"The professor?

"The instant he's laig-free, an' without so much as pausin' to congrachoolate his preeserver on the power of his eloquence, he vanishes into the night. He's headin' towards Vegas as he's lost to sight, an' I learns later from Russ Kishler he makes that meetropolis more or less used up. No; he don't have no wife. That flight of fancy is flung off by the Planter simply as furnishin' 'atmosphere.'

"Wolfville never gets honored but once by the notice of a hypnotist. This yere party don't proclaim himse'f as sech, but bills his little game as that of a 'magnetic healer,' an' allows in words a foot high that he's out to 'make the deef hear, the blind see, the lame to walk an' the halt to skip an' gambol as doth the hillside lamb.' Also, on them notices, the same bein' the bigness of a hoss-blanket an' hung up lib'ral in the Red Light, the post office, the Dance Hall, an' the Noo York store, is a picture of old Satan himse'f, teachin' Professor Propriety Pratt—that bein' the name this yere neecromancer gives himse'f—his trade.

"These proclamations is tacked up a full week before Professor Pratt is doo, an' prodooces a profound effect on Boggs, him bein' by nacher sooperstitious to the brink of the egreegious. The evenin' before the Professor is to onlimber on us, he shows in Red Dog, an' Boggs is that roused by what's been promised in the line of mir'cles, he rides across to be present.

"'It ain't that I'm convinced none,' Boggs reports, when quaffin' his Old Jordan in the Red Light, an' settin' fo'th what he sees, 'but I must confess to bein' more or less onhossed by what this yere Pratt Professor does. He don't magnetize none of them Red Dog drunkards in person, for which he's to be exon'rated, since no self-respectin' magnetizer would let himse'f get tangled up with sech. He confines his exploits to a brace of dreamy lookin' ground owls he totes 'round with him, an' which he calls his "hosses." What he makes these vagrants do, though, assoomin' it's on the squar', is a caution to bull-snakes. After he's got 'em onder the "inflooence," they eats raw potatoes like they're roast apples, sticks needles into themselves same as though they're pincushions, an' at his slightest behest performs other feats both blood-curdlin' an' myster'ous.'

"We-all listens to Boggs, of course, as he recounts what marvels he's gone ag'inst in Red Dog, but we don't yield him as much attention as we otherwise might, bein' preeockepied as a public with word of a hold-up that's come off over near the Whetstone Springs. Some bandit—all alone—sticks up the Lordsburg coach, an' quits winner sixty thousand dollars. Nacherally our cur'osity is a heap stirred up, for with sech encouragement thar's no tellin' when he'll make a play at Monte an' the Wolfville stage, an' take to layin' waste the fortunes of all us gents. What is done to Lordsburg we can stand, but a blow at our own warbags, even in antic'pation, is calc'lated to cause us to perk up. We're all discussin' the doin's of this yere route agent an' wonderin' if it's Curly Bill, when Boggs gets back from Red Dog, with the result, as I says, that he onloads his findin's, that a-way, on a dead kyard. Not that this yere public inattention preys on Boggs. He keeps on drinkin' an' talkin', same as though, all y'ears like a field of wheat, we ain't doin' a thing but listen.

"'Also,' he observes, as he tells Black Jack to rebusy himse'f, meanwhile p'intin' up to the poster which shows how the devil is holdin' Professor Pratt in his lap an' laborin' for that hypnotist's instruction; 'I shall think out a few tests which oughter get the measure of that mountebank. He won't find this outfit so easy as them Red Dog boneheads.'

"Professor Pratt has a one-day wait in Wolfville, not bein' able that evenin' to get the Bird Cage Op'ry House, the same bein' engaged by a company of histrions called the Red Stocking Blonds. Havin' nothin' else to do, the Professor wanders yere an' thar, now in the Red Light, now at the Noo York store, but showin' up at the O. K. Restauraw at chuck time both rav'nous an' reg'lar. Missis Rucker allows she never does feed a gent who puts himse'f outside of so much grub for the money, an' hazards the belief it's because of a loss of nervous force through them hypnotizin's he pulls off. Not that she's findin' fault, for the Professor, havin' staked her to a free ticket, has her on his staff in the shakin' of a dice-box.

"The Professor don't come bulgin' among us, garroolous an' friendly, but holds himse'f aloof a heap, clingin' to the feelin' mebby that to preeserve a distance is likely to swell reesults at the Bird Cage door. Boggs, however, ain't to be stood off by no coldness, carin' no more for a gent's bein' haughty that a-way than a cow does for a cobweb. Which you bet it'll take somethin' more'n mere airs to hold Boggs in check.

"It's in the O. K. Restauraw, followin' our evenin' frijoles, that Boggs breaks the ice an' declar's for some exper'ments.

"'Which you claims,' says he, appealin' to the Professor, 'to make the deef hear and the blind see. Onforchoonately we're out of deef folks at this writin', an' thar's nothin' approachin' blindness in this neck of woods which don't arise from licker. But aside from cures thus rendered impossible for want of el'gible invalids, thar's still this yere hypnotic bluff you puts up. What Wolfville hankers for is tests, tests about the legit'macy of which thar's no openin' for dispoote. Wharfore I yereby makes offer of myse'f to become your onmurmurin' dupe. I'll gamble you a stack of bloos you don't make me drink no water, thinkin' it's nosepaint, same as you pretends to do with them wretched confed'rates of yours.'

"The Professor is a big b'ar-built sport, an' looks equal to holdin' his own onder common conditions. But Boggs don't come onder the latter head. So the Professor, turnin' diplomatic an' compliment'ry, explains that sech powerful nachers as Boggs' is out of reach of his rope—Boggs bein' reepellent, besides havin' too strong a will.

"'As to you, Mister Boggs, with that will of yours,' says the Professor, 'I might as well talk of hypnotizin' Cook's Peak.'

"One after another, Boggs makes parade of everybody in camp. It's no go; the Professor waves 'em aside as plumb onfit. Missis Rucker's got too much on her mind; in Rucker the tides of manhood is at so low a ebb he might die onder the pressure; Monte's too full of nosepaint, alcohol, that a-way, bein' a nonconductor.

"When the Professor dismisses Monte, the ground he puts it on excites that inebriate to whar it reequires the united energies of Cherokee an' Tutt to kick him off the Professor. It's only the direct commands of Enright which in the end indooces him to keep the peace.

"'Let me at him!' he howls; 'let me get at him! Does any one figger I'll allow some fly-by-night charl'tan to go reeflectin' on me? Stand back, Cherokee, get out o' the way, Dave, till I plaster the wall with his reemains!'

"'Ca'm yourse'f, Monte,' says Enright, who's come in in time to onderstand the trouble. 'Which if this hypnotizer was reely meanin' to outrage your feelin's, it'd be different a whole lot, an' this sod-pawin' an' horn-tossin' might plead some jestification. But what he says is in the way of scientific exposition, an' nothin' said scientific's to be took insultin'. Ain't that your view, Doc?'

"'Shore,' replies Peets. The Doc's been havin' no part in the discussion, him holdin' that the Professor, with his rannikaboo bluff about healin', is a empirik, an' beneath his professional contempt. 'Shore. Also, I'm free to inform Monte that if he thinks he's goin' to lap up red licker to the degree he does, an' obleege folks in gen'ral to treat sech consumption as a secret, he's got his stack down wrong.'

"'Enough said,' ejacyoolates Monte, but still warm; 'whether or no, Doc, I'm the sot this outfit's so fond of picturin', I at least ain't so lost to reason as to go buckin' ag'inst you an' Enright. Jest the same, though, I'm yere to give the news to any magnetizing horned-toad who sows the seeds of dispoote in this camp that, if he goes about malignin' me, he'll shore find I'm preecisely the orange-hued chimpanzee to wrop my prehensile tail around him an' yank him from his limb.'

"'Aside from aidin' the deef an' the blind,' says the Professor, ignorin' Monte utter an' addressin' himse'f to Boggs an' the public gen'ral, 'my ministrations has been found eff'cacious wharever the course of troo love has not run smooth. I binds up wounds of sent'ment, an' cures every sickness of the soul. Which, if thar's any heart lyin' 'round loose yereabouts an' failin' to beat as one, or a sperit that's been disyoonited from its mate an' can't remake the hook-up, trust me to get thar with bells on in remedyin' sech evils.'

"The Professor beams as he gets this off, mighty benignant. Texas, feelin' like the common eye is on him, commences to grow restless.

"'Be you-all alloodin' to me?' he asks the Professor, his manner approaching the petyoolant. 'Let me give you warnin', an' all on the principle that a wink is as good as a nod to a blind mule. So shore as you go to makin' any plays to reyoonite me an' that divorced Laredo wife of mine I'll c'llect enough of your hypnotizin' hide to make a saddle-cover.'

"'Permit me,' says the Professor, turnin' to Texas some aghast, 'to give you my word I nourishes no sech deesigns. Which I'm driven to say, however, that your attitoode is as hard to fathom as a fifth ace in a poker deck. I in no wise onderstands your drift.'

"'You onderstands at least,' returns Texas, still morbid an' f'rocious, 'that you or any other fortune teller might better have been born a Digger Injun to live on lizards, sage bresh an' grasshoppers than come messin' 'round in my mar'tal affairs with a view to reebuildin' 'em up. My hopes in that behalf is rooined; an' whoever ondertakes their rehabil'tation'll do it in the smoke. What I'm out after now is the ca'm onbroken misery of a single life, an' I'll shore have it or have war.'

"'My heated friend, I harbors no notion,' the Professor protests, 'of tryin' to make it otherwise. Your romancin' 'round single, that a-way, ain't no skin off my nose. An' while I never before hears of your former bride, I'm onable to dodge the feelin' that she herse'f most likely might reesent to the utmost any attempt on my part to ag'in bring you an' her together.'

"Texas formyoolates no express reply, but growls. The Professor, still with that propitiatin' front, appeals to the rest of us.

"'Gents,' he says, 'this yere's the most reesentful outfit I'm ever inveigled into tryin' to give a show to. I certainly has no thought of rubbin' wrong-ways the pop'lar bristles. All I aims at is to give a exhibition of anamile magnetism, cure what halt an' blind—if any—is cripplin' an' moonin' about, c'llect my dinero an' peacefully hit the trail. An' yet it looks like a prejewdice exists ag'inst me yere.'

"'Put a leetle pressure on the curb, thar,' interrupts Peets. 'You're up ag'inst no prejewdice. On that bill, wharwith you've done defaced the Wolfville walls, you makes sundry claims. An' now you r'ars back on your ha'nches, preetendin' to feel plumb illyoosed, because some one seeks to put the acid on 'em.'

