[Sidenote: JOHNSON THE EXEMPLAR]

In Singleton church is a record of the Charlton Hunt in the shape of a memorial to one of the huntsmen, the moral of which seems to be that we must all be huntsmen too:—

"Near this place lies interred THOMAS JOHNSON, who departed this life at Charlton, December 20th, 1774.

"From his early inclination to fox-hounds, he soon became an experienced huntsman. His knowledge in the profession, wherein he had no superior, and hardly an equal, joined to his honesty in every other particular, recommended him to the service, and gained him the approbation, of several of the nobility and gentry. Among these were the Lord CONWAY, Earl of CARDIGAN, the Lord GOWER, the Duke of MARLBOROUGH, the Hon. M. SPENCER. The last master whom he served, and in whose service he died, was CHARLES, Duke of RICHMOND, LENNOX, and AUBIGNY, who erected this monument in memory of a good and faithful servant, as a reward to the deceased, and an incitement to the living.

'Go, and do thou likewise.' (St. Luke, x. 37).

'Here Johnson lies; what human can deny Old Honest Tom the tribute of a sigh? Deaf is that ear which caught the opening sound; Dumb that tongue which cheer'd the hills around. Unpleasing truth: Death hunts us from our birth In view, and men, like foxes, take to earth.'"

[Sidenote: THE SUSSEX PACKS]

A few words on the packs of Sussex at the present time may be interesting in this connection. Chief is the Southdown Fox Hounds, a very fine, fast pack brought to a high state of perfection by the late master, the Hon. Charles Brand. They hunt the open and hill country between the Adur and Cuckmere, between Haywards Heath and the sea. In the north are the Crawley and Horsham Fox Hounds, which have large woodlands, high hedges, and some stiff ploughed soil to their less easy lot. The hounds are bigger and heavier than the South Downers. Smaller packs are Lord Leconfield's Fox Hounds, which have the Charlton country; the Eastbourne Fox Hounds, to which the East Sussex Fox Hounds allotted a share of the western part of their country east of the Cuckmere; and the Burstow and Eridge packs. Of Harriers, the best are the Brighton Harriers, so long hunted by Mr. Hugh Gorringe of Kingston-by-Sea, a very smart pack lately covering the ground between the Adur and Falmer, and now adding the Brookside Harriers' country to their own domain, the two packs having been amalgamated. In the east are the Bexhill Harriers and the Hailsham Harriers; and in the west the South Coast Harriers, for the Chichester country. Sussex, in addition to possessing the Warnham Staghounds, is much raided by the Surrey Staghounds. The Crowhurst Otter Hounds also visit the Sussex streams now and then. Foot Beagles may be numerous but I know only of the Brighton pack.

[Sidenote: MR. KNOX'S SETTER]

And here let me give Mr. Knox's description of a day's shooting, in the gentlemanly way, on the Sussex Downs, following, in his Ornithological Rambles, upon some remarks on the battue. "How different is the pursuit of the pheasant with the aid of spaniels in the thick covers of the weald, or tracking him with a single setter among some of the wilder portions of the forest range!—intently observing your dog and anticipating the wily artifices of some old cock, with spurs as long as a dragon's, who will sometimes lead you for a mile through bog, brake, fern, and heather, before the sudden drop of your staunch companion, and a rigidity in all his limbs, satisfy you that you have at last compelled the bird to squat under that wide holly-bush, from whence you kick him up, and feel some little exultation as you bring him down with a snap-shot, having only caught a glimpse of him through the evergreen boughs, as he endeavoured to escape by a rapid flight at the opposite side of the tree.

[Sidenote: A SUSSEX BAG]

"And then the woodcock-shooting in November—I must take you back once more to my favourite Downs. With the first full moon during that month, especially if the wind be easterly or the weather calm, arrive flights of woodcocks, which drop in the covers, and are dispersed among the bushy valleys, and even over the heathery summits of the hills. If it should happen to be a propitious year for beech-mast—the great attraction to pheasants on the Downs, as is the acorn in the weald—you may procure partridges, pheasants, hares, and rabbits in perhaps equal proportions, with half a dozen woodcocks to crown the bag.



"The extensive, undulating commons and heaths dotted with broken patches of Scotch firs and hollies on the ferruginous sand north of the Downs, afford—where the manorial rights are enforced—still greater variety of sport. On this wild ground, accompanied by my spaniels and an old retriever, and attended only by one man, to carry the game, I have enjoyed as good sport as mortal need desire on this side of the Tweed. Here is a rough sketch of a morning's work.

[Sidenote: PARTRIDGE AND WOODCOCK]

"Commencing operations by walking across a turnip-field, two or three coveys spring wildly from the farther end, and fly, as I expect, to the adjoining common, where they are marked down on a brow thickly clothed with furze. Marching towards them with spaniels at heel, up jumps a hare under my nose, then another, then a rabbit. I reload rapidly, and on reaching the gorse 'put in' the dogs. Whirr! there goes a partridge! The spaniels drop to the report of my gun, but the fluttering wings of the dying bird rouse two of his neighbours before I am ready, and away they fly, screaming loudly. The remainder are flushed in detail and I succeed in securing the greater part of them. Now for the next covey. They were marked down in that little hollow where the heather is longer than usual—a beautiful spot! But before I reach it, up they all spring in an unexpected quarter; that cunning old patriarch at their head had cleverly called them together to a naked part of the hill from whence he could observe my manoeuvres, and a random shot sent after him with hearty good will proved totally ineffective.

"Now the spaniels are worming through the thick sedges on either side of the brook which intersects the moor, and by their bustling anxiety it is easy to see that game is afoot. Keeping well in front of them, I am just in time for a satisfactory right and left at two cock pheasants, which they had hunted down to the very edge of the water before they could persuade them to take wing. Now for that little alder coppice at the further end of the marshy swamp. Hark to that whipping sound so different from the rush of the rising pheasant or the drumming flight of the partridge! I cannot see the bird, but I know it is a woodcock. This must be one of his favourite haunts, for I perceive the tracks of his feet and the perforations of his bill in every direction on the black mud around. Mark! again. A second is sprung, and as he flits between the naked alders a snap-shot stops his career. I now emerge at the farther end, just where the trees are thinner than elsewhere. A wisp of snipes utter their well-known cry and scud over the heath; one of these is secured. The rest fly towards a little pool of dark water lying at a considerable distance from the common, a well-known rendezvous for those birds. Cautiously approaching, down wind, I reach the margin. Up springs a snipe; but just as my finger is on the trigger, and when too late to alter my intention, a duck and mallard rise from among the rushes and wheel round my head. One barrel is fortunately left, and the drake comes tumbling to the ground. Three or four pheasants, another couple of woodcocks, a few more snipes, a teal or two, and half a dozen rabbits picked up at various intervals, complete the day's sport, and I return home, better pleased with myself and my dogs than if we had compassed the destruction of all the hares in the county, or assisted at the immolation of a perfect hecatomb of pheasants."

[Sidenote: KINGLY BOTTOM]

Kingly Bottom is the most interesting spot to the west of Singleton. One may reach it either through Chilgrove, or by walking back towards Chichester as far as Binderton House, turning then to the right and walking due west for a couple of miles. Report says that the yews in Kingly Bottom, or Kingly Vale, mark a victory of Chichester men over a party of marauding Danes in 900, and that the dead were buried beneath the barrows on the hill. The story ought to be true. The vale is remarkable for its grove of yews, some of enormous girth, which extends along the bottom to the foot of the escarpment. The charge that might be brought against Sussex, that it lacks sombre scenery and the elements of dark romance, that its character is too open and transparent, would be urged to no purpose in Kingly Vale, which, always grave and silent, is transformed at dusk into a sinister and fantastic forest, a home for witchcraft and unquiet spirits.

So it seems to me; but among the verses of Bernard Barton, the Quaker poet and the friend of Charles Lamb, I lately chanced upon a sonnet "written on hearing it remarked that the scenery [of Kingly Bottom] was too gloomy to be termed beautiful; and that it was also associated with dolorous recollections of Druidical sacrifices." In this poem Barton takes a surprisingly novel line. "Nay, nay, it is not gloomy" he begins, and the end is thus:—

Nor fancy Druid rites have left a stain Upon its gentle beauties:—loiter there In a calm summer night, confess how fair Its moonlight charms, and thou wilt learn how vain And transitory Superstition's reign Over a spot which gladsome thoughts may share.

The ordinary person, not a poet, would, I fear, prefer to think of Kingly Bottom's Druidical past.

[Sidenote: THE MARDEN VIOLETS]

The last time I was in Kingly Bottom—it was in April—after leaving the barrows on the summit of the Bow Hill, above the Vale, I walked by devious ways to East Marden, between banks thick with the whitest and sweetest of sweet white violets. East Marden, however, has no inn and is therefore not the best friend of the traveller; but it has the most modest and least ecclesiastical-looking church in the world, and by seeking it out I learned two secrets: the finest place for white violets and the finest place to keep a horse. There is no riding country to excel this hill district between Singleton and the Hampshire border.

At the neighbouring village of Stoughton, whither I meant to walk (since an inn is there) was born, in 1783, the terrible George Brown—Brown of Brighton—the fast bowler, whose arm was as thick as an ordinary man's thigh. He had two long stops, one of whom padded his chest with straw. A long stop once held his coat before one of Brown's balls, but the ball went through it and killed a dog on the other side. Brown could throw a 4-1/2 oz. ball 137 yards, and he was the father of seventeen children. He died at Sompting in 1857.

[Sidenote: CHURCHYARD POETRY]

Of Racton, on the Hampshire border, and its association with Charles II., I have already spoken. Below, it is Westbourne, a small border village in whose churchyard are two pleasing epitaphs. Of Jane, wife of Thomas Curtis, who died in 1719, it is written:—

She was like a lily fresh and green, Soon cast down and no more seen.

and of John Cook:

Pope said an honest man Is the noblest work of God. If Pope's assertion be from error clear, One of God's noblest works lies buried here.



CHAPTER VI

CHICHESTER AND THE PLAIN

Bosham and history—An expensive pun—The Bosham bells—Chidham wheat—The Manhood peninsula—Selsey's adders—Selsey Bill—St. Wilfrid and the Sussex heathen—Pagham Harbour in its palmy days—Bognor—Felpham's great rider—Mr. Hayley and Mrs. Opie—An epitaph and a poem—A fairy's funeral—William Blake in Sussex—The trial of a traitor.

