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God's Good Man
by Marie Corelli
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Mr. Marius Longford stroked one of his pussy-cat whiskers thoughtfully, and put in his word.

"Lady Elizabeth spoke of you, Miss Vancourt, several times," he said. "In fact"—and he smiled—"she had a good deal to say! She remembers meeting you in Paris, and—if I mistake not—also at Homburg on one occasion. She was surprised to hear you were coming to live in this dull country place—she said it would never suit you at all—you were altogether too brilliant—er—" he bowed—" and er- -charming!" This complimentary phrase was spoken with the air of a beneficent paterfamilias giving a child a bon-bon.

Maryllia's glance swept over him carelessly.

"Much obliged to her, I'm sure!" she said—"I can quite imagine the anxiety she felt concerning me! So good of her! Is she a great friend of yours?"

Mr. Longford looked slightly disconcerted.

"Well, no," he replied—"I have only during these last few days— through Sir Morton—had the pleasure of her acquaintance—"

"Mr. Longford is not a 'society' man!" said Sir Morton, with a chuckle—"He lives on the heights of Parnassus—and looks down with scorn on the browsing sheep in the valleys below! He is a great author!"

"Indeed!" and Maryllia raised her delicately arched eyebrows with a faint movement of polite surprise—"But all authors are great nowadays, aren't they? There are no little ones left."

"Oh, yes, indeed, and alas, there are!" exclaimed Julian Adderley, flourishing his emptied tea-cup in the air before setting it back in its saucer and depositing the whole on a table before him; "I am one of them, Miss Vancourt! Pray be merciful to me!"

The absurd attitude of appeal he assumed moved Maryllia to a laugh.

"Well, when you look like that I guess I will!" she said playfully, not without a sense of liking for the quaint human creature who so willingly made himself ridiculous without being conscious of it— "What is your line in the small way?"

"Verse!" he replied, with tragic emphasis—"Verse which nobody reads—verse which nobody wants—verse which whenever it struggles into publication, my erudite friend here, Mr. Longford, batters into pulp with a sledge-hammer review of half-a-dozen lines in the heavier magazines. Verse, my dear Miss Vancourt!—verse written to please myself, though its results do not feed myself. But what matter! I am happy! This village of St. Rest, for example, has exercised a spell of enchantment over me. It has soothed my soul! So much so, that I have taken a cottage in a wood—how melodious that sounds!—at the modest rent of a pound a week. That much I can afford,—that much I will risk—and on the air, the water, the nuts, the berries, the fruits, the flowers, I will live like a primaeval man, and let the baser world go by!" He ran his fingers through his long hair. "It will be an experience! So new—so fresh!"

Miss Tabitha sniffed sarcastically, and gave a short, hard laugh.

"I hope you'll enjoy yourself!" she said tartly—"But you'll soon tire. I told you at once when you said you had decided to spend the summer in this neighbourhood that you'd regret it. You'll find it very dull."

"Oh, I don't think he will!" murmured Maryllia graciously; "He will be writing poetry all the time, you see! Besides, with you and Sir Morton as neighbours, how CAN he feel dull? Won't you have some more tea?"

"No, thank you!" and Miss Pippitt rose,—"Father, we must be going. You have not yet explained to Miss Vancourt the object of our visit."

"True, true!" and Sir Morton got out of his chair with some difficulty—"Time flies fast in such fascinating company!" and he smiled beamingly—"We came, my dear lady, to ask you to dine with us on Thursday next at Badsworth Hall." No words could convey the pomposity which Sir Morton managed to infuse into this simple sentence. To dine at Badsworth was, or ought to be, according to his idea, the utmost height of human bliss and ambition. "We will invite some of our most distinguished neighbours to meet you,—there are a few of the old stock left—" this as if he were of the 'old stock' himself;—"I knew your father—poor fellow!—and of course I remember seeing you as a child, though you don't remember me—ha- ha!—but I shall be delighted to welcome you under my roof—"

"Thanks so much!" said Maryllia, demurely—"But please let it be for another time, will you? I haven't a single evening disengaged between this and the end of June! So sorry! I'll come over to tea some day, with pleasure! I know Badsworth. Dear old place!—quite famous too, once in the bygone days—almost as famous as Abbot's Manor itself. Let me see!" and she looked up at the ceiling musingly—"There was a Badsworth who fought against the Commonwealth,—and there was another who was Prime Minister or something of that kind,—then there was a Sir Thomas Badsworth who wrote books—and another who did some wonderful service for King James the First—yes, and there were some lovely women in the family, too—I suppose their portraits are all there? Yes—I thought so!"—this as Sir Morton nodded a blandly possessive affirmative— "How things change, don't they? Poor old Badsworth! So funny to think you live there! Oh, yes! I'll come over—certainly I'll come over,—some day!"

Thus murmuring polite platitudes, Maryllia bade her visitors adieu. Sir Morton conquered an inclination to gasp for breath and say 'Damn!' at the young lady's careless refusal of his invitation to dinner,—Miss Tabitha secretly rejoiced.

"I'm sure I don't want her at Badsworth," she said within herself, viciously—"Nasty little insolent conceited thing! I believe her hair is dyed, and her complexion put on! A regular play-actress!"

Unconscious of the spinster's amiable thoughts, Maryllia was holding out a hand to her.

"Good-bye!" she said—"So kind of you to come and see me! I'm sure you think I must be lonely here. But I'm not, really! I don't think I ever shall be,—because as soon as I have got the house quite in order, I am going to ask a great many friends to stay with me in turn. They will enjoy seeing the old place, and country air is such a boon to London people! Good-bye!"—and here she turned to Marius Longford—"I'm afraid I haven't read any of your books!—anyway I expect they would be too deep for me. Wouldn't they?"

"Lord Roxmouth has been good enough to express his liking for my poor efforts," he replied, with a slight covert smile—"I believe you know him?"

"Oh, quite well—quite too well!" said Maryllia, without any discomposure—"But what he likes, I always detest. Unfortunate, isn't it! So I mustn't even try to read your works! You, Mr. Adderley"—and she laughingly looked up at that gentleman, who, hat in hand, was pensively drooping in a farewell attitude before her,— "you are going to stop here all summer, aren't you? And in a cottage! How delightful! Anywhere near the Manor?"

"I am not so happy as to have found a domicile on this side Eden!" murmured Adderley, with a languishing look—"My humble hut is set some distance apart,—about a mile beyond the rectory."

"Then your best neighbour will be the parson," said Maryllia, gaily- -"So improving to your morals!"

"Possibly—possibly! "assented Adderley—" Mr. Walden is not exactly like other parsons,—there is something wonderfully attractive about him—"

"Something wonderfully conceited and unbearable, you mean!" snapped out Sir Morton—"Come, come!—we must be off! The horses are at the door,—can't keep them standing! Miss Vancourt doesn't want to hear anything about the parson. She'll find him out soon enough for herself. He's an upstart, my dear lady—take my word for it!—a pretentious University prig and upstart! You'll never meet HIM at Badsworth!—ha-ha-ha! Never! Sorry you can't dine on Thursday! Never mind, never mind! Another time! Good-bye!"

"Good-bye!" and with a slight further exchange of salutations Maryllia found herself relieved of her visitors. Of all the four, Adderley alone looked back with a half-appealing smile, and received an encouraging little nod for his pains—a nod which said 'Yes—you can come again if you like!' The wheels of the Pippitt equipage crunched heavily down the drive, and as the grating sound died away, clear on the quiet air came the soft slow chime of the church-bells ringing. It was near sunset,—and Walden sometimes held a short simple service of evening prayer at that hour. Leaning against the open window Maryllia listened.

"How pretty it is!" she said—"It must be the nearness of the river that makes the tone of the bells so soft and mellow! Oh, what an insufferable old snob that Pippitt is! And what a precious crew of 'friends' he boasts of! Lumpton, who, when he was a few years younger, danced the skirt-dance in women's clothes for forty pounds a night at a New York restaurant!—Mawdenham, who pawned all his mother's jewels to pay his losses at Bridge—and Lady Elizabeth Messing, who is such an abandoned old creature that her own married daughters won't know her! Oh, dear! And I believe the Knighted Bone- Boiler thinks they are quite good style! That literary man, Longford, was a most unprepossessing looking object,—a friend of Roxmouth's too, which makes him all the more unpleasant. And of course he will at once write off and say he has seen me. And then— and then-dear me! I wonder where Sir Morton picks these people up! He doesn't like the parson here evidently—'a pretentious University prig and upstart'—what a strong way of putting it!—very strong for such a clean-looking old man! 'A pretentious University prig and upstart' are you, Mr. Walden!" Here, smiling to herself, she moved out into the garden and called her dog to her side—"Do you hear that, Plato? Our next-door neighbour is a prig as well as a parson!- -isn't it dreadful!" Plato looked up at her with great loving brown eyes and wagged his plumy tail. "I believe he is,—and yet—yet all the same, I think—yes!—I think, as soon as a convenient opportunity presents itself, I'll ask him to dinner."



XIII

The next day Maryllia was up betimes, and directly after breakfast she sent for Mrs. Spruce. That good lady, moved by the summons into sudden trepidation, lest some duty had been forgotten, or some clause of the household 'rules and regulations' left unfulfilled, hastened to the inner library, a small octagonal room communicating with the larger apartment, and there found her mistress sitting on a low stool, with her lap full of visiting-cards which she was busily sorting.

"Spruce!" and she looked up from her occupation with a mock tragic air—"I'm dull! Positively D U double L! DULL!"

Mrs. Spruce stared,—but merely said:

"Lor, Miss!" and folded her hands on her apron, awaiting the next word.

"I'm dull, dull, dull!" repeated Maryllia, springing up and tossing all the cards into a wide wicker basket near at hand—"I don't know what to do with myself, Spruce! I've got nobody to talk to, nobody to play with, nobody to sing to, nobody to amuse me at all, at all! I've seen everything inside and outside the Manor,—I've visited the church,—I know the village—I've talked to dear old Josey Letherbarrow till he must be just tired of me,—he's certainly the cleverest man in the place,—and yesterday the Pippitts came and finished me. I'm done! I throw up the sponge!—that's slang, Spruce! There's nobody to see, nowhere to go, nothing to do. It's awful! 'The time is out of joint, O cursed spite!' That's Hamlet. Something must HAPPEN, Spruce!"—and here she executed a playful pas-seul around the old housekeeper—"There! Isn't that pretty? Don't look so astonished!—you'll see ever so much worse than that by and bye! I am going to have company. I am, really! I shall fill the house! Get all the beds aired, and all the bedrooms swept out! I shall ask heaps of people,—all the baddest, maddest folks I can find! I want to be bad and mad myself! There's nobody bad or mad enough to keep me going down here. Look at these!" And she raked among the visiting-cards and selected a few. "Listen!—'Miss Ittlethwaite, Miss Agnes Ittlethwaite, Miss Barbara Ittlethwaite, Miss Christina Ittlethwaite, Ittlethwaite Park.' It makes my tongue all rough and funny to read their names! They've called,—and I suppose I shall have to call back, but I don't want to. What's the good? I'm sure I never shall get on with the Ittlethwaites,—we shall never, never agree! Do you know them, Spruce? Who are they?"

