The lover in his despair always went to the Delobelles to confide his sorrows, but he never noticed how quickly Desiree rose as soon as he entered, to make room for him by her side at the work-takle, and how she at once sat down again, with cheeks as red as fire and shining eyes.

For some days past they had ceased to work at birds and insects for ornament. The mother and daughter were hemming pink flounces destined for Sidonie's frock, and the little cripple never had plied her needle with such good heart.

In truth little Desiree was not Delobelle's daughter to no purpose.

She inherited her father's faculty of retaining his illusions, of hoping on to the end and even beyond.

While Frantz was dilating upon his woe, Desire was thinking that, when Sidonie was gone, he would come every day, if it were only to talk about the absent one; that she would have him there by her side, that they would sit up together waiting for "father," and that, perhaps, some evening, as he sat looking at her, he would discover the difference between the woman who loves you and the one who simply allows herself to be loved.

Thereupon the thought that every stitch taken in the frock tended to hasten the departure which she anticipated with such impatience imparted. extraordinary activity to her needle, and the unhappy lover ruefully watched the flounces and ruffles piling up about her, like little pink, white-capped waves.

When the pink frock was finished, Mademoiselle Chebe started for Savigny.

The chateau of M. Gardinois was built in the valley of the Orge, on the bank of that capriciously lovely stream, with its windmills, its little islands, its dams, and its broad lawns that end at its shores.

The chateau, an old Louis-Quinze structure, low in reality, although made to appear high by a pointed roof, had a most depressing aspect, suggestive of aristocratic antiquity; broad steps, balconies with rusty balustrades, old urns marred by time, wherein the flowers stood out vividly against the reddish stone. As far as the eye could see, the walls stretched away, decayed and crumbling, descending gradually toward the stream. The chateau overlooked them, with its high, slated roofs, the farmhouse, with its red tiles, and the superb park, with its lindens, ash-trees, poplars and chestnuts growing confusedly together in a dense black mass, cut here and there by the arched openings of the paths.

But the charm of the old place was the water, which enlivened its silence and gave character to its beautiful views. There were at Savigny, to say nothing of the river, many springs, fountains, and ponds, in which the sun sank to rest in all his glory; and they formed a suitable setting for that venerable mansion, green and mossy as it was, and slightly worn away, like a stone on the edge of a brook.

Unluckily, at Savigny, as in most of those gorgeous Parisian summer palaces, which the parvenus in commerce and speculation have made their prey, the chatelains were not in harmony with the chateau.

Since he had purchased his chateau, old Gardinois had done nothing but injure the beauty of the beautiful property chance had placed in his hands; cut down trees "for the view," filled his park with rough obstructions to keep out trespassers, and reserved all his solicitude for a magnificent kitchen-garden, which, as it produced fruit and vegetables in abundance, seemed to him more like his own part of the country—the land of the peasant.

As for the great salons, where the panels with paintings of famous subjects were fading in the autumn fogs, as for the ponds overrun with water-lilies, the grottoes, the stone bridges, he cared for them only because of the admiration of visitors, and because of such elements was composed that thing which so flattered his vanity as an ex-dealer in cattle—a chateau!

Being already old, unable to hunt or fish, he passed his time superintending the most trivial details of that large property. The grain for the hens, the price of the last load of the second crop of hay, the number of bales of straw stored in a magnificent circular granary, furnished him with matter for scolding for a whole day; and certain it is that, when one gazed from a distance at that lovely estate of Savigny, the chateau on the hillside, the river, like a mirror, flowing at its feet, the high terraces shaded by ivy, the supporting wall of the park following the majestic slope of the ground, one never would have suspected the proprietor's niggardliness and meanness of spirit.

In the idleness consequent upon his wealth, M. Gardinois, being greatly bored in Paris, lived at Savigny throughout the year, and the Fromonts lived with him during the summer.

Madame Fromont was a mild, dull woman, whom her father's brutal despotism had early molded to passive obedience for life. She maintained the same attitude with her husband, whose constant kindness and indulgence never had succeeded in triumphing over that humiliated, taciturn nature, indifferent to everything, and, in some sense, irresponsible. Having passed her life with no knowledge of business, she had become rich without knowing it and without the slightest desire to take advantage of it. Her fine apartments in Paris, her father's magnificent chateau, made her uncomfortable. She occupied as small a place as possible in both, filling her life with a single passion, order—a fantastic, abnormal sort of order, which consisted in brushing, wiping, dusting, and polishing the mirrors, the gilding and the door-knobs, with her own hands, from morning till night.

When she had nothing else to clean, the strange woman would attack her rings, her watch-chain, her brooches, scrubbing the cameos and pearls, and, by dint of polishing the combination of her own name and her husband's, she had effaced all the letters of both. Her fixed idea followed her to Savigny. She picked up dead branches in the paths, scratched the moss from the benches with the end of her umbrella, and would have liked to dust the leaves and sweep down the old trees; and often, when in the train, she looked with envy at the little villas standing in a line along the track, white and clean, with their gleaming utensils, the pewter ball, and the little oblong gardens, which resemble drawers in a bureau. Those were her ideal of a country-house.

M. Fromont, who came only occasionally and was always absorbed by his business affairs, enjoyed Savigny little more than she. Claire alone felt really at home in that lovely park. She was familiar with its smallest shrub. Being obliged to provide her own amusements, like all only children, she had become attached to certain walks, watched the flowers bloom, had her favorite path, her favorite tree, her favorite bench for reading. The dinner-bell always surprised her far away in the park. She would come to the table, out of breath but happy, flushed with the fresh air. The shadow of the hornbeams, stealing over that youthful brow, had imprinted a sort of gentle melancholy there, and the deep, dark green of the ponds, crossed by vague rays, was reflected in her eyes.

Those lovely surroundings had in very truth shielded her from the vulgarity and the abjectness of the persons about her. M. Gardinois might deplore in her presence, for hours at a time, the perversity of tradesmen and servants, or make an estimate of what was being stolen from him each month, each week, every day, every minute; Madame Fromont might enumerate her grievances against the mice, the maggots, dust and dampness, all desperately bent upon destroying her property, and engaged in a conspiracy against her wardrobes; not a word of their foolish talk remained in Claire's mind. A run around the lawn, an hour's reading on the river-bank, restored the tranquillity of that noble and intensely active mind.

Her grandfather looked upon her as a strange being, altogether out of place in his family. As a child she annoyed him with her great, honest eyes, her straightforwardness on all occasions, and also because he did not find in her a second edition of his own passive and submissive daughter.

"That child will be a proud chit and an original, like her father," he would say in his ugly moods.

How much better he liked that little Chebe girl who used to come now and then and play in the avenues at Savigny! In her, at least, he detected the strain of the common people like himself, with a sprinkling of ambition and envy, suggested even in those early days by a certain little smile at the corner of the mouth. Moreover, the child exhibited an ingenuous amazement and admiration in presence of his wealth, which flattered his parvenu pride; and sometimes, when he teased her, she would break out with the droll phrases of a Paris gamine, slang redolent of the faubourgs, seasoned by her pretty, piquant face, inclined to pallor, which not even superficiality could deprive of its distinction. So he never had forgotten her.

On this occasion above all, when Sidonie arrived at Savigny after her long absence, with her fluffy hair, her graceful figure, her bright, mobile face, the whole effect emphasized by mannerisms suggestive of the shop-girl, she produced a decided sensation. Old Gardinois, wondering greatly to see a tall young woman in place of the child he was expecting to see, considered her prettier and, above all, better dressed than Claire.

It was a fact that, when Mademoiselle Chebe had left the train and was seated in the great wagonette from the chateau, her appearance was not bad; but she lacked those details that constituted her friend's chief beauty and charm—a distinguished carriage, a contempt for poses, and, more than all else, mental tranquillity. Her prettiness was not unlike her gowns, of inexpensive materials, but cut according to the style of the day-rags, if you will, but rags of which fashion, that ridiculous but charming fairy, had regulated the color, the trimming, and the shape. Paris has pretty faces made expressly for costumes of that sort, very easy to dress becomingly, for the very reason that they belong to no type, and Mademoiselle Sidonie's face was one of these.

What bliss was hers when the carriage entered the long avenue, bordered with velvety grass and primeval elms, and at the end Savigny awaiting her with its great gate wide open!

And how thoroughly at ease she felt amid all those refinements of wealth! How perfectly that sort of life suited her! It seemed to her that she never had known any other.

Suddenly, in the midst of her intoxication, arrived a letter from Frantz, which brought her back to the realities of her life, to her wretched fate as the future wife of a government clerk, which transported her, whether she would or no, to the mean little apartment they would occupy some day at the top of some dismal house, whose heavy atmosphere, dense with privation, she seemed already to breathe.

Should she break her betrothal promise?

She certainly could do it, as she had given no other pledge than her word. But when he had left her, who could say that she would not wish him back?

In that little brain, turned by ambition, the strangest ideas chased one another. Sometimes, while Grandfather Gardinois, who had laid aside in her honor his old-fashioned hunting-jackets and swanskin waistcoats, was jesting with her, amusing himself by contradicting her in order to draw out a sharp reply, she would gaze steadily, coldly into his eyes, without replying. Ah! if only he were ten years younger! But the thought of becoming Madame Gardinois did not long occupy her. A new personage, a new hope came into her life.

