It is quite practicable to roof over these great chambers up to spans of twenty feet. The wood of such lengths was actually used, and, if spaced out over only a quarter of the area, the beams would carry their load with full safety. Any boarding, mats, or straw laid over the beams would not increase the load. That there was a mass of sand laid over the tomb is strongly shown by the retaining wall around the top. This wall is roughly built, and not intended to be a visible feature. The outside is daubed with mud plaster, and has a considerable slope; the inside is left quite rough, with bricks in and out.

Turning now to the floor, the basis of it is mud plastering, which was whitewashed. On that were laid beams around the sides, and one down the middle: these beams were placed before the mud floor was hard, and have sunk about one-quarter inch into it. On the beams a ledge was recessed, and on this ledge the edges of the flooring planks rested. Such planks would not bend in the middle by a man standing on them, and therefore made a sound floor. Over the planks was laid a coat of mud plaster. This construction doubtless shows what was the mode of flooring the palaces and large houses of the early Egyptians, in order to keep off the damp of the ground in the Nile valley. For common houses a basis of pottery jars turned mouth down was used for the same purpose. A very striking example of this method was unearthed at Koptos.

The sides of the great central chamber of Zet are not clear in arrangement. The brick cross walls, which subdivide them into separate cells, have no finished faces on their ends. All the wall faces are plastered and whitewashed; but the ends of the cross walls are rough bricks, all irregularly in and out. Moreover, the bricks project forward irregularly over the beam line. It seems, then, that there was an upright timber lining to the chamber, against which the cross walls were built the walls thus having rough ends projecting over the beams. The footing of this upright plank lining is indicated by a groove left along the western floor beam between the ledge on the beam and the side of the flooring planks. Thus we reach a wooden chamber, lined with upright planks, which stood out from the wall, or from the backs of the beams. How the side chambers were entered is not shown; whether there was a door to each or not. But as they were intended to be for ever closed, and as the chambers in two corners were shut off by brickwork all round, it seems likely that all the side chambers were equally closed. And thus, after the slain domestics and offerings were deposited in them, and the king in the centre hall, the roof would be permanently placed over the whole.

The height of the chamber is proved by the cast of straw which formed part of the roofing, and which comes at the top of the course of headers on edge which copes the wall all around the chamber. Over this straw there was laid one course of bricks a little recessed, and beyond that is the wide ledge all round before reaching the retaining wall. The height of the main chamber was 90.6 inches from the floor level.

Having examined the central chamber, the chambers at the sides should be next considered. The cross walls were built after the main brick outside was finished and plastered. The deep recesses coloured red, on the north side, were built in the construction; where the top is preserved entire, as in a side chamber on the north, it is seen that the roofing of the recess was upheld by building in a board about an inch thick. The shallow recesses along the south side were merely made in the plastering, and even in the secondary plastering after the cross walls were built. All of these recesses, except that at the south-west, were coloured pink-red, due to mixing burnt ochre with the white.

The tomb of Merneit was not at first suspected to exist, as it had no accumulation of pottery over it; and the whole ground had been pitted all over by the Mission Amelineau making "quelques sondages," without revealing the chambers or the plan. As soon, however, as Petrie began systematically to clear the ground, the scheme of a large central chamber, with eight long chambers for offerings around it, and a line of private tombs enclosing it, stood apparent. The central chamber is very accurately built, with vertical sides parallel to less than an inch. It is about twenty-one feet wide and thirty feet long, or practically the same as the chamber of Zet. Around the chamber are walls forty-eight to fifty-two inches thick, and beyond them a girdle of long, narrow chambers forty-eight inches wide and 160 to 215 inches long. Of these chambers for offerings, Nos. 1, 2, 5, and 7 still contain pottery in place, and No. 3 contains many jar sealings.

At a few yards distant from the chambers full of offerings is a line of private graves almost surrounding the royal tomb. This line has an interruption at the south end of the west side similar to the interruption of the retaining wall of the tomb of Zet at that quarter. It seems, therefore, that the funeral approached it from that direction.

