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To-day all hope seemed dead, gone from the hillsides with the summer flowers. And the world was a sad and a lonely place. Cynthia's son had yet to learn that gray days are home days. That if it were not for gray skies there would be no low roofs gleaming through tree tops, no home fires glowing anywhere. Gray days are heart days, for it is then that the heart hungers for sympathy, for kinship. It is then that men draw together for comfort and cheer.
Cynthia's son never felt quite so alone in the world before—the last of his line. He was young and did not know what ailed him. So he lay heartsick and puzzled on his hill top and wished he had some one all his own to talk to.
There are things you can whistle to a robin, whisper to a tree friend or look into the heart of the sunset. There are problems you can argue out with a neighbor or solve with the help of a friend. But the heart has certain longings that you can share only with some one who is all your own and very, very dear.
It is hard to be the last of a line, Cynthia's son told himself bitterly, and in his loneliness he turned over and hid his face on his arm and let his homesick heart stray off across the seas to the land that for so long had been home to him, the land that held the dead hearts that had always robbed his gray days of all sadness.
He craved the hot sunshine, the brittle blue skies, the crowded little lanes full of filth and feet and eternal noise. Perhaps there in the old home he might find eyes that held a bit of the great love he longed for, a voice that had in it the hint of a caress, the note that would give him new courage, new hope.
No—he did not know what was the matter with him. All he knew was that summer was dead and that he had no one in all the world he could call his very own. He did not know that lying there he was really waiting for a step and a voice, a step that would stir the leaves with a joyous rustling, a voice that even on a gray day sounded gay and sunshiny. He had always liked Nan Ainslee's voice. Lately he had begun to notice other pleasant things about her. Last night, for instance, he had for the first time seen her hair, the beauty of her creamy throat and had really looked down into her laughing, wide eyes and forgotten all the world for a second or two. And the hand she gave him when she said good night was warm and full of a strange comfort. He had almost asked her to stay a while after the others left and sit beside his fire in a low chair and talk the party over with him.
The world was so still it seemed as if it waited with him. And then it came—that voice warm and gay.
"Hello—you here again?"
Then something about that head buried on that out-flung arm made her laugh softly, oddly, and say, "Isn't this a delicious, restful, dozy day? You'd better sit up and look at those shaggy gray clouds over yonder. Or are you listening to the little winds sighing out lullabies? I came here today to hear the world being hushed to sleep."
He heard and his heart jumped queerly. But he didn't raise his head until he was sure the homesick longing for some one all his own was gone from his eyes.
She had on a gray dress as soft as wood smoke. He caught flashes of flame color beneath the gray and at her breast fluttered a knot of scarlet silk. She looked like somebody's home fire, all fragrant smoke and golden flame and ruddy coals. Her eyes held the dancing lights, the visions and her voice had the tender warmth. She was the spirit of the day and the sight of her comforted his soul and filled his heart with content.
"I think it is a sad day," he said, "and I have been desperately lonely for India and my mother and father and all the little brothers and sisters and playmates that I never had. The only playmates I ever had were camels and missionaries and a few brown babies and two white hens."
He had not meant to talk in this grieving, childish fashion. But something about her brought his heart thoughts to his lips. And to-day he found no pleasure in looking down on the village roofs where Joe Tumley lay sick and miserable and Mary, his wife, wept and men and women talked and argued as he very well knew they were talking and arguing.
"What! No playmates? No boy friends—not even a dog?" Nan grieved with him.
"Oh, I had an Irish soldier's boy for two months once and a little brown dog for a week. Mother was always afraid of disease."
He could hardly believe that remembrance of these long-past things was in him. Yet he was suddenly remembering many old, old matters and with it came back the old, childish pain.
She sat down on the oak stump quite near him and there was more than pity in her eyes, only he did not see.
"Why," she advised gently, "you must have a dog at once. I can give you a wonderful collie and then on gray days you can bring him up here to your hill top or go tramping through woods and ravines with him. A dog is the finest kind of company for a gray day. And there is your attic. Why, I always spend hours in my attic these still, gentle days. I go up there to read old letters and look over old boxes full of queer keepsakes. I sit in a three-legged chair and sometimes, if I find an old coverless book and if the rain begins to drum softly on the shingles, I go to sleep on an ancient sagging sofa and dream great dreams. Haven't you ransacked that attic of yours yet?" she wanted to know.
"No. And the housekeeper insists on my doing it soon. Says that if I'm going to give Jimmy Trumbull that party I promised him I'd better have the barn and the attic all fixed up for it, because the boys wouldn't have any fun in the house and the house wouldn't stand it any better."
And then because neither one of them could think of anything else to say they were perfectly still there on the hill top. There seemed to be no need for speech. Nanny looked down at the little town and Cynthia's son lay contentedly at her feet, looking at her and rustling the dead leaves with an idle hand.
It might have become dangerous, that contented silence. For Nan at least was thinking. She was thinking how often she came to the hill top to visit with this man at her feet and how seldom he came to her door to visit with her. When he came it was not to see her but her father, her brother. With a sick shame Nanny thought how the sight of him, the sound of his voice, the very mention of his name made her heart fill with warm gladness. She loved him and he had no need of love—her love. She who had turned men away, men who were—
She rose suddenly. There was a kind of terror in her eyes and she locked her hands together to warm them, for they had suddenly grown icy cold.
"I must go," she murmured in real distress.
But he just looked up and put out his hand. And she sat down again and let her hand rest in his. And half her joy was pure misery. For she did not understand the ways of this strange, boyish man and she did not know what the end of such a friendship could be.
When those first angry drops pattered down on the leaves Nanny started up in alarm and would have raced for home. But he caught her quickly, slipped her cloak on, and before she had time to protest, they were running hand in hand down the hillside. Just as the full fury of the storm struck the house they banged the front door shut and stood panting and laughing in the hall.
It was very pleasant to sit by his fire and let the storm and the ruddy flames do the talking. But even as she sat and dreamed Nanny knew it would never do. Green Valley knew and loved her but that would not save her. So Nanny walked to the telephone and called up the one soul it was always safe to tell things to. And twenty minutes later Grandma Wentworth arrived.
It was while they sat talking in cozy comfort before the snapping fire that Cynthia's son suggested the attic.
"Mother told me once never to rummage through her old trunks unless Mary Wentworth was by to explain. So come along."
Grandma looked a little startled at that.
"We'll go," she said. "It's the finest kind of a day to go messing in an attic. But I'll step into the kitchen first and borrow two all-over aprons. My dress isn't new but Nan's is."
The old Churchill homestead was built in the days when folks believed reverently in attics. Not little cubby-holes under the roof but in generous, well-lighted, nicely-floored affairs that less reverent generations have turned into smoking dens, studios and ballrooms.
A properly kept attic in the olden days was no dark, musty-smelling, cobwebby affair. It was as neat in its way as the parlor and a hundred times more interesting. The parlor was a stiff room with stiff furniture and stiff family portraits. The attic was a big, natural room filled with mellow light, a vague hush and memories—memories of lost days, lost dreams, lost youth with its joys and hopes and sorrows.
People instinctively speak softly and reverently in an old-fashioned attic. Much of the irreverence of the young generation is due to the fact that men have stopped building the wide, deep fireplaces of old and the old-fashioned style of attic. When you take the family hearthstone and the prayer and memory closet out of a home you must expect irreverence.
There were plenty of wonderful attics in Green Valley, but not many were so crowded with colorful riches as the attic which Cynthia's son owned. When Cynthia was a girl that attic was generously stored. Cynthia's mother made her pilgrimages to it and added to its wealth of memories. Before Cynthia herself sailed away to far-off India she carried armfuls of her own heart treasures up there. One gray day, twenty gray days, could not exhaust this Green Valley attic.
Cynthia's son, being a man, went up heedlessly, even a little noisily, for attics were to him a new thing. Nan went breathlessly, her heart thumping with delight. She guessed that much joy and beauty and wonder lay stored in that great room. Grandma went up slowly and a little tremblingly. She remembered that the very last time she had climbed those attic stairs Cynthia had been with her. Their arms had been full of treasure and their eyes had been full of tears.
The three now had no sooner reached the last step than the attic laid its mystic hush upon them. They stood still and looked about, each somehow waiting for one of the others to speak. It was Grandma who broke the silence softly:
"You had some of the old furniture moved there in the corner but the rest is just as it was forty years ago—when I was here last."
Grandma knew the history of pretty near everything in sight and they followed her about, looking and listening. Somehow there was at first no desire to touch and handle things. But soon the strange charm of an old attic stole over them and they began to look more closely at things, to exclaim over weird relics, to touch old books and quaint garments. Then as the wonders multiplied and the rain drummed steadily on the roof, time and the world without was forgotten and the three became absorbed in the past.
When first she had looked about her Grandma's eyes had searched for a certain trunk, and when at last she spied it something like an old grief clouded her eyes. But as she peered about and began pulling things out to the light she forgot the trunk with the brass nailheads. She laughed when she came across the crinoline hoops and the droll little velvet bonnets.