After Sidonie's arrival, Georges Fromont, who was seldom seen at Savigny except on Sundays, adopted the habit of coming to dinner almost every day.

He was a tall, slender, pale youth, of refined appearance. Having no father or mother, he had been brought up by his uncle, M. Fromont, and was looked upon by him to succeed him in business, and probably to become Claire's husband. That ready-made future did not arouse any enthusiasm in Georges. In the first place business bored him. As for his cousin, the intimate good-fellowship of an education in common and mutual confidence existed between them, but nothing more, at least on his side.

With Sidonie, on the contrary, he was exceedingly embarrassed and shy, and at the same time desirous of producing an effect—a totally different man, in short. She had just the spurious charm, a little free, which was calculated to attract a superficial nature, and it was not long before she discovered the impression that she produced upon him.

When the two girls were walking together in the park, it was always Sidonie who remembered that it was time for the train from Paris to arrive. They would go together to the gate to meet the travellers, and Georges's first glance was always for Mademoiselle Chebe, who remained a little behind her friend, but with the poses and airs that go halfway to meet the eyes. That manoeuvring between them lasted some time. They did not mention love, but all the words, all the smiles they exchanged were full of silent avowals.

One cloudy and threatening summer evening, when the two friends had left the table as soon as dinner was at an end and were walking in the long, shady avenue, Georges joined them. They were talking upon indifferent subjects, crunching the gravel beneath their idling footsteps, when Madame Fromont's voice, from the chateau, called Claire away. Georges and Sidonie were left alone. They continued to walk along the avenue, guided by the uncertain whiteness of the path, without speaking of drawing nearer to each other.

A warm wind rustled among the leaves. The ruffled surface of the pond lapped softly against the arches of the little bridge; and the blossoms of the acacias and lindens, detached by the breeze, whirled about in circles, perfuming the electricity-laden air. They felt themselves surrounded by an atmosphere of storm, vibrant and penetrating. Dazzling flashes of heat passed before their troubled eyes, like those that played along the horizon.

"Oh! what lovely glow-worms!" exclaimed Sidonie, embarrassed by the oppressive silence broken by so many mysterious sounds.

On the edge of the greensward a blade of grass here and there was illuminated by a tiny, green, flickering light. She stooped to lift one on her glove. Georges knelt close beside her; and as they leaned down, their hair and cheeks touching, they gazed at each other for a moment by the light of the glow-worms. How weird and fascinating she seemed to him in that green light, which shone upon her face and died away in the fine network of her waving hair! He put his arm around her waist, and suddenly, feeling that she abandoned herself to him, he clasped her in a long, passionate embrace.

"What are you looking for?" asked Claire, suddenly coming up in the shadow behind them.

Taken by surprise, and with a choking sensation in his throat, Georges trembled so that he could not reply. Sidonie, on the other hand, rose with the utmost coolness, and said as she shook out her skirt:

"The glow-worms. See how many of them there are tonight. And how they sparkle."

Her eyes also sparkled with extraordinary brilliancy.

"The storm makes them, I suppose," murmured Georges, still trembling.

The storm was indeed near. At brief intervals great clouds of leaves and dust whirled from one end of the avenue to the other. They walked a few steps farther, then all three returned to the house. The young women took their work, Georges tried to read a newspaper, while Madame Fromont polished her rings and M. Gardinois and his son-in-law played billiards in the adjoining room.

How long that evening seemed to Sidonie! She had but one wish, to be alone-alone with her thoughts.

But, in the silence of her little bedroom, when she had put out her light, which interferes with dreams by casting too bright an illumination upon reality, what schemes, what transports of delight! Georges loved her, Georges Fromont, the heir of the factory! They would marry; she would be rich. For in that mercenary little heart the first kiss of love had awakened no ideas save those of ambition and a life of luxury.

To assure herself that her lover was sincere, she tried to recall the scene under the trees to its most trifling details, the expression of his eyes, the warmth of his embrace, the vows uttered brokenly, lips to lips, it that weird light shed by the glow-worms, which one solemn moment had fixed forever in her heart.

Oh! the glow-worms of Savigny!

All night long they twinkled like stars before her closed eyes. The park was full of them, to the farthest limits of its darkest paths. There were clusters of them all along the lawns, on the trees, in the shrubbery. The fine gravel of the avenues, the waves of the river, seemed to emit green sparks, and all those microscopic flashes formed a sort of holiday illumination in which Savigny seemed to be enveloped in her honor, to celebrate the betrothal of Georges and Sidonie.

When she rose the next day, her plan was formed. Georges loved her; that was certain. Did he contemplate marrying her? She had a suspicion that he did not, the clever minx! But that did not frighten her. She felt strong enough to triumph over that childish nature, at once weak and passionate. She had only to resist him, and that is exactly what she did.

For some days she was cold and indifferent, wilfully blind and devoid of memory. He tried to speak to her, to renew the blissful moment, but she avoided him, always placing some one between them.

Then he wrote to her.

He carried his notes himself to a hollow in a rock near a clear spring called "The Phantom," which was in the outskirts of the park, sheltered by a thatched roof. Sidonie thought that a charming episode. In the evening she must invent some story, a pretext of some sort for going to "The Phantom" alone. The shadow of the trees across the path, the mystery of the night, the rapid walk, the excitement, made her heart beat deliciously. She would find the letter saturated with dew, with the intense cold of the spring, and so white in the moonlight that she would hide it quickly for fear of being surprised.

And then, when she was alone, what joy to open it, to decipher those magic characters, those words of love which swam before her eyes, surrounded by dazzling blue and yellow circles, as if she were reading her letter in the bright sunlight.

"I love you! Love me!" wrote Georges in every conceivable phrase.

At first she did not reply; but when she felt that he was fairly caught, entirely in her power, she declared herself concisely:

"I never will love any one but my husband."

Ah! she was a true woman already, was little Chebe.



CHAPTER V

HOW LITTLE CHEBE'S STORY ENDED

Meanwhil September arrived. The hunting season brought together a large, noisy, vulgar party at the chateau. There were long dinners at which the wealthy bourgeois lingered slothfully and wearily, prone to fall asleep like peasants. They went in carriages to meet the returning hunters in the cool air of the autumn evening. The mist arose from the fields, from which the crops had been gathered; and while the frightened game flew along the stubble with plaintive cries, the darkness seemed to emerge from the forests whose dark masses increased in size, spreading out over the fields.

The carriage lamps were lighted, the hoods raised, and they drove quickly homeward with the fresh air blowing in their faces. The dining-hall, brilliantly illuminated, was filled with gayety and laughter.

Claire Fromont, embarrassed by the vulgarity of those about her, hardly spoke at all. Sidonie was at her brightest. The drive had given animation to her pale complexion and Parisian eyes. She knew how to laugh, understood a little too much, perhaps, and seemed to the male guests the only woman in the party. Her success completed Georges's intoxication; but as his advances became more pronounced, she showed more and more reserve. Thereupon he determined that she should be his wife. He swore it to himself, with the exaggerated emphasis of weak characters, who seem always to combat beforehand the difficulties to which they know that they must yield some day.

It was the happiest moment of little Chebe's life. Even aside from any ambitious project, her coquettish, false nature found a strange fascination in this intrigue, carried on mysteriously amid banquets and merry-makings.

No one about them suspected anything. Claire was at that healthy and delightful period of youth when the mind, only partly open, clings to the things it knows with blind confidence, in complete ignorance of treachery and falsehood. M. Fromont thought of nothing but his business. His wife polished her jewels with frenzied energy. Only old Gardinois and his little, gimlet-like eyes were to be feared; but Sidonie entertained him, and even if he had discovered anything, he was not the man to interfere with her future.

Her hour of triumph was near, when a sudden, unforeseen disaster blasted her hopes.

One Sunday morning M. Fromont was brought back fatally wounded from a hunting expedition. A bullet intended for a deer had pierced his temple. The chateau was turned upside-down.

All the hunters, among them the unknown bungler that had fired the fatal shot, started in haste for Paris. Claire, frantic with grief, entered the room where her father lay on his deathbed, there to remain; and Risler, being advised of the catastrophe, came to take Sidonie home.

On the night before her departure she had a final meeting with Georges at The Phantom,—a farewell meeting, painful and stealthy, and made solemn by the proximity of death. They vowed, however, to love each other always; they agreed upon a method of writing to each other. Then they parted.

It was a sad journey home.

Sidonie returned abruptly to her every-day life, escorted by the despairing grief of Risler, to whom his dear master's death was an irreparable loss. On her arrival, she was compelled to describe her visit to the smallest detail; discuss the inmates of the chateau, the guests, the entertainments, the dinners, and the final catastrophe. What torture for her, when, absorbed as she was by a single, unchanging thought, she had so much need of silence and solitude! But there was something even more terrible than that.

On the first day after her return Frantz resumed his former place; and the glances with which he followed her, the words he addressed to her alone, seemed to her exasperating beyond endurance.

Despite all his shyness and distrust of himself, the poor fellow believed that he had some rights as an accepted and impatient lover, and little Chebe was obliged to emerge from her dreams to reply to that creditor, and to postpone once more the maturity of his claim.

A day came, however, when indecision ceased to be possible. She had promised to marry Frantz when he had obtained a good situation; and now an engineer's berth in the South, at the smelting-furnaces of Grand Combe, was offered to him. That was sufficient for the support of a modest establishment.

