The old man replied, gravely: "The police, my dear boy, is the most incompetent thing on this earth, and government the feeblest in all matters concerning individuals. Neither the police nor the government can read hearts. What we might reasonably ask of them is to search for the causes of an act. But the police and the government are both eminently unfitted for that; they lack, essentially, the personal interest which reveals all to him who wants to know all. No human power can prevent an assassin or a poisoner from reaching the heart of a prince or the stomach of an honest man. Passions are the best police."

The vidame strongly advised the baron to go to Italy, and from Italy to Greece, from Greece to Syria, from Syria to Asia, and not to return until his secret enemies were convinced of his repentance, and would so make tacit peace with him. But if he did not take that course, then the vidame advised him to stay in the house, and even in his own room, where he would be safe from the attempts of this man Ferragus, and not to leave it until he could be certain of crushing him.

"We should never touch an enemy until we can be sure of taking his head off," he said, gravely.

The old man, however, promised his favorite to employ all the astuteness with which Heaven had provided him (without compromising any one) in reconnoitring the enemy's ground, and laying his plans for future victory. The Commander had in his service a retired Figaro, the wiliest monkey that ever walked in human form; in earlier days as clever as a devil, working his body like a galley-slave, alert as a thief, sly as a woman, but now fallen into the decadence of genius for want of practice since the new constitution of Parisian society, which has reformed even the valets of comedy. This Scapin emeritus was attached to his master as to a superior being; but the shrewd old vidame added a good round sum yearly to the wages of his former provost of gallantry, which strengthened the ties of natural affection by the bonds of self-interest, and obtained for the old gentleman as much care as the most loving mistress could bestow on a sick friend. It was this pearl of the old-fashioned comedy-valets, relic of the last century, auxiliary incorruptible from lack of passions to satisfy, on whom the old vidame and Monsieur de Maulincour now relied.

"Monsieur le baron will spoil all," said the great man in livery, when called into counsel. "Monsieur should eat, drink, and sleep in peace. I take the whole matter upon myself."

Accordingly, eight days after the conference, when Monsieur de Maulincour, perfectly restored to health, was breakfasting with his grandmother and the vidame, Justin entered to make his report. As soon as the dowager had returned to her own apartments he said, with that mock modesty which men of talent are so apt to affect:—

"Ferragus is not the name of the enemy who is pursuing Monsieur le baron. This man—this devil, rather—is called Gratien, Henri, Victor, Jean-Joseph Bourignard. The Sieur Gratien Bourignard is a former ship-builder, once very rich, and, above all, one of the handsomest men of his day in Paris,—a Lovelace, capable of seducing Grandison. My information stops short there. He has been a simple workman; and the Companions of the Order of the Devorants did, at one time, elect him as their chief, under the title of Ferragus XXIII. The police ought to know that, if the police were instituted to know anything. The man has moved from the rue des Vieux-Augustins, and now roosts rue Joquelet, where Madame Jules Desmarets goes frequently to see him; sometimes her husband, on his way to the Bourse, drives her as far as the rue Vivienne, or she drives her husband to the Bourse. Monsieur le vidame knows about these things too well to want me to tell him if it is the husband who takes the wife, or the wife who takes the husband; but Madame Jules is so pretty, I'd bet on her. All that I have told you is positive. Bourignard often plays at number 129. Saving your presence, monsieur, he's a rogue who loves women, and he has his little ways like a man of condition. As for the rest, he wins sometimes, disguises himself like an actor, paints his face to look like anything he chooses, and lives, I may say, the most original life in the world. I don't doubt he has a good many lodgings, for most of the time he manages to evade what Monsieur le vidame calls 'parliamentary investigations.' If monsieur wishes, he could be disposed of honorably, seeing what his habits are. It is always easy to get rid of a man who loves women. However, this capitalist talks about moving again. Have Monsieur le vidame and Monsieur le baron any other commands to give me?"

"Justin, I am satisfied with you; don't go any farther in the matter without my orders, but keep a close watch here, so that Monsieur le baron may have nothing to fear."

"My dear boy," continued the vidame, when they were alone, "go back to your old life, and forget Madame Jules."

"No, no," said Auguste; "I will never yield to Gratien Bourignard. I will have him bound hand and foot, and Madame Jules also."

That evening the Baron Auguste de Maulincour, recently promoted to higher rank in the company of the Body-Guard of the king, went to a ball given by Madame la Duchesse de Berry at the Elysee-Bourbon. There, certainly, no danger could lurk for him; and yet, before he left the palace, he had an affair of honor on his hands,—an affair it was impossible to settle except by a duel.

His adversary, the Marquis de Ronquerolles, considered that he had strong reasons to complain of Monsieur de Maulincour, who had given some ground for it during his former intimacy with Monsieur de Ronquerolles' sister, the Comtesse de Serizy. That lady, the one who detested German sentimentality, was all the more exacting in the matter of prudery. By one of those inexplicable fatalities, Auguste now uttered a harmless jest which Madame de Serizy took amiss, and her brother resented it. The discussion took place in the corner of a room, in a low voice. In good society, adversaries never raise their voices. The next day the faubourg Saint-Germain and the Chateau talked over the affair. Madame de Serizy was warmly defended, and all the blame was laid on Maulincour. August personages interfered. Seconds of the highest distinction were imposed on Messieurs de Maulincour and de Ronquerolles and every precaution was taken on the ground that no one should be killed.

When Auguste found himself face to face with his antagonist, a man of pleasure, to whom no one could possibly deny sentiments of the highest honor, he felt it was impossible to believe him the instrument of Ferragus, chief of the Devorants; and yet he was compelled, as it were, by an inexplicable presentiment, to question the marquis.

"Messieurs," he said to the seconds, "I certainly do not refuse to meet the fire of Monsieur de Ronquerolles; but before doing so, I here declare that I was to blame, and I offer him whatever excuses he may desire, and publicly if he wishes it; because when the matter concerns a woman, nothing, I think, can degrade a man of honor. I therefore appeal to his generosity and good sense; is there not something rather silly in fighting without a cause?"

Monsieur de Ronquerolles would not allow of this way of ending the affair, and then the baron, his suspicions revived, walked up to him.

"Well, then! Monsieur le marquis," he said, "pledge me, in presence of these gentlemen, your word as a gentleman that you have no other reason for vengeance than that you have chosen to put forward."

"Monsieur, that is a question you have no right to ask."

So saying, Monsieur de Ronquerolles took his place. It was agreed, in advance, that the adversaries were to be satisfied with one exchange of shots. Monsieur de Ronquerolles, in spite of the great distance determined by the seconds, which seemed to make the death of either party problematical, if not impossible, brought down the baron. The ball went through the latter's body just below the heart, but fortunately without doing vital injury.

"You aimed too well, monsieur," said the baron, "to be avenging only a paltry quarrel."

And he fainted. Monsieur de Ronquerolles, who believed him to be a dead man, smiled sardonically as he heard those words.

After a fortnight, during which time the dowager and the vidame gave him those cares of old age the secret of which is in the hands of long experience only, the baron began to return to life. But one morning his grandmother dealt him a crushing blow, by revealing anxieties to which, in her last days, she was now subjected. She showed him a letter signed F, in which the history of her grandson's secret espionage was recounted step by step. The letter accused Monsieur de Maulincour of actions that were unworthy of a man of honor. He had, it said, placed an old woman at the stand of hackney-coaches in the rue de Menars; an old spy, who pretended to sell water from her cask to the coachmen, but who was really there to watch the actions of Madame Jules Desmarets. He had spied upon the daily life of a most inoffensive man, in order to detect his secrets,—secrets on which depended the lives of three persons. He had brought upon himself a relentless struggle, in which, although he had escaped with life three times, he must inevitably succumb, because his death had been sworn and would be compassed if all human means were employed upon it. Monsieur de Maulincour could no longer escape his fate by even promising to respect the mysterious life of these three persons, because it was impossible to believe the word of a gentleman who had fallen to the level of a police-spy; and for what reason? Merely to trouble the respectable life of an innocent woman and a harmless old man.

The letter itself was nothing to Auguste in comparison to the tender reproaches of his grandmother. To lack respect to a woman! to spy upon her actions without a right to do so! Ought a man ever to spy upon a woman whom he loved?—in short, she poured out a torrent of those excellent reasons which prove nothing; and they put the young baron, for the first time in his life, into one of those great human furies in which are born, and from which issue the most vital actions of a man's life.

"Since it is war to the knife," he said in conclusion, "I shall kill my enemy by any means that I can lay hold of."

The vidame went immediately, at Auguste's request, to the chief of the private police of Paris, and without bringing Madame Jules' name or person into the narrative, although they were really the gist of it, he made the official aware of the fears of the family of Maulincour about this mysterious person who was bold enough to swear the death of an officer of the Guards, in defiance of the law and the police. The chief pushed up his green spectacles in amazement, blew his nose several times, and offered snuff to the vidame, who, to save his dignity, pretended not to use tobacco, although his own nose was discolored with it. Then the chief took notes and promised, Vidocq and his spies aiding, to send in a report within a few days to the Maulincour family, assuring them meantime that there were no secrets for the police of Paris.

