"Straight was I carried back to times of yore, Whilst Canynge swathed yet in fleshly bed, And saw all actions which had been before, And all the scroll of Fate unravelled; And when the fate-marked babe acome to sight, I saw him eager gasping after light. In all his sheepen gambols and child's play, In every merrymaking, fair, or wake, I kenn'd a perpled light of wisdom's ray; He ate down learning with the wastel-cake; As wise as any of the aldermen, He'd wit enow to make a mayor at ten."

This beautiful picture of the childhood of the ideal patron of Rowley is in reality that of the poet himself—"the fate-marked babe," with his wondrous child-genius, and all his romantic dreams realized. The literary masquerade which thus constituted the life-dream of the boy was wrought out by him in fragments of prose and verse into a coherent romance, until the credulous scholars and antiquaries of his day were persuaded into the belief that there had lain in the parish chest of Redcliffe church for upwards of three centuries, a collection of MSS. of rare merit, the work of Thomas Rowley, an unknown priest of Bristol in the days of Henry VI. and his poet laureate, John Lydgate.

Among the Bristol patrons of Chatterton were two pewterers, George Catcott and his partner Henry Burgum. Catcott was one of the most zealous believers in Rowley, and continued to collect his reputed writings long after the death of their real author. On Burgum, who had risen in life by his own exertions, the blue-coat boy palmed off the de Bergham pedigree, and other equally apocryphal evidences of the pewterer's descent from an ancestry old as the Norman Conquest. The de Bergham quartering, blazoned on a piece of parchment doubtless recovered from the Redcliffe muniment chest, was itself supposed to have lain for centuries in that ancient depository. The pedigree was professedly collected by Chatterton from original records, including "The Rowley MSS." The pedigree still exists in Chatterton's own handwriting, copied into a book in which he had previously transcribed portions of antique verse, under the title of "Poems by Thomas Rowley, priest of St. John's, in the city of Bristol"; and in one of these, "The Tournament," Syrr Johan de Berghamme plays a conspicuous part. The ennobled pewterer rewarded Chatterton with five shillings, and was satirized for this valuation of a noble pedigree in some of Chatterton's latest verse.

On the 1st of July 1767, Chatterton was transferred to the office of John Lambert, attorney, to whom he was bound apprentice as a clerk. There he was left much alone; and after fulfilling the routine duties devolving on him, he found leisure for his own favourite pursuits. An ancient stone bridge on the Avon, built in the reign of Henry II., and altered by many later additions into a singularly picturesque but inconvenient thoroughfare, had been displaced by a structure better adapted to modern requirements. In September 1768, when Chatterton was in the second year of his apprenticeship, the new bridge was partially opened for traffic. Shortly afterwards the editor of Felix Farley's Journal received from a correspondent, signing himself Dunelmus Bristoliensis, a "description of the mayor's first passing over the old bridge," professedly derived from an ancient MS. William Barrett, F.S.A., surgeon and antiquary, who was then accumulating materials for a history of Bristol, secured the original manuscript, which is now preserved in the British Museum, along with other Chatterton MSS., most of which were ultimately incorporated by the credulous antiquary into a learned quarto volume, entitled the History and Antiquities of the City of Bristol, published nearly twenty years after the poet's death. It was at this time that the definite story made its appearance—over which critics and antiquaries wrangled for nearly a century—of numerous ancient poems and other MSS. taken by the elder Chatterton from a coffer in the muniment room of Redcliffe church, and transcribed, and so rescued from oblivion, by his son. The pieces include the "Bristowe Tragedie, or the Dethe of Syr Charles Bawdin," a ballad celebrating the death of the Lancastrian knight, Charles Baldwin; "Aella," a "Tragycal Enterlude," as Chatterton styles it, but in reality a dramatic poem of sustained power and curious originality of structure; "Goddwyn," a dramatic fragment; "Tournament," "Battle of Hastings," "The Parliament of Sprites," "Balade of Charitie," with numerous shorter pieces, forming altogether a volume of poetry, the rare merit of which is indisputable, wholly apart from the fact that it was the production of a mere boy. Unfortunately for him, his ingenious romance had either to be acknowledged as his own creation, and so in all probability be treated with contempt, or it had to be sustained by the manufacture of spurious antiques. To this accordingly Chatterton resorted, and found no difficulty in gulling the most learned of his credulous dupes with his parchments.

The literary labours of the boy, though diligently pursued at his desk, were not allowed to interfere with the duties of Mr Lambert's office. Nevertheless the Bristol attorney used to search his apprentice's drawer, and tear up any poems or other manuscripts that he could lay his hands upon; so that it was only during the absences of Mr Lambert from Bristol that he was able to expend his unemployed time in his favourite pursuits. But repeated allusions, both by Chatterton and others, seem to indicate that such intervals of freedom were of frequent occurrence. Some of his modern poems, such as the piece entitled "Resignation," are of great beauty; and these, with the satires, in which he took his revenge on all the local celebrities whose vanity or meanness had excited his ire, are alone sufficient to fill a volume. The Catcotts, Burgum, Barrett and others of his patrons, figure in these satires, in imprudent yet discriminating caricature, along with mayor, aldermen, bishop, dean and other notabilities of Bristol. Towards Lambert his feelings were of too keen a nature to find relief in such sarcasm.

