[Greek: tlaeton gar Moirai thumon thesan anthropoisin—]

"for an enduring heart have the destinies appointed to the children of men!"

And the more that men's minds are cleared, the more that the results of science are frankly accepted, the more that poetry and eloquence come to be received and studied as what in truth they really are,—the criticism of life by gifted men, alive and active with extraordinary power at an unusual number of points;—so much the more will the value of humane letters, and of art also, which is an utterance having a like kind of power with theirs, be felt and acknowledged, and their place in education be secured.

Let us therefore, all of us, avoid indeed as much as possible any invidious comparison between the merits of humane letters, as means of education, and the merits of the natural sciences. But when some President of a Section for Mechanical Science insists on making the comparison, and tells us that "he who in his training has substituted literature and history for natural science has chosen the less useful alternative," let us make answer to him that the student of humane letters only, will, at least, know also the great general conceptions brought in by modern physical science; for science, as Professor Huxley says, forces them upon us all. But the student of the natural sciences only, will, by our very hypothesis, know nothing of humane letters; not to mention that in setting himself to be perpetually accumulating natural knowledge, he sets himself to do what only specialists have in general the gift for doing genially. And so he will probably be unsatisfied, or at any rate incomplete, and even more incomplete than the student of humane letters only.

I once mentioned in a school report, how a young man in one of our English training colleges having to paraphrase the passage in Macbeth beginning,

Canst thou not minister to a mind diseased?

turned this line into, "Can you not wait upon the lunatic?" And I remarked what a curious state of things it would be, if every pupil of our national schools knew, let us say, that the moon is two thousand one hundred and sixty miles in diameter, and thought at the same time that a good paraphrase for

Canst thou not minister to a mind diseased?

was, "Can you not wait upon the lunatic?" If one is driven to choose, I think I would rather have a young person ignorant about the moon's diameter, but aware that "Can you not wait upon the lunatic?" is bad, than a young person whose education had been such as to manage things the other way.

Or to go higher than the pupils of our national schools. I have in my mind's eye a member of our British Parliament who comes to travel here in America, who afterwards relates his travels, and who shows a really masterly knowledge of the geology of this great country and of its mining capabilities, but who ends by gravely suggesting that the United States should borrow a prince from our Royal Family, and should make him their king, and should create a House of Lords of great landed proprietors after the pattern of ours; and then America, he thinks, would have her future happily and perfectly secured. Surely, in this case, the President of the Section for Mechanical Science would himself hardly say that our member of Parliament, by concentrating himself upon geology and mineralogy, and so on, and not attending to literature and history, had "chosen the more useful alternative."

If then there is to be separation and option between humane letters on the one hand, and the natural sciences on the other, the great majority of mankind, all who have not exceptional and overpowering aptitudes for the study of nature, would do well, I cannot but think, to choose to be educated in humane letters rather than in the natural sciences. Letters will call out their being at more points, will make them live more.

I said that before I ended I would just touch on the question of classical education, and I will keep my word. Even if literature is to retain a large place in our education, yet Latin and Greek, say the friends of progress, will certainly have to go. Greek is the grand offender in the eyes of these gentlemen. The attackers of the established course of study think that against Greek, at any rate, they have irresistible arguments. Literature may perhaps be needed in education, they say; but why on earth should it be Greek literature? Why not French or German? Nay, "has not an Englishman models in his own literature of every kind of excellence?" As before, it is not on any weak pleadings of my own that I rely for convincing the gainsayers; it is on the constitution of human nature itself, and on the instinct of self-preservation in humanity. The instinct for beauty is set in human nature, as surely as the instinct for knowledge is set there, or the instinct for conduct. If the instinct for beauty is served by Greek literature and art as it is served by no other literature and art, we may trust to the instinct of self-preservation in humanity for keeping Greek as part of our culture. We may trust to it for even making the study of Greek more prevalent than it is now. Greek will come, I hope, some day to be studied more rationally than at present; but it will be increasingly studied as men increasingly feel the need in them for beauty, and how powerfully Greek art and Greek literature can serve this need. Women will again study Greek, as Lady Jane Grey did; I believe that in that chain of forts, with which the fair host of the Amazons are now engirdling our English universities,—I find that here in America, in colleges like Smith College in Massachusetts, and Vassar College in the State of New York, and in the happy families of the mixed universities out West,—they are studying it already.

Defuit una mihi symmetria prisca,—"The antique symmetry was the one thing wanting to me," said Leonardo da Vinci; and he was an Italian. I will not presume to speak for the Americans, but I am sure that, in the Englishman, the want of this admirable symmetry of the Greeks is a thousand times more great and crying than in any Italian. The results of the want show themselves most glaringly, perhaps, in our architecture, but they show themselves, also, in all our art. Fit details strictly combined, in view of a large general result nobly conceived; that is just the beautiful symmetria prisca of the Greeks, and it is just where we English fail, where all our art fails. Striking ideas we have, and well-executed details we have; but that high symmetry which, with satisfying and delightful effect, combines them, we seldom or never have. The glorious beauty of the Acropolis at Athens did not come from single fine things stuck about on that hill, a statue here, a gateway there;—no, it arose from all things being perfectly combined for a supreme total effect. What must not an Englishman feel about our deficiencies in this respect, as the sense for beauty, whereof this symmetry is an essential element, awakens and strengthens within him! what will not one day be his respect and desire for Greece and its symmetria prisca, when the scales drop from his eyes as he walks the London streets, and he sees such a lesson in meanness as the Strand, for instance, in its true deformity! But here we are coming to our friend Mr. Ruskin's province, and I will not intrude upon it, for he is its very sufficient guardian.

And so we at last find, it seems, we find flowing in favor of the humanities the natural and necessary stream of things, which seemed against them when we started. The "hairy quadruped furnished with a tail and pointed ears, probably arboreal in his habits," this good fellow carried hidden in his nature, apparently, something destined to develop into a necessity for humane letters. Nay, more: we seem finally to be even led to the further conclusion that our hairy ancestor carried in his nature, also, a necessity for Greek.

And therefore, to say the truth, I cannot really think that humane letters are in much actual danger of being thrust out from their leading place in education, in spite of the array of authorities against them at this moment. So long as human nature is what it is, their attractions will remain irresistible. As with Greek, so with letters generally: they will some day come, we may hope, to be studied more rationally, but they will not lose their place. What will happen will rather be that there will be crowded into education other matters besides, far too many; there will be, perhaps, a period of unsettlement and confusion and false tendency; but letters will not in the end lose their leading place. If they lose it for a time, they will get it back again. We shall be brought back to them by our wants and aspirations. And a poor humanist may possess his soul in patience, neither strive nor cry, admit the energy and brilliancy of the partisans of physical science, and their present favor with the public, to be far greater than his own, and still have a happy faith that the nature of things works silently on behalf of the studies which he loves, and that, while we shall all have to acquaint ourselves with the great results reached by modern science, and to give ourselves as much training in its disciplines as we can conveniently carry, yet the majority of men will always require humane letters; and so much the more, as they have the more and the greater results of science to relate to the need in man for conduct, and to the need in him for beauty.

FOOTNOTES:

[Footnote 20: From "Discourses in America," 1885.]

[Footnote 21: From Ecclesiastes, viii. 17.]

[Footnote 22: From the "Iliad," xxiv. 49.]



HOW TO READ[23]

FREDERIC HARRISON

It is the fashion for those who have any connection with letters to expatiate on the infinite blessings of literature, and the miraculous achievements of the press: to extol, as a gift above price, the taste for study and the love of reading. Far be it from me to gainsay the inestimable value of good books, or to discourage any man from reading the best; but I often think that we forget that other side to this glorious view of literature—the misuse of books, the debilitating waste of brain in aimless, promiscuous, vapid reading, or even, it may be, in the poisonous inhalation of mere literary garbage and bad men's worst thoughts.

For what can a book be more than the man who wrote it? The brightest genius seldom puts the best of his own soul into his printed page; and some famous men have certainly put the worst of theirs. Yet are all men desirable companions, much less teachers, able to give us advice, even of those who get reputation and command a hearing? To put out of the question that writing which is positively bad, are we not, amidst the multiplicity of books and of writers, in continual danger of being drawn off by what is stimulating rather than solid, by curiosity after something accidentally notorious, by what has no intelligible thing to recommend it, except that it is new? Now, to stuff our minds with what is simply trivial, simply curious, or that which at best has but a low nutritive power, this is to close our minds to what is solid and enlarging, and spiritually sustaining. Whether our neglect of the great books comes from our not reading at all, or from an incorrigible habit of reading the little books, it ends in just the same thing. And that thing is ignorance of all the greater literature of the world. To neglect all the abiding parts of knowledge for the sake of the evanescent parts is really to know nothing worth knowing. It is in the end the same, whether we do not use our minds for serious study at all, or whether we exhaust them by an impotent voracity for desultory "information"—a thing as fruitful as whistling. Of the two evils I prefer the former. At least, in that case, the mind is healthy and open. It is not gorged and enfeebled by excess in that which cannot nourish, much less enlarge and beautify our nature.