"Here are your great-grandmother's crinolines, John. My! The times we girls had playing with these things, for even in our day they were old-fashioned. And this little velvet hat I remember Cynthia wore once to an old-time social and took a prize."
Over in another corner Nan was making discoveries.
"My conscience—look at this!" she suddenly cried. "Here's an etching, a genuine etching, a beautiful thing and all covered with dust. Why, the one I bought for a hundred and fifty dollars in Holland last year isn't half as good. Why, whoever had it put up here?"
From the other side of the huge room Cynthia's son wanted to know if an old grandfather's clock couldn't be mended.
"Why, it must be as old as the hills. It has a copy of Franklin's Poor Richard's Almanac pasted on the back. It—why, it's an heirloom and I'm going to get it patched up."
"That clock used to tick in the up-stairs hall forty years ago—I remember—" Grandma stopped as if a sudden thought had struck her. She dropped an old faded lamp mat and a rag rug and came over to look at the face of what had been an old friend. Many and many a time its mellow booming of the hours had cut short a lengthy, merry conference in Cynthia's room and sent her scurrying home to her waiting tasks.
"John," whispered Grandma with sudden intuition, "I don't believe there's anything the matter with that clock. It was stopped—they said your grandfather stopped it after your mother left for India. I used to watch him wind it—here, let me at it. Yes," triumphantly, "here's the key."
Grandma's hands shook noticeably and her lips trembled as she wound it. And when it began to whir and then settled down to its clear even tick Grandma just sat down and cried a bit.
"I can't help it," she explained as she wiped her eyes, "that clock knows me as well as I know its face. Why, many a time Cynthia and I'd sit right where we could look at it—while we were telling each other foolish little happenings—so's we wouldn't talk too long."
Grandma went back to where she had left that faded lamp mat but she knew what was about to happen in that attic that day. She picked up one thing after another but she no longer saw what it was her hands were holding. For above the steady patter of the rain she could hear the old clock ticking. And to her, knowing what she did, it seemed to say:
"Tell him—tell—him—Cynthia wants you to tell him."
So she just sat down in an old chair and waited for Cynthia's son to find that square trunk with the brass nail-heads. She tried to read something in some faded yellow fashion papers but the letters jumped and blurred. And she was glad to hear the boy's shout of discovery.
"Why, here's that trunk mother must have meant! Come over here, Grandma, and look at it."
She went and sat down and was so quiet that Nanny, who had been looking up from the pictures she was dusting, laid them down and came over to watch too. Something about Grandma's drooping head and folded hands must have touched the boy, for as he turned the key in the lock he looked up and asked a question.
"Do you know what's in it, Grandma?"
"Yes," she nodded, "I know what's in it because I helped fill it. Open it carefully."
So the boy raised the lid slowly. Very carefully he removed the old newspapers, then the soft linen sheet and took out a flat bundle that lay on top, all snugly pinned up. Nan helped take out the pins, then gave a smothered cry at the lovely wedding gown of stiff creamy satin.
In silence the other things were brought out. The lacy bridal veil, the little buckled slippers, the full, filmy petticoats and all the soft white ribbony things that it is the right of every bride to have. Down at the very bottom of the trunk were bundles of letters, some faded photographs and a little jewel box in which was a little silver forget-me-not ring.
Grandma put out her hand for the faded photographs, stared at them, then passed one to Cynthia's son.
"Look closely and see if you can guess who it is?"
He took it to a window and looked long at the pictured face but finally shook his head.
"Give it to Nan," directed Grandma.
Nan looked only a second.
"Why, it's Uncle Roger Allan!"
"Yes—it's Roger Allan."
"But what has—" began Cynthia's son, when Grandma interrupted him.
"You'd better both sit down to hear this," she suggested. "Of course, I knew, John, the very first week you were home, that your mother never told you about this trunk. I can see why and I agree with her. In the first place it all happened nearly forty years ago. Then she couldn't be sure that the trunk was still here. It wasn't altogether her story to tell. She knew you were coming home to Green Valley and she didn't want to prejudice you in any way. She knew that if you learned to know Green Valley folks first you'd understand everything better when you did find out. I'm glad to have the telling of it. I'm glad to do her that service and, after all, it's my story as much as hers.
"We were great friends—Cynthia and I—dearer than sisters and inseparable. Our friendship began in pinafore days. We weren't the least bit alike in a worldly way. Cynthia was pretty—oh, ever so pretty—and rich. I was what everybody calls a very sensible girl, respectable but poor. But what we looked like or what we had never bothered us. In those days the town was smaller and playmates were scarcer. When we boys and girls wanted any real interesting games we had to get together.
"The two boys at our end of town who were the nicest were Roger Allan and Dick Wentworth. They did everything together, same as Cynthia and I. It was natural, I suppose, that we four should sort of grow up together, and that having grown up we should pair off—Cynthia and Roger, Dick and I.
"We went through all the stages until we got to the forget-me-not rings and our wedding dresses. The boys were very happy the day they put those rings on our fingers and we were—oh, so proud! It hurts to this day to remember. I think Cynthia and I were about the happiest girls life ever smiled at. Only one thing troubled us.
"In those days Cynthia's father owned the hotel. That meant then mostly a barroom. Of course, he himself was never seen there unless there were special guests staying over night. It was a lively place, almost the only really lively place in town. I suppose men had more time then and prohibition was something even the most worried and heartbroken drunkard's wife smiled about unbelievingly. Men had always had their liquor and of course they always would. Women's business was to cry a bit, pray a great deal and be patient. As I said, all men drank in those days and the woman didn't live that hadn't or didn't expect to see her father, sweetheart, husband or son drunk sometime. We all hoped we wouldn't but we all dreaded it. We heard tell of a man somewhere near Elmwood who never drank a drop but he didn't seem real. Our mothers, I expect, got to feel that drunkenness was God's will and the drink habit the same as smallpox or yellow fever. It was sent to be endured. We all felt that there was something wrong somewhere and a terrible injustice put on us but we didn't know what to do about it and so we all tried to learn to be cheerful and like our men in spite of their shortcomings.
"But one woman in this town was an out-and-out prohibitionist. She was Cynthia's mother. She came from some odd sort of a settlement in the East and Cynthia's father used to laugh and say he stole her. And I think he did. She was so lovely and sweet and had such strange notions of right and wrong. But for all her sweetness she was firm. And she set her face sternly and publicly against drink. It was the only thing, people said, about which Joshua Churchill and his wife Abby ever disagreed. Though she didn't convince him still she went to her grave without ever seeing her husband drunk.
"And her girl, Cynthia, swore that she would do the same. For Cynthy was just like her mother and as full of strange notions of right.
"Well, it was bound to happen. The wonder of it is it didn't happen before. I think I always knew that Dick and Roger drank a little sometimes with the other boys. But Cynthia never thought about it, I guess. She was an only child and guarded from everything and she supposed every man was like her father. And, anyhow, she was too happy to think of trouble. Dick and Roger were considered two of the best boys in town. There were stories now and then of Roger's mad doings but they never got to Cynthia, and if they had she would have just laughed, I expect, so sure was she that her boy was all she thought him.
"I was to be married one week and Cynthy the next. We had our wedding things ready. And my wedding day came. Cynthy was bridesmaid and Roger was best man and everything went off beautifully until the dance in the evening. Dick and I were too poor to take a wedding trip so we had a dance instead.
"And then came the tragedy. Some of the older men did it. They didn't stop to think. But they meant no real harm. In those days it was considered funny to get another man drunk. But they didn't know Cynthia's strange heart. They brought drink, more than was at all necessary and—and—all I remember of my wedding night is standing in the moonlight, holding on to Cynthia and crying miserably. I knew it would come sometime but I never dreamed it would come to hurt me then.
"But Cynthy didn't cry. She never said a word—only her whole little body seemed turned to ice. She smiled and helped us to get through with things as best we could but the smiles slipped like dull beads from her lips instead of rippling like waves of sunshine over her face.
"I had been crying for myself, over my boy, but when I saw how Cynthy took her trouble I saw that she was hurt far worse than I. But I never dreamed that things could not be mended, that she would take back her wedding day. But that's what she did.
"She refused to see Roger. Her father pleaded with her, even her mother begged her to think; the wedding was all planned, everything prepared; relatives from a distance had already started. But Cynthia never stopped smiling and shaking her head. Roger was frantic and begged me to come with him, to make her listen. I went and Dick went with me.
"When Cynthy saw me she let us in. Her father and mother and two aunts came in when they heard us. In the midst of these people Roger and Cynthy stood looking at each other with death in their eyes. They didn't seem to know anybody was there.
"'Cynthy—I love you—I love you,' Roger begged.
"'I know, Dear Boy, I know!' she cried back to him.
"'Forgive—my God, Cynthy, forgive.'
"'I do.'
"'Marry me.'
"'Oh, I want to—oh, I want to marry you,' sobbed poor Cynthy.
"'Then marry me. I'm not good enough—but I know no other man who is.'