On leaving Chichester West Street becomes the Portsmouth Road and passes through Fishbourne, a pleasant but dusty village. A mile or so beyond, and a little to the south, is Bosham, on one of the several arms of Chichester Harbour, once of some importance but now chiefly mud. Bosham is the most interesting village in what may be called the Selsey peninsula. Yet how has its glory diminished! What is now a quiet abode of fishermen and the tarrying-place of yachtsmen and artists (there are few Royal Academy exhibitions without the spire of Bosham church) has been in its time a very factory of history. Vespasian's camp was hard by, and it is possible that certain Roman remains that have been found here were once part of his palace. Bosham claims to be the scene of Canute's encounter with the encroaching tide; which may be the case, although one has always thought of the king rebuking his flatterers rather by the margin of the ocean itself than inland at an estuary's edge. But beyond question Canute had a palace here, and his daughter was buried in the church.

[Sidenote: A COSTLY PUN]

Earl Godwin, father of Harold, last of the Saxons, dwelt here also. "Da mihi basium"—give me a kiss—he is fabled to have said to Archbishop Aethelnoth, and on receiving it to have taken the salute as acquiescence in the request—"Da mihi Bosham": probably the earliest and also the most expensive recorded example in England of this particular form of humour.

It was from Bosham that Harold sailed on that visit to the Duke of Normandy which resulted in the battle of Hastings. In the Bayeux tapestry he may be seen riding to Bosham with his company, and also putting up prayers for the success of his mission. Of this success we shall see more when we come to Battle. Bosham furthermore claims Hubert of Bosham, the author of the Book of Becket's Martyrdom, who was with Saint Thomas of Canterbury when the assassins stabbed him to the death.

The church is of great age; it is even claimed that the tower is the original Saxon. The circumstance that in the representation of the edifice in the Bayeux tapestry there is no tower has been urged against this theory, although architectural realism in embroidery has never been very noticeable. The bells (it is told) were once carried off in a Danish raid; but they brought their captors no luck—rather the reverse, since they so weighed upon the ship that she sank. When the present bells ring, the ancient submerged peal is said to ring also in sympathy at the bottom of the Channel—a pretty habit, which would suggest that bell metal is happily and wisely superior to changes of religion, were it not explained by the unromantic principles of acoustics.

A heavy pole, known as the staff of Bevis of Southampton (and Arundel), was of old kept in Bosham church.

At high water Bosham is the fair abode of peace. When every straggling arm of the harbour is brimming full, when their still surfaces reflect the sky with a brighter light, and the fishing boats ride erect, Bosham is serenely beautiful and restful. But at low tide she is a slut: the withdrawing floods lay bare vast tracts of mud; the ships heel over into attitudes disreputably oblique; stagnation reigns.

[Sidenote: CHIDHAM WHEAT]

Chidham, by Bosham, is widely famous for its wheat. Chidham White, or Hedge, wheat was first produced a little more than a century ago by Mr. Woods, a farmer. He noticed one afternoon (probably on a Sunday, when farmers are most noticing) an unfamiliar patch of wheat growing in a hedge. It contained thirty ears, in which were fourteen hundred corns. Mr. Woods carefully saved it and sowed it. The crop was eight pounds and a half. These he sowed, and the crop was forty eight gallons. Thus it multiplied, until the time came to distribute it to other farmers at a high price. The cultivation of Chidham wheat by Mr. Woods at one side of the county, synchronised with the breeding of the best Southdown sheep by John Ellman at the other, as we shall see later.

South of Chichester stretches the Manhood peninsula, of which Selsey is the principal town: the part of Sussex most neglected by the traveller. In a county of hills the stranger is not attracted by a district that might almost have been hewn out of Holland. But the ornithologist knows its value, and in a world increasingly bustling and progressive there is a curious fascination in so remote and deliberate a region, over which, even in the finest weather and during the busiest harvest, a suggestion of desolation broods. Nothing, one feels, can ever introduce Success into this plain, and so thinking, one is at peace.

[Sidenote: THE MONOTONY OF MANHOOD]

A tramway between Chichester and Selsey has to some extent opened up the east side of the peninsula, but the west is still remote and will probably remain so. The country is, however, not interesting: a dead level of dusty road and grass or arable land, broken only by hedges, dykes, white cottages, and the many homesteads within their ramparts of wind-swept elms. Wheat and oats are the prevailing crops, still for the most part cut and bound by hand. Of the villages in the centre of the peninsula Sidlesham is the most considerable, with its handsome square church tower and its huge red tide-mill, now silent and weather-worn, standing mournfully at the head of the dry harbour of Pagham, whose waters once turned its wheels. On the west, on the shores of the Bosham estuary, or Chichester Harbour, are the sleepy amphibious villages of Appledram, famous once for its salt and its smugglers, Birdham, and Earnley. Let no one be tempted to take a direct line across the fields from Selsey to Earnley, for dykes and canals must effectually stop him. Indeed, cross country walking in this part of the country is practically an impossibility, except by continuous deviations and doublings. In attempting one day to reach Earnley from Selsey in this way (after giving up the beach in despair), I came upon several adders, and I once found one crossing a road absolutely in Selsey.

Selsey is a straggling white village, or town, over populous with visitors in summer, empty, save for its regular inhabitants, in winter. The oldest and truest part of Selsey is a fishing village on the east shore of the Bill, a little settlement of tarred tenements and lobster pots. Selsey church, now on the confines of the town, once stood a mile or more away; whither it was removed (the stones being numbered) and, like Temple Bar, again set up. The chancel was, however, not removed, but left desolate in the fields.

Selsey Bill is a tongue of land projecting into a shallow sea. A lighthouse being useless to warn strange mariners of the sandbanks of this district, a lightship known as the Owers flashes its rays far out in the channel. The sea has played curious pranks on the Selsey coast. Beneath the beach and a large tract of the sea now lies what was once, four hundred years ago, a park of deer, which in its most prosperous day extended for miles. The shallow water covering it is still called the park by the fishermen, who drop their nets where the bucks and does of Selsey were wont to graze.

[Sidenote: SUSSEX REPELS ST. WILFRID]

But the sea has obliterated more than the pasturage of the deer; a mile distant from the present shore stood the first monastery erected in Sussex after Wilfrid's conversion of the South Saxons to Christianity. Although Saint Wilfrid eventually found a home in Sussex and worked hard among its people, his first attempt to bring Christianity to the county was, according to his friend Edda's Vita Wilfridi, ill-starred. I quote the story:—

"A great gale blowing from the South-east, the swelling waves threw them on the unknown coast of the South Saxons. The sea too left the ship and men, and retreating from the land and leaving the shore uncovered, retired into the depths of the abyss.

"And the heathen, coming with a great army, intended to seize the ship, to divide the spoil of money, to take them captives forthwith, and to put to the sword those who resisted. To whom our great bishop spoke gently and peaceably, offering much money, wishing to redeem their souls.

"But they with stern and cruel hearts like Pharaoh would not let the people of the Lord go, saying proudly that, 'All that the sea threw on the land became as much theirs as their own property.'

"And the idolatrous chief priest of the heathen, standing on a lofty mound, strove like Balaam to curse the people of God, and to bind their hands by his magic arts.

"Then one of the bishop's companions hurled, like David, a stone, blessed by all the people of God, which struck the cursing magician in the forehead and pierced his brain, when an unexpected death surprised, as it did Goliath, falling back a corpse in sandy places.

"The heathen therefore preparing to fight, vainly attacked the people of God. But the Lord fought for the few, even as Gideon by the command of the Lord, with 300 warriors slew at one attack 12,000 of the Midianites.

"And so the comrades of our holy bishop, well-armed and brave, though few in number (they were 120 men, the number of the years of Moses), determined and agreed that none should turn his back in flight from the other, but would either win death with glory, or life with victory (for both alike are easy to the Lord). So S. Wilfrith with his clerk fell on his knees, and lifting his hands to Heaven again sought help from the Lord. For, as Moses triumphed when Hur and Aaron supported his hands, by frequently imploring the protection of the Lord, when Joshua the son of Nun was fighting with the people of God against Amalek, thus these few Christians after thrice repulsing the fierce and untamed heathen, routed them with great slaughter, with a loss strange to say of only five on their side.

"And their great priest (Wilfrith) prayed to the Lord his God, who immediately ordered the sea to return a full hour before its wont. So that when the heathen, on the arrival of their king, were preparing for a fourth attack with all their forces, the rising sea covered with its waves the whole of the shore, and floated the ship, which sailed into the deep. But, greatly glorified by God, and returning Him thanks, with a South wind they reached Sandwich, a harbour of safety."

[Sidenote: JOHN WESLEY'S TESTIMONY]

The Sussex people, it would seem, do not take kindly to missionaries, for John Wesley records that he had less success in this county than in all England.

Between Selsey and Bognor lies Pagham, famous in the pages of Knox's Ornithological Rambles, but otherwise unknown. Of the lost glories of Pagham, which was once a harbour, but is now dry, let Mr. Knox speak:—"Here in the dead long summer days, when not a breath of air has been stirring, have I frequently remained for hours, stretched on the hot shingle, and gazed at the osprey as he soared aloft, or watched the little islands of mud at the turn of the tide, as each gradually rose from the receding waters, and was successively taken possession of by flocks of sandpipers and ring-dotterels, after various circumvolutions on the part of each detachment, now simultaneously presenting their snowy breasts to the sunshine, now suddenly turning their dusky backs, so that the dazzled eye lost sight of them from the contrast; while the prolonged cry of the titterel,[2] and the melancholy note of the peewit from the distant swamp, have mingled with the scream of the tern and the taunting laugh of the gull.

