For first of all, its smoothness shows the evenness of its parts; for touch it where you please, it is all alike. Besides, you may see your face in it as perfectly as in a mirror; for there is nothing rough in it to hinder the reflection, but by reason of its humidity it reflects to the eye the least particle of light from every portion. As, on the contrary, milk, of all other liquids, does not return our images, because it hath too many terrene and gross parts mixed with it; again, oil of all other liquids makes the least noise when moved, for it is perfectly humid. When other liquids are moved or poured out, their hard and grosser parts fall and dash one against another, and so make a noise by reason of their roughness. Moreover, oil only is pure and unmixed; for it is of all other liquids most compact, nor has it any empty spaces and pores between the dry and earthy parts to receive what chances to fall upon it. Besides, because of the similitude of its parts, it is closely joined together, and unfit to be joined to anything else. When oil froths, it does not let any wind in, by reason of the contiguity and subtility of its parts; and this is also the cause why fire is nourished by it. For fire feeds upon nothing but what is moist, for nothing is combustible but what is so; for when the fire is kindled, the air turns to smoke, and the terrene and grosser parts remain in the ashes. Fire only preys upon the moisture, which is its natural nourishment. Indeed, water, wine, and other liquors, having abundance of earthy and heavy parts in them, by falling into fire part it, and by their roughness and weight smother and extinguish it. But oil, because purely liquid, by reason of its subtility, is overcome by the fire, and so changed into flame.

It is the greatest argument that can be of its humidity, that the least quantity of it spreads itself a great way; for so small a drop of honey, water, or any other liquid does not extend itself so far, but very often, by reason of the dry mixed parts, is presently wasted. Because oil is ductile and soft, men are wont to make use of it for anointing their bodies; for it runs along and spreads itself through all the parts, and sticks so firmly to them that it is not easily washed off. We find by experience, that a garment wet with water is presently dried again; but it is no easy matter to wash out the spots and stain of oil, for it enters deep, because of its most subtile and humid nature. Hence it is that Aristotle says, that the drops of diluted wine are the hardest to be got out of clothes, because they are most subtile, and run farther into the pores of the cloth.



QUESTION X. WHAT IS THE REASON THAT FLESH OF SACRIFICED BEASTS, AFTER BEING HUNG A WHILE UPON A FIG-TREE IS MORE TENDER THAN BEFORE?

ARISTIO, PLUTARCH, AND OTHERS.

At supper we were commanding Aristio's cook, who, amongst other dishes that he had dressed very curiously, brought a cock to table just killed as a sacrifice to Hercules, as tender as though it had been killed a day or two before. When Aristio told us that this was no wonder,—seeing such a thing might very easily be done, if the cock, as soon as he was killed, was hung upon a fig-tree,—we began to inquire into the reason of what he asserted. Indeed, I must confess, our eye assures us that a fig-tree sends out a fierce and strong spirit; which is yet more evident, from what we have heard said of bulls. That is, a bull, after he is tied to a fig-tree, though never so mad before, grows presently tame, and will suffer you to touch him, and on a sudden all his rage and fury cool and die. But the chiefest cause that works this change is the sharp acrimonious quality of the tree. For this tree is the fullest of sap, and so are its figs, wood, and bark; and hence it comes to pass, that the smoke of fig-wood is most offensive to the eyes; and when it is burned, its ashes make the best lye to scour withal. But all these effects proceed from heat. Now there are some that say, when the sap of this tree thrown into milk curds it, that this effect does not arise from the irregular figures of the parts of the milk, which the sap joins and (as it were) sticks together, the smooth and globose parts being squeezed out, but that by its heat it loosens the unstable and watery parts of the liquid body. And we may use as a proof the unprofitableness of the sap of this tree, which, though it is very sweet, yet makes the worst liquor in the world. For it is not the inequality in the parts that affects the smooth part, but what is cold and raw is stopped by heat. And salt help to do this; for it is hot, and works contrary to the uniting of the parts just mentioned, causing rather a dissolution; for to it, above all other things, Nature has given a dissolving faculty. Therefore the fig-tree sends forth a hot and sharp spirit, which cuts and boils the flesh of the bird. The very same thing may be effected by placing the flesh upon a heap of corn, or near nitre; the heat will produce the same that the fig-tree did. Now it may be made manifest that wheat is naturally hot, in that wine, put into a hogshead and placed among wheat, is presently consumed.



BOOK VII.

The Romans, Sossius Senecio, remember a pretty saying of a pleasant man and good companion, who supping alone said that he had eaten to-day, but not supped; as if a supper always wanted company and agreement to make it palatable and pleasing. Evenus said that fire was the sweetest of all sauces in the world. And Homer calls salt [Greek omitted], divine; and most call it [Greek omitted], graces, because, mixed with most part of our food, it makes it palatable and agreeable to the taste. Now indeed the best and most divine sauce that can be at an entertainment or a supper is a familiar and pleasant friend; not because he eats and drinks with a man, but because he participates of and communicates discourse, especially if the talk be profitable, pertinent, and instructive. For commonly loose talk over a glass of wine raiseth passions and spoils company, and therefore it is fit that we should be as critical in examining what discourses as what friends are fit to be admitted to a supper; not following either the saying or opinion of the Spartans, who, when they entertained any young man or a stranger in their public halls, showed him the door, with these words, "No discourse goes out this way." What we use to talk of may be freely disclosed to everybody, because we have nothing in our discourses that tends to looseness, debauchery, debasing of ourselves, or back-biting others. Judge by the examples, of which this seventh book contains ten.

QUESTION I. AGAINST THOSE WHO FIND FAULT WITH PLATO FOR SAYING THAT DRINK PASSETH THROUGH THE LUNGS.

NICIAS, PLUTARCH, PROTOGENES, FLORUS.

At a summer entertainment, one of the company pronounced that common verse,

Now drench thy lungs with wine, the Dog appears.

And Nicias of Nicopolis, a physician, presently subjoined: It is no wonder that Alcaeus, a poet, should be ignorant of that of which Plato the philosopher was. Though Alcaeus may be defended; for it is probable that the lungs, lying near the stomach, may participate of the steam of the liquor, and be drenched with it. But the philosopher, expressly delivering that most part of our drink passeth through the lungs, hath precluded all ways of excuse to those that would be willing to defend him. For it is a very great and complicated ignorance; for first, it being necessary that our liquid and dry food should be mixed, it is very probable that the stomach is the vessel for them both, which throws out the dry food after it is grown soft and moist into the guts. Besides, the lungs being a dense and compacted body, how is it possible that, when we sup gruel or the like, the thicker parts should pass through them? And this was the objection which Erasistratus rationally made against Plato. Besides, when he considered for what end every part of the body was made, and what use Nature designed in their contrivance, it was easy to perceive that the epiglottis was framed on purpose that when we drink the windpipe should be shut, and nothing be suffered to fall upon the lungs. For if anything by chance gets down that way, we are troubled with retching and coughing till it is thrown up again. And this epiglottis being framed so that it may fall on either side, whilst we speak it shuts the weasand, but when we eat or drink it falls upon the windpipe, and so secures the passage for our breath. Besides, we know that those who drink by little and little are looser than those who drink greedily and large draughts; for in the latter the very force drives it into their bladders, but in the former it stays, and by its stay is mixed with and moistens the meat thoroughly. Now this could not be, if in the very drinking the liquid was separated from the dry food; but the effect follows, because we mix and convey them both together, using (as Erasistratus phraseth it) the liquid as a vehicle for the dry.

Nicias having done, Protogenes the grammarian subjoined, that Homer was the first that observed the stomach was the vessel of the food, and the windpipe (which the ancients called [Greek omitted] of the breath, and upon the same account they called those who had loud voices [Greek omitted]). And when he describes how Achilles killed Hector, he says,

He pierced his weasand, where death enters soon;

and adds,

But not his windpipe, so that he could speak, ("Iliad," xxii. 325-329.)

taking the windpipe for the proper passage of the speech and breath....

Upon this, all being silent, Florus began thus: What, shall we tamely suffer Plato to be run down? By no means, said I, for if we desert him, Homer must be in the same condition, for he is so far from denying the windpipe to be the passage for our drink, that the dry food, in his opinion, goes the same way. For these are his words:—

From his gullet [Greek omitted] flowed The clotted wine and undigested flesh. ("Odyssey," ix. 373.)

