"At parting, I spoke of his going to America; but he appeared to think that there would be little hope for him there. Indeed, I should be loath to see him transplanted thither myself, away from the warm, cheerful, juicy English life into our drier and less genial sphere; he is a good guest among us, but might not do well to live with us."

Bennoch was never lord mayor or member of Parliament; I do not know that he cared to be either; but he lived to repay all his creditors with interest, and to become once more a man in easy circumstances, honored and trusted as well as loved by all who knew him, and active and happy in all good works to the end of his days. There could be no keeping down such a man, even in England; and when I knew him, in after years, he was the Bennoch of yore, grown mellow and wise.

We were now ready for the Continent, when symptoms of some malady began to manifest themselves among the younger persons of the family, which presently culminated in an attack of the measles. It was six weeks before we were in condition to take the road again. Meanwhile we were professionally attended by Dr. J. J. Garth Wilkinson, a homoeopathist, a friend of Emerson and of Henry James the elder, a student of Swedenborg, and, at this particular juncture, interested in spiritualism. In a biography of my father and mother, which I published in 1884, I alluded to this latter circumstance, and some time afterwards I received from his wife a letter which I take this opportunity to print:

"4 FINCHLEY ROAD, N. W., June 19, 1885.

"DEAR SIR,—May I beg of you in any future edition of the Life of your father to leave out your passage upon my husband and spiritualism? He is utterly opposed to it now. On Mr. Home's first appearance in England very remarkable things did occur; but from the first I was a most decided opponent, and by my firmness I have kept all I know and love from having anything to do with it for at least thirty-five years. You may imagine, therefore, I feel hurt at seeing so spiritually minded a man as my husband really is to be mixed up with so evil a thing as spiritism. You will pardon a faithful wife her just appreciation of his character. One other author took the liberty of using his name in a similar way, and I wrote to him also. Believe me,

"Yours faithfully,

"E. A. WILKINSON."

The good doctor and his wife are now, I believe, both of them in the world where good spirits go, and no doubt they have long ere this found out all about the rights and wrongs of spiritism and other matters, but there is no doubt that at the time of my father's acquaintance with him the doctor was a very earnest supporter of the cult. He was a man of mark and of brains and of most lovable personal quality; he wrote books well worth deep study; Emerson speaks of "the long Atlantic roll" of their style. Henry James named his third son after him—the gentle and brave "Wilkie" James, who was my school-mate at Sanborn's school in Concord after our return to America, and who was wounded in the fight at Fort Fisher while leading his negro soldiers to the assault. But for the present, Dr. Wilkinson, so far as we children knew him, was a delightful and impressive physician, who helped us through our measles in masterly style, under all the disadvantages of a foggy London winter.

On the 5th of January, 1858—we were ready to start the next day—Bennoch came to take tea with us and bid us farewell. "He keeps up a manly front," writes my father, "and an aspect of cheerfulness, though it is easy to see that he is a very different man from the joyous one whom I knew a few months since; and whatever may be his future fortune, he will never get all the sunshine back again. There is a more determinate shadow on him now, I think, than immediately after his misfortunes; the old, equable truth weighs down upon him, and makes him sensible that the good days of his life have probably all been enjoyed, and that the rest is likely to be endurance, not enjoyment. His temper is still sweet and warm, yet, I half fancy, not wholly unacidulated by his troubles—but now I have written it, I decide that it is not so, and blame myself for surmising it. But it seems most unnatural that so buoyant and expansive a character should have fallen into the helplessness of commercial misfortune; it is most grievous to hear his manly and cheerful allusions to it, and even his jokes upon it; as, for example, when we suggested how pleasant it would be to have him accompany us to Paris, and he jestingly spoke of the personal restraint under which he now lived. On his departure, Julian and I walked a good way down Oxford Street and Holborn with him, and I took leave of him with the truest wishes for his welfare."

The next day we embarked at Folkestone for France, and our new life began.



XIII

Old-Homesickness—The Ideal and the Real—A beautiful but perilous woman with a past—The Garden of Eden a Montreal ice-palace—Confused mountain of family luggage—Poplars for lances—Miraculous crimson comforters—Rivers of human gore— Curling mustachios and nothing to do—Odd behavior of grown people—Venus, the populace, and the MacDaniels—The happiness to die in Paris—Lived alone with her constellations—"O'Brien's Belt"—A hotel of peregrinations— Sitting up late—Attempted assassination—My murderer—An old passion reawakened—Italian shells and mediaeval sea- anemones—If you were in the Garden of Eden—An umbrella full of napoleons—Was Byron an Esquimau?



No doubt my father had grown fond of England during his four years' residence there. Except for its profits he had not, indeed, liked the consular work; but even that had given zest to his several excursions from it, which were in themselves edifying and enjoyable. The glamour of tradition, too, had wrought upon him, and he had made friends and formed associations. Such influences, outwardly gentle and unexacting, take deeper hold of the soul than we are at the time aware. They show their strength only when we test them by removing ourselves from their physical sphere.

Accordingly, though he looked forward with pleasure to leaving England for the Continent, he was no sooner on the farther side of the narrow seas than he began to be conscious of discomfort, which was only partly bodily or sensible. An unacknowledged homesickness afflicted him—an Old-Homesickness, rather than a yearning for America. He may have imagined that it was America that he wanted, but, when at last we returned there, he still looked back towards England. As an ideal, America was still, and always, foremost in his heart; and his death was hastened partly by his misgiving, caused by the civil war, lest her best days were past. But something there was in England that touched a deep, kindred chord in him which responded to nothing else. America might be his ideal home, but his real home was England, and thus he found himself, in the end, with no home at all outside of the boundaries of his domestic circle. A subconscious perception of this predicament, combined with his gradually failing health, led him to say, in a moment of frank self-communion, "Since this earthly life is to come to an end, I do not try to be contented, but weary of it while it lasts."

It is true that Rome, vehemently as at first he rebelled against it, came at last to hold a power over him. Rome, if you give it opportunity, subtly fastens its grasp upon both brain and heart, and claims sympathies which are as undeniable as our human nature itself. Yet there is something morbid in our love for the mystic city, like a passion for some beautiful but perilous woman with a past—such as Miriam in The Marble Faun, for example. Only an exceptionally vigorous and healthy constitution can risk it without danger. Had my father visited Rome in his young manhood, he might have both cared for it less and in a sense have enjoyed it more than he did during these latter years of his life.

But from the time we left London, and, indeed, a little before that, he was never quite himself physically. Our departure was made at the most inclement moment of a winter season of unusual inclemency; they said (as they always do) that no weather to be compared with it had been known for twenty years. We got up before dawn in London, and after a dismal ride in the train to Folkestone, where the bitter waves of the English Channel left edgings of ice on the shingle beach where I went to pick up shells, we were frost-bitten all our two-hours passage across to Boulogne, where it became cold in dead earnest, and so continued all through Paris, Lyons, and Marseilles, and down the Mediterranean to Genoa and Civita Vecchia, and thence up the long, lonely, bandit-haunted road to Rome, and in Rome, with exasperating aggravations, right up to April, or later. My own first recollection of St. Peter's is that I slid on the ice near one of the fountains in the piazza of that famous edifice; and my father did the same, with a savage satisfaction, no doubt, at thus proving that everything was what it ought not to be. Either in London, or at some intermediate point between that and Paris, he caught one of the heaviest colds that ever he had; and its feverish and debilitating effects were still perceptible in May. "And this is sunny Italy—and this is genial Rome!" he wrathfully exclaims. It was like looking forward to the Garden of Eden all one's life, and going to vast trouble and expense to get there, and, on arriving, finding the renowned spot to be a sort of Montreal ice-palace. The palaces of Rome are not naturally fitted to be ice-palaces, and the cold feels all the colder in them by consequence.

But I am going too fast. The first thing my father did, after getting on board the little Channel steamer, was to go down in the cabin and drink a glass of brandy-and-water, hot, with sugar; and he afterwards remarked that "this sea-passage was the only enjoyable part of the day." But the wind cut like a scimitar, and he came on deck occasionally only—as when I came plunging down the companion-way to tell him, with the pride of a discoverer, that France was broad in sight, and the sun was shining on it. "Oh!" exclaimed my mother, looking up from her, pale discomfortableness on a sofa, with that radiant smile of hers, and addressing poor Miss Shepard, who was still further under the sinister influence of those historic alpine fluctuations which have upset so many. "Oh, Ada, Julian says the sun is shining on France!" Ada never stirred. She was the most amiable and philosophic of young ladies; but if thought could visit her reeling brain at that moment, she probably wondered why Providence had been so inconsiderate as to sever Britain from its Gallic base in those old geologic periods before man was yet born to sea-sickness.

Sunshine on the pale, smooth acclivities of France, and half a dozen bluff-bowed fishing-boats, pitching to the swell, were all that was notable on our trip across; and of Boulogne I remember nothing, except the confused mountain of the family luggage on the pier, and afterwards of its being fed into the baggage-car of the train. Ollendorff abandoned me thus early in my travels; nor was my father much better off. But Miss Shepard, now restored to life, made amends for her late incompetence by discoursing with excited French officials with what seemed to me preternatural intelligence; indeed, I half doubted whether there were not some conspiracy to deceive in that torrent of outlandish sounds which she and they were so rapidly pouring forth to one another. However, all turned out well, and there we were, in a compartment of a French railway-train, smelling of stale tobacco, with ineffective zinc foot-warmers, and an increasing veil of white frost on the window-panes, which my sisters and myself spent our time in trying to rub off that France might become visible. But the white web was spun again as fast as we dissipated it, and nothing was to be seen, at all events, but long processions of poplars, which interested me only because I imagined myself using them as lances in some romantic Spenserian adventure of knight-errantry—for the spell of that chivalric dream still hung about me. So we came to Amiens, a pallid, clean, chilly town, with high-shouldered houses and a tall cathedral, and thence went on to Paris at five o'clock. It was already dusk, and our transit to the Hotel de Louvre in crowded cabs, through streets much unlike London, is the sum of my first impressions of the wonderful city.