The chamber of the tomb of Merneit shows signs of burning on both the walls and the floor. A small piece of wood yet remaining indicates that it also had a wooden floor like the other tombs. Against the walls stand pilasters of brick; and, although these are not at present more than a quarter of the whole height of the wall, they originally reached to the top. These pilasters are entirely additions to the first building; they stand against the plastering and upon a loose layer of sand and pebbles about four inches thick. Thus it is clear that they belonged to the subsequent stage of the fitting of a roof to the chamber. The holes that are shown in the floor are apparently connected with the construction, as they are not in the mid-line where pillars are likely. At the edge of chamber No. 2 is a cast of plaited palm-leaf matting on the mud mortar above this level, and the bricks are set back irregularly. This shows the mode of finishing off the roof of this tomb.



From the position of the tomb of Den-Setui, it is seen naturally to follow the building of the tombs of Zet and Merneit. It is surrounded by rows of small chambers for offerings, and for the burial of domestics. The king's tomb appears to have contained a large number of tablets of ivory and ebony, for fragments of eighteen were found, and two others are known, making in all twenty tablets from this one tomb. The inscriptions on stone vases are, however, not more frequent than in previous reigns. This tomb appears to have been one of the most costly and sumptuous. The astonishing feature of this chamber is the granite pavement, such considerable use of granite being quite unknown until the step pyramid of Saqqara early in the third dynasty. At the south-west corner is a strange annex. A stairway leads down from the west and then turns to the north. At the foot of the first flight of steps is a space for inserting planks and brickwork to close the chamber, like the blocking of the door of the tomb of Azab.1 This small chamber was therefore intended to be closed. Whether this chamber was for the burial of one of the royal family, or for the deposit of offerings, it is difficult to determine. Of the various rows of graves around the great tomb there is nothing to record in detail. An ebony tablet, presumably of the time of Den, found among the first dynasty tombs, represents a scene in which a king is dancing before Osiris, the god being seated in his shrine. This tablet is the earliest example of those pictorial records of a religious ceremony which, as we now know, was continued almost without change from the first dynasty to the thirty-third. It is interesting to note on this engraving that the king is represented with the hap and a short stick instead of the oar.



It should be noted also that the royal name, Setui, occurs in the lower part of the tablet, so that there is a strong presumption that the tablet is of the time of Den-Setui, and the presumption is almost a certainty when the tablet is compared with some sealings found in its vicinity. Mr. F. LI. Griffiths has written at length on this important inscription.*

* Royal Tombs of the first dynasty, Part I: Eighteenth Memoir of the Egypt Exploration Fund, London, 1900, page 42.

He thinks that this tablet and two others somewhat similar were the brief annals of the time, and record the historic events and the names of government officials. He translates a portion of the inscription as "Opening the gates of foreign lands," and in another part he reads, "The master comes, the King of Upper and Lower Egypt." Moreover, he translates certain signs as "Sheikh of the Libyans," and he identifies a place named Tny as This, or the capital of the nome in which Abydos lay.

Of this reign also is an ivory tablet finely polished, but blackened with burning, which has engraved upon it the oldest architectural drawing in the world.



The inscription on this precious fragment apparently refers to the great chiefs coming to the tomb of Setui, and a picture of a building in the middle of the inscription may be taken as representing on the left the tomb chamber of Den-Setui, with a slight mound over it. The upright strokes represent the steles outside the tombs, adjacent to which is the inclined stairway, while on the right is a diagram of the cemetery, with graves ar-ranged in rows around the tomb, with small steles standing up over the graves.

A small piece of still another ivory tablet gives an interesting portrait of Den-Setui. This king flourished about 4600 b. c, so that this is perhaps the oldest portrait that can be named and dated. It shows the double crown fully developed, and has an additional interest, inasmuch as the crown of Lower Egypt was apparently coloured red, while the crown of Upper Egypt was white in accordance with the practice that we know existed during the later historic period.



Among the many ivory objects found at Abydos is a small ivory panel from a box which seems to have contained the golden seal of judgment of King Den.

The engraving of this ivory panel is of the finest description, and bears evidence of the magnificent workmanship of the Egyptians 6,500 years ago. It will be seen that enough of the fragment has been preserved to include the cartouche of the monarch, and the snake at the side is the pictograph of judgment. Beneath is the hieroglyph for gold, and at the bottom is a sign which represents a seal cylinder* rolling over a piece of clay.