Unless perchance you will say that the Cyclops, as he had but one eye, so had but one passage for his food and voice; or would have [Greek omitted] to signify weasand, not windpipe, as both all the ancients and moderns use it. I produce this because it is really his meaning, not because I want other testimonies, for Plato hath store of learned and sufficient men to join with him. For not to mention Eupolis, who in his play called the "Flatterers" says,

Protagoras bids us drink a lusty bowl, That when the Dog appears our lungs may still be moist;

or elegant Eratosthenes, who says,

And having drenched his lungs with purest wine;

even Euripides, somewhere expressly saying,

The wine passed through the hollows of the lungs,

shows that he saw better and clearer than Erasistratus. For he saw that the lungs have cavities and pores, through which the liquids pass. For the breath in expiration hath no need of pores, but that the liquids and those things which pass with them might go through, it is made like a strainer and full of pores. Besides, sir, as to the example of gruel which you proposed, the lungs can discharge themselves of the thicker parts together with the thin, as well as the stomach. For our stomach is not, as some fancy, smooth and slippery, but full of asperities, in which it is probable that the thin and small particles are lodged, and so not taken quite down. But neither this nor the other can we positively affirm; for the curious contrivance of Nature in her operation is too hard to be explained; nor can we be particularly exact upon those instruments (I mean the spirit and the heat) which she makes use of in her works. But besides those we have mentioned to confirm Plato's opinion, let us produce Philistion of Locri, very ancient and very famous physician, and Hippocrates too, with his disciple Dioxippus; for they thought of no other passage but that which Plato mentions. Dio says, that when we feed, the moist parts are about that separated from the dry, and the first are carried down the windpipe, the other down the weasand; and that the windpipe receives no parts of the food, but the stomach, together with the dry parts, receives some portion of the liquids. And this is probable, for the epiglottis lies over the windpipe, as a fence and strainer, that the drink may get in by little and little, lest descending in a large full stream, it stop the breath and endanger the life. And therefore birds have no epiglottis, because they do not sup or lap when they drink, but take up a little in their beak, and let it run gently down their windpipe.

These testimonies I think are enough; and reason confirms Plato's opinion by arguments drawn first from sense. For when the windpipe is wounded, no drink will go down; but as if the pipe were broken it runs out, though the weasand be whole and unhurt. And all know that in the inflammation of the lungs the patient is troubled with extreme thirst; the heat or dryness or some other cause, together with the inflammation, making the appetite intense. But a stronger evidence than all these follows. Those creatures that have very small lungs, or none at all, neither want nor desire drink, because to some parts there belongs a natural appetite to drink, and those that want those parts have no need to drink, nor any appetite to be supplied by it. But more, the bladder would seem unnecessary; for, if the weasand receives both meat and drink and conveys it to the belly, the superfluous parts of the liquids would not want a proper passage, one common one would suffice as a canal for both that were conveyed to the same vessel by the same passage. But now the bladder is distinct from the guts, because the drink goes from the lungs, and the meat from the stomach; they being separated as we take them down. And this is the reason that in our water nothing can be found that either in smell or color resembles dry food. But if the drink were mixed with the dry meat in the belly, it must be impregnant with its qualities, and not come forth so simple and untinged. Besides, a stone is never found in the stomach, though it is likely that the moisture should be coagulated there as well as in the bladder, if all the liquor were conveyed through the weasand then into the belly. But it is probable at the weasand robs the windpipe of a sufficient quantity of liquor as it is going down, and useth it to soften and concoct the meat. And therefore its excrement is never purely liquid; and the lungs, disposing of the moisture, as of the breath, to all of the parts that want it, deposit the superfluous portion in the bladder. And I am sure that this is a much more probable opinion than the other. But which is the truth cannot perhaps be discovered, and therefore it is not fit so peremptorily to find fault with the most acute and most famed philosopher, especially when the matter is so obscure, and the Platonists can produce such considerable reasons for their position.



QUESTION II. WHAT HUMORED MAN IS HE THAT PLATO CALLS [Greek omitted]? AND WHY DO THOSE SEEDS THAT FALL ON THE OXEN'S HORNS BECOME [Greek omitted]?

PLUTARCH, PATROCLES, EUTHYDEMUS, FLORUS.

We had always some difficulty started about [Greek omitted] and [Greek omitted], not what humor those words signified (for it is certain that some, thinking that those seeds which fall on the oxen's horns bear fruit which is very hard, did by a metaphor call a stiff untractable fellow by these names), but what was the cause that seeds falling on the oxen's horns should bear hard fruit. I had often desired my friends to search no farther, most of all fearing the passage of Theophrastus, in which he has collected many things whose causes we cannot discover. Such are the hen's using a straw to purify herself with after she has laid, the seal's consuming her rennet when she is caught, the deer's burying his horns, and the goat's stopping the whole herd by holding a branch of sea-holly in his mouth; and among the rest he reckoned this is a thing of which we are certain, but whose cause it is very difficult to find. But once at supper at Delphi, some of my companions—as if we were not only better counsellors when our bellies are full (as one hath it), but wine would make us brisker in our inquiries and bolder in our resolutions desired me to speak somewhat to that problem.

I refused, though I had some excellent men on my side, namely, Euthydemus my fellow-priest, and Patrocles my relative, who brought several the like instances, which they had gathered both from husbandry and hunting; for instance, that those officers that are appointed to watch the coming of the hail avert the storm by offering a mole's blood or a woman's cloths; that a wild fig being bound to a garden fig-tree will keep the fruit from falling and promote their ripening; that deer when they are taken shed salt tears, and boars sweet. But if you have a mind to such questions, Euthydemus will presently desire you to give an account of smallage and cummin; one of the which, if trodden down as it springs, will grow the better, and the other men curse and blaspheme whilst they sow it.

This last Florus thought to be an idle foolery; but he said, that we should not forbear to search into the causes of the other things as if they were incomprehensible. I have found, said I, your design to draw me on to this discourse, that you yourself may afterward give us a solution of the other proposed difficulties.

In my opinion it is cold that causes this hardness in corn and pulse, by contracting and constipating their parts till the substance becomes close and extremely rigid; while heat is a dissolving and softening quality. And therefore those that cite this verse against Homer,

The season, not the field, bears fruit,

do not justly reprehend him. For fields that are warm by nature, the air being likewise temperate, bear more mellow fruit than others. And therefore those seeds that fall immediately on the earth out of the sower's hand, and are covered presently, and cherished by being covered, partake more of the moisture and heat that is in the earth. But those that strike against the oxen's horns do not enjoy what Hesiod names the best position, but seem to be scattered rather than sown; and therefore the cold either destroys them quite, or else, lighting upon them as they lie naked, condenseth their moisture, and makes them hard and woody. Thus stones that lie under ground and, plant-animals have softer parts than those that lie above; and therefore stone-cutters bury the stones they would work, as if they designed to have them prepared and softened by the heat; but those that lie above ground are by the cold made hard, rigid, and very hurtful to the tools. And if corn lies long upon the floor, the grains become much harder than that which is presently carried away. And sometimes too a cold wind blowing whilst they winnow spoils the corn, as it hath happened at Philippi in Macedonia; and the chaff secures the grains whilst on the floor. For is it any wonder that as husband-men affirm, one ridge will bear soft and fruitful, and the very next to it hard and unfruitful corn or—which is stranger—that in the same bean-cod some beans are of this sort, some of the other, as more or less wind and moisture falls upon this or that?



QUESTION III. WHY THE MIDDLE OF WINE, THE TOP OF OIL, AND THE BOTTOM OF HONEY IS BEST.

ALEXION, PLUTARCH, AND OTHERS.

My father-in-law Alexion laughed at Hesiod, for advising us to drink freely when the barrel is newly broached or almost out, but moderately when it is about the middle, since there is the best wine. For who, said he, doth not know, that the middle of wine, the top of oil, and the bottom of honey is the best? Yet he bids us spare the middle, and stay till worse wine runs, when the barrel is almost out. This said, the company minded Hesiod no more, but began to inquire into the cause of this difference.

We were not at all puzzled about the honey, everybody almost knowing that that which is lightest is so because it is rare, and that the heaviest parts are dense and compact, and by reason of their weight settle below the others. So, if you turn the vessel, each in a little time will recover its proper place, the heavier subsiding, and the lighter rising above the rest. And as for the wine, probable solutions presently appeared; for its strength consisting in heat, it is reasonable that it should be contained chiefly in the middle, and there best preserved; for the lower parts the lees spoil, and the upper are impaired by the neighboring air. For that the air will impair wine no man doubts, and therefore we usually bury or cover our barrels, that as little air as can be might come near them. And besides (which is an evident sign) a barrel when full is not spoiled so soon as when it is half empty; because a great deal of air getting into the empty space troubles and disturbs the liquor, whereas the wine that is in the unemptied cask is preserved and defended by itself, not admitting much of the external air, which is apt to injure and corrupt it.

But the oil gave us the most difficulty. One thought that the bottom of the oil was affected, because it was foul and troubled with the lees; and that the top was not really better than the rest, but only seemed so, because it was farthest removed from those corrupting particles. Others thought the thickness of the liquor to be the reason, which thickness keeps it from mixing with other humids, unless blended together and shaken violently; and therefore it will not mix with air, but keeps it off by its smoothness and close contexture, so that it hath no power to corrupt it. But Aristotle seems to be against this opinion, who hath observed that oil grows sweeter by being kept in vessels not exactly filled, and afterwards ascribes this melioration to the air; for more air, and therefore more powerful to produce the effect, flows into a vessel not well filled.