Then, marshalled by princely yet deferential personages in rich costumes, we proceeded up staircases and along gilded corridors to a suite of sumptuous apartments, with many wax candles in candelabra, which were immediately lighted by an attendant, and their lustre was reflected from tall mirrors which panelled the rooms. The furniture thus revealed was costly and elegant, but hardly comfortable to an English-bred sense; the ceilings were painted, the floor rich with glowing carpets. But the glow of color was not answered by a glow of any other sort; a deadly chill pervaded this palatial place, which fires, as big as one's fist, kindled in fireplaces as large as hall bedrooms, did nothing to dissipate. Hereupon our elders had compassion on us, and, taking from the tall, awful bedsteads certain crimson comforters, they placed each of us in an easy-chair and tucked the comforters in over us. These comforters, covered with crimson silk, were of great thickness, but also of extraordinary lightness, and for a few minutes we had no confidence in their power to thaw us. But they were filled with swan's-down; and presently a novel and delightful sensation—that of warmth—began to steal upon us. It steadily increased, until in quarter of an hour there might be seen upon our foreheads and noses, which were the only parts of us open to view, the beads of perspiration. It was a marvellous experience. The memory of the crimson comforters has remained with me through life; light as sunset clouds, they accomplished the miracle of importing tropic warmth into the circle of the frozen arctic. I think we must have been undressed and night-gowned before this treatment; at any rate, I have forgotten how we got to bed, but to bed we somehow got, and slept the blessed sleep of childhood.

The next morning my father, apparently as an accompaniment of his cold, was visited by a severe nosebleed; no importance was attached to it, beyond its preventing him from going forth to superintend the examination of our luggage at the custom-house—the mountain having been registered through from London. This duty was, therefore, done by Miss Shepard and my mother. The next day, at dinner, the nosebleeding began again. "And thus," observed my father, "my blood must be reckoned among the rivers of human gore which have been shed in Paris, and especially in the Place de la Concorde, where the guillotines used to stand"—and where our restaurant was. But these bleedings, which came upon him at several junctures during his lifetime, and were uniformly severe and prolonged, probably had a significance more serious than was supposed. The last one occurred not many weeks before his death, and it lasted twenty-four hours; he was never the same afterwards. He joked about it then, as now, but there was the forewarning of death in it.

But that day lies still unsuspected in the future, six years away. For the present, we were in splendid Paris, with Napoleon III. in the Tuileries, and Baron Haussmann regnant in the stately streets. For a week we went to and fro, admiring and—despite the cold, the occasional icy rains, and once even a dark fog—delighted. In spirit and in substance, nothing could be more different from London. For my part, I enjoyed it without reservation; the cold, which depressed my sick father, exhilarated me. For Notre Dame, the Tuileries, the Louvre, the Madeleine, the pictures, and the statues, I cared little or nothing; I hardly even heeded the column of the Place Vendome or the mighty mass of the Arc de Triomphe. But the Frenchiness of it all captivated me. The throngs in the streets were kaleidoscopic in costume and character: priests, soldiers, gendarmes, strange figures with turbans and other Oriental accoutrements; women gayly dressed and wearing their dresses with an air; men with curling mustachios, and with nothing to do, apparently, but amuse themselves; romantic artists with soft felt hats and eccentric beards; grotesque figures of poverty in rags and with ominous visages, such as are never seen in London; martial music, marching regiments, with gorgeous generals on horseback, with shining swords; church processions; wedding pageants crowding in and out of superb churches; newspapers, shop-signs, and chatter, all in French, even down to the babble of the small children. And the background of this parade was always the pleasant, light-hued buildings, the majority of them large and of a certain uniformity of aspect, as if they had been made in co-operation, and to look pretty, instead of independently and incongruously, as in England. These people seemed to be all playing and prattling; nobody worked; even the shopkeepers held holiday in their shops. Such was my boyish idea of Paris. Napoleon had been emperor only five or six years; he had been married to Eugenie only four or five; and, so far as one could judge who knew nothing of political coups d'etat and crimes, he was the right man in the right place. Moreover, the French bread was a revelation; it tasted better than cake, and was made in loaves six feet long; and the gingerbread, for sale on innumerable out-door stalls, was better yet, with quite a new flavor. I ate it as I walked about with my father. He once took a piece himself, and, said he, "I desired never to taste any more." How odd is, sometimes, the behavior of grown-up people!

But even my father enjoyed the French cookery, though he was in some doubt whether it were not a snare of the evil one to lure men to indulgence. We dined in the banquet-hall of our hotel once or twice only; in general we went to neighboring restaurants, where the food was just as good, but cost less. I was always hungry, but hungrier than ever in Paris. "I really think," wrote my father, "that Julian would eat a whole sheep." In his debilitated state he had little appetite either for dinners or for works of art; he looked even upon the Venus of Milo with coldness. "It seemed," wrote he, speaking of the weather one morning, "as if a cold, bitter, sullen agony were interposed between each separate atom of our bodies. In all my experience of bad atmospheres, methinks I never knew anything so atrocious as this. England has nothing to compare with it." The "grip" was a disease unnamed at that epoch, but I should suppose that it was very vividly described in the above sentence. He had the grip, and for nearly six months he saw everything through its medium.

Besides the Venus and the populace, we saw various particular persons. I went with my father to the bank, and saw a clerk give him a long roll of bright gold coins, done up in blue paper; and we visited, or were visited by, a Miss MacDaniel and her mother, two Salem women, "of plain, New England manners and appearance," wrote my father, "and they have been living here for nearly two years. The daughter was formerly at Brook Farm. The mother suffered so much from seasickness on the passage that she is afraid to return to America, and so the daughter is kept here against her will, and without enjoyment, and, as I judge, in narrow circumstances. It is a singular misfortune. She told me that she had been to the Louvre but twice since her arrival, and did not know Paris at all." This looks like a good theme for Mr. Henry James.

We called on the American minister to Paris, Judge John Young Mason, a simple and amiable personage. He was rubicund and stolid, and talked like a man with a grievance; but, as my father afterwards remarked, it was really Uncle Sam who was the aggrieved party, in being mulcted of seventeen thousand dollars a year in order that the good old judge should sleep after dinner in a French armchair. The judge was anticipating being superseded in his post, but, as it turned out, was not driven to seek second-rate employment to support himself in his old age; he had the happiness to die in Paris the very next year.

But the most agreeable of our meetings was with Miss Maria Mitchell, the astronomer, who, like ourselves, was stopping a few days in Paris on her way to Rome. She desired the protection of our company on the journey, though, as my father remarked, she looked well able to take care of herself. She was at this time about forty years old; born in Nantucket; the plainest, simplest, heartiest of women, with a face browned by the sun, of which she evidently was accustomed to see as much as of the other stars in the heavens. Her mouth was resolute and full of expression; but her remarkable feature was her eyes, which were dark and powerful, and had the kindest and most magnetic look of comradeship in them. Her dark hair was a little grizzled. She was dressed in plain gray, and was active and energetic in her movements. She was, as the world knows, a woman of unusual intellect and character; but she had lived alone with her constellations, having little contact with the world or practical knowledge of it, so that in many respects she was still as much a child as I was, and I immediately knew her for my friend and playmate and loved her with all my heart. There was a charming quaintness and innocence about her, and an immense, healthy curiosity about this new old world and its contents. She had a great flow of native, spontaneous humor, and could say nothing that was not juicy and poignant. She was old-fashioned, yet full of modern impulses and tendencies; warmhearted and impulsive, but rich in homely common-sense. Though bold as a lion, she was, nevertheless, beset with the funniest feminine timidities and misgivings, due mainly, I suppose, to her unfamiliarity with the ways of the world. There was already a friendship of long standing between her and Miss Shepard, and they did much of their sightseeing during the coming year together, and debated between themselves over the statues and pictures. Her talk with us children was of the fine, countrified, racy quality which we could not resist; and in the evenings, as we journeyed along, she told us tales of the stars and gave us their names. On the steamer going to Genoa, one night, she pointed out to me the constellation Orion, then riding high aloft in glittering beauty, and I kindly communicated to my parents the information that the three mighty stars were known to men as O'Brien's Belt. This was added to the ball of jolly as a household word.

[IMAGE: MARIA MITCHELL]

Miss Mitchell's trunk was contributed to our mountain, when we set out anew on our pilgrimage, with a result at first deplorable, for the number of our own pieces of luggage being known and registered in the official documents, it turned out, at our first stopping-place, that the trunk of our new companion had been substituted for one of our own, which, of course, was left behind. It was ultimately recovered, I believe, but it seemed as if the entire world of French officialdom had to be upheaved from its foundations in order to accomplish it.

Our route lay through Lyons to Marseilles. At Lyons I remember only the enormous hotel where we slept the first night, with corridors wandering like interminable streets, up-stairs and down, turning corners, extending into vistas, clean-swept, echoing, obscure, lit only by the glimmering candle borne by our guide. We seemed to be hours on our journey through these labyrinths; and when at last we reached our rooms, they were so cold and so unwarmable that we were fain to journey back again, up and down, along and athwart, marching and countermarching past regiments of closed doors, until at length we attained the region of the hotel dining-saloon, where it was at least two or three degrees less cold than elsewhere. After dinner we had to undertake a third peregrination to bed, and a fourth the next morning to get our train. The rooms of the hotel were on a scale suited to the length of the connecting thoroughfares, and the hotel itself stood hard by a great, empty square with a statue in the middle of it. But the meals were not of a corresponding amplitude. And I think it was at the railway station of this town that the loss of the trunk was discovered.