There was no way of avoiding the question. She must either keep her promise or invent an excuse for breaking it. But what excuse could she invent?

In that pressing emergency, she thought of Desiree. Although the lame little girl had never confided in her, she knew of her great love for Frantz. Long ago she had detected it, with her coquette's eyes, bright and changing mirrors, which reflected all the thoughts of others without betraying any of her own. It may be that the thought that another woman loved her betrothed had made Frantz's love more endurable to her at first; and, just as we place statues on tombstones to make them appear less sad, Desiree's pretty, little, pale face at the threshold of that uninviting future had made it seem less forbidding to her.

Now it provided—her with a simple and honorable pretext for freeing herself from her promise.

"No! I tell you, mamma," she said to Madame Chebe one day, "I never will consent to make a friend like her unhappy. I should suffer too much from remorse,—poor Desiree! Haven't you noticed how badly she looks since I came home; what a beseeching way she has of looking at me? No, I won't cause her that sorrow; I won't take away her Frantz."

Even while she admired her daughter's generous spirit, Madame Chebe looked upon that as a rather exaggerated sacrifice, and remonstrated with her.

"Take care, my child; we aren't rich. A husband like Frantz doesn't turn up every day."

"Very well! then I won't marry at all," declared Sidonie flatly, and, deeming her pretext an excellent one, she clung persistently to it. Nothing could shake her determination, neither the tears shed by Frantz, who was exasperated by her refusal to fulfil her promise, enveloped as it was in vague reasons which she would not even explain to him, nor the entreaties of Risler, in whose ear Madame Chebe had mysteriously mumbled her daughter's reasons, and who in spite of everything could not but admire such a sacrifice.

"Don't revile her, I tell you! She's an angel!" he said to his brother, striving to soothe him.

"Ah! yes, she is an angel," assented Madame Chebe with a sigh, so that the poor betrayed lover had not even the right to complain. Driven to despair, he determined to leave Paris, and as Grand Combe seemed too near in his frenzied longing for flight, he asked and obtained an appointment as overseer on the Suez Canal at Ismailia. He went away without knowing, or caring to know aught of, Desiree's love; and yet, when he went to bid her farewell, the dear little cripple looked up into his face with her shy, pretty eyes, in which were plainly written the words:

"I love you, if she does not."

But Frantz Risler did not know how to read what was written in those eyes.

Fortunately, hearts that are accustomed to suffer have an infinite store of patience. When her friend had gone, the lame girl, with her charming morsel of illusion, inherited from her father and refined by her feminine nature, returned bravely to her work, saying to herself:

"I will wait for him."

And thereafter she spread the wings of her birds to their fullest extent, as if they were all going, one after another, to Ismailia in Egypt. And that was a long distance!

Before sailing from Marseilles, young Risler wrote Sidonie a farewell letter, at once laughable and touching, wherein, mingling the most technical details with the most heartrending adieux, the unhappy engineer declared that he was about to set sail, with a broken heart, on the transport Sahib, "a sailing-ship and steamship combined, with engines of fifteen-hundred-horse power," as if he hoped that so considerable a capacity would make an impression on his ungrateful betrothed, and cause her ceaseless remorse. But Sidonie had very different matters on her mind.

She was beginning to be disturbed by Georges's silence. Since she left Savigny she had heard from him only once. All her letters were left unanswered. To be sure, she knew through Risler that Georges was very busy, and that his uncle's death had thrown the management of the factory upon him, imposing upon him a responsibility that was beyond his strength. But to abandon her without a word!

From the window on the landing, where she had resumed her silent observations—for she had so arranged matters as not to return to Mademoiselle Le Mire—little Chebe tried to distinguish her lover, watched him as he went to and fro across the yards and among the buildings; and in the afternoon, when it was time for the train to start for Savigny, she saw him enter his carriage to go to his aunt and cousin, who were passing the early months of their period of mourning at the grandfather's chateau in the country.

All this excited and alarmed her; and the proximity of the factory rendered Georges's avoidance of her even more apparent. To think that by raising her voice a little she could make him turn toward the place where she stood! To think that they were separated only by a wall! And yet, at that moment they were very far apart.

Do you remember, little Chebe, that unhappy winter evening when the excellent Risler rushed into your parents' room with an extraordinary expression of countenance, exclaiming, "Great news!"?

Great news, indeed! Georges Fromont had just informed him that, in accordance with his uncle's last wishes, he was to marry his cousin Claire, and that, as he was certainly unequal to the task of carrying on the business alone, he had resolved to take him, Risler, for a partner, under the firm name of FROMONT JEUNE AND RISLER AINE.

How did you succeed, little Chebe, in maintaining your self-possession when you learned that the factory had eluded your grasp and that another woman had taken your place? What a terrible evening!—Madame Chebe sat by the table mending; M. Chebe before the fire drying his clothes, which were wet through by his having walked a long distance in the rain. Oh! that miserable room, overflowing with gloom and ennui! The lamp gave a dim light. The supper, hastily prepared, had left in the room the odor of the poor man's kitchen. And Risler, intoxicated with joy, talking with increasing animation, laid great plans!

All these things tore your heart, and made the treachery still more horrible by the contrast between the riches that eluded your outstretched hand and the ignoble mediocrity in which you were doomed to pass your life.

Sidonie was seriously ill for a long while. As she lay in bed, whenever the window-panes rattled behind the curtains, the unhappy creature fancied that Georges's wedding-coaches were driving through the street; and she had paroxysms of nervous excitement, without words and inexplicable, as if a fever of wrath were consuming her.

At last, time and youthful strength, her mother's care, and, more than all, the attentions of Desiree, who now knew of the sacrifice her friend had made for her, triumphed over the disease. But for a long while Sidonie was very weak, oppressed by a deadly melancholy, by a constant longing to weep, which played havoc with her nervous system.

Sometimes she talked of travelling, of leaving Paris. At other times she insisted that she must enter a convent. Her friends were sorely perplexed, and strove to discover the cause of that singular state of mind, which was even more alarming than her illness; when she suddenly confessed to her mother the secret of her melancholy.

She loved the elder Risler! She never had dared to whisper it; but it was he whom she had always loved and not Frantz.

This news was a surprise to everybody, to Risler most of all; but little Chebe was so pretty, her eyes were so soft when she glanced at him, that the honest fellow instantly became as fond of her as a fool! Indeed, it may be that love had lain in his heart for a long time without his realizing it.

And that is how it happened that, on the evening of her wedding-day, young Madame Risler, in her white wedding-dress, gazed with a smile of triumph at the window on the landing which had been the narrow setting of ten years of her life. That haughty smile, in which there was a touch of profound pity and of scorn as well, such scorn as a parvenu feels for his poor beginnings, was evidently addressed to the poor sickly child whom she fancied she saw up at that window, in the depths of the past and the darkness. It seemed to say to Claire, pointing at the factory:

"What do you say to this little Chebe? She is here at last, you see!"



CHAPTER VI

Noon. The Marais is breakfasting.

Sitting near the door, on a stone which once served as a horse-block for equestrians, Risler watches with a smile the exit from the factory. He never loses his enjoyment of the outspoken esteem of all these good people whom he knew when he was insignificant and humble like themselves. The "Good-day, Monsieur Risler," uttered by so many different voices, all in the same affectionate tone, warms his heart. The children accost him without fear, the long-bearded designers, half-workmen, half-artists, shake hands with him as they pass, and address him familiarly as "thou." Perhaps there is a little too much familiarity in all this, for the worthy man has not yet begun to realize the prestige and authority of his new station; and there was some one who considered this free-and-easy manner very humiliating. But that some one can not see him at this moment, and the master takes advantage of the fact to bestow a hearty greeting upon the old bookkeeper, Sigismond, who comes out last of all, erect and red-faced, imprisoned in a high collar and bareheaded—whatever the weather—for fear of apoplexy.

He and Risler are fellow-countrymen. They have for each other a profound esteem, dating from their first employment at the factory, from that time, long, long ago, when they breakfasted together at the little creamery on the corner, to which Sigismond Planus goes alone now and selects his refreshment for the day from the slate hanging on the wall.

But stand aside! The carriage of Fromont Jeune drives through the gateway. He has been out on business all the morning; and the partners, as they walk toward the pretty little house in which they both live at the end of the garden, discuss matters of business in a friendly way.

"I have been at Prochasson's," says Fromont. "They showed me some new patterns, pretty ones too, I assure you. We must be on our guard. They are dangerous rivals."

But Risler is not at all anxious. He is strong in his talent, his experience; and then—but this is strictly confidential—he is on the track of a wonderful invention, an improved printing-press, something that—but we shall see. Still talking, they enter the garden, which is as carefully kept as a public park, with round-topped acacias almost as old as the buildings, and magnificent ivies that hide the high, black walls.

Beside Fromont jeune, Risler Aine has the appearance of a clerk making his report to his employer. At every step he stops to speak, for his gait is heavy, his mind works slowly, and words have much difficulty in finding their way to his lips. Oh, if he could see the little flushed face up yonder, behind the window on the second floor, watching everything so attentively!

Madame Risler is waiting for her husband to come to breakfast, and waxes impatient over the good man's moderation. She motions to him with her hand:

"Come, come!" but Risler does not notice it. His attention is engrossed by the little Fromont, daughter of Claire and Georges, who is taking a sun-bath, blooming like a flower amid her lace in her nurse's arms. How pretty she is! "She is your very picture, Madame Chorche."