Well then! said I, the same quality in the air may spoil wine, and better oil. For long keeping improves wine, but spoils oil. Now the air keeps oil from growing old; for that which is cooled continues fresh and new, but that which is kept close up, having no way to exhale its corrupting parts, presently decays, and grows old. Therefore it is probable that the air coming upon the superficies of the oil keepeth it fresh and new. And this is the reason that the top of wine is worst, and of oil best; because age betters the one, and spoils the other.



QUESTION IV. WHAT WAS, THE REASON OF THAT CUSTOM OF THE ANCIENT ROMANS TO REMOVE THE TABLE BEFORE ALL THE MEAT WAS EATEN, AND NOT TO PUT OUT THE LAMP?

FLORUS, EUSTROPHUS, CAESERNIUS, LUCIUS.

Florus, who observed the ancient manners, would not let the table be removed quite empty, but always left some meat upon it; declaring likewise that his father and grandfather were not only curious in this matter, but would never suffer the lamp after supper to be put out,—a thing about which the ancient Romans were very careful,—while those of to-day put it out immediately after supper, that they may lose no oil. Eustrophus the Athenian being present said: What could they get by that, unless they knew the cunning trick of our Polycharmus, who, after long deliberation how to find out a way to prevent the servants' stealing of the oil, at last with a great deal of difficulty happened upon this: As soon as you have put out the lamp, fill it up, and the next morning look carefully whether it remains full. Then Florus with a smile replied: Well, since we are agreed about that, let us inquire for what reason the ancients were so careful about their tables and their lamps.

First, about the lamps. And his son-in-law Caesernius was of opinion that the ancients abominated all extinction of fire, because of the relation that it had to the sacred and eternal flame. Fire, like man, may be destroyed two ways, either when it is violently quenched, or when it naturally decays. The sacred fire was secured against both ways, being always watched and continually supplied; but the common fire they permitted to go out of itself, not forcing or violently extinguishing it, but not supplying it with nourishment, like a useless beast, that they might not feed it to no purpose.

Lucius, Florus's son, subjoined, that all the rest of the discourse was very good, but that they did not reverence and take care of this holy fire because they thought it better or more venerable than other fire; but, as amongst the Egyptians some worship the whole species of dogs, wolves, or crocodiles, yet keep but one wolf, dog, or crocodile (for all could not be kept), so the particular care which the ancients took of the sacred fire was only a sign of the respect they had for all fires. For nothing bears such a resemblance to an animal as fire. It is moved and nourished by itself, and by its brightness, like the soul, discovers and makes everything apparent; but in its quenching it principally shows some power that seems to proceed from our vital principle, for it makes a noise and resists, like an animal dying or violently slaughtered. And can you (looking upon me) offer any better reason?

I can find fault, replied I, with no part of the discourse, yet I would subjoin, that this custom is an instruction for kindness and good-will. For it is not lawful for any one that hath eaten sufficiently to destroy the remainder of the food; nor for him that hath supplied his necessities from the fountain to stop it up; nor for him that hath made use of any marks, either by sea or land, to ruin or deface them; but every one ought to leave those things that may be useful to those persons that afterwards may have need of them. Therefore it is not fit, out of a saving covetous humor, to put out a lamp as soon as we need it not; but we ought to preserve and let it burn for the use of those that perhaps want its light. Thus, it would be very generous to lend our ears and eyes, nay, if possible, our reason and understanding, to others, whilst we are idle or asleep. Besides, consider whether to stir up men to gratitude these minute observances were practised. The ancients did not act absurdly when they highly reverenced an oak. The Athenians called one fig-tree sacred, and forbade any one to cut down an olive. For such observances do not (as some fancy) make men prone to superstition, but persuade us to be communicative and grateful to one another, by being accustomed to pay this respect to these senseless and inanimate creatures. Upon the same reason Hesiod, methinks, adviseth well, who would not have any meat or broth set on the table out of those pots out of which there had been no portion offered, but ordered the first-fruits to be given to the fire, as a reward for the service it did in preparing it. And the Romans, dealing well with the lamps, did not take away the nourishment they had once given, but permitted them to live and shine by it.

When I had said thus, Eustrophus subjoined: This gives us some light into that query about the table; for they thought that they ought to leave some portion of the supper for the servants and waiters, for those are not so well pleased with a supper provided for them apart, as with the relics of their master's table. And upon this account, they say, the Persian king did not only send portions from his own table to his friends, captains, and gentlemen of his bed-chamber, but had always what was provided for his servants and his dogs served up to his own table; that as far as possible all those creatures whose service was useful might seem to be his guests and companions. For, by such feeding in common and participation, the wildest of beasts might be made tame and gentle.

Then I with a smile said: But, sir, that fish there, that according to the proverb is laid up, why do not we bring out into play together with Pythagoras's choenix, which he forbids any man to sit upon, thereby teaching us that we ought to leave something of what we have before us for another time, and on the present day be mindful of the morrow? We Boeotians use to have that saying frequently in our mouths, "Leave something for the Medes," ever since the Medes overran and spoiled Phocis and the marches of Boeotia; but still, and upon all occasions, we ought to have that ready, "Leave something for the guests that may come." And therefore I must needs find fault with that always empty and starving table of Achilles; for, when Ajax and Ulysses came ambassadors to him, he had nothing ready, but was forced out of hand to dress a fresh supper. And when he would entertain Priam, he again bestirs himself, kills a white ewe, joints and dresses it, and in that work spent a great part of the night. But Eumaeus (a wise scholar of a wise master) had no trouble upon him when Telemachus came home, but presently desired him to sit down, and feasted him, setting before him dishes of boiled meat,

The cleanly reliques of the last night's feast.

But if this seems trifling, and a small matter, I am sure it is no small matter to command and restrain appetite while there are dainties before you to satisfy and please it. For those that are used to abstain from what is present are not so eager for absent things as others are.

Lucius subjoining said, that he had heard his grandmother say, that the table was sacred, and nothing that is sacred ought to be empty. Beside [omitted]. Therefore as we desire that the earth should always have and bear something that is useful for us, so we think that we should not let the table be altogether empty and void of all provision.



QUESTION V. THAT WE OUGHT CAREFULLY TO PRESERVE OURSELVES FROM PLEASURES ARISING FROM BAD MUSIC AND HOW IT MAY BE DONE.

CALLISTRATUS, LAMPRIAS.

At the Pythian games Callistratus, procurator of the Amphictyons, forbade a piper, his citizen and friend, who did not give in his name in due time, to appear in the solemnity, according to the law. But afterward very fine tune; but afterwards, having tickled and sounded the humor of the whole company, and found that most were inclined to pleasure and would suffer him to play what effeminate and lascivious tunes he pleased, throwing aside all modesty, he showed that music was more intoxicating than wine to those that wantonly and unskilfully use it. For they were not content to sit still and applaud and clap, but many at last leaped from their seats, danced lasciviously, and made such gentle steps as became such effeminate and mollifying tunes. But after they had done, and the company, as it were recovered of its madness, began to come to itself again, Lamprias would have spoken to and severely chid the young men; but as fearing he would be too harsh and give offence, Callistratus gave him a hint, and drew him on by this discourse:—

For my part, I absolve all lovers of shows and music from intemperance; yet I cannot altogether agree with Aristoxenus, who says that those pleasures alone deserve the approbation "fine." For we call viands and ointments fine; and we say we have finely dined, when we have been splendidly entertained. Nor, in my opinion, doth Aristotle free those complacencies we take in shows and songs upon good reason from the charge of excess, saying, that those belong peculiarly to man, and of other pleasures beasts have a share. For I am certain that a great many irrational creatures are delighted with music, as deer with pipes; and to mares, whilst they are horsing, they play a tune called [Greek omitted]. And Pindar says, that his songs make him move,

As brisk as Dolphins, whom a charming tune Hath raised from th' bottom of the quiet flood.

And certain fish are taken by means of dancing; for as the dance goes on they lift up their heads above water, being much pleased and delighted with the sight, and twisting their backs this way and that way, in imitation of the dancers. Therefore I see nothing peculiar in those pleasures, that they should be accounted proper to the mind, and all others to belong to the body, so far as to end there. But music, rhythm, dancing, song, passing through the sense, fix a pleasure and titilation in the sportive part of the soul and therefore none of these pleasures is enjoyed in secret, nor wants darkness nor walls about it, according to the women's phrase; but circuses and theatres are built for them. And to frequent shows and music-meetings with company is both more delightful and more genteel; because we take a great many witnesses, not of a luxurious and intemperate, but of a pleasant and respectable, manner of passing away our time.