"'Oh—Roger—Roger—you are good enough for me—you are good enough for me. But you are not good enough for my children. You are not good enough to be the father of my son.'
"I think we all knew then that it was useless. There was no answer and we were too startled to say anything. Roger grew white and the strength seemed to leave his body. His eyes filled with horror and fright.
"'Cynthy, sweetheart—' he moaned and she flew to comfort him. She let him hold her and kiss her. Then she drew his head down and kissed his hair, his eyes, his lips. She laid his hands against her cold white cheeks, then crushed them to her lips and fled.
"Roger never saw her again.
"She went away and was gone a long time. I got letters every now and then from out-of-the-way places.
"For five years I was happy. It was hard to live without Cynthy. But Roger had left town and Dick was good to me. I knew that the shock of Roger's tragedy had kept him from touching anything those five years. But as time passed and memories faded I grew afraid once more. Dick was no drinking man but everybody drank a little then, even the women. Men joked about it and the women, poor souls, tried to. Well—just five years almost to a day they brought him home to me—dead. He had had a few drinks—the first since our marriage. He was driving an ugly horse—and it happened.
"Some way Cynthia heard and she came home to comfort me. I think that when she stood with me beside Dick's grave she was glad she had done what she had done and felt a kind of peace. Roger was still gone but it would not have mattered. It was then that we carried these wedding things up here and locked them in this old square trunk with the brass nail-heads. And we thought that life for us both was over.
"Cynthy's father was glad to have her home. He sold the hotel and never went near it. He tried in every way to make up to Cynthy and his wife. For Cynthy's mother grieved about it all long after Cynthy had learned to smile again. And that nearly killed Cynthy's father. Some folks claimed it really did worry Mrs. Churchill to death, for she died the spring after Dick was buried.
"After that Cynthia took her father traveling, for he was very nearly heartbroken over his wife's death. It was somewhere in England that they met your father, John. Of course, I can understand how a man like your father must have loved Cynthy on sight. But she never could understand it. She thought she was all through with love. She wrote and told me how she had explained all about Roger and how he had said it made him love her all the more. She tried to fight him but strong men are hard to deny. He had a hard time of it, I imagine, but he won her at last and took her away to India. She wrote me when you were born and for some years after, but toward the end, when she was sick so much, I think my letters made her homesick.
"Roger came back. His stepsister got into trouble and died, leaving little David. Roger took him and raised him in memory of the son he knew he might have had. When he found Cynthia was married he had that stone put in the cemetery. He explained the idea to me.
"'The girl, Cynthia, was mine and I killed her. She is dead and it is to the memory of her sweetness that I have erected that stone. The woman, Cynthia, is another man's wife.'
"So that, then, is the history of that trunk. The thing, John, that is killing little Jim Tumley is the thing that worried your grandmother to death, nearly broke your mother's heart and certainly embittered her youth, that sent your grandfather into exile and made a widow of me. It robbed Roger Allan of the only woman he could love.
"Since that day a great many of us have learned to fight it. And there are now any number of men in Green Valley who are opposed to it and who even vote the prohibition ticket. But Green Valley is still far from understanding that until the weakest among us is protected none of us are safe.
"Some day perhaps the women will cease worrying. But before that day comes many here will pay the price. And it is usually the innocent who pay. Now let's put these memories back before they tucker me out completely."
Cynthia's son stood spellbound. He stared at the faded pictures and the little silver ring. Nan was pinning up the wedding dress and weeping openly and unashamed. It was the sight of her quiet tears that brought him back to earth.
"Oh—Nan—don't. Don't grieve about this evil thing. We're going to fight it and fight it hard. We shall save Jim Tumley yet and purify Green Valley."
When Nan got back home she went up to her room and looked down to where Cynthia Churchill's old home glowed among its autumn-tattered trees.
"What a woman! What a mother! And he is her son!"
She stood a long time at her window, then turned away with a little sigh.
"I am not made of heroic stuff. But I shall see to it that my son need never be ashamed of his mother. If one woman could fight love so can another."
When Grandma was taking off her rubbers in her little storm-shed she smiled and fretted:
"Dear me, Cynthy, that boy of yours is as innocent right now as you were in the olden days. He—why, he just doesn't know anything!"
CHAPTER XX
CHRISTMAS BELLS
After the last bit of glory has faded from the autumn woods and the first snowfall comes to cover the tired fields, Green Valley, all snugly housed and winter proof, settles down to solid comfort and careful preparation for the two great winter festivals—Thanksgiving and Christmas.
The question of whether the Thanksgiving dinner is to be eaten at home or whether "we're going away for Thanksgiving" has in all probability been settled long ago. For in Green Valley Thanksgiving invitations begin to be exchanged and sent out to distant parts as early as July. That is, of course, if the matter of who's to go where had not already been settled the Thanksgiving before. In some families the last rite of each Thanksgiving feast is to discuss this question and settle it then and there for the following year. Conservative and clannish families who live far enough apart so that little quarrels can not be born among them to upset this fixed yearly programme usually do this.
The greater part of Green Valley however leaves itself absolutely free until some time in August. By that time though, the heat is so intense that stout, collarless men in shirt sleeves, in searching about for some relief, think gratefully of Thanksgiving and snowdrifts and ask their wives whom they are planning to have for Thanksgiving.
"Why," may be the answer, "I hadn't thought of it yet. But I rather think Aunt Eleanor expects us this year."
"Well," answers the husband, "all right. Only if you decide to go, don't forget to take along some of your own pumpkin pies. Your Aunt Eleanor's never quite suit me. I like considerable ginger in my pumpkin pies."
Another husband may say, "No, sir! Not on your life are we going to Jim's for Thanksgiving. That wife of his is much too young to know how to make just the right kind of turkey dressing. And I'm too old to take chances on things like that now. Those pretty brides are apt to get so excited over their lace table doilies that they forget to put in the sage or onions and there you are—one whole Thanksgiving Day and a turkey spoiled forever. No, sir—count me out!"
Sometimes wives say, "We've been invited to three places, Jemmy, but let's stay home. When we go out I always get white meat and I hate it. And I like my cranberries hulls and all instead of just jell."
It is just such little human likes and notions that finally decide the matter. And so it was this year.
Sam Bobbins' eldest sister was having Sam and his wife "because Sam's spent so much money for his fighting roosters that he ain't got money for a Thanksgiving turkey."
Dolly Beatty's mother was having Charlie Peters for Thanksgiving dinner and all the immediate relatives to pass judgment on him. He had proposed and Dolly had accepted but no announcement was to be made until all the Beattys and Dundrys had had their say.
Frank Burton and Jenny were going by train to Jennie's rich and haughty and painfully religious aunt in Cedar Point. All Jennie's sisters, even the one from Vermont, were to be there and Jennie did want to go to visit with the girls. She and Frank had never been invited to any semi-religious festival by this aunt, owing to Frank's atheistic tendencies.
But the haughty and religious dame had heard rumors and was curious.
"I'll go for your sake, Jennie. But she'll be disappointed. Maybe I'd better shave my mustache so's to let her see some change in me."
Of course everybody who had a grandmother in the country was going to grandma's and early Thanksgiving morning teams were arriving for the various batches of grandchildren.
That was the only fault one could find with a Green Valley Thanksgiving—that so many went away to spend the day.
But with Christmas it was different. Christmas in Green Valley was a home day. The town was full of visitors and sleigh bells and merry calls and walking couples. Everybody was waving Christmas presents or wearing them. For Green Valley believed in Christmas presents. Not the kind that make people he awake nights hating Christmas and that call for "do your shopping early" signs. But the old-fashioned kind of presents that are not stained with hate or worry or debt.
The giving of Christmas presents was the pleasantest kind of a game in Green Valley. Of course everybody knew everybody's needs so well that weeks before the gifts, wrapped in tissue paper, lay waiting in a trunk up in the attic. And as a general thing everybody was happy over what they got. No present cost much money but oh, what a world of thought and love and fun went into it. Nor was it hard for Green Valley folks to decide what to give.
When Dell Parsons saw her dearest friend admiring her asparagus fern she divided it in the fall and tended it carefully and sent it to Nan Turner on Christmas morning.
When folks found out that some time next spring Alice Sears might have a baby to dress they sent her ever so many lovely, soft little things so she would not have to worry or grieve because her first baby could not have its share of pretties.
As soon as Green Valley knew that Jocelyn Brownlee was engaged it sent her a tried and true poor-man's-wife cookbook, big gingham aprons, holders to keep her from burning her hands and samples of their best jellies, pickles and preserves.
And such a time as Green Valley grandmothers had weaving, knitting and crocheting beautiful rag rugs to match blue and white bathrooms, yellow and green kitchens, pink and cream bedrooms. And every year there was a large crop of home knitted mittens that Green Valley girls and boys wore with pride and comfort. No city pair of gloves ever equaled grandma's knitted ones that went very nearly to the elbow and were the only thing for skating and coasting.
Christmas was the time too when dreams came true. Fanny Foster knew this when Christmas morning she opened a parcel and found a beautiful silk petticoat. No card came with it but Fanny knew.
