"How's this for the first drops of the deluge, eh, Tave?"

Octavius made no reply. He waited, as usual, for the evening's mail. The carrier handed him a telegram from New York for Mrs. Champney. It had just come up on the train from Hallsport. He wondered what connection its coming might have with the unexpected arrival of this orphan child?

II

On his way home Octavius Buzzby found himself wondering, as he had wondered many times before on occasion, how he could checkmate this latest and most unexpected move on the part of the mistress of Champ-au-Haut. His mind was perturbed and he realized, while making an effort to concentrate his attention on ways and means, that he had been giving much of his mental strength during the last twenty years to the search for ulterior motives on the part of Mrs. Louis Champney, a woman of sixty now, a Googe by birth (the Googes, through some genealogical necromancy, traced their descent from Sir Ferdinando Gorges. The name alone, not the blood, had, according to family tradition, suffered corruption with time), and the widow of Louis Champney, the late Judge Champney's only son.

The Champneys had a double strain of French blood in their veins, Breton and Flemish; the latter furnished the collateral branch of the Van Ostends. This intermixture, flowing in the veins of men and women who were Americans by the birthright of more than two centuries' enjoyment of our country's institutions, had produced for several generations as fine a strain of brains and breeding as America can show.

Louis Champney, the last of the line in direct descent, was looked upon from his boyhood up as the culmination of these centuries' flowering. When, at forty, he died without having fulfilled in any wise the great expectations of his townspeople and relations, the interest of the community, as well as of the family, centred in the prospects of Louis Champney Googe, his namesake, and nephew on his wife's side. Here, again, numerous family interests as well as communal speculations were disappointed. The Champney estate was left entire to the widow, Almeda Googe Champney, to dispose of as she might deem fit. Her powers of administratrix were untrammelled save in one respect: Octavius Buzzby was to remain in his position as factotum on the Champney estate and adviser for its interests.

It was at this juncture, when Louis Champney died without remembering his nephew-in-law by so much as a book from his library and the boy was ten years old, that a crisis was discovered to be imminent in the fortunes of the Googe-Champney families, the many ramifications of which were intricately interwoven in the communal life of Flamsted. This crisis had not been averted; for Aurora Googe, the sister-in-law of Mrs. Champney and mother of young Champney, sold a part of her land in The Gore for the first granite quarry, and in so doing changed for all time the character and fortunes of the town of Flamsted.

For many years Octavius Buzzby had championed openly and in secret the cause of Aurora Googe and her only son. To-night, while walking slowly homewards, he was pondering what attitude of mind he must assume, before he could deal adequately with the momentous event which had been foreshadowed from the moment he learned from the priest's lips that Mr. Van Ostend was implicated in the coming of this orphan child. He recalled that little Alice Van Ostend prattled much about this same child during the week she had spent recently with her father at Champ-au-Haut.

Was the mistress of Champ-au-Haut going to adopt her?

Almeda Champney had never wanted the blessing of a child, and, contrary to her young husband's wishes—he was her junior by twelve years—she had had her way. Her nature was so absorbingly tenacious of whatever held her narrow interests, that a child at Champ-au-Haut would have broken, in a measure, her domination of her weaker-willed husband, because it would have centred in itself his love and ambition to "keep up the name." That now, eleven years after Louis Champney's death, she should contemplate the introduction into her perfectly ordered household of a child, an alien, was a revelation of appalling moment to Octavius. He scouted the idea that she would enter the house as an assistant. None was needed; and, moreover, those small hands could accomplish little in the next ten years. She meant to adopt her then! An alien was to inherit the Champney property! Octavius actually shivered at the thought.

Was it, could it be an act of spite against Aurora Googe? Was it a final answer to any expectations of her nephew, Champney Googe, her husband's namesake and favorite? Was this little alien waif to be made a catspaw for her revenge? She was capable of such a thing, was Almeda Champney. He knew her; none better! Had not her will, thus far in her life, bent everything with which it had come in contact; crushed whatever had opposed it; broken irrevocably whosoever for a while had successfully resisted it?

His thin lips drew to a straight line. All his manhood's strength of desire for fair play, a desire he had been fated to see unfulfilled during the last twenty years, rose in rebellion to champion the cause of the little newcomer who smiled on him so brightly in the office of The Greenbush. Nor did he falter in his resolution when he presented himself at the library door with the telegram in his hand.

"Come in, Octavius; was there any mail?"

"Only a telegram from New York." He handed it to her.

She opened and read it; then laid it on the table. She removed her eyeglasses, for she had grown far-sighted with advancing years, in order to look at the back of the small man who was leaving the room. If he had seen the smile that accompanied the action, he might well have faltered in his resolution to champion any righteous cause on earth.

"Wait a moment, Octavius."

"Now it's coming!" he thought and faced her again; he was bracing himself mentally to meet the announcement.

"Did you see the junk man at The Corners to-day about those shingle nails?"

In the second of hesitation before replying, he had time inwardly to curse her. She was always letting him down in this way. It was a trick of hers when, to use his own expression, she had "something up her sleeve."

"Yes; but he won't take them off our hands."

"Why not?" She spoke sharply as was her way when she suspected any thwarting of her will or desire.

"He says he won't give you your price for they ain't worth it. They ain't particular good for old iron anyway; most on 'em's rusty and crooked. You know they've been on the old coach house for good thirty years, and the Judge used to say—"

"What will he give?"

"A quarter of a cent a pound."

"How many pounds are there?"

"Fifty-two."

"Fifty-two—hm-m; he sha'n't have them. They're worth a half a cent a pound if they're worth anything. You can store them in the workshop till somebody comes along that does want them, and will pay." He turned again to leave her.

"Just a moment, Octavius." Once more he came back over the threshold.

"Were there any arrivals at The Greenbush to-night?"

"I judged so from the register."

"Did you happen to see a girl there?"

"I saw a child, a little girl, smallish and thin; a priest was with her."

"A priest?" Mrs. Champney looked nonplussed for a moment and put on her glasses to cover her surprise. "Did you learn her name, the girl's?"

"It was in the register, Aileen Armagh, from an orphan asylum in New York."

"Then she's the one," she said in a musing tone but without the least expression of interest. She removed her glasses. Octavius took a step backwards. "A moment more, Octavius. I may as well speak of it now; I am only anticipating by a week or two, at the most, what, in any case, I should have told you. While Mr. Van Ostend was here, he enlisted my sympathy in this girl to such an extent that I decided to keep her for a few months on trial before making any permanent arrangement in regard to her. I want to judge of her capability to assist Ann and Hannah in the housework; Hannah is getting on in years. What do you think of her? How did she impress you? Now that I have decided to give her a trial, you may speak freely. You know I am guided many times by your judgment in such matters."

Octavius Buzzby could have ground his teeth in impotent rage at this speech which, to his accustomed ears, rang false from beginning to end, yet was cloaked in terms intended to convey a compliment to himself. But, instead, he smiled the equivocal smile with which many a speech of like tenor had been greeted, and replied with marked earnestness:

"I wouldn't advise you, Mrs. Champney, to count on much assistance from a slip of a thing like that. She's small, and don't look more 'n nine, and—"

"She's over twelve," Mrs. Champney spoke decidedly; "and a girl of twelve ought to be able to help Ann and Hannah in some of their work."

"Well, I ain't no judge of children as there's never been any of late years at Champo." He knew his speech was barbed. Mrs. Champney carefully adjusted her glasses to the thin bridge of her straight white nose. "And if there had been, I shouldn't want to say what they could do or what they couldn't at that age. Take Romanzo, now, he's old enough to work if you watch him; and now he's here I don't deny but what you had the rights of it 'bout my needing an assistant. He takes hold handy if you show him how, and is willing and steady. But two on 'em—I don't know;" he shook his head dubiously; "a growing boy and girl to feed and train and clothe—seems as if—" Octavius paused in the middle of his sentence. He knew his ground, or thought he knew it.

"You said yourself she was small and thin, and I can give her work enough to offset her board. Of course, she will have to go to school, but the tuition is free; and if I pay school taxes, that are increasing every year, I might as well have the benefit of them, if I can, in my own household."

There seemed no refutation needed to meet such an argument, and Octavius retreated another step towards the door.

"A moment more, Octavius," she said blandly, for she knew he was longing to rid her of his presence; "Mr. Emlie has been here this evening and drawn up the deeds conveying my north shore property to the New York syndicate. Mr. Van Ostend has conducted all the negotiations at that end, and I have agreed to the erection of the granite sheds on those particular sites and to the extension of a railroad for the quarries around the head of the lake to The Corners. The syndicate are to control all the quarry interests, and Mr. Van Ostend says in a few years they will assume vast proportions, entailing an outlay of at least three millions. They say there is to be a large electric plant at The Corners, for the mill company have sold them the entire water power at the falls.—I hope Aurora is satisfied with what she has accomplished in so short a time. Champney, I suppose, comes home next month?"