Mrs. Spruce drew a long breath, rolled up her eyes, and began:

"Which the Misses Ittlethwaite is a county fam'ly, Miss, livin' some seven or eight miles from here as proud as proud, owin' to their forebears 'avin' sworn death on Magnum Chartus for servin' of King John—an' Miss Ittlethwaite proper, she be gettin' on in years, but she's a great huntin' lady, an' come November is allus to be seen follerin' the 'ounds, stickin' to the saddle wonderful for 'er size an' time o' life, an' Miss Barbara, she doos a lot o' sick visitin', an' Bible readin', not 'ere, for our people won't stand it, an' Passon Walden ain't great on breakin' into private 'ouses without owners' consents for Bible readin', but she, she's 'Igh, an' tramps into Riversford near every day which the carrier's cart brings 'er 'ome to 'er own place they 'avin' given up a kerridge owin' to spekylation in railways, an' Miss Hagnes she works lovely with 'er needle, an' makes altar cloths an' vestis for Mr. Francis Anthony, the 'Igh Church clergyman at Riversford, he not bein' married, though myself I should say there worn't no chance for 'er, bein' frightful skinny an' a bit off in 'er looks—an' Miss Christina she do still play at bein' a baby like, she's the youngest, an' over forty, yet quite a giddy in 'er way, wearin' ribbins round her waist, an' if 'twarn't for 'er cheeks droppin' in long like, she wouldn't look so bad, but they're all that proud—"

"That'll do, Spruce, that'll do!" cried Maryllia, putting her hands to her ears—"No more Ittlethwaites, please, for the present! Sufficient for the day is the Magnum Chartus thereof! Who comes here?" and she read from another card,—"'Mrs. Mordaunt Appleby.' Also a smaller label which says, 'Mr. Mordaunt Appleby'! More county family pride or what?"

"Oh lor' no, Miss, Mordaunt Appleby's only the brewer of Riversford," said Mrs. Spruce, casually. "He's got the biggest 'ouse in the town, but people remembers 'im when he was a very shabby lot indeed,-an awful shabby lot. HE ain't nobody, Miss-he's just got a bit o' money which makes the commoner sort wag tails for 'im, but it's like his cheek to call 'ere at all. Sir Morton Pippitt, bein' in. the bone-meltin' line, as 'im up to dine now an' agin, just to keep in with 'im like, for he's a nasty temper, an' his wife's got the longest and spitefullest tongue in all the neighbourhood. But you needn't take up wi' them, Miss-they ain't in your line,-which some brewers is gentlemen, an' Appleby ain't—YOUR Pa wouldn't never know HIS Pa."

"Then that's settled!" said Maryllia, with a sigh of relief. "Depart, Mordaunt Applebys into the limbo of forgotten callers!"-and she tossed the cards aside-"Here are the Pippitt names,-I small remember them all right-Pip-pitt and Ittlethwaite have a tendency to raise blisters of memory on the brain. What is this neat looking little bit of pasteboard-' The Rev. John Walden.' Yes!-he called two or three days ago when I was out."

Mrs. Spruce sniffed a sniff of meaning, but said nothing.

"I've not been to church yet"-went on Maryllia medi-tatively. "I dare say he thinks me quite a dreadful person. But I hate going to church,-it's so stupid-so boresome-and oh!-such a waste of time!"

Mrs. Spruce still held her peace. Maryllia gave her a little side- glance and noted a certain wistfulness and wonder in the rosy, wrinkled face which was not without its own pathos.

"I suppose everybody about here goes to church at least Once on Sundays," pursued Maryllia-"Don't they?"

"Them as likes Mr. Walden goes," answered Mrs. Spruce promptly-"Then as don't stops away. Sir Morton Pippitt used allus to attend 'ere reg'ler when the buildin' was nowt but ruin, an' 'e 'ad a tin roof put over it,-'e was that proud o' the tin roof you'd a' thought 'twas made o' pure gold, an' he was just wild when Mr. Walden pulled it all off an' built up the walls an' roof again as they should be all at 'is own expense, an' he went away from the place for sheer spite like, an' stayed abroad a whole year, an' when 'e come back again 'e never wouldn't go nigh it, an' now 'e attends service at Badsworth Church,-Badsworth Barn we calls it,-for'tain't nowt but a barn which Mr. Leveson keeps 'Igh as 'Igh with a bit o' tinsel an' six candles, though it's the mis'ablest place ye ever set eyes on, an' 'e do look a caution 'isself with what 'e calls a vestiment 'angin' down over 'is back, which is a baek as fat as porpuses, the Lord forgive me for sayin.' it, but Sir Morton 'e be that set against Mr. Walden he'll rather say 'is prayers in a pig-stye with a pig for the minister than in our church, since it's been all restored an' conskrated—then, as I told you just now, Miss, the Ittlethwaites goes to Riversford where they gits opratick music with the 'Lord be merciful to us mis'able sinners'—an' percessions with candles,—so our church is mostly filled wi' the village folks, farmer bodies an' sich-like,—there ain't no grand people what comes, though we don't miss 'em, for Passon 'e don't let us want for nothin' an' when there's a man out o' work, or a woman sick, or a child what's pulin' a bit, an' ricketty, he's alhis ready to 'elp, with all 'e 'as an' welcome, payin' doctor's fees often,—an' takin' all the medicine bills on 'isself besides. Ah, 'e's a rare good sort is Passon Walden, an' so you'd say yerself, Miss, if ever you took on your mind to go and hear 'im preach, an' studied 'is ways for a bit as 'twere an' asked 'bout 'im in the village, for 'e's fair an' open as the day an' ain't got no sly, sneaky tricks in 'im,—he's just a man, an' a good one—an' that's as rare a thing to find in this world as a di'mond in a wash-tub, an' makin' so bold, Miss, if you'd onny go to church next Sunday—-"

Maryllia interrupted her by a little gesture.

"I can't, Spruce!" she said, but with great gentleness—"I know it's the right and proper thing for me to do in the country if I wish to stand well with my neighbours,-but I can't! I don't believe in it,— and I won't pretend that I believe!"

Poor Mrs. Spruce felt a sudden choking in her throat, and her motherly face grew red and pale by turns. Miss Maryllia, the old squire's daughter, was—what? A heathen?—an unbeliever—an atheist? Oh, surely it was not possible—it could not be!—she would not accept the idea that a creature so dainty and pretty, so fair and winsome, could be cast adrift on the darkness of life without any trust in the saving grace of the Christian Faith! Limited as were Mrs. Spruce's powers of intelligence, she was conscious enough that there would be something sweet and strong lost out of the world, which nothing could replace, were the message of Christ withdrawn from it. The perplexity of her thoughts was reflected on her countenance and Maryllia, watching her, smiled a little sadly.

"You mustn't think I don't believe in God, Spruce,"—she said slowly—"I do! But I can't agree with all the churches teach about Him. They make Him out to be a cruel, jealous and revengeful Being— -"

"Mr. Walden don't—-," put in Mrs. Spruce, quickly.

"And I like to think of Him as all love and pity and goodness," went on Maryllia, not heeding her—"and I don't say prayers, because I think He knows what is best for me without my asking. Do you understand? So it's really no use my going to church, unless just out of curiosity—and perhaps I will some day do that,—I'll see about it! But I must know Mr. Walden a little better first,—I must find out for myself what kind of a man he is, before I make up my mind to endure such a martyrdom as listening to a sermon! I simply loathe sermons! I suppose I must have had too many of them when I was a child. Surely you remember, Spruce, that I used to be taken into Riversford to church?" Mrs. Spruce nodded emphatically in the affirmative. "Yes!—because when father was alive the church here was only a ruin. And I used to go to sleep over the sermons always— and once I fell off my seat and had to be carried out. It was dreadful! Now Uncle Fred never went to church,—nor Aunt Emily. So I've quite got out of the way of going—nobody is very particular about it in Paris or London, you see. But perhaps I'll try and hear Mr. Walden preach—just once—and I'll tell you then what I think about it. I'll put his card on the mantelpiece to remind me!"

And she suited the action to the word, Mrs. Spruce gazing at her in a kind of mild stupefaction. It seemed such a very odd thing to stick up a clergyman's card as a reminder to go to church 'just once' some Sunday.

Meanwhile Maryllia continued, "Now, Spruce, you must begin to be busy! You must prepare the Manor for the reception of all sorts of people, small and great. I feel that the time has come for 'company, company!' And in the first place I'm going to send for Cicely Bourne,—she's my pet 'genius'—and I'm paying the cost of her musical education in Paris. She's an orphan—like me—she's all alone in the world—like me;—and we're devoted to each other. She's only a child—just over fourteen—but she's simply a wonder!—the most wonderful musical wonder in the world!—and she has a perfectly marvellous voice. Her master Gigue says that when she is sixteen she will have emperors at her feet! Emperors! There are only a few,—but they'll all be grovelling in the dust before her! You must prepare some pretty rooms for her, Spruce, those two at the top of the house that look right over the lawn and woods—and make everything as cosy as you can. I'll put the finishing touches. And I must send to London for a grand piano. There's only the dear old spinet in the drawing-room,—it's sweet to sing to, and Cicely will love it,—but she must have a glorious 'grand' as well. I shall wire to her to- day,—I know she'll come at once. She will arrive direct from Paris,—let me see!"—and she paused meditatively—"when can she arrive? This is Friday,—yes!—probably she will arrive here Sunday or Monday morning. So you can get everything ready."

"Very well, Miss," and Mrs. Spruce, with the usual regulation 'dip' of respectful submission to her mistress was about to withdraw, when Maryllia called her back and handed over to her care the wicker basket full of visiting-cards.

"Put them all by,"—she said—"When Cicely comes we'll go through them carefully together, and discuss what to eat, drink and avoid. Till then, I shall blush unseen, wasting my sweetness on the desert air! Time enough and to spare for making the acquaintance of the 'county.' Who was it that said: Never know your neighbours'? I forget,—but he was a wise man, anyway!"

Mrs. Spruce 'dipped' a second time in silence, and was then allowed to depart on her various household duties. The good woman's thoughts were somewhat chaotically jumbled, and most fervently did she long to send for 'Passon,' her trusted adviser and chief consoler, or else go to him herself and ask him what he thought concerning the non-church-going tendencies of her mistress. Was she altogether a lost sheep? Was there no hope for her entrance into the heavenly fold?

