"I understand you," Julian whispered to the little doctor. "Yes, you are right. He is a great reason why what you think may be true. And yet"—here Julian lowered his voice to a breath, lest he might disturb the player—"he is not religious, as—as—well, as you are. Forgive the allusion—."

"Are the angels religious?" said Doctor Levillier. "Why should you refrain, my dear boy? But you are right. There is a curious unconsciousness about Cresswell—about Valentine—which seems to exclude even definite religious belief as something in a way self-conscious, and so impossible to him. There is an extraordinary strain of the child in Cresswell, such as I conceive to be in unearthly beings, who have never had the power to sin. And the best-behaved, sweetest child in the world might catch flies or go to sleep during the Litany or a sermon. This very absence of controversial or dogmatic religion gives Valentine much of his power, seems positively to lift him higher than religionists of any creed."

"You think—you think that perhaps it is something in him of which he is unconscious which does so much for me?"

"Perhaps it is."

Valentine now glided into an accompaniment, and began to sing. And the doctor and Julian ceased to talk. Valentine certainly did not sing with such peculiar skill as he showed in playing, but he had a charming voice which he used with great ease, and he never sang a single note, or phrased a passage, without complete intelligence and understanding of his composer. Only he lacked power. This scarcely interfered with the pleasure he could give in a drawing-room, and to-night both Levillier and Julian were rather in a mood for supreme delicacy than for great passion. They listened with silent pleasure for a time. Then Levillier said:

"Do you remark how wonderfully the timbre of Cresswell's voice expresses the timbre of his mind? The parallel is exact."

Julian nodded.

"That is his soul written in sound," the doctor added.

It was at this point that Valentine ceased and got up from the piano.

"I must smoke too," he said. "No, not a cigar, I'll have a cigarette to-night."

"You are fond of that picture, Cresswell?" said Doctor Levillier as Valentine sat down.

"'The Merciful Knight'? Yes, I love it. Have you told Julian your opinion of our sittings, doctor?"

"No. He didn't ask me for it."

"I should be glad to have it, all the same," Julian said.

"Well, my opinion is entirely adverse to your proceedings," Levillier said, with his usual frankness.

"You are, in fact, at the opposite pole from Marr," Julian answered.

"Marr! Who is Marr? I never heard of him."

"Nor I, until the other evening," Julian said. "But now I see him every day. He was at the theatre to-night. I saw him as we came out."

"What is he, a spiritualist? A professional?"

"Oh dear, no! He calls himself an occultist. He goes out in society a great deal, apparently. I met him at dinner first. Since then he has taken the keenest interest in my sittings with Valentine."

"Indeed! You know him, Cresswell?"

Valentine shook his head, and Julian laughed.

"The fun of it is that Marr doesn't wish to know Valentine," he said.

"Why?" the doctor asked.

Julian told him the words Marr had used in reference to Valentine, and gave a fairly minute description of Marr's attitude towards their proceedings. Levillier listened with great attention.

"Then this man urges you to go on with your sittings?" he said when Julian had finished.

"Scarcely that. But he certainly seems anxious that we should."

"You have both resolved to give them up, haven't you?"

"Certainly, doctor," Valentine replied.

"Does Marr know that?" Levillier asked of Julian.

"No. I haven't seen him to speak to since our final sitting."

The little doctor sat in apparent meditation for two or three minutes. Then he remarked, with abruptness:

"Addison, will you think me an impertinent elderly person if I give you a piece of advice?"

"You—doctor! Of course not. What is it?"

"Well, you young fellows know me, know that I am not a mere sentimentalist or believer in every humbug that is the fashion of the moment. But one thing I do firmly believe, that certain people are born with a power to command, or direct others, which amounts to force. The world doesn't completely recognize this. The law doesn't recognize, perhaps ought not to recognize it. Some call it hypnotism. I call it suggestion."

He paused, as if he had finished.

"But your advice, doctor?" Julian said, wondering.

"Oh, h'm! I don't mean to give it to you, after all."

"Why?"

Doctor Levillier became enigmatic.

"Because I have just remembered that to warn is often to supply a cause of stumbling," he said.

Dr. Levillier and Julian drove together as far as the latter's chambers that evening, and, after bidding Julian good-night, the doctor dismissed the cab and set out to walk to Harley Street. He proceeded at a leisurely pace along Piccadilly, threading his way abstractedly among the wandering wisps of painted humanity that dye the London night with rouge. Occasionally a passing man in evening dress would bid him good-night, for he was universally known in the town. But he did not reply. With his firm round chin pressed down upon his fur coat, and his eyelids lowered, he moved thoughtfully. The problem of the relations existing between youth and life eternally fascinated him. He pondered over them now. What a strange, complicated liaison it was, sometimes so happy, sometimes so disastrous, always, to him, pathetic. Youth sets up house with life as a lover sets up house with his mistress, takes an attic near the stars, or builds a mansion that amazes the street-urchins. And they dwell together. And youth strives in every way to know his mistress. He tests her, tries her, kisses and cuffs her, gives her presents, weeps at her knees. And at first she is magical, and a wonder, and a dream, and eternity. And then, perhaps, she is a faded creature, and terrible as a lost girl whom one has known in innocence. She is grim and arid. She fills youth with a great horror and with a great fear. He dare not kiss her any more. And then, perhaps, at last he prays, "Deliver me from this bondage!" And he thinks that he knows his mistress. But, happy or sad, does he ever quite know her? Is she not always a mystery, this life, a sphinx who jealously guards a great secret?

His evening with the two boys, for so the doctor called them in his thoughts, had set him musing thus definitely. Was there not a wonder and a secret in their dual life of friendship? For is not the potent influence of one soul over another one of the marvels of time? The doctor loved Valentine as a human saint loves another saint. But he loved Julian as a saint loves a sinner. Not that he named Julian sinner, but it was impossible to be with him, observantly, sensitively, and not to feel the thrill of his warm, passionate humanity, which cried aloud for governance, for protection. Julian could be great, with the greatness only attained by purged humanity, superior surely to the peaceful purity of angels. But he could be a castaway, oh! as much a castaway as the fainting shipwrecked man whom the hoarse surf rolls to the sad island of a desert sea.

Without Valentine what might he not have been? And the little doctor let his imagination run loose until his light eyes were dim with absurd tears. He winked them away as he turned into Regent Street. The hour was nearly two, and the great curved thoroughfare was rather deserted. Those few persons who were about had a curious aspect of wolves. Their eyes were watchful; their gait denoted a ghastly readiness for pause, for colloquy. Poor creatures! What was their liaison with life? A thing like a cry for help in the dark. The doctor longed to be a miracle-worker, to lift up his hands, just there where he was by the New Gallery, and to say, "Be ye healed!" He had a true love for every human thing. And that love sometimes seared his heart, despite his fervent faith and hope.

But now, as he pursued his way, a physical sensation intruded itself upon his mind, and gradually excluded all his reflections. A sense of bodily uneasiness came upon him, of a curious irritation and contempt, mingled with fear. He at first ascribed it to the coffee he had imprudently drunk at Valentine's flat, and to the strength of the two cigars he had smoked, or to some ordinary, trifling cause of diet. But by the time he crossed Oxford Street, and was in the desert of Vere Street, he felt that there was a reason for his distress, outside of him.

"I am being followed," he said to himself. "I am being followed, and by some utterly abominable person."

He went by the Chapel, and struck across to the right, not looking behind him, but analyzing his feelings. Being strongly intuitive, he had no need to turn his head. He knew now for certain the cause of his uneasiness. Some dreadful human being was very near to him, full of hateful thoughts, sinister recollections, possibly evil intentions. Something, the very vibrations of the night air, it might be, carried, as a telegraph wire conveys a message, the soul-aroma of this human being to the doctor. As he walked on, not hurrying, he mutely diagnosed the heart of this unseen being. It seemed full of deadly disease. Never had he suspected man or woman of such wickedness as he divined here; never had he felt from any of his kind such a sick repulsion as from this unseen monster who was journeying steadily in his steps. Doctor Levillier was puzzled at the depth of the horror which beleaguered him. He remembered once driving a staid, well-behaved horse in a country lane. The animal ambled forward at a gentle pace, flicking its ears lazily to circumvent the flies, apparently at ease with its driver and with the world. But suddenly it raised its head, drew the air into its distended nostrils, stopped, quivered in every limb, and then, with a strange cry, bolted like a mad thing. Far away a travelling menagerie was encamping. It had scented the wild animals.

Doctor Levillier felt like that horse. A longing to bolt for his life came upon him. He had an impulse to cry out, to run forward, to escape out of the atmosphere created by this evil nature, this deadly life. He could have crept like a coward into the shadow of one of the areas of Henrietta Street, and sheltered there till the thing went past. And, just because he had this almost overmastering desire to flee, he stood still, paused abruptly, and, without turning his head, listened. At a distance, and he judged, round the corner of the street he heard the sound of a quickening footstep advancing in his direction. He waited, under the obligation of exerting all his powers of self-control; for his limbs trembled to movement, his heart beat to the march, and every separate vein, every separate hair of his body, seemed crying out piercingly to begone. The footstep approached. Doctor Levillier heard it turning the corner.

"Now," thought he, "this person will see me waiting here. Will he come on? Will he pass me? And if he does, shall I be able to await, to endure the incident?"