The region from Lyons to Marseilles, along the valley of the Rhone, with the lower ranges of the Alps on our left hand, was much more picturesque than anything France had shown us hitherto. Ancient castles crowned many of the lower acclivities; there were villages in the vales, and presently vineyards and olive groves. The Rhone, blue and swift as its traditions demanded, kept us close company much of the way; the whole range of country was made for summer, and the wintry conditions under which we saw it seemed all the more improper. It must have been near midnight when our train rolled into the station at Marseilles, and my pleasure in "sitting up late" had long become stale.

The sun shone the next morning, and, being now in the latitude of Florence and such places, it could not help being hot, though the shaded sides of the streets were still icy cold; and most of the streets were so narrow that there was a great deal of shade. The whole population seemed to be out-of-doors and collecting in the sun, like flies, a very animated and voluble population and of a democratic complexion; the proportion of poor folks was noticeable, and the number of women, who seemed to camp out in the squares and market-places, and there gossip and do their knitting, as other women might at their firesides; but here the sun is the only fire. But a good deal of the bustle this morning was occasioned by the news from Paris that an attempt to assassinate Napoleon III. had been made the day before; had we remained one day longer in Paris we might have assisted at the spectacle. The Marseilles people seemed to take it comfortably; nobody was very sorry that the attempt had been made, nor very glad that it had not succeeded. It was something to talk about. It was ten years more before the French got thoroughly used to the nephew of his uncle and decided that he was, upon the whole, a good thing; and soon after they lost him. And for a decade after Sedan, chatting with the boulevardiers in Paris, they would commonly tell me that they wished they had the empire back again. Perhaps they will have it, some day.

There was a great deal of filth in Marseilles streets and along her wharves and in the corners of her many public squares; and even our hotel, the "Angleterre," was anything but clean; it was a tall, old rookery, from the windows of our rooms in which I looked down into an open space between the strange, old buildings, and saw a juggler do his marvels on a bit of carpet spread on the pavement, while a woman handed him the implements of magic out of a very much travelled and soiled deal-box. Later in the day, when the place was deserted, I heedlessly flung out of the window the contents of a glass of water, and, looking after it in its long descent, I was horrified to see approaching a man of very savage and piratical aspect, with a terrible black beard and a slouch hat. As luck would have it, the water struck him full on the side of the face, probably the first time in many a year that he had felt the impact of the liquid there. I withdrew my head from the window in alarm, mingled with the natural joy that a boy cannot help feeling at such a catastrophe; and by-and-by, when I felt certain that he must have passed on, I peeped out again, but what were my emotions at beholding him planted terribly right under the window where he had been baptized, and staring upward with a blood-thirsty expression. I immediately drew back again, but too late—our eyes had met, and he had made a threatening gesture at me. I now felt that a very serious thing had happened, and that if I ventured out upon the streets again I should assuredly be assassinated; that it would be no mere attempt, as in the case of the Emperor, but a pronounced success. I did not tell my fears to any of my family—I had not, to say the truth, informed any of them of the incident which had imperilled my life, but I no longer felt any curiosity to see more of Marseilles, and was sincerely thankful when I found myself, betimes next morning, on board the Calabrese, bound for Genoa. I never saw my murderer again, but I could make a fair likeness of him, I believe, to-day. The trip to Genoa, and onward to Civita Vecchia, lasted two or three days, the steamer generally pursuing her course by night and laying up by day.

The first morning, soon after sunrise, found us approaching the bay of Genoa, with the sun rising over the Mediterranean on our right and throwing its light upon the curving acclivity on which the city stands. The water had a beautiful blue-green color and was wonderfully clear, so that, looking down through it over the ship's side, as we glided slowly to our moorings, I saw sea-weeds and blocks of marble and other marine curiosities which reawakened my old passion for aquariums. Indeed, to be candid with the reader—as is my study throughout this narrative—nothing in Genoa the Superb itself has, I find, remained with me so distinctly as that glimpse of the floor of the bay through the clear sea-water. I did not care to go up into the town and see the palaces and churches; I wanted to stay on the beach and hunt for shells—Italian shells—and classical or mediaeval sea-anemones. Of course, I had to go up into the town; and I saw, no doubt, the churches and the palaces, with their rooms radiant with the mellow brilliance of precious marbles and painted ceilings, and statues and pictures, under the personal conduct of no less an individual than Salvator Rosa himself—for that was the name of our guide—and for years afterwards I never doubted that he was the creator of the paintings which, in Rome and elsewhere, bore his signature. I say I must have seen these things, but in memory I cannot disentangle them from the innumerable similar objects which I beheld, later, in other Italian cities; their soft splendor and beautiful art could not hold their own for me beside that cool translucence of the Mediterranean inlet, with its natural marvels dimly descried as'I bent over the boat's side. It was for that, and not for the other, that my heart yearned, and that became a part of me, all the more, no doubt, that it was denied me. Our aim in the world is beauty and happiness; but we are late in learning that they exist in the will and imagination, and not in this or that accredited and venerable thing or circumstance that is mechanically obtruded on our unready attention. If you were put down in the Garden of Eden, and told that you might stay there an hour and no more, what would you do? How would you "improve" your time? Would you run to and fro, and visit the spot where Adam first stood erect, and the place where he sat when he named the animals, and the thymey bank on which he slept while Eve was taking form from his rib, and the tree on which grew the fruit of the knowledge of good and evil, and the precise scene of the temptation and the fall, and the spot on which stood the altars on which Cain and Abel offered their sacrifices, and where, presently, wrathful Cain rose up against his brother and slew him? Would you make sure of all these set sights in order that you might reply satisfactorily to the cloud of interviewers awaiting you outside the Garden? Or would you simply throw yourself down on the grass wherever the angel happened to leave you, and try to see or to realize or to recall nothing, but passively permit your soul to feel and experience and grow what way it would, prompted by the inner voice and guided by the inner light, heedless of what the interviewers were expecting and of what duty and obligation and the unique opportunity demanded? It is worth thinking about. It may be conceded that there is some risk to run.

I next find myself in a coach, with four horses harnessed to it, trundling along the road from Civita Vecchia to Rome; for of Monaco I recall nothing, nor of Leghorn; and though we passed within sight of Elba, I saw only a lonely island on our starboard beam. As for the coach, it was a necessity, if we would continue our journey, for the railroad was still in the future in 1858. The coach-road was not only as rugged and uneasy as it had been any time during the past three hundred years, but it was outrageously infested by banditti; and, indeed, a robbery had taken place on it only a week or two before. For miles and miles on end it was totally destitute of dwellings, and those that we saw might well have been the harboring-places of iniquity. Moreover, we were so long delayed in making our start that it was already afternoon before we were under way, and finally one of our horses gave out ere we were many miles advanced, compelling us to hobble along for the remainder of the trip at reduced speed. As the shades of evening began to fall, we saw at intervals sundry persons lurking along the roadway, clad in long cloaks and conical hats, with the suggestion of the barrel of a musket about them, and it is probable that we were preserved from a tragic fate only by the fortunate accident that we were just behind the mail-coach and might theoretically have hailed it for help had we been attacked. Meanwhile, my father, with ostensible pleasantry, suggested that we should hide our gold coin (of which we carried a considerable store) in various queer, out-of-the-way receptacles. I remember that an umbrella was filled with a handful or two of the shining pieces, and stuck with studied carelessness through the straps in the roof of the vehicle. This was regarded by us children as excellent sport, though I think there was a lingering feeling of apprehension in the bottom of my soul. My father kept a moderate sum in napoleons in his pockets, so that, should the worst happen, the bandits might fancy it was our all. But then there was our mountain of luggage, incredibly strapped on the top of the conveyance, and behind it, and no reasonable bandits, one would suppose, could have failed to be satiated with that. However, it was written that we were to reach Rome unscathed, albeit long after dark, and though we did not get past the Porta del Popolo without suffering legalized robbery on the part of the custom-house officials. But by that time we were so weary, downcast, and chilled that depredation and outrage could not rouse or kindle us.

We ended, at last, in one of those refrigerator hotels to which our travels had made us accustomed, in one of the hollow, dull, untoward caverns of which I was presently put to bed and to sleep. "Oh, Rome, my country, City of the Soul!" Oh, Byron, were you an Esquimau?



XIV

Our unpalatial palace—"Cephas Giovanni"—She and George Combe turned out to be right—A rousing temper—Bright Titian hair—"All that's left of him"—The pyramidal man of destiny—The thoughts of a boy are long, long thoughts— Clausilia Bubigunia—Jabez Hogg and the microscope—A stupendous surprise—A lifetime in fourteen months—My father's jeremiades—"Thank Heaven, there is such a thing as whitewash!"—"Terrible lack of variety in the old masters"— "The brazen trollop that she is!"—Several distinct phases of feeling—Springs of creative imagination roused—The Roman fever—A sad book—Effects of the death-blow—The rest is silence.

