It was early morning when we arrived at the wayside station where we were to alight. From here we walked to the edge of the woods. Arrived at this point we halted. I took off my clothes, with the exception of my union suit. Then, taking a pot of brown stain from my valise, I proceeded to dye my face and hands and my union suit itself a deep butternut brown.

"What's that for?" asked my friend.

"For protection," I answered. "Don't you know that all animals are protected by their peculiar markings that render them invisible? The caterpillar looks like the leaf it eats from; the scales of the fish counterfeit the glistening water of the brook; the bear and the 'possum are coloured like the tree-trunks on which they climb. There!" I added, as I concluded my task. "I am now invisible."

"Gee!" said my friend.

I handed him back the valise and the empty paint-pot, dropped to my hands and knees—my camera slung about my neck—and proceeded to crawl into the bush. My friend stood watching me.

"Why don't you stand up and walk?" I heard him call.

I turned half round and growled at him. Then I plunged deeper into the bush, growling as I went.

After ten minutes' active crawling I found myself in the heart of the forest. It reached all about me on every side for hundreds of miles. All around me was the unbroken stillness of the woods. Not a sound reached my ear save the twittering of a squirrel, or squirl, in the branches high above my head or the far-distant call of a loon hovering over some woodland lake.

I judged that I had reached a spot suitable for my habitation.

My first care was to make a fire. Difficult though it might appear to the degenerate dweller of the city to do this, to the trained woodsman, such as I had now become, it is nothing. I selected a dry stick, rubbed it vigorously against my hind leg, and in a few moments it broke into a generous blaze. Half an hour later I was sitting beside a glowing fire of twigs discussing with great gusto an appetizing mess of boiled grass and fungi cooked in a hollow stone.

I ate my fill, not pausing till I was full, careless, as the natural man ever is, of the morrow. Then, stretched out upon the pine-needles at the foot of a great tree, I lay in drowsy contentment listening to the song of the birds, the hum of the myriad insects and the strident note of the squirrel high above me. At times I would give utterance to the soft answering call, known to every woodsman, that is part of the freemasonry of animal speech. As I lay thus, I would not have exchanged places with the pale dweller in the city for all the wealth in the world. Here I lay remote from the world, happy, full of grass, listening to the crooning of the birds.

But the mood of inaction and reflection cannot last, even with the lover of Nature. It was time to be up and doing. Much lay before me to be done before the setting of the sun should bring with it, as I fully expected it would, darkness. Before night fell I must build a house, make myself a suit of clothes, lay in a store of nuts, and in short prepare myself for the oncoming of winter, which, in the bush, may come on at any time in the summer.

I rose briskly from the ground to my hands and knees and set myself to the building of my house. The method that I intended to follow here was merely that which Nature has long since taught to the beaver and which, moreover, is known and practised by the gauchos of the pampas, by the googoos of Rhodesia and by many other tribes. I had but to select a suitable growth of trees and gnaw them down with my teeth, taking care so to gnaw them that each should fall into the place appointed for it in the building. The sides, once erected in this fashion, another row of trees, properly situated, is gnawed down to fall crosswise as the roof.

I set myself briskly to work and in half an hour had already the satisfaction of seeing my habitation rising into shape. I was still gnawing with unabated energy when I was interrupted by a low growling in the underbrush. With animal caution I shrank behind a tree, growling in return. I could see something moving in the bushes, evidently an animal of large size. From its snarl I judged it to be a bear. I could hear it moving nearer to me. It was about to attack me. A savage joy thrilled through me at the thought, while my union suit bristled with rage from head to foot as I emitted growl after growl of defiance. I bared my teeth to the gums, snarling, and lashed my flank with my hind foot. Eagerly I watched for the onrush of the bear. In savage combat who strikes first wins. It was my idea, as soon as the bear should appear, to bite off its front legs one after the other. This initial advantage once gained, I had no doubt of ultimate victory.

The brushes parted. I caught a glimpse of a long brown body and a hairy head. Then the creature reared up, breasting itself against a log, full in front of me. Great heavens! It was not a bear at all. It was a man.

He was dressed, as I was, in a union suit, and his face and hands, like mine, were stained a butternut brown. His hair was long and matted and two weeks' stubble of beard was on his face.

For a minute we both glared at one another, still growling. Then the man rose up to a standing position with a muttered exclamation of disgust.

"Ah, cut it out," he said. "Let's talk English."

He walked over towards me and sat down upon a log in an attitude that seemed to convey the same disgust as the expression of his features. Then he looked round about him.

"What are you doing?" he said.

"Building a house," I answered.

"I know," he said with a nod. "What are you here for?"

"Why," I explained, "my plan is this: I want to see whether a man can come out here in the woods, naked, with no aid but that of his own hands and his own ingenuity and—"

"Yes, yes, I know," interrupted the disconsolate man. "Earn himself a livelihood in the wilderness, live as the cave-man lived, carefree and far from the curse of civilization!"

"That's it. That was my idea," I said, my enthusiasm rekindling as I spoke. "That's what I'm doing; my food is to be the rude grass and the roots that Nature furnishes for her children, and for my drink—"

"Yes, yes," he interrupted again with impatience, "for your drink the running rill, for your bed the sweet couch of hemlock, and for your canopy the open sky lit with the soft stars in the deep-purple vault of the dewy night. I know."

"Great heavens, man!" I exclaimed. "That's my idea exactly. In fact, those are my very phrases. How could you have guessed it?"

He made a gesture with his hand to indicate weariness and disillusionment.

"Pshaw!" he said. "I know it because I've been doing it. I've been here a fortnight now on this open-air, life-in-the-woods game. Well, I'm sick of it! This last lets me out."

"What last?" I asked.

"Why, meeting you. Do you realize that you are the nineteenth man that I've met in the last three days running about naked in the woods? They're all doing it. The woods are full of them."

"You don't say so!" I gasped.

"Fact. Wherever you go in the bush you find naked men all working out this same blasted old experiment. Why, when you get a little farther in you'll see signs up: NAKED MEN NOT ALLOWED IN THIS BUSH, and NAKED MEN KEEP OFF, and GENTLEMEN WHO ARE NAKED WILL KINDLY KEEP TO THE HIGH ROAD, and a lot of things like that. You must have come in at a wrong place or you'd have noticed the little shanties that they have now at the edge of the New England bush with signs up: UNION SUITS BOUGHT AND SOLD, CAMERAS FOR SALE OR TO RENT, HIGHEST PRICE FOR CAST-OFF CLOTHING, and all that sort of thing."

"No," I said. "I saw nothing."

"Well, you look when you go back. As for me, I'm done with it. The thing's worked out. I'm going back to the city to see whether I can't, right there in the heart of the city, earn myself a livelihood with my unaided hands and brains. That's the real problem; no more bumming on the animals for me. This bush business is too easy. Well, good-bye; I'm off."

"But stop a minute," I said. "How is it that, if what you say is true, I haven't seen or heard anybody in the bush, and I've been here since the middle of the morning?"

"Nonsense," the man answered. "They were probably all round you but you didn't recognize them."

"No, no, it's not possible. I lay here dreaming beneath a tree and there wasn't a sound, except the twittering of a squirrel and, far away, the cry of a lake-loon, nothing else."

"Exactly, the twittering of a squirrel! That was some feller up the tree twittering to beat the band to let on that he was a squirrel, and no doubt some other feller calling out like a loon over near the lake. I suppose you gave them the answering cry?"

"I did," I said. "I gave that low guttural note which—"

"Precisely—which is the universal greeting in the freemasonry of animal speech. I see you've got it all down pat. Well, good-bye again. I'm off. Oh, don't bother to growl, please. I'm sick of that line of stuff."

"Good-bye," I said.

He slid through the bushes and disappeared. I sat where I was, musing, my work interrupted, a mood of bitter disillusionment heavy upon me. So I sat, it may have been for hours.

In the far distance I could hear the faint cry of a bittern in some lonely marsh.

"Now, who the deuce is making that noise?" I muttered. "Some silly fool, I suppose, trying to think he's a waterfowl. Cut it out!"

Long I lay, my dream of the woods shattered, wondering what to do.

Then suddenly there came to my ear the loud sound of voices, human voices, strident and eager, with nothing of the animal growl in them.

"He's in there. I seen him!" I heard some one call.

Rapidly I dived sideways into the underbrush, my animal instinct strong upon me again, growling as I went. Instinctively I knew that it was I that they were after. All the animal joy of being hunted came over me. My union suit stood up on end with mingled fear and rage.

As fast as I could I retreated into the wood. Yet somehow, as I moved, the wood, instead of growing denser, seemed to thin out. I crouched low, still growling and endeavouring to bury myself in the thicket. I was filled with a wild sense of exhilaration such as any lover of the wild life would feel at the knowledge that he is being chased, that some one is after him, that some one is perhaps just a few feet behind him, waiting to stick a pitchfork into him as he runs. There is no ecstasy like this.

Then I realized that my pursuers had closed in on me. I was surrounded on all sides.

The woods had somehow grown thin. They were like the mere shrubbery of a park—it might be of Central Park itself. I could hear among the deeper tones of men the shrill voices of boys. "There he is," one cried, "going through them bushes! Look at him humping himself!" "What is it, what's the sport?" another called. "Some crazy guy loose in the park in his underclothes and the cops after him."

Then they closed in on me. I recognized the blue suits of the police force and their short clubs. In a few minutes I was dragged out of the shrubbery and stood in the open park in my pyjamas, wide awake, shivering in the chilly air of early morning.

Fortunately for me, it was decided at the police-court that sleep-walking is not an offence against the law. I was dismissed with a caution.

My vacation is still before me, and I still propose to spend it naked. But I shall do so at Atlantic City.



VII. The Cave-Man as He is

I think it likely that few people besides myself have ever actually seen and spoken with a "cave-man."