Hen Tomlins had a baby boy for his best Christmas gift. Agnes had always opposed all talk of adopting a baby, but this year that was her gift to Hen. And they were all happy about it.
Of course, even in Green Valley a certain amount of foolishness prevailed. Everybody smiled when a week before Christmas Jessie Williams said she had all her presents ready but Arthur's; that she was waiting for the next pay day to get his; that she believed she'd get him a new pink silk lamp shade but she knew beforehand he wouldn't be pleased and would only say that he wished to heaven she'd let him have the money.
Lutie Barlow was badly disappointed with the hundred and fifty dollar victrola her husband bought her. She said she wanted a red cow to match her Rhode Island Reds.
Perhaps no one in Green Valley was so generously remembered as the young minister. But though every one of the many gifts that came pleased him he was strangely unhappy and restless. Invitations as usual had poured in on him but he had chosen to spend the day with Grandma Wentworth. And yet, though he was glad to be with her, his thoughts strayed off to a certain gray day in the fall when he ran down a hill with a girl's hand in his. He remembered the surge of joy that had rushed through him when he got her safely into his storm-proof house and banged shut the door on the stormy world without.
He thought of the hour they spent in silence before the fire that roared exultantly as the storm tore with angry fingers at the doors and windows. That, he now felt, was the most perfect hour of his life.
His mind was struggling to understand these memories, these strange new emotions. He had a queer feeling that something wonderful was waiting just outside his reach, something was waiting for his recognition.
He was standing in Grandma Wentworth's dining room, looking out the window at the winter landscape. Grandma was in the kitchen seeing to the dinner, for she was to have quite a party—Roger and David, Mrs. Brownlee and Jocelyn, Cynthia's son and his man Timothy.
Idly Cynthia's son watched the rest of the party coming through the little path that led to Grandma's door. He saw them all plainly through the curtains and plants that screened him. Jocelyn and David came last. David made a great to-do about stamping the snow off his feet, taking pains to stand between Jocelyn and the door. Then, just as Jocelyn was about to slip past him, the minister saw David reach out and sweep the girl into his arms. And Cynthia's son could not help but see the glory in the boy's eyes as the girl's wild-rose face turned up to meet her lover's kiss.
For blind seconds John Roger Churchill Knight crashed through space. And then the next minute he was living in a shining world that was all roses and skylarks and dew. He laughed, for all at once he knew what ailed him; he knew that the wonderful, tantalizing something that had so steadily eluded him, tormented him was—just Nan, the girl of the gray day, the log fire and the storm.
He was the maddest, gladdest man in all Green Valley that day until he remembered that he had sent Nan no gift, not even a greeting or a word of thanks for the beautiful collie dog she had sent him. He stood in horrified amazement at his stupidity. Jocelyn had been showing them her new ring. And Nan, his sweetheart, had not even a Christmas card.
Cynthia's son went to the telephone but even as he raised the receiver he somehow guessed what the answer would be.
Nan's father answered.
"Why, John, she left on that 1:10 for Scranton, Pennsylvania. It's the first fool thing I have ever known her to do. Stayed right here till she'd given us our Christmas gifts and dinner and then off she went to see this old aunt in Scranton. Why, yes—you can send a telegram. She'll get it when she arrives."
So it happened that when a tired, homesick, wretched girl reached her aunt's house in Scranton, Pennsylvania, she found the one gift for which her heart had cried all that long, long Christmas day. It was just a bit of yellow paper that said:
"oh gray day girl don't stay too long the fire is singing your chair is waiting and I have so much to tell you come home and forgive."
CHAPTER XXI
FANNY'S HOUR
Nobody had asked Fanny to be a member of the Civic League but she was its most energetic promoter, its most zealous advocate. Never had she had such a cold weather opportunity.
Fanny hated cold weather. It shut people up in houses, shut their mouths, their purses, their laughter. It made life grim and rather gray. Fanny loved sunshine and open sunny roads. She tried to do her duty in winter as well as in summer but when the weather drops to ten or twenty below the sunniest of natures is bound to feel it.
But this winter Green Valley women were so stirred and roused that they thought of other things beside the price of coal and sugar and yarn. The short winter days fairly flew. The Civic League was young but already it was laying out an ambitious spring programme. No mere man was a member but all the men had to do was to show a little attention to Fanny Foster to know what was going on.
"We're going to set up a drinking fountain in the business square," Fanny explained. "The men of this town have the hotel but the horses never did have a decent trough of clean water. And we're going to have a little low place fixed so's the dogs can get a drink too. This is to prevent hydrophobia.
"We've already started the boys to building bird houses so's to have them ready to put up the first thing in the spring. There'll be less killing of song birds with sling-shots, though of course there's never been much of that done in Green Valley.
"Then that crossing at West End is going to be attended to. There's been enough rubbers lost in that mudhole to about fill it, so it won't take much to fill it up. We're going to have a little bridge built over that ditch on Lane Avenue so's we women don't dislocate our joints jumping over it. But first the ditch is going to be deepened and cleaned so's it won't smell so unhealthy. When that's done the ladies aim to plant wild flowers along it, careless like, to make it look as if God had made it instead of lazy men.
"We're going to suggest that all buildings in the business section put out window boxes. We'll furnish the flowers. It will give a distinctive note of beauty to the town." Fanny was carefully quoting Mrs. Brownlee.
"Billy Evans' wife promised to see to it that Billy painted the livery barn and there's a delegation of ladies appointed to wait on Mert Hagley and see if we can't get him to mend his sheds. They're so lopsided and rickety that Mrs. Brownlee says they're an eyesore and a menace to public safety.
"There's another delegation that's going to ask the saloon keeper to keep the basement door shut when the trains come in so's to keep that beery and whisky smell out of the streets as much as possible while maybe visitors are walking about.
"We're going to send a special committee to see what the railroad will do about fixing up this old station or, better still, giving us a new one and beautifying its grounds.
"We're planning to see Colonel Stratton about starting up a club for the preservation of our wild flowers and Doc Philipps is to have charge of a fight on the moths and things that are eating and killing our fruit trees.
"The school buildings will be investigated and conditions noted. Doc Philipps says that if the heating plant and ventilation and light was tended to we wouldn't have so much sickness among the children or so many needing glasses.
"As soon as spring really comes the Woman's Civic League is going to start up a clean-up campaign. Of course, Green Valley never was a dirty town. Everybody likes to have their yard nice but there's considerable old faded newspaper and rusty tin cans lying along the roads farther out and in unnoticed corners that nobody's felt responsible for. That will all be attended to. We'll have no filth, no germs, no ugliness anywhere, Mrs. Brownlee says.
"And I've been appointed a committee of one to wait on Seth Curtis and call his attention to the careless way he leaves his horses standing about the town. Those horses are dangerous and getting uglier in temper every day. And Seth is just as bad."
This was only too true. Seth had grown bitter and even reckless of late. Ever since his quarrel with Ruth about Jim Tumley Seth had been boiling with temper. Old poisons that had spoiled his life in many ways and that he thought he had conquered crept back to tyrannize over him. Poor Seth had had so much discipline in his youth that the least hint of pressure threw him into a state of vicious rebellion. Seth had a fine mind, could think quicker and straighter to the point than a good many Green Valley men. But when that mind was clouded with anger and stubbornness Seth was a hopeless proposition. Ruth was his one star and even she, Seth felt, had set herself against him.
So Seth, who seldom had frequented the hotel, was there almost every day now when he should have been working. He even drank more than before. Not that he cared more for it but it was his way of showing independence.
So Seth was very ugly these days and his horses suffered as they had never suffered before. They too were growing ugly and vicious and so nervous that the least noise, the least stir, sent them into a quivering frenzy of fright.
Every one in Green Valley knew this and not a few men and women were worrying. Several men were making up their minds to speak sharply to Seth about it. But everybody smiled and even felt relieved when they heard that Fanny had offered her services to the Civic League in this capacity. Green Valley knew Seth and knew Fanny Foster. Fanny would most certainly tell Seth about it. And everybody knew just how mad Seth would get. Fanny would not of course accomplish much. But she would open up the subject, suffer the first violence of Seth's anger and so make it easier for some more competent person to take Seth to task and force him to be reasonable.
The minister had spoken to Seth long ago but though Seth listened quietly to the quiet words of the one man he had come to love in his queer fashion, he had set his jaw grimly at the end and said, "No, sir! I've made up my mind not to stand this interference with my personal liberty and God Himself can't budge me!"
"Yes, He can, Seth. But don't let it go that far," Cynthia's son had begged.
Now all Green Valley was waiting to see Fanny tackle Seth in the name of the Civic League. It would be funny, everybody said.
Fanny did it one sunny afternoon in early spring when the streets were gay with folks all out to taste the first bit of gladness in the air. Fanny did it in her usual lengthy and thorough manner and permitted no interruptions. She was talking for the first time in her life with authority vested in her by a civic body. So there was a strength and a conscientiousness about her remarks that struck home.