We arrived in Rome on the 17th of January, 1858, at eleven o'clock at night. After a day or two at Spillman's Hotel, we moved into lodgings in the Via Porta Pinciana, the Palazzo Larazani. The street extended just below the ridge of the Pincian Hill, and was not far from the broad flight of steps mounting upward from the Piazza d' Espagna, on the left as you go up. In spite of its resounding name, our new dwelling had not a palatial aspect. It was of no commanding height or architectural pretensions; a stuccoed edifice, attached on both sides to other edifices. The street, like other Roman streets, was narrow; it was dirty like them, and, like them, was paved with cobble-stones. The place had been secured for us by (I think) our friends the Thompsons; Mr. Thompson—the same man who had painted my father's portrait in 1853—had a studio hard by. The Thompsons had been living in Rome for five years or more, and knew the Roman ropes. They were very comfortable people to know; indeed, Rome to me would have been a very different and less delightful place without them, as will hereafter appear. The family consisted of Cephas Giovanni Thompson, the father and artist; his wife and his two sons and one daughter. "Cephas Giovanni," being interpreted, means plain Peter John; and it was said (though, I believe, unjustifiably) that Peter John had been the names originally given to Thompson by his parents at the baptismal-font, but that his wife, who was a notable little woman, a sister of Anna Cora Mowatt, the actress, well known in America and England seventy years ago, had persuaded him to translate them into Greek and Italian, as more suitable to the romantic career of an artist of the beautiful. I fancy the story arose from the fact that Mrs. Thompson was a woman who, it was felt, might imaginably conceive so ambitious a project. She was small, active, entertaining, clever, and "spunky," as the New-Englanders would have said; indeed, she had a rousing temper, on occasion. Her husband, on the other hand, had the mildest, wisely smiling, philosophic air, with a low, slow voice, and a beard of patriarchal fashion and size, though as yet it was a rich brown, with scarcely a thread of silver in it. Brown and abundant, also, was his hair; he had steady, bright, brown eyes, and was rather under the average height of Anglo-Saxon man. But for all this mild-shining aspect of his, his dark eyebrows were sharply arched, or gabled rather; and my mother, who had absorbed from her former friend, George Combe, a faith in the betrayals of phrenology, expressed her private persuasion that good Mr. Thompson had a temper, too. She and George Combe turned out to be right in this instance, though I am not going to tell the tale of how we happened to be made acquainted with the fact. Little thunder-storms once in a while occur in human skies as well as in the meteorological ones; and the atmosphere is afterwards all the sweeter and softer. No people could be more good, honest, and kind than the Thompsons.

There was no other artist in Rome who could paint as well as Mr. Thompson. That portrait of my father, to which reference has been made, which now hangs in my house, looks even better, as a painting, to-day than it did when it was fresh from his easel. Rubens could not have laid on the colors with more solidity and with truer feeling for the hues of life. But the trouble with Thompson was that he had never learned how to draw correctly; and this defect appeared to some extent in his portraits as well as in his figures. The latter were graceful, significant, full of feeling and character; but they betrayed a weakness of anatomical knowledge and of perspective. They had not the conventional incorrectness of the old masters preceding Raphael, but an incorrectness belonging personally to Thompson; it was not excessive or conspicuous to any one, and certainly not to Thompson himself. But his color redeemed all and made his pictures permanently valuable. He was at this time painting a picture of Saint Peter being visited by an angel, which was rich and beautiful; and he had some sketches of a series based on Shakespeare's Tempest; and standing on one side in the studio was a glowing figure of a woman in Oriental costume, an odalisque, or some such matter, which showed that his sympathy with life was not a restricted one. Later in our acquaintance he fell in love with the bright Titian hair of my sister Rose, and made a little portrait of her, which was one of his best likenesses, apart from its admirable color; it even showed the tears in the child's eyes, gathering there by reason of her antipathy to posing.

Cora Thompson, the daughter, was the most good-natured and sunny-tempered of girls; she may have been fifteen at this time; she inherited neither the handsomeness of her father nor the sharp-edged cleverness of her mother; but she was lovable. Of the two boys, the younger was named Hubert; he was about ten years old, small of his age, and not robust in make or constitution. He was, however, a smart, rather witty youth, a little precocious, perhaps, and able to take care of himself. Some five and twenty years after the date of which I am now writing I was at a large political dinner in New York and was there introduced to a Mr. Thompson, who was the commissioner of public works, and a party boss of no small caliber and power. He was an immense personage, physically likewise, weighing fully three hundred pounds, and, though not apparently advanced in years, a thorough man of the world and of municipal politics. After we had conversed for a few minutes, I was struck by a certain expression about my interlocutor's eyebrows that recalled long-forgotten days and things. I remembered that his name was Thompson, and had an impression that his initials were H. O. "Are you little Hubert Thompson?" I suddenly demanded. "Why, of course I am—all that's left of him!" he replied, with a laugh. So this was the boy whom, a quarter of a century before, I could have held out at arm's-length. We talked over the old days when we played together about the Roman streets and ruins. Nothing more reveals the essential strangeness of human life than this meeting after many years with persons we have formerly known intimately, who are now so much changed in outward guise. We feel the changes to be unreal, and yet, there they are! Grover Cleveland was being groomed for his first Presidential term then; Hubert was one of his supporters in New York, and he presented me to the pyramidal man of destiny. Poor Hubert died, lamentably, not long after. He was a good and affectionate son. He was perhaps too kind-hearted and loyal for the political role which he enacted.

The elder Thompson boy was called Edmund, or, in my vernacular, Eddy. There were in his nature a gravity, depth, and sweetness which won my heart and respect, and we became friends in that intimate and complete way that seems possible only to boys in their early teens. For that matter, neither of us was yet over twelve; I think Eddy was part of a year my junior. But you must search the annals of antiquity to find anything so solid and unalterable as was our friendship. He was the most absolutely good boy I ever knew, but by no means goody-goody; he had high principles, noble ambitions, strong affections, the sweetest of tempers; his seriousness formed a healthy foil to my own more impetuous and hazardous character. "The thoughts of a boy are long, long thoughts"; and not in many long lifetimes could a tithe of the splendid projects we resolved upon have been carried out. We were together from morning till night, month after month; we walked interminably about Rome and frequented its ruins, and wandered far out over the Campagna and along the shores of famous Tiber. We picked up precious antique marbles, coins, and ancient curiosities of all sorts; we hunted for shells and butterflies and lizards; our hearts were uplifted by the martial music of the French army bands, which were continually resounding throughout Rome; and we admired the gleaming swords of the officers and the sharp, punctual drill and marching of the red-legged rank and file. We haunted the lovely Villa Borghese, the Pincian Hill, the Villa Pamphili Doria; we knew every nook and cranny of the Palace of the Csesars, the Baths of Caracalla, the Roman Forum, the Coliseum, the Egerian Grove; we were familiar with every gate that entered Rome; we drank at every fountain; we lingered through the galleries of the Vatican and of the Capitol; we made St. Peter's Church our refuge in inclement weather; we threaded every street and by-way of the city; we were on friendly and confidential terms with the custode of every treasure. And all the time we talked about what we thought, what we felt, what we would do; there is no looking backward in boys' confidences; they live in the instant present and in the infinite future. Eddy and I arranged to spend one lifetime in Central Africa, in emulation of the exploits of David Livingstone; there, freed from all civilized burdens, we would live, and we would run, catch the wild goat by the hair, and hurl our lances in the sun. At another epoch of our endless lives we would enter the army and distinguish ourselves in heroic war; we would have swords like sunbeams and ride steeds like Bucephalus. Then, and interleaved with all this, as it were, there was an immense life of natural history; we would have a private museum to rival the famous ones of nations. Eddy was especially drawn towards insects, while my own predilection was still for conchology; and both of us spent hours every week in classifying and arranging our respective collections, not to speak of the time we devoted to hunting for specimens. Eddy had a green net at the end of a stick, and became very skilful in making his captures; and how we triumphed over a "swallow-tail," so difficult to catch, or an unfamiliar species! Eddy had his pins and his strips of cork, and paper boxes; and his collections certainly were fairer to look upon, to the ordinary view, than mine; moreover, his was the more scientific mind and the nicer sense of order. For the display of my snail-shells I used bits of card-board and plenty of gum-arabic; and I was affluent in "duplicates," my plan being to get a large card and then cover it with specimens of the shell, in serried ranks. I also called literature to my aid, and produced several little books containing labored descriptions of my collection, couched, so far as possible, in the stilted and formal phraseology of the conchological works to which I had access, but with occasional outbursts after a style of my own. Here is a chapter from one of them; a pen-and-ink portrait of the shell is prefixed to the original essay:

"CLAUSILIA BUBIGUNIA

"This handsome and elegant little shell is found in mossy places, or in old ruins, such as the Coliseum—where it is found in immense numbers—or the Palace of the Caesars. But in Italy it is common in any mossy ruin, in the small, moss-covered holes, where it is seen at the farthest extremity. After a rain they always crawl out of their places of concealment in such numbers that one would think it had been raining clausilias. The shell, in large and fine specimens, is five-eighths of an inch in length. The young are very small and look like the top part of the spire of the adults. This shell is also largest in the middle, shaped something like a grain of wheat. It has nine whorls, marked by small white lines, which look like fine white threads of sewing-cotton; and just below them are marks which look like very fine and very small stitches of white cotton. The color of the shell, down to next to the last whorl, is a brown color, but the very last whorl is a little lighter. The shell is covered all over with fine lines, but they need to be looked at through a magnifying-glass, they are so fine. The lip is turning out, and very thin; inside there are three ridges, two on the top part of the mouth, and the other, which is very small, is below. The shell, when the animal is out of it, is semi-transparent, and the little colomella, or pillar, can be indistinctly seen through."

There follows a detailed and loving description of the animal inhabiting the shell, which I must reserve for a future edition. Of another species of snail, Helix strigata, our learned author observes that "This shell is, when dead, one of those which is found on the banks of the Tiber. It is a strange circumstance that, although it is a land shell, it should be found more on the banks of a river than anywhere else, and also only on the banks of the Tiber, for it is not found on the banks of any other river. Any one would think that dead shells were gifted with the power of walking about, for certainly it is an inexplicable wonder how they got there." Of Helix muralis we are informed that "The Romans eat these snails, not the whole of them, but only their feet. In ancient times the most wealthy people used to eat snails, and perhaps they ate the very ones which the poorest people eat nowadays. It is most probable, for there are a great many different kinds of snails round Rome, and the Romans would probably select the best." I may perhaps be permitted to remark that the correct orthography of this writer fills me with astonishment, inasmuch as in later life I have reason to know that he often went astray in this respect. Of the uniform maturity of the literary style, I have no need to speak.