A few days after this the police official called to see the vidame at the Hotel de Maulincour, where he found the young baron quite recovered from his last wound. He gave them in bureaucratic style his thanks for the indications they had afforded him, and told them that Bourignard was a convict, condemned to twenty years' hard labor, who had miraculously escaped from a gang which was being transported from Bicetre to Toulon. For thirteen years the police had been endeavoring to recapture him, knowing that he had boldly returned to Paris; but so far this convict had escaped the most active search, although he was known to be mixed up in many nefarious deeds. However, the man, whose life was full of very curious incidents, would certainly be captured now in one or other of his several domiciles and delivered up to justice. The bureaucrat ended his report by saying to Monsieur de Maulincour that if he attached enough importance to the matter to wish to witness the capture of Bourignard, he might come the next day at eight in the morning to a house in the rue Sainte-Foi, of which he gave him the number. Monsieur de Maulincour excused himself from going personally in search of certainty,—trusting, with the sacred respect inspired by the police of Paris, in the capability of the authorities.

Three days later, hearing nothing, and seeing nothing in the newspapers about the projected arrest, which was certainly of enough importance to have furnished an article, Monsieur de Maulincour was beginning to feel anxieties which were presently allayed by the following letter:—

Monsieur le Baron,—I have the honor to announce to you that you need have no further uneasiness touching the affair in question. The man named Gratien Bourignard, otherwise called Ferragus, died yesterday, at his lodgings, rue Joquelet No. 7. The suspicions we naturally conceived as to the identity of the dead body have been completely set at rest by the facts. The physician of the Prefecture of police was despatched by us to assist the physician of the arrondissement, and the chief of the detective police made all the necessary verifications to obtain absolute certainty. Moreover, the character of the persons who signed the certificate of death, and the affidavits of those who took care of the said Bourignard in his last illness, among others that of the worthy vicar of the church of the Bonne-Nouvelle (to whom he made his last confession, for he died a Christian), do not permit us to entertain any sort of doubt.

Accept, Monsieur le baron, etc., etc.

Monsieur de Maulincour, the dowager, and the vidame breathed again with joy unspeakable. The good old woman kissed her grandson leaving a tear upon his cheek, and went away to thank God in prayer. The dear soul, who was making a novena for Auguste's safety, believed her prayers were answered.

"Well," said the vidame, "now you had better show yourself at the ball you were speaking of. I oppose no further objections."



CHAPTER III. THE WIFE ACCUSED

Monsieur de Maulincour was all the more anxious to go to this ball because he knew that Madame Jules would be present. The fete was given by the Prefect of the Seine, in whose salons the two social worlds of Paris met as on neutral ground. Auguste passed through the rooms without finding the woman who now exercised so mighty an influence on his fate. He entered an empty boudoir where card-tables were placed awaiting players; and sitting down on a divan he gave himself up to the most contradictory thoughts about her. A man presently took the young officer by the arm, and looking up the baron was stupefied to behold the pauper of the rue Coquilliere, the Ferragus of Ida, the lodger in the rue Soly, the Bourignard of Justin, the convict of the police, and the dead man of the day before.

"Monsieur, not a sound, not a word," said Bourignard, whose voice he recognized. The man was elegantly dressed; he wore the order of the Golden-Fleece, and a medal on his coat. "Monsieur," he continued, and his voice was sibilant like that of a hyena, "you increase my efforts against you by having recourse to the police. You will perish, monsieur; it has now become necessary. Do you love Madame Jules? Are you beloved by her? By what right do you trouble her peaceful life, and blacken her virtue?"

Some one entered the card-room. Ferragus rose to go.

"Do you know this man?" asked Monsieur de Maulincour of the new-comer, seizing Ferragus by the collar. But Ferragus quickly disengaged himself, took Monsieur de Maulincour by the hair, and shook his head rapidly.

"Must you have lead in it to make it steady?" he said.

"I do not know him personally," replied Henri de Marsay, the spectator of this scene, "but I know that he is Monsieur de Funcal, a rich Portuguese."

Monsieur de Funcal had disappeared. The baron followed but without being able to overtake him until he reached the peristyle, where he saw Ferragus, who looked at him with a jeering laugh from a brilliant equipage which was driven away at high speed.

"Monsieur," said Auguste, re-entering the salon and addressing de Marsay, whom he knew, "I entreat you to tell me where Monsieur de Funcal lives."

"I do not know; but some one here can no doubt tell you."

The baron, having questioned the prefect, ascertained that the Comte de Funcal lived at the Portuguese embassy. At this moment, while he still felt the icy fingers of that strange man in his hair, he saw Madame Jules in all her dazzling beauty, fresh, gracious, artless, resplendent with the sanctity of womanhood which had won his love. This creature, now infernal to him, excited no emotion in his soul but that of hatred; and this hatred shone in a savage, terrible look from his eyes. He watched for a moment when he could speak to her unheard, and then he said:—

"Madame, your bravi have missed me three times."

"What do you mean, monsieur?" she said, flushing. "I know that you have had several unfortunate accidents lately, which I have greatly regretted; but how could I have had anything to do with them?"

"You knew that bravi were employed against me by that man of the rue Soly?"

"Monsieur!"

"Madame, I now call you to account, not for my happiness only, but for my blood—"

At this instant Jules Desmarets approached them.

"What are you saying to my wife, monsieur?"

"Make that inquiry at my own house, monsieur, if you are curious," said Maulincour, moving away, and leaving Madame Jules in an almost fainting condition.

There are few women who have not found themselves, once at least in their lives, a propos of some undeniable fact, confronted with a direct, sharp, uncompromising question,—one of those questions pitilessly asked by husbands, the mere apprehension of which gives a chill, while the actual words enter the heart like the blade of a dagger. It is from such crises that the maxim has come, "All women lie." Falsehood, kindly falsehood, venial falsehood, sublime falsehood, horrible falsehood,—but always the necessity to lie. This necessity admitted, ought they not to know how to lie well? French women do it admirably. Our manners and customs teach them deception! Besides, women are so naively saucy, so pretty, graceful, and withal so true in lying,—they recognize so fully the utility of doing so in order to avoid in social life the violent shocks which happiness might not resist,—that lying is seen to be as necessary to their lives as the cotton-wool in which they put away their jewels. Falsehood becomes to them the foundation of speech; truth is exceptional; they tell it, if they are virtuous, by caprice or by calculation. According to individual character, some women laugh when they lie; others weep; others are grave; some grow angry. After beginning life by feigning indifference to the homage that deeply flatters them, they often end by lying to themselves. Who has not admired their apparent superiority to everything at the very moment when they are trembling for the secret treasures of their love? Who has never studied their ease, their readiness, their freedom of mind in the greatest embarrassments of life? In them, nothing is put on. Deception comes as the snow from heaven. And then, with what art they discover the truth in others! With what shrewdness they employ a direct logic in answer to some passionate question which has revealed to them the secret of the heart of a man who was guileless enough to proceed by questioning! To question a woman! why, that is delivering one's self up to her; does she not learn in that way all that we seek to hide from her? Does she not know also how to be dumb, through speaking? What men are daring enough to struggle with the Parisian woman?—a woman who knows how to hold herself above all dagger thrusts, saying: "You are very inquisitive; what is it to you? Why do you wish to know? Ah! you are jealous! And suppose I do not choose to answer you?"—in short, a woman who possesses the hundred and thirty-seven methods of saying No, and incommensurable variations of the word Yes. Is not a treatise on the words yes and no, a fine diplomatic, philosophic, logographic, and moral work, still waiting to be written? But to accomplish this work, which we may also call diabolic, isn't an androgynous genius necessary? For that reason, probably, it will never be attempted. And besides, of all unpublished works isn't it the best known and the best practised among women? Have you studied the behavior, the pose, the disinvoltura of a falsehood? Examine it.

Madame Desmarets was seated in the right-hand corner of her carriage, her husband in the left. Having forced herself to recover from her emotion in the ballroom, she now affected a calm demeanor. Her husband had then said nothing to her, and he still said nothing. Jules looked out of the carriage window at the black walls of the silent houses before which they passed; but suddenly, as if driven by a determining thought, when turning the corner of a street he examined his wife, who appeared to be cold in spite of the fur-lined pelisse in which she was wrapped. He thought she seemed pensive, and perhaps she really was so. Of all communicable things, reflection and gravity are the most contagious.

"What could Monsieur de Maulincour have said to affect you so keenly?" said Jules; "and why does he wish me to go to his house and find out?"

"He can tell you nothing in his house that I cannot tell you here," she replied.

Then, with that feminine craft which always slightly degrades virtue, Madame Jules waited for another question. Her husband turned his face back to the houses, and continued his study of their walls. Another question would imply suspicion, distrust. To suspect a woman is a crime in love. Jules had already killed a man for doubting his wife. Clemence did not know all there was of true passion, of loyal reflection, in her husband's silence; just as Jules was ignorant of the generous drama that was wringing the heart of his Clemence.

The carriage rolled on through a silent Paris, bearing the couple,—two lovers who adored each other, and who, gently leaning on the same silken cushion, were being parted by an abyss. In these elegant coupes returning from a ball between midnight and two in the morning, how many curious and singular scenes must pass,—meaning those coupes with lanterns, which light both the street and the carriage, those with their windows unshaded; in short, legitimate coupes, in which couples can quarrel without caring for the eyes of pedestrians, because the civil code gives a right to provoke, or beat, or kiss, a wife in a carriage or elsewhere, anywhere, everywhere! How many secrets must be revealed in this way to nocturnal pedestrians,—to those young fellows who have gone to a ball in a carriage, but are obliged, for whatever cause it may be, to return on foot. It was the first time that Jules and Clemence had been together thus,—each in a corner; usually the husband pressed close to his wife.

"It is very cold," remarked Madame Jules.

But her husband did not hear her; he was studying the signs above the shop windows.

"Clemence," he said at last, "forgive me the question I am about to ask you."

He came closer, took her by the waist, and drew her to him.

