The wood cooper follows his trade in a rude shed, splitting poles and making hoops the year through, in warm summer and iron-clad winter. His shed is always pitched at the edge of a great woodland district. Where the road has worn in deeply the roots of the beeches hang over, twisted in and out like a giant matting, a kind of cave under them. Dark yew trees and holly trees stand here and there; a yew is completely barked on one side, stripped clean. If you look close you will see scores in the wood as if made with a great nail. Those who know Exmoor will recognise these signs in a moment; it is a fraying-post where the stags rubbed the velvet from their horns last summer. There are herds of red deer in the park. At one time there were said to be almost as many as run free and wild over the expanse of Exmoor. They mark the trees very much, especially those with the softer bark. Wire fencing has been put round many of the hollies to protect them. A stag occasionally leaps the boundary and forages among the farmers' corn, or visits a garden, and then the owner can form some idea of what must have been the difficulties of agriculture in mediaeval days. Deer more than double the interest of a park. A park without deer is like a wall without pictures. However well proportioned the room, something is lacking if the walls be blank. However noble the oaks and wide the sweep of sward, there is something wanting if antlers do not rise above the fern. The pictures that the deer make are moving and alive; they dissolve and re-form in a distant frame of tree and brake. Lately the herd has been somewhat thinned, having become too numerous. One slope is bare of grass, a patch of yellow sand, which if looked at intently from a distance seems presently to be all alive like mites in cheese, so thick are the rabbits in the warren. Under a little house, as it were, built over a stream is a chalybeate fountain with virtues like those of Tunbridge Wells.

The park is open to visitors—here comes a gay four-in-hand heavily loaded sweeping by on its road to that summer town. There is much ironstone in the soil round about. At the edge of the park stands an old farmhouse of timber and red tile, with red oast-house beside it, built with those gables which our ancestors seemed to think made such excellent rooms within. Our modern architects try to make their rooms mathematically square, a series of brick boxes, one on the other like pigeon-holes in a bureau, with flat ceilings and right angles in the corners, and are said to go through a profound education before they can produce these wonderful specimens of art. If our old English folk could not get an arched roof, then they loved to have it pointed, with polished timber beams in which the eye rested as in looking upwards through a tree. Their rooms they liked of many shapes, and not at right angles in the corners, nor all on the same dead level of flooring. You had to go up a step into one, and down a step into another, and along a winding passage into a third, so that each part of the house had its individuality. To these houses life fitted itself and grew to them; they were not mere walls, but became part of existence. A man's house was not only his castle, a man's house was himself. He could not tear himself away from his house, it was like tearing up the shrieking mandrake by the root, almost death itself. Now we walk in and out of our brick boxes unconcerned whether we live in this villa or that, here or yonder. Dark beams inlaid in the walls support the gables; heavier timber, placed horizontally, forms, as it were, the foundation of the first floor. This horizontal beam has warped a little in the course of time, the alternate heat and cold of summers and winters that make centuries. Up to this beam the lower wall is built of brick set to the curve of the timber, from which circumstance it would appear to be a modern insertion. The beam, we may be sure, was straight originally, and the bricks have been fitted to the curve which it subsequently took. Time, no doubt, ate away the lower work of wood, and necessitated the insertion of new materials. The slight curve of the great beam adds, I think, to the interest of the old place, for it is a curve that has grown and was not premeditated; it has grown like the bough of a tree, not from any set human design. This, too, is the character of the house. It is not large, nor overburdened with gables, not ornamental, nor what is called striking, in any way, but simply an old English house, genuine and true. The warm sunlight falls on the old red tiles, the dark beams look the darker for the glow of light, the shapely cone of the hop-oast rises at the end; there are swallows and flowers, and ricks and horses, and so it is beautiful because it is natural and honest. It is the simplicity that makes it so touching, like the words of an old ballad. Now at Mayfield there is a timber house which is something of a show place, and people go to see it, and which certainly has many more lines in its curves and woodwork, but yet did not appeal to me, because it seemed too purposely ornamental. A house designed to look well, even age has not taken from it its artificiality. Neither is there any cone nor cart-horses about. Why, even a tall chanticleer makes a home look homely. I do like to see a tall proud chanticleer strutting in the yard and barely giving way as I advance, almost ready to do battle with a stranger like a mastiff. So I prefer the simple old home by Buckhurst Park.

The beeches and oaks become fewer as the ground rises, there are wide spaces of bracken and little woods or copses, every one of which is called a 'shaw.' Then come the firs, whose crowded spires, each touching each, succeed for miles, and cover the hill-side with a solid mass of green. They seem so close together, so thickened and matted, impenetrable to footsteps, like a mound of earth rather than woods, a solid block of wood; but there are ways that wind through and space between the taller trunks when you come near. The odour of firs is variable; sometimes it fills the air, sometimes it is absent altogether, and doubtless depends upon certain conditions of the atmosphere. A very small pinch of the fresh shoot is pleasant to taste; these shoots, eaten constantly, were once considered to cure chest disease, and to this day science endeavours by various forms of inhalations from fir products to check that malady. Common rural experience, as with the cow-pox, has often laid the basis of medical treatment. Certain it is that it is extremely pleasant and grateful to breathe the sweet fragrance of the fir deep in the woods, listening to the soft caressing sound of the wind that passes high overhead. The willow-wren sings, but his voice and that of the wind seem to give emphasis to the holy and meditative silence. The mystery of nature and life hover about the columned temple of the forest. The secret is always behind a tree, as of old time it was always behind the pillar of the temple. Still higher, and as the firs cease, and shower and sunshine, wind and dew, can reach the ground unchecked, comes the tufted heath and branched heather of the moorland top. A thousand acres of purple heath sloping southwards to the sun, deep valleys of dark heather; further slopes beyond of purple, more valleys of heather—the heath shows more in the sunlight, and heather darkens the shadow of the hollows—and so on and on, mile after mile, till the heath-bells seem to end in the sunset. Round and beyond is the immense plain of the air—-you feel how limitless the air is at this height, for there is nothing to measure it by. Past the weald lie the South Downs, but they form no boundary, the plain of the air goes over them to the sea and space.

This wild tract of Ashdown Forest bears much resemblance to Exmoor; you may walk, or you may ride, for hours and meet no one; and if black game were to start up it would not surprise you in the least. There seems room enough to chase the red stag from Buckhurst Park with horn and hound till, mayhap, he ended in the sea at Pevensey. Buckhurst Park is the centre of this immense manor. Of old time the deer did run wild, and were hunted till the pale was broken in the great Civil War. The 'Forest' is still in every one's mouth—'on the Forest,' 'by the Forest,' 'in' it, or 'over' it, everything comes from the 'Forest,' even stone to mend the roads, or 'through the Forest,' as up from Brighton. People say this farm used to be forest, or this garden or this house was the first built on the forest. The enclosures are small, and look as if they had been hewn out of wood or stubbed out of heather, and there are numbers of small owners or settlers. Here and there a house stands, as it seems, alone in the world on the Forest ridge, thousands of acres of heather around, the deep weald underneath—as at Duddleswell, a look-out, as it were, over the earth. Forest Row, where they say the courtiers had their booths in ancient hunting days; Forest Fold, Boar's-head Street, Greenwood Gate—all have a forest sound; and what prettier name could there be than Sweet-Haws? Greybirchet Wood, again; Mossbarn, Highbroom, and so on. Outlying woods in every direction are fragments of the forest, you cannot get away from it; and look over whatever gate you will, there is always a view. In the vale, if you look over a gate you only see that field and nothing beyond; the view is bounded by the opposite hedge. Here there is always a deep coombe, or the top of a wood underneath, or a rising slope, or a distant ridge crowned with red-tiled farmstead, red-coned oast-house, and tall spruce firs. Or far away, miles and miles, the fields of the weald pushed close together by distance till in a surface no larger than the floor of a room there are six or seven farms and a village. Clouds drift over; it is a wonderful observatory for cloud studies; they seem so close, the light is so strong, and there is nothing to check the sight as far as its powers will reach. Clouds come up no wider than a pasture-field, but in length stretching out to the very horizon, dividing the blue sky into two halves; but then every day has its different clouds—the fleets of heaven that are always sailing on and know no haven.



HOUSE-MARTINS.