Octavius merely nodded, and withdrew in haste lest his indignation get the upper hand of his discretion. It behooved him to be discreet at this juncture; he must not injure Aurora Googe's cause, which he deemed as righteous a one as ever the sun shone upon, by any injudicious word that might avow his partisanship.

Mrs. Champney smiled again when she saw his precipitous retreat. She had freighted every word with ill will, and knew how to raise his silent resentment to the boiling point. She rose and stepped quickly into the hall.

"Tavy," she called after him as he was closing the door into the back passage. He turned to look at her; she stood in the full light of the hall-lamp. "Just a moment before you go. Did you happen to hear who the priest is who came with the girl?"

"His name was in the ledger. The Colonel said he was a father—Father Honore, I can't pronounce it, from New York."

"Is he stopping at The Greenbush?"

"He's put up there for to-night anyway."

"I think I must see this priest; perhaps he can give me more detailed information about the girl. That's all."

She went back into the library, closing the door after her. Octavius shut his; then, standing there in the dimly lighted passageway, he relieved himself by doubling both fists and shaking them vigorously at the panels of that same door, the while he simulated, first with one foot then with the other, a lively kick against the baseboard, muttering between his set teeth:

"The devil if it's all, you devilly, divelly, screwy old—"

The door opened suddenly. Simultaneously with its opening Octavius had sufficient presence of mind to blow out the light. He drew his breath short and fumbled in his pocket for matches.

"Why, Tavy, you here!" (How well she knew that the familiar name "Tavy" was the last turn of the thumbscrew for this factotum of the Champneys! She never applied it unless she knew he was thoroughly worsted in the game between them.) "I was coming to find you; I forgot to say that you may go down to-morrow at nine and bring her up. I want to look her over."

She closed the door. Octavius, without stopping to relight the lamp, hurried up to his room in the ell, fearful lest he be recalled a fifth time—a test of his powers of mental endurance to which he dared not submit in his present perturbed state.

Mrs. Champney walked swiftly down the broad main hall, that ran through the house, to the door opening on the north terrace whence there was an unobstructed view up the three miles' length of Lake Mesantic to the Flamsted Hills; and just there, through a deep depression in their midst, the Rothel, a rushing brook, makes its way to the calm waters at their gates. At this point, where the hills separate like the opening sepals of a gigantic calyx, the rugged might of Katahdin heaves head and shoulder into the blue.

The irregular margin of the lake is fringed with pines of magnificent growth. Here and there the shores rise into cliffs, seamed at the top and inset on the face with slim white lady birches, or jut far into the waters as rocky promontories sparsely wooded with fir and balsam spruce.

Mrs. Champney stepped out upon the terrace. Her accustomed eyes looked upon this incomparable, native scene that was set in the full beauty of mid-summer's moonlight. She advanced to the broad stone steps, that descend to the level of the lake, and, folding her arms, her hands resting lightly upon them, stood immovable, looking northwards to the Flamsted Hills—looking, but not seeing; for her thoughts were leaping upwards to The Gore and its undeveloped resources; to Aurora Googe and the part she was playing in this transitional period of Flamsted's life; to the future years of industrial development and, in consequence, her own increasing revenues from the quarries. She had stipulated that evening that a clause, which would secure to her the rights of a first stockholder, should be inserted in the articles of conveyance.

The income of eight thousand from the estate, as willed to her, had increased under her management, aided by her ability to drive a sharp bargain and the penuriousness which, according to Octavius, was capable of "making a cent squeal", to twelve thousand. The sale of her north shore lands would increase it another five thousand. Within a few years, according to Mr. Van Ostend—and she trusted him—her dividends from her stock would net her several thousands more. She was calculating, as she stood there gazing northwards, unseeing, into the serene night and the hill-peace that lay within it, how she could invest this increment for the coming years, and casting about in her mathematically inclined mind for means to make the most of it in interest per cent. She felt sure the future would show satisfactory results.—And after?

That did not appeal to her.

She unfolded her arms, and gathering her skirt in both hands went down the steps and took her stand on the lowest. She was still looking northwards. Her skirt slipped from her left hand which she raised half mechanically to let a single magnificent jewel, that guarded the plain circlet of gold on her fourth finger, flash in the moonlight. She held it raised so for a moment, watching the play of light from the facets. Suddenly she clinched her delicate fist spasmodically; shook it forcibly upwards towards the supreme strength of those silent hills, which, in comparison with the human three score and ten, may well be termed "everlasting", and, muttering fiercely under her breath, "You shall never have a penny of it!", turned, went swiftly up the steps, and entered the house.

III

Had the mistress of Champ-au-Haut stood on the terrace a few minutes longer, she might have seen with those far-sighted eyes of hers a dark form passing quickly along the strip of highroad that showed white between the last houses at The Bow. It was Father Honore. He walked rapidly along the highway that, skirting the base of the mountain, follows the large curve of the lake shore. Rapid as was the pace, the quickened eyes were seeing all about, around, above. In passing beneath a stretch of towering pines, he caught between their still indefinite foliage the gleam of the lake waters. He stopped short for a full minute to pommel his resonant chest; to breathe deep, deep breaths of the night balm. Then he proceeded on his way.

That way led northwards along the lake shore; it skirted the talus that had fallen from the cliff which rose three hundred feet above him. He heard the sound of a rolling stone gathering in velocity among the rubble. He halted in order to listen; to trace, if possible, its course. The dull monotone of its rumbling rattle started a train of thought: perhaps his foot, treading the highway lightly, had caused the sensitive earth to tremble just sufficiently to jar the delicately poised stone and send it from its resting place! He went on. Thoughts not to be uttered crowded to the forefront of consciousness as he neared the cleft in the Flamsted Hills, whence the Rothel makes known to every wayfarer that it has come direct from the heart of The Gore, and brought with it the secrets of its granite veins.

The road grew steeper; the man's pace did not slacken, but the straight back was bent at an angle which showed the priest had been accustomed to mountain climbing. In the leafy half-light, which is neither dawn nor twilight, but that reverential effulgence which is made by moonlight sifting finely through midsummer foliage, the Rothel murmured over its rocky bed; once, when in a deep pool its babble wholly ceased, an owl broke the silence with his "witti-hoo-hoo-hoo".

Still upwards he kept his way and his pace until he emerged into the full moonlight of the heights. There he halted and looked about him. He was near the apex of The Gore. To the north, above the foreground of the sea of hilltops, loomed Katahdin. At his right, a pond, some five acres in extent, lay at the base of cliff-like rocks topped with a few primeval pines. Everywhere there were barren sheep pastures alternating with acres of stunted fir and hemlock, and in sheltered nooks, adjacent to these coverts, he could discern something which he judged to be stone sheepfolds. Just below him, on the opposite side of the road and the Rothel, which was crossed by a broad bridging of log and plank, stood a long low stone house, to the north of which a double row of firs had been planted for a windbreak. Behind him, on a rise of ground a few rods from the highway, was a large double house of brick with deep granite foundations and white granite window caps. Two shafts of the same stone supported the ample white-painted entrance porch. Ancestral elms over-leafed the roof on the southern side. One light shone from an upper window. Beyond the elms, a rough road led still upwards to the heights behind the house.

The priest retraced his steps; turned into this road, for which the landlord of The Greenbush had given him minute instructions, and followed its rough way for an eighth of a mile; then a sudden turn around a shoulder of the hill—and the beginning of the famous Flamsted granite quarries lay before him, gleaming, sparkling in the moonlight—a snow-white, glistening patch on the barren hilltop. Near it were a few huts of turf and stone for the accommodation of the quarrymen. This was all. But it was the scene, self-chosen, of this priest's future labors; and while he looked upon it, thoughts unutterable crowded fast, too fast for the brain already stimulated by the time and environment. He turned about; retraced his steps at the same rapid pace; passed again up the highroad to the head of The Gore, then around it, across a barren pasture, and climbed the cliff-like rock that was crowned by the ancient pines. He stood there erect, his head thrown back, his forehead to the radiant heavens, his eyes fixed on the pale twinklings of the seven stars in the northernmost constellation of the Bear—rapt, caught away in spirit by the intensity of feeling engendered by the hour, the place. Then he knelt, bowing his head on a lichened rock, and unto his Maker, and the Maker of that humanity he had elected to serve, he consecrated himself anew.

Ten minutes afterwards, he was coming down The Gore on his way back to The Greenbush. He heard the agitated ringing of a bell-wether; then the soft huddling rush of a flock of sheep somewhere in the distance. A sheep dog barked sharply; a hound bayed in answer till the hills north of The Gore gave back a multiple echo; but the Rothel kept its secrets, and with inarticulate murmuring made haste to deposit them in the quiet lake waters.