"'That's whatever!' adds Boggs; 'the Doc states my p'sition equilaterally exact. I sees your Red Dog show. I'll be present a whole lot at your show to-morry night. Also, I feels the need of gyardin' ag'inst my own credoolity. What I sees you do in Red Dog, while not convincin', throws me miles into the oncertain air; an' I don't figger on lettin' you vamoos, leavin' me in no sech a onsettled frame. Wharfore, I deemands tests.'

"'Yere,' breaks in Nell, who's been listenin', 'what's the matter of this occult party hypnotizin' me.'

"'The odd kyard in that deck,' says Cherokee, his manner trenchin' on the baleful—'the odd kyard in that deck is that onless this yere occultist is cap'ble of mesmerizin' a bowie to whar it looses both p'int an' edge, for him to go weavin' his wiles an' guiles 'round you, Nellie, would mark the evenin' of his c'reer.'

"Nell beams an' brightens at these yere proofs of Cherokee's int'rest, while the pore Professor looks as deeply disheveled mental as he does when Texas goes soarin' aloft.

"Little Enright Peets waddles up to tell his paw that Tucson Jennie wants him. As he comes teeterin' along on his short cub-b'ar laigs, fat an' 'round as forty pigs, the Professor—thinkin' it'll mebby relieve the sityooation—stoops down to be pleasant to little Enright Peets.

"'Yere's my little friend!' he says, at the same time holdin' out his hands.

"Later we-all feels some ashamed of the excitement we displays. But the trooth is, the Professor offerin' to caress little Enright Peets that a-way sends us plumb off our feet. I never before witnesses any sech display of force. Every gent starts for'ard, an' some has pulled their guns.

"'Paws off!' roars Enright to the pore dazed Professor, who comes mighty clost to rottin' down right thar; 'in view of them announcements'—yere Enright p'ints to the bill, whar Satan an' the Professor is deepicted as teacher an' poopil—'do you-all reckon we lets sech a devil's baby as you go manhandlin' that child?'

"The Professor throws up his hands like he's growing desp'rate.

"'Folks,' he says, 'I asks, in all hoomility, is thar anythin' I can say or do in this yere camp without throwing away my life?'

"'Shore,' returns Boggs; 'all you got to do is give a deemonstration.'

"'However be I goin' to give a hypnotic deemonstration,' returns the Professor, apparently on the verge of nervous breakdown, 'when every possible subject is either too preeokyoopied, or too obstinate, or too weak, or too yoothful, or too beautiful, or too drunk? If it's healin' you're after, bring fo'th the sickest you've got. If he's blind an' his eye ain't gouged plumb out, I'll make him see; if he's lame an' his laig ain't cut plumb off, I'll make him walk. An' now, gents, I'm through. If these yere proffers don't suit, proceed with my bootchery. I care less, since one day with you-all exactin' tarrapins has rendered life so distasteful to me that I wouldn't turn hand or head to live.'

"Havin' got this off his mind, the harassed Professor sets down an' buries his face in his hands.

"'Why not introdooce him,' breaks in Rucker, who's nosin' about, 'to that aflickted shorthorn who comes groanin' in on the stage last night? He's been quiled up in his blankets with the rhoomatism ever since he hits camp. Which if this yere imposter can make him walk, it'll shore be kings-up with Missis Rucker, 'cause she wants to make the bed.'

"'Whar's this sufferer at?' demands Boggs, takin' the Professor by the sleeve an' with the same motion pullin' his six-shooter. 'This yere discussion's done reached the mark whar it's goin' to be a case of kill or cure for some sport.'

"Rucker leads the way up sta'rs, Boggs an' the Professor next, the rest trailin'. All hands crowds into the little dark bedroom. Thar on the bed, clewed up into a knot, lies the rhoomatic party. As we-all files in, he draws himse'f onder the blankets ontil nothin' but his nose sticks out.

"'Professor,' says Boggs, an' his six-shooter goes 'kluck! kluck!' mighty menacin', 'onfurl your game! I shore trusts that you ain't started nothin' you can't stop.'

"The pore Professor don't nurse no doubts. He thinks he's in the bubblin' midst of blood an' sudden death; wharfore, you bet, he throws plenty of sperit into his racket. Makin' some hostile moves with his hands—Boggs elevatin' his gun, not bein' quite content about them motions—the Professor yells:

"'Get up!'

"Talk of mir'cals! Which you should have seen that rhoomatic! With one turrific squawk he lands on his knees at the feet of Boggs, beggin' for mercy.

"'Don't kill me,' he cries; 'I'll show you whar I plants the money.'

"Whoever is that rhoomatic? Which he's the stoodent who stands up the stage over by Whetstone Springs. His rhoomatism's merely that malefactor's way of goin' onder cover.

"The Professor later offers to divide with Boggs on the two thousand-dollar reward the Wells-Fargo folks pays, but Boggs shakes his head.

"'You take the entire wad, Professor,' says he, wavin' aside that gen'rous necromancer. 'It's the trophy of your own hypnotic bow an' spear. What share is borne by my .45 is incidental. Which I'll say, too, that if I was playin' your hand I'd spread that cure on my posters as the star mir'cle of my c'reer.'"



VIII

THAT TURNER PERSON

"Talk of your hooman storm-centers an' nacheral born hubs of grief," observed the old cattleman, reminiscently; "I'm yere to back that Turner person ag'inst all competitors. Not but what once we're onto his angles, he sort o' oozes into our regyards. His baptismal name is 'Lafe,' but he never does deerive no ben'fit tharfrom among us, him behavin' that eegregious from the jump, he's allers referred to as 'that Turner person.'

"As evincin' how swift flows the turbid currents of his destinies, he succeeds in focusin' the gen'ral gaze upon him before he's been in camp a day. Likewise, it's jest as well Missis Rucker herse'f ain't present none in person at the time, or mighty likely he'd have focused all the crockery on the table upon him, which you can bet your last peso wouldn't have proved no desid'ratum. For while Missis Rucker ain't what I calls onusual peevish, for a lady to set thar quiet an' be p'inted to by some onlicensed boarder as a Borgia, that away, would be more'n female flesh an' blood can b'ar.

"It's like this. The Turner person comes pushin' his way into the O. K. Restauraw along with the balance of the common herd, an' pulls a cha'r up ag'inst the viands with all the confidence of a oldest inhab'tant. After grinnin' up an' down the table as affable as a wet dog, he ropes onto a can of airtights, the same bein' peaches. He he'ps himse'f plenty copious an' starts to mowin' 'em away.

"None of us is noticin' partic'lar, bein' engaged on our own hook reachin' for things, when of a sudden he cuts loose a screech which would have knocked a bobcat speechless.

"'I'm p'isened!' he yells; 'I'm as good as dead right now!'

"Followin' this yere fulm'nation, he takes to dancin' stiff-laiged, meanwhile clutchin' hold of the buckle on his belt.

"Thar should be no dissentin' voice when I states that, at a crisis when some locoed maverick stampedes a entire dinin' room by allowin' he's been p'isened, prompt action should be took. Wharfore it excites no s'rprise when Jack Moore, to whom as kettle-tender for the Stranglers all cases of voylance is ex officio put up, capchers the ghost-dancin' Turner person by the collar.

"'Whatever's the meanin' of this midprandial excitement?' demands Jack. 'Which if these is your manners in a dinin' room, I'd shore admire to see you once in church.'

"'I'm p'isened!' howls the Turner person, p'intin' at the airtights. 'It's ptomaines! I'm a gone fawnskin! Ptomaines is a center shot!'

"None of us holds Rucker overhigh, an' yet we jestifies that husband's action. Rucker's headin' in from the kitchen, bearin' aloft a platter of ham an' cabbage. He arrives in time to gather in the Turner person's bluff about 'ptomaines,' an' onderstands he's claimin' to be p'isened. Shore, Rucker don't know what ptomaines is, but what then? No more does the rest of us, onless it's Peets, an' he's over to Tucson. As I freequently remarks, the Doc is the best eddicated sharp in Arizona, an' even 'ptomaines' ain't got nothin' on him.

"Rucker plants the platter of ham an' cabbage on the table, an' appeals 'round to us.

"'Gents,' he says, 'am I to stand mootely by an' see this tavern, the best j'int ondoubted in Arizona, insulted?' An' with that he's down on the Turner person like a fallin' tree, whar that crazy-hoss individyooal stands jumpin' an' dancin' in the hands of Moore.

"'What's these yere slanders,' shouts Rucker, 'you-all is levelin' at my wife's hotel? Yere we be, feedin' you on the fat of the land; an' the form your gratitoode takes is to go givin' it out broadcast you're p'isened! You pull your freight,' he concloodes, as he wrastles the dancin' Turner person to the door, 'an' if you-all ever shows your villifyin' nose inside this hostelry ag'in I'll fill you full of buckshot.'

"To be shore, that crack about buckshot ain't nothin' more'n vain hyperbole, Rucker not possessin' the spunk of bull-snakes. The Turner person, however, lets him get away with it, an' submits tamely to be buffaloed, which of itse'f shows he ain't got the heart of a horned toad. The eepisode does Rucker a heap of good, though, an' he puffs up immoderate. Given any party he can buffalo, an' the way that weak-minded married man expands his chest, an' takes to struttin', is a caution to cock partridges. An' all the time, a jack-rabbit, of ordinary resolootion an' force of character, would make Rucker take to a tree or go into a hole.

"Is the Turner person p'isened?

"No more'n I be. Which it's simple that alarmist's heated imagination, aggravated by what deloosions is born of the nosepaint he gets in Red Dog before ever he makes his Wolfville deboo at all. Two hookers of Old Jordan from Black Jack renders him so plumb well he's reedic'lous.

"Most likely you-all'd go thinkin' now that, havin' let sech a hooman failure as Rucker put it all over him, this Turner person'd lie dormant a spell, an' give his se'f-respect a chance to ketch its breath. Not him. It's no longer away than second drink time the same evenin' when he locks gratooitous horns with Black Jack. To this last embroglio thar is—an' could be—no deefense, Jack bein' so amiable that havin' trouble with him is like goin' to the floor with your own image in the glass. Which he's shorely a long sufferin' barkeep, Jack is. Mebby it's his genius for forbearance, that a-way, which loores this Turner person into attemptin' them outrages on his sens'bilities.