Seth was standing alone on the hotel steps when Fanny began talking but all of Green Valley that was abroad was gathered laughingly about her when she finished and stood waiting for Seth's answer.
Seth had had a glass too much or he would never have done, never have said what he did and said that day. He would never have taken poor, harmless, laughter-loving, happy-go-lucky Fanny Foster, who had never done a mean, malicious thing in her life, who had let her world use her for all the little hateful tasks that nobody else would do and in which there was no thanks or any glory,—Seth in his senses would never have held up this dear though unfinished soul to the scorn, the pitiless ridicule of her townsmen.
If Fanny had been touched with fire and eloquence because she spoke with authority, Seth too talked with a bitter brilliance that won the crowd and held it against its will. With biting sarcasm and horrible accuracy Seth drew a picture of Fanny as made Green Valley smile and laugh before it could catch itself and realize the cruelty of its laughter.
Fanny stood at the foot of the wide flight of stairs like a criminal at the bar. As Seth's words grew more biting, his judgments more cruel, Fanny's face flushed with shame, then faded white with pain.
But Seth went too far. He went so far that he couldn't stop himself. And the crowd who had gathered to hear a little harmless fun now stood petrified and heartsick. No one stirred, though everybody was wishing themselves miles away. And Seth's voice, dripping with cruelty, went on.
Then all at once from the heart of the crowd a little figure pushed its way. It was Seth's wife, Ruth. She walked halfway up that flight of stairs and looked steadily at her husband. Seth stopped in the middle of a word.
"Seth Curtis," Ruth's face was as white as Fanny's and her voice rang out like a silver bell, "Seth Curtis, you will apologize, ask forgiveness of Fanny Foster, who is my friend and an old schoolmate, or before God and these people I will disown you as my husband and the father of my children. Fanny Foster never had an apple or a goody in her lunch in the old school days that she didn't share it with somebody. She has never had a dollar or a joy that she hasn't divided. No one in Green Valley ever had a pain or a sorrow that she did not make it hers and try to help in some way. And in all the world there can be no more willing hands than hers."
The silver voice stopped, choked with sobs, and Ruth's eyes, looking down on the shrunken, bowed figure of Green Valley's gossip, brimmed over with tears.
Seth, sober now, stared at his wife, at the broken, crushed Fanny, at the crowd that stood waiting in still misery.
Ruth walked down to Fanny and flung her arms about her. Fanny patted her friend's shoulder softly and tried to comfort not herself but Ruth. "There, there, Ruthie, don't, don't take on so. Remember, you're nursing a baby and it might make him sick. It's all right, everything's all right. Only," Fanny's voice was dull and colorless and she never once raised her head, "only I wish John wouldn't hear of this. I've been such a disappointment to John without—this."
Though she spoke only to Ruth everybody heard. It was the first and only favor Fanny Foster had ever asked of Green Valley. And Green Valley, as it watched Ruth lead her away, swore that if possible John should not hear.
But John did hear three days later. And then the quiet man whose patience had made people think him a fool let loose the stored-up bitterness of years. He who in the beginning should and could have saved his girl wife with love and firmness now judged and rejected her with the terrible wrath, the cold merciless justice of a man slow to anger or to judge.
It was springtime and Grandma, sitting in her kitchen, heard and wept for Fanny. The windows at the Foster house were open and John talked for all the world to hear. His name had been dragged through the gutter and he was past caring for appearances. Grandma writhed under the words that were more cruel than a lash. At the end John Foster swore that so long as he lived he would never speak to Fanny. And Grandma shivered, for she knew John Foster.
For days not even Grandma saw Fanny. Then she saw her washing windows, scrubbing the porch steps, hanging up clothes. There came from the Foster house the whir of a sewing machine, the fragrant smell of fresh bread. The children came out with faces shining as the morning, hair as smooth as silk, shoes polished. And Grandma knew that if John Foster found a speck of dirt in his house he would have to look for it with a microscope. But there was a kind of horror in the eyes of Fanny's children. They didn't play any more or run away but of their own accord stayed home to fetch and carry for the strange mother who was now always there, who never sang, never spoke harshly to them, who worked bitterly from morning till night.
Every spring Fanny Foster used to flit through Green Valley streets like a chattering blue-jay. But now nobody saw her, only now and then at night, slinking along through the dark. And many a kindly heart ached for her, remembering how Fanny loved the sunshine and laughter.
But at last the spring grew too wonderful to resist. Even Fanny's numb heart and flayed spirit was warmed with the golden heat. She had some money that she wanted to deposit in the bank for John. For Fanny was saving now as only Fanny knew how when she set her mind to it. And she had set not only her mind but her very soul on making good. Every cruel taunt had left a ghastly wound and only work of the hardest kind could ease the hurt.
Fanny walked through the streets as though she had just recovered from a long illness. Everybody who saw her hurried out to greet her and talk but she only smiled in a pitiful sort of way and hastened on. It was nearly noon and she wanted to avoid the midday bustle and the crowds of children. She had set out the children's dinner but she hoped to get back before they reached home.
She came out of the bank and stood on the bank steps. She looked down the streets. Nobody was about and so against her will her eyes turned to the spot where she had been so pitilessly pilloried a month before.
As then, Seth's team was standing in front of the hotel. Little Billy Evans was climbing into the big wagon. She watched the child in a kind of stupor. She knew he ought not to do that. Seth's horses were not safe for a grown-up, much less a child. She wondered where Seth was or Billy Evans or Hank. She wondered if she'd better have them telephone to Billy from the bank and have him get little Billy. She half turned to do that and then out of the hotel door Jim Tumley came reeling and singing. Only his voice was a maudlin screech. Little Billy had by this time gotten into the wagon, pulled the whip from its socket, and just as Jim came staggering up, touched the more nervous of the two horses with it. And then it happened—what Green Valley had been dreading for months.
When men heard the commotion and turned to look they saw Seth's horses tearing madly round the hotel corner. Little Billy Evans was rattling around in the wagon box like a cork on the water and Fanny Foster, swaying like a reed, was hanging desperately to the horses' heads.
Hank Lolly was pitching hay into the barn loft. He saw, jumped and then lay still with a broken leg. Seth saw and Billy Evans and scores of other men, and they all ran madly to help. But the terrified animals waited for no man. And then from the throats of the running crowd a groan broke, for the school doors opened and into the spring sunshine and the arms of certain death the little first and second graders came dancing.
The school building hid the danger from the children and they did not comprehend the hoarse shouts of warning. But Fanny heard, heard the childish laughter and the screams of horror. She knew those horses must not turn that corner. Her feet swung against the shafts. Her heel caught for a minute and she jerked with all her might. The mad creatures swerved and dashed themselves and her against a telegraph pole.
When they picked up little Billy and Fanny they were both unconscious. One of Billy's little arms was broken, so violently had he been flung about and against the iron bars of the scat. Fanny's injuries were more serious.
They took her home to her spotless house with the children's dinner set out on the red tablecloth in the kitchen. The pussy willows the children had brought her the day before were in a vase in the center. Her husband came home and spoke to her but she neither saw him nor heard. They gave him a blood-stained bank book with his name on it.
And so she lay for days and sometimes Doc Philipps thought she would live and at other times he was sure she couldn't; but if she lived he knew that she would never again flit like vagrant sunshine through Green Valley streets. She would spend the rest of her days in a wheel chair or on crutches.
When they got courage finally to tell her, Fanny only smiled and said nothing. But she ate less and smiled more and steadily grew weaker and weaker and as steadily refused to see her husband.
"No," she said quietly, "there's nothing I want to see John about and there's nothing for him to see me about any more. I guess," she smiled at the gruff old doctor, "you're about the only man I can stand the sight of or who would put up with me."
"Fanny," Doc Philipps told her, "if you don't buck up and get well, if you die on my hands, it will be the first mean thing you ever did."
"Oh, well—it would be the last," laughed Fanny.
"Fanny, don't you know that Seth Curtis and nearly all the town comes here at least once a day? How do you suppose John and Seth and the rest of us will feel if you just quit and go?"
And then in bitterness of heart Fanny answered.
"Oh, I'm tired of living, of being snubbed and made fun of. I'm past caring how anybody else will feel. I tell you I'm a misfit. God never took pains to finish me. I've been a miserable failure, no good to anybody. My children will be better off without me. John said so."
"My God!" groaned the old doctor, "did John say that?" He knew now that no medicine that he could give, no skill of his would mend a heart bruised like that.
"Yes—he said that—and a whole lot more. Said I've eternally disgraced him and dragged him down and will land him in jail or the poorhouse. And I guess maybe it's so. Only all the time he was talking I kept thinking how he teased me to marry him. I really liked Bud Willis over in Elmwood better, in a way, than I did John. And I meant to marry Bud. He wasn't as good a boy as John, but he was so jolly and we'd have had such a good time together that I'd never have got mixed up in any mess like this. Maybe we would have ended in the poorhouse but we'd have had a good time going, and I bet Bud and I would have found something to laugh at even when we got there. Oh, I'm glad it's over. Don't think I'm afraid to die. I kind of hate to leave Robbie. Robbie's like me. And some day somebody'll tell him what a fool he is—like they told me. I wish I could warn him or learn him not to care. But, barring Robbie, I'm not afraid to go. But I'd be afraid to live. To live all the rest of my days on my back or in a chair—I—who was made to go? John can't abide me well and able to work. He'd hate the sight of me useless. No, sir! There's nothing nor nobody I'd sit in a chair for all the rest of my life."