Yet everybody nowadays knows all about the cave-man. The fifteen-cent magazines and the new fiction have made him a familiar figure. A few years ago, it is true, nobody had ever heard of him. But lately, for some reason or other, there has been a run on the cave-man. No up-to-date story is complete without one or two references to him. The hero, when the heroine slights him, is said to "feel for a moment the wild, primordial desire of the cave-man, the longing to seize her, to drag her with him, to carry her away, to make her his." When he takes her in his arms it is recorded that "all the elemental passion of the cave-man surges through him." When he fights, on her behalf against a dray-man or a gun-man or an ice-man or any other compound that makes up a modern villain, he is said to "feel all the fierce fighting joy of the cave-man." If they kick him in the ribs, he likes it. If they beat him over the head, he never feels it; because he is, for the moment, a cave-man. And the cave-man is, and is known to be, quite above sensation.

The heroine, too, shares the same point of view. "Take me," she murmurs as she falls into the hero's embrace, "be my cave-man." As she says it there is, so the writer assures us, something of the fierce light of the cave-woman in her eyes, the primordial woman to be wooed and won only by force.

So, like everybody else, I had, till I saw him, a great idea of the cave-man. I had a clear mental picture of him—huge, brawny, muscular, a wolfskin thrown about him and a great war-club in his hand. I knew him as without fear with nerves untouched by our effete civilization, fighting, as the beasts fight, to the death, killing without pity and suffering without a moan.

It was a picture that I could not but admire.

I liked, too—I am free to confess it—his peculiar way with women. His system was, as I understood it, to take them by the neck and bring them along with him. That was his fierce, primordial way of "wooing" them. And they liked it. So at least we are informed by a thousand credible authorities. They liked it. And the modern woman, so we are told, would still like it if only one dared to try it on. There's the trouble; if one only dared!

I see lots of them—I'll be frank about it—that I should like to grab, to sling over my shoulder and carry away with me; or, what is the same thing, allowing for modern conditions, have an express man carry them. I notice them at Atlantic City, I see them in Fifth Avenue—yes, everywhere. But would they come? That's the deuce of it. Would they come right along, like the cave-woman, merely biting off my ear as they came, or are they degenerate enough to bring an action against me, indicting the express company as a party of the second part?

Doubts such as these prevent me from taking active measures. But they leave me, as they leave many another man, preoccupied and fascinated with the cave-man.

One may imagine, then, my extraordinary interest in him when I actually met him in the flesh. Yet the thing came about quite simply, indeed more by accident than by design, an adventure open to all.

It so happened that I spent my vacation in Kentucky—the region, as everybody knows, of the great caves. They extend—it is a matter of common knowledge—for hundreds of miles; in some places dark and sunless tunnels, the black silence broken only by the dripping of the water from the roof; in other places great vaults like subterranean temples, with vast stone arches sweeping to the dome, and with deep, still water of unfathomed depth as the floor; and here and there again they are lighted from above through rifts in the surface of the earth, and are dry and sand strewn—fit for human habitation.

In such caves as these—so has the obstinate legend run for centuries—there still dwell cave-men, the dwindling remnant of their race. And here it was that I came across him.

I had penetrated into the caves far beyond my guides. I carried a revolver and had with me an electric lantern, but the increasing sunlight in the cave as I went on had rendered the latter needless.

There he sat, a huge figure, clad in a great wolfskin. Besides him lay a great club. Across his knee was a spear round which he was binding sinews that tightened under his muscular hand. His head was bent over his task. His matted hair had fallen over his eyes. He did not see me till I was close beside him on the sanded floor of the cave. I gave a slight cough.

"Excuse me!" I said.

The Cave-man gave a startled jump.

"My goodness," he said, "you startled me!"

I could see that he was quite trembling.

"You came along so suddenly," he said, "it gave me the jumps." Then he muttered, more to himself than to me, "Too much of this darned cave-water! I must quit drinking it."

I sat down near to the Caveman on a stone, taking care to place my revolver carefully behind it. I don't mind admitting that a loaded revolver, especially as I get older, makes me nervous. I was afraid that he might start fooling with it. One can't be too careful.

As a way of opening conversation I picked up the Cave-man's club.

"Say," I said, "that's a great club you have, eh? By gee! it's heavy!"

"Look out!" said the Cave-man with a certain agitation in his voice as he reached out and took the club from me. "Don't fool with that club! It's loaded! You know you could easily drop the club on your toes, or on mine. A man can't be too careful with a loaded club."

He rose as he said this and carried the club to the other side of the cave, where he leant it against the wall. Now that he stood up and I could examine him he no longer looked so big. In fact he was not big at all. The effect of size must have come, I think, from the great wolfskin that he wore. I have noticed the same thing in Grand Opera. I noticed, too, for the first time that the cave we were in seemed fitted up, in a rude sort of way, like a dwelling-room.

"This is a nice place you've got," I said.

"Dandy, isn't it?" he said, as he cast his eyes around. "She fixed it up. She's got great taste. See that mud sideboard? That's the real thing, A-one mud! None of your cheap rock about that. We fetched that mud for two miles to make that. And look at that wicker bucket. Isn't it great? Hardly leaks at all except through the sides, and perhaps a little through the bottom. She wove that. She's a humdinger at weaving."

He was moving about as he spoke, showing me all his little belongings. He reminded me for all the world of a man in a Harlem flat, showing a visitor how convenient it all is. Somehow, too, the Cave-man had lost all appearance of size. He looked, in fact, quite little, and when he had pushed his long hair back from his forehead he seemed to wear that same, worried, apologetic look that we all have. To a higher being, if there is such, our little faces one and all appear, no doubt, pathetic.

I knew that he must be speaking about his wife.

"Where is she?" I asked.

"My wife?" he said. "Oh, she's gone out somewhere through the caves with the kid. You didn't meet our kid as you came along, did you? No? Well, he's the greatest boy you even saw. He was only two this nineteenth of August. And you should hear him say 'Pop' and 'Mom' just as if he was grown up. He is really, I think, about the brightest boy I've ever known—I mean quite apart from being his father, and speaking of him as if he were anyone else's boy. You didn't meet them?"

"No," I said, "I didn't."

"Oh, well," the Cave-man went on, "there are lots of ways and passages through. I guess they went in another direction. The wife generally likes to take a stroll round in the morning and see some of the neighbours. But, say," he interrupted, "I guess I'm forgetting my manners. Let me get you a drink of cave-water. Here, take it in this stone mug! There you are, say when! Where do we get it? Oh, we find it in parts of the cave where it filters through the soil above. Alcoholic? Oh, yes, about fifteen per cent, I think. Some say it soaks all through the soil of this State. Sit down and be comfortable, and, say if you hear the woman coming just slip your mug behind that stone out of sight. Do you mind? Now, try one of these elm-root cigars. Oh, pick a good one—there are lots of them!"

We seated ourselves in some comfort on the soft sand, our backs against the boulders, sipping cave-water and smoking elm-root cigars. It seemed altogether as if one were back in civilization, talking to a genial host.

"Yes," said the Cave-man, and he spoke, as it were, in a large and patronizing way. "I generally let my wife trot about as she likes in the daytime. She and the other women nowadays are getting up all these different movements, and the way I look at it is that if it amuses her to run around and talk and attend meetings, why let her do it. Of course," he continued, assuming a look of great firmness, "if I liked to put my foot down—"

"Exactly, exactly," I said. "It's the same way with us!"

"Is it now!" he questioned with interest. "I had imagined that it was all different Outside. You're from the Outside, aren't you? I guessed you must be from the skins you wear."

"Have you never been Outside?" I asked.

"No fear!" said the Cave-man. "Not for mine! Down here in the caves, clean underground and mostly in the dark, it's all right. It's nice and safe." He gave a sort of shudder. "Gee! You fellows out there must have your nerve to go walking around like that on the outside rim of everything, where the stars might fall on you or a thousand things happen to you. But then you Outside Men have got a natural elemental fearlessness about you that we Cave-men have lost. I tell you, I was pretty scared when I looked up and saw you standing there."

"Had you never seen any Outside Men?" I asked.

"Why, yes," he answered, "but never close. The most I've done is to go out to the edges of the cave sometimes and look out and see them, Outside Men and Women, in the distance. But of course, in one way or another, we Cave-men know all about them. And the thing we envy most in you Outside Men is the way you treat your women! By gee! You take no nonsense from them—you fellows are the real primordial, primitive men. We've lost it somehow."

"Why, my dear fellow—" I began.

But the Cave-man, who had sat suddenly upright, interrupted.

"Quick! quick!" he said. "Hide that infernal mug! She's coming. Don't you hear!"

As he spoke I caught the sound of a woman's voice somewhere in the outer passages of the cave.

"Now, Willie," she was saying, speaking evidently to the Cave-child, "you come right along back with me, and if I ever catch you getting in such a mess as that again I'll never take you anywhere, so there!"

Her voice had grown louder. She entered the cave as she spoke—a big-boned woman in a suit of skins leading by the hand a pathetic little mite in a rabbit-skin, with blue eyes and a slobbered face.

But as I was sitting the Cave-woman evidently couldn't see me; for she turned at once to speak to her husband, unconscious of my presence.

"Well, of all the idle creatures!" she exclaimed. "Loafing here in the sand"—she gave a sniff—"and smoking—"

"My dear," began the Cave-man.

"Don't you my-dear me!" she answered. "Look at this place! Nothing tidied up yet and the day half through! Did you put the alligator on to boil?"

"I was just going to say—" began the Cave-man.

"Going to say! Yes, I don't doubt you were going to say. You'd go on saying all day if I'd let you. What I'm asking you is, is the alligator on to boil for dinner or is it not—My gracious!" She broke off all of a sudden, as she caught sight of me. "Why didn't you say there was company? Land sakes! And you sit there and never say there was a gentleman here!"

She had hustled across the cave and was busily arranging her hair with a pool of water as a mirror.

"Gracious!" she said, "I'm a perfect fright! You must excuse me," she added, looking round toward me, "for being in this state. I'd just slipped on this old fur blouse and run around to a neighbour's and I'd no idea that he was going to bring in company. Just like him! I'm afraid we've nothing but a plain alligator stew to offer you, but I'm sure if you'll stay to dinner—"

She was hustling about already, good primitive housewife that she was, making the stone-plates rattle on the mud table.

"Why, really—" I began. But I was interrupted by a sudden exclamation from both the Cave-man and the Cave-woman together:

"Willie! where's Willie!"