"My God, it is coming!" thought the poor woman. "Well," she said aloud, anticipating the question, "you want to know what Monsieur de Maulincour said to me. I will tell you, Jules; but not without fear. Good God! how is it possible that you and I should have secrets from one another? For the last few moments I have seen you struggling between a conviction of our love and vague fears. But that conviction is clear within us, is it not? And these doubts and fears, do they not seem to you dark and unnatural? Why not stay in that clear light of love you cannot doubt? When I have told you all, you will still desire to know more; and yet I myself do not know what the extraordinary words of that man meant. What I fear is that this may lead to some fatal affair between you. I would rather that we both forget this unpleasant moment. But, in any case, swear to me that you will let this singular adventure explain itself naturally. Here are the facts. Monsieur de Maulincour declared to me that the three accidents you have heard mentioned—the falling of a stone on his servant, the breaking down of his cabriolet, and his duel about Madame de Serizy—were the result of some plot I had laid against him. He also threatened to reveal to you the cause of my desire to destroy him. Can you imagine what all this means? My emotion came from the sight of his face convulsed with madness, his haggard eyes, and also his words, broken by some violent inward emotion. I thought him mad. That is all that took place. Now, I should be less than a woman if I had not perceived that for over a year I have become, as they call it, the passion of Monsieur de Maulincour. He has never seen me except at a ball; and our intercourse has been most insignificant,—merely that which every one shares at a ball. Perhaps he wants to disunite us, so that he may find me at some future time alone and unprotected. There, see! already you are frowning! Oh, how cordially I hate society! We were so happy without him; why take any notice of him? Jules, I entreat you, forget all this! To-morrow we shall, no doubt, hear that Monsieur de Maulincour has gone mad."

"What a singular affair!" thought Jules, as the carriage stopped under the peristyle of their house. He gave his arm to his wife and together they went up to their apartments.

To develop this history in all its truth of detail, and to follow its course through many windings, it is necessary here to divulge some of love's secrets, to glide beneath the ceilings of a marriage chamber, not shamelessly, but like Trilby, frightening neither Dougal nor Jeannie, alarming no one,—being as chaste as our noble French language requires, and as bold as the pencil of Gerard in his picture of Daphnis and Chloe.

The bedroom of Madame Jules was a sacred plot. Herself, her husband, and her maid alone entered it. Opulence has glorious privileges, and the most enviable are those which enable the development of sentiments to their fullest extent,—fertilizing them by the accomplishment of even their caprices, and surrounding them with a brilliancy that enlarges them, with refinements that purify them, with a thousand delicacies that make them still more alluring. If you hate dinners on the grass, and meals ill-served, if you feel a pleasure in seeing a damask cloth that is dazzlingly white, a silver-gilt dinner service, and porcelain of exquisite purity, lighted by transparent candles, where miracles of cookery are served under silver covers bearing coats of arms, you must, to be consistent, leave the garrets at the tops of the houses, and the grisettes in the streets, abandon garrets, grisettes, umbrellas, and overshoes to men who pay for their dinners with tickets; and you must also comprehend Love to be a principle which develops in all its grace only on Savonnerie carpets, beneath the opal gleams of an alabaster lamp, between guarded walls silk-hung, before gilded hearths in chambers deadened to all outward sounds by shutters and billowy curtains. Mirrors must be there to show the play of form and repeat the woman we would multiply as love itself multiplies and magnifies her; next low divans, and a bed which, like a secret, is divined, not shown. In this coquettish chamber are fur-lined slippers for pretty feet, wax-candles under glass with muslin draperies, by which to read at all hours of the night, and flowers, not those oppressive to the head, and linen, the fineness of which might have satisfied Anne of Austria.

Madame Jules had realized this charming programme, but that was nothing. All women of taste can do as much, though there is always in the arrangement of these details a stamp of personality which gives to this decoration or that detail a character that cannot be imitated. To-day, more than ever, reigns the fanaticism of individuality. The more our laws tend to an impossible equality, the more we shall get away from it in our manners and customs. Thus, rich people are beginning, in France, to become more exclusive in their tastes and their belongings, than they have been for the last thirty years. Madame Jules knew very well how to carry out this programme; and everything about her was arranged in harmony with a luxury that suits so well with love. Love in a cottage, or "Fifteen hundred francs and my Sophy," is the dream of starvelings to whom black bread suffices in their present state; but when love really comes, they grow fastidious and end by craving the luxuries of gastronomy. Love holds toil and poverty in horror. It would rather die than merely live on from hand to mouth.

Many women, returning from a ball, impatient for their beds, throw off their gowns, their faded flowers, their bouquets, the fragrance of which has now departed. They leave their little shoes beneath a chair, the white strings trailing; they take out their combs and let their hair roll down as it will. Little they care if their husbands see the puffs, the hairpins, the artful props which supported the elegant edifices of the hair, and the garlands or the jewels that adorned it. No more mysteries! all is over for the husband; no more painting or decoration for him. The corset—half the time it is a corset of a reparative kind—lies where it is thrown, if the maid is too sleepy to take it away with her. The whalebone bustle, the oiled-silk protections round the sleeves, the pads, the hair bought from a coiffeur, all the false woman is there, scattered about in open sight. Disjecta membra poetae, the artificial poesy, so much admired by those for whom it is conceived and elaborated, the fragments of a pretty woman, litter every corner of the room. To the love of a yawning husband, the actual presents herself, also yawning, in a dishabille without elegance, and a tumbled night-cap, that of last night and that of to-morrow night also,—"For really, monsieur, if you want a pretty cap to rumple every night, increase my pin-money."

There's life as it is! A woman makes herself old and unpleasing to her husband; but dainty and elegant and adorned for others, for the rival of all husbands,—for that world which calumniates and tears to shreds her sex.

Inspired by true love, for Love has, like other creations, its instinct of preservation, Madame Jules did very differently; she found in the constant blessing of her love the necessary impulse to fulfil all those minute personal cares which ought never to be relaxed, because they perpetuate love. Besides, such personal cares and duties proceed from a personal dignity which becomes all women, and are among the sweetest of flatteries, for is it not respecting in themselves the man they love?

So Madame Jules denied to her husband all access to her dressing-room, where she left the accessories of her toilet, and whence she issued mysteriously adorned for the mysterious fetes of her heart. Entering their chamber, which was always graceful and elegant, Jules found a woman coquettishly wrapped in a charming peignoir, her hair simply wound in heavy coils around her head; a woman always more simple, more beautiful there than she was before the world; a woman just refreshed in water, whose only artifice consisted in being whiter than her muslins, sweeter than all perfumes, more seductive than any siren, always loving and therefore always loved. This admirable understanding of a wife's business was the secret of Josephine's charm for Napoleon, as in former times it was that of Caesonia for Caius Caligula, of Diane de Poitiers for Henri II. If it was largely productive to women of seven or eight lustres what a weapon is it in the hands of young women! A husband gathers with delight the rewards of his fidelity.

Returning home after the conversation which had chilled her with fear, and still gave her the keenest anxiety, Madame Jules took particular pains with her toilet for the night. She wanted to make herself, and she did make herself enchanting. She belted the cambric of her dressing-gown round her waist, defining the lines of her bust; she allowed her hair to fall upon her beautifully modelled shoulders. A perfumed bath had given her a delightful fragrance, and her little bare feet were in velvet slippers. Strong in a sense of her advantages she came in stepping softly, and put her hands over her husband's eyes. She thought him pensive; he was standing in his dressing-gown before the fire, his elbow on the mantel and one foot on the fender. She said in his ear, warming it with her breath, and nibbling the tip of it with her teeth:—

"What are you thinking about, monsieur?"

Then she pressed him in her arms as if to tear him away from all evil thoughts. The woman who loves has a full knowledge of her power; the more virtuous she is, the more effectual her coquetry.

"About you," he answered.

"Only about me?"

"Yes."

"Ah! that's a very doubtful 'yes.'"

They went to bed. As she fell asleep, Madame Jules said to herself:—

"Monsieur de Maulincour will certainly cause some evil. Jules' mind is preoccupied, disturbed; he is nursing thoughts he does not tell me."

It was three in the morning when Madame Jules was awakened by a presentiment which struck her heart as she slept. She had a sense both physical and moral of her husband's absence. She did not feel the arm Jules passed beneath her head,—that arm in which she had slept, peacefully and happy, for five years; an arm she had never wearied. A voice said to her, "Jules suffers, Jules is weeping." She raised her head, and then sat up; felt that her husband's place was cold, and saw him sitting before the fire, his feet on the fender, his head resting against the back of an arm-chair. Tears were on his cheeks. The poor woman threw herself hastily from her bed and sprang at a bound to her husband's knees.

"Jules! what is it? Are you ill? Speak, tell me! Speak to me, if you love me!" and she poured out a hundred words expressing the deepest tenderness.