"Do you think so, my dear Risler? Why, everybody says she looks like her father."

"Yes, a little. But—"

And there they all stand, the father and mother, Risler and the nurse, gravely seeking resemblances in that miniature model of a human being, who stares at them out of her little eyes, blinking with the noise and glare. Sidonie, at her open window, leans out to see what they are doing, and why her husband does not come up.

At that moment Risler has taken the tiny creature in his arms, the whole fascinating bundle of white draperies and light ribbons, and is trying to make it laugh and crow with baby-talk and gestures worthy of a grandfather. How old he looks, poor man! His tall body, which he contorts for the child's amusement, his hoarse voice, which becomes a low growl when he tries to soften it, are absurd and ridiculous.

Above, the wife taps the floor with her foot and mutters between her teeth:

"The idiot!"

At last, weary of waiting, she sends a servant to tell Monsieur that breakfast is served; but the game is so far advanced that Monsieur does not see how he can go away, how he can interrupt these explosions of laughter and little bird-like cries. He succeeds at last, however, in giving the child back to its nurse, and enters the hall, laughing heartily. He is laughing still when he enters the dining-room; but a glance from his wife stops him short.

Sidonie is seated at table before the chafing-dish, already filled. Her martyr-like attitude suggests a determination to be cross.

"Oh! there you are. It's very lucky!"

Risler took his seat, a little ashamed.

"What would you have, my love? That child is so—"

"I have asked you before now not to speak to me in that way. It isn't good form."

"What, not when we're alone?"

"Bah! you will never learn to adapt yourself to our new fortune. And what is the result? No one in this place treats me with any respect. Pere Achille hardly touches his hat to me when I pass his lodge. To be sure, I'm not a Fromont, and I haven't a carriage."

"Come, come, little one, you know perfectly well that you can use Madame Chorche's coupe. She always says it is at our disposal."

"How many times must I tell you that I don't choose to be under any obligation to that woman?"

"O Sidonie"

"Oh! yes, I know, it's all understood. Madame Fromont is the good Lord himself. Every one is forbidden to touch her. And I must make up my mind to be a nobody in my own house, to allow myself to be humiliated, trampled under foot."

"Come, come, little one—"

Poor Risler tries to interpose, to say a word in favor of his dear Madame "Chorche." But he has no tact. This is the worst possible method of effecting a reconciliation; and Sidonie at once bursts forth:

"I tell you that that woman, with all her calm airs, is proud and spiteful. In the first place, she detests me, I know that. So long as I was poor little Sidonie and she could toss me her broken dolls and old clothes, it was all right, but now that I am my own mistress as well as she, it vexes her and humiliates her. Madame gives me advice with a lofty air, and criticises what I do. I did wrong to have a maid. Of course! Wasn't I in the habit of waiting on myself? She never loses a chance to wound me. When I call on her on Wednesdays, you should hear the tone in which she asks me, before everybody, how 'dear Madame Chebe' is. Oh! yes. I'm a Chebe and she's a Fromont. One's as good as the other, in my opinion. My grandfather was a druggist. What was hers? A peasant who got rich by money-lending. I'll tell her so one of these days, if she shows me too much of her pride; and I'll tell her, too, that their little imp, although they don't suspect it, looks just like that old Pere Gardinois, and heaven knows he isn't handsome."

"Oh!" exclaims Risler, unable to find words to reply.

"Oh! yes, of course! I advise you to admire their child. She's always ill. She cries all night like a little cat. It keeps me awake. And afterward, through the day, I have mamma's piano and her scales—tra, la la la! If the music were only worth listening to!"

Risler has taken the wise course. He does not say a word until he sees that she is beginning to calm down a little, when he completes the soothing process with compliments.

"How pretty we are to-day! Are we going out soon to make some calls, eh?"

He resorts to this mode of address to avoid the more familiar form, which is so offensive to her.

"No, I am not going to make calls," Sidonie replies with a certain pride. "On the contrary, I expect to receive them. This is my day."

In response to her husband's astounded, bewildered expression she continues:

"Why, yes, this is my day. Madame Fromont has one; I can have one also, I fancy."

"Of course, of course," said honest Risler, looking about with some little uneasiness. "So that's why I saw so many flowers everywhere, on the landing and in the drawing-room."

"Yes, my maid went down to the garden this morning. Did I do wrong? Oh! you don't say so, but I'm sure you think I did wrong. 'Dame'! I thought the flowers in the garden belonged to us as much as to the Fromonts."

"Certainly they do—but you—it would have been better perhaps—"

"To ask leave? That's it-to humble myself again for a few paltry chrysanthemums and two or three bits of green. Besides, I didn't make any secret of taking the flowers; and when she comes up a little later—"

"Is she coming? Ah! that's very kind of her."

Sidonie turned upon him indignantly.

"What's that? Kind of her? Upon my word, if she doesn't come, it would be the last straw. When I go every Wednesday to be bored to death in her salon with a crowd of affected, simpering women!"

She did not say that those same Wednesdays of Madame Fromont's were very useful to her, that they were like a weekly journal of fashion, one of those composite little publications in which you are told how to enter and to leave a room, how to bow, how to place flowers in a jardiniere and cigars in a case, to say nothing of the engravings, the procession of graceful, faultlessly attired men and women, and the names of the best modistes. Nor did Sidonie add that she had entreated all those friends of Claire's, of whom she spoke so scornfully, to come to see her on her own day, and that the day was selected by them.

Will they come? Will Madame Fromont Jeune insult Madame Risler Aine by absenting herself on her first Friday? The thought makes her almost feverish with anxiety.

"For heaven's sake, hurry!" she says again and again. "Good heavens! how long you are at your, breakfast!"

It is a fact that it is one of honest Risler's ways to eat slowly, and to light his pipe at the table while he sips his coffee. To-day he must renounce these cherished habits, must leave the pipe in its case because of the smoke, and, as soon as he has swallowed the last mouthful, run hastily and dress, for his wife insists that he must come up during the afternoon and pay his respects to the ladies.

What a sensation in the factory when they see Risler Aine come in, on a week-day, in a black frock-coat and white cravat!

"Are you going to a wedding, pray?" cries Sigismond, the cashier, behind his grating.

And Risler, not without a feeling of pride, replies:

"This is my wife's reception day!"

Soon everybody in the place knows that it is Sidonie's day; and Pere Achille, who takes care of the garden, is not very well pleased to find that the branches of the winter laurels by the gate are broken.

Before taking his seat at the table upon which he draws, in the bright light from the tall windows, Risler has taken off his fine frock-coat, which embarrasses him, and has turned up his clean shirt-sleeves; but the idea that his wife is expecting company preoccupies and disturbs him; and from time to time he puts on his coat and goes up to her.

"Has no one come?" he asks timidly.

"No, Monsieur, no one."

In the beautiful red drawing-room—for they have a drawing-room in red damask, with a console between the windows and a pretty table in the centre of the light-flowered carpet—Sidonie has established herself in the attitude of a woman holding a reception, a circle of chairs of many shapes around her. Here and there are books, reviews, a little work-basket in the shape of a gamebag, with silk tassels, a bunch of violets in a glass vase, and green plants in the jardinieres. Everything is arranged exactly as in the Fromonts' apartments on the floor below; but the taste, that invisible line which separates the distinguished from the vulgar, is not yet refined. You would say it was a passable copy of a pretty genre picture. The hostess's attire, even, is too new; she looks more as if she were making a call than as if she were at home. In Risler's eyes everything is superb, beyond reproach; he is preparing to say so as he enters the salon, but, in face of his wife's wrathful glance, he checks himself in terror.

"You see, it's four o'clock," she says, pointing to the clock with an angry gesture. "No one will come. But I take it especially ill of Claire not to come up. She is at home—I am sure of it—I can hear her."

Indeed, ever since noon, Sidonie has listened intently to the slightest sounds on the floor below, the child's crying, the closing of doors. Risler attempts to go down again in order to avoid a renewal of the conversation at breakfast; but his wife will not allow him to do so. The very least he can do is to stay with her when everybody else abandons her, and so he remains there, at a loss what to say, rooted to the spot, like those people who dare not move during a storm for fear of attracting the lightning. Sidonie moves excitedly about, going in and out of the salon, changing the position of a chair, putting it back again, looking at herself as she passes the mirror, and ringing for her maid to send her to ask Pere Achille if no one has inquired for her. That Pere Achille is such a spiteful creature! Perhaps when people have come, he has said that she was out.

But no, the concierge has not seen any one.

Silence and consternation. Sidonie is standing at the window on the left, Risler at the one on the right. From there they can see the little garden, where the darkness is gathering, and the black smoke which the chimney emits beneath the lowering clouds. Sigismond's window is the first to show a light on the ground floor; the cashier trims his lamp himself with painstaking care, and his tall shadow passes in front of the flame and bends double behind the grating. Sidonie's wrath is diverted a moment by these familiar details.

Suddenly a small coupe drives into the garden and stops in front of the door. At last some one is coming. In that pretty whirl of silk and flowers and jet and flounces and furs, as it runs quickly up the step, Sidonie has recognized one of the most fashionable frequenters of the Fromont salon, the wife of a wealthy dealer in bronzes. What an honor to receive a call from such an one! Quick, quick! the family takes its position, Monsieur in front of the hearth, Madame in an easychair, carelessly turning the leaves of a magazine. Wasted pose! The fair caller did not come to see Sidonie; she has stopped at the floor below.