"Which I can't and won't believe she's wicked,"—said Mrs. Spruce to herself—"With that sweet childie face an' eyes she couldn't be! M'appen 'tis bad example,—'er 'Merican aunt 'avin' no religion as 'twere, an' 'er uncle, Mr. Frederick, was never no great shakes in 'is young days if all the truth was told. Well, well! The Lord 'e knows 'is own, an' my 'pinion is He ain't a-goin' to do without Miss Maryllia, for it's allus 'turn again, turn again, why will 'ee die' sort of thing with Him, an' He don't give out in 'is patience. I'm glad she's goin' to 'ave a friend to stay with 'er,—that'll do 'er good and 'earten her up—an' mebbe the friend'll want to go to church, an' Miss Maryllia 'ull go with her, an' once they listens to Passon 'twill be all right, for 'is voice do draw you up into a little bit o' heaven somehow, whether ye likes it or not, an' if Miss Maryllia once 'ears 'im, she'll be wanting to 'ear 'im again— so it's best to leave it all in the Lord's 'ands which makes the hill straight an' the valleys crooked, an' knows what's good for both man and beast. Miss Maryllia ain't goin' to miss the Way, the Truth an' the Life—I'm sartin sure o' that!"

Thus Mrs. Spruce gravely cogitated, while Maryllia herself, unaware of the manner in which her immortal destinies were being debated by the old housekeeper, put on her hat, and ran gaily across the lawn, her great dog bounding at her side, making for the usual short-cut across the fields to the village. Arrived there she went straight to the post-office, a curious little lop-sided half-timbered cottage with a projecting window, wherein, through the dusty close-latticed panes could be spied various strange edibles, such as jars of acidulated drops, toffee, peppermint balls, and barley-sugar— likewise one or two stray oranges, some musty-looking cakes, a handful or so of old nuts, and slabs of chocolate protruding from shining wrappers of tin-foil,—while a flagrant label of somebody's 'Choice Tea' was suspended over the whole collection, like a flag of triumph. The owner of this interesting stock-in-trade and the postmistress of St. Rest, was a quaint-looking little woman, very rosy, very round, very important in her manner, very brisk and bright with her eyes, but very slow with her fingers.

"Which I gets the rheumatiz so bad in my joints," she was wont to say—"that I often wonders 'ow I knows postage-stamps from telegram- forms an' register papers from money-orders, an' if you doos them things wrong Gove'nment never forgives you!"

"Ah, you'll never get into no trouble with Gove'nment, Missis Tapple!" her gossips were wont to assure her, "For you be as ezack as ezack!"

A compliment which Mrs. Tapple accepted without demur, feeling it to be no more than her just due. She was, however, in spite of her 'ezack' methods, always a little worried when anything out of the ordinary occurred, and she began to feel slightly flustered directly she saw Maryllia swing open her garden gate. She had already, during the last few days, been at some trouble to decipher various telegrams which the lady of the Manor had sent down by Primmins for immediate despatch, such as one to a certain Lord Roxmouth which had run as follows:—"No time to reply to your letter. In love with pigs and poultry."

"It IS 'pigs and poultry,' ain't it?" she had asked anxiously of Primmins, after studying the message for a considerable time through, her spectacles. And Primmins, gravely studying it, too, had replied:—

"It is undoubtedly 'pigs and poultry.'"

"And it IS 'in love' you think?" pursued Mrs. Tapple, with perplexity furrowing her brow.

"It is certainly 'in love,'" rejoined Primmins, and the faintest suggestion of a wink affected his left eyelid.

Thereupon the telegram was 'sent through' to Riversford on its way to London, though not without serious misgivings in Mrs. Tapple's mind as to whether it might not be returned with a 'Gove'nment' query as to its correctness. And now, when Maryllia herself entered the office, and said smilingly, "Good-morning! Some foreign telegram-forms, please!" Mrs. Tapple felt that the hour was come when her powers of intelligence were about to be tried to the utmost; and she accordingly began to experience vague qualms of uneasiness.

"Foreign telegram-forms, Miss? Is it for Ameriky?"

"Oh, no!—only for Paris,"—and while the old lady fumbled nervously in her 'official' drawer, Maryllia glanced around the little business establishment with amused interest. She had a keen eye for small details, and she noticed with humorous appreciation Mrs. Tapple's pink sun-bonnet hanging beside the placarded 'Post Office Savings Bank' regulations, and a half side of bacon suspended from the ceiling, apparently for 'curing' purposes, immediately above the telegraphic apparatus. After a little delay, the required pale yellow 'Foreign and Colonial' forms were found, and Mrs. Tapple carefully flattened them out, and set them on her narrow office counter.

"Will you have a pencil, or pen and ink, Miss?" she enquired.

"Pen and ink, please," replied Maryllia; whereat the old postmistress breathed a sigh of relief. It would be easier to make out anything at all 'strange and uncommon' in pen and ink than in pencil-marks which had a trick of 'rubbing.' Leaning lightly against the counter Maryllia wrote in a clear bold round hand:

"Miss CICELY BOURNE,

"17 RUE CROISIE, PARIS.

"Come to me at once. Shall want you all summer. Have wired Gigue. Start to-morrow.

"MARYLLIA VANCOURT."

She pushed this over to Mrs. Tapple, who thankfully noting that she was writing another, took time to carefully read and spell over every word, and mastered it all without difficulty. Meanwhile Maryllia prepared her second message thus:

"Louis GIGUE,

"CONSERVATOIRE, PARIS.

"Je desire que Cicely passe l'ete avec moi et qu'elle arrive immediatement. Elle peut tres-bien continuer ses etudes ici. Vous pouvez suivre, cher maitre, a votre plaisir.

"MARYLLIA VANCOURT."

"It's rather long,"—she said thoughtfully, as she finished it. "But for Gigue it is necessary to explain fully. I hope you can make it out?"

Poor Mrs. Tapple quivered with inward agitation as she took the terrible telegram in hand, and made a brave effort to rise to the occasion.

"Yes, Miss," she stammered, "Louis Gigue—G.i.g.u.e., that's right— yes—at the Conservatory, Paris."

"'No, no!" said Maryllia, with a little laugh—"Not Conservatory— Conservatoire—TOIRE, t.o.i.r.e., the place where they study music."

"Oh, yes—I see!" and Mrs. Tapple tried to smile knowingly, as she fixed her spectacles more firmly on her nose, and began to murmur slowly—"Je desire, d.e.sire—oh, yes—desire!—que—q.u.e.—Cicely- -yes that's all right!—passe, an e to pass—yes—now let me wait a minute; one minute, Miss, if you please!—l'ete—l apostrophe e, stroke across the e,—t, and e, stroke across the e—-"

Maryllia's eyebrows went up in pretty perplexity.

"Oh dear, I'm afraid you won't be able to get it right that way!" she said—"I had better write it in English,—why, here's Mr. Walden!" This, as she saw the clergyman's tall athletic figure entering Mrs. Tapple's tiny garden,—"Good-morning, Mr. Walden!" and as he raised his hat, she smiled graciously—"I want to send off a French telegram, and I'm afraid it's rather difficult—-"

A glance at Mrs. Tapple explained the rest, and Walden's eyes twinkled mirthfully.

"Perhaps I can be of some use, Miss Vancourt," he said. "Shall I try?"

Maryllia nodded, and he walked into the little office.

"Let me send off those telegrams for you, Mrs. Tapple," he said. "You know you often allow me to amuse myself in that way! I haven't touched the instrument for a month at least, and am getting quite out of practice. May I come in?"

Mrs. Tapple's face shone with relief and gladness.

"Well now, Mr. Walden, if it isn't a real blessin' that you happened to look in this mornin'!" she exclaimed—"For now there won't be no delay,—not but what I knew a bit o' French as a gel, an' I'd 'ave made my way to spell it out somehow, no matter how slow,—but there! you're that handy that 'twon't take no time, an' Miss Vancourt will be sure of her message 'avin' gone straight off from here correct,— an' if they makes mistakes at Riversford, 'twon't be my fault!"

While she thus ran on, Walden was handling the telegraphic apparatus. His back was turned to Maryllia, but he felt her eyes upon him,—as indeed they were,—and there was a slight flush of colour in his bronzed cheeks as he presenty looked round and said:

"May I have the telegram?"

"There are two—both for Paris," replied Maryllia, handing him the filled-up forms—"One is quite easy—in English." "And the other quite difficult—in French!"—he laughed. "Let me see if I can make it out correctly." Thereupon he read aloud: "'Louis Gigue, Conservatoire, Paris. Je desire que Cicely passe l'ete avec moi et qu'elle arrive immediatement. Elle peut tres-bien continuer ses etudes ici. Vous pouvez suivre, cher maitre, a votre plaisir.' Is that right?"

Maryllia's eyes opened a little more widely,—like blue flowers wakening to the sun. This country clergyman's pronunciation of French was perfect,—more perfect than her own trained Parisian accent. Mrs. Tapple clasped her dumpy red hands in a silent ecstasy of admiration. 'Passon' knew everything!

"Is it right?" Walden repeated.

Maryllia gave a little start.

"Oh I beg your pardon! Yes—quite right!—thank you ever so much!"

Click-click-click-click! The telegraphic apparatus was at work, and the unofficial operator was entirely engrossed in his business. Mrs. Tapple stood respectfully dumb and motionless, watching him. Maryllia, leaning against the ledge of the office counter, watched him, too. She took quiet observation of the well-poised head, covered with its rich brown-grey waving locks of hair,—the broad shoulders, the white firm muscular hands that worked the telegraphic instrument, and she was conscious of the impression of authority, order, knowledge, and self-possession, which seemed to have come into the little office with him, and to have created quite a new atmosphere. Outside, in the small garden, among mignonette and early flowering sweetpeas, Plato sat on his huge haunches in lion-like dignity, blinking at the sun,—while Walden's terrier Nebbie executed absurd but entirely friendly gambols in front of him, now pouncing down on two forepaws with nose to ground and eyes leering sideways,—now wagging an excited tail with excessive violence to demonstrate goodwill and a desire for amity.—and anon giving a short yelp of suppressed feeling,—to all of which conciliatory approaches Plato gave no other response than a vast yawn and meditative stare.