* It was for a long time thought that this hieroglyphic character represented a finger ring, but as it is now positively known that finger rings were not in use until long after the time of Den, this explanation had to be abandoned in favour of the more correct interpretation of a seal cylinder.

The tomb of Azab-Merpaba is a plain chamber, with rather sloping sides, about twenty-two feet long and fourteen feet wide. The surrounding wall is nearly five feet thick. The lesser and more irregular chamber on the north is of the same depth and construction, fourteen feet by nine. This lesser chamber had no remains of flooring; it contained many large sealings of jars, and seems to have been for all the funeral provision, like the eight chambers around the tomb of Merneit. Around this tomb is a circuit of small private tombs, leaving a gap on the southwest like that of Merneit, and an additional branch line has been added on at the north.



All of these tombs are very irregularly built; the sides are wavy in direction, and the divisions of the long trench are slightly piled up, of bricks laid lengthwise, and easily overthrown. This agrees with the rough and irregular construction of the central tomb and offering chamber. The funeral of Azab seems to have been more carelessly conducted than that of any of the other kings here; only one piece of inscribed vase was in his tomb, as against eight of his found in his successor's tomb, and many other of his vases erased by his successor. Thus his palace property seems to have been kept back for his successor's use, and not buried with Azab himself. In some of the chambers much ivory inlaying was found.

The entrance to the tomb of Azab was by a stairway descending from the east, thus according with the system begun by Den. On the steps, just outside of the door, were found dozens of small pots loosely piled together. These must have contained offerings made after the completion of the burial. The blocking is made by planks and bricks, the whole outside of the planking being covered by bricks loosely stacked, as can be seen in the photograph, the planking having decayed away from before them. The chamber was floored with planks of wood laid flat on the sand, without any supporting beams as in other tombs.

The tomb of Mersekha-Semempses is forty-four feet long and twenty-five feet wide, surrounded by a wall over five feet thick. The surrounding small chambers are only three to four feet deep where perfect, while the central pit is still eleven and one-half feet deep, though broken away at the top. When examined by Professor Petrie few of the small chambers contained anything. Seven steles were found, the inscriptions of which are marked in the chambers of the plan; and other steles were also found here, scattered so that they could not be identified with the tombs. The most interesting are two steles of dwarfs, which show the dwarf type clearly; with one were found bones of a dwarf. In a chamber on the east was a jar and a copper bowl, which shows the hammer marks, and is roughly finished, with the edge turned over to leave it smooth. The small compartments in the south-eastern chambers were probably intended to hold the offerings placed in the graves; the dividing walls are only about half the depth of the grave.



The structure of the interior of the tomb of Mersekha is at present uncertain. Only in the corner by the entrance was the wooden flooring preserved; several beams (one now in Cairo Museum) and much broken wood was found loose in the rubbish. The entrance is nine feet wide, and was blocked by loose bricks, flush with wall face, as seen in the photograph. Another looser walling farther out, also seen in the photograph, is probably that of plunderers to hold back the sand.

The tomb of King Qa, which is the last of the first dynasty, shows a more developed stage than the others. Chambers for offerings are built on each side of the entrance passage, and this passage is turned to the north, as in the mastabas of the third dynasty and in the pyramids. The whole of the building is hasty and defective.



The bricks were mostly used too new, probably less than a week after being made. Hence the walls have seriously collapsed in most of the lesser chambers; only the one great chamber was built of firm and well-dried bricks. In the small chambers along the east side the long wall between chambers 10 and 5 has crushed out at the base, and spread against the pottery in the grave 5, and against the wooden box in grave 2. Hence the objects must have been placed in those graves within a few days of the building of the wall, before the mud bricks were hard enough to carry even four feet height of wall. The burials of the domestics must therefore have taken place all at once, immediately after the king's tomb was built, and hence they must have been sacrificed at the funeral. The pottery placed in the chambers is all figured in position on the plan.