"Yes, there is—Peggy."
John spoke from the shadowy doorway, for the dusk had fallen.
"You will do it for me, girl. I'll get you the nicest chair and the prettiest crutches. And when you are tired of them I'll carry you about in my arms. And you'll never again—I swear it—be sorry that you didn't marry Bud Willis."
The spring twilight filled the room. Through it the doctor tiptoed to the door and left these two to build a new world out of the fragments and blunders of the old.
CHAPTER XXII
BEFORE THE DAWN
"I wonder if Fanny's sacrifice isn't enough to drive the evil thing out of our lives and out of Green Valley forever. Seems as if everybody ought to vote the saloon out now," said Grandma Wentworth to Cynthia's son a couple of weeks later, when the whole town was celebrating because Fanny Foster had sat up for the first time in her chair that day.
After all, John didn't buy Fanny her chair. Seth Curtis wanted to do it all himself but Green Valley wouldn't let him. It was a wonderful chair. You could lower it to different heights and it was full of all manner of attachments to make the invalid forget her helplessness. Of course Fanny was still too weak to use these but she knew about them and seemed pleased, even said she believed that when she got the hang of it she could get about the house and yard and might even venture into the streets in time.
And early in the morning of the day she was to get up Doc Philipps drove up in his buggy with what seemed like a young garden tucked inside it. Fanny's garden and borders had been sadly neglected during her sickness. The doctor had had John clean the whole thing up and then he came with his arms and buggy full of blossoming tulips, hyacinths and every bloom that was in flower then and would bear transplanting. And for hours he and John worked to make a little fairyland for Fanny.
"My God, John, I couldn't mend her body—nobody could. But between us we have got to mend her spirit." And the old doctor blew his nose hard to hide the trembling of his chin.
But no chair, no amount of tulips and hyacinths, could make up to Fanny the loss of her body. And Green Valley knew this. So Green Valley was talking more seriously than ever of driving out from among them the thing that was pushing Jim Tumley into a drunkard's grave, that was estranging hitherto happy wives and husbands and maiming innocent men, women and children. Little Billy was all right again but he was now a timid youngster and inclined to be jumpy at sight of a smartly trotting horse. Hank Lolly's leg was healed up but Doc said he would always limp a bit. Seth and his wife had made up, of course, but neither of them could ever efface from their hearts and memories the cruel scenes that had marred their life this past year.
Seth no longer went near the saloon. He had paid dearly for his stubbornness and would continue to pay to the end of his days. Billy Evans had swung around and was fighting the saloon now with a grimness that was terrible in one so easy-going and liberal as Billy.
But nothing seemingly could convert George Hoskins. And so long as George Hoskins was against a measure its passage was a hopeless matter, for men like George always have a host of followers.
George was a huge man whose mind worked slowly. When he first heard the talk about the town going dry he laughed—and that was enough. No one argued the matter with him for no one relished the thought of an argument with George. And only the minister had dared to mention Jim Tumley. In his big way George loved little Jim, but since his wife had sickened George spent every spare minute in her sick room and so witnessed none of the scenes that were rousing Green Valley folks into open rebellion against the evil that enslaved them.
George belonged to the old school that declared that to mind one's own business was the highest duty of man. No one in Green Valley, not even Cynthia's son, could make the huge man understand that he in a sense was little Jim's keeper; that since Jim could not save himself the strong men of the community would have to do it for him. George wondered at the seriousness with which the thing was discussed. He treated it as a joke. And this attitude was doing more harm than if he had been bitterly hostile to the idea.
The Civic League was counting the votes, wondering if Green Valley could go dry over George Hoskins' head. But Grandma Wentworth was hoping for one more miracle before election day.
"Something'll happen to swing George into line. We Green Valley people have always done everything together. It would spoil things to have one half the town fighting the other half. We must do this thing with everybody's consent or it will do no good. So let's hope for a miracle."
And then the whole thing was wiped out of everybody's mind by the death of Mary Hoskins. It was over at last and nobody but the doctor knew how hard the big man had fought for his wife's life. So nobody quite guessed the bitterness of the big man's grief. But everybody had heard that Mary's last words were a plea to have little Jim sing her to her last sleep and resting-place. And George had promised that Jim would sing.
Jim had been drinking so steadily of late that he was a wreck. People wondered if he could sing. When they told him his sister was dead he laughed miserably and said nothing. No one was surprised when the hour for the funeral services arrived to find Jim missing. Messengers had to be sent out. They searched the town but could find no trace of Jim. For an hour Green Valley waited in that still home. Then the undertaker from Elmwood whispered something to the crushed, terrified giant who stood staring at the dead face of his wife like a soul in torment.
Mary Hoskins left her home without the song George had promised her.
At the grave there was another, a more terrible wait.
"My God—wait! They'll find him. God, men—wait—wait! I can't bury her, without Jim's song. I promised her—I tell you I promised—oh, my God—it was the last thing she wanted—and I promised."
So Green Valley waited, with horror in its eyes and the bitterness of death in its heart. As the minutes dragged women began to sob hysterically, in nervous terror. Men looked at the yawning grave, the waiting coffin, the low-dropping sun and mumbled strange prayers.
Through a mist of tears the waiting watchers saw Hank Lolly and Billy Evans pass through the cemetery gate, dragging something between them. It was something that laughed and sobbed and gibbered horribly. Hank and Billy tried to hold the ghastly thing erect between them but it slipped from their trembling hands and lay, a twitching heap, at the head of the open grave.
That was Green Valley's darkest hour. And after that came the dawn. The following week Green Valley men walked quietly to the polls and as one man voted the horror out of their lives. The day after little Jim went off to take the Keeley cure. And then for two long weeks Green Valley was still with the stillness of exhaustion.
Spring deepened and brought with it all the old gladness and a new sweet peace, a peace such as Green Valley had never known. Gardens began to bloom again and streets rippled with the laughter of neighboring men and women. Life swung back to normal. Only the hotel stood silent, a still vacant-eyed reminder of past pain. Nobody mentioned it. Every one tried to forget it. But so long as it stood there, a specter within its heart, Green Valley could not forget. It was said that Sam Ellis had put it up for sale. But who would buy the huge place?
Then it was that Green Valley's three good little men came forward. Joe Gans, the socialist barber, was spokesman. He presented a plan that made Green Valley catch its breath.
Why—said the three good little men—could not Green Valley buy the hotel for its own use? Why not remodel it, make a Community House of it? Why not move Joshua Stillman's wonderful library out of the little dark room into which it was packed and spread it out in a big sunny place, with comfortable chairs and rockers and a couple of nice long reading tables? Why not fix a place for the young people to dance in and have their parties? Why not have a real assembly hall—a big enough and proper place to hold political meetings and all indoor celebrations? Why not have pool, billiards, a bowling alley? Why not have a manual-training room for Hen Tomlins and his boys? Why not have a sewing room and cooking for the girls?
Oh, it was a glorious plan and Green Valley listened as a child does to a fairy tale. Of course it couldn't really be done, many people said, but—oh, my—if it only could!
But the three good little men had no sooner explained their fairy dream than things began to happen. Cynthia's son came forward with the first payment on the property. Colonel Stratton, Joshua Stillman, Reverend Campbell offered to take care of other payments. Jake Tuttle telephoned in from his farm that he was in on it. The Civic League offered to do all the cleaning, the furnishing, to give pictures, curtains, potted plants. The church societies offered to make money serving chicken dinners on the hotel veranda to motorists who, now that Billy Evans had a garage, came spinning along thick as flies. Nan Ainslee's father, besides contributing to the purchasing fund, offered to provide the library furniture, the billiard and pool tables. Seth Curtis and Billy Evans not only gave money but offered to do all the hauling. That shamed the masons and carpenters into giving their Saturday afternoons for repair work. And after them came the painters and decorators, with Bernard Rollins at their head. So in the end every soul in Green Valley gave something and so the dream came true, as all dreams must when men and women get together and work whole-heartedly for the common good.
CHAPTER XXIII
FANNY COMES BACK
"If only I felt the way I look. If only my feelings had been smashed too," sobbed Fanny to the doctor that first week that she sat up in her chair. "But I'm just the same inside that I always was and I want to go and see and hear things."
So the old doctor, who knew how much more real were the ills of the spirit than any hurts of the flesh, dropped a word here and there and now no days passed that Fanny did not have callers, did not in some way get messages, the vagrant scraps and trifles of news that, so valueless in themselves, yet were to Fanny the lovely bits of fabric out of which she pieced a laughing tale of life.