The monotonous click-click-click continued,—now stopping for a second, then going on more rapidly again, till Maryllia began to feel quite unreasonably impatient. She found something irritating at last in the contemplation of the back of Walden's cranium,—it was too well-shaped, she decided,—she could discover no fault in it. Humming a tune carelessly under her breath, she turned towards Mrs. Tapple's small grocery department, and feigned to be absorbed in an admiring survey of peppermint balls and toffee. Certain glistening squares of sticky white substance on a corner shelf commended themselves to her notice as specimens of stale 'nougat,' wherein the almonds represented a remote antiquity,—and a mass of stringy yellow matter laid out in lumps on blue paper and marked 'One Penny per ounce' claimed attention as a certain 'hardbake' peculiar to St. Rest, which was best eaten in a highly glutinous condition. A dozen or so of wrinkled apples which, to judge by their damaged and worn exteriors, must have been several autumns old, kept melancholy companionship with assorted packages of the 'Choice Tea' whereof the label was displayed in the window, and Maryllia was just about wondering whether she would, or could buy anything out of the musty- fusty collection, when the click-click-click stopped abruptly, and Walden stepped forth from the interior 'den' of the post-office.

"That's all right, Miss Vancourt," he said. "Your telegrams are sent correctly as far as Riversford anyhow, and there is one operator there who is acquainted with the French language. Whether they will transmit correctly from London I shouldn't like to say!—we are a singular nation, and one of our singularities is that we scorn to know the language of our nearest neighbours!"

She smiled up at him,—and as his glance met hers he was taken aback, as it were, by the pellucid beauty and frank innocence of the grave dark-blue eyes that shone so serenely into his own.

"Thank you so very, very much! You have been most kind!" and with a swift droop of her white eyelids she veiled those seductive 'mirrors of the soul' beneath a concealing fringe of long golden-brown lashes—"It's quite a new experience to find a clergyman able and willing to be a telegraph clerk as well! So useful, isn't it?"

"In a village like this it is," rejoined Walden, gaily—"And after all, there's not much use in being a minister unless one can practically succeed in the art of 'ministering' to every sort of demand made upon one's capabilities! Even to Miss Vancourt's needs, should she require anything, from the preservation of trees to the sending of telegrams, that St. Rest can provide!"

Again Maryllia glanced at him, and again a little smile lifted the corners of her mouth.

"I must pay for the telegrams," she said abruptly—"Mrs. Tapple—-"

"Yes, Miss—I've written it all down," murmured Mrs. Tapple nervously—"It's right, Mr. Walden, isn't it? If you would be so good as to look at it, bein' tuppence a word, it do make it different like, an' m'appen there might be a mistake—-"

Walden glanced over the scrap of paper on which she had scrawled her rough figures.

"Fivepence out, I declare, Mrs. Tapple!" he said, merrily. "Dear, dear! Whatever is going to become of you, eh? To cheat yourself wouldn't matter—nobody minds THAT—but to do the British Government out of fivepence would be a dreadful thing! Now if I had not seen this you would have been what is called 'short' this evening in making up accounts." Here he handed the corrected paper to Maryllia. "I think you will find that right."

Maryllia opened her purse and paid the amount,—and Mrs. Tapple, in giving her change for a sovereign, included among the coins a bright new threepenny piece with a hole in it. Spying this little bit of silver, Maryllia held it up in front of Walden's eyes triumphantly.

"Luck!" she exclaimed—"That's for you! It's a reward for your telegraphic operations! Will you be grateful if I give it to you?"

He laughed.

"Profoundly! It shall be my D.S.O.!"

"Then there you are!" and she placed the tiny coin in the palm of the hand he held out to receive it. "The labourer is worthy of his hire! Now you can never go about like some clergymen, grumbling and saying you work for no pay!" Her eyes sparkled mischievously. "What shall we do next? Oh, I know! Let's buy some acid drops!"

Mrs. Tapple stared and smiled.

"Or pear-drops," continued Maryllia, glancing critically at the various jars of 'sweeties,'—"I see the real old-fashioned pink ones up there,—lumpy at one end and tapering at the other. Do you like them? Or brandy balls? I think the pear-drops carry one back to the age of ten most quickly! But which do you prefer?"

Walden tried to look serious, but could not succeed. Laughter twinkled all over his face, and he began to feel extremely young.

"Well,—really, Miss Vancourt,—-" he began.

"There, I know what you are going to say!" exclaimed Maryllia—"You are going to tell me that it would never do for a clergyman to be seen munching pear-drops in his own parish. I understand! But clergymen do ever so much. worse than that sometimes. They do, really! Two ounces of pear-drops for me, Mrs. Tapple, please!—and one of brandy balls!"

Mrs. Tapple bustled out of her 'Gove'nment' office, and came to the grocery counter to dispense these dainties.

"They stick to the jar so," said Maryllia, watching her thoughtfully; "They always did. I remember, as a child, seeing a man put his finger in to detach them. Don't put your finger in, Mrs. Tapple!—take a bit of wood—an old skewer or something. Oh, they're coming out all right! That's it!" And she popped one of the pear- drops into her mouth. "They are really very good—better than French fondants—so much more innocent and refreshing!" Here she took possession of the little paper-bags which Mrs. Tapple had filled with the sweets. "Thank you, Mrs. Tapple! If any answers to my telegrams come from Paris, please send them up to the Manor at once. Good-morning!"

"Good-morning, Miss!" And Mrs. Tapple, curtseying, pulled the door of her double establishment wider open to let the young lady pass out, which she did, with a smile and nod, Walden following her. Plato rose and paced majestically after his mistress, Nebbie trotting meekly at the rear, and so they all went forth from the postmistress's garden into the road, where Walden, pausing, raised his hat in farewell.

"Oh, are you going?" queried Maryllia. "Won't you walk with me as far as your own rectory?"

"Certainly, if you wish it,"—he answered with a slight touch of embarrassment; "I thought perhaps—-"

"You thought perhaps,—what?" laughed Maryllia, glancing up at him archly—"That I was going to make you eat pear-drops against your will? Not I! I wouldn't be so rude. But I really thought I ought to buy something from Mrs. Tapple,—she was so worried, poor old dear!- -till you came in. Then she looked as happy as though she saw a vision of angels. She's a perfect picture, with her funny old shawl and spectacles and knobbly red fingers—and do you know, all the time you were working the telegraph you were under the fragrant shadow of a big piece of bacon which was 'curing,'—positively 'curing' over your head! Couldn't you smell it?"

Walden's eyes twinkled.

"There was certainly a fine aroma in the air," he said—"But it seemed to me no more than the customary perfume common to Mrs. Tapple's surroundings. I daresay it was new to you! A country clergyman is perhaps the only human being who has to inure himself to bacon odours as the prevailing sweetness of cottage interiors."

Maryllia laughed. She had a pretty laugh, silver-clear and joyous without loudness.

"Fancy your being so clever as to be able to send off telegrams!" she exclaimed—"What an accomplishment for a Churchman! Don't you want to know all about the messages you sent?—who the persons are, and what I have to do with them?"

"Not in the least!" answered John, smiling.

"Are you not of a curious disposition?"

"I never care about other people's business," he said, meeting her upturned eyes with friendly frankness—"I have enough to do to attend to my own."

"Then you are positively inhuman!" declared Maryllia—"And absolutely unnatural! You are, really! Every two-legged creature on earth wants to find out all the ins and cuts of every other two- legged creature,—for if this were not the case wars would be at an end, and the wicked cease from troubling and the weary be at rest. So just because you don't want to know about my two friends in Paris, I'm going to tell you. Louis Gigue is the greatest teacher of singing there is,—and Cicely Bourne is his pupil, a perfectly wonderful little girl with a marvellous compass of voice, whose training and education I am paying for. I want her with me here—and I have sent for her;—Gigue can come on if he thinks it necessary to give her a few lessons during the summer, but of course she is not to sing in public until she is sixteen. She is only fourteen now."

Walden listened in silence. He was looking at his companion sideways, and noting the delicate ebb and flow of the rose tint in her cheeks, the bright flecks of gold in the otherwise brown hair, and the light poise of her dainty rounded figure as she stepped along beside him with an almost aerial grace and swiftness.

"She was the child of a Cornish labourer,"—went on Maryllia. "Her mother sold her for ten pounds. Yes!—wasn't it dreadful!" This, as John's face expressed surprise. "But it is true! You shall hear all the story some day,—it is quite a little romance. And she is so clever!—you would think her ever so much older than she is, to hear her talk. Sometimes she is rather blunt, and people get offended with her-but she is true—oh, so true!—she wouldn't do a mean action for the world! She is just devoted to me,—and that is perhaps why I am devoted to her,—because after all, it's a great thing to be loved, isn't it?"

"It is indeed!" replied John, mechanically, beginning to feel a little dazed under the influence of the bright eyes, animated face, smiling lips and clear, sweet voice—"It ought to be the best of all things."

"It ought to be, and it is!" declared Maryllia emphatically. "Oh, what a lovely bush of lilac!" And she hastened on a few steps in order to look more closely at the admired blossoms, which were swaying in the light breeze over the top of a thick green hedge— "Why, it must be growing in your garden! Yes, it is!—of course it is!—this is your gate. May I come in?"

She paused, her hand on the latch,—and for a moment Walden hesitated. A wave of colour swept up to his brows,—he was conscious of a struggling desire to refuse her request, united to a still more earnest craving to grant it. She looked at him, wistfully smiling.

"May I come in?" she repeated.

He advanced, and opened the gate, standing aside for her to pass.

"Of course you may!"—he said gently,—"And welcome!"



XIV

Now it happened that Bainton was at that moment engaged in training some long branches of honey-suckle across the rectory walls, and being half-way up a ladder for the purpose, the surprise he experienced at seeing 'Passon' and Miss Vancourt enter the garden together and walk slowly side by side across the lawn, was so excessive, that in jerking his head round to convince himself that it was not a vision but a reality, he nearly lost his balance.

"Woa, steady!" he muttered, addressing the ladder which for a second swayed beneath him—"Woa, I sez! This ain't no billowy ocean with wot they calls an underground swell! So the ice 'ave broke, 'ave it! She, wot don't like clergymen, an' he, wot don't like ladies, 'as both come to saunterin' peaceful like with one another over the blessed green grass all on a fine May mornin'! Which it's gettin' nigh on June now an' no sign o' the weather losin' temper. Well, well! Wonders won't never cease it's true, but I'd as soon a' thought o' my old 'ooman dancin' a 'ornpipe among her cream cheeses as that Passon Walden would a' let Miss Vancourt inside this 'ere gate so easy like, an' he a bacheldor. But there!—arter all, he's gettin' on in years, an' she's ever so much younger than he is, an' I dessay he's made up his mind to treat 'er kind like, as 'twere her father, which he should do, bein' spiritooal 'ead o' the village, an' as for the pretty face of 'er, he's not the man to look at it more'n once, an' then he couldn't tell you wot it's like. He favours his water-lilies mor'n females,—ah, an' I bet he'd give ten pound for a new specimen of a flower when he wouldn't lay out a 'apenny on a new specimen of a woman." Here, pausing in his reflections, he again looked cautiously round from his high vantage point of view on the ladder, and saw Walden break off a spray of white lilac from one bush of a very special kind near the edge of the lawn, and give it to Miss Vancourt. "Well, now that do beat me altogether!" he ejaculated under his breath. "If he's told me once, he's told me a 'undred times that he won't 'ave no blossoms broke off that bush on no account An' there he is a-pickin' of it hisself! That's a kind of thing which do make me feel that men is a poor feeble-minded lot,— it do reely now!"