"Gracious!" cried the woman. "He's wandered out alone—oh, hurry, look for him! Something might get him! He may have fallen in the water! Oh, hurry!"

They were off in a moment, shouting into the dark passages of the outer cave: "Willie! Willie!" There was agonized anxiety in their voices.

And then in a moment, as it seemed, they were back again, with Willie in their arms, blubbering, his rabbit-skin all wet.

"Goodness gracious!" said the Cave-woman. "He'd fallen right in, the poor little man. Hurry, dear, and get something dry to wrap him in! Goodness, what a fright! Quick, darling, give me something to rub him with."

Anxiously the Cave-parents moved about beside the child, all quarrel vanished.

"But surely," I said, as they calmed down a little, "just there where Willie fell in, beside the passage that I came through, there is only three inches of water."

"So there is," they said, both together, "but just suppose it had been three feet!"

Later on, when Willie was restored, they both renewed their invitation to me to stay to dinner.

"Didn't you say," said the Cave-man, "that you wanted to make some notes on the difference between Cave-people and the people of your world of to-day?"

"I thank you," I answered, "I have already all the notes I want!"



VIII. Ideal Interviews



I. WITH A EUROPEAN PRINCE

With any European Prince, travelling in America

On receiving our card the Prince, to our great surprise and pleasure, sent down a most cordial message that he would be delighted to see us at once. This thrilled us.

"Take us," we said to the elevator boy, "to the apartments of the Prince." We were pleased to see him stagger and lean against his wheel to get his breath back.

In a few moments we found ourselves crossing the threshold of the Prince's apartments. The Prince, who is a charming young man of from twenty-six to twenty-seven, came across the floor to meet us with an extended hand and a simple gesture of welcome. We have seldom seen anyone come across the floor more simply.

The Prince, who is travelling incognito as the Count of Flim Flam, was wearing, when we saw him, the plain morning dress of a gentleman of leisure. We learned that a little earlier he had appeared at breakfast in the costume of a Unitarian clergyman, under the incognito of the Bishop of Bongee; while later on he appeared at lunch, as a delicate compliment to our city, in the costume of a Columbia professor of Yiddish.

The Prince greeted us with the greatest cordiality, seated himself, without the slightest affectation, and motioned to us, with indescribable bonhomie, his permission to remain standing.

"Well," said the Prince, "what is it?"

We need hardly say that the Prince, who is a consummate master of ten languages, speaks English quite as fluently as he does Chinese. Indeed, for a moment, we could scarcely tell which he was talking.

"What are your impressions of the United States?" we asked as we took out our notebook.

"I am afraid," answered the Prince, with the delightful smile which is characteristic of him, and which we noticed again and again during the interview, "that I must scarcely tell you that."

We realized immediately that we were in the presence not only of a soldier but of one of the most consummate diplomats of the present day.

"May we ask then," we resumed, correcting our obvious blunder, "what are your impressions, Prince, of the Atlantic Ocean?"

"Ah," said the Prince, with that peculiar thoughtfulness which is so noticeable in him and which we observed not once but several times, "the Atlantic!"

Volumes could not have expressed his thought better.

"Did you," we asked, "see any ice during your passage across?"

"Ah," said the Prince, "ice! Let me think."

We did so.

"Ice," repeated the Prince thoughtfully.

We realized that we were in the presence not only of a soldier, a linguist and a diplomat, but of a trained scientist accustomed to exact research.

"Ice!" repeated the Prince. "Did I see any ice? No."

Nothing could have been more decisive, more final than the clear, simple brevity of the Prince's "No." He had seen no ice. He knew he had seen no ice. He said he had seen no ice. Nothing could have been more straightforward, more direct. We felt assured from that moment that the Prince had not seen any ice.

The exquisite good taste with which the Prince had answered our question served to put us entirely at our ease, and we presently found ourselves chatting with His Highness with the greatest freedom and without the slightest gene or mauvaise honte, or, in fact, malvoisie of any kind.

We realized, indeed, that we were in the presence not only of a trained soldier, a linguist and a diplomat, but also of a conversationalist of the highest order.

His Highness, who has an exquisite sense of humour—indeed, it broke out again and again during our talk with him—expressed himself as both amused and perplexed over our American money.

"It is very difficult," he said, "with us it is so simple; six and a half groner are equal to one and a third gross-groner or the quarter part of our Rigsdaler. Here it is so complicated."

We ventured to show the Prince a fifty-cent piece and to explain its value by putting two quarters beside it.

"I see," said the Prince, whose mathematical ability is quite exceptional, "two twenty-five-cent pieces are equal to one fifty-cent piece. I must try to remember that. Meantime," he added, with a gesture of royal condescension, putting the money in his pocket, "I will keep your coins as instructors"—we murmured our thanks—"and now explain to me, please, your five-dollar gold piece and your ten-dollar eagle."

We felt it proper, however, to shift the subject, and asked the Prince a few questions in regard to his views on American politics. We soon found that His Highness, although this is his first visit to this continent, is a keen student of our institutions and our political life. Indeed, His Altitude showed by his answers to our questions that he is as well informed about our politics as we are ourselves. On being asked what he viewed as the uppermost tendency in our political life of to-day, the Prince replied thoughtfully that he didn't know. To our inquiry as to whether in his opinion democracy was moving forward or backward, the Prince, after a moment of reflection, answered that he had no idea. On our asking which of the generals of our Civil War was regarded in Europe as the greatest strategist, His Highness answered without hesitation, "George Washington."

Before closing our interview the Prince, who, like his illustrious father, is an enthusiastic sportsman, completely turned the tables on us by inquiring eagerly about the prospects for large game in America.

We told him something—as much as we could recollect—of woodchuck hunting in our own section of the country. The Prince was interested at once. His eye lighted up, and the peculiar air of fatigue, or languor, which we had thought to remark on his face during our interview, passed entirely off his features. He asked us a number of questions, quickly and without pausing, with the air, in fact, of a man accustomed to command and not to listen. How was the woodchuck hunted? From horseback or from an elephant? Or from an armoured car, or turret? How many beaters did one use to beat up the woodchuck? What bearers was it necessary to carry with one? How great a danger must one face of having one's beaters killed? What percentage of risk must one be prepared to incur of accidentally shooting one's own beaters? What did a bearer cost? and so on.

All these questions we answered as best we could, the Prince apparently seizing the gist, or essential part of our answer, before we had said it.

In concluding the discussion we ventured to ask His Highness for his autograph. The Prince, who has perhaps a more exquisite sense of humour than any other sovereign of Europe, declared with a laugh that he had no pen. Still roaring over this inimitable drollery, we begged the Prince to honour us by using our own fountain-pen.

"Is there any ink in it?" asked the Prince—which threw us into a renewed paroxysm of laughter.

The Prince took the pen and very kindly autographed for us seven photographs of himself. He offered us more, but we felt that seven was about all we could use. We were still suffocated with laughter over the Prince's wit; His Highness was still signing photographs when an equerry appeared and whispered in the Prince's ear. His Highness, with the consummate tact to be learned only at a court, turned quietly without a word and left the room.

We never, in all our experience, remember seeing a prince—or a mere man for the matter of that—leave a room with greater suavity, discretion, or aplomb. It was a revelation of breeding, of race, of long slavery to caste. And yet, with it all, it seemed to have a touch of finality about it—a hint that the entire proceeding was deliberate, planned, not to be altered by circumstance. He did not come back.

We understand that he appeared later in the morning at a civic reception in the costume of an Alpine Jaeger, and attended the matinee in the dress of a lieutenant of police.

Meantime he has our pen. If he turns up in any costume that we can spot at sight, we shall ask him for it.



II. WITH OUR GREATEST ACTOR

That is to say, with Any One of our Sixteen Greatest Actors

It was within the privacy of his own library that we obtained—need we say with infinite difficulty—our interview with the Great Actor. He was sitting in a deep arm-chair, so buried in his own thoughts that he was oblivious of our approach. On his knee before him lay a cabinet photograph of himself. His eyes seemed to be peering into it, as if seeking to fathom its unfathomable mystery. We had time to note that a beautiful carbon photogravure of himself stood on a table at his elbow, while a magnificent half-tone pastel of himself was suspended on a string from the ceiling. It was only when we had seated ourself in a chair and taken out our notebook that the Great Actor looked up.

"An interview?" he said, and we noted with pain the weariness in his tone. "Another interview!"

We bowed.

"Publicity!" he murmured rather to himself than to us. "Publicity! Why must one always be forced into publicity?"

It was not our intention, we explained apologetically, to publish or to print a single word—

"Eh, what?" exclaimed the Great Actor. "Not print it? Not publish it? Then what in—"

Not, we explained, without his consent.

"Ah," he murmured wearily, "my consent. Yes, yes, I must give it. The world demands it. Print, publish anything you like. I am indifferent to praise, careless of fame. Posterity will judge me. But," he added more briskly, "let me see a proof of it in time to make any changes I might care to."

We bowed our assent.

"And now," we began, "may we be permitted to ask a few questions about your art? And first, in which branch of the drama do you consider that your genius chiefly lies, in tragedy or in comedy?"

"In both," said the Great Actor.

"You excel then," we continued, "in neither the one nor the other?"

"Not at all," he answered, "I excel in each of them."

"Excuse us," we said, "we haven't made our meaning quite clear. What we meant to say is, stated very simply, that you do not consider yourself better in either of them than in the other?"

"Not at all," said the Actor, as he put out his arm with that splendid gesture that we have known and admired for years, at the same time throwing back his leonine head so that his leonine hair fell back from his leonine forehead. "Not at all. I do better in both of them. My genius demands both tragedy and comedy at the same time."

"Ah," we said, as a light broke in upon us, "then that, we presume, is the reason why you are about to appear in Shakespeare?"

The Great Actor frowned.

"I would rather put it," he said, "that Shakespeare is about to appear in me."

"Of course, of course," we murmured, ashamed of our own stupidity.

"I appear," went on the Great Actor, "in Hamlet. I expect to present, I may say, an entirely new Hamlet."

"A new Hamlet!" we exclaimed, fascinated. "A new Hamlet! Is such a thing possible?"

