In our figures, the one holding the fan has the body of her dress, which is of spotted net, fluted at the top; the skirt is made open at the side, and fastened with a bouquet of roses. The petticoat, which is of pink satin, has a large bow of ribbon with a rose in the centre, just below the rose which fastens the dress. The sleeves are also trimmed with bunches of roses; and the gloves are of a very delicate pale pink.

The other dress is of white net or tarlatan, made with three skirts, and a loose body and sleeves. The upper skirts are both looped up with flowers on the side, and large bows of very pale-yellow ribbon. Ribbon of the same color is worn in the hair, and the gloves are of a delicately tinted yellowish white.



The dress of the standing figure is of rich yellow brocaded silk, trimmed with three flounces of white lace, carried up to the waist, so as to appear like three over skirts, open in front. The body is trimmed with a double berthe of Vandyked lace, which is also carried round the sleeves. The gloves are rather long, and of a delicate cream-color. The hair is dressed somewhat in the Grecian style so as to form a rouleau round the face—the front hair being combed back over a narrow roll of brown silk stuffed with wool, which is fastened round the head like a wreath. A golden bandeau is placed above the rouleau.

The sitting figure shows another mode of arranging the hair. The back hair is curiously twisted, and mixed with narrow rolls of scarlet and white; and the front hair is dressed in waved bandeaux, or it may be curled in what the French call English ringlets. Plain smooth bandeaux have almost entirely disappeared; but bandeaux, with the hair waved, or projecting from the face, are common.

* * * * *

KNITTED FLOWERS.

AMERICAN MARYGOLD.

The prettiest are in shaded orange-colored wool (of four threads), which must be split in two, as the Berlin wool. Begin with the darkest shade.

Cast on eight stitches, work them in ribs, four in each row, knitting two stitches; and purling two; both sides must be alike. Continue this till you come to the beginning of the lightest shade; then begin to decrease one stitch at the beginning of every row, till only one stitch remains in the middle; fasten this off, break the wool, and begin the next petal with the darkest shade. Eight petals will be required for each flower. Every petal must be edged with wire; and, in order to do this neatly, you must cover a piece of wire with wool—the middle of the wire with one thread only of brown split wool—and the sides with a lighter shade, to correspond with the color of the petal; sew this round with the same shades of wool.

To make up the flower, it will be necessary to form a tuft of the same shaded wool, not split. This is done by cutting five or six bits of wool about an inch long, and placing them across a bit of double wire; twist the wire very tight, and cut the ends of the wool quite even; fasten the eight petals round this, near the top, which can be done either by twisting the wires together or by sewing them round with a rug needle.

CALYX.—The calyx will require four needles.

Cast on twelve stitches, four on each of three needles. Knit in plain rounds till you have about half an inch in length; then knit two stitches in one, break the wool some distance from the work, thread it with a rug needle, and pass the wool behind the little scallop, so as to bring to the next two stitches; work these and the remainder of the stitches in the same manner. Cover a bit of wire with a thread of brown wool, sew it with wool of the same color round the top of the calyx, following carefully the form of the scallops; turn the ends of the wire inside the calyx, and place the flower within it. Tie the calyx under the scallops with a bit of green silk, gather the stitches of the lower part of the calyx with a rug needle and a bit of wool, and cover the stem with split green wool.

Another way of making this flower is by knitting the petals in brioche stitch; but if done thus, nine stitches must be cast on the needle at first, instead of eight, and the flower finished exactly as directed.

BUDS.—The buds are made just in the same manner as the tuft which forms the heart of the flower, only that they must be formed of lighter shades of wool, mixed with a little pale-green wool. The wool must be tightly fixed on the wire by twisting, and then cut very smooth and even. It must be inserted in a small calyx, made as before.

LEAVES.—Each leaf, or small branch, is composed of seven leaflets, of the same size—one at the top, and three on each side; they must be placed in pairs, at a distance of about an inch between each pair.

First leaflet.—Cast on one stitch in a bright, but rather deep shade of yellowish-green wool. Knit and purl alternate rows, increasing one stitch at the beginning of every row till you have seven stitches on the needle; then knit and purl six rows without increase; decrease one stitch at the beginning of the two following rows, and cast off the five remaining stitches. Repeat the same for the six other leaflets. Each leaf must have a fine wire sewn round it, and the stems covered with wool.

* * * * *

CHENILLE WORK



No. 1.—A new style of Head-Dress. Worked in the second size crimson chenille, with No. 4 gold thread.

Take a card-board of three inches deep and fifteen inches long, and fasten to the edge of it eleven strands of chenille and gold thread placed together; leave a space of one inch between each strand; the length of the gold and chenille thread must be twenty-four inches. Take the first two threads from the left-hand side, pass the two next under them; tie them in a knot, the two outer over the two centre threads (chenille or gold thread, as may be), and then pass them through the loop formed on the left, and so on till the last row. The shape is an uneven triangle, nine inches from the top corner to the centre, and seven inches from the middle of the front to the centre. When finished, cut off the board, and sew round two sides of the work a fringe of gold thread, which is to fall over the neck.



No. 2.—Another style of Head-Dress. With white and pink second size chenille.

This is made nearly in the same manner as No. 1, with chenille, one yard long; but, after having made the first knot, pass a pearl bead on each side, and then make the second knot—the measurement of the meshes to be three-quarters of an inch. When the work is finished, the whole will be twelve inches square. Pass round it an India-rubber cord, which will form the fastening. The ends left from the work to be separately knotted together with silver thread, to hang down, forming a very large and rich tassel.



No. 3.—Head-Dress of blue and silver. In chain crochet, silver cord No. 5, with second size of crochet chenille, light blue.

Eight chain stitches, the last of which is plain crochet, and so on continued. In the two middle stitches of the chenille take up the silver, and in the middle stitches of the silver take up the chenille, each going in a slanting way, once over and once under each other, as the drawing (No. 3) will show. The chenille is worked one way, and the silver goes the other way, contrary to regular crochet work. The whole is worked square, eighteen inches in square; and, when finished, every loop is taken up with fine India-rubber cord, to form the shape. Put round it a silver fringe one inch and a half deep.

* * * * *

CHEMISETTES AND UNDERSLEEVES.



All fashionable promenade and evening dresses being cut with an open corsage and loose sleeves, the chemisettes and wristbands become of the greatest importance. There is something very neat in the close coat dress, buttoned up to the throat, and finished only by a cuff at the wrist; but it is never so elegant, after all, as the style now so much in vogue. This season, the V shape from the breast has given place to the square front, introduced from the peasant costumes of France and Italy. It will be seen in fig. 1, which is intended to be worn with that style of corsage, and corresponds to it exactly. The chemisette is composed of alternate rows of narrow plaits and insertion, and is edged with muslin embroidery to correspond. It is decidedly the prettiest and neatest one of the season, and will be found inexpensive.