Eddy's father was in the habit of giving him an income of two or three pauls a week, dependent on his good behavior and punctual preparation of his lessons; and since Eddy was always well behaved and faithful in his studies, the income came in pretty regularly. Eddy saved up this revenue with a view to buying himself a microscope, for the better prosecution of his zoological labors; being, also, stimulated thereto by the fact that I already possessed one of these instruments, given me by my father a year or two before. Mine cost ten shillings, but Eddy meant to get one even more expensive. I had, too, a large volume of six hundred pages on The Microscope, Its History, Construction, and Uses, by Jabez Hogg, the contents of which I had long since learned by heart, and which I gladly communicated to my friend. At length Eddy's economies had proceeded so far that he was able to calculate that on his twelfth birthday he would possess a fortune of five scudi, and he decided that he would buy a microscope at that figure; it is needless to add that the microscope had long since been selected in the shop, and was decidedly superior to mine. We could hardly contain our impatience to enter upon the marvellous world whereof this instrument was the key; that twelfth birthday seemed long in coming, but at last it came.

I was to go with my friend to the shop to see him make the purchase; and I was at his house betimes in the morning. But what a stupendous surprise awaited me! Eddy was too much excited to say anything; with a face beaming with emotion, he led me into the sitting-room, and there, upon the table, was a microscope. But such a microscope! It was of such unheard-of magnificence and elaborateness that it took my breath away, and we both stood gazing at it in voiceless rapture. It was tall and elegant, shining with its polished brass and mirrors, and its magnifying powers were such as to disclose to us the very heart of nature's mystery. It was quiet Mr. Thompson's birthday present to his son. That gentleman sat smiling in his armchair by the window, and presently he said, with a delightful archness, "Well, Eddy, I suppose you are ready to give me back all that money you've been collecting?" Eddy grinned radiantly. He spent his savings for microscope-slides and other appurtenances, and for weeks thereafter he could hardly take his eye away from the object-lens. He was luminous with happiness, and I reflected his splendor from my sympathetic heart. Dear old Eddy! In after years he entered West Point and became a soldier, and he died early; I never saw him after parting from him in Italy in 1859. But he is still my first friend, and there has been no other more dear.

I am not aware that Rome has ever been described from the point of view of a twelve-year-old boy, and it might be worth doing; but I have delayed attempting it somewhat too long; the moving pictures in my mind have become too faded and confused. And yet I am surprised at the minuteness of some of my recollections; they have, no doubt, been kept alive by the numerous photographs of Rome which one carries about, and also by the occasional perusal of The Marble Faun and other Roman literature. But much is also due to the wonderful separateness which Rome retains in the mind. It is like nothing else, and the spirit of it is immortal. It seems as if I must have lived a lifetime there; and yet I cannot make out that our total residence in the city extended over fourteen months. Certainly no other passage of my boyhood time looms so large or is rooted so deep.

But the passion for Rome (unless one be a Byron) is not a plant of sudden growth, and I dare say that, during those first frigid weeks, I may have shared my father's whimsical aversion to the city. He has described, in his journals, how all things seemed to be what they should not; and he was terribly disgusted with the filth that defiled the ruins and the street corners. He was impressed by the ruins, but deplored their nakedness. "The marble of them grows black or brown, it is true," says he, "and shows its age in that way; but it remains hard and sharp, and does not become again a part of nature, as stone walls do in England; some dry and dusty grass sprouts along the ledges of a ruin, as in the Coliseum; but there is no green mantle of ivy spreading itself over the gray dilapidation." We stumbled upon the Fountain of Trevi in one of our early rambles, not knowing what it was. "One of these fountains," writes my father, referring to it, "occupies the whole side of a great edifice, and represents Neptune and his steeds, who seem to be sliding down with a cataract that tumbles over a ledge of rocks into a marble-bordered lake, the whole—except the fall of water itself—making up an exceedingly cumbrous and ridiculous affair." He goes to St. Peter's, and "it disappointed me terribly by its want of effect, and the little justice it does to its real magnitude externally; as to the interior, I am not sure that it would not be even more grand and majestic if it were less magnificent, though I should be sorry to see the experiment tried. I had expected something dim and vast, like the great English cathedrals, only more vast and dim and gray; but there is as much difference as between noonday and twilight." The pictures, too, were apt in these first days to go against the grain with him. Contemplating a fresco representing scenes in purgatory, he broke forth: "I cannot speak as to the truth of the representation, but, at all events, it was purgatory to look at this poor, faded rubbish. Thank Heaven, there is such a thing as whitewash; and I shall always be glad to hear of its application to old frescoes, even at the sacrifice of remnants of real excellence!" Such growlings torture the soul of the connoisseur; but the unregenerate man, hearing them, leaps up and shouts for joy. He found the old masters, in their sacred subjects, lacking in originality and initiative; and when they would represent mythology, they engendered an apotheosis of nakedness. His conclusion was that "there is something forced, if not feigned, in our taste for pictures of the old Italian school." Of the profane subjects, he instances the Fornarina, "with a deep bright glow on her face, naked below the waist, and well pleased to be so, for the sake of your admiration—ready for any extent of nudity, for love or money—the brazen trollop that she is! Raphael must have been capable of great sensuality to have painted this picture of his own accord, and lovingly." These are the iconoclasms of the Goth and Vandal at their first advent to Rome. They remained to alter their mood, and extol what they had before assaulted; and so did my father, as we shall see presently. But at first he was sick and cold and uncomfortable; and he consoled himself by hitting out at everything, in the secret privacy of his diary, since opened to the world. With warmer weather came equanimity and kinder judgments; but there is a refreshing touch of truth and justice even in these mutterings of exasperation.

It was not so much, I suppose, that Rome was cold as that my father had expected it to be otherwise. When one is in a place where tradition and association invite the soul forth to be warmed and soothed and rejoiced, and the body, venturing out, finds nothing but chill winds and frigid temperature and discomfort, the shock is much greater and more disagreeable than if one had been in some northern Canada or Spitzbergen, where such conditions are normal. Ice in the arctic circle is all right and exhilarating, but in the Piazza of St. Peter's it is an outrage, and affects the mind and heart even more than the flesh.

Circumstances caused my father to pass through several distinct phases of feeling while he was in Rome. First, his own indisposition and the inclement weather depressed and exasperated him.

Time, in due course, brought relief in these respects, and he began to enjoy himself and his surroundings. Anon, the springs of creative imagination, long dormant in him, were roused to activity by thoughts connected with the Faun of Praxiteles in the Capitol. He now became happy in the way of his genius and immediately took a new interest in all things, looking at them from the point of view of possible backgrounds or incidents for the romance which had begun to take form in his mind. He describes what he saw con amore, and all manner of harmonious ideas bloom through his thoughts, like anemones and other flowers in the Villa Pamphili and the Borghese. This desirable mood continued until, after our return to Rome from the Florentine visit, my sister caught the Roman fever. She lay for weeks in danger of death; and her father's anxiety about her not only destroyed in him all thoughts of literary production and care for it, but made even keeping his journal no longer possible for him. That strain, so long continued, broke him down, and he never recovered from it so as to be what he had been before. Nevertheless, when she became convalescent, the reaction from his dark misgivings made him, for a time, as light-hearted as a boy; and, the carnival happening to be coincident with her recovery, he entered into the fun of it with a zest and enjoyment that surprised himself. But, again, it presently became evident that her recovery was not complete, and probably never would be so; the injury to her health was permanent, and she was liable to recurrences of disease. His spirits sank again, not so low as before, but, on the other hand, they never again rose to their normal level. It was in this saddened mood that he once more took up the Roman romance and finished it; it is a sad book, and when there is a ray of sunshine across the page, it has a melancholy gleam. After we returned to Concord, his apprehensions concerning Una's unsound condition were confirmed; and, in addition, the bitter cleavage between North and South inspired in him the gloomiest forebodings. A wasting away of his whole physical substance ensued; and he died, almost suddenly, while in years he might be considered hardly past the prime of his life. A sensitive eye can trace the effects of the death-blow all through The Marble Faun, and still more in Septimius and Grimshawe, published after his death. In The Dolliver Romance fragment, which was the last thing he wrote, there is visible once more some reminiscence of the old sunshine of humor that was so often apparent in his time of youth and vigor; but it, too, has a sad touch in it, such as belongs to the last rays of the star of day before it sinks below the horizon forever. Night follows, and the rest is silence.



XV

The Roman carnival in three moods—Apples of Sodom—Poor, battered, wilted, stained hearts—A living protest and scourge—Dulce est desipere in loco—A rollicking world of happy fools—Endless sunshine of some sort—Greenwich Fair was worth a hundred of it—They thundered past, never drawing rein—"Senza moccolo!"—Nothing more charming and strange could be imagined—Girls surprised in the midst of dressing themselves—A Unitarian clergyman with his fat wife—Apparent license under courteous restraint—He laughed and pelted and was pelted—William Story, as vivid as when I saw him last—A too facile power—A deadly shadow gliding close behind—Set afire by his own sallies—"Thy face is like thy mother's, my fair child!"—Cleopatra in the clay— "War nie sein Brod mit thranen ass."



THE Roman carnival opened about a month after our arrival in Rome. The weather was bad nearly all the time, and my father's point of view was correspondingly unsympathetic. The contrast between his mood now and a year later, when he was not only stimulated by his daughter's recovery from illness, but, also, was looking at everything rather as the romancer than as the man, is worth bringing out. My father likewise describes the carnival in the romance; there we see it in a third phase—as art. But the passages in the note-books are written from the realistic stand-point. In her transcriptions of the journals for the press my mother was always careful to omit from the former everything that had been "used" in the book; the principle, no doubt, was sound, but it might be edifying for once, in a way, to do just the opposite, in order to mark, if we choose to take the trouble, what kind of changes or modifications Hawthorne the romancer would make in the work of my father the observer of nature. Take your Marble Faun and turn to two of the latter chapters and compare them with the corresponding pages in my excerpts from the journals in the Biography. In the latter you will find him always in a critical and carping humor; seeing everything with abundant keenness, but recognizing nothing worth while in it. The bouquets, he noticed, for example, were often picked up out of the street and used again and again; "and," he adds, "I suppose they aptly enough symbolized the poor, battered, wilted, stained hearts that had flown from one hand to another along the muddy pathway of life, instead of being treasured up in one faithful bosom. Really, it was great nonsense."