But feeble-minded or not, John had nevertheless gathered the choice flower, and moreover, had found a certain pleasure in giving it to his fair companion, who inhaled its delicious odour with an appreciative smile.

"What a dear old house you have!" she said, glancing up at the crossed timbers, projecting gables, and quaint dormer windows set like eyes in the roof—"I had no idea that it was so pretty! And the garden is perfectly lovely. It is so very artistic!—it looks like a woman's dream of a garden rather than a man's."

John smiled.

"You think women more artistic than men?" he queried.

"In the decorative line—yes," she replied—"Especially where flowers are concerned. If one leaves the planning of a garden entirely to a man, he is sure to make it too stiff and mathematical,—he will not allow Nature to have her own way in the least little bit,—in fact"—and she laughed—"I don't think men as a rule like to let anything or anybody have their own way except themselves!"

The smile still lingered kindly round the corners of Walden's mouth.

"Possibly you may be right,"—he said—"I almost believe you are. Men are selfish,—much more selfish than women. Nature made them so in the first instance,—and our methods of education and training all tend to intensify our natural bent. But"—here he paused and looked at her thoughtfully; "I am not sure that absolute unselfishness would be a wise or strong trait in the character of a man. You see the first thing he has to do in this world is to earn the right to live,—and if he were always backing politely out of everybody else's way, and allowing himself to be hustled to one side in an unselfish desire to let others get to the front, he would scarcely be able to hold his own in any profession. And all those dependent upon his efforts would also suffer,—so that his 'unselfishness' might become the very worst kind of selfishness in the end—don't you think so?" "Well—yes—perhaps in that way it might!" hesitated Maryllia, with a faint blush—"I ought not to judge anyone I know—but—oh dear!—the men one meets in town—the society men with their insufferable airs of conceit and condescension,—their dullness of intellect,—their preference for cigars, whiskey, and Bridge to anything else under the sun,—their intensely absorbed love of personal ease, and their perfectly absurd confidence in their own supreme wisdom!—these are the hybrid creatures that make one doubt the worth of the rest of their sex altogether."

"But there are hybrid creatures on both sides,"—said Walden quietly—"Just as there are the men you speak of, so there are women of the same useless and insufferable character. Is it not so?"

She looked up at him and laughed.

"Why, yes, of course!" she frankly admitted—"I guess I won't argue with you on the six of one and half-dozen of the other! But it's just as natural for women to criticise men as for men to criticise nowadays. Long ago, in the lovely 'once upon a time' fairy period, the habit of criticism doesn't appear to have developed strongly in either sex. The men were chivalrous and tender,—the women adoring and devoted—I think it must have been perfectly charming to have lived then! It is all so different now!"

"Fortunately, it is," said John, with a mirthful sparkle in his eyes—"I am sure you would not have liked that 'once upon a time fairy period' as you call it, at all, Miss Vancourt! Poets and romancists may tell us that the men were 'chivalrous and tender,' but plain fact convinces us that they were very rough unwashen tyrants who used to shut up their ladies in gloomy castles where very little light and air could penetrate,—and the adoring and devoted ladies, in their turn, made very short work of the whole business by either dying of their own grief and ill-treatment, or else getting killed in cold blood by order of their lords and masters. Why, one of the finest proofs of an improvement in our civilisation is the freedom of thought and action given to women in the present day. Personally speaking, I admit to a great fondness for old-fashioned ways, and particularly for old-fashioned manners,- -but I cannot shut my mind to the fact that for centuries women have been unfairly hindered by men in every possible way from all chance of developing the great powers of intelligence they possess,—and it is certainly time the opposition to their advancement should cease. Of course, being a man myself,"—and he smiled—"I daresay that in my heart of hearts I like the type of woman I first learned to know and love best,—my mother. She had the early Victorian, ways,—they were very simple, but also very sweet."

He broke off, and for a moment or two they paced the lawn in silence.

"I suppose you live all alone here?" asked Maryllia, suddenly.

"Yes. Quite alone."

"And are you happy?"

"I am content."

"I understand!" and she looked at him somewhat earnestly:—"'Happy' is a word that should seldom be used I think. It is only at the rarest possible moments that one can feel real true happiness."

"You are too young to say that,"—he rejoined gently—"All your life is before you. The greater part of mine lies behind me." Again she glanced at him somewhat timidly.

"Mr. Walden"—she began—"I'm afraid—I suppose—I daresay you think—-"

John caught the appealing flash of the blue eyes, and wondering what she was going to say. She played with the spray of lilac he had given her, and for a moment seemed to have lost her self-possession.

"I am quite sure,"—she went on, hurriedly—"that you—I mean, I'm afraid you haven't a very good opinion of me because I don't go to church—-"

He looked at her, smiling a little.

"Dor't you go to church?" he asked—"I didn't know it!"

Here was a surprise for the lady of the Manor. The clergyman of her own parish,—a man, who by all accepted rule and precedent ought to have been after her at once, asking for subscriptions to this fund and that fund, toadying her for her position, and begging for her name and support, had not even noticed her absence from divine service on Sundays! She did not know whether to be relieved or dissatisfied. Such indifference to her actions piqued her feminine pride, and yet, his tone was very kind and courteous. Noting the colour coming and going on her face, he spoke again—-

"I never interfere personally with my parishioners, Miss Vancourt"— he said—"To attend church or stay away from church is a matter of conscience with each individual, and must be left to individual choice. I should be the last person in the world to entertain a bad opinion of anyone simply because he or she never went to church. That would be foolish indeed! Some of the noblest and best men in Christendom to-day never go to church,—but they are none the less noble and good! They have their reasons of conscience for non- committing themselves to accepted forms of faith, and it often turns out that they are more truly Christian and more purely religious than the most constant church-goer that ever lived."

Maryllia gave a little sigh of sudden relief.

"Ah, you are a broad-minded Churchman!" she said. "I am glad! Very glad! Because you have no doubt followed the trend of modern thought,—and you must have read all the discussions in the magazines and in the books that are written on such subjects,—and you can understand how difficult it is to a person like myself to decide what is right when so many of the wisest and most educated men agree to differ."

Walden stopped abruptly in his walk.

"Please do not mistake me, Miss Vancourt," he said gravely, and with emphasis—"I should be sorry if you gathered a wrong opinion of me at the outset of our acquaintance. As your minister I feel that I ought to make my position clear to you. You say that I have probably followed the trend of modern thought—and I presume that you mean the trend of modern thought in religious matters. Now I have not 'followed' it, but I have patiently studied it, and find it in all respects deplorable and disastrous. At the same time I would not force the high truths of religion on any person, nor would I step out of my way to ask anyone to attend church if he or she did not feel inclined to do so. And why? Because I fully admit the laxity and coldness of the Church in the present day—and I know that there are many ministers of the Gospel who do not attract so much as they repel. I am not so self-opinionated as to dream that I, a mere country parson, can succeed in drawing souls to Christ when so many men of my order, more gifted than I, have failed, and continue to fail. But I wish you quite frankly to understand that the trend of modern thought does not affect the vows I took at my ordination,— that I do not preach one thing, and think another,—and that whatever my faults and shortcomings may be, I most earnestly endeavour to impress the minds of all those men and women who are committed to my care with the beauty, truth and saving grace of the Christian Faith."

Maryllia was silent. She appeared to be looking at the daisies in the grass.

"I hope," he continued quietly, "you will forgive this rather serious talk of mine. But when you spoke of 'the trend of modern thought,' it seemed necessary to me to let you know at once and straightly that I am not with it,—that I do not belong to the modern school. Professing to be a Christian minister, I try to be one,—very poorly and unsuccessfully I know,—but still, I try!"

Maryllia raised her eyes. There was a glisten on her long lashes as of tears.

"Please forgive ME!" she said simply—"And thank you for speaking as you have done! I shall always remember it, and honour you for it. I hope we shall be friends?"

She put the words as a query, and half timidly held out her little ungloved hand. He took it at once and pressed it cordially.

"Indeed, I am sure we shall!" he said heartily, and the smile that made his face more than ordinarily handsome lit up his eyes and showed a depth of sincerity and kindly feeling reflected straight from his honest soul. A sudden blush swept over Maryllia's cheeks, and she gently withdrew her hand from his clasp. A silence fell between them, and when they broke the spell it was by a casual comment respecting the wealth of apple-blossoms that were making the trees around them white with their floral snow.

"St. Rest is a veritable orchard, when the season favours it," said Walden—"It is one of the best fruit-growing corners in England. At Abbot's Manor, for instance, the cherry crop is finer than can be gathered on the same acreage of ground in Kent. Did you know that?"

Maryllia laughed.

"No! I know absolutely nothing about my own home, Mr. Walden,—and I am perfectly aware that I ought to be ashamed of my ignorance. I AM ashamed of it! I'm going to try and amend the error of my ways as fast as I can. When Cicely Bourne comes to stay with me, she will help me. She's ever so much more sensible than I am. She's a genius."

"Geniuses do not always get the credit of being sensible, do they?" queried John, smiling—"Are they not supposed to be creatures of impulse, dwellers in the air, and wholly irresponsible?"

"Exactly so,"—she replied—"That is the commonplace opinion commonplace people entertain of them. Yet the commonplace people owe everything they enjoy in art, literature and science to the conceptions of genius, and of genius alone. As for Cicely, she is the most practical little person possible. She began to earn her living at the age of eleven, and has 'roughed' it in the world more severely than many a man. But she keeps her dreams,"

"And those who wish her well will pray that she may always keep them,"—said Walden—"For to lose one's illusions is to lose the world."

"The world itself may be an illusion!" said Maryllia, drawing near the garden gate and leaning upon it for a moment, as she glanced up at him with a vague sadness in her eyes,—"We never know. I have often felt that it is only a pretty little pageant, with a very dark background behind it!"

He was silent, looking at her. For the first time he caught himself noticing her dress. It was of simple pale blue linen, relieved with white embroidered lawn, and in its cool, fresh, clean appearance was in keeping with the clear bright day. A plain straw garden hat tied across the crown and under the chin with a strip of soft blue ribbon to match the linen gown, was the finish to this 'fashionable' young woman's toilette,—and though it was infinitely becoming to the fair skin, azure eyes, and gold-brown hair of its wearer, it did not suggest undue extravagance, or a Paris 'mode.' And while he yet almost unconsciously studied the picture she made, resting one arm lightly across his garden gate, she lifted the latch suddenly and swung it open.