Upon this discourse of Callistratus, my father Lamprias, seeing the musicians grow bolder, said: That is not the reason, sir, and, in my opinion, the ancients were much out when they named Bacchus the son of Forgetfulness. They ought to have called him his father; for it seems he hath made you forget that of those faults which are committed about pleasures some proceed from a loose intemperate inclination, and others from heedlessness or ignorance. Where the ill effect is very plain, there intemperate inclination captivates reason, and forces men to sin; but where the just reward of intemperance is not directly and presently inflicted, there ignorance of the danger and heedlessness make men easily wrought oil and secure. Therefore those that are vicious, either in eating, drinking, or venery, which diseases, wasting of estates, and evil reports usually attend, we call intemperate. For instance, Theodectes, who having sore eyes, when his mistress came to see him, said,

All hail, delightful light;

or Anaxarchus the Abderite,

A wretch who knew what evils wait on sin, Yet love of pleasure drove him back again. Once almost free, he sank again to vice, That terror and disturber of the wise.

Now those that take all care possible to secure themselves from all those pleasures that assault them either at the smelling, touch, or taste, are often surprised by those that make their treacherous approaches either at the eye or ear. But such, though as much led away as the others, we do not in like manner call incontinent and intemperate, since they are ruined through ignorance and want of experience. For they imagine they are far from being slaves to pleasures, if they can stay all day in the theatre without meat or drink; as if a pot forsooth should be mighty proud that a man cannot take it up by the bottom or the belly and carry it away, though he can easily do it by the ears. And therefore Agesilaus said, it was all one whether a man were a CINOEDUS before or behind. We ought principally to dread those softening delights that please and tickle through the eyes and ears, and not think that city not taken which hath all its other gates secured by bars, portcullises, and chains, if the enemies are already entered through one and have taken possession; or fancy ourselves invincible against the assaults of pleasure, because stews will not provoke us, when the music-meeting or theatre prevails. For we in one case as much as the other resign up our souls to the impetuousness of pleasures, which pouring in those potions of songs, cadences, and tunes, more powerful and bewitching than the best mixtures of the most skilful cook or perfumer, conquer and corrupt us; and in the meantime, by our own confession as it were, the fault is chiefly ours. Now, as Pindar saith, nothing that the earth and sea hath provided for our tables can be justly blamed; but neither our meat nor broth, nor this excellent wine which we drink, hath raised such a noisy tumultous pleasure as those songs and tunes did, which not only filled the house with clapping and shouting, but perhaps the whole town. Therefore we ought principally to secure ourselves against such delights, because they are more powerful than others; as not being terminated in the body, like those which allure the touch, taste, or smelling, but affecting the very intellectual and judging faculties. Besides, from most other delights, though reason doth not free us, yet other passions very commonly divert us. Sparing niggardliness will keep a glutton from dainty fish, and covetousness will confine a lecher from a costly whore. As in one of Menander's plays, where every one of the company was to be enticed by the bawd who brought out a surprising whore, but each of them, though all boon companions,

Sat sullenly, and fed upon his cates.

For to pay interest for money is a severe punishment that follows intemperance, and to open our purses is no easy matter. But these pleasures that are called genteel, and solicit the ears or eyes of those that are frantic after shows and music, may be had without any charge at all, in every place almost, and upon every occasion; they may be enjoyed at the prizes, in the theatre, or at entertainments, at others cost. And therefore those that have not their reason to assist and guide them may be easily spoiled.

Silence following upon this, What application, said I, shall reason make, or how shall it assist? For I do not think it will apply those ear-covers of Xenocrates, or force us to rise from the table as soon as we hear a harp struck or a pipe blown. No indeed, replied Lamprias, but as soon as we meet with the foresaid intoxications, we ought to make our application to the Muses, and fly to the Helicon of the ancients. To him that loves a costly strumpet, we cannot bring a Panthea or Penelope for cure; but one that delights in mimics and buffoons, loose odes, or debauched songs, we can bring to Euripides, Pindar, and Menander, that he might wash (as Plato phraseth it) his salt hearing with fresh reason. As the exorcists command the possessed to read over and pronounce Ephesian letters, so we in those possessions, during the madness of music and the dance, when

We toss our hands with noise, and madly shout,

remembering those venerable and sacred writings, and comparing with them those odes, poems, and vain empty compositions, shall not be altogether cheated by them, or permit ourselves to be carried away sidelong, as by a smooth and undisturbed stream.



QUESTION VI. CONCERNING THOSE GUESTS THAT ARE CALLED SHADOWS, AND WHETHER BEING INVITED BY SOME TO GO TO ANOTHER'S HOUSE, THEY OUGHT TO GO; AND WHEN, AND TO WHOM.

PLUTARCH, FLORUS, CAESERNIUS.

Homer makes Menelaus come uninvited to his brother Agamemnon's treat, when he feasted the commanders;

For well he knew great cares his brother vexed. ("Iliad," ii. 409.)

He did not take notice of the plain and evident omission of his brother, or show his resentments by not coming, as some surly testy persons usually do upon such oversights of their best friends; yet they had rather be overlooked than particularly invited, that they may have some color for their pettish anger. But about the introduced guests (which we call shadows) who are not invited by the entertainer, but by some others of the guests, a question was started, from whom that custom began. Some thought from Socrates, who persuaded Aristodemus, who was not invited, to go along with him to Agatho's, where there happened a pretty jest. For Socrates by chance staying somewhat behind, Aristodemus went in first; and this seemed very appropriate, for, the sun shining on their backs, the shadow ought to go before the body. Afterwards it was thought necessary at all entertainments, especially of great men, when the inviter did not know their favorites and acquaintance, to desire the invited to bring his company, appointing such a set number, lest they should be put to the same shifts which he was put to who invited King Philip to his country-house. The king came with a numerous attendance, but the provision was not equal to the company. Therefore, seeing his entertainer much cast down, he sent some about to tell his friends privately, that they should keep one corner of their bellies for a large cake that was to come. And they, expecting this, fed sparingly on the meat that was set before them, so that the provision seemed sufficient for them all.

When I had talked thus waggishly to the company Florus had a mind to talk gravely concerning these shadows, and have it discussed whether it was fit for those that were so invited to go, or no. His son-in-law Caesernius was positively against it. We should, says he, following Hesiod's advice,

Invite a friend to feast, ("Works and Days," 342.)

or at least we should have our acquaintance and familiars to participate of our entertainments, mirth, and discourse over a glass of wine; but now, as ferry-men permit their passengers to bring in what fardel they please, so we permit others to fill our entertainments with any persons, let them be good companions or not. And I should wonder that any man of breeding being so (that is, not at all) invited, should go; since, for the most part, he must be unacquainted with the entertainer, or if he was acquainted, was not thought worthy to be bidden. Nay, he should be more ashamed to go to such a one, if he considers that it will look like an upbraiding of his unkindness, and yet a rude intruding into his company against his will. Besides, to go before or after the guest that invites him must look unhandsomely, nor is it creditable to go and stand in need of witnesses to assure the guests that he doth not come as a principally invited person, but such a one's shadow. Besides, to attend others bathing or anointing, to observe his hour, whether he goes early or late, is servile and gnathonical (for there never was such an excellent fellow as Gnatho to feed at another man's table). Besides, if there is no more proper time and place to say,

Speak, tongue, if thou wilt utter jovial things,

than at a feast, and freedom and raillery is mixed with everything that is either done or said over a glass of wine, how should he behave himself, who is not a true principally invited guest, but as it were a bastard and supposititious intruder? For whether he is free or not, he lies open to the exception of the company. Besides, the very meanness and vileness of the name is no small evil to those who do not resent it but can quietly endure to be called and answer to the name of shadows. For, by enduring such base names, men are insensibly accustomed and drawn on to base actions. Therefore, when I make an invitation, for it is hard to break the custom of a place, I give my guests leave to bring shadows; but when I myself am invited as a shadow, I assure you I refuse to go.

A short silence followed this discourse; then Florus began thus: This last thing you mentioned, sir, is a greater difficulty than the other. For it is necessary when we invite our friends to give them liberty to choose their own shadows, as was before hinted; for to entertain them without their friends is not very obliging, nor is it very easy to know whom the person we invite would be most pleased with. Then said I to him: Consider therefore whether those that give their friends this license to invite do not at the same time give the invited license to accept the invitation and come to the entertainment. For it is not fit either to allow or to desire another to do that which is not decent to be done, or to urge and persuade to that which no one ought to be persuaded or to consent to do. When we entertain a great man or stranger, there we cannot invite or choose his company, but must receive those that come along with him. But when we feast a friend, it will be more acceptable if we ourselves invite all, as knowing his acquaintance and familiars; for it tickles him extremely to see that others take notice that he hath chiefly a respect for such and such, loves their company most, and is well pleased when they are honored and invited as well as he. Yet sometimes we must deal with our friend as petitioners do when they make addresses to a god; they offer vows to all that belong to the same altar and the same shrine, though they make no particular mention of their names. For no dainties, wine, or ointment can incline a man to merriment, as much as a pleasant agreeable companion. For as it is rude and ungenteel to inquire and ask what sort of meat, wine, or ointment the person whom we are to entertain loves best; so it is neither disobliging nor absurd to desire him who hath a great many acquaintance to bring those along with him whose company he likes most, and in whose conversation he can take the greatest pleasure. For it is not so irksome and tedious to sail in the same ship, to dwell in the same house, or be a judge upon the same bench, with a person whom we do not like, as to be at the same table with him; and the contrary is fully as pleasant. An entertainment is a communion of serious or merry discourse or actions; and therefore, to make a merry company, we should not pick up any person at a venture, but take only such as are known to one another and sociable. Cooks, it is true, mix sour and sweet juices, rough and oily, to make their sauces; but there never was an agreeable table or pleasant entertainment where the guests were not all of a piece, and all of the same humor. Now, as the Peripatetics say, the first mover in nature moves only and is not moved, and the last moved is moved only but does not move, and between these there is that which moves and is moved by others; so there is the same analogy between those three sorts of persons that make up a company,—there is the simple inviter, the simple invited and the invited that invites another. We have spoken already concerning the inviter, and it will not be improper, in my opinion, to deliver my sentiments about the other two. He that is invited and invites others, should, in my opinion, be sparing in the number that he brings. He should not, as if he were to forage in an enemy's country, carry all he can with him; or, like those who go to possess a new-found land, by the excessive number of his own friends, incommode or exclude the friends of the inviter, so that the inviter must be in the same case with those that set forth suppers to Hecate and the gods who turn away evil, of which neither they nor any of their family partake, except of the smoke and trouble. It is true they only speak in waggery that say,

He that at Delphi offers sacrifice Must after meat for his own dinner buy.