Only three steles were found in the grave of Qa, but these were larger than those of the earlier graves. One of them, No. 48, is the longest and most important inscription that has come down to us from the first dynasty. This lay in a chamber on the west side of the tomb. In the preparation of the stele, the block of stone had been ground all over and edges rounded. On its surface the hieroglyphs were then sketched in red ink, and were finally drawn in black, the ground being then roughly hammered out. There the work stopped, and the final scraping and dressing of the figures was never accomplished. The reading of the signs is therefore difficult, but enough is seen to show that the keeper of the tomb bore the name of Sabef. He had two titles which are now illegible, and was also "Overseer of the Sed Festival." This scanty information goes to show how little the official titles were changed between the days of the first dynasty and the time of the building of the pyramids. The stele of the king Qa was found lying over chamber; it is like that found by M. Amelineau, carved in black quartzose stone. Near it, on the south, were dozens of large pieces of fine alabaster bowls.

Among various objects found in these chambers should be noted the fine ivory carving from chamber 23, showing a bound captive; the large stock of painted model vases in limestone in a box in chamber 20; the set of perfect vases found in chamber 21; a fine piece of ribbed ivory; a piece of thick gold-foil covering of a hotep table, patterned as a mat, found in the long chamber west of the tomb; the deep mass of brown vegetable matter in the north-east chamber; the large stock of grain between chambers 8 and 11; and the bed of currants ten inches thick, though dried, which underlay the pottery in chamber 11. In chamber 16 were large dome-shaped jar sealings, with the name of Azab, and on one of them the ink-written signs of the "King's ka."

The entrance passage has been closed with rough brick walling at the top. It is curiously turned askew, as if to avoid some obstacle, but the chambers of the tomb of Den do not come near its direction. After nine steps, the straight passage is reached, and then a limestone portcullis slab bars the way, let into grooves on either side; it was, moreover, backed up by a buttress of brickwork in five steps behind it. All this shows that the rest of the passage must have been roofed in so deeply that entry from above was not the obvious course. The inner passage descends by steps, each about five inches high, partly in the slope, partly in the rise of the step. The side chambers open off this stairway by side passages a little above the level of the stairs.

The interior structure of the tomb of Qa is rather different from any other. Instead of the timber being an entirely separate structure apart from the brick, the brick sides seem here to have been very loosely built against the timber sides. Some detail yet remains of the wooden floor. The roofing is distinct in this tomb, and it is evident that there was an axial beam, and that the side beam only went half across the chamber. This is the only tomb with the awkward feature of an axial doorway, and it is interesting to note how the beam was placed out of the axis to accommodate it.

The tomb of Perabsen shows a great change in form since the earlier series. A new dynasty with new ideas had succeeded the great founders of the monarchy; the three reigns had passed by before we can again see here the system of the tombs. Even the national worship was changed, and Set had become prominent. The type of tomb which had been developed under Azab, Mer-sekha, and Qa seems to have given way to the earlier pattern of Zer and Zet. In this tomb of Perabsen we see the same row of small cells separated by cross walls, like those of the early kings; but in place of a wooden central chamber there is a brick chamber, and a free passage is left around it communicating with the cells. What was the form of the south side of that chamber cannot now be traced, as, if any wall existed, it is now entirely destroyed. The entirely new feature is the continuous passage around the whole tomb. Perhaps the object of this was to guard against plunderers entering by digging sideways into the tomb.



The tomb of Khasekhemui is very different from any of the other royal tombs yet known. The total length of the chamber from end to end is two hundred and twenty-three feet, and the breadth in the middle is forty feet, growing wider towards the northern end. The whole structure is very irregular; and, to add to the confusion, the greater part of it was built of freshly made mud bricks, which have yielded with the pressure and flowed out sideways, until the walls are often double their original breadth. It was only owing to this flow of the walls over the objects in the chambers, that so many valuable things were found perfect, and in position. Where the whole of the original outline of a wall had disappeared, the form is given in the plan with wavy outline.

The central stone chamber of the tomb of Khasekhemui is the most important part of the whole, as it is the oldest stone construction yet known. The chamber is roughly seventeen by ten feet; the depth is nearly six feet. There is no sign of any roof.

Nearly all the contents of this tomb were removed by the French investigators in 1897. Among the more interesting objects found were sealings of yellow clay, which were curiously enough of different types at opposite ends of the tomb. Copper needles, chisels, axes, and model tools were also found, and a beautiful sceptre of gold and sard was brought to light by Professor Petrie, only an inch or two below a spot that had been cleared by previous explorers.