In December 1768, in his seventeenth year, he wrote to Dodsley, the London publisher, offering to procure for him "copies of several ancient poems, and an interlude, perhaps the oldest dramatic piece extant, wrote by one Rowley, a priest in Bristol, who lived in the reigns of Henry VI. and Edward IV." To this letter he appended the initials of his favourite pseudonym, Dunelmus Bristoliensis, but directed the answer to be sent to the care of Thomas Chatterton, Redcliffe Hill, Bristol. To this, as well as to another letter enclosing an extract from the tragedy of "Aella," no answer appears to have been returned. Chatterton, conceiving the idea of finding sympathy and aid at the hand of some modern Canynge, bethought him of Horace Walpole, who not only indulged in a medieval renaissance of his own, but was the reputed author of a spurious antique in the Castle of Otranto. He wrote to him offering him a document entitled "The Ryse of Peyncteyne yn Englande, wroten by T. Rowleie, 1469, for Mastre Canynge," accompanied by notes which included specimens of Rowley's poetry. To this Walpole replied with courteous acknowledgments. He characterized the verses as "wonderful for their harmony and spirit," and added, "Give me leave to ask you where Rowley's poems are to be had? I should not be sorry to print them; or at least a specimen of them, if they have never been printed." Chatterton replied, enclosing additional specimens of antique verse, and telling Walpole that he was the son of a poor widow, and clerk to an attorney, but had a taste for more refined studies; and he hinted a wish that he might help him to some more congenial occupation. Walpole's manner underwent an abrupt change. The specimens of verse had been submitted to his friends Gray and Mason, the poets, and pronounced modern. They did not thereby forfeit the wonderful harmony and spirit which Walpole had already professed to recognize in them. But he now coldly advised the boy to stick to the attorney's office; and "when he should have made a fortune," he might betake himself to more favourite studies, Chatterton had to write three times before he recovered his MSS. Walpole has been loaded with more than his just share of responsibility for the fate of the unhappy poet, of whom he admitted when too late, "I do not believe there ever existed so masterly a genius."

Chatterton now turned his attention to periodical literature and politics, and exchanged Felix Farley's Bristol Journal for the Town and County Magazine and other London periodicals. Assuming the vein of Junius—then in the full blaze of his triumph—he turned his pen against the duke of Grafton, the earl of Bute, and the princess of Wales. He had just despatched one of his political diatribes to the Middlesex Journal, when he sat down on Easter Eve, I7th April 1770, and penned his "Last Will and Testament," a strange satirical compound of jest and earnest, in which he intimated his intention of putting an end to his life the following evening. Among his satirical bequests, such as his "humility" to the Rev. Mr Camplin, his "religion" to Dean Barton, and his "modesty" along with his "prosody and grammar" to Mr Burgum, he leaves "to Bristol all his spirit and disinterestedness, parcels of goods unknown on its quay since the days of Canynge and Rowley." In more genuine earnestness he recalls the name of Michael Clayfield, a friend to whom he owed intelligent sympathy. The will was probably purposely prepared in order to frighten his master into letting him go. If so, it had the desired effect. Lambert cancelled his indentures; his friends and acquaintance made him up a purse; and on the 25th or 26th of the month he arrived in London.

Chatterton was already known to the readers of the Middlesex Journal as a rival of Junius, under the nom de plume of Decimus. He had also been a contributor to Hamilton's Town and County Magazine, and speedily found access to the Freeholder's Magazine, another political miscellany strong for Wilkes and liberty. His contributions were freely accepted; but the editors paid little or nothing for them. He wrote in the most hopeful terms to his mother and sister, and spent his first earnings in buying gifts for them. His pride and ambition were amply gratified by the promises and interested flattery of editors and political adventurers; Wilkes himself had noted his trenchant style, "and expressed a desire to know the author"; and Lord Mayor Beckford graciously acknowledged a political address of his, and greeted him "as politely as a citizen could." But of actual money he received but little. He was extremely abstemious, his diligence was great, and his versatility wonderful. He could assume the style of Junius or Smollett, reproduce the satiric bitterness of Churchill, parody Macpherson's Ossian, or write in the manner of Pope, or with the polished grace of Gray and Collins. He wrote political letters, eclogues, lyrics, operas and satires, both in prose and verse. In June 1770—after Chatterton had been some nine weeks in London—he removed from Shoreditch, where he had hitherto lodged with a relative, to an attic in Brook Street, Holborn. But for most of his productions the payment was delayed; and now state prosecutions of the press rendered letters in the Junius vein no longer admissible, and threw him back on the lighter resources of his pen. In Shoreditch, as in his lodging at the Bristol attorney's, he had only shared a room; but now, for the first time, he enjoyed uninterrupted solitude. His bed-fellow at Mr Walmsley's, Shoreditch, noted that much of the night was spent by him in writing; and now he could write all night. The romance of his earlier years revived, and he transcribed from an imaginary parchment of the old priest Rowley his "Excelente Balade of Charitie." This fine poem, perversely disguised in archaic language, he sent to the editor of the Town and County Magazine, and had it rejected.