Fig. 2 has two bands of insertion, surrounded by embroidered muslin frills; the small collar is also edged in the same way. This may be worn with the ordinary V front, or with the square front boddice we have alluded to.

Figs. 3 and 4 are some of the new fashionable undersleeves. It will be noticed that they are very full, and edged with double frills. For further description, see Chit-Chat in December number.

* * * * *

ON A CHILD ASLEEP.

BY JOHN A. CHAPMAN.

See, in that ray of light that child reposes, Calmly as he a little angel were; And now and then his eyes he half uncloses, To see if his bright visions real are.

But what his visions are God only knoweth, For that sweet child forgets them day by day; Like breeze of Eden, that so gently bloweth, They leave no trace when they've passed away.

'Tis thus that innocent childhood ever sleepeth. With half closed eyes and smiles around its mouth, At sight of which man's sunken heart upleapeth, Like chilled flowers when fanned by the sweet south.

Sleep on, sweet child, smile, as thou sleepest, brightly, For thou art blest in this thy morning hour; And, when thou wakest, thou shalt walk more lightly Than crowned king, or monarch throned in power.

* * * * *

EDITORS' TABLE.

One perplexing question is settled, viz., that ninety-nine does not make a hundred. Those transcendentally erudite men who contended that the nineteenth century commenced on the 1st of January, 1800, have at last learned to count correctly. So we may venture to affirm, with fear of raising an argument, that this New-Year's Day, 1851, begins the last half of this present century.

Here, then, we stand on the dividing ridge of Time, the topmost pinnacle of humanity; and, looking backward over the vast ocean of life, we can discern amidst the rolling, heaving, struggling surges, which have engulfed so many grand hopes, and towering aims, and strong endeavors during the world's voyage of half a century, that important victories have been won, wonderful things discovered, and great truths brought out of the turmoil in which power, pride, and prejudice were contending fifty years ago. At the beginning of the century, the stirring themes were deeds of war. Now, the palm is won by works of peace. In 1801, the Old World was a battle-field, the centre and moving power of destruction being placed in London. Now, 1851 finds "the whole world kin," as it were, busy in preparing for such an Industrial Convention as was never held since time began: and this, too, centres in London. What trophies of mind and might will be there exhibited! Not victories won by force or fraud, with their advantages appropriated to exalt a few individuals; but real advances made in those arts which give the means of improvement to nations, and add to the knowledge, freedom, and happiness of the people!

We are not intending to enlarge on this theme, which will be better done by abler pens. We only allude to it here, in order to draw the attention of our readers to one curious fact, which those who are aiming to place women in the workshop, to compete with men, should consider: namely, that none, or very few specimens of female ingenuity or industry will be found in the world's great show-shop. The female mind has as yet manifested very little of the kind of genius termed mechanical, or inventive. Nor is it the lack of learning which has caused this uniform lack of constructive talent. Many ignorant men have studied out and made curious inventions of mechanical skill; women never. We are constrained to say we do not believe woman would ever have invented the compass, the printing-press, the steam-engine, or even a loom. The difference between the mental power of the two sexes, as it is distinctly traced in Holy Writ and human history, we have described and illustrated in a work[1] soon to be published. We trust this will prove of importance in settling the question of what woman's province really is, and where her station should be in the onward march of civilization. It is not mechanical, but moral power which is now needed. That woman was endowed with moral goodness superior to that possessed by man is the doctrine of the Bible; and this moral power she must be trained to use for the promotion of goodness, and purity, and holiness in men. There is no need that she should help him in his task of subduing the world. He has the strong arm and the ingenious mind to understand and grapple with things of earth; but he needs her aid in subduing himself, his own selfish passions, and animal propensities.

To sum up the matter, the special gifts of God to men are mechanical ingenuity and physical strength. To women He has given moral insight or instinct, and the patience that endures physical suffering. Both sexes equally need enlightenment of mind or reason by education, in order to make their peculiar gifts of the greatest advantage to themselves, to each other, to the happiness and improvement of society, and to the glory of God.

Such are the principles which we have been striving to disseminate for the last twenty years; and we rejoice, on this jubilee day of the century, that our work has been crowned with good success, and that the prospect before us is bright and cheering. The wise king of Israel asserted the power and predicted the future of woman in these remarkable words, "Strength and honor are her clothing; and she shall rejoice in time to come." And so it will be. But the elevation of the sex will not consist in becoming like man, in doing man's work, or striving for the dominion of the world. The true woman cannot work with materials of earth, build up cities, mould marble forms, or discover new mechanical inventions to aid physical improvement. She has a higher and holier vocation. She works in the elements of human nature; her orders of architecture are formed in the soul. Obedience, temperance, truth, love, piety, these she must build up in the character of her children. Often, too, she is called to repair the ravages and beautify the waste places which sin, care, and the desolating storms of life leave in the mind and heart of the husband she reverences and obeys. This task she should perform faithfully, but with humility, remembering that it was for woman's sake Eden was forfeited, because Adam loved his wife more than his Creator, and that man's nature has to contend with a degree of depravity, or temptation to sin, which the female, by the grace of God, has never experienced. Yes, the wife is dependent on her husband for the position she holds in society; she must rely on him for protection and support; she should look up to him with reverence as her earthly guardian, the "saviour of the body," as St. Paul says, and be obedient. Does any wife say her husband is not worthy of this honor? Then render it to the office with which God has invested him as head of the family; but use your privilege of motherhood so to train your son that he may be worthy of this reverence and obedience from his wife. Thus through your sufferings the world may be made better; every faithful performance of private duty adds to the stock of public virtues.

We trust, before the sands of this century are run out, that these Bible truths will be the rule of faith and of conduct with every American wife and mother, and that the moral influence of American women will be felt and blessed as the saving power not only of our nation, but of the world. Our hopes are high, not only because we believe our principles are true, but because we expect to be sustained and helped by all who are true and right-minded. And this recalls to our thoughts the constant and cheering kindness which has been extended to our periodical during the long period it has been attaining its present wide popularity. We must thank these friends.

[1] "Woman's Record; or Biographical Sketches of all Distinguished Women, from the Creation to the Present Time. Arranged in Four Eras. With Selections from the Female Writers of each Era." The work is now in the press of the Harpers, New York.

* * * *

TO THE CONDUCTORS OF THE PUBLIC PRESS.