In chamber 2 of the tomb of Khasekhemui were also found six vases of dolomite and one of carnelian. Two of these are shown in the illustration, and each has a cover of thick gold-foil fitted over the top, and secured with a double turn of twisted gold wire, the wire being sealed with a small lump of clay, the whole operation resembling the method of the modern druggist, in fastening a box of ointment. Near these vases were found two beautiful gold bracelets; one, Number 3, is still in a perfect condition; the other, Number 4, has been, unfortunately, crushed by the yielding of the wall of the tomb in which it was deposited.



Each royal grave seems to have had connected with it two great steles. Two, for instance, were found in the tomb of Merneit, one of which, however, was demolished. There were also two steles at the grave of Qa. So far only one stele had been found of Zet, and one of Mersekha, and none appear to have survived of Zer, Den, or Azab. These steles seem to have been placed at the east side of the tombs, and on the ground level, and such of them as happened to fall down upon their inscribed faces have generally been found in an excellent state of preservation.

Hence we must figure to ourselves two great steles standing up, side by side, on the east of the tomb; and this is exactly in accord with the next period that we know, in which, at Medum, Snofrui had two great steles and an altar between them on the east of his tomb; and Rahotep had two great steles, one on either side of the offering-niche, east of his tomb. Probably the pair of obelisks of the tomb of Antef V., at Thebes, were a later form of this system. Around the royal tomb stood the little private steles of the domestics, placed in rows, thus forming an enclosure about the king.

Some of Professor Petrie's most interesting work at Abydos was commenced in November, 1902. In the previous season a part of the early town of Abydos had been excavated, and it was found that its period began at the close of the prehistoric age, and extended over the first few dynasties; the connection between the prehistoric scale and historic reigns was thus settled. The position of this town was close behind the site of the old temples of Abydos, and within the great girdle-wall enclosure of the twelfth dynasty, which stands about half a mile north of the well-known later temples of Seti I. and Ramses II. This early town, being behind the temples, or more into the sandy edge of the desert, was higher up; the ground gently sloping from the cultivated land upward as a sandy plain, until it reaches the foot of the hills, a couple of miles back.

The broad result of these new excavations is that ten different temples can be traced on the same ground, though of about twenty feet difference of level; each temple built on the ruins of that which preceded it, quite regardless of the work of the earlier kings.

In such a clearance it was impossible to preserve all the structures. Had Petrie and his companions avoided moving the foundations of the twenty-sixth dynasty, they could never have seen much of the earlier work; had they left the paving of the twelfth dynasty in place, they must have sacrificed the objects of the Old Kingdom.



Also, had they only worked the higher levels, and left the rest, the inflow of high Nile would have formed a pond, which would have so rotted the ground that deeper work could not have been carried on in the future. The only course, therefore, was to plan everything fully, and remove whatever stood in the way of more complete exploration. All striking pieces of construction, such as the stone gateways of Papi, were left untouched, and work carried on to deep levels around them; in this way, at the end of the season, the site was bristling with pieces of wall and blocks of stonework, rising ten or fifteen feet above the low level clearances. As the excavations progressed, there was an incessant need of planning and recording all the constructions. Professor Petrie always went about with a large dinner-knife and a trowel in his pocket, and spent much time in cutting innumerable sections and tracing out the lines of the bricks. The top and base level of each piece of wall had to be marked on it; and the levels could then be measured off to fixed points.

An outline of some of the principal buildings is given, to show the general nature of the site of the temple of Abydos. This plan is not intended to show all periods, nor the whole work of any one age; but only a selection which will avoid confusion. The great outer wall on the plan was probably first built by Usirtasen I.; the bricks of the oldest parts of it are the same size as bricks of his foundation deposits, and it rests upon town ruins of the Old Kingdom. But this wall has been so often broken and repaired that a complete study of it would be a heavy task; some parts rest on nineteenth dynasty building, and even Roman patchwork is seen. Its general character is shown with alternating portions, the first set consisting of towers of brickwork built in concave foundations, and then connecting walls between; formed in straight courses. The purpose of this construction has long been a puzzle. The alternate concave and straight courses are the natural result of building isolated masses, on a concave bed like all Egyptian houses, and then connecting them by intermediate walls. The hard face across the wall, and the joint to prevent the spread of scaling, are the essential advantages of this construction.