But the same thing really happens to him who entertains ill-bred guests or acquaintances, who with a great many shadows, as it were harpies, tear and devour his provision. Besides, he should not take anybody that he may come upon along with him to another's entertainment, but chiefly the entertainer's acquaintance, as it were contending with him and preceding him in the invitation. But if that cannot be effected, let him carry such of his own friends as the entertainer would choose himself; to a civil modest man, some of complaisant humor; to a learned man, ingenuous persons; to a man that hath borne office, some of the same rank; and, in short, such whose acquaintance he hath formerly sought and would be now glad of. For it will be extremely pleasing and obliging to bring such into company together; but one who brings to a feast men who have no likeness at all with the feast-maker, but who are entire aliens and strangers to him,—as hard drinkers to a sober man,—gluttons and sumptuous persons to a temperate thrifty entertainer,—or to a young, merry, boon companion, grave old philosophers solemnly speaking in their beards,—will be very disobliging, and turn all the intended mirth into an unpleasant sourness. The entertained should be as obliging to the entertainer as the entertainer to the entertained; and then he will be most obliging, when not only he himself, but all those that come by his means, are pleasant and agreeable.

The last of the three which remains to be spoken of is he that is invited by one man to another's feast. Now he that disdains and is so much offended at the name of a shadow will appear to be afraid of a mere shadow. But in this matter there is need of a great deal of caution, for it is not creditable readily to go along with every one and to everybody. But first you must consider who it is that invites; for if he is not a very familiar friend, but a rich or great man, such who, as if upon a stage, wants a large or splendid retinue, or such who thinks that he puts a great obligation upon you and does you a great deal of honor by this invitation, you must presently deny. But if he is your friend and particular acquaintance, you must not yield upon the first motion: but if there seems a necessity for some conversation which cannot be put off till another time, or if he is lately come from a journey or designs to go on one, and out of mere good-will and affection seems desirous of your company, and doth not desire to carry a great many, or strangers, but only some few friends along with him; or, besides all this, if he designs to bring you thus invited acquainted with the principal inviter, who is very worthy of your acquaintance, then consent and go. For as to ill-humored persons, the more they seize and take hold of us like thorns, we should endeavor to free ourselves from them or leap over them the more. If he that invites is a civil and well-bred person, yet doth not design to carry you to one of the same temper, you must refuse, lest you should take poison in honey, that is, get the acquaintance of a bad man by an honest friend. It is absurd to go to one you do not know, and with whom you never had any familiarity, unless, as I said before, the person be an extraordinary man, and, by a civil waiting, upon him at another man's invitation, you design to begin an acquaintance with him. And those friends you should chiefly go to as shadows, who would come to you again in the same quality. To Philip the jester, indeed, he seemed more ridiculous that came to a feast of his own accord than he that was invited; but to well-bred and civil friends it is more obliging for men of the same temper to come at the nick of time with other friends, when uninvited and unexpected; at once pleasing both to those that invite and those that entertain. But chiefly you must avoid going to rulers, rich or great men, lest you incur the deserved censure of being impudent, saucy, rude, and unseasonably ambitious.



QUESTION VII. WHETHER FLUTE-GIRLS ARE TO BE ALLOWED AT A FEAST?

DIOGENIANUS, A SOPHIST, PHILIP.

At Chaeronea, Diogenianus the Pertamenian being present, we had a long discourse once at an entertainment about music; and we had a great deal of trouble to hold out against a great bearded sophister of the Stoic sect, who quoted Plato as blaming a company that admitted flute-girls and were not able to entertain one another with discourse. And Philip the Prusian, of the same sect, said: Those guests of Agatho, whose discourse was more sweet than the sound of any pipe in the world, were no good authority in this case; for it was no wonder that in their company the flute-girl was not regarded; but it is strange that, in the midst of the entertainment, the extreme pleasantness of the discourse had not made them forget their meat and drink. Yet Xenophon thought it not indecent to bring in to Socrates, Antisthenes, and the like the jester Philip; as Homer doth an onion to make the wine relish. And Plato brought in Aristophanes's discourse of love, as a comedy, into his entertainment; and at the last, as it were drawing all the curtains, he shows a scene of the greatest variety imaginable,—Alcibiades drunk, frolicking, and crowned. Then follows that pleasant raillery between him and Socrates concerning Agatho, and the encomium of Socrates; and when such discourse was going on, good gods! Had it not been allowable, if Apollo himself had come in with his harp ready to desire the god to forbear till the argument was out? These men, having such a pleasant way of discoursing, used these arts and insinuating methods, and graced their entertainment's by such facetious raillery. But shall we, being mixed with tradesmen and merchants, and some (as it now and then happens) ignorants and rustics, banish out of our entertainments this ravishing delight, or fly the musicians, as if they were Sirens, as soon as we see them coming? Clitomachus the wrestler, rising and getting away when any one talked of love, was much wondered at; and should not a philosopher that banisheth music from a feast, and is afraid of a musician, and bids his link boy presently light his link and be gone, be laughed at, since he seems to abominate the most innocent pleasures, as beetles do ointment? For, if at any time, certainly over a glass of wine, music should be permitted, and then chiefly the harmonious god should have the direction of our souls; so that Euripides, though I like him very well in other things, shall never persuade me that music, as he would have it, should be applied to melancholy and grief. For there sober and serious reason, like a physician, should take care of the diseased men; but those pleasures should be mixed with Bacchus, and serve to increase our mirth and frolic. Therefore it was a pleasant saying of that Spartan at Athens, who, when some new tragedians were to contend for the prize, seeing the preparations of the masters of the dances, the hurry and busy diligence of the instructors, said, the city was certainly mad which sported with so much pains. He that designs to sport should sport, and not buy his case and pleasure with great expense, or the loss of that time which might be useful to other things; but whilst he is feasting and free from business, those should be enjoyed. And it is advisable to try amidst our mirth, whether any profit is to be gotten from our delights.



QUESTION VIII. WHAT SORT OF MUSIC IS FITTEST FOR AN ENTERTAINMENT?

DIOGENIANUS, A SOPHIST, PHILIP.

When Philip had ended, I hindered the sophister from returning an answer to the discourse, and said: Let us rather inquire, Diogenianus, since there are a great many sorts of music, which is fittest for an entertainment. And let us beg this learned man's judgment in this case; for since he is not prejudiced or apt to be biased by any sort, there is no danger that he should prefer that which is pleasantest before that which is best. Diogenianus joining with me in this request, he presently began. All other sorts I banish to the theatre and playhouse, and can only allow that which hath been lately admitted into the entertainments at Rome, and with which everybody is not yet acquainted. You know, continued he, that some of Plato's dialogues are purely narrative, and some dramatic. The easiest of this latter sort they teach their children to speak by heart; making them to imitate the actions of those persons they represent, and to form their voice and affections to be agreeable to the words. This all the grave and well-bred men exceedingly admire; but soft and effeminate fellows, whose ears ignorance and ill-breeding hath corrupted, and who, as Aristoxenus phraseth it, are ready to vomit when they hear excellent harmony, reject it; and no wonder, when effeminacy prevails.

Philip, perceiving some of the company uneasy at this discourse, said: Pray spare us, sir, and be not so severe upon us; for we were the first that found fault with that custom when it first began to be countenanced in Rome, and reprehended those who thought Plato fit to entertain us whilst we were making merry, and who would hear his dialogues whilst they were eating cates and scattering perfumes. When Sappho's songs or Anaereon's verses are recited, I protest I think it decent to set aside my cup. But should I proceed, perhaps you would think me much in earnest, and designing to oppose you, and therefore, together with this cup which I present my friend, I leave it to him to wash your salt ear with fresh discourse.