But there is much more than this. Even to those who resolutely avoid the idleness of reading what is trivial, a difficulty is presented—a difficulty every day increasing by virtue even of our abundance of books. What are the subjects, what are the class of books we are to read, in what order, with what connection, to what ultimate use or object? Even those who are resolved to read the better books are embarrassed by a field of choice practically boundless. The longest life, the greatest industry, joined to the most powerful memory, would not suffice to make us profit from a hundredth part of the world of books before us. If the great Newton said that he seemed to have been all his life gathering a few shells on the shore, whilst a boundless ocean of truth still lay beyond and unknown to him, how much more to each of us must the sea of literature be a pathless immensity beyond our powers of vision or of reach—an immensity in which industry itself is useless without judgment, method, discipline; where it is of infinite importance what we can learn and remember, and of utterly no importance what we may have once looked at or heard of. Alas! the most of our reading leaves as little mark even in our own education as the foam that gathers round the keel of a passing boat! For myself, I am inclined to think the most useful help to reading is to know what we should not read, what we can keep out from that small cleared spot in the overgrown jungle of "information," the corner which we can call our ordered patch of fruit-bearing knowledge. The incessant accumulation of fresh books must hinder any real knowledge of the old; for the multiplicity of volumes becomes a bar upon our use of any. In literature especially does it hold—that we cannot see the wood for the trees.

How shall we choose our books? Which are the best, the eternal, indispensable books? To all to whom reading is something more than a refined idleness these questions recur, bringing with them the sense of bewilderment; and a still, small voice within us is for ever crying out for some guide across the Slough of Despond of an illimitable and ever-swelling literature. How many a man stands beside it, as uncertain of his pathway as the Pilgrim, when he who dreamed the immortal dream heard him "break out with a lamentable cry; saying, what shall I do?"

And this, which comes home to all of us at times, presses hardest upon those who have lost the opportunity of systematic education, who have to educate themselves, or who seek to guide the education of their young people. Systematic reading is but little in favour even amongst studious men; in a true sense it is hardly possible for women. A comprehensive course of home study, and a guide to books, fit for the highest education of women, is yet a blank page remaining to be filled. Generations of men of culture have laboured to organise a system of reading and materials appropriate for the methodical education of men in academic lines. Teaching equal in mental calibre to any that is open to men in universities, yet modified for the needs of those who must study at home, remains in the dim pages of that melancholy volume entitled Libri valde desiderati.[24]

I do not aspire to fill one of those blank pages; but I long to speak a word or two, as the Pilgrim did to Neighbour Pliable, upon the glories that await those who will pass through the narrow wicket-gate. On this, if one can find anything useful to say, it may be chiefly from the memory of the waste labour and pitiful stumbling in the dark which fill up so much of the travail that one is fain to call one's own education. We who have wandered in the wastes so long, and lost so much of our lives in our wandering, may at least offer warnings to younger wayfarers, as men who in thorny paths have borne the heat and burden of the day might give a clue to their journey to those who have yet a morning and a noon. As I look back and think of those cataracts of printed stuff which honest compositors set up, meaning, let us trust, no harm, and which at least found them in daily bread,—printed stuff which I and the rest of us, to our infinitely small profit, have consumed with our eyes, not even making an honest living of it, but much impairing our substance,—I could almost reckon the printing press as amongst the scourges of mankind. I am grown a wiser and a sadder man, importunate, like that Ancient Mariner, to tell each blithe wedding guest the tale of his shipwreck on the infinite sea of printers' ink, as one escaped by mercy and grace from the region where there is water, water, everywhere, and not a drop to drink.

A man of power, who has got more from books than most of his contemporaries, once said: "Form a habit of reading, do not mind what you read; the reading of better books will come when you have a habit of reading the inferior." We need not accept this obiter dictum[25] of Lord Sherbrooke. A habit of reading idly debilitates and corrupts the mind for all wholesome reading; the habit of reading wisely is one of the most difficult habits to acquire, needing strong resolution and infinite pains; and reading for mere reading's sake, instead of for the sake of the good we gain from reading, is one of the worst and commonest and most unwholesome habits we have. And so our inimitable humorist has made delightful fun of the solid books,—which no gentleman's library should be without,—the Humes, Gibbons, Adam Smiths, which, he says, are not books at all, and prefers some "kindhearted play-book," or at times the Town and County Magazine. Poor Lamb has not a little to answer for, in the revived relish for garbage unearthed from old theatrical dungheaps. Be it jest or earnest, I have little patience with the Elia-tic philosophy of the frivolous. Why do we still suffer the traditional hypocrisy about the dignity of literature—literature, I mean, in the gross, which includes about equal parts of what is useful and what is useless? Why are books as books, writers as writers, readers as readers, meritorious, apart from any good in them, or anything that we can get from them? Why do we pride ourselves on our powers of absorbing print, as our grandfathers did on their gifts in imbibing port, when we know that there is a mode of absorbing print which makes it impossible that we can ever learn anything good out of books?

Our stately Milton said in a passage which is one of the watchwords of the English race, "as good almost kill a Man as kill a good Book." But has he not also said that he would "have a vigilant eye how Bookes demeane themselves, as well as men; and do sharpest justice on them as malefactors"?... Yes! they do kill the good book who deliver up their few and precious hours of reading to the trivial book; they make it dead for them; they do what lies in them to destroy "the precious life-blood of a master-spirit, imbalm'd and treasured up on purpose to a life beyond life;" they "spill that season'd life of man preserv'd and stor'd up in Bookes." For in the wilderness of books most men, certainly all busy men, must strictly choose. If they saturate their minds with the idler books, the "good book," which Milton calls "an immortality rather than a life," is dead to them: it is a book sealed up and buried.

It is most right that in the great republic of letters there should be freedom of intercourse and a spirit of equality. Every reader who holds a book in his hand is free of the inmost minds of men past and present; their lives both within and without the pale of their uttered thoughts are unveiled to him; he needs no introduction to the greatest; he stands on no ceremony with them; he may, if he be so minded, scribble "doggrel" on his Shelley, or he may kick Lord Byron, if he please, into a corner. He hears Burke perorate, and Johnson dogmatise, and Scott tell his border tales, and Wordsworth muse on the hillside, without the leave of any man, or the payment of any toll. In the republic of letters there are no privileged orders or places reserved. Every man who has written a book, even the diligent Mr. Whitaker, is in one sense an author; "a book's a book although there's nothing in't;" and every man who can decipher a penny journal is in one sense a reader. And your "general reader," like the grave-digger in Hamlet, is hail-fellow with all the mighty dead; he pats the skull of the jester; batters the cheek of lord, lady, or courtier; and uses "imperious Caesar" to teach boys the Latin declensions.

But this noble equality of all writers—of all writers and of all readers—has a perilous side to it. It is apt to make us indiscriminate in the books we read, and somewhat contemptuous of the mighty men of the past. Men who are most observant as to the friends they make, or the conversation they share, are carelessness itself as to the books to whom they entrust themselves, and the printed language with which they saturate their minds. Yet can any friendship or society be more important to us than that of the books which form so large a part of our minds and even of our characters? Do we in real life take any pleasant fellow to our homes and chat with some agreeable rascal by our firesides, we who will take up any pleasant fellow's printed memoirs, we who delight in the agreeable rascal when he is cut up into pages and bound in calf?

If any person given to reading were honestly to keep a register of all the printed stuff that he or she consumes in a year—all the idle tales of which the very names and the story are forgotten in a week, the bookmaker's prattle about nothing at so much a sheet, the fugitive trifling about silly things and empty people, the memoirs of the unmemorable, and lives of those who never really lived at all—of what a mountain of rubbish would it be the catalogue: Exercises for the eye and the memory, as mechanical as if we set ourselves to learn the names, ages, and family histories of every one who lives in our own street, the flirtations of their maiden aunts, and the circumstances surrounding the birth of their grandmother's first baby.

It is impossible to give any method to our reading till we get nerve enough to reject. The most exclusive and careful amongst us will (in literature) take boon companions out of the street, as easily as an idler in a tavern. "I came across such and such a book that I never heard mentioned," says one, "and found it curious, though entirely worthless." "I strayed on a volume by I know not whom, on a subject for which I never cared." And so on. There are curious and worthless creatures enough in any pot-house all day long; and there is incessant talk in omnibus, train, or street by we know not whom, about we care not what. Yet if a printer and a bookseller can be induced to make this gabble as immortal as print and publication can make it, then it straightway is literature, and in due time it becomes "curious."