The corner marked Kom-de-Sultan is the enclosure which was emptied out by Mariette 's diggers, because of the abundance of burials with steles of the twelfth to eighteenth dynasties.



They have removed all the earth to far below the base of the walls, thus digging in most parts right through the town of the Old Kingdom, which stood here before the great walls were built. The inner two sides of this enclosed corner are later than the outer wall; the bricks are larger than those of Usirtasen, and the base of the wall is higher than his. The causeway line indicated through the site by a dotted line from the east to the west gate is a main feature; but it is later than the sixth dynasty, as the wall of that age cuts it, and it was cut in two by later buildings of the twentieth dynasty. It seems then to begin with Usirtasen, whose gateways it runs through; and to have been kept up by Thutmosis III., who built a wall with granite pylon for it, and also by Ramses II., who built a great portal colonnade of limestone for the causeway to pass through on entering the cemetery outside the west wall of this plan.

To the north of the causeway are seen the tombs of the first dynasty. One more, No. 27, was found beneath the wall of Thutmosis; it was of the same character as the larger of the previous tombs. All of these are far below any of the buildings shown on this outline plan.

Of the two long walls, marked vi., the inner is older, but was re-used by Papi. It is probably the temenos of the third dynasty. The outer wall is the temenos of the sixth dynasty, the west side of which is yet unknown, and has probably been all destroyed. The temple of Papi is shown in the middle with the north-west and south sides of the thin boundary wall which enclosed it. The thick wall which lies outside of that is the great wall of the eighteenth dynasty, with the granite pylon of Thutmosis III. It seems to have followed the line of the sixth dynasty wall on the north. The outline marked xix. shows a high level platform of stone, which was probably for the basement of buildings of Ramses II.

Within the area of these temples was discovered quite a number of historical relics. None is more interesting, perhaps, than the ivory statuette of the first dynasty king. This anonymous ruler is figured as wearing the crown of Upper Egypt, and a thick embroidered robe.

From the nature of the pattern and the stiff edge represented, it looks as if this robe were quilted with embroidery; no such dress is known on any Egyptian figure yet found. The work belongs to an unconventional school, before the rise of the fixed traditions; it might have been carved in any age and country where good natural work was done. In its unshrinking figuring of age and weakness with a subtle character, it shows a power of dealing with individuality which stands apart from all the later work.



Of greater interest, however, is the ivory statuette of Khufui, which is the first figure of that monarch that has come to light. The king is seated upon his throne, and the inscription upon the front of it leaves no doubt as to the identity of the figure. The work is of extraordinary delicacy and finish; for even when magnified it does not suggest any imperfection or clumsiness, but might have belonged to a life-sized statue. The proportion of the head is slightly exaggerated; as, indeed, is always the case in minute work; but the character and expression are as well handled as they might be on any other scale, and are full of power and vigour. The idea which it conveys to us of the personality of Khufui agrees with his historical position. We see the energy, the commanding air, the indomitable will, and the firm ability of the man who stamped for ever the character of the Egyptian monarchy and outdid all time in the scale of his works. No other Egyptian king that we know resembled this head; and it stands apart in portraiture, though perhaps it may be compared with the energetic face of Justinian, the great builder and organiser.



Two ivory lions were also found in one of the private tombs around that of Zer. It is evident that these lions were used as playing pieces, probably for the well-known pre-historic game of Four Lions and a Hare, for the bases of the lions are much worn, as if by sliding about upon a smooth surface, and the pelt of the lion, as originally carved, is also worn off as if by continued handling. The lion shown in the illustration is of a later style than those of Zer or of Mena. Near the place where this was found were a few others. One of them, apparently a lioness, is depicted with a collar, indicating that the animal had been tamed, and yet another had inserted within the head an eye accurately cut in chalcedony. Another valuable object unearthed at Abydos was the sceptre of King Khase-khemui. This consisted of a series of cylinders of sard embellished at every fourth cylinder with double bands of thick gold, and completed at the thinner end with a plain cap of gold, copper rod, now corroded, binding the whole together.

During the reign of King Zer the ivory arrow tip began to be commonly used; hundreds were gathered from his tomb, and the variety of forms is greater than in any other reign. Besides the plain circular points, many of them have reddened tips; there are also examples of quadrangular barbed tips, and others are pentagonal, square, or oval. Only the plain circular tips appear in succeeding reigns down to the reign of Mersekha, except a single example of the oval forms under Den.