IV

"But, mother—"

There was an intonation in the protest that hinted at some irritation. Champney Googe emptied his pipe on the grass and knocked it clean against the porch rail before he continued.

"Won't it make a lot of talk? Of course, I can see your side of it; it's hospitable and neighborly and all that, to give the priest his meals for a while, but,—" he hesitated, and his mother answered his thought.

"A little talk more or less after all there has been about the quarry won't do any harm, and I'm used to it." She spoke with some bitterness.

"It has stirred up a hornet's nest about your ears, that's a fact. How does Aunt Meda take this latest move? Meat-axey as usual? I didn't see her when I went there yesterday; she's in Hallsport for two days on business, so Tave says."

His mother smiled. "I haven't seen her since the sale was concluded, but I hear she has strengthened the opposition in consequence. I get my information from Mrs. Caukins."

At the mention of that name Champney laughed out. "Good authority, mother. I must run over and see her to-night. Well, we don't care, do we? I mean about the feeling. Mother, I just wish you were a man for one minute."

"Why?"

"Because I'd like to go up to you, man fashion, grip your hand, slap you on the back, and shout 'By Jove, old man, you've made a deal that would turn the sunny side of Wall Street green with envy!' How did you do it, mother? And without a lawyer! I'll bet Emlie is mad because he didn't get a chance to put his finger in your pie."

"I was thinking of you, of your future, and how you have been used by Almeda Champney; and that gave me the confidence, almost the push of a man—and I dealt with them as a man with men; but I felt unsexed in doing it. I've wondered what they think of me."

"Think of you! I can tell you what one man thinks of you, and that's Mr. Van Ostend. I had a note from him at the time of the sale asking me to come to his office, an affidavit was necessary, and I found he had had eyes in his head for the most beautiful woman in the world—"

"Champney!"

"Fact; and, what's more, I got an invitation to his house on the strength of his recognition of that fact. I dined with him there; his sister is a stunning girl."

"I'm glad such homes are open to you; it is your right and—it compensates."

"For what, mother?"

"Oh, a good many things. How do they live?"

"The Van Ostends?"

"Yes."

Champney Googe hugged his knees and rocked back and forth on the step before he answered. His merry face seemed to lengthen in feature, to harden in line. His mother left her chair and sewing to sit down on the step beside him. She looked up inquiringly.

"Just as I mean to live sometime, mother,"—his fresh young voice rang determined and almost hard; his mother's eyes kindled;—"in a way that expresses Life—as you and I understand it, and don't live it, mother; as you and I have conceived of it while up here among these sheep pastures." He glanced inimically for a moment at the barren slopes above them. "I have you to thank for making me comprehend the difference." He continued the rocking movement for a while, his hands still clasping his knees. Then he went on:

"As for his home on the Avenue, there isn't its like in the city, and as a storehouse of the best in art it hasn't its equal in the country; it's just perfect from picture gallery to billiard room. As for adjuncts, there's a shooting box and a bona fide castle in the Scottish Highlands, a cottage at Bar Harbor with the accessory of a steam yacht, and a racing stud on a Long Island farm. As a financier he's great!"

He sat up straight, and freely used his fists, first on one knee then on the other, to emphasize his words; "His right hand is on one great lever of interstate traffic, his left on the other of foreign trade, and two continents obey his manipulations. His eye exacts trained efficiency from thousands; his word is a world event; Wall Street is his automaton. Oh, the power of it all! I can't wait to get out into the stream, mother! I'm only hugging the shore at present; that's what has made me kick against this last year in college; it has been lost time, for I want to get rich quick."

His mother laid her hand on his knee. "No, Champney, it's not lost time; it's one of your assets as a gentleman."

He looked up at her, his blue eyes smiling into her dark ones.

"I can be a gentleman all right without that asset; you said father didn't go."

"No, but the man for whom you are named went, and he told me once a college education was a 'gentleman's asset.' That expression was his."

"Well, I don't see that the asset did him much good. It didn't seem to discount his liabilities in other ways. Queer, how Uncle Louis went to seed—I mean, didn't amount to anything along any business or professional line. Only last spring I met the father of a second-year man who remembers Uncle Louis well, said he was a classmate of his. He told me he was banner man every time and no end popular; the others didn't have a show with him."

His mother was silent. Champney, apparently unheeding her unresponsiveness, rose quickly, shook himself together, and suddenly burst into a mighty laughter that is best comparable to the inextinguishable species of the blessed gods. He laughed in arpeggios, peal on peal, crescendo and diminuendo, until, finally, he flung himself down on the short turf and in his merriment rolled over and over. He brought himself right side up at last, tears in his eyes and a sigh of satisfying exhaustion on his lips. To his mother's laughing query:

"What is it now, Champney?" He shook his head as if words failed him; then he said huskily:

"It's Aunt Meda's protegee. Oh, Great Scott! She'll be the death by shock of some of the Champo people if she stays another three months. I hear Aunt Meda has had her Waterloo. Tavy buttonholed me out in the carriage house yesterday, and told me the whole thing—oh, but it's rich!" He chuckled again. "He got me to feel his vest; says he can lap it three inches already and she has only been here two weeks; and as for Romanzo, he's neither to have nor to hold when the girl's in sight—wits topsy-turvy, actually, oh, Lord!"—he rolled over again on the grass—"what do you think, mother! She got Roman to scour down Jim—you know, the white cart-horse, the Percheron—with Hannah's cleaning powder, and the girl helped him, and together they got one side done and then waited for it to dry to see how it worked. Result: Tave dead ashamed to drive him in the cart for fear some one will see the yellow-white calico-circus horse, that the two rapscallions have left on his hands, and doesn't want Aunt Meda to know it for fear she'll turn down Roman. He says he's going to put Jim out to grass in the Colonel's back sheep pasture, and when Aunt Meda comes home lie about sudden spavin or something. And the joke of it is Roman takes it all as a part of the play, and has owned up to Tave that, by mistake, he blacked Aunt Meda's walking boots, before she went to Hallsport, with axle grease, while the girl was 'telling novels' to him! Tave said Roman told him she knew a lot of the nobility, marchionesses and 'sich'; and now Roman struts around cocksure, high and mighty as if he'd just been made K.C.B., and there's no getting any steady work out of him. You should have seen Tave's face when he was telling me!"

His mother laughed. "I can imagine it; he's worried over this new move of Almeda's. I confess it puzzles me."

"Well, I'm off to see some of the fun—and the girl. Tave said he didn't expect Aunt Meda before to-morrow night, and it's a good time for me to rubber round the old place a little on my own hook;—and, mother,"—he stooped to her; Aurora Googe raised her still beautiful eyes to the frank if somewhat hard blue ones that looked down into hers; a fine color mounted into her cheeks,—"take the priest for his meals, for all me. It's an invasion, but, of course, I recognize that we're responsible for it on account of the quarry business. I suppose we shall have to make some concessions to all classes till we get away from here for good and all—then we'll have our fling, won't we, mother?"

He was off without waiting for a reply. Aurora Googe watched him out of sight, then turned to her work, the flush still upon her cheeks.

V

Champney leaned on the gate of the paddock at Champ-au-Haut and looked about him. The estate at The Bow had been familiar to him throughout his childhood and boyhood. He had been over every foot of it, and at all seasons, with his Uncle Louis. He was realizing that it had never seemed more beautiful to him than now, seen in the warm light of a July sunset. In the garden pleasance, that sloped to the lake, the roses and lilies planted there a generation ago still bloomed and flourished, and in the elm-shaded paddock, on the gate of which he was leaning, filly and foal could trace their pedigree to the sixth and seventh generation of deep-chested, clean-flanked ancestors.

The young man comprehended in part only, the reason of his mother's extreme bitterness towards Almeda Champney. His uncle had loved him; had kept him with him much of the time, encouraging him in his boyish aims and ambitions which his mother fostered—and Louis Champney was childless, the last in direct descent of a long line of fine ancestors—.

Here his thought was checked; those ancestors were his, only in a generation far removed; the Champney blood was in his mother's veins. But his father was Almeda Champney's only brother—why then, should not his mother count on the estate being his in the end? He knew this to have been her hope, although she had never expressed it. He had gained an indefinite knowledge of it through old Joel Quimber and Elmer Wiggins and Mrs. Milton Caukins, a distant relative of his father's. To be sure, Louis Champney might have left him his hunting-piece, which as a boy he had coveted, just for the sake of his name—

He stopped short in his speculations for he heard voices in the lane. The cows were entering it and coming up to the milking shed. The lane led up from the low-lying lake meadows, knee deep with timothy and clover, and was fenced on both sides from the apple orchards which arched and overshadowed its entire length. The sturdy over-reaching boughs hung heavy with myriads of green balls. Now and then one dropped noiselessly on the thick turf in the lane, and a noble Holstein mother, ebony banded with ivory white, her swollen cream-colored bag and dark-blotched teats flushed through and through by the delicate rose of a perfectly healthy skin, lowered her meek head and, snuffing largely, caught sideways as she passed at the enticing green round.