I have no intention to moralise or to indulge in a homily against the reading of what is deliberately evil. There is not so much need for this now, and I am not discoursing on the whole duty of man. I take that part of our reading which by itself is no doubt harmless, entertaining, and even gently instructive. But of this enormous mass of literature how much deserves to be chosen out, to be preferred to all the great books of the world, to be set apart for those precious hours which are all that the most of us can give to solid reading? The vast proportion of books are books that we shall never be able to read. A serious percentage of books are not worth reading at all. The really vital books for us we also know to be a very trifling portion of the whole. And yet we act as if every book were as good as any other, as if it were merely a question of order which we take up first, as if any book were good enough for us, and as if all were alike honourable, precious, and satisfying. Alas! books cannot be more than the men who write them; and as a fair proportion of the human race now write books, with motives and objects as various as human activity, books, as books, are entitled a priori, until their value is proved, to the same attention and respect as houses, steam-engines, pictures, fiddles, bonnets, and other products of human industry. In the shelves of those libraries which are our pride, libraries public or private, circulating or very stationary, are to be found those great books of the world rari nantes in gurgite vasto,[26] those books which are truly "the precious life-blood of a master-spirit." But the very familiarity which their mighty fame has bred in us makes us indifferent; we grow weary of what every one is supposed to have read; and we take down something which looks a little eccentric, some worthless book, on the mere ground that we never heard of it before.

Thus the difficulties of literature are in their way as great as those of the world, the obstacles to finding the right friends are as great, the peril is as great of being lost in a Babel of voices and an ever-changing mass of beings. Books are not wiser than men, the true books are not easier to find than the true men, the bad books or the vulgar books are not less obtrusive and not less ubiquitous than the bad or vulgar men are everywhere; the art of right reading is as long and difficult to learn as the art of right living. Those who are on good terms with the first author they meet, run as much risk as men who surrender their time to the first passer in the street; for to be open to every book is for the most part to gain as little as possible from any. A man aimlessly wandering about in a crowded city is of all men the most lonely; so he who takes up only the books that he "comes across" is pretty certain to meet but few that are worth knowing.

Now this danger is one to which we are specially exposed in this age. Our high-pressure life of emergencies, our whirling industrial organisation or disorganisation have brought us in this (as in most things) their peculiar difficulties and drawbacks. In almost everything vast opportunities and gigantic means of multiplying our products bring with them new perils and troubles which are often at first neglected. Our huge cities, where wealth is piled up and the requirements and appliances of life extended beyond the dreams of our forefathers, seem to breed in themselves new forms of squalor, disease, blights, or risks to life such as we are yet unable to master. So the enormous multiplicity of modern books is not altogether favourable to the knowing of the best. I listen with mixed satisfaction to the paeans that they chant over the works which issue from the press each day: how the books poured forth from Paternoster Row might in a few years be built into a pyramid that would fill the dome of St. Paul's. How in this mountain of literature am I to find the really useful book? How, when I have found it, and found its value, am I to get others to read it? How am I to keep my head clear in the torrent and din of works, all of which distract my attention, most of which promise me something, whilst so few fulfil that promise? The Nile is the source of the Egyptian's bread, and without it he perishes of hunger. But the Nile may be rather too liberal in his flood, and then the Egyptian runs imminent risk of drowning.

And thus there never was a time, at least during the last two hundred years, when the difficulties in the way of making an efficient use of books were greater than they are to-day, when the obstacles were more real between readers and the right books to read, when it was practically so troublesome to find out that which it is of vital importance to know; and that not by the dearth, but by the plethora of printed matter. For it comes to nearly the same thing whether we are actually debarred by physical impossibility, from getting the right book into our hand, or whether we are choked off from the right book by the obtrusive crowd of the wrong books; so that it needs a strong character and a resolute system of reading to keep the head cool in the storm of literature around us. We read nowadays in the market-place—I would rather say in some large steam factory of letter-press, where damp sheets of new print whirl round us perpetually—if it be not rather some noisy book-fair where literary showmen tempt us with performing dolls, and the gongs of rival booths are stunning our ears from morn till night. Contrast with this pandemonium of Leipsic and Paternoster Row the sublime picture of our Milton in his early retirement at Horton, when, musing over his coming flight to the epic heaven, practising his pinions, as he tells Diodati, he consumed five years of solitude in reading the ancient writers—"Et totum rapiunt me, mea vita, libri."[27]

Who now reads the ancient writers? Who systematically reads the great writers, be they ancient or modern, whom the consent of ages has marked out as classics: typical, immortal, peculiar teachers of our race? Alas! the Paradise Lost is lost again to us beneath an inundation of graceful academic verse, sugary stanzas of ladylike prettiness, and ceaseless explanations in more or less readable prose of what John Milton meant or did not mean, or what he saw or did not see, who married his great-aunt, and why Adam or Satan is like that, or unlike the other. We read a perfect library about the Paradise Lost, but the Paradise Lost itself we do not read.

I am not presumptuous enough to assert that the larger part of modern literature is not worth reading in itself, that the prose is not readable, entertaining, one may say highly instructive. Nor do I pretend that the verses which we read so zealously in place of Milton's are not good verses. On the contrary, I think them sweetly conceived, as musical and as graceful as the verse of any age in our history. A great deal of our modern literature is such that it is exceedingly difficult to resist it, and it is undeniable that it gives us real information. It seems perhaps unreasonable to many to assert that a decent readable book which gives us actual instruction can be otherwise than a useful companion and a solid gain. Possibly many people are ready to cry out upon me as an obscurantist for venturing to doubt a genial confidence in all literature simply as such. But the question, which weighs upon me with such really crushing urgency is this: What are the books that in our little remnant of reading time it is most vital for us to know? For the true use of books is of such sacred value to us that to be simply entertained is to cease to be taught, elevated, inspired by books; merely to gather information of a chance kind is to close the mind to knowledge of the urgent kind.

Every book that we take up without a purpose is an opportunity lost of taking up a book with a purpose—every bit of stray information which we cram into our heads without any sense of its importance, is for the most part a bit of the most useful information driven out of our heads and choked off from our minds. It is so certain that information, i.e., the knowledge, the stored thoughts and observations of mankind, is now grown to proportions so utterly incalculable and prodigious, that even the learned whose lives are given to study can but pick up some crumbs that fall from the table of truth. They delve and tend but a plot in that vast and teeming kingdom, whilst those whom active life leaves with but a few cramped hours of study can hardly come to know the very vastness of the field before them, or how infinitesimally small is the corner they can traverse at the best. We know all is not of equal value. We know that books differ in value as much as diamonds differ from the sand on the seashore, as much as our living friend differs from a dead rat. We know that much in the myriad-peopled world of books—very much in all kinds—is trivial, enervating, inane, even noxious. And thus, where we have infinite opportunities of wasting our efforts to no end, of fatiguing our minds without enriching them, of clogging the spirit without satisfying it, there, I cannot but think, the very infinity of opportunities is robbing us of the actual power of using them. And thus I come often, in my less hopeful moods, to watch the remorseless cataract of daily literature which thunders over the remnants of the past, as if it were a fresh impediment to the men of our day in the way of systematic knowledge and consistent powers of thought, as if it were destined one day to overwhelm the great inheritance of mankind in prose and verse.

I remember, when I was a very young man at college, that a youth, in no spirit of paradox, but out of plenary conviction, undertook to maintain before a body of serious students, the astounding proposition that the invention of printing had been one of the greatest misfortunes that had ever befallen mankind. He argued that exclusive reliance on printed matter had destroyed the higher method of oral teaching, the dissemination of thought by the spoken word to the attentive ear. He insisted that the formation of a vast literary class looking to the making of books as a means of making money, rather than as a social duty, had multiplied books for the sake of the writers rather than for the sake of the readers; that the reliance on books as a cheap and common resource had done much to weaken the powers of memory; that it destroyed the craving for a general culture of taste, and the need of artistic expression in all the surroundings of life. And he argued, lastly, that the sudden multiplication of all kinds of printed matter had been fatal to the orderly arrangement of thought, and had hindered a system of knowledge and a scheme of education.

