"'Which I'll bet a hatful of yellow chips,' says Boggs, who's stood listenin', 'ag'inst a handful of whites, that this yere Miss Bark makes herse'f an' that Oscar shorthorn man an' wife.'

"'Now I wouldn't wonder none,' observes Peets, replyin' to the look in Enright's eye. 'That shootin' needn't count. A troo affection is freequent boisterous, that a-way.'

"'An' in case,' says Enright, 'the kyards do fall in favor of matrimony, it'll most likely be the end of that Votes For Women S'loon. I begins to see how this yere ongrateful outfit may yet get deep in debt to that egreegious Oscar.'

"None of us ever says so, but it's the common belief that Texas connives at this yere threatened Oscar's escape. In any case, the next mornin' Oscar goes catfoot out of the O. K. House before folks is up, an' takes to hidin' out. The fact is he's layin' for Monte an' the stage, about ten mile no'th of camp. Leastwise, he's thar a heap when Monte comes along, an' deemands that he be took up an' carried to Tucson.

"It ain't first drink time before this Oscar's missed, an' by second drink time the news has drifted over to Miss Bark. It's Peets who informs her, an' he tells us, when reelatin' the incident, that the way that deeserted lady knits her brow is a caution to philos'phers.

"'So,' she says at last, 'that onmitigated seedoocer thinks to leave me in this heartless way. He'll find before he's through that it's no light matter to charm into fervent life a love like mine.'

"'It's the theery, Miss,' says Peets, 'of the best minds in camp that this Oscar's hit the Tucson trail afoot, with a plan of headin' off the stage.'

"Ten minutes an' Miss Bark is in the saddle, a lead pony gallopin' by her side, in hot pursoote of the dir'lect.

"'That lead pony looks om'nous, Doc,' observes Enright, as the two stands watchin' Miss Bark's departure.

"'It's prov'dential,' remarks Peets, as he heads the procession to the Red Light, 'that that sky-pilot's aboard the stage. Which he ought to work in plumb handy.'

"Six hours later Miss Bark comes surgin' in with her Oscar foogitive, his heels tied onder the belly of the lead hoss. Any one can see by his benumbed expression that he's a married man. The two heads straight for the Votes For Women S'loon, an' after boltin' her new he'pmeet into the back room, Miss Bark takes a peek in the glass, pats down her ha'r, an' goes behind the bar as yoosual.

"'Yes,' she replies, an' all a heap modest an' artless, as Peets an' Enright—actin' on behalf of the camp—gyardedly inquires if they're to offer congratulations, 'I reckon you may. An' the best part is that my dear Oscar's so plumb ready an' willin'. Which I never knows a bridegroom, gents, who gets married with so little struggle.'



"'How soon, Missis Freelinghuysen,' says Peets, 'do you-all reckon on lettin' this Oscar husband out?'

"'Oh,' she returns, 'as soon as ever it's safe. Jest now he's some onstrung; but in a day or two I figger he'll begin to get reeconciled to his bliss. An' at that, my main idee in lockin' him up is one of reeform rather than restraint. Oscar's been over-drinkin' himse'f of late; an' I aims to get the whiskey out of him, so as I can form some reas'nable estimate of how much of a husband that a-way I've done roped up.'

"'Is thar any objections,' asks Enright, 'to our visitin' this modern pris'ner of Chillon? We binds ourselves to say nothin' that'll fret him, or set him to beatin' his life out ag'inst the bars.'

"'W'y, shore,' she replies, 'you-all is quite welcome. I only hopes you'll teach him to look at things in their proper light.'

"'It ain't so much,' says this Oscar husband, when Enright an' Peets calls upon him in his captivity, 'that I've been hurried, onregyardful of my feelin's, into the married state. But, gents, my parent is doo, accordin' to his last letter, to come curvin' in yere any minute; an' whatever do you-all reckon now he's goin' to say?'

"Enright an' Peets is so moved they promises the imprisoned Oscar their support, an' this leaves him, if not hopeful, at least some cheered.

"Monte gives his version of them nuptials when he returns from Tucson.

"'Which it's this a-way, pards,' says Monte. 'I'm twenty miles no'th of yere, when somethin' flashes by with a lead hoss, like arrows. Thinks I, "That's a hoss thief gettin' away with some stock"; an', allowin' Jack Moore'll be hard on his neefarious hocks, I'm lookin' back to see can I raise Jack's dust. The next I knows, an' all as sudden as a pan of milk from a top shelf, I hears a silv'ry voice remarkin': "Set your brake!" an' turnin' my head I finds a winchester p'intin' as squar' between my eyes as you-all could lay your finger. Gents, thar's something mighty cogent about a winchester that a-way, an' I shore shoves on the brake with sech abandon I snaps the shank short off.'

"'Wharever is this Oscar party?' asks Enright.

"'He's with me on the box; an' when this yere intrepid Miss Bark takes to dom'neerin' at us with that rifle he collapses. "It's you, Oscar," observes this Miss Bark, shiftin' the muzzle to him. "Upon second thought I concloods to accept your offer of marriage."

"'Which at that crisis,' remarks Peets, 'this Oscar of course breaks into loud an' joyful cries.'

"'Not exactly. In fact, his tones if anything is some low-sperited. "I takes it," he says, when he's able to command his feelin's, "that you declines them proffers with your winchester at the time when made." But the lady dismisses this as a quibble, an' merely sayin' that she won't be paltered with no farther, orders Oscar an' the Bible sharp who's ridin' inside to assemble by the edge of the trail. The Bible sharp attempts to lay the foundations of fresh objections by askin' Oscar does he do this of his own free will; but the muzzle of the winchester—which the bride all along reetains in her hands—begins movin' 'round in his direction, observin' which man'festation he pronounces 'em husband an' wife. "What heaven has j'ined together," says he, "let no man put asunder." After which he blesses 'em, an' reeports the last cinch fastened. "Pay him, Oscar," whispers the bride. Wharupon Oscar, his fingers tremblin', squars the Bible sharp with the price of a brace of steers, an' the deed is done. Now he's hers for better or worse, she ropes his heels together onder the belly of her lead hoss, an' the happy pa'r goes romancin' back for Wolfville, while I kicks loose what's left of the brake an' p'ints out ag'in for Tucson.'

"On the third day, by givin' his parole an' promising to fondly reeport to his spouse once every hour, Oscar is permitted to go reecreatin' about the camp.

"'Only,' says the lady, by way of warnin' to Black Jack, 'thar's to be no drinks.'

"These yere strained conditions preevails for mebby it's five days, when, as the stage swings in to the post office one evenin', a stout florid old gent gets out. He comes puffin' up to Peets a heap soopercilious.

"'Do you-all know a addle-pated an' semi-eediotic young party,' says he, 'who's named Oscar Freelinghuysen?'

"'Why, yes,' returns Peets, 'I do. Onless my mem'ry's pulled its picket pin an' gone plumb astray he's the eboolient sharp who conclooded a somewhat toomultuous courtship last week by gettin' married. He's in the shank of his honeymoon as we stands chattin' yere.'

"The florid gent glares at Peets, his feachures the color of liver, his eyes stickin' out like the eyes of a snail.

"'Married!' he gasps, an' falls in a apoplectic fit.

"It takes a week an' all the drugs Peets has got before that apoplectic's able to sit up an' call for nosepaint. An' whatever do you think? His daughter-in-law, but onbeknownsts to him as sech, nurses him from soda to hock. Oscar Joonior? By advice of Enright that prodigal's took to cover over in Red Dog ontil we've made shore about the fatted calf.

"The former Miss Bark puts up that nursin' game with Peets, an' day an' night she hangs over her apoplectic father-in-law like a painter over a picture. She's certainly as cunnin' as a pet fox! She dresses as quiet as a quail an' makes her voice as softly sober as a suckin' dove's. In the end she's got that patient hypnotized.

"After Peets declar's him out of danger, an' all propped up in his blankets he's subscribed to mighty likely it's the fifth drink, the apoplectic begins to shed tears a heap profoose, an' relate to his nurse—the former Miss Bark—how his two wives has died, leavin' him a lonely man. She, the former Miss Bark, is his only friend—he says—an' he winds up his lamentations by recommendin' that she become his third.

"'You're the only hooman heart who ever onderstands me,' he wails, gropin' for her hand, 'an' now my ongrateful boy has contracted a messalliance I shore wants you for my wife.'

"She hangs her head like a flower at night, an' lets on she's a heap confoosed.

"'Speak,' he pleads; 'tell me that you'll be mine.'

"'Which I'd shore admire to, but I can't,' she murmurs; 'I'm wedded to your son.'

"The old apoplectic asks for more licker in a dazed way, an' sends for Peets. The Doc an' him goes into execyootive session for most an hour; meanwhile the camp's on edge.

"At the close the Doc eemerges plumb radiant.

"'Everything's on velvet,' he says; 'thar's never a more joodicious convalescent. He freely admits, considerin' the sort of daughter-in-law he's acquired, that Oscar has more sense than folks suspects.'

"Now that the skies is cl'ared, the bridegroom is fetched back from Red Dog, an' thar's a grand reeconciliation.

"'We'll all go back East together,' sobs father-in-law Freelinghuysen, holdin' both their hands.

"Two days later they starts, Missis Freelinghuysen Joonier lookin' after father-in-law Freelinghuysen same as if he's a charlotte roosse.

"The Votes For Women S'loon?

"It's kept a secret, at Peet's su'gestion, him bein' apoplectic that a-way. The stock is bought by public subscription of the camp, an' when the Freelinghuysen household is out of sight an' hearin' we invites Red Dog over in a body an' onbelts in a mod'rate orgy. The sign, 'Votes For Women S'loon,' is now preeserved in the custody of the Wolfville Historical Society, which body is called into active bein' upon motion of Peets, while Red Dog an' us is drinkin' up the stock."



IV

OLD MONTE, OFFICIAL DRUNKARD

"Shore; Monte's the offishul drunkard of Arizona." The old cattleman was answering my question. "Or, seein' that mebby Wolfville's joorisdiction won't be held none to reach beyond, let's say the offishul drunkard of Cochise County. That's Monte's civic designation; offishul drunkard, an' meant to fix his social place.

"Does he resent it?

"Which he proudly w'ars that title like it's a kingly crown! It's as good as even money that to ondertake to sep'rate him from it, or deny the same, is the one single thing he bristles up at an' give you a battle over.

"Which this yere last should mean a heap, since Monte's plumb pacific by nacher, an' abhors war to the mean confines of bein' timid. To be shore, he'll steam at the nose, an' paw the sod, an' act like he's out to spread rooin far an' wide—that he's doo to leave everything in front of him on both sides of the road. But in them perfervid man'festations he don't reely intend nothin' either high or heenious, or more'n jest to give his se'f-respect an outing that a-way. Let the opp'sition call him down, an' the crafty old cimmaron'll go to the diskyard instanter.

"Which at that, Monte ain't without his interestin' side. When onder the inflooence of nosepaint, which last is constant, he has three distinct moods. About the fo'th drink, let a stranger show up, an'—all aff'ble an' garyoolous—Monte's right thar to do the honors. When the stranger, gettin' weary, kicks Monte off him, the same bein' shore to happen final since no one formed in the image of his Maker can put up with them verbal imbecil'ties of his beyond a given len'th of time, he'll arch his back an'—apparently—wax that f'rocious a wronged grizzly to him is as meek as milk. An' yet, as I tells you, it's simply a blazer; an' the moment the exasperated stranger begins betrayin' symptoms of goin' to a showdown, Monte lapses into his third mood of haughty silence, an' struts off like it's beneath him to bandy words.

