Whatever were his qualities as a fighter, the Cid was but indifferent material out of which to make a saint,—a man who battled against Christian and against Moslem with equal zeal, who burnt churches and mosques with equal zest, who ravaged, plundered and slew as much for a livelihood as for any patriotic or religious purpose, and was in truth almost as much of a Mussulman as a Christian in his habits and his character. His true place in history is that of the greatest of the guerrilleros—the perfect type of that sort of warrior in which, from the days of Viriathus to those of Juan Diaz, El Empecinado, the soil of Spain has been most productive.

The Cid of romance, the Cid of a thousand battles, legends and dramas, the Cid as apotheosized in literature, the Cid invoked by good Spaniards in every national crisis, whose name is a perpetual and ever-present inspiration to Spanish patriotism, is a very different character from the historical Rodrigo Diaz—the freebooter, the rebel, the consorter with the infidels and the enemies of Spain. He is the Perfect One, the Born in a Happy Hour, "My Cid," the invincible, the magnanimous, the all-powerful. He is the type of knightly virtue, the mirror of patriotic duty, the flower of all Christian grace. He is Roland and Bayard in one. In the popular literature of Spain he holds a place such as has no parallel in other countries. From an almost contemporary period he has been the subject of song; and he who was chanted by wandering minstrels in the 12th century has survived to be hymned in revolutionary odes of the 19th. In a barbarous Latin poem, written in celebration of the conquest of Almeria by Alphonso VII. in the year 1147, we have the bard testifying to the supereminence of the Cid among his country's heroes:—

"Ipse Rodericus Mio Cid semper vocatus, De quo cantatur quod ab hostibus haud superatus, Qui domuit Mauros, comites domuit quoque nostros."

Within a hundred years of his death the Cid had become the centre of a whole system of myths. The Poema del Cid, written in the latter half of the 12th century, has scarcely any trace of a historical character. Already the Cid had reached his apotheosis, and Castilian loyalty could not consent to degrade him when banished by his sovereign:—

"Dios, que buen vassalo si oviese buen senor!"

cry the weeping citizens of Burgos, as they speed the exile on his way.

The Poem of the Cid is but a fragment of 3744 lines; written in a barbarous style, in rugged assonant rhymes, and a rude Alexandrine measure, but it glows with the pure fire of poetry, and is full of a noble simplicity and a true epical grandeur, invaluable as a living picture of the age. The ballads relating to the Cid, of which nearly two hundred are extant, are greatly inferior in merit, though some of them are not unworthy to be ranked with the best in this kind. Duran believes the greater part of them to have been written in the 16th century. A few betray, not more by the antiquity of their language than by their natural and simple tone, traces of an earlier age and a freer national life. They all take great liberties with history, thus belying the opinion of Sancho Panza that "the ballads are too old to tell lies." Such of them as are not genuine relics of the 12th century are either poetical versions of the leading episodes in the hero's life as contained in the Chronicle, that Chronicle itself having been doubtless composed out of still earlier legends as sung by the wandering juglares, or pure inventions of a later time, owing their inspiration to the romances of chivalry. In these last the ballad-mongers, not to let their native hero be outdone by the Amadises, the Esplandians, and the Felixmartes, engage him in the most extravagant adventures—making war upon the king of France and upon the emperor, receiving embassies from the soldan of Persia, bearding the pope at Rome, and performing other feats not mentioned even in the Poem or the Chronicle. The last and the worst of the Cid ballads are those which betray by their frigid conceits and feeble mimicry of the antique the false taste and essentially unheroic spirit of the age of Philip II. As for the innumerable other poems, dramas and tales which have been founded on the legend of the Cid, from the days of Guillen de Castro and Diamante to those of Quintana and Trueba, they serve merely to prove the abiding popularity of the national hero in his native land.

The chief sources from which the story of the Cid is to be gathered are, first, the Latin chronicle discovered by Risco in the convent of San Isidro at Leon, proved by internal evidence to have been written before 1258; the Cronica General, composed by Alphonso X. in the second half of the 13th century, partly (so far as relates to the Cid) from the above, partly from contemporary Arabic histories, and partly from tradition; the Cronica del Cid, first published in 1512, by Juan de Velorado, abbot of the monastery of San Pedro at Cardena, which is a compilation from the last, interlarded with new fictions due to the piety of the compiler; lastly, various Arabic manuscripts, some of contemporary date, which are examined and their claims weighed in the second volume of Professor Dozy's Recherches sur l'histoire politique et litteraire de l'Espagne pendant le moyen age (Leiden, 1849). Huber, Mueller, and Ferdinand Wolf are among the leading authorities in the history and literature of the Cid. M. Damas Hinard has published the poem, with a literal French translation and notes, and John Hookham Frere has rendered it into English with extraordinary spirit and fidelity. The largest collection of the Cid ballads is that of Durant, in the Romancero general, in two volumes, forming part of Rivadeneyra's Biblioteca de autores espanoles. (H. E. W.)



CIDER, or CYDER (from the Fr. cidre, derived from the Lat. sicera or cisera, Gr. [Greek: sikera], Heb. shēkār, strong drink), an alcoholic beverage made from apples.

Cider and perry (the corresponding beverage made from pears) are liquors containing from as little as 2% of alcohol to 7 or 8%, seldom more, and rarely as much, produced by the vinous fermentation of the expressed juice of apples and pears; but cider and perry of prime quality can only be obtained from vintage fruit, that is, apples and pears grown for the purpose and unsuited for the most part for table use. A few table apples make good cider, but the best perry is only to be procured from pears too harsh and astringent for consumption in any other form. The making of perry is in England confined, in the main, to the counties of Hereford, Worcester and Gloucester. These three counties, together with Somerset and Devon, constitute, too, the principal cider-making district of the country; but the industry, which was once more widely spread, still survives an Norfolk, and has lately been revived in Kent, though, in both these counties, much of the fruit used in cider-making is imported from the west country and some from the continent. Speaking generally, the cider of Herefordshire is distinguished for its lightness and briskness, that of Somerset for its strength, and that of Devonshire for its lusciousness.

Cider used to be made in the south of Ireland, but the industry had almost become extinct until revived by the Department of Agriculture, which in 1904 erected a cider-making plant at Drogheda, Co. Louth, gave assistance to private firms at Dungarvan, Co. Waterford, and Fermoy, Co. Cork, and provided a travelling mill and press to work in the South Riding of Co. Tipperary. The results have been highly satisfactory, a large quantity of good cider having been produced.

Inasmuch as English orchards are crowded with innumerable varieties of cider apples, many of them worthless, a committee composed of members of the Herefordshire Fruit-Growers' Association and of the Fruit and Chrysanthemum Society was appointed in 1899 to make a selection of vintage apples and pears best suited to Herefordshire and the districts adjoining. The following is the list drawn up by the committee:—

Apples.—Old Foxwhelp, Cherry Pearmain, Cowarne Red, Dymock Red, Eggleton Styre, Kingston Black or Black Taunton, Skyrme's Kernel, Spreading Redstreak, Carrion apple, Cherry Norman, Cummy Norman, Royal Wilding, Handsome Norman, Strawberry Norman, White Bache or Norman, Broad-leaved Norman, Argile Grise, Bramtot, De Boutville, Frequin Audievre, Medaille d'Or, the last five being French sorts introduced from Normandy about 1880, and now established in the orchards of Herefordshire.

Pears.—Taynton Squash, Barland, Oldfield, Moorcroft or Malvern Hill, Red-pear, Thurston's Red, Longland, Pine pear.

No equally authoritative selection has been made for the Somerset and Devon districts, but the following varieties of cider apples are held in good repute in those parts:—Kingston Black, Jersey Chisel, Hangdowns, Fair Maid of Devon, Woodbine, Duck's Bill, Slack-my-Girdle, Bottle Stopper, Golden Ball, Sugar-loaf, Red Cluster, Royal Somerset and Cadbury (believed to be identical with the Royal Wilding of Herefordshire). As a rule the best cider apples are of small size. "Petites pommes, gros cidre," say the French.

Cider and perry not being taxable liquors in England, it is impossible to estimate with even an approach to accuracy the amount of the annual production of them. In 1896 Mr Sampson, the then secretary of the National Association of English Cider-makers, in his evidence before the royal commission on agriculture, put it at 551/2 million gallons. Since that date the increased demand for these native wines has given such an impetus to the industry that this figure might with safety be doubled. In France official statistics are available, and these show not only that that country is the largest producer of cider (including perry) in the world, but that the output is yearly increasing. A great proportion, however, of what passes as cider in France is boisson, i.e. cider to which water has been added in the process of making or at a subsequent stage; while much of the perry is disposed of to the makers of champagne. Although some cider is made in sixty-five departments, by far the largest amount comes from the provinces of Normandy and Brittany. In Germany cider-making is a considerable and growing industry. Manufactories on a small scale exist in north Germany, as at Guben and Gruenberg, but the centre of the industry is at Frankfort-on-Main, Sachsenhausen and the neighbourhood, where there are five large and twenty-five small factories employing upwards of 1000 hands. Large quantities of cider fruit are imported from foreign countries, as, speaking generally, the native-grown fruit used in Germany for cider-making consists of inferior and undersized table apples not worth marketing. The bottled cider for export is treated much like champagne, and is usually fortified and flavoured until, in the words of an acknowledged French authority, M. Truelle, it becomes a hybrid between cider and white wine rather than pure cider.