The high hopes of the sanguine boy had begun to fade. He had not yet completed his second month in London, and already failure and starvation stared him in the face. Mr Cross, a neighbouring apothecary, repeatedly invited him to join him at dinner or supper; but he refused. His landlady also, suspecting his necessity, pressed him to share her dinner, but in vain. "She knew," as she afterwards said, "that he had not eaten anything for two or three days." But he was offended at her urgency, and assured her that he was not hungry. The note of his actual receipts, found in his pocket-book after his death, shows that Hamilton, Fell and other editors who had been so liberal in flattery, had paid him at the rate of a shilling for an article, and somewhat less than eightpence each for his songs; while much which had been accepted was held in reserve, and still unpaid for. The beginning of a new month revealed to him the indefinite postponement of the publication and payment of his work. He had wished, according to his foster-mother, to study medicine with Barrett; in his desperation he now reverted to this, and wrote to Barrett for a letter to help him to an opening as a surgeon's assistant on board an African trader. He appealed also to Mr Catcott to forward his plan, but in vain. On the 24th of August 1770, he retired for the last time to his attic in Brook Street, carrying with him the arsenic which he there drank, after tearing into fragments whatever literary remains were at hand.

He was only seventeen years and nine months old; but the best of his numerous productions, both in prose and verse, require no allowance to be made for the immature years of their author, when comparing him with the ablest of his contemporaries. He pictures Lydgate, the monk of Bury St Edmunds, challenging Rowley to a trial at versemaking, and under cover of this fiction, produces his "Songe of Aella," a piece of rare lyrical beauty, worthy of comparison with any antique or modern production of its class. Again, in his "Tragedy of Goddwyn," of which only a fragment has been preserved, the "Ode to Liberty," with which it abruptly closes, may claim a place among the finest martial lyrics in the language. The collection of poems in which such specimens occur furnishes by far the most remarkable example of intellectual precocity in the whole history of letters. Collins, Burns, Keats, Shelley and Byron all awaken sorrow over the premature arrestment of their genius; but the youngest of them survived to his twenty-fifth year, while Chatterton was not eighteen when he perished in his miserable garret. The death of Chatterton attracted little notice at the time; for the few who then entertained any appreciative estimate of the Rowley poems regarded him as their mere transcriber. He was interred in a burying-ground attached to Shoe Lane Workhouse, in the parish of St Andrew's, Holborn, which has since been converted into a site for Farringdon Market. There is a discredited story that the body of the poet was recovered, and secretly buried by his uncle, Richard Phillips, in Redcliffe Churchyard. There a monument has since been erected to his memory, with the appropriate inscription, borrowed from his "Will," and so supplied by the poet's own pen—"To the memory of Thomas Chatterton. Reader! judge not. If thou art a Christian, believe that he shall be judged by a Superior Power. To that Power only is he now answerable."

BIBLIOGRAPHY.—Poems supposed to have been written at Bristol by Thomas Rowley and others, in the Fifteenth Century (1777) was edited by Thomas Tyrwhitt; Thomas Warton, in his History of English Poetry (1778), vol. ii. section viii., gives Rowley a place among the 15th century poets; but neither of these critics believed in the antiquity of the poems. In 1782 a new edition of Rowley's poems appeared, with a "Commentary, in which the antiquity of them is considered and defended," by Jeremiah Milles, dean of Exeter. The controversy which raged round the Rowley poems is discussed in A. Kippis, Biographia Britannica (vol. iv., 1789), where there is a detailed account by G. Gregory of Chatterton's life (pp. 573-619). This was reprinted in the edition (1803) of Chatterton's Works by R. Southey and J. Cottle, published for the benefit of the poet's sister. The neglected condition of the study of earlier English in the 18th century alone accounts for the temporary success of Chatterton's mystification. It has long been agreed that Chatterton was solely responsible for the Rowley Poems, but the language and style are analysed in confirmation of this view by Prof. W.W. Skeat in an introductory essay prefaced to vol. ii. of The Poetical Works of Thomas Chatterton (1871) in the "Aldine Edition of the British Poets." This, which is the most convenient edition, also contains a memoir of the poet by Edward Bell. The spelling of the Rowley poems is there modernized, and many of the archaic words are replaced by modern equivalents provided in many cases from Chatterton's own notes, the theory being that Chatterton usually composed in modern English, and inserted his peculiar words and his complicated orthography afterwards. For some criticism of Prof. Skeat's success in the very difficult task of reconstituting the text, see H.B. Forman, Thomas Chatterton and his latest Editor (1874). The Chatterton MSS., originally in the possession of William Barrett of Bristol, were left by his heir to the British Museum in 1800. Others are preserved in the Bristol library.

Chatterton's genius and his tragic death are commemorated by Shelley in Adonais, by Wordsworth in "Resolution and Independence," by Coleridge in "A Monody on the Death of Chatterton," by D.G. Rossetti in "Five English Poets," and John Keats inscribed Endymion "to the memory of Thomas Chatterton." Alfred de Vigny's drama of Chatterton gives an altogether fictitious account of the poet. Herbert Croft (q.v.), in his Love and Madness, interpolated a long and valuable account of Chatterton, giving many of the poet's letters, and much information obtained from his family and friends (pp. 125-244, letter li.). There is a valuable collection of "Chattertoniana" in the British Museum, consisting of separate works by Chatterton, newspaper cuttings, articles, dealing with the Rowley controversy and other subjects, with MS. notes by Joseph Haslewood, and several autograph letters.

Among biographies of Chatterton may be mentioned Chatterton: A Biographical Study (1869), by Daniel Wilson; Chatterton: A Biography (1899; first printed 1856 in a volume of essays), by D. Masson; "Thomas Chatterton" (1900), by Helene Richter, in Wiener Beitrage zur engl. Philologie; Chatterton, by C.E. Russell (1909).