Of five houses, a stable, and chapel wall, much frequented by martins, the aspects were as follows:—House No. 1, nests on the north side, south side, and east, both the south and east very warm; No. 2, on the south and east walls—these walls met in an angle, and as it were enclosed the sunbeams, making it very heated sometimes; No. 3, on the south and west walls, the warmest sides of the building; No. 4, all along under the southern eaves, a very warm wall; No. 5, also under the southern eaves, and not elsewhere. The stable fronted south; there were nests front and back, north and south; the chapel eave that was frequented faced towards the west. In the case of several other houses the nests were on the sunny side; but I am not so well acquainted with the localities. So far as my observation goes, I think the house-martin—with all the swallow tribe—prefers warmth, and, if possible, chooses the sunny side of a building. A consideration, however, that weighs much with this bird is the character of the take-off; he likes a space immediately in front of his nest, free of trees or other obstructions, so that when rushing out from his little doorway he may not strike against anything. For ages it has also been remarked that the house-martin likes the proximity of man, and will build by choice in or over a porch or doorway, whether of house or stable, or over a window—somewhere where man is about. It is curious that in this country, so subject to cold and cold winds, so many houses are built to face north or east, and this fact often compels the house-martin to build that side, the back of a house being frequently obstructed. In the case of house No. 1 there was a clear take-off on the north side, also with the stable. Houses are generally built to face the road, quite irrespective of the aspect, which custom is the origin of many cheerless dwellings. I think that house-martin fledglings and eggs are capable of enduring the utmost heat of our English summer, and the nests found deserted were abandoned for some other reason. More likely that the deficiency of insect food caused by the inclement weather weakened the parent. Sometimes these harmless and useful birds are cruelly shot. I have never seen a nest injured by heats; on the contrary, I should imagine that heat would cause the mortar to cohere more firmly, and that damp would be much more likely to make it unsafe. At house No. 2 the heat in the angle of the two walls was scarcely bearable on a July day. If a nest were taken down and put in an oven I should doubt if it would crack. In nature, however, everything depends on locality. The roads in that locality were mended with flint, and the mortar from puddles appeared to make good cement. Possibly in some districts there may be no lime or silicon, and the mortar the birds use may be less adherent. The more one studies nature the more one becomes convinced that it is an error to suppose things proceed by a regular rule always applicable everywhere. All creatures change their habits with circumstances; consequently no observation can be accepted as final.



AMONG THE NUTS.



The nuts are ripening once more, and it is almost the time to go a-gipsying—the summer passes like the shadow of a cloud which strikes the edge of the yellow wheat and comes over and is gone; it does not give you time to rub out a single ear of corn. Before it is possible to gather the harvest of thought and observation the summer has passed, and we must bind the hastily stitched book with the crimson leaves of autumn. Under these very hazel boughs only yesterday, i.e. in May, looking for cuckoo-sorrel, as the wood-sorrel is called, there rolled down a brown last year's nut from among the moss of the bank. In the side of this little brown nut, at its thicker end, a round hole had been made with a sharp tool which had left the marks of its chiselling. Through this hole the kernel had been extracted by the skilful mouse. Two more nuts were found on the same bank, bored by the same carpenter. The holes looked as if he had turned the nut round and round as he gnawed. Unless the nut had shrunk, the hole was not large enough to pull the kernel out all at once; it must have been eaten little by little in many mouthfuls. The same amount of nibbling would have sawn a circle round the nut, and so, dividing the shell in two, would have let the kernel out bodily—a plan more to our fancy; but the mouse is a nibbler, and he preferred to nibble, nibble, nibble. Hard by one afternoon, as the cows were lazily swishing their tails coming home to milking, and the shadow of the thick hedge had already caused the anemones in the grass to close their petals, there was a slight rustling sound. Out into the cool grass by some cowslips there came a small dark head. It was an adder, verily a snake in the grass and flowers. His quick eye—you know the proverb, 'If his ear were as quick as his eye, No man should pass him by'—caught sight of us immediately, and he turned back. The hedge was hollow there, and the mound grown over with close-laid, narrow-leaved ivy. The viper did not sink in these leaves, but slid with a rustling sound fully exposed above them. His grey length and the chain of black diamond spots down his back, his flat head with deadly tooth, did not harmonise as the green snake does with leaf and grass. He was too marked, too prominent—a venomous foreign thing, fit for tropic sands and nothing English or native to our wilds. He seemed like a reptile that had escaped from the glass case of some collection.

The green snake or grass snake, with yellow-marked head, fits in perfectly with the floating herbage of the watery places he frequents. The eye soon grows accustomed to his curves, till he is no more startling than a frog among the water-crowfoot you are about to gather. To the adder the mind never becomes habituated; he ever remains repellent. This adder was close to a house and cowshed, and, indeed, they seem to like to be near cows. Since then a large silvery slowworm was killed just there—a great pity, for they are perfectly harmless. We saw, too, a very large lizard under the heath. Three little effets (efts) ran into one hole on the bank yesterday. Some of the men in spring went off into the woods to 'flawing,' i.e. to barking the oak which is thrown in May—the bark is often used now for decoration, like the Spanish cork bark. Some were talking already of the 'grit' work and looking forward to it, that is, to mowing and haymaking, which mean better wages. The farmers were grumbling that their oats were cuckoo oats, not sown till the cuckoo cried, and not likely to come to much. So, indeed, it fell out, for the oats looked very thin and spindly when the nuts turned rosy again. At work hoeing among the 'kelk' or 'kilk,' the bright yellow charlock, the labourers stood up as the cuckoo flew over singing, and blew cuckoo back to him in their hollow fists. This is a trick they have, something like whistling in the fist, and so naturally done as to deceive any one. The children had been round with the May garland, which takes the place of the May-pole, and is carried slung on a stick, and covered with a white cloth, between two little girls. The cloth is to keep the dust and sun from spoiling the flowers—the rich golden kingcups and the pale anemones trained about two hoops, one within the other. They take the cloth off to show you the garland, and surely you must pay them a penny for thought of old England. Yet there are some who would like to spoil this innocent festival. I have heard of some wealthy people living in a village who do their utmost to break up the old custom by giving presents of money to all the poor children who will go to school on that day instead of a-Maying. A very pitiful thing truly! Give them the money, and let them go a-Maying as well. The same bribe they repeat at Christmas to stay the boys from going round mumming. It is in spring that the folk make most use of herbs, such as herb tea of gorse bloom. One cottage wife exclaimed that she had no patience with women so ignorant they did not know how to use herbs, as wood-sage or wood-betony. Most of the gardens have a few plants of the milky-veined holy thistle—good, they say, against inflammations, and in which they have much faith. Soon after the May garlands the meadow orchis comes up, which is called 'dead men's hands,' and after that the 'ram's-horn' orchis, which has a twisted petal; and in the evening the bat, which they call flittermouse, appears again.

The light is never the same on a landscape many minutes together, as all know who have tried, ever so crudely, to fix the fleeting expression of the earth with pencil. It is ever changing, and in the same way as you walk by the hedges day by day there is always some fresh circumstance of nature, the interest of which in a measure blots out the past. This morning we found a bramble leaf, something about which has for the moment put the record of months aside. This bramble leaf was marked with a grey streak, which coiled and turned and ran along beside the midrib, forming a sort of thoughtless design, a design without an idea. The Greek fret seems to our eyes in its regularity and its repetition to have a human thought in it. The coils and turns upon this leaf, like many other markings of nature, form a designless design, the idea of which is not traceable back to a mind. They are the work of a leaf-boring larva which has eaten its way between the two skins of the leaf, much like boring a tunnel between the two surfaces of a sheet of paper. If you take a needle you can insert the point in the burrow and pass it along wherever the bore is straight, so that the needle lies between the to sides of the leaf. Off-hand, if any one were asked if it were possible to split a leaf, he would say no. This little creature, however, has worked along inside it, and lived there. The upper surface of the leaf is a darker green, and seems to the touch of firmer texture than the lower; there are no marks on the under surface, which does not seem touched, so that what the creature has really done is to split one surface. He has eaten along underneath it, raising it no doubt a little by the thickness of his body, as if you crept between the carpet and the floor. The softer under surface representing the floor is untouched. The woodbine leaves are often bored like this, and seem to have patterns traced upon them. There is no particle of matter so small but that it seems to have a living thing working at it and resolving it into still more minute atoms; nothing so insignificant but that upon examination it will be found to be of the utmost value to something alive. Upon almost every fir branch near the end there are little fragments like cotton, so thick in places as to quite hang the boughs with threads; these gossamer-like fragments appear to be left by some insect, perhaps an aphis; and it is curious to note how very very busy the little willow-wrens are in the fir boughs. They are constantly at work there; they sing in the firs in the earliest spring, they stay there all the summer, and now that the edge of autumn approaches their tiny beaks are still picking up insects the whole day long. The insects they devour must be as numerous as the fir needles that lie inches thick on the ground in the copse.

Across a broad, dry, sandy path, worn firm, some thousands of ants passing to and fro their nest had left a slight trail. They were hurrying on in full work, when I drew the top of my walking-stick across their road, obliterating about an inch of it. In an instant the work of the nest was stopped, and thousands upon thousands of factory hands were thrown out of employment. The walking-stick had left two little ridges of sand like minute parallel earthworks drawn across their highway. Those that came out of the nest on arriving at the little ridge on their side immediately stopped, worked their antennae in astonishment, then went up to the top of it, and seemed to try to look round. After a moment they ran back and touched those that were coming on to communicate the intelligence. Every ant that came did exactly the same thing; not one of them passed the little ridge, but all returned. By-and-by the head of the column began to spread out and search right and left for the lost track. They scouted this way and they scouted that, they turned and doubled and went through every possible evolution, hundreds of them, sometimes a score at once, yet not one of them attempted to go straight forward, which would have brought them into their old path. It was scarcely thrice the length of an ant's body to where their path began again; they could not see or scent, or in any way find out what was so short a distance in front of them. The most extraordinary thing was that not one ventured to explore straight forward; it was as if their world came to an end at that little ridge, and they were afraid to step into chaos. The same actions were going on behind the other ridge of sand just opposite, an inch away. There the column of ants that had been out foraging was met with a like difficulty, and could not find their way. There, too, hundreds of ants were exploring right and left in every direction except straight forward, in a perfect buzz of excitement. Once or twice an ant from either party happened to mount on the parallel ridges at the same time, and if they had strained forward and stretched out their antennae they could have almost touched each other. Yet they seemed quite unconscious of each other's presence. Unless in a well-worn groove a single ant appears incapable of running in a straight line. At first their motions searching about suggested the action of a pack of hounds making a cast; hounds, however, would have very soon gone forward and so picked up the trail.