The practice which formerly prevailed in England of making cider on the farm from the produce of the home orchards has within the last few years been to a large extent given up, and, as in Germany and many parts of France, farmers now sell their fruit to owners of factories where the making of cider and perry is carried on as a business of itself. In these hand or horse power is superseded by steam and sometimes by electricity, as in the factory of E. Seigel in Gruenberg, and the old-fashioned appliances of the farm by modern mills and presses capable of turning out large quantities of liquor. The clearing of the juice, too, which used to be effected by running it through bags, is in the factories accomplished more quickly by forcing it through layers of compressed cotton in a machine of German origin known as Lumley's filter. The actual process of cider and perry making is simple, and resembles that of making grape wine. The fruit is ground or crushed in machines of various construction, the latest and most powerful being of American origin. The resulting pomace is pressed for the extraction of the juice, which is then run into vats, where it undergoes fermentation, which, converting the saccharine ingredients into alcohol and carbonic acid gas, turns it into cider. Cider made from a judicious mixture of several varieties of apples is to be preferred to cider made from one variety only, inasmuch as it is less difficult to find the requisite degrees of richness, astringency and flavour in several varieties than in one; but the contrary is the case with pears, of which the most noted sorts, such as the Barland, the Taynton Squash and the Oldfield, produce the best perry when unmixed with other varieties. Some fining of an albuminous nature is generally requisite in order to clear the juice and facilitate its passage through the filter, but the less used the better. The simplest and cleanest is skim milk whipped to a froth and blended gradually with the cider as it is pumped into the mixing vat. Many nostrums are sold for the clearing of cider, but none is necessary and most are harmful.

Of late years the practice has largely obtained of using preservatives for the purpose of checking fermentation. The principal preservatives employed are salicylic and boracic acids and formalin. The two former are ineffective except in quantities likely to prove hurtful to health, while formalin, in itself a powerful and deleterious drug, though it stops fermentation, renders the liquor cloudy and undrinkable. Other foreign ingredients, such as saccharin and porcherine, both coal-tar derivatives—the latter a recent discovery of a French chemist, after whom it is named—are used by many makers, chiefly for the purpose of rendering bad and therefore unwholesome cider palatable and saleable. Provided that cider and perry be properly filtered, and attention paid to perfect cleanliness of vessels and appliances, there is no need of preservatives or sweeteners, and their use ought to be forbidden by law in England, as it is in most continental states in the case of liquors to be consumed within their borders, though not, it is significant to note, in the case of liquors intended for exportation.

The wholesome properties of cider and perry when pure and unadulterated have been recognized by medical men, who recommend them as pleasant and efficacious remedies in affections of a gouty or rheumatic nature, maladies which, strange to say, these very liquors were once supposed to foster, if not actually to originate. Under a similar false impression the notion is general that hard rough cider is apt to cause diarrhoea, colic and kindred complaints, whereas, as a fact, disorders of this kind are conspicuous by their absence in those parts of the country where rough cider and perry constitute the staple drinks of the working-classes. This is especially the case in Herefordshire, which is said also to be the only county in England whence no instance of the occurrence of Asiatic cholera has ever been reported.

The importance which the cider industry has of late attained in England has been marked by the establishment of the National Fruit and Cider Institute at Long Ashton near Bristol. This institute, founded in 1903 at the instance of the Board of Agriculture, is supported by grants from the board, the Bath and West of England Society, the councils of the cider-producing counties of Hereford, Gloucester, Worcester, Monmouth, Devon and Somerset, and by subscription of members. The objects of the institute are the promotion of research into the causes of the changes which occur in cider and perry during fermentation, with the view of imparting to these liquors a degree of exactitude hitherto unattainable; the adoption from time to time of improved machinery and methods in cider-making; the detection of adulteration; the giving of instruction in the principles and practice of cider-making; the publication of reports detailing the results of the researches undertaken at the institute; the testing and selection of the sorts of fruit best suited for vintage purposes; the propagation of useful varieties likely from neglect to go out of cultivation; and the conducting of experiments in regard to the best systems of planting and protecting young fruit trees.

Fruit-growers who look to cider-making "as a means of utilizing windfalls and small and inferior apples of cooking and dessert varieties not worth sending to market" should be warned that it is as important to the cider industry that good cider only should be on sale as it is to the fruit-growing industry that good fruit only should be sent to market. The juice of the apple is naturally affected by the condition of the fruit itself, and if this be unripe, unsound or worm-eaten the cider made from it will be inferior to that made from full-grown, ripe and sound fruit. If such fruit be not good enough to send to market, neither will the cider made from it be good enough to place before the public. Nevertheless, it may furnish a sufficiently palatable drink for home consumption, and may therefore be so utilized. But when, as happens from time to time in fruit-growing districts, there is a glut, and even the best table fruit is not saleable at a profit, then, indeed, cider-making is a means of storing in a liquid form what would otherwise be left to rot on the ground; whilst if a proportion of vintage fruit were mixed therewith, a drink would be produced which would not discredit the cider trade, and would bring a fair return to the maker. (C. W. R. C.)



CIENFUEGOS, NICASIO ALVAREZ DE (1764-1809), Spanish poet and publicist, was born at Madrid on the 14th of December 1764. He studied with distinction at Salamanca, where he met the poet Melendez Valdes. His poems, published in 1778, immediately attracted attention. He was successively editor of the Gaceta and Mercurio, and was condemned to death for having published an article against Napoleon; on the petition of his friends, he was respited and deported to France; he died at Orthez early in the following year. His verses are modelled on those of Melendez Valdes; though not deficient in technique or passion, they are often disfigured by spurious sentimentality and by the flimsy philosophy of the age. Cienfuegos was blamed for an unsparing use of both archaisms and gallicisms. His plays, Pitaco, Zoraida, La Condesa de Castilla and Idomeneo, four tragedies on the pseudo-classic French model, and Las Hermanas generosas, a comedy, are deservedly forgotten.



CIENFUEGOS (originally FERNANDINA DE JAGUA), one of the principal cities of Cuba, in Santa Clara province, near the central portion of the S. coast, 195 m. E.S.E. of Havana. Pop. (1907) 30,100. Cienfuegos is served by the United railways and by steamers connecting with Santiago, Batabano, Trinidad and the Isle of Pines. It lies about 6 m. from the sea on a peninsula in the magnificent landlocked bay of Jagua. Vessels drawing 16 ft. have direct access to the wharves. A circular railway about the water-front, wharves and warehouses facilitates the loading and unloading of vessels. The city streets are broad and regularly laid out. There is a handsome cathedral; and the Tomas Terry theatre (given to the city by the heirs of one of the millionaire sugar planters of the jurisdiction), the governor's house (1841-1844), the military and government hospitals, market place and railway station are worthy of note. In the Cathedral Square (Plaza de Armas), embracing two city-squares, and shaded—like all the plazas of the island—with laurels and royal palms, are a statue of Isabel the Catholic, and two marble lions given by Queen Isabel II.; elsewhere there are statues of General Clouet and Marshal Serrano, once captain-general. The city is lighted by gas and electricity, has an abundant water-supply, and cable connexion with Europe, the United States, other Antilles and South America. The surrounding country is one of the prettiest and most fertile regions in Cuba, varied with woods, rivers, rocky gulches, beautiful cascades and charming tropic vegetation. Several of the largest and finest sugar estates in the world are situated in the vicinity, including the Soledad (with a botanical experiment station maintained by Harvard University), the Terry and others—most of them connected with the city by good driveways. Cienfuegos is a centre of the sugar trade on the south coast; tobacco too is exported.

The bay of Jagua was visited by Columbus. The city was founded in 1819, with the aid of the Spanish government, by a Louisianian, General Luis de Clouet; it was destroyed by a hurricane and was rebuilt in 1825. Many naturalized foreign Catholics, including Americans, were among the original settlers. The settlement was first named in honour of Ferdinand VII., and later in honour of Captain-General Jose Cienfuegos Jovellanos. The harbour was known from the earliest times, and has been declared by Mahan to be the most important of the Caribbean Sea for strategic purposes. In 1740-1745 a fortification called Nuestra Senora de los Angeles was erected at the entrance; it is still standing, on a steep bluff overlooking the sea, and is one of the most picturesque of the old fortifications of the island. On the 11th of May 1898 a force from two vessels of the United States fleet under Admiral Schley, searching for Cervera and blockading the port, cut two of the three cables here (at Point Colorado, at the entrance of the harbour), and for the first time in the Spanish-American War the American troops were under fire.



CIEZA, a town of south-eastern Spain, in the province of Murcia, on the right bank of the river Segura, and on the Madrid-Cartagena railway. Pop. (1900) 13,626. Cieza is built in a narrow bend of the Segura valley, which is enclosed on the north by mountains, and on the south broadens into a fertile plain, producing grain, wine, olives, raisins, oranges and esparto grass. In the town itself there are flour and paper mills, sawmills and brandy distilleries. Between 1870 and 1900 local trade and population increased rapidly, owing partly to improved means of communication; and the appearance of Cieza is thoroughly modern.



CIGAR, the common term for tobacco-leaf prepared for smoking by being rolled into a short cylinder tapering to a point at the end which is placed in the mouth, the other end, which is lighted, being usually cut square (see TOBACCO). The Spanish cigarro is of doubtful origin, possibly connected with cigarra, a cicada, from its resemblance to the body of that insect, or with cigarral, a word of Arabic origin meaning a pleasure garden. The explanation that it comes from a Cuban word for a certain species of tobacco is probably erroneous, since no native word of the kind is known. The diminutive, cigarette, denotes a roll of cut tobacco enclosed usually in thin paper, but sometimes also in tobacco-leaf or the husk of Indian corn.