"Entirely," said the Great Actor, throwing his leonine head forward again. "I have devoted years of study to the part. The whole conception of the part of Hamlet has been wrong."

We sat stunned.

"All actors hitherto," continued the Great Actor, "or rather, I should say, all so-called actors—I mean all those who tried to act before me—have been entirely mistaken in their presentation. They have presented Hamlet as dressed in black velvet."

"Yes, yes," we interjected, "in black velvet, yes!"

"Very good. The thing is absurd," continued the Great Actor, as he reached down two or three heavy volumes from the shelf beside him. "Have you ever studied the Elizabethan era?"

"The which?" we asked modestly.

"The Elizabethan era?"

We were silent.

"Or the pre-Shakespearean tragedy?"

We hung our head.

"If you had, you would know that a Hamlet in black velvet is perfectly ridiculous. In Shakespeare's day—as I could prove in a moment if you had the intelligence to understand it—there was no such thing as black velvet. It didn't exist."

"And how then," we asked, intrigued, puzzled and yet delighted, "do you present Hamlet?"

"In brown velvet," said the Great Actor.

"Great Heavens," we exclaimed, "this is a revolution."

"It is. But that is only one part of my conception. The main thing will be my presentation of what I may call the psychology of Hamlet."

"The psychology!" we said.

"Yes," resumed the Great Actor, "the psychology. To make Hamlet understood, I want to show him as a man bowed down by a great burden. He is overwhelmed with Weltschmerz. He carries in him the whole weight of the Zeitgeist; in fact, everlasting negation lies on him—"

"You mean," we said, trying to speak as cheerfully as we could, "that things are a little bit too much for him."

"His will," went on the Great Actor, disregarding our interruption, "is paralysed. He seeks to move in one direction and is hurled in another. One moment he sinks into the abyss. The next, he rises above the clouds. His feet seek the ground, but find only the air—"

"Wonderful," we said, "but will you not need a good deal of machinery?"

"Machinery!" exclaimed the Great Actor, with a leonine laugh. "The machinery of thought, the mechanism of power, of magnetism—"

"Ah," we said, "electricity."

"Not at all," said the Great Actor. "You fail to understand. It is all done by my rendering. Take, for example, the famous soliloquy on death. You know it?"

"'To be or not to be,'" we began.

"Stop," said the Great Actor. "Now observe. It is a soliloquy. Precisely. That is the key to it. It is something that Hamlet says to himself. Not a word of it, in my interpretation, is actually spoken. All is done in absolute, unbroken silence."

"How on earth," we began, "can you do that?"

"Entirely and solely with my face."

Good heavens! Was it possible? We looked again, this time very closely, at the Great Actor's face. We realized with a thrill that it might be done.

"I come before the audience so," he went on, "and soliloquize—thus—follow my face, please—"

As the Great Actor spoke, he threw himself into a characteristic pose with folded arms, while gust after gust of emotion, of expression, of alternate hope, doubt and despair, swept—we might say chased themselves across his features.

"Wonderful!" we gasped.

"Shakespeare's lines," said the Great Actor, as his face subsided to its habitual calm, "are not necessary; not, at least, with my acting. The lines, indeed, are mere stage directions, nothing more. I leave them out. This happens again and again in the play. Take, for instance, the familiar scene where Hamlet holds the skull in his hand: Shakespeare here suggests the words 'Alas, poor Yorick! I knew him well—'"

"Yes, yes!" we interrupted, in spite of ourself, "'a fellow of infinite jest—'"

"Your intonation is awful," said the Actor. "But listen. In my interpretation I use no words at all. I merely carry the skull quietly in my hand, very slowly, across the stage. There I lean against a pillar at the side, with the skull in the palm of my hand, and look at it in silence."

"Wonderful!" we said.

"I then cross over to the right of the stage, very impressively, and seat myself on a plain wooden bench, and remain for some time, looking at the skull."

"Marvellous!"

"I then pass to the back of the stage and lie down on my stomach, still holding the skull before my eyes. After holding this posture for some time, I crawl slowly forward, portraying by the movement of my legs and stomach the whole sad history of Yorick. Finally I turn my back on the audience, still holding the skull, and convey through the spasmodic movements of my back Hamlet's passionate grief at the loss of his friend."

"Why!" we exclaimed, beside ourself with excitement, "this is not merely a revolution, it is a revelation."

"Call it both," said the Great Actor.

"The meaning of it is," we went on, "that you practically don't need Shakespeare at all."

"Exactly, I do not. I could do better without him. Shakespeare cramps me. What I really mean to convey is not Shakespeare, but something greater, larger—how shall I express it—bigger." The Great Actor paused and we waited, our pencil poised in the air. Then he murmured, as his eyes lifted in an expression of something like rapture. "In fact—ME."

He remained thus, motionless, without moving. We slipped gently to our hands and knees and crawled quietly to the door, and so down the stairs, our notebook in our teeth.



III WITH OUR GREATEST SCIENTIST

As seen in any of our College Laboratories

It was among the retorts and test-tubes of his physical laboratory that we were privileged to interview the Great Scientist. His back was towards us when we entered. With characteristic modesty he kept it so for some time after our entry. Even when he turned round and saw us his face did not react off us as we should have expected.

He seemed to look at us, if such a thing were possible, without seeing us, or, at least, without wishing to see us.

We handed him our card.

He took it, read it, dropped it in a bowlful of sulphuric acid and then, with a quiet gesture of satisfaction, turned again to his work.

We sat for some time behind him. "This, then," we thought to ourselves (we always think to ourselves when we are left alone), "is the man, or rather is the back of the man, who has done more" (here we consulted the notes given us by our editor), "to revolutionize our conception of atomic dynamics than the back of any other man."

Presently the Great Scientist turned towards us with a sigh that seemed to our ears to have a note of weariness in it. Something, we felt, must be making him tired.

"What can I do for you?" he said.

"Professor," we answered, "we have called upon you in response to an overwhelming demand on the part of the public—"

The Great Scientist nodded.

"To learn something of your new researches and discoveries in" (here we consulted a minute card which we carried in our pocket) "in radio-active-emanations which are already becoming" (we consulted our card again) "a household word—"

The Professor raised his hand as if to check us.

"I would rather say," he murmured, "helio-radio-active—"

"So would we," we admitted, "much rather—"

"After all," said the Great Scientist, "helium shares in the most intimate degree the properties of radium. So, too, for the matter of that," he added in afterthought, "do thorium, and borium!"

"Even borium!" we exclaimed, delighted, and writing rapidly in our notebook. Already we saw ourselves writing up as our headline Borium Shares Properties of Thorium.

"Just what is it," said the Great Scientist, "that you want to know?"

"Professor," we answered, "what our journal wants is a plain and simple explanation, so clear that even our readers can understand it, of the new scientific discoveries in radium. We understand that you possess, more than any other man, the gift of clear and lucid thought—"

The Professor nodded.

"And that you are able to express yourself with greater simplicity than any two men now lecturing."

The Professor nodded again.

"Now, then," we said, spreading our notes on our knee, "go at it. Tell us, and, through us, tell a quarter of a million anxious readers just what all these new discoveries are about."

"The whole thing," said the Professor, warming up to his work as he perceived from the motions of our face and ears our intelligent interest, "is simplicity itself. I can give it to you in a word—"

"That's it," we said. "Give it to us that way."

"It amounts, if one may boil it down into a phrase—"

"Boil it, boil it," we interrupted.

"Amounts, if one takes the mere gist of it—"

"Take it," we said, "take it."

"Amounts to the resolution of the ultimate atom."

"Ha!" we exclaimed.

"I must ask you first to clear your mind," the Professor continued, "of all conception of ponderable magnitude."

We nodded. We had already cleared our mind of this.

"In fact," added the Professor, with what we thought a quiet note of warning in his voice, "I need hardly tell you that what we are dealing with must be regarded as altogether ultramicroscopic."

We hastened to assure the Professor that, in accordance with the high standards of honour represented by our journal, we should of course regard anything that he might say as ultramicroscopic and treat it accordingly.

"You say, then," we continued, "that the essence of the problem is the resolution of the atom. Do you think you can give us any idea of what the atom is?"

The Professor looked at us searchingly.

We looked back at him, openly and frankly. The moment was critical for our interview. Could he do it? Were we the kind of person that he could give it to? Could we get it if he did?

"I think I can," he said. "Let us begin with the assumption that the atom is an infinitesimal magnitude. Very good. Let us grant, then, that though it is imponderable and indivisible it must have a spacial content? You grant me this?"

"We do," we said, "we do more than this, we give it to you."

"Very well. If spacial, it must have dimension: if dimension—form. Let us assume ex hypothesi the form to be that of a spheroid and see where it leads us."

The Professor was now intensely interested. He walked to and fro in his laboratory. His features worked with excitement. We worked ours, too, as sympathetically as we could.

"There is no other possible method in inductive science," he added, "than to embrace some hypothesis, the most attractive that one can find, and remain with it—"

We nodded. Even in our own humble life after our day's work we had found this true.

"Now," said the Professor, planting himself squarely in front of us, "assuming a spherical form, and a spacial content, assuming the dynamic forces that are familiar to us and assuming—the thing is bold, I admit—"

We looked as bold as we could.

"Assuming that the ions, or nuclei of the atom—I know no better word—"

"Neither do we," we said.

"That the nuclei move under the energy of such forces, what have we got?"

"Ha!" we said.

"What have we got? Why, the simplest matter conceivable. The forces inside our atom—itself, mind you, the function of a circle—mark that—"

We did.

"Becomes merely a function of pi!"

The Great Scientist paused with a laugh of triumph.

"A function of pi!" we repeated in delight.

"Precisely. Our conception of ultimate matter is reduced to that of an oblate spheroid described by the revolution of an ellipse on its own minor axis!"

"Good heavens!" we said. "Merely that."

"Nothing else. And in that case any further calculation becomes a mere matter of the extraction of a root."

"How simple," we murmured.

"Is it not," said the Professor. "In fact, I am accustomed, in talking to my class, to give them a very clear idea, by simply taking as our root F—F being any finite constant—"

He looked at us sharply. We nodded.