CHATTI, an ancient German tribe inhabiting the upper reaches of the rivers Weser, Eder, Fulda and Werra, a district approximately corresponding to Hesse-Cassel, though probably somewhat more extensive. They frequently came into conflict with the Romans during the early years of the 1st century. Eventually they formed a portion of the Franks and were incorporated in the kingdom of Clovis probably with the Ripuarii, at the beginning of the 6th century.

Tacitus, Annals, i. 2, II, 12, 13; Germania, 30-31; Strabo p. 291 f.



CHAUCER, GEOFFREY

Life

(? 1340-1400), English poet. The name Chaucer, a French form of the Latin calcearius, a shoe-maker, is found in London and the eastern counties as early as the second half of the 13th century. Some of the London Chaucers lived in Cordwainer Street, in the shoemakers' quarter; several of them, however, were vintners, and among others the poet's father John, and probably also his grandfather Robert. Legal pleadings inform us that in December 1324 John Chaucer was not much over twelve years old, and that he was still unmarried in 1328, the year which used to be considered that of Geoffrey's birth. [Sidenote: Life.] The poet was probably born from eight to twelve years later, since in 1386, when giving evidence in Sir Richard le Scrope's suit against Sir Robert Grosvenor as to the right to bear certain arms, he was set down as "del age de xl ans et plus, armeez par xxvij ans." At a later date, and probably at the time of the poet's birth, his father lived in Thames Street, and had to wife a certain Agnes, niece of Hamo de Compton, whom we may regard as Geoffrey Chaucer's mother. In 1357 Geoffrey is found, apparently as a lad, in the service of Elizabeth, countess of Ulster, wife of Lionel, duke of Clarence, entries in two leaves of her household accounts, accidentally preserved, showing that she paid in April, May and December various small sums for his clothing and expenses. In 1359, as we learn from his deposition in the Scrope suit, Chaucer went to the war in France. At some period of the campaign he was at "Retters," i.e. Rethel, near Reims, and subsequently had the ill luck to be taken prisoner. On the 1st of March 1360 the king contributed L16 to his ransom, and by a year or two later Chaucer must have entered the royal service, since on the 20th of June 1367 Edward granted him a pension of twenty marks for his past and future services. A pension of ten marks had been granted by the king the previous September to a Philippa Chaucer for services to the queen as one of her "domicellae" or "damoiselles," and it seems probable that at this date Chaucer was already married and this Philippa his wife, a conclusion which used to be resisted on the ground of allusions in his early poems to a hopeless love-affair, now reckoned part of his poetical outfit. Philippa is usually said to have been one of two daughters of a Sir Payne Roet, the other being Katherine, who after the death of her first husband, Sir Hugh de Swynford, in 1372, became governess to John of Gaunt's children, and subsequently his mistress and (in 1396) his wife. It is possible that Philippa was sister to Sir Hugh and sister-in-law to Katherine. In either case the marriage helps to account for the favour subsequently shown to Chaucer by John of Gaunt.

In the grant of his pension Chaucer is called "dilectus vallectus noster," our beloved yeoman; before the end of 1368 he had risen to be one of the king's esquires. In September of the following year John of Gaunt's wife, the duchess Blanche, died at the age of twenty-nine, and Chaucer wrote in her honour The Book of the Duchesse, a poem of 1334 lines in octosyllabic couplets, the first of his undoubtedly genuine works which can be connected with a definite date. In June 1370 he went abroad on the king's service, though on what errand, or whither it took him, is not known. He was back probably some time before Michaelmas, and seems to have remained in England till the 1st of December 1372, when he started, with an advance of 100 marks in his pocket, for Italy, as one of the three commissioners to treat with the Genoese as to an English port where they might have special facilities for trade. The accounts which he delivered on his return on the 23rd of May 1373 show that he had also visited Florence on the king's business, and he probably went also to Padua and there made the acquaintance of Petrarch.

In the second quarter of 1374 Chaucer lived in a whirl of prosperity. On the 23rd of April the king granted him a pitcher of wine daily, subsequently commuted for an annuity of 20 marks. From John of Gaunt, who in August 1372 had granted Philippa Chaucer L10 a year, he himself now received (June 13) a like annuity in reward for his own and his wife's services. On the 8th of June he was appointed Comptroller of the Custom and Subsidy of Wools, Hides and Woodfells and also of the Petty Customs of Wine in the Port of London. A month before this appointment, and probably in anticipation of it, he took (May 10, 1374) a lease for life from the city of London of the dwelling-house above the gate of Aldgate, and here he lived for the next twelve years. His own and his wife's income now amounted to over L60, the equivalent of upwards of L1000 in modern money. In the next two years large windfalls came to him in the form of two wardships of Kentish heirs, one of whom paid him L104, and a grant of L71: 4: 6; the value of some confiscated wool. In December 1376 he was sent abroad on the king's service in the retinue of Sir John Burley; in February 1377 he was sent to Paris and Montreuil in connexion probably with the peace negotiations between England and France, and at the end of April (after a reward of L20 for his good services) he was again despatched to France.