CIGNANI, CARLO (1628-1719), Italian painter, was born of a noble family at Bologna, where he studied under Battista Cairo, and afterwards under Francesco Albani. Though an intimate friend of the latter, and his most famous disciple, Cignani was yet strongly and deeply influenced by the genius of Correggio. His greatest work, moreover, the "Assumption of the Virgin," round the cupola of the church of the Madonna della Fuoca at Forli, which occupied him some twenty years, and is in some respects one of the most remarkable works of art of the 17th century, is obviously inspired from the more renowned fresco of Correggio in the cupola of the cathedral of Parma. Cignani had some of the defects of his masters; his elaborate finish, his audacious artificiality in the use of colour and in composition, mark the disciple of Albani; but he imparted to his work a more intellectual character than either of his models, and is not without other remarkable merits of his own. As a man Cignani was eminently amiable, unassuming and generous. His success, however, made him many enemies; and the envy of some of these is said to have impelled them to deface certain of his works. He accepted none of the honours offered him by the duke of Parma and other princes, but lived and died an artist. On his removal to Forli, where he died, the school he had founded at Bologna was fain in some sort to follow its master. His most famous pictures, in addition to the Assumption already cited, are—the "Entry of Paul III. into Bologna"; the "Francois I. Touching for King's Evil"; a "Power of Love," painted under a fine ceiling by Agostino Carracci, on the walls of a room in the ducal palace at Parma; an "Adam and Eve" (at the Hague); and two of "Joseph and Potiphar's Wife" (at Dresden and Copenhagen). His son Felice (1660-1724) and nephew Paolo (1709-1764) were also painters.



CIGOLI (or CIVOLI), LODOVICO CARDI DA(1559-1613), Italian painter, architect and poet, was born at Cigoli in Tuscany. Educated under Alessandro Allori and Santi di Tito, he formed a peculiar style by the study at Florence of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Assimilating more of the second of these masters than of all the others, he laboured for some years with success; but the attacks of his enemies, and intense application to the production of a wax model of certain anatomical preparations, induced an alienation of mind which affected him for three years. At the end of this period he visited Lombardy, whence he returned to Florence. There he painted an "Ecce Homo," in competition with Passignani and Caravaggio, which gained the prize. This work was afterwards taken by Bonaparte to the Louvre, and was restored to Florence in 1815. Other important pictures are—a "St Peter Healing the Lame Man," in St Peter's at Rome; a "Conversion of St Paul," in the church of San Paolo fuori le Mura, and a "Story of Psyche," in fresco, at the Villa Borghese; a "Martyrdom of Stephen," which earned him the name of the Florentine Correggio, a "Venus and Satyr," a "Sacrifice of Isaac," a "Stigmata of St Francis," at Florence. Cigoli, who was made a knight of Malta at the request of Pope Paul III., was a good and solid draughtsman and the possessor of a rich and harmonious palette. He died, it is said, of grief at the failure of his last fresco (in the Roman church of Santa Maria Maggiore), which is rendered ridiculous by an abuse of perspective.



CILIA (plural of Lat. cilium, eyelash), in biology, the thread-like processes by the vibration of which many lowly organisms, or the male reproductive cells of higher organisms, move through water.



CILIATA (M. Pertz), one of the two divisions of Infusoria, characterized by the permanent possession of cilia or organs derived from these (cirrhi, membranelles, &c.), and possessing a single mouth (except in the Opalinopsidae, all parasitic). They are the most highly differentiated among the Protozoa.



CILICIA, in ancient geography, a district of Asia Minor, extending along the south coast from the Alara Su, which separated it from Pamphylia, to the Giaour Dagh (Mt. Amanus), which parted it from Syria. Its northern limit was the crest of Mt. Taurus. It was naturally divided into Cilicia Trachea, W. of the Lamas Su, and Cilicia Pedias, E. of that river.

Cilicia Trachea is a rugged mountain district formed by the spurs of Taurus, which often terminate in rocky headlands with small sheltered harbours,—a feature which, in classical times, made the coast a resort of pirates, and, in the middle ages, led to its occupation by Genoese and Venetian traders. The district is watered by the Geuk Su (Calycadnus and its tributaries), and is covered to a large extent by forests, which still, as of old, supply timber to Egypt and Syria. There were several towns but no large trade centres. In the interior were Coropissus (Da Bazar), Olba (Uzunjaburj), and, in the valley of the Calycadnus, Claudiopolis (Mut) and Germanicopolis (Ermenek). On or near the coast were Coracesium (Alaya), Selinus-Trajanopolis (Selinti), Anemourium (Anamur), Kelenderis (Kilindria), Seleucia ad Calycadnum (Selefkeh), Corycus (Korghoz) and Elaeusa-Sebaste (Ayash). Roads connected Laranda, north of the Taurus, with Kelenderis and Seleucia.

Cilicia Pedias included the rugged spurs of Taurus and a large plain, which consists, in great part, of a rich stoneless loam. Its eastern half is studded with isolated rocky crags, which are crowned with the ruins of ancient strongholds, and broken by the low hills that border the plain of Issus. The plain is watered by the Cydnus (Tarsus Chai), the Sarus (Sihun) and the Pyramus (Jihun), each of which brings down much silt. The Sarus now enters the sea almost due south of Tarsus, but there are clear indications that at one period it joined the Pyramus, and that the united rivers ran to the sea west of Kara-tash. Such appears to have been the case when Alexander's army crossed Cilicia. The plain is extremely productive, though now little cultivated. Through it ran the great highway, between the east and the west, on which stood Tarsus on the Cydnus, Adana on the Sarus, and Mopsuestia (Missis) on the Pyramus. North of the road between the two last places were Sision-Flaviopolis (Sis), Anazarbus (Anazarba) and Hierapolis-Kastabala (Budrum); and on the coast were Soli-Pompeiopolis, Mallus (Kara-tash), Aegae (Ayash), Issus, Baiae (Piyas) and Alexandria ad Issum (Alexandretta). The great highway from the west, on its long rough descent from the Anatolian plateau to Tarsus, ran through a narrow pass between walls of rock called the Cilician Gate, Ghulek Boghaz. After crossing the low hills east of the Pyramus it passed through a masonry (Cilician) gate, Demir Kapu, and entered the plain of Issus. From that plain one road ran southward through a masonry (Syrian) gate to Alexandretta, and thence crossed Mt. Amanus by the Syrian Gate, Beilan Pass, to Antioch and Syria; and another ran northwards through a masonry (Amanian) gate, south of Toprak Kaleh, and crossed Mt. Amanus by the Amanian Gate, Baghche Pass, to North Syria and the Euphrates. By the last pass, which was apparently unknown to Alexander, Darius crossed the mountains prior to the battle of Issus. Both passes are short and easy, and connect Cilicia Pedias geographically and politically with Syria rather than with Asia Minor. Another important road connected Sision with Cocysus and Melitene. In Roman times Cilicia exported the goats'-hair cloth, Cilicium, of which tents were made.

The Cilicians appear as Khilikku in Assyrian inscriptions, and in the early part of the first millennium B.C. were one of the four chief powers of western Asia. It is generally assumed that they had previously been subject to the Syro-Cappadocian empire; but, up to 1909 at all events, "Hittite" monuments had not been found in Cilicia; and we must infer that the "Hittite" civilizations which flourished in Cappadocia and N. Syria, communicated with each other by passes E. of Amanus and not by the Cilician Gates. Under the Persian empire Cilicia was apparently governed by tributary native kings, who bore a name or title graecized as Syennesis; but it was officially included in the fourth satrapy by Darius. Xenophon found a queen in power, and no opposition was offered to the march of Cyrus. Similarly Alexander found the Gates open, when he came down from the plateau in 333 B.C.; and from these facts it may be inferred that the great pass was not under direct Persian control, but under that of a vassal power always ready to turn against its suzerain. After Alexander's death it was long a battle ground of rival marshals and kings, and for a time fell under Ptolemaic dominion, but finally under that of the Seleucids, who, however, never held effectually more than the eastern half. Cilicia Trachea became the haunt of pirates, who were subdued by Pompey. Cilicia Pedias became Roman territory in 103 B.C., and the whole was organized by Pompey, 64 B.C., into a province which, for a short time, extended to and included part of Phrygia. It was reorganized by Caesar, 47 B.C., and about 27 B.C. became part of the province Syria-Cilicia-Phoenice. At first the western district was left independent under native kings or priest-dynasts, and a small kingdom, under Tarkondimotus, was left in the east; but these were finally united to the province by Vespasian, A.D. 74. Under Diocletian (circa 297), Cilicia, with the Syrian and Egyptian provinces, formed the Diocesis Orientis. In the 7th century it was invaded by the Arabs, who held the country until it was reoccupied by Nicephorus II. in 965.

The Seljuk invasion of Armenia was followed by an exodus of Armenians southwards, and in 1080 Rhupen, a relative of the last king of Ani, founded in the heart of the Cilician Taurus a small principality, which gradually expanded into the kingdom of Lesser Armenia. This Christian kingdom—situated in the midst of Moslem states, hostile to the Byzantines, giving valuable support to the crusaders, and trading with the great commercial cities of Italy—-had a stormy existence of about 300 years. Gosdantin I. (1095-1100) assisted the crusaders on their march to Antioch, and was created knight and marquis. Thoros I. (1100-1123), in alliance with the Christian princes of Syria, waged successful war against Byzantines and Seljuks. Levond (Leo) II., "the Great" (1185-1219), extended the kingdom beyond Mount Taurus and established the capital at Sis. He assisted the crusaders, was crowned king by the archbishop of Mainz, and married one of the Lusignans of Cyprus. Haithon I. (1224-1269) made an alliance with the Mongols, who, before their adoption of Islam, protected his kingdom from the Mamelukes of Egypt. When Levond V. died (1342), John of Lusignan was crowned king as Gosdantin IV.; but he and his successors alienated the Armenians by attempting to make them conform to the Roman Church, and by giving all posts of honour to Latins, and at last the kingdom, a prey to internal dissensions, succumbed (1375) to the attacks of the Egyptians. Cilicia Trachea was occupied by the Osmanlis in the 15th century, but Cilicia Pedias was only added to the empire in 1515.

From 1833 to 1840 Cilicia formed part of the territories administered by Mehemet Ali of Cairo, who was compelled to evacuate it by the allied powers. Since that date it has formed the vilayet of Adana (q.v.).