"And raising F to the log of infinity. I find they apprehend it very readily."

"Do they?" we murmured. Ourselves we felt as if the Log of Infinity carried us to ground higher than what we commonly care to tread on.

"Of course," said the Professor, "the Log of Infinity is an Unknown."

"Of course," we said very gravely. We felt ourselves here in the presence of something that demanded our reverence.

"But still," continued the Professor almost jauntily, "we can handle the Unknown just as easily as anything else."

This puzzled us. We kept silent. We thought it wiser to move on to more general ground. In any case, our notes were now nearly complete.

"These discoveries, then," we said, "are absolutely revolutionary."

"They are," said the Professor.

"You have now, as we understand, got the atom—how shall we put it?—got it where you want it."

"Not exactly," said the Professor with a sad smile.

"What do you mean?" we asked.

"Unfortunately our analysis, perfect though it is, stops short. We have no synthesis."

The Professor spoke as in deep sorrow.

"No synthesis," we moaned. We felt it was a cruel blow. But in any case our notes were now elaborate enough. We felt that our readers could do without a synthesis. We rose to go.

"Synthetic dynamics," said the Professor, taking us by the coat, "is only beginning—"

"In that case—" we murmured, disengaging his hand.

"But, wait, wait," he pleaded "wait for another fifty years—"

"We will," we said very earnestly. "But meantime as our paper goes to press this afternoon we must go now. In fifty years we will come back."

"Oh, I see, I see," said the Professor, "you are writing all this for a newspaper. I see."

"Yes," we said, "we mentioned that at the beginning."

"Ah," said the Professor, "did you? Very possibly. Yes."

"We propose," we said, "to feature the article for next Saturday."

"Will it be long?" he asked.

"About two columns," we answered.

"And how much," said the Professor in a hesitating way, "do I have to pay you to put it in?"

"How much which?" we asked.

"How much do I have to pay?"

"Why, Professor—" we began quickly. Then we checked ourselves. After all was it right to undeceive him, this quiet, absorbed man of science with his ideals, his atoms and his emanations. No, a hundred times no. Let him pay a hundred times.

"It will cost you," we said very firmly, "ten dollars."

The Professor began groping among his apparatus. We knew that he was looking for his purse.

"We should like also very much," we said, "to insert your picture along with the article—"

"Would that cost much?" he asked.

"No, that is only five dollars."

The Professor had meantime found his purse.

"Would it be all right," he began, "that is, would you mind if I pay you the money now? I am apt to forget."

"Quite all right," we answered. We said good-bye very gently and passed out. We felt somehow as if we had touched a higher life. "Such," we murmured, as we looked about the ancient campus, "are the men of science: are there, perhaps, any others of them round this morning that we might interview?"



IV. WITH OUR TYPICAL NOVELISTS

Edwin and Ethelinda Afterthought—Husband and Wife—In their Delightful Home Life.

It was at their beautiful country place on the Woonagansett that we had the pleasure of interviewing the Afterthoughts. At their own cordial invitation, we had walked over from the nearest railway station, a distance of some fourteen miles. Indeed, as soon as they heard of our intention they invited us to walk. "We are so sorry not to bring you in the motor," they wrote, "but the roads are so frightfully dusty that we might get dust on our chauffeur." This little touch of thoughtfulness is the keynote of their character.

The house itself is a delightful old mansion giving on a wide garden, which gives in turn on a broad terrace giving on the river.

The Eminent Novelist met us at the gate. We had expected to find the author of Angela Rivers and The Garden of Desire a pale aesthetic type (we have a way of expecting the wrong thing in our interviews). We could not resist a shock of surprise (indeed we seldom do) at finding him a burly out-of-door man weighting, as he himself told us, a hundred stone in his stockinged feet (we think he said stone).

He shook hands cordially.

"Come and see my pigs," he said.

"We wanted to ask you," we began, as we went down the walk, "something about your books."

"Let's look at the pigs first," he said. "Are you anything of a pig man?"

We are always anxious in our interviews to be all things to all men. But we were compelled to admit that we were not much of a pig man.

"Ah," said the Great Novelist, "perhaps you are more of a dog man?"

"Not altogether a dog man," we answered.

"Anything of a bee man?" he asked.

"Something," we said (we were once stung by a bee).

"Ah," he said, "you shall have a go at the beehives, then, right away?"

We assured him that we were willing to postpone a go at the beehives till later.

"Come along, then, to the styes," said the Great Novelist, and he added, "Perhaps you're not much of a breeder."

We blushed. We thought of the five little faces around the table for which we provide food by writing our interviews.

"No," we said, "we were not much of a breeder."

"Now then," said the Great Novelist as we reached our goal, "how do you like this stye?"

"Very much indeed," we said.

"I've put in a new tile draining—my own plan. You notice how sweet it keeps the stye."

We had not noticed this.

"I am afraid," said the Novelist, "that the pigs are all asleep inside."

We begged him on no account to waken them. He offered to open the little door at the side and let us crawl in. We insisted that we could not think of intruding.

"What we would like," we said, "is to hear something of your methods of work in novel writing." We said this with very peculiar conviction. Quite apart from the immediate purposes of our interview, we have always been most anxious to know by what process novels are written. If we could get to know this, we would write one ourselves.

"Come and see my bulls first," said the Novelist. "I've got a couple of young bulls here in the paddock that will interest you."

We felt sure that they would.

He led us to a little green fence. Inside it were two ferocious looking animals, eating grain. They rolled their eyes upwards at us as they ate.

"How do those strike you?" he asked.

We assured him that they struck us as our beau ideal of bulls.

"Like to walk in beside them?" said the Novelist, opening a little gate.

We drew back. Was it fair to disturb these bulls?

The Great Novelist noticed our hesitation.

"Don't be afraid," he said. "They're not likely to harm you. I send my hired man right in beside them every morning, without the slightest hesitation."

We looked at the Eminent Novelist with admiration. We realized that like so many of our writers, actors, and even our thinkers, of to-day, he was an open-air man in every sense of the word.

But we shook our heads.

Bulls, we explained, were not a department of research for which we were equipped. What we wanted, we said, was to learn something of his methods of work.

"My methods of work?" he answered, as we turned up the path again. "Well, really, I hardly know that I have any."

"What is your plan or method," we asked, getting out our notebook and pencil, "of laying the beginning of a new novel?"

"My usual plan," said the Novelist, "is to come out here and sit in the stye till I get my characters."

"Does it take long?" we questioned.

"Not very. I generally find that a quiet half-hour spent among the hogs will give me at least my leading character."

"And what do you do next?"

"Oh, after that I generally light a pipe and go and sit among the beehives looking for an incident."

"Do you get it?" we asked.

"Invariably. After that I make a few notes, then go off for a ten mile tramp with my esquimaux dogs, and get back in time to have a go through the cattle sheds and take a romp with the young bulls."

We sighed. We couldn't help it. Novel writing seemed further away than ever.

"Have you also a goat on the premises?" we asked.

"Oh, certainly. A ripping old fellow—come along and see him."

We shook our heads. No doubt our disappointment showed in our face. It often does. We felt that it was altogether right and wholesome that our great novels of to-day should be written in this fashion with the help of goats, dogs, hogs and young bulls. But we felt, too, that it was not for us.

We permitted ourselves one further question.

"At what time," we said, "do you rise in the morning?"

"Oh anywhere between four and five," said the Novelist.

"Ah, and do you generally take a cold dip as soon as you are up—even in winter?"

"I do."

"You prefer, no doubt," we said, with a dejection that we could not conceal, "to have water with a good coat of ice over it?"

"Oh, certainly!"

We said no more. We have long understood the reasons for our own failure in life, but it was painful to receive a renewed corroboration of it. This ice question has stood in our way for forty-seven years.

The Great Novelist seemed to note our dejection.

"Come to the house," he said, "my wife will give you a cup of tea."

In a few moments we had forgotten all our troubles in the presence of one of the most charming chatelaines it has been our lot to meet.

We sat on a low stool immediately beside Ethelinda Afterthought, who presided in her own gracious fashion over the tea-urn.

"So you want to know something of my methods of work?" she said, as she poured hot tea over our leg.

"We do," we answered, taking out our little book and recovering something of our enthusiasm. We do not mind hot tea being poured over us if people treat us as a human being.

"Can you indicate," we continued, "what method you follow in beginning one of your novels?"

"I always begin," said Ethelinda Afterthought, "with a study."

"A study?" we queried.

"Yes. I mean a study of actual facts. Take, for example, my Leaves from the Life of a Steam Laundrywoman—more tea?"

"No, no," we said.

"Well, to make that book I first worked two years in a laundry."

"Two years!" we exclaimed. "And why?"

"To get the atmosphere."

"The steam?" we questioned.

"Oh, no," said Mrs. Afterthought, "I did that separately. I took a course in steam at a technical school."

"Is it possible?" we said, our heart beginning to sing again. "Was all that necessary?"

"I don't see how one could do it otherwise. The story opens, as no doubt you remember—tea?—in the boiler room of the laundry."

"Yes," we said, moving our leg—"no, thank you."

"So you see the only possible point d'appui was to begin with a description of the inside of the boiler."

We nodded.

"A masterly thing," we said.

"My wife," interrupted the Great Novelist, who was sitting with the head of a huge Danish hound in his lap, sharing his buttered toast with the dog while he adjusted a set of trout flies, "is a great worker."

"Do you always work on that method?" we asked.

"Always," she answered. "For Frederica of the Factory I spent six months in a knitting mill. For Marguerite of the Mud Flats I made special studies for months and months."

"Of what sort?" we asked.

"In mud. Learning to model it. You see for a story of that sort the first thing needed is a thorough knowledge of mud—all kinds of it."

"And what are you doing next?" we inquired.

"My next book," said the Lady Novelist, "is to be a study—tea?—of the pickle industry—perfectly new ground."

"A fascinating field," we murmured.

"And quite new. Several of our writers have done the slaughter-house, and in England a good deal has been done in jam. But so far no one has done pickles. I should like, if I could," added Ethelinda Afterthought, with the graceful modesty that is characteristic of her, "to make it the first of a series of pickle novels, showing, don't you know, the whole pickle district, and perhaps following a family of pickle workers for four or five generations."