And he listened, as a scout might listen in the night for sounds of the hidden enemy. Upon turning the corner, the footsteps advanced a pace or two, faltered, slackened, stopped. For an instant there was silence. The doctor knew that the man had been struck by his attentive figure, and was pausing to regard it, to consider it. What would be the result of the inspection? In a moment the doctor knew. The footsteps sounded again, this time in retreat.

On this the impulse of the doctor to flee changed, giving way to a strict desire and determination. He was resolved to interview this night-wanderer, to see his face. A greedy anxiety for view, for question, of this person came upon him. He, too, wheeled round, and followed hastily in pursuit. The man had already escaped from his sight into Vere Street, and the doctor broke into a soft run until he reached the corner, skirting which, the man was immediately in his view, but at a considerable distance from him. As the doctor sprang upon the pavement the man turned round, and, evidently observing that he was pursued, quickened his steps impulsively. The doctor was now absolutely determined to address him, and began openly to run. And he was not far from coming up with the fellow when he suddenly whistled a passing hansom, bounded in, and thrust up the trapdoor in the roof. The direction given was sufficiently obvious, for the cabby glanced round at the doctor, lifted his whip, brought it down with a sweep over the horse's loins, and the cab disappeared down Oxford Street at a rocking gallop.

The doctor paused. He was breathing hard, and the perspiration stood upon his face. His disappointment was absurdly keen, and for an instant he had even some idea of hailing another cab, and of following in pursuit. But, upon reflection, he deemed it more reasonable to return upon his steps, and to seek his bed in Harley Street. This accordingly he did, wondering what had moved him so strangely, and wondering, also, not a little, at the abrupt flight of the unknown person. In the brief and distant view of him, which was all that the doctor had obtained, he judged him to be tall, spare, and pale of countenance, with the figure of a gentleman. The aspect of his face had not been revealed before the shelter of the cab concealed him.



CHAPTER VIII

PAUSE

It chanced that for three or four days after the night of the theatre expedition Valentine and Julian did not meet. They were rarely apart for so long a period, and each was moved to wonder at this unwonted abstinence of their friendship. What was the cause of it? Each found it in a curious hesitation that enveloped him, and impelled him to avoidance of the other. Valentine went about as usual. He looked in at White's, dined out, rode in the park, visited two theatres, lived the habitual London life which contents so many and disgusts not a few. But he did not ask Julian to share any of these well-worn doings, and at first he did not acknowledge to himself why he did not do so. He sought, more definitely than ever before, to gain amusement from amusements, and this definite intention, of course, frustrated his purpose. His power of pleasure was, in fact, clogged by an abiding sense of dissatisfaction and depression. And it was really his eventual knowledge of this depression's cause that led him to bar Julian out from these few days of his life. All that he did bored him, and the more decidedly because he came to know that there was something which did not bore, which even excited him, something which he had resolved to give up. He was, in fact, strangely pursued by an unreasonable desire to fly in the face of Doctor Levillier's advice, and of his own secondary antagonistic desire, and to sit again with Julian. Everything in which he sought to find distraction, lacked savour. As he sat watching a ballet that glittered with electricity, and was one twinkle of coloured movement, he found himself longing for the silence, the gloom, the live expectation of the tentroom, night, and Julian. At White's the conversation of the men struck him as even more scrappy, more desultorily scandalous, than usual. His morning ride was an active ennui, an ennui revolving, like a horse in a circus, round and round the weariness of the park.

Yet he had made up his mind quite fully that it would be better not to sit any more. It was not merely Doctor Levillier's urgency that had impressed him thus. A personal conviction had gradually forced itself upon him that if anything resulted from such apparently imbecile proceedings it would certainly not be of an agreeable nature. But, too, this very sense that a secret danger might be lurking against him and Julian, if only they would consent together to give it power by the united action of sitting, spurred him on to restless desire. It is not only the soldier who has a bizarre love of peril. Many of those who sit at home in apparent calmness of safety seek perils with a maniacal persistence, perils to the intricate scheme of bodily health, perils to the mind. More human mules than the men of the banner and the sword delight in journeying at the extreme edge of the precipice. And Valentine now had to the full this secret hankering after danger. As he knew it, he despised himself for it, for this attitude of the schoolboy in which he held himself. Until now he had believed that he was free from such a preposterous and morbid bondage, free on account of his constitutional indifference towards vice, his innate love of the brooding calms of refinement and of the upper snowfields of the intellect. The discovery of his mistake irritated him, but the irritation could not conquer its cause, and each day the longing to sit once more grew upon him until it became almost painful. It was this longing which occasioned Valentine's avoidance of Julian. He knew that if they were together he would yield to this foolish, witless temptation, and at any rate try to persuade Julian into an act which might be attended with misfortune, if not with disaster. And then Valentine's profound respect for Doctor Levillier, a respect which the doctor inspired without effort in every one who knew him, was a chain almost of steel to hold the young man back from gratification of his longing. Valentine never sought any one's advice except the little doctor's, and he had a strong feeling of the obligation laid upon him by such sought advice. To ask it and to reject it was a short course to insult.

He resolved to avoid Julian until this gripping desire was shaken from the shoulders of his mind.

Once or twice he tacitly wondered whether Julian was also the prey of this desire, but then he felt certain that his friend could not be so afflicted. Had he been, Julian would surely have found a swift occasion to call. But he did not call. His feet did not turn their accustomed way to Victoria Street. And it did not occur to Valentine that Julian might be immersed in the same sort of struggle as himself. He thought he knew Julian well enough to be sure that he would not have joined issue with such an enemy without instant consultation. A council of war would certainly have been convened.

So Valentine believed himself lonely in his feeling. One night he returned from the theatre and a succeeding supper party at half-past twelve, let himself into the flat with a latchkey, threw off his coat and stood before the fire. His usually smooth, white forehead was puckered in a frown. He contemplated the inevitable hours of bed with dissatisfaction. When a man has allowed a vice to obtain dominion over him there are moments when an enforced abstinence from it, even of only a few hours, seems intolerably irksome. So Valentine felt now. It seemed to him that he must sit again; that he could not go to bed, could not rest and sleep, until he gratified his desire. Yet what was he to do? He thought at first of starting out, late as the hour was, to Julian's rooms. But that would be ridiculous, more especially after their mutual resolution. Julian might refuse, would probably, in any event, wish to refuse, the request which he came to make. Valentine strove sincerely to dismiss the desire from his mind, but his effort was entirely vain. Presently he went into his bedroom with the intention of forcing himself to go, as usual, to bed. He began to undress slowly, and had taken off his coat and waistcoat when he felt that he must resume them; that he must remain, unnecessarily, up. He allowed the mental prompting to govern him, and hardly had he once more fully attired himself when the electric bell in the passage rang twice. Valentine went to the door, opened it, and descended the flight of stone steps to the main door of the house, which was locked at night. Julian was standing outside on the pavement.

"You are still up, then," he exclaimed. "That's good. May I come in?"

"Yes, of course. Where have you been to-night?"

They were going up, their footsteps echoing hoarsely in the dim light.

"Nowhere."

"Then what made you turn out so late?"

"Oh," Julian said, with an elaborate carelessness; "I don't know. I thought we were becoming strangers, I suppose. And suddenly I resolved to look you up."

"I see," Valentine said, wondering why Julian was lying.

By this time they were in the flat and had shut the door behind them.

"Why haven't you been near me?" Julian said.

"Why haven't you been near me?"

"Oh—well—do you want to know really?"

"Yes; if you have got a definite reason."

"To tell the truth, I have; but it is such an absurd one."

Julian looked at Valentine and then added, with a decidedly forced laugh:

"You'll be awfully surprised when I tell you what it is, Val. I want to sit again."

"Now I know why I stopped undressing just now," said Valentine. "I must have had a sense that you were coming. Were you thinking very hard of me to-night and of our sittings?"

"Rather! It is the oddest thing, but even since we had that talk with the doctor and agreed to give the whole thing up, I've been perfectly miserable. I haven't enjoyed a single thing I've done since that night."

"Nor I," said Valentine.

"What! you have been as bad? And without having Marr continually at your elbow!"

"Marr again!"

"Again! Yes, I should think so. That chap has taken a fancy to me, I suppose. Anyhow, directly I walk into the club, morning, noon, or night, up he comes. He must live there. And the first thing he says is, 'Have you gone on with your sittings? You should, you should.' To-day he changed his formula and said, 'You must,' and when I was going away, he looked at me in a damned odd way and remarked in his low, toneless voice, 'You will.' I declare I almost think he must have a sort of influence over me, for I couldn't go to bed for the life of me, and here I am. By the way, Marr seems to have a sort of power of divination. Last night, when I happened to see him, he began talking about doctors, and, by Jove, didn't he abuse them! He says they stand more in the way of the development of the spiritual forces in man than any other body of people. He denounced them all as low materialists, immersed in the tinkering of the flesh. 'What does the flesh matter?' he said. 'It is nothing. It is only an envelope. And the more tightly it is fastened together, the more it stifles the spirit. I would like to catch hold of some men's bodies and tear them in pieces to get at their souls.' Val, as he made that cheerful remark, he looked more like a homicidal maniac than anything I ever saw."

"I suppose you didn't stand up for the doctors?"

"But I did—for our little man. D'you think I wasn't going to say a word for him?"

"What! you mentioned his name to this chap?"

"Certainly. Why not?"

"I don't know," Valentine said, hesitatingly.

"What objection could there possibly be?"