It is true—such uncongenial interpretation—if you feel that way about it. And I remember, in my rambles along the famous thoroughfare, seeing a saturnine old fellow in a dingy black coat and slouch hat, with a sour snarl on his unprepossessing features, who made it his business, all day, to cuff and kick the little boys whom he caught throwing confetti, or picking up the fallen bouquets, and to shove the latter down into the sewer which ran beneath the street, through the apertures opening underneath the curb. He seemed to have stationed himself there as a living protest and scourge against and of the whole spirit of the carnival; to hate it just because the rest of the world enjoyed it, and to wish that he might make everybody else as miserable and uncharitable as he was. He was like a wicked and ugly Mrs. Partington, trying to sweep back the Atlantic of holiday merriment with his dirty mop. But this crabbed humor of his, while it made him conspicuous against the broad background of gayety, of course had no effect on the gayety itself. The flood of laughter, jocundity, and semi-boisterous frolic continued to roll up and down the Corso all day long, never attempting to be anything but pure nonsense, indeed, but achieving, nevertheless, the wise end of nonsense in the right time and place—that of refreshing and lightening the mind and heart. Dulce est desipere in loco—that old saw might have been made precisely to serve as the motto of the Roman carnival; and very likely it was actually suggested to its renowned author by some similar sport belonging to the old Roman days, before Christianity was thought of. The young fellows—English, American, or of whatever other nationality—would stride up and down the overflowing street hour after hour, clad in linen dust-coats down to their heels, with a bag of confetti slung on one side and another full of bouquets on the other; and they would plunge a warlike hand into the former and hurl ammunition at their rivals; or they would, pick out a bunch of flowers from the latter for a pretty girl—not that the flowers were worth anything intrinsically, nor was that their fault—but just to show the fitting sentiment. There was only one rule, the unwritten one that everybody was to take everything that came with a smile or a laugh, and never get angry at anything; and this universal good-humor lifted the whole affair into a wholesome and profitable sphere. Then there was the double row of carriages forever moving in opposite directions, and passing within easy arm's-reach of each other; and the jolly battle was waged between their occupants, with side conflicts with the foot-farers at the same time. And as the same carriages would repass one another every forty minutes or so, the persons in them would soon get to recognize one another; and, if they were of the sterner sex, they would be prepared to renew desperate battle; or if there was a pretty girl or two in one of them, she would be the recipient of a deluge of flowers or of really pretty bonbons. It was all play, all laughter, all a new, rollicking world of happy fools, of comic chivalry, of humorous gallantry. For my part, I thought it was the world which I had been born to live in; and I was too happy in it to imagine even that anybody could be less happy than I was. My sole grief was when my supply of confetti had given out, and I had no money to buy more. I used to look at those great baskets at the street-corners, filled with the white agglomeration, with longing eyes, and wish I had it all in my pockets. I picked up the fallen bouquets, muddy or not, with no misgiving, and flung them at the girls with the unquestioning faith of boyhood. I looked up at the people in the windows and on the draped balconies with romantic emotions, and exchanged smiles and beckonings with them. The February days were never long enough for me; I only wished that the whole year was made up of those days; if it rained, or was cold, I never knew it. There was an endless sunshine of some sort which sufficed for me. But my father, at this epoch, could catch not a glimpse of it. "I never in my life knew a shallower joke than the carnival at Rome; such a rainy and muddy day, too; Greenwich Fair (at the very last of which I assisted) was worth a hundred of it."

The masking day, and the ensuing night of the moccolo, were the culminating features of the carnival; and it was on the afternoon of this day, I think, that the horse-race, with bare-backed horses, took place. The backs of these horses, though bare of riders, had attached to them by strings little balls with sharp points in them, which, as the horses ran, bobbed up and down, and did the office of spurs. The race was preceded by a thundering gallop of cavalry down the whole length of the Corso (the street having been cleared of carriages beforehand), ostensibly to prevent anybody from being run over by the race-horses; but, as a matter of fact, if any one were killed, it was much more likely to be by the ruthless riding of these helmeted dragoons than by the riderless steeds. They thundered past, never drawing rein, no matter what stood or ran in their way; and then, after an interval, during which the long crowds, packed back on the opposite sidewalks, craned forward as far as they dared to see them, came the eight or ten racers at a furious pace. They were come and gone in a breath; and finally, after the body of them were passed, came a laggard, who had been left at the post, and was trying to make up for lost time. I believe it was this horse who actually killed somebody on the course. The race over, back into the street thronged the crowd, filling it from wall to wall; then there was a gradual thinning away, as the people went home for supper; and finally came the night and the moccoli, with the biggest crowd of all. I was there with my twist of moccolo and a box of matches; except the moccoli, there was no other illumination along the length of the Corso. But their soft lights were there by myriads, and made a lovely sight, to my eyes at least. "Senza moccolo!" was the universal cry; young knights-errant, singly or in groups, pressed their way up and down, shouting the battle-cry, and quenching all lights within reach, while striving to maintain the flame of their own; using now the whisk of a handkerchief, now a puff of breath, now the fillip of a finger; contriving to extinguish a fair lady's taper with the same effusion of vain words wherewith they told her of their passion. Most of the ladies thus assailed sat in the lower balconies, elevated only a foot or two above the level of the sidewalk; but those in the higher retreats made war upon one another, and upon their own cavaliers; none was immune from peril. The cry, uttered at once by such innumerable voices far and near, made a singular murmur up and down the Corso; and the soft twinkling of the lights, winking in and out as they were put out or relighted, gave a singular fire-fly effect to the whole illumination. It seemed to me then, and it still seems in the retrospect, that nothing more charming and strange could be imagined; and through it all was the constant blossoming of laughter, more inextinguishable than the moccoletti themselves. The colors of the tapestries and stuffs dependent from the windows and balconies glowed out in light, or were dimmed by shadow; and the faces of the thousandfold crowd of festival-makers glimmered forth and were lost again on the background of the night, like the features of spirits in the glimpses of a dream. How long it all lasted I know not; but it had its term, like other mortal things, even in this fairyland of carnival; and when the last light was out the carnival was no more, and Lent, unawares, had softly settled down upon us with the darkness.

But let us now listen to my father when, for the second time, he made proof of the carnival in the year following our return from Florence, and after Una had left her sick-room and could be at his side. "The weather has been splendid," he writes, "and the merriment far more free and riotous than as I remember it in the preceding year. Tokens of the festival were seen in flowers on street-stands, or borne aloft on people's heads, while bushels of confetti were displayed, looking like veritable sugarplums, so that a stranger might have thought that the whole commerce and business of stern old Rome lay in flowers and sweets. One wonders, however, that the scene should not be even more rich and various when there has been so long a time (the immemorial existence of the carnival) to prepare it, and adorn it with shapes of gayety and humor. There was an infinite number of clowns and particolored harlequins; a host of white dominoes; a multitude of masks, set in eternal grins, or with monstrous noses, or made in the guise of monkeys, bears, dogs, or whatever beast the wearer chooses to be akin to; a great many men in petticoats, and almost as many girls and women, no doubt, in breeches; figures, too, with huge, bulbous heads and all manner of such easy monstrosities and exaggerations.. It is strange how the whole humor of the thing, and the separate humor of each individual character, vanishes the moment I try to grasp it and describe it; and yet there really was fun in the spectacle as it flitted by—for instance, in the long line of carriages a company of young men in flesh-colored tights and chemises, representing a party of girls surprised in the midst of dressing themselves, while an old nurse in the midst of them expressed ludicrous horror at their predicament. Then the embarrassment of gentlemen who, while quietly looking at the scene, are surrounded by groups of maskers, grimacing at them, squeaking in their ears, hugging them, dancing round them, till they snatch an opportunity to escape into some doorway; or when a poor man in a black coat and cylinder hat is whitened all over with a half-bushel of confetti and lime-dust; the mock sympathy with which his case is investigated by a company of maskers, who poke their stupid, pasteboard faces close to his, still with the unchangeable grin; or when a gigantic female figure singles out some shy, harmless personage, and makes appeals to his heart, avowing her passionate love in dumb show, and presenting him with her bouquet; and a hundred other nonsensicalities, among which the rudest and simplest are not the least effective. A resounding thump on the back with a harlequin's sword, or a rattling blow with a bladder half full of dried pease or corn, answers a very good purpose. There was a good deal of absurdity one day in a figure in a crinoline petticoat, riding on an ass and almost filling the Corso with the circumference of crinoline from side to side. Some figures are dressed in old-fashioned garbs, perhaps of the last century, or, even more ridiculous, of thirty years ago, or in the stately Elizabethan (as we should call them) trunk hose, tunics, and cloaks of three centuries since. I do not know anything that I have seen queerer than a Unitarian clergyman (Mr. Mountford), who drives through the Corso daily with his fat wife in a one-horse chaise, with a wreath of withered flowers and oak leaves round his hat, the rest of his dress remaining unchanged, except that it is well powdered with the dust of confetti. That withered wreath is the absurdest thing he could wear (though, perhaps, he may not mean it to be so), and so, of course, the best. I can think of no other masks just now, but will go this afternoon and try to catch some more." You see, he has that romance in view again. "Clowns, or zanies," he resumes, after fresh inspection, "appear in great troupes, dancing extravagantly and scampering wildly; everybody seems to do whatever folly comes into his head; and yet, if you consider the matter, you see that all this apparent license is kept under courteous restraint. There is no rudeness, except the authorized pelting with confetti or blows of harlequins' swords, which, moreover, are within a law of their own. But nobody takes rough hold of another, or meddles with his mask, or does him any unmannerly violence. At first sight you would think that the whole world had gone mad, but at the end you wonder how people can let loose all their mirthful propensities without unchaining the mischievous ones. It could not be so in America or in England; in either of those countries the whole street would go mad in earnest and come to blows and bloodshed were the populace to let themselves loose to the extent we see here. All this restraint is self-imposed and quite apart from the presence of the soldiery."