"Four or five!" we said enthusiastically. "Make it ten! And have you any plan for work beyond that?"

"Oh, yes indeed," laughed the Lady Novelist. "I am always planning ahead. What I want to do after that is a study of the inside of a penitentiary."

"Of the inside?" we said, with a shudder.

"Yes. To do it, of course, I shall go to jail for two or three years!"

"But how can you get in?" we asked, thrilled at the quiet determination of the frail woman before us.

"I shall demand it as a right," she answered quietly. "I shall go to the authorities, at the head of a band of enthusiastic women, and demand that I shall be sent to jail. Surely after the work I have done, that much is coming to me."

"It certainly is," we said warmly.

We rose to go.

Both the novelists shook hands with us with great cordiality. Mr. Afterthought walked as far as the front door with us and showed us a short cut past the beehives that could take us directly through the bull pasture to the main road.

We walked away in the gathering darkness of evening very quietly. We made up our mind as we went that novel writing is not for us. We must reach the penitentiary in some other way.

But we thought it well to set down our interview as a guide to others.



IX. The New Education

"So you're going back to college in a fortnight," I said to the Bright Young Thing on the veranda of the summer hotel. "Aren't you sorry?"

"In a way I am," she said, "but in another sense I'm glad to go back. One can't loaf all the time."

She looked up from her rocking-chair over her Red Cross knitting with great earnestness.

How full of purpose these modern students are, I thought to myself. In my time we used to go back to college as to a treadmill.

"I know that," I said, "but what I mean is that college, after all, is a pretty hard grind. Things like mathematics and Greek are no joke, are they? In my day, as I remember it, we used to think spherical trigonometry about the hardest stuff of the lot."

She looked dubious.

"I didn't elect mathematics," she said.

"Oh," I said, "I see. So you don't have to take it. And what have you elected?"

"For this coming half semester—that's six weeks, you know—I've elected Social Endeavour."

"Ah," I said, "that's since my day, what is it?"

"Oh, it's awfully interesting. It's the study of conditions."

"What kind of conditions?" I asked.

"All conditions. Perhaps I can't explain it properly. But I have the prospectus of it indoors if you'd like to see it. We take up Society."

"And what do you do with it?"

"Analyse it," she said.

"But it must mean reading a tremendous lot of books."

"No," she answered. "We don't use books in this course. It's all Laboratory Work."

"Now I am mystified," I said. "What do you mean by Laboratory Work?"

"Well," answered the girl student with a thoughtful look upon her face, "you see, we are supposed to break society up into its elements."

"In six weeks?"

"Some of the girls do it in six weeks. Some put in a whole semester and take twelve weeks at it."

"So as to break up pretty thoroughly?" I said.

"Yes," she assented. "But most of the girls think six weeks is enough."

"That ought to pulverize it pretty completely. But how do you go at it?"

"Well," the girl said, "it's all done with Laboratory Work. We take, for instance, department stores. I think that is the first thing we do, we take up the department store."

"And what do you do with it?"

"We study it as a Social Germ."

"Ah," I said, "as a Social Germ."

"Yes," said the girl, delighted to see that I was beginning to understand, "as a Germ. All the work is done in the concrete. The class goes down with the professor to the department store itself—"

"And then—"

"Then they walk all through it, observing."

"But have none of them ever been in a departmental store before?"

"Oh, of course, but, you see, we go as Observers."

"Ah, now, I understand. You mean you don't buy anything and so you are able to watch everything?"

"No," she said, "it's not that. We do buy things. That's part of it. Most of the girls like to buy little knick-knacks, and anyway it gives them a good chance to do their shopping while they're there. But while they are there they are observing. Then afterwards they make charts."

"Charts of what?" I asked.

"Charts of the employes; they're used to show the brain movement involved."

"Do you find much?"

"Well," she said hesitatingly, "the idea is to reduce all the employes to a Curve."

"To a Curve?" I exclaimed, "an In or an Out."

"No, no, not exactly that. Didn't you use Curves when you were at college?"

"Never," I said.

"Oh, well, nowadays nearly everything, you know, is done into a Curve. We put them on the board."

"And what is this particular Curve of the employe used for?" I asked.

"Why," said the student, "the idea is that from the Curve we can get the Norm of the employe."

"Get his Norm?" I asked.

"Yes, get the Norm. That stands for the Root Form of the employe as a social factor."

"And what can you do with that?"

"Oh, when we have that we can tell what the employe would do under any and every circumstance. At least that's the idea—though I'm really only quoting," she added, breaking off in a diffident way, "from what Miss Thinker, the professor of Social Endeavour, says. She's really fine. She's making a general chart of the female employes of one of the biggest stores to show what percentage in case of fire would jump out of the window and what percentage would run to the fire escape."

"It's a wonderful course," I said. "We had nothing like it when I went to college. And does it only take in departmental stores?"

"No," said the girl, "the laboratory work includes for this semester ice-cream parlours as well."

"What do you do with them?"

"We take them up as Social Cells, Nuclei, I think the professor calls them."

"And how do you go at them?" I asked.

"Why, the girls go to them in little laboratory groups and study them."

"They eat ice-cream in them?"

"They have to," she said, "to make it concrete. But while they are doing it they are considering the ice-cream parlour merely as a section of social protoplasm."

"Does the professor go?" I asked.

"Oh, yes, she heads each group. Professor Thinker never spares herself from work."

"Dear me," I said, "you must be kept very busy. And is Social Endeavour all that you are going to do?"

"No," she answered, "I'm electing a half-course in Nature Work as well."

"Nature Work? Well! Well! That, I suppose, means cramming up a lot of biology and zoology, does it not?"

"No," said the girl, "it's not exactly done with books. I believe it is all done by Field Work."

"Field Work?"

"Yes. Field Work four times a week and an Excursion every Saturday."

"And what do you do in the Field Work?"

"The girls," she answered, "go out in groups anywhere out of doors, and make a Nature Study of anything they see."

"How do they do that?" I asked.

"Why, they look at it. Suppose, for example, they come to a stream or a pond or anything—"

"Yes—"

"Well, they look at it."

"Had they never done that before?" I asked.

"Ah, but they look at it as a Nature Unit. Each girl must take forty units in the course. I think we only do one unit each day we go out."

"It must," I said, "be pretty fatiguing work, and what about the Excursion?"

"That's every Saturday. We go out with Miss Stalk, the professor of Ambulation."

"And where do you go?"

"Oh, anywhere. One day we go perhaps for a trip on a steamer and another Saturday somewhere in motors, and so on."

"Doing what?" I asked.

"Field Work. The aim of the course—I'm afraid I'm quoting Miss Stalk but I don't mind, she's really fine—is to break nature into its elements—"

"I see—"

"So as to view it as the external structure of Society and make deductions from it."

"Have you made any?" I asked.

"Oh, no"—she laughed—"I'm only starting the work this term. But, of course, I shall have to. Each girl makes at least one deduction at the end of the course. Some of the seniors make two or three. But you have to make one."

"It's a great course," I said. "No wonder you are going to be busy; and, as you say, how much better than loafing round here doing nothing."

"Isn't it?" said the girl student with enthusiasm in her eyes. "It gives one such a sense of purpose, such a feeling of doing something."

"It must," I answered.

"Oh, goodness," she exclaimed, "there's the lunch bell. I must skip and get ready."

She was just vanishing from my side when the Burly Male Student, who was also staying in the hotel, came puffing up after his five-mile run. He was getting himself into trim for enlistment, so he told me. He noted the retreating form of the college girl as he sat down.

"I've just been talking to her," I said, "about her college work. She seems to be studying a queer lot of stuff—Social Endeavour and all that!"

"Awful piffle," said the young man. "But the girls naturally run to all that sort of rot, you know."

"Now, your work," I went on, "is no doubt very different. I mean what you were taking before the war came along. I suppose you fellows have an awful dose of mathematics and philology and so on just as I did in my college days?"

Something like a blush came across the face of the handsome youth.

"Well, no," he said, "I didn't co-opt mathematics. At our college, you know, we co-opt two majors and two minors."

"I see," I said, "and what were you co-opting?"

"I co-opted Turkish, Music, and Religion," he answered.

"Oh, yes," I said with a sort of reverential respect, "fitting yourself for a position of choir-master in a Turkish cathedral, no doubt."

"No, no," he said, "I'm going into insurance; but, you see, those subjects fitted in better than anything else."

"Fitted in?"

"Yes. Turkish comes at nine, music at ten and religion at eleven. So they make a good combination; they leave a man free to—"

"To develop his mind," I said. "We used to find in my college days that lectures interfered with it badly. But now, Turkish, that must be an interesting language, eh?"

"Search me!" said the student. "All you have to do is answer the roll and go out. Forty roll-calls give you one Turkish unit—but, say, I must get on, I've got to change. So long."

I could not help reflecting, as the young man left me, on the great changes that have come over our college education. It was a relief to me later in the day to talk with a quiet, sombre man, himself a graduate student in philosophy, on this topic. He agreed with me that the old strenuous studies seem to be very largely abandoned.

I looked at the sombre man with respect.

"Now your work," I said, "is very different from what these young people are doing—hard, solid, definite effort. What a relief it must be to you to get a brief vacation up here. I couldn't help thinking to-day, as I watched you moving round doing nothing, how fine it must feel for you to come up here after your hard work and put in a month of out-and-out loafing."

"Loafing!" he said indignantly. "I'm not loafing. I'm putting in a half summer course in Introspection. That's why I'm here. I get credit for two majors for my time here."

"Ah," I said, as gently as I could, "you get credit here."

He left me. I am still pondering over our new education. Meantime I think I shall enter my little boy's name on the books of Tuskegee College where the education is still old-fashioned.



X. The Errors of Santa Claus

It was Christmas Eve.

The Browns, who lived in the adjoining house, had been dining with the Joneses.

Brown and Jones were sitting over wine and walnuts at the table. The others had gone upstairs.

"What are you giving to your boy for Christmas?" asked Brown.