"The Turner person stands at the bar, sloppin' out the legit'mate forty drops. With nothin' said or done to stir him up, he cocks his eye at Jack—for all the world like a crow peerin into a bottle—an' says,

"'Which your feachers is displeasin' to me, an' I don't like your looks.'

"Jack keeps on swabbin' off the bar for a spell, an' all as mild as the month of May.

"'Is that remark to be took sarkastic?' he asks at last, 'or shall we call it nothin' more'n a brainless effort to be funny?'

"'None whatever!' retorts the Turner person; 'that observation's made in a serious mood. Your countenance is ondoubted the facial failure of the age, an' I requests that you turn it the other way while I drinks.'

"Not bein' otherwise engaged at the moment, an' havin' time at his command, Jack repairs from behind the bar, an' seizes the Turner person by the y'ear.

"'An' this is the boasted hospital'ty of the West!' howls the Turner person, strugglin' to free himself from Jack, who's slowly but voloominously bootin' him towards the street.

"It's Nell who tries to save him.

"'Yere, you Jack!' she sings out, 'don't you-all go hurtin' that pore tenderfoot none.'

"Nell's a shade too late, however; Jack's already booted him out.

"Shore, Jack apologizes.

"'Beg parding, Nellie,' he says; 'your least command beats four of a kind with me; but as to that ejected shorthorn, I has him all thrown out before ever you gets your stack down.'

"The Turner person picks himse'f out of the dust, an', while he feels his frame for dislocations with one hand, feebly menaces at Black Jack with t'other.

"'Some day, you rum-sellin' miscreent,' he says, 'you'll go too far with me.'

"As showin' how little these vicisitoodes preys on this Turner person, it ain't ten minutes till he's hit the middle of Wolfville's principal causeway, roarin' at the top of his lungs,

"'Cl'ar the path! I'm the grey wolf of the mountings, an' gen'ral desolation follows whar I leads!'

"Yere he gives a prolonged howl.

"The hardest citizen that ever belted on a gun couldn't kick up no sech row as that in Wolfville, an' last as long as a drink of whiskey. In half the swish of a coyote's tail, Jack Moore's got the Turner person corralled.

"'This camp has put up with a heap from you,' says Moore, 'an' now we tries what rest an' reeflection will do.'

"'I'm a wolf—!'

"'We savvys all about you bein' a wolf. Also, I'm goin' to tie you to the windmill, as likely to exert a tamin' inflooence.'

"Moore conveys the Turner person to the windmill, an' ropes his two hands to one of its laigs.

"'Thar, Wolf,' he says, makin' shore the Turner person is fastened secoore, 'I shall leave you ontil, with every element of wildness abated, you-all begins to feel more like a domestic anamile.'

"From whar we-all are standin' in front of the post office, we can see the Turner person roped to the windmill laig.

"'What do you reckon's wrong with that party?' asks Enright, sort o' gen'ral like; 'I don't take it he's actchooally locoed none.'

"Thar's half a dozen opinions on the p'int involved. Tutt su'gests that the Turner person's wits, not bein' cinched on any too tight by nacher in the beginnin', mebby slips their girths same as happens with a saddle. Cherokee inclines to a notion that whatever mental deeflections he betrays is born primar'ly of him stoppin' that week in Red Dog. Cherokee insists that sech a space in Red Dog shore ought to be s'fficient to give any sport, however firmly founded, a decisive slant.

"As ag'inst both the others, Boggs holds to the view that the onusual fitfulness observ'ble in the Turner person arises from a change of licker, an' urges that the sudden shift from the beverages of Red Dog, which last is indoobitably no more an' no less than liquid loonacy, to the Red Lights Old Jordan, is bound to confer a twist upon the straightest intellectyooals.

"'Which I knows a party,' says Boggs, 'who once immerses a ten-penny nail in a quart of Red Dog licker, an' at the end of the week he takes it out a corkscrew.'

"'Go an' get him, Jack,' says Enright, p'intin' to the Turner person; 'him bein' tied thar that a-way is an inhooman spectacle, an' if little Enright Peets should come teeterin' along an' see him, it'd have a tendency to harden the innocent child. Fetch him yere, an' let me question him.'

"'Front up,' says Moore to the Turner person, when he's been conveyed before Enright; 'front up now, frank an' cheerful, an' answer questions. Also, omit all ref'rences to bein' a wolf. Which you've worn that topic thread-bar'; an' besides it ain't calc'lated to do you credit.'

"'Whatever's the matter with you?' asks Enright, speakin' to the Turner person friendly like. 'Which I begins to think thar's somethin' wrong with your system. The way you go knockin' about offendin' folks, it won't be no time before every social circle in the Southwest'll be closed ag'inst you. Whatever's wrong?'

"'Them's the first kind words,' ejacyoolates the Turner person, beginnin' to weep, 'which has been spoke to me in months. Which if you-all will ask me into yon s'loon, an' protect me from that murderer of a barkeep while I buys the drinks, I'll show you that I've been illyoosed to a degree whar I'm no longer reespons'ble for my deeds. It's a love affair,' he adds, gulpin' down a sob, 'an' I've been crooelly misonderstood.'

"'A love affair,' repeats Enright plenty soft, for the mention of love never fails to hit our old warchief whar thar't a palin' off his fence. 'I ain't been what you-all'd call in love none since the Purple Blossom of Gingham Mountain marries Polly Hawkes over on the Painted Post. Polly was a beauty, with a arm like a canthook, an' at sech dulcet exercises as huggin' she's got b'ars left standin' sideways. However, that's back in Tennessee, an' many years ago.'

"Enright, breshin' the drops from his eyes, herds the Turner person into the Red Light an' signals to Black Jack.

"'Onfold,' he says; 'tell me as to that love affair wharin you gets cold-decked.'

"Nell abandons her p'sition on the lookout stool, an' shows up interested an' intent at Enright's shoulder.

"Ain't I in this?' she asks.

"'Be thar any feachures,' says Enright to the Turner person, 'calc'lated to offend the y'ears of innocence?'

"'None whatever,' says the Turner person. 'Which I'm oncapable of shockin' the most fastid'yous.'

"'Is thar time,' asks Nell of Enright, 'for me to round up Missis Rucker an' Tucson Jennie? Listenin' to love tales, that a-way, is duck soup to both of 'em.'

"'You-all can tell 'em later, Nellie,' returns Enright. Then, to the Turner person, 'Roll your game, amigo, an' if you needs refreshment, yere it is.'

"'It ain't no mighty reecital,' says the Turner person loogubriously, 'an' yet it ought to go some distance, among fa'r-minded gents, in explainin' them vain elements of the weird an' ranikaboo which more or less enters into my recent conduct. I'm from Missouri; an' for a livelihood, an' to give the wolf a stand-off, I follows the profession of a fooneral director. My one weakness is my love for Peggy Parks, who lives with her folks out in the Sni-a-bar hills.

"'The nuptual day is set, an' I goes hibernatin' off to Kansas City to fetch the license.'

"'How old be you?' breaks in Enright.

"'Me? I'm twenty-six the last Joone rise of the old Missouri. As I was sayin', I hitches my hoss in Market Squar', an' takes to reeconoiterin' along Battle Row, wonderin' wharever them licenses is for sale, anyway. Final, I discovers a se'f satisfied lookin' party, who's pattin' a dog. I goes to talkin' about the dog, an' allowin' I'm some on dogs myse'f, all by way of commencin' a conversation; an' winds up by askin' whar I go for to get a license. "Over thar," says the dog party p'intin' across to a edifice he asshores me is a City Hall. "First floor, first door, an' the damage is a dollar."

"'Thus steered, I goes streakin' it across, an' follows directions. I boards my dollar, an' demands action. The outcast who's dealin' the license game writes in my name, an' shoves the paper across. In a blur of bliss I files it away in my jeans, mounts my hoss, an' goes gambodin' back to Peggy, waitin' at ancestral Sni-a-bar.'

"'Is your Peggy sweetheart pretty?' asks Nell.

"'She's a lamp of loveliness! Sweet? Beetrees is gall an' wormwood to her.

"'As to the weddin', it's settled Peggy an' me is to come flutterin' from our respective perches the next day. Doubtless we'd have done so, only them orange blossom rites strikes the onexpected an' goes glancin' off.

"'It's the Campbellite preacher, who's been brought in to marry us, that starts it. The play's to be made at Peggy's paw's house, after which, for a weddin' trip, she an' me's to go wanderin' out torwards the Shawnee Mission, whar I've got some kin. The parson, when he has the entire outfit close-herded into the parlor, asks—bein' a car'ful old practitioner—to see the license. I turns it over, an' he takes it to the window to read. He gives that docyooment one look, an' then glowers at me personal mighty baleful. "Miserable wretch," says he, "do you-all want to get yourse'f tarred an' feathered?"

"'In my confoosion I thinks this outbreak is part of the cer'mony, an' starts to say "I do!" Before I can edge in a word, however, he calls over Peggy's old man. "Read that!" he cries, holdin' the license onder old Pap Parks' nose. Old Parks reads, an' the next news I gets he's maulin' me with his hickory walkin' stick like he's beatin' a kyarpet.

"'Without waitin' to kiss the bride or recover my license, I simply t'ars out the front of the house an' breaks for the woods. The next day, old Parks takes to huntin' me with hounds. Nacherally, at this proof of man's inhoomanity to man, I sneaks across into Kansas, an' makes for the settin' sun.'

"'An' can't you give no guess,' says Enright, 'at why old Parks digs up the waraxe so plumb sudden?'

"'No more'n rattlesnakes onborn, onless his inordinate glee at gettin' me for a son-in-law has done drove him off his head.'

"'Which it couldn't be that,' says Enright, takin' a hard, thoughtful look at the Turner person. Then, followin' a pause, he adds, 'thar's some myst'ry yere!'

"'Ain't you-all made no try,' asks Nell, 'sech as writin' letters, or some game sim'lar, to cl'ar things up?'

"'You-all don't know Pap Parks, Miss, in all his curves. Why, it's lucky he ain't wearin' his old bowie at that weddin', or he'd a-split me into half apples. If I goes to writin' missives that a-way, he'll locate me; an' you can take my word that invet'rate old homicide 'd travel to the y'earth's eends to c'llect my skelp. That ain't goin' to do me; for, much as I love Peggy, I'd a heap sooner be single than dead.'