On the accession of Richard II. Chaucer was confirmed in his offices and pensions. In January 1378 he seems to have been in France in connexion with a proposed marriage between Richard and the daughter of the French king; and on the 28th of May of the same year he was sent with Sir Edward de Berkeley to the lord of Milan and Sir John Hawkwood to treat for help in the king's wars, returning on the 19th of September. This was his last diplomatic journey, and the close of a period of his life generally considered to have been so unprolific of poetry that little beyond the Clerk's "Tale of Grisilde," one or two other of the stories afterwards included in the Canterbury Tales, and a few short poems, are attributed to it, though the poet's actual absences from England during the eight years amount to little more than eighteen months. During the next twelve or fifteen years there is no question that Chaucer was constantly engaged in literary work, though for the first half of them he had no lack of official employment. Abundant favour was shown him by the new king. He was paid L22 as a reward for his later missions in Edward III.'s reign, and was allowed an annual gratuity of 10 marks in addition to his pay of L10 as comptroller of the customs of wool. In April 1382 a new comptrollership, that of the petty customs in the Port of London, was given him, and shortly after he was allowed to exercise it by deputy, a similar licence being given him in February 1385, at the instance of the earl of Oxford, as regards the comptrollership of wool. In October 1385 Chaucer was made a justice of the peace for Kent. In February 1386 we catch a glimpse of his wife Philippa being admitted to the fraternity of Lincoln cathedral in the company of Henry, earl of Derby (afterwards Henry IV.), Sir Thomas de Swynford and other distinguished persons. In August 1386 he was elected one of the two knights of the shire for Kent, and with this dignity, though it was one not much appreciated in those days, his good fortune reached its climax. In December of the same year he was superseded in both his comptrollerships, almost certainly as a result of the absence of his patron, John of Gaunt, in Spain, and the supremacy of the duke of Gloucester. In the following year the cessation of Philippa's pension suggests that she died between Midsummer and Michaelmas. In May 1388 Chaucer surrendered to the king his two pensions of 20 marks each, and they were re-granted at his request to one John Scalby. The transaction was unusual and probably points to a pressing need for ready money, nor for the next fourteen months do we know of any source of income possessed by Chaucer beyond his annuity of L10 from John of Gaunt.

In July 1389, after John of Gaunt had returned to England, and the king had taken the government into his own hands, Chaucer was appointed clerk of the works at various royal palaces at a salary of two shillings a day, or over L31 a year, worth upwards of L500 present value. To this post was subsequently added the charge of some repairs at St George's Chapel, Windsor. He was also made a commissioner to maintain the banks of the Thames between Woolwich and Greenwich, and was given by the earl of March (grandson of Lionel, duke of Clarence, his old patron) a sub-forestership at North Petherton, Devon, obviously a sinecure. While on the king's business, in September 1390, Chaucer was twice robbed by highwaymen, losing L20 of the king's money. In June 1391 he was superseded in his office of clerk of the works, and seems to have suffered another spell of misfortune, of which the first alleviation came in January 1393 when the king made him a present of L10. In February 1394 he was granted a new pension of L20. It is possible, also, that about this time, or a little later, he was in the service of the earl of Derby. In 1397 he received from King Richard a grant of a butt of wine yearly. For this he appears to have asked in terms that suggest poverty, and in May 1398 he obtained letters of protection against his creditors, a step perhaps rendered necessary by an action for debt taken against him earlier in the year. On the accession of Henry IV. a new pension of 40 marks was conferred on Chaucer (13th of October 1399) and Richard II.'s grants were formally confirmed. Henry himself, however, was probably straitened for ready money, and no instalment of the new pension was paid during the few months of his reign that the poet lived. Nevertheless, on the strength of his expectations, on the 24th of December 1399 he leased a tenement in the garden of St Mary's Chapel, Westminster, and it was probably here that he died, on the 25th of the following October. He was buried in Westminster Abbey, and his tomb became the nucleus of what is now known as Poets' Corner.

The portrait of Chaucer, which the affection of his disciple, Thomas Hoccleve, caused to be painted in a copy of the latter's Regement of Princes (now Harleian MS. 4866 in the British Museum), shows him an old man with white hair; he has a fresh complexion, grey eyes, a straight nose, a grey moustache and a small double-pointed beard. His dress and hood are black, and he carries in his hands a string of beads. We may imagine that it was thus that during the last months of his life he used to walk about the precincts of the Abbey.

Works.

Henry IV.'s promise of an additional pension was doubtless elicited by the Compleynt to his Purs, in the envoy to which Chaucer addresses him as the "conquerour of Brutes Albioun." Thus within the last year of his life the poet was still writing. Nevertheless, as early as 1393-1394, in lines to his friend Scogan, he had written as if his day for poetry were past, and it seems probable that his longer poems were all composed before this date. In the preceding fifteen—or, if another view be taken, twenty—years, his literary activity was very great, and with the aid of the lists of his works which he gives in the Legende of Good Women (lines 414-431), and the talk on the road which precedes the "Man of Law's Tale" (Canterbury Tales, B. 46-76), the order in which his main works were written can be traced with approximate certainty,[1] while a few both of these and of the minor poems can be connected with definite dates.