At the end of this lane there swung into view a tall loose-jointed figure which the low strong July sunshine threw into bold relief. It was Romanzo Caukins, one of the Colonel's numerous family, a boy of sixteen who had been bound out recently to the mistress of Champ-au-Haut upon agreement of bed, board, clothes, three terms of "schooling" yearly, and the addition of thirty dollars to be paid annually to the Colonel.

The payment of this amount, by express stipulation, was to be made at the end of each year until Romanzo should come into his majority. By this arrangement, Mrs. Champney assured to herself the interest on the aforesaid thirty dollars, and congratulated herself on the fact that such increment might be credited to Milton Caukins as a minus quantity.

Champney leaped the bars and went down the lane to meet him.

"Hello, Roman, how are you?"

The boy's honest blue eyes, that seemed always to be looking forward in a chronic state of expectancy for the unexpected, beamed with goodness and goodwill. He wiped his hands on his overalls and clasped Champney's.

"Hullo, Champ, when'd you come?"

"Only yesterday. I didn't see you about when I was here in the afternoon. How do you like your job?"

The youth made an uncouth but expressive sign towards the milk shed. "Sh—Tave'll hear you. He and I ain't been just on good terms lately; but 'tain't my fault," he added doggedly.

At that moment a clear childish voice called from somewhere below the lane:

"Romanzo—Romanzo!"

The boy started guiltily. "I've got to go, Champ; she wants me."

Champney seized him with a strong hand by the suspenders. "Here, hold on! Who, you gump?"

"The girl—le' me go." But Champney gripped him fast.

"No, you don't, Roman; let her yell."

"Ro—man—zo-o-o-o!" The range of this peremptory call was two octaves at least.

"By gum—she's up to something, and Tave won't stand any more fooling—le' me go!" He writhed in the strong grasp.

"I won't either. I haven't been half-back on our team for nothing; so stand still." And Romanzo stood still, perforce.

Another minute and Aileen came running up the lane. She was wearing the same heavy shoes, the same dark blue cotton dress, half covered now with a gingham apron—Mrs. Champney had not deemed it expedient to furnish a wardrobe until the probation period should have decided her for or against keeping the child. She was bareheaded, her face flushed with the heat and her violent exercise. She stopped short at a little distance from them so soon as she saw that Romanzo was not alone. She tossed back her braid and stamped her foot to emphasize her words:

"Why didn't yer come, Romanzo Caukins, when I cried ter yer!"

"'Coz I couldn't; he wouldn't let me." He spoke anxiously, making signs towards the shed. But Aileen ignored them; ignored, also, the fact that any one was present besides her slave.

Champney answered for himself. He promptly bared his head and advanced to shake hands; but Aileen jerked hers behind her.

"I'm Mr. Champney Googe, at your service. Who are you?"

The little girl was sizing him up before she accepted the advance; Champney could tell by the "East-side" look with which she favored him.

"I'm Miss Aileen Armagh, and don't yer forget it!—at your service." She mimicked him so perfectly that Champney chuckled and Romanzo doubled up in silent glee.

"I sha'n't be apt to, thank you. Come, let's shake hands, Miss Aileen Armagh-and-don't-yer-forget-it, for we've got to be friends if you're to stay here with my aunt." He held out both hands. But the little girl kept her own obstinately behind her and backed away from him.

"I can't."

"Why not?"

"'Coz they're all stuck up with spruce gum and Octavius said nothing would take it off but grease, and—" she turned suddenly upon Romanzo, blazing out upon him in her wrath—"I hollered ter yer so's yer could get some for me from Hannah, and you was just dirt mean not to answer me."

"Champ wouldn't let me go," said Romanzo sulkily; "besides, I dassn't ask Hannah, not since I used the harness cloth she gave to clean down Jim."

"Yer 'dassn't!' Fore I'd be a boy and say 'I dassn't!'" There was inexpressible scorn in her voice. She turned to Champney, her eyes brimming with mischief and flashing a challenge:

"And yer dassn't shake hands with me 'coz mine are all stuck up, so now!"

Champney had not anticipated this pronunciamento, but he accepted the challenge on the instant. "Dare not! You can't say that to me! Here, give me your hands." Again he held out his shapely well-kept members, and Aileen with a merry laugh brought her grimy sticky little paws into view and, without a word, laid them in Champney's palms. He held them close, purposely, that they might adhere and provide him with some fun; then, breaking into his gay laugh he said:

"Clear out, Roman; Tave 'll be looking for the milk pails. As for you, Miss Aileen Armagh-and-don't-yer-forget-it, you can't pull away from me now. So, come on, and we'll get Hannah to give us some lard and then we'll go down to the boat house where it is cool and cleanup. Come on!"

Holding her by both hands he raced her down the long lane, through the vegetable garden, all chassez, down the middle, swing your partner—Aileen wild with the fun—up the slate-laid kitchen walk to the kitchen door. His own laughter and the child's, happy, merry, care-free, rang out peal on peal till Ann and Hannah and Octavius paused in their work to listen, and wished that such music might have been heard often during their long years of faithful service in childless Champ-au-Haut.

"I hear you are acquainted with some of the nobility, marchionesses and so forth," said Champney; the two were sitting in the shadow of the boat house cleaning their fingers with the lard Hannah had provided. "Where did you make their acquaintance?"

Aileen paused in the act of sliding her greasy hands rapidly over and over in each other, an occupation which afforded her unmixed delight, to look up at him in amazement. "How did yer know anything 'bout her?"

"Oh, I heard."

"Did Romanzo Caukins tell yer?" she demanded, as usual on the defensive.

"No, oh no; it was only hearsay. Do tell me about her. We don't have any round here."

Aileen giggled and resumed the rapid rotary motion of her still unwashed hands. "If I tell yer 'bout her, yer'll tell her I told yer. P'raps sometime, if yer ever go to New York, yer might see her; and she wouldn't like it."

"How do you know but what I have seen her? I've just come from there."

Aileen looked her surprise again. "That's queer, for I've just landed from New York meself."

"So I understood; does the marchioness live there too?"

She shook her head. "I ain't going to tell yer; but I'll tell yer 'bout some others I know."

"That live in New York?"

"Wot yer giving me?" She laughed merrily; "they live where the Dagos live, in Italy, yer know, and—"

"Italy? What are they doing over there?"

"—And—just yer wait till I'll tell yer—they live on an island in a be-ee-u-tiful lake, like this;" she looked approvingly at the liquid mirror that reflected in its rippleless depths the mountain shadow and sunset gold; "and they live in great marble houses, palaces, yer know, and flower gardens, and wear nothing but silks and velvet and pearls, ropes,—yer mind?—ropes of 'em; and the lords and ladies have concerts, yer know, better 'n in the thayertre—"

"What do you know about the theatre?" Champney was genuinely surprised; "I thought you came from an orphan asylum."

"Yer did, did yer!" There was scorn in her voice. "Wot do I know 'bout the thayertre?—Oh, but yer green!" She broke into another merry laugh which, together with the patronage of her words and certain unsavory memories of his own, nettled Champney more than he would have cared to acknowledge.

"Better 'n the thayertre," she repeated emphatically; "and the lords serenade the ladies—Do yer know wot a serenade is?" She interrupted herself to ask the question with a strong doubt in the interrogation.

"I've heard of 'em," said Champney meekly; "but I don't think I've ever seen one."

"I'll tell yer 'bout 'em. The lords have guitars and go out in the moonlight and stand under the ladies' windys and play, and the ladies make believe they haven't heard; then they look up all round at the moon and sigh awful,—" she sighed in sympathy,—"and then the lords begin to sing and tell 'em they love 'em and can't live without a—a token. I'll bet yer don't know wot that is?"

"No, of course I don't; I'm not a lord, and I don't live in Italy."

"Well, I'll tell yer." Her tone was one of relenting indulgence for his ignorance. "Sometimes it's a bow that they make out of the ribbon their dresses is trimmed with, and sometimes it's a flower, a rose, yer know; and the lord sings again—can yer sing?"

Her companion repressed a smile. "I can manage a tune or two at a pinch."

"And the lady comes out on the balcony and leans over—like this, yer know;" she jumped up and leaned over the rail of the float, keeping her hands well in front of her to save her apron; "and she listens and keeps looking, and when he sings he's going to die because he loves her so, she throws the token down to him to let him know he mustn't die 'coz she loves him too; and he catches it, the rose, yer know, and smells it and then he kisses it and squeezes it against his heart—" she forgot her greasy hands in the rapture of this imaginative flight, and pressed them theatrically over her gingham apron beneath which her own little organ was pulsing quick with the excitement of this telling moment; "—and then the moon shines just as bright as silver and—and she marries him."