Then Diogenianus, taking the cup, said: Methinks this is very sober discourse, which makes me believe that the wine doth not please you, since I see no effect of it; so that I fear I ought to be corrected. Indeed, many sorts of music are not to be rejected; first, tragedy, as having nothing familiar enough for an entertainment, and being a representation of actions attended with grief and extremity of passion. I reject the sort of dancing which is called Pyladean from Pylades, because it is full of pomp, very pathetical, and requires a great many persons; but if we would admit any of those sorts that deserve those encomiums which Socrates mentions in his discourse about dancing, I like that sort called Bathyllean, which requires not so high a motion, but hath something of the character of the Cordax, and resembles the motion of an Echo, a Pan, or a Satyr frolicking with love. Old comedy is not fit for men that are making merry, by reason of the excuses that appear in it; for that vehemency which they use in the parabasis is loud and indecent, and the liberty they take to scoff and abuse is very surfeiting, too open, and full of filthy words and lewd expressions. Besides, as at great men's tables every man hath a servant waiting at his elbow, so each of his guests would need a grammarian to sit by him, and explain who is Laespodias in Eupolis, Cinesias in Plato, and Lampo in Cratinus, and who is each person that is jeered in the play. Concerning new comedy there is no need of any long discourse. It is so fitted, so interwoven with entertainments, that it is easier to have a regular feast without wine, than without Menander. Its phrase is sweet and familiar, the Humor innocent and easy, so that there is nothing for men whilst sober to despise, or when merry to be troubled at. The sentiments are so natural and unstudied, that midst wine, as it were in fire, they soften and bend the rigidest temper to be pliable and easy. And the mixture of gravity and jests seems to be contrived for nothing so aptly as for the pleasure and profit of those that are frolicking and making merry. The love-scenes in Menander are convenient for those who have already drunk their cups, and who in a short time must retire home to their wives; for in all his plays there is no love of boys mentioned, and all rapes committed on virgins and decently in marriages at last. As for misses, if they are impudent and jilting, they are bobbed, the young gallants turning sober, and repenting of their lewd courses. But if they are kind and constant, either their true parents are discovered, or a time is determined for intrigue, which brings them at last to obliging modesty and civil kindness. These things to men busied about other matters may seem scarce worth taking notice of; but whilst they are making merry, it is no wonder that the pleasantness and smoothness of the parts should work a neat conformity and distinction in the hearers and make their manners like the pattern they have from those genteel characters.

Diogenianus, either designedly or for want of breath ended thus. And when the sophister attacked him again, and contended that some of Aristophanes's verses should be read, Philip speaking to me said: Diogenianus hath had his wish in praising his beloved Menander, and seems not to care for any of the rest. There are a great many sorts which we have not at all considered, concerning which I should be very glad to have your opinion; and the prize for the carvers we will set up to-morrow, when we are sober, if Diogenianus and this stranger think fit. Of representations, said I, some are allegorical, and some are farces; neither of these are fit for an entertainment; the first by reason of their length and cost, and the latter being so full of filthy discourse and lewd actions, that they are not fit to be seen by the foot-boys that wait on civil masters. Yet the rabble, even with their wives and young sons, sit quietly to be spectators of such representations as are apt to disturb the soul more than the greatest debauch in drink. The harp ever since Homer's time was well acquainted with feasts and entertainments, and therefore it is not fitting to dissolve such an ancient friendship and acquaintance; but we should only desire the harpers to forbear their sad notes and melancholy tunes, and play only those that are delighting, and fit for such as are making merry. The pipe, if we would, we cannot reject, for the libation in the beginning of the entertainment requires that as well as the garland. Then it insinuates and passeth through the ears, spreading even to the very soul a pleasant sound, which produceth serenity and calmness; so that, if the wine hath not quite dissolved or driven away all vexing solicitous anxiety this, by the softness and delightful agreeableness of its sound, smooths and calms the spirits, if so be that it keeps within due bounds, and doth not elevate too much, and, by its numerous surprising divisions, raise an ecstasy in the soul which wine hath weakened and made easy to be perverted. For as brutes do not understand a rational discourse, yet lie down or rise up at the sound of a shell or whistle, or of a chirp or clap; so the brutish part of the soul, which is either incapable of understanding or obeying reason, men conquer by songs and tunes, and by music reduce it to tolerable order. But to speak freely what I think, no pipe nor harp simply played upon, and without a song with it, can be very fit for an entertainment. For we should still accustom ourselves to take our chiefest pleasure from discourse, and spend our leisure time in profitable talk, and use tunes and airs as a sauce for the discourse, and not singly by themselves, to please the unreasonable delicacy of our palate. For as nobody is against pleasure that ariseth from sauce or wine going in with our necessary food, but Socrates flouts and refuseth to admit that superfluous and vain pleasure which we take in perfumes and odors at a feast; thus the sound of a pipe or harp, when singly applied to our ears, we utterly reject, but if it accompanies words, and together with an ode feasts and delights our reason, we gladly introduce it. And we believe the famed Marsyas was punished by Apollo for pretending, when he had nothing but his single pipe, and his muzzle to apply to his lips, to contend with the harp and song of the god. Let us only take care that, when we have such guests as are able to cheer one another with philosophy and good discourse we do not introduce anything that may rather prove an uneasy hindrance to the conversation than promote it. For not only those are fools, who, as Euripides says, having safety at home and in their own power, yet would hire some from abroad; but those too who, having pleasantness enough within, are eager after some external pastimes to comfort and delight them. That extraordinary piece of honor which the Persian king showed Antalcidas the Spartan seemed rude and uncivil, when he dipped a garland composed of crocus and roses in ointment, and sent it him to wear, by that dipping putting a slight upon and spoiling the natural sweetness and beauty of the flowers. He doth as bad, who having a Muse in his own breast, and all the pleasantness that would fit an entertainment, will have pipes and harps play, and by that external adventitious noise destroy all the sweetness that was proper and his own. But in short, all ear-delights are fittest then, when the company begins to be disturbed, to fall out, and quarrel, for then they may prevent raillery and reproach, and stop the dispute that is running on to sophistical and unpleasant wrangling, and bridle all babbling declamatory altercations, so that the company may be freed of noise and quietly composed.



QUESTION IX. THAT IT WAS THE CUSTOM OF THE GREEKS AS WELL AS PERSIANS TO DEBATE OF STATE AFFAIRS AT THEIR ENTERTAINMENTS.

NICOSTRATUS, GLAUCIAS.

At Nicostratus's table we discoursed of those matters which the Athenians were to debate of in their next assembly. And one of the company saying, It is the Persian fashion, sir, to debate midst your cups; And why, said Glaucias rejoining, not the Grecian fashion? For it was a Greek that said,

After your belly's full, your counsel's best.

And they were Greeks who with Agamemnon besieged Troy, to whom, whilst they were eating and drinking,

Old Nestor first began a grave debate; ("Iliad," vii. 324.)

and he himself advised the king before to call the commanders together for the same purpose:—

For the commanders, sir, a feast prepare, And see who counsels best, and follow him. (Ibid, ix. 70 and 74.)

Therefore Greece, having a great many excellent institutions, and zealously following the customs of the ancients, hath laid the foundations of her polities in wine. For the assemblies in Crete called Andria, those in Sparta called Phiditia, were secret consultations and aristocratical assemblies; such, I suppose, as the Prytaneum and Thesmothesium here at Athens. And not different from these is that night-meeting, which Plato mentions, of the best and most polite men, to which the greatest, the most considerable and puzzling matters are assigned. And those

Who, when they do design to seek their rest, To Mercury their just libations pour, ("Odyssey," vii. 138.)

do they not join reason and wine together, since, when they are about to retire, they make their vows to the wisest god, as if he was present and particularly president over their actions? But the ancients indeed call Bacchus the good counsellor, as if he had no need of Mercury; and for his sake they named the night [Greek omitted] as it were, GOOD ADVISER.



QUESTION X. WHETHER THEY DID WELL WHO DELIBERATED MIDST THEIR CUPS.

GLAUCIAS, NICOSTRATUS.

Whilst Glaucias was discoursing thus, the former tumultuous talk seemed to be pretty well lulled; and that it might be quite forgotten, Nicostratus started another question, saying, he never valued the matter before, whilst he thought it a Persian custom, but since it was discovered to be the Greek fashion too, it wanted (he thought) some reason to excuse or defend its seeming absurdity. For our reason ( much moisture, is hard to be moved, and unable to perform its operations. And all sorts of troubles and discontents, like insects to the sun, creeping forth, and being agitated by a glass of wine, make the mind irresolute and inconstant. Therefore as a bed is more convenient for a man whilst making merry than a chair, because it contains the whole body and keeps it from all disturbing motion, so it is best to have the soul perfectly at quiet; or, if that cannot be, we must give it, as to children that will be doing, not a sword or spear, but a rattle or a ball,—in this following the example of the god himself, who puts into the hands of those that are making merry a ferula, the lightest and softest of all weapons, that, when they are most apt to strike, they may hurt least. Over a glass of wine men should make only ridiculous slips, and not such as may prove tragical, lamentable, or of any considerable concern. Besides, in serious debates, it is chiefly to be considered, that persons of mean understanding and unacquainted with business should be guided by the wise and experienced; but wine destroys this order. Insomuch that Plato says, wine is called [Greek omitted] because it makes those that drink it [Greek omitted] think that they have wit; for none over a glass of wine thinks himself so noble, beauteous, or rich (though he fancies himself all these), as wise; and therefore wine is babbling, full of talk, and of a dictating humor; so that we are rather for being heard than hearing, for leading than being led. But a thousand such objections may be raised, for they are very obvious. But let us hear which of the company, either old or young, can allege anything for the contrary opinion.