Our Friends Editorial, who, for the last twenty years, have manifested uniform kindness, and always been ready with their generous support, to you, on this jubilee day, we tender our grateful acknowledgments. We have never sought your assistance to us as individuals. Your office should have a higher aim, a worthier estimation. You are guardians of the public welfare, improvement, and progress. Not to favor the success of private speculation, but to promote the dissemination of truths and principles which shall benefit the whole community, makes your glory. We thank you that such has been your course hitherto in regard to the "Lady's Book." The public confidence, which your judicious notices of our work have greatly tended to strengthen, is with us. The chivalry of the American press will ever sustain a periodical devoted to woman; and the warm, earnest, intelligent manner in which you have done this deserves our praise. Like noble and true knights, you have upheld our cause, and we thank you in the name of the thousands of fair and gentle readers of our "Book," to whom we frankly acknowledge that your steady approval has incited our efforts to excel. We invoke your powerful aid to sustain us through the coming years, while we will endeavor to merit your commendations. None know so well as you, our editorial friends, what ceaseless exertions are required to keep the high position we have won. But the new year finds us prepared for a new trial with all literary competitors; and, with the inspiring voice of the public press to cheer us on, we are sure of winning the goal. In the anticipation of this happy result, we wish to all our kind friends—what we enjoy—health, hope, and a HAPPY NEW YEAR.

* * * *

To CORRESPONDENTS.—The following articles are accepted: "A Dream of the Past," "Sonnet—The God of Day," &c., "My Childhood's Home," "Town and Country Contrasted," "The Artist's Dream," "The Tiny Glove," "The Sisters," and "The Lord's Prayer."

Ellen Moinna's story came too late for the purpose designed. We do not need it.

* * * *

MANUSCRIPT MUSIC ACCEPTED: "All Around and All Above Thee;" "Oh, Sing that Song again To-Night!" (excellent); "Hope on, Hope Ever;" "The Musing Hour;" "La Gita in Gondola;" "To Mary," by Professor Kehr.

Our friends who send us music must wait patiently for its appearance, if accepted. Months must sometimes elapse, as our large edition renders it necessary to print it in advance. Those who wish special answers from our musical editor will please mention the fact in their communications.

* * * * *

EDITORS' BOOK TABLE.

From GEORGE S. APPLETON, corner of Chestnut and Seventh Street, Philadelphia:—

THE POETICAL WORKS OF JOHN MILTON. Edited by Sir Egerton Brydges, Bart. Illustrated with engravings, designed by John Martin and J.W.M. Turner, R.A. We noticed an edition of "Paradise Lost" in our November number. Here, however, we have a complete edition of the modern Homer's works, including "Paradise Regained," and all his minor poems, sonnets, &c. These editions are pleasing testimonials of the renewed interest which the public are beginning to manifest for the writings of standard English authors, in preference to the light and ephemeral productions of those of the present day, who have too long held the classical taste and refinement in obedience to their influences. The illustrations of this edition are very beautiful.

THE COMPLETE WORKS OF ROBERT BURNS; containing his Poems, Songs, and Correspondence, with a New Life of the Poet, and Notices, Critical and Biographical. By Allen Cunningham. This edition of the works of the great Scottish poet cannot fail to attract the attention of all who admire the genius and independence of his mind, and of all who wish a full and correct copy of his productions, compiled under the supervision of a man who was himself an excellent poet, and capable of fairly distinguishing the beauties and powers of a poetical mind.

EVERYBODY'S ALMANAC AND DIARY FOR 1851; containing a List of Government Officers. Commerce and Resources of the Union, Exports of Cotton, and General Information for the Merchant, Tradesman, and Mechanic, together with a Complete Memorandum for every day in the year. A neat and valuable work.

We have received from the same publisher the following works, compiled for the special benefit of little children and of juvenile learners and readers, all of which are appropriately illustrated:—

LITTLE ANNE'S ABC BOOK. LITTLE ANNE'S SPELLER. MOTHER GOOSE. By Dame Goslin. THE ROSE-BUD. A Juvenile Keepsake. By Susan W. Jewett. GREAT PANORAMA OF PHILADELPHIA. By Van Daube. With twenty-three illustrations.

* * * *

From HENRY C. BAIRD (successor to E.L. Carey); Philadelphia:—

THE POETICAL WORKS OF THOMAS GRAY. With illustrations by C.W. Radclyffe. Edited, with a memoir, by Henry Reed, Professor of English Literature in the University of Pennsylvania. Great pains have evidently been taken by the editor and the publisher to render this not only the most complete and accurate edition of the works of Gray that has ever been presented to the American public, but also one of the most superbly embellished and beautifully printed volumes of the season, which has called forth so many works intended for presentation.

THE BUILDER'S POCKET COMPANION. This volume contains the elements of building, surveying, and architecture, with practical rules and instructions connected with the subjects, by A.C. Smeaton, Civil Engineer, &c. The inexperienced builder, whether engaged practically, or in the investment of capital in building improvements, will find this to be a very valuable assistant.

THE CABINET-MAKER'S AND UPHOLSTERER'S COMPANION. This work contains much valuable information on the subjects of which it treats, and also a number of useful receipts and explanations of great use to the workmen in those branches. The author, L. Stokes, has evidently taken great pains in the arrangement and compilation of his work.

HOUSEHOLD SURGERY; or, Hints on Emergencies. By John F. South, one of the Surgeons to St. Thomas's Hospital. The first American, from the second London edition. A highly valuable book for the family, which does not pretend, however, to supersede the advice and experience of a physician, but merely to have in preparation, and to recommend such remedies as may be necessary until such advice can be obtained. There are many illustrations in the work which will greatly facilitate its practical usefulness.

* * * *

From LEA & BLANCHARD, Philadelphia:—

THE RACES OF MEN. A Fragment. By Robert Knox, M.D., Lecturer on Anatomy, and Corresponding Member of the National Academy of Science in France. The character and tendency of this "fragment," or "outlines of lectures," to use the author's own terms, are such as cannot be suddenly determined upon or understood. This will appear the more evident to the reader from the assurance which he also gives, that his work runs counter to nearly all the chronicles of events called histories; that it shocks the theories of statesmen, theologians, and philanthropists of all shades. He maintains that the human character, individual and national, is traceable solely to the nature of that race to which the individual or nation belongs, which he affirms to be simply a fact, the most remarkable, the most comprehensive which philosophy has announced.

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From T. B. PETERSON, 98 Chestnut Street. Philadelphia:—

HORACE TEMPLETON. By Charles Lever. The publisher of this work deserves the thanks of the reading public for presenting it with a cheap edition of so interesting a publication. It has already passed the ordeal of the press, and has been received, both in Europe and in America, as one of the most entertaining productions that has appeared for many years, not excepting "Charles O'Malley," and the other mirth-inspiring volumesof the inimitable Lever.

THE VALLEY FARM; or, the Autobiography of an Orphan. Edited by Charles J. Peterson, author of "Cruising in the Last War," &c. A work sound in morals and abounding in natural incident.