I am far from sharing this immature view. Of course I hold the invention of printing to have been one of the most momentous facts in the whole history of man. Without it universal social progress, true democratic enlightenment, and the education of the people would have been impossible, or very slow, even if the cultured few, as is likely, could have advanced the knowledge of mankind without it. We place Gutenberg amongst the small list of the unique and special benefactors of mankind, in the sacred choir of those whose work transformed the conditions of life, whose work, once done, could never be repeated. And no doubt the things which our ardent friend regarded as so fatal a disturbance of society were all inevitable and necessary, part of the great revolution of mind through which men grew out of the mediaeval incompleteness to a richer conception of life and of the world.

Yet there is a sense in which this boyish anathema against printing may become true to us by our own fault. We may create for ourselves these very evils. For the art of printing has not been a gift wholly unmixed with evils; it must be used wisely if it is to be a boon to man at all; it entails on us heavy responsibilities, resolution to use it with judgment and self-control, and the will to resist its temptations and its perils. Indeed, we may easily so act that we may make it a clog on the progress of the human mind, a real curse and not a boon. The power of flying at will through space would probably extinguish civilisation and society, for it would release us from the wholesome bondage of place and rest. The power of hearing every word that had ever been uttered on this planet would annihilate thought, as the power of knowing all recorded facts by the process of turning a handle would annihilate true science. Our human faculties and our mental forces are not enlarged simply by multiplying our materials of knowledge and our facilities for communication. Telephones, microphones, pantoscopes, steam-presses, and ubiquity-engines in general may, after all, leave the poor human brain panting and throbbing under the strain of its appliances, no bigger and no stronger than the brains of the men who heard Moses speak, and saw Aristotle and Archimedes pondering over a few worn rolls of crabbed manuscript. Until some new Gutenberg or Watt can invent a machine for magnifying the human mind, every fresh apparatus for multiplying its work is a fresh strain on the mind, a new realm for it to order and to rule.

And so, I say it most confidently, the first intellectual task of our age is rightly to order and make serviceable the vast realm of printed material which four centuries have swept across our path. To organise our knowledge, to systematise our reading, to save, out of the relentless cataract of ink, the immortal thoughts of the greatest—this is a necessity, unless the productive ingenuity of man is to lead us at last to a measureless and pathless chaos. To know anything that turns up is, in the infinity of knowledge, to know nothing. To read the first book we come across, in the wilderness of books, is to learn nothing. To turn over the pages of ten thousand volumes is to be practically indifferent to all that is good.

But this warns me that I am entering on a subject which is far too big and solemn. It is plain that to organise our knowledge, even to systematise our reading, to make a working selection of books for general study, really implies a complete scheme of education. A scheme of education ultimately implies a system of philosophy, a view of man's duty and powers as a moral and social being—a religion. Before a problem so great as this, on which readers have such different ideas and wants, and differ so profoundly on the very premises from which we start, before such a problem as a general theory of education, I prefer to pause. I will keep silence even from good words. I have chosen my own part, and adopted my own teacher. But to ask men to adopt the education of Auguste Comte, is almost to ask them to adopt Positivism itself.

Nor will I enlarge on the matter for thought, for foreboding, almost for despair, that is presented to us by the fact of our familiar literary ways and our recognised literary profession. That things infinitely trifling in themselves: men, events, societies, phenomena, in no way otherwise more valuable than the myriad other things which flit around us like the sparrows on the housetop, should be glorified, magnified, and perpetuated, set under a literary microscope and focussed in the blaze of a literary magic-lantern—not for what they are in themselves, but solely to amuse and excite the world by showing how it can be done—all this is to me so amazing, so heart-breaking, that I forbear now to treat it, as I cannot say all that I would.

The Choice of Books is really the choice of our education, of a moral and intellectual ideal, of the whole duty of man. But though I shrink from any so high a theme, a few words are needed to indicate my general point of view in the matter.

In the first place, when we speak about books, let us avoid the extravagance of expecting too much from books, the pedant's habit of extolling books as synonymous with education. Books are no more education than laws are virtue; and just as profligacy is easy within the strict limits of law, a boundless knowledge of books may be found with a narrow education. A man may be, as the poet saith, "deep vers'd in books, and shallow in himself." We need to know in order that we may feel rightly and act wisely. The thirst after truth itself may be pushed to a degree where indulgence enfeebles our sympathies and unnerves us in action. Of all men perhaps the book-lover needs most to be reminded that man's business here is to know for the sake of living, not to live for the sake of knowing.

A healthy mode of reading would follow the lines of a sound education. And the first canon of a sound education is to make it the instrument to perfect the whole nature and character. Its aims are comprehensive, not special; they regard life as a whole, not mental curiosity; they have to give us, not so much materials, as capacities. So that, however moderate and limited the opportunity for education, in its way it should be always more or less symmetrical and balanced, appealing equally in turn to the three grand intellectual elements—imagination, memory, reflection: and so having something to give us in poetry, in history, in science, and in philosophy.

And thus our reading will be sadly one-sided, however voluminous it be, if it entirely close to us any of the great types and ideals which the creative instinct of man has produced, if it shut out from us either the ancient world, or other European poetry, as important almost as our own. When our reading, however deep, runs wholly into "pockets," and exhausts itself in the literature of one age, one country, one type, then we may be sure that it is tending to narrow or deform our minds. And the more it leads us into curious byways and nurtures us into indifference for the beaten highways of the world, the sooner we shall end, if we be not specialists and students by profession, in ceasing to treat our books as the companions and solace of our lifetime, and in using them as the instruments of a refined sort of self-indulgence.

A wise education, and so judicious reading, should leave no great type of thought, no dominant phase of human nature, wholly a blank. Whether our reading be great or small, so far as it goes, it should be general. If our lives admit of but a short space for reading, all the more reason that, so far as may be, it should remind us of the vast expanse of human thought, and the wonderful variety of human nature. To read, and yet so to read that we see nothing but a corner of literature, the loose fringe, or flats and wastes of letters, and by reading only deepen our natural belief that this island is the hub of the universe, and the nineteenth century the only age worth notice, all this is really to call in the aid of books to thicken and harden our untaught prejudices. Be it imagination, memory, or reflection that we address—that is, in poetry, history, science, or philosophy, our first duty is to aim at knowing something at least of the best, at getting some definite idea of the mighty realm whose outer rim we are permitted to approach.

But how are we to know the best; how are we to gain this definite idea of the vast world of letters? There are some who appear to suppose that the "best" are known only to experts in an esoteric way, who may reveal to inquirers what schoolboys and betting-men describe as "tips." There are no "tips" in literature; the "best" authors are never dark horses; we need no "crammers" and "coaches" to thrust us into the presence of the great writers of all time. "Crammers" will only lead us wrong. It is a thing far easier and more common than many imagine, to discover the best. It needs no research, no learning, and is only misguided by recondite information. The world has long ago closed the great assize of letters and judged the first places everywhere. In such a matter the judgment of the world, guided and informed by a long succession of accomplished critics, is almost unerring. When some Zoilus finds blemishes in Homer, and prefers, it may be, the work of some Apollonius of his own discovering, we only laugh. There may be doubts about the third and fourth rank; but the first and the second are hardly open to discussion. The gates which lead to the Elysian fields may slowly wheel back on their adamantine hinges to admit now and then some new and chosen modern. But the company of the masters of those who know, and in especial degree of the great poets, is a roll long closed and complete, and they who are of it hold ever peaceful converse together.

Hence we may find it a useful maxim that, if our reading be utterly closed to the great poems of the world, there is something amiss with our reading. If you find Milton, Dante, Calderon, Goethe, so much "Hebrew-Greek" to you; if your Homer and Virgil, your Moliere and Scott, rest year after year undisturbed on their shelves beside your school trigonometry and your old college text-books; if you have never opened the Cid, the Nibelungen, Crusoe, and Don Quixote since you were a boy, and are wont to leave the Bible and the Imitation for some wet Sunday afternoon—know, friend, that your reading can do you little real good. Your mental digestion is ruined or sadly out of order. No doubt, to thousands of intelligent educated men who call themselves readers, the reading through a Canto of The Purgatorio, or a Book of the Paradise Lost, is a task as irksome as it would be to decipher an ill-written manuscript in a language that is almost forgotten. But, although we are not to be always reading epics, and are chiefly in the mood for slighter things, to be absolutely unable to read Milton or Dante with enjoyment, is to be in a very bad way. Aristophanes, Theocritus, Boccaccio, Cervantes, Moliere are often as light as the driven foam; but they are not light enough for the general reader. Their humour is too bright and lovely for the groundlings. They are, alas! "classics," somewhat apart from our everyday ways; they are not banal enough for us; and so for us they slumber "unknown in a long night," just because they are immortal poets, and are not scribblers of to-day.