Jules knelt at her feet, kissed her hands and knees, and answered with fresh tears:—

"Dear Clemence, I am most unhappy! It is not loving to distrust the one we love. I adore you and suspect you. The words that man said to me to-night have struck to my heart; they stay there in spite of myself, and confound me. There is some mystery here. In short, and I blush to say it, your explanations do not satisfy me. My reason casts gleams into my soul which my love rejects. It is an awful combat. Could I stay there, holding your head, and suspecting thoughts within it to me unknown? Oh! I believe in you, I believe in you!" he cried, seeing her smile sadly and open her mouth as if to speak. "Say nothing; do not reproach me. Besides, could you say anything I have not said myself for the last three hours? Yes, for three hours, I have been here, watching you as you slept, so beautiful! admiring that pure, peaceful brow. Yes, yes! you have always told me your thoughts, have you not? I alone am in that soul. While I look at you, while my eyes can plunge into yours I see all plainly. Your life is as pure as your glance is clear. No, there is no secret behind those transparent eyes." He rose and kissed their lids. "Let me avow to you, dearest soul," he said, "that for the last five years each day has increased my happiness, through the knowledge that you are all mine, and that no natural affection even can take any of your love. Having no sister, no father, no mother, no companion, I am neither above nor below any living being in your heart; I am alone there. Clemence, repeat to me those sweet things of the spirit you have so often said to me; do not blame me; comfort me, I am so unhappy. I have an odious suspicion on my conscience, and you have nothing in your heart to sear it. My beloved, tell me, could I stay there beside you? Could two heads united as ours have been lie on the same pillow when one was suffering and the other tranquil? What are you thinking of?" he cried abruptly, observing that Clemence was anxious, confused, and seemed unable to restrain her tears.

"I am thinking of my mother," she answered, in a grave voice. "You will never know, Jules, what I suffer in remembering my mother's dying farewell, said in a voice sweeter than all music, and in feeling the solemn touch of her icy hand at a moment when you overwhelm me with those assurances of your precious love."

She raised her husband, strained him to her with a nervous force greater than that of men, and kissed his hair, covering it with tears.

"Ah! I would be hacked in pieces for you! Tell me that I make you happy; that I am to you the most beautiful of women—a thousand women to you. Oh! you are loved as no other man ever was or will be. I don't know the meaning of those words 'duty,' 'virtue.' Jules, I love you for yourself; I am happy in loving you; I shall love you more and more to my dying day. I have pride in my love; I feel it is my destiny to have one sole emotion in my life. What I shall tell you now is dreadful, I know—but I am glad to have no child; I do not wish for any. I feel I am more wife than mother. Well, then, can you fear? Listen to me, my own beloved, promise to forget, not this hour of mingled tenderness and doubt, but the words of that madman. Jules, you must. Promise me not to see him, not to go to him. I have a deep conviction that if you set one foot in that maze we shall both roll down a precipice where I shall perish—but with your name upon my lips, your heart in my heart. Why hold me so high in that heart and yet so low in reality? What! you who give credit to so many as to money, can you not give me the charity of faith? And on the first occasion in our lives when you might prove to me your boundless trust, do you cast me from my throne in your heart? Between a madman and me, it is the madman whom you choose to believe? oh, Jules!" She stopped, threw back the hair that fell about her brow and neck, and then, in a heart-rending tone, she added: "I have said too much; one word should suffice. If your soul and your forehead still keep this cloud, however light it be, I tell you now that I shall die of it."

She could not repress a shudder, and turned pale.

"Oh! I will kill that man," thought Jules, as he lifted his wife in his arms and carried her to her bed.

"Let us sleep in peace, my angel," he said. "I have forgotten all, I swear it!"

Clemence fell asleep to the music of those sweet words, softly repeated. Jules, as he watched her sleeping, said in his heart:—

"She is right; when love is so pure, suspicion blights it. To that young soul, that tender flower, a blight—yes, a blight means death."

When a cloud comes between two beings filled with affection for each other and whose lives are in absolute unison, that cloud, though it may disperse, leaves in those souls a trace of its passage. Either love gains a stronger life, as the earth after rain, or the shock still echoes like distant thunder through a cloudless sky. It is impossible to recover absolutely the former life; love will either increase or diminish.

At breakfast, Monsieur and Madame Jules showed to each other those particular attentions in which there is always something of affectation. There were glances of forced gaiety, which seemed the efforts of persons endeavoring to deceive themselves. Jules had involuntary doubts, his wife had positive fears. Still, sure of each other, they had slept. Was this strained condition the effect of a want of faith, or was it only a memory of their nocturnal scene? They did not know themselves. But they loved each other so purely that the impression of that scene, both cruel and beneficent, could not fail to leave its traces in their souls; both were eager to make those traces disappear, each striving to be the first to return to the other, and thus they could not fail to think of the cause of their first variance. To loving souls, this is not grief; pain is still far-off; but it is a sort of mourning, which is difficult to depict. If there are, indeed, relations between colors and the emotions of the soul, if, as Locke's blind man said, scarlet produces on the sight the effect produced upon the hearing by a blast of trumpets, it is permissible to compare this reaction of melancholy to mourning tones of gray.

But even so, love saddened, love in which remains a true sentiment of its happiness, momentarily troubled though it be, gives enjoyments derived from pain and pleasure both, which are all novel. Jules studied his wife's voice; he watched her glances with the freshness of feeling that inspired him in the earliest days of his passion for her. The memory of five absolutely happy years, her beauty, the candor of her love, quickly effaced in her husband's mind the last vestiges of an intolerable pain.

The day was Sunday,—a day on which there was no Bourse and no business to be done. The reunited pair passed the whole day together, getting farther into each other's hearts than they ever yet had done, like two children who in a moment of fear, hold each other closely and cling together, united by an instinct. There are in this life of two-in-one completely happy days, the gift of chance, ephemeral flowers, born neither of yesterday nor belonging to the morrow. Jules and Clemence now enjoyed this day as though they forboded it to be the last of their loving life. What name shall we give to that mysterious power which hastens the steps of travellers before the storm is visible; which makes the life and beauty of the dying so resplendent, and fills the parting soul with joyous projects for days before death comes; which tells the midnight student to fill his lamp when it shines brightest; and makes the mother fear the thoughtful look cast upon her infant by an observing man? We all are affected by this influence in the great catastrophes of life; but it has never yet been named or studied; it is something more than presentiment, but not as yet clear vision.

All went well till the following day. On Monday, Jules Desmarets, obliged to go to the Bourse on his usual business, asked his wife, as usual, if she would take advantage of his carriage and let him drive her anywhere.

"No," she said, "the day is too unpleasant to go out."

It was raining in torrents. At half-past two o'clock Monsieur Desmarets reached the Treasury. At four o'clock, as he left the Bourse, he came face to face with Monsieur de Maulincour, who was waiting for him with the nervous pertinacity of hatred and vengeance.

"Monsieur," he said, taking Monsieur Desmarets by the arm, "I have important information to give you. Listen to me. I am too loyal a man to have recourse to anonymous letters with which to trouble your peace of mind; I prefer to speak to you in person. Believe me, if my very life were not concerned, I should not meddle with the private affairs of any household, even if I thought I had the right to do so."

"If what you have to say to me concerns Madame Desmarets," replied Jules, "I request you to be silent, monsieur."

"If I am silent, monsieur, you may before long see Madame Jules on the prisoner's bench at the court of assizes beside a convict. Now, do you wish me to be silent?"

Jules turned pale; but his noble face instantly resumed its calmness, though it was now a false calmness. Drawing the baron under one of the temporary sheds of the Bourse, near which they were standing, he said to him in a voice which concealed his intense inward emotion:—

"Monsieur, I will listen to you; but there will be a duel to the death between us if—"

"Oh, to that I consent!" cried Monsieur de Maulincour. "I have the greatest esteem for your character. You speak of death. You are unaware that your wife may have assisted in poisoning me last Saturday night. Yes, monsieur, since then some extraordinary evil has developed in me. My hair appears to distil an inward fever and a deadly languor through my skull; I know who clutched my hair at that ball."

Monsieur de Maulincour then related, without omitting a single fact, his platonic love for Madame Jules, and the details of the affair in the rue Soly which began this narrative. Any one would have listened to him with attention; but Madame Jules' husband had good reason to be more amazed than any other human being. Here his character displayed itself; he was more amazed than overcome. Made a judge, and the judge of an adored woman, he found in his soul the equity of a judge as well as the inflexibility. A lover still, he thought less of his own shattered life than of his wife's life; he listened, not to his own anguish, but to some far-off voice that cried to him, "Clemence cannot lie! Why should she betray you?"

"Monsieur," said the baron, as he ended, "being absolutely certain of having recognized in Monsieur de Funcal the same Ferragus whom the police declared dead, I have put upon his traces an intelligent man. As I returned that night I remembered, by a fortunate chance, the name of Madame Meynardie, mentioned in that letter of Ida, the presumed mistress of my persecutor. Supplied with this clue, my emissary will soon get to the bottom of this horrible affair; for he is far more able to discover the truth than the police themselves."

"Monsieur," replied Desmarets, "I know not how to thank you for this confidence. You say that you can obtain proofs and witnesses; I shall await them. I shall seek the truth of this strange affair courageously; but you must permit me to doubt everything until the evidence of the facts you state is proved to me. In any case you shall have satisfaction, for, as you will certainly understand, we both require it."

Jules returned home.

"What is the matter, Jules?" asked his wife, when she saw him. "You look so pale you frighten me!"

"The day is cold," he answered, walking with slow steps across the room where all things spoke to him of love and happiness,—that room so calm and peaceful where a deadly storm was gathering.

"Did you go out to-day?" he asked, as though mechanically.

He was impelled to ask the question by the last of a myriad of thoughts which had gathered themselves together into a lucid meditation, though jealousy was actively prompting them.

"No," she answered, in a tone that was falsely candid.

At that instant Jules saw through the open door of the dressing-room the velvet bonnet which his wife wore in the mornings; on it were drops of rain. Jules was a passionate man, but he was also full of delicacy. It was repugnant to him to bring his wife face to face with a lie. When such a situation occurs, all has come to an end forever between certain beings. And yet those drops of rain were like a flash tearing through his brain.