"That's the savin' clause in Monte's constitootion; he may get drunk, but he never gets injoodicious. Thar's a sport from some'ers over 'round Shakespear in the dance hall one evenin', whose patience has been plenty treespassed on by Monte. By way of bringin' matters to a deecisive head, this yere Shakespear party tells Monte he's a liar. Do you reckon Monte hooks up with him? Not a chance! He simply casts on that maligner from Shakespear a look of disparagement, an' with nose held high, as markin' his contempt, moves away with the remark.

"'That's something I refooses to discuss with you.'

"Which thar's no more real p'isin in Monte than in a hired girl.

"We has the chance once to try some experiments on Monte, an' it's the mistake of our lives we don't. Peets, whose regrets is scientific, feels speshully acoote. Thar's a partic'lar bar'l of nosepaint gets trundled into camp, which is nothin' short of bein' the condensed essence of hostility. Black Jack, after years as barkeep, says himse'f he never sees nothin' like it. On the hocks of two drinks, folks gets that ornery Enright has it freighted back to Tucson in alarm, fearin' for the peace of the camp. At the time, none of us thinks of it; but later it's a subject of gen'ral regret that some of it ain't saved to try on Monte. Mebby that speshul brand of licker turns out to be the missin' ingreedient, an' keys him up to deeds of heroism.

"Jest to show you some of the milder workin's of that licker. Boggs files away four inches of it onder his belt, an' next, when he's walkin' by the corral an' meets a Mexican, he reaches out in a casyooal an' abstracted way, collars that Greaser an' hefts him over a six-foot 'dobe fence, same as if he's a bag of bran; an' all apropos of nothin'. Boggs says himse'f he don't know why none. He's thinkin' of something else at the time, he declar's, an' the eepisode don't leave no partic'lar traces on his mem'ry. The trooth is, it's that veehement an' onmuzzled nosepaint, incitin' him to voylence.

"Is the Mexican hurt?

"Which, if I remembers rightly, Peets does mention about a busted collarbone. But it don't create no interest—him bein' a Mexican. You see, thar's a feelin', amountin' fa'rly to a onwritten law, that Mexicans ain't got no rightful call to be seen in public no how; an' when one does go pirootin' round permiscus, in voylation of this yere tenet, nacherally he takes his chances. You-all can gamble, though, that Boggs shore never would have reached for him, only he's actchooated by that whiskey.

"As modest an' retirin' a sperit as Cherokee, to whom any form of boastful bluff is plumb reepellant, subscribes to a mod'rate snifter of that licker; an' in less time than it takes to rope a pony, he's out in front of the Red Light, onbucklin' in a display of pistol shootin'. Thar's a brace of towerists in camp, an' Cherokee let's on he'll show 'em. Which he shore shows 'em! He tosses two tomatter cans on high, an' with a gun in each hand keeps 'em dancin' an' jumpin' about in the atmosphere ontil thar's six bullets through each. It's a heap satisfyin' as a performance, as far as them pop-eyed towerists is concerned, an' both leaves town that evenin' by speshul buckboard.

"Onaffected by that licker, Cherokee wouldn't have no more gone an' made sech a spectacle of himse'f, though urged tharunto by the yoonanimous voice of the outfit. When he so far recovers as to 'ppreeciate what Faro Nell has to say of them exploits—an', while tender, she's plenty explicit—he comes mighty clost to blushin' himse'f to death.

"It's after we notes what it does to Cherokee, an' hears of them exhibitions of broote force by Boggs, that we gets timid about this yere whisky, an' Enright orders the bar'l sent back. An' right he is! S'ppose them Red Dogs was to have come prancin' over for a social call, an' s'ppose in entertainin' 'em we all inadvertent has recourse to that partic'lar licker, whatever do you-all reckon 'd have been the finish? Son, thar'd have been one of them things they calls a catyclism, an' nothin' short.

"It's shore a fightin' form of licker. Tutt reeserves out a tin cup of it, an' sets it down by a prairie dog's hole. Accordin' to Tutt, the dog comes out, laps it once, an' starts back same as if he's been shot with a '45. Thar he squats, battin' his eyes, wrinklin' up his nose, an' cogitatin'. After thinkin' the thing over, the dog approaches, mighty gingerly, an' takes three or four more laps. Then he r'ars back, an' considers for quite a spell. It looks final like he gets his mind made up, an' with that he capers over, an' he'ps himse'f to what for a prairie dog is shore a big drink.

"Two minutes later, ha'r bristlin', whiskers standin' out like wire, eyes full of determination, that dog crosses over to another dog who's livin' neighbor to him, an' says—accordin' to Tutt:

"'Wharever can I locate that coyote who's been domineerin' round yere for mebby it's a month, harassin' folks into their holes? Whar's that coyote at?'

"Peets allers allows Tutt exaggerates, but havin' sampled that licker some myse'f, I'm a long ride from bein' so shore.

"That lack of war instinct in Monte ain't no speecific drawback. Him drivin' stage that a-way, he ain't expected none to fight. The hold-ups onderstands it, the company onderstands it, everybody onderstands it. It's the law of the trail. That's why, when the stage is stopped, the driver's never downed. Which if thar's money aboard, an' the express outfit wants it defended, they slams on some sport to ride shotgun that trip. It's for this shotgun speshulist to give the route agents an argyooment. Which they're licensed to go bombardin' each other ontil the goin' down of the sun. As for the driver, however, the etikette simply calls for him to set his brake, an' all peaceful hold his hands above his head. It's inside his rights, too, accordin' to the rooles, for him to cuss out the hold-ups, an' call 'em all the hard names of which he's cap'ble; an' stage drivers, who loves their art, spends their time between drinks practisin' new cuss words, an' inventin' onheard of epithets, so as to be ready when dooty an' o'casion calls. Havin' downed or driven off the shotgun sport, an' seen the bottom of the express box, the hold-ups tells the stage driver to pull his freight. Wharupon he picks up the reins, kicks free the brake, lets fly a loorid an' final broadside of vitooperation—he havin' carefully reeserved the same, by way of peroration—an' goes his windin' way.

"Wolfville's been on the map for most a year, when Monte first shows up. In the beginnin', an' ontil we-all gets adjusted to him, he's something of a bore. Leastwise, he ain't what you'd go so far as to call a boon companion. When it dawns on us that he's plottin' to make himse'f a permanency, it certainly does look for a spell that, what with his consumption of nosepaint an' what with his turrific genius for snorin', he's goin' to be a trifle more'n we can stand.

"Does Monte snore?

"Not to create ondoo excitement, the bar'foot onclothed trooth is that his snorin' falls nothin' short of bein' sinful. Boggs has plenty of countenance when he brings them snores to the attention of Enright.

"'Thar's shore a limit somewhar, Sam,' Boggs says, 'to this yere drunkard's right to snore. Which he's simply keepin' everybody over to the O. K. House settin' up. Onless something's done to check him, thar'll be a epidemic of St. Vitus dance. You ask Doc Peets; he'll tell you that this yere Monte with his snorin' is a scourge.'

"It's not alone their volume, but their quality, which makes them snores of Monte so ondesir'ble. Some folks snores a heap deprecatory, an' like they're apol'gizin' for it as they goes along. Others snores in a manner ca'mly confident, an' all as though the idee that any gent objects would astonish 'em to death. Still others snores plumb deefiant, an' like they ain't snorin' so much for comfort, that a-way, as to show their contempt for mankind. It's to this yere latter hostile school that drunkard, Monte, belongs.

"After Boggs lodges complaint, Enright takes a corrective peek into the sityooation. Thar's two rooms over the O. K. kitchen, sort o' off by themselves. Upon Enright's hint, Missis Rucker beds down Monte in one, an' Deef Andy, who mends harness for the stage company an' can't hear nothin', in the other.

"'It's for the safety of your excellent car'vansary, Ma'am,' Enright explains. 'Which Dan's mighty easy moved; an' some mornin', onless you adopts them improvements, that somnolent sot you're harborin' 'll go too far with Dan. I takes it you-all don't want the shack all smoked up with Dan's six-shooter? In which event you'll put that reverberant drunkard in the far-corner room, with Andy next.'

"Peets once mentions a long-ago poet party, named Johnson, who, speakin' of a fellow poet after he's dead an' down onder the grass-roots, lets on that he teches nothin' he don't adorn. You can go your ultimate simoleon that ain't Monte's style. The only things he don't upset is bottles; the only flooid he never spills is licker. This yere last would be ag'inst his religion. Wharever he goes, he's otherwise draggin' his rope, an' half the time he's steppin' on it.

"It's him that coaxes that onhappy Polish picture painter our way. This yere is long after he's drivin' stage, an' as Wolfville's offishul drunkard becomes a tol'rated feachure of the camp. This Polish artist person is as much out o' place in Arizona as a faro lay-out at a Sunday school picnic. Monte crosses up with him over at Tucson in the Oriental S'loon, an' while thar's no ties between 'em, more'n what nacherally forms between two gents who sets drinkin' together all night long, before ever they're through with each other that inspired inebriate lands the locoed artist party on our hands. Enright shore does go the limit in rebookin' Monte.

"'Why, Sam,' says Monte, an' he's that depreecatory he whines, 'I allows you'll look on him as a acquisition.'

"'All the same,' returns Enright, an' I never knows him more forbiddin', 'yereafter please confine your annoyin' assidooities to drivin' stage, an' don't go tryin' to improve the outlook of this camp.'

"Monte, with this, gets that dismal he sheds tears. 'Which it shore looks like I can't do nothin' right,' he sobs.

"'Then don't,' says Enright.

"From the start, Monte graves himse'f upon the mem'ry of folk as the first sport, to onroll his blankets in Cochise County, who consoomes normal over twenty drinks a day. Upon festal occasions like Noo Year's, an' Christmas, an' Fo'th of Jooly, an' Thanksgivin', no gent who calls himse'f a gent thinks of keepin' tabs on a fellow gent, no matter how freequent he signs up to Black Jack. On gala o'casions, sech as them noted, the bridle is plumb off the hoss, an' even though you drinks to your capac'ty an' some beyond, no one's that vulgar as to go makin' remarks. But that ain't Monte; he's different a heap. It looks like every day is Fo'th of Jooly with him, he's that inveterate in his reemorseless hankerin' for nosepaint.

"Also, regyarded as to his social side, Monte, as I states former, is a nooisance. Knowin' folks, too, is his fad. Only so you give him licker enough, he'll go surgin' round accostin' every gent he sees. No matter how austere a stranger is, Monte'll tackle him. An' at that he never says nothin' worth hearin', an' in its total absence of direction his conversation resembles nothin' so much as a dog chasin' its tail.

"An' then thar's them footile bluffs he's allers tryin' to run. He's been pesterin' in an' out of the Red Light one evenin' ontil he's got Black Jack incensed. As he comes squanderin' along, for say the twentieth time, Black Jack groans, an' murmurs,

"'Yere's that booze-soaked old hoss-thief ag'in!'

"Monte gets the echo of it, same as folks allers does when it ain't wanted, but he's onable to say who. So he stands thar by the bar, glarin' 'round an' snortin'. Final, he roars:

"'Who cuts loose that personal'ty?'

"Thar ain't no answer, an' Monte ag'in takes to pitchin' on his rope.

"'Show me the galoot who insults me,' he roars; 'let him no longer dog it, but p'int himse'f out as the gent.'

"'All right,' says Black Jack, whose indignation gets the best of his reespons'bilities as barkeep, 'which I'm the party who alloodes to you as a booze-soaked old hoss-thief.'

"'An' so you're the gent,' says Monte, castin' a witherin' glance at Black Jack; 'so you're the would-be sooicide who calls me a booze-soaked old hoss-thief?'

"'Which I'm the identical stingin' lizard. Now what is it you're so plumb eager to say?'