Ah! if Madame Georges could hear what her neighbor says of her and her friends!

At that moment the door opens and "Mademoiselle Planus" is announced. She is the cashier's sister, a poor old maid, humble and modest, who has made it her duty to make this call upon the wife of her brother's employer, and who is amazed at the warm welcome she receives. She is surrounded and made much of. "How kind of you to come! Draw up to the fire." They overwhelm her with attentions and show great interest in her slightest word. Honest Risler's smiles are as warm as his thanks. Sidonie herself displays all her fascinations, overjoyed to exhibit herself in her glory to one who was her equal in the old days, and to reflect that the other, in the room below, must hear that she has had callers. So she makes as much noise as possible, moving chairs, pushing the table around; and when the lady takes her leave, dazzled, enchanted, bewildered, she escorts her to the landing with a great rustling of flounces, and calls to her in a very loud voice, leaning over the rail, that she is at home every Friday. "You understand, every Friday."

Now it is dark. The two great lamps in the salon are lighted. In the adjoining room they hear the servant laying the table. It is all over. Madame Fromont Jeune will not come.

Sidonie is pale with rage.

"Just fancy, that minx can't come up eighteen steps! No doubt Madame thinks we're not grand enough for her. Ah! but I'll have my revenge."

As she pours forth her wrath in unjust words, her voice becomes coarse, takes on the intonations of the faubourg, an accent of the common people which betrays the ex-apprentice of Mademoiselle Le Mire.

Risler is unlucky enough to make a remark.

"Who knows? Perhaps the child is ill."

She turns upon him in a fury, as if she would like to bite him.

"Will you hold your tongue about that brat? After all, it's your fault that this has happened to me. You don't know how to make people treat me with respect."

And as she closed the door of her bedroom violently, making the globes on the lamps tremble, as well as all the knick-knacks on the etageres, Risler, left alone, stands motionless in the centre of the salon, looking with an air of consternation at his white cuffs, his broad patent-leather shoes, and mutters mechanically:

"My wife's reception day!"

ETEXT EDITOR'S BOOKMARKS:

Affectation of indifference Always smiling condescendingly Convent of Saint Joseph, four shoes under the bed! Deeming every sort of occupation beneath him Dreams of wealth and the disasters that immediately followed He fixed the time mentally when he would speak Little feathers fluttering for an opportunity to fly away No one has ever been able to find out what her thoughts were Pass half the day in procuring two cakes, worth three sous She was of those who disdain no compliment Such artificial enjoyment, such idiotic laughter Superiority of the man who does nothing over the man who works Terrible revenge she would take hereafter for her sufferings The groom isn't handsome, but the bride's as pretty as a picture The poor must pay for all their enjoyments



FROMONT AND RISLER

By ALPHONSE DAUDET



BOOK 2.



CHAPTER VII

THE TRUE PEARL AND THE FALSE

"What can be the matter? What have I done to her?" Claire Fromont very often wondered when she thought of Sidonie.

She was entirely ignorant of what had formerly taken place between her friend and Georges at Savigny. Her own life was so upright, her mind so pure, that it was impossible for her to divine the jealous, mean-spirited ambition that had grown up by her side within the past fifteen years. And yet the enigmatical expression in that pretty face as it smiled upon her gave her a vague feeling of uneasiness which she could not understand. An affectation of politeness, strange enough between friends, was suddenly succeeded by an ill-dissembled anger, a cold, stinging tone, in presence of which Claire was as perplexed as by a difficult problem. Sometimes, too, a singular presentiment, the ill-defined intuition of a great misfortune, was mingled with her uneasiness; for all women have in some degree a kind of second sight, and, even in the most innocent, ignorance of evil is suddenly illumined by visions of extraordinary lucidity.

From time to time, as the result of a conversation somewhat longer than usual, or of one of those unexpected meetings when faces taken by surprise allow their real thoughts to be seen, Madame Fromont reflected seriously concerning this strange little Sidonie; but the active, urgent duties of life, with its accompaniment of affections and preoccupations, left her no time for dwelling upon such trifles.

To all women comes a time when they encounter such sudden windings in the road that their whole horizon changes and all their points of view become transformed.

Had Claire been a young girl, the falling away of that friendship bit by bit, as if torn from her by an unkindly hand, would have been a source of great regret to her. But she had lost her father, the object of her greatest, her only youthful affection; then she had married. The child had come, with its thrice welcome demands upon her every moment. Moreover, she had with her her mother, almost in her dotage, still stupefied by her husband's tragic death. In a life so fully occupied, Sidonie's caprices received but little attention; and it had hardly occurred to Claire Fromont to be surprised at her marriage to Risler. He was clearly too old for her; but, after all, what difference did it make, if they loved each other?

As for being vexed because little Chebe had attained that lofty position, had become almost her equal, her superior nature was incapable of such pettiness. On the contrary, she would have been glad with all her heart to know that that young wife, whose home was so near her own, who lived the same life, so to speak, and had been her playmate in childhood, was happy and highly esteemed. Being most kindly disposed toward her, she tried to teach her, to instruct her in the ways of society, as one might instruct an attractive provincial, who fell but little short of being altogether charming.

Advice is not readily accepted by one pretty young woman from another. When Madame Fromont gave a grand dinner-party, she took Madame Risler to her bedroom, and said to her, smiling frankly in order not to vex her: "You have put on too many jewels, my dear. And then, you know, with a high dress one doesn't wear flowers in the hair." Sidonie blushed, and thanked her friend, but wrote down an additional grievance against her in the bottom of her heart.

In Claire's circle her welcome was decidedly cold. The Faubourg Saint-Germain has its pretensions; but do not imagine that the Marais has none! Those wives and daughters of mechanics, of wealthy manufacturers, knew little Chebe's story; indeed, they would have guessed it simply by her manner of making her appearance and by her demeanor among them.

Sidonie's efforts were unavailing. She retained the manners of a shop-girl. Her slightly artificial amiability, sometimes too humble, was as unpleasant as the spurious elegance of the shop; and her disdainful attitudes recalled the superb airs of the head saleswomen in the great dry-goods establishments, arrayed in black silk gowns, which they take off in the dressing-room when they go away at night—who stare with an imposing air, from the vantage-point of their mountains of curls, at the poor creatures who venture to discuss prices.

She felt that she was being examined and criticised, and her modesty was compelled to place itself upon a war footing. Of the names mentioned in her presence, the amusements, the entertainments, the books of which they talked to her, she knew nothing. Claire did her best to help her, to keep her on the surface, with a friendly hand always outstretched; but many of these ladies thought Sidonie pretty; that was enough to make them bear her a grudge for seeking admission to their circle. Others, proud of their husbands' standing and of their wealth, could not invent enough unspoken affronts and patronizing phrases to humiliate the little parvenue.

Sidonie included them all in a single phrase: "Claire's friends—that is to say, my enemies!" But she was seriously incensed against but one.

The two partners had no suspicion of what was taking place between their wives. Risler, continually engrossed in his press, sometimes remained at his draughting-table until midnight. Fromont passed his days abroad, lunched at his club, was almost never at the factory. He had his reasons for that.

Sidonie's proximity disturbed him. His capricious passion for her, that passion that he had sacrificed to his uncle's last wishes, recurred too often to his memory with all the regret one feels for the irreparable; and, conscious that he was weak, he fled. His was a pliable nature, without sustaining purpose, intelligent enough to appreciate his failings, too weak to guide itself. On the evening of Risler's wedding—he had been married but a few months himself—he had experienced anew, in that woman's presence, all the emotion of the stormy evening at Savigny. Thereafter, without self-examination, he avoided seeing her again or speaking with her. Unfortunately, as they lived in the same house, as their wives saw each other ten times a day, chance sometimes brought them together; and this strange thing happened—that the husband, wishing to remain virtuous, deserted his home altogether and sought distraction elsewhere.

Claire was not astonished that it was so. She had become accustomed, during her father's lifetime, to the constant comings and goings of a business life; and during her husband's absences, zealously performing her duties as wife and mother, she invented long tasks, occupations of all sorts, walks for the child, prolonged, peaceful tarryings in the sunlight, from which she would return home, overjoyed with the little one's progress, deeply impressed with the gleeful enjoyment of all infants in the fresh air, but with a touch of their radiance in the depths of her serious eyes.

Sidonie also went out a great deal. It often happened, toward night, that Georges's carriage, driving through the gateway, would compel Madame Risler to step hastily aside as she was returning in a gorgeous costume from a triumphal promenade. The boulevard, the shop-windows, the purchases, made after long deliberation as if to enjoy to the full the pleasure of purchasing, detained her very late. They would exchange a bow, a cold glance at the foot of the staircase; and Georges would hurry into his apartments, as into a place of refuge, concealing beneath a flood of caresses, bestowed upon the child his wife held out to him, the sudden emotion that had seized him.

Sidonie, for her part, seemed to have forgotten everything, and to have retained no other feeling but contempt for that weak, cowardly creature. Moreover, she had many other things to think about.

Her husband had just had a piano placed in her red salon, between the windows.