BIBLIOGRAPHY.—Beside the general authorities for ASIA MINOR, see:—W.B. Barker, Lares and Penates (1853); V. Langlois, Voyage dans la Cilicie (1861); F. Beaufort, Karamania (1817); W.F. Ainsworth, Narrative of the Euphrates Expedition (1888), and Travels in Asia Minor (1842); R. Heberdey and A. Wilhelm, Reisen in Kilikien (1896); D.G. Hogarth and J.A.R. Munro, Mod. and Anc. Roads in E. Asia Minor (R.G.S. Supp. Papers, iii.) (1893); D.G. Hogarth, A Wandering Scholar (1896); G.L. Schlumberger, Un Empereur byzantin (1890); T. Kotschy, Reise in dem cilicschen Taurus (1858); H.C. Barkley, Ride through Asia Minor and Armenia (1891); E.J. Davis, Life in Asiatic Turkey (1879); J. Marquardt, Roem. Staatsverwaltung, i. (1874); J.R.S. Sterrett, Wolfe Expedition (1888). See also authorities under ARMENIA and MEHEMET ALI. (C. W. W.; D. G. H.)



CILLI, ULRICH, COUNT OF (1406-1456), son of Frederick II., count of Cilli, and Elizabeth Frangepan. Of his youth we know nothing certain. About 1432 he married Catherine, daughter of George Brankovich, despot of Servia.

His influence in the troubled affairs of Hungary and the Empire early overshadowed that of his father, together with whom he was made a prince of the Empire by the emperor Sigismund (1436). Hence feuds with the Habsburgs, wounded in their rights as overlords of Cilli, ending, however, in an alliance with the Habsburg king Albert II., who made Ulrich for a short while his lieutenant in Bohemia. After Albert's death (1439) Ulrich took up the cause of his widow Elizabeth, and presided at the coronation of her infant son Ladislaus V. Posthumus (1440). A feud with the Hunyadis followed, embittered by John Hunyadi's attack on George Brankovich of Servia (1444) and his refusal to recognize Ulrich's claim to Bosnia on the death of Stephen Tvrtko (1443). In 1446 Hunyadi, now governor of Hungary, harried the Cilli territories in Croatia-Slavonia; but his power was broken at Kossovo (1448), and Count Ulrich was able to lead a successful crusade, nominally in the Habsburg interest, into Hungary (1450). In 1452 he forced the emperor Frederick III. to hand over the boy king Ladislaus V. to his keeping, and became thus practically ruler of Hungary. In 1454 his power was increased by his succession to his father's vast wealth; and in 1456 he was named by Ladislaus his lieutenant in Hungary. The Hunyadis now conspired to destroy him. On the 8th of November, in spite of warnings, he entered Belgrade with the king; the next day he was attacked by Laszlo Hunyadi and his friends, and done to death. With him died the male line of the counts of Cilli.

Count Ulrich's ambition was boundless, his passions unbridled; but the hostile judgments passed by Aeneas Sylvius and other contemporaries upon him must be read with caution.



CILLI (Slovene, Celje), a town in Styria, Austria, 82 m. S. by W. of Graz by rail. Pop. (1900) 6743. It is picturesquely situated on the left bank of the river Sann, and still has remains of the old walls and towers, with which it was once surrounded. Memorials of a still earlier period in its history—Roman antiquities—are to be seen in the municipal museum, while its canals and sewers are also of Roman origin. These were discovered during the second half of the 19th century, and were in such a good state of preservation that after a few small repairs they are now utilized. The parish church, dating from the 14th century, with its beautiful Gothic chapel, is one of the most interesting specimens of medieval architecture. The so-called German church, in Romanesque style, belonged to the Minorite monastery, founded in 1241 and closed in 1808. The throne of the counts of Cilli is preserved here, and also the tombs of several members of the family. On the Schlossberg (1320 ft.), situated to the S.E. of the town, are the ruins of the castle of Ober-Cilli, the former residence of the counts of Cilli. Ten miles to the N.W. of Cilli are situated the baths of Neuhaus, with indifferent thermal waters (117 deg. F.), frequented by ladies. Not far from it is the ruined castle of Neuhaus, called since 1643 Schlangenburg, from which an extensive view of the neighbouring Alps is obtained.

Cilli is one of the oldest places in Styria, and was probably a Celtic settlement. It was taken possession of by the Romans in 15 B.C., and in A.D. 50 the emperor Claudius raised it to a Roman municipium and named it Claudia Celeja. It soon became one of the most flourishing Roman colonies, and possessed numerous great buildings, of which the temple of Mars was famous throughout the whole empire. It was incorporated with Aquileia, under Constantine; and towards the end of the 6th century was destroyed by the invading Slavs. It had a period of exceptional prosperity from the middle of the 14th to the latter half of the 15th century, under the counts of Cilli, on the extinction of which family it fell to Austria. In the 16th century it suffered greatly both from revolts of the peasantry and from the Counter-Reformation, Protestantism having made many converts in the district, particularly among the nobles.

See Glantschnigg, Celeja (Cilli, 1892).



CIMABUE, GIOVANNI (1240 to about 1302), Italian painter, was born in Florence of a respectable family, which seems to have borne the name of Gualtieri, as well as that of Cimabue (Bullhead). He took to the arts of design by natural inclination, and sought the society of men of learning and accomplishment. Vasari, the historian of Italian painting, zealous for his own native state of Florence, has left us the generally current account of Cimabue, which later researches have to a great extent invalidated. We cannot now accept his assertion that art, extinct in Italy, was revived solely by Cimabue, after he had received some training from Greek artists invited by the Florentine government to paint the chapel of the Gondi in the church of S. Maria Novella; for native Italian art was not then a nullity, and this church was only begun when Cimabue was already forty years old; Even Lanzi's qualifying statement that Greek artists, although they did not paint the chapel of the Gondi, did execute rude decorations in a chapel below the existing church, and may thus have inspired Cimabue, makes little difference in the main facts. What we find as the general upshot is that some Italian painters preceded Cimabue—particularly Guido of Siena and Giunta of Pisa; that he worked on much the same principle as they, and to a like result; but that he was nevertheless the most advanced master of his time, and, by his own works, and the training which he imparted to his mighty pupil Giotto, he left the art far more formed and more capable of growth than he found it (see PAINTING).

The undoubted admiration of his contemporaries would alone demonstrate the conspicuous position which Cimabue held, and deserved to hold. For the chapel of the Rucellai in S. Maria Novella he painted in tempera a colossal "Madonna and Child with Angels," the largest altarpiece produced up to that date; before its removal from the studio it was visited with admiration by Charles of Anjou, with a host of eminent men and gentle ladies, and it was carried to the church in a festive procession of the people and trumpeters. Cimabue was at this time living in the Borgo Allegri, then outside the walls of Florence; the legend that the name Allegri (Joyous) was bestowed on the locality in consequence of this striking popular display is more attractive than accurate, for the name existed already. Of this celebrated picture, one of the great landmarks of modern and sacred art, some details may be here given, which we condense from the History of Painting in Italy by Crowe and Cavalcaselle.

"The Virgin in a red tunic and blue mantle, with her feet resting on an open-worked stool, is sitting on a chair hung with a white drapery flowered in gold and blue, and carried by six angels kneeling in threes above each other. A delicately engraved nimbus surrounds her head, and that of the infant Saviour on her lap, who is dressed in a white tunic, and purple mantle shot with gold. A dark-coloured frame surrounds the gabled square of the picture, delicately traced with an ornament interrupted at intervals by thirty medallions on gold ground, each of which contains the half-figure of a saint. In the face of the Madonna is a soft and melancholy expression; in the form of the infant, a certain freshness, animation and natural proportion; in the group, affection—but too rare at this period. There is sentiment in the attitudes of the angels, energetic mien in some prophets, comparative clearness and soft harmony in the colours. A certain loss of balance is caused by the overweight of the head in the Virgin as compared with the slightness of her frame. The features are the old ones of the 13th century; only softened, as regards the expression of the eye, by an exaggeration of elliptical form in the iris, and closeness of the curves of the lids. In the angels the absence of all true notions of composition may be considered striking; yet their movements are more natural and pleasing than hitherto. One indeed, to the spectator's right of the Virgin, combines more tender reverence in its glance than any that had yet been produced. Cimabue gave to the flesh-tints a clear and carefully fused colour, and imparted to the forms some of the rotundity which they had lost. With him vanished the sharp contrasts of hard lights, half-tones and shadows."

In a general way, it may be said that Cimabue showed himself forcible in his paintings, as especially in heads of aged or strongly characterized men; and, if the then existing development of art had allowed of this, he might have had it in him to express the beautiful as well. He, according to Vasari, was the first painter who wrote words upon his paintings,—as, for instance, round the head, of Christ in a picture of the Crucifixion, the words addressed to Mary, Mulier ecce filius tuus.

Other paintings still extant by Cimabue are the following:—In the academy of Arts in Florence, a "Madonna and Child," with eight angels, and some prophets in niches,—better than the Rucellai picture in composition and study of nature, but more archaic in type, and the colour now spoiled (this work was painted for the Badia of S. Trinita, Florence); in the National Gallery, London, a "Madonna and Child with Angels," which came from the Ugo Baldi collection, and had probably once been in the church of S. Croce, Florence; in the Louvre, a "Madonna and Child," with twenty-six medallions in the frame, originally in the church of S. Francesco, Pisa. In the lower church of the Basilica of S. Francesco at Assisi, Cimabue, succeeding Giunta da Pisa, probably adorned the south transept,—painting a colossal "Virgin and Child between four Angels," above the altar of the Conception, and a large figure of St Francis. In the upper church, north transept, he has the "Saviour Enthroned and some Angels," and, on the central ceiling of the transept, the "Four Evangelists with Angels." Many other works in both the lower and the upper church have been ascribed to Cimabue, but with very scanty evidence; even the above-named can be assigned to him only as matter of probability. Numerous others which he indisputably did paint have perished,—for instance, a series (earlier in date than the Rucellai picture) in the Carmine church at Padua, which were destroyed by a fire.