If I may make a guess at the cause of this singular confusion, I think I should attribute it to some peculiarity in the brain of the ant, or else to some consideration of which we are ignorant, but which weighs with ants, and not to any absence of the physical senses. Because they do not do as we should do under similar circumstances is no proof that they do not possess the power to hear and see. Experiments, for instance, have been made with bees to find out if they have any sense of hearing, by shouting close to a bee, drawing discordant notes on the violin, striking pieces of metal together, and so on, to all of which the bee remained indifferent. What else could she do? Neither of these sounds hurt if she heard them, nor seemed to threaten danger; they simply conveyed no impression at all to her mind. Observe your favourite pussy curled up in the arm-chair at such time as she knows the dishes have been cleared away, and there is no more chance of wheedling a titbit from you. You may play the piano, or the violin, or knock with a hammer, or shout your loudest, she will take no notice, no more than if she actually had no ears at all. Are you, therefore, to conclude she does not hear you? As well conclude that people do not hear the thunder because they do not shout in answer to it. Such noises simply do not concern her, and she takes no notice. Now, though her eyes be closed, let a strange dog run in, and at the light pad pad of his feet, scarcely audible on the carpet, she is up in a moment, blazing with wrath. That is a sound that interests her. So, too, perhaps, it may be with ants and bees, who may hear and see, and yet take no apparent notice because the circumstances are not interesting, and the experiment is to them unintelligible. Fishes in particular have been often, I think, erroneously judged in this way, and have been considered deaf, and to have little intelligence, while in truth the fact is we have not discovered a way of communicating with them any more than they have found a way of talking with us. Fishes, I know, are keener of sight than I am when they are interested, and I believe they can hear equally well, and are not by any means without mind. These ants that acted so foolishly to appearance may have been influenced by some former experience of which we know nothing; there may be something in the past history of the ant which may lead them to profoundly suspect interference with their path as indicative of extreme danger. Once, perhaps, many ant-generations ago, there was some creature which acted thus in order to destroy them. This, of course, is merely an illustration put forward to suggest the idea that there may be a reason in the brain of the ant of which we know nothing. I do not know that I myself am any more rational, for looking back along the path of life I can see now how I turned and twisted and went to the right and the left in the most crooked manner, putting myself to endless trouble, when by taking one single step straight forward in the right direction, if I had only known, I might have arrived at once at the goal. Can any of us look beyond the little ridge of one day and see what will happen the day after? Some hours afterwards, towards evening, I found the ants were beginning to get over their difficulty. On one side an ant would go forward in a half-circle, on the other another ant would advance sideways, and meeting together they would touch their antennae, and then the first would travel back with the second, and so the line was reestablished. It was very much as if two batsmen at opposite wickets should run forward each halfway, and after shaking hands and conversing, one of them should lead the other safely over.



WALKS IN THE WHEAT-FIELDS.

I.

If you will look at a grain of wheat you will see that it seems folded up: it has crossed its arms and rolled itself up in a cloak, a fold of which forms a groove, and so gone to sleep. If you look at it some time, as people in the old enchanted days used to look into a mirror, or the magic ink, until they saw living figures therein, you can almost trace a miniature human being in the oval of the grain. It is narrow at the top, where the head would be, and broad across the shoulders, and narrow again down towards the feet; a tiny man or woman has wrapped itself round about with a garment and settled to slumber. Up in the far north, where the dead ice reigns, our arctic explorers used to roll themselves in a sleeping-bag like this, to keep the warmth in their bodies against the chilliness of the night. Down in the south, where the heated sands of Egypt never cool, there in the rock-hewn tombs lie the mummies wrapped and lapped and wound about with a hundred yards of linen, in the hope, it may be, that spices and balm might retain within the sarcophagus some small fragment of human organism through endless ages, till at last the gift of life revisited it. Like a grain of wheat the mummy is folded in its cloth. And I do not know really whether I might not say that these little grains of English corn do not hold within them the actual flesh and blood of man. Transubstantiation is a fact there.

Sometimes the grains are dry and shrivelled and hard as shot, sometimes they are large and full and have a juiciness about them, sometimes they are a little bit red, others are golden, many white. The sack stands open in the market—you can thrust your arm in it a foot deep, or take up a handful and let it run back like a liquid stream, or hold it in your palm and balance it, feeling the weight. They are not very heavy as they lie in the palm, yet these little grains are a ponderous weight that rules man's world. Wherever they are there is empire. Could imperial Rome have only grown sufficient wheat in Italy to have fed her legions Caesar would still be master of three-fourths of the earth. Rome thought more in her latter days of grapes and oysters and mullets, that change colour as they die, and singing girls and flute-playing, and cynic verse of Horace—anything rather than corn. Rome is no more, and the lords of the world are they who have mastership of wheat. We have the mastership at this hour by dint of our gold and our hundred-ton guns, but they are telling our farmers to cast aside their corn, and to grow tobacco and fruit and anything else that can be thought of in preference. The gold is slipping away. These sacks in the market open to all to thrust their hands in are not sacks of corn but of golden sovereigns, half-sovereigns, new George and the dragon, old George and the dragon, Sydney mint sovereigns, Napoleons, half-Napoleons, Belgian gold, German gold, Italian gold; gold scraped and scratched and gathered together like old rags from door to door. Sacks full of gold, verily I may say that all the gold poured out from the Australian fields, every pennyweight of it, hundreds of tons, all shipped over the sea to India, Australia, South Africa, Egypt, and, above all, America, to buy wheat. It was said that Pompey and his sons covered the great earth with their bones, for each one died in a different quarter of the world; but now he would want two more sons for Australia and America, the two new quarters which are now at work ploughing, sowing, reaping, without a month's intermission, growing corn for us. When you buy a bag of flour at the baker's you pay fivepence over the counter, a very simple transaction. Still you do not expect to get even that little bag of flour for nothing, your fivepence goes over the counter in somebody else's till. Consider now the broad ocean as the counter and yourself to represent thirty-five millions of English people buying sixteen, seventeen, or eighteen million quarters of wheat from the nations opposite, and paying for it shiploads of gold.

So that these sacks of corn in the market are truly filled with gold dust; and how strange it seems at first that our farmers, who are for ever dabbling with their hands in these golden sands, should be for ever grumbling at their poverty! 'The nearer the church the farther from God' is an old country proverb; the nearer to wheat the farther from mammon, I may construct as an addendum. Quite lately a gentleman told me that while he grew wheat on his thousand acres he lost just a pound an acre per annum, i.e. a thousand a year out of capital, so that if he had not happily given up this amusement he would now have been in the workhouse munching the putty there supplied for bread.

The rag and bone men go from door to door filling an old bag with scraps of linen, and so innumerable agents of bankers and financiers, vampires that suck gold, are for ever prowling about collecting every golden coin they can scent out and shipping it over sea. And what does not go abroad is in consequence of this great drain sharply locked up in the London safes as reserves against paper, and cannot be utilised in enterprises or manufacture. Therefore trade stands still, and factories are closed, and ship-yards are idle, and beautiful vessels are stored up doing nothing by hundreds in dock; coal mines left to be filled with water, and furnaces blown out. Therefore there is bitter distress and starvation, and cries for relief works, and one meal a day for Board school children, and the red flag of Socialism is unfurled. All because of these little grains of wheat.

They talked of bringing artillery, with fevered lips, to roar forth shrapnel in Trafalgar Square; why not Gatling guns? The artillery did not come for very shame, but the Guards did, and there were regiments of infantry in the rear, with glittering bayonets to prod folk into moving on. All about these little grains of wheat.

These thoughts came into my mind in the winter afternoon at the edge of a level corn-field, with the copper-sheathed spire of the village church on my right, the sun going down on the left. The copper did not gleam, it was dull and brown, no better than discoloured wood, patched with pieces of later date and another shade of dulness. I wish they would glitter, some of these steeples or some of our roofs, and so light up the reddish brown of the elms and the grey lichened oaks. The very rooks are black, and the starlings and the wintry fieldfares and redwings have no colour at a distance. They say the metal roofs and domes gleam in Russia, and even in France, and why not in our rare sunshine? Once now and then you see a gilded weathercock shine like a day-star as the sun goes down three miles away, over the dark brown field, where the plough has been going to and fro through the slow hours. I can see the plough and the horses very well at three miles, and know what they are doing.