RESEARCHES ON THE MOTION OF THE JUICES IN THE ANIMAL BODY, AND THE EFFECTS OF EVAPORATIONS IN PLANTS; together with an Account of the Origin of the Potatoe Disease, with full and Ingenious Directions for the Protection and Entire Prevention of the Potatoe Plant against all Diseases. By Justus Liebig, M.D., Professor of Chemistry in the University of Giessen; and edited from the manuscript of the author, by William Gregory, M.D., of the University of Edinburgh. A valuable treatise, as its title sufficiently indicates.

* * * *

From PHILLIPS, SAMPSON & Co., Boston, through T.B. PETERSON, Philadelphia:—

A PEEP AT THE PILGRIMS IN SIXTEEN HUNDRED AND THIRTY-SIX. A Tale of Olden Times. By Mrs. H.V. Cheney. Those who feel an interest in the records and monuments of the past, and who desire to study the characteristics of the Pilgrim Fathers, and Pilgrim Mothers and Daughters, will not fail to avail themselves of the graphic delineations presented to them in this entertaining volume.

SHAKSPEARE'S DRAMATIC WORKS. No. 25. Containing "Troilus and Cressida," with a very fine engraving.

* * * *

From JOHN S. TAYLOR, New York, through T.B. PETERSON, Philadelphia:—

LETTERS FROM THE BACKWOODS AND THE ADIRONDAC. By the Rev. J.T. Headley. Also,

THE POWER OF BEAUTY. By the same author. Illustrated editions.

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From LINDSAY & BLAKISTON, Philadelphia:—

MOSAIQUE FRANCAISE: ou Choix De Sujets Anecdotiques, Historiques, Litteraires et Scientifiques, tires pour La Plupart D'Auteurs Modernes. Par F. Seron, Homme de lettres, l'un des redacteurs du Journal Francaise; Les Monde des enfans, Revue Encyclopedique de la jeunesse de 1844 a 1848, etc.; Professeur de Langue et de Litterature Francaise a Philadelphie.

This work appears to have been compiled with great care, from works by the best French authors. Every subject has been carefully excluded that could in any manner wound or bias the preconceived opinions of the American reader in relation to religious or political freedom.

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From HARPER & BROTHERS, New York, through LINDSAY & BLAKISTON, Philadelphia:—

MEMOIRS OF THE LIFE AND WRITINGS OF THOMAS CHALMERS, D.D., LL.D. By his son-in-law, the Rev. Wm. Hanna, LL.D. The appearance of the second volume of these memoirs will be hailed with pleasure by the admirers of Dr. Chalmers, whose reputation as a Christian minister, and as a writer of extraordinary beauty and power, has long preceded these volumes.

GENEVIEVE; or, the History of a Servant Girl. Translated from the French of Alphonse de Lamartine. By A.A. Seoble.

ADDITIONAL MEMOIRS OF MY LIFE. By A. De Lamartine.

THE PICTORIAL FIELD BOOK OF THE REVOLUTION. No. 8. This excellent and patriotic work fully sustains the spirit and interest that marked its commencement.

* * * *

From the PROTESTANT EPISCOPAL SUNDAY SCHOOL UNION, New York, through A. HART, Philadelphia:—

THE OLD MAN'S HOME. By the Rev. William Adams, M.A., author of the "Shadow of the Cross," &c. With engravings, from designs by Weir. Sixth American edition. An affecting tale, written in a familiar style, and peculiarly calculated to impress upon the youthful mind the importance of those moral and religious truths which it is the aim of the author to inculcate.

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From GOULD, KENDALL & LINCOLN, Boston, through DANIELS & SMITH, Philadelphia:—

THE PRE-ADAMITE EARTH: Contributions to Theological Science. By John Harris, D.D., author of "The Great Teacher," &c. The present volume is the "third thousand," which we presume to mean the "third edition," revised and corrected, of this work, which may be considered a successful effort to reconcile the dogmas of theology with the progress of philosophy and science. The style of the author is argumentative and eloquent, evincing great knowledge and zeal in the development of the interesting subjects connected with his treatise.

RELIGIOUS PROGRESS: Discourses on the Development of the Christian Character. By William R. Williams. Comprising five lectures originally prepared for the pulpit, and delivered by their author to the people under his charge. These lectures are chaste and graceful in style, and sound and vigorous in argument.

* * * *

From TICKNOR, REED & FIELDS, Boston.

BIOGRAPHICAL ESSAYS. By Thomas De Quincey, author of "Confessions of an English Opium Eater," etc. This is the second volume of Mr. De Quincey's writings, now in course of publication. It contains biographical sketches of Shakspeare, Pope, Charles Lamb, Goethe, and Schiller, accompanied by numerous notes, which, with the author's acknowledged taste, will give a new interest to these almost familiar subjects.

ASTRAEA. The Balance of Illusions. A poem delivered before the Phi Beta Kappa Society of Yale College, August 14, 1850, by Oliver Wendell Holmes. This poem contains many beautiful gems, interspersed with some satirical descriptions of men and manners, which prove Mr. Holmes to be a caustic as well as an amusing writer.

* * * *

NEW MUSIC.

We have received from Mr. Oliver Diston, No. 115 Washington Street, Boston, a collection of beautiful music, got up in his usual taste.

The Prima Donna Polka. By Edward L. White.

The German Schottisch. By T.S. Lloyd. And

The Starlight Polka. Three excellent polkas, with music enough in them to draw the proper steps from every heel and toe in the land.

Oh, Come to the Ingleside! A sweet ballad by Eliza Cook, the music by W.H. Aldridge.

A Mother's Prayer.. By J.E. Gould.

The Araby Maid. By J.T. Surenne.

Old Ironsides at Anchor lay. One of Dodge's favorite songs, the words by Morris, the music by B. Covert.

A Little Word. By Niciola Olivieri (!).

The Parting Look. Words by Henry Sinclair, music by Alex. Wilson. Embellished by a fine lithograph.

The Dying Boy. Another of Dodge's favorite songs. The words are by Mrs. Larned, and the music by Lyman Heath. This song has also a fine engraving.

Mr. Diston has also commenced the publication of Beethoven's Sonatas for the piano forte, from the newly revised edition, published by subscription in Germany.

* * * *

MESSRS. LEE & WALKER, No. 162 Chestnut Street, Philadelphia, are now publishing "Lindiana," a choice selection of Jenny Lind's songs, with brilliant variations by the untiring Chas. Grobe. The first is the "Dream." In the hands of Professor Grobe, we cannot doubt the entire success of the enterprise. The series is dedicated to "our musical editor," who fully appreciates the compliment and returns his sincere thanks.