He left the room, went down to the porter's lodge, and said to the porter, after making sure that they were alone:—

"Fouguereau, a hundred crowns if you tell me the truth; dismissal if you deceive me; and nothing at all if you ever speak of my question and your answer."

He stopped to examine the man's face, leading him under the window. Then he continued:—

"Did madame go out this morning?"

"Madame went out at a quarter to three, and I think I saw her come in about half an hour ago."

"That is true, upon your honor?"

"Yes, monsieur."

"You will have the money; but if you speak of this, remember, you will lose all."

Jules returned to his wife.

"Clemence," he said, "I find I must put my accounts in order. Do not be offended at the inquiry I am going to make. Have I not given you forty thousand francs since the beginning of the year?"

"More," she said,—"forty-seven."

"Have you spent them?"

"Nearly," she replied. "In the first place, I had to pay several of our last year's bills—"

"I shall never find out anything in this way," thought Jules. "I am not taking the best course."

At this moment Jules' own valet entered the room with a letter for his master, who opened it indifferently, but as soon as his eyes had lighted on the signature he read it eagerly. The letter was as follows:—

Monsieur,—For the sake of your peace of mind as well as ours, I take the course of writing you this letter without possessing the advantage of being known to you; but my position, my age, and the fear of some misfortune compel me to entreat you to show indulgence in the trying circumstances under which our afflicted family is placed. Monsieur Auguste de Maulincour has for the last few days shown signs of mental derangement, and we fear that he may trouble your happiness by fancies which he confided to Monsieur le Vidame de Pamiers and myself during his first attack of frenzy. We think it right, therefore, to warn you of his malady, which is, we hope, curable; but it will have such serious and important effects on the honor of our family and the career of my grandson that we must rely, monsieur, on your entire discretion.

If Monsieur le Vidame or I could have gone to see you we would not have written. But I make no doubt that you will regard this prayer of a mother, who begs you to destroy this letter.

Accept the assurance of my perfect consideration.

Baronne de Maulincour, nee de Rieux.

"Oh! what torture!" cried Jules.

"What is it? what is in your mind?" asked his wife, exhibiting the deepest anxiety.

"I have come," he answered, slowly, as he threw her the letter, "to ask myself whether it can be you who have sent me that to avert my suspicions. Judge, therefore, what I suffer."

"Unhappy man!" said Madame Jules, letting fall the paper. "I pity him; though he has done me great harm."

"Are you aware that he has spoken to me?"

"Oh! have you been to see him, in spite of your promise?" she cried in terror.

"Clemence, our love is in danger of perishing; we stand outside of the ordinary rules of life; let us lay aside all petty considerations in presence of this great peril. Explain to me why you went out this morning. Women think they have the right to tell us little falsehoods. Sometimes they like to hide a pleasure they are preparing for us. Just now you said a word to me, by mistake, no doubt, a no for a yes."

He went into the dressing-room and brought out the bonnet.

"See," he said, "your bonnet has betrayed you; these spots are raindrops. You must, therefore, have gone out in a street cab, and these drops fell upon it as you went to find one, or as you entered or left the house where you went. But a woman can leave her own home for many innocent purposes, even after she has told her husband that she did not mean to go out. There are so many reasons for changing our plans! Caprices, whims, are they not your right? Women are not required to be consistent with themselves. You had forgotten something,—a service to render, a visit, some kind action. But nothing hinders a woman from telling her husband what she does. Can we ever blush on the breast of a friend? It is not a jealous husband who speaks to you, my Clemence; it is your lover, your friend, your brother." He flung himself passionately at her feet. "Speak, not to justify yourself, but to calm my horrible sufferings. I know that you went out. Well—what did you do? where did you go?"

"Yes, I went out, Jules," she answered in a strained voice, though her face was calm. "But ask me nothing more. Wait; have confidence; without which you will lay up for yourself terrible remorse. Jules, my Jules, trust is the virtue of love. I owe to you that I am at this moment too troubled to answer you: but I am not a false woman; I love you, and you know it."

"In the midst of all that can shake the faith of man and rouse his jealousy, for I see I am not first in your heart, I am no longer thine own self—well, Clemence, even so, I prefer to believe you, to believe that voice, to believe those eyes. If you deceive me, you deserve—"

"Ten thousand deaths!" she cried, interrupting him.

"I have never hidden a thought from you, but you—"

"Hush!" she said, "our happiness depends upon our mutual silence."

"Ha! I will know all!" he exclaimed, with sudden violence.

At that moment the cries of a woman were heard,—the yelping of a shrill little voice came from the antechamber.

"I tell you I will go in!" it cried. "Yes, I shall go in; I will see her! I shall see her!"

Jules and Clemence both ran to the salon as the door from the antechamber was violently burst open. A young woman entered hastily, followed by two servants, who said to their master:—

"Monsieur, this person would come in in spite of us. We told her that madame was not at home. She answered that she knew very well madame had been out, but she saw her come in. She threatened to stay at the door of the house till she could speak to madame."

"You can go," said Monsieur Desmarets to the two men. "What do you want, mademoiselle?" he added, turning to the strange woman.

This "demoiselle" was the type of a woman who is never to be met with except in Paris. She is made in Paris, like the mud, like the pavement, like the water of the Seine, such as it becomes in Paris before human industry filters it ten times ere it enters the cut-glass decanters and sparkles pure and bright from the filth it has been. She is therefore a being who is truly original. Depicted scores of times by the painter's brush, the pencil of the caricaturist, the charcoal of the etcher, she still escapes analysis, because she cannot be caught and rendered in all her moods, like Nature, like this fantastic Paris itself. She holds to vice by one thread only, and she breaks away from it at a thousand other points of the social circumference. Besides, she lets only one trait of her character be known, and that the only one which renders her blamable; her noble virtues are hidden; she prefers to glory in her naive libertinism. Most incompletely rendered in dramas and tales where she is put upon the scene with all her poesy, she is nowhere really true but in her garret; elsewhere she is invariably calumniated or over-praised. Rich, she deteriorates; poor, she is misunderstood. She has too many vices, and too many good qualities; she is too near to pathetic asphyxiation or to a dissolute laugh; too beautiful and too hideous. She personifies Paris, to which, in the long run, she supplies the toothless portresses, washerwomen, street-sweepers, beggars, occasionally insolent countesses, admired actresses, applauded singers; she has even given, in the olden time, two quasi-queens to the monarchy. Who can grasp such a Proteus? She is all woman, less than woman, more than woman. From this vast portrait the painter of manners and morals can take but a feature here and there; the ensemble is infinite.

She was a grisette of Paris; a grisette in all her glory; a grisette in a hackney-coach,—happy, young, handsome, fresh, but a grisette; a grisette with claws, scissors, impudent as a Spanish woman, snarling as a prudish English woman proclaiming her conjugal rights, coquettish as a great lady, though more frank, and ready for everything; a perfect lionne in her way; issuing from the little apartment of which she had dreamed so often, with its red-calico curtains, its Utrecht velvet furniture, its tea-table, the cabinet of china with painted designs, the sofa, the little moquette carpet, the alabaster clock and candlesticks (under glass cases), the yellow bedroom, the eider-down quilt,—in short, all the domestic joys of a grisette's life; and in addition, the woman-of-all-work (a former grisette herself, now the owner of a moustache), theatre-parties, unlimited bonbons, silk dresses, bonnets to spoil,—in fact, all the felicities coveted by the grisette heart except a carriage, which only enters her imagination as a marshal's baton into the dreams of a soldier. Yes, this grisette had all these things in return for a true affection, or in spite of a true affection, as some others obtain it for an hour a day,—a sort of tax carelessly paid under the claws of an old man.

The young woman who now entered the presence of Monsieur and Madame Jules had a pair of feet so little covered by her shoes that only a slim black line was visible between the carpet and her white stockings. This peculiar foot-gear, which Parisian caricaturists have well-rendered, is a special attribute of the grisette of Paris; but she is even more distinctive to the eyes of an observer by the care with which her garments are made to adhere to her form, which they clearly define. On this occasion she was trigly dressed in a green gown, with a white chemisette, which allowed the beauty of her bust to be seen; her shawl, of Ternaux cashmere, had fallen from her shoulders, and was held by its two corners, which were twisted round her wrists. She had a delicate face, rosy cheeks, a white skin, sparkling gray eyes, a round, very promising forehead, hair carefully smoothed beneath her little bonnet, and heavy curls upon her neck.

"My name is Ida," she said, "and if that's Madame Jules to whom I have the advantage of speaking, I've come to tell her all I have in my heart against her. It is very wrong, when a woman is set up and in her furniture, as you are here, to come and take from a poor girl a man with whom I'm as good as married, morally, and who did talk of making it right by marrying me before the municipality. There's plenty of handsome young men in the world—ain't there, monsieur?—to take your fancy, without going after a man of middle age, who makes my happiness. Yah! I haven't got a fine hotel like this, but I've got my love, I have. I hate handsome men and money; I'm all heart, and—"

Madame Jules turned to her husband.

"You will allow me, monsieur, to hear no more of all this," she said, retreating to her bedroom.

"If the lady lives with you, I've made a mess of it; but I can't help that," resumed Ida. "Why does she come after Monsieur Ferragus every day?"

"You are mistaken, mademoiselle," said Jules, stupefied; "my wife is incapable—"

"Ha! so you're married, you two," said the grisette showing some surprise. "Then it's very wrong, monsieur,—isn't it?—for a woman who has the happiness of being married in legal marriage to have relations with a man like Henri—"

"Henri! who is Henri?" said Jules, taking Ida by the arm and pulling her into an adjoining room that his wife might hear no more.

"Why, Monsieur Ferragus."