After long hesitation she had decided to learn to sing, thinking that it was rather late to begin to play the piano; and twice a week Madame Dobson, a pretty, sentimental blonde, came to give her lessons from twelve o'clock to one. In the silence of the neighborhood the a-a-a and o-oo, persistently prolonged, repeated again and again, with windows open, gave the factory the atmosphere of a boarding-school.

And it was in reality a schoolgirl who was practising these exercises, an inexperienced, wavering little soul, full of unconfessed longings, with everything to learn and to find out in order to become a real woman. But her ambition confined itself to a superficial aspect of things.

"Claire Fromont plays the piano; I will sing. She is considered a refined and distinguished woman, and I intend that people shall say the same of me."

Without a thought of improving her education, Sidonie passed her life running about among milliners and dressmakers. "What are people going to wear this winter?" was her cry. She was attracted by the gorgeous displays in the shop-windows, by everything that caught the eye of the passers-by.

The one thing that Sidonie envied Claire more than all else was the child, the luxurious plaything, beribboned from the curtains of its cradle to its nurse's cap. She did not think of the sweet, maternal duties, demanding patience and self-abnegation, of the long rockings when sleep would not come, of the laughing awakenings sparkling with fresh water. No! she saw in the child naught but the daily walk. It is such a pretty sight, the little bundle of finery, with floating ribbons and long feathers, that follows young mothers through the crowded streets.

When she wanted company she had only her parents or her husband. She preferred to go out alone. The excellent Risler had such an absurd way of showing his love for her, playing with her as if she were a doll, pinching her chin and her cheek, capering about her, crying, "Hou! hou!" or staring at her with his great, soft eyes like an affectionate and grateful dog. That senseless love, which made of her a toy, a mantel ornament, made her ashamed. As for her parents, they were an embarrassment to her in presence of the people she wished to know, and immediately after her marriage she almost got rid of them by hiring a little house for them at Montrouge. That step had cut short the frequent invasions of Monsieur Chebe and his long frock-coat, and the endless visits of good Madame Chebe, in whom the return of comfortable circumstances had revived former habits of gossip and of indolence.

Sidonie would have been very glad to rid herself of the Delobelles in the same way, for their proximity annoyed her. But the Marais was a central location for the old actor, because the boulevard theatres were so near; then, too, Desiree, like all sedentary persons, clung to the familiar outlook, and her gloomy courtyard, dark at four o'clock in winter, seemed to her like a friend, like a familiar face which the sun lighted up at times as if it were smiling at her. As she was unable to get rid of them, Sidonie had adopted the course of ceasing to visit them.

In truth, her life would have been lonely and depressing enough, had it not been for the distractions which Claire Fromont procured for her. Each time added fuel to her wrath. She would say to herself:

"Must everything come to me through her?"

And when, just at dinner-time, a box at the theatre or an invitation for the evening was sent to her from the floor below, while she was dressing, overjoyed at the opportunity to exhibit herself, she thought of nothing but crushing her rival. But such opportunities became more rare as Claire's time was more and more engrossed by her child. When Grandfather Gardinois came to Paris, however, he never failed to bring the two families together. The old peasant's gayety, for its freer expansion, needed little Sidonie, who did not take alarm at his jests. He would take them all four to dine at Philippe's, his favorite restaurant, where he knew all the patrons, the waiters and the steward, would spend a lot of money, and then take them to a reserved box at the Opera-Comique or the Palais-Royal.

At the theatre he laughed uproariously, talked familiarly with the box-openers, as he did with the waiters at Philippe's, loudly demanded footstools for the ladies, and when the performance was over insisted on having the topcoats and fur wraps of his party first of all, as if he were the only three-million parvenu in the audience.

For these somewhat vulgar entertainments, from which her husband usually excused himself, Claire, with her usual tact, dressed very plainly and attracted no attention. Sidonie, on the contrary, in all her finery, in full view of the boxes, laughed with all her heart at the grandfather's anecdotes, happy to have descended from the second or third gallery, her usual place in the old days, to that lovely proscenium box, adorned with mirrors, with a velvet rail that seemed made expressly for her light gloves, her ivory opera-glass, and her spangled fan. The tawdry glitter of the theatre, the red and gold of the hangings, were genuine splendor to her. She bloomed among them like a pretty paper flower in a filigree jardiniere.

One evening, at the performance of a successful play at the Palais-Royal, among all the noted women who were present, painted celebrities wearing microscopic hats and armed with huge fans, their rouge-besmeared faces standing out from the shadow of the boxes in the gaudy setting of their gowns, Sidonie's behavior, her toilette, the peculiarities of her laugh and her expression attracted much attention. All the opera-glasses in the hall, guided by the magnetic current that is so powerful under the great chandeliers, were turned one by one upon the box in which she sat. Claire soon became embarrassed, and modestly insisted upon changing places with her husband, who, unluckily, had accompanied them that evening.

Georges, youthful and elegant, sitting beside Sidonie, seemed her natural companion, while Risler Allle, always so placid and self-effacing, seemed in his proper place beside Claire Fromont, who in her dark clothes suggested the respectable woman incog. at the Bal de l'Opera.

Upon leaving the theatre each of the partners offered his arm to his neighbor. A box-opener, speaking to Sidonie, referred to Georges as "your husband," and the little woman beamed with delight.

"Your husband!"

That simple phrase was enough to upset her and set in motion a multitude of evil currents in the depths of her heart. As they passed through the corridors and the foyer, she watched Risler and Madame "Chorche" walking in front of them. Claire's refinement of manner seemed to her to be vulgarized and annihilated by Risler's shuffling gait. "How ugly he must make me look when we are walking together!" she said to herself. And her heart beat fast as she thought what a charming, happy, admired couple they would have made, she and this Georges Fromont, whose arm was trembling beneath her own.

Thereupon, when the blue-lined carriage drove up to the door of the theatre, she began to reflect, for the first time, that, when all was said, Claire had stolen her place and that she would be justified in trying to recover it.



CHAPTER VIII

THE BREWERY ON THE RUE BLONDEL

After his marriage Risler had given up the brewery. Sidonie would have been glad to have him leave the house in the evening for a fashionable club, a resort of wealthy, well-dressed men; but the idea of his returning, amid clouds of pipe-smoke, to his friends of earlier days, Sigismond, Delobelle, and her own father, humiliated her and made her unhappy. So he ceased to frequent the place; and that was something of a sacrifice. It was almost a glimpse of his native country, that brewery situated in a remote corner of Paris. The infrequent carriages, the high, barred windows of the ground floors, the odor of fresh drugs, of pharmaceutical preparations, imparted to that narrow little Rue Blondel a vague resemblance to certain streets in Basle or Zurich.

The brewery was managed by a Swiss and crowded with men of that nationality. When the door was opened, through the smoke-laden atmosphere, dense with the accents of the North, one had a vision of a vast, low room with hams hanging from the rafters, casks of beer standing in a row, the floor ankle-deep with sawdust, and on the counter great salad-bowls filled with potatoes as red as chestnuts, and baskets of pretzels fresh from the oven, their golden knots sprinkled with white salt.

For twenty years Risler had had his pipe there, a long pipe marked with his name in the rack reserved for the regular customers. He had also his table, at which he was always joined by several discreet, quiet compatriots, who listened admiringly, but without comprehending them, to the endless harangues of Chebe and Delobelle. When Risler ceased his visits to the brewery, the two last-named worthies likewise turned their backs upon it, for several excellent reasons. In the first place, M. Chebe now lived a considerable distance away. Thanks to the generosity of his children, the dream of his whole life was realized at last.

"When I am rich," the little man used to say in his cheerless rooms in the Marais, "I will have a house of my own, at the gates of Paris, almost in the country, a little garden which I will plant and water myself. That will be better for my health than all the excitement of the capital."

Well, he had his house now, but he did not enjoy himself in it. It was at Montrouge, on the road that runs around the city. "A small chalet, with garden," said the advertisement, printed on a placard which gave an almost exact idea of the dimensions of the property. The papers were new and of rustic design, the paint perfectly fresh; a water-butt planted beside a vine-clad arbor played the part of a pond. In addition to all these advantages, only a hedge separated this paradise from another "chalet with garden" of precisely the same description, occupied by Sigismond Planus the cashier, and his sister. To Madame Chebe that was a most precious circumstance. When the good woman was bored, she would take a stock of knitting and darning and go and sit in the old maid's arbor, dazzling her with the tale of her past splendors. Unluckily, her husband had not the same source of distraction.

However, everything went well at first. It was midsummer, and M. Chebe, always in his shirt-sleeves, was busily employed in getting settled. Each nail to be driven in the house was the subject of leisurely reflections, of endless discussions. It was the same with the garden. He had determined at first to make an English garden of it, lawns always green, winding paths shaded by shrubbery. But the trouble of it was that it took so long for the shrubbery to grow.

"I have a mind to make an orchard of it," said the impatient little man.

And thenceforth he dreamed of nothing but vegetables, long lines of beans, and peach-trees against the wall. He dug for whole mornings, knitting his brows in a preoccupied way and wiping his forehead ostentatiously before his wife, so that she would say:

"For heaven's sake, do rest a bit—you're killing yourself."

The result was that the garden was a mixture: flowers and fruit, park and kitchen garden; and whenever he went into Paris M. Chebe was careful to decorate his buttonhole with a rose from his rose-bushes.