* * * *

Our old friend Mr. James Conenhoven, associated with Mr. Duffy, has opened a new music store at No. 120 Walnut Street, Philadelphia. From Mr. C.'s known taste and knowledge of the business, we anticipate his entire success, and cheerfully recommend our friends to make his early acquaintance in his new career. They have sent us the Silver Bell Waltz, by Mr. Conenhoven himself, and Solitude, a beautiful song by Kirk White, the music by John Daniel. Both are very handsomely got up, and are valuable accessions to a musical portfolio.

* * * *

OUR TITLE-PAGE.—Those who are fond of Fashions other than colored will be gratified with our title-page, which contains at least fifty figures.

* * * *

PRINTING IN COLORS.—We give another specimen in this number, of printing in colors from a STEEL plate. We believe that we have the only artisans in this country that can do this kind of fancy work. The present specimen, which we are willing to contrast with any other plate in any magazine for this month, is entirely of American manufacture.

* * * *

We will send a copy of the November and December numbers of the Lady's Book, containing the Lord's Prayer and the Creed, gratis, to any religious publication with which we do not exchange, if it will signify a wish to have them.

* * * *

NEW-YEAR'S DAY IN FRANCE.—All who have visited this gay country at the season of the holidays, will be struck with the graphic power displayed by our artist in the plate that graces the present number.

* * * *

ORIGINAL DESIGNS.—The four principal plates in this number, viz., The Constant, The Four Eras of Life, The Four Seasons, and The Double Fashion Plate, as well as several of the wood engravings, are from original designs. This originality has never before been attempted in any magazine of any country. We do not remember an instance of the kind in any of the English annuals. It is our intention to be ever progressive. Our original designs last year were numerous: among them the never-to-be-forgotten Lord's Prayer and Creed. "The Coquette," the match plate to "The Constant," will appear in the March number. It will be seen by this number that we are able to transcend anything we have yet presented. Our Book, this year, shall be one continuous triumph. As we have only ourselves for a rival, our effort will be to excel even the well-known versatility and beauty which our Book has always exhibited.

* * * *

PROFESSOR BLUMENTHAL.—We omitted to include among our list of contributors this gentleman's name. It was an oversight; but the professor shows, by his article in this number, that he has not forgotten us.

* * * *

ARTHUR'S STORY.—With but one exception, Mr. Arthur writes for his own paper alone. The story in this number will amply repay a careful perusal. It will be completed in the March number.

* * * *

T. S. ARTHUR'S HOME GAZETTE.—In our acquaintance with newspaperdom, as Willis would say, which extends over a period of twenty-two years, the history of this paper is the most singular of any in our recollection. Ample capital was provided to meet any exigency that might arise; but, strange to say, not a penny of it has been used. But we were too hasty; for, when we consider who is its editor, it must be confessed it is not strange. The paper has paid for itself from the start. Perhaps another instance of the kind lives not in the memory of that well-known person, "the oldest inhabitant." Mr. Arthur now counts his subscribers by thousands, nearly by tens of thousands. The rush for it has been unexampled—so much so as to make it necessary to reprint early numbers, and even to telegraph for extra supplies of paper, so rapidly has it been exhausted. Mr. Arthur has struck a vein that will render a voyage to California entirely useless to him. His advertisement will be found in this number.

* * * *

We will mention one fact, and our subscribers will see the remon of it. We give no preference as regards the first impressions from the plates. If a plate wears in the printing, we have it retouched, so that all may have impressions alike. With our immense edition, the greatest ever known, this we find sometimes necessary.

* * * *

On reference to our advertisement in this number, it will be seen what is in store for the subscribers to Godey. When we announce the fact that the plates are engraved in the same style as those they have seen, "The Lord's Prayer," "The Evening Star," "The Creed," "We Praise Thee, O God," and those contained in the present number, they will conclude that a rich treat is to be obtained for the trifling outlay of $3. Would it not be a convenient method, where it is difficult to obtain a club of five subscribers, to remit us $10 for a club of five years? Any person remitting $10 in advance, will be entitled to the Lady's Book five years. We cannot forbear inserting the following notices:—

"The Lady's Book is the best, most sociable, and decidedly the richest magazine for truth, virtue, and literary worth now published in this country."—Indiana Gazette.

"In matter of sentiment, and light literature, and elegant embellishments of useful and ornamental art, Godey's Lady's Book takes the lead of all works of its class. We have seen nothing in it offensive to the most fastidious taste."—Church Quarterly Review and Ecclesiastical Reporter.

"We find it difficult, without resorting to what would be thought downright hyperbole, to express adequately the admiration excited by the appearance of this last miracle of literary and artistic achievement."—Maine Gospel Banner.

The above are unsolicited opinions from grave authorities.

* * * *

NEW MATTER FOR THE WORK TABLE.—The ladies will perceive that they have been well cared for in this number. We again give, for their benefit, two new styles of work, "The Chenille Work," and "Knitted Flowers".

THE HAIR WORK will be continued in our next number.

* * * * *

BLITZ HAS ARRIVED.—What joy this will carry into the minds of the young! Blitz, the conjurer, the kind-hearted Blitz, who dispenses his sugar things amongst his young friends with such a smile—and they are real sugar things, too; they don't slip through your fingers, except in the direction of your mouth, like many of the things he gives the young folks to hold—is at his old quarters, the Lecture-room at the Museum.

* * * *

A.B. WARDEN, at his jewelry and silver ware establishment, S.E. corner of Fifth and Chestnut streets, has an immense variety of beautiful and valuable presents for the season. He is the sole agent for a new style of watch lately introduced into this country, approved by the Chronometer Board at the Admiralty, in London, which is warranted. Orders by mail, including a description of the desired article, will be attended to.

* * * *

The Weber Minstrels is the title assumed by some gentlemen of this city, who intend to give concerts here and elsewhere. We commend them to our friends of the press in the various places they may visit. We can speak confidently of their singing; and we arc sure that, wherever they go, their manners as gentlemen and their talent as singers will commend them to public favor.

* * * *

FROM OUR MUSICAL EDITOR.

BERKSHIRE HOTEL, Pittsfield, Mass., Sept. 22, 1850.

MY DEAR GODEY.—You know I do not often brag of Hotels, and it is perhaps out of the line of the "Book." But, in this particular instance, I know you will excuse me, when I write of a spot in which you would delight. I wish, in the first place, to introduce you to MR. W.B. COOLEY, the perfect pink of landlords, wearing a polka cravat and a buff vest, externally; but he has a heart in his bosom as big as one of the Berkshire cattle. If you ever come here—and by you, I mean the 100,000 subscribers to the Lady's Book, don't go anywhere else, for here you will find a home—a regular New England home. His table is magnificent—his beds and rooms all that any one could ask; and his friendly nature will make you perfectly at home. Indeed, it is the only hotel I have been at, on my protracted tour, where I have felt perfectly at home.