Some flint arrow-heads were also found around the tomb of Zer, mostly of the same type as those found in the tomb of Mena. Two, however, of these arrow-heads, Numbers 13 and 14, are of a form entirely unknown as yet in any other age or country. The extreme top of the head is of a chisel form, and this passes below into the more familiar pointed form. The inference here is almost inevitable, and it seems as if the arrow-heads had been made in this peculiar way with a view to using the arrow a second time after the tip was broken in attacking an animal.



Another curious object dating from this reign and classed among the arrows is a small portion of flint set perpendicularly into the end of a piece of wood. This, in the opinion of Professor Giglioli, is not an arrow at all, but a tattooing instrument. If this explanation be correct, then this instrument is an extremely interesting find, for the fact has been recently brought to light that tattooing was in vogue in prehistoric times, and there is, moreover, at Cairo, the mummy of a priestess of the twelfth dynasty having the skin decorated in this manner.

Among the domestic articles is an admirable design of pair of tweezers, made with a wide hinge and stiff points. Of analogous interest are two copper fish-hooks, which, however, have no barbs. Needles also, which we know were used in prehistoric days, appear in the relics of the tomb of Zer and of subsequent rulers. Of the reign of Zer are also found copper harpoons cut with a second fang, similar forms being found among the remains of Mersekha and of Khasekhemui. In the centre of the illustration is seen the outline of a chisel of the time of Zer, very similar to those used in the early prehistoric ages. The same continuity from prehistoric to first dynasty times is shown in the shape of the copper pins dating from Zer, Den, Mersekha, and Qa.



At various times quite a considerable number of articles relating to intimate daily life has been discovered. An exceedingly fortunate find was that of an ivory comb of crude but careful workmanship, and which, even after the lapse of sixty-seven centuries, has only lost three of its teeth. This comb, according to the inscription on it, belonged to Bener-ab, a distinguished lady, whose tomb has been already mentioned, and who was either the wife or the daughter of King Mena of the first dynasty.

Of the class of domestic objects is the primitive but doubtless quite effective corn-grinder shown in the illustration. This was found in an undisturbed tomb in the Osiris temenos, where also was a strangely shaped three-sided pottery bowl, similar in shape to a stone bowl of the same period, but otherwise unknown in antiquity. This three-sided bowl may be regarded as a freak of the workman rather than as having any particular value along the line of evolution of pottery forms; and it is interesting to note that bowls of this form have been quite recently made by the modern English potters in South Devonshire, as the result of the inventive fancy of a village workman.

During the course of the excavations at Abydos many thousands of fragments of pottery were collected.



Those that appeared to be of historic value were sorted and classified, and, as a result of minute and extended labours, it is now possible for the reader to see at a glance the principal types of Egyptian pottery from prehistoric times, and to view their relationship as a whole. The diagram exhibits an unbroken series of pottery forms from s.d. 76 to B.C. 4400.



The forms in the first column are those classified according to the chronological notation devised by Professor Petrie, enabling a "sequence date" (s. d.) to be assigned to an object which cannot otherwise be dated. In the second column are forms found in the town of Abydos, and in the last column are those unearthed in the tombs. Most of the large jars bear marks, which were scratched in the moist clay before being baked; some few were marked after the baking.



Some of the marks are unquestionably hieroglyphs; others are probably connected with the signs used by the earlier prehistoric people; and many can scarcely be determined.



A typical instance of these pottery marks is shown in the illustration. These signs appear to be distinctly of the time of Mer-sekha, and the fortified enclosure around the name may refer to the tomb as the eternal fortress of the king. These marks can be roughly classified into types according to the skill with which they were drawn. The first example illustrates the more careful workmanship, and the others show more degraded forms, in which the outline of the hawk and the signs in the cartouche become gradually more debased. It is tolerably certain that what are known as the Mediterranean alphabets were derived from a selection of the signs used in these pottery marks.