I wish the trees, the elms, would grow tall enough and thick enough to hide the steeples and towers which stand up so stiff and stark, and bare and cold, some of them blunted and squab, some of them sharp enough to impale, with no more shape than a walking-stick, ferrule upwards—every one of them out of proportion and jarring to the eye. If by good fortune you can find a spot where you cannot see a steeple or a church tower, where you can see only fields and woods, you will find it so much more beautiful, for nature has made it of its kind perfect. The dim sea is always so beautiful a view because it is not disfigured by these buildings. In the ships men live; in the houses among the trees they live; these steeples and towers are empty, and no spirit can dwell in that which is out of proportion. Scarcely any one can paint a picture of the country without sticking in one of these repellent structures. The oast-houses, whose red cones are so plentiful in Kent and Sussex, have quite a different effect; they have some colour, and by a curious felicity the builders have hit upon a good proportion, so that the shape is pleasant; these, too, have some use in the world.

Westward the sun was going down over the sea, and a wild west wind, which the glow of the sun as it touched the waves seemed to heat into fury, brought up the distant sound of the billows from the beach. A line of dark Spanish oaks from which the sharp pointed acorns were dropping, darkest green oaks, shut out the shore. A thousand starlings were flung up into the air out of these oaks, as if an impatient hand had cast them into the sky; then down they fell again, with a ceaseless whistling and clucking; up they went and down they came, lost in the deep green foliage as if they had dropped in the sea. The long level of the wheat-field plain stretched out from my feet towards the far-away Downs, so level that the first hedge shut off the fields beyond; and every now and then over these hedges there rose up the white forms of sea-gulls drifting to and fro among the elms. White sea-gulls—birds of divination, you might say—a good symbol of the times, for now we plough the ocean. The barren sea! In the Greek poets you may find constant reference to it as that which could not be reaped or sowed. Ulysses, to betoken his madness, took his plough down to the shore and drew furrows in the sand—the sea that even Demeter, great goddess, could not sow nor bring to any fruition. Yet now the ocean is our wheat-field and ships are our barns. The sea-gull should be painted on the village tavern sign instead of the golden wheatsheaf.

There could be no more flat and uninteresting surface than this field, a damp wet brown, water slowly draining out of the furrows, not a bird that I can see. No hare certainly, or partridge, or even a rabbit—nothing to sit or crouch—on that cold surface, tame and level as the brown cover of a book. They like something more human and comfortable; just as we creep into nooks and corners of rooms and into cosy arm-chairs, so they like tufts or some growth of shelter, or mounds that are dry, between hedges where there is a bite for them. I can trace nothing on this surface, so heavily washed by late rain. Let now the harriers come, and instantly the hounds' second sense of smell picks up the invisible sign of the hare that has crossed it in the night or early dawn, and runs it as swiftly as if he were lifting a clue of thread. The dull surface is all written over with hieroglyphics to the hound, he can read and translate to us in joyous tongue. Or the foxhounds carry a bee-line straight from hedge to hedge, and after them come the hoofs, prospecting deeply into the earth, dashing down fibre and blade, crunching up the tender wheat and battering it to pieces. It will rise again all the fresher and stronger, for there is something human in wheat, and the more it is trampled on the better it grows. Despots grind half the human race, and despots stronger than man—plague, pestilence, and famine—grind the whole; and yet the world increases, and the green wheat of the human heart is not to be trampled out.

The starlings grew busier and busier in the dark green Spanish oaks, thrown up as if a shell had burst among them; suddenly their clucking and whistling ceased, the speeches of contention were over, a vote of confidence had been passed in their Government, and the House was silent. The pheasants in the park shook their wings and crowed 'kuck, kuck—kow,' and went to roost; the water in the furrows ceased to reflect; the dark earth grew darker and damper; the elms lost their reddish brown; the sky became leaden behind the ridge of the Downs; and the shadow of night fell over the field.

Twenty-five years ago I went into a camera obscura, where you see miniature men and women, coloured photographs alive and moving, trees waving, now and then dogs crossing the bright sun picture. I was only there a few moments, and I have never been in one since, and yet so inexplicable a thing is memory, the picture stands before me now clear as if it were painted and tangible. So many millions of pictures have come and gone upon the retina, and yet I can single out this one in an instant, and take it down as you would a book from a shelf. The millions of coloured etchings that have fixed themselves there in the course of those years are all in due order in the portfolio of the mind, and yet they cannot occupy the space of a pin's point. They have neither length, breadth, nor thickness, none of the qualifications of mathematical substance, and yet they must in some way be a species of matter. The fact indicates the possibility of still more subtle existences. Now I wish I could put before you a coloured, living, moving picture, like that of the camera obscura, of some other wheat-fields at a sunnier time. They were painted on the surface of a plain, set round about with a margin of green downs. They were large enough to have the charm of vague, indefinite extension, and yet all could be distinctly seen. Large squares of green corn that was absorbing its yellow from the sunlight; chess squares, irregularly placed, of brown furrows; others of rich blood-red trifolium; others of scarlet sainfoin and blue lucerne, gardens of scarlet poppies here and there. Not all of these, of course, at once, but they followed so quickly in the summer days that they seemed to be one and the same pictures, and had you painted them altogether on the same canvas, together with ripe wheat, they would not have seemed out of place. Never was such brilliant colour; it was chalk there, and on chalk the colours are always clearer, the poppies deeper, the yellow mustard and charlock a keener yellow; the air, too, is pellucid. Waggons going along the tracks; men and women hoeing; ricks of last year still among clumps of trees, where the chimneys and gables of farmhouses are partly visible; red-tiled barns away yonder; a shepherd moving his hurdles; away again the black funnel of an idle engine, and the fly-wheel above hawthorn bushes—all so distinct and close under that you might almost fear to breathe for fear of dimming the mirror. The few white clouds sailing over seemed to belong to the fields on which their shadows were now foreshortened, now lengthened, as if they were really part of the fields, like the crops, and the azure sky so low down as to be the roof of the house and not at all a separate thing. And the sun a lamp that you might almost have pushed along his course faster with your hand; a loving and interesting sun that wanted the wheat to ripen, and stayed there in the slow-drawn arc of the summer day to lend a hand. Sun and sky and clouds close here and not across any planetary space, but working with us in the same field, shoulder to shoulder, with man. Then you might see the white doves yonder flutter up suddenly out of the trees by the farm, little flecks of white clouds themselves, and everywhere all throughout the plain an exquisite silence, a delicious repose, not one clang or harshness of sound to shatter the beauty of it. There you might stand on the high down among the thyme and watch it, hour after hour, and still no interruption; nothing to break it up. It was something like the broad folio of an ancient illuminated manuscript, in gold, gules, blue, green; with foliated scrolls and human figures, somewhat clumsy and thick, but quaintly drawn, and bold in their intense realism.

There was another wheat-field by the side of which I used to walk sometimes in the evenings, as the grains in the cars began to grow firm. The path ran for a mile beside it—a mile of wheat in one piece—all those million million stalks the same height, all with about the same number of grains in each car, all ripening together. The hue of the surface travelled along as you approached; the tint of yellow shifted farther like the reflection of sunlight on water, but the surface was really much the same colour everywhere. It seemed a triumph of culture over such a space, such regularity, such perfection of myriads of plants springing in their true lines at the same time, each particular ear perfect, and a mile of it. Perfect work with the plough, the drill, the harrow in every detail, and yet such breadth. Let your hand touch the ears lightly as you walk—drawn through them as if over the side of a boat in water—feeling the golden heads. The sparrows fly out every now and then ahead; some of the birds like their corn as it hardens, and some while it is soft and full of milky sap. There are hares within, and many a brood of partridge chicks that cannot yet use their wings. Thick as the seed itself the feathered creatures have been among the wheat since it was sown. Finches more numerous than the berries on the hedges; sparrows like the finches multiplied by finches, linnets, rooks, like leaves on the trees, wood-pigeons whose crops are like bushel baskets for capacity; and now as it ripens the multitude will be multiplied by legions, and as it comes to the harvest there is a fresh crop of sparrows from the nests in the barns, you may see a brown cloud of them a hundred yards long. Besides which there were the rabbits that ate the young green blades, and the mice that will be busy in the sheaves, and the insects from spring-time to granary, a nameless host uncounted. A whole world, as it were, let loose upon the wheat, to eat, consume, and wither it, and yet it conquers the whole world. The great field you see was filled with gold corn four feet deep as a pitcher is filled with water to the brim. Of yore the rich man is said, in the Roman classic, to have measured his money, so here you might have measured it by the rood. The sunbeams sank deeper and deeper into the wheatears, layer upon layer of light, and the colour deepened by these daily strokes. There was no bulletin to tell the folk of its progress, no Nileometer to mark the rising flood of the wheat to its hour of overflow. Yet there went through the village a sense of expectation, and men said to each other, 'We shall be there soon.' No one knew the day—the last day of doom of the golden race; every one knew it was nigh. One evening there was a small square piece cut at one side, a little notch, and two shocks stood there in the twilight. Next day the village sent forth its army with their crooked weapons to cut and slay. It used to be an era, let me tell you, when a great farmer gave the signal to his reapers; not a man, woman, or child that did not talk of that. Well-to-do people stopped their vehicles and walked out into the new stubble. Ladies came, farmers, men of low degree, everybody—all to exchange a word or two with the workers. These were so terribly in earnest at the start they could scarcely acknowledge the presence even of the squire. They felt themselves so important, and were so full, and so intense and one-minded in their labour, that the great of the earth might come and go as sparrows for aught they cared. More men and more men were put on day by day, and women to bind the sheaves, till the vast field held the village, yet they seemed but a handful buried in the tunnels of the golden mine: they were lost in it like the hares, for as the wheat fell, the shocks rose behind them, low tents of corn. Your skin or mine could not have stood the scratching of the straw, which is stiff and sharp, and the burning of the sun, which blisters like red-hot iron. No one could stand the harvest-field as a reaper except he had been born and cradled in a cottage, and passed his childhood bareheaded in July heats and January snows. I was always fond of being out of doors, yet I used to wonder how these men and women could stand it, for the summer day is long, and they were there hours before I was up. The edge of the reap-hook had to be driven by force through the stout stalks like a sword, blow after blow, minute after minute, hour after hour; the back stooping, and the broad sun throwing his fiery rays from a full disc on the head and neck. I think some of them used to put handkerchiefs doubled up in their hats as pads, as in the East they wind the long roll of the turban about the head, and perhaps they would have done better if they had adopted the custom of the South and wound a long scarf about the middle of the body, for they were very liable to be struck down with such internal complaints as come from great heat. Their necks grew black, much like black oak in old houses. Their open chests were always bare, and flat, and stark, and never rising with rounded bust-like muscle as the Greek statues of athletes.