"None, of course—none. I simply had a quite unreasonable feeling that I wished you hadn't. That is all."

And then Valentine relapsed into silence, the silence some men keep when they are needlessly, uselessly irritated. The mention of Marr's name had effected him oddly. He now felt a perverse desire not to sit, not comply with the rather impertinent prediction of this dark-featured prophet whom he had never seen. To carry out this prediction would seem like an obedience to a stranger, governing, unseen, and at a distance. Why did this man concern himself in the affairs of those over whom he had no sovereignty, with whom he had no friendship?

"Julian," Valentine said at last, abruptly, "I wish you would promise me something."

"What is it?"

"To drop this fellow, Marr. He has nothing to do with us, and it is a decided impertinence, this curiosity he shows in our doings. Don't answer any more of his questions. Tell him to keep his advice to himself. And if you really believe he is obtaining an influence over you, avoid him."

"You talk as if you disliked him."

"I feel as if I hated him."

"A man you have never even seen?"

"Yes."

"Well, I don't take to him, and I have seen him. I will drop him as much as I can. I promise you that."

"Thank you, old boy."

Julian fidgetted about rather uneasily, touching the ornaments on the mantelpiece, opening and shutting his silver cigarette-case with a click. It was obvious that he felt restless and dissatisfied. Then he said:

"Well, are we going to—"

"Surely you don't mean to say that you came here to-night to persuade me into doing again what we both decided not to do any more?" asked Valentine.

"I came to try," Julian replied with decision.

He looked at Valentine and then added:

"And do you know I have been thinking, especially to-day, that you were of the same mind as I."

"How?"

"That you wanted to sit again as much as I did."

"But I don't know Marr," Valentine said, with unusual sarcasm.

Julian flushed red, like a man who has been stung.

"Perhaps he influences you through me, though," he said with a laugh.

"What nonsense, Julian! If I thought he had anything to do with the matter, I would never sit again. But he can have nothing to do with it."

"Of course not. So will you sit? You want to give in. I know that."

"I do"

"I was sure of it."

"At the same time, remember the doctor's advice."

"Oh, doctors are always against that sort of thing."

"Julian, I have a strong feeling that, should we ever get any manifestation at all, it will be inimical, even deadly, to one or both of us. Each time we have sat a sensation of distress has taken hold of me, and each time with greater force."

"Nerves!"

"Well, then, the hand which you say you held was nerves?"

"Perhaps. But that is just it. I must know, or at least try to know. It is inevitable. We can't stop now, Val, whether we are standing on the threshold of good, or evil, or—nothing at all. We have got to go on. Besides, you and I have not effected an exchange."

"Of souls? No. Perhaps it is an imbecile proceeding to try."

"No matter."

"Or a dangerous proceeding."

"You are temporizing, and the night is running away as hard as it can. Come, now, will you do what I want—yes or no?"

After a long hesitation, Valentine slowly answered:

"Yes."

And absurdly, as he said it, he felt like a man who tosses the dice for life or death.



CHAPTER IX

THE FOURTH SITTING

They turned the light off and sat down in silence. Then Julian said:

"Keep your hands well away from mine, Val."

"I will."

They had not been sitting for five minutes before Valentine felt that the atmosphere was becoming impregnated with a certain heaviness of mystery, with a certain steady and unyielding dreariness hanging round them like a cloud. They were once again confronted by a strange reality. Surely they were. Valentine felt it, silently knew it.

In this blackness he seemed at length to step forward and to stand upon the very threshold of an abyss, beyond which, in vague vapours, lay things unknown, creatures unsuspected hitherto. From this darkness anything might come to them, angel or devil, nymph or satyr. So, at least, he dreamed for a while, giving his imagination the rein. Then, in a revulsion of feeling, he jeered at his folly, mutely scolded his nerves for spurring him to such flagrant imbecilities.

"This is all nonsense," he told himself, "all fancy, all a world created, peopled, endowed with life by my desirous mind, which longs for a new sensation. I will not encourage this absurdity. I will be calm, cold, observant, discriminating. This is the same darkness in which every night I sleep, with no sense of being surrounded by forms which I cannot see, pressed upon by the denizens of some other sphere, not that in which I breathe and live."

He deliberately detached himself from his mood of keen expectation, and ardently resolved to anticipate nothing. And at this moment the table began to shift along the carpet, to twist under their hands, to rap, to tremble, and to pulsate, as if breath had entered into it. Like some live animal it stirred beneath their pressing fingers.

"It is beginning," Julian whispered.

"Animal magnetism," Valentine murmured.

"Yes, of course," Julian replied. "Shall I ask—"

"Hush!" Valentine interrupted.

Julian was silent.

For some time the table continued its stereotyped performances. Then it tremblingly ceased, and stood, mere dead furniture of every day, wood on which lay the four hands made deliberately limp. A long period of unpopulated silence ensued, and through that silence, very gradually, came again to Valentine a growing sense of anxiety. At first he fought against it as most men, perhaps out of self-respect, fight against the entrance of fear into their souls. Then he yielded to it, and let it crawl over him, as the sea crawls over flat sands. And the sea left no inch of sand uncovered. Every cranny of Valentine's soul was flooded. There was no part of it which did not shudder with apprehension. And outwards flowed this invisible, unmurmuring tide, devouring his body, till the sweat was upon his face and his strained hands and trembling fingers were cold like ice, and his knees fluttered as the knees of palsied age, and his teeth clicked, row against row, and his hairs stirred, and his head, under its thatch, tingled and burned and throbbed. Every faculty, too, seemed to stand straight up like a sentinel at its post, staring into dust clouds through which rode an approaching enemy. Eyes watched, ears listened, brain was hideously alert. The whole body kept itself tense, stiff, wary. For Valentine had a secret conviction at this moment that he was about to be attacked. By what? He was hardly master of himself enough to wonder. His thoughts no longer ran free. They crept like paralyzed things about his mind, and that despite the unnatural vitality of his brain. It was as if he thought intensely, violently, and yet could not think at all, as a man terrified may stare with wide open eyes and yet perceive nothing, lacking for a moment the faculty of perceiving. So Valentine waited, like some blind man with glaring eyeballs. And then, passing into another stage of sensation, he found himself vehemently and rapidly discussing possibilities of terror, forming mental pictures of all the things, of all the powers, that we cannot see. He embodied, materialized, the wind, the voice of the sea, the angry, hot scent of certain flowers, of the white lily, the tuberose, the hyacinth. He created figures for light, for darkness, for a wail, for a laugh, and set them in array all around him in the blackness. But none of these imagined figures could cause the horror which he felt. He drove away the whole pack of them with a silent cry, a motionless dismissing wave of his hands. But there might be other beings round us, condemned to eternal invisibility lest the sight of them should drive men mad. We cannot see them, he thought. As a rule, we have no sensation of these gaunt neighbours, no suspicion of their approach, of their companionship. We do not hear their footsteps. We are utterly unconscious of them. Yet may there not be physical or mental paroxysms, during which we become conscious of them, during which we know, beyond all power of doubt, that they are near us, with us? And, in such paroxysms, is it not possible for them to break through the intangible and yet all-powerful barriers that divide them from us, and to touch us, caress us, attack us? Valentine believed that he was immersed in such a paroxysm, and that the barriers were in process of being broken down. He seemed actually to hear the faint cry of an approaching being, the dim uproar of its violent efforts to obtain its sinister will, and gain the power to make itself known to him by some ghastly and malignant deed. He was unutterably afraid.

"The hand again!" Julian suddenly cried. "Valentine, is it yours? Why don't you answer? I say, is it yours?"

"No," Valentine forced himself, with difficulty, to reply.

"For God's sake then—the light!"

Valentine felt for it, but his hand shook and did not find the button.

"Make haste, Val. What are you doing? Ah!"

The room sprang into view, and Julian's eyes, with a furious, sick eagerness, sought his hands.

"Valentine," he exclaimed hoarsely, "I see nothing, but I've got hold of the hand still. I've got it tight. Put your hand here—that's it—under mine. Now d'you feel the thing?"

Julian's hand, contracted as if grasping another, was in the air, about an inch, or an inch and a half, above the surface of the table. Valentine obediently thrust his hand beneath it. He now shook his head.

"I feel nothing," he said. "There is nothing."

"Then am I mad?" said Julian. "I'm holding flesh and blood. I'll swear that. Yes, I can feel the fingers twitching, the muscles, the bones. I can even trace the veins. What does this mean?"

"I can't tell."

"You look very strange, Valentine. You are certain you see and feel nothing?"

"Nothing whatever," Valentine forced himself to answer calmly.

"We'll see this through," said Julian with a sort of angry determination. "I won't be frightened by a hand. We'll see it through. Out with the light."

Valentine turned it off. The action was purely mechanical. He had to perform it, whether he would or no.

"Don't speak," he whispered to Julian in the darkness. "Don't speak, whatever happens, till I ask you to speak."

"Why?"

"Don't; don't!"

"All right."

They sat still.