She drew a deep breath. During the recital she had lost herself in the personating of the favorite characters from her one novel. While she stood there looking out on the lake and the Flamsted Hills with eyes that were still seeing the gardens and marble terraces of Isola Bella, Champney Googe had time to fix that picture on his mental retina and, recalling it in after years, knew that the impression was "more lasting than bronze."

She came rather suddenly to herself when she grew aware of her larded hands pressed against her clean apron.

"Oh, gracious, but I'll catch it!" she exclaimed ruefully. "Wot'll I do now? She said I'd got to keep it clean till she got back, and she'll fire me and—and I want to stay awful; it's just like the story, yer know." She raised her gray eyes appealingly to his, and he saw at once that her childish fear was real. He comforted her.

"I'll tell you what: we'll go back to Hannah and she'll fix it for you; and if it's spoiled I'll go down and get some like it in the village and my mother will make you a new one. So, cheer up, Miss Aileen Armagh and-don't-yer-forget-it! And to-morrow evening, if the moon is out, we'll have a serenade all by ourselves; what do you say to that?"

"D' yer mane it?" she demanded, half breathless in her earnestness.

He nodded.

Aileen clapped her hands and began to dance; then she stopped suddenly to say: "I ain't going to dance for yer now; but I will sometime," she added graciously. "I've got to go now and help Ann. What time are yer coming for the serenade?"

"I'll be here about eight; the moon will be out by then and we must have a moon."

She started away on the run, beckoning to him with her unwashed hands: "Come on, then, till I show yer my windy. It's the little one over the dining-room. There ain't a balcony, but—see there! there's the top of the bay windy and I can lean out—why didn't yer tell me yer could play the guitar?"

"Because I can't."

"A harp, belike?"

"No; guess again."

"Yer no good;—but yer'll come?"

"Shurre; an' more be token it's at eight 'o the clock Oi'll be under yer windy." He gave the accent with such Celtic gusto that the little girl was captivated.

"Ain't you a corker!" she said admiringly and, waving her hand again to him, ran to the house. Champney followed more slowly to lay the case before Ann and Hannah.

On his way homeward he found himself wondering if he had ever seen the child before. As she leaned on the rail and looked out over the lake, a certain grace of attitude, which the coarse clothing failed to conceal, the rapt expression in the eyes, the timbre of her voice, all awakened a dim certainty that he had seen her before at some time and place distinctly unusual; but where? He turned the search-light of concentrated thought upon his comings and goings and doings during the last year and more. Where had he seen just such a child?

He looked up from the roadway, on which his eyes had been fixed while his absent thought was making back tracks over the last twelve months, and saw before him the high pastures of The Gore. In the long afterglow of the July sunset they enamelled the barren heights with a rich, yellowish green. In a flash it came to him: "The green hill far away without a city wall"; the child singing on the vaudeville stage; the hush in the audience. He smiled to himself. He was experiencing that satisfaction which is common to all who have run down the quarry of a long-hunted recollection.

"She's the very one," he said to himself; "I wonder if Aunt Meda knows."

VI

That which proves momentous in our lives is rarely anticipated, seldom calculated. Its factors are for the most part unknown quantities; if not prime in themselves they are, at least, prime to each other. It cannot be measured in terms of time, for often it lies between two infinities. But the momentous decision, event, action, which reacts upon the life of a man or woman and influences that life so long as it is lived here on earth, is on the surface sufficiently finite for us to say: It was on such a day I made my decision; to such and such an event I can look back as the cause of all that has followed. The How thereof remains traceable to our purblind eyes for a month, a term of years, one generation, possibly two; the Where and When can generally be defined; but the Why we ask blindly, and are rarely answered satisfactorily.

Had young Googe been told, while he was walking homewards up The Gore, that his life line, like the antenna of the wireless, was even then the recipient and transmitter of multiple influences that had been, as it were, latent in the storage batteries of a generation; that what he was to be in the future was at this very hour in germ for development, he would have scouted the idea. His young self-sufficiency would have laughed the teller to scorn. He would have maintained as a man his mastership of his fate and fortunes, and whistled as carelessly as he whistled now for the puppy, an Irish terrier which he had brought home with him, for training, to come and meet him.

And the puppy, whose name was Ragamuffin and called Rag for short, came duly, unknowing, like his young master, to meet his fate. He wriggled broad-side down the walk as a puppy will in his first joy till, overpowered by his emotions, he rolled over on his back at Champney's feet, the fringes of his four legs waving madly in air.

"Champney, I'm waiting for you." It was his mother calling from the door. He ran in through the kitchen, and hurried to make himself presentable for the table and their guest whom he saw on the front porch.

As he entered the dining-room, his mother introduced him: "Father Honore, my son, Champney."

The two men shook hands, and Mrs. Googe took her seat. The priest bowed his head momentarily to make the sign of the cross. Champney Googe shot one keen, amazed look in his direction. When that head was lifted Champney "opened fire," so he termed it to himself.

"I think I've seen you before, sir." It was hard for him to give the title "Father." "I got in your way, didn't I, at the theatre one evening over a year ago?"

His mother looked at him in amazement and something of anxiety. Was her son in his prejudice forgetting himself?

"Indeed, I think it was the other way round, I was in your way, for I remember thinking when you ran up against me 'that young fellow has been half-back on a football team.'"

Champney laughed. There was no withstanding this man's voice and the veiled humor of his introductory remarks.

"Did I hit hard? I didn't think for a moment that you would recognize me; but I knew you as soon as mother introduced us. I see by your face, mother, that you need enlightening. It was only that I met Father Honore"—he brought that out with no hesitation—"at the entrance to one of the New York theatres over a year ago, and in the crowd nearly ran him down. No wonder, sir, you sized me up by the pressure as a football fiend. That's rich!" His merry laugh reassured his mother; she turned to Father Honore.

"I don't know whether all my son's acquaintances are made at the theatre or not, but it is a coincidence that the other day he happened to mention the fact that the first time he saw Mr. Van Ostend he saw him there."

"It's my strong impression, Mrs. Googe, that Mr. Googe saw us both at the same place, at the same time. Mr. Van Ostend spoke to me of your son just a few days before I left New York."

"Did he?" Champney's eager blue eyes sought the priest's. "Do you know him well?"

"As we all know him through his place in the world of affairs. Personally I have met him only a few times. You may know, perhaps, that he was instrumental in placing little Aileen Armagh, the orphan child,—you know whom I mean?—at Mrs. Champney's, your aunt, Mrs. Googe tells me."

"I was just going to ask you if you would be willing to tell us something about her," said Mrs. Googe. "I've not seen her, but from all I hear she is a most unusual child, most interesting—"

"Interesting, mother!" Champney interrupted her rather explosively; "she's unique, the only and ever Aileen Armagh." He turned again to Father Honore. "Do tell us about her; I've been so blockheaded I couldn't put two and two together, but I'm beginning to see daylight at last. I made her acquaintance this afternoon. That's why I was a little late, mother."

How we tell, even the best of us, with reserves! Father Honore told of his interest being roused, as well as his suspicions, by the wording of the poster, and of his determination to see for himself to what extent the child was being exploited. But of the thought-lever, the "Little Trout", that raised that interest, he made no mention; nor, indeed, was it necessary.

"You see there is a class of foreigners on the East side that receive commissions for exploiting precocious children on the stage; they are very clever in evading the law. The children themselves are helpless. I had looked up a good many cases before this because it was in my line of work, and in this particular one I found that the child had been orphaned in Ireland almost from her birth; that an aunt, without relatives, had emigrated with her only a few months before I saw her on the stage, and the two had lived in an east side tenement with an old Italian. The child's aunt, a young woman about twenty-eight, developed quick consumption during the winter and died in the care of the Italian, Nonna Lisa they call her. This woman cared for the little girl, and began to take her out with her early in March on the avenues and streets of the upper west side. The old woman is an itinerant musician and plays the guitar with real feeling—I've heard her—and, by the way, makes a decent little living of her own. She found that Aileen had a good voice and could sing several Irish songs. She learned the accompaniments, and the two led, so far as I can discover, a delightful life of vagabondage for several weeks. It seems the old Italian has a grandson, Luigi, who sings in vaudeville with a travelling troop. He was in the west and south during the entire time that Aileen was with his grandmother; and through her letters he learned of the little girl's voice. He spoke of this to his manager, and he communicated with the manager of a Broadway vaudeville—they are both in the vaudeville trust—and asked him to engage her, and retain her for the troop when they should start on their annual autumn tour. But Nonna Lisa was shrewd.—It's wonderful, Mrs. Googe, how quickly they develop the sixth sense of cautious speculation after landing! She made a contract for six weeks only, hoping to raise her price in the autumn. So I found that the child was not being exploited, except legitimately, by the old Italian who was caring for her and guarding her from all contamination. But, of course, that could not go on, and I had the little girl placed in the orphan asylum on ——nd Street—" He interrupted himself to say half apologetically:

"I am prolix, I fear, but I am hoping you will be personally interested in this child whose future life will, I trust, be spent here far away from the metropolitan snares. I am sure she is worth your interest."