This mood, we see, is far more gentle and sympathetic than the former one; there is sunshine within as well as without; and, indeed, I remember with what glee my father took part in the frolic, as well as looked on at it; he laughed and pelted and was pelted; he walked down the Corso and back again; he drove to and fro in a carriage; he mounted to Mr. Motley's balcony and took long shots at the crowd below. The sombre spirit of criticism had ceased, for a time, to haunt him.

[IMAGE: WILLIAM WETMORE STORY]

We went quite often to the studio of William Story, whom my father had slightly known in Salem before he became a voluntary exile from America. Mr. Story was at this time a small, wiry, nervous personage, smiling easily, but as much through nervousness as from any inner source or outward provocation of mirth, and as he smiled he would stroke his cheeks, which were covered with a short, brown beard, with the fingers and thumb of his right hand, while wrinkles would appear round his bright, brown eyes. "He looks thin and worn already," wrote my father; "a little bald and a very little gray, but as vivid as when I saw him last; he cannot, methinks, be over thirty-seven." He was thirty-nine in 1858. "The great difficulty with him, I think, is a too facile power," my father goes on; "he would do better things if it were more difficult for him to do merely good ones. Then, too, his sensibility is too quick; being easily touched by his own thoughts, he cannot estimate what is required to touch a colder and duller person, and so stops short of the adequate expression." He commented on the vein of melancholy beneath the sparkle of his surface, as if, in the midst of prosperity, he was conscious of a "deadly shadow gliding close behind." Boys of twelve are not troubled with insight, unless of that unconscious, intuitive kind that tells them that a person is likeable, or the reverse, no matter what the person may do or say. I liked Mr. Story, and thought him as light of spirit as he seemed; not that he was not often earnest enough in his talks with my father, to whom he was wont to apply himself with a sort of intensity, suggesting ideas, and watching, with his nervous smile, my father's reception of them; plunging into deep matters, beyond my comprehension, dwelling there a few minutes, and then emerging again with a sparkle of wit; he was certainly very witty, and the wit was native and original, not memorized. When he got into the current of drollery, he would, as it were, set himself afire by his own sallies, and soar to astonishing heights, which had an irresistible contagion for the hearers; and he would sometimes, sitting at a table with pen and paper at hand, illustrate his whimsicalities with lightning sketches of immense cleverness, considering their impromptu character. I have preserved a sheet of letter-paper covered with such drawings. The conversation had got upon Byron, whom Mr. Story chose to ridicule; as he talked, he drew a head of "Byron as he thought he was," followed by one of "Byron as he was," and by another of "Byron as he might have been," showing a very pronounced negro type. Then he made a portrait of "Ada, sole daughter of my house and heart," and wrote under it, "Thy face was like thy mother's, my fair child!" a hideous, simpering miss, with a snub nose and a wooden mouth—"A poet's dream!" He also showed the appearance of the Falls of Terni, "as described by Byron," and added studies of infant phenomena, mother's darlings, a Presidential candidate, and other absurdities, accompanying it all with a running comment and imaginative improvisations which had the charm of genius in them, and made us ache with laughter, young and old alike. Such a man, nervous, high-strung, of fine perceptions and sensibilities, must inevitably pass through rapid and extreme alternations of feeling; and, no doubt, an hour after that laughing seance of ours, Mr. Story was plunged deep in melancholy. Yet surely his premonitions of evil were unfulfilled; Story lived long and was never other than fortunate. Perhaps he was unable to produce works commensurate with his conceptions; but unhappiness from such a cause is of a noble sort, and better than most ordinary felicities.

I remember very well the statue of Cleopatra while yet in the clay. There she sat in the centre of the large, empty studio, pondering on Augustus and on the asp. The hue of the clay added a charm to the figure which even the pure marble has not quite maintained. Story said that he never was present while the cast of one of his statues was being made; he could not endure the sight of the workmen throwing the handfuls of plaster at the delicate clay. Cleopatra was substantially finished, but Story was unwilling to let her go, and had no end of doubts as to the handling of minor details. The hand that rests on her knee—should the forefinger and thumb meet or be separated? If they were separated, it meant the relaxation of despair; if they met, she was still meditating defiance or revenge. After canvassing the question at great length with my father, he decided that they should meet; but when I saw the marble statue in the Metropolitan Museum the other day I noticed that they were separated. In the end the artist had preferred despair. Such things indicate the man's character, and, perhaps, explain his failure to reach the great heights of art. He could not trust a great idea to manage itself, but sought subtler expression through small touches, and thus, finally, lost the feeling of the larger inspiration. A little more of the calm, Greek spirit would have done him good.

He had many projects for other statues, which he would build up in fancy before my father and discuss with him. His words and gestures made the ideas he described seem actual and present, but he seldom got them into marble; he probably found, upon trial, that they did not belong to sculpture. He had the ambition to make marble speak not its own language merely, but those of painting and of poetry likewise; and when this proved impossible he was unhappy and out of conceit with himself, On the other hand, he did good work in poetry and in prose; but neither did these content him. After all, my father's observation hit the mark; things came too easy to him. Goethe speaks the word for him:

"Wer nie sein Brod mit thranen ass, Er kennt euch nicht, ihr ewige Machte!"



XVI

Drilled in Roman history—Lovely figures made of light and morning—What superb figures!—The breath and strength of immeasurable antiquity—Treasures coming direct from dead hands into mine—A pleasant sound of coolness and refreshment—Receptacles of death now dedicated to life—The Borghese is a forest of Ardennes—Profound and important communings—A smiling deceiver—Of an early-rising habit— Hauling in on my slack—A miniature cabinet magically made Titanic—"If I had a murder on my conscience"—None can tell the secret origin of his thoughts—A singularly beautiful young woman—She actually ripped the man open—No leagues of chivalry needed in Rome—A resident army—Five foot six— Corsets and padding—She was wounded in the house of her friends.

We children had been drilled in Roman history, from Romulus to Caesar, and we could, and frequently did, repeat by heart the Lays of Ancient Rome by Macaulay, which were at that period better known, perhaps, than they are now. Consequently, everything in Rome had a certain degree of meaning for us, and gave us a pleasure in addition to the intrinsic beauty or charm that belonged thereto. Our imagination thronged the Capitol with senators; saw in the Roman Forum the contentions of the tribunes and the patricians; heard the populus Romanus roar in the Coliseum; beheld the splendid processions of victory wind cityward through the Arch of Titus; saw Caesar lie bleeding at the base of Pompey's statue; pondered over the fatal precipice of the Tarpeian Rock; luxuriated in the hollow spaces of the Baths of Caracalla; lost ourselves in gorgeous reveries in the palace of the Caesars, and haunted the yellow stream of Tiber, beneath which lay hidden precious treasures and forgotten secrets. And we were no less captivated by the galleries and churches, which contained the preserved relics of the great old times, and were in themselves so beautiful. My taste for blackened old pictures and faded frescoes was, indeed, even more undeveloped than my father's; but I liked the brilliant reproductions in mosaic at St. Peter's and certain individual works in various places. I formed a romantic attachment for the alleged Beatrice Cenci of Guido, or of some other artist, and was very sorry that she should be so unhappy, though, of course, I was ignorant of the occasion of her low spirits. But I liked much better Guide's large design of Aurora, partly because I had long been familiar with it on the head-board of my mother's bedstead. Before her marriage she had bought a set of bedroom furniture, and had painted it a dull gold color, and on this surface she had drawn in fine black lines the outlines of several classical subjects, most of them from Flaxman; but in the space mentioned she had executed an outline of this glorious work of the Italian artist. I knew every line of the composition thoroughly; and, by-the-way, I doubt if a truer, more inspired copy of the picture was ever produced by anybody. But the color had to be supplied by the observer's imagination; now, for the first time, I saw the hues as laid on by the original painter. In spite of time, they were pure and exquisite beyond description; these lovely figures seemed made of light and morning. Another favorite picture of mine was the same artist's "Michael Overcoming the Evil One," and I even had the sense to like the painting better than the mosaic copy. Raphael's "Transfiguration" I also knew well from the old engraving of it that used to hang on our parlor wall from my earliest recollections; it still hangs yonder. But I never cared for this picture; it was too complicated and ingenious—it needed too much co-operation from the observer's mind. Besides, I had never seen a boy with anything approaching the muscular development of the epileptic youth in the centre. The thing in the picture that I most approved of was the end of the log in the little pool, in the foreground; it looked true to life.

But my delight in the statues was endless. It seems to me that I knew personally every statue and group in the Vatican and in the Capitol. Again and again, either with my parents, or with Eddy, or even alone, I would pass the warders at the doors and enter those interminable galleries, and look and look at those quiet, stained-marble effigies. My early studies of Flaxman had, in a measure, educated me towards appreciation of them. I never tired of them, as I did of the Cleopatras and the Greek Slaves. What superb figures! What power and grace and fleetness and athletic loins! The divine, severe Minerva, musing under the shadow of her awful helmet; the athlete with the strigil, resting so lightly on his tireless feet; the royal Apollo, disdaining his own victory; the Venus, half shrinking from the exquisiteness of her own beauty; the swaying poise of the Discobulus, caught forever as he drew his breath for the throw; the smooth-limbed, brooding Antinous; the terrible Laocoon, which fascinated me, though it always repelled me, too; the austere simplicity of the Dying Gladiator's stoop to death—the most human of all the great statues; the heads of heroic Miltiades, of Antony, of solitary Caesar, of indifferent Augustus; the tranquil indolence of mighty Nile, clambered over by his many children—these, and a hundred others, spoke to me out of their immortal silence. I can conceive of no finer discipline for a boy; I emulated while I adored them. Power, repose, beauty, nobility, were in their message: "Do you, too, possess limbs and shoulders like ours!" they said to me; "such a bearing, such a spirit within!" I cannot overestimate even the physical good they did me; it was from them that I gained the inspiration for bodily development and for all athletic exercise which has, since then, helped me over many a rough passage in the path of life. But they also awoke higher ambitions and conferred finer benefits.