And now the horror that had possessed Valentine so utterly began to fade away, making its exit from his body and soul with infinitesimally small steps. At length it had quite gone, and its place was taken by a numb calm, level and still at first, then curiously definite, almost too definite to be calm at all. Gradually this calm withdrew into exhaustion, an exhaustion such as dwells incessantly with the anemic, with those whose hearts beat feebly and whose vitality flickers low to fading. That was like a delicious arrival of death, of death delicate and serene, ivory white and pure, death desirable, grateful. Valentine indeed believed that he was dying, there in the darkness beside his friend, and, impersonally as it seemed, something of him, his brain perhaps, seemed to be floating high up, as a bird floats over the sea, and listening, and noting all that he did in this crisis. This attentive spirit heard a strange movement of his soul in its bodily prison, heard his soul stir, as if waking out of sleep, heard it shift, and rise up slowly, noted its pause of hesitation. Then, as the vitality of the body ebbed lower, there grew in the soul an excitement that aspired like a leaping flame. It was as if a madman, prisoned in his narrow cell in a vast asylum, secluded with his company of phantoms, heard the crackling of the fire that devoured his habitation, and was stirred into an ignorant and yet tumultuous passion. As the madman, with a childish, increasing uneasiness, awed by the sinuous approach of the unseen fire, might pace to and fro, round and round about his cell, so it seemed to this poised, watching faculty of Valentine that his soul wandered in its confined cell of the body, at first with the cushioned softness of an animal, moving mechanically, driven by an endless and unmeaning restlessness, then with an increasing energy, a fervour, a crescendo of endeavour. What drove his soul? Surely it was struggling with an unseen power. And the steady diminuendo of his bodily forces continued, until he was a corpse in which a fury dwelt. That fury was the soul. He had a strange fancy that he, unlike all the rest of humanity, would die, yet still retain his spirit in its fleshy prison, and that the spirit screamed and fought to be free on its wayward pilgrimage to heaven or hell. All its brother and sister spirits had fled, since the beginnings of time, from their bodies at the crisis of dissolution, had gone to punishment or to reward. His soul alone was to meet a different fate, was to be confined in a decaying body, to breathe physical corruption, and to be at home in a crumbling dwelling to which no light, no air, could ever penetrate. And the soul, which knows instinctively its eternal mtier, rebelled with a fantastic violence. And still, ever, the body died. The pulses ceased from beating. The warm blood was mixed with snow until it grew cold and gradually congealed in the veins. The little door of the heart swung slower and slower upon its hinges, more feebly—more feebly. And then there came a supreme moment. The soul of Valentine, with a frantic vehemence, beat down at last its prison door, and, even as his body died, escaped with a cry through the air.

* * * * *

"Valentine, did you hear that strange cry?"

* * * * *

"Valentine, what was it? I never heard any sound like that before, so thin and small, and yet so horribly clear and piercing; neither like the cry of a child nor of an animal, nor like the wail that could come from any instrument. Valentine, now I see a little flame come from where you are sitting. It's so tiny and faint. Don't you see it? It is floating toward me. Now it is passing me. It's beyond. It's going. There, it has vanished. Valentine! Valentine!"



BOOK II—JULIAN



CHAPTER I

THE TRANCE

Gaining no reply to his call, Julian grew alarmed. He sprang up from the table and turned on the electric light. Valentine was leaning back nervelessly in his chair. His face was quite pale and cold. His lips were slightly parted. His eyes were wide open and stared before him without expression. His head hung far back over the edge of his chair. He looked exactly like a man who had just died, and died in a convulsion. For though the lips were parted, the teeth set tightly together grinned through them, and the hands were intensely contracted into fists. Julian seized Valentine in his arms, lifted the drooping body from the chair and laid it out at length on the divan. He put a pillow under the head, which fell on it grotesquely and lay sideways, still smiling horribly at nothing. Then he poured out a glass of brandy and strove to force some of it between Valentine's teeth, dashed water in the glaring eyes, beat the air with a fan which he tore from the mantelpiece. All was in vain. There came no sign of returning life. Then Julian caught Valentine's hands in his and sought to unclench the rigid, cold fingers. He laid his hand on the heart of his friend. No pulsation beat beneath his anxious touch. Then a great horror overtook him. Suddenly he felt a conviction that Valentine had died beside him in the dark, had died sitting up in his chair by the table. The cry he had heard, so thin, so strange and piercing, the attenuated flame that he had seen, were the voice and the vision of the flying soul which he had loved, seeking its final freedom, en route to the distant spheres believers dream of and sceptics deny.

"Valentine! Valentine!" he cried again, with the desperate insistence of the hopeless. But the cold, staring creature upon the green divan did not reply. With a brusque and fearful movement Julian shut the eyelids. Would they ever open again? He knelt upon the floor, leaning passionately over his friend, or that which had been his friend. He bent his head down on the silent breast, listening. Surely if Valentine were alive he would show it by some sign, the least stir, breath, shiver, pulse. There was none. Julian might have been clasping stone or iron. If he could only know for certain whether Valentine were really dead. Yet he dared not leave him alone and go to seek aid. Suddenly a thought struck him. In the hall of the flat was a handle which, when turned in a certain direction, communicated with one of those wooden and glass hutches in which sleepy boy-messengers harbour at night. Julian sprang to this handle, set the communicator in motion, then ran back into the tentroom. His intention was to write a note to Dr. Levillier. The writing-table was so placed that, sitting at it, his back would be turned to that silent figure on the divan. A shiver ran over him at the bare thought of such a blind posture. No, he must face that terror, once so dear. He caught up a pen and a sheet of note paper, and, swerving round, was about to write, holding the paper on his knee, when the electric bell rang. The boy had been very quick in his run from the hutch. Julian laid down the paper and went to let the boy in. His knees shook as he descended the dark, echoing stairs and opened the door. There stood the messenger, a rosy-faced urchin of about twelve, with rather sleepy brown eyes.

"Come up," Julian said, and he hurried back to the flat, the little boy violently emulating his giant stride up the stairs and arriving flushed and panting at the door. Julian, who was entirely abstracted in his agitation, made for the tentroom without another word to the boy, seized pen and paper and began to write, urgently requesting Dr. Levillier to come at once to see Valentine. Abruptly a childish voice intruded itself upon him.

"Lor', sir," it said. "Is the gentleman ill?"

Julian glanced up and found that the little boy had innocently followed him into the tentroom, and was now standing near him, gazing with a round-eyed concern upon the stretched figure on the divan.

"Yes," Julian replied; "ill, very ill. I want you to go for a doctor."

The boy approached the divan, moved apparently by the impelling curiosity of tender years. Julian stopped writing and watched him. He leaned down and looked at the face, at the inertia of hands and limbs. As he raised himself up from a calm and close inspection he saw Julian staring at him. He shook his round bullet head, on which the thick hair grew in an unparted stubble.

"No, I don't think he's ill, sir," he remarked, with treble conviction.

"Then why does he lie like that?"

"I expect it's because he's dead, sir," the child replied, with grave serenity.

This unbiased testimony in favour of his fears came to Julian's mind like a storm.

"How do you know?" he exclaimed, with a harsh voice.

"Lor', sir," the boy said, not without a certain pride, "I knows a corpse when I sees it. My father died come a fortnight ago. See that?"

And he indicated, with stumpy finger, the black band upon his left arm.

"Well, father looked just like the gentleman."

Julian was petrified by this urchin's intimacy with death. It struck him as utterly vicious and terrible. A horror of the rosy-faced little creature, with good-conduct medals gleaming on its breast, came over him.

"Hush!" he said.

"All right, sir; but you take my word for it, the gentleman's dead."

Julian finished the note, thrust it into an envelope, and addressed it to the doctor.

"Run and get a cab and take that at once to Harley Street," he said.

The boy smiled.

"I like cab-riding," he said.

"And," Julian caught his arm, "that gentleman is not dead. He's alive, I tell you; only in a faint, and alive."

The boy looked into Julian's face with the pitying grin of superior knowledge of the world.

"Ah, sir, you didn't see father," he said.

Then he turned and bounded eagerly down the stairs, in a hurry for the cab-ride.

Loneliness and desolation descended like a cloud over Julian when he had gone, for the frank belief of the boy, who cared nothing, struck like an arrow of truth to his heart, who cared everything. Was Valentine indeed dead? He would not believe it, for such a belief would bring the world in ruins about his feet. Such a belief would people his soul with phantoms of despair and of wickedness. Could he not cry out against God in blasphemy, if God took his friend from him? The tears rushed into his eyes, as he sat waiting there in the night. As before a drowning man, scenes of the last five years flashed before him, painted in vital colours,—scenes of his life with Valentine,—then scenes of all that might have been had he never met Valentine, never known his strange mastering influence. Could that influence have been given only to be withdrawn? Of all the inexplicable things of life the most inexplicable are the abrupt intrusions and disappearances of those lovely manifestations which give healing to tired hearts, to the wounded soldiers of the campaign of the world. Why are they not permitted to stay? Bitterly Julian asked that question. Of all the men whom he knew, only Valentine did anything for him. Must Valentine, of all men, be the one who might not stay with him? The rest he could spare. He could not spare Valentine. He could not. The impotence of his patience tortured him physically, like a disease. He sprang up from his chair. He must do something at once to know the truth. What could he do? He had no knowledge of medicine. He could not tabulate physical indications, and he would not trust to his infernal instinct. For it was that which cried to him again and again, "Valentine is dead." What—what could he do?

A thought darted into his mind. Dogs are miraculously instinctive. Rip might know what he did not certainly know, might divine the truth. He ran into Valentine's bedroom.

"Rip," he cried; "Rip!"