"A train," said Jones, "new kind of thing—automatic."

"Let's have a look at it," said Brown.

Jones fetched a parcel from the sideboard and began unwrapping it.

"Ingenious thing, isn't it?" he said. "Goes on its own rails. Queer how kids love to play with trains, isn't it?"

"Yes," assented Brown. "How are the rails fixed?"

"Wait, I'll show you," said Jones. "Just help me to shove these dinner things aside and roll back the cloth. There! See! You lay the rails like that and fasten them at the ends, so—"

"Oh, yes, I catch on, makes a grade, doesn't it? Just the thing to amuse a child, isn't it? I got Willy a toy aeroplane."

"I know, they're great. I got Edwin one on his birthday. But I thought I'd get him a train this time. I told him Santa Claus was going to bring him something altogether new this time. Edwin, of course, believes in Santa Claus absolutely. Say, look at this locomotive, would you? It has a spring coiled up inside the fire box."

"Wind her up," said Brown with great interest. "Let's see her go."

"All right," said Jones. "Just pile up two or three plates or something to lean the end of the rails on. There, notice the way it buzzes before it starts. Isn't that a great thing for a kid, eh?"

"Yes," said Brown. "And say, see this little string to pull the whistle! By Gad, it toots, eh? Just like real?"

"Now then, Brown," Jones went on, "you hitch on those cars and I'll start her. I'll be engineer, eh!"

Half an hour later Brown and Jones were still playing trains on the dining-room table.

But their wives upstairs in the drawing-room hardly noticed their absence. They were too much interested.

"Oh, I think it's perfectly sweet," said Mrs. Brown. "Just the loveliest doll I've seen in years. I must get one like it for Ulvina. Won't Clarisse be perfectly enchanted?"

"Yes," answered Mrs. Jones, "and then she'll have all the fun of arranging the dresses. Children love that so much. Look, there are three little dresses with the doll, aren't they cute? All cut out and ready to stitch together."

"Oh, how perfectly lovely!" exclaimed Mrs. Brown. "I think the mauve one would suit the doll best, don't you, with such golden hair? Only don't you think it would make it much nicer to turn back the collar, so, and to put a little band—so?"

"What a good idea!" said Mrs. Jones. "Do let's try it. Just wait, I'll get a needle in a minute. I'll tell Clarisse that Santa Claus sewed it himself. The child believes in Santa Claus absolutely."

And half an hour later Mrs. Jones and Mrs. Brown were so busy stitching dolls' clothes that they could not hear the roaring of the little train up and down the dining table, and had no idea what the four children were doing.

Nor did the children miss their mothers.

"Dandy, aren't they?" Edwin Jones was saying to little Willie Brown, as they sat in Edwin's bedroom. "A hundred in a box, with cork tips, and see, an amber mouthpiece that fits into a little case at the side. Good present for Dad, eh?"

"Fine!" said Willie appreciatively. "I'm giving Father cigars."

"I know, I thought of cigars too. Men always like cigars and cigarettes. You can't go wrong on them. Say, would you like to try one or two of these cigarettes? We can take them from the bottom. You'll like them, they're Russian—away ahead of Egyptian."

"Thanks," answered Willie. "I'd like one immensely. I only started smoking last spring—on my twelfth birthday. I think a feller's a fool to begin smoking cigarettes too soon, don't you? It stunts him. I waited till I was twelve."

"Me too," said Edwin, as they lighted their cigarettes. "In fact, I wouldn't buy them now if it weren't for Dad. I simply had to give him something from Santa Claus. He believes in Santa Claus absolutely, you know."

And, while this was going on, Clarisse was showing little Ulvina the absolutely lovely little bridge set that she got for her mother.

"Aren't these markers perfectly charming?" said Ulvina. "And don't you love this little Dutch design—or is it Flemish, darling?"

"Dutch," said Clarisse. "Isn't it quaint? And aren't these the dearest little things, for putting the money in when you play. I needn't have got them with it—they'd have sold the rest separately—but I think it's too utterly slow playing without money, don't you?"

"Oh, abominable," shuddered Ulvina. "But your mamma never plays for money, does she?"

"Mamma! Oh, gracious, no. Mamma's far too slow for that. But I shall tell her that Santa Claus insisted on putting in the little money boxes."

"I suppose she believes in Santa Claus, just as my mamma does."

"Oh, absolutely," said Clarisse, and added, "What if we play a little game! With a double dummy, the French way, or Norwegian Skat, if you like. That only needs two."

"All right," agreed Ulvina, and in a few minutes they were deep in a game of cards with a little pile of pocket money beside them.

About half an hour later, all the members of the two families were again in the drawing-room. But of course nobody said anything about the presents. In any case they were all too busy looking at the beautiful big Bible, with maps in it, that the Joneses had brought to give to Grandfather. They all agreed that, with the help of it, Grandfather could hunt up any place in Palestine in a moment, day or night.

But upstairs, away upstairs in a sitting-room of his own Grandfather Jones was looking with an affectionate eye at the presents that stood beside him. There was a beautiful whisky decanter, with silver filigree outside (and whiskey inside) for Jones, and for the little boy a big nickel-plated Jew's harp.

Later on, far in the night, the person, or the influence, or whatever it is called Santa Claus, took all the presents and placed them in the people's stockings.

And, being blind as he always has been, he gave the wrong things to the wrong people—in fact, he gave them just as indicated above.

But the next day, in the course of Christmas morning, the situation straightened itself out, just as it always does.

Indeed, by ten o'clock, Brown and Jones were playing with the train, and Mrs. Brown and Mrs. Jones were making dolls' clothes, and the boys were smoking cigarettes, and Clarisse and Ulvina were playing cards for their pocket-money.

And upstairs—away up—Grandfather was drinking whisky and playing the Jew's harp.

And so Christmas, just as it always does, turned out all right after all.



XI. Lost in New York

A VISITOR'S SOLILOQUY

Well! Well!

Whatever has been happening to this place, to New York? Changed? Changed since I was here in '86? Well, I should say so.

The hack-driver of the old days that I used to find waiting for me at the station curb, with that impossible horse of his—the hack-driver with his bulbous red face, and the nice smell of rye whisky all 'round him for yards—gone, so it seems, for ever.

And in place of him this—what is it they call it?—taxi, with a clean-shaven cut-throat steering it. "Get in," he says, Just that. He doesn't offer to help me or lift my satchel. All right, young man, I'm crawling in.

That's the machine that marks it, eh? I suppose they have them rigged up so they can punch up anything they like. I thought so—he hits it up to fifty cents before we start. But I saw him do it. Well, I can stand for it this time. I'll not be caught in one of these again.

The hotel? All right, I'm getting out. My hotel? But what is it they have done to it? They must have added ten stories to it. It reaches to the sky. But I'll not try to look to the top of it. Not with this satchel in my hand: no, sir! I'll wait till I'm safe inside. In there I'll feel all right. They'll know me in there. They'll remember right away my visit in the fall of '86. They won't easily have forgotten that big dinner I gave—nine people at a dollar fifty a plate, with the cigars extra. The clerk will remember me, all right.

Know me? Not they. The clerk know me! How could he? For it seems now there isn't any clerk, or not as there used to be. They have subdivided him somehow into five or six. There is a man behind a desk, a majestic sort of man, waving his hand. It would be sheer madness to claim acquaintance with him. There is another with a great book, adjusting cards in it; and another, behind glass labelled "Cashier," and busy as a bank; there are two with mail and telegrams. They are all too busy to know me.

Shall I sneak up near to them, keeping my satchel in my hand? I wonder, do they see me? Can they see me, a mere thing like me? I am within ten feet of them, but I am certain that they cannot see me. I am, and I feel it, absolutely invisible.

Ha! One has seen me. He turns to me, or rather he rounds upon me, with the words "Well, sir?" That, and nothing else, sharp and hard. There is none of the ancient kindly pretence of knowing my name, no reaching out a welcome hand and calling me Mr. Er—Er—till he has read my name upside down while I am writing it and can address me as a familiar friend. No friendly questioning about the crops in my part of the country. The crops, forsooth! What do these young men know about crops?

A room? Had I any reservation? Any which? Any reservation. Oh, I see, had I written down from home to say that I was coming? No, I had not because the truth is I came at very short notice. I didn't know till a week before that my brother-in-law—He is not listening. He has moved away. I will stand and wait till he comes back. I am intruding here; I had no right to disturb these people like this.

Oh, I can have a room at eleven o'clock. When it is which?—is vacated. Oh, yes, I see, when the man in it gets up and goes away. I didn't for the minute catch on to what the word—He has stopped listening.

Never mind, I can wait. From eight to eleven is only three hours, anyway. I will move about here and look at things. If I keep moving they will notice me less. Ha! books and news papers and magazines—what a stack of them! Like a regular book-store. I will stand here and take a look at some of them. Eh! what's that? Did I want to buy anything? Well, no, I hadn't exactly—I was just—Oh, I see, they're on sale. All right, yes, give me this one—fifty cents—all right—and this and these others. That's all right, miss, I'm not stingy. They always say of me up in our town that when I—She has stopped listening.

Never mind. I will walk up and down again with the magazines under my arm. That will make people think I live here. Better still if I could put the magazines in my satchel. But how? There is no way to set it down and undo the straps. I wonder if I could dare put it for a minute on that table, the polished one—? Or no, they wouldn't likely allow a man to put a bag there.

Well, I can wait. Anyway, it's eight o'clock and soon, surely, breakfast will be ready. As soon as I hear the gong I can go in there. I wonder if I could find out first where the dining-room is. It used always to be marked across the door, but I don't seem to see it. Darn it, I'll ask that man in uniform. If I'm here prepared to spend my good money to get breakfast I guess I'm not scared to ask a simple question of a man in uniform. Or no, I'll not ask him. I'll try this one—or no, he's busy. I'll ask this other boy. Say, would you mind, if you please, telling me, please, which way the dining-room—Eh, what? Do I want which? The grill room or the palm room? Why, I tell you, young man, I just wanted to get some breakfast if it's—what? Do I want what? I didn't quite get that—a la carte? No, thanks—and, what's that? table de what? in the palm room? No, I just wanted—but it doesn't matter. I'll wait 'round here and look about till I hear the gong. Don't worry about me.