While the fine weather lasted, the good people did not weary of admiring the sunsets behind the fortifications, the long days, the bracing country air. Sometimes, in the evening, when the windows were open, they sang duets; and in presence of the stars in heaven, which began to twinkle simultaneously with the lanterns on the railway around the city, Ferdinand would become poetical. But when the rain came and he could not go out, what misery! Madame Chebe, a thorough Parisian, sighed for the narrow streets of the Marais, her expeditions to the market of Blancs-Manteaux, and to the shops of the quarter.

As she sat by the window, her usual place for sewing and observation, she would gaze at the damp little garden, where the volubilis and the nasturtiums, stripped of their blossoms, were dropping away from the lattices with an air of exhaustion, at the long, straight line of the grassy slope of the fortifications, still fresh and green, and, a little farther on, at the corner of a street, the office of the Paris omnibuses, with all the points of their route inscribed in enticing letters on the green walls. Whenever one of the omnibuses lumbered away on its journey, she followed it with her eyes, as a government clerk at Cayenne or Noumea gazes after the steamer about to return to France; she made the trip with it, knew just where it would stop, at what point it would lurch around a corner, grazing the shop-windows with its wheels.

As a prisoner, M. Chebe became a terrible trial. He could not work in the garden. On Sundays the fortifications were deserted; he could no longer strut about among the workingmen's families dining on the grass, and pass from group to group in a neighborly way, his feet encased in embroidered slippers, with the authoritative demeanor of a wealthy landowner of the vicinity. This he missed more than anything else, consumed as he was by the desire to make people think about him. So that, having nothing to do, having no one to pose before, no one to listen to his schemes, his stories, the anecdote of the accident to the Duc d'Orleans—a similar accident had happened to him in his youth, you remember—the unfortunate Ferdinand overwhelmed his wife with reproaches.

"Your daughter banishes us—your daughter is ashamed of us!"

She heard nothing but that "Your daughter—your daughter—your daughter!" For, in his anger with Sidonie, he denied her, throwing upon his wife the whole responsibility for that monstrous and unnatural child. It was a genuine relief for poor Madame Chebe when her husband took an omnibus at the office to go and hunt up Delobelle—whose hours for lounging were always at his disposal—and pour into his bosom all his rancor against his son-in-law and his daughter.

The illustrious Delobelle also bore Risler a grudge, and freely said of him: "He is a dastard."

The great man had hoped to form an integral part of the new household, to be the organizer of festivities, the 'arbiter elegantiarum'. Instead of which, Sidonie received him very coldly, and Risler no longer even took him to the brewery. However, the actor did not complain too loud, and whenever he met his friend he overwhelmed him with attentions and flattery; for he had need of him.

Weary of awaiting the discerning manager, seeing that the engagement he had longed for so many years did not come, it had occurred to Delobelle to purchase a theatre and manage it himself. He counted upon Risler for the funds. Opportunely enough, a small theatre on the boulevard happened to be for sale, as a result of the failure of its manager. Delobelle mentioned it to Risler, at first very vaguely, in a wholly hypothetical form—"There would be a good chance to make a fine stroke." Risler listened with his usual phlegm, saying, "Indeed, it would be a good thing for you." And to a more direct suggestion, not daring to answer, "No," he took refuge behind such phrases as "I will see"—"Perhaps later"—"I don't say no"—and finally uttered the unlucky words "I must see the estimates."

For a whole week the actor had delved away at plans and figures, seated between his wife and daughter, who watched him in admiration, and intoxicated themselves with this latest dream. The people in the house said, "Monsieur Delobelle is going to buy a theatre." On the boulevard, in the actors' cafes, nothing was talked of but this transaction. Delobelle did not conceal the fact that he had found some one to advance the funds; the result being that he was surrounded by a crowd of unemployed actors, old comrades who tapped him familiarly on the shoulder and recalled themselves to his recollection—"You know, old boy." He promised engagements, breakfasted at the cafe, wrote letters there, greeted those who entered with the tips of his fingers, held very animated conversations in corners; and already two threadbare authors had read to him a drama in seven tableaux, which was "exactly what he wanted" for his opening piece. He talked about "my theatre!" and his letters were addressed, "Monsieur Delobelle, Manager."

When he had composed his prospectus and made his estimates, he went to the factory to see Risler, who, being very busy, made an appointment to meet him in the Rue Blondel; and that same evening, Delobelle, being the first to arrive at the brewery, established himself at their old table, ordered a pitcher of beer and two glasses, and waited. He waited a long while, with his eye on the door, trembling with impatience. Whenever any one entered, the actor turned his head. He had spread his papers on the table, and pretended to be reading them, with animated gestures and movements of the head and lips.

It was a magnificent opportunity, unique in its way. He already fancied himself acting—for that was the main point—acting, in a theatre of his own, roles written expressly for him, to suit his talents, in which he would produce all the effect of—

Suddenly the door opened, and M. Chebe made his appearance amid the pipe-smoke. He was as surprised and annoyed to find Delobelle there as Delobelle himself was by his coming. He had written to his son-in-law that morning that he wished to speak with him on a matter of very serious importance, and that he would meet him at the brewery. It was an affair of honor, entirely between themselves, from man to man. The real fact concerning this affair of honor was that M. Chebe had given notice of his intention to leave the little house at Montrouge, and had hired a shop with an entresol in the Rue du Mail, in the midst of a business district. A shop? Yes, indeed! And now he was a little alarmed regarding his hasty step, anxious to know how his son-in-law would take it, especially as the shop cost much more than the Montrouge house, and there were some repairs to be made at the outset. As he had long been acquainted with his son-in-law's kindness of heart, M. Chebe had determined to appeal to him at once, hoping to lead him into his game and throw upon him the responsibility for this domestic change. Instead of Risler he found Delobelle.

They looked askance at each other, with an unfriendly eye, like two dogs meeting beside the same dish. Each divined for whom the other was waiting, and they did not try to deceive each other.

"Isn't my son-in-law here?" asked M. Chebe, eying the documents spread over the table, and emphasizing the words "my son-in-law," to indicate that Risler belonged to him and to nobody else.

"I am waiting for him," Delobelle replied, gathering up his papers.

He pressed his lips together, as he added with a dignified, mysterious, but always theatrical air:

"It is a matter of very great importance."

"So is mine," declared M. Chebe, his three hairs standing erect like a porcupine's quills.

As he spoke, he took his seat on the bench beside Delobelle, ordered a pitcher and two glasses as the former had done, then sat erect with his hands in his pockets and his back against the wall, waiting in his turn. The two empty glasses in front of them, intended for the same absentee, seemed to be hurling defiance at each other.

But Risler did not come.

The two men, drinking in silence, lost their patience and fidgeted about on the bench, each hoping that the other would tire of waiting.

At last their ill-humor overflowed, and naturally poor Risler received the whole flood.

"What an outrage to keep a man of my years waiting so long!" began M. Chebe, who never mentioned his great age except upon such occasions.

"I believe, on my word, that he is making sport of us," replied M. Delobelle.

And the other:

"No doubt Monsieur had company to dinner."

"And such company!" scornfully exclaimed the illustrious actor, in whose mind bitter memories were awakened.

"The fact is—" continued M. Chebe.

They drew closer to each other and talked. The hearts of both were full in respect to Sidonie and Risler. They opened the flood-gates. That Risler, with all his good-nature, was an egotist pure and simple, a parvenu. They laughed at his accent and his bearing, they mimicked certain of his peculiarities. Then they talked about his household, and, lowering their voices, they became confidential, laughed familiarly together, were friends once more.

M. Chebe went very far: "Let him beware! he has been foolish enough to send the father and mother away from their daughter; if anything happens to her, he can't blame us. A girl who hasn't her parents' example before her eyes, you understand—"

"Certainly—certainly," said Delobelle; "especially as Sidonie has become a great flirt. However, what can you expect? He will get no more than he deserves. No man of his age ought to—Hush! here he is!"

Risler had entered the room, and was walking toward them, distributing hand-shakes all along the benches.

There was a moment of embarrassment between the three friends. Risler excused himself as well as he could. He had been detained at home; Sidonie had company—Delobelle touched M. Chebe's foot under the table—and, as he spoke, the poor man, decidedly perplexed by the two empty glasses that awaited him, wondered in front of which of the two he ought to take his seat.

Delobelle was generous.

"You have business together, Messieurs; do not let me disturb you."

He added in a low tone, winking at Risler:

"I have the papers."

"The papers?" echoed Risler, in a bewildered tone.

"The estimates," whispered the actor.

Thereupon, with a great show of discretion, he withdrew within himself, and resumed the reading of his documents, his head in his hands and his fingers in his ears.

The two others conversed by his side, first in undertones, then louder, for M. Chebe's shrill, piercing voice could not long be subdued.—He wasn't old enough to be buried, deuce take it!—He should have died of ennui at Montrouge.—What he must have was the bustle and life of the Rue de Mail or the Rue du Sentier—of the business districts.

"Yes, but a shop? Why a shop?" Risler timidly ventured to ask.