"'That party ain't locoed,' says Texas, noddin' towards the Turner person, whar he sets sobbin' in a cha'r when Enright gets through examinin' him. 'He's simply a howlin' eediot. Yere he escapes wedlock by a mir'cle; an'—chains an' slavery!—now he can't think of no better way to employ his liberty than in cryin' his heart out because he's free. If I'm bitter, gents, it's because I speaks from hard experience. Considerin' how she later corrals that Laredo divorce an' sells up my cattle at public vandoo for costs an' al'mony, if when I troops to the altar with that lady whom I makes Missis Thompson, my gyardian angel had gone at me with a axe, that faithful sperit would have been doin' no more than its simple dooty in the premises.'

"Enright takes it onto himself to squar' the Turner person at the Red Light an' the O. K. Restauraw; an', since his ensooin' conduct is much within decent bounds, except that Rucker steps some high an' mighty when he heaves in sight an' Black Jack gives him hard an' narrow looks, nothin' su'gestive of trouble occurs. In less'n a week he shakes down into his proper place, an' all as placid as a duck-pond. He's even a sort o' fav'rite with Nell, Missis Rucker an' Tucson Jennie, they claimin' that he's sufferin' from soul blight because of a lost love. Certainly, thar's nothin' in this yere fem'nine bluff, but of course none of us don't say so at the time.

"Boggs holds that the Turner person's only a pecooliarly gifted liar, an' refooses to believe in him. 'Because it's prepost'rous,' says Boggs, 'that folks would go in to frame up a weddin', an' then, led by the preacher, take to mobbin' the bridegroom on the very threshold of them nuptials.'

"'It ain't by no means shore, Dan,' says Texas, to whom Boggs imparts his convictions, 'but what you've drove the nail. Which if that Parks household reely has it in for this Turner person, they'd have let him go the route. Could even the revenge of a fiend ask more than simply seein' him a married man?'

"In about a fortnight, that Turner person's got fully cooled out, an' the worst effects of what Red Dog licker he imbibes has disappeared. As he feels himse'f approachin' normal, as Peets puts it, he mentions to Enright casyooal like that, if the town sees nothin' ag'in it, he reckons he'll open an ondertakin' shop.

"'Not,' he says, 'that I'm the man to go hintin' that what former foonerals has been pulled off in these yere parts ain't been all they should; but still, to get a meetropolitan effect, you oughter have a hearse an' ploomes. Let it be mine to provide them marks of a advanced civilization. It'll make villages like Red Dog an' Colton sing low, an' be a distinct advantage to a camp which is strugglin' for consid'ration. Yes, sir,' goes on the Turner person, warmin' with the theme, 'what's the public use of obsequies if you-all don't exhaust 'em of every ounce of good? An' how can any outfit expect to do this, an' said outfit shy that greatest evidence of modern reefinement, a hearse? Given a rosewood coffin, an' a black hearse with ploomes—me on the box—an' the procession linin' solemnly out for Boot Hill, if we-all ain't the instant envy of the territory, you can peg me out by the nearest ant hill ontil I pleads guilty to bein' wrong.'

"'Thar's no need for all this yere eloquence,' replies Enright, blandly. 'What you proposes has been a dream of mine for years. You open your game as fooneral director, an' if we can't find material for you local, we'll go rummagin' 'round as far as Lordsburg an' Silver City to supply the deficiency.'

"Feelin' Enright is behind him, the Turner person goes to work with sech exyooberant enthoosiasm, that it ain't a month before he brings over his hearse from Tucson, said vehicle havin' been sent on from the East. She's shore no slouch for a catafalque neither, an' we p'rades up an' down the street with it, gettin' the effect.

"Boggs voices the common feelin'.

"'Thar's a conveyance,' says he, 'that comes mighty close to robbin' death of half its sting. Any sport is bound to cash in more content, when he savvys that his last appearance is bound to be a vict'ry an' he'll be freighted to the sepulcher in a swell wagon like that.'

"'It is shore calc'lated to confer class on the deeparted,' assents Tutt.

"These praises certainly exalts the sperits of the Turner person a whole lot. He buys the old Lady Gay dance hall, which, since the goin' out of the Votes for Women S'loon, has again become the ondispooted property of Armstrong, makes a double-door to back in the hearse, an' reopens that deefunct temple of drink an' merriment as a ondertakin' establishment. Over the front he hangs up his sign.

COFFIN EMPORIUM.

L. TURNER, FUNERAL DIRECTOR.

CORPSES SOLICITED.

"That sign so much uplifts the sperit of the town it mor'n doubles the day's receipts at the Red Light. Also, two or three shady characters vamooses for fear of what a nacheral public eagerness to see that hearse in action may do.

"It's the day next on the hocks of the installation of the Turner person in business, an' the fooneral director is lookin' out of the front window of his coffin emporium wishin' some gent'd start somethin' with his gun an' mebby bump him off a load for his new hearse, when Enright eemerges from the post office with a iron look on his face. Peets is with him, an' the pa'r is holdin' a pow-wow.

"The rest of us might have taken more notice, only our sombreros is fittin' some tight on account of the interest we evinces the day prior in he'pin' la'nch the Turner person that a-way. As it is, we bats a lackluster eye, an' wonders in a feeble way what's done corr'gated Enright's brow.

"It don't go no further than wonder, however, ontil after a few moments talk with Nell, Enright sends across for the Turner person. As showin' how keenly sens'tive are the female faculties that a-way, Missis Rucker an' Tucson Jennie is canvassin' some infantile mal'dy of little Enright Peets in the front room of the O. K. House, an' same as if they smells the onyoosual in the air, they comes troopin' over to the Red Light to note what happens next.

"'Young man,' says Enright, when the Turner person has been brought in, 'by way of starter, let me inquire, be you preepared to surrender your destinies, of which you're plumb onfitted to have charge, into disgusted albeit kindly hands?'

"The Turner person, some oneasy at seein' Moore, who's carelessly toyin' with a lariat, edgin' 'round his way, allows in tremblin' tones he is.

"'Thar be those,' goes on Enright, 'who with the best intentions in the world, has been explorin' the ins an' outs of your Sni-a-bar troubles, an' while the clouds is measur'ble lifted the fresh light shed on your concerns leaves you in a most imbecile sityooation. Which if I thought that little Enright Peets, not yet in techin' distance of his teens, hadn't got no more sense than you, much as I dotes upon that baby I'd shore vote for his deemise. However, proceedin' with the deal, thar's this to say: Nellie thar, writes to your Peggy sweetheart, while I opens negotiations with old man Parks. I plans to read you them replies, but after advisin' with the Doc, an' collectin' the views of Nell, it's deemed s'fficient to tell you what you're goin' to do, an' then head you fo'th to its accomplishment. Our conj'int findin's, the same bein' consented to by old Parks in writin', an' tearfully deesired by your Peggy sweetheart in what she commoonicates to Nellie, is that you proceed at once to Sni-a-bar, an' get them interrupted nuptials over. After which you'll be free to return yere with your bride, an' take up the hon'rable an' useful c'reer you've marked out. As the preesidin' officer of the Stranglers, my word is that you be ready to start by next stage; which, onless Monte gets so deep in licker that he tips that conveyance over a bluff, should permit you to clasp your Peggy to your bosom an' kiss the tears from her cheeks by the middle of next week.'

"'But,' interjects the Turner person, his voice soundin' like the terrified bleatin' of a sheep, 'can't you-all give me no glimmer of what's wrong that time? I don't hanker overmuch to go back in darkened ignorance, like a lamb to the slaughter. What guarantee have I got that old Parks won't lay for me with that bootcher knife of his'n? It ain't fair to leave me to go knockin' about, in the midst of perils sech as these, like a blind dog in a meat shop.'

"'Your Peggy,' returns Enright, 'encloses a letter to you by the hand of Nellie yere, which may or may not set fo'th what insults you perp'trates upon her fam'ly. Also, said missive furnishes the only chance at this end of the trail of you findin' out the len'th an' breadth of your ignorant iniquities. For myse'f, the thought of what you-all does that time is so infooriatin' I must refuse to go over it in words. Only, if in his first reesentments old Parks had burned you at the stake, I would not have condemned him. As to your safety pers'nal, you can regyard it as asshored. Your Peggy will protect you, an' your footure parent-in-law himse'f acquits you of everything except bein' an eediot. It's, however, got down to whether he preefers to have a fool in his fam'ly or see his darter wretched for life, an' he's done nerved himse'f to take the fool.'

"'Thar's your sweetheart's letter,' an' Nell puts an envelope which smells of voylets into the Turner person's hands.

"That ondertaker reads it; an' after bein' confoosed by shame for a moment, he begins to cheer up.

"'Folks,' he says, kissin' his Peggy's letter an' stowin' it away in his coat, 'I trusts a gen'rous public will permit me, after thankin' them whose kindness has smoothed out the kinks in my affairs, to close the incident with onlimited drinks for the camp.' That's all he says; an' neither can we dig anything further out of Enright or Nell.

"We sees the Turner person aboard the stage, an' wishes him all kinds of luck. As Monte straightens out the reins over his six hosses an' cleans the lash of his whip through his fingers, Peets vouchsafes a partin' word.

"'Neither I nor Sam,' says Peets, 'wants you to go away thinkin' that you an' your bride ain't goin' to be as welcome as roses when you an' she comes ramblin' in as one on your return.'

"'That's whatever,' coincides Nell.

"'Also,' breaks in Enright, 'should old Parks go to stampin' the sod or shakin' his horns, you-all are to put up with them deemonstrations an' not make no aggrevatin' reemarks. No one knows better than you by now, how much cause you gives that proud old gent to feel harrowed.'



"Of course all of us is preyed on by anxiety to know whatever awful thing it is the Turner person does. In the end it's Missis Rucker who smokes Enright out.

"'Sam Enright,' says this yere intrepid lady, her manner plenty darklin', 'you mustn't forget that whenever the impulse moves me I can shet down utter on your grub. Likewise, as a lady, I not only knows my p'sition, but keenly feels my rights. Which I don't aim to coerce you, but onless you comes through with the trooth about this yere Turner person's felonies, some drastic steps is on their way.'

"'You will see, Missis Rucker,' says Enright, who's to be excoosed for turnin' a bit white, 'that no present reason exists for threatenin' me when I asshores you that as far back as last evenin' I fully decides to lay bar' everything. I do this, onderstand, not through fear; but lest some folks go surmisin' round to the inj'ry of the innocent. As I recollects back, too, I can see how the Turner person slumps into that mistake, him first talkin' dog to that canine party in Battle Row, an' then askin' whar does he go for the weddin' license.'

"'Sam Enright,' interrupts Missis Rucker, whose flashin' eyes shows she's growin' hysterical, 'don't harass me with no p'intless speeches. You say flat what it is he does, or take the consequences.'