The little dog sprang from its lonely sleep and accompanied Julian energetically to the tentroom. Observing Valentine's attitude, it sprang upon the couch beside him, licked his white face eagerly, then, gaining no response, showed hesitation, alarm. It began to investigate the body eagerly with its sharp nose, snuffing at head, shoulders, legs, feet. Still it seemed in doubt, and paused at length with one fore foot planted on Valentine's breast, the other raised in air.

"Even Rip is at fault," Julian said to himself. But as the words ran through his mind, the little dog grew suddenly calmer. It dropped the hesitating paw, again licked the face, then nestled quietly into the space between Valentine's left breast and arm, rested its chin on the latter, and with blinking eyes prepared evidently for repose. A wild hope came again to Julian.

"Valentine is not dead," he said to himself. "He is in some strange hypnotic trance. Presently he will recover from it. He will be well. Thank God! Thank God! I will watch!"

And so he kept an attentive and hopeful vigil, his eyes always upon Valentine's face, his hand always touching Valentine's. Already life seemed blossoming anew with an inexplicable radiance. Valentine would speak once more, would come back from this underworld of the senses. And Julian's hand closed on his cold hand with a warm, impulsive strength, as if it might be possible to draw him back physically to consciousness and to speech. But there was no answer. And again Julian was assailed with doubts. Yet the dog slept on happily, a hostage to peace.

Julian never knew how long that vigil lasted. It might have been five minutes, or a lifetime. The vehemence of his mental debate slew his power of observation of normal things. He forgot what he was waiting for. He forgot to expect Dr. Levillier. Two visions alternated in glaring contrast before the eyes of his brain—life with Valentine, and life without him. It is so we watch the trance, or death,—we know not which,—of those whom we love, with a greedy, beautiful selfishness. They are themselves only in relation to us. They live, they die, in that wonderful relation. To live is to be with us; to die, to go away from us. There are women who love so much that they angrily expostulate with the dying, as if indeed the dying deliberately elected to depart out of their arms. Do we not all feel at moments the "You could stay with me, if only you had the will!" that is the last bitter cry of despairing affection? Julian, sitting there, while Valentine lay silent and the dog slept by his breast, saw ever and ever those two lives, flashing and fading like lamps across a dark sea, life with, life without, him. The immensity of the contrast, the millions of airy miles between those two life-worlds, appalled him, for it revealed to him what mighty issues of joy and grief hung upon the almost visionary thin thread of one little life. It is ghastly to be so idiotically dependent. Yet who, at some time, is not? And those who are independent lose, by their power, their possible Paradise. But such a time of uncertainty as that which Julian must now endure is a great penalty to pay for even the greatest joy, when the joy is past. He had his trance of the mind. He was hypnotized by his ignorance whether Valentine were alive or dead. And so he sat motionless, making the tour of an eternity of suffering, of wonder, of doubt, and hope, and yet, through it all, in some strange, indefinite way, numb, phlegmatic, and actually stupid.

At last the bell rang. Dr. Levillier had arrived. He was struck at once by Julian's heaviness of manner.

"What is it? What is the matter?" he asked.

"I don't know. You tell me."

"He is fainting—unconscious?"

"Unconscious, yes."

They were in the little hall now. Doctor Levillier narrowly scrutinized Julian. For a moment he thought Julian had been drinking, and he took him by the arm.

"No; it is fear," he murmured, releasing him, and walking into the tentroom.

Julian followed with a loud footstep, treading firmly. Each step said to Death, "You are not here. You are not here."

He stood at a little distance near the door, while Levillier approached Valentine and bent over him. Rip woke up and curled his top lip in a terrier smile of welcome. The doctor stroked his head, then lifted Valentine's hand and held the wrist. He dropped it, and threw a glance on Julian. There was a scream of interrogation in Julian's fixed eyes. Doctor Levillier avoided it by dropping his own, and again turning his attention to the figure on the divan. He undid Valentine's shirt, bared the breast, and laid his hand on the heart, keeping it there for a long time.

"Fetch me a hand-glass," he said to Julian.

Mechanically, Julian went into the bedroom, and groped in the dark upon the dressing-table.

"Well, have you got it? Why don't you turn up the light?"

"I don't know," Julian answered, drily.

Doctor Levillier saw that anxiety was beginning to unnerve him. When the glass was found the doctor led Julian back to the tentroom and pushed him gently down in a chair.

"Keep quiet," he said. "And—keep hoping."

"There is—there is—hope?"

"Why not?"

Then the doctor held the little glass to Valentine's lips. The bright surface was not dimmed. No breath of life tarnished it to dulness. Again the doctor felt his heart, drew his eyelids apart, and carefully examined the eyes, then turned slowly round.

"Doctor—doctor!" Julian whispered. "Why do you turn away? What are you going to do?"

Doctor Levillier made a gesture of finale, and knelt on the floor by Valentine. His head was bowed. His lips moved silently. Julian saw that he was praying, and sprang up fiercely. All the frost of his senses thawed in a moment. He seized Levillier by the shoulders.

"Don't pray!" he cried out; "don't pray. Curse! Curse as I do! If he's dead you shall not pray. You shall not! You shall not!"

The little doctor drew him down to his knees.

"Julian, hush! My science tells me Valentine is dead."

Julian opened his white lips, but the doctor, with a motion, silenced him, and added, pointing to Rip, who still lay happily by his master's side:

"But that dog seems to tell me he is alive; that this is some strangely complete and perfect simulation of death, some unnatural sleep of the senses. Pray, pray with me that Valentine may wake."

And, kneeling by his friend, with bent head, Julian strove to pray. The answer to that double prayer pierced the two men. It was so instant, and so bizarre, fighting against probability, yet heralding light, and the end of that night's pale circumstances.

Rip, relapsing quickly from his perfunctory smile on the doctor, had again fallen asleep with an evident exceeding confidence and comfort, snoring his way into an apparent peace that passed all understanding. But scarcely had the doctor spoken, giving Julian hope, than the little dog suddenly opened its eyes, shifted round in its nest of arm and bosom, smelt furtively at Valentine's hand. Then it turned from the hand to the side of its master, investigated it with a supreme anxiety, pursued its search as far as the white, strict face and bared bosom. From the face it recoiled, and with a piercing howl like the scream of a dog run over by a cart, it sprang away, darted to the farthest corner of the room, and huddled close against the wall in an agony of terror.

Julian turned cold. He believed implicitly that the trance at that very moment had deepened into death, and that the sleepless instinct of the dog had divined it partially while he slept, and now knew it and was afraid. And the same error of belief shook Dr. Levillier. A spasm crossed his thin, earnest face. No death had ever hurt him so sharply as this death hurt him. He saw Julian recoil in horror from the divan, and he could say nothing. For he, too, felt horror.

But in this moment of despair Valentine's hands slowly unclenched themselves, and the fingers were gradually extended as by a man stretching himself after a long sleep.

The doctor saw this, but believed himself a victim of a delusion, tricked by the excitement of his mind into foolish visions. And Julian had turned quite away, trembling. But now Valentine moved slightly, pressed his elbows on the cushions that supported him, and half sat up, still with closed eyes.

"Julian," Dr. Levillier said in a low, summoning voice,—"Julian, do you see what I see? Is he indeed alive? Julian."

Then Julian, turning, saw, with the doctor, Valentine sit up erect, open his eyes and gaze upon his two friends with a grave, staring scrutiny.

"Valentine, Valentine, how you frightened me! How you terrified me!" Julian at last found a voice to exclaim. "Thank God, thank God! you are alive. Oh, Valentine, you are alive; you are not dead."

Valentine's lips smiled slowly.

"Dead," he answered. "No; I am not dead."

And again he smiled quietly, as a man smiles at some secret thought which tickles him or whips the sense of humour in him till, like an obeying dog, it dances.

Dr. Levillier, having regained his feet, stood silently looking at Valentine, all his professional instinct wide awake to note this apparent resurrection from the dead.

"You here, doctor!" said Valentine. "Why, what does this all mean?"

"I want you to tell me that," Levillier said. "And you," he added, now turning towards Julian.

But Julian was too much excited to answer. His eyes were blazing with joy and with emotion. And Valentine seemed still to be informed with a curious, serpentine lassitude. The life seemed to be only very gently running again over his body, creeping from the centre, from the heart, to the extremities, gradually growing in the eyes, stronger and stronger, a dawn of life in a full-grown man. Dr. Levillier had never seen anything quite like it before. There was something violently unnatural about it, he thought, yet he could not say what. He could only stand by the broad couch, fascinated by the spectacle under his gaze. Once he had read a tale of the revivifying of a mummy in a museum. That might have been like this; or the raising of Lazarus. The streams of strength almost visibly trickled through Valentine's veins. And this new life was so vigorous, so alert. It was as if during his strange sleep Valentine had been carpentering his energies, polishing his powers, setting the temple of his soul in order, gaining almost a ruthlessness from rest. He stretched his limbs now as an athlete might stretch them to win the full consciousness of their muscular force. When the doctor took hold of his hand to feel his pulse the hand was hard and tense like iron, the fingers gripped for a moment like thin bands of steel, and the life in the blue eyes bounded, raced, swirled as water swirls in a mill-stream. Indeed, Dr. Levillier felt as if there was too much life in them, as if the cup had been filled with wine until the wine ran over. He put his fingers on the pulse. It was strong and rapid and did not fluctuate, but beat steadily. He felt the heart. That, too, throbbed strongly. And while he made his examination Valentine smiled at him.

"I'm all right, you see," Valentine said.

"All right," the doctor echoed, still possessed by the feeling that there lurked almost a danger in this apparently abounding health.