When will men understand that the reading of great books is a faculty to be acquired, not a natural gift, at least not to those who are spoiled by our current education and habits of life? Ceci tuera cela,[28] the last great poet might have said of the first circulating library. An insatiable appetite for new novels makes it as hard to read a masterpiece as it seems to a Parisian boulevardier to live in a quiet country. Until a man can truly enjoy a draft of clear water bubbling from a mountain side, his taste is in an unwholesome state. And so he who finds the Heliconian spring insipid should look to the state of his nerves. Putting aside the iced air of the difficult mountain tops of epic, tragedy, or psalm, there are some simple pieces which may serve as an unerring test of a healthy or a vicious taste for imaginative work. If the Cid, the Vita Nuova, the Canterbury Tales, Shakespeare's Sonnets, and Lycidas pall on a man; if he care not for Malory's Morte d'Arthur and the Red Cross Knight; if he thinks Crusoe and the Vicar books for the young; if he thrill not with The Ode to the West Wind, and The Ode to a Grecian Urn; if he have no stomach for Christabel or the lines written on The Wye above Tintern Abbey, he should fall on his knees and pray for a cleanlier and quieter spirit.

The intellectual system of most of us in these days needs "to purge and to live cleanly." Only by a course of treatment shall we bring our minds to feel at peace with the grand pure works of the world. Something we ought all to know of the masterpieces of antiquity, and of the other nations of Europe. To understand a great national poet, such as Dante, Calderon, Corneille, or Goethe, is to know other types of human civilisation in ways which a library of histories does not sufficiently teach. The great masterpieces of the world are thus, quite apart from the charm and solace they give us, the master instruments of a solid education.

FOOTNOTES:

[Footnote 23: From "The Choice of Books," 1891. Printed here by permission of The Macmillan Company.]

[Footnote 24: Books intensely desired.]

[Footnote 25: Thing said in passing.]

[Footnote 26: Floating scattered on the vast abyss.]

[Footnote 27: "And here my books—my life—absorb me whole," Cowper's translation of Milton's Latin Epistle to Diodati.]

[Footnote 28: This will destroy that.]



ON GOING A JOURNEY[29]

WILLIAM HAZLITT

One of the pleasantest things in the world is going a journey; but I like to go by myself. I can enjoy society in a room; but out of doors, nature is company enough for me. I am then never less alone than when alone.

"The fields his study, nature was his book."

I cannot see the wit of walking and talking at the same time. When I am in the country, I wish to vegetate like the country. I am not for criticising hedge-rows and black cattle. I go out of town in order to forget the town and all that is in it. There are those who for this purpose go to watering-places, and carry the metropolis with them. I like more elbow-room, and fewer encumbrances. I like solitude, when I give myself up to it, for the sake of solitude; nor do I ask for

———"a friend in my retreat, Whom I may whisper solitude is sweet."

The soul of a journey is liberty, perfect liberty, to think, feel, do just as one pleases. We go a journey chiefly to be free of all impediments and of all inconveniences; to leave ourselves behind, much more to get rid of others. It is because I want a little breathing-space to muse on indifferent matters, where Contemplation

"May plume her feathers and let grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impair'd,"

that I absent myself from the town for a while, without feeling at a loss the moment I am left by myself. Instead of a friend in a postchaise or in a Tilbury, to exchange good things with, and vary the same stale topics over again, for once let me have a truce with impertinence. Give me the clear blue sky over my head, and the green turf beneath my feet, a winding road before me, and a three hours' march to dinner—and then to thinking! It is hard if I cannot start some game on these lone heaths. I laugh, I run, I leap, I sing for joy. From the point of yonder rolling cloud, I plunge into my past being, and revel there, as the sunburnt Indian plunges headlong into the wave that wafts him to his native shore. Then long-forgotten things, like "sunken wrack and sumless treasuries," burst upon my eager sight, and I begin to feel, think, and be myself again. Instead of an awkward silence, broken by attempts at wit or dull commonplaces, mine is that undisturbed silence of the heart which alone is perfect eloquence. No one likes puns, alliterations, antitheses, arguments, and analysis better than I do; but I sometimes had rather be without them. "Leave, oh, leave me to my repose!" I have just now other business in hand, which would seem idle to you, but is with me "very stuff of the conscience." Is not this wild rose sweet without a comment? Does not this daisy leap to my heart set in its coat of emerald. Yet if I were to explain to you the circumstance that has so endeared it to me, you would only smile. Had I not better then keep it to myself, and let it serve me to brood over, from here to yonder craggy point, and from thence onward to the far-distant horizon? I should be but bad company all that way, and therefore prefer being alone. I have heard it said that you may, when the moody fit comes on, walk or ride on by yourself, and indulge your reveries. But this looks like a breach of manners, a neglect of others, and you are thinking all the time that you ought to rejoin your party. "Out upon such half-faced fellowship," say I. I like to be either entirely to myself, or entirely at the disposal of others; to talk or be silent, to walk or sit still, to be sociable or solitary. I was pleased with an observation of Mr. Cobbett's that "he thought it a bad French custom to drink our wine with our meals, and that an Englishman ought to do only one thing at a time." So I cannot talk and think, or indulge in melancholy musing and lively conversation by fits and starts. "Let me have a companion of my way," says Sterne, "were it but to remark how the shadows lengthen as the sun declines." It is beautifully said: but in my opinion, this continual comparing of notes interferes with the involuntary impression of things upon the mind, and hurts the sentiment. If you only hint what you feel in a kind of dumb show, it is insipid: if you have to explain it, it is making a toil of a pleasure. You cannot read the book of nature, without being perpetually put to the trouble of translating it for the benefit of others. I am for the synthetical method on a journey, in preference to the analytical. I am content to lay in a stock of ideas then, and to examine and anatomise them afterwards. I want to see my vague notions float like the down of the thistle before the breeze, and not to have them entangled in the briars and thorns of controversy. For once, I like to have it all my own way; and this is impossible unless you are alone, or in such company as I do not covet. I have no objection to argue a point with any one for twenty miles of measured road, but not for pleasure. If you remark the scent of a beanfield crossing the road, perhaps your fellow-traveller has no smell. If you point to a distant object, perhaps he is short-sighted, and has to take out his glass to look at it. There is a feeling in the air, a tone in the colour of a cloud which hits your fancy, but the effect of which you are unable to account for. There is then no sympathy, but an uneasy craving after it, and a dissatisfaction which pursues you on the way, and in the end probably produces ill humour. Now I never quarrel with myself, and take all my own conclusions for granted till I find it necessary to defend them against objections. It is not merely that you may not be of accord on the objects and circumstances that present themselves before you—these may recall a number of objects, and lead to associations too delicate and refined to be possibly communicated to others. Yet these I love to cherish, and sometimes still fondly clutch them, when I can escape from the throng to do so. To give way to our feelings before company, seems extravagance or affectation; and on the other hand, to have to unravel this mystery of our being at every turn, and to make others take an equal interest in it (otherwise the end is not answered) is a task to which few are competent. We must "give it an understanding, but no tongue." My old friend C——, however, could do both. He could go on in the most delightful explanatory way over hill and dale, a summer's day, and convert a landscape into a didactic poem or a Pindaric ode. "He talked far above singing." If I could so clothe my ideas in sounding and flowing words, I might perhaps wish to have some one with me to admire the swelling theme; or I could be more content, were it possible for me still to hear his echoing voice in the woods of All-Foxden. They had "that fine madness in them which our first poets had;" and if they could have been caught by some rare instrument, would have breathed such strains as the following.

———"Here be woods as green As any, air likewise as fresh and sweet As when smooth Zephyrus plays on the fleet Face of the curled stream, with flow'rs as many As the young spring gives, and as choice as any; Here be all new delights, cool streams and wells, Arbours o'ergrown with woodbine, caves and dells; Choose where thou wilt, while I sit by and sing, Or gather rushes to make many a ring For thy long fingers; tell thee tales of love, How the pale Phoebe, hunting in a grove, First saw the boy Endymion, from whose eyes She took eternal fire that never dies; How she convey'd him softly in a sleep, His temples bound with poppy, to the steep Head of old Latmos, where she stoops each night, Gilding the mountain with her brother's light, To kiss her sweetest."——— FAITHFUL SHEPHERDESS.