"I know she is," said Champney emphatically; "and the more we know of her the better. You'll laugh at my experience when you have heard it; but first let us have the whole of yours."

"You know, of course, where Mr. Van Ostend lives?" Champney nodded. "Did you happen to notice the orphan asylum just opposite on ——nd Street?"

"No; I don't recall any building of that sort."

He smiled. "Probably not; that is not in your line and we men are apt to see only what is in the line of our working vision. It seems that Mr. Van Ostend has a little girl—"

"I know, that's the Alice I told you of, mother; did you see her when she was here last month?"

"No; I only met Mr. Van Ostend on business. You were saying—?" She addressed Father Honore.

"His little daughter told him so much about two orphan children, with whom she had managed to have a kind of across-street-and-window acquaintance, that he proposed to her to have the children over for Christmas luncheon. The moment he saw Aileen, he recognized in her the child on the vaudeville stage to whom he had given the flowers—You remember that incident?"

"Don't I though!"

"—Because she had sung his wife's favorite hymn. He was thoroughly interested in the child after seeing her, so to say, at close range, and took the first opportunity to speak with the Sister Superior in regard to finding for her a suitable and permanent home. The Sister Superior referred him to me. As you know, he came to Flamsted recently with this same little daughter; and the child talked so much and told so many amusing things about Aileen to Mrs. Champney, that Mr. Van Ostend saw at once this was an opportunity to further his plans, although he confided to me his surprise that his cousin, Mrs. Champney, should be willing to have so immature a child, in her house. Directly on getting home, he telephoned to me that he had found a home for her with a relation of his in Flamsted. You may judge of my surprise and pleasure, for I had received the appointment to this place and the work among the quarrymen only a month before. This is how the little girl happened to come up with me. I hear she is making friends."

"She can't help making them, and a good deal more besides; for Romanzo Caukins, our neighbor's son, and Octavius Buzzby, my aunt's charge d'affaires, are at the present time her abject slaves," said Champney, rising from the table at a signal from his mother. "Let's go out on the porch, and I'll tell you of the fun I've had with her—poor Roman!" He shook his head and chuckled.

He stepped into the living-room as he passed through the hall and reached for his pipe in a rack above the mantel. "Do you smoke," he asked half-hesitatingly, but with an excess of courtesy in his voice as if he were apologizing for asking such a question.

"Sometimes; a pipe, if you please." He held out his hand; Champney handed him a sweetbrier and a tobacco pouch. "You permit, Madam?" He spoke with old world courtesy. Aurora Googe smiled permission. She saw with satisfaction her son's puzzled look of inquiry as he noted the connoisseurship with which Father Honore handled his after-supper tools.

Mrs. Milton Caukins, their neighbor in the stone house across the bridge over the Rothel, stood for several minutes at her back door listening to Champney's continued arpeggios and wondered whose was the deep hearty laugh that answered them. In telling his afternoon's experience Champney, also, had his reserves: of the coming serenade he said never a word to the priest.

"He's O.K. and a man, mother," was his comment on their guest, as he bade her good night. Aurora Googe answered him with a smile that betokened content, but she was wise enough not to commit herself in words. Afterwards she sat long in her room, planning for her son's future. The twenty thousand she had just received for the undeveloped quarry lands should serve to start him well in life.

VII

On the following day, mother and son constituted themselves a committee of ways and means as to the best investment of the money in furtherance of Champney's interests. Her ambition was gratified in that she saw him anxious to take his place in the world of affairs, to "get on" and, as he said, make his mark early in the world of finance.

The fact that, during his college course, he had spent the five thousand received from the sale of the first quarry, plus the interest on the same without accounting for a penny of it, seemed to his mother perfectly legitimate; for she had sold the land and laid by the amount paid for it in order to put her son through college. Since he was twelve years old she had brought him up in the knowledge that it was to be his for that purpose. From the time he came, through her generosity, into possession of the property, she always replied to those who had the courage to criticise her course in placing so large a sum at the disposal of a youth:

"My son is a man. I realize I can suggest, but not dictate; moreover I have no desire to."

She drew the line there, and rarely had any one dared to expostulate further with her. When they ventured it, Aurora Googe turned upon them those dark eyes, in which at such times there burned a seemingly unquenchable light of self-feeding defiance, and gave them to understand, with a repelling dignity of manner that bordered hard on haughtiness, that what she and her son might or might not do was no one's concern but their own. This self-evident truth, when it struck home to her well-wishers, made her no friends. Nor did she regret this. She had dwelt, as it were, apart, since her marriage and early widowhood—her husband had died seven months before Champney was born—on the old Googe estate at The Gore. But she was a good neighbor, as Mrs. Caukins could testify; paid her taxes promptly, and minded her flocks, the source of her limited income, until wool-raising in New England became unprofitable. An opportunity was presented when her boy was ten years old to sell a portion of the barren sheep pastures for the first quarry. She counted herself fortunate in being able thus to provide for Champney's four college years.

In all the village, there were only three men, whom Aurora Googe named friend. These men, with the intimacy born of New England's community of interest, called her to her face by her Christian name; they were Octavius Buzzby, old Joel Quimber, and Colonel Caukins. There had been one other, Louis Champney, who during his lifetime promised to do much for her boy when he should have come of age; but as the promises were never committed to black and white, they were, after his death, as though they had never been.

"If only Aunt Meda would fork over some of hers!" Champney exclaimed with irritation. They were sitting on the porch after tea. "All I want is a seat in the Stock Exchange—and the chance to start in. I believe if I had the money Mr. Van Ostend would help me to that."

"You didn't say anything to him about your plans, did you?"

"Well, no; not exactly. But it isn't every fellow gets a chance to dine at such a man's table, and I thought the opportunity was too good to be wasted entirely. I let him know in a quiet way that I, like every other fellow, was looking for a job." Champney laughed aloud at the shocked look on his mother's face. He knew her independence of thought and action; it brooked no catering for favors.

"You see, mother, men have to do it, or go under. It's about one chance in ten thousand that a man gets what he wants, and it's downright criminal to throw away a good opportunity to get your foot on a round. Run the scaling ladder up or down, it doesn't much matter—there are hundreds of applicants for every round; and only one man can stand on each—and climb, as I mean to. You don't get this point of view up here, mother, but you will when you see the development of these great interests. Then it will be each for himself and the devil gets the hindermost. Shouldn't I take every legitimate means to forge ahead? You heard what the priest said about Mr. Van Ostend's mentioning me to him? Let me tell you such men don't waste one breath in mentioning anything that does not mean a big interest per cent, not one breath. They can't, literally, afford to; and I'm hoping, only hoping, you know—", he looked up at her from his favorite seat on the lowest step of the front porch with a keen hard expectancy in his eyes that belied his words, "—that what he said to Father Honore means something definite. Anyhow, we'll wait a while till we see how the syndicate takes hold of this quarry business before we decide on anything, won't we, mother?"

"I'm willing to wait as long as you like if you will only promise me one thing."

"What's that?" He rose and faced her; she saw that he was slightly on the defensive.

"That you will never, never, in any circumstances, apply to your Aunt Almeda for funds, no matter how much you may want them. I couldn't bear that!"

She spoke passionately in earnest, with such depth of feeling that she did not realize her son was not giving her the promise when he said abruptly, the somewhat hard blue eyes looking straight into hers:

"Mother, why are you so hard on Aunt Meda? She's a stingy old screw, I know, and led Uncle Louis round by the nose, so everybody says; but why are you so down on her?"

He was insistent, and his insistence was the one trait in his character which his mother had found hardest to deal with from his babyhood; from it, however, if it should develop happily into perseverance, she hoped the most. This trait he inherited from his father, Warren Googe, but in the latter it had deteriorated into obstinacy. She always feared for her self-control when she met it in her son, and just now she was under the influence of a powerful emotion that helped her to lose it.

"Because," she made answer, again passionately but the earnestness had given place to anger, "I am a woman and have borne from her what no woman bears and forgets, or forgives! Are you any the wiser now?" she demanded. "It is all that I shall tell you; so don't insist."

The two continued to look into each other's eyes, and something, it could hardly be called inimical, rather an aloofness from the tie of blood, was visible to each in the other's steadfast gaze. Aurora Googe shivered. Her eyes fell before the younger ones.

"Don't Champney! Don't let's get upon this subject again; I can't bear it."

"But, mother," he protested, "you mentioned it first."

"It was what you said about Almeda's furnishing you with money that started it. Don't say anything more about it; only promise me, won't you?"

She raised her eyes again to his, but this time in appeal. At forty-one Aurora Googe was still a very beautiful woman, and her appeal, made gently as if in apology for her former vehemence, rendered that beauty potent with her son's manhood.