From Assisi Cimabue returned to Florence. In the closing years of his life he was appointed capomaestro of the mosaics of the cathedral of Pisa, and was afterwards, hardly a year before his death, joined with Arnolfo di Cambio as architect for the cathedral of Florence. In Pisa he executed a Majesty in the apse,—"Christ in glory between the Virgin and John the Evangelist," a mosaic, now much damaged, which stamps him as the leading artist of his time in that material. This was probably the last work that he produced.

The debt which art owes to Cimabue is not limited to his own performances. He was the master of Giotto, whom (such at least is the tradition) he found a shepherd boy of ten, in the pastures of Vespignano, drawing with a coal on a slate the figure of a lamb. Cimabue took him to Florence, and instructed him in the art; and after his death Giotto occupied a house which had belonged to his master in the Via del Cocomero. Another painter with whom Cimabue is said to have been intimate was Gaddo Gaddi.

It had always been supposed that the bodily semblance of Cimabue is preserved to us in a portrait-figure by Simon Memmi painted in the Cappella degli Spagnuoli, in S. Maria Novella,—a thin hooded face in profile, with small beard, reddish and pointed. This is, however, extremely dubious. Simone Martini of Siena (commonly called Memmi) was born in 1283, and would therefore have been about nineteen years of age when Cimabue died; it is not certain that he painted the work in question, or that the figure represents Cimabue. The Florentine master is spoken of by a nearly contemporary commentator on Dante (the so-called Anonimo, who wrote about 1334) as arrogante e disdegnoso; so "arrogant and scornful" that, if any one, or if he himself, found a fault in any work of his, however cherished till then, he would abandon it in disgust. This, however, to a modern mind, looks more like an aspiring and fastidious desire for perfection than any such form of "arrogance and scorn" as blemishes a man's character. Giovanni Cimabue was buried in the cathedral of Florence, S. Maria del Fiore, with an epitaph written by one of the Nini:—

"Credidit ut Cimabos picturae castra tenere, Sic tenuit vivens; nunc tenet astra poli."

Here we recognize distinctly a parallel to the first clause in the famous triplet of Dante:

"Credette Cimabue nella pintura Tener lo campo; ed ora ha Giotto il grido, Si che la fama di colui s' oscura."

Besides Vasari, and Crowe and Cavalcaselle (re-edited by Langton), the following works may be consulted:—P. Angeli, Storia della basilica d' Assisi; Cole and Stillman, Old Italian Masters (1892); Mrs Ady, Painters of Florence (1900). (W. M. R.)



CIMAROSA, DOMENICO (1749-1801), Italian musical composer, was born at Aversa, in the kingdom of Naples, on the 17th of December 1749. His parents were poor, but anxious to give their son a good education; and after removing to Naples they sent him to a free school connected with one of the monasteries of that city. The organist of the monastery, Padre Polcano, was struck with the boy's intellect, and voluntarily instructed him in the elements of music, as also in the ancient and modern literature of his country. To his influence Cimarosa owed a free scholarship at the musical institute of Santa Maria di Loreto, where he remained for eleven years, studying chiefly the great masters of the old Italian school. Piccini, Sacchini and other musicians of repute are mentioned amongst his teachers. At the age of twenty-three Cimarosa began his career as a composer with a comic opera called Le Stravaganze del Conte, first performed at the Teatro dei Fiorentini at Naples in 1772. The work met with approval, and was followed in the same year by Le Pazzie di Stellidanza e di Zoroastro, a farce full of humour and eccentricity. This work also was successful, and the fame of the young composer began to spread all over Italy. In 1774 he was invited to Rome to write an opera for the stagione of that year; and he there produced another comic opera called L'Italiana in Londra.

The next thirteen years of Cimarosa's life are not marked by any event worth mentioning. He wrote a number of operas for the various theatres of Italy, living temporarily in Rome, in Naples, or wherever else his vocation as a conductor of his works happened to call him. From 1784-1787 he lived at Florence, writing exclusively for the theatre of that city. The productions of this period of his life are very numerous, consisting of operas, both comic and serious, cantatas, and various sacred compositions. The following works may be mentioned amongst many others:—Caio Mario; the three biblical operas, Assalone, La Giuditta and Il Sacrificio d' Abramo; also Il Convito di Pietra; and La Ballerina amante, a pretty comic opera first performed at Venice with enormous success.

About the year 1788 Cimarosa went to St Petersburg by invitation of the empress Catherine II. At her court he remained four years and wrote an enormous number of compositions, mostly of the nature of pieces d'occasion. Of most of these not even the names are on record. In 1792 Cimarosa left St Petersburg, and went to Vienna at the invitation of the emperor Leopold II. Here he produced his masterpiece, Il Matrimonio segreto, which ranks amongst the highest achievements of light operatic music. In 1793 Cimarosa returned to Naples, where Il Matrimonio segreto and other works were received with great applause. Amongst the works belonging to his last stay in Naples may be mentioned the charming opera Le Astuzie feminili. This period of his life is said to have been embittered by the intrigues of envious and hostile persons, amongst whom figured his old rival Paisiello. During the occupation of Naples by the troops of the French Republic, Cimarosa joined the liberal party, and on the return of the Bourbons, was, like many of his political friends, condemned to death. By the intercession of influential admirers his sentence was commuted into banishment, and he left Naples with the intention of returning to St Petersburg. But his health was broken, and after much suffering he died at Venice on the 11th of January 1801, of inflammation of the intestines. The nature of his disease led to the rumour of his having been poisoned by his enemies, which, however, a formal inquest proved to be unfounded. He worked till the last moment of his life, and one of his operas, Artemizia, remained unfinished at his death.



CIMBRI, a Teutonic tribe who made their first appearance in Roman history in the year 113 B.C., when they defeated the consul Gnaeus Papirius Carbo near Noreia in the modern Carinthia. It was the common belief that they had been driven from their homes on the North Sea by inundations, but, whatever the cause of their migration, they had been wandering along the Danube for some years warring with the Celtic tribes on either bank. After the victory of 113 they passed westwards over the Rhine, threatening the territory of the Allobroges. Their request for land was not granted, and in 109 B.C. they defeated the consul Marcus Junius Silanus in southern Gaul, but did not at once follow up the victory. In 105 they returned to the attack under their king Boiorix, and favoured by the dissensions of the Roman commanders Gnaeus Mallius Maximus and Caepio, defeated them in detail and annihilated their armies at Arausio (Orange). Again the victorious Cimbri turned away from Italy, and, after attempting to reduce the Arverni, moved into Spain, where they failed to overcome the desperate resistance of the Celtiberian tribes. In 103 they marched back through Gaul, which they overran as far as the Seine, where the Belgae made a stout resistance. Near Rouen the Cimbri were reinforced by the Teutoni and two cantons of the Helvetii. Thereupon the host marched southwards by two routes, the Cimbri moving on the left towards the passes of the Eastern Alps, while the newly arrived Teutoni and their allies made for the western gates of Italy. In 102 B.C. the Teutoni and Ambrones were totally defeated at Aquae Sextiae by Marius, while the Cimbri succeeded in passing the Alps and driving Q. Lutatius Catulus across the Adige and Po. In 101 Marius overthrew them on the Raudine Plain near Vercellae. Their king Boiorix was killed and the whole army destroyed. The Cimbri were the first in the long line of the Teutonic invaders of Italy.

The original home of the Cimbri has been much disputed. It is recorded in the Monumentum Ancyranum that a Roman fleet sailing eastwards from the mouth of the Rhine (c. A.D. 5) received at the farthest point reached the submission of a people called Cimbri, who sent an embassy to Augustus. Several early writers agree in saying that the Cimbri occupied a peninsula, and in the map of Ptolemy Jutland appears as the Cimbric Chersonese. As Ptolemy seems to have regarded the district north of the Liimfjord (Limfjord) as a group of islands, the territory of the Cimbri, the northernmost tribe of the peninsula, would be included in the modern county (Amt) of Aalborg. This was formerly called Himbersyssel or Himmerland, forms which may very well preserve their name, especially as the name Charydes, mentioned next to them in the Monumenlum Ancyranum, appears to survive in the modern Hardeland. Possibly also the district across the Liimfjord formerly called Thythsyssel or Thyland may in the same way preserve the name of the Teutoni (q.v.). Strabo and other early writers relate a number of curious facts concerning the customs of the Cimbri, which are of great interest as the earliest records of the manner of life of the Teutonic nations.

SOURCES.—Livy, Epitome, lxvii., lxviii.; Monumenlum Ancyranum; Pomponius Mela iii. 3; C. Plinius Secundus, Nat. Hist. iv. cap. 13 and 14, Sec.Sec. 95 ff.; Strabo p. 292 ff.; Plutarch, Marius. passim; Florus iii. 3; Ptolemy ii. 11. 11 f. (F. G. M. B.)



CIMICIFUGA, in botany, a small genus of herbaceous plants, of the natural order Ranunculaceae, which is widely distributed in the north temperate zone. C. foetida, bugbane, is used as a preventive against vermin; and the root of a North American species, C. racemosa, known as black snake-root, as an emetic.



CIMMERII, an ancient people of the far north or west of Europe, first spoken of by Homer (Odyssey, xi. 12-19), who describes them as living in perpetual darkness. Herodotus (iv. 11-13), in his account of Scythia, regards them as the early inhabitants of South Russia (after whom the Bosporus Cimmerius [q.v.] and other places were named), driven by the Scyths along by the Caucasus into Asia Minor, where they maintained themselves for a century. But the Cimmerii are often mentioned in connexion with the Thracian Treres who made their raids across the Hellespont, and it is quite possible that some Cimmerii took this route, having been cut off by the Scyths as the Alani (q.v.) were by the Huns. Certain it is that in the middle of the 7th century B.C., Asia Minor was ravaged by northern nomads (Herod, iv. 12), one body of whom is called in Assyrian sources Gimirrai and is represented as coming through the Caucasus. They were probably Iranian speakers, to judge by the few proper names preserved. The name has also been identified with the biblical Gomer, son of Japheth (Gen. x. 2, 3). To the north of the Euxine their main body was merged in the invading Scyths. Later writers identified them with the Cimbri of Jutland, who were probably Teutonized Celts, but this is a mere guess due to the similarity of name. The Homeric Cimmerii belong to an early part of the Odyssey in which the hero was conceived as wandering in the Euxine; these adventures were afterwards translated to the western Mediterranean in accordance with a wider geographical outlook.