"'Why, my dear Missis Rucker,' an' Enright makes haste with his reply, 'the thing is easily grasped. The paper he gives the preacher sharp is a dog license. Which that Turner person is seekin' to wed the belle of Sni-a-bar on a permit to keep a dog! The canine party he meets in Battle Row misonderstands a sityooation.'

"'All the same,' observes Texas to Boggs, as the two meets that evenin' in the Noo York store, 'thar's one feachure to a dog license, not perceivable in a marriage license, which is worth gold an' precious stones. Said docyooment runs out in a year.'"



IX

RED MIKE

"Mebby you-all recalls about that Polish artist person?" suggested the old cattleman, tentatively; "him I speaks of former?" My gray old campanero was measuring out what he called his "forty drops," and, since this ceremony necessitated keeping one eye on his glass, while he endeavored to keep the other eye on me, the contradictory effort resulted in a wavering and uncertain expression, not at all in harmony with his usual positive air. By way of helping conversation, I confessed to a clear remembrance of the "Polish artist person," and wound up by urging him to give the particulars concerning that interesting exile.

"Well," he cautiously returned, "thar ain't nothin' so mighty thrillin' in his Wolfville c'reer. You see he ain't, for the most, no pop'lar figure—him bein' a furriner, that a-way, an' a artist, an' sufferin' besides from conceit in so acoote a form as to make it no exaggeration to say he's locoed. On account of these yere divers an' sundry handicaps, he don't achieve no social success, an' while he's with us, you'd hardly call him of us.

"Not that I objects to this deescendant of Warsaw's last champion, personal. Which I'm a heap like Enright in sech reespects, an' shore tol'rant. I finds out long ago that the reason we-all goes fault-findin' about people, mostly is because we don't onderstand concernin' them folk's surroundin's. Half the things we arches our necks over, an' for which mebby we feels like killin' 'em a whole lot, they can't he'p none. If we only savvys what they're reely up ag'inst, it's four for one we pities 'em instead.

"It's like one time 'way back yonder, when me an' Steve Stevenson has a sudden an' abrupt diffukulty with a buffalo bull. We're camped out on the edge of the Rockies near the Spanish Peaks, an' me an' Steve, in the course of a little passear we're takin', is jest roundin' a bunch of plum bushes when, as onexpected as a gun play in a Bible class, that devil's son an' heir of a bull—who's been hid by the bushes—ups an charges. Which you should have seen me an' Steve scatter! We certainly do onbuckle in some hasty moves! He's bigger 'n a baggage wagon, an' as we leaves our guns ten rods away in camp, thar's nothin' for it but to dig out.

"Nigh whar I'm at is a measley pinon tree, an' the way I swarms aloft among that vegetable's boughs an' branches comes mighty clost to bein' a lesson to mountain lions. Steve, who's the onluckiest sport west of the Missouri, an' famed as sech, ain't got no tree. The best he can do is go divin' into a hole he sees in some rocks, same as if he's a jack-rabbit with a coyote in hot pursoote.

"Me an' Steve both bein' safe, an' reegyardin' that bull as baffled, I draws a breath of relief. That is, to be ackerate, I starts to draw it; but before I so much as gets it started, yere that inordinate Steve comes b'ilin' out of his hole ag'in like he ain't plumb satisfied about that bull. The bull's done give him up, too, an' switchin' his tail some thoughtful has started to go away, when, as I tells you, that fool Steve comes surgin' out upon his reetreatin' hocks.

"Nacherally, what could any se'f-respectin' bull do but wheel an' chase Steve back? It's no use, though; Steve won't have it. No sooner does the bull get him hived that a-way, an' make ready to reetire to private life ag'in, than, bing! yere Steve comes bulgin' like a cork out of a bottle. An' so it continyoos, a reg'lar see-saw between Steve an' the bull. Steve'll go into his cave of refooge, prairie-dog fashion, a foot ahead of the bull's horns, only to be a foot behind the bull's tail as that painstakin' anamile is arrangin' to deepart.

"Which sech wretched strategy arouses my contempt.

"'You dad-binged Siwash,' I yells down at Steve, 'whyever don't you-all stay in that hole, ontil the bull forgets whar you're at?'

"'Go on!' Steve shouts back, as in he dives, head-first, for mebby it's the twentieth time; 'it's as simple as suckin' aiggs, ain't it, for you up in your tree? You-all don't know nothin' about this hole; thar's a b'ar in this hole!'

"Which I allers remembers about that dilemmy of Steve's. An' now, when I beholds a gent makin' some rannikaboo break, an' everybody's scoffin' at him an' deenouncin' him for a loonatic or worse, I reeflects that mighty likely if we-all was to go examine the hole he's in, we'd find it plumb full of b'ar.

"Returnin' to the orig'nal proposition, the same bein' that Polack, let me begin by sayin' that whenever it comes to any utterances of his'n, I'm nacherally onable to quote him exact. What with him rollin' his 'Rs' ontil they sounds like one of them snare drums, an' the jiggerty-jerkety fashion wharin he chops up his English, a gent might as soon try to quote a planin' mill exact.

"That I'm able to give you-all his troo name is doo wholly to him passin' round his kyard a heap profoose, when he first comes ramblin' in, said cognomen as printed bein' 'Orloff Ivan Mitzkowanski, Artist and Painter of Portraits.' We perooses this yere fulm'nation two or three times, an' Peets even reads it out loud; but since the tongue of no ordinary gent is capable of ropin' an' throwin' it, to say nothin' of tyin' it down, we cuts the gordian knot in the usual way by re-christenin' him pro bono publico as Red Mike, which places him within the verbal reach of all.

"'Yes,' he says, as he ladles out them kyards, an' all with the manner of a prince conferrin' favors—'yes, I'm a artist come to you, seekin' subjects an' color. As you probably observes by my name, I'm a gallant Pole, one whose noble ancestors shrieks when Kosciusko fell.'

"Him bein' a stranger that a-way, an' no one, onless it's Peets, ever havin' heard about Poland, or Kosciusko, or whoever does that shriekin' the time when Kosciusko finds himse'f bumped off, we lets Mike get by with this yere bluff. Besides, his name of itse'f sort o' holds us. That anyone, an' specially any furriner, could come as far as he has, flauntin' a name like that in the sensitive face of mankind, an' yet live to tell the tale, is shore plenty preepar'tory to believin' anything.

"When we lets it go that owin' to local conditions we'll be obleeged to call him 'Red Mike,' he's agree'ble.

"'As you will, my friends,' he cries, bulgin' out his breast an' thumpin' it. 'What care I, who am destined for immortality, that barbarians should hail me as Red Mike? It is enough that I am not destroyed, enough that I still move an' have my bein'!'

"'Mike,' interjecks Tutt, bristlin' a little, 'don't cut loose in no offensive flights. It's a heap onadvisable when addressin' us to overwork that word "barbarian." As you says yourself, you're lucky to be alive; which, bein' conceded, it'd be plenty proodent on your part not to go doin' nothin' to change your luck.'

"'Steady thar, Dave,' says Enright, 'don't go exhibitin' your teeth to a pore benighted furriner, an' him not onto our curves.'

"'Him bein' a furriner,' retorts Tutt, 'is but a added argyooment in favor of him takin' heed. Speakin' for myse'f, I in partic'lar don't want no furriner to step on my tail an' stand thar, same as if my feelin's ain't goin' to count.'

"'Be composed, my friend,' says Mike, tryin' to follow Enright out an' squar' himse'f with Tutt—'be composed. I reetract the "barbarians" an' suggest a drink.'

"'That's all right, Mike,' returns Tutt, who's easy mollified; 'still I onreservedly says ag'in that in Arizona thar's nothin' in becomin' too difoose. All that this time lets you out, Mike, is that havin' jest had our feed we're happ'ly lethargic. Which if you'd let fly that crack about barbarians, an' us not fed none, some gent not otherwise employed 'd have seized upon you as a mop-rag wharwith to wipe up the floor.'

"Thar's allers a dispoote as to whether or no Mike reely commits sooicide that time. Tutt an' Texas holds to the last that his light gettin' blowed out like it does is accidental. Peets, however, insists it's a shore-enough sooicide. Of course, Boggs goes with Peets. Whatever's the question at bay, Boggs never fails to string his play with the Doc's; it's Boggs's system. All you has to do to get a rise out o' Boggs is get some opinion out o' Peets. Once the Doc declar's himse'f, Boggs is right thar to back said declaration for his last dollar every time.

"As sustainin' his claim of sooicide, Peets p'ints out that thar's no gent, not a howlin' eediot complete, but knows s'fficient of giant powder to be dead on to how it's cap'ble of bein' fired by friction.

"'Why,' he says, eloocidatin' his p'sition, 'even darkened savages is posted as to that. I once sees a South Sea Islander, in a moose-yum East, who sets a bunch of shavin's in a blaze by rubbin' together two sticks. An' this yere Mike is a eddycated sharp, eddicated at a Dutch outfit called Heidelberg. Do you-all reckon a gradyooate of sech a sem'nary ever walks out on a cold collar, him not wise, an' performs in the numbskull fashions as this yere Mike?'

"'That's whatever!' chimes in Boggs.

"As I tells you, any emphatic idee laid down by Peets instantly sets Boggs to strikin' same as one of them cuckoo clocks.

"Enright?

"The old silver tip stands nootral, not sidin' with either Peets an' Boggs or Tutt an' Texas.

"'Which this yere Mike bein' shore dead,' says Enright, 'strikes me as s'fficient. I plants my moccasins on that, an' don't go pirootin' an' projectin' about for no s'lootions which may or may not leave me out on a limb.'

"You recalls how it's Monte who, while gettin' drunk with him over to the Oriental S'loon in Tucson, deloodes Mike into p'intin' our way. Also, what Enright says to that deboshed stage driver for so doin'. Enright's shore fervent on that occasion, an' the language he uses would have killed two acres of grass. But that don't he'p none. After the dust Enright paws up has settled, thar's Mike still, all quiled up in the Wolfville lap.

"Thar's a worse feachure, the same bein' Mike's wife. She's as young, an' mighty nigh as lovely, too, as Nell; only she's blind, this yere Mike's girl wife is, blind as any midnight mole. Besides her, an' a armful of paint breshes an' pictures, about all Mike's got in the way of plunder is a ten-dollar bill. If it's only Mike, we-all might have thickened our hides a heap, an' let him go jumpin' sideways for his daily grub, same as other folks. But girls must be fed, speshully blind ones.