"What was it all?" Julian asked eagerly. "Was it a trance?"

"A trance?" Valentine said. "Yes, I suppose so."

He put his feet to the floor, stood up, and again stretched all his limbs. His eyes fell upon Rip, who was still in the corner, huddled up, his teeth showing, his eyes almost starting out of his head.

"Rip," he said, holding out his hand and slapping his knee, "come here! Come along! Rip! Rip! What's the matter with him?"

"He thought you were dead," said Julian. "Poor little chap. Rip, it's all right. Come!"

But the dog refused to be pacified, and still displayed every symptom of angry fear. At last Valentine, weary of calling the dog, went towards it and stooped to pick it up. At the downward movement of its master the dog shrank back, gathered itself together, then suddenly sprang forward with a harsh snarl and tried to fasten its teeth in his face. Valentine jumped back just in time.

"He must have gone mad," he exclaimed. "Julian, see what you can do with him."

Curiously enough, Rip welcomed Julian's advances with avidity, nestled into his arms, but when he walked toward Valentine, struggled to escape and trembled in every limb.

"How extraordinary!" Julian said. "Since your trance he seems to have taken a violent dislike to you. What can it mean?"

"Oh, nothing probably. He will get over it. Put him into the other room."

Julian did so and returned.

Doctor Levillier was now sitting in an arm-chair. His light, kind eyes were fixed on Valentine with a scrutiny so intense as to render the expression of his usually gentle face almost stern. But Valentine appeared quite unconscious of his gaze and mainly attentive to all that Julian said and did. All this time the doctor had not said a word. Now he spoke.

"You spoke of a trance?" he said, interrogatively.

Julian looked as guilty as a cribbing schoolboy discovered in his dingy act.

"Doctor, Val and I have to crawl to you for forgiveness," he said.

"To me—why?"

"We have disobeyed you."

"But I should never give you an order."

"Your advice is a command to those who know you, doctor," said Valentine, with a sudden laugh.

"And what advice of mine have you put in the corner with its face to the wall?"

"We have been table-turning again."

"Ah!"

Doctor Levillier formed his lips into the shape assumed by one whistling.

"And this has been the result?"

"Yes," Julian cried. "Never, as long as I live, will I sit again. Val, if you go down on your knees to me—"

"I shall not do that," Valentine quietly interposed. "I have no desire to sit again now."

"You both seem set against such dangerous folly at last," said the doctor. "Give me your solemn promise to stick to what you have said."

And the two young men gave it, Julian with a strong gravity, Valentine with a light smile. Julian had by no means recovered his usual gaiety. The events of the night had seriously affected him. He was excited and emotional, and now he grasped Valentine by the arm as he exclaimed:

"Valentine, tell me, what made you give that strange cry just before you went into your trance? Were you frightened? or did something—that hand—touch you? Or what was it?"

"A cry?"

"Yes."

"It was not I."

"Didn't you hear it?"

"No."

Julian turned to the doctor.

"It was an unearthly sound," he said. "Like nothing I have ever heard or imagined. And, doctor, just afterward I saw something, something that made me believe Valentine was really dead."

"What was it?"

Julian hesitated. Then he avoided directly replying to the question.

"Doctor," he said, "of course I needn't ask you if you have often been at deathbeds?"

"I have. Very often," Levillier replied.

"I have never seen any one die," Julian continued, still with excitement. "But people have told me, people who have watched by the dying, that at the moment of death sometimes a tiny flame, a sort of shadow almost, comes from the lips of the corpse and evaporates into the air. And they say that flame is the soul going out of the body."

"I have never seen that," Levillier said. "And I have watched many deaths."

"I saw such a flame to-night," Julian said. "After I heard the cry, I distinctly saw a flame come from where Valentine was sitting and float up and disappear in the darkness. And—and afterwards, when Valentine lay so still and cold, I grew to believe that flame was his soul and that I had actually seen him die in the dark."

"Imagination," Valentine said, rather abruptly. "All imagination. Wasn't it, doctor?"

"Probably," Levillier said. "Darkness certainly makes things visible that do not exist. I have patients who are perfectly sane, yet whom I forbid ever to be entirely in the dark. Remove all objects from their sight, and they immediately see non-existent things."

"You think that flame came only from my inner consciousness?" Julian asked.

"I suspect so. Shut your eyes now."

Julian did so. Doctor Levillier bent over and pressed his two forefingers hard on Julian's eyes. After a moment,

"What do you see?" he asked.

"Nothing," Julian replied.

"Wait a little longer. Now what do you see?"

"Now I see a broad ring of yellow light edged with ragged purple."

"Exactly. You see flame-colour."

He removed his fingers and Julian opened his eyes.

"Yes," he said. "But that cry. I most distinctly heard it."

"Imitate it."

"That would be impossible. It was too strange. Are the ears affected by darkness?"

"The sense of hearing is intimately affected by suspense. If you do not listen attentively you may fail to hear a sound that is. If you listen too attentively you may succeed in hearing a sound that is not. Now, shut your eyes again."

Julian obeyed.

"I am going to clap my hands presently," said the doctor. "Tell me as soon as you have heard me do so."

"Yes."

Doctor Levillier made no movement for some time. Then he softly leant forward, extended his arms in the air, and made the motion of clapping his hands close to Julian's face. In reality he did not touch one hand with the other, yet Julian cried out:

"I heard you clap them then."

"I have not clapped them at all," Levillier said.

Julian expressed extreme surprise.

"You see how very easy it is for the senses to be deceived," the doctor added. "Once stir the nervous system into an acute state of anticipation, and it will conjure up for you a veritable panorama of sights, sounds, bodily sensations. But throw it into that state once too often, and the panorama, instead of passing and disappearing, may remain fixed for a time, even forever, before your eyes, your ears, your touch. And that means recurrent or permanent madness. Valentine, I desire you most especially to remember that."

He uttered the words weightily, with very definite intention. Valentine, who still seemed to be in an unusually lazy or careless mood, laughed easily.

"I will remember," he said.

He yawned.

"My trance has made me sleepy," he added.

The doctor got up.

"Yes; bed is the best place for you," he said.

"And for us all, I suppose," added Julian. "Though I feel as if I could never sleep again."

The doctor went out into the hall to get his coat, leaving the friends alone for a moment.

"I am still so excited," Julian went on. "Dear old fellow! How good it is to see you yourself again. I made up my mind that you were dead. This is like a resurrection. Oh, Val, if you had been dead, really!"

"What would you have done?"

"Done! I don't know. Gone to the devil, probably."

"Do you know where to find him?"

"My dear boy, he is in every London street, to begin with."

"In Victoria Street, even. I was only laughing."

"But tell me, what did you feel?"

"Nothing. As if I slept."

"And you really heard, saw, nothing?"

"Nothing."

"And that hand?"

Valentine smiled again, and seemed to hesitate. But then he replied, quietly:

"I told you I could not feel it."

"I did, until I heard that dreadful cry, and then it was suddenly drawn away from me."

Doctor Levillier appeared in the doorway with his overcoat on, but Julian did not notice him. Again his excitement was rising. He began to pace up and down the room.

"My God!" he said, vehemently, "what would Marr say to all this? What does it mean? What can it mean?"

"Don't let us bother too much about it."

"Excellent advice," said Levillier, from the doorway.

Julian stood still.

"Doctor, I can understand your attitude," he said. "But what an amazing being you are, Val. You are as calm and collected as if you had sat and held converse with spirits all through your life. And yet something has governed you, has temporarily deprived you of life. For you were to all intents and purposes dead while you were in that trance."

"Death is simply nothing, and nothingness does not excite or terrify one. I never felt better than I do at this moment."

"That's well," said Levillier, cheerfully.

Julian regarded Valentine's pure, beautiful face with astonishment.

"And you never looked better."

"I shall sleep exquisitely to-night, or rather this morning," Valentine said.

As he spoke he drew away the heavy green curtain that hung across the window. A very pale shaft of light stole in and lit up his white face.

It was the dawn, and, standing there, he looked like the spirit of the dawn, painted against the dying night in such pale colours, white, blue, and shadowy gold, a wonder of death and of life.

In the silence Dr. Levillier and Julian gazed at him, and he seemed a mystery to them both, a strange enigma of purity and of unearthliness.

"Good-bye, Cresswell," Levillier said at last.

"Good-bye, doctor."

"Good-bye, Valentine."

Julian held out his hand to grasp his friend's, but Valentine began looping up the curtain and did not take it. In his gentlest voice he said to Julian:

"Good-bye, dear Julian, good-bye. The dawn is on our friendship, Julian."

"Yes, Valentine."

Valentine added, after a moment of apparent reflection:

"Take Rip away with you just for to-night. I don't want to be bitten in my sleep."

And when Julian went away, the little dog eagerly followed him, pressing close to his heels, so close that several times Julian could not avoid kicking him.

As soon as the flat door had closed on his two friends, Valentine walked down the passage to the drawing-room, which was shrouded in darkness. He entered it without turning on the light, and closed the door behind him. He remained in the room for perhaps a quarter of an hour. At length the door opened again. He emerged out of the blackness. There was a calm smile on his face. Two of his fingers were stained with blood, and to one a fragment of painted canvas adhered.

When Valentine's man-servant went into the room in the morning and drew up the blinds, he found, to his horror, the picture of "The Merciful Knight" lying upon the floor. The canvas hung from the gold frame in shreds, as if rats had been gnawing it.