"Good-bye!" and she nodded smilingly—"Thank you so much for letting me see your lovely garden! As soon as Cicely arrives, you must come and see her—you will, won't you?"

"I shall be most happy—-" he murmured.

"She will be so interested to hear how you sent her my telegram,"— continued Maryllia—"And Gigue too—poor old Gigue!—he is sure to come over here some time during the summer. He is such a quaint person! I think you will like him. Good-bye!"

"Good-bye—for the present!" said John with a slight note of appeal in his voice, which was not lost wholly upon the air alone, for Maryllia turned her head back towards him with a laugh.

"Oh, of course!—only for the present! We are really next-door neighbours, and I'm afraid we can't escape each other unless we each play hermit in separate caves! But I promise not to bore you with my presence very often!"

She waved the spray of white lilac he had given her in farewell, and calling her dog to her side, passed down the village road lightly, like a blue flower drifting with the May breeze, and was soon out of sight.

Walden closed the gate after her with careful slowness, and returned across the lawn to his favourite seat under his favourite apple- tree. Nebbie followed him, disconsolately snuffing the ground in the trail of the departed Plato, who doubtless, to the smaller animal's mind, represented a sort of canine monarch who ruthlessly disdained the well-meaning attentions of his inferiors. Bainton, having finished his task of training the vines across the walls of the rectory, descended his ladder, making as much noise as he could about it and adding thereto a sudden troublesome cough which would he considered, probably excite his master's sympathy and instant attention. But Walden paid no heed. He was apparently busy fumbling with his watch-chain. Bainton waited a moment, and then, unable any longer to control his curiosity, seized his ladder and deliberately carried it across the lawn, though he knew that that was not the proper way to the tool-shed where it was kept. Halting close to the seat under the apple-tree, he said:—

"Yon red honeysuckle's comin' on fine, Passon,—it be as full o' bud as a pod o' peas."

"Ay indeed!" murmured Walden, absently—"That's all right!"

Bainton paused expectantly. No further word however was vouchsafed to him, and he knew by experience that such silence implied his master's wish to be left alone. With an almost magisterial gravity he surveyed the Reverend John's bent head, and with another scrutinising glance, ascertained the nature of the occupation on which his fingers were engaged, whereupon his face expressed the liveliest amazement. Shouldering his ladder, he went his way,—and once out of earshot gave vent to a long low whistle.

"It do beat me!" he said, slapping one corduroy-trousered leg vehemently—"It do beat me altogether—it do reely now! I ain't no swearin' sort, an' bad langwidge ain't my failin', but I feel like takin' a bet, or sayin' a swear when I sees a sensible man like, makin' a fool of hisself! If Passon ain't gone looney all on a suddint, blest if I knows wot's come to 'im. 'Tain't Miss Vancourt,- -'tain't no one nor nothink wot I knows on, but I'm blowed if he worn't sittin' under that tree, like a great gaby, a' fastenin' a mis'able threepenny bit to 'is watch-chain! Did anyone ever 'ear the like! A threepenny bit with a 'ole in it! To think of a man like that turnin' to the sup'stitions o' maids an' wearin' a oley bit o' silver! It do make me wild!—it do reely now!"

And snorting with ineffable disdain, Bainton almost threw his ladder into the tool-shed, thereby scaring a couple of doves who had found their way within, and who now flew out with a whirr of white wings that glistened like pearl in the sunlight as they spread upwards and away into the sky.

"A threepenny bit with a 'ole in it!" he repeated, mechanically watching the birds of peace in their flight—"An' on his watch-chain too, along wi' the gold cross wot he allus wears there, an' which folks sez was the last thing wore by 'is dead sister! Somethin's gone wrong with 'im-somethin' MUST a' gone wrong! Ginerally speakin' a 'oley bit means a woman in it—but 'tain't that way wi' Passon for sure—there's a deeper 'ole than the 'ole in the threepenny—a 'ole wot ain't got no bottom to it, so fur as I can see. I'm just fair 'mazed with that 'ole!—'mazed an' moithered altogether, blest if I ain't!"

The Reverend John, meanwhile, seated under his canopy of apple- blossoms, had succeeded in attaching the ''oley bit' to his chain in such a manner that it should not come unduly into notice with the mere action of pulling out his watch. He could not, for the life of him, have explained, had he been asked, the reason why he had determined to thus privately wear it on his own person. To himself he said he 'fancied' it. And why should not parsons have 'fancies' like other people? Why should they not wear ''oley bits' if they liked? No objection, either moral, legal or religious could surely be raised to such a course of procedure!

And John actually whistled a tune as he slipped back his chain with its new adornment attached, into his waistcoat pocket, and surveyed his garden surroundings with a placid smile. His interview with Miss Vancourt had not been an unpleasant experience by any means. He liked her better than when he had first seen her on the morning of their meeting under the boughs of the threatened 'Five Sister' beeches. He could now, as he thought, gauge her character and temperament correctly, with all the wonderful perspicuity and not- to-be-contradicted logic of a man. She was charming,—and she knew her charm;—she was graceful, and she was aware of her grace;—she was bright and intelligent in the prettily 'surface' way of women,— she evidently possessed a kind heart, and she seemed thoughtful of other people's feelings,—she had a sweet voice and a delightfully musical laugh,—and—and—that was about all. It was not much, strictly speaking;—yet he found himself considerably interested in weighing the pros and cons of her nature, and wondering how she had managed to retain, in the worldly and social surroundings to which she had been so long accustomed, the child-like impulsiveness of her manner, and the simple frankness of her speech.

"Of course it may be all put on,"—he reflected, though with a touch of shamed compunction at the bare suggestion—"One can never tell! It seemed natural. And it would hardly be worth her while to act a part for the benefit of an old fogey like myself. I think she is genuine. I hope so! At any rate I will believe she is, till she proves herself otherwise. Of course 'the trend of modern thought' has touched her. The cruellest among the countless cruel deeds of latter-day theism is to murder the Christ in women. For, as woman's purity first brought the Divine Master into the world, so must woman's purity still keep Him here with us,—else we men are lost— lost through the sins, not only of our fathers, but chiefly of our mothers!"

That same evening Maryllia received a prompt reply to one of the telegrams which Walden had sent off for her in the morning. It was brief and to the point, and only ran:—'Coming. Cicely';—a message which Mrs. Tapple had no difficulty in deciphering, and which she sent up to the Manor, post haste, as soon as it arrived. The telegraph-boy who conveyed it, got sixpence for himself as a reward for the extra speed he had put on in running all the way from the village to the house, thereby outstripping the postman, who being rotund in figure was somewhat heavily labouring up in the same direction with the last delivery of letters for the day. Miss Vancourt's correspondents were generally very numerous,—but on this occasion there was only one letter for her,—one, neatly addressed, with a small finely engraved crest on the flap of the envelope. Maryllia surveyed that envelope and crest with disfavour,—she had seen too many of the same kind. The smile that brightened her face when she read Cicely's telegram, faded altogether into an expression of cold weariness as with a small silver paper-knife she slowly slit the closed edges of the unwelcome missive and glanced indifferently at its contents. It ran as follows:

"MY DEAR MISS MARYLLIA,—I feel sure you do not realise the great pain you are inflicting on your aunt, as well as on myself, by declining to answer our letters except by telegram. Pray remember that we are quite in the dark as to the state of your health, your surroundings and your general well-being. Your sudden departure from town, was, if you will permit me to say so, a most unwise impulse, causing as it has done, the greatest perplexity in your own social circle and among your hosts of friends. I have done my best to smooth matters over, by assuring all enquirers that certain matters on your country estate required your personal supervision, but rumour, as you know, has many tongues which are not likely to be easily silenced. Your aunt was much surprised and disturbed to receive from you a box of peacock's feathers, without any word from yourself. She has no doubt you meant the gift kindly, but was not the manner of giving somewhat strange?—let me say eccentric? I hope you will allow me to point out to you that nothing is more fatal to a woman in good society than to attain any sort of reputation for eccentricity. I may take the liberty of saying this to you as an old friend, and as one who still holds persistently to the dear expectation, despite much discouragement, of being able soon to call you by a closer name than mere friendship allows. The disagreement between your aunt and yourself should surely be a matter of slight duration, and not sufficient in any case to warrant your rash decision to altogether resign the protection and kindly guardianship which she, on her part, has exercised over you for so many years. I cannot too strongly impress upon your mind the fatal effect any long absence from her is likely to have on your position in society, and though as yet you have only been about three weeks away, people are talking and will no doubt continue to talk. If you find your old home an agreeable change from town life, pray allow your aunt to join you there. She will do so, I am sure, with pleasure. She misses you very greatly, and I will never believe that you would wilfully cause her needless trouble. I may not, I know, express my own feelings on the subject, as I should probably only incur your scorn or displeasure, but simply as an honest man who wishes you nothing but good, I ask you quietly to consider to what misrepresentation and calumny you voluntarily expose yourself by running away, as it were, from a rightful and affectionate protector and second mother like your good aunt, and living all alone in the country without any one of your immediate circle of friends within calling distance. Is there a more compromising or more ludicrous position than that of the independent and defenceless female? I think not! She is the laughing-stock of the clubs, and the perennial joke of the comic press. Pray do not place yourself in the same category with the despised and unlovely of your sex, but remain on the height where Nature placed you, and where your charm and intelligence can best secure acknowledgment from the less gifted and fortunate. Entreating your pardon for any word or phrase in this letter which may unluckily chance to annoy you, I am. my dear Miss Maryllia,—Yours with the utmost devotion," "ROXMOUTH."

"What a humbug he is!" said Maryllia, half aloud, as she nut the letter back in its envelope and set it aside—"What a soft, smooth, civil, correctly trained humbug! How completely he ignores the possibility of my having any intelligence, even while he asks me to remain 'on the height' where it can best secure acknowledgment! He never appears to realise that my intelligence may be of such a quality as to enable me to see through him pretty clearly! And so the 'independent and defenceless female' is the laughing-stock of the clubs, is she? Well, I daresay he is quite right there! There's nothing braver for men to do at their clubs than to laugh at the 'defenceless' women who would rather fight the world alone and earn their own livelihood, than enter into loveless marriages! The quaintest part of the letter is the bit about Aunt Emily. Roxmouth must really think me a perfect idiot if he dreams that I would accept such a story as that she was 'surprised and disturbed' at receiving the box of peacock's feathers. Aunt Emily was never 'surprised' or 'disturbed' at anything in her life, I am sure! When poor Uncle Fred died, she pressed her handkerchief to her eyes for five minutes, and then sat down at her desk to write her orders for mourning. And when I spoke my mind to her about Roxmouth, she only smiled and told me not to excite myself. Then when I said I had determined to leave her altogether and go back to my own home to live, she took it quite easily, and merely stated she would have to alter her will. I assured her I hoped she would do so at once, as I had no wish to benefit by her death. Then she didn't speak to me for several days, and I came away quietly without bidding her good-bye. And here I am,—and here I mean to stay!"