The breast-bone was burned black, and their arms, tough as ash, seemed cased in leather. They grew visibly thinner in the harvest-field, and shrunk together—all flesh disappearing, and nothing but sinew and muscle remaining. Never was such work. The wages were low in those days, and it is not long ago, either—I mean the all-year-round wages; the reaping was piecework at so much per acre—like solid gold to men and women who had lived on dry bones, as it were, through the winter. So they worked and slaved, and tore at the wheat as if they were seized with a frenzy; the heat, the aches, the illness, the sunstroke, always impending in the air—the stomach hungry again before the meal was over, it was nothing. No song, no laugh, no stay—on from morn till night, possessed with a maddened desire to labour, for the more they could cut the larger the sum they would receive; and what is man's heart and brain to money? So hard, you see, is the pressure of human life that these miserables would have prayed on their knees for permission to tear their arms from the socket, and to scorch and shrivel themselves to charred human brands in the furnace of the sun.

Does it not seem bitter that it should be so? Here was the wheat, the beauty of which I strive in vain to tell you, in the midst of the flowery summer, scourging them with the knot of necessity; that which should give life pulling the life out of them, rendering their existence below that of the cattle, so far as the pleasure of living goes. Without doubt many a low mound in the churchyard—once visible, now level—was the sooner raised over the nameless dead because of that terrible strain in the few weeks of the gold fever. This is human life, real human life—no rest, no calm enjoyment of the scene, no generous gift of food and wine lavishly offered by the gods—the hard fist of necessity for ever battering man to a shapeless and hopeless fall.

The whole village lived in the field; a corn-land village is always the most populous, and every rood of land thereabouts, in a sense, maintains its man. The reaping, and the binding up and stacking of the sheaves, and the carting and building of the ricks, and the gleaning, there was something to do for every one, from the 'olde, olde, very olde man,' the Thomas Parr of the hamlet, down to the very youngest child whose little eye could see, and whose little hand could hold a stalk of wheat. The gleaners had a way of binding up the collected wheatstalks together so that a very large quantity was held tightly in a very small compass. The gleaner's sheaf looked like the knot of a girl's hair woven in and bound. It was a tradition of the wheat field handed down from generation to generation, a thing you could not possibly do unless you had been shown the secret—like the knots the sailors tie, a kind of hand art. The wheatstalk being thick at one end makes the sheaf heavier and more solid there, and so in any manner of fastening it or stacking it, it takes a rounded shape like a nine-pin; the round ricks are built thick in the middle and lessen gradually toward the top and toward the ground. The warm yellow of the straw is very pleasant to look at on a winter's day under a grey sky; so, too, the straw looks nice and warm and comfortable, thrown down thickly in the yards for the roan cattle.

After the village has gone back to its home still the work of the wheat is not over; there is the thatching with straw of last year, which is bleached and contrasts with the yellow of the fresh-gathered crop. Next the threshing; and meantime the ploughs are at work, and very soon there is talk of seed-time.

I used to look with wonder when I was a boy at the endless length of wall and the enormous roof of a great tithe barn. The walls of Spanish convents, with little or no window to break the vast monotony, somewhat resemble it: the convent is a building, but does not look like a home; it is too big, too general. So this barn, with its few windows, seemed too immense to belong to any one man. The tithe barn has so completely dropped out of modern life that it may be well to briefly mention that its use was to hold the tenth sheaf from every wheat-field in the parish. The parson's tithe was the real actual tenth sheaf bodily taken from every field of corn in the district. A visible tenth, you see; a very solid thing. Imagine the vast heap they would have made, imagine the hundreds and hundreds of sacks of wheat they filled when they were threshed. I have often thought that it would perhaps be a good thing if this contribution of the real tenth could be brought back again for another purpose. If such a barn could be filled now, and its produce applied to the help of the poor and aged and injured of the village, we might get rid of that blot on our civilisation—the workhouse. Mr. Besant, in his late capital story, 'The Children of Gibeon,' most truly pointed out that it was custom which rendered all men indifferent to the sufferings of their fellow-creatures. In the old Roman days men were crucified so often that it ceased even to be a show; the soldiers played at dice under the miserable wretches: the peasant women stepping by jested and laughed and sang. Almost in our own time dry skeletons creaked on gibbets at every cross-road:—

When for thirty shillings men were hung, And the thirst for blood grew stronger, Men's lives were valued then at a sheep's— Thank God that lasts no longer.

So strong is custom and tradition, and the habit of thought it weaves about us, that I have heard ancient and grave farmers, when the fact was mentioned with horror, hum, and ah! and handle their beards, and mutter that 'they didn't know as 'twas altogether such a bad thing as they was hung for sheep-stealing.' There were parsons then, as now, in every rural parish preaching and teaching something they called the Gospel. Why did they not rise as one man and denounce this ghastly iniquity, and demand its abolition? They did nothing of the sort; they enjoyed their pipes and grog very comfortably.

The gallows at the cross-roads is gone, but the workhouse stands, and custom, cruel custom, that tyrant of the mind, has inured us (to use an old word) to its existence in our midst. Apart from any physical suffering, let us only consider the slow agony of the poor old reaper when he feels his lusty arm wither, and of the grey bowed wife as they feel themselves drifting like a ship ashore to that stony waiting-room. For it is a waiting-room till the grave receives them. Economically, too, the workhouse is a heavy loss and drag.

Could we, then, see the tithe barn filled again with golden wheat for this purpose of help to humanity, it might be a great and wonderful good. With this tenth to feed the starving and clothe the naked; with the tenth to give the little children a midday meal at the school—that would be natural and true. In the course of time, as the land laws lessen their grip, and the people take possession of the earth on which they stand, it is more than probable that something of this kind will really come about. It would be only simple justice after so many centuries—it takes so many hundreds of years to get even that.

'Workhouse, indeed!' I have heard the same ancient well-to-do greybeards ejaculate, 'workhouse! they ought to be very thankful they have got such a place to go to!'