"But he is dead," said Jules.

"Nonsense; I went to Franconi's with him last night, and he brought me home—as he ought. Besides, your wife can tell you about him; didn't she go there this very afternoon at three o'clock? I know she did, for I waited in the street, and saw her,—all because that good-natured fellow, Monsieur Justin, whom you know perhaps,—a little old man with jewelry who wears corsets,—told me that Madame Jules was my rival. That name, monsieur, sounds mighty like a feigned one; but if it is yours, excuse me. But this I say, if Madame Jules was a court duchess, Henri is rich enough to satisfy all her fancies, and it is my business to protect my property; I've a right to, for I love him, that I do. He is my first inclination; my happiness and all my future fate depends on it. I fear nothing, monsieur; I am honest; I never lied, or stole the property of any living soul, no matter who. If an empress was my rival, I'd go straight to her, empress as she was; because all pretty women are equals, monsieur—"

"Enough! enough!" said Jules. "Where do you live?"

"Rue de la Corderie-du-Temple, number 14, monsieur,—Ida Gruget, corset-maker, at your service,—for we make lots of corsets for men."

"Where does the man whom you call Ferragus live?"

"Monsieur," she said, pursing up her lips, "in the first place, he's not a man; he is a rich monsieur, much richer, perhaps, than you are. But why do you ask me his address when your wife knows it? He told me not to give it. Am I obliged to answer you? I'm not, thank God, in a confessional or a police-court; I'm responsible only to myself."

"If I were to offer you ten thousand francs to tell me where Monsieur Ferragus lives, how then?"

"Ha! n, o, no, my little friend, and that ends the matter," she said, emphasizing this singular reply with a popular gesture. "There's no sum in the world could make me tell you. I have the honor to bid you good-day. How do I get out of here?"

Jules, horror-struck, allowed her to go without further notice. The whole world seemed to crumble beneath his feet, and above him the heavens were falling with a crash.

"Monsieur is served," said his valet.

The valet and the footman waited in the dining-room a quarter of an hour without seeing master or mistress.

"Madame will not dine to-day," said the waiting-maid, coming in.

"What's the matter, Josephine?" asked the valet.

"I don't know," she answered. "Madame is crying, and is going to bed. Monsieur has no doubt got some love-affair on hand, and it has been discovered at a very bad time. I wouldn't answer for madame's life. Men are so clumsy; they'll make you scenes without any precaution."

"That's not so," said the valet, in a low voice. "On the contrary, madame is the one who—you understand? What times does monsieur have to go after pleasures, he, who hasn't slept out of madame's room for five years, who goes to his study at ten and never leaves it till breakfast, at twelve. His life is all known, it is regular; whereas madame goes out nearly every day at three o'clock, Heaven knows where."

"And monsieur too," said the maid, taking her mistress's part.

"Yes, but he goes straight to the Bourse. I told him three times that dinner was ready," continued the valet, after a pause. "You might as well talk to a post."

Monsieur Jules entered the dining-room.

"Where is madame?" he said.

"Madame is going to bed; her head aches," replied the maid, assuming an air of importance.

Monsieur Jules then said to the footmen composedly: "You can take away; I shall go and sit with madame."

He went to his wife's room and found her weeping, but endeavoring to smother her sobs with her handkerchief.

"Why do you weep?" said Jules; "you need expect no violence and no reproaches from me. Why should I avenge myself? If you have not been faithful to my love, it is that you were never worthy of it."

"Not worthy?" The words were repeated amid her sobs and the accent in which they were said would have moved any other man than Jules.

"To kill you, I must love more than perhaps I do love you," he continued. "But I should never have the courage; I would rather kill myself, leaving you to your—happiness, and with—whom!—"

He did not end his sentence.

"Kill yourself!" she cried, flinging herself at his feet and clasping them.

But he, wishing to escape the embrace, tried to shake her off, dragging her in so doing toward the bed.

"Let me alone," he said.

"No, no, Jules!" she cried. "If you love me no longer I shall die. Do you wish to know all?"

"Yes."

He took her, grasped her violently, and sat down on the edge of the bed, holding her between his legs. Then, looking at that beautiful face now red as fire and furrowed with tears,—

"Speak," he said.

Her sobs began again.

"No; it is a secret of life and death. If I tell it, I—No, I cannot. Have mercy, Jules!"

"You have betrayed me—"

"Ah! Jules, you think so now, but soon you will know all."

"But this Ferragus, this convict whom you go to see, a man enriched by crime, if he does not belong to you, if you do not belong to him—"

"Oh, Jules!"

"Speak! Is he your mysterious benefactor?—the man to whom we owe our fortune, as persons have said already?"

"Who said that?"

"A man whom I killed in a duel."

"Oh, God! one death already!"

"If he is not your protector, if he does not give you money, if it is you, on the contrary, who carry money to him, tell me, is he your brother?"

"What if he were?" she said.

Monsieur Desmarets crossed his arms.

"Why should that have been concealed from me?" he said. "Then you and your mother have both deceived me? Besides, does a woman go to see her brother every day, or nearly every day?"

His wife had fainted at his feet.

"Dead," he said. "And suppose I am mistaken?"

He sprang to the bell-rope; called Josephine, and lifted Clemence to the bed.

"I shall die of this," said Madame Jules, recovering consciousness.

"Josephine," cried Monsieur Desmarets. "Send for Monsieur Desplein; send also to my brother and ask him to come here immediately."

"Why your brother?" asked Clemence.

But Jules had already left the room.



CHAPTER IV. WHERE GO TO DIE?

For the first time in five years Madame Jules slept alone in her bed, and was compelled to admit a physician into that sacred chamber. These in themselves were two keen pangs. Desplein found Madame Jules very ill. Never was a violent emotion more untimely. He would say nothing definite, and postponed till the morrow giving any opinion, after leaving a few directions, which were not executed, the emotions of the heart causing all bodily cares to be forgotten.

When morning dawned, Clemence had not yet slept. Her mind was absorbed in the low murmur of a conversation which lasted several hours between the brothers; but the thickness of the walls allowed no word which could betray the object of this long conference to reach her ears. Monsieur Desmarets, the notary, went away at last. The stillness of the night, and the singular activity of the senses given by powerful emotion, enabled Clemence to distinguish the scratching of a pen and the involuntary movements of a person engaged in writing. Those who are habitually up at night, and who observe the different acoustic effects produced in absolute silence, know that a slight echo can be readily perceived in the very places where louder but more equable and continued murmurs are not distinct. At four o'clock the sound ceased. Clemence rose, anxious and trembling. Then, with bare feet and without a wrapper, forgetting her illness and her moist condition, the poor woman opened the door softly without noise and looked into the next room. She saw her husband sitting, with a pen in his hand, asleep in his arm-chair. The candles had burned to the sockets. She slowly advanced and read on an envelope, already sealed, the words, "This is my will."

She knelt down as if before an open grave and kissed her husband's hand. He woke instantly.

"Jules, my friend, they grant some days to criminals condemned to death," she said, looking at him with eyes that blazed with fever and with love. "Your innocent wife asks only two. Leave me free for two days, and—wait! After that, I shall die happy—at least, you will regret me."

"Clemence, I grant them."

Then, as she kissed her husband's hands in the tender transport of her heart, Jules, under the spell of that cry of innocence, took her in his arms and kissed her forehead, though ashamed to feel himself still under subjection to the power of that noble beauty.

On the morrow, after taking a few hours' rest, Jules entered his wife's room, obeying mechanically his invariable custom of not leaving the house without a word to her. Clemence was sleeping. A ray of light passing through a chink in the upper blind of a window fell across the face of the dejected woman. Already suffering had impaired her forehead and the freshness of her lips. A lover's eye could not fail to notice the appearance of dark blotches, and a sickly pallor in place of the uniform tone of the cheeks and the pure ivory whiteness of the skin,—two points at which the sentiments of her noble soul were artlessly wont to show themselves.

"She suffers," thought Jules. "Poor Clemence! May God protect us!"

He kissed her very softly on the forehead. She woke, saw her husband, and remembered all. Unable to speak, she took his hand, her eyes filling with tears.

"I am innocent," she said, ending her dream.

"You will not go out to-day, will you?" asked Jules.

"No, I feel too weak to leave my bed."

"If you should change your mind, wait till I return," said Jules.

Then he went down to the porter's lodge.

"Fouguereau, you will watch the door yourself to-day. I wish to know exactly who comes to the house, and who leaves it."

Then he threw himself into a hackney-coach, and was driven to the hotel de Maulincour, where he asked for the baron.

"Monsieur is ill," they told him.

Jules insisted on entering, and gave his name. If he could not see the baron, he wished to see the vidame or the dowager. He waited some time in the salon, where Madame de Maulincour finally came to him and told him that her grandson was much too ill to receive him.

"I know, madame, the nature of his illness from the letter you did me the honor to write, and I beg you to believe—"

"A letter to you, monsieur, written by me!" cried the dowager, interrupting him. "I have written you no letter. What was I made to say in that letter, monsieur?"

"Madame," replied Jules, "intending to see Monsieur de Maulincour to-day, I thought it best to preserve the letter in spite of its injunction to destroy it. There it is."

Madame de Maulincour put on her spectacles, and the moment she cast her eyes on the paper she showed the utmost surprise.

"Monsieur," she said, "my writing is so perfectly imitated that, if the matter were not so recent, I might be deceived myself. My grandson is ill, it is true; but his reason has never for a moment been affected. We are the puppets of some evil-minded person or persons; and yet I cannot imagine the object of a trick like this. You shall see my grandson, monsieur, and you will at once perceive that he is perfectly sound in mind."