CHAPTER II

THE PICCADILLY EPISODE

Doctor Levillier and Julian bade each other good-bye on the doorstep. The doctor hailed a hansom, but Julian preferred to walk. He wished to be alone, to feel the cold touch of the air on his face. The dawn was indeed just breaking, ever so wearily. A strong wind came up with it over the housetops, and Victoria Street looked dreary in the faint, dusky, grey light, which grew as slowly in the cloudy sky as hope in a long-starved heart. Julian lived in Mayfair, and he now walked forward slowly towards Grosvenor Place, making a deliberate detour for the sake of exercising his limbs. He was glad to be out under the sky, glad to feel the breeze on his face, and to be free from the horror of that little room in which he had kept so appalling a vigil. The dull lines of the houses stretching away through the foggy perspective were gracious to his eyes. His feet welcomed the hard fibre of the pavement. They had learned in that night almost to shudder at the softness of a thick carpet. And all his senses began to come out of their bondage and to renew their normal sanity. Only now did Julian realize how strenuous that bondage had been, a veritable slavery of the soul. Such a slavery could surely only have been possible within the four walls of a building. An artificial environment must be necessary to such an artificial condition of feeling. For Julian now gradually began to believe that Dr. Levillier was right, and that he had somehow allowed himself to become unnaturally affected and strung up. He could believe this in the air and in the dawn. For he escaped out of prison as he walked, and heard the dirty sparrows begin to twitter as they sank to the brown puddles in the roadway, or soared to the soot that clung round the chimneys which they loved.

And yet he had been communing with death, had for the first time completely realized the fact and the meaning of death. What a demon of the world it was, sly, bitter, chuckling at its power, the one thing, surely, that has perfect enjoyment of all the things in the scheme of the earth. What a trick it had played on Julian and on Valentine. What a trick! And as this idea struck into Julian's mind he found himself on the pavement by the chemist's shop that is opposite to the underground railway station of Victoria. His eyes fell on the hutch of the boy-messengers, and he beheld through the glass shutter three heads. He crossed the road and tapped on the glass. A young man pulled it up.

"Want to send a message, sir?"

"No. I wish to speak to one of your boys, if the one I mean is here. Ah, there he is."

Julian pointed to his little Hermes of the midnight, who was crouched within, uneasily sleeping, his chin nestling wearily among the medals which his exemplary conduct had won for him. The young man shook the child by the shoulder.

"Hulloh, Bob!" he yelled. "Here's a gentleman wants to speak to yer."

Bob came from his dreams with a jerk, and stared upon Julian with his big brown eyes. Presently he began to realize matters.

"Want another doctor, sir? It ain't no manner of good," he remarked airily, beginning to search for his cap, and to glow in the prospect of another cab-ride.

"No," said Julian. "I stopped to tell you that you were wrong. The gentleman is quite well again."

He put his hand into his pocket and produced half a crown.

"There's something for your mistake," he said.

Bob took it solemnly, and, as Julian walked on, called after him:

"It wasn't my fault, sir; it was father's."

He had more desire to shine as an intellectual authority on great matters of dissolution than to respect the departed. Julian could not help smiling at the child's evident discomfiture as he pursued his way towards Grosvenor Place. On one of the doorsteps of the big houses that drive respect like a sharp nail into the hearts of the poor passers-by, a ragged old woman was tumultuously squatting. Her gin-soddened face came, like a scarlet cloud, to the view from the embrace of a vagabond black bonnet, braided with rags, viciously glittering here and there with the stray bugles which survived from some bygone era of comparative respectability. Her penetrating snores denoted that she was oblivious of the lounging approach of the policeman, whose blue and burly form was visible in the extreme distance. Julian stopped to observe her reflectively. His eye, which loved the grotesque, was pleased by the bedragglement of her attitude, by the flat foot, in its bursting boot, which protruded from the ocean of her mud-stained petticoats, by the wisps of coarse hair wandering in the breeze above her brazen wrinkles. Poor soul! she kept a diary of her deeds, even though she could perhaps only make a mark where her signature should have been. Julian stared at her very intently, and as he did so he started violently, for across the human background which her sleeping dissipation supplied there seemed to float the vague shadow, suggestion, call it what you will, of a tongue of flame.

He walked hastily on, angrily blaming his nerves. As he passed the policeman he fancied he noticed that the man glanced at him with a certain flickering suspicion. Was horror legibly written in his face? he wondered uneasily, confessing to himself that even in the dawn and the lap of Grosvenor Place a horror had again seized him. What did this shadow which he had now twice seen portend? Surely his nerves were not permanently upset. He was at first heartily ashamed of himself. Near St. George's Hospital, gaunt and grey in the morning, he stopped again, bent his left arm forcibly, and with his right hand felt the hard lump of muscle, that sprang up like a ball of iron under his coat sleeve. And as he felt it he cursed himself for the greatest of all fools. Thin, meagre little men of the town, tea-party men whose thoughts were ever on their ties and their moustaches, no doubt gave themselves up readily to disturbances of the nerves. But Julian had always prided himself on being an athlete, able to hold his own in the world by mere muscular force, if need be. He had found it possible to develop side by side brain and biceps, each to an adequate end. It had seemed grand to him to hold these scales of his being evenly, to balance them to a hair. Those scales hung badly now, lopsidedly. One was up in the clouds. He resolved that the other should correct it. After a cold bath and a sleep he would go round to Angelo's and have an hour's hard fencing. Cold water, the Englishman's panacea for every ill, cold steel, the pioneer's Minerva, would tonic this errant brain of his and drill it into its customary obedience. So he said to himself.

And yet as he walked there came to him a notion that this little shadow of a flame was still his companion; that this night just passed, this day just begun, were the birthnight and the birthday of this small, ghostlike thing which had come into being to bear him company, to haunt him. Yes, as he walked, followed always closely by Rip, and saw the tall iron gates of the Park, Apsley House, the long line of Piccadilly, all uncertain, gentle, reduced to a whimsical mildness of aspect in the half-light of the dawning, he again recalled the fact, which he had mentioned that night to Doctor Levillier, of people watching an invalid who had seen, at the precise moment of dissolution, the soul escaping furtively from its fleshy prison like a flame, which was immediately lost in the air. Surely, wandering souls, if indeed there were such things, might still retain this faint semblance of a shape, a form. And if so, they might perhaps occasionally conceive a fantastic attachment to a human being, and companion him silently as the dog companions his master. He might have such a companion, whose nature he could not comprehend, whose object in seeking him out he could not guess. Perhaps it felt affection toward him; perhaps, on the other hand, enmity. A lover, or a spy—it might be either. Or it might have no definite purpose, but simply drift near him in the air, as some human beings drift feebly along together through life, because they have long ago loved each other, or thought each other useful, or fancied, in some moment of madness, that God meant them for each other. It might be an aimless, dreary soul, unable to be gone from sheer dulness of purpose—a soul without temperament, without character.

As this thought crossed Julian's mind he happened to glance at the front of a shop on his left, and against the iron shutters the flame was dimly but distinctly outlined. He stopped at once to look at it, but even as he stopped it was gone. Then he sternly brought himself back from the vague regions of fancy, and was angry that he had permitted himself to wander in them like a child lost in the forest. He bent down and patted Rip, and sought to wrench his mind from its wayward course, and to thrust it forcibly into its accustomed groove of healthy sanity. Yet sanity seemed to become abruptly commonplace, a sort of whining crossing-sweeper, chattering untimely, meaningless phrases to him. To divert himself entirely he paused beside a peripatetic coffee-stall, presided over by a grey-faced, prematurely old youth, with sharp features and the glancing eyes of poverty-stricken avarice.

"Give me a cup of coffee," he said.

The youth clattered his wares in excited obedience.

While he was pouring out the steaming liquid there drifted down to Julian through the grey weariness of the morning a painted girl of the streets, crowned with a large hat, on which a forest of feathers waved in the weak and chilly breeze. Julian glanced at her idly enough and she glanced back at him. Horror, he thought, looked from her eyes as if from a window. As she returned his gaze she hovered near him in the peculiar desultory way of such women, and Julian, glad of any distraction, offered her a cup of coffee. She drew nearer and accepted it.

"And a bun, my dear," she hinted to the sharp-featured youth.

"And a bun," echoed Julian, seeing his doubtful pause of hesitation.

The bun came into view from a hidden basket, and the meal began, Julian, Rip, and the lady of the feathers forming a companionable group upon the kerb. The lady's curious and almost thrilling expression, which had seemed to beacon from some height of her soul some exceptional and dreary deed, faded under the influence of the dough and currants. A smile overspread her thin features. She examined Julian with a gracious interest.

"It's easy to see you've been makin' a night of it, Bertie," she remarked casually at length, in the suffocated voice of one divided between desire of conversation and love of food.

"You think so?" said Julian.

"Think so, dear, I'm sure so! Ask me another as I don't know; do darlin'."

Julian took another draught from the thick coffee-cup that held so amazingly little.

"And what about yourself?" he said. "Why are you out here so early?"

The lady of the feathers cast a suspicious glance upon him. Then the horror dawned again in her eyes.

"I'm afraid to go home," she said. "Yes, that's a fact."

"Afraid—why?" Julian spoke abstractedly. In truth he merely talked to this floating wisp of humanity to distract his mind, and thought of her as a strange female David of the streets sent to make a cockney music in his ears that his soul might be rid of its evil spirit.