All the village has been to the wheat-field with reaping-hooks, and waggons and horses, the whole strength of man has been employed upon it; little brown hands and large brown hands, blue eyes and dark eyes have been there searching about; all the intelligence of human beings has been brought to bear, and yet the stubble is not empty. Down there come again the ever-increasing clouds of sparrows; as a cloud rises here another cloud descends beyond it, a very mist and vapour as it were of wings. It makes one wonder to think where all the nests could have been; there could hardly have been enough caves and barns for all these to have been bred in. Every one of the multitude has a keen pair of eyes and a hungry beak, and every single individual finds something to eat in the stubble. Something that was not provided for them, crumbs that have escaped from this broad table, and there they are every day for weeks together, still finding food. If you will consider the incredible number of little mouths, and the busy rate at which they ply them hour by hour, you may imagine what an immense number of grains of wheat must have escaped man's hand, for you must remember that every time they peck they take a whole grain. Down, too, come the grey-blue wood-pigeons and the wild turtle-doves. The singing linnets come in parties, the happy greenfinches, the streaked yellow-hammers, as if any one had delicately painted them in separate streaks, and not with a wash of colour, the brown buntings, chaffinches—out they come from the hazel copses, where the nuts are dropping, and the hedge berries turning red, and every one finds something to his liking. There are the seeds of the charlock and the thistle, and a hundred other little seeds, insects, and minute atom-like foods it needs a bird's eye to know. They are never still, they sweep up into the hedges and line the boughs, calling and talking, and away again to another rood of stubble without any order or plan of search, just sowing themselves about like wind-blown seeds. Up and down the day through with a zest never failing. It is beautiful to listen to them and watch them, if any one will stay under an oak by the nut-tree boughs, here the dragon-flies shoot to and fro in the shade as if the direct rays of the sun would burn their delicate wings; they hunt chiefly in the shade. The linnets will suddenly sweep up into the boughs and converse sweetly over your head. The sunshine lingers and grows sweeter as the autumn gives tokens of its coming in the buff bryony leaf, and the acorn filling its cup. They are so happy, the birds, yet there are few to listen to them. I have often looked round and wondered that no one else was about hearkening to them. Altogether, perhaps, they lead safer lives in England than anywhere else. We do not shoot them; the fowlers do mischief, still they make but little impression; there are few birds of prey, and there is not that fearful bloodthirstiness that makes a tropical forest so terrible in fact, under its outward show of glowing colour. There, with cruel hawks and owls, and serpents, and beasts of prey, a bird's life is one long terror. They are ever on the watch here, but they are not so fearfully harassed, and are not certain as it were beforehand to be torn to pieces. The land is well cultivated, and the more the culture the more the food for them. Frost and snow are their greatest enemies, but even these do not often last a great while. It is a land of woods, and above all of hedges, which are much more favourable to birds than forests, so that they are better off in England than in other countries. From the sowing to the reaping, the wheat-field gives a constant dole like the monasteries of old, only here it is no crust, but a free and bountiful largess. Then the stubble must be broken up by the plough, and again there is a fresh helping for them. Brown partridge, and black rook, and yellowhammer, all hues and degrees, come to the wheat-field.

II.

Every day something new is introduced into farming, and yet the old things are not driven out. Every one knows that steam is now used on the farm for ploughing and threshing and working machinery at the farmstead, and one would have thought that by this time it would have superseded all other motive powers. Yet this very day I counted twenty great cart-horses at work in one ploughed field. They were all in pairs, harnessed to harrows, rollers, and ploughs, and out of the twenty, nineteen were dark-coloured. Huge great horses, broad of limb, standing high up above the level surface of the open field, great towers of strength, almost prehistoric in their massiveness. Enough of them to drag a great cannon up into a battery on the heights. The day before, passing the same farm—it was Sunday—a great bay cart-horse mare standing contentedly in a corner of the yard looked round to see who it was going by, and the sun shone on the glossy hair, smooth as if it had been brushed, the long black mane hung over the arching neck, the large dark eyes looked at us so quietly—a real English picture. The black funnel of the steam-engine has not driven the beautiful cart-horses out of the fields. They have been there for centuries, and there they stay; the notched, broad wheel of the steam-plough has but just begun to leave its trail on the earth. New things come, but the old do not go away. One life is but a summer's day compared with the long cycle of years of agriculture, and yet it seems that a whole storm, as it were, of innovations has burst upon the fields ever since I can recollect, and, as years go, I am still in the green leaf. The labouring men used to tell me how they went reaping, for although you may see what is called reaping still going on at harvest-time, it is not reaping. True reaping is done with a hook alone and the hand; all the present reaping is 'vagging,' with a hook in one hand and a bent stick in the other, and instead of drawing the hook towards him and cutting it, the reaper chops at the straw as he might at an enemy. Then came the reaping machines, that simply cut the wheat, and left it lying flat on the ground, which were constantly altered and improved. Now there are the wire and string binders, that not only cut the corn, but gather it together and bind it in sheaves—a vast saving in labour. Still the reaping-hook endures and is used on all small farms, and to some extent on large ones, to round off the work of the machine; the new things come, but the old still remains. In itself the reaping-hook is an enlarged sickle, and the sickle was in use in Roman times, and no man knows how long before that. With it the reaper cut off the ears of the wheat only, leaving the tall straw standing, much as if it had been a pruning-knife. It is the oldest of old implements—very likely it was made of a chip of flint at first, and then of bronze, and then of steel, and now at Sheffield or Birmingham in its enlarged form of the 'vagging' hook. In the hand of Ceres it was the very symbol of agriculture, and that was a goodly time ago. At this hour they say the sickle is still used in several parts of England where the object is more to get the straw than the ear.

On the broad page of some ancient illuminated manuscript, centuries old, you may see the churl, or farmer's man, knocking away with his flail at the grain on the threshing-floor. The knock knocking of the flail went on through the reigns of how many kings and queens I do not know, they are all forgotten, God wot, down to the edge of our own times. The good old days when there was snow at Christmas, and fairs were held and pamphlets printed on the frozen Thames, when comets were understood as fate, and when the corn laws starved half England—those were the times of the flail. Every barn—and there were then barns on every farm, think of the number—had its threshing-floor opposite the great open doors, and all the dread winter through the flail resounded. Men looked upon it as their most cherished privilege to get that employment in the bitter dark hours of the hungry months. It was life itself to them: to stand there swinging that heavy bit of wood all day meant meat and drink, or rather cheese and drink, for themselves and families. It was a post as valued as a civil list pension nowadays, for you see there were crowds of men in these corn villages, but only a few of them could get barns to snop away in.

The flail is made of two stout staves of wood jointed with leather. They had flails of harder make than that, harder than the iron nails used in the wars of old times, i.e. Hunger, Necessity, Fate, to beat them on the back, and thresh them on the floor of the earth. The corn laws are gone, half the barns are gone, our granaries now are afloat, steam threshes our ricks—in a few days doing what used to take months, and you would think that this simple implement would have disappeared for ever. Instead of which flails are still in use on small farms—which it is now the cry to multiply—for knocking out little quantities of grain for feeding purposes. The gleaners used to use them to thresh out their collections. There would be no difficulty in getting a flail if anybody had a mind to make a museum of such things; and if the force of modern ideas should succeed in dividing the land among small occupiers, the flail will become as common as ever.

There was an old waggon shown at the Royal Agricultural Show in London said to be two hundred years old; probably it had had so many new wheels, and shafts, and sides, as to have physiologically changed its constitution—still there were waggons in those days, and there are waggons now. Express trains go by in a great hurry—the slow waggons gather up the warm hay and the yellow wheat, just as they did hundreds of years since. The broad-browed oxen guided by the ancient goad draw the old wooden plough over the slopes of the Downs, though the telegraph wires are in sight. You may see men sowing broadcast just as they did a thousand years ago on the broad English acres. Yet the light iron plough, and the heavy drill with its four horses, the steam-plough, winnowing machines, root-pulpers, are manufactured and cast out into the fields, and machinery, machinery, machinery, still increases.

If I were a painter I should like to paint all this; I should like to paint a great steam-ploughing engine and its vast wheels, with its sweep of smoke, sometimes drifting low over the fallow, sometimes rising into the air in regular shape, like the pine tree of Pliny over Pompeii's volcano. A wonderful effect it has in the still air; sweet white violets in a corner by the hedge still there in all their beauty. For I think that the immense realism of the iron wheels makes the violet yet more lovely; the more they try to drive out Nature with a fork the more she returns, and the soul clings the stronger to the wild flowers. I should like to paint the lessening square of the wheat-field, the reaping machine continually cutting the square smaller, as if it traversed the Greek fret. People of the easel would not find it easy to depict the half-green, half-made hay floating in the air behind a haymaking machine. Sunlight falls on the modern implements just the same as on the old wooden plough and the oxen. To be true, pictures of our fields should have them both, instead of which all the present things are usually omitted, and we are presented with landscapes that might date from the first George. Turner painted the railway train and made it at once ideal, poetical, and classical. His 'Rain, Steam, and Speed,' which displays a modern subject, is a most wonderful picture. If a man chose his hour rightly, the steam-plough under certain atmospheric conditions would give him as good a subject as a Great Western train. He who has got the sense of beauty in his eye can find it in things as they really are, and needs no stagey time of artificial pastorals to furnish him with a sham nature. Idealise to the full, but idealise the real, else the picture is a sham.

All the old things remain on the farm, but the village is driven out—the village that used to come as one man to the reaping. Machinery has not altered the earth, but it has altered the conditions of men's lives, and as work decreases, so men decrease. Some go the cities, some emigrate; the young men drift away, and there is none of that home life that there used to be. They are going to try to re-settle our land by altering the laws. Most certainly the laws ought to be altered, and must be altered, still it is evident to any one of dispassionate thought, while such immense quantities of gold are sent away from us, profit cannot be made in farming either small or great. The crop is the same in either case, and if there is no sale for the produce, it matters very little whether you farm four acres or four hundred.