"Let me think it over, mother, before I promise." He answered her as gently. "It's a hard thing to exact of a man, and I don't hold much with promises. What did Uncle Louis' amount to?"

The blood surged into his mother's face, and tears, rare ones, for she was not a weak woman neither was she a sentimental one, filled her eyes. Her son came up the steps and kissed her. They were seldom demonstrative to this extent save in his home-comings and leave-takings. He changed the subject abruptly.

"I'm going down to the village now. You know I have the serenade on my program, at eight. Afterwards I'll run down to The Greenbush for the mail and to see my old cronies. I haven't had a chance yet." He began to whistle for the puppy, but cut himself short, laughing. "I was going to take Rag, but he won't fit in with the serenade. Keep him tied up while I'm gone, please. Anything you want from the village, mother?"

"No, not to-night."

"Don't sit up for me; I may be late. Joel is long-winded and the Colonel is booming The Gore for all it is worth and more too; I want to hear the fun. Good night."

VIII

The afterglow of sunset was long. The dilated moon, rising from the waters of the Bay, shone pale at first; but as it climbed the shoulder of the mountain Wave-of-the-Sea and its light fell upon the farther margin of the lake, its clear disk was pure argent.

Champney looked his approval. It was the kind of night he had been hoping for. He walked leisurely down the road from The Gore for the night was warm. It was already past eight, but he lingered, purposely, a few minutes longer on the lake shore until the moonlight should widen on the waters. Then he went on to the grounds.

He entered by the lane and crossed the lawn to an arching rose-laden trellis near the bay window; beneath it was a wooden bench. He looked up at the window. The blinds were closed. So far as he could see there was no light in all the great house. Behind the rose trellis was a group of stately Norway spruce; he could see the sheen of their foliage in the moonlight. He took his banjo out of its case and sat down on the bench, smiling to himself, for he was thoroughly enjoying, with that enjoyment of youth, health, and vitality which belongs to twenty-one, this rustic adventure. He touched the strings lightly with preliminary thrumming. It was a toss-up between "Annie Rooney" and "Oft in the stilly night." He decided for the latter. Raising his eyes to the closed blinds, behind which he knew the witch was hiding, he began the accompaniment. The soft thrum-thrum, vibrating through the melody, found an echo in the whirring wings of all that ephemeral insect life which is abroad on such a night. The prelude was almost at an end when he saw the blinds begin to separate. Champney continued to gaze steadily upwards. A thin bare arm was thrust forth; the blinds opened wide; in the dark window space he saw Aileen, listening intently and gazing fixedly at the moon as if its every beam were dropping liquid music.

He began to sing. His voice was clear, fine, and high, a useful first tenor for two winters in the Glee Club. When he finished Aileen deigned to look down upon him, but she made no motion of recognition. He rose and took his stand directly beneath the window.

"I say, Miss Aileen Armagh-and-don't-yer-forget-it, that isn't playing fair! Where's my token?"

There was a giggle for answer; then, leaning as far out as she dared, both hands stemmed on the window ledge, the child began to sing. Full, free, joyously light-hearted, she sent forth the rollicking Irish melody and the merry sentiment that was strung upon it; evidently it had been adapted to her, for the words had suffered a slight change:

"Och! laughin' roses are my lips, Forget-me-nots my ee, It's many a lad they're drivin' mad; Shall they not so wi' ye? Heigho! the morning dew! Heigho! the rose and rue! Follow me, my bonny lad, For I'll not follow you.

"Wi' heart in mout', in hope and doubt, My lovers come and go: My smiles receive, my smiles deceive; Shall they not serve you so? Heigho! the morning dew! Heigho! the rose and rue! Follow me, my bonny lad, For I'll not follow you."

It was a delight to hear her.

"There now, I'll give yer my token. Hold out yer hands!"

Champney, hugging his banjo under one arm, made a cup of his hands. Carefully measuring the distance, she dropped one rosebud into them.

"Put it on yer heart now," was the next command from above. He obeyed with exaggerated gesture, to the great delight of the serenadee. "And yer goin' to keep it?"

"Forever and a day." Champney made this assertion with a hyper-sentimental inflection of voice, and, lifting the flower to his nose, drew in his breath—

"Confound you, you little fiend—" he sneezed rather than spoke.

The sneeze was answered by a peal of laughter from above and a fifteen-year-old's cracked "Haw-haw-haw" from the region of the Norway spruces. Every succeeding sneeze met with a like response—roars of laughter on the one hand and peal upon peal on the other. Even the kitchen door began to give signs of life, for Hannah and Ann made their appearance.

The strong white pepper, which Romanzo managed to procure from Hannah, had been cunningly secreted by Aileen between the imbricate petals, and then tied, in a manner invisible at night, with a fine thread of pink silk begged from Ann. It was now acting and re-acting on the lining of the serenader's olfactory organ in a manner to threaten final decapitation. Champney was still young enough to resent being made a subject of such practical joking by a little girl; but he was also sufficiently wise to acknowledge to himself that he had been worsted and, in the end, to put a good face on it. It is true he would have preferred that Romanzo Caukins had not been witness to his defeat.

The sneezing and laughter gradually subsided. He sat down again on the bench and taking up his banjo prepared, with somewhat elaborate effort, to put it into its case. He said nothing.

"Say!" came in a sobered voice from above; "are yer mad with me?"

Ignoring both question and questioner, he took out his handkerchief, wiped his face and forehead and, returning it to his pocket, heaved a sigh of apparent exhaustion.

"I say, Mr. Champney Googe, are yer mad with me?"

To Champney's delight, he heard an added note of anxiety. He bowed his head lower over the banjo case and in silence renewed his simulated struggle to slip that instrument into it.

"Champney! Are yer rale mad with me?" There was no mistaking the earnestness of this appeal. He made no answer, but chuckled inwardly at the audacity of the address.

"Champ!" she stamped her foot to emphasize her demand; "if yer don't tell me yer ain't mad with me, I'll lave yer for good and all—so now!"

"I don't know that I'm mad with you," he spoke at last in an aggrieved, a subdued tone; "I simply didn't think you could play me such a mean trick when I was in earnest, dead earnest."

"Did yer mane it?"

"Why, of course I did! You don't suppose a man walks three miles in a hot night to serenade a girl just to get an ounce of pepper in his nose by way of thanks, do you?"

"I thought yer didn't mane it; Romanzo said yer was laughing at me for telling yer 'bout the lords and ladies a-making love with their guitars." The voice indicated some dejection of spirits.

"He did, did he! I'll settle with Romanzo later." He heard a soft brushing of branches in the region of the Norway spruces and knew that the youth was in retreat. "And I'll settle it with you, too, Miss Aileen Armagh-and-don't-you-forget-it, in a way that'll make you remember the tag end of your name for one while!"

This threat evidently had its effect.

"Wot yer going to do?"

He heard her draw her breath sharply.

"Come down here and I'll tell you."

"I can't. She might catch me. She told me I'd got to stay in my room after eight, and she's coming home ter-night. Wot yer going to do?"

Champney laughed outright. "Don't you wish you might know, Aileen Armagh!" He took his banjo in one hand, lifted his cap with the other and, standing so, bareheaded in the moonlight, sang with all the simulated passion and pathos of which he was capable one of the few love songs that belong to the world, "Kathleen Mavoureen"; but he took pains to substitute "Aileen" for "Kathleen." Even Ann and Hannah, listening from the kitchen porch, began to feel sentimentally inclined when the clear voice rendered with tender pathos the last lines:

"Oh! why art thou silent, thou voice of my heart? Oh! why art thou silent, Aileen Mavoureen?"

Without so much as another glance at the little figure in the window, he ran across the lawn and up the lane to the highroad.

IX

On his way to The Greenbush he overtook Joel Quimber, and without warning linked his arm close in the old man's. At the sudden contact Joel started.

"Uncle Jo, old chap, how are you? This seems like home to see you round."

"Lord bless me, Champ, how you come on a feller! Here, stan' still till I get a good look at ye;—growed, growed out of all notion. Why, I hain't seen ye for good two year. You warn't to home last summer?"

"Only for a week; I was off on a yachting cruise most of the time. Mother said you were up on the Bay then at your grandniece's—pretty girl. I remember you had her down here one Christmas."

The old man made no definite answer, but cackled softly to himself: "Yachting cruise, eh? And you remember a pretty girl, eh?" He nudged him with a sharpened elbow and whispered mysteriously: "Devil of a feller, Champ! I've heerd tell, I've heerd tell—chip of the old block, eh?" He nudged him knowingly again.

"Oh, we're all devils more or less, we men, Uncle Jo; now, honor bright, aren't we?"