She rang the bell, and sent to ask if the baron felt able to receive Monsieur Desmarets. The servant returned with an affirmative answer. Jules went to the baron's room, where he found him in an arm-chair near the fire. Too feeble to move, the unfortunate man merely bowed his head with a melancholy gesture. The Vidame de Pamiers was sitting with him.

"Monsieur le baron," said Jules, "I have something to say which makes it desirable that I should see you alone."

"Monsieur," replied Auguste, "Monsieur le vidame knows about this affair; you can speak fearlessly before him."

"Monsieur le baron," said Jules, in a grave voice, "you have troubled and well-nigh destroyed my happiness without having any right to do so. Until the moment when we can see clearly which of us should demand, or grant, reparation to the other, you are bound to help me in following the dark and mysterious path into which you have flung me. I have now come to ascertain from you the present residence of the extraordinary being who exercises such a baneful effect on your life and mine. On my return home yesterday, after listening to your avowals, I received that letter."

Jules gave him the forged letter.

"This Ferragus, this Bourignard, or this Monsieur de Funcal, is a demon!" cried Maulincour, after having read it. "Oh, what a frightful maze I put my foot into when I meddled in this matter! Where am I going? I did wrong, monsieur," he continued, looking at Jules; "but death is the greatest of all expiations, and my death is now approaching. You can ask me whatever you like; I am at your orders."

"Monsieur, you know, of course, where this man is living, and I must know it if it costs me all my fortune to penetrate this mystery. In presence of so cruel an enemy every moment is precious."

"Justin shall tell you all," replied the baron.

At these words the vidame fidgeted on his chair. Auguste rang the bell.

"Justin is not in the house!" cried the vidame, in a hasty manner that told much.

"Well, then," said Auguste, excitedly, "the other servants must know where he is; send a man on horseback to fetch him. Your valet is in Paris, isn't he? He can be found."

The vidame was visibly distressed.

"Justin can't come, my dear boy," said the old man; "he is dead. I wanted to conceal the accident from you, but—"

"Dead!" cried Monsieur de Maulincour,—"dead! When and how?"

"Last night. He had been supping with some old friends, and, I dare say, was drunk; his friends—no doubt they were drunk, too—left him lying in the street, and a heavy vehicle ran over him."

"The convict did not miss him; at the first stroke he killed," said Auguste. "He has had less luck with me; it has taken four blows to put me out of the way."

Jules was gloomy and thoughtful.

"Am I to know nothing, then?" he cried, after a long pause. "Your valet seems to have been justly punished. Did he not exceed your orders in calumniating Madame Desmarets to a person named Ida, whose jealousy he roused in order to turn her vindictiveness upon us?"

"Ah, monsieur! in my anger I informed him about Madame Jules," said Auguste.

"Monsieur!" cried the husband, keenly irritated.

"Oh, monsieur!" replied the baron, claiming silence by a gesture, "I am prepared for all. You cannot tell me anything my own conscience has not already told me. I am now expecting the most celebrated of all professors of toxicology, in order to learn my fate. If I am destined to intolerable suffering, my resolution is taken. I shall blow my brains out."

"You talk like a child!" cried the vidame, horrified by the coolness with which the baron said these words. "Your grandmother would die of grief."

"Then, monsieur," said Jules, "am I to understand that there exist no means of discovering in what part of Paris this extraordinary man resides?"

"I think, monsieur," said the old vidame, "from what I have heard poor Justin say, that Monsieur de Funcal lives at either the Portuguese or the Brazilian embassy. Monsieur de Funcal is a nobleman belonging to both those countries. As for the convict, he is dead and buried. Your persecutor, whoever he is, seems to me so powerful that it would be well to take no decisive measures until you are sure of some way of confounding and crushing him. Act prudently and with caution, my dear monsieur. Had Monsieur de Maulincour followed my advice, nothing of all this would have happened."

Jules coldly but politely withdrew. He was now at a total loss to know how to reach Ferragus. As he passed into his own house, the porter told him that Madame had just been out to throw a letter into the post box at the head of the rue de Menars. Jules felt humiliated by this proof of the insight with which the porter espoused his cause, and the cleverness by which he guessed the way to serve him. The eagerness of servants, and their shrewdness in compromising masters who compromised themselves, was known to him, and he fully appreciated the danger of having them as accomplices, no matter for what purpose. But he could not think of his personal dignity until the moment when he found himself thus suddenly degraded. What a triumph for the slave who could not raise himself to his master, to compel his master to come down to his level! Jules was harsh and hard to him. Another fault. But he suffered so deeply! His life till then so upright, so pure, was becoming crafty; he was to scheme and lie. Clemence was scheming and lying. This to him was a moment of horrible disgust. Lost in a flood of bitter feelings, Jules stood motionless at the door of his house. Yielding to despair, he thought of fleeing, of leaving France forever, carrying with him the illusions of uncertainty. Then, again, not doubting that the letter Clemence had just posted was addressed to Ferragus, his mind searched for a means of obtaining the answer that mysterious being was certain to send. Then his thoughts began to analyze the singular good fortune of his life since his marriage, and he asked himself whether the calumny for which he had taken such signal vengeance was not a truth. Finally, reverting to the coming answer, he said to himself:—

"But this man, so profoundly capable, so logical in his every act, who sees and foresees, who calculates, and even divines, our very thoughts, is he likely to make an answer? Will he not employ some other means more in keeping with his power? He may send his answer by some beggar; or in a carton brought by an honest man, who does not suspect what he brings; or in some parcel of shoes, which a shop-girl may innocently deliver to my wife. If Clemence and he have agreed upon such means—"

He distrusted all things; his mind ran over vast tracts and shoreless oceans of conjecture. Then, after floating for a time among a thousand contradictory ideas, he felt he was strongest in his own house, and he resolved to watch it as the ant-lion watches his sandy labyrinth.

"Fouguereau," he said to the porter, "I am not at home to any one who comes to see me. If any one calls to see madame, or brings her anything, ring twice. Bring all letters addressed here to me, no matter for whom they are intended."

"Thus," thought he, as he entered his study, which was in the entresol, "I forestall the schemes of this Ferragus. If he sends some one to ask for me so as to find out if Clemence is alone, at least I shall not be tricked like a fool."

He stood by the window of his study, which looked upon the street, and then a final scheme, inspired by jealousy, came into his mind. He resolved to send his head-clerk in his own carriage to the Bourse with a letter to another broker, explaining his sales and purchases and requesting him to do his business for that day. He postponed his more delicate transactions till the morrow, indifferent to the fall or rise of stocks or the debts of all Europe. High privilege of love!—it crushes all things, all interests fall before it: altar, throne, consols!

At half-past three, just the hour at which the Bourse is in full blast of reports, monthly settlements, premiums, etc., Fouguereau entered the study, quite radiant with his news.

"Monsieur, an old woman has come, but very cautiously; I think she's a sly one. She asked for monsieur, and seemed much annoyed when I told her he was out; then she gave me a letter for madame, and here it is."

Fevered with anxiety, Jules opened the letter; then he dropped into a chair, exhausted. The letter was mere nonsense throughout, and needed a key. It was virtually in cipher.

"Go away, Fouguereau." The porter left him. "It is a mystery deeper than the sea below the plummet line! Ah! it must be love; love only is so sagacious, so inventive as this. Ah! I shall kill her."

At this moment an idea flashed through his brain with such force that he felt almost physically illuminated by it. In the days of his toilsome poverty before his marriage, Jules had made for himself a true friend. The extreme delicacy with which he had managed the susceptibilities of a man both poor and modest; the respect with which he had surrounded him; the ingenious cleverness he had employed to nobly compel him to share his opulence without permitting it to make him blush, increased their friendship. Jacquet continued faithful to Desmarets in spite of his wealth.

Jacquet, a nobly upright man, a toiler, austere in his morals, had slowly made his way in that particular ministry which develops both honesty and knavery at the same time. A clerk in the ministry of Foreign Affairs, he had charge of the most delicate division of its archives. Jacquet in that office was like a glow-worm, casting his light upon those secret correspondences, deciphering and classifying despatches. Ranking higher than a mere bourgeois, his position at the ministry was superior to that of the other subalterns. He lived obscurely, glad to feel that such obscurity sheltered him from reverses and disappointments, and was satisfied to humbly pay in the lowest coin his debt to the country. Thanks to Jules, his position had been much ameliorated by a worthy marriage. An unrecognized patriot, a minister in actual fact, he contented himself with groaning in his chimney-corner at the course of the government. In his own home, Jacquet was an easy-going king,—an umbrella-man, as they say, who hired a carriage for his wife which he never entered himself. In short, to end this sketch of a philosopher unknown to himself, he had never suspected and never in all his life would suspect the advantages he might have drawn from his position,—that of having for his intimate friend a broker, and of knowing every morning all the secrets of the State. This man, sublime after the manner of that nameless soldier who died in saving Napoleon by a "qui vive," lived at the ministry.

In ten minutes Jules was in his friend's office. Jacquet gave him a chair, laid aside methodically his green silk eye-shade, rubbed his hands, picked up his snuff-box, rose, stretched himself till his shoulder-blades cracked, swelled out his chest, and said:—

"What brings you here, Monsieur Desmarets? What do you want with me?"

"Jacquet, I want you to decipher a secret,—a secret of life and death."

"It doesn't concern politics?"

"If it did, I shouldn't come to you for information," said Jules. "No, it is a family matter, about which I require you to be absolutely silent."