New hats and jackets, but the same old faces. A stout old farmer sat at the side of his barn door on the hatch leaning against the post. His body was as rotund as a full sack of wheat, his great chin and his great checks were full; a man very solidly set as it were, and he eyed me, a stranger, as I passed down the lane, with mistrust and suspicion in every line of his face. Out of the hunting season a stranger might perhaps have been seen there once in six months, and this was that once. The British bull-dog growled in his countenance—very likely pleasantness itself to those he knew, grimness itself to others. The sunlight fell full into the barn, the great doors wide open; there were sacks on the other side of the door piled up inside, a heap of grain, and two men turning the winches of a winnowing machine. New hats, but old faces. Could his great-great-grandfather have been dug up and set in that barn door, he would have looked just the same, so would the sacks, and the wheat, and the sunshine. At the market town, where the auctioneer's hammer goes tap tap over bullocks and sheep, crowds of men gather together,—farmers, and bailiffs, and shepherds, drovers and labourers—and their clothes are different, but there are the same old weather-beaten faces. Faces that you may see in the ancient illuminated manuscripts, in the realistic wood engravings of early printed books, in the etchings of last century, the same lines and expression. The earth has marked them all. In a modern country sketch or picture you would not find them, they would be smoothed away—drawing-room faces, made transparent, in attitudes like easy-limbed girls delicately proportioned These are not country people. Country people are the same now in appearance as when the old artists honestly drew them; sturdy and square, bulky and slow, no attitudes, no drawing-room grace, no Christmas card glossiness; somewhat stiff of limb, with a distinct flavour of hay and straw about them, and no enamel. In the villages cottagers have no ideas of tastefully disposing their mantles about their shoulders, or of dressing for the occasion. I do not know how to describe the form of a middle-aged cottage woman on a stormy day with a large, greenish umbrella, a round bonnet, huge and enclosing all the head, back, and sides, like the vast helm of the knights, a sort of circular cloak, stout ankles well visible, and sometimes pattens; the wearer inside all this decidedly bulky, and the whole apparatus coming along through mud and rain with great deliberation. Inside the round bonnet a ruddy, apple-checked face, just such a one as used to go to mass in Sir John the priest's time, before the images were knocked out of the rood-loft at the church there. The boys and girls play in the ditches till they go to school, and they play in the hedges and ditches every hour they can get out of school, and the moment their time is up they go to work among the hedges and ditches, and though they may have had to read standard authors at school, no sooner do they get among the furrows than they talk hedge and ditch language. They do not talk Pope, or Milton, or Addison; they 'knaaws,' 'they be a-gwoin thur,' it's a 'geat,' and a 'vield,' and a 'vurrow.' These are the old faces you see, the same old powers are at work to fashion them. Heavy, blind blows of the Wind, the Rain, Frost, and Heat, have beaten up their faces in rude repousse work. They have nails in their boots, but new hats on their heads; he who paints them aright should paint the old nailed boots, but also the new hats and the Waltham watches. Why do they not read? All have been taught, and curious as the inconsistency may seem, they all value the privilege of being able to read and write, and yet they do not exercise it, except in a casual, random way. I for one, when the public schools began all through the rural districts, thought that at last the printing-press was going to reach the country people. In a measure it has done so, but in a flickering, uncertain manner; they read odd bits which come drifting to their homes in irregular ways, just as people on the coast light their fires with fragments of wreck, chance-thrown by the stormy spring-tides on the beach. So the fire of the mind in country places is fed with chips and splinters, and shapeless pieces that do not fit together, and no one sits down to read. I think I see two reasons why country people do not read, the first of which, thanks be to Allah, will endure for ever; the second may perhaps disappear in time, when those who make books come to see what is wanted.

First, nature has given them so much to read out of doors, such a vast and ever-changing picture-book, that white paper stained with black type indoors seems dry and without meaning. A barnyard chanticleer and his family afford more matter than the best book ever written. His coral red comb, his silvery scaled legs, his reddened feathers, and his fiery attitudes, his jolly crow, and all his ways—there's an illustrated pamphlet, there's a picture-block book for you in one creature only! Reckon his family, the tender little chicks, the enamelled eggs, the feeding every day, the roosting, the ever-present terror of the red wood-dog (as the gipsies call the fox)—here's a Chronicon Nurembergense with a thousand woodcuts; a whole history. This seems a very simple matter, and yet it is true that people become intensely absorbed in watching and living with such things. Add to these the veined elms, whose innumerable branches divide like the veins or the nerves of a physiological diagram, or like sprays of delicate seaweed slow turning from their winter outline to the soft green shading of summer; add to these the upspringing of the wheat and its slow coming to that maturity of gold which marks the fulness of the year; consider, then, the incomparable beauty of the mowing grass. Now remember that they live among these things, and by daily iteration the dullest mind becomes wrapped up in and welded to them. Black type on white paper is but a flat surface after these. Secondly, the books and papers themselves, made and printed in such enormous quantities, do not touch a country mind. They have such a cityfied air. Very correct, very scientific, and extremely well edited, but thin in the matter. Something so stagey—you may see it, for instance, in the books for children introducing fairies, which fairies have short skirts, and caper about exactly like a pantomime among stage frogs and stage mushrooms, and it is quite clear that the artist who drew them, and the author who wrote of them, actually drew their inspiration from the boards of a theatre. They have never dreamed among the cowslips of the real fields, they have never watched the ways of the birds from under an oak. Children instinctively see that these toy-books are not natural, and do not care for them; they may be illustrated in gold and colours, sumptuously got up, and yet they are failures. Children do not take these to bed with them. I have seen this myself; I bought so many books to please children, but could never do it till by chance some one sent a little American toy-book, 'The History of the Owl and his Little One, and the Manoeuvres of the Fox.' This had a little of the spirit of the woods in it, and was read and re-read for a year. Only the other day a lady was telling me much the same thing, how she had bought book after book but could never hit on anything to please her little boy, till at last she found an American publication, roughly illustrated, which he always had by him. It is very strange that the art of the old-fashioned book for children has gone over to New York, which seems to us the land of newness.

For grown-up people the modern books which are sent out in such numbers, often very cheap, have likewise an artificial cityfied air so obviously got up and theatrical, such a mark of machinery on them, all stamped and chucked out by the thousand, that they have no attraction for a people who live with nature, and even in old age retain a certain childlike faith in honesty and genuine work. The reprints of good old authors, too, which may be had for a few pennies now, are so edited away that all the golden ring of the metal is clipped out of them. Overlaid with notes, and analyses, and critical exegesis, the original throb of the author's heart has disappeared from these polished bones. Just to suggest the book that would please the country reader, look for a moment at those works which came into existence at the very first dawn of printing—those volumes with strongly drawn and Durer-like illustrations, very rough, and without perspective, but whose meaning is at once understood, and which somehow convey what I may call a genuine impression. Any countryman would tell you at once that the illustrations of half the books of the present day are mere vamped-up shallowness, drawn from a city man's mind in a city room by gaslight. You must consider that the countryman who lives out of doors, and always with nature, is, as regards his reading, very much in the same mental position as the people who lived four hundred years ago—in the days when costly and rare manuscripts, few and far between, chained to the desk, were just being superseded by printed books at a fifth the price, which could be actually bought and carried home. Till quite lately so few books have circulated in country places that they may be said to have been like these old manuscripts. The early printed books were simply the manuscripts printed, and that is why they remain to this day the finest specimens of typography, quite incomparable and not to be approached by present-day printers. The art of the scribe, elaborated through centuries, had reached a marvellous perfection; the first printer copied them—the magic Fust actually sold his first books as manuscripts. Since printers have only copied printers, books have steadily declined in excellence. I have been obliged to use the outside to suggest the inside—country readers want that which is genuine, honest, and, in a word, really good; you cannot please them with vamped-up book-making. Two books occur to me at this moment which would be greatly appreciated in every country home, from that of the peasant who has just begun to read to the houses of well-educated and well-to-do people, if they only knew of their existence and their contents—of course provided they were cheap enough, for country people have to be careful of their money nowadays. I allude to Darwin's 'Climbing Plants' and to his 'Earthworms;' these are astonishing works of singular patience and careful observation. The first gives most fascinating facts about such a common plant, for example, as the hedge bryony and the circular motion of its tendrils. Any farmer, for instance, will tell you that the hop-bine will insist upon going round the pole in one direction, and you cannot persuade it to go the other. These circular movements seem almost to resemble those of the planets about their centre, all things down to the ether seem to have a rotatory motion; and some foreign plants which he grew send their far-extended tendrils round and round with so patent a movement that you can see it hour by hour like the hand of a clock. Perhaps the little book on earthworms is a yet more wonderful achievement of this great genius, who had not only untiring patience to observe and verify, but also possessed imagination, and could thereby see the motive idea at work behind the facts. At first it has a repellent sound, but we quickly learn how clumsy and prejudiced have been our views of the despised worm thrown up by every ploughshare.

I have spoken of the veined elms and their thousand thousand branches that divide like the nerves; from each of these nerves of living wood there has fallen its breathing lungs of leaf. Where are these million leaves? By night the worm has drawn them into his gallery beneath the surface, and they have formed his food to again become the richest guano, to help the succulent growth of green grass and corn. Merely for profit alone, the profit of this digested food for plants, the agriculturist should preserve some trees that their leaves may thus be applied. The despised worm, the lowly worm, is actually so exquisitely organised that the whole of its body is sensitive to light, and is as conscious of the ray as the pupil of your own eye. Here is great and good work like that of those classics, the manuscripts of which were the first to be copied by the early printers, and books like this would be well thumbed of the country reader.