The development of his genius has been attractively summed up as comprised in three stages, French, Italian and English, and there is a rough approximation to the truth in this formula, since his earliest poems are translated from the French or based on French models, and the two great works of his middle period are borrowed from the Italian, while his latest stories have no such obvious and direct originals and in their humour and freedom anticipate the typically English temper of Henry Fielding. But Chaucer's indebtedness to French poetry was no passing phase. For various reasons—a not very remote French origin of his own family may be one of them—he was in no way interested in older English literature or in the work of his English contemporaries, save possibly that of "the moral Gower." On the other hand he knew the Roman de la rose as modern English poets know Shakespeare, and the full extent of his debt to his French contemporaries, not merely in 1369, but in 1385 and in 1393 (the dates are approximate), is only gradually being discovered. To be in touch throughout his life with the best French poets of the day was much for Chaucer. Even with their stimulus alone he might have developed no small part of his genius. But it was his great good fortune to add to this continuing French influence, lessons in plot and construction derived from Boccaccio's Filostrato and Teseide, as well as some glimpses of the higher art of the Divina Commedia. He shows acquaintance also with one of Petrarch's sonnets, and though, when all is said, the Italian books with which he can be proved to have been intimate are but few, they sufficed. His study of them was but an episode in his literary life, but it was an episode of unique importance. Before it began he had already been making his own artistic experiments, and it is noteworthy that while he learnt so much from Boccaccio he improved on his originals as he translated them. Doubtless his busy life in the service of the crown had taught him self-confidence, and he uses his Italian models in his own way and with the most triumphant and assured success. When he had no more Italian poems to adapt he had learnt his lesson. The art of weaving a plot out of his own imagination was never his, but he could take what might be little more than an anecdote and lend it body and life and colour with a skill which has never been surpassed.

The most direct example of Chaucer's French studies is his translation of Le Roman de la rose, a poem written in some 4000 lines by Guillaume Lorris about 1237 and extended to over 22,000 by Jean Clopinel, better known as Jean de Meun, forty years later. We know from Chaucer himself that he translated this poem, and the extant English fragment of 7698 lines was generally assigned to him from 1532, when it was first printed, till its authorship was challenged in the early years of the Chaucer Society. The ground of this challenge was its wide divergence from Chaucer's practice in his undoubtedly genuine works as to certain niceties of rhyme, notable as to not rhyming words ending in -y with others ending -ye. It was subsequently discovered, however, that the whole fragment was divisible linguistically into three portions, of which the first and second end respectively at lines 1705 and 5810, and that in the first of these three sections the variations from Chaucer's accepted practice are insignificant. Lines 1-1705 have therefore been provisionally accepted as Chaucer's, and the other two fragments as the work of unknown translators (James I. of Scotland has been suggested as one of them), which somehow came to be pieced together. If, however, the difficulties in the way of this theory are less than those which confront any other, they are still considerable, and the question can hardly be treated as closed.

While our knowledge of Chaucer's Romaunt of the Rose is in this unsatisfactory state, another translation of his from the French, the Book of the Lyon (alluded to in the "Retraction" found, in some manuscripts, at the end of the Canterbury Tales), which must certainly have been taken from Guillaume Machault's Le Dit du lion, has perished altogether. The strength of French influence on Chaucer's early work may, however, be amply illustrated from the first of his poems with which we are on sure ground, the Book of the Duchesse, or, as it is alternatively called, the Deth of Blaunche. Here not only are individual passages closely imitated from Machault and Froissart, but the dream, the May morning, and the whole machinery of the poem are taken over from contemporary French conventions. But even at this stage Chaucer could prove his right to borrow by the skill with which he makes his materials serve his own purpose, and some of the lines in the Deth of Blaunche are among the most tender and charming he ever wrote.

Chaucer's A.B.C., a poem in honour of the Blessed Virgin, of which the stanzas begin with the successive letters of the alphabet, is another early example of French influence. It is taken from the Pelerinage de la vie humaine, written by Guillaume de Deguilleville about 1330. The occurrence of some magnificent lines in Chaucer's version, combined with evidence that he did not yet possess the skill to translate at all literally as soon as rhymes had to be considered, accounts for this poem having been dated sometimes earlier than the Book of the Duchesse, and sometimes several years later. With it is usually moved up and down, though it should surely be placed in the 'seventies, the Compleynt to Pity, a fine poem which yet, from its slight obscurity and absence of Chaucer's usual ease, may very well some day prove to be a translation from the French.

While Chaucer thus sought to reproduce both the matter and the style of French poetry in England, he found other materials in popular Latin books. Among his lost works are renderings of "Origenes upon the Maudeleyne," and of Pope Innocent III. on "The Wreced Engendring of Mankinde" (De miseria conditionis humanae). He must have begun his attempts at straightforward narrative with the Lyf of Seynt Cecyle (the weakest of all his works, the second Nun's Tale in the Canterbury series) from the Legenda Aurea of Jacobus de Voragine, and the story of the patience of Grisilde, taken from Petrarch's Latin version of a tale by Boccaccio. In both of these he condenses a little, but ventures on very few changes, though he lets his readers see his impatience with his originals. In his story of Constance (afterwards ascribed to the Man of Law), taken from the Anglo-Norman chronicle of Nicholas Trivet, written about 1334, we find him struggling to put some substance into another weak tale, but still without the courage to remedy its radical faults, though here, as with Grisilde, he does as much for his heroine as the conventional exaltation of one virtue at a time permitted. It is possible that other tales which now stand in the Canterbury series were written originally at this period. What is certain is that at some time in the 'seventies three or four Italian poems passed into Chaucer's possession, and that he set to work busily to make use of them. One of the most interesting of the poems reclaimed for him by Professor Skeat is a fragmentary "Compleynt," part of which is written in terza rima. While he thus experimented with the metre of the Divina Commedia, he made his first attempt to use the material provided by Boccaccio's Teseide in another fragment of great interest, that of Quene Anelida and Fals Arcyte. More than a third of this is taken up with another, and quite successful, metrical experiment in Anelida's "compleynt," but in the introduction of Anelida herself Chaucer made the first of his three unsuccessful efforts to construct a plot for an important poem out of his own head, and the fragment which begins so well breaks off abruptly at line 357.