[Sidenote: PAGHAM'S LOST GLORIES]

"Here have I watched the oyster-catcher, as he flew from point to point, and cautiously waded into the shallow water; and the patient heron, that pattern of a fisherman, as with retracted neck, and eyes fixed on vacancy, he has stood for hours without a single snap, motionless as a statue. Here, too, have I pursued the guillemot, or craftily endeavoured to cut off the retreat of the diver, by mooring my boat across the narrow passage through which alone he could return to the open sea without having recourse to his reluctant wings. Nor can I forget how often, during the Siberian winter of 1838, when 'a whole gale,' as the sailors have it, has been blowing from the north-east, I used to take up my position on the long and narrow ridge of shingle which separated this paradise from the raging waves without, and sheltered behind a hillock of seaweed, with my long duck-gun and a trusty double, or half buried in a hole in the sand, I used to watch the legions of water-birds as they neared the shore, and dropped distrustfully among the breakers, at a distance from the desired haven, until, gaining confidence from accession of numbers, some of the bolder spirits—the pioneers of the army—would flap their wings, rise from the white waves, and make for the calm water. Here they come! I can see the pied golden-eye pre-eminent among the advancing party; now the pochard, with his copper-coloured head and neck, may be distinguished from the darker scaup-duck; already the finger is on the trigger, when, perhaps, they suddenly veer to the right and left, far beyond the reach of my longest barrel or, it may be, come swishing overhead, and leave a companion or two struggling on the shingle or floating on the shallow waters of the harbour."

Pagham Harbour is now reclaimed, and where once was mud, or, at high tide, shallow water, is rank grass and thistles. One ship that seems to have waited a little too long before making for the open sea again, now lies high and dry, a forlorn hulk. Pagham church is among the airiest that I know, with a shingle spire, the counterpart of Bosham's on the other side of the peninsula.

The walk from Pagham to Bognor, along the sand, is uninspiring and not too easy, for the sand can be very soft. About a mile west of Bognor one is driven inland, just after passing as perfect an example of the simple yet luxurious seaside home as I remember to have seen: all on one floor, thatched, shaded by trees, surrounded by its garden and facing the Channel.

[Sidenote: EARLY BOGNOR]

Among the unattractive types of town few are more dismal than the watering-place manque. Bognor must, I fear, come under this heading. Its reputation, such as it is, was originally made by Princess Charlotte, daughter of George III., who found the air recuperative, and who was probably not unwilling to lend her prestige to a resort, as her brother George was doing at Brighton, and her sister Amelia had done at Worthing. But before the Princess Charlotte Sir Richard Hotham, the hatter, had come, determined at any cost to make the town popular. One of his methods was to rename it Hothampton. His efforts were, however, only moderately successful, and he died in 1799, leaving to what Horsfield calls "his astonished heirs" only L8,000 out of a great fortune. The name Hothampton soon vanished.

The local authorities of Bognor seem to be keenly alive to the value of enterprise, for their walls are covered with instructions as to what may or may not be done in the interests of cleanliness and popularity; a new sea-wall has been built; receptacles for waste paper continually confront one, and deck chairs at twopence for three hours are practically unavoidable. And yet Bognor remains a dull place, once the visitor has left his beach abode—tent or bathing box, whichever it may be. It seems to be a town without resources. But it has the interest, denied one in more fashionable watering-places, of presenting old and new Bognor at the same moment; not that old Bognor is really old, but it is instructive to see the kind of crescent which was considered the last word in architectural enterprise when our great-grandmothers were young and would take the sea air.

[Sidenote: A POET ON HORSEBACK]

From Bognor it is a mere step to Felpham, a village less than a mile to the east. Whether or not one goes there to-day is a matter of taste; but a hundred years ago to omit a visit was to confess one's-self a boor, for William Hayley, the poet and friend of genius, lived there, and his castellated stucco house became a shrine. At that day it seems to have been no uncommon sight for the visitor to Bognor to be refreshed by the spectacle of the poet falling from his horse. According to his biographer, Cowper's Johnny of Norfolk, Hayley descended to earth almost as often as Alice's White Knight, partly from the high spirit of his steed, and partly from a habit which he never abandoned of wearing military spurs and carrying an umbrella. The memoir of the poet contains this agreeable passage: "The Editor was once riding gently by his side, on the stony beach of Bognor, when the wind suddenly reversed his umbrella as he unfolded it; his horse, with a single but desperate plunge, pitched him on his head in an instant.... On another occasion, on the same visit ... he was tost into the air on the Downs, at the precise moment when an interested friend whom they had just left, being apprehensive of what would happen, was anxiously viewing him from his window, through a telescope." Those who look through telescopes are rarely so fortunate. It is odd that Hayley, a delicate and heavy man suffering from hip-disease, should have taken so little hurt. Although he had a covered passage for horse exercise in the grounds of his villa, no amount of practice seems to have improved his seat. This covered way has been removed, but a mulberry tree planted by Hayley still flourishes.

Whenever Hayley was ill he became an object of intense interest to visitors at Bognor. Binsted's Library in the town exhibited a daily bulletin; and in 1819 the Prince and Princess of Saxe-Coburg called upon him, while the Princess of Hesse Homburg on her return sent a prescription from Germany.

[Sidenote: HAYLEY HOUR BY HOUR]

Mrs. Opie, the novelist, who stayed with Mr. Hayley every summer, and also served as a magnet to devout sojourners at Bognor, has left an account of the poet's habits which is vastly more entertaining than his poetry. He rose at six or earlier and at once composed some devotional verse. At breakfast, he read to Mrs. Opie; afterwards Mrs. Opie read to him. At eleven they drank coffee, and before he dressed for dinner, a very temperate meal, Mrs. Opie sang. After dinner there was more reading aloud, the matter being either manuscript compositions of Mr. Hayley's, or modern publications. Mr. Hayley took cocoa and Mrs. Opie tea, and afterwards Mrs. Opie read aloud or sang. At nine, the servants came to prayers, which were original compositions of Mr. Hayley's, read by him in a very impressive manner, and before bed, Mrs. Opie sang one of Mr. Hayley's hymns.

Hayley's grave is at Felpham, and his epitaph by Mrs. Opie may be read by the industrious on the wall of the church. Among the many epitaphs on his neighbours by Hayley himself, who had a special knack of mortuary verse, is this on a Felpham blacksmith:—

My sledge and hammer lie reclined; My bellows too have lost their wind; My fire's extinct; my forge decay'd, And in the dust my vice is laid; My coal is spent, my iron gone; The nails are driven—my work is done.

The last verses that Hayley wrote have more charm and delicacy than perhaps anything else among his works:

Ye gentle birds that perch aloof, And smooth your pinions on my roof, Preparing for departure hence Ere winter's angry threats commence; Like you, my soul would smooth her plume For longer flights beyond the tomb.

May God, by whom is seen and heard Departing man and wandering bird, In mercy mark us for his own, And guide us to the land unknown.

[Sidenote: A FAIRY'S FUNERAL]

But it is not Hayley that gives its glory to Felpham. The glory of Felpham is that William Blake was happy there for nearly three years. It was at Felpham that he saw the fairy's funeral. "Did you ever see a fairy's funeral, ma'am?" he asked a visitor. "Never, sir!" "I have!... I was walking alone in my garden; there was great stillness among the branches and flowers, and more than common sweetness in the air; I heard a low and pleasant sound, and I knew not whence it came. At last I saw the broad leaf of a flower move, and underneath I saw a procession of creatures, of the size and colour of green and grey grasshoppers, bearing a body laid out on a rose-leaf, which they buried with songs, and then disappeared. It was a fairy's funeral!"

Blake settled at Felpham to be near Hayley, for whom he had a number of commissions to execute. He engraved illustrations to Hayley's works, and painted eighteen heads for Hayley's library—among them, Shakespeare, Homer, and Hayley himself; but all have vanished, the present owner knows not where.

In some verses which Blake addressed to Anna Flaxman, the wife of the sculptor, in September, 1800, a few days before moving from London to the Sussex coast, he says:—

This song to the flower of Flaxman's joy; To the blossom of hope, for a sweet decoy; Do all that you can and all that you may To entice him to Felpham and far away.

Away to sweet Felpham, for Heaven is there; The ladder of Angels descends through the air, On the turret its spiral does softly descend, Through the village then winds, at my cot it does end.

[Sidenote: THE PROPHETS AT FELPHAM]

Blake's house still stands, a retired, thatched cottage, facing the sea, but some distance from it. In a letter to Flaxman a little later, he says, "Felpham is a sweet place for study, because it is more spiritual than London. Heaven opens here on all sides its golden gates; the windows are not obstructed by vapours; voices of celestial inhabitants are more distinctly heard, their forms more distinctly seen; and my cottage is also a shadow of their houses." Beside the sea Blake communed with the spirits of Dante and Homer, Milton and the Hebrew Prophets.

Blake's sojourn at Felpham ended in 1803. A grotesque and annoying incident marred its close, the story of which, as told by the poet in a letter to Mr. Butler, certainly belongs to the history of Sussex. It should, however, first be stated that an ex-soldier in the Royal Dragoons, named John Scholfield, had accused Blake of uttering seditious words. The letter runs:—"His enmity arises from my having turned him out of my garden, into which he was invited as an assistant by a gardener at work therein, without my knowledge that he was so invited. I desired him, as politely as possible, to go out of the garden; he made me an impertinent answer. I insisted on his leaving the garden; he refused. I still persisted in desiring his departure. He then threatened to knock out my eyes, with many abominable imprecations, and with some contempt for my person; it affronted my foolish pride. I therefore took him by the elbows, and pushed him before me until I had got him out. There I intended to have left him; but he, turning about, put himself into a posture of defiance, threatening and swearing at me. I, perhaps foolishly and perhaps not, stepped out at the gate, and, putting aside his blows, took him again by the elbows, and, keeping his back to me, pushed him forward down the road about fifty yards—he all the while endeavouring to turn round and strike me, and raging and cursing, which drew out several neighbours. At length when I had got him to where he was quartered, which was very quickly done, we were met at the gate by the master of the house—the Fox Inn—(who is the proprietor of my cottage) and his wife and daughter, and the man's comrade, and several other people. My landlord compelled the soldiers to go indoors, after many abusive threats against me and my wife from the two soldiers; but not one word of threat on account of sedition was uttered at that time."

[Sidenote: WILLIAM BLAKE, TRAITOR]

As a result, Blake was haled before the magistrates and committed for trial. The trial was held in the Guildhall at Chichester, on January 11th, 1804. Hayley, in spite of having been thrown from his horse on a flint with, says Gilchrist, Blake's biographer, "more than usual violence" was in attendance to swear to the poet's character, and Cowper's friend Rose, a clever barrister, had been retained. According to the report in the County paper, "William Blake, an engraver at Felpham, was tried on a charge exhibited against him by two soldiers for having uttered seditious and treasonable expressions, such as 'd—n the king, d—n all his subjects, d—n his soldiers, they are all slaves; when Buonaparte comes, it will be cut-throat for cut-throat, and the weakest must go to the wall; I will help him; &c., &c.'" Blake electrified the court by calling out "False!" in the midst of the military evidence, the invented character of which was, however, so obvious that an acquittal resulted. "In defiance of all decency," the spectators cheered, and Hayley carried off the sturdy Republican (as he was at heart) to Mid Lavant, to sup at Mrs. Poole's.