"You've hit it, Champ; more or less—more or less. I heerd you was a-goin' it strong: primy donny suppers an' ortermobillies—"

"Now, Uncle Jo, you know there's no use believing all you hear, but you can't plunge a country raised boy into a whirlpool like New York for four years and not expect him to strike out and swim with the rest. You've got to, Uncle Jo, or you're nobody. You'd go under."

"Like 'nough you would, Champ; I can't say, fer I hain't ben thar. Guess twixt you an' me an' the post, I won't hev ter go thar sence Aurory's sold the land fer the quarries. I hear it talked thet it'll bring half New York right inter old Flamsted; I dunno, I dunno—you 'member 'bout the new wine in the old bottles, Champ?—highflyers, emigrants, Dagos and Polacks—Come ter think, Mis' Champney's got one on 'em now. Hev you seen her, Champ?"

Champney's hearty laugh rang out with no uncertain sound. "Seen her! I should say so. She's worth any 'primy donny', as you call them, that ever drew a good silver dollar out of my pockets. Oh, it's too good to keep! I must tell you; but you'll keep mum, Uncle Jo?"

"Mum's the word, ef yer say so, Champ." They turned from The Greenbush and arm in arm paced slowly up the street again. From time to time, for the next ten minutes, Augustus Buzzby and the Colonel in the tavern office heard from up street such unwonted sounds of hilarity and so long continued, that Augustus looked apprehensively at the Colonel who was becoming visibly uneasy lest he fail to place the joke.

When the two appeared at the office door they bore unmistakable signs of having enjoyed themselves hugely. Augustus Buzzby gave them his warmest welcome and seated Uncle Joel in his deepest office chair, providing him at the same time with a pipe and some cut leaf. The Colonel was in his glory. With one arm thrown affectionately around young Googe's neck, he expatiated on the joy of the community as a whole in again welcoming its own.

"Champney, my dear boy,—you still permit me the freedom of old friendship?—this town is already looking to you as to its future deliverer; I may say, as to a Moses who will lead us into the industrial Canaan which is even now, thanks to my friend, your honored mother, beckoning to us with its promise of abundant plenty. Never, in my wildest dreams, my dear boy, have I thought to see such a consummation of my long-cherished hopes."

It was always one of Champney's prime youthful joys to urge the Colonel, by judiciously applied excitants, to a greater flowering of eloquence; so, now, as an inducement he wrung his neighbor's hand and thanked him warmly for his timely recognition of the new Flamsted about to be.

"Now," he said, "the thing is for all of us to fall into line and forge ahead, Colonel. If we don't, we'll be left behind; and in these times to lag is to take to the backwoods."

"Right you are, my dear fellow; deterioration can only set in when the members of a community, like ours, fail to present a solid front to the disintegrating forces of a supine civilization which—"

"At it again, Milton Caukins!" It was Mr. Wiggins who, entering the office, interrupted the flow,—"dammed the torrent", he was wont to say. He extended a hand to young Googe. "Glad to see you, Champney. I hear there is a prospect of your remaining with us. Quimber tells us he heard something to the effect that a position might be offered you by the syndicate."

"It's the first I've heard of it. How did you hear, Uncle Jo?" He turned upon the old man with a keen alertness which, taken in connection with the Colonel's oratory, was both disconcerting and confusing.

"How'd I hear? Le' me see; Champ, what was we just talking 'bout up the street, eh?"

"Oh, never mind that now," he answered impatiently; "let's hear what you heard. I'm the interested party just now." But the old man looked only the more disturbed and was not to be hurried.

"'Bout that little girl—" he began, but was unceremoniously cut short by Champney.

"Oh, damn the girl, just for once, Uncle Jo. What I want to know is, how you came to hear anything about me in connection with the quarry syndicate."

The old man persisted: "I'm a-tryin' to get a-holt of that man's name that got her up here—"

"Van Ostend," Champney suggested; "is that the name you want?"

"That's him, Van Ostend; that's the one. He an' the rest was hevin' a meetin' right here in this office 'fore they went to the train, an' I was settin' outside the winder an' heerd one on 'em say: 'Thet Mis' Googe's a stunner; what's her son like, does any one know?' An' I heerd Mr. Van Ostend say: 'She's very unusual; if her son has half her executive ability'—them's his very words—'we might work him in with us. It would be good business policy to interest, through him, the land itself in its own output, so to speak, besides being something of a courtesy to Mis' Googe. I've met him twice.' Then they fell to discussin' the lay of The Gore and the water power at The Corners."

"Bully for you, Uncle Jo!" Champney slapped the rounded shoulders with such appreciative heartiness that the old man's pipe threatened to be shaken from between his toothless gums. "You have heard the very thing I've been hoping for. Tave never let on that he knew anything about it."

"He didn't, only what I told him." Old Quimber cackled weakly. "I guess Tave's got his hands too full at Champo to remember what's told him; what with the little girl an' Romanzo—no offence, Colonel." He looked apologetically at the Colonel who waved his hand with an airiness that disposed at once of the idea of any feeling on his part in regard to family revelations. "I heerd tell thet the little girl hed turned his head an' Tave couldn't git nothin' in the way of work out of him."

"In that case I must look into the matter." The Colonel spoke with stern gravity. "Both Mrs. Caukins and I would deplore any undue influence that might be brought to bear upon any son of ours at so critical a period of his career."

Mr. Wiggins laughed; but the laugh was only a disguised sneer. "Perhaps you'll come to your senses, Colonel, when you've got an immigrant for a daughter-in-law. Own up, now, you didn't think your 'competing industrial thousands' might be increased by some half-Irish grandchildren, now did you?"

Champney listened for the Colonel's answer with a suspended hope that he might give Elmer Wiggins "one," as he said to himself. He still owed the latter gentleman a grudge because in the past he had been, as it were, the fountain head of all in his youthful misery in supplying ample portions of the never-to-be-forgotten oil of the castor bean and dried senna leaves. He felt at the present time, moreover, that he was inimical to his mother and her interests. And Milton Caukins was his friend and hers, past, present, and future; of this he was sure.

The Colonel took time to light his cigar before replying; then, waving it towards the ceiling, he said pleasantly:

"My young friend here, Champney, to whom we are looking to restore the pristine vigor of a fast vanishing line of noble ancestors, is both a Googe and a Champney. His ancestors counted themselves honored in making alliances with foreigners—immigrants to our all-welcoming shores; 'a rose', Mr. Wiggins, 'by any other name'; I need not quote." His chest swelled; he interrupted himself to puff vigorously at his cigar before continuing: "My son, sir, is on the spindle side of the house a Googe, and a Googe, sir, has the blood of the Champneys and the Lord knows of how many noble immigrants" (the last word was emphasized by a fleeting glance of withering scorn at the small-headed Wiggins) "in his veins which, fortunately, cannot be said of you, sir. If, at any time in the distant future, my son should see fit to ally himself with a scion of the noble and long-suffering Hibernian race, I assure you"—his voice was increasing in dimensions—"both Mrs. Caukins and myself would feel honored, sir, yes, honored in the breach!"

After this wholly unexpected ending to his peroration, he lowered his feet from their accustomed rest on the counter of the former bar and, ignoring Mr. Wiggins, remarked to Augustus that it was time for the mail. Augustus, glad to welcome any diversion of the Colonel's and Mr. Wiggins's asperities, said the train was on time and the mail would be there in a few minutes.

"Tave's gone down to meet Mis' Champney," he added turning to Champney. "She's been in Hallsport for two days. I presume you ain't seen her."

"Not yet. If you can give me my mail first I can drive up to Champ-au-Haut with her to-night. There's the mail-wagon."

"To be sure, to be sure, Champney; and you might take out Mis' Champney's; Tave can't leave the hosses."

"All right." He went out on the veranda to see if the Champ-au-Haut carriage was in sight. A moment later, when it drove up, he was at the door to open it.

"Here I am, Aunt Meda. Will this hold two and all those bundles?"

"Why, Champney, you here? Come in." She made room for him on the ample seat; he sprang in, and bent to kiss her before sitting down beside her.

"Now, I call this luck. This is as good as a confessional, small and dark, and 'fess I've got to, Aunt Meda, or there'll be trouble for somebody at Campo."

Had the space not been so "small and dark" he might have seen the face of the woman beside him quiver painfully at the sound of his cheery young voice and, when he kissed her, flush to her temples.

"What devilry now, Champney?"

"It's a girl, of course, Aunt Meda—your girl," he added laughing.

"So you've found her out, have you, you young rogue? Well, what do you think of her?"

"I think you'll have a whole vaudeville show at Champ-au-Haut for the rest of your days—and gratis."

"I've been coming to that conclusion myself," said Mrs. Champney, smiling in turn at the recollection of some of her experiences during the past three weeks. "She amuses me, and I've concluded to keep her. I'm going to have her with me a good part of the time. I've seen enough since she has been with me to convince me that my people will amount to nothing so long as she is with them." There was an edge to her words the sharpness of which was felt by Octavius on the front seat.