How I wish you, and your wife and daughters, and lots of our mutual friends, were here with me. We would have glorious times—music, dancing, singing, sight-seeing, conversation, &c. &c. I cannot write much; but I wish you to understand that this is the ne plus ultra of hotels. Don't fail to patronize it. Lebanon Springs and the Shaker settlement are within a short ride.

Yours ever, J.C.

* * * *

VARIOUS USEFUL RECEIPTS, &c., OF OUR OWN GATHERING.

Rice for curry should never be immersed in water, except that which has been used for cleaning the grain previous to use. It should be placed in a sieve and heated by the steam arising from boiling water; the sieve so placed in the saucepan as to be two or three inches above the fluid. In stirring the rice a light hand should be used, or you are apt to amalgamate the grains; the criterion of well-dressed rice being to have the grains separate.

* * * *

ARROW-ROOT FOR INVALIDS.—The practice of boiling arrow-root in milk is at once wasteful and unsatisfactory; the best mode of preparing enough for an invalid's supper is as follows: Put a dessertspoonful of powder, two lumps of sugar, into a chocolate cup, with a few drops of Malaga, or any other sweet wine; mix these well together, and add, in small quantities, more wine, until a smooth thick paste is formed. Pour boiling water, by slow degrees, stirring all the while, close to the fire, until the mixture becomes perfectly transparent.

* * * *

CUSTARD OR SPONGE-CAKE PUDDING, WITH FRUIT SAUCE.—Break separately and clear in the usual way[1] four large or five small fresh eggs, whisk them until they are light, then throw in a very small pinch of salt, and two tablespoonfuls of pounded sugar; then whisk them anew until it is dissolved: add to them a pint of new milk and a slight flavoring of lemon, orange-flower water, or aught else that may be preferred. Pour the mixture into a plain well buttered mould or basin, and tie securely over it a buttered paper and a small square of cloth or muslin rather thickly floured. Set it into a saucepan or stewpan containing about two inches in depth of boiling water, and boil the pudding very gently for half an hour and five minutes at the utmost. It must be taken out directly it is done, but should remain several minutes before it is dished, and will retain its heat sufficiently if not turned out for ten minutes or more. Great care must always be taken to prevent either the writing paper or the cloth tied over the pudding from touching the water when it is steamed in the manner directed above, a method which is preferable to boiling, if the preceding directions be attended to, particularly for puddings of this class. The corners of the cloth or muslin should be gathered up and fastened over the pudding; but neither a large nor a heavy cloth should be used for the purpose at any time. Three or four sponge biscuits may be broken into the basin before the custard is put in; it must then stand for twenty minutes or half an hour, to soak them, previously to being placed in a saucepan. The same ingredients will make an excellent pudding, if very slowly baked for about three quarters of an hour. Four eggs will then be quite sufficient for it.

[1] That is to say, remove the specks with the point of a fork from each egg while it is in the cup; but if this cannot be adroitly done, so as to clear them off perfectly, whisk up the eggs until they are as liquid as they will become, and then pass them through a hair sieve: after this is done, whisk them afresh, and add the sugar to them.

* * * *

By particular request we again publish the following receipt:—

NEW RECEIPT FOR A WASHING MIXTURE.

BY MISS LESLIE.

Take two pounds of the best brown soap; cut it up and put it in a clean pot, adding one quart of clean soft water. Set it over the fire and melt it thoroughly, occasionally stirring it up from the bottom. Then take it off the fire, and stir in one tablespoonful of real white wine vinegar; two large tablespoonfuls of hartshorn spirits; and seven large tablespoonfuls of spirits of turpentine. Having stirred the ingredients well together, put up the mixture immediately into a stone jar, and cover it immediately, lest the hartshorn should evaporate. Keep it always carefully closely covered. When going to wash, nearly fill a six or eight gallon tub with soft water, as hot as you can bear your hand in it, and stir in two large tablespoonfuls of the above mixture. Put in as many white clothes as the water will cover. Let them soak about an hour, moving them about in the water occasionally. It will only be necessary to rub with your hands such parts as are very dirty; for instance, the inside of shirt collars and wristbands, &c. The common dirt will soak out by means of the mixture. Wring the clothes out of the suds, and rinse them well through two cold waters.

Next put into a wash kettle sufficient water to boil the clothes (it must be cold at first), and add to it two more tablespoonfuls of the mixture. Put in the clothes after the mixture is well stirred into the water, and boil them half an hour at the utmost, not more. Then take them out and throw them into a tub of cold water. Rinse them well through this; and lastly, put them into a second tub of rinsing water, slightly blued with the indigo bag.

Be very careful to rinse them in two cold waters out of the first suds, and after the boiling; then wring them and hang them out.

This way of washing with the soap mixture saves much labor in rubbing; expedites the business, and renders the clothes very white, without injuring them in the least. Try it.

* * * *

DESCRIPTION OF STEEL FASHION PLATE.

We challenge comparison in the design and execution, to say nothing of the accuracy, of our fashion plate. The first is as pretty a home scene as one could wish, and the costumes are brought in naturally. For instance, the promenade dress of the visitor, Fig. 1st. A plain stone-colored merino, with green turc satin, a coat or martle made to fit close to the figure, with sleeves demi-width. The trimming is not a simple quilting, like that worn the past season, as it would at first appear, but an entirely new style of silk braid put on in basket-work. Drawn bonnet of apple-green satin, lined with pink, and, with a small muff, the dress is complete.

Fig. 2d is a morning-dress, that would be very pretty to copy for a bridal wardrobe. In the engraving, it is represented of pink silk, with an open corsage, and sleeves demi-long. The chemisette is of lace, to match that upon the skirt, and is fastened at the throat by a simple knot of pink ribbon. The trimming of the dress is quilled ribbon, and the cap has a band and knot of the same color.

Fig. 3d is a mourning costume of silk, with four rows of heavily-knotted fringe upon the skirt, and the sleeves trimmed to correspond. The figures of the children are simple and easily understood. The pelisse of the little girl has an edge to correspond with the muff.

In the second and out-door scene, the artist has very happily given us a glimpse of sleigh-riding in the city. The pedestrians are tastefully dressed, the first figure having one of the most graceful cloaks of the season; it is of stone-colored Thibet cloth, and is trimmed with a fold of the same corded with satin. The sleeves are peculiar, and deserve particular attention. The bonnet is of uncut velvet, with satin bands.

The dress of the second figure will be found very comfortable. It is of thick Mantua silk; trimmed heavily down the entire front breadth. The sacque, of the same, is lined with quilted white satin, as are the loose open sleeves. The sleeves of the dress open in a point at the wrist, to display the undersleeves. The bonnet is a pink casing, with bouquet of roses.