"Which this egreegious Mike, who calls her his 'little Joolie,' allows her bein' blind that a-way is why he marries her.

"'It inshores her innocence,' he says; 'because it inshores her ignorance of the world.'

"'Likewise,' remarks Peets, as we stands discussin' this yere reasonin' of Mike's in the Red Light, 'it inshores her ignorance of them onmitigated pictures he paints. Which if ever she was just to get one good look at 'em, he couldn't hold her with a Spanish bit. But you-all knows how it is, Sam?'—Yere Peets clinks his glass, an' all mighty sagacious, ag'inst Enright's—'The wind is tempered to the shorn lamb. On the whole, I ain't none convinced that her bein' blind, that a-way, ain't for the best.'

"To look at this little Joolie, you-all'd never know she can't see none. Her eyes is big an' soft an' deep, an nothin' queer about 'em except they has a half-blurred, baby look. Peets allows it's the nerve bein' dead which does it. But blind or not, little Joolie shore dotes on that Red Mike husband of hers, as though he's made of love an' gold. Which he's her heaven!

"While it's evident, after a ca'm an' onbiased consideration of his works, that from standp'ints of art this yere Mike's about sign-painter size, little Joolie regyards him as the top-sawyer genius of this or any other age.

"'He'll revolutionize the world of art,' she declar's to Nell, who's mighty constant about goin' to see her; 'Ivan'—she pronounces it 'Vahn'—'is ondoubted destined to become the founder of a noo school.'

"'An' her face,' goes on Nellie, as she tells us about it over to the O. K. Restauraw one evenin', after Mike an' his little Joolie wife's done pulled their freight for the night—'an' her face glows with the faith of a angel! So if any of you-all boys finds occasion to speak of this yere Mike in her presence, you be shore an' sw'ar that, as an artist, he's got nacher backed plumb off the lay-out.'

"'The wretch who fails,' adds Missis Rucker, plenty fierce, 'don't wrastle his hash with me no more! You can gamble that marplot has tackled his final plateful of slapjacks at the O. K. House, an' this yere's notice to that effect.'

"It's a cinch, of course, that none of us is that obtoose as to go sayin' anything to pain this yere blind little Joolie; at the same time no one regyards it as feas'ble to resent them threats of Missis Rucker! She's a mighty sperited matron, Missis Rucker is, sperited to the verge of bein' vindictive, an' rubbin' her fur the wrong way is the same as rubbin' a bobcat's fur the wrong way. As a exercise thar's nothin' in it. Besides, we're plumb used to it, owin' to her threatenin' us about one thing or another constant. Menaces, that a-way, is Missis Rucker's style.

"Mike an' his Joolie wife don't live at the O. K. House, but only gets their chuck thar. He allows that to do jestice to his art he's got to have what he calls a 'no'th light,' an' so he goes meanderin' out on the no'th side of town, an' jumps a empty shack.

"Driv by a lack of money, mighty likely, Mike ain't in camp a week before he makes it plenty plain that, onless he's headed off or killed, he's goin' to paint Enright a whole lot. As a preelim'nary he loores a passel of us over to his wickeyup to show us samples.

"'That's my chef dever,' he says, bringin' for'ard a smudgy lookin' canvas, plastered all over with reds an' browns.

"We-all takes a slant at it, maintainin' ourselves meanwhile as grave as a passel of owls. An' at that the most hawk-eyed in the outfit can't make it look like nothin'. We-all hangs back in the straps, an' waits for Peets to take the lead. For thar is the pretty little blind Joolie wife, all y'ears an' lovin' int'rest, an' after what Nell an' Missis Rucker has done said the gent who lacerates her feelin's is lost. In sech a pinch Peets is our guidin' light.

"'Massive!' says Peets, after a pause.

"'Which she's shore a heap massive!' we murmurs, followin' Peets' smoke.

"'An' sech atmosphere!' Peets goes on.

"'Atmosphere to give away!' we echoes.

"At these yere encomiyums the pore pleased face of little Joolie is beamin' like the sun. As for Mike, he assoomes a easy attitoode, same as though compliments means nothin' to him.

"'What's the subject?' Peets asks.

"'That, my friend, is the Linden in October,' returns Mike, as though he's showin' us a picture of heaven's front gate. 'Yes, the Linden in October.'

"'Which if this yere Pole,' whispers Texas to Cherokee, 'is able to make anything out of that smear, he can shore see more things without the aid of licker than any sport that ever spreads his blankets in Cochise County.'

"Texas is a heap careful not to let either Mike or the little Joolie girl ketch on to what he says.

"Also, it's worth recallin' that Mike an' the little Joolie is the only wedded pa'r, of which the Southwest preeserved a record, that don't bring bilious recollections to Texas of his former Laredo wife.



"'Not but what thar's a wrong thar, Doc,' he insists, the time Peets mentions it; 'not but what this yere Red Mike-Joolie sityooation harbors a wrong. Only it's onavailable to 'llustrate the illyoosage I suffers at the hands of my Laredo wife.'

"After the Linden Mike totes out mebby it's a dozen other smeary squar's of canvas. We goes over 'em one by one, cockin' our eyes an' turnin' our heads first one way an' then another, like a bloo jay peerin' into a knothole. When Peets lets drive something about 'sky effects,' an' 'fore-grounds,' an' 'middle-distance,' we stacks in all sim'lar. Thar's nothin' to it; Mike an' the little Joolie girl puts in a mighty pleasant hour.

"Mike, feelin' hospit'ble, an' replyin' to a thirsty look which Jack Moore sort o' sheds about the room, reegrets he ain't got no whiskey.

"'My little Joolie objectin',' he explains.

"'Oh, well,' speaks up Peets, who's plumb eager to bring them art studies to a wind-up, 'when thar's famine in Canaan thar's corn in Egypt. S'ppose we-all goes romancin' over to the Red Light an' licker up. Thar's nothin' like nosepaint, took internal, for bringin' out a picture's convincin' p'ints.'

"'Right you be, Doc,' says Moore. 'It's only last week, when I myse'f cuts the trail of Monte, who, as the froote of merely the seventh drink, is sheddin' scaldin' tears over a three-sheet poster stuck onto the corral gate. This yere stampede in color deepicts the death of "Little Eva," as preesented in the Uncle Tom show ragin' over to the Bird Cage Op'ry House. Monte allows it's one of the most movin' things he's ever met up with, an' protests between sobs ag'inst takin' out the stage that day for its reg'lar trip. "Which it's a hour for mournin'," he groans; an' he's shore shocked when the company insists. As he throws free the brake he shakes the tears from his eyes, an' says, "These yere corp'rations ain't got no heart!"'

"If thar's ever any chance of Enright bein' that weak the sight of them smudges an' smears settles it, an' while we stands shovin' the Old Jordan along the Red Light bar, he allows to Mike that on the whole he don't reckon he'll have himse'f painted none. Rememberin', however, that it's a ground-hawg case with Mike, who needs the money, Enright gives him a commission to paint Monte.

"'Him bein' a histor'cal character, that a-way,' says Enright.

"Monte is over in Tucson, but you should have heard that drunkard's language when he's told.

"'Whatever be you-all tryin' to do to me, Sam?' he wails. 'Ain't a workin' man got no rights? Yere be I, the only gent in camp who has actchooal dooties to perform, an' a plot is set afoot behind my back to make me infamous!'

"'It's to go over the Red Light bar,' explains Enright, 'to be a horr'ble example for folks with a tendency to over-drink. As for you yellin' like a pig onder a gate, who is it, I asks, that beguiles this indigent artist party into camp, an' leaves him on our hands? Bein' he's yere, I takes it that even your whiskey-drowned intell'gence ree'lizes that this yere Mike, an' speshully the little blind Joolie, has got to be fed.'

"'Well, gents,' returns Monte, gulpin' down his grief with his nosepaint, 'I reckons if it's your little game to use me as a healthful moral inflooence, I'd lose out to go puttin' up a roar. All the same, as sufferer in chief, I'm entitled to be more consulted by you uplifters before ever you arranges to perpetchooate me to poster'ty as a common jeer.'

"Shore; these yere protests of Monte's ain't more'n half on the level. After a fashion, he's plenty pleased.

"'For,' he says, confidin' in Black Jack over his licker, 'it ain't every longhorn of a stage driver whose picture is took by one of these yere gifted Yooropeans.'

"Black Jack agrees to this in full, for he's a good-hearted barkeep, that a-way.

"In doo time the picture's hung up back of the Red Light bar. Regyarded as a portrait it's shore some desp'rate, an' even Enright sort o' half reepents. Monte, after studyin' it a while, begins to get sore in earnest. Them scales, like the scriptoors say, certainly do fall from his eyes.

"'Jack,' he says, appealin' to Moore, who happens to be present, 'does that thing look like me?'

"'Why, yes,' Jack replies, squintin' his left eye a heap critical; 'to be shore it flatters you some, but then them artists gen'rally does.'

"'Jack, if I'm that feeble as to go believin' what you says, I'd borry a shotgun from the express company and blow off the top of my head. That ain't the portrait of no hooman bein"—an' Monte raises a dispa'rin' hand at the picture; 'it's a croode preesentation of some onnacheral cross between a coyote and a cowskin trunk.'

"Cherokee gets up from behind his lay-out, an' strolls over so's to get a line on the picture. He takes a long an' disparagin' survey.

"'It ain't that I'm incitin' you to voylence, Monte,' he remarks final, 'but if you owes a dooty to s'ciety, don't forget that you owes also a dooty to yourse'f. You'll be lackin' in se'f-respect if you don't give Sam Enright two weeks to take that outrage down, an' if it ain't removed by then you'll bust it.'

"Black Jack is ag'in the picture, too.

"'Not,' he says, 'that I wants to put the smother on it entire; only I figger it'd look better in the post office, folks not makin' it so much of a hangout. Regyarded commercial, it's a setback to the Red Light. Some gent comes trackin' up intent on drinks, an' feelin' gala. After one glance at Monte up thar it's all off. That reveller's changed his mind, an' staggers out into the open ag'in without a word. The joint is daily knocked for about the price of a stack of bloos, as the direct result of that work of art. Which I'd as soon have a gila monster in the winder.'

"Mike ain't present none when all this yere flattery is flyin'. If he was thar in person nothin' would have been said. Whoever'd be that hardened as to go harrowin' up the sens'tive soul of a artist, even if his work don't grade as corn-fed?