For the Cimmerian invasions described by Herodotus, see SCYTHIA; LYDIA; GYGES. (E. H. M.)



CIMON [[Greek: Kimon]] (c. 507-449), Athenian statesman and general, was the son of Miltiades (q.v.) and Hegesipyle, daughter of the Thracian prince Olorus. Miltiades died in disgrace, leaving unpaid the fine imposed upon him for his conduct at Paros. Cimon's first task in life, therefore, was to remove the stain on the family name by paying this fine (about L12,000). In the second Persian invasion, especially at Salamis, and in the consolidation of the Delian League, he won a high reputation for courage and integrity. At first with Aristides, and afterwards as sole commander, he directed the Athenian contingent of the fleet; on the disgrace of Pausanias he practically commanded the entire Greek fleet and drove Pausanias from his retreat in Byzantium. Having captured Eion (at the mouth of the Strymon), he expelled the Persian garrisons from the entire seaboard of Thrace with the exception of Doriscus, and, having defeated the piratical Dolopians of Scyros (470), confirmed his popularity by transferring thence to Athens the supposed bones of the Attic hero Theseus. The bones were buried in Athens, and over the tomb the Theseum (temple) was erected. In 466 Cimon proceeded to liberate the Greek cities of Lyda and Pamphylia, and at the mouth of the Eurymedon he defeated the Persians decisively by land and sea.

The Persian danger was now over, and the immediate purpose of the Delian League was achieved. Already, however, Athens had introduced the policy of coercion which was to transform the league into an empire, a policy which, after the ostracism of Themistocles and the death of Aristides, must be attributed to Cimon, whose fundamental idea was the union of the Greeks against all outsiders (see DELIAN LEAGUE). Carystus was compelled to join the league; Naxos (c. 469) and Thasos (465-463), which had revolted, were compelled to accept the position of tributary allies. In 464 Sparta was involved in war with her Helots (principally of Messenian origin) and was in great difficulties. Cimon, then the most prominent man in Athens, persuaded the Athenians to send assistance, on the ground that Athens could not "stand without her yoke-fellow" and leave "Hellas lame." The expedition was a failure, and Cimon was exposed to the attacks of the democrats led by Ephialtes. The history of this party struggle is not clear. The ordinary account is that Ephialtes during Cimon's absence in Messenia destroyed the powers of the Areopagus (q.v.) and then obtained the ostracism of Cimon, who attempted to reverse his policy. Without going fully into the question, which is full of difficulty, it may be pointed out (1) that when the Messenian expedition started Cimon had twice within the preceding year triumphed over the opposition of Ephialtes, and (2) that presumably the Cimonian party was predominant until after the expedition proved a failure. It is therefore unlikely that, immediately after Cimon's triumph in obtaining permission to go to Messenia, Ephialtes was able to attack the Areopagus with success. The probability is that when the expedition failed, Cimon was ostracized, and that then Ephialtes defeated the Areopagus, and also made a change in foreign policy by making alliances with Sparta's enemies, Argos and Thessaly. This hypothesis alone explains the absence of any account of a third struggle between Cimon and Ephialtes over the Areopagus. The chronology would thus be: ostracism of Cimon, spring, 461; fall of the Areopagus and reversal of Philo-Laconian policy, summer, 461.

A more difficult question is involved in the date of Cimon's return from ostracism. The ordinary account says that he was recalled after the battle of Tanagra (457) to negotiate the Five Years' Truce (451 or 450). To ignore the unexplained interval of six or seven years is an uncritical expedient, which, however, has been adopted by many writers. Some maintaining that Cimon did return soon after 457, say that the truce which he arranged was really the four months' truce recorded by Diodorus (only). To this there are two main objections: (1) if Cimon returned in 457, why does the evidence of antiquity connect his return specifically with the truce of 451? and (2) why does he after 457 disappear for six years and return again to negotiate the Five Years'Truce and to command the expedition to Cyprus? It seems much more likely that he returned in 451, at the very time when Athens returned to his old policy of friendship with Sparta and war in the East against Persia (i.e. the Cyprus expedition). Thus it would appear that from 453 onwards there was a recrudescence of conservative influence, and that for four years (453-449) Pericles was not master in Athens (see PERICLES); this theory is corroborated by the fact that Pericles, in the alarm caused by the Egyptian failure of 454, was induced to remove the Delian treasury to Athens and to abandon his anti-Spartan policy of land empire.

Cimon died in Cyprus before the walls of Citium (449), and was buried in Athens. Later Attic orators speak in glowing terms of a "Peace" between Athens and Persia, which is sometimes connected with the name of Cimon and sometimes with that of one Callias. If any such peace was concluded, it cannot have been soon after the battle of the Eurymedon as Plutarch assumes. It can have been only after Cimon's death and the evacuation of Cyprus (i.e. c. 448). It is only in this form that the view has been maintained logically in modern times. Apart from the fact that the peace is ignored by Thucydides and that the earliest reference to it is the passage in Isocrates (Paneg. 118 and 120), there are weighty reasons which render it improbable that any formal peace can have been concluded at that period between Athens and Persia (see further Ed. Meyer's Forschungen, ii.).

Cimon's services in connexion with the consolidation of the Empire rank with those of Themistocles and Aristides. He is described as genial, brave and generous. He threw open his house and gardens to his fellow-demesmen, and beautified the city with trees and buildings. But as a statesman he failed to cope with the new conditions created by the democracy of Cleisthenes. The one great principle for which he is memorable is that of the balance of power between Athens and Sparta, as respectively the naval and military leaders of a united Hellas. It has been the custom to regard Cimon as a man of little culture and refinement. It is clear, however, from his desire to adorn the city, that he was by no means without culture and imagination. The truth is that, as in politics, so in education and attitude of mind, he represented the ideals of an age which, in the new atmosphere of democratic Athens, seemed to savour of rusticity and lack of education.

The lives of Cimon by Plutarch and Cornelius Nepos are uncritical; the conclusions above expressed are derived from a comparison of Plutarch, Cimon, 17, Pericles, 10; Theopompus, fragm. 92; Andocides, de Pace, Sec.Sec. 3, 4; Diodorus xi. 86 (the four months' truce). See histories of Greece (e.g. Grote, ed. 1907, I vol.); also PERICLES; DELIAN LEAGUE, with works quoted. (J. M. M.)



CIMON OF CLEONAE, an early Greek painter, who is said to have introduced great improvements in drawing. He represented "figures out of the straight, and ways of representing faces looking back, up or down; he also made the joints of the body clear, emphasized veins, worked out folds and doublings in garments" (Pliny). All these improvements are such as may be traced in the drawing of early Greek red-figured vases (see GREEK ART).



CINCHONA, the generic name of a number of trees which belong to the natural order Rubiaceae. Botanically the genus includes trees of varying size, some reaching an altitude of 80 ft. and upwards, with evergreen leaves and deciduous stipules. The flowers are arranged in panicles, white or pinkish in colour, with a pleasant odour, the calyx being 5-toothed superior, and the corolla tubular, 5-lobed and fringed at the margin. The stamens are 5, almost concealed by the tubular corolla, and the ovary terminates in a fleshy disk. The fruit is an ovoid or subcylindrical capsule, splitting from the base, and held together at the apex. The numerous seeds are flat and winged all round. About 40 species have been distinguished, but of these not more than about a dozen have been economically utilized. The plants are natives of the western mountainous regions of South America, their geographical range extending from 10 deg. N. to 22 deg. S. lat.; and they flourish generally at an elevation of from 5000 to 8000 ft. above sea-level, although some have been noted growing as high up as 11,000 ft., and others have been found down to 2600 ft.

The trees are valued solely on account of their bark, which long has been the source of the most valuable febrifuge or antipyretic medicine, quinine (q.v.), that has ever been discovered. The earliest well-authenticated instance of the medicinal use of cinchona bark is found in the year 1638, when the countess of Chinchon (hence the name), the wife of the governor of Peru, was cured of an attack of fever by its administration. The medicine was recommended in her case by the corregidor of Loxa, who was said himself to have practically experienced its supreme virtues eight years earlier. A knowledge of the bark was disseminated throughout Europe by members of the Jesuit brotherhood, whence it also became generally known as Jesuits' bark. According to another account, this name arose from its value having been first discovered to a Jesuit missionary who, when prostrate with fever, was cured by the administration of the bark by a South American Indian. In each of the above instances the fever was no doubt malaria.

The procuring of the bark in the dense forests of New Granada, Ecuador, Peru and Bolivia is a work of great toil and hardship to the Indian cascarilleros or cascadores engaged in the pursuit. The trees grow isolated or in small clumps, which have to be searched out by the experienced cascarillero, who laboriously cuts his way through the dense forest ta the spot where he discovers a tree. Having freed the stem from adhering parasites and twining plants, he proceeds, by beating and cutting oblong pieces, to detach the stem bark as far as is within his reach. The tree is then felled, and the entire bark of stem and branches secured. The bark of the smaller branches, as it dries, curls up, forming "quills," the thicker masses from the stems constituting the "flat" bark of commerce. The drying, packing and transport of the bark are all operations of a laborious description conducted under most disadvantageous conditions.