"'What am I eager to say? I merely wants to remark that you ain't done nothin' to swell up over. You-all needn't go thinkin' you're the first barkeep who calls me a booze-soaked old hoss-thief.'

"Havin' la'nched this yere, Monte turns off as stiffly pompous as though he ain't left a grease-spot of Black Jack.

"When folks won't listen to him no longer, Monte goes bulgin' forth into the highways an' the byways, an' holds long an' important discussions with signs, an' dry-goods boxes, an' sim'lar inan'mate elements of the landscape. Also, to mules an' burros. I remarks him myse'f, whisperin' in the onregyardful y'ear of a burro, an' said anamile as sound asleep as a tree. When that drunkard's through his confidences, he backs off, an' wavin' his paw plumb myster'ous at the burro says:

"'Remember, now; I'm givin' you this yere p'inter as a friend.'

"That time Black Jack offends Monte, after the latter hits the sidewalk followin' what he clar'ly considers is his crushin' come-back on Black Jack, he gets the feelin' that Jack's ha'ntin' along on his trail. Before he's gone fifty foot, he w'irls about, an' shouts:

"'Don't you-all follow me! Which, if you crowds me, them places that has knowed you won't know you no more forever.'

"When Monte gets off this menace, it seems like the Black Jack specter becomes intim'dated, an' tries to squar' itse'f.

"'What's that?' Monte asks, after listenin' mighty dignified to the spook's excuses; 'you begs my pardon? Not another word. If you-all keeps on talkin' now you'll sp'ile it. Thar's my hand,' givin' the fingers of the phantom a mighty earnest squeeze. 'I'm your friend, an' that goes.'

"Havin' established a peace, Monte insists that the Black Jack phantom b'ar him company to the O. K. Restauraw. In spite of all Missis Rucker can say or do, he plants the spook at the table, feeds it on the best that's in the kitchen, an' all as confident as if it's shorely troo. Also, he insists on payin' for two.

"When Missis Rucker tries to show him he's down wrong, he refooses to have it that way.

"'Do you-all reckon, Ma'am, that I can't trust my eyes none?' he demands. 'Which you'll tell me next that them airtights I tops of with is figments.'

"'But thar's only one of you-all,' Missis Rucker persists.

"'Ma'am,' returns Monte, his manner plumb s'picious, 'I don't jest quite sense your little game. Whatever it is, however, you-all can't play it on old Monte. You write back to my fam'ly an' the neighbors, an' the least flatterin' among 'em'll tell you that I'm as cunnin' as a squinch owl. Thar's two of us who feeds, an' for two of us I settles. Bein' a woman, you're too feeble-witted for reason, too mendacious for trooth.'

"'Don't you go callin' me no woman,' says Missis Rucker, her eyes snappin', 'onless you're ready to cash in.'

"'Women!' repeats Monte, sort o' addressin' the scenery, but still plenty cynical, 'what be they except a fleetin' show to man's deloosion given. Also, thar's nothin' to 'em. You opens their front door, an' you're in their back yard.'

"Texas has been givin' y'ear to the talk. It's before his Laredo wife starts ropin' for that divorce; but she's already makin' war medicine, an' the signs an' signal smokes which p'int to an uprisin' is vis'ble on every hill. Texas is careful not to let Missis Rucker hear him none, but as he walks away, he mutters:

"'That ghost-seein' sport's got the treemors, but all the same I strings with him on them estimates of ladies.'

"Texas is that fav'rably affected about Monte, he talks things over with Tutt, who himse'f ain't married to Tucson Jennie none as yet. Them nuptials, an' that onbiased blessin', little Enright Peets Tutt, who results tharfrom, comes along later.

"'Which thar's good in that Monte maverick,' says Texas; 'only so we could get the nosepaint out of him.'

"'Now, I wouldn't wonder none, neither,' says Tutt.

"'He drinkt up two quarts an' a half yesterday,' says Texas.

"'Ain't thar no steps which can be took?' Tutt asks. 'Two quarts an' a half, though, shore sounds like he's somethin' of a prop'sition.'

"These yere remarks is made in the Red Light, an' Tutt an' Texas appeals to Cherokee, whar that courtier of fortune is settin' in behind his lay-out. Cherokee waves 'em off, p'lite but firm.

"'Don't ask me none,' he says. 'You-all knows my doctrines. Let every gent kill his own snakes.'

"'That's my theology,' remarks Boggs, who has just come ramblin' in from the Noo York store, whar he's been changin' in a bundle of money for shirts; 'I recalls how, when I'm a prattlin' yearlin', hearin' Parson Ed'ards of the Cambellite Church quotin' whar Cain gives it out cold that he's not his brother's keeper; an' even at that onthinkin' age I fully endorses Cain's p'sition.'

"The talk takes in Black Jack, who, by virchoo of him bein' a barkeep, nacherally savvys a heap about the licker question. Jack reelates how a sot he knows back in Arkansaw is shocked into never takin' a drink, by simply blowin' his hand off accidental while tanked up.

"'Whang! goes the old Betsy,' says Jack, 'an' that slave to licker's shy his left hand. "Which it lets me out!" he exclaims; an' datin' from said catastrophy he'd no more tech nosepaint, that a-way, than he'd join the church.'

"'But it's doubtful,' observes Tutt, 'if Enright stands to let us shoot this yere Monte drunkard's hand off.'

"'It's ten to one he won't,' says Texas; 'still thar ought to be other schemes for shockin' a party into moral'ty, which stops short o' cripplin' him for life.'

"'But is this yere inebriate worth the worry?' asks Boggs. 'Also, it shore strikes me as mighty gratooitous for us to go reorganizin' the morals of a plumb stranger, an' him not even asked.'

"'Which he's worth the worry all right,' Texas replies. 'Thar's no efforts too great, when thar's a chance to save a party who has the same thorough onderstandin' of ladies which this gent has.'

"Up over the Red Light bar is a stuffed bobcat, the same bein' held as decorative. Only the day before Texas and Tutt stands talkin', a couple of Enright's riders comes packin' a live bobcat into town, which between 'em they ropes up over in the foothills of the Tres Hermanas, an' jams labor'ously into a pa'r of laiggin's. The same idee seizes on Texas an' Tutt yoonanimous. They sees that it only calls for the intelligent use of that Bar-8 bobcat, which them cow-punchers of Enright's ties down, to reegen'rate Monte, an' make him white as snow.



"Monte's ain't present none, bein' over to the O. K. House. By bein' plumb painstakin', Tutt an' Texas gets a collar onto the captive Bar-8 bobcat, an' chains him up over the Red Light bar, in place of the stuffed bobcat, deeposed. The Bar-8 bobcat jumps off once or twict before he learns, an' comes mighty clost to lynchin' himse'f. But Black Jack is patient, an' each time pokes him back with a cha'r. After mebby the third jump, it gets proned into the bobcat that thar's nothin' in it for him to go hurlin' himse'f into space that a-way, an' bein' saved from death by hangin' only through the cha'r-laig meditations of Black Jack. Acceptin' this yere view, he stands pat on his shelf. Likewise, he shore looks mighty vivid up thar, an' has got that former stuffed predecessor of his beat four ways from the jack.

"We're hankerin' around, now the Bar-8 bobcat's organized, waitin' for Monte to come amblin' up, an' be reformed.

"'An' you can gamble,' Tutt says, 'that the shock it'll throw into him'll have a ben'ficial effect. Shootin' off a hand or so ain't in it with the way that drunkard's goin' to feel.'

"'That's the way I figgers,' Texas remarks. 'One glance at that bobcat, him on the verge of the treemors, an' thar'll a thrill go through his rum-soaked frame like the grace of heaven through a camp meetin'. For one, I antic'pate most excellent effects. Whatever do you think, Doc?'

"'Whatever do I think?' Peets repeats. 'Which I thinks that, as the orig'nators of this yere cure for the licker habit, it'll be up to you an' Dave to convey the patient to his room at the O. K. House, as soon as ever you can control his struggles.'

"Monte at last heaves in sight, an' comes shiverin' up to the bar, every nerve as tight as a fiddle string. Black Jack shoves him the bottle.

"'What stuffed anamile sharp,' says Tutt, craftily directin' himself at Black Jack, 'mounts that bobcat up thar?'

"Monte nacherally raises his eyes. Thar's that Bar-8 feline, half-crouched, glarin' down on him with green eyes, big as moons.

"That settles it.

"Monte gives a yell which they hears in Red Dog. Wharupon the bobcat, takin' it for a threatenin' deemonstration, onfolds in an answerin' yell, an' makes a scramblin' jump at Monte's head. Shore, he don't land none, bein' brought up short, like a roped pony. Thar he swings, cussin' an' spittin' an' clawin', as mad as a drunken squaw, an' begins all over to hang himse'f afresh.

"Monte?

"That victim of appetite falls to the floor as dead an' flat as a wet December leaf.

"Actin' on them instructions, Tutt an' Texas picks Monte up an' packs him across to Peets, who, after fussin' over him for mebby an hour, brings him round s'fficient so he goes from one convulsion into another, in what you-all might deescribe as an endless chain of fits. Thar's nothin' to it; Peets is indoobitable the best equipped drug sharp that ever breaks loose in Arizona. At that, while Monte lives, he don't but jest. He's shore close enough at one time to kingdom come to hear the singin'.

"For two weeks Monte's boilin' an' boundin' round in his blankets, Texas an' Tutt, feelin' a heap reemorseful, standin' watch and watch. It's decided that no more attempts to reform him will be made, him bein'—accordin' to Peets—too far gone that a-way.

"'He's plumb onreform'ble,' explains Peets; 'whiskey's got to be so much a second nacher with him, that the only way you-all could cure him now is kill him.'

"By way of partial rep'ration for what he suffers, as soon as Monte can ag'in move about, Enright calls a meetin' of the camp, an' dooly commissions him 'Offishul Drunkard,' with a absoloote an' non-reevok'ble license to go as far as he likes.

"'This yere post of offishul drunkard,' Enright explains to the meetin', 'carries with it no money, no power, an' means only that he's free to drink from dark to daylight an' to dark ag'in, oncriticized, onreproved, an' onsaved. Colonel Sterett imparts to us in the last Daily Coyote how them Hindoos has their sacred cobras. Cobras not bein' feas'ble none in Arizona, Wolfville in loo of sech accepts old Monte. Yereafter, w'arin' the title of offishul drunkard, he takes his place in the public regyard as Wolfville's sacred cobra.'

"When Monte learns of his elevation, his eyes fills up with gratified pride, an' as soon as ever he's able to stand the w'ar an' t'ar, he goes on a protracted public drunk, by way of cel'bration, while we looks tol'rantly on.

"'Gents,' he says, 'I thanks you. Yereafter the gnawin' tooth of conscience will be dulled, havin' your distinguished endorsement so to do. Virchoo is all right in its place. But so is vice. The world can't all be good an' safe at one an' the same time. Which if we all done right, an' went to the right, we'd tip the world over. Half has got to do wrong an' go to the left, to hold things steady. That's me; I was foaled to do wrong an' go to the left. It's the only way in which a jealous but inscroot'ble Providence permits me to serve my hour. Offishul drunkard! Ag'in I thanks you. Which this yere's the way I long have sought, an' mourned because I found it not, long meter.'

"Boggs is the only gent who takes a gloomy view.

"'That's fine for this yere egreegious Monte,' says Boggs, talkin' to Enright; 'as Wolfville's pet drunkard an' offishul cobra, he's mighty pleasantly provided for. But how about the camp? Whar does Wolfville come in? We're a strong people; but does any gent pretend that we possesses the fortitoode reequired to b'ar up through all the comin' rum-soaked years?—an' all onder the weight of this yere onmatched inebriate, whom by our own act an' as offishul drunkard, we onmuzzles in our shrinkin' midst? Gents, this thing can't last.'