"Some later tribyoote to his talents, however, reaches the y'ears of Mike. On the back of Black Jack's protests the Lightnin' Bug, who's come over from Red Dog for a little visit, drifts in. When he sees Monte's portrait his eyes lights up like a honka-tonk on Saturday night.

"'Rattlesnakes an' stingin' lizards!' he cries; 'which I'm a Mexican if you-all ain't gone an' got him painted! However do you-all manage? I remembers when we captures him it's the last spring round-up but one. Two weeks goes by before ever we gets him so he'll w'ar clothes! An' even then we-all has to blindfold him an' back him in!'

"'Whoever do you reckon that is, Bug?' asks Black Jack.

"'It's that locoed Digger Injun, ain't it?' says the Bug; 'him we corrals, that time, livin' on ants an' crickets, an' roots an' yarbs, over in Potato canyon?'

"'It's Monte.'

"'Monte! Does anybody get killed about it?'

"Black Jack mentions Mike as the artist.

"'What, that Dutch galoot with the long ha'r?' says the Bug.

"'Which he's a Pole.'

"'Pole or Dutchman, what's the odds? I sees a party back in Looeyville whose ha'r's most as long as his. We entices him to a barber shop on a bet to have it cut, an' I'm ag'in the union if four flyin' squirrels don't come scootin' out. They've been nestin' in it.'

"The Bug swings lightly into the saddle after a while, an' goes clatterin' back to Red Dog. No notice would have been took of what he says, only Monte, who hears it from Black Jack, is that malev'lent he goes an' tells Mike.

"'You-all will make trouble between 'em, Monte,' Nell reemonstrates, when Monte's braggin' in his besotted way about what he's done.

"'That's all right, Nellie. Both of 'em's been insultin' me; Mike by paintin' me so I'm a holy show, an' the Bug by lettin' on to take me for a Digger buck. S'ppose the Bug downs Mike, or Mike does up the Bug? Either way it's oats in your uncle Monte's feed box. That's me, Nellie; that's your old uncle Monte every time! Which, when it comes to cold intrigue, that a-way, I'm the swiftest sport in our set.'

"On hearin' about the Bug from Monte Mike gets plenty intemp'rate. He goes plumb in the air, an' stays thar. He gives it out that he's goin' to prance over to Red Dog an' lay for the Bug. Nothin' but blood is goin' to do him.

"Thar's nothin' we can say or do to stop Mike, so after talkin' it over a spell we deecides to throw him loose, Enright first sendin' word that he's harmless, an' not to be bumped off.

"Upon receivin' Enright's word the Red Dog chief passes on a warnin' to the Bug. Mike mustn't, onder no circumstances, be killed. Bein' he's a artist he's not reespons'ble.

"'Me kill him!' cries the Bug, who's scandalized at the idee; 'me take a gun to sech a insect! Gents, I've too much reespect for them good old faithful .45's of mine to play it as low down on 'em as all that.'

"Which there leeniencies I allers feels is on account of the little Joolie, an' the blind love she entertains for Mike. When the worst does come we carefully conceals from her the troo details, an' insists that the powder house goes off by itse'f.

"Then Nell, with Tucson Jennie and Missis Rucker to back her, carries the little Joolie girl the news. It's shore tough papers; an' Missis Rucker an' Tucson Jennie is kept racin' an' runnin' an' riotin' between the O. K. House an' Mike's wickeyup, freightin' over camphor an' sim'lar reestor'tives to the little Joolie all night long, while Nellie holds her head.

"Does Mike's kickin' the bucket leave the little Joolie broke? It's this a-way: You see we-all chips in, an' makes up a fa'rly moderate pile to buy the Linden in October.

"'It's to remember your gifted husband by,' explains Enright, as him an' Peets an' Boggs goes over to clink down the gold, an' get the Linden. 'This yere transcendent spec'men shall never leave our hands.'

"'Not while we live!' declar's Peets.

"'It's a marv'lous picture!' returns the little Joolie girl, proud and tearful both at once.

"'Marv'lous!' repeats Peets; 'it's got the Angelus beat four ways from the Jack.'

"'Which I should remark!' puts in Boggs. 'Why, Doc, this yere Linden of ours shore makes that Angelus thing look like an old beer stamp.'

"These yere outpourin's of onreestricted admiration shore does set the little Joolie to smilin' through her tears. Also, the bankroll they brings her sends her back to her folks in style.

"So you don't regyard it as the proper caper to go deceivin' the little Joolie girl? That's preecisely the p'sition a Bible sharp over in Tucson takes, when some party's mentionin' the business.

"'You go tell that doubtin' Thomas of a sky-pilot,' says Peets, on hearin' about it, 'that he can bet a ton of Watts' hymn books on it. You-all say, too, for his pulpit guidance, that what looks like deceit, that a-way, is often simple del'cacy, while Christian charity freequent w'ars the face of fraud.'

"But I'm gettin' ahead of the wagons. Mike, who's a heap heated, goes lookin' for the Bug in the Tub of Blood S'loon. The Bug don't happen to be vis'ble no whar in the scen'ry when Mike comes clatterin' in. By way of a enterin' wedge Mike subscribes for a drink. As the Tub barkeep goes settin' out the glasses Mike, with his custom'ry gifts for gettin' himse'f in wrong, starts fomentin' trouble. An' at that it's simply his ignorance, an' a conceited deesire to show off among them Red Dogs.

"As the Tub barkeep slams down the crockery Mike barks up sort o' sharp an' peevish:

"'The ice! Ain't you people got no ice?'

"The Tub barkeep takes a sour squinch-owl look at Mike. Then he goes softly swabbin' off the counter.

"After a while he looks up an' says:

"'Which you don't notice no swirlin' drifts of snow outside, do you? You ain't been swallowed up in no blizzard, be you, comin' into town? No, my stilted, stiff-laigged sheep of the mountain, we ain't got no ice.'

"Mike, feelin' some buffaloed by the barkeep's manner, don't say no more. In silence he drinks his licker, an' then sets down at a table.

"The barkeep, with the tail of his eye, continyoos to look him over.

"'Whatever do you make of that crazy maverick,' he asks of a freighter, who's jest rolled in from Lordsburg. 'The idee of him askin' for ice in August!'

"'Mebby he's the ha'r-brained party they sends word about from Wolfville,' the freighter replies—'him who's out to crawl the Bug's hump a whole lot?'

"'That's the identical persimmon!' exclaims the barkeep, slammin' his hand on the counter. 'Which I ought to have knowed it without bein' told. I wonder if Peets, or some of them other Wolfville sports, puts him up to come bully-raggin' round yere about ice to insult us?'

"The freighter allows he'll edge into a pow-wow with Mike, an' feel him out.

"Planted at the same table, the freighter an' Mike is soon as thick as thieves. They're gettin' along like two pups in a basket, when in comes a disturbin' element in the shape of one of them half-hoss half-alligator felons, whose distinguishin' characteristic is that they're allers grouchy an' hostile. That's the drawback to Red Dog. It certainly is the home camp of some of the most ornery reptiles, that a-way!

"The grouchy sorehead party, from the jump, gets dissatisfied about Mike's ha'r, which he w'ars a foot long same as all artists. Which a gent can't be no painter onless he's got ha'r like a cow pony. The sorehead party marches up an' down by the table whar Mike an' the freighter is swappin' lies, schemin' as to how he's goin' to make a warlike hook-up with Mike. After a spell he thinks he sees his way through, an' rounds to an' growls.

"'What's that? Does one of your onparalleled tarrapins say something deerog'tory about George Washin'ton?'

"Both the freighter an' Mike looks up some amazed, but pleads not guilty. They ain't, they says, even thinkin' of Washin'ton.

"'Which I begs your parding,' returns Sorehead, snortin' mighty haughty an' elab'rate; 'I fancies I hears some one make some onbecomin' remark about Washin'ton. Mighty likely it's that licker I drinkt last night.'

"Two minutes later he halts ag'in.

"'It ain't possible I'm mistook this time. An' at that I don't precisely ketch what you offensive ground-owls is observin' about Thomas Jefferson?'

"Mike an' the Lordsburg freighter insists vehement that thar's been no alloosion to Jefferson, none whatever.

"'Parding!' Sorehead snorts; 'ag'in I asks parding! As former, I finds I'm barkin' at a bunch of leaves. My y'ear deeceives me into thinkin' that you two fool ground-owls is indulgin' in reecrim'nations ag'inst Thomas Jefferson.'

"It's the third time, an' Sorehead's back, neck bowed an' fingers workin'.

"'Now thar's no error! Which one of you cheap prairie dogs makes that low-flung statement about old Andy Jackson? Let him speak up, an' I'll give him a hundred dollars before devourin' his heart.'

"'No one mentions Jackson,' says Mike, who's becomin' frightened an' fretted; 'whatever's the idee of any one talkin' about Jackson, anyhow?'

"'Oh, ho! Perhaps, my bold galoot, you think old Andy ain't worth talkin' about!'

"Sayin' which, that sorehead malcontent reaches for Mike, an' the two go sailin' 'round the room permiscus. Sorehead picks Mike up, an' sweeps a cord or two of glasswar' off the bar with him. Then he employs him in bringin' down a picture from the wall. After which he nacherally tosses him hither an' yon in the most irrel'vant way.

"Sorehead has jest reached up with Mike, an' smashed a chandelier carryin' fourteen coal-oil lamps, when in t'ars the Lightnin' Bug, white an' frothin'. The Bug don't waste no time lookin' for holds, but casyooally, yet no less s'fficiently, snags onto Sorehead. Fixin' his ten claws in him, the Bug fo'thwith embarks upon sech feats in the way of ground an' lofty tumblin' with that gladiator, as to make what happens to Mike seem pooerile.

"'Don't you-all know,' shouts the Bug, as, havin' done broke a cha'r with Sorehead, he proceeds to deevote what's left of him to smashin' a table—'don't you-all know, you abandoned profligate, that this yere artist you've been maltreatin' is a pers'nal friend of mine, yere present in Red Dog to confab with me on important affairs? An' is it for a houseless sot like you to take to minglin' with him malignant? Yereafter don't you-all so much as presoome to breathe without first gettin' my permission so to do in writin'!'

"As closin' the incident the Bug sends Sorehead hurtlin' through a window, sash an' all. After which he dusts off his hands an' says:

"'Gents, let's licker.'

"The barkeep's that gratified he declar's the drinks is on the Tub.

"'Also, the glass an' sash, Bug,' he adds.