"Claude-Joseph Jacquet, dumb by profession. Don't you know me by this time?" he said, laughing. "Discretion is my lot."

Jules showed him the letter.

"You must read me this letter, addressed to my wife."

"The deuce! the deuce! a bad business!" said Jacquet, examining the letter as a usurer examines a note to be negotiated. "Ha! that's a gridiron letter! Wait a minute."

He left Jules alone for a moment, but returned immediately.

"Easy enough to read, my friend! It is written on the gridiron plan, used by the Portuguese minister under Monsieur de Choiseul, at the time of the dismissal of the Jesuits. Here, see!"

Jacquet placed upon the writing a piece of paper cut out in regular squares, like the paper laces which confectioners wrap round their sugarplums; and Jules then read with perfect ease the words that were visible in the interstices. They were as follows:—

"Don't be uneasy, my dear Clemence; our happiness cannot again be troubled; and your husband will soon lay aside his suspicions. However ill you may be, you must have the courage to come here to-morrow; find strength in your love for me. Mine for you has induced me to submit to a cruel operation, and I cannot leave my bed. I have had the actual cautery applied to my back, and it was necessary to burn it in a long time; you understand me? But I thought of you, and I did not suffer.

"To baffle Maulincour (who will not persecute us much longer), I have left the protecting roof of the embassy, and am now safe from all inquiry in the rue des Enfants-Rouges, number 12, with an old woman, Madame Etienne Gruget, mother of that Ida, who shall pay dear for her folly. Come to-morrow, at nine in the morning. I am in a room which is reached only by an interior staircase. Ask for Monsieur Camuset. Adieu; I kiss your forehead, my darling."

Jacquet looked at Jules with a sort of honest terror, the sign of a true compassion, as he made his favorite exclamation in two separate and distinct tones,—

"The deuce! the deuce!"

"That seems clear to you, doesn't it?" said Jules. "Well, in the depths of my heart there is a voice that pleads for my wife, and makes itself heard above the pangs of jealousy. I must endure the worst of all agony until to-morrow; but to-morrow, between nine and ten I shall know all; I shall be happy or wretched for all my life. Think of me then, Jacquet."

"I shall be at your house to-morrow at eight o'clock. We will go together; I'll wait for you, if you like, in the street. You may run some danger, and you ought to have near you some devoted person who'll understand a mere sign, and whom you can safely trust. Count on me."

"Even to help me in killing some one?"

"The deuce! the deuce!" said Jacquet, repeating, as it were, the same musical note. "I have two children and a wife."

Jules pressed his friend's hand and went away; but returned immediately.

"I forgot the letter," he said. "But that's not all, I must reseal it."

"The deuce! the deuce! you opened it without saving the seal; however, it is still possible to restore it. Leave it with me and I'll bring it to you secundum scripturam."

"At what time?"

"Half-past five."

"If I am not yet in, give it to the porter and tell him to send it up to madame."

"Do you want me to-morrow?"

"No. Adieu."

Jules drove at once to the place de la Rotonde du Temple, where he left his cabriolet and went on foot to the rue des Enfants-Rouges. He found the house of Madame Etienne Gruget and examined it. There, the mystery on which depended the fate of so many persons would be cleared up; there, at this moment, was Ferragus, and to Ferragus all the threads of this strange plot led. The Gordian knot of the drama, already so bloody, was surely in a meeting between Madame Jules, her husband, and that man; and a blade able to cut the closest of such knots would not be wanting.

The house was one of those which belong to the class called cabajoutis. This significant name is given by the populace of Paris to houses which are built, as it were, piecemeal. They are nearly always composed of buildings originally separate but afterwards united according to the fancy of the various proprietors who successively enlarge them; or else they are houses begun, left unfinished, again built upon, and completed,—unfortunate structures which have passed, like certain peoples, under many dynasties of capricious masters. Neither the floors nor the windows have an ensemble,—to borrow one of the most picturesque terms of the art of painting; all is discord, even the external decoration. The cabajoutis is to Parisian architecture what the capharnaum is to the apartment,—a poke-hole, where the most heterogeneous articles are flung pell-mell.

"Madame Etienne?" asked Jules of the portress.

This portress had her lodge under the main entrance, in a sort of chicken coop, or wooden house on rollers, not unlike those sentry-boxes which the police have lately set up by the stands of hackney-coaches.

"Hein?" said the portress, without laying down the stocking she was knitting.

In Paris the various component parts which make up the physiognomy of any given portion of the monstrous city, are admirably in keeping with its general character. Thus porter, concierge, or Suisse, whatever name may be given to that essential muscle of the Parisian monster, is always in conformity with the neighborhood of which he is a part; in fact, he is often an epitome of it. The lazy porter of the faubourg Saint-Germain, with lace on every seam of his coat, dabbles in stocks; he of the Chaussee d'Antin takes his ease, reads the money-articles in the newspapers, and has a business of his own in the faubourg Montmartre. The portress in the quarter of prostitution was formerly a prostitute; in the Marais, she has morals, is cross-grained, and full of crotchets.

On seeing Monsieur Jules this particular portress, holding her knitting in one hand, took a knife and stirred the half-extinguished peat in her foot-warmer; then she said:—

"You want Madame Etienne; do you mean Madame Etienne Gruget?"

"Yes," said Jules, assuming a vexed air.

"Who makes trimmings?"

"Yes."

"Well, then, monsieur," she said, issuing from her cage, and laying her hand on Jules' arm and leading him to the end of a long passage-way, vaulted like a cellar, "go up the second staircase at the end of the court-yard—where you will see the windows with the pots of pinks; that's where Madame Etienne lives."

"Thank you, madame. Do you think she is alone?"

"Why shouldn't she be alone? she's a widow."

Jules hastened up a dark stairway, the steps of which were knobby with hardened mud left by the feet of those who came and went. On the second floor he saw three doors but no signs of pinks. Fortunately, on one of the doors, the oiliest and darkest of the three, he read these words, chalked on a panel: "Ida will come to-night at nine o'clock."

"This is the place," thought Jules.

He pulled an old bellrope, black with age, and heard the smothered sound of a cracked bell and the barking of an asthmatic little dog. By the way the sounds echoed from the interior he knew that the rooms were encumbered with articles which left no space for reverberation,—a characteristic feature of the homes of workmen and humble households, where space and air are always lacking.

Jules looked out mechanically for the pinks, and found them on the outer sill of a sash window between two filthy drain-pipes. So here were flowers; here, a garden, two yards long and six inches wide; here, a wheat-ear; here, a whole life epitomized; but here, too, all the miseries of that life. A ray of light falling from heaven as if by special favor on those puny flowers and the vigorous wheat-ear brought out in full relief the dust, the grease, and that nameless color, peculiar to Parisian squalor, made of dirt, which crusted and spotted the damp walls, the worm-eaten balusters, the disjointed window-casings, and the door originally red. Presently the cough of an old woman, and a heavy female step, shuffling painfully in list slippers, announced the coming of the mother of Ida Gruget. The creature opened the door and came out upon the landing, looked up, and said:—

"Ah! is this Monsieur Bocquillon? Why, no? But perhaps you're his brother. What can I do for you? Come in, monsieur."

Jules followed her into the first room, where he saw, huddled together, cages, household utensils, ovens, furniture, little earthenware dishes full of food or water for the dog and the cats, a wooden clock, bed-quilts, engravings of Eisen, heaps of old iron, all these things mingled and massed together in a way that produced a most grotesque effect,—a true Parisian dusthole, in which were not lacking a few old numbers of the "Constitutionel."

Jules, impelled by a sense of prudence, paid no attention to the widow's invitation when she said civilly, showing him an inner room:—

"Come in here, monsieur, and warm yourself."

Fearing to be overheard by Ferragus, Jules asked himself whether it were not wisest to conclude the arrangement he had come to make with the old woman in the crowded antechamber. A hen, which descended cackling from a loft, roused him from this inward meditation. He came to a resolution, and followed Ida's mother into the inner room, whither they were accompanied by the wheezy pug, a personage otherwise mute, who jumped upon a stool. Madame Gruget showed the assumption of semi-pauperism when she invited her visitor to warm himself. Her fire-pot contained, or rather concealed two bits of sticks, which lay apart: the grating was on the ground, its handle in the ashes. The mantel-shelf, adorned with a little wax Jesus under a shade of squares of glass held together with blue paper, was piled with wools, bobbins, and tools used in the making of gimps and trimmings. Jules examined everything in the room with a curiosity that was full of interest, and showed, in spite of himself, an inward satisfaction.

"Well, monsieur, tell me, do you want to buy any of my things?" said the old woman, seating herself in a cane arm-chair, which appeared to be her headquarters. In it she kept her handkerchief, snuffbox, knitting, half-peeled vegetables, spectacles, calendar, a bit of livery gold lace just begun, a greasy pack of cards, and two volumes of novels, all stuck into the hollow of the back. This article of furniture, in which the old creature was floating down the river of life, was not unlike the encyclopedic bag which a woman carries with her when she travels; in which may be found a compendium of her household belongings, from the portrait of her husband to eau de Melisse for faintness, sugarplums for the children, and English court-plaster in case of cuts.

Jules studied all. He looked attentively at Madame Gruget's yellow visage, at her gray eyes without either brows or lashes, her toothless mouth, her wrinkles marked in black, her rusty cap, her still more rusty ruffles, her cotton petticoat full of holes, her worn-out slippers, her disabled fire-pot, her table heaped with dishes and silks and work begun or finished, in wool or cotton, in the midst of which stood a bottle of wine. Then he said to himself: "This old woman has some passion, some strong liking or vice; I can make her do my will."