In a degree the interior of the country bears a certain resemblance to the state of Spain. Of that sunny land, travellers tell us the strangest inconsistencies of the people and natural products. It is an arid land, without verdure, nothing but prickly aloes and scattered orange groves, mere dots in a sunburnt expanse. Silver and gold abound, and every other metal, yet none of the mines pay except the quicksilver. A rich soil is uncultivated, and every natural advantage thrown away. There are railways, and engines, and telegraphs, and books, but the populace are still Spaniards, conservative in traditions, and wedded to old customs; often nominally Republican, but in fact of the ancient creeds and ways. Like this in lesser degree, everything among our green leaves and golden wheat is in a confused mixture, at once backwards and forwards, progressive and retrograde. Here is some of the best soil in the world, numerous natural advantages, close proximity to immense markets, such as London. There seem mines of gold and silver in every acre, yet there is a crushing poverty among the farmers, and exacting poverty among their dependants the labourers. Every farm may be said to be within reach of railway communication, yet the producers know nothing of their customers. The country wishes new land laws to abolish the last vestiges of feudalism, and is beginning to unite against tithes, and in the same breath votes Conservative and places a Conservative Government in office. It would break down the monopoly of the railways, and at the same time would like a monopoly of protection for itself. It has learned to read and does not buy books. Science has been shouted over the length and breadth of the land, and chemistry, and I know not what, called to the assistance of the farmer, and every day we are drifting more and more backwards into the rule-of-thumb methods of our forefathers. No anarchy, happily—omitting that there is a strong resemblance to Spain. For an instance, in the daily papers it has become as common as possible to see an advertisement of farm-house apartments to let. Numbers of farm people look forward to their letting season in the same way as at the sea-side and in London. This is an immense breach in the ancient isolated manners of country life. The old farmers, and only a very little time ago, would as soon have thought of flying as of opening their doors to strangers, and indeed their rooms were scarcely furnished in a way to receive them. On the other hand, many farmhouses are empty altogether, and the land is un-tilled, because it cannot be let at any price, and lapsing backwards into barbarism. Everything used to be so fixed: there was a sort of caste of farmers. A man born in a farmhouse never thought of anything else but farming, and waited and waited, perhaps till he was grey, to get a farm; now there are few who have such fixed ideas, they are ready to take a chance at home or abroad. Yet it is the same old country, and with the new ways and science, and learning, and civilisation, it is as with the machinery, they are all sunk and lost in the firm old lines. It is all changed and just the same. What a clamour there used to be about the damage done by the hares and rabbits to the crops! By-and-by Parliament said, 'Shoot the hares and rabbits.' To work they went and demolished them, and now, lo! there is a feeling getting about that we don't want to be rid of all the hares and rabbits. Hares are almost formed on purpose to be good sport, and make a jolly good dish, a pleasant addition to the ceaseless round of mutton and beef to which the dead level of civilisation reduces us. Coursing is capital, the harriers first-rate. Now every man who walks about the fields is more or less at heart a sportsman, and the farmer having got the right of the gun he is not unlikely to become to some extent a game preserver. When they could not get it they wanted to destroy it, now they have got it they want to keep it. The old feeling coming up again—the land reasserting itself, Spain you see—down with feudalism, but let us have the game. Look down the long list of hounds kept in England, not one of which could get a run were it not for the good-will of the farmers, and indeed of the labourers. Hunting is a mimicry of the mediaeval chase, and this is the nineteenth century of the socialist, yet every man of the fields loves to hear the horn and the burst of the hounds. Never was shooting, for instance, carried to such perfection, perfect guns made with scientific accuracy, plans of campaign among the pheasants set out with diagrams as if there was going to be a battle of Blenheim in the woods. To be a successful sportsman nowadays you must be a well-drilled veteran, never losing presence of mind, keeping your nerve under fire—flashes to the left of you, reports to the right of you, shot whistling from the second line—a hero amid the ceaseless rattle of musketry and the 'dun hot breath of war.' Of old time the knight had to go through a long course of instructions. He had to acquire the manege of his steed, the use of the lance and sword, how to command a troop, and how to besiege a castle. Till perfect in the arts of war and complete in the minutiae of falconry and all the terms of the chase, he could not take his place in the ranks of men. The English country gentleman who now holds something the same position socially as the knight, is not a sportsman till he can use the breechloader with terrible effect at the pheasant-shoot, till he can wield the salmon-rod, or ride better than any Persian. Never were people—people in the widest sense—fonder of horses and dogs, and every kind of animal, than at the present day. The town has gone out into the country, but the country has also penetrated the mind of the town. No sooner has a man made a little money in the city, than away he rushes to the fields and rivers, and nothing would so deeply hurt the pride of the nouveaux riches as to insinuate that he was not quite fully imbued with the spirit and the knowledge of the country. If you told him he was ignorant of books he might take that as a compliment; if you suggested in a sidelong way that he did not understand horses he would never more be friends with you again.

Nothing has died out, but everything has grown stronger that appertains to the land. Heraldry, for instance, and genealogy, county history—people don't want to be sheriffs now, but they would very much like to be able to say one of their ancestors was sheriff so many centuries ago. The old crests, the old coats of arms, are more thought of than ever; every fragment of antiquity valued. Almost everything old is of the country, either of the mansion or of the cottage; old silver plate, and old china, and works of the old masters in the one, old books, old furniture, old clocks in the other.

The sweet violets bloom afresh every spring on the mounds, the cowslips come, and the happy note of the cuckoo, the wild rose of midsummer, and the golden wheat of August. It is the same beautiful old country always new. Neither the iron engine nor the wooden plough alter it one iota, and the love of it rises as constantly in our hearts as the coming of the leaves. The wheat as it is moved from field to field, like a quarto folded four times, gives us in the mere rotation of crops a fresh garden every year. You have scented the bean-field and seen the slender heads of barley droop. The useful products of the field are themselves beautiful; the sainfoin, the blue lucerne, the blood-red trifolium, the clear yellow of the mustard, give more definite colours, and all these are the merely useful, and, in that sense, the plainest of growths. There are, then, the poppies, whose wild brilliance in July days is not surpassed by any hue of Spain. Wild charlock—a clear yellow—pink pimpernels, pink-streaked convolvulus, great white convolvulus, double-yellow toadflax, blue borage, broad rays of blue chicory, tall corn-cockles, azure corn-flowers, the great mallow, almost a bush, purple knapweed—I will make no further catalogue, but there are pages more of flowers, great and small, that grow at the edge of the plough, from the coltsfoot that starts out of the clumsy clod in spring to the white clematis. Of the broad surface of the golden wheat and its glory I have already spoken, yet these flower-encircled acres, these beautiful fields of peaceful wheat, are the battle-fields of life. For these fertile acres the Romans built their cities and those villas whose mosaics and hypocausts are exposed by the plough, and formed straight roads like the radii of a wheel or the threads of a geometrical spider's web. Thus like the spider the legions from their centre marched direct and quickly conquered. Next the Saxons, next the monk-slaying Danes, next the Normans in chain-mail—one, two, three heavy blows—came to grasp these golden acres. Dearly the Normans loved them; they gripped them firmly and registered them in 'Domesday Book.' They let not a hide escape them; they gripped also the mills that ground the corn. Do you think such blood would have been shed for barren wastes? No, it was to possess these harvest-laden fields. The wheat-fields are the battle-fields of the world. If not so openly invaded as of old time, the struggle between nations is still one for the ownership or for the control of corn. When Italy became a vineyard and could no more feed the armies, slowly power slipped away and the great empire of Rome split into many pieces. It has long been foreseen that if ever England is occupied with a great war the question of our corn supply, so largely derived from abroad, will become a weighty matter. Happy for us that we have wheat-growing colonies! As persons, each of us, in our voluntary or involuntary struggle for money, is really striving for those little grains of wheat that lie so lightly in the palm of the hand. Corn is coin and coin is corn, and whether it be a labourer in the field, who no sooner receives his weekly wage than he exchanges it for bread, or whether it be the financier in Lombard Street who loans millions, the object is really the same—wheat. All ends in the same: iron mines, coal mines, factories, furnaces, the counter, the desk—no one can live on iron, or coal, or cotton—the object is really sacks of wheat. Therefore to the eye of the mind they are not sacks of wheat, but filled to the brim, like those in the magic caves of the 'Arabian Nights,' with gold.



JUST BEFORE WINTER.



A rich tint of russet deepened on the forest top, and seemed to sink day by day deeper into the foliage like a stain; riper and riper it grew, as an apple colours. Broad acres these of the last crop, the crop of leaves; a thousand thousand quarters, the broad earth will be their barn. A warm red lies on the hill-side above the woods, as if the red dawn stayed there through the day; it is the heath and heather seeds; and higher still, a pale yellow fills the larches. The whole of the great hill glows with colour under the short hours of the October sun; and overhead, where the pine-cones hang, the sky is of the deepest azure. The conflagration of the woods burning luminously crowds into those short hours a brilliance the slow summer does not know.