"Bein' refreshed, the Bug tenderly collects Mike, who's in a frayed an' fragmentary condition, an' gently freights him over to us on a buckboard. It's a week before Peets allows he's ag'in ready for the show ring, an' he uses up enough co't plaster on him to kyarpet the Red Light. Little Joolie? We let's on to her that Mike meets up with a she grizzly an' her cubs, an' while he cleans up that fam'ly he nacherally gets chewed.

"'Mike's shorely some abrated, ma'am,' explains Peets; 'but he's mendin' fast. When I first lays eyes on him, after he encounters that bevy of b'ars, it's a question if his skin'll hold his principles. But don't take on, Ma'am; now I've got him headed right he'll be as good as new in a week. Don't forget, too, that he shore does land that band of grizzlies in the scrap-heap.'

"Mike emerges from the hands of Peets filled with a pecooliar furrin' form of wrath, an' talkin' about his honor. It's Sorehead he's after now. As a noble Pole, he says, he has been most contoomeliously used, an' insists upon a dooel. Not with the Bug, who's withdrew them orig'nal jedgments concernin' old Monte's portrait, an' substitooted tharfor the view that said picture's bound to become the artistic pride an' joy of Arizona. Mike wants to fight the onreegen'rate Sorehead.

"In the flush of their new friendship Mike asks the Bug to heel an' handle him. Also, it's warmin' to your better nacher to note the enthoosiasm wharwith the Bug takes up his dooties.

"'It'll be six-shooters at ten paces,' he explains to Mike; 'an' if you only shoots like you paints, we'll send that tramp whar the wicked cease from troublin' an' the weary are at rest.'

"The Red Dog chief gives his word to Enright that Mike ain't in no danger.

"'Comin' down to cases,' says the Red Dog chief; 'it's even money that this yere Sorehead crawfishes. If he don't we've got it all set up to hand him the Bug, instead of that Red Mike artist of yours. So you see thar's lit'rally nothin' for you-all wolves to worry over at all.'

"'We-all wolves ain't in the habit of worryin' to any astoundin' extent,' returns Enright, some rigid; 'none the less, I allows I'll take a look through the sights myse'f, merely by way of makin' shore which way the gun is p'inted. Thar's reasons, one of 'em a lovin' little blind girl, why we're not so plumb partic'lar about havin' this yere alleged artist party put over the jump.'

"The fight's a week away, an' by advice of the Bug, Mike decides to put a polish on his shootin'. This yere's reckoned a bright idee, the more since as near as we-all can jedge Mike never does pull a trigger once since when his mother rocks his cradle an' warms his milk.

"'Only,' warns Enright, as Mike goes makin' prep'rations, 'don't you-all go aimin' towards town none. We don't want no neeophytes bombardin' the village, which y'ar in an' y'ar out sees bullets enough in the nacheral onfoldment of eevents.'

"Mike, not havin' no gun, borrys a .45 of Moore. Thus equipped, he secoores some cartridges at the Noo York store, an' la'nches forth. No one goes with him, since he allows he'll shoot better if he's by himse'f.

"Thar's a powder house, belongin' to the Copper Queen Mine, about a mile outside of town. It stands off by itse'f an' nothin' near it, no one honin' much to live neighbor to a ton or two of powder. It's about fifth drink time the mornin' Mike seelects for his practice shootin' when, like a bolt from the bloo, that Copper Queen powder house goes up with a most emphatic whang! What Peets calls the 'concussion' breaks windows in the Wells-Fargo office, an' shakes up the Red Light to that extent it brings down Monte's picture an' busts it to forty flinders on the bottles.

"'Which for a moment,' says Black Jack, commentin' on the gen'ral mess it makes, 'I thinks it's one of Colonel Sterett's Coyote editorials on the licker question.'

"That powder blow-up marks the onforchoonate last of Mike. Since he never does show up no more, an' a Mexican tendin' goats in the vicin'ty informs us he sees him pinnin' a target on the r'ar elevation of the powder house jest prior to the explosion, it's the common feelin' that the blow-up's caused by one of Mike's bullets, an' that Mike an' the powder reepos'tory takes flight simooltaneous. Only, as already set fo'th, Peets claims that Mike knows what's comin'. Mebby Peets is right, an' mebby Mike that a-way commits sooicide. Whichever it is, sooicide or accident, it's a mighty complete success; for the only trace we're able to find of either Mike or the powder house is a most elab'rate hole in the ground.

"'The same bein', as I holds, a most excellent feachure,' says Boggs, who loathes foonerals. 'This yere powder house way of cashin' in meets with my approval. It shore don't leave no reemains!'"



X

HOW TUTT SHOT TEXAS THOMPSON

"Which they starts the yarn in Red Dog that the shootin' that time between Tutt an' Texas is born of sectional feelin', an' because Texas is a southern gent, while Tutt comes from the No'th. Sech explainations is absurd—as Doc Peets well says. Also, I'm yere to go one word further an' state that, while it's like them Red Dogs, idle an' mendacious as they freequent be, to go fosterin' sech fictions, thar ain't a syllable of trooth tharin from soda to hock. The flareup has its start in them two children, Annalinda Thompson an' little Enright Peets, an' what sentiments of rivalry nacherally seizes on Tutt an' Texas as parent an' uncle reespective."

"Still there must have been some degree of sectional feeling among you," I said, more by way of stirring my old cattleman up than any nobler purpose; "coming some of you from the South, and others from the North, it would have been strange indeed had it been otherwise."

"Which it's shore strange, then. Them Wolfville pards of mine is one an' all United States men. They ain't Southern men, nor No'thern men, nor Eastern men, nor even Western men. Likewise, the improodent sport who'd go trackin' 'round, ondertaikin' to designate 'em as sech, would get toomultuous action, plenty soon and plenty of it.

"Why, take Texas himse'f: Thar's a fly-by-night party pesterin' 'round camp for a space, who lets on he's from the same neck of woods as Texas. This yere annoyin' fraud is a heap proud of it, too, an' makes a speshulty of bein' caught a lot in Texas' company. He figgers it gives him a standin'.

"One mornin', when only a few of us is pervadin' 'round, he plants himse'f plumb comfortable an' important in a Red Light cha'r, an' followin' the 'nitial drink for the day goes to talkin' with Texas.

"As he sets thar, all fav'rable an' free, thar comes trackin' in a aged Eastern gent, who's been negotiatin' with Armstrong about business concernin' the Noo York store. The aged Eastern shorthorn goes rockin' up to the counter, an' p'litely lets on to Black Jack that he'll licker. As he does so this yere firegilt party who boasts he's of the same range an' breed as Texas speaks up, sharp an' coarse, like the bark of a dog:

"'Yere, you! I wants a word or two with you-all!'

"With that for a start he onfurls what he preetends is his grievances, the same bein' because of somethin' the aged Eastern sport does or don't do comin' over on Monte's stage—which they're fellow passengers that time, it seems—an' next he cuts loose, an' goes to vitooperatin' an' reecrim'natin', an' pilin' insult on epithet, that a-way, to beat four of a kind. Which he certainly does give that aged Eastern person a layin' out! Shore; he's jest showin' off at that, an' tryin' to impress Texas.

"At the beginnin' the aged Eastern gent stands like he's dazed, onable to collect himse'f. However, he gets his mental feet onder him, an' allowin' he won't stay none to listen to sech tirades, tucks away his nosepaint an' pulls out.

"After he's gone the vitooperative party wheels so's to face Texas, an' says—mighty pleasant an' agree'ble, like the object of the meetin's been most happ'ly accomplished:

"'Thar, that shows you.'

"'Whatever does it show?' Texas asks, some grim.

"'Which it shows the difference between a No'thern gent an' a Southern gent. To be shore, that old cimmaron ain't half my size an' is twict my age, but all the same, Texas, if he's from the South, you bet, like you an' me, he'd tore into me, win or lose, if he'd got killed!'

"'You think so?' says Texas, his eyes becomin' as hard an' glitterin' as a snake's. 'Now let me tell you something, my lionhearted friend. Thar's brave men South, an' brave men No'th. Also, thar's quitters; quitters at both ends of that No'thern-Southern trail who'll go into the water like a mink. Accordin' to my experiences, an' I've been dallyin' with hoomanity in the herd for quite some time, thar's nothin' in that geographical bluff of yours at all. Moreover, I reckons that before I'm through, seein' now you've got me goin', I'll prove it. For a starter, then, takin' your say-so for it, you're a Southern man?'

"'Which that's shore c'rrect,' the other responds, but feeble; 'you an' me, as I says former, is both Southern men.'

"'Bueno! Now as calk'lated to demonstrate how plumb onfounded is them theeries of yours'—yere Texas gets up, an' kicks his cha'r back so he's got room—'I has pleasure in informin' you that you're a onmitigated hoss-thief;—an' you don't dare stand up. Yes, sir; you're onfit to drink with a nigger or eat with a dog;—an' you'll set thar an' take it.'

"Which that aboosive party, pale as paper, certainly does 'set thar an' take it' preecisely as Texas prophecies; an' after glowerin' at him, red-eyed an' f'rocious for a moment, Texas sticks his paws in his jeans, an' sa'nters off.

"It's jest as well. Why, if that humbug so much as curls a lip or crooks a finger, after Texas takes to enunciatin' them prop'sitions in philosophy, Texas'd have tacked him to the table with his bowie an' left him kickin', same as them goggled-eyed professors who calls themselves nacheralists does some buzzin' fly with a pin.

"'Which, if thar's anything,' Texas explains to Enright, 'that makes me tired partic'lar, it's them cracks about No'th an' South. If I was range boss for these yere United States I'd shore have them deescriptives legislated into a cap'tal offence.'

"'Sech observations as that narrow tarrapin onbosoms,' comments Enright, 'only goes to show how shallow he is. Comin' down to the turn, even that old Eastern shorthorn's walkin' away from him don't necessar'ly mean a lack of sand. Folks does a heap of runnin' in this vale of tears, but upon various an' varyin' argyooments. A gent runs from a polecat, an' he runs from a b'ar; but the reason ain't the same.'

"Thar's no sectionalisms in Tutt's differences with Texas, none whatever. Also, while it finds, as I holds, its roots in Annalinda an' little Enright Peets, it don't arise from nothin' which them babies does to one another. Two pups in the same basket, two birds on the same bough, couldn't have got along more harmon'ous. The moment Nell brings little Enright Peets over to see Annalinda them children falls together like a shock of oats, an' at what times they're onhobbled of fam'ly reestrictions an' footloose so to do, you'd see 'em playin' 'round from sun-up till dark, same as a pa'r of angels.