"'Not necessar'ly, Dan,' retorts Enright, his manner trenchin' on the cold; 'not necessar'ly. Let me expound the sityooation. I need not remind you-all that Sand Creek Riley, who drives the Tucson stage, gets bumped off the other evenin', while preeposterously insistin' that aces-up beats three-of-a-kind. Realizin' the trooth of half what you has said, Dan, I this evenin' enters into strategic reelations with the stage company's agent; an' as a reesult, an' datin' from now on, old Monte will be hired to fill the place of Sand Creek Riley, whom we all regrets. It's hardly reequired that I p'int out the benefits of this yere arrangement. As stage driver, old Monte for every other night will get sawed off on Tucson. An' I misjedges the vitality of this camp if, with the pressure on it thus relieved, an' Tucson carryin' half the load, it's onable to live through. In my opinion, Dan, by the light of this explanation, you at least oughter hope for the best.'

"'That's whatever!' says Boggs, who's plumb convinced; 'if I'd waited ontil you was heard, Sam, I'd never voiced them apprehensions. But the fact is, this yere Monte cobra of ours, with his bibbin's an' his guzzlin's, has redooced me to a condition of nervous prostration. It's all right now. Which I will say, however, that I can't reeflect none without a shudder on what them Tucson folks'll say an' think, so soon as ever they wakes up to what's been played on 'em.'"



V

HOW THE MOCKING BIRD WAS WON

"Myst'ries?

"We lives surrounded by 'em. Look whar you will, nacher has a ace buried. Take dogs, now: Why is it when one of 'em, daylight or dark, cuts the trail of a anamile, he never makes the fool mistake of back-trackin' it, but is shore to run his game the way it's movin'? There must be some kind of head-an'-tail to the scent, that a-way, to give the dog the hunch. Myst'ry!—all myst'ry! The more a gent goes messin' 'round for s'lootions, the more he's taught hoomility an' that he ain't knee-high to toads.

"An' yet when it comes to things myster'ous everything else is bound to go to the diskyard compared to a lady's heart. Of course, I speaks only in a sperit of philos'phy, an' not as one who's suffered. I never myse'f am able pers'nal to approach closter to a lady's heart than across the street. Peets once reemarks that all trails leads to Rome. In that business of trails a lady's heart has got Rome left standin' sideways. Not only does every trail lead tharunto, but thar's sech a thing as goin' cross-lots. Take gettin' in love; thar's as many ways as cookin' eggs. While you'll see gents who goes skallyhootin' into that dulcet condition as straight as a arrer, thar's others who sidles in, an' still others who backs in. I even knows a boy who shoots his way in.

"Which the lady in this case is the Mockin' Bird. That Mockin' Bird maiden has wooers by onbounded scores, but holds herse'f as shy an' as much aloof as if she's a mountain sheep. Not one can get near enough to her to give her a ripe peach. Along comes the eboolient Turkey Track, bulges headlong into her dest'nies, takes to menacin' at her with a gun an', final, to bombardin' her outright, an'—love an' heart an' hand—she comes a-runnin'.

"Wolfville's without that last evidence of advancement, a callaboose. It bein' inconvenient to shoot up or lynch everybody who infringes our rooles, Jack Moore invents a convincin' but innocuous punishment for minor offenders. Endorsed by Enright, he established a water trough—it's big enough to swim a dog—over by the windmill; an' when some perfervid cow-puncher, sufferin' from a overdose of nosepaint, takes to aggravatin' 'round Moore swashes him about in the trough some profoose, ontil he gives his word to live a happier an' a better life.

"It's like magic the way that water trough works. No matter how gala some pronghorn of a cowboy may feel, it shore lets the whey out of him. Given the most voylent, it's only a matter of minutes before he's soaked into quietood. Enright himse'f says Moore's entitled to a monyooment for the idee.

"Turkey Track's name is Ford, Tom Ford, but workin' that a-way for the Turkey Track outfit he nacherally gets renamed for the brand. Turkey Track an' two boon companions has been goin' to an' fro from the Red Light to the Dance Hall, ontil by virchoo of a over-accumyoolation of licker they're beginnin' to step some high. Also, they takes to upliftin' their tired souls with yells, an' blazin' away at froote cans with their six-shooters.

"It gets so that Enright tells Moore to give 'em a call-down.

"'What them boys does,' says Enright, 'is done harmless an' light-hearted to be shore, an' nothin' radic'lly wrong is either aimed at or meant; but all the same, Jack, it's no more'n proodence to go knock their horns off. It ain't what them yooths is doin', but what they may be led to do, which makes the danger. It's like old Deacon Sopris at the Cumberland Methodist class meetin' says of kyard-playin'. "It ain't," explains the deacon, "that thar's any harm in the children playin' seven-up around the kitchen table of a winter's evenin' for grains of corn, but seven-up persisted in is shore to lead to dancin'." An' so with these young merry-makers. They'll keep on slamin' away at empty bottles an' former tomatter cans that a-way, ontil the more seedate element objects, an' somebody gets downed. Don't you agree with me, Doc?'

"'Nothin' shorer!' says Peets.

"Moore corrals Turkey Track an' his fellow revellers, an' tosses off a few fiats.

"'Quit that whoopin' an' shootin', boys,' says Moore. 'Likewise, keep your hardware in your belts, as more deecorous. So shore as I finds a gun in any of your hands ag'in, I'll shoot it out.'

"Turkey Track an' his compadres don't say nothin' back. They savvys about the water trough, an' ain't hungerin' none to have their ardor dampened in no sech fashion. So they blinks an' winks like a passel of squinch owls, but never onbuckles in no argyooment. All the same, it irks 'em a whole lot, an' after Moore reetires they begins mod'rate to arch their necks an' expand 'round a little.

"They allows—talkin' among themselves in a quer'lous way—that they ain't hurtin' no one, an' for Moore to come shovin' 'round an' lecturin' on etiquette is a conceited exhibition of authority as offensive as it is onjest. Thar's doubts, too, about it's bein' constitootional.

"'Whatever does that jim-crow sp'ile-sport of a marshal mean?' says Turkey Track. 'It looks like he's not only deefyin' the organic law of this country, but puttin' on a heap of dog. Does he reckon this yere camp's a church?'

"'I moves we treats them mandates,' says one of the boys, who's a rider for the G-bar ranch, 'with merited contempt.'

"'As how?' asks the third, who belongs with the Four-J brand. 'You ain't so locoed as to s'ggest we-all t'ars person'ly into this Jack Moore marshal none I hopes?'

"'Which you fills me with disgust!' says the other, nettled at the idee of pawin' the onprofit'ble grass 'round Moore; 'but whatever's the matter with goin' up to the far end of the street, an' w'irl an' come squanderin' back jest a shootin'?'

"'Great!' says Turkey Track, applaudin' the scheme. 'Which we-all nacherally shoots up their old prairie dog town, same as if it's a Mexican plaza, an' then jogs on to our ranches, all triumphant an' comfortable.'

"The three rides up to the head of the street, an' then turns an'—givin' their ponies the steel—comes whizzin' down through the center of eevents, yelpin' like Apaches an' lookin' like fireworks. They've got a gun in each hand, an' they shakes the flame an' smoke out of 'em same as three volcanoes on hossback.

"Moore's standin' in front of the Noo York store, talkin' to Tutt. As you-all might imagine, it frets him to the quick to see how little them effervescent sperits cares for his injunctions. By way of rebooke—not wantin' to down 'em outright for what, take it the worst way, ain't nothin' more heen'ous than a impropriety—Moore gets his artillery to b'ar, an' as they flashes by like comets, opens on the ponies. It's hard on the ponies; but it won't do to let them young roysterers get away with their play. The example'll spread; an', onless checked at the jump, inside of a month thar'd be nothin' but a whoopin' procession of cow-punchers chargin' up an' down the causeways. Tenderfeet might acquire misgivin's techin' us bein' a peaceful camp, an' the thing op'rate as a blow to trade. It's become a case of either get the boys or get the ponies, an' onder the circumstances the ponies has the call.

"Thar's no more artistic gun-player than Moore in town, onless it's Cherokee, an' mebby Doc Peets, who's a heap soon with a derringer. As the ponies flash by, Moore's six-shooter barks three times. Two ponies goes rollin'; the third—it's Turkey Track's—continyoos cavortin' down the street an' out of town. Turkey Track never pulls up nor looks back. The last we sees of him is when he's two miles away, an' a swell rises up behind him an' hides him from view.

"The G-bar boy, an' him from the Four-J outfit, hits the grass twenty feet ahead of their ponies, like a roll of blankets chucked out of a wagon, an' after bumpin' an' tumblin' along for a rod or so, an' all mighty condoosive to fractures an' dislocations, they flattens out reespective same as a couple of cancelled postage stamps. Shore, the fall jolts the savvy plumb out of 'em.

"Bein' they're stretched out an' passive, Moore collects 'em an' sops 'em up an' down in the water trough for mebby it's fifteen minutes. Which they're reesus'tated an' reeproved at one an' the same time. When them yooths comes to, they're a model to angels. To be shore, their intellects don't shine out at first none like the sun at noon, but continyoos blurred for hours. Even as late as the weddin' of Turkey Track with the Mockin' Bird—an' that ain't for all of eight weeks—the G-bar boy informs Boggs confidenshul, as they're takin' a little licker all sociable, that speakin' mental he's as yet a heap in eeclipse.

"The maiden name of the Mockin' Bird is Loocinda Gildersleeve, but pop'lar pref'rence allers sticks to her stage title. She's a fav'rite at the Bird Cage Op'ry House, at which nursery of the drammy she's been singin' off an' on for somethin' like three years. She's a shore-enough singer, too, the Mockin' Bird is. None of your yeepin's an' peepin's, none of your mice squeaks an' tea-kettle tones an' cub coyote yelps. Which she's got a round, meelod'yous bellow like a hound in full cry, an' while she's singin' thar ain't a wolf'll open his mouth within a mile of town. Which them anamiles is plumb abashed, the Mockin' Bird outholdin' 'em to that degree.

"You-all don't hear no sech singin' in the East. Thar ain't room; an' moreover the East's too timid. For myse'f, an' I ain't got no y'ear for music, them top notes of the Mockin' Bird, like the death yell of a mountain lion, is cap'ble of givin' me the fantods; while the way she hands out 'Home, Sweet Home' an' 'Suwannee River,' an' her voice sort o' diggin' down into the soul, sets eemotional sports like Boggs an' Black Jack to sobbin' as though their hearts is broke. She's certainly a jo-darter of a vocalist—the Mockin' Bird is, an' once when she renders 'Loosiana Loo' an' Boggs's more'n common affected, he offers to bet yellow chips as high as the ceilin' she can sing the sights off a Colt's .45.

"'Which I enjoys one of the most mis'rable evenin's of my c'reer,' says Boggs to Faro Nell, when she expresses sympathy at him feelin' so cast down. 'I wouldn't have missed it for a small clay farm.'

"'Yo tambien' says Black Jack, who's keepin' Boggs melancholly company while he weeps. 'Only I reckons the odd kyard in my own case is that, before I'm a man an' in some other existence, I used to be one of these yere ornery little fice dogs, which howls every time it hears a pianny. It's some left-over vestiges of that life when I'm a dog which sets me to bawlin', that a-way, whenever the Mockin' Bird girl sings. I experiences pensive sensations, sim'lar to what comes troopin' over a gent, who's libatin' alone, on the heels of the third drink.'

"The Mockin' Bird looks as sweet as she sings. I mentions long ago about the phil'sophic old stoodent who says, 'They do say love is blind, but I'll be ding-danged if some gents can't see more in their girls than I can.' This yere wisdom don't apply none to the Mockin' Bird. Them wooers of hers, to say nothin' of Turkey Track, possesses jestification for becomin' so plumb maudlin'. Lovely? She's as pretty as a cactus flower, or a sunrise on the staked plains.