"Never you mind why," the lady answered.

She shivered suddenly, violently, as a dog just come out of water.

"Have another cup?" Julian said.

"And a bun, dearie," the lady again rejoined. She shook her head till all the feathers danced.

"Never you mind why," she said, reverting again to his vagrant question. "There's some things as don't do to talk about."

"I'm sure I've no wish to pry into your private affairs," Julian rejoined carelessly.

But again he noticed the worn terror of her face. Surely that night she, too, had passed through some unwonted experience, which had written its sign-manual amid the paint and powder of her shame.

The lady stared back at him. Beneath her tinted eyelids the fear seemed to grow like a weed. Tears followed, rolling over her cheeks and mingling with the coffee in her cup.

"Oh dear," she murmured lamentably. "Oh, dear, oh!"

"What's the matter?" said Julian.

But she only shook her head, with the peevish persistence of weak obstinacy, and continued vaguely to weep as one worn down by chill circumstance.

Julian turned his eyes from her to the coffee-stall, in which the sharp-featured youth now negligently leant, well satisfied with the custom he had secured. Behind the youth's head it seemed to Julian that the phantom flame hung trembling, as if blown by the light wind of the morning. He laid his hand on the lady's left arm and unconsciously closed his fingers firmly over the flesh, while, in a low voice, he said to her:

"Look there!"

The lady of the feathers stopped crying abruptly, as if her tears were suddenly frozen at their source.

"Where, dearie?" she said jerkily. "Whatever do you mean?"

"There where the cups are hung up. Don't you see anything?"

But the lady was looking at him, and she now dropped her cup with a crash to the pavement.

"There's a go," said the sharp-featured youth. "You're a nice one, you are!"

Without regarding his protest, the lady violently wrenched her arm from Julian's grasp and recoiled from the stall.

"Le-go my arm," she babbled hysterically. "Le-go, I say. I can't stand any more—no, I can't."

"I'm not going to hurt you," said Julian, astonished at her outburst.

But she only repeated vehemently:

"Let go, let me go!"

Backing away, she trod the fallen coffee-cup to fragments on the pavement, and began to drift down Piccadilly, her face under the feathers set so completely round over her shoulder, in observation of Julian, that she seemed to be promenading backwards. And as she went she uttered deplorable wailing sounds, which gradually increased in volume. Apparently she considered that her life had been in imminent danger, and that she saved herself by shrieks; for, still keeping her face toward the coffee-stall, she faded away in the morning, until only the faint noise of her retreat betokened her existence any longer.

The sharp-featured youth winked wearily at Julian from the midst of his grove of coffee-cups.

"Nice things, women, sir," he ejaculated. "Good ayngels the books calls 'm. O Gawd!"

Julian paid him and walked away.

And as he went he found himself instinctively watching for the fleeting shadow of a flame, trying to perceive it against the grey face of a house, against the trunk of a tree, the dark green of a seat. But the light of the mounting morning grew ever stronger and the flame-shaped shadow did not reappear.

Julian reached his chambers, undressed abstractedly and went to bed. Before he fell asleep he looked at Rip reposing happily at the foot of the bed, and had a moment of shooting wonder that the little dog was so completely comfortable with him. That it had flown at its master, who had always been kind to it, whom it had always seemed to love hitherto, puzzled Julian.

But then so many things had puzzled him within the last few days.

He stroked Rip with a meditative hand and lay down. Soon his mind began to wander in the maze whose clue is sleep. He was with Valentine, with Doctor Levillier, with the sharp-featured youth and the lady of the feathers. They sat round a table and it was dark; yet he could see. And the lady's feathers grew like the beanstalk of Jack the Giant-killer towards heaven and the land of ogres. Then Julian climbed up and up till he reached the top of the ladder. And it seemed to him that the feather ladder ended in blue space and in air, and that far away he saw the outline of a golden bar. And on this bar two figures leaned. One seemed an angel, one a devil. Yet they had faces that were alike, and were beautiful. They faded.

Julian seemed vaguely to hear the sharp-featured youth say, "Good ayngels! O Gawd!"

Was that the motto of his sleep?



CHAPTER III

A DRIVE IN THE RAIN

When Julian returned from Angelo's the next morning he found lying upon the breakfast table a note, and, after the custom of many people, before opening it he read the address on the envelope two or three times and considered who the writer might be. It struck him at once that the writing ought to be familiar to him and capable of instant identification. The name of his correspondent was literally on the tip of his mind. Yet he could not utter it. And so at last he broke the seal. Before reading the note he glanced at the signature: "Valentine."

Julian was surprised. He knew now why he had seemed to remember, yet had not actually remembered, the handwriting. Regarding it again, he found it curiously changed from Valentine's usual hand, yet containing many points of resemblance. After a while he came to the conclusion that it was like a bad photograph of the original, imitating, closely enough, all the main points of the original, yet leaving out all the character, all the delicacy of it. For Valentine's handwriting had always seemed to Julian to express his nature. It was rather large and very clear, but delicate, the letters exquisitely formed, the lines perfectly even, neither depressed nor slanting upwards. This note was surely much more coarsely written than usual. And yet, of course, it was Valentine's writing. Julian wondered he had not known. He read the note at last:

"DEAR JULIAN,

"I am coming over to see you this afternoon about five, and shall try and persuade Rip to restore me to his confidence. I hope you will be in. Are you tired after last night's experiences? I never felt better.

"Ever yours, "VALENTINE."

"And yet," Julian thought, "I should have guessed by your writing that you were in some unusual frame of mind, either tired, or—or—" he looked again, and closely, at the writing,—"or in a temper less delightfully calm and seraphic than usual. Yes, it looks actually a bad-tempered hand. Valentine's!" Then he laughed, and tossed the note carelessly into the fire that was crackling upon the hearth. Rip lay by it, quietly sleeping.

Punctually at five o'clock Valentine appeared. Rip was still lying happily before the fire, but directly the dog caught sight of its master all the hair along the middle of its back bristled on end, and it showed every symptom of acute distress and fury. Julian was obliged to put it out of the room.

"What can have come over Rip, Valentine?" he said, as he came back. "This sudden hatred of you is inexplicable."

"Absolutely," Valentine answered. "But it is sure to pass away. There was something uncanny about that trance of mine which frightened the little beggar."

"Perhaps. But the oddest thing is, that while you were insensible Rip lay with his head upon your arm as contented as possible. It was only just as you began to show signs of life that he seemed to turn against you. I can't understand it."

"Nor I. Have you seen Marr to-day?"

"No. I haven't been to the club. I am so glad you don't know him."

Valentine laughed. He was lying back in a big chair, smoking a cigarette. His face was unclouded and serene, and he had never looked more entirely healthy. Indeed, he appeared much more decisively robust than usual. Julian noticed this.

"Your trance seems positively to have done you good," he said.

"It certainly has not done me harm. My short death of the senses has rested me wonderfully. I wonder if I am what is called a medium."

"I shouldn't be surprised if you are," Julian said. "But I don't think I could be surprised at anything to-day. Indeed, I have found myself dwelling with childish pleasure upon the most preposterous ideas, hugging them to my soul, determining to believe in them."

"Such as—what?"

"Well, such as this."

And then Julian told Valentine of his curious notion that some wandering soul was beginning to companion him, and described how he had thought he saw it when he was gazing at the old woman in Grosvenor Place, and again when he was with the lady of the feathers.

"But," Valentine said, "you say you were staring very hard at the old woman?"

"Yes."

"That might account for the matter of the first appearance of the flame in daylight. If you look very steadily at some object, a kind of slight mirage will often intervene between you and it."

"Perhaps. But I have seen this shadow of a flame when I was not thinking of it or expecting it."

"When?"

"Just now. As you came into the room I saw it float out at that door."

"You are sure?"

"I believe so. Yes, I am."

"But why should this soul, if soul it be, haunt you?"

"I can't tell. Perhaps, Val, you and I ought not to have played at spiritualism as we should play at a game. Perhaps—"

Julian paused. He was looking anxious, even worried.

"Suppose we have not stopped in time," he said.

Valentine raised his eyebrows.

"I don't understand."

Julian was standing exactly opposite to him, leaning against the mantelpiece and looking down at him.

"We ought never to have sat again after our conversation with the doctor," Julian said. "I feel that to-day, so strongly. I feel that perhaps we have taken just the one step too far,—the one step in the dark that may be fatal."

"Fatal! My dear Julian, you are unstrung by the events of the night."

But the calm of Valentine's voice did not seem to sway Julian. He continued:

"Valentine, now that I am with you, I am attacked by a strange idea."

"What is it?"

"That last night may have its consequences; yes, even though we strive to forget it, and to forget our sittings. If it should be so! If anything—"

He was curiously upset, and did not seem able to-day to take the influence of Valentine's mood. Indeed, this new anxiety of his was only born in Valentine's presence, was communicated apparently by him.

"Everything one does has its following consequence," Julian said.

"It is the fashion to say so. I do not believe it. I believe, on the contrary, that we often do things with a special view to the doctrine of consequence, and that our intentions are frustrated by the falseness of the doctrine. Suppose I kiss a woman. I may do so with intention to make her love me, or, on the other hand, to make her hate me. The chances are that she does neither the one nor the other. She simply forgets all about such a trifle, and we go on shaking hands politely for the rest of our natural lives. Julian, the memories of most people are like winter days—very short."