Then said my brother cunningly: And do you imagine that any, upon a sudden, can produce any probable reasons? And Nicostratus replying, Yes, no doubt, there being so many learned men and good drinkers in company; he with a smile continued: Do you think, sir, you are fit to treat of these matters, when wine hath disabled you to discourse of politics and state affairs? Or is not this all the same as to think that a man in his liquor doth not see very well nor understand those that talk and discourse with him, yet hears the music and the pipers very well? For as it is likely that useful and profitable things draw and affect the sense more than fine and gaudy; so likewise they do the mind too. And I shall not wonder that the nice philosophical speculation should escape a man who hath drunk freely; but yet, I think, if he were called to political debates, his wisdom would become more strong and vigorous. Thus Philip at Chaeronea, being well heated, talked very foolishly, and was the sport of the whole company; but as soon as they began to discourse of a truce and peace, he composed his countenance, contracted his brows, and dismissing all vain, empty and dissolute thoughts, he gave an excellent, wise, and sober answer to the Athenians. To drink freely is different from being drunk, and those that drink till they grow foolish ought to retire to bed. But as for those that drink freely and are otherwise men of sense, why should we fear that they will fail in their understanding or lose their skill, when we see that musicians play as well at a feast as in a theatre? For when skill and art are found in the soul, they make the body correct and proper in its operations, and obedient to the motions of the spirit. Besides, wine inspirits some men, and raises a confidence and assurance in them, but not such as is haughty and odious, but pleasing and agreeable. Thus they say that Aeschylus composed his tragedies over a bottle, and that all his plays (though Gorgias thought that one of them, the "Seven against Thebes," was full of Mars) were Bacchus's. For wine (according to Plato), heating the soul together with the body, makes the body pliable, quick, and active, and opens the passages; while the fancies draw in discourse with boldness, and daring.

For some have a good natural invention, yet whilst they are sober are too diffident and too close, but midst their wine, like frankincense, exhale and open at the heat. Besides, wine expels all fear, which is the greatest hindrance to all consultations, and quencheth many other degenerate and lazy passions; it opens the rancor and malice, as it were, the two-leaved doors of the soul, and displays the whole disposition and qualities of any person in his discourse. Freedom of speech, and, through that, truth it principally produceth; which it once wanting, neither quickness of wit nor experience availeth anything; and many proposing that which comes next rather hit the matter, than if they warily and designedly conceal their present sentiments. Therefore there is no reason to fear that wine will stir up our affections; for it never stirs up the bad, unless in the worst men, whose judgment is never sober. But as Theophrastus used to call the barbers' shops wineless entertainments; so there is a kind of an uncouth wineless drunkenness always excited either by anger, malice, emulation, or clownishness in the souls of the unlearned. Now wine, blunting rather than sharpening many of these passions, doth not make them sots and foolish, but simple and ingenuous; not negligent of what is profitable, but desirous of what is good and honest. Now those that think craft to be cunning, and vanity or closeness to be wisdom, have reason to think those that over a glass of wine plainly and ingenuously deliver their opinions to be fools. But, on the contrary, the ancients called the god the Freer and Loosener, and thought him considerable in divination; not, as Euripides says, because he makes men raging mad, but because he looseth and frees the soul from all base distrustful fear, and puts them in a condition to speak truth freely to one another.



BOOK VIII.

Those, my Sossius Senecio, who throw philosophy out of entertainments do worse than those who take away a light. For the candle being removed, the temperate and sober guests will not become worse than they were before, being more concerned to reverence than to see one another. But if dulness and disregard to good learning wait upon the wine, Minerva's golden lamp itself could not make the entertainment pleasing and agreeable. For a company to sit silent and only cram themselves is, in good truth, swinish and almost impossible. But he that permits men to talk, yet doth not allow set and profitable discourses, is much more ridiculous than he who thinks that his guests should eat and drink, yet gives them foul wine, unsavory and nastily prepared meat. For no meat nor drink which is not prepared as it ought to be is so hurtful and unpleasant as discourse which is carried round in company insignificantly and out of season. The philosophers, when they would give drunkenness a vile name, call it doting by wine. Now doting is to use vain and trifling discourse; and when such babbling is accompanied by wine, it usually ends in most disagreeable and rude contumely and reproach. It is a good custom therefore of our women, who in their feasts called Agrionia seek after Bacchus as if he were run away, but in a little time give over the search, and cry that he is fled to the Muses and lurks with them; and some time after, when supper is done, put riddles and hard questions to one another. For this mystery teaches us, that midst our entertainments we should use learned and philosophical discourse, and such as hath a Muse in it; and that such discourse being applied to drunkenness, everything that is brutish and outrageous in it is concealed, being pleasingly restrained by the Muses.

This book, being the eighth of my Symposiacs, begins with that discourse in which about a year ago, on Plato's birthday, I was concerned.



QUESTION I. CONCERNING THOSE DAYS IN WHICH SOME FAMOUS MEN WERE BORN; AND ALSO CONCERNING THE GENERATION OF THE GODS.

DIOGENIANUS, PLUTARCH, FLORUS, TYNDARES.

On the sixth day of May we celebrated Socrates's birthday, and on the seventh Plato's; and that first prompted us to such discourse as was suitable to the meeting, which Diogenianus the Pergamenian began thus: Ion, said he, was happy in his expression, when he said that Fortune, though much unlike Wisdom, yet did many things very much like her; and that she seemed to have some order and design, not only in placing the nativities of these two philosophers so near together, but in setting the birthday of the most famous of the two first, who was also the master of the other. I had a great deal to say to the company concerning some notable things that fell out on the same day, as concerning the time of Euripides's birth and death; for he was born the same day that the Greeks beat Xerxes by sea at Salamis, and died the same day that Dionysius the elder, the Sicilian tyrant, was born,—Fortune (as Timaeus hath it) at the same time taking out of the world a representer, and bringing into it a real actor, of tragedies. Besides, we remembered that Alexander the king and Diogenes the Cynic died upon the same day. And all agreed that Attalus the king died on his own birthday. And some said, that Pompey the great was killed in Egypt on his birthday, or, as others will have it, a day before. We remember Pindar also, who, being born at the time of the Pythian games, made afterwards a great many excellent hymns in honor of Apollo.

To this Florus subjoined: Now we are celebrating Plato's nativity, why should we not mention Carneades, the most famous of the whole Academy, since both of them were born on Apollo's feast; Plato, whilst they were celebrating the Thargelia at Athens, Carneades, whilst the Cyrenians kept their Carnea; and both these feasts are, upon the same day. Nay, the god himself you (he continued), his priests and prophets, call Hebdomagenes, as if he were born on the seventh day. And therefore those who make Apollo Plato's father do not, in my opinion, dishonor the god; since by Socrates's as by another Chiron's instructions he is become a physician for the diseases of the mind. And together with this, he mentioned that vision and voice which forbade Aristo, Plato's father, to come near or lie with his wife for ten months.

To this Tyndares the Spartan subjoined: It is very fit we should apply that to Plato,

He seemed not sprung from mortal man, but God. ("Iliad," xxiv. 258.)

But, for my part, I am afraid to beget, as well as to be begotten, is repugnant to the incorruptibility of the deity. For that implies a change and passion; as Alexander imagined, when he said that he knew himself to be mortal as often as he lay with a woman or slept. For sleep is a relaxation of the body, occasioned by the weakness of our nature; and all generation is a corruptive parting with some of our own substance. But yet I take heart again, when I hear Plato call the eternal and unbegotten deity the father and maker of the world and all other begotten things; not as if he parted with any seed, but as if by his power he implanted a generative principle in matter, which acts upon, forms, and fashions it. Winds passing through a hen will on occasions impregnate her; and it seems no incredible thing, that the deity, though not after the fashion of a man, but by some other certain communication, fills a mortal creature with some divine conception. Nor is this my sense; but the Egyptians who say Apis was conceived by the influence of the moon, and make no question but that an immortal god may have communication with a mortal woman. But on the contrary, they think that no mortal can beget anything on a goddess, because they believe the goddesses are made of thin air, and subtle heat and moisture.



QUESTION II. WHAT IS PLATO'S MEANING, WHEN HE SAYS THAT GOD ALWAYS PLAYS THE GEOMETER?