"Folks likes her, too. Take that evenin' when a barbarian from over to'ards the Cow Springs cuts loose to disturb the exercises at the Bird Cage Op'ry House with a measly fling or two. The public well nigh beefs him. They'd have shore put him over the jump, only Enright interferes.

"It's doorin' the openin' scene, when the actors is camped 'round in a half-circle, facin' the fiddlers. Huggins, who manages the Bird Cage, an' who's the only hooman who ever consoomes licker, drink for drink, with Monte, an' lives to tell the tale, is in the middle. Bowin' to the Mockin' Bird, an' as notice that she's goin' to carol some, he announces:

"'The world-reenowned cantatrice, Mam'selle Loocinda Gildersleeve, cel'brated in two hemispheres as the Mockin' Bird of Arizona, will now sing the ballad wharwith she ravished the y'ears of every crowned head of Europe, the same bein' that pop'lar air from the op'ry of Loocretia Borgia, "Down in the Valley."'

"At this that oncooth crim'nal from the Cow Springs gets up:

"'The Mockin' Bird of Arizona which you-all is bluffin' about,' he shouts, 'can't sing more'n a burro, an' used to sling hash in a section house over by Colton.'

"'Never the less, notwithstandin',' replies Huggins, who's too drunk to feel ruffled, 'Mam'selle Loocinda Gildersleeve, known to all the world as the Mockin' Bird of Arizona, will now sing "Down in the Valley."'

"Huggins would have let things go at that, but not so the Wolfville pop'lace. In the cockin' of a winchester they swoops down on that Cow Springs outcast like forty hen-hawks on a single quail, an' as I yeretofore observes, if it ain't for Enright they'd have made him shortly hard to find. You can gamble, the Cow Springs savage never does go out on that limb ag'in.

"While Turkey Track escapes the water trough, an' makes his getaway that time all right, the pore pony ain't got by Moore onscathed. The bullet hits him jest to the r'ar of the saddle-flap, an' out about a brace of miles he stumbles over dead.

"It's yere eevents begins to fall together like a shock of oats. The Mockin' Bird's been over entrancin' Tucson, an' the reg'lar stage with Monte not preecisely dove-tailin' with her needs, she charters a speshul buckboard to get back. Thar's a feeble form of hooman ground owl drivin' her, one of these yere parties who's all alkali an' hard luck, an' as deevoid of manly sperit as jack-rabbits onweaned.

"This yere ground owl party, drivin' for the Mockin' Bird, comes clatterin' along with the buckboard jest as Turkey Track strips the saddle an' bridle from his deefunct pony. Turkey Track is not without execyootive ability, an' seein' he's afoot an' thirty miles from his home ranch, he pulls his gun an' sticks up the buckboard plenty prompt. At the mere sight of a weepon the hands of that young owl-person goes searchin' for stars, an' he's beggin' Turkey Track not to rub him out—him thinkin' it's a reg'lar hold-up. That's all the opp'sition thar is, onless you counts the reemarks of the Mockin' Bird, who becomes both bitter an' bitin' in equal parts, but has no more effect on Turkey Track—an' him afoot that a-way—than pourin' water on a drowned rat. Shore, a cow-puncher'd fight all day, an' even face a enraged female, before he'd walk a hour.



"Turkey Track piles his saddle an' bridle onto the r'ar of the buckboard, an' settin' in behind on his plunder, commands the ground owl driver to head west till further orders. Likewise, he so far onbends as to say that them orders won't be deecem'nated, none whatever, ontil he's landed at the Turkey Track home ranch. Since he backs this yere programme with his artillery, the ground owl ain't got nothin' to say, an' it's no time when the outfit's weavin' along a side trail in the sole int'rests of Turkey Track.

"What's worse, to dispell the ennui of sech a trip, an' drive away dull care, Turkey Track takes to despotizin' over the Mockin' Bird with his six-shooter, an' compels her to sing constant throughout them thirty miles. He makes her carrol everythin' from 'Old Hundred' to 'Turkey in the Straw,' an' then brings her back to 'Old Hundred' an' starts her over. The pore harassed Mockin' Bird, what with the dust, an' what with Turkey Track tyrannizin' at her with his gun, sounds final like an ongreased wheelbarrow which has seen better days. She don't get her voice ag'in for mighty clost to a month, an' even then, as she says herse'f, thar's places where the rivets reequires tightenin'.

"It's pressin' onto eight weeks before ever Turkey Track is heard of 'round town ag'in. Also, it's in the Bird Cage Op'ry House he hits the surface of his times. The Mockin' Bird has jest done drove the vocal picket-pin of 'Old Kentucky Home,' when, bang! some loonatic shoots at her. Which the bullet bores a hole in the scenery not a foot above her head.

"Every one sees by the smoke whar that p'lite attention em'nates from, an' before you could count two, Moore, Boggs, an' Texas Thompson has convened themselves on top of that ident'cal spot. Thar sets Turkey Track, cryin' like a child.

"'It's no use, gents,' he sobs, the tears coursin' down his cheeks, 'she's so plumb bewitchin', an' I adores her so, I simply has to blaze away or bust.'

"While he don't harm the Mockin' Bird none, the sent'ment of the Stranglers, when Enright raps 'em to order inform'ly at the Red Light an' Black Jack has organized the inspiration, favors hangin' Turkey Track. Even Texas, who loathes ladies by reason of what's been sawed off onto him in the way of divorce an' alimony, that a-way, by his Laredo wife, is yoonan'mous for swingin' him off.

"'That I don't believe in marryin' 'em,' says Texas, expoundin' his p'sition concernin' ladies in answer to Boggs who claims he's inconsistent, 'don't mean I wants 'em killed. But you never was no logician, Dan.'

"Cherokee's the only gent who's inclined to softer attitoodes, an' that leeniency is born primar'ly of the inflooence of Nell. Nell is plumb romantic, an' when she hears how the Turkey Track's been enfiladin' at the Mockin' Bird only because he loves her, while she don't reely know what she does want done with that impossible cow-puncher, she shore don't want him hanged.

"'It's sech a interestin' story!' says Nell, an' then capers across to Missis Rucker an' Tucson Jennie to c'llect their feelin's.

"Moore brings in Turkey Track.

"'Be you-all tryin' to blink out this yere young lady?' asks Enright, 'or is that gun play in the way of applause?'

"'It's love,' protests Turkey Track, his voice chokin'; 'it's simply a cry from the soul. I learns to love her that day on the buckboard while I'm lookin' at her red ha'r, red bein' my winnin' color. Gents, you-all won't credit it none, but jest the same them auburn tresses gets wropped about my heart.'

"'Whatever do you make of it, Doc?' whispers Enright.

"'This boy,' returns Peets, 'has got himse'f too much on his own mind. He's sufferin' from what the books calls exaggerated ego.'

"'That's one way of bein' locoed, ain't it?'

"'Shore. But him bein' twisted mental ain't no reason for not adornin' the windmill with his remains. The only public good a hangin' does is to scare folks up a lot, an' you can scare a loonatic quite as quick an' quite as hard as a gent whose intellects is plumb.'

"'Thar she stands,' Turkey Track breaks in ag'in, not waitin' for no questions, 'an' me as far below her as stingin' lizards is from stars! Then, ag'in, when folks down in front is a'plaudin' her, she wavin' at 'em meanwhile the gracious smile, it makes me jealous. Gents, I don't plan nothin', but the first I knows I lugs out the old .45 an' onhooks it.'

"The Mockin' Bird has come over from the O. K. House with Nell, Missis Rucker an' Tucson Jennie. As she hears Turkey Track's confession two drops shows in her eyes like diamonds. Clutchin' hold of Nell, an' with Missis Rucker an' Tucson Jennie flockin' along in the r'ar, she rushes out the front door.

"This manoover leaves us some upset, ontil Nell returns to explain.

"'She's overcome by them disclosures,' says Nell, 'an' goes outside to blush.'

"'The ontoward breaks of that songstress,' observes Enright oneasily, 'has a tendency to confoose the issue, an' put this committee in the hole.'

"'Thar's nothin' confoosin' about it, Sam Enright.' It's Missis Rucker who breaks out high an' threatenin', she havin' come back with Nell. 'This yere Mockin' Bird girl's in love with that gun-playin' cowboy, an' it's only now she finds it out. Do you-all murderers still insist on hangin' this yere boy, or be you willin' to see 'em wed an' live happy ever after?'

"'Let's rope up a divine some'ers,' exclaims Boggs, 'an' have 'em married. If that Mockin' Bird girl wants Turkey Track she shall shore have him. I'd give her his empty head on a charger, if she asks it, same as that party in holy writ, she singin' "Suwannee River" like she does.'

"Cherokee, who's more or less rooled by Nell, thinks a weddin' the proper step, an' Tutt, who sees somethin' in Tucson Jennie's eye, declar's himse'f some hasty.

"Even Texas backs the play.

"'But make no mistake,' says Texas; 'I insists on wedlock over lynchin' only because it's worse.'

"'Which it's as well, Sam Enright,' observes Missis Rucker, blowin' through her nose mighty warlike, 'that you an' your marauders has sense enough to see your way through to that deecision. Which if you'd failed, I'd have took this Turkey Track boy away from you-all with my own hands. This Vig'lance Committee needn't think it's goin' to do as it pleases 'round yere—hangin' folks for bein' in love, an' closin' its y'ears to the moans of a bleedin' heart.'

"'My dear ma'am,' says Enright, his manner mollifyin'; 'I sees nothin' to discuss. The committee surrenders this culprit into the hands of you-all ladies, an' what more is thar to say?'

"'Thar's this more to say,' an' Missis Rucker's that earnest her mouth snaps like a trap. 'You an' your gang, settin' round like a passel of badgers, don't want to get it into your heads that you're goin' to run rough-shod over me. When I gets ready to have my way in this outfit, the prairie dog that stands in my path'll shore wish he'd never been born.'

"Enright don't say nothin' back, an' the balance of us maintainin' a dignified silence, Missis Rucker, after a look all 'round, withdraws, takin' with her Tucson Jennie an' Nell, Turkey Track in their midst.

"'Gents,' observes Enright, when they're shore departed, an' speakin' up deecisive, 'ways must be deevised to 'liminate the feminine element from these yere meetin's. I says this before, but the idee don't seem to take no root. Thar's nothin' lovelier than woman, but by virchoo of her symp'thies she's oncap'ble of exact jestice. Her feelin's lead her, an' her heart's above her head. For which reasons, while I wouldn't favor nothin' so ondignified as hidin' out, I s'ggests that we be yereafter more circumspect, not to say surreptitious, in our deelib'rations.'

"Shore, they're married. The cer'mony comes off in the O. K. House, an' folks flocks in from as far away as Deming.

"'If you was a chemist, Sam,' says Peets, tryin' to eloocidate what happens when the Mockin' Bird learns she's heart-hungry that a-way for Turkey Track, 'you'd onderstand. It's as though her love's held in s'lootion, an' the jar of Turkey Track's gun preecip'tates it.'

"'Mebby so,' returns Enright; 'but as a play, this thing's got me facin' back'ards. Thar's many schemes to win a lady, but this yere's the earliest instance when a gent shoots his way into her arms.'

"'Well,' returns Peets, 'you know the old adage—to which of course thar's exceptions.' Yere he glances over at Missis Rucker. 'It runs:

"A woman, a spaniel an' a walnut tree, The more you beat 'em the better they be."

"Boggs has been congratchoolatin' Turkey Track, an' kissin' the bride. Texas, as somber as a spade flush, draws Boggs into a corner.