Had I words and images at command like these, I would attempt to wake the thoughts that lie slumbering on golden ridges in the evening clouds: but at the sight of nature my fancy, poor as it is, droops and closes up its leaves, like flowers at sunset. I can make nothing out on the spot:—I must have time to collect myself.—

In general, a good thing spoils out-of-door prospects: it should be reserved for Table-talk. L—— is for this reason, I take it, the worst company in the world out of doors; because he is the best within. I grant, there is one subject on which it is pleasant to talk on a journey; and that is, what one shall have for supper when we get to our inn at night. The open air improves this sort of conversation or friendly altercation, by setting a keener edge on appetite. Every mile of the road heightens the flavour of the viands we expect at the end of it. How fine it is to enter some old town, walled and turreted, just at the approach of nightfall, or to come to some straggling village, with the lights streaming through the surrounding gloom; and then after inquiring for the best entertainment that the place affords, to "take one's ease at one's inn!" These eventful moments in our lives' history are too precious, too full of solid, heartfelt happiness to be frittered and dribbled away in imperfect sympathy. I would have them all to myself, and drain them to the last drop: they will do to talk of or to write about afterwards. What a delicate speculation it is, after drinking whole goblets of tea,

"The cups that cheer, but not inebriate,"

and letting the fumes ascend into the brain, to sit considering what we shall have for supper—eggs and a rasher, a rabbit smothered in onions, or an excellent veal-cutlet! Sancho[30] in such a situation once fixed upon cow-heel; and his choice, though he could not help it, is not to be disparaged. Then in the intervals of pictured scenery and Shandean contemplation, to catch the preparation and the stir in the kitchen—Procul, O procul este profani![31] These hours are sacred to silence and to musing, to be treasured up in the memory, and to feed the source of smiling thoughts hereafter. I would not waste them in idle talk; or if I must have the integrity of fancy broken in upon, I would rather it were by a stranger than a friend. A stranger takes his hue and character from the time and place; he is a part of the furniture and costume of an inn. If he is a Quaker, or from the West Riding of Yorkshire, so much the better. I do not even try to sympathise with him, and he breaks no squares. I associate nothing with my travelling companion but present objects and passing events. In his ignorance of me and my affairs, I in a manner forget myself. But a friend reminds one of other things, rips up old grievances, and destroys the abstraction of the scene. He comes in ungraciously between us and our imaginary character. Something is dropped in the course of conversation that gives a hint of your profession and pursuits; or from having some one with you that knows the less sublime portions of your history, it seems that other people do. You are no longer a citizen of the world: but your "unhoused free condition is put into circumscription and confine." The incognito of an inn is one of its striking privileges—"lord of one's self, uncumber'd with a name." Oh! it is great to shake off the trammels of the world and of public opinion—to lose our importunate, tormenting, everlasting personal identity in the elements of nature, and become the creature of the moment, clear of all ties—to hold to the universe only by a dish of sweet-breads, and to owe nothing but the score of the evening—and no longer seeking for applause and meeting with contempt, to be known by no other title than the Gentleman in the parlour! One may take one's choice of all characters in this romantic state of uncertainty as to one's real pretensions, and become indefinitely respectable and negatively rightworshipful. We baffle prejudice and disappoint conjecture; and from being so to others, begin to be objects of curiosity and wonder even to ourselves. We are no more those hackneyed commonplaces that we appear in the world: an inn restores us to the level of nature, and quits scores with society! I have certainly spent some enviable hours at inns—sometimes when I have been left entirely to myself, and have tried to solve some metaphysical problem, as once at Witham-common, where I found out the proof that likeness is not a case of the association of ideas—at other times, when there have been pictures in the room, as at St. Neot's (I think it was) where I first met with Gribelin's engravings of the Cartoons, into which I entered at once, and at a little inn on the borders of Wales, where there happened to be hanging some of Westall's drawings, which I compared triumphantly (for a theory that I had, not for the admired artist) with the figure of a girl who had ferried me over the Severn, standing up in the boat between me and the twilight—at other times I might mention luxuriating in books, with a peculiar interest in this way, as I remember sitting up half the night to read Paul and Virginia, which I picked up at an inn at Bridgewater, after being drenched in the rain all day; and at the same place I got through two volumes of Madame D'Arblay's Camilla. It was on the tenth of April, 1798, that I sat down to a volume of the New Eloise, at the inn at Llangollen, over a bottle of sherry and a cold chicken. The letter I chose was that in which St. Preux describes his feelings as he first caught a glimpse from the heights of the Jura of the Pays de Vaud, which I had brought with me as a bon bouche[32], to crown the evening with. It was my birthday, and I had for the first time come from a place in the neighbourhood to visit this delightful spot. The road to Llangollen turns off between Chirk and Wrexham; and on passing a certain point, you come all at once upon the valley, which opens like an amphitheatre, broad, barren hills rising in majestic state on either side, with "green upland swells that echo to the bleat of flocks" below, and the river Dee babbling over its stony bed in the midst of them. The valley at this time "glittered green with sunny showers," and a budding ash-tree dipped its tender branches in the chiding stream. How proud, how glad I was to walk along the high road that overlooks the delicious prospect, repeating the lines which I have just quoted from Mr. Coleridge's poems! But besides the prospect which opened beneath my feet, another also opened to my inward sight, a heavenly vision, on which were written, in letters large as Hope could make them, these four words, LIBERTY, GENIUS, LOVE, VIRTUE; which have since faded into the light of common day, or mock my idle gaze.

"The beautiful is vanished, and returns not."

Still I would return some time or other to this enchanted spot; but I would return to it alone. What other self could I find to share that influx of thoughts, of regret, and delight, the fragments of which I could hardly conjure up to myself, so much have they been broken and defaced! I could stand on some tall rock, and overlook the precipice of years that separates me from what I then was. I was at that time going shortly to visit the poet whom I have above named. Where is he now? Not only I myself have changed; the world, which was then new to me, has become old and incorrigible. Yet will I turn to thee in thought, O sylvan Dee, in joy, in youth and gladness as thou then wert; and thou shalt always be to me the river of Paradise, where I will drink of the waters of life freely!

There is hardly any thing that shows the short-sightedness or capriciousness of the imagination more than travelling does. With change of place we change our ideas; nay, our opinions and feelings. We can by an effort indeed transport ourselves to old and long-forgotten scenes, and then the picture of the mind revives again; but we forget those that we have just left. It seems that we can think but of one place at a time. The canvas of the fancy is but of a certain extent, and if we paint one set of objects upon it, they immediately efface every other. We cannot enlarge our conceptions, we only shift our point of view. The landscape bares its bosom to the enraptured eye, we take our fill of it, and seem as if we could form no other image of beauty or grandeur. We pass on, and think no more of it: the horizon that shuts it from our sight, also blots it from our memory like a dream. In travelling through a wild barren country, I can form no idea of a woody and cultivated one. It appears to me that all the world must be barren, like what I see of it. In the country we forget the town, and in town we despise the country. "Beyond Hyde Park," says Sir Fopling Flutter, "all is a desert." All that part of the map that we do not see before us is a blank. The world in our conceit of it is not much bigger than a nutshell. It is not one prospect expanded into another, county joined to county, kingdom to kingdom, lands to seas, making an image voluminous and vast;—the mind can form no larger idea of space than the eye can take in at a single glance. The rest is a name written in a map, a calculation of arithmetic. For instance, what is the true signification of that immense mass of territory and population, known by the name of China, to us? An inch of paste-board on a wooden globe, of no more account than a China orange! Things near us are seen of the size of life: things at a distance are diminished to the size of the understanding. We measure the universe by ourselves, and even comprehend the texture of our own being only piecemeal. In this way, however, we remember an infinity of things and places. The mind is like a mechanical instrument that plays a great variety of tunes, but it must play them in succession. One idea recalls another, but it at the same time excludes all others. In trying to renew old recollections, we cannot as it were unfold the whole web of our existence; we must pick out the single threads. So in coming to a place where we have formerly lived and with which we have intimate associations, every one must have found that the feeling grows more vivid the nearer we approach the spot, from the mere anticipation of the actual impression: we remember circumstances, feelings, persons, faces, names, that we had not thought of for years; but for the time all the rest of the world is forgotten!