[Sidenote: BLAKE'S FLASHING EYE]

Mr. Gilchrist found an old fellow who had been present at the trial, drawn thither by the promise of seeing the great man of the neighbourhood, Mr. Hayley. All that he could remember was Blake's flashing eye.

The Fox Inn, by the way, is still as it was, but the custom, I fancy, goes more to the Thatched House, which adds to the charms of refreshment a museum containing such treasures as a petrified cocoanut, the skeleton of a lobster twenty-eight years old, and a representation of Moses in the bulrushes.

A third and fourth great man, of a different type both from Hayley and Blake, met at Felpham in 1819. One was Cyril Jackson, Dean of Christ Church, who, lying on his death-bed in the Manor House, was visited by the other—his old pupil, the First Gentleman in Europe.

FOOTNOTE:

[2] The Sussex provincial name for the whimbrel.



CHAPTER VII

ARUNDEL AND NEIGHBOURHOOD

A feudal town—Castles ruined and habitable—The old religion and the new—Bevis of Southampton—Lord Thurlow lays an egg—A noble park—A song in praise of Sussex—The father of cricket.

Seen from the river or from the east side of the Arun valley, Arundel is the most imposing town in Sussex. Many are larger, many are equally old, or older; but none wears so unusual and interesting an air, not even Lewes among her Downs.

Arundel clings to the side of a shaggy hill above the Arun. Castle, cathedral, church—these are Arundel; the town itself is secondary, subordinate, feudal. The castle is what one likes a castle to be—a mass of battlemented stone, with a keep, a gateway, and a history, and yet more habitable than ever. So many of the rich make no effort to live in their ancestral halls; and what might be a home, carrying on the tradition of ages, is so often only a mere show, that to find an historic castle like Arundel still lived in is very gratifying. In Sussex alone are several half-ruined houses that the builders could quickly make habitable once more. Arundel Castle, in spite of time and the sieges of 1102, 1139, and 1643, is both comfortable and modern; Arundel still depends for her life upon the complaisance of her over-lord.

[Sidenote: MODERN MEDIEVALISM]

I know of no town with so low a pulse as this precipitous little settlement under the shadow of Rome and the Duke. In spite of picnic parties in the park, in spite of anglers from London, in spite of the railway in the valley, Arundel is still medieval and curiously foreign. On a very hot day, as one climbs the hill to the cathedral, one might be in old France, and certainly in the Middle Ages.

Time's revenges have had their play in this town. Although the church is still bravely of the establishment, half of it is closed to the Anglican visitor (the chancel having been adjudged the private property of the Dukes of Norfolk), and the once dominating position of the edifice has been impaired by the proximity of the new Roman Catholic church of St. Philip Neri, which the present Duke has been building these many years. Within, it is finished, a very charming and delicate feat in stone; but the spire has yet to come. The old Irish soldier, humorous and bemedalled, who keeps watch and ward over the fane, is not the least of its merits.

Although the chancel of the parish church has been closed, permission to enter may occasionally be obtained. It is rich in family tombs of great interest and beauty, including that of the nineteenth Earl of Arundel, the patron of William Caxton. In the siege of Arundel Castle in 1643, the soldiers of the parliamentarians, under Sir William Waller, fired their cannon from the church tower. They also turned the church into a barracks, and injured much stone work beyond repair. A fire beacon blazed of old on the spire to serve as a mark for vessels entering Littlehampton harbour.

Bevis of Southampton, the giant who, when he visited the Isle of Wight, waded thither, was a warder at Arundel Castle; where he ate a whole ox every week with bread and mustard, and drank two hogsheads of beer. Hence "Bevis Tower." His sword Morglay is still to be seen in the armoury of the castle; his bones lie beneath a mound in the park; and the town was named after his horse. So runs a pretty story, which is, however, demolished with the ruthlessness that comes so easily to the antiquary and philologist. Bevis Tower, science declares, was named probably after another Bevis—there was one at the Battle of Lewes, who took prisoner Richard, King of the Romans, and was knighted for it—while Arundel is a corruption of "hirondelle," a swallow. Mr. Lower mentions that in recent times in Sussex "Swallow" was a common name in stables, even for heavy dray horses. But before accepting finally the swallow theory, we ought to hear what Fuller has to say:—"Some will have it so named from Arundel the Horse of Beavoice, the great Champion. I confess it is not without precedence in Antiquity for Places to take names from Horses, meeting with the Promontory Bucephalus in Peloponesus, where some report the Horse of Alexander buried, and Bellonius will have it for the same cause called Cavalla at this day. But this Castle was so called long before that Imaginary Horse was foled, who cannot be fancied elder than his Master Beavoice, flourishing after the Conquest, long before which Arundel was so called from the river Arund running hard by it."

[Sidenote: LORD THURLOW LAYS AN EGG]

The owls that once multiplied in the keep have now disappeared. They were established there a hundred years or so ago by the eleventh Duke, and certain of them were known by the names of public men. "Please, your Grace, Lord Thurlow has laid an egg," is an historic speech handed down by tradition. Lord Thurlow, the owl in question, died at a great age in 1859.



[Sidenote: ARUNDEL PARK]

To walk through Arundel Park is to receive a vivid impression of the size and richness of our little isolated England. Two or three great towns could be hidden in it unknown to each other. Valley succeeds to valley; new herds of deer come into sight at almost every turn; as far as the eye can see the grass hills roll away. Those accustomed to parks whose deer are always huddled close and whose wall is never distant, are bewildered by the vastness of this enclosure. Yet one has also the feeling that such magnificence is right: to so lovely a word as Arundel, to the Premier Duke and Hereditary Earl Marshal of England, should fittingly fall this far-spreading and comely pleasaunce. Had Arundel Park been small and empty of deer what a blunder it would be.

Walking west of Arundel through the vast Rewell Wood, we come suddenly upon Punch-bowl Green, and open a great green valley, dominated by the white facade of Dale Park House, below Madehurst, one of the most remote of Sussex villages.

[Sidenote: SLINDON]

By keeping due west for another mile Slindon is reached. This village is one of the Sussex backwaters, as one might say. It lies on no road that any one ever travels except for the purpose of going to Slindon or coming from it; and those that perform either of these actions are few. Yet all who have not seen Slindon are by so much the poorer, for Slindon House is nobly Elizabethan, with fine pictures and hiding-places, and Slindon beeches are among the aristocracy of trees. And here I should like to quote a Sussex poem of haunting wistfulness and charm, which was written by Mr. Hilaire Belloc, who once walked to Rome and is an old dweller at Slindon:—

[Sidenote: A SOUTH COUNTRY SONG]

THE SOUTH COUNTRY.

When I am living in the Midlands, That are sodden and unkind, I light my lamp in the evening: My work is left behind; And the great hills of the South Country Come back into my mind.

The great hills of the South Country They stand along the sea: And it's there walking in the high woods That I could wish to be, And the men that were boys when I was a boy Walking along with me.

The men that live in North England I saw them for a day: Their hearts are set upon the waste fells, Their skies are fast and grey: From their castle-walls a man may see The mountains far away.

The men that live in West England They see the Severn strong, A-rolling on rough water brown Light aspen leaves along. They have the secret of the Rocks, And the oldest kind of song.

But the men that live in the South Country Are the kindest and most wise, They get their laughter from the loud surf, And the faith in their happy eyes Comes surely from our Sister the Spring, When over the sea she flies; The violets suddenly bloom at her feet, She blesses us with surprise.

I never get between the pines, But I smell the Sussex air, Nor I never come on a belt of sand But my home is there; And along the sky the line of the Downs So noble and so bare.

A lost thing could I never find, Nor a broken thing mend; And I fear I shall be all alone When I get towards the end. Who will there be to comfort me, Or who will be my friend?

I will gather and carefully make my friends Of the men of the Sussex Weald, They watch the stars from silent folds, They stiffly plough the field. By them and the God of the South Country My poor soul shall be healed.

If I ever become a rich man, Or if ever I grow to be old, I will build a house with deep thatch To shelter me from the cold, And there shall the Sussex songs be sung And the story of Sussex told.

I will hold my house in the high wood Within a walk of the sea, And the men who were boys when I was a boy Shall sit and drink with me.

[Sidenote: NEWLAND, NYREN, AND SILVER BILLY]

Richard Newland, the father of serious cricket, came from this parish. He was born in 1718, or thereabouts, and in 1745 he made 88 for England against Kent. He was left-handed, and the finest bat ever seen in those days. He taught Richard Nyren, of Hambledon, all the skill and judgment that that noble general possessed; Nyren communicated his knowledge to the Hambledon eleven, and the game was made. An interest in historical veracity compels me to add that William Beldham—Silver Billy—talking to Mr. Pycroft, discounted some of Nyren's praise. "Cricket," he said, "was played in Sussex very early, before my day at least [he was born in 1766]; but that there was no good play I know by this, that Richard Newland, of Slindon in Sussex, as you say, sir, taught old Richard Nyren, and that no Sussex man could be found to play Newland. Now a second-rate man of our parish beat Newland easily; so you may judge what the rest of Sussex then were." But this is disregarding the characteristic uncertainty of the game.

If one would spend a day far from mankind, on high ground, there is no better way than to walk from Arundel through Houghton Forest (where, as we have seen, Charles II. avoided the Governor) to Cocking.



CHAPTER VIII

LITTLEHAMPTON

A children's paradise—Wind-swept villages—Cary and Coleridge—Sussex folklore—Climping—Richard Jefferies and Sussex—John Taylor the Water Poet—Highdown Hill—A miller in love with death—A digression on mills and millers—Treason at Patching—A wife in a thousand—A Sussex truffler—The Palmer triplets.