DIOGENIANUS, TYNDARES, FLORUS, AUTOBULUS.

Silence following this discourse, Diogenianus began again and said: Since our discourse is about the gods, shall we, especially on his own birthday, admit Plato to the conference, and inquire upon what account he says (supposing it to be his sentence) that God always plays the geometer? I said that this sentence was not plainly set down in any of his books; yet there are good arguments that it is his, and it is very much like his expression. Tyndares presently subjoining said: Perhaps, Diogenianus, you imagine that this sentence intimates some curious and difficult speculation, and not that which he hath so often mentioned, when he praiseth geometry as a science that takes off men from sensible objects, and makes them apply themselves to the intelligible and eternal Nature, the contemplation of which is the end of philosophy, as the view of the initiatory mysteries into holy rites. For the nail of pain and pleasure, that fastens the soul to the body, seems to do us the greatest mischief, by making sensible things more powerful over us than intelligible, and by forcing the understanding to determine the rather according to passion than reason. For this faculty, being accustomed by the vehemency of pain or pleasure to be intent on the mutable and uncertain body, as if it really and truly were, grows blind as to that which really is, and loses that instrument and light of the soul, which is worth a thousand bodies, and by which alone the deity can be discovered. Now in all sciences, as in plain and smooth mirrors, some marks and images of the truth of intelligible objects appear, but in geometry chiefly; which, according to Philo, is the chief and principal of all, and doth bring back and turn the understanding, as it were, purged and gently loosened from sense. And therefore Plato himself dislikes Eudoxus, Archytas, and Menaechmus for endeavoring to bring down the doubling the cube to mechanical operations; for by this means all that was good in geometry would be lost and corrupted, it falling back again to sensible things, and not rising upward and considering immaterial and immortal images, in which God being versed is always God.

After Tyndares, Florus, a companion of his, and who always jocosely pretended to be his admirer, said thus: Sir, we are obliged to you for making your discourse not proper to yourself, but common to us all; for you have made it possible to disprove it by demonstrating that geometry is not necessary to the gods, but to us. Now the deity doth not stand in need of science, as an instrument to withdraw his intellect from things created and to turn it to the real things; for these are all in him, with him, and about him. But pray consider whether Plato, though you do not apprehend it, doth not intimate something that is proper and peculiar to you, mixing Lycurgus with Socrates, as much as Dicaearchus thought he did Pythagoras. For Lycurgus, I suppose you know, banished out of Sparta all arithmetical proportion, as being democratical and favoring the crowd; but introduced the geometrical, as agreeable to an oligarchy and kingly government that rules by law; for the former gives an equal share to every one according to number, but the other gives according to the proportion of the deserts. It doth not huddle all things together, but in it there is a fair discretion of good and bad, every one having what is fit for him, not by lot or weight, but according as he is virtuous or vicious. The same proportion, my dear Tyndares, God introduceth, which is called [Greek omitted] and [Greek omitted], and which teacheth us to account that which is just equal, and not that which is equal just. For that equality which many affect, being often the greatest injustice, God, as much as possible, takes away; and useth that proportion which respects every man's deserts, geometrically defining it according to law and reason.

This exposition we applauded; and Tyndares, saying he envied him, desired Autobulus to engage Florus and confute his discourse. That he refused to do, but produced another opinion of his own. Geometry, said he, considers nothing else but the accidents and properties of the extremities of bodies; neither did God make the world any other way than by terminating matter, which was infinite before. Not that matter was actually without limits as to either magnitude or multitude; but the ancients used to call that infinite which by reason of its confusion and disorder is undetermined and unconfined. Now the terms of everything that is formed or figured are the form and figure of that thing, and without which the thing would be formless and unfigured. Now numbers and proportions being applied to matter, it is circumscribed and as it were bound up by lines, and through lines by surfaces and solids; and so were settled the first types and differences of bodies, as foundations from which to create the four elements, fire, air, water, and earth. For it was impossible that, out of an unsteady and confused matter, the equality of the sides, the likeness of the angles, and the exact proportion of octahedrons, icosahedrons, pyramids, and cubes should be deduced, unless by some power that terminated and shaped every particle of matter. Therefore, terms being fixed to that which was undetermined or infinite before, the whole became and still continues agreeable in all parts, and excellently terminated and mixed; the matter indeed always affecting an indeterminate state, and flying all geometrical confinement, but proportion terminating and circumscribing it, and dividing it into several differences and forms, out of which all things that arise are generated and subsist.

When he had said this, he desired me to contribute something to the discourse; and I applauded their conceits as their own devices, and very probable. But lest you despise yourselves (I continued) and altogether look for some external explication, attend to an exposition upon this sentence, which your masters very much approve. Amongst the most geometrical theorems, or rather problems, this is one: Two figures being given, to describe a third, which shall be equal to one and similar to the other. And it is reported that Pythagoras, upon the discovery of this problem, offered a sacrifice to the gods; for this is a much more exquisite theorem than that which lays down, that the square of the hypothenuse in a right-angled triangle is equal to the squares of the two sides. Right, said Diogenianus, but what is this to the present question? You will easily understand, I replied, if you call to mind how Timaeus divides that which gave the world its beginning into three parts. One of which is justly called God, the other matter, and the third form. That which is called matter is the most confused subject, the form the most beautiful pattern, and God the best of causes. Now this cause, as far as possible, would leave nothing infinite and indeterminate, but adorn Nature with number, measure, and proportion making one thing of all the subjects together, equal to the matter, and similar to the form. Therefore proposing to himself this problem, he made and still makes a third, and always preserves it equal to the matter, and like the form; and that is the world. And this world, being in constant changes and alterations because of the natural necessity of body, is helped and preserved by the father and maker of all things, who by proportion terminates the substance according to the pattern.



QUESTION III. WHY NOISES ARE BETTER HEARD IN THE NIGHT THAN THE DAY.

AMMONIUS, BOETHUS, PLUTARCH, THRASYLLUS, ARISTODEMUS.

When we supped with Ammonius at Athens, who was then the third time captain of the city-bands, there was a great noise about the house, some without doors calling, Captain! Captain! After he had sent his officers to quiet the tumult, and had dispersed the crowd, we began to inquire what was the reason that those that are within doors hear those that are without, but those that are without cannot hear those that are within as well. And Ammonius said, that Aristotle had given a reason for that already; for the sound of those within, being carried without into a large tract of air, grows weaker presently and is lost; but that which comes in from without is not subject to the like casualty, but is kept close, and is therefore more easy to be heard. But that seemed a more difficult question, Why sounds seem greater in the night than in the day, and yet altogether as clear. For my own part (continued he) I think Providence hath very wisely contrived that our hearing should be quickest when our sight can do us very little or no service; for the air of the "blind and solitary Night," as Empedocles calls it, being dark, supplies in the ears that defect of sense which it makes in the eyes. But since of natural effects we should endeavor to find the causes, and to discover what are the material and mechanical principles of things is the proper task of a natural philosopher, who shall first give us a rational account hereof?

Boethus began, and said: When I was a novice in letters, I then made use of geometrical postulates, and assumed as undoubted truths some undemonstrated suppositions; and now I shall make use of some propositions which Epicurus hath demonstrated already. Bodies move in a vacuum, and there are a great many spaces interspersed among the atoms of the air. Now when the air being rarefied is more extended, so as to fill the vacant space, there are only a few vacuities scattered and interspersed among the particles of matter; but when the atoms of air are condensed and laid close together, they leave a vast empty space, convenient and sufficient for other bodies to pass through. Now the coldness of the night makes such a constipation. Heat opens and separates parts of condensed bodies, and therefore bodies that boil, grow soft, or melt, require a greater space than before; but, on the contrary, the parts of the body that are condensed or freeze are contracted closer to one another, and leave those vessels and places from which they retired partly empty. Now the sound, meeting and striking against a great many bodies in its way, is either altogether lost or scattered, and very much and very frequently hindered in its passage; but when it hath a plain and smooth way through an empty space, and comes to the ear uninterrupted, the passage is so sudden, that it preserves its articulate distinctness, as well as the words it carries. You may observe that empty vessels, when knocked, answer presently, send out a noise to a great distance, and oftentimes the sound whirled round in the hollow breaks out with a considerable force; whilst a vessel that is filled either with a liquid or a solid body will not answer to a stroke, because the sound hath no room or passage to come through. And among solid bodies themselves, gold and stone, because they want pores, can hardly be made to sound; and when a noise is made by a stroke upon them, it is very flat, and presently lost. But brass is sounding, it being a porous, rare, and light metal, not consisting of parts tightly compacted, but being mixed with a yielding and uncompacted substance, which gives free passage to other motions, and kindly receiving the sound sends it forward; till some touching the instrument do, as it were, seize on it in the way, and stop the hollow; for then, by reason of the hindering force, it stops and goes no further. And this, in my opinion, is the reason why the night is more sonorous, and the day less; since in the day, the heat rarefying the air makes the empty spaces between the particles to be very little. But, pray, let none argue against the suppositions I assumed.