To return to the question I have quitted above. I have no objection to go to see ruins, aqueducts, pictures, in company with a friend or a party, but rather the contrary, for the former reason reversed. They are intelligible matters, and will bear talking about. The sentiment here is not tacit, but communicable and overt. Salisbury Plain is barren of criticism, but Stonehenge will bear a discussion antiquarian, picturesque, and philosophical. In setting out on a party of pleasure, the first consideration always is where we shall go to; in taking a solitary ramble, the question is what we shall meet with by the way. "The mind is its own place;" nor are we anxious to arrive at the end of our journey. I can myself do the honours indifferently well to works of art and curiosity. I once took a party to Oxford with no mean eclat—showed them that seat of the Muses at a distance,

"With glistering spires and pinnacles adorn'd"—

descanted on the learned air that breathes from the grassy quadrangles and stone walls of halls and colleges—was at home in the Bodleian; and at Blenheim quite superseded the powdered Ciceroni that attended us, and that pointed, in vain with his wand to commonplace beauties in matchless pictures.—As another exception to the above reasoning, I should not feel confident in venturing on a journey in a foreign country without a companion. I should want at intervals to hear the sound of my own language. There is an involuntary antipathy in the mind of an Englishman to foreign manners and notions that requires the assistance of social sympathy to carry it off. As the distance from home increases, this relief, which was at first a luxury, becomes a passion and an appetite. A person would almost feel stifled to find himself in the deserts of Arabia without friends and countrymen: there must be allowed to be something in the view of Athens or old Rome that claims the utterance of speech; and I own that the Pyramids are too mighty for any single contemplation. In such situations, so opposite to all one's ordinary train of ideas, one seems a species by one's self, a limb torn off from society, unless one can meet with instant fellowship and support.—Yet I did not feel this want or craving very pressing once, when I first set my foot on the laughing shores of France. Calais was peopled with novelty and delight. The confused, busy murmur of the place was like oil and wine poured into my ears; nor did the mariners' hymn, which was sung from the top of an old crazy vessel in the harbour, as the sun went down, send an alien sound into my soul. I only breathed the air of general humanity. I walked over "the vine-covered hills and gay regions of France," erect and satisfied; for the image of man was not cast down and chained to the foot of arbitrary thrones: I was at no loss for language, for that of all the great schools of painting was open to me. The whole is vanished like a shade. Pictures, heroes, glory, freedom, all are fled: nothing remains but the Bourbons and the French people!—There is undoubtedly a sensation in travelling into foreign parts that is to be had nowhere else: but it is more pleasing at the time than lasting. It is too remote from our habitual associations to be a common topic of discourse or reference, and, like a dream or another state of existence, does not piece into our daily modes of life. It is an animated but a momentary hallucination. It demands an effort to exchange our actual for our ideal identity; and to feel the pulse of our old transports revive very keenly, we must "jump" all our present comforts and connections. Our romantic and itinerant character is not to be domesticated. Dr. Johnson remarked how little foreign travel added to the facilities of conversation in those who had been abroad. In fact, the time we have spent there is both delightful and in one sense instructive; but it appears to be cut out of our substantial, downright existence, and never to join kindly on to it. We are not the same, but another, and perhaps more enviable individual, all the time we are out of our own country. We are lost to ourselves, as well as our friends. So the poet somewhat quaintly sings,

"Out of my country and myself I go."

Those who wish to forget painful thoughts, do well to absent themselves for a while from the ties and objects that recall them: but we can be said only to fulfil our destiny in the place that gave us birth. I should on this account like well enough to spend the whole of my life in travelling abroad, if I could any where borrow another life to spend afterwards at home!

FOOTNOTES:

[Footnote 29: From "Table-Talk," 1821-2.]

[Footnote 30: Sancho Panza, a character in Cervantes' romance, "Don Quixote."]

[Footnote 31: Aloof, O keep aloof, ye uninitiated!]

[Footnote 32: A titbit.]



THE REGRETS OF A MOUNTAINEER[33]

LESLIE STEPHEN

I have often felt a sympathy, which almost rises to the pathetic, when looking on at a cricket-match or boat-race. Something of the emotion with which Gray regarded the "distant spires and antique towers" rises within me. It is not, indeed, that I feel very deeply for the fine ingenuous lads who, as somebody says, are about to be degraded into tricky, selfish Members of Parliament. I have seen too much of them. They are very fine animals; but they are rather too exclusively animal. The soul is apt to be in too embryonic a state within these cases of well-strung bone and muscle. It is impossible for a mere athletic machine, however finely constructed, to appeal very deeply to one's finer sentiments. I can scarcely look forward with even an affectation of sorrow for the time when, if more sophisticated, it will at least have made a nearer approach to the dignity of an intellectual being. It is not the boys who make me feel a touch of sadness; their approaching elevation to the dignity of manhood will raise them on the whole in the scale of humanity; it is the older spectators whose aspect has in it something affecting. The shaky old gentleman, who played in the days when it was decidedly less dangerous to stand up to bowling than to a cannon-ball, and who now hobbles about on rheumatic joints, by the help of a stick; the corpulent elder, who rowed when boats had gangways down their middle, and did not require as delicate a balance as an acrobat's at the top of a living pyramid—these are the persons whom I cannot see without an occasional sigh. They are really conscious that they have lost something which they can never regain; or, if they momentarily forget it, it is even more forcibly impressed upon the spectators. To see a respectable old gentleman of sixty, weighing some fifteen stone, suddenly forget a third of his weight and two-thirds of his years, and attempt to caper like a boy, is indeed a startling phenomenon. To the thoughtless, it may be simply comic; but, without being a Jaques, one may contrive also to suck some melancholy out of it.

Now, as I have never caught a cricket-ball, and, on the contrary, have caught numerous crabs in my life, the sympathy which I feel for these declining athletes is not due to any great personal interest in the matter. But I have long anticipated that a similar day would come for me, when I should no longer be able to pursue my favourite sport of mountaineering. Some day I should find that the ascent of a zigzag was as bad as a performance on the treadmill; that I could not look over a precipice without a swimming in the head; and that I could no more jump a crevasse than the Thames at Westminster. None of these things have come to pass. So far as I know, my physical powers are still equal to the ascent of Mont Blanc or the Jungfrau. But I am no less effectually debarred—it matters not how—from mountaineering. I wander at the foot of the gigantic Alps, and look up longingly to the summits, which are apparently so near, and yet know that they are divided from me by an impassable gulf. In some missionary work I have read that certain South Sea Islanders believed in a future paradise where the good should go on eating for ever with insatiable appetites at an inexhaustible banquet. They were to continue their eternal dinner in a house with open wickerwork sides; and it was to be the punishment of the damned to crawl outside in perpetual hunger and look in through the chinks as little boys look in through the windows of a London cookshop. With similar feelings I lately watched through a telescope the small black dots, which were really men, creeping up the high flanks of Mont Blanc or Monte Rosa. The eternal snows represented for me the Elysian fields, into which entrance was sternly forbidden, and I lingered about the spot with a mixture of pleasure and pain, in the envious contemplation of my more fortunate companions.

I know there are those who will receive these assertions with civil incredulity. Some persons assume that every pleasure with which they cannot sympathise is necessarily affectation, and hold, as a particular case of that doctrine, that Alpine travellers risk their lives merely from fashion or desire of notoriety. Others are kind enough to admit that there is something genuine in the passion, but put it on a level with the passion for climbing greased poles. They think it derogatory to the due dignity of Mont Blanc that he should be used as a greased pole, and assure us that the true pleasures of the Alps are those which are within reach of the old and the invalids, who can only creep about villages and along high-roads. I cannot well argue with such detractors from what I consider a noble sport. As for the first class, it is reduced almost to a question of veracity. I say that I enjoy being on the top of a mountain, or, indeed, halfway up a mountain; that climbing is a pleasure to me, and would be so if no one else climbed and no one ever heard of my climbing. They reply that they don't believe it. No more argument is possible than if I were to say that I liked eating olives, and some one asserted that I really eat them only out of affectation. My reply would be simply to go on eating olives; and I hope the reply of mountaineers will be to go on climbing Alps. The other assault is more intelligible. Our critics admit that we have a pleasure; but assert that it is a puerile pleasure—that it leads to an irreverent view of mountain beauty, and to oversight of that which should really most impress a refined and noble mind. To this I shall only make such an indirect reply as may result from a frank confession of my own regrets at giving up the climbing business—perhaps for ever. I am sinking, so to speak, from the butterfly to the caterpillar stage, and, if the creeping thing is really the highest of the two, it will appear that there is something in the substance of my lamentations unworthy of an intellectual being. Let me try. By way of preface, however, I admit that mountaineering, in my sense of the word, is a sport. It is a sport which, like fishing or shooting, brings one into contact with the sublimest aspects of nature; and, without setting their enjoyment before one as an ultimate end or aim, helps one indirectly to absorb and be penetrated by their influence. Still it is strictly a sport—as strictly as cricket, or rowing, or knurr and spell—and I have no wish to place it on a different footing. The game is won when a mountain-top is reached in spite of difficulties; it is lost when one is forced to retreat; and, whether won or lost, it calls into play a great variety of physical and intellectual energies, and gives the pleasure which always accompanies an energetic use of our faculties. Still it suffers in some degree from this undeniable characteristic, and especially from the tinge which has consequently been communicated to narratives of mountain adventures. There are two ways which have been appropriated to the description of all sporting exploits. One is to indulge in fine writing about them, to burst out in sentences which swell to paragraphs, and in paragraphs which spread over pages; to plunge into ecstasies about infinite abysses and overpowering splendours, to compare mountains to archangels lying down in eternal winding-sheets of snow, and to convert them into allegories about man's highest destinies and aspirations. This is good when it is well done. Mr. Ruskin has covered the Matterhorn, for example, with a whole web of poetical associations, in language which, to a severe taste, is perhaps a trifle too fine, though he has done it with an eloquence which his bitterest antagonists must freely acknowledge. Yet most humble writers will feel that if they try to imitate Mr. Ruskin's eloquence they will pay the penalty of becoming ridiculous. It is not every one who can with impunity compare Alps to archangels. Tall talk is luckily an object of suspicion to Englishmen, and consequently most writers, and especially those who frankly adopt the sporting view of the mountains, adopt the opposite scheme: they affect something like cynicism; they mix descriptions of scenery with allusions to fleas or to bitter beer; they shrink with the prevailing dread of Englishmen from the danger of overstepping the limits of the sublime into its proverbial opposite; and they humbly try to amuse us because they can't strike us with awe. This, too, if I may venture to say so, is good in its way and place; and it seems rather hard to these luckless writers when people assume that, because they make jokes on a mountain, they are necessarily insensible to its awful sublimities. A sense of humour is not incompatible with imaginative sensibility; and even Wordsworth might have been an equally powerful prophet of nature if he could sometimes have descended from his stilts. In short, a man may worship mountains, and yet have a quiet joke with them when he is wandering all day in their tremendous solitudes.