For a time the Teseide seems to have been laid aside, and it was perhaps at this moment, in despondency at his failure, that Chaucer wrote his most important prose work, the translation of the De Consolatione Philosophiae of Boethius. Reminiscences of this helped to enrich many of his subsequent poems, and inspired five of his shorter pieces (The Former Age, Fortune, Truth, Gentilesse and Lak of Stedfastnesse), but the translation itself was only a partial success. To borrow his own phrase, his "Englysh was insufficient" to reproduce such difficult Latin. The translation is often barely intelligible without the original, and it is only here and there that it flows with any ease or rhythm.

If Chaucer felt this himself he must have been speedily consold by achieving in Troilus and Criseyde his greatest artistic triumph. Warned by his failure in Anelida and Arcyte, he was content this time to take his plot unaltered from the Filostrato, and to follow Boccaccio step by step through the poem. But he did not follow him as a mere translator. He had done his duty manfully for the saints "of other holinesse" in Cecyle, Grisilde and Constance, whom he was forbidden by the rules of the game to clothe with complete flesh and blood. In this great love-story there were no such restrictions, and the characters which Boccaccio's treatment left thin and conventional became in Chaucer's hands convincingly human. No other English poem is so instinct with the glory and tragedy of youth, and in the details of the story Chaucer's gifts of vivid colouring, of humour and pity, are all at their highest.

An unfortunate theory that the reference in the Legends of Good Women to "al the love of Palamon and Arcyte" is to a hypothetical poem in seven-line stanzas on this theme, which Chaucer is imagined, when he came to plan the Canterbury Tales, to have suppressed in favour of a new version in heroic couplets, has obscured the close connexion in temper and power between what we know as the "Knight's Tale" and the Troilus. The poem may have been more or less extensively revised before, with admirable fitness, it was assigned to the Knight, but that its main composition can be separated by several years from that of Troilus is aesthetically incredible. Chaucer's art here again is at its highest. He takes the plot of Boccaccio's Teseide, but only as much of it as he wants, and what he takes he heightens and humanizes with the same skill which he had shown in transforming the Filostrato. Of the individual characters Theseus himself, the arbiter of the plot, is most notably developed; Emilie and her two lovers receive just as much individuality as they will bear without disturbing the atmosphere of romance. The whole story is pulled together and made more rapid and effective. A comparison of almost any scene as told by the two poets suffices to show Chaucer's immense superiority. At some subsequent period the "Squire's Tale" of Cambuscan, the fair Canacee and the Horse of Brass, was gallantly begun in something of the same key, but Chaucer took for it more materials than he could use, and for lack of the help of a leader like Boccaccio he was obliged to leave the story, in Milton's phrase, "half-told," though the fragment written certainly takes us very much less than half-way.

Meanwhile, in connexion (as is reasonably believed) with the betrothal or marriage of Anne of Bohemia to Richard II. (i.e. about 1381-1382), Chaucer had brought to a successful completion the Parlement of Foules, a charming sketch of 699 lines, in which the other birds, on Saint Valentine's day, counsel the "Formel Egle" on her choice of a mate. His success here, as in the case of the Deth of Blaunche the Duchesse, was due to the absence of any need for a climax; and though the materials which he borrowed were mainly Latin (with some help from passages of the Teseide not fully needed for Palamon and Arcyte) his method of handling them would have been quite approved by his friends among the French poets. A more ambitious venture, the Hous of Fame, in which Chaucer imagines himself borne aloft by an eagle to Fame's temple, describes what he sees and hears there, and then breaks off in apparent inability to get home, shows a curious mixture of the poetic ideals of the Roman de la rose and reminiscences of the Divina Commedia.

As the Hous of Fame is most often remembered and quoted for the personal touches and humour of Chaucer's conversation with the eagle, so the most-quoted passages in the Prologue to the Legende of Good Women are those in which Chaucer professes his affection for the daisy, and the attack on his loyalty by Cupid and its defence by Alceste. Recent discoveries have shown, however, that (besides obligations to Machault) some of the touches about the daisy and the controversy between the partisans of the Flower and of the Leaf are snatches from poems by his friends Froissart and Deschamps, which Chaucer takes up and returns to them with pretty compliments, and that he was indebted to Froissart for some of the framework of his poem.[2] Both of the two versions of the Prologue to the Legende are charming, and some of the tales, notably that of Cleopatra, rank with Chaucer's best work. When, however, he had written eight and part of the ninth he tired of his scheme, which was planned to celebrate nineteen of Cupid's faithful "saints," with Alcestis as their queen. With his usual hopefulness he had overlooked the risk of monotony, which obviously weighed heavily on him ere he broke off, and the loss of the other ten stories is less to be regretted than that of the celebration of Alceste, and a possible epilogue which might have exceeded in charm the Prologue itself.

Canterbury Tales.