Littlehampton is favoured in having both sea and river. It also has lawns between the houses and the beach, as at Dieppe, and is as nearly a children's paradise as exists. The sea at low tide recedes almost beyond the reach of the ordinary paddler, which is as it should be except for those that would swim. A harbour, a pier, a lighthouse, a windmill—all these are within a few yards of each other. On the neighbouring beach, springing from the stones, you find the yellow-horned poppy, beautiful both in flower and leaf, and the delicate tamarisk makes a natural hedge parallel with the sea, to Worthing on the one side, and to Bognor on the other.

The little villages in the flats behind the eastern tamarisk hedge—Rustington, Preston, Ferring, are, in summer, veritable sun traps, with their white walls dazzling in radiance. Such trees as grow about here all bow to the north-east, bent to that posture by the prevailing south-west winds. A Sussex man, on the hills or south of them, lost at night, has but to ascertain the outline of a tree, and he may get his bearings. If he cannot see so much as that he has but to feel the bark for lichen, which grows on the north east, or lee, side.

It was at Littlehampton in September, 1817, that Coleridge met Cary, the translator of Dante. Cary was walking on the beach, reciting Homer to his son. Up came a noticeable man with large grey eyes: "Sir, yours is a face I should know. I am Samuel Taylor Coleridge."

[Sidenote: A CHURCH DUEL]

The county paper for February 27, 1796, has this paragraph: "On Monday last a duel was fought betwixt Mr. R——n and Lieut. B——y, both of Littlehampton, in a field near that place, which, after the discharge of each a pistol, terminated without bloodshed. The dispute, we understand, originated about a pew in the parish church."

A local proverb says that if you eat winkles in March it is as good as a dose of medicine; which reminds me that Sussex has many wise sayings of its own. Here is a piece of Sussex counsel in connection with the roaring month:—

If from fleas you would be free, On the first of March let all your windows closed be.

I quote two other rhymes:—

If you would wish your bees to thrive Gold must be paid for every hive; For when they're bought with other money There will be neither swarm nor honey.

The first butterfly you see, Cut off his head across your knee, Bury the head under a stone And a lot of money will be your own.

On Whit Sunday the devout Sussex man eats roast veal and gooseberry pudding. A Sussex child born on Sunday can neither be hanged nor drowned.

[Sidenote: "CLIMPING FOR PERFECTION"]

West of Littlehampton is an architectural treasure, in the shape of Climping church, which no one should miss. The way is over the ferry and along the road to the first signboard, when one strikes northward towards Ford, and comes suddenly upon this squat and solid fane. A Saxon church stood here, built by the Prioress of Leominster, before the Conquest: to Roger de Montgomerie was the manor given by the Conqueror, as part of the earldom of Arundel and Chichester, together with Atherington manor, much of which is now, like Selsey's park, under the Channel. De Montgomerie gave Climping manor to the nuns of Almanesches, by whom the present Norman fortress-tower (with walls 4-1/4 feet thick) was added, and in 1253 John de Climping, the vicar, rebuilt the remainder. The church is thus six and a half centuries old, and parts of it are older. "Bosham, for antiquity; Boxgrove, for beauty; and Climping, for perfection" is the dictum of an antiquary quoted by the present vicar in a little pamphlet-history of his parish. As regards the Norman doorway, at any rate, he is right: there is nothing in Sussex to excel that; while in general architectural attraction the building is of the richest. It is also a curiously homely and ingratiating church.

One of the new windows, representing St. Paul, has a peculiar interest, as the vicar tells us:—"St. Paul was a prisoner at Rome shortly after Caractacus, the British Chief, whose daughter, Claudia, married Pudens, both friends of the Apostle (2 Tim. iv. 21). Pudens afterwards commanded the Roman soldiers stationed at Regnum (Chichester), and if St. Paul came to Britain, at Claudia's request (as ancient writers testify), he certainly would visit Sussex. How close this brings us here in Sussex to the Bible story!"

At Baylies Court, now a farmhouse, the Benedictine monks of Seez, also proteges of Robert de Montgomerie, had their chapel, remains of which are still to be seen.

Climping, which otherwise lives its own life, is the resort of golfers (who to the vicar's regret play all Sunday and turn Easter Day into "a Heathen Festival") and of the sportsmen of the Sussex Coursing Club, who find that the terrified Climping hare gives satisfaction beyond most in the county.

Of Ford, north of Climping, there is nothing to say, except that popular rumour has it that its minute and uninteresting church (the antithesis of Climping) was found one day by accident in a bed of nettles.

[Sidenote: JEFFERIES IN SUSSEX]

A good eastern walk from Littlehampton takes one by the sea to Goring, and then inland over Highdown Hill to Angmering, and so to Littlehampton again or to Arundel, our present centre. Goring touches literature in two places. The great house was built by Sir Bysshe Shelley, grandfather of the poet; and in the village died, in 1887, Richard Jefferies, author of The Story of My Heart, after a life of ill-health spent in the service of nature. Many beautiful and sympathetic descriptions of Sussex are scattered about in Jefferies' books of essays, notably, "To Brighton," "The South Down Shepherd," and "The Breeze on Beachy Head" in Nature near London; "Clematis Lane," "Nature near Brighton," "Sea, Sky and Down," and "January in the Sussex Woods" in The Life of the Fields; "Sunny Brighton" in The Open Air, and "The Country-Side, Sussex" and "Buckhurst Park" in Field and Hedgerow. Jefferies had a way of blending experiences and concealing the names of places, which makes it difficult to know exactly what part of Sussex he is describing; but I think I could lead anyone to Clematis Lane. I might, by the way, have remarked of South Harting that the luxuriance of the clematis in its hedges is unsurpassed.

John Taylor, the water poet, has a doggerel narrative entitled "A New Discovery by Sea with a Wherry from London to Salisbury," 1623, wherein he mentions a woful night with fleas at Goring, and pens a couplet worthy to take a place with the famous description of a similar visitation in Eothen:—

Who in their fury nip'd and skip'd so hotly, That all our skins were almost turned to motley.

[Sidenote: JOHN TAYLOR AND THE CONSTABLE]

Taylor gives us in the same record a pleasant picture of the Sussex constable in 1623:—

The night before a Constable there came, Who asked my trade, my dwelling, and my name, My businesse, and a troupe of questions more, And wherefore we did land vpon that shore? To whom I fram'd my answers true and fit, (According to his plenteous want of wit) But were my words all true or if I ly'd With neither I could get him satisfi'd. He ask'd if we were Pyrats? We said No, (As if we had we would haue told him so) He said that Lords sometimes would enterprise T' escape and leaue the Kingdome in disguise: But I assur'd him on my honest word That I was no disguised Knight or Lord. He told me then that I must goe sixe miles T' a Justice there, Sir John or else Sir Giles: I told him I was lothe to goe so farre, And he told me he would my journey barre. Thus what with Fleas and with the seuerall prates Of th' officer, and his Ass-sociats We arose to goe, but Fortune bade us stay: The Constable had stolne our oares away, And borne them thence a quarter of a mile Quite through a Lane beyond a gate and stile; And hid them there to hinder my depart, For which I wish'd him hang'd with all my heart. A plowman (for us) found our Oares againe, Within a field well fil'd with Barley Graine. Then madly, gladly, out to sea we thrust, 'Gainst windes and stormes, and many a churlish Gust, By Kingston Chappelle and by Rushington, By Little-Hampton and by Middleton.

[Sidenote: THE MILLER AND SWEET DEATH]

Highdown, above Goring, is a good hill in itself, conical in shape, as a hill should be according to the exacting ideas of childhood, with a sweeping view of the coast and the Channel; but its fame as a resort of holiday makers comes less from its position and height than from the circumstance that John Oliver is buried upon it. John Oliver was the miller of Highdown Hill. When not grinding corn he seems to have busied himself with thoughts upon the necessary end of all things, to such an extent that his meditations on the subject gradually became a mania. His coffin was made while he was still a young man, and it remained under his bed until its time was ripe, fitted—to bring it to a point of preparedness unusual even with the Chinese, those masters of anticipatory obsequies—with wheels, which the miller, I doubt not, regularly oiled. John Oliver did not stop there. Having his coffin comfortably at hand, he proceeded to erect his tomb. This was built in 1766, with tedious verses upon it from the miller's pen; while in an alcove near the tomb was a mechanical arrangement of death's-heads which might keep the miller's thoughts from straying, when, as with Dr. Johnson's philosopher, cheerfulness would creep in.

The miller lived in the company of his coffin, his tomb, and his mementi mori, until 1793, when at the age of eighty-four his hopes were realised. Those who love death die old.

Between two and three thousand persons attended the funeral; no one was permitted to wear any but gay clothes; and the funeral sermon was read by a little girl of twelve, from the text, Micah vii. 8, 9.

[Sidenote: A DIGRESSION ON MILLS]

The mill of John Oliver has vanished, nothing but a depression in the turf now indicating where its foundations stood. Too many Sussex windmills have disappeared. Clayton still has her twain, landmarks for many miles—I have seen them on exceptionally clear days from the Kentish hills—and other windmills are scattered over the county; but many more than now exist have ceased to be, victims of the power of steam. There is probably no contrast aesthetically more to the disadvantage of the modern substitute than that of the steam mill of to-day with the windmill of yesterday. The steam mill is always ugly, always dusty, always noisy, usually in a town. The windmill stands high and white, a thing of life and radiance and delicate beauty, surrounded by grass, in communion with the heavens. Such noise as it has is elemental, justifiable, like a ship's cordage in a gale. No one would paint a steam mill; a picture with a windmill can hardly be a failure. Constable, who knew everything about the magic of windmills, painted several in Sussex—one even at Brighton.

Brighton now has but one mill. There used to be many: one in the West Hill road, a comelier landmark than the stucco Congregational tower that has taken its place close by and serves as the town's sentinel from almost every point of approach. In 1797 a miller near Brighton anticipated American enterprise by moving his mill bodily to a place two miles distant by the help of eighty oxen.

Another weakness of steam mills is that they are apparently without millers—at least there is no unmistakable dominating presence in a white hat, to whom one can confidently apply the definite article, as in the mill on the hill. Millers' men there are in plenty, but the miller is lacking. This is because steam mills belong to companies. Thus, with the passing of the windmill we lose also the miller, that notable figure in English life and tradition; always jolly, if the old songs are true; often eccentric, as the story of John Oliver has shown; and usually a character, as becomes one who lives by the four winds, or by water—for the miller of tradition was often found in a water-mill too. The water-miller's empire has been threatened less than that of the windmill, for there is no sudden cessation of water power as of wind power. Sussex still has many water-mills—cool and splashing homes of peaceful bustle. Long may they endure.