Joking, however, is, it must be admitted, a dangerous habit. I freely avow that, in my humble contributions to Alpine literature, I have myself made some very poor and very unseasonable witticisms. I confess my error, and only wish that I had no worse errors to confess. Still I think that the poor little jokes in which we mountaineers sometimes indulge have been made liable to rather harsh constructions. We are accused, in downright earnest, not merely of being flippant, but of an arrogant contempt for all persons whose legs are not as strong as our own. We are supposed seriously to wrap ourselves in our own conceit, and to brag intolerably of our exploits. Now I will not say that no mountaineer ever swaggers: the quality called by the vulgar "bounce" is unluckily confined to no profession. Certainly I have seen a man intolerably vain because he could raise a hundred-weight with his little finger; and I dare say that the "champion bill-poster," whose name is advertised on the walls of this metropolis, thinks excellence in bill-posting the highest virtue of a citizen. So some men may be silly enough to brag in all seriousness about mountain exploits. However, most lads of twenty learn that it is silly to give themselves airs about mere muscular eminence; and especially is this true of Alpine exploits—first, because they require less physical prowess than almost any other sport, and secondly, because a good amateur still feels himself the hopeless inferior of half the Alpine peasants whom he sees. You cannot be very conceited about a game in which the first clodhopper you meet can give you ten minutes' start in an hour. Still a man writing in a humorous vein naturally adopts a certain bumptious tone, just as our friend "Punch" ostentatiously declares himself to be omniscient and infallible. Nobody takes him at his word, or supposes that the editor of "Punch" is really the most conceited man in all England. But we poor mountaineers are occasionally fixed with our own careless talk by some outsider who is not in the secret. We know ourselves to be a small sect, and to be often laughed at; we reply by: assuming that we are the salt of the earth, and that our amusement is the first and noblest of all amusements. Our only retort to the good-humoured ridicule with which we are occasionally treated is to adopt an affected strut, and to carry it off as if we were the finest fellows in the world. We make a boast of our shame, and say, if you laugh we must crow. But we don't really mean anything: if we did, the only word which the English language would afford wherewith to describe us would be the very unpleasant antithesis to wise men, and certainly I hold that we have the average amount of common sense. When, therefore, I see us taken to task for swaggering, I think it a trifle hard that this merely playful affectation of superiority should be made a serious fault. For the future I would promise to be careful, if it were worth avoiding the misunderstanding of men who won't take a joke. Meanwhile, I can only state that when Alpine travellers indulge in a little swagger about their own performances and other people's incapacity, they don't mean more than an infinitesimal fraction of what they say, and that they know perfectly well that when history comes to pronounce a final judgment upon the men of the time, it won't put mountain-climbing on a level with patriotism, or even with excellence in the fine arts.

The reproach of real bona fide arrogance is, so far as I know, very little true of Alpine travellers. With the exception of the necessary fringe hanging on to every set of human beings—consisting of persons whose heads are weaker than their legs—the mountaineer, so far as my experience has gone, is generally modest enough. Perhaps he sometimes flaunts his ice-axes and ropes a little too much before the public eye at Chamonix, as a yachtsman occasionally flourishes his nautical costume at Cowes; but the fault may be pardoned by those not inexorable to human weaknesses. This opinion, I know, cuts at the root of the most popular theory as to our ruling passion. If we do not climb the Alps to gain notoriety, for what purpose can we possibly climb them? That same unlucky trick of joking is taken to indicate that we don't care much about the scenery; for who, with a really susceptible soul, could be facetious under the cliffs of Jungfrau or the ghastly precipices of the Matterhorn? Hence people who kindly excuse us from the blame of notoriety-hunting generally accept the "greased-pole" theory. We are, it seems, overgrown schoolboys, who, like other schoolboys, enjoy being in dirt, and danger, and mischief, and have as much sensibility for natural beauty as the mountain mules. And against this, as a more serious complaint, I wish to make my feeble protest, in order that my lamentations on quitting the profession may not seem unworthy of a thinking being.

Let me try to recall some of the impressions which mountaineering has left with me, and see whether they throw any light upon the subject. As I gaze at the huge cliffs where I may no longer wander, I find innumerable recollections arise—some of them dim, as though belonging to a past existence; and some so brilliant that I can scarcely realise my exclusion from the scenes to which they belong. I am standing at the foot of what, to my mind, is the most glorious of all Alpine wonders—the huge Oberland precipice, on the slopes of the Faulhorn or the Wengern Alp. Innumerable tourists have done all that tourists can do to cocknify (if that is the right derivative from cockney) the scenery; but, like the Pyramids or a Gothic cathedral, it throws off the taint of vulgarity by its imperishable majesty. Even on turf strewn with sandwich-papers and empty bottles, even in the presence of hideous peasant-women singing "Stand-er auf" for five centimes, we cannot but feel the influence of Alpine beauty. When the sunlight is dying off the snows, or the full moon lighting them up with ethereal tints, even sandwich-papers and singing women may be forgotten. How does the memory of scrambles along snow aretes, of plunges—luckily not too deep—into crevasses, of toil through long snowfields, towards a refuge that seemed to recede as we advanced—where, to quote Tennyson with due alteration, to the traveller toiling in immeasurable snow—

Sown in a wrinkle of the monstrous hill The chalet sparkles like a grain of salt;—

how do such memories as these harmonise with the sense of superlative sublimity?

One element of mountain beauty is, we shall all admit, their vast size and steepness. That a mountain is very big, and is faced by perpendicular walls of rock, is the first thing which strikes everybody, and is the whole essence and outcome of a vast quantity of poetical description. Hence the first condition towards a due appreciation of mountain scenery is that these qualities should be impressed upon the imagination. The mere dry statement that a mountain is so many feet in vertical height above the sea, and contains so many tons of granite, is nothing. Mont Blanc, is about three miles high. What of that? Three miles is an hour's walk for a lady—an eighteen-penny cab-fare—the distance from Hyde Park Corner to the Bank—an express train could do it in three minutes, or a racehorse in five. It is a measure which we have learnt to despise, looking at it from a horizontal point of view; and accordingly most persons, on seeing the Alps for the first time, guess them to be higher, as measured in feet, than they really are. What, indeed, is the use of giving measures in feet to any but the scientific mind? Who cares whether the moon is 250,000 or 2,500,000 miles distant? Mathematicians try to impress upon us that the distance of the fixed stars is only expressible by a row of figures which stretches across a page; suppose it stretched across two or across a dozen pages, should we be any the wiser, or have, in the least degree, a clearer notion of the superlative distances? We civilly say, "Dear me!" when the astronomer looks to us for the appropriate stare, but we only say it with the mouth; internally our remark is, "You might as well have multiplied by a few more millions whilst you were about it." Even astronomers, though not a specially imaginative race, feel the impotence of figures, and try to give us some measure which the mind can grasp a little more conveniently. They tell us about the cannon-ball which might have been flying ever since the time of Adam, and not yet have reached the heavenly body, or about the stars which may not yet have become visible, though the light has been flying to us at a rate inconceivable by the mind for an inconceivable number of years; and they succeed in producing a bewildering and giddy sensation, although the numbers are too vast to admit of any accurate apprehension.