She laughed a little, and moving to the open window, looked out on the quiet beauty of the landscape. "Yes!—I too will become a laughing-stock of the clubs;—and even I may attain the distinction of being accepted as a 'joke by the comie press'! I will be an 'independent and defenceless female,' and see how I get on! In any case I'd rather be defenceless than have Roxmouth as a defender. And I shall not be alone here, now that Cicely is coming. Besides, I have two men friends in the village,—at least, I think I have! I'm sure of one,—old Josey Letherbarrow!" The smile lingered on her lips, as she still looked out on the lawn and terrace, shadowed by the evening dusk, and sweet with the cool perfume of the rising dew. "And the other,—if he should turn out as agreeable as he seemed this morning,—why, he is a tower of strength so far as respectability is concerned! What better protection can an 'independent and defenceless female' have than the minister of the parish? I can go to him for a character, ask him for a reference, throw myself and my troubles upon him as upon a rock, and make him answer for me as an honest and well-intentioned parishioner! And I believe he would 'speak up' for me, as the poor folks say,—yes, my Lord Roxmouth!—I believe he would,—and if he did, I'm certain he would speak straight, and not whisper a few small poisonous lies round the corner! For I think"—and here the train of her reflections wandered away from her aunt and her lordly wooer altogether, "yes,—I think Mr. Walden is a good man! I was not quite sure about him when I first met him,—I thought his eyes seemed deceitful,—so many parsons' eyes are!—but I looked well into them to-day,—and they're not the usual eyes of a parson at all,—they're just the eyes of a British sailor who has watched rough seas all his life,—and such eyes are always true!"



XV

On the following Monday afternoon Cicely Bourne, to whom Walden had so successfully telegraphed Maryllia's commands, arrived. She was rather an odd-looking young person. Her long thin legs were much too long for the shortness of her black cashmere frock, which was made 'en demoiselle,' after the fashion adhered to in French convents, where girls are compelled to look as ugly as possible, in order that they may eschew the sin of personal vanity,—her hair, of a rich raven black, was plaited in a stiff thick braid resembling a Chinese pigtail, and was fastened at the end with a bow of ribbon,—and a pair of wonderfully brilliant dark eyes flashed under her arching brows, suggesting something weird and witchlike in their roving glances, and giving an almost uncanny expression to her small, sallow face. But she was full of the most exuberant vitality,—she sparkled all over with it and seemed to exhale it in the mere act of breathing. Brimful of delight at the prospect of spending the whole summer with her friend and patroness, to whom she owed everything, and whom she adored with passionate admiration and gratitude, she dashed into the old-world silence and solitude of Abbot's Manor like a wild wave of the sea, crested with sunshine and bubbling over with ripples of mirth. Her incessant chatter and laughter awoke the long- hushed echoes of the ancient house to responsive gaiety,—and every pale lingering shadow of dullness or loneliness fled away from the exhilarating effect of her presence, which acted at once as a stimulant and charm to Maryllia, who welcomed her arrival with affectionate enthusiasm.

"But oh, my dear!" she exclaimed—"What a little school-guy they have made of you! You must have grown taller, surely, since November when I saw you last? Your frock is ever so much too short!"

"I don't think I've grown a bit,"—said Cicely, glancing down at her own legs disparagingly—"But my frock wore shabby at the bottom, and the nuns had a fresh hem turned up all round. That reduced its length by a couple of inches at least. I told them as modestly as I could that my ankles were too vastily exposed, but they said it didn't matter, as I was only a day-boarder."

Maryllia's eyebrows went up perplexedly.

"I don't see what that has to do with it,"—she said—"Would you have preferred to live in the Convent altogether, dear?"

"Grand merci!" and Cicely made an expressive grimace—"Not I! I should not have had half as many lessons from Gigue, and I should never have been able to write to you without the Mere Superieure spying into my letters. That's why none of the girls are allowed to have sealing wax, because all their letters are ungummed over a basin of hot water and read before going to post. Discipline, discipline! Torquemada's Inquisition was nothing to it! Of course I had to tell the Mere Superieure that you had sent for me, and that I should be away all summer. She asked heaps of questions, but she got nothing out of me, so of course she wrote to your aunt. But that doesn't matter, does it?"

"Not in the least,"—answered Maryllia, decisively,—"My aunt has nothing whatever to do with me now, nor I with her. I am my own mistress."

"And it becomes you amazingly!" declared Cicely—"I never saw you looking prettier! You are just the sweetest thing that ever fell out of heaven in human shape! Oh, Maryllia, what a lovely, lovely place this is! And is it all yours?—your very, very own?"

"My very, very own!" and Maryllia, in replying to the question, felt a thrill of legitimate pride in the beautiful old Tudor house of her ancestors,—"I wish I had never been taken away from it! The more I see of it, the more I feel I ought not to have left it so long."

"It is real home, sweet home!" said Cicely, and her great eyes grew suddenly sad and wistful, as she slipped a caressing arm round her friend's waist—"How grateful I am to you for asking me to come and stay in it! Because, after all, I am only a poor little peasant,— with a musical faculty!"

Maryllia kissed her affectionately.

"You are a genius, my dear!" she said—"There's is no higher supremacy. What does Gigue say of you now?"

"Gigue is satisfied, I think. But I don't really know. He says I'm too precocious—that my voice is a woman's before I'm a girl. It's abnormal—and I'm abnormal too. I know I am,—and I know it's horrid—but I can't help it! Whers'a the piano?"

"There isn't one in the house," said Maryllia, smiling; "Abbot's Manor has always lived about a hundred and fifty years behind the times. But I've sent for a boudoir grand—it will be here this week. Meanwhile, won't this do?" and she pointed to a quaint little instrument occupying a recess near the window—"It's a spinet of Charles the Second's period—-"

"Delightful!" cried Cicely, ecstatically—"There's nothing sweeter in the whole world to sing to!"

Opening the painted lid with the greatest tenderness and care, she passed her hands lightly over the spinet's worn and yellow ivory keys and evoked a faint fairy-like tinkling.

"Listen! Isn't it like the wandering voice of some little ghost of the past trying to speak to us?" she said—"And in such sweet tune, too! Poor little ghost! Shall I sing to you? Shall I tell you that we have a sympathy in common with you, even though you are so old and so far, far away!"

Her lips parted, and a pure note, crystal clear, and of such silvery softness as to seem more supernatural than human, floated upward on the silence. Maryllia caught her breath, and listened with a quickly beating heart,—she knew that the voice of this child whom she had rescued from a life of misery, was a world's marvel.

"Le douce printemps fait naitre,— Autant d'amours que de fleurs; Tremblez, tremblez, jeunes coeurs! Des qu'il commence a paraitre Il faut cesser les froideurs."

Here with a sudden brilliant roulade the singer ran up the scale to the C in alt, and there paused with a trill as delicious and full as the warble of a nightingale.

"Mais ce qu'il a de douceurs Vous coutera cher peut-etre! Tremblez, tremblez jeunes coeurs, Le douce printemps fait naitre, Autant d'amours que de fleurs!"

She ceased. The air, broken into delicate vibrations, carried the lovely sounds rhythmically outward, onward and into unechoing distance.

She turned and looked at Maryllia—then smiled.

"I see you are pleased,"—she said.

"Pleased! Cicely, I don't believe anyone was ever born into the world to sing as you sing!"

Cicely looked quaintly meditative.

"Well, I don't know about that! You see there have been several millions of folks born into the world, and there may have been just one naturally created singer among them!" She laughed, and touched a chord on the spinet. "The old French song exactly suits this old French instrument. I see it is an ancient thing of Paris. Gigue says I have improved—but he will never admit much, as you know. He has forbidden me to touch the C in alt, and I did it just now. I cannot help it sometimes—it comes so easy. But you must scold me, Maryllia darling, when you hear me taking it,—I don't want to strain the vocal cords, and I always forget I'm only fourteen; I feel—oh! ever so much older!—ages old, in fact!" She sighed, and stretched her arms up above her head. "What a perfect room this is to sing in! What a perfect house!—and what a perfect angel you are to have me with you!"

Her eyes filled with sudden tears of emotion, but she quickly blinked them away.

"Et ce cher Roxmouth?" she queried, suddenly, glancing appreciatively at the rippling gold-brown lights and shades of her friend's hair, the delicate hues of her complexion, and the grace of her form—"Has he been to see you in this idyllic retreat?"

Maryllia gave a slight gesture of wearied impatience.

"Certainly not! How can you ask such a question, Cicely! I left my aunt on purpose to get rid of him once and for all. And he knows it;—yet he has written to me every two days regularly since I came here!"

"Helas!—ce cher Roxmouth!" murmured Cicely, with a languid gesture imitative of the 'society manner' of Mrs. Fred Vancourt,—"Parfait gentilhomme au bout des ongles!"

Maryllia laughed.

"Yes,—Aunt Emily all over!" she said—"How tired I am of that phrase! She knows as well as anybody that Roxmouth, for all his airs of aristocratic propriety, is a social villain of the lowest type of modern decadence, yet she would rather see me married to him than to any other man she has ever met. And why? Simply because he will be a Duke! She would like to say to all her acquaintances—'My niece is a Duchess.' She would feel a certain fantastic satisfaction in thinking that her millions were being used to build up the decayed fortunes of an English nobleman's family, as well as to 'restore' Roxmouth Castle, which is in a bad state of repair. And she would sacrifice my heart and soul and life to such trumpery ambitions as these!"

"Trumpery ambitions!" echoed Cicely—"My dear, they are ambitions for which nearly all women are willing to scramble, fight and die! To be a Duchess! To dwell in an ancient 'restored' castle of once proud English nobles! Saint Moses! Who wouldn't sacrifice such vague matters as heart, life and soul for the glory of being called 'Your Grace' by obsequious footmen! My unconventional Maryllia! You are setting yourself in rank, heretical opposition to the conventionalities of society, and won't all the little conventional minds hate you for it!"

"It doesn't matter if they do,"—rejoined Maryllia—"I have never been loved since my father's death,—so I don't mind being hated."

"I love you!" said Cicely, with swift ardour—"Don't say you have never been loved!"

Maryllia caught her hand tenderly and kissed it.

"I was not thinking of you, dear!" she said—"Forgive me! I was thinking of men. They have admired me and flirted with me,—many of them have wanted to marry me, in order to get hold of Aunt Emily's fortune with me,—but none of them have ever loved me. Cicely, Cicely, I want to be loved!"