Outwardly Fanny was changed. She was pale and quiet and her thick lovely hair was always smooth now and glossy and carefully dressed. It was the one thing she still could do for herself and she did it with a pitiful care. She looked ten years younger, in a way. And her house was spick and span at ten o'clock every morning now. From her chair she directed the children and because in all Green Valley there was no woman who knew better how work ought to be done it was well done. And then came the long empty hours when she sat, as she was sitting now, in her chair on the sunny side of the house where she could look at her little sea of tulips and hyacinths and drink in their perfume.
She had been trying to crochet but had dropped her needle. It lay in the grass at her feet. She could see it but she could not pick it up. She had not as yet acquired the skill and the inventive faculty of an invalid.
And so she sat there, staring at the bit of glistening steel as wave after wave of bitterness swept over her. Her tragedy was still so new that she could feel it with every breath. Every hour she was reminded of her loss by a thousand little things like this crochet hook. She was forced to sit still, her busy hands idle in her lap, while spring was calling, calling everywhere. She told herself, with a mad little laugh, that she would never again pick up anything; never again would she run through her neighbors' gates, tap on their doors and visit them in their kitchens. Never again could she hurry up the spring street with the south wind caressing her cheek. No more would she gad about to learn the doings of her little world. Would it come to talk to her, to make her laugh now that she was helpless? Was she never to hear the music of living? Was she to lose her knack of making people laugh? To lose her place in life—to live and yet be forgotten—would she have to face that?
These were some of the thoughts that were torturing poor Fanny that day. And then she gave a cry, for around the corner of the house came Nanny Ainslee in just the same old way. Grandma Wentworth and the minister were just behind her.
They stared lovingly at each other, the girl who was as lovely as life and love and springtime could make her, and the woman whom the game had broken. Then Nanny spoke—not to the broken body of Fanny Foster but to the gipsy, springtime spirit of Fanny.
"I only just came home, Fanny. I went through town and saw pretty nearly everybody, and every soul tried to tell me a little something. But it's all a jumble. So, Fanny Foster, I want you to begin with Christmas Day and tell me all that's happened in Green Valley while I've been away."
Never a word of her accident, never so much as a glance of pity at the wonderful chair. Just the old Nan Ainslee asking the old Fanny Foster for Green Valley news.
In the scarred soul of Fanny Foster, down under the bitterness and crumbled pride, something stirred, something that Fanny thought was dead forever.
Then Nanny spoke again.
"I have come to tell you that I am to be married to John Roger Churchill Knight. I have told no one but you and Grandma. I have promised to marry him in June, so I haven't much time to get ready. I'm hoping, Fanny, that you will come and help out."
At that, of a sudden all the old-time zest for living, the joy of seeing, hearing and doing, surged to Fanny's very throat and force of habit brought the words.
"Oh, land alive, Nanny," fairly gurgled the old Fanny, "such a time as we've had in Green Valley! It was that awful cold spell after Christmas that began it. Old man Pelley died—of complications—and everybody thought Mrs. Dudley would sing hymns of praise in public, they'd fought so about their chickens. But I declare if she didn't cry about the hardest at the funeral and even blamed herself for aggravating him.
"Of course him dying left old Mrs. Pelley alone in a big house, and her being pretty feeble, she felt that Harry and Ivy ought to come and live with her. Well,—Ivy went—but she vowed that there were two things she would do, mother-in-law or no mother-in-law. She said she'd put as many onions in her hamburger steak and Irish stew as she pleased—you know Mrs. Pelley can't stand onions—and she'd have a fire in the fireplace as often as the fancy struck her. Everybody thought there'd be an awful state of things—but land—now that Mrs. Pelley has got used to the open fire you can't drive her away from it with a stick and she don't seem to bother her head about Ivy's cooking and last week she actually ate three helpings of hamburger steak that Ivy said was just reeking with onions.
"A body's never too old to learn, I suppose. There's Henry Rawlins suddenly took the notion to quit smoking. Ettie'd been at him for twenty-five years with twenty good reasons to quit, but no. And all of a sudden—when Ettie's give up hope and not mentioned it for a couple of months—he up and quits and won't even tell why. Ettie's worried—says he's eating himself out of house and home and wants to sleep about twenty-four hours a day.
"Talking about houses makes me think that the Stockton girls are having their house painted by a man with a wooden leg. Billy Evans picked him up somewhere and Seth Curtis was telling me how he came to lose that leg. Seems like he was prospecting somewheres in Montana, got drunk, froze it, gangrene set in and they had to amputate. They say he's a mighty smart man too. Maybe John'll get him to paint our house when he's through at the Stocktons.
"Talk about physical deformities! Eva Collins has got it into her head that she's too fat entirely and she's been dieting and rolling and taking all sorts of exercises religiously. Seems she got so set on being thin that she practices these exercises whenever she happens to think of it and wherever she happens to be. She happened to be right under the lights three or four times and so she smashed them, globes and all. Bill says she'd better reduce in the barn or else let him charge admission for a rolling performance to pay for the broken lights.
"So there's Eva trying to thin off and they say Mert Hagley's swollen all out of shape, having been stung almost to death by his own bees. Of course, nobody's sympathizing overmuch with Mert. He was so afraid of losing a swarm of bees that he forgot to be cautious and there he is laid out. But it isn't the bee stings that hurt him so much. Mary's been willed a good farm and a big lump of cash by some aunt that died a month ago and hated Mert like poison. And the thing's just gone to Mary's head.
"She's gone into the city on regular spending sprees and Mert's wild. He can't touch the farm and he's afraid Mary'll have that lump of money all spent before he gets out of bed. Everybody's hoping she will and advising her to buy every blessed thing she ever had a hankering for and things she never even heard of. Mrs. Brownlee, the president of the Civic League, even told her to buy a dish-washing machine, and heavens, if Mary didn't go right down and buy it. Doc Philipps advised her to buy herself the very best springs and mattress on the market—that it would help her back to sleep decently of nights. She's having hot-water heat put in and is going to do her washing with an electric washer. Seth Curtis put her up to that. And as soon as Mert gets better she's going visiting her sister in Colorado. She says she'll likely die of homesickness but that she's just got to go off somewhere to get used to and learn to wear properly all the new clothes she's got.
"Well, Mary's buying all these labor-saving machines got the whole town to thinking and spending. Dick's put in a new cash register they say is nice enough to have in the parlor. It made Jessie Williams buy a lot of new silver that she didn't need no more than a cat needs a match-box. But she got it and she gave a luncheon the other day to some of the South End crowd and tried to get just about all that silver on the table, I guess. Of course, it looked mighty nice but when the women came to eat they didn't know what to do with it. They got pretty miserable, all sticking to just the one knife and fork and spoon. And Jessie got so rattled that she just about forgot to use the stuff too. And finally old Mrs. Vingie, that Jessie asked just to have the news spread, got up mad as a hornet and marched out, saying she was too old to be insulted.
"Until a week ago Bessie Williams wouldn't speak to Alex. You know her hair's got awful white this last year and of course, her being kind of stout, she does look older than Al. But she says that's no reason why, when a peddler comes to the door with anything, Al needs to let the man think she's his mother.
"Mrs. Jerry Dustin's been to see Uncle Tony's portraiture hanging in the art gallery. She says it's so lifelike it made her cry. And she's awful happy about Peter. Peter's been posing for a picture for Bernard Rollins and while he was in the studio he got to fooling with the paints and brushes, and lo and behold, if he didn't daub up something that looked like his mother's face when she's smiling. They say Rollins jumped he was so surprised and he put the boy through some paces and swore he'd make a better artist out of him than he was himself. So there you are, and now Mrs. Dustin is dreaming of Peter in Italy, Peter in Rome, Peter everywhere in creation, and her tagging along with his brushes and dust rags. So she's happy.
"And Milly Sears is house-cleaning like mad, for both the boys are coming home from the ends of the earth to visit. And Alice is putting off the christening of her baby boy until they come. She was here to show me the baby the other day. It's a darling. Jocelyn Brownlee came with her and brought me samples of all her wedding dresses, wedding gown and all. As soon as the dressmaker is through I'm to go over and see the whole trousseau.
"There, I nearly forgot the best thing of all. It's about Sam Bobbins. My! Here we've all been pitying Sam and Fortune's just kicked in his door and walked in. You remember of course about Sam and his fighting roosters? Well, Sam went off for Thanksgiving to his sister's and while he was gone something ate up his prize stock. Must have been a skunk, Frank Burton says. Well, they say that Sam's heart was just about broken. Not just because his stock was gone but more because he couldn't think of another thing to turn his hand to.
"Well, he got through the winter some way and then, while he was sitting in the train one day coming home, he overheard two men talking about turtles going up. Must have been two hotel men. Anyway, that gave Sam an idea and he started right in wading through Petersen's slough for turtles. Why, he pulled up barrels of them, and would you believe it, they sold in the city for real money! Sam went crazy—about as crazy as Mary Hagley got over her luck. And then along came rheumatism and knocked Sam flat, just when he was doing so well. Everybody said it was just poor Sam's luck. So there was Sam sick abed, thinking about those turtles moving off somewheres else maybe, or somebody else getting rich on them.