* * * *

CHIT-CHAT UPON PHILADELPHIA FASHIONS FOR JANUARY.

EVENING DRESS.—Of all the uncomfortable sensations one can experience in society, that of being over or under-dressed is the most uncomfortable. It fetters your movements, it distracts your thoughts, and makes conversation next to impossible, unless you have an extraordinary degree of moral courage. We can speak from experience, and so can any of our lady readers, we venture to say.

"Come early; there won't be more than half a dozen people," says your friend, as she flies out of your room at the hotel, after having given you notice that a few of her intimates are to meet you that evening at her house. Take her at her word, of course. Go at half past seven, and ten to one the gas will not be turned on, and your hostess is still at her toilet. Presently, in she sails, making a thousand apologies at having been detained, and is so glad that you have kept your promise and come early. You look at her elaborate toilet, and think your old friend has become extravagantly fond of dress if this is her reception of half a dozen people. An hour, almost an hour by the marble time-piece, drags on. Not a visitor appears. At length, you are refreshed by a faint tinkle of the door bell. A lady shortly enters, saying, "Don't think me a Goth for coming so early." After she is introduced to you, a stolen glance at the clock. Early! It is half-past eight. What time do they intend to come? But now they arrive faster and faster, and each more elaborately dressed than the last, it seems to your startled eyes. A triple lace skirt glides in. You look at your dark green cashmere in dismay. Low neck and short sleeves! Yours is up to the throat. But you mentally thank your mantua-maker for inserting undersleeves; they are quite consoling. Dozens of white kid gloves! You have not even mitts, and your hand is fairly red with the same blush that suffuses your face. In fine, it is an actual party, dancing, supper, and all, given to you; and yet there you sit, among entire strangers dumb from annoyance, and awkward for the first time in many years, perhaps.

But you will not be caught so again. You are wiser from fearful experience. A similar invitation is met with an appeal to your very best party dress, and you go armed cap-a-pie, even to white satin slippers. The clock strikes nine as you enter the room, and there is your truth-loving hostess, with her half dozen plain guests, who had given you up, and are sorry you cannot stay long, "as they see you are dressed for a party." Capital suggestion! Make the most of it, and retire as soon as possible under that plea.

We appeal to you, ladies, whether this is a fancy sketch; and yet sometimes it is not the fault of the hostess—you really do not know how you are expected to arrange your toilet. It is to obviate this evil that we propose giving a few plain hints on evening dress.

We once knew a very nice lady, who had come to town for the purpose of taking music lessons. She was entirely unfamiliar with the etiquette of the toilet, and living at a boarding house, there was no one she felt at entire liberty to consult. A gentleman invited her to the opera. She was wild with delight. It was a cold winter's night, and she dressed accordingly. She wore a dark merino dress and cloak, a heavy velvet bonnet and plumes, and thick knit gloves, dark also. The gentleman looked astonished, but said nothing; and imagine her consternation, when she found herself in the centre of the dress circle, in the midst of unveiled necks and arms, thin white dresses, and white kid gloves. At once the oddity of her mistake flashed across her; but she bore it with unparalleled firmness, and enjoyed the music notwithstanding. The lorgnettes attracted by her costume, found a very sweet face to repay them, and her naive and enthusiastic criticism interested her companion so much that he forgot all else.

And how should she have dressed? Cloaks—and what is an opera toilet without a cloak?—are nothing more than sacques of bright cashmere or velvet, lined with quilted silk or satin, with loose flowing sleeves. A shawl is, of course, thrown over this out of doors. One of the prettiest cloaks of this season was made by Miss Wharton, of black satin, with a hood lined with Pompadour pink. But cashmere is less expensive, and may be trimmed with pointed silk or satin, and lined with the same colored silk. Your dress is not of so much consequence, if it is light, for the cloak conceals it. But the undersleeves should be very nice, and white kid gloves are indispensable. A scarf or hood may be worn to the door of the box, and then thrown over the arm. The hair is dressed with very little ornament this winter; but, whatever the head-dress adopted, the two chief points are simplicity and becomingness. Dress hats are allowed; but, as they obstruct the view of others, are not desirable.

Nearly the same dress is proper for a subscription concert, where you are sure of a large audience; of course, where Jenny Lind is the attraction, the same thing is certain. All her concerts are dress concerts. But, for a ballad soiree, or the first appearance of any new star, a pretty hat, with an opera cloak or light shawl, is quite sufficient. For panoramas, negro minstrels, or evening lectures, an ordinary walking costume is sufficient, and it would be very bad taste to go with the head uncovered.

A party dress should be regulated by the invitation, in a measure. In "sociables," the most sensible of all parties, a light silk, mousseline, or cashmere, is sufficient, with short sleeves and a pretty collar. Gloves are by no means indispensable, and many prefer black silk mitts. If the number of invitations exceeds twenty-five, a regular evening dress is expected, as well as at weddings, receptions, or a dancing party. A full evening costume we have often described, and shall give some new styles next month.

Of course, we have spoken only of young ladies, a more matronly style being expected from their chaperons. For instance, caps at the opera or concerts, a charming variety of which were seen at Miss Wilson's November opening. Turc satins, velvets, and brocades are to those in place of white tulle or embroidered crepes. And again, our hints of course are intended for the city alone, and for the guidance of those who are making that perilous venture, a "first winter in society."

FASHION.

* * * * *

THE BOOK OF THE NATION.

GODEY'S LADY'S BOOK FOR 1851,

LITERARY AND PICTORIAL,

DEVOTED TO AMERICAN ENTERPRISE, AMERICAN WRITERS, AND AMERICAN ARTISTS.

* * * *

The publisher of the Lady's Book having the ability, as well as the inclination, to make the best monthly literary, and pictorial periodical in this country, is determined to show the patrons of magazines to what perfection this branch of literature can be brought. He has now been publishing the Lady's Book for twenty-six years and he appeals to his subscribers and the public whether the "Book" has not improved every year, and he now pledges his well-earned reputation that, in the MORALITY and SUPERIORITY of his literature, and in the PURITY and BEAUTY of his engravings,

THE LADY'S BOOK FOR 1851 SHALL EXCEED EVERY OTHER MAGAZINE.

The literary department will still be conducted by

MRS. SARAH J. HALE,

whose name is now recognized throughout our country as the able champion of her sex in all that pertains to the proper rights of woman. Arrangements have been made with other than our well known contributors, and we shall have the pleasure of adding to the following some writers of great celebrity, whose names have not yet appeared in the "Book."