From these excursions into the ideal I would return to out-of-doors with another inexhaustible zest. That ardent, blue Roman sky and penetrating, soft sunshine filled me with life and joy. The breath and strength of immeasurable antiquity emanated from those massive ruins, which time could deface but never conquer. Emerald lizards basked on the hot walls; flowers grew in the old crevices; butterflies floated round them; they were haunted by spirits of heroes. There is nothing else to be compared with the private, intimate, human, yet sublimated affection which these antique monuments wrought in me. They were my mighty brothers, condescending to my boyish thoughts and fancies, smiling upon me, welcoming me, conscious of my love for them. Each ruin had its separate individuality for me, so that to-day I must play with the Coliseum, to-morrow with the Forum, or the far-ranging arches of the Aqueduct, or the Temple of Vesta. Always, too, my eyes were alert for treasures in the old Roman soil, coming, as it seemed, direct from the dead hands of the vanished people into mine. I valued the scraps that I picked up thus more than anything to be bought in shops or seen in museums. These bits of tinted marble had felt the touch of real Romans; their feet had trodden on them, on them their arms had rested, their hands had grasped them. Two thousand years had dulled the polish of their surfaces; I took them to the stone-workers, who made them glow and bloom again—yellow, red, black, green, white. They were good-natured but careless men, those marble-polishers, and would sometimes lose my precious relics, and when I called for them would say, every day, "Domane—domane," or try to put me off with some substitute—as if a boy could be deceived in such a matter! I once found in the neighborhood of a recent excavation a semi-transparent tourmaline of a cool green hue when held to the light; it had once been set in the ring of some Roman beauty. It had, from long abiding in the earth, that wonderful iridescent surface which ancient glass acquires. Rose, my sister, picked up out of a rubbish heap a little bronze statuette, hardly three inches high, but, as experts said, of the best artistic period. Such things made our Roman history books seem like a tale of yesterday, or they transported us back across the centuries, so that we trod in the footsteps of those who had been but a moment before us.

In those warm days, after our walks and explorations, Eddy and I, and little Hubert, who sometimes was permitted to accompany us, though we deemed him hardly in our class, would greatly solace ourselves with the clear and gurgling fountains which everywhere in Rome flow forth into their marble and moss-grown basins with a pleasant sound of coolness and refreshment. Rome without her fountains would not be Rome; every memory of her includes them. In the streets, in the piazzas, in the wide pleasaunces and gardens, the fountains allure us onward, and comfort us for our weariness. In the Piazza d' Espagna, at the foot of the famous steps, was that great, boat-shaped fountain whose affluent waters cool the air which broods over the wide, white stairway; and not far away is the mighty Trevi, with its turmoil of obstreperous figures swarming round bragging Neptune, and its cataract of innumerable rills welling forth and plunging downward by devious ways to meet at last in the great basin, forever agitated with baby waves lapping against the margins. These, and many similar elaborate structures, are for the delight of the eye; but there are scores of modest fountains, at the corners of the ways, in shady or in sunny places, formed of an ancient sarcophagus receiving the everlasting tribute of two open-mouthed lion-heads, or other devices, whose arching outgush splashes into the receptacle made to hold death, but now immortally dedicated to the refreshment of life. It was at these minor fountains that we quenched our boyish thirst, each drinking at the mouth of a spout; and when we discovered that by stopping up one spout with our thumb the other would discharge with double force, we played roguish tricks on each other, deluging each other at unawares with unmanageable gushes of water, till we were forced to declare a mutual truce of honor. But what delicious draughts did we suck in from those lion-mouths into our own; never elsewhere did water seem so sweet and revivifying. And then we would peer into the transparent depths of the old sarcophagus, with its fringes of green, silky moss waving slightly with the movement of the water, and fish out tiny-spired water-shells; or dip in them the bits of ancient marbles we had collected on our walk, to see the hues revive to their former splendor. Many-fountained Rome ought to be a cure for wine-bibbers; yet I never saw an Italian drink at these springs; they would rather quaff the thin red and white wines that are sold for a few baiocchi at the inns.

The Pincian Hill and the adjoining grounds of the Borghese Palace came at length to be our favorite haunts. The Borghese is a delectable spot, as my father remarks in one of those passages in his diary which was afterwards expanded into the art-picture of his romance. "Broad carriageways," he says, "and wood-paths wander beneath long vistas of sheltering boughs; there are ilex-trees, ancient and sombre, which, in the long peace of their lifetime, have assumed attitudes of indolent repose; and stone-pines that look like green islands in the air, so high above earth are they, and connected with it by such a slender length of stem; and cypresses, resembling dark flames of huge, funereal candles. These wooded lawns are more beautiful than English park scenery; all the more beautiful for the air of neglect about them, as if not much care of men were bestowed upon them, though enough to keep wildness from growing into deformity, and to make the whole scene like nature idealized—the woodland scenes the poet dreamed of—a forest of Ardennes, for instance. These lawns and gentle valleys are beautiful, moreover, with fountains flashing into marble basins, or gushing like natural cascades from rough rocks; with bits of architecture, as pillared porticos, arches, columns, of marble or granite, with a touch of artful ruin on them; and, indeed, the pillars and fragments seem to be remnants of antiquity, though put together anew, hundreds of years old, perhaps, even in their present form, for weeds and flowers grow out of the chinks and cluster on the tops of arches and porticos. There are altars, too, with old Roman inscriptions on them. Statues stand here and there among the trees, in solitude, or in a long range, lifted high on pedestals, moss-grown, some of them shattered, all grown gray with the corrosion of the atmosphere. In the midst of these sunny and shadowy tracts rises the stately front of the villa, adorned with statues in niches, with busts, and ornamented architecture blossoming in stone-work. Take away the malaria, and it might be a very happy place."

[IMAGE: PENCIL SKETCHES IN ITALY, BY MRS. NATHANIEL HAWTHORNE]

Here was a playground for boys of imaginative but not too destructive proclivities, such as the world hardly furnishes elsewhere. But much of my enjoyment of it I ascribe to my friend Eddy. My conversation with no person since then has rivalled the profundity and importance of my communings with his sympathetic soul. We not only discussed our future destinies and philosophical convictions, but we located in these delicious retreats the various worlds which we purposed to explore and inhabit during the next few hundred years. Here we passed through by anticipation all our future experiences. Sometimes we were accompanied by other boys; but then our visits lost their distinction; we merely had good times in the ordinary way of boys; we were robber barons, intrenched in our strongholds, and attacked by other robbers; or we ran races, or held other trials of strength and activity, or we set snares for the bright-colored fishes which lurked in some of the fountains. The grounds were occasionally invaded by gangs of Italian boys, between whom and ourselves existed an irreconcilable feud. We could easily thrash them in the Anglo-Saxon manner, with nature's weapons; but they would ambush us and assail us with stones; and once one of them struck at me with a knife, which was prevented from entering my side only by the stout leather belt which I chanced to wear. We denounced these assassins to the smiling custode of the grounds, and he promised, smilingly, to bar the entrance to them thenceforth; but he was a smiling deceiver; our enemies came just the same. After all, we would have regretted their absence; they added the touch of peril to our chronic romance which made it perfect. It is forty-four years since then. Are there any other Borghese Gardens to come for me in the future, I wonder? There was a rough pathway along the banks of the Tiber, extending up the stream for two or three miles, as far as the Ponte Molle, where the corktrees grew, and farther, for aught I know. This was a favorite walk of mine, because of the fragments of antique marbles to be found there, and also the shells which so mysteriously abounded along the margin, as shown by the learned conchological author hereinbefore cited. And, being of an early rising habit, it was my wont to get up long before breakfast and tramp up and down along the river for an hour or two, thinking, I suppose, as I gazed upon the turbulent flood, of brave Horatius disdainfully escaping from the serried hosts of Lars Porsena and false Sextus, or of Caesar and Cassius buffeting the torrent on a "dare," and with lusty sinews flinging it aside. There were also lovely effects of dawn upon the dome of St. Peter's, and the redoubtable mass of St. Angelo, with its sword-sheathing angel. Moreover, sunrise, at twelve years of age, is an exhilarating and congenial phenomenon. And I painted my experiences in colors so attractive that our Ada Shepard was inflamed with the idea of accompanying me on my rambles. She was a child in heart, though so mature in intellect, and her spirit was valiant, though her flesh was comparatively infirm. It was my custom to set out about five o'clock in the morning, and Miss Shepard promised to be ready at that hour. But after keeping awake most of the night in order not to fail of the appointment, she fell asleep and dreamed only of getting up; and, after waiting for her for near an hour, I went without her. She was much mortified at her failure, and suggested a plan to insure her punctuality, in which I readily agreed to collaborate. When she went to bed she attached a piece of string to one of her toes, the other end of the filament being carried underneath doors and along passages to my own room. I was instructed to haul in on my slack at the proper hour; and this I accordingly did, with good-will, and was at once made conscious that I had caught something, not only by the resistance which my efforts encountered, but by the sound of cries of feminine distress and supplication, heard in the distance. However, my companion appeared in due season, and we took our walk, which, she declared, fulfilled all the anticipations which my reports had led her to form.