"And all the time he lay in bed groaning Sam's wife went around the house doing the same. Only her trouble wasn't turtles but corsets. Seems like Sam always promised Dudy that if he made any money she was to have plenty to spend. Well, he treated her mighty handsome about that turtle money. Dudy had the sense to take all he gave her and she vowed that for once in her life she'd get herself a corset that was comfortable.
"Well, Nanny, heavens only knows how many brands she tried but none of them seemed built for her. Some pinched her here and others squeezed her there and she was as full of misery as Sam was of rheumatism. Sam finally took notice and just to keep his mind off his own troubles he got to watching her suffering for breath and a nice shape.
"Now you know Sam's always thought the world of Dudy. So one day, when she was getting ready to go to the Civic League meeting to read a paper on the best ways of getting rid of flies and nearly crying because she couldn't get herself to look right, Sam said, half joking, 'By gum, Dudy, I'll make you a corset that will fit you.'
"Well, sir, the thing stuck in his mind and grew and grew, and heavens to Betsey, if Sam didn't really make a corset, even helping Dudy with some of the sewing.
"Dudy wore it and took everybody's breath away, she looked so nice and could breathe without puffing and laugh as much as she pleased. The women got to talking about it and mentioned it to Mrs. Brownlee. And mind you, Mrs. Brownlee went to Sam and asked him had he patented the thing. And when he said no she went to a woman lawyer friend of hers and she got Sam a patent, and first thing Green Valley knew here come three big corset men to town, all of them offering to buy Dudy's home-made corset. So Sam Bobbins has got his fortune and nobody's begrudging it to him. The whole town is mighty proud of Sam, I tell you.
"Good land—it must be four o'clock, for here come the children! My—Nanny, but it's good to have you home again!"
"Well," smiled Grandma, as she watched the spring twilight sift down over Green Valley that evening, "I've always said that this town was full of folks who make you cry one minute and laugh the next."
CHAPTER XXIV
HOME AGAIN
It had pleaded for forgiveness and an early homecoming, that little yellow slip that Nanny Ainslee treasured so. But the bluebirds were darting through leafy bowers and the ploughed, furrowed fields lay smoking in the spring sunshine before Nan came back.
A week after her arrival in Scranton the old aunt had been taken sick, and it was months before the old soul was herself again. Nan stayed through it all. But the day came when she was free to go back to the little home town where the cloud shadows were rippling over low, dimpling hills, already gay with the gold of wild mustard and the tender blues and greens of a new glad spring.
She came home one evening when Green Valley lay wrapped in a warm, thick, fragrant mist. So no one saw her step off the train straight into the arms of Cynthia's son. And nobody heard the quivering joy of his one cry at the sight of her.
"Nan!"
Slowly, as in a dream, they walked through their fragrant, misty world to where, in a deep, old hearth, a fire sang of love and home, dreams and eternal happiness; where an armchair waited with its mate and an old clock ticked on the stairs.
Oh, that first perfect hour beside his fire! He had pleaded so hard for it in all his letters. So she gave it to him, knowing that for them both no hour could ever again be just like that.
She sat and listened to the wonder of his love; then, frightened at the might of it, the lovely reverence of it, crept into his arms for sweet comfort. And he held her in awe and wonder against his heart, kissed the quivering lips and knew such joy as angels might envy. Then he took her to her father.
The next day, in the shy sunshine of a perfect day, they went hand in hand to their knoll to look once more upon their valley town and talk over all of life from the first hour of meeting.
And when they had satisfied the hunger for understanding the miracle that had befallen them he told her of all that had happened in the months that she had been away. How Jim Tumley slipped beyond the love and help of them all. How Mary Hoskins grew weaker and weaker. How the Civic League struggled and the three good little men dreamed and planned. How Fanny Foster came to pay the great price for Green Valley's salvation. How in death gentle Mary Hoskins paid too. He explained why Seth Curtis was a gentler man and why John Foster hurried home each day to laugh and talk with his crippled wife. He told her of that awful day that had crushed George Hoskins so that he went about a broken, shrunken man, praying and searching for peace through service. It was George who bought the beautiful new piano for the Community House, who was paying for little Jim's cure.
And then because the girl he loved was sobbing over the sins and sorrows of the little town that lay in the sunshine below them, he told her about the baby boy that Hen Tomlins had gotten for Christmas and how happy the little man was making toys for the toddler who followed him about from morning till night. And because her eyes were still wet with tears he laughed teasingly and said:
"And I never knew that I loved you until I saw David Allan kiss his sweetheart."
Of course, at that she sat up very straight and wanted to know all about it.
"I suppose you expect me to wait a whole proper year for my wedding day," he sighed after a little.
"I think we ought to. And I couldn't possibly be ready before then."
"Do you mean to tell me that it takes a whole year to make a wedding dress?"
And then the cruelty that lies in every woman made her shake her head and say, "No—that isn't why nice folks wait a whole year. They wait to give each other plenty of time to change their minds."
"Nan!"
And she saw then by his hurt white face that, man grown though he was, with a genius for handling other men, he would always be a child in some things. He never would or could understand trifling in any form, having all a child's honesty and directness. And she knew that she, more than any one else, would always have the power to hurt him.
"Nan," he asked slowly, "did you go to Scranton because you thought I might ask before you were ready?"
She laughed tenderly.
"Oh—Dear Heart—no. I went to Scranton because I was afraid I might propose before you were ready."
But he never quite understood that and she didn't expect him to. However, if she thought she had won, she was mistaken. The persistency in matters of love that is the heritage of all men made him say carelessly a half hour later:
"Oh, well—I suppose waiting a year is the best, the wise thing to do. But why must I be the only one to obey the law? Nobody else is waiting a year. All the other men are marrying their sweethearts in June. There's David and Jocelyn, Max Longman and Clara, Steve and Bonnie, Dolly Beatty and Charlie Peters. And only last week Grandma Wentworth got a letter from out West saying some chap is coming from the very wilds to marry Carrie. He's hired the reception hall of the Community House so that Carrie may have a proper wedding in case her folks refuse to give their blessing. So I'm going to marry all those chaps and then calmly go on just being engaged myself."
All of a sudden Nan saw why Seth Curtis gave in and joined the church, why Hank Lolly forgot his fears and came to the services, why the poolroom man gave up his business and was now a respected automobile man and mechanic; why the former saloon keeper was the happy owner of a stock farm; why Frank Burton no longer bragged about being an atheist but went to church with Jennie; why Mrs. Rosenwinkle no longer argued about the flatness of the earth.
He was always doing this to every one, this boy from India; always making people see how ridiculous and petty were the man-made conventions and human notions and stubbornness when looked at in the light of common sense and sincerity.
"Oh, well," Nan gave in with a laugh that was half a sob, "I may as well be a June bride with the rest. And now, John Roger Churchill Knight, take me down to see my town. I want to see all the new gardens, the new babies, the new spring hats and dress patterns.
"I want to see Ella Higgins' tulips and forget-me-nots and attend Uncle Tony's open-air meeting. I want to have an ice-cream soda at Martin's and wave my hand at John Gans while he's shaving a customer. I want to see all the store windows, especially Joe Baldwin's. I want to shake hands with Billy Evans and Hank Lolly and hug little Billy.
"I want to go to the post-office for my mail when everybody else is getting theirs. I want to know if the bank is still there and if the bluebirds and flickers are as thick as ever in Park Lane. I want to hear Green Valley women calling to each other from their back yards and see them leaning over the fences to visit—and giving each other clumps of pansies, and golden glow and hollyhocks. I want to see Mrs. Jerry Dustin's smile and ask her when I can see Uncle Tony's 'portraiture' at the Art Institute. I want to see the boys' bare feet kicking up the dust and their hands hitching up their overall straps and hear them whistling to each other and giving their high signs. I'm longing to know who's had their house repainted and where the new houses are going up.
"But—oh—most of all, I want to hear Green Valley folks say with their eyes and hands and voice—'Hello, Nanny Ainslee, when did you get back' and 'My, Nanny, it's good to see and have you home again.' So, John Roger Churchill Knight, take me down to see my home town—Green Valley at springtime."
They went down through Green Valley streets where the spring sunshine lay warm and golden. They greeted Green Valley men and women and were greeted as only Green Valley knows how to greet those it loves.
Though they said not a word, all Green Valley read their secret in their eyes, heard it in the rich deep note of the boy's voice, in Nanny's lilting laugh.
And having made the rounds the boy and girl naturally came to Grandma Wentworth's gate. They walked through the gay front garden, followed the little gravel path around the house, and found Grandma standing among her fragrant herbs and healing grasses.
They came to her hand in hand and said not a word. And Grandma raised her head and looked at them. Then her eyes filled and her lips quivered tenderly and the two, both motherless, knew that they had a mother's blessing.
It was so restful, that back yard of Grandma's, as the three sat there, talking quietly and happily. And the world seemed strangely full of a golden peace.
THE END |
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