Mrs. J.C. Neal, Mrs. E.F. Ellet, Enna Duval, Mrs. E. Oakes Smith, Mrs. A.F. Law, The Author of Miss Bremer's Visit to Cooper's Landing, Mrs. L.G. Abell, Mrs. O.M.P. Lord, Kate Berry, Mrs. S.J. Hale, F.E.F., Mary Spenser Pease, The Author of "Aunt Magwire," Mrs. C.F. Orne, Mrs. J.H. Campbell, W. Gilmore Simms, H.T. Tuckerman, Park Benjamin, Hon. R.T. Conrad, John Neal, Tom Owen (the Bee Hunter), Alfred B. Street, George P. Morris, Rev. H.H. Weld, H. Wm. Herbert, Professor Wm. Alexander, Professor Alden, Professor John Frost, T.S. Arthur, Richard Coe, Herman Melville, Nathl. Hawthorn,

and a host of other names, which our space will not permit us to mention. In short, no efforts will be wanting to retain for Godey's Lady's Book the proud title of

THE LEADING PERIODICAL IN AMERICA.

It will be seen that we have commenced furnishing original designs for our

MODEL COTTAGE

department, than which no set of illustrations have ever given more satisfaction.

THE LADIES' DEPARTMENT

is one that we particularly pride ourselves upon. We have been the first to give everything new in this line—Crochet Work, Knitting, Netting, Patch Work, Crochet Flower Work, Leather Work, Hair Braiding, Ribbon Work, Chenille Work, Lace Collar Work, D'Oyley Watch Safes, Children's and Infants' Clothes, Caps, Capes, Chemisettes, and, in fact, everything that we thought would please our readers. In addition, we have also commenced the publication of

UNDOUBTED RECEIPTS

for Cooking, Removing Stains, and every matter that can interest the head of a family.

GODEY'S RELIABLE FASHION PLATES.

This department will be under the sole superintendence of a lady—one of our first modistes—who receives proof sheets of the fashions direct from Paris, and is intimately connected with the publishers in that city. This favor is granted to her exclusively. They are arranged, under her direction, to suit the more subdued taste of American ladies. There is no other magazine in America that can be equally favored. We have so long led in this department that the fact would hardly be worth mentioning, excepting that others claim the merit that has so long been conceded to the "Book." They will be got up, as usual, in our superior style to the French.

NEW MUSIC, PRINTED SEPARATE

on tinted paper. This is another advantage that Godey possesses over all others. A gentleman is engaged expressly to attend to this department, and no music is inserted in the "Book" that has not undergone his strict supervision.

ILLUSTRATIONS.

In artistic merit, the "Book" will still retain its pre-eminence, and, in order to show the public wherein our superiority will consist, we give the titles of some of the plates that we have now on hand ready for use, all of which will be given in succession. It will be observed that we have, in a measure, quit the beaten track of copying from engravings, as most of our plates are from original designs, prepared expressly for the "Book," by

CROOME, ROTHERMEL, TUCKER, PEASE, DALLAS, PETERS, & GILBERT.

Those that are not from original designs, prepared expressly for us, are from the original painting. Furthermore, the publisher of the "Book" would state that they are ALL STEEL PLATES, and that there is not a WOOD-CUT amongst them. We will not deceive by publishing a list of plates without, at the same time stating whether they are engraved on wood or steel.

It may as well be also stated that Mr. Tucker, our own artist, than whom no one stands higher in America, has been in London for more than a year, and all his plates are now finished. One series of our plates in line engraving will be

CONSTANCY AND COQUETRY,

done in a style to defy any imitation in mezzotint,

GOOD COUNSEL AND EVIL COUNSEL,

DRESS THE MAKER AND DRESS THE WEARER

* * * * *



THE VALENTINES.

The fires of February lit the hearth, And shone with welcome lustre on the brows Of two most lovely maidens, as they sat Expecting, in their heart of hearts, the notes Called "Valentines," that February brings Upon its fourteenth day, to tell, in rhyme, All fair and gentle ladies whether they Have made new conquests, or have kept the old As fresh as new-blown roses in the hearts Of their admiring slaves. One of the girls (Laughing and lovely was she), ever won High hearts to do her bidding, dreaming it No sin that all should yield her love and homage, Yet was no trifling, passionless coquette. Her winning beauty was the standing toast Of the wide neighborhood, and serenades From many a gallant woke the sleeping echoes Beneath her window, and her name was like The silvery pealing of a tinkling bell; (Perhaps 'tis yours, fair reader,) "Clairinelle."

May sat beside her with a graver air, Something more matronly controlled her mien; Yet was she not a sighing "sentimentalist," But, like her cousin Cary, could be gay: Two Valentines had come for these fair girls, Which made the dimpled smiles show teeth like pearls Pray, read those tender missives—here they are—

CLAIRINELLE'S VALENTINE.

The maiden I love is the fairest on earth, Her laugh is the clear, joyous music of mirth; I think of the angels whenever she sings— She's a seraph from Heaven, but folding her wings. The least little act that she doeth is kind; Her goodness all springs from a beautiful mind. I love her much more than I know how to tell; Let her do what she will, it is always done well: Her voice is the murmur the mild zephyr makes As it steals through the forest and ruffles the lakes: Her eyes are so gentle, so calm, and so blue, That I'm sure that she's constant, and trusting, and true: Her features are delicate, classic, and pure: Her hair is light chestnut, and I'm almost sure That the sunbeams that bathe it can't set themselves free: Her teeth are like pearls from the depths of the sea. A bee in a frolic once stung her red lip, And left there the honey he hastened to sip: Let her go where she will, she is always the belle, And her name, her sweet name, is the fair Clairinelle.

MAY'S VALENTINE.

MY UNSENTIMENTAL COUSIN:— The moon was half bewildered by the vexing clouds That did beset her in her path serene, Veiling her beauty with their envious shrouds, Hiding her glorious, most majestic mien. There was a depth of silence in the night— A mist of melancholy in the air— And the capricious beams of Dian's light Gave something mystic to the scene most fair. I gave my cousin Dante's divine "Inferno," Imploring her to read il primo canto. "Lo giorno s'andava," she drawled; but, tired of plodding, Directly fell asleep, and pretty soon—was nodding!! "Cousin, sweet cousin," cried I out, "awake! I long for sympathy—compassion on me take: They say yon stars are worlds—dost think 'tis so?" "Really, my—dear (a yawn), I—don't exactly know." "Cousin," said I, "upon a night like this, Back to the heart steal distant memories From out the vista of the waning past"— "Harry, I've caught the horrid fly at last!" Shades of the angry Muses! worse and worse! She disappears!—is gone!—to knit a crochet purse!! "Cousin, come back again!" in vain I cried; Echo (the mocking-bird!) alone replied.

CARA.

* * * * *

CORNERS FOR POCKET HANDKERCHIEFS.



* * * * *

BIRTHDAY OF THE YEAR

THE END