Highdown Hill has other associations. In 1812 the Gentlemen of the Weald met the Gentlemen of the Sea-coast at cricket on its dividing summit. The game, which was for one hundred guineas, was a very close thing, the Gentlemen of the Weald winning by only seven runs. Among the Gentlemen of the Sea-coast was Mr. Osbaldeston, while the principal Gentleman of the Weald was Mr. E. H. Budd.

A mile north of Highdown Hill, in a thickly wooded country, are Patching and Clapham; Patching celebrated for its pond, which washes the high-road to Arundel, and Clapham for its woods. Three hundred and more years ago Patching Copse was the scene of a treasonable meeting between William Shelley, an ancestor of the poet, one branch of whose family long held Michelgrove (where Henry VIII. was entertained by our plotter's grandfather), and Charles Paget: sturdy Roman Catholics both, who thus sought each other out, on the night of September 16, 1583, to confer as to the possibility of invading England, deposing Elizabeth, and setting Mary Queen of Scots upon the throne. Nothing came of the plot save the imprisonment of Shelley (who was condemned to death but escaped the sentence) and the flight of Paget, to hatch further treason abroad.

[Sidenote: THE PERFECT WIFE]

The last Shelley to hold Michelgrove, now no more, was Sir John, who, after it had been in the family for three hundred and fifty years, sold it in 1800. This was the Sir John Shelley who composed the following epitaph in Clapham church (one of Sir Gilbert Scott's restorations) to commemorate the very remarkable virtues of his lady—untimely snatched from his side:—

Here Lyeth the Body of Wilhelmina Shelley who departed this Life the 21st of March 1772 Aged Twenty three years.

She was a pattern for the World to follow: Such a being both in form and mind perhaps never existed before. A most dutiful, affectionate, and Virtuous Wife, A most tender and Anxious parent, A most sincere and constant Friend, A most amiable and elegant companion; Universally Benevolent, generous, and humane; The Pride of her own Sex, The admiration of ours. She lived universally belov'd, and admir'd She died as generally rever'd, and regretted, A loss felt by all who had the happiness of knowing Her, By none to be compar'd to that of her disconsolate, affectionate, Loving, & in this World everlastingly Miserable Husband, Sir JOHN SHELLEY, Who has caused this inscription to be Engrav'd.

Horsfield tells us that "the beechwoods in this parish [Patching] and its immediate neighbourhood are very productive of the Truffle (Lycoperdon tuber). About forty years ago William Leach came from the West Indies, with some hogs accustomed to hunt for truffles, and proceeding along the coast from the Land's End, in Cornwall, to the mouth of the River Thames, determined to fix on that spot where he found them most abundant. He took four years to try the experiment, and at length settled in this parish, where he carried on the business of truffle-hunter till his death."

Angmering, which we may take on our return to Arundel, is a typically dusty Sussex village, with white houses and thatched roofs, and a rather finer church than most. On our way back to Arundel, in the middle of a wood, a little more than a mile from Angmering, to the west, we come upon an interesting relic of a day when tables bore nobler loads than now they do: a decoy pond formed originally to supply wild duck to the kitchen of Arundel Castle, but now no longer used. The long tapering tunnels of wire netting, into which the tame ducks of the decoy lured their wild cousins, are still in place, although the wire has largely perished.

[Sidenote: THE PALMER TRIPLETS]

At an old house near the Decoy (now converted into cottages), which any native will gladly and amusedly point out, lived, in the reign of Henry VIII., Lady Palmer, the famous mother of the Palmer triplets, who were distinguished from other triplets, not only by being born each on a successive Sunday but by receiving each the honour of knighthood. The curious circumstances of their birth seem to be well attested.



CHAPTER IX

AMBERLEY AND PARHAM

Sussex fish—A straw-blown village—A painter of Sussex light—A castle only in name—Parham's treasures—The Parham heronry—Storrington and the sagacious Jack Pudding—A Sussex audience.

[Sidenote: SUSSEX FISH]

Five miles to the north of Arundel by road (over the Arun at Houghton's ancient bridge, restored by the bishops of Chichester in the fifteenth century), and a few minutes by rail, is Amberley, the fishing metropolis of Sussex, where, every Sunday in the season, London anglers meet to drop their lines in friendly rivalry. "Amerley trout" (as Walton calls them) and Arundel mullet are the best of the Arun's treasures; and this reminds me of Fuller's tribute to Sussex fish, which may well be quoted in this watery neighbourhood: "Now, as this County is eminent for both Sea and River-fish, namely, an Arundel Mullet, a Chichester Lobster, a Shelsey Cockle, and an Amerly Trout; so Sussex aboundeth with more Carpes than any other of this Nation. And though not so great as Jovius reporteth to be found in the Lurian Lake in Italy, weighing more than fifty pounds, yet those generally of great and goodly proportion. I need not adde, that Physicians account the galls of Carpes, as also a stone in their heads, to be Medicinable; only I will observe that, because Jews will not eat Caviare made of Sturgeon (because coming from a fish wanting Scales, and therefore forbidden in the Levitical Law); therefore the Italians make greater profit of the Spaun of Carps, whereof they make a Red Caviare, well pleasing the Jews both in Palate and Conscience. All I will adde of Carps is this, that Ramus himself doth not so much redound in Dichotomies as they do; seeing no one bone is to be found in their body, which is not forked or divided into two parts at the end thereof."

Amberley proper, as distinguished from Amberley of the anglers, is a mile from the station and is built on a ridge. The castle is the extreme western end of this ridge, the north side of which descends precipitously to the marshy plain that extends as far as Pulborough. Standing on the castle one sees Pulborough church due north—height calling unto height. The castle is now a farm; indeed, all Amberley is a huge stockyard, smelling of straw and cattle. It is sheer Sussex—chalky soil, whitewashed cottages, huge waggons; and one of the best of Sussex painters, and, in his exquisite modest way, of all painters living, dwells in the heart of it—Edward Stott, who year after year shows London connoisseurs how the clear skin of the Sussex boy takes the evening light; and how the Southdown sheep drink at hill ponds beneath a violet sky; and that there is nothing more beautiful under the stars than a whitewashed cottage just when the lamp is lit.

[Sidenote: AMBERLEY AND PARHAM]

Amberley has no right to lay claim to a castle, for the old ruins are not truly, as they seem, the remains of a castellated stronghold, but of a crenellated mansion. John Langton, Bishop of Chichester in the fourteenth century, was the first builder. Previously the Church lands here had been held very jealously, and in 1200 we find Bishop Gilbert de Leofard twice excommunicating, and as often absolving, the Earl of Arundel for poaching (as he termed it) in Houghton Forest. The Church lost Amberley in the sixteenth century. William Rede, who succeeded Langton to both house and see, wishing to feel secure in his home, craved permission to dig a moat around it and to render it both hostile and defensive. Hence its lion-like mien; but it has known no warfare, and the castle's mouldering walls now give what assistance they can in harbouring live stock. Twentieth-century sheds lean against fourteenth-century masonry; faggots are stored in the moat; lawn tennis is played in the courtyard; and black pigeons peep from the slits cut for arquebusiers.



Amberley Castle only once intrudes itself in history: Charles II., during his flight in 1651, spent a night there under the protection of Sir John Briscoe, as we saw in Chapter III.

In winter, if you ask an Amberley man where he dwells, he says, "Amberley, God help us." In summer he says, "Amberley—where would you live?"

From Amberley to Parham one keeps upon the narrow ridge for a mile or so, branching off then to the left. Parham's advance guard is seen all the way—a clump of fir trees, indicating that the soil there changes to sand.

[Sidenote: A NOBLE DAME]

For two possessions is Parham noted: a heronry in the park, and in the house a copy of Montaigne with Shakespeare's autograph in it. The house, a spreading Tudor mansion, is the seat of Lord Zouche, a descendant of the traveller, Robert Curzon, who wrote The Monasteries of the Levant, that long, leisurely, and fascinating narrative of travel. In addition to Montaigne, it enshrines a priceless collection of armour, of incunabula and Eastern MSS. Among the pictures are full lengths of Sir Philip Sidney and Lady Sidney, and that Penelope D'Arcy—one of Mr. Hardy's "Noble Dames"—who promised to marry three suitors in turn and did so. We see her again at Firle Place.

A hiding hole for priests and other refugees is in the long gallery, access to it being gained through a window seat. There was hidden Charles Paget after the Babington conspiracy.

[Sidenote: THE PARHAM HERONS]

Parham Park has deer and a lake and an enchanted forest of sombre trees. On the highest ground in this forest is the clump of firs in which the famous herons build. The most interesting time to visit the heronry is in the breeding season, for then one sees the lank birds continually homing from the Amberley Wild Brooks with fishes in their bills and long legs streaming behind. The noise is tremendous, beyond all rookeries. Mr. Knox's Ornithological Rambles, from which I have already quoted freely, has this passage: "The herons at Parham assemble early in February, and then set about repairing their nests, but the trees are never entirely deserted during the winter months; a few birds, probably some of the more backward of the preceding season, roosting among their boughs every night. They commence laying early in March, and the greater part of the young birds are hatched during the early days of April. About the end of May they may be seen to flap out of their nests to the adjacent boughs, and bask for hours in the warm sunshine; but although now comparatively quiet during the day, they become clamorous for food as the evening approaches, and indeed for a long time appear to be more difficult to wean, and less able to shift for themselves, than most birds of a similar age. They may be observed, as late as August, still on the trees, screaming for food, and occasionally fed by their parents, who forage for them assiduously; indeed, these exertions, so far from being relaxed after the setting of the sun, appear to be redoubled during the night; for I have frequently disturbed herons when riding by moonlight among the low grounds near the river, where I have seldom seen them during the day, and several cottagers in the neighbourhood of Parham have assured me that their shrill cry may be heard at all hours of the night, during the summer season, as they fly to and fro overhead, on their passage between the heronry and the open country.