The enormous medicinal consumption of these barks, and the wasteful and reckless manner of procuring them in America long ago, caused serious and well-grounded apprehension that the native forests would quickly become exhausted. The attention of European communities was early directed to the necessity of securing steady and permanent supplies by introducing the more valuable species into localities likely to be favourable to their cultivation. The first actual attempt to rear plants was made in Algeria in 1849; but the effort was not successful. In 1854 the Dutch government seriously undertook the task of introducing the trees into the island of Java, and an expedition for that purpose was fitted out on an adequate scale. Several hundreds of young trees were obtained, of which a small proportion was successfully landed and planted in Java; and as the result of great attention the cultivation of cinchona plantations in that island became highly prosperous and promising. The desirability of introducing cinchonas into the East Indies was urged in a memorial addressed to the East India Company between 1838 and 1842 by Sir Robert Christison and backed by Dr Forbes Royle; but no active step was taken till 1852, when, again on the motion of Dr Royle, some efforts to obtain plants were made through consular agents. In the end the question was seriously taken up, and Sir Clements R. Markham was appointed to head an expedition to obtain young trees from South America and convey them to India. The transference of the plants was attended with considerable difficulty, but in 1861 under his superintendence a consignment of plants was planted in a favourable situation in the Nilgiri Hills. For several years subsequently additional supplies of plants of various species were obtained from different regions of South America, and some were also procured from the Dutch plantations in Java. Now the culture has spread over a wide area in southern India, in Ceylon, on the slopes of the Himalayas, and in British Burma, and has become widely spread through the tropics generally. The species grown are principally Cinchona officinalis, C. Calisaya, C. succirubra, C. pitayensis, and C. Pahudiana, some agreeing with certain soils and climates better than others, while the yield of alkaloids and the relative proportions of the different alkaloids differ in each species.

The official "bark" of the British Pharmacopoeia is that of Cinchona succirubra or red bark. It is imported in the form of quills or recurved pieces, with a rough brown outer surface and a deep red inner surface, forming a reddish brown odourless powder, which has a bitter, astringent taste. The British Pharmacopoeia directs that the bark, when used to make the various medicinal preparations, shall contain not less than 5 nor more than 6% of total alkaloids, of which at least one-half is to be constituted by quinine and cinchonidine. The preparations of this bark are four: a liquid extract, standardized to contain 5% of total alkaloids; an acid infusion; a tincture standardized to contain 1% of total alkaloids; and a compound tincture which must possess one-half the alkaloidal strength of the last. The only purpose for which these preparations of cinchona bark should be used is as tonics; and even when this is the desired action there are many reasons why the alkaloid should be preferred, even though the recent introduction of standardization removes one of the chief objections to their use.

The pharmacology of red bark, dependent as it is almost entirely upon the contained quinine, will not here be discussed (see QUININE). But the composition of cinchona bark is a matter of importance and interest. The bark contains, in the first place, five alkaloids, of which all but quinine may here be dealt with. Quinidine, C20H24N2O2, is isomeric with quinine, from which it differs in crystallizing in prisms instead of needles, in being dextro- and not laevo-rotatory, and in being insoluble in ammonia except in much excess. Cinchonine has the formula C19H22N2O, quinine being methoxy cinchonine, i.e. C19H21(OCH3)N2O. It occurs in inodorous, bitter, colourless prisms; unlike the two alkaloids already named, does not yield a green colour with chlorine water and ammonia; is dextro-rotatory; not fluorescent, and practically insoluble in ammonia and in ether. A fourth alkaloid, cinchonidine, is isomeric with cinchonine, which yields it when boiled with amyl alcoholic potash, but is laevo-rotatory, slightly soluble in ether, and faintly fluorescent. When red bark is extracted with dilute hydrochloric acid, the product filtered, and excess of sodium hydrate added thereto, quinine and quinidine are precipitated: on concentrating the mother liquor, cinchonine falls down, and on further concentration with addition of still more alkali, cinchonidine is thrown out. Yellow bark, which is not official, yields 3% of quinine, and pale bark about 10% of total alkaloids, of which hardly any is quinine, cinchonine and quinidine being its chief constituents. The various forms of bark also yield a very small quantity of an unimportant alkaloid, conquinamine. In addition to the above, red bark contains quinic acid, C7H12O6, which is closely allied to benzoic acid and is excreted in the urine as hippuric acid. There also occurs chinovic acid, derived from a glucoside chinovin, which occurs as such in the bark. Besides a trace of volatile oil which gives the bark its characteristic odour, and cinchona red (the bark pigment), there occurs about 2% of cincho-tannic acid, closely allied to tannic acid and giving the bark its astringent property. Cinchona is never used, however, in order to obtain an astringent action.

The importance of recognizing the complex and inconstant composition of cinchona bark lies, as in so many other instances, in this—that the physician who employs it can have only a very imperfect knowledge of the drug he is using. The latest work on the action of these alkaloids has shown that cinchonine has a tendency to produce convulsions in certain patients, and that this action is a still more marked feature of cinchonidine and cinchonamine. Even small doses administered to epileptics increase the number of their attacks. They will probably be classified later among the convulsive poisons. The use of cinchona bark and its preparations, now that definite active principles can be readily obtained and precisely studied, is almost entirely to be deprecated. Quinidine is almost as powerful an antidote to malaria as quinine; cinchonidine has about two-thirds the power of quinine, and cinchonine less than one-half.



CINCINNATI, a city and the county-seat of Hamilton county, Ohio, U.S.A., on the Ohio river, opposite the mouth of the Licking, about 100 m. S.W. of Columbus, about 305 m. by rail S.E. of Chicago, and about 760 m. (by rail) W.S.W. of New York. Through the city flows Mill Creek, which empties into the Ohio. Pop. (1890[1]) 296,908; (1900) 325,902, of whom 197,896 were of foreign parentage (i.e. either their fathers or mothers or both were foreign-born), 57,961 were foreign-born, and 14,482 were negroes; (1910) 363,591. The German is by far the most important of the foreign elements. In addition to the large number of inhabitants of German descent, there were, in 1900, 107,152 of German parentage, and of the foreign-born 38,219 came from Germany.

Cincinnati is situated on the N. side of the river upon two terraces or plateaus—the first about 60 ft., the second from 100 to 150 ft., above low water—and upon hills which enclose these terraces on three sides in the form of an amphitheatre, rising to a height of about 400 ft. on the E. and of about 460 ft. on the W., and commanding magnificent views of the river, the valley, the numerous suburbs, and the more distant wooded hills. About half of the hill-enclosed plain lies S. of the river, and it is upon this southern half that Covington, Newport, Dayton, Ludlow and other Kentucky suburbs of Cincinnati are situated. Cincinnati has a river-frontage of about 14 m., extends back about 6 m. on the W. side in the valley of Mill Creek, and occupies a total area of about 44 sq. m. Since 1867 it has been connected with Covington by a wire suspension bridge designed by John A. Roebling, and rebuilt and enlarged in 1897. This bridge is 1057 ft. long between towers (or, including the approaches, 2252 ft. long), with a height of 101 ft. above low water, and has a double wagon road and two ways for pedestrians. By two bridges there is direct communication with Newport; by one, that of the Cincinnati Southern railway, with Ludlow; and by one (Chesapeake & Ohio; see vol. v., p. 109) with West Covington. On the terraces the streets generally intersect at right angles, but on the hills their directions are irregular. To the "bottoms" (which have suffered much from floods[2]) between Third Street and the river the manufacturing and wholesale districts are for the most part confined, although many of these interests are now on the higher levels or in the suburbs; the principal retail houses are on the higher levels N. of Third Street, and the handsomest residences are on the picturesque hills before mentioned, in those parts of the city, formerly separate villages, known as Avondale, Mt. Auburn, Clifton, Price Hill, Walnut Hills and Mt. Lookout. The main part of the city is connected with these residential districts by electric street railways, whose routes include four inclined-plane railways, namely, Mt. Adams (268 ft. elevation), Bellevue (300 ft.), Fairview (210 ft.) and Price Hill (350 ft.), from each of which an excellent panoramic view of the city and suburbs may be obtained. There are various suburbs, chiefly residential, in the Mill Creek valley, among them being Carthage, Hartwell, Wyoming, Lockland and Glendale. Other populous and attractive suburbs N. of the Ohio river are Norwood and College Hill.

Buildings, &c.—Brick, blue limestone, and a greyish buff freestone are the most common building materials, and the city has various buildings of much architectural merit. The chamber of commerce (completed 1889), designed by H.H. Richardson, is one of the finest public buildings in the United States. Its walls are of undressed granite, and it occupies a ground area of 100 by 150 ft. The United States government building (designed by A.B. Mullet, and built of Maine and Missouri granite) is a fine structure in classic style, 360 ft. long and 160 ft. wide, and 4-1/2 storeys high; its outer walls are faced with sawn freestone. It was erected in 1874-1885 and cost (including the land) $5,250,000. The city hall (332 ft. by 203 ft.), with walls of red granite and brown sandstone, is a massive and handsome building erected at a cost of $1,600,000. The county court house (rebuilt in 1887) is in the Romanesque style, and with the gaol attached occupies an entire square. The Cincinnati hospital (completed 1869), comprising eight buildings grouped about a central court and connected by corridors, occupies a square of four acres. A new public hospital for the suburbs was projected in 1907. St Peter's (Roman Catholic) cathedral (begun 1839, consecrated 1844), Grecian in style, is a fine structure, with a graceful stone spire 224 ft. in height and a chime of 13 bells; it has as an altar-piece Murillo's "St Peter Liberated by an Angel." The church of St Francis de Sales (in Walnut Hills), built in 1888, has a bell, cast in Cincinnati, weighing fifteen tons, and said to be the largest swinging bell in the world. Several of the Protestant churches, such as the First Presbyterian (built 1835; steeple, including spire, 285 ft. high), Second Presbyterian (1872), Central Christian (1869), St Paul's Methodist Episcopal (1870), and St Paul's Protestant Episcopal pro-cathedral (1851), are also worthy of mention, and in the residential suburbs there are many fine churches. Cincinnati is the seat of a Roman Catholic archbishopric and a Protestant Episcopal and Methodist Episcopal bishopric. The Masonic temple (195 ft. long and 100 ft. wide), in the Byzantine style, is four storeys high, and has two towers of 140 ft.; the building was completed in 1860 and has subsequently been remodelled. Among other prominent buildings are the Oddfellows' temple (completed 1894), the public library, the art museum (1886), a Jewish synagogue (in Avondale), and the (Jewish) Plum Street temple (1866), Moorish in architecture. The Soldiers', Sailors' and Pioneers' building (1907) is a beautiful structure, classic in design. The business houses are of stone or brick, and many of them are attractive architecturally; there are a number of modern office buildings from 15 to 20 storeys in height. There are also several large hotels and ten theatres (besides halls and auditoriums for concerts and public gatherings), the most notable being Springer music hall.