"Why a shop?—why a shop?" repeated M. Chebe, red as an Easter egg, and raising his voice to its highest pitch. "Why, because I'm a merchant, Monsieur Risler, a merchant and son of a merchant. Oh! I see what you're coming at. I have no business. But whose fault is it? If the people who shut me up at Montrouge, at the gates of Bicetre, like a paralytic, had had the good sense to furnish me with the money to start in business—"

At that point Risler succeeded in silencing him, and thereafter only snatches of the conversation could be heard: "a more convenient shop—high ceilings—better air—future plans—enormous business—I will speak when the time comes—many people will be astonished."

As he caught these fragments of sentences, Delobelle became more and more absorbed in his estimates, presenting the eloquent back of the man who is not listening. Risler, sorely perplexed, slowly sipped his beer from time to time to keep himself, in countenance.

At last, when M. Chebe had grown calm, and with good reason, his son-in-law turned with a smile to the illustrious Delobelle, and met the stern, impassive glance which seemed to say, "Well! what of me?"

"Ah! Mon Dieu!—that is true," thought the poor fellow.

Changing at once his chair and his glass, he took his seat opposite the actor. But M. Chebe had not Delobelle's courtesy. Instead of discreetly moving away, he took his glass and joined the others, so that the great man, unwilling to speak before him, solemnly replaced his documents in his pocket a second time, saying to Risler:

"We will talk this over later."

Very much later, in truth, for M. Chebe had reflected:

"My son-in-law is so good-natured! If I leave him with this swindler, who knows what he may get out of him?"

And he remained on guard. The actor was furious. It was impossible to postpone the matter to some other day, for Risler told them that he was going the next day to spend the next month at Savigny.

"A month at Savigny!" exclaimed M. Chebe, incensed at the thought of his son-in-law escaping him. "How about business?"

"Oh! I shall come to Paris every day with Georges. Monsieur Gardinois is very anxious to see his little Sidonie."

M. Chebe shook his head. He considered it very imprudent. Business is business. A man ought to be on the spot, always on the spot, in the breach. Who could say?—the factory might take fire in the night. And he repeated sententiously: "The eye of the master, my dear fellow, the eye of the master," while the actor—who was little better pleased by this intended departure—opened his great eyes; giving them an expression at once cunning and authoritative, the veritable expression of the eye of the master.

At last, about midnight, the last Montrouge omnibus bore away the tyrannical father-in-law, and Delobelle was able to speak.

"Let us first look at the prospectus," he said, preferring not to attack the question of figures at once; and with his eyeglasses on his nose, he began, in a declamatory tone, always upon the stage: "When one considers coolly the decrepitude which dramatic art has reached in France, when one measures the distance that separates the stage of Moliere—"

There were several pages like that. Risler listened, puffing at his pipe, afraid to stir, for the reader looked at him every moment over his eyeglasses, to watch the effect of his phrases. Unfortunately, right in the middle of the prospectus, the cafe closed. The lights were extinguished; they must go.—And the estimates?—It was agreed that they should read them as they walked along. They stopped at every gaslight. The actor displayed his figures. So much for the hall, so much for the lighting, so much for poor-rates, so much for the actors. On that question of the actors he was firm.

"The best point about the affair," he said, "is that we shall have no leading man to pay. Our leading man will be Bibi." (When Delobelle mentioned himself, he commonly called himself Bibi.) "A leading man is paid twenty thousand francs, and as we have none to pay, it's just as if you put twenty thousand francs in your pocket. Tell me, isn't that true?"

Risler did not reply. He had the constrained manner, the wandering eyes of the man whose thoughts are elsewhere. The reading of the estimates being concluded, Delobelle, dismayed to find that they were drawing near the corner of the Rue des Vieilles-Haudriettes, put the question squarely. Would Risler advance the money, yes or no?

"Well!—no," said Risler, inspired by heroic courage, which he owed principally to the proximity of the factory and to the thought that the welfare of his family was at stake.

Delobelle was astounded. He had believed that the business was as good as done, and he stared at his companion, intensely agitated, his eyes as big as saucers, and rolling his papers in his hand.

"No," Risler continued, "I can't do what you ask, for this reason."

Thereupon the worthy man, slowly, with his usual heaviness of speech, explained that he was not rich. Although a partner in a wealthy house, he had no available funds. Georges and he drew a certain sum from the concern each month; then, when they struck a balance at the end of the year they divided the profits. It had cost him a good deal to begin housekeeping: all his savings. It was still four months before the inventory. Where was he to obtain the 30,000 francs to be paid down at once for the theatre? And then, beyond all that, the affair could not be successful.

"Why, it must succeed. Bibi will be there!" As he spoke, poor Bibi drew himself up to his full height; but Risler was determined, and all Bibi's arguments met the same refusal—"Later, in two or three years, I don't say something may not be done."

The actor fought for a long time, yielding his ground inch by inch. He proposed revising his estimates. The thing might be done cheaper. "It would still be too dear for me," Risler interrupted. "My name doesn't belong to me. It is a part of the firm. I have no right to pledge it. Imagine my going into bankruptcy!" His voice trembled as he uttered the word.

"But if everything is in my name," said Delobelle, who had no superstition. He tried everything, invoked the sacred interests of art, went so far as to mention the fascinating actresses whose alluring glances—Risler laughed aloud.

"Come, come, you rascal! What's that you're saying? You forget that we're both married men, and that it is very late and our wives are expecting us. No ill-will, eh?—This is not a refusal, you understand.—By the way, come and see me after the inventory. We will talk it over again. Ah! there's Pere Achille putting out his gas.—I must go in. Good-night."

It was after one o'clock when the actor returned home. The two women were waiting for him, working as usual, but with a sort of feverish activity which was strange to them. Every moment the great scissors that Mamma Delobelle used to cut the brass wire were seized with strange fits of trembling, and Desiree's little fingers, as she mounted an insect, moved so fast that it made one dizzy to watch them. Even the long feathers of the little birds scattered about on the table before her seemed more brilliant, more richly colored, than on other days. It was because a lovely visitor named Hope had called upon them that evening. She had made the tremendous effort required to climb five dark flights of stairs, and had opened the door of the little room to cast a luminous glance therein. However much you may have been deceived in life, those magic gleams always dazzle you.

"Oh! if your father could only succeed!" said Mamma Delobelle from time to time, as if to sum up a whole world of happy thoughts to which her reverie abandoned itself.

"He will succeed, mamma, never fear. Monsieur Risler is so kind, I will answer for him. And Sidonie is very fond of us, too, although since she was married she does seem to neglect her old friends a little. But we must make allowance for the difference in our positions. Besides, I never shall forget what she did for me."

And, at the thought of what Sidonie had done for her, the little cripple applied herself with even more feverish energy to her work. Her electrified fingers moved with redoubled swiftness. You would have said that they were running after some fleeing, elusive thing, like happiness, for example, or the love of some one who loves you not.

"What was it that she did for you?" her mother would naturally have asked her; but at that moment she was only slightly interested in what her daughter said. She was thinking exclusively of her great man.

"No! do you think so, my dear? Just suppose your father should have a theatre of his own and act again as in former days. You don't remember; you were too small then. But he had tremendous success, no end of recalls. One night, at Alencon, the subscribers to the theatre gave him a gold wreath. Ah! he was a brilliant man in those days, so lighthearted, so glad to be alive. Those who see him now don't know him, poor man, misfortune has changed him so. Oh, well! I feel sure that all that's necessary is a little success to make him young and happy again. And then there's money to be made managing theatres. The manager at Nantes had a carriage. Can you imagine us with a carriage? Can you imagine it, I say? That's what would be good for you. You could go out, leave your armchair once in a while. Your father would take us into the country. You would see the water and the trees you have had such a longing to see."

"Oh! the trees," murmured the pale little recluse, trembling from head to foot.

At that moment the street door of the house was closed violently, and M. Delobelle's measured step echoed in the vestibule. There was a moment of speechless, breathless anguish. The women dared not look at each other, and mamma's great scissors trembled so that they cut the wire crooked.

The poor devil had unquestionably received a terrible blow. His illusions crushed, the humiliation of a refusal, the jests of his comrades, the bill at the cafe where he had breakfasted on credit during the whole period of his managership, a bill which must be paid—all these things occurred to him in the silence and gloom of the five flights he had to climb. His heart was torn. Even so, the actor's nature was so strong in him that he deemed it his duty to envelop his distress, genuine as it was, in a conventional tragic mask.

As he entered, he paused, cast an ominous glance around the work-room, at the table covered with work, his little supper waiting for him in a corner, and the two dear, anxious faces looking up at him with glistening eyes. He stood a full minute without speaking—and you know how long a minute's silence seems on the stage; then he took three steps forward, sank upon a low chair beside the table, and exclaimed in a hissing voice:

"Ah! I am accursed!"

At the same time he dealt the table such a terrible blow with his fist that the "birds and insects for ornament" flew to the four corners of the room. His terrified wife rose and timidly approached him, while Desiree half rose in her armchair with an expression of nervous agony that distorted all her features.

Lolling in his chair, his arms hanging despondently by his sides, his head on his chest, the actor soliloquized—a fragmentary soliloquy, interrupted by sighs and dramatic hiccoughs, overflowing with imprecations against the pitiless, selfish bourgeois, those monsters to whom the artist gives his flesh and blood for food and drink.

Then he reviewed his whole theatrical life, his early triumphs, the golden wreath from the subscribers at Alencon, his marriage to this "sainted woman," and he pointed to the poor creature who stood by his side, with tears streaming from her eyes, and trembling lips, nodding her head dotingly at every word her husband said.