[Sidenote: MANY MIGRATIONS]

"The history or genealogy of the progenitors of this colony is remarkable. They were originally brought from Coity Castle, in Wales, by Lord Leicester's steward, in James the First's time, to Penshurst, in Kent, the seat of Lord de Lisle, where their descendants continued for more than two hundred years; from thence they migrated to Michelgrove, about seventy miles from Penshurst and eight from Parham; here they remained for nearly twenty years, until the proprietor of the estate disposed of it to the late Duke of Norfolk, who, having purchased it, not as a residence, but with the view of increasing the local property in the neighbourhood of Arundel, pulled down the house, and felled one or two of the trees on which the herons had constructed their nests. The migration commenced immediately, but appears to have been gradual; for three seasons elapsed before all the members of the heronry had found their way over the Downs to their new quarters in the fir-woods of Parham. This occurred about seventeen years ago [written c. 1848]."

Sussex, says Mr. Borrer, author of The Birds of Sussex, has two other large heronries—at Windmill Hill Place, near Hailsham, and Brede, near Winchelsea—and some smaller ones, one being at Molecomb, above Goodwood.

Betsy's Oak in Parham Park is said to be so called because Queen Elizabeth sat beneath it. But another and more probable legend calls it Bates's Oak, after Bates, an archer at Agincourt in the retinue of the Earl of Arundel (and in Henry V.). Good Queen Bess, however, dined in the hall of Parham House in 1592. At Northiam, in East Sussex, we shall come (not to be utterly baulked) to a tree under which she truly did sit and dine too.

[Sidenote: JACK PUDDING'S WISDOM]

Beyond Parham, less than two miles to the east, is Storrington, a quiet Sussex village far from the rail and the noise of the world, with the Downs within hail, and fine sparsely-inhabited country between them and it to wander in. The church is largely modern. I find the following sententious paragraph in the county paper for 1792:—"This is an age of Sights and polite entertainment in the country as well as in the city.—The little town of Storrington has lately been visited by a Company of Comedians,—a Mountebank Doctor,—and a Puppet Show. One day the Doctor's Jack Pudding finding the shillings come in but slowly, exclaimed to his Master, 'Gad, Sir, it is not worth our while to stay here any longer, players have got all the gold, we all the silver, and Punch all the copper, so, like sagacious locusts, let us migrate from the place we helped to impoverish."



[Sidenote: A TRAVELLING CIRCUS]

[Sidenote: A TIME-HONOURED JOKE]

This reminds me that I saw recently at Petworth, whither we are now moving, a travelling circus whose programme included a comic interlude that cannot have received the slightest modification since it was first planned, perhaps hundreds of years ago. It was sheer essential elemental horse-play straight from Bartholomew Fair, and the audience received it with rapture that was vouchsafed to nothing else. The story would be too long to tell; but briefly, it was a dumb show representation of the visit of a guest (the clown) to a wife, unknown to her husband. The scenery consisted of a table, a large chest, a heap of straw and a huge barrel. The fun consisted in the clown, armed with a bladder on a string, hiding in the barrel, from which he would spring up and deliver a sounding drub upon the head of whatever other character—husband or policeman—might be passing, to their complete perplexity. They were, of course, incapable of learning anything from experience. At other times he hid himself or others in the straw, in the chest, or under the table. When, in a country district such as this, one hears the laughter that greets so venerable a piece of pantomime, one is surprised that circus owners think it worth while to secure novelties at all. The primitive taste of West Sussex, at any rate, cannot require them.



CHAPTER X

PETWORTH

Pulborough and its past—Stopham—Fittleworth—The natural advantages of the Swan—Petworth's feudal air—An historical digression naming many Percies—The third Earl of Egremont—The Petworth pictures—Petworth Park—Cobbett's opinion—The vicissitudes of the Petworth ravens—Tillington's use to business men—A charming epitaph—Noah Mann of the Hambledon Club.

Petworth is not on the direct road to Horsham, which is our next centre, but it is easily gained from Arundel by rail (changing at Pulborough), or by road through Bury, Fittleworth, and Egdean.

[Sidenote: AN ANCIENT FORTRESS]

Pulborough is now nothing: once it was a Gibraltar, guarding Stane Street for Rome. The fort was on a mound west of the railway, corresponding with the church mound on the east. Here probably was a catapulta and certainly a vigilant garrison. Pulborough has no invader now but the floods, which every winter transform the green waste at her feet into a silver sea, of which Pulborough is the northern shore and Amberley the southern. The Dutch polder are not flatter or greener than are these intervening meadows. The village stands high and dry above the water level, extended in long line quite like a seaside town. Excursionists come too, as to a watering place, but they bring rods and creels and return at night with fish for the pan.

Between Pulborough and Petworth lie Stopham and Fittleworth, both on the Rother, which joins the Arun a little to the west of Pulborough. Stopham has the most beautiful bridge in Sussex, dating from the fourteenth century, and a little church filled with memorials of the Bartelott family. One of Stopham's rectors was Thomas Newcombe, a descendant of the author of The Faerie Queene, the friend of the author of Night Thoughts, and the author himself of a formidable poem in twelve books, after Milton, called The Last Judgment.

Fittleworth has of late become an artists' Mecca, partly because of its pretty woods and quaint architecture, and partly because of the warm welcome that is offered by the "Swan," which is probably the most ingeniously placed inn in the world. Approaching it from the north it seems to be the end of all things; the miles of road that one has travelled apparently have been leading nowhere but to the "Swan." Runaway horses or unsettled chauffeurs must project their passengers literally into the open door. Coming from the south, one finds that the road narrows by this inn almost to a lane, and the "Swan's" hospitable sign, barring the way, exerts such a spell that to enter is a far simpler matter than to pass.



[Sidenote: AN IRRESISTIBLE INN]

The "Swan" is a venerable and rambling building, stretching itself lazily with outspread arms; one of those inns (long may they be preserved from the rebuilders!) in which one stumbles up or down into every room, and where eggs and bacon have an appropriateness that make them a more desirable food than ambrosia. The little parlour is wainscoted with the votive paintings—a village Diploma Gallery—of artists who have made the "Swan" their home.

Fittleworth has a dual existence. In the south it is riparian and low, much given to anglers and visitors. In the north it is high and sandy, with clumps of firs, living its own life and spreading gorse-covered commons at the feet of the walker. Between its southern border and Bignor Park is a superb common of sand and heather, an inland paradise for children.

Petworth station and Petworth town are far from being the same thing, and there are few more fatiguing miles than that which separates them. A 'bus, it is true, plies between, but it is one of those long, close prisons with windows that annihilate thought by their shattering unfixedness. Petworth's spire is before one all the way, Petworth itself clustering on the side of the hill, a little town with several streets rather than a great village all on one artery. I say several streets, but this is dead in the face of tradition, which has a joke to the effect that a long timber waggon once entered Petworth's single, circular street, and has never yet succeeded in emerging. I certainly met it.

[Sidenote: THE SHADOW OF THE PEER]

The town seems to be beneath the shadow of its lord even more than Arundel: it is like Pompeii, with Vesuvius emitting glory far above. One must, of course, live under the same conditions if one is to feel the authentic thrill; the mere sojourner cannot know it. One wonders, in these feudal towns, what it would be like to leave democratic London or the independence of one's country fastness, and pass for a while beneath the spell of a Duke of Norfolk, or a Baron Leconfield—a spell possibly not consciously cast by them at all, but existing none the less, largely through the fostering care of the townspeople on the rent-roll, largely through the officers controlling the estates; at any rate unmistakable, as present in the very air of the streets as is the presage of a thunderstorm. Surely, to be so dominated, without actual influence, must be very restful. Petworth must be the very home of low-pulsed peace; and yet a little oppressive too, with the great house and its traditions at the top of the town—like a weight on the forehead. I should not like to make Petworth my home, but as a place of pilgrimage, and a stronghold of architectural taste, it is almost unique.



[Sidenote: PETWORTH'S HISTORY]

[Sidenote: HOTSPUR'S DESCENDANTS]

In the Domesday Book Petworth is called Peteorde. It was rated at 1,080 acres, and possessed a church, a mill worth a sovereign, a river containing 1,620 eels, and pannage for 80 hogs. In the time of the Confessor the manor was worth L18; a few years later the price went down to ten shillings. Robert de Montgomerie held Petworth till 1102, when he defied the king and lost it. Adeliza, widow of Henry I., having a brother Josceline de Louvaine whom she wished to benefit, Petworth was given to him. Josceline married Agnes, daughter of William de Percy, the descendant of one of the Conqueror's chief friends, and, doing so, took his name. In course of time came Harry Hotspur, whose sword, which he swung at the Battle of Shrewsbury, is kept at Petworth House. The second Earl was his son, also Henry, who fought at Chevy Chase; he was not, however, slain there, as the balladmonger says, but at St. Albans. Henry, the third Earl, fell at Towton; Henry, the fourth Earl, was assassinated at Cock Lodge, Thirsk; Henry, the fifth Earl, led a regiment at the Battle of the Spurs; Henry, the sixth Earl, fell in love with Anne Boleyn, but had the good sense not to let Henry the Eighth see it. Thomas, his brother, was beheaded for treason; Thomas, the seventh Earl, took arms against Queen Elizabeth, and was beheaded in Scotland; Henry, the eighth Earl, attempted to liberate Mary Queen of Scots, and was imprisoned in the Tower, where he slew himself; Henry, the ninth Earl, was accused of assisting Guy Fawkes and locked up for fifteen years. He was set at liberty only after paying L30,000, and promising never to go more than thirty miles from Petworth House. This kept him out of London.

The last two noble Earls of Northumberland were Algernon, Lord High Admiral of England, who married Lady Anna Cecil, and planted an oak in the Park (it is still there) to commemorate the union; and Josceline, eleventh Earl, who died in 1670, leaving no son. He left, however, a daughter, a little Elizabeth, Baroness Percy, who had countless suitors and was married three times before she was sixteen. Her third husband was Charles Seymour, sixth Duke of Somerset, who became in time the father of thirteen children. Of these all died save three girls, and a boy, Algernon, who became seventh Duke of Somerset. Through one of the daughters, Catherine, who married Sir William Wyndham, the estates fell to the present family. The next important Lord of Petworth was George O'Brien Wyndham, third Earl of Egremont, the friend of art and agriculture, who collected most of the pictures. The present owner is the third Baron Leconfield.