One of the most noted pieces of monumental art in the United States is the beautiful Tyler Davidson bronze fountain in Fountain Square (Fifth Street, between Walnut and Vine streets), the business centre of the city, by which (or within one block of which) all car lines run. The fountain was unveiled in 1871 and was presented to the city by Henry Probasco (1820-1902), a wealthy citizen, who named it in honour of his deceased brother-in-law and business partner, Mr Tyler Davidson. The design, by August von Kreling (1819-1876), embraces fifteen bronze figures, all cast at the royal bronze foundry in Munich, the chief being a female figure with outstretched arms, from whose fingers the water falls in a fine spray. This figure reaches a height of 45 ft. above the ground. The city has, besides, monuments to the memory of Presidents Harrison and Garfield (both in Garfield Place, the former an equestrian statue by Louis T. Rebisso, and the latter by Charles H. Niehaus); also, in Spring Grove cemetery, a monument to the memory of the Ohio volunteers who lost their lives in the Civil War. The art museum, in Eden Park, contains paintings by celebrated European and American artists, statuary, engravings, etchings, metal work, wood carving, textile fabrics, pottery, and an excellent collection in American ethnology and archaeology. The Cincinnati Society of Natural History (incorporated 1870) has a large library and a museum containing a valuable palaeontological collection, and bones and implements from the prehistoric cemetery of the mound-builders, at Madisonville, Ohio.

Parks.—In 1908 Cincinnati had parks covering about 540 acres; there are numerous pleasant driveways both within the city limits and in the suburban districts, and several attractive resorts are within easy reach. Eden Park, of 214 acres, on Mount Adams, about 1 m. E. of the business centre and near the river, is noted for its natural beauty, greatly supplemented by the landscape-gardener's skill, and for its commanding views. The ground was originally the property of Nicholas Longworth (1782-1863), a wealthy citizen and well-known horticulturist, who here grew the grapes from which the Catawba wine, introduced by him in 1828, was made. The park contains the art museum and the art academy. Its gateway, Elsinore, is a medieval reproduction; other prominent features are the reservoirs, which resemble natural lakes, and a high water tower, from which there is a delightful view. In Burnet Woods Park, lying to the N.E. of Eden and containing about 163 acres, are the buildings and grounds of the University of Cincinnati, and a lake for boating and skating. The zoological gardens occupy 60 acres and contain a notable collection of animals and birds. Other pleasure resorts are the Lagoon on the Kentucky side (in Ludlow, Ky.), Chester Park, about 6 m. N. of the business centre, and Coney Island, about 10 m. up the river on the Ohio side. Washington (5.6 acres), Lincoln (10 acres), Garfield and Hopkins are small parks in the city. In 1907 an extensive system of new parks, parkways and boulevards was projected. Spring Grove cemetery, about 6 m. N.W. of Fountain Square, contains 600 acres picturesquely laid out on the park plan. It contains many handsome monuments and private mausoleums, and a beautiful mortuary chapel in the Norman style.

Water-Supply.—A new and greatly improved water-supply system for the city was virtually completed in 1907. This provides for taking water from the Ohio river at a point on the Kentucky side opposite the village of California, Ohio, and several miles above the discharge of the city sewers; for the carrying of the water by a gravity tunnel under the river to the Ohio side, the water being thence elevated by four great pumping engines, each having a daily capacity of 30,000,000 gallons, to settling basins, being then passed through filters of the American or mechanical type, and flowing thence by a gravity tunnel more than 4 m. long to the main pumping station, on the bank of the river, within the city; and for the pumping of the water thence, a part directly into the distributing pipes and a part to the principal storage reservoir in Eden Park.

Education.—Cincinnati is an important educational centre. The University of Cincinnati, originally endowed by Charles M'Micken (d. 1858) and opened in 1873, occupies a number of handsome buildings erected since 1895 on a campus of 43 acres in Burnet Woods Park, has an astronomical observatory on the highest point of Mt. Lookout, and is the only strictly municipal university in the United States. The institution embraces a college of liberal arts, a college of engineering, a college of law (united in 1897 with the law school of Cincinnati College, then the only surviving department of that college, which was founded as Lancaster Seminary in 1815 and was chartered as Cincinnati College in 1819), a college of medicine (from 1819 to 1896 the Medical College of Ohio; the college occupies the site of the old M'Micken homestead), a college for teachers, a graduate school, and a technical school (founded in 1886 and transferred to the university in 1901); while closely affiliated with it are the Clinical and Pathological School of Cincinnati and the Ohio College of Dentistry. With the exception of small fees charged for incidental expenses, the university is free to all students who are residents of the city; others pay $75 a year for tuition. It is maintained in part by the city, through public taxation, and in part by the income from endowment funds given by Charles M'Micken, Matthew Thoms, David Sinton and others. The government of the university is entrusted mainly to a board of nine directors appointed by the mayor. In 1909 it had a faculty of 144 and 1364 students. Lane Theological Seminary is situated in Walnut Hills, in the north-eastern part of the city; it was endowed by Ebenezer Lane and the Kemper family; was founded in 1829 for the training of Presbyterian ministers; had for its first president (1832-1852) Lyman Beecher; and in 1834 was the scene of a bitter contest between abolitionists in the faculty and among the students, led by Theodore Dwight Weld, and the board of trustees, who forbade the discussion of slavery in the seminary and so caused about four-fifths of the students to leave, most of them going to Oberlin College. The city has also Saint Francis Navier College (Roman Catholic, established in 1831 and until 1840 known as the Athenaeum); Saint Joseph College (Roman Catholic, 1873); Mount St Mary's of the West Seminary (Roman Catholic, theological, 1848, at Cedar Point, Ohio); Hebrew Union College (1875), the leading institution in the United States for educating rabbis; the largely attended Ohio Mechanics' Institute (founded 1828), a private corporation not conducted for profit, its object being the education of skilled workmen, the training of industrial leaders, and the advancement of the mechanic arts (in 1907 there were in all departments 1421 students, a large majority of whom were in the evening classes); an excellent art academy, modelled after that of South Kensington; the College of Music and the Conservatory of Music (mentioned below); the Miami Medical College (opened in 1852); the Pulte Medical College (homeopathic; coeducational; opened 1872); the Eclectic Medical Institute (chartered 1845); two women's medical colleges, two colleges of dental surgery, a college of pharmacy, and several business colleges. The public, district, and high schools of the city are excellent. The City (or public) library contained in 1906 301,380 vols. and 57,562 pamphlets; the University library (including medical, law and astronomical branches), 80,000 vols. (including the Robert Clarke collection, rich in Americana, and the library—about 5000 vols.—of the American Association for the Advancement of Science); the Young Men's Mercantile library, 70,000 vols.; and the Law library, 35,000 vols.; in addition, the Lloyd library and museum of botany and pharmacy, and the library of the Historical and Philosophical Society of Ohio (1831), which contains a valuable collection of rare books, pamphlets and manuscripts, are worthy of mention.

Art, &c.—The large German population makes the city noteworthy for its music. The first Saengerfest was held in Cincinnati in 1849, and it met here again in 1870, when a new hall was built for its accommodation. Under the leadership of Theodore Thomas (1835-1905), the Cincinnati Musical Festival Association was incorporated, and the first of its biennial May festivals was held in 1873. In 1875-1878 was built the large Springer music hall, named in honour of Reuben R. Springer (1800-1884), its greatest benefactor, who endowed the Cincinnati College of Music (incorporated in 1878), of which Thomas was director in 1878-1881. Until his death Thomas was director of the May festivals also. The grounds for the music hall were given by the city and are perpetually exempt from taxation. The great organ in the music hall was dedicated at the third of the May festivals in 1878. The Saengerfest met in Cincinnati for the third time in 1879, and its jubilee was held here in 1899. By 1880 the May festival chorus had become a permanent organization. The city has several other musical societies—the Apollo and Orpheus clubs (1881 and 1893), a Liederkranz (1886), and a United Singing Society (1896) being among the more prominent; and there are two schools of music—the Conservatory of Music and the College of Music.

The city has large publishing interests, and various religious (Methodist Episcopal and Roman Catholic) and fraternal periodicals, and several technical journals and trade papers are published here. The principal daily newspapers are the Enquirer, a Democratic journal, established in 1842 and conducted for many years after 1852 by Washington McLean (1816-1890), and then by his son, John Roll McLean (b. 1848); the Commercial Tribune (Republican; previously the Commercial-Gazette and still earlier the Commercial, founded in 1793, The Tribune being merged with it in 1896), the Times-Star (the Times established in 1836), and the Post, established in 1881 (both evening papers); and several influential German journals, including the Volksblatt (Republican; established 1836), and the Volksfreund (Democratic; established 1850).

Among the social clubs of the city are the Queen City Club, organized in 1874; the Phoenix Club, organized in 1856 and the leading Jewish club in the city; the Cuvier Club, organized in 1871 and originally an association of hunters and anglers for the preservation of game and fish; the Cincinnati Club, the Business Men's Club, the University Club, the Art Club, and the Literary Club, of the last of which many prominent men, including President Hayes, have been members. This club dates from 1849, and is said to be the oldest literary club in the country. There are various commercial and trade organizations, the oldest and most influential being the Cincinnati Chamber of Commerce and Merchants' Exchange, which dates from 1839.