"'That Turkey Track,' says Texas, 'considers this a whipsaw. He misses hangin', an' he gets the lady. He feels like he wins both ways. Wait! Dan, it won't be two years when he'll discover that, compar'd to marriage, hangin' that a-way ain't nothin' more'n a technical'ty.'"



VI

THAT WOLFVILLE-RED DOG FOURTH

"By nacher I'm a patriot, cradle born and cradle bred; my Americanism, second to none except that of wolves an' rattlesnakes an' Injuns an' sim'lar cattle, comes in the front door an' down the middle aisle; an' yet, son, I'm free to reemark that thar's one day in the year, an' sometimes two, when I shore reegrets our independence, an' wishes thar had been no Yorktown an' never no Bunker Hill."

The old cattleman tasted his glass with an air weary to the borders of dejection; after which he took a pathetic puff at his pipe. I knew what had gone wrong. This was the Fifth of July. We had just survived a Fourth of unusual explosiveness, and the row and racket thereof had worn threadbare the old gentleman's nerves.

"Yes, sir," he continued, shoving a 'possum-colored lock back from his brow, "as I suffers through one of them calamities miscalled cel'brations, endoorin' the slang-whangin' of the orators an' bracin' myse'f ag'inst the slam-bangin' of the guns, to say nothin' of the firecrackers an' kindred Chinese contraptions, I a'preeciates the feelin's of that Horace Walpole person Colonel Sterett quotes in his Daily Coyote as sayin', 'I could love my country, if it ain't for my countrymen.'

"Still, comin' down to the turn, I reckon it merely means, when all is in, that I'm gettin' too plumb old for comfort. It's five years now since I dare look in the glass, for fear I'd be tempted to count the annyooal wrinkles on my horns.

"It's mighty queer about folks. Speakin' of cel'brations, for thousands of years the only way folks has of expressin' any feelin' of commoonal joy, that a-way, is to cut loose in limitless an' onmeanin' uproar. Also, their only notion of a public fest'val is for one half of the outfit to prance down the middle of the street, while the other half banks itse'f ag'inst the ediotic curb an' looks at 'em.

"People in the herd ain't got no intelligence. We speaks of the lower anamiles as though we just has it on 'em completely in the matter of intelligence, but for myse'f I ain't so shore. The biggest fool of a mule-eared deer savvys enough to go feedin' up the wind, makin' so to speak a skirmish line of its nose to feel out ambushes. Any old bull elk possesses s'fficient wisdom to walk in a half-mile circle, as a concloodin' act before reetirin' for the night, so that with him asleep in the center, even if the wind does shift, his nose'll still get ample notice of whatever man or wolf may take to followin' his trail.

"That's what them 'lower anamiles' does. An' now I asks, what man, goin' about his numbskull dest'nies, lookin' as plumb wise as a too-whoo owl at noon, ever shows gumption equal to keepin' the constant wind in his face, or has the sense to go walkin' round himse'f as he rolls into his blankets, same as that proodent elk? After all, I takes it that these yere Fo'th of Jooly upheavals is only one among the ten thousand fashions in which hoomanity eternally onbuckles in expressin' its imbecil'ty.

"Which I certainly do get a heap disgusted at times with the wild beast called man. With all his bluffs about bein' so mighty sagacious, I can sit yere an' see that, speakin' mental, he ain't better than an even break with turkey gobblers. Even what he calls his science turns finally out with him to be but the accepted ignorance of to-day; an' he puts in every to-morrow of his existence provin' what a onbounded jackass rabbit he's been the day before. It's otherwise with them lower anamiles; what they knows they knows."

Plainly, something had to be done to fortify my old friend. I fell back, quite as a matter of course, upon that first aid to the injured, another drink, and motioned the black waiter to the rescue. It did my old friend good, that drink, the first fruits of which easier if not better condition being certain fresh accusations against himself.

"The trooth is, I'm a whole lot onused to these yere Fo'th of Jooly outbursts; an' so I ondoubted suffers from 'em more keenly, that a-way, than the av'rage gent. You see we never has none of 'em in Wolfville; leastwise we never does but once. On that single festive occasion we shore stubs our toe some plentiful, stubs it to that degree, in fact, that we never feels moved to buck the game ag'in. Once is enough for Wolfville.

"Which it's the single failure that stains the fame of the camp. At that, the flat-out reely belongs to Red Dog; or at least to Pete Bland, for which misguided party the Red Dogs freely acknowledges reespons'bility as belongin' to their outfit.

"This yere Bland's dead now an' deep onder the doomsday sods. Also, he died drinkin' like he'd lived.

"'What's the malady?' Enright asks Peets, when the Doc comes trackin' back, after seein' the finish of Bland.

"'No malady at all, Sam,' says Peets, plumb cheerful an' frisky, same as them case-hardened drug folks allers is when some other sport passes in his checks—'no malady whatsoever. His jag simply stops on centers, as a railroad gent'd say, an' I'm onable to start it ag'in.'

"Was Peets any good as a med'cine man? Son, I'm shocked! Peets is packin' 'round in his professional warbags the dipplomies of twenty colleges, an' is onchallenged besides as the best eddicated sharp personal on the sunset side of the Mississippi. You bet, he onderstands the difference at least between bread pills an' buckshot, which is a heap sight further than some of these yere drug folks ever studies.

"Colonel Sterett, who's fa'rly careful about what he says, reefers to Peets in his Daily Coyote as a 'intellectchooal giant,' an' thar ain't no record of any scoffer comin' squanderin' along to contradict. Mebby you'll say that the omission to do so is doo to the f'rocious attitoode of the Daily Coyote itse'f, techin' contradictions, an' p'int to how that imprint keeps standin' at the head of its editorial columns as a motto, the cynicism:

"'Contradict the Coyote and avoid old age!'

"Thar'd be nothin' in it if you do. That motto's only one of Colonel Sterett's bluffs, one of his witticisms that a-way. You don't reckon that, in a sparsely settled country, whar the pop'lation is few an' far between, the Colonel's goin' to go bumpin' off a subscriber over mebby a mere difference of opinion? The Colonel ain't quite that locoed."

"But about your Wolfville-Red Dog Fourth of July celebration?" I urged.

"Which I'm in no temper to tell a story—me settin' yere with every nerve as tight as a banjo catgut jest before it snaps. To reelate yarns your mood ought to be the mood of the racontoor—a mood as rich an' rank an' upstandin' as a field of wheat, ready to billow an' bend before every gale of fancy. The way yesterday leaves me, whatever tale I ondertakes to reecount would about come out of my mouth as stiff an' short an' brittle as chopped hay. Also, as tasteless. Better let it go till some other an' more mellow evenin'."

No; I was ready to accept the chances, and said as much. A chopped-hay style, for a change, might be found acceptable. Supplementing the declaration with renewed Old Jordan, I was so far victorious that my aged man of cattle yielded.

"Well, then," he began reluctantly, "I'm onable to partic'larly say which gent does make the orig'nal s'ggestion, but my belief is it's Peets. I'm shore, however, that the Cornwallis idee comes from Bland; an', since it's not only at that Cornwallis angle we-all falls publicly down, but the same is primar'ly doo to the besotted obstinacy of this yere Bland himse'f, Wolfville, while ever proudly willin' to b'ar whatever blame's sawed off on to her shoulders proper, is always convinced that Red Dog an' not us is to be held accountable. However, Bland's gone an' paid what the sky scouts speaks of as the debt to nacher, an' I'm willin' to confess for one that when he's sober he ain't so bad. Not that them fits of sobriety is either so freequent or so protracted they takes on any color of monotony.

"Bland's baptismal name is Pete, an' in his way he's a leadin' inflooence in Red Dog. He's owner of the 7-bar-D outfit, y'earmark a swallow-fork in both y'ears—which brands seventeen hundred calves each spring round-up; an' is moreover proprietor of the Abe Lincoln Hotel, the same bein' Red Dog's principal beanery. Bland don't have to keep this yere tavern none, but it arranges so he sees his friends an' gets their dinero at one an' the same time, which as combinin' business an' pleasure in equal degrees appeals to him a heap.

"Which it's the gen'ral voice that the best thing about Bland is his wife. She's shore loyal to Bland, you bet! When they're livin' in Prescott, an' a committee of three from one of them 'Purification Of The Home' societies comes trapesin' in, to tell her about Bland bein' ondooly interested in a exyooberant young soobrette who's singin' at the theayter, an' spendin' his money on her mighty permiscus, Missis Bland listens plenty ca'm ontil they're plumb through. Then she hands them Purifiers this:

"'Well, ladies, I'd a heap sooner have a husband who can take keer of two women than a husband who can't take keer of one.'

"After which she comes down on that Purification bunch like a fallin' star, an' brooms 'em out of the house. Accordin' to eye witnesses, who speaks without prejewdyce, she certainly does dust their bunnets strenuous.

"When Bland hears he pats Missis Bland on the shoulder, an' exclaims, 'Thar's my troo-bloo old Betsy Jane! She knows I wouldn't trade a look from them faded old gray eyes of hers for all the soobretts whoever pulls a frock on over their heads!'

"Followin' which encomium Bland sends to San Francisco an' changes in the money from five hundred steers for an outfit of diamonds, to go 'round her neck, an' preesents 'em to Missis Bland.

"'Thar,' he says, danglin' them gewgaws in the sun, 'you don't notice no actresses flittin' about the scene arrayed like that, do you? If so, p'int out them over-bedecked females, an' I'll see all they've got on an' go 'em five thousand better, if it calls for every 7-bar-D steer on the range.'

"'Pete,' says Missis Bland, clampin' on to the jooelry with one hand, an' slidin' the other about his neck, 'you certainly are the kindest soul who ever makes a moccasin track in Arizona, besides bein' a good provider.'

"Shore, this yere Bland ain't so plumb bad.

"An' after a fashion, too, he's able to give excooses. Talkin' to Peets, he lays his rather light an' frisky habits to him bein' a preacher's son.

"'Which you never, Doc,' he says, 'meets up with the son an' heir of a pulpiteer that a-way, who ain't pullin' on the moral bit, an' tryin' for a runaway.'

"'At any rate, Pete,' the Doc replies, all cautious an' conservative, 'I will say that if you're lookin' for some party who'll every day be steady an' law abidin', not to say seedate, you'll be a heap more likely to find him by searchin' about among the progeny of some party who's been lynched.'

"Recurrin' again to that miserabul Fo'th of Jooly play we cuts loose in, it's that evenin' when we invites Red Dog over in a body to he'p consoome the left-over stock of lickers in the former Votes For Women S'loon, an' nacherally thar's some drinkin'. As is not infrequent whar thar's drinkin', views is expressed an' prop'sitions made. It's then we takes up the business of havin' that cel'bration.

"Peets makes a speech, I recalls, an' after dilatin' 'round to the effect that Fo'th of Jooly ain't but two weeks ahead, allows that it'd be in patriotic line for us to do somethin'.

"'Conj'intly,' says Peets, 'Red Dog an' Wolfville, movin' together with one proud purpose of patriotism, ought to put over quite a show. As commoonities we're no longer in the swaddlin' clothes of infancy. It's time, too, that we goes on record as a whole public in some manner an' form best calk'lated to make a somnolent East set up an' notice us.'

"Peets continyoos in a sim'lar vein, an' speaks of the settlement of the Southwest, wharin we b'ars our part, as a 'Exodus without a prophet, a croosade without a cross,' which sent'ment he confesses he takes from a lit'rary sport, but no less troo for that. He closes by sayin' that if everybody feels like he does Wolfville an' Red Dog'll j'ine in layin' out a program, that a-way, which'll shore spread the glorious trooth from coast to coast that we-all is on the map to stay.