What's that? What's that boy shouting out—that boy with the tray? A call for Mr. Something or Other—say, must be something happened pretty serious! A call for Mr.—why, that's for me! Hullo! Here I am! Here, it's Me! Here I am—wanted at the desk? all right, I'm coming, I'm hurrying. I guess something's wrong at home, eh! Here I am. That's my name. I'm ready.

Oh, a room. You've got a room for me. All right. The fifteenth floor! Good heavens! Away up there! Never mind, I'll take it. Can't give me a bath? That's all right. I had one.

Elevator over this way? All right, I'll come along. Thanks, I can carry it. But I don't see any elevator? Oh, this door in the wall? Well! I'm hanged. This the elevator! It certainly has changed. The elevator that I remember had a rope in the middle of it, and you pulled the rope up as you went, wheezing and clanking all the way to the fifth floor. But this looks a queer sort of machine. How do you do—Oh, I beg your pardon. I was in the road of the door, I guess. Excuse me, I'm afraid I got in the way of your elbow. It's all right, you didn't hurt—or, not bad.

Gee whiz! It goes fast. Are you sure you can stop it? Better be careful, young man. There was an elevator once in our town that—fifteenth floor? All right.

This room, eh! Great Scott, it's high up. Say, better not go too near that window, boy. That would be a hell of a drop if a feller fell out. You needn't wait. Oh, I see. I beg your pardon. I suppose a quarter is enough, eh?

Well, it's a relief to be alone. But say, this is high up! And what a noise! What is it they're doing out there, away out in the air, with all that clatter—building a steel building, I guess. Well, those fellers have their nerve, all right. I'll sit further back from the window.

It's lonely up here. In the old days I could have rung a bell and had a drink sent up to the room; but away up here on the fifteenth floor! Oh, no, they'd never send a drink clean up to the fifteenth floor. Of course, in the old days, I could have put on my canvas slippers and walked down to the bar and had a drink and talked to the bar-tender.

But of course they wouldn't have a bar in a place like this. I'd like to go down and see, but I don't know that I'd care to ask, anyway. No, I guess I'll just sit and wait. Some one will come for me, I guess, after a while.

If I were back right now in our town, I could walk into Ed Clancey's restaurant and have ham and eggs, or steak and eggs, or anything, for thirty-five cents.

Our town up home is a peach of a little town, anyway.

Say, I just feel as if I'd like to take my satchel and jump clean out of that window. It would be a good rebuke to them.

But, pshaw! what would they care?



XII. This Strenuous Age

Something is happening, I regret to find, to the world in which we used to live. The poor old thing is being "speeded up." There is "efficiency" in the air. Offices open at eight o'clock. Millionaires lunch on a baked apple. Bankers eat practically nothing. A college president has declared that there are more foot pounds of energy in a glass of peptonized milk than in—something else, I forget what. All this is very fine. Yet somehow I feel out of it.

My friends are failing me. They won't sit up after midnight. They have taken to sleeping out of doors, on porches and pergolas. Some, I understand, merely roost on plain wooden bars. They rise early. They take deep breathing. They bathe in ice water. They are no good.

This change I am sure, is excellent. It is, I am certain, just as it ought to be. I am merely saying, quietly and humbly, that I am not in it. I am being left behind. Take, for example, the case of alcohol. That, at least, is what it is called now. There were days when we called it Bourbon whisky and Tom Gin, and when the very name of it breathed romance. That time is past.

The poor stuff is now called alcohol, and none so low that he has a good word for it. Quite right, I am certain. I don't defend it. Alcohol, they are saying to-day, if taken in sufficient quantities, tears all the outer coating off the diaphragm. It leaves the epigastric tissue, so I am informed, a useless wreck.

This I don't deny. It gets, they tell me, into the brain. I don't dispute it. It turns the prosencephalon into mere punk. I know it. I've felt it doing it. They tell me—and I believe it—that after even one glass of alcohol, or shall we say Scotch whisky and soda, a man's working power is lowered by twenty per cent. This is a dreadful thing. After three glasses, so it is held, his capacity for sustained rigid thought is cut in two. And after about six glasses the man's working power is reduced by at least a hundred per cent. He merely sits there—in his arm-chair, at his club let us say—with all power, even all desire to work gone out of him, not thinking rigidly, not sustaining his thought, a mere shapeless chunk of geniality, half hidden in the blue smoke of his cigar.

Very dreadful, not a doubt. Alcohol is doomed; it is going it is gone. Yet when I think of a hot Scotch on a winter evening, or a Tom Collins on a summer morning, or a gin Rickey beside a tennis-court, or a stein of beer on a bench beside a bowling-green—I wish somehow that we could prohibit the use of alcohol and merely drink beer and whisky and gin as we used to. But these things, it appears, interfere with work. They have got to go.

But turn to the broader and simpler question of work itself. In my time one hated it. It was viewed as the natural enemy of man. Now the world has fallen in love with it. My friends, I find, take their deep breathing and their porch sleeping because it makes them work better. They go for a week's vacation in Virginia not for its own sake, but because they say they can work better when they get back. I know a man who wears very loose boots because he can work better in them: and another who wears only soft shirts because he can work better in a soft shirt. There are plenty of men now who would wear dog-harness if they thought they could work more in it. I know another man who walks away out into the country every Sunday: not that he likes the country—he wouldn't recognize a bumble bee if he saw it—but he claims that if he walks on Sunday his head is as clear as a bell for work on Monday.

Against work itself, I say nothing. But I sometimes wonder if I stand alone in this thing. Am I the only person left who hates it?

Nor is work all. Take food. I admit, here and now, that the lunch I like best—I mean for an ordinary plain lunch, not a party—is a beef steak about one foot square and two inches thick. Can I work on it? No, I can't, but I can work in spite of it. That is as much as one used to ask, twenty-five years ago.

Yet now I find that all my friends boast ostentatiously about the meagre lunch they eat. One tells me that he finds a glass of milk and a prune is quite as much as he cares to take. Another says that a dry biscuit and a glass of water is all that his brain will stand. One lunches on the white of an egg. Another eats merely the yolk. I have only two friends left who can eat a whole egg at a time.

I understand that the fear of these men is that if they eat more than an egg or a biscuit they will feel heavy after lunch. Why they object to feeling heavy, I do not know. Personally, I enjoy it. I like nothing better than to sit round after a heavy lunch with half a dozen heavy friends, smoking heavy cigars. I am well aware that that is wicked. I merely confess the fact. I do not palliate it.

Nor is food all, nor drink, nor work, nor open air. There has spread abroad along with the so-called physical efficiency a perfect passion for information. Somehow if a man's stomach is empty and his head clear as a bell, and if he won't drink and won't smoke, he reaches out for information. He wants facts. He reads the newspapers all though, instead of only reading the headings. He clamours for articles filled with statistics about illiteracy and alien immigration and the number of battleships in the Japanese navy.

I know quite a lot of men who have actually bought the new Encyclopaedia Britannica. What is more, they read the thing. They sit in their apartments at night with a glass of water at their elbow reading the encyclopaedia. They say that it is literally filled with facts. Other men spend their time reading the Statistical Abstract of the United States (they say the figures in it are great) and the Acts of Congress, and the list of Presidents since Washington (or was it Washington?).

Spending their evenings thus, and topping it off with a cold baked apple, and sleeping out in the snow, they go to work in the morning, so they tell me, with a positive sense of exhilaration. I have no doubt that they do. But, for me, I confess that once and for all I am out of it. I am left behind.

Add to it all such rising dangers as total prohibition, and the female franchise, the daylight saving, and eugenic marriage, together with proportional representation, the initiative and the referendum, and the duty of the citizen to take an intelligent interest in politics—and I admit that I shall not be sorry to go away from here.

But before I do go, I have one hope. I understand that down in Hayti things are very different. Bull fights, cock fights, dog fights, are openly permitted. Business never begins till eleven in the morning. Everybody sleeps after lunch, and the bars remain open all night. Marriage is but a casual relation. In fact, the general condition of morality, so they tell me, is lower in Hayti than it has been anywhere since the time of Nero. Me for Hayti.



XIII. The Old, Old Story of How Five Men Went Fishing

This is a plain account of a fishing party. It is not a story. There is no plot. Nothing happens in it and nobody is hurt. The only point of this narrative is its peculiar truth. It not only tells what happened to us—the five people concerned in it—but what has happened and is happening to all the other fishing parties that at the season of the year, from Halifax to Idaho, go gliding out on the unruffled surface of our Canadian and American lakes in the still cool of early summer morning.

We decided to go in the early morning because there is a popular belief that the early morning is the right time for bass fishing. The bass is said to bite in the early morning. Perhaps it does. In fact the thing is almost capable of scientific proof. The bass does not bite between eight and twelve. It does not bite between twelve and six in the afternoon. Nor does it bite between six o'clock and midnight. All these things are known facts. The inference is that the bass bites furiously at about daybreak.

At any rate our party were unanimous about starting early. "Better make an early start," said the Colonel, when the idea of the party was suggested. "Oh, yes," said George Popley, the bank manager, "we want to get right out on the shoal while the fish are biting."

When he said this all our eyes glistened. Everybody's do. There's a thrill in the words. To "get right out on the shoal at daybreak when the fish are biting," is an idea that goes to any man's brain.

If you listen to the men talking in a Pullman car, or an hotel corridor, or, better still, at the little tables in a first-class bar, you will not listen long before you hear one say: "Well, we got out early, just after sunrise, right on the shoal." And presently, even if you can't hear him, you will see him reach out his two hands and hold them about two feet apart for the other man to admire. He is measuring the fish. No, not the fish they caught; this was the big one that they lost. But they had him right up to the top of the water. Oh, yes, he was up to the top of the water all right. The number of huge fish that have been heaved up to the top of the water in our lakes is almost incredible. Or at least it used to be when we still had bar rooms and little tables for serving that vile stuff Scotch whisky and such foul things as gin Rickeys and John Collinses. It makes one sick to think of it, doesn't it? But there was good fishing in the bars, all the winter.