[Sidenote: THE EARL AND THE HOUSEMAID]

C. R. Leslie, who painted more than one picture in the Petworth gallery, has much to say in his Autobiographical Recollections of its noble founder the third Earl, his generosity, courtesy, kindly thoughtfulness, and extreme modesty of bearing. One story contains half his biography. I give it in Leslie's words. After referring to his Lordship's men-servants and their importance in the house, the painter continues: "His own dress, in the morning, being very plain, he was sometimes by strangers mistaken for one of them. This happened with a maid of one of his lady guests, who had not been at Petworth before. She met him, crossing the hall, as the bell was ringing for the servants' dinner, and said: 'Come, old gentleman, you and I will go to dinner together, for I can't find my way in this great house.' He gave her his arm, and led her to the room where the other maids were assembled at their table, and said: 'You dine here, I don't dine till seven o'clock.'"

[Sidenote: THE PETWORTH PICTURES]

On certain days in the week visitors are allowed to walk through the galleries of Petworth House. The parties are shown by a venerable servitor into the audit room, a long bare apartment furnished with a statue and the heads of stags; and at the stroke of the hour a commissionaire appears at the far door and leads the way to the office, where a visitors' book is signed. Then the real work of the day begins, and for fifty-five minutes one passes from Dutch painters to Italian, from English to French: amid boors by Teniers, beauties by Lely, landscapes by Turner, carvings by Grinling Gibbons. The commissionaire knows them all. The collection is a fine one, but the lighting is bad, and the conditions under which it is seen are not favourable to the intimate appreciation of good art. One finds one's attention wandering too often from the soldier with his little index rattan to the deer on the vast lawn that extends from the windows to the lake—the lake that Turner painted and fished in. Hobbemas, Vandycks, Murillos—what are these when the sun shines and the ceaseless mutations of a herd of deer render the middle distance fascinating? Among the more famous pictures is a Peg Woffington by Hogarth, not here "dallying and dangerous," but demure as a nun; also the "Modern Midnight Conversation" from the same hand; three or four bewitching Romneys; a room full of beauties of the Court of Queen Anne; Henry VIII by Holbein; a wonderful Claude Lorraine; a head of Cervantes attributed to Velasquez; and four views of the Thames by Turner. Hazlitt, in his Sketches of the Picture Galleries of England, says of this collection:—"We wish our readers to go to Petworth ... where they will find the coolest grottoes and the finest Vandykes in the world."

[Sidenote: A PICTORAL PARK]

Lord Leconfield's park has not the remarkable natural formation of the Duke of Norfolk's, nor the superb situation of the Duke of Richmond and Gordon's, with its Channel prospects, but it is immense and imposing. Also it is unreal: it is like a park in a picture. This effect may be largely due to the circumstance that fetes in Petworth Park have been more than once painted; but it is due also, I think, to the shape and colour of the house, to the lake, to the extent of the lawn, to the disposition of the knolls, and to the deer. A scene-painter, bidden to depict an English park, would produce (though he had never been out of the Strand) something very like Petworth. It is the normal park of the average imagination on a large scale.



Cobbett wrote thus of Petworth:—"The park is very fine, and consists of a parcel of those hills and dells which nature formed here when she was in one of her most sportive moods. I have never seen the earth flung about in such a wild way as round about Hindhead and Blackdown, and this park forms a part of this ground. From an elevated part of it, and, indeed, from each of many parts of it, you see all around the country to the distance of many miles. From the south-east to the north-west the hills are so lofty and so near that they cut the view rather short; but for the rest of the circle you can see to a very great distance. It is, upon the whole, a most magnificent seat, and the Jews will not be able to get it from the present owner, though if he live many years they will give even him a twist."

[Sidenote: THE YOUNG RAVENS]

On an eminence in the west is a tower (near a clump where ravens build), from which the other parks of this wonderful park-district of Sussex may be seen: Cowdray to the west, the highest points of Goodwood to the south-west, the highest points of Arundel to the south-east, and Parham's dark forest more easterly still. Mr. Knox's account of the vicissitudes of the Petworth ravens sixty years ago is as interesting as any history of equal length on the misfortunes of man. Their sufferings at the hands of keepers and schoolboys read like a page of Foxe. The final disaster was the spoliation of their nest by a boy, who removed all four of the children, or "squabs" as he called them. Mr. Knox, who used to come every day to examine them through his glass, was in despair, until after much meditation he thought of an expedient. Seeking out the boy he persuaded him to give up the one "squab" whose wings had not yet been clipped, and this the ornithologist carried to the clump and deposited in the ruined nest. The next morning the old birds were to be seen, just as of old, and that was their last molestation.

Just under the park on the road to Midhurst is Tillington, a little village with a rather ornamental church, which dates from 1807. There is nothing to say of Tillington, but I should like to quote a pretty sentence from Horsfield's History of Sussex concerning the monuments in the church, in a kind of writing of which we have little to-day:—"And as the volume, for which this has been written, is likely to fall chiefly into the hands of men who are occupied almost solely with the cares and business of this life, this slight reference is made to the monuments of the dead in order that, should the reader of this book find, in the present dearth of honesty, of faithfulness, of disinterested valour and of loyalty, an aching want in his spirit for such high qualities, let him hence be taught where to go—let him learn that, though they are rarely found in the busy haunts of men, they are still preserved and have their home around the sanctuary of the altar of his God."

[Sidenote: A TREASURY OF ARCHITECTURE]

Petworth should be visited by all young architects; not for the mansion (except as an object-lesson, for it is like a London terrace), but for the ordinary buildings in the town. It is a paradise of old-fashioned architecture. The church is hideous; the new hotel, the "Swan," might be at Balham; but the old part of the town is perfect. There is an almshouse (which Mr. Griggs has drawn), in which in its palmy days a Lady Bountiful might have lived; even the workhouse has charms—it is the only pretty workhouse I remember: with the exception, perhaps, of Battle, but that is, however, self-conscious.

Petworth has known, at any rate, one poet. In the churchyard was once this epitaph, now perhaps obliterated, from a husband's hand:—

"She was! She was! She was, what? She was all that a woman should be, she was that."

[Sidenote: NOAH MANN]

In a book which takes account of Sussex men and women of the past, it is hard to keep long from cricket. To the north of Petworth, whither we now turn, is Northchapel, where was born and died one of the great men of the Hambledon Club, Noah Mann, who once made ten runs from one hit, and whose son was named Horace, after the cricketing baronet of the same name, by special permission. "Sir Horace, by this simple act of graceful humanity, hooked for life the heart of poor Noah Mann," says Nyren; "and in this world of hatred and contention, the love even of a dog is worth living for."



[Sidenote: GEORGE LEAR'S STRATEGY]

This is Nyren's account of Noah Mann:

"He was from Sussex, and lived at Northchapel, not far from Petworth. He kept an inn there, and used to come a distance of at least twenty miles every Tuesday to practise. He was a fellow of extraordinary activity, and could perform clever feats of agility on horseback. For instance, when he has been seen in the distance coming up the ground, one or more of his companions would throw down handkerchiefs, and these he would collect, stooping from his horse while it was going at full speed. He was a fine batter, a fine field, and the swiftest runner I ever remember: indeed, such was his fame for speed, that whenever there was a match going forward, we were sure to hear of one being made for Mann to run against some noted competitor; and such would come from the whole country round. Upon these occasions he used to tell his friends, 'If, when we are half-way, you see me alongside of my man, you may always bet your money upon me, for I am sure to win.' And I never saw him beaten. He was a most valuable fellow in the field; for besides being very sure of the ball, his activity was so extraordinary that he would dart all over the ground like lightning. In those days of fast bowling, they would put a man behind the long-stop, that he might cover both long-stop and slip; the man always selected for this post was Noah. Now and then little George Lear (whom I have already described as being so fine a long-stop), would give Noah the wink to be on his guard, who would gather close behind him: then George would make a slip on purpose, and let the ball go by, when, in an instant, Noah would have it up, and into the wicket-keeper's hands, and the man was put out. This I have seen done many times, and this nothing but the most accomplished skill in fielding could have achieved....

"At a match of the Hambledon Club against All England, the club had to go in to get the runs, and there was a long number of them. It became quite apparent that the game would be closely fought. Mann kept on worrying old Nyren to let him go in, and although he became quite indignant at his constant refusal, our General knew what he was about in keeping him back. At length, when the last but one was out, he sent Mann in, and there were then ten runs to get. The sensation now all over the ground was greater than anything of the kind I ever witnessed before or since. All knew the state of the game, and many thousands were hanging upon this narrow point. There was Sir Horace Mann, walking about outside the ground, cutting down the daisies with his stick—a habit with him when he was agitated; the old farmers leaning forward upon their tall old staves, and the whole multitude perfectly still. After Noah had had one or two balls, Lumpy tossed one a little too far, when our fellow got in, and hit it out in his grand style. Six of the ten were gained. Never shall I forget the roar that followed this hit. Then there was a dead stand for some time, and no runs were made; ultimately, however, he gained them all, and won the game. After he was out, he upbraided Nyren for not putting him in earlier. 'If you had let me go in an hour ago' (said he), 'I would have served them in the same way.' But the old tactician was right, for he knew Noah to be a man of such nerve and self-possession, that the thought of so much depending upon him would not have the paralysing effect that it would upon many others. He was sure of him, and Noah afterwards felt the compliment. Mann was short in stature, and, when stripped, as swarthy as a gipsy. He was all muscle, with no incumbrance whatever of flesh; remarkably broad in the chest, with large hips and spider legs; he had not an ounce of flesh about him, but it was where it ought to be. He always played without his hat (the sun could not affect his complexion), and he took a liking to me as a boy, because I did the same."

[Sidenote: A LURGASHALL SATIRIST]

Lurgashall, on the road to Northchapel, is a pleasant village, with a green, and a church unique among Sussex churches by virtue of a curious wooden gallery or cloister, said to have been built as a shelter for parishioners from a distance, who would eat their nuncheon there. The church, which has distinct Saxon remains, once had for rector the satirical James Bramston, author of "The Art of Politics" and "The Man of Taste," two admirable poems in the manner of Pope. This is his unimpeachable advice to public speakers:—

Those who would captivate the well-bred throng, Should not too often speak, nor speak too long: Church, nor Church Matters ever turn to Sport, Nor make St. Stephen's Chappell, Dover-Court.



CHAPTER XI

BIGNOR

Burton and the sparrowhawk—James Broadbridge—The quaintest of grocer's shops—A transformation scene—The Roman pavement—Charlotte Smith the sonneteer—Parson Dorset's advice—Humility at West Burton—Bury's Amazons.