"It's a credit to both outfits, how yoonanimously the s'ggestion is took up. Which I never does see a public go all one way so plumb quick, an' with so little struggle, since B'ar Creek Stanton is lynched; which act of jestice even has the absoloote endorsement of B'ar Creek himse'f.

"Peets is no sooner done talkin' than Tutt stacks in.

"'Thar's our six-shooters,' says he, 'for the foosilade; an', as for moosic, sech as "Columbia the Gem" an' the "Star Spangled Banner," we can round up them Dutchmen, who's the orchestra over at the Bird Cage Op'ry House.'

"The talk rambles on, one word borryin' another, ontil we outlines quite a game. Thar's to be a procession between Wolfville an' Red Dog, an' back ag'in, Faro Nell leadin' the same on a pinto pony as the Goddess of Liberty.

"'An' that reeminds me,' submits Cherokee, when we reaches Nell; 'thar's Missis Rucker. It's goin' to hurt her feelin's to be left out. As the preesidin' genius of the O. K. Restauraw she's in shape to give us a racket we'll despise in eevent she gets her back up.'

"'How about lettin' her in on the play,' says Boggs, 'an' typ'fyin' Jestice, that a-way?'

"'Thar's a idee, Dan,' says Texas Thompson, 'which plugs the center, a reecommendation which does you proud! Down in that Laredo Co't House whar my wife wins out her divorce that time, thar's a figger of Jestice painted on the wall. Shore, it don't mean nothin'; but all the same it's thar, dressed in white, that a-way, with eyes bandaged, an' packin' a sword in one hand an' holdin' aloft some balances in t'other. Come to think of it, too, that picture shore looks a lot like Missis Rucker in the face, bein' plumb haughty an' commandin'.'

"'Missis Rucker not bein' yere none,' says Enright softly, an' peerin' about some cautious, 'I submits that while no more esteemable lady ever tosses a flapjack or fries salt-hoss in a pan, her figger is mebby jest a trifle too abundant. As Jestice, she'll nacherally be arrayed—as Texas says—in white, same as Nell as the Goddess. I don't want to seem technicle, but white augments the size of folks an' will make the lady in question look bigger'n a load of hay.'

"'Even so,' reemarks the Red Dog chief indulgently, 'would that of itse'f, I asks, be reckoned any setback? The lady will person'fy Jestice; an' as sech I submits she can't look none too big.'

"In compliment to the Red Dog chief Enright, with a p'lite flourish, allows that he yields his objection with pleasure, an' Missis Rucker is put down for Jestice. It's agreed likewise to borry a coach from the stage company for her to ride on top.

"'Her bein' preeclooded,' explains Peets, 'from ridin' a hoss that a-way, as entirely ondignified if not onsafe. We can rig her up a throne with one of the big splint-bottom cha'rs from the Red Light, an' wrop the same in the American flag so's to make it look offishul.'

"Tucson Jennie, with little Enright Peets as the Hope of the Republic, is to ride inside the coach.

"Havin' got this far, Pete Bland submits that a tellin' number would be a sham battle, Red Dog ag'in Wolfville.

"Thar's opp'sition developed to this. Both Enright an' the Red Dog chief, as leaders of pop'lar feelin', is afraid that some sport'll forget that it ain't on the level, an' take to over-actin' his part.

"As the Red Dog chief expresses it:

"'Some gent might be so far carried away by enthoosiasm as to go to shootin' low, an' some other gent get creased.'

"'The same bein' my notion exact,' Enright chips in. 'Of course, the gent who thus shoots low would ondenyably do so onintentional; but what good would that do the party who's been winged, an' who mightn't live long enough to receive apol'gies?'

"'That's whatever!' says Jack Moore. 'A sham battle's too plumb apt to prove a snare. The more, since everybody's so onused to 'em 'round yere. A gent, by keepin' his mind firm fixed, might manage to miss once or twice; but soon or late he'd become preoccupied, an' bust some of the opp'sition before he could ketch himse'f.'

"Bland, seein' opinion's ag'inst a sham battle, withdraws the motion, an' does it plenty graceful for a gent who's onable to stand.

"'Enough said,' he remarks, wavin' a acquiescent paw. 'Ante, an' pass the buck.'

"The Lightnin' Bug, speakin' from the Red Dog side, insists that in the reg'lar course of things thar's bound to be oratory. In that connection he mentions a sharp who lives in Phoenix.

"'Which I'm shore,' says the Bug, 'he'd be gladly willin' to assist; an' you hear me he's got a tongue of fire! Some of you-all sports must have crossed up with him—Jedge Beebe of Phoenix?'

"'Jedge Beebe?' interjecks Monte, who's given a hostler his proxy to take out the stage because of thar bein' onlimited licker; 'me an' the Jedge stands drinkin' together for hours the last time he's in Tucson. But you're plumb wrong, Bug, about him bein' eloquent.'

"'Wrong?' the Bug repeats, mighty indignant.

"'Of course,' says Monte, rememberin' how easy heated the Bug is, an' that he looks on six-shooters as argyooments, 'I don't mean he can't talk none; only he ain't what the Doc yere calls no Demosthenes.'

"'Did you ever hear the Jedge talk?' demands the Bug.

"'Which I shore does,' insists Monte; 'I listens to him for two hours that time in Tucson. It's when they opens the Broadway Dance Hall.'

"'Whatever is his subject?' asks the Bug, layin' for to ketch Monte; 'what's the Jedge talkin' about?'

"'I don't know,' says Monte, wropped in his usual mantle of whiskey-soaked innocence; 'he didn't say.'

"The Bug's eyes comes together in a angry focus; he thinks he's bein' made game of.

"Tharupon Enright cuts in.

"'Bug,' he says, all sociable an' suave, 'you mustn't mind Monte. He's so misconstructed that followin' the twenty-fifth drink he goes about takin' his ignorance for information. No one doubts but you're a heap better jedge than him of eloquence, an' everything else except nosepaint. S'ppose you consider yourse'f a committee to act for the con'jint camps, an' invite this yere joorist to be present as orator of the day.'

"The Bug's brow cl'ars at this, an' he asshores Enright that he'll be proud to act as sech.

"'An', gents,' he adds, 'if you says he ain't got Patrick Henry beat to a standstill, may I never hold as good as aces-up ag'in.'

"The Red Dog chief announces that all hands must attend a free-for-all banquet which, inflooenced by the tenth drink, he then an' thar decides to give at Bland's Abe Lincoln House.

"'Said banquet,' he explains, 'bein' in the nacher of a lunch to be held at high noon. If the dinin' room of the Abe Lincoln House ain't spacious enough, an I'll say right yere it ain't, we'll teetotaciously set them tables in the street. That's my style! I wants everybody, bar Mexicans, to be present. When I gives a blow-out, I goes fo'th into the highways an' byways, an' asks the halt an' the lame an' the blind, like the good book says. Also, no gent need go prowlin' 'round for no weddin' garments wharin to come. Which he's welcome to show up in goat-skin laiggin's, or appear wropped in the drippin' an' offensive pelt of a wet dog.'

"The Red Dog chief, lest some of us is sens'tive, goes on to add that no gent is to regyard them cracks about the halt an' the lame an' the blind as aimed at Wolfville. He allows he ain't that invidious, an' in what he says is merely out to be both euphonious an' explicit, that a-way, at one an' the same time.

"To which Enright reesponds that no offence is took, an' asshores the Red Dog chief that Wolfville will attend the banquet all spraddled out.

"More licker, followed by gen'ral congratulations.

"Bland ag'in comes surgin' to the fore. This time he thinks that as a main feachure it would be a highly effective racket to reenact the surrender of Cornwallis to Washington.

"Tutt goes weavin' across to shake his hand.

"'Some folks allows, Pete,' says Tutt, 'that you're as whiskey-soaked an old fool as Monte. But not me, Pete, not your old pard, Dave Tutt! An' you hear me, Pete, that idee about Cornwallis givin' up his sword to Washington dem'nstrates it.'

"'You bet your life it does!' says Bland.

"'But is this yere surrender feasible?' asks Texas. 'Which, at first blink, it seems some cumbrous to me.'

"'It's as easy as turnin' jack,' declar's Tutt, takin' the play away from Bland. 'I've seen it done.'

"'As when an' whar?' puts in Cherokee.

"'Thar's a time,' says Tutt—'it's way back—when I sets into a little poker game over in El Paso, table stakes she is, an' cleans up for about $10,000. For mebby a week I goes 'round thinkin' that $10,000 is a million; an' after that I simply knows it is. These yere onnacheral riches onhinges me to a p'int whar I deecides I'll visit Chicago an' Noo York, as calk'lated to broaden me.'

"'Noo York!—Chicago!' interrupts the Bug. 'I once deescends upon them hamlets, an' I encounters this yere strikin' difference. In Chicago they wouldn't let me spend a dollar, while in Noo York they wouldn't let anybody else spend one.'

"'It's otherwise with me,' goes on Tutt, 'because for a wind-up I don't see neither. I'm young then, d' you see, an' affected by yooth an' wealth I takes to licker, with the result that I goes pervadin' up an' down the train, insistin' on becomin' person'ly known to the passengers.'

"'An' nacherally you gets put off,' says Boggs.

"'Not exactly, neither. Only the conductor, assisted by a bevy of brakemen, lays the thing before me in sech a convincin' shape that I gets off of my own accord. It seems that to be agree'ble, I proposes wedlock to a middle-aged schoolmarm, who allows that she sees no objection except I'm a perfect stranger. She says it ain't been customary with her much to go weddin' strangers that a-way, but if I'll get myse'f reg'larly introdooced, an' then give her a day or so to become used to my looks, she'll go me. It's then the conductor draws me aside, an' says, "I've a son about your age, my eboolient young sport, which is why I takes your part. My theery is that if you sticks aboard this train ontil we reaches Rock Island, you'll never leave that village a single man."

"'This sobers me,' Tutt continyoos, 'an' I hides in the baggage kyar ontil we reaches a camp called Sedalia, whar I quietly makes my escape. I'm that reelieved I gives the cabman $20 to let me drive, an' then starts in to wake things up. Which I shore wakes 'em! I comes down the main street like the breath of destiny; an', say, you ought to see them Missourians climb trees, an' gen'rally break for cover! It costs me $50; an' the jedge gives me his word that, only it's the Fo'th of Jooly, he'd have handed me two weeks in the calaboose. I clinks down the fifty pesos some grateful, an' goes bulgin' forth to witness the cer'monies. She's a jo-darter, that Sedalia cel'bration is! As Pete yere recommends, they pulls off the surrender of Cornwallis on the Fair grounds. Also, it's plumb easy. All you needs is mebby a couple of hundred folks on hosses, an' after that the rest's like rollin' off a log.'

"More is said as the drink goes round, an' Cornwallis surrenderin' to Washington takes hold of our imaginations. We throws dice, an' settles it that Red Dog'll be the English, with Bland as Cornwallis, while Wolfville acts as the Americans, Boggs to perform as Washington—Boggs bein' six foot an' some inches, besides as wide as a door. By the time we gets the stock of the Votes for Women S'loon fully drinked up everything's arranged.

"Onless you sees no objections, son, I'll gallop through the balance of this yere painful eepisode. The day comes round, bright an' cl'ar, an' the Copper Queen people gen'rously starts the ball a-rollin' by explodin' thirteen cans of powder, one for each of the orig'nal states. Then the procession forms, Nell in front as the Goddess. Thar's full two hundred of us, Wolfville an' Red Dog, on ponies. As to Missis Rucker, she's on top of the coach as Jestice, Tucson Jennie—with little Enright Peets lookin' like a young he cherub—inside, an' Monte pullin' the reins over the six hosses. We makes four trips between Wolfville an' Red Dog, crackin' off our good old '45s at irreg'lar intervals, Nell on her calico pony as the Goddess bustin' away with the rest.