"So do I!" said Cicely, with answering light in her eyes—"But I don't see how it's going to be done in my case! You may possibly get your wish, but I!—why, my dear, I see myself in futur-oe as a 'prima donna assoluta' perhaps, with several painted and padded bassi and tenori making sham love to me in opera till I get perfectly sick of cuore and amore, and cry out for something else by way of a change! I am quite positive that love,—love such as we read of in poetry and romance, doesn't really exist! And I have another fixed opinion—which is, that the people who write most about it have never felt it. One always expresses best, even in a song, the emotions one has never experienced."

Maryllia looked at her in a little wonder.

"Do you really think that?"

"I do! It's not one of Gigue's sayings, though I know I often echo Gigue!"

She went to the window. "How lovely the garden is! Come out on the lawn, Maryllia, and let us talk!" And as they sauntered across the grass together with arms round each other's waists, she chattered on—"People who write books and music are generally lonely,—and they write best about love because they need it. They fancy it must be much better than it is. But, after all, the grandest things go unloved. Look at the sky, how clear it is and pure. Is it loved by any other sky that we know of? And the sun up there, all alone in its splendour,—I wonder if any other sun loves it? There are so many lonely things in the universe! And it seems to me that the loneliest are always the loveliest and grandest. It is only stupid ephemera that are gregarious. Worms crawl along in masses,—mites swarm in a cheese—flies stick in crowds on jam—and brainless people shut themselves up all together within the walls of a city. I'd rather be an eagle than a sparrow,—a star than one of a thousand bonfire sparks,—and as a mere woman, I would rather ten thousand times live a solitary life by myself till I die, than be married to a rascal or a fool!"

"Exactly my sentiments,"—said Maryllia—"Only you put them more poetically than I can. Do you know, Cicely, you talk very oddly sometimes?—very much in advance of your age, I mean?"

"Do I?" And Cicely's tone expressed a mingling of surprise and penitence—"I didn't know it. But I suppose I really can't help it, Maryllia! I was a very miserable child—and miserable children age rapidly. Perhaps I shall get younger as I grow older! You must remember that at eleven years old I was scrubbing floors like any charwoman in the Convent for two centimes an hour. I gained a lot of worldly wisdom that way by listening to the talk of the nuns, which is quite as spiteful and scandalous as anything one hears in outside 'wicked' society. Then I got into the Quartier Latin set with Gigue, who picked me up because he heard me singing in the street,—and altogether my experiences of life haven't been toys and bonbons. I know I THINK 'old'—and I'm sure I feel old!"

"Not when you play or sing," suggested Maryllia.

"No—not then—never then! Then, all the youth of the world seems to rush into me,—it tingles in my fingers, and throbs in my throat! I feel as if I could reach heaven with sound!—yes! I feel that I could sing to God Himself, if He would only listen!"

Her eyes glowed with passion,—the plainness of her features was transformed into momentary beauty. Maryllia was silent. She knew that the aspirations of genius pent up in this elf-like girl were almost too strong for her, and that the very excitability and sensitiveness of her nature were such as to need the greatest care and tenderness in training and controlling. Tactfully she changed the conversation to ordinary subjects, and in a little while Cicely had learned all that Maryllia herself knew about the village of St. Rest and its inhabitants. She was considerably interested in the story of the rescue of the 'Five Sister' beeches, and asked with a touch of anxiety, what had become of the dismissed agent, Oliver Leach?

"Oh, he is still in the neighbourhood,"—said Maryllia, indifferently—"He works for Sir Morton Pippitt, and I believe has found a home at Badsworth. His accounts are not yet all handed in to my solicitors. But I have a new agent now,—a Mr. Stanways—he is just married to quite a nice young woman,—and he has already begun work. Mr. Stanways has splendid recommendations—so that will be all right."

"No doubt—so far as Mr. Stanways himself is concerned it will be all right,"—rejoined Cicely, musingly—"But if, as you say, the man Oliver Leach cursed you, it isn't pleasant to think he is hanging around here."

"He isn't hanging round anywhere,"—declared Maryllia, easily—"He is out of this beat altogether. He cursed me certainly,—but he was in a temper,—and I should say that curses come naturally to him. But, as the clergyman was present at the time, the curse couldn't take any effect." She laughed. "You know Satan always runs away from the Church."

"Who is the clergyman, and what is he like?" asked Cicely.

"He's not at all disagreeable"—answered Maryllia, carelessly— "Rather stiff perhaps and old-fashioned,—but he seems to be a great favourite with all his parishioners. His name is John Walden. He has restored the church here, quite at his own expense, and according to the early original design. It is really quite wonderful. When I was a child here, I only remember it as a ruin, but now people come from far and near to see it. It will please you immensely."

"But you don't go to it," observed Cicely, suggestively.

"No. I haven't attended a service there as yet. But I don't say I never will attend one. That will depend on circumstances."

"I remember you always hated parsons," said Cicely, thoughtfully.

Maryllia laughed.

"Yes, I always did!"

"And you always will, I suppose?"

"Well, I expect I shall have to tolerate Mr. Walden,"—Maryllia answered lightly,—"Because he's really my nearest neighbour. But he's not so bad as most of his class."

"I daresay he's a better type of man than Lord Roxmouth," said Cicely. "By the way, Maryllia, that highly distinguished nobleman has spread about a report that you are 'peculiar,' simply because you won't marry him? The very nuns at the Convent have heard this, and it does make me so angry! For when people get hold of the word 'peculiar,' it is made to mean several things."

"I know!" and for a moment Maryllia's fair brows clouded with a shadow of perplexity and annoyance—"It is a word that may pass for madness, badness, or any form of social undesirability. But I don't mind! I'm quite aware that Roxmouth, if he cannot marry me, will slander me. It's a way some modern men have of covering their own rejection and defeat. The woman in question is branded through the 'smart set' as 'peculiar,' 'difficult,' 'impossible to deal with'— oh yes!—I know it all! But I'm prepared for it—and just to forestall Roxmouth a little, I'm going to have a few people down here by way of witnesses to my '-peculiar' mode of life. Then they can go back to London and talk."

"They can, and they will,—you may be sure of that!" said Cicely, satirically—"Is this a 'dressed' county, Maryllia?"

Maryllia gave vent to a peal of laughter.

"I should say not,—but I really don't know!" she replied,—"People have called on me, but I have not, as yet, returned their calls. We'll do that in this coming week. The only person I have seen, who poses as a 'county' lady, is an elderly spinster named Tabitha Pippitt, only daughter of Sir Morton Pippitt, who is a colonial manufacturer, and, therefore, not actually in the 'county' at all. Miss Tabitha was certainly not 'dressed,' she was merely covered."

"That's the very height of propriety!" declared Cicely—"For, after all, covering alone is necessary. 'Dress,' in the full sense of the word, implies vanity and all its attendant sins. Gigue says you can always pick out a very dull, respectable woman by the hidecmsness of her clothes. I expect Miss Tabitha is dull."

"She is—most unquestionably! But I'm afraid she is only a reflex of country life generally, Cicely. Country life IS dull,—especially in England."

"Then why do you go in for it?" queried Cicely, arching her black brows perplexedly.

"Simply to escape something even duller,"—laughed Maryllia—"London society and its 'Souls'!"

Cicely laughed too, and shrugged her shoulders expressively. She understood all that was implied. And with her whole heart she rejoiced that her friend whom she loved with an almost passionate adoration and gratitude, had voluntarily turned her back on the 'Smart Set,' and so, of her own accord, instead of through her godfathers and godmothers, had 'renounced the devil and all his works, the pomps and vanity of this wicked world and all the sinful lusts of the flesh.'

Within a very few days St. Rest became aware of Cicely's quaint personality, for she soon succeeded in making herself familiar with everybody in the place. She had a knack of winning friends. She visited old Josey Letherbarrow, and made him laugh till he nearly choked, so that Maryllia had to pat him vigorously on the back to enable him to recover his breath—she cut jokes with Mrs. Tapple,— chatted with the sexton, Adam Frost, and scattered 'sweeties' galore among all his children,—and she furthermore startled the village choir at practice by suddenly flitting into the church and asking Miss Eden, the schoolmistress, to allow her to play the organ accompaniment, and on Miss Eden's consenting to this proposition, she played in such a fashion that the church seemed filled with musical thunder and the songs of angels,—and the village choristers, both girls and boys, became awestruck and nervous, and huddled themselves together in a silent group, afraid to open their mouths lest a false note should escape, and spoil the splendour of the wonderful harmony that so mysteriously charmed their souls. And then, calming the passion of the music down, she turned with gentlest courtesy to Miss Eden, and asked: 'What were the children going to sing?'—whereupon, being told that it waft a hymn called 'The Lord is my Shepherd,' she so very sweetly entreated them to sing it with her, that none of them could refuse. And she led them all with wondrous care and patience, giving to the very simple tune, a tender and noble pathos such as they had never heard before, yet which they unconsciously absorbed into their own singing, as they lifted up their youthful voices in tremulous unison.

"The Lord is my Shepherd; I shall not want, He maketh me down to lie, In pleasant fields where the lilies grow. And the river runneth by.

"The Lord is my Shepherd; He feedeth me In the depth of a desert land, And lest I should in the darkness slip, He holdeth me by the hand.

"The Lord is my Shepherd; I shall not want, My mind on Him is stayed, And though through the Valley of Death I walk, I shall not be afraid.

"The Lord is my Shepherd; O Shepherd sweet, Leave me not here to stray; But guide me safe to Thy heavenly fold, And keep me there, I pray!"

John Walden, passing through the churchyard just at this time, heard the rhythmic rise and fall of the quaint old melody with a strange thrill at his heart. He had listened to the self-same hymn over and over again,—every year the school-children re-studied and re-sang it,—but there was something altogether new in its harmony this time,—something appealing and pathetic which struck to the inmost core of his sensitive nature. Noiselessly, he entered the church, and for a moment or two stood unobserved, watching the little scene before him. Cicely was at the organ, and her hands still rested on the keys, but she was speaking to the members of the choir.

"That is very nicely done,"—she said, encouragingly—"But you must try and keep more steadily together in tune, must they not, Miss Eden?"—and she turned to the schoolmistress at her side, who, with a smile, agreed. "You"—and she touched pretty Susie Prescott on the arm,—"You sing delightfully! It is a little voice—but so very sweet!"

Susie blushed deeply and curtsied. It had got about in the village that Miss Vancourt's young friend from Paris was a musical 'prodigy,' and praise from her was something to be remembered.

"Now listen!" went on Cicely—"I'm not going to sing full voice, because I'm not allowed to yet,—but this is how that hymn should go!" And her pure tones floated forth pianissimo, with slow and tender solemnity:—

"The Lord is my Shepherd; O Shepherd sweet, Leave me not here to stray; But guide me safe to Thy heavenly fold, And keep me there, I pray! Amen!"

Silence followed. The children stood wonder-struck, and Miss Eden's eyes filled with emotional tears.

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