An undisturbed tomb was found by accident in the Osiris temenos. The soil was so wet that the bones were mostly dissolved; and only fragments of the skull, crushed under an inverted slate bowl, were preserved. The head had been laid upon a sandstone corn-grinder. Around the sides of the tomb were over two dozen jars of pottery, most of them large. And near the body were sixteen stone vases and bowls. Some of the forms, such as are shown in the illustration, Nos. 3, 7, 8, are new to us. A strange three-sided pottery bowl was also found here, but since there is no museum in England where such a complete tomb can be placed, it was sent to Philadelphia, in order that the whole series should be arranged as originally found.

The sealings, the general description of which has been already given, have come to light in such considerable quantities during the past few years that their study became a special branch of Egyptology. As to the earliest sealings, it was not until the time of Den that a broad uniformity of style was established. The seals of the second dynasty are generally of a smaller style and more elaborately worked than those of the first dynasty. It is reasonable, therefore, to conclude that the later seals were made in stone or metal rather than in wood.



The illustration given of sealing No. 128, of the Egypt Exploration Fund collection, shows a very fair type of the figuring of men and animals at the time of the first dynasty as a survival of the prehistoric manner of engraving. Here, then, at the very dawn of history, we find a spirited depiction of the human form, for, rude though it is, there can be no doubt but that it is a representation of the human figure, and stiff and ungainly though the action of the drawing be, there can be no doubt as to the progressive movement intended by the artist. On a sealing, No. 116, is seen the leopard with the bent bars on his back. The shrine upon the same seal is of the general form, and is like the early huts with reed sides, and an interwoven palm-rib roof. This is a specimen of an intermediate manner of workmanship. The most advanced stage of art in the sealings of the first dynasty, is No. 108. This is the royal seal of King Zer, B.C. 4700, showing him seated and wearing the crowns of Upper and Lower Egypt. By his side are the royal staff and his cartouches. It was workmanship of this character which survived in Egypt almost as late as Roman times; that is to say, the same style engraving was current in the Valley of the Nile for forty-six centuries.

A particularly interesting sealing is a representation of two jars with the flat seals across their tops.



These jars, moreover, are depicted as bound around with a network of rope in a manner which corresponds with some fragments of rope found around some jars of this character.



A small fragment of pottery originally forming the base of a brown earthenware dish had inscribed upon it some accounts, and is the oldest of such business records yet found in Egypt. The exact import of the figures is not yet entirely intelligible, but they seem to refer to quantities of things rather than to individuals, as the numbers, although mostly twenty, are sometimes one hundred and two hundred. This interesting fragment was found at the tomb of Zet, and thus establishes the use of arithmetic before 4600 B.C.

The expedition supported by Mrs. Hearst, in the name of the University of California, has done some useful work at El-Ahaiwah, opposite Menshiyeh. The main cemetery at this place is an archaic one, containing about a thousand graves or more, of which about seven hundred had already been plundered. Between these plundered graves, about 250 were found untouched in modern times. The graves yielded a good collection of archaic pottery, pearl and ivory bracelets, hairpins, carnelian, garnet, gold, blue glaze and other beads, etc.

About this cemetery was a cemetery of the late New Empire, containing a number of vaulted tombs built of unburned brick. These yielded a large number of necklaces, and several fine pieces of faience and ivory, and other objects. A second cemetery, farther north, contained a few late archaic graves and about fifteen large tombs, usually with one main chamber and two small chambers at each end. These tombs were of two types (1) roofed over with wood, without a stairway, (2) roofed over with a corbelled vault and entered from the west by a stairway. The burials in these tombs are in the archaic position, head to south. Dissected, or secondary, burials occur in these cemeteries, but only rarely. Only one indisputable case was found, as shown in the illustration.



It would require several volumes adequately to deal with the results of the excavations of the present century. Further discoveries, all throwing new light upon the life of ancient Egypt, are being made each season, and the number of enthusiastic workers gathered from every nation constantly increases. Notwithstanding the heroic and splendid work of past investigators, for many years to come the valley of the Nile promises to yield important results, not only in actual field work, but also in the close study and better classification of the thousands of objects that are continually being brought to light.

Six thousand years of history have been unrolled; tomb and tablet, shard and papyrus have told their story, and the vista stretches back to the dawn of human history in that inexhaustible valley watered by the perennial overflow of the grandest river in the world. But there is much still to be accomplished by the enthusiastic spirit, the keen and selective mind, in the study of this ancient land, the cradle and the grave of nations.

THE END.