"Little Enright Peets wants in on the pistol shootin', an' howls jes' like a coyote—as children will—ontil Boggs, who foresees it an' comes provided, gives him a baby pistol, a box of blank cartridges, an' exhorts him to cut loose. Which little Enright Peets shore cuts loose, all right; an', except that he sets fire to the coach a few times, an' makes Missis Rucker oneasy up on top—her fearin' that mebby some of them blanks has bullets in 'em by mistake—he has a perfectly splendid time.

"The procession over, we eats up the Red Dog chief's banquet, wharat every brand of airtights is introdooced. That done, we listens to Jedge Beebe, who soars an' sails an' sails an' soars, rhetorical, for mebby it's a hour, an' is that eloquent an' elevated he never hits nothin' but the highest places.

"The Red Dog chief makes a speech, an' proposes 'Wolfville'; to which Peets—by Enright's request—reesponds, an' offers 'Red Dog.' It's bottoms up to both sentiments; for thar's no negligence about the drinks, Black Jack havin' capered fraternally over to he'p out his overworked barkeep brother of the Red Dog Tub of Blood.

"When no one wants to further drink or eat or talk, we reepa'rs to a level place between the two camps to go through the Cornwallis' surrender. The rival forces is arrayed opp'site, Cornwallis Bland in a red coat, an' Washington Boggs in bloo an' buff, accordin' to the teachin's of hist'ry. Both of 'em has sabers donated from the Fort.

"When all's ready Washington Boggs an' Cornwallis Bland rides out in front ontil they're in easy speakin' distance. Cornwallis Bland's been over-drinkin' some, an' is w'arin' a mighty deefiant look.

"After a spell, nothin' bein' spoke on either side, Washington Boggs calls out:

"'Is this yere Gen'ral Cornwallis?'

"'Who you talkin' to?' demands Cornwallis Bland, a heap contemptuous an' insolent.

"Peets has done writ out words for 'em to say, but neither uses 'em. Observin' how Cornwallis Bland conducts himse'f, Washington Boggs waves his sword plenty vehement, which makes his pony cavort an' buckjump, an' roars:

"'Don't you try to play nothin' on me, Gen'ral Cornwallis. Do you or do you not surrender your mis'rable blade?'

"'Surrender nothin'!' Cornwallis Bland sneers back, meanwhile reelin' in his saddle. 'Thar's never the horned-toad clanks a spur in Cochise County can make me surrender. Likewise, don't you-all go wavin' that fool weepon at me none. I don't valyoo it more'n if it's a puddin' stick. Which I've got one of 'em myse'f'—yere he'd have lopped off one of his pony's y'ears, only it's so dull—'an' I wouldn't give it to a yellow pup to play with.'

"'For the last time, Cornwallis,' says Washington Boggs, face aflame with rage, 'I commands you to surrender.'

"'Don't let him bluff you, Pete,' yells a bumptious young cow-puncher who belongs on the Red Dog-English side. 'Which we can wipe up the plains with that Wolfville outfit.'

"The Red Dog chief bats the young trouble-makin' cow-puncher over the head with his gun, an' quietly motions to the Lightnin' Bug an' a fellow Red Dog to pack what reemains of him to the r'ar. This done, he turns to reemonstrate with Cornwallis Bland for his obstinancy. He's too late. Washington Boggs, who's stood all he will, drives the spurs into his pony, an' next with a bound an' a rush, he hits Cornwallis Bland an' his charger full chisle.

"The pony of Cornwallis Bland fa'rly swaps ends with itse'f, an' Cornwallis would have swapped ends with it, too, only Washington Boggs collars an' hefts him out of his saddle.

"'Now, you onwashed drunkard, will you surrender?' roars Washington Boggs, shakin' Cornwallis Bland like a dog does a rat, ontil that British leader drops all of his hardware, incloosive of his pistol—'now will you surrender, or must I break your back across your own pony, as showin' you the error of your ways?'

"It looks like thar's goin' to be a hostile comminglin' of all hands, when—her ha'r streamin' behind her same as if she's a comet—Missis Bland comes chargin' up.

"'Yere, you drunken villyun!' she screams to Boggs, 'give me my husband this instant, onless you wants me to t'ar your eyes out!'

"'It's him who's to blame, ma'am,' says Enright mildly, comin' to Boggs' rescoo; 'which he won't surrender.'

"'Oh, he won't, won't he?' says Missis Bland, as she hooks onto Cornwallis Bland. 'You bet he'll surrender to me all right, or I'll know why.'

"As the Red Dog chief is apol'gizin' to Enright, who's tellin' him not to mind, Cornwallis Bland is bein' half shoved an' half drug, not to mention wholly yanked, towards the Abe Lincoln House by Missis Bland.

"That's the end. This yere ontoward finale to our cel'bration gets wide-flung notice in print, an' instead of bein' a boost, as we-all hopes, Wolfville an' Red Dog becomes a jest an' jeer. Also, while it don't sour the friendly relations of the two camps, the simple mention of Fo'th of Jooly leaves a bitter taste in the Wolfville-Red Dog mouth ever since."



VII

PROPRIETY PRATT, HYPNOTIST

"Do I ever see any folks get hypnotized? Which I witnesses a few sech instances. But it's usually done with a gun. If you're yearnin' to behold a party go into a trance plumb successful an' abrupt, get the drop on him. Thar ain't one sport in a hundred who can look into the muzzle of a Colt's .45, held by a competent hand, without lapsin' into what Peets calls a 'cataleptic state.'

"Shore, son, I savvys what you means."

The last was because I had begun to exhibit signs of impatience at what I regarded as a too flippant spirit on the part of my old cattleman. In the polite kindliness of his nature he made haste to smooth down my fur.

"To be shore I onderstands you. As to the real thing in hypnotism, however, thar arises as I recalls eevents but few examples in Arizona. The Southwest that a-way ain't the troo field for them hypnotists, the weak-minded among the pop'lation bein' redooced to minimum. Now an' then of course some hypnotic maverick, who's strayed from the eastern range, takes to trackin' 'round among us sort o' blind an' permiscus. But he never stays long, an' is generally tickled to death when some vig'lance committee so far reelents as to let him escape back.

"Over in Bernilillo once, I'm present when a mob gets its rope onto one of these yere wizards, an' it's nothin' but the mercy of hell an' the mean pars'mony of what outcasts has him in charge, which saves him from bein' swung up. Mind you, it ain't no vig'lance committee, but a mob, that's got him.

"Whatever is the difference?

"Said difference, son, is as a spanless gulf. A vig'lance committee is the coolest kind of comin' together of the integrity an' the brains of a commoonity. A mob, on the other hand, is a chance-blown convention of deestructionists, as savagely brainless as a pack of timber wolves. A vig'lance committee seeks jestice; a mob is merely out for blood."

"About this Bernilillo business?"

The old gentleman, as though the recital might take some time, signalled the black attendant to bring refreshments. The bottle comfortably at his elbow, he proceeded.

"I was thar, as I says, but I takes no part for either 'yes' or 'no,' bein' no more'n simply a 'looker on in Vienna,' as the actor party observes over in the Bird Cage Op'ry House. Thar's one of them hypnotizin' sharps who's come bulgin' into Bernilillo to give a show. Nacherally the local folks raps for a showdown; they insists he entrance some one they knows, an' refooses to be put off by him hypnotizin' what herd of hirelin's he's brought with him, on the argyooment that them humbugs is in all likelihood but cappers for his game.

"Thus stood up, the professor, as he calls himself, begins rummagin' 'round for a subject. Thar's a little Frenchman who's been pervadin' about Bernilillo, claimin' to be a artist. Which he's shore a painter all right. I sees him myse'f take a bresh an' a batch of colors, an' paint a runnin' iron so it looks so much like wood it floats. Shore; Emil—which this yere genius' name is Emil—as a artist that a-way is as good as jacks-up before the draw.

"The hypnotic professor runs his eye over the audjence. In a moment he's onto Emil, an' begins to w'irl his hypnotic rope. It's Emil bein' thin an' weakly an' bloodless, I reckon, that attracts him. This yere Emil ain't got bodily stren'th to hold his own ag'in a high wind, an' the professor is on at a glance that, considered from standp'ints of hypnotism, he ought to be a pushover.

"Emil don't hone to be no subject, but them Bernilillo hold-ups snatches onto him in spite of his protests, an' passes him up onto the stage to the professor. They're plenty headlong, not to say boorish, them Bernilillo ruffians be; speshully if they've sot their hearts on anythin', an' pore Emil stands about the same show among 'em as a cottontail rabbit among a passel of owls.

"For myse'f, I allers adheres to a theery that what follows is to be laid primar'ly to the door of the Bernilillo pop'lace. Which it's themselves, not the professor, they'd oughter've strung up. You see this Emil artist person blinks out onder the spells of the professor, an' never does come to no more. The professor hypnotizes Emil, but he can't onhypnotize him. Thar he sets as dead as Davy Crockett.

"This yere Emil bein' shore dead, Bernilillo sent'ment begins to churn an' wax active. Thar ain't a well-conditioned vig'lance committee between the Pecos an' the Colorado which, onder the circumstances, would have dreamed of stretchin' that professor. What he does, them Bernilillo dolts forces him to do. As for deceased, his ontimely evaporation that a-way is but the frootes of happenstance.

"What cares the Bernilillo pop'lace, wolf hungry for blood? In the droppin' of a sombrero they've cinched onto the professor, an' the only question left open is whether they'll string him up to the town windmill or the sign in front of the First National Bank.

"While them Bernilillo wolves is howlin' an' mobbin' an' millin' 'round the professor—who himse'f is scared plumb speechless an' is as white as a lump of chalk—relief pushes to the front in most onexpected shape. It's a kyard sharp by the name of Singleton, otherwise called the Planter, who puts himse'f in nom'nation to extricate the professor.

"Climbin' onto the top step in front of the bank, the Planter lifts up his voice for a hearin'.

"'Folks!' he shouts, 'I'm in favor of this yere lynchin' like a landslide. But, all the same, thar's a bet we overlooks. It's up to us not only to be jest, but to be gen'rous. This yere murderer, who's done blotted out the only real artist I ever meets except myse'f, has a wife down to the hotel. As incident to these festiv'ties she's goin' to be a widow. Is it for the manhood an' civic virchoo of Bernilillo to leave a widow of its own construction broke an' without a dollar? I hears the incensed echoes from the Black Range roarin' back in scornful accents "No!" Sech bein' the sityooation, as preelim'nary to this yere hangin' I moves we takes up a collection for that widow. Yere's a fifty to 'nitiate the play'—at this p'int the Planter throws a fifty-dollar bill into his hat—'an' as I passes among you I wants every sport to come across, lib'ral an' free, an' prove to the world lookin' on that Bernilillo is the band of onbelted philanthropists which mankind's allers believed.

"Hat in hand, same as if it's a contreebution box an' he's passin' the platter in church, the Planter begins goin' in an' out through the multitood like a meadowlark through standin' grass. That is, he starts to go in an' out; but, at the first motion, that entire lynchin' party exhales like mist on the mornin' mountains. It's the same as flappin' a blanket at a bunch of cattle. Every profligate of 'em, at the su'gestion he contreebute to the widow, gets stampeded, an' thar's nobody left but the Planter, the professor, an' me.

"'Which I shore knows how to tech them ground-hawgs on the raw,' says the Planter, as he onlooses the professor. 'If I was to have p'inted a gun at 'em now, they'd've give me a battle. But bein' to the last man jack a bunch of onmitigated misers, a threat leveled at their bankrolls sets 'em to hidin' out like quail!'