Chaucer's failure to complete the scheme of the Legende of Good Women may have been partly due to the attractions of the Canterbury Tales, which were probably taken up in immediate succession to it. His guardianship of two Kentish wards, his justiceship of the peace, his representing the county in the parliament of 1386, his commissionership of the river-bank between Greenwich and Woolwich, all make it easy to understand his dramatic use of the merry crowds he saw on the Canterbury road, without supposing him to have had recourse to Boccaccio's Decamerone, a book which there is no proof of his having seen. The pilgrims whom he imagines to have assembled at the Tabard Inn in Southwark, where Harry Bailey was host, are said to have numbered "wel nyne and twenty in a company," and the Prologue gives full-length sketches of a Knight, a Squire (his son), and their Yeoman; of a Prioress, Monk, Friar, Oxford Clerk, and Parson, with two disreputable hangers-on of the church, a Summoner and Pardoner; of a Serjeant-at-Law and a Doctor of Physic, and of a Franklin, or country gentleman, Merchant, Shipman, Miller, Cook, Manciple, Reeve, Ploughman (the Parson's brother) and the ever-famous Wife of Bath. Five London burgesses are described in a group, and a Nun and Priest[3] are mentioned as in attendance on the Prioress. Each of these, with Chaucer himself making the twenty-ninth, was pledged to tell two tales, but including one second attempt and a tale told by the Yeoman of a Canon, who overtakes the pilgrims on the road, we have only twenty finished stories, two unfinished and two interrupted ones. As in the case of the Legende of Good Women, our loss is not so much that of the additional stories as of the completed framework. The wonderful character sketches of the Prologue are carried yet farther by the Talks on the Road which link the different tales, and two of these Talks, in which the Wife of Bath and the Pardoner respectively edify the company, have the importance of separate Tales, but between the Tales that have come down to us there are seven links missing,[4] and it was left to a later and weaker hand to narrate, in the "Tale of Beryn," the adventures of the pilgrims at Canterbury.

The reference to the Lyf of Seynt Cecyle in the Prologue to the Legende of Good Women gives external proof that Chaucer included earlier work in the scheme of the Canterbury Tales, and mention has been made of other stories which are indisputably early. In the absence of any such metrical tests as have proved useful in the case of Shakespeare, the dates at which several of the Tales were composed remain doubtful, while in the case of at least two, the Clerk's tale of Grisilde and the Monk's tragedies, there is evidence of early work being revised and supplemented. It is fortunately impossible to separate the prologue to the charmingly told story of "yonge Hugh of Lincoln" from the tale itself, and with the "quod sche" in the second line as proof that Chaucer was here writing specially for his Prioress we are forbidden to limit the new stories to any one metre or tone. There can be no doubt, however, that what may be called the Tales of the Churls (Miller, Reeve, Summoner, Friar, &c.), and the conversational outpourings of the Pardoner and Wife of Bath, form, with the immortal Prologue, the most important and distinctive additions to the older work. In these, and in the Pardoner's story of Death and the Three Revellers, and the Nun's Priest's masterly handling of the fable of the Cock and Fox, both of them free from the grossness which marks the others, Chaucer takes stories which could have been told in a short page of prose and elaborates them with all the skill in narration which he had sedulously cultivated. The conjugal reminiscences of the Wife of Bath and the Reeve's Tale with its abominable climax (lightened a little by Aleyn's farewell, lines 316-319) are among the great things in Chaucer, as surely as Troilus, and Palamon and Arcyte and the Prologue. They help notably to give him the width of range which may certainly be claimed for him.

In or soon after 1391 Chaucer wrote in prose for an eleven-year-old reader, whom he addresses as "Litel Lowis my son," a treatise on the use of the Astrolabe, its short prologue being the prettiest specimen of his prose. The wearisome tale of "Melibee and his wyf Prudence," which was perhaps as much admired in English as it had been in Latin and French, may have been translated at any time. The sermon on Penitence, used as the Parson's Tale, was probably the work of his old age. "Envoys" to his friends Scogan and Bukton, a translation of some balades by Sir Otes de Granson, and the Compleynt to his Purs complete the record of his minor poetry. We have his own statement that in his youth he had written many Balades, Roundels and Virelayes in honour of Love, and the two songs embedded respectively in the Parlement of Foules and the Prologue to the Legende of Good Women are charming and musical. His extant shorter poems, however, whether early or late, offer no excuse for claiming high rank for him as a lyrist. He had very little sheer singing power, and though there are fine lines in his short poems, witness the famous "Flee fro the prees and dwell with soothfastnesse," they lack the sustained concentration of great work. From the drama, again, Chaucer was cut off, and it is idle to argue from the innumerable dramatic touches in his poems and his gift of characterization as to what he might have done had he lived two centuries later. His own age delighted in stories, and he gave it the stories it demanded invested with a humanity, a grace and strength which place him among the world's greatest narrative poets, and which bring the England of his own day, with all the colour and warmth of life, wonderfully near to all his readers.

Influence.

The part played by Chaucer in the development of the English language has often been overrated. He neither corrupted it, as used to be said, by introducing French words which it would otherwise have avoided, nor bore any such part in fixing it as was afterwards played by the translators of the Bible. When he was growing up educated society in England was still bilingual, and the changes in vocabulary and pronunciation which took place during his life were the natural results of a society, which had been bilingual with a bias towards French, giving an exclusive preference to English. The practical identity of Chaucer's language with that of Gower shows that both merely used the best English of their day with the care and slightly conservative tendency which befitted poets. Chaucer's service to the English language lies in his decisive success having made it impossible for any later English poet to attain fame, as Gower had done, by writing alternatively in Latin and French. The claim which should be made for him is that, at least as regards poetry, he proved that English was "sufficient."

Chaucer borrowed both his stanza forms and his "decasyllabic" couplets (mostly with an extra syllable at the end of the line) from Guillaume Machault, and his music, like that of his French master and his successors, depends very largely on assigning to every syllable its full value, and more especially on the due pronunciation of the final -e. The slower movement of change in Scotland allowed time for Chaucer to exercise a potent influence on Scottish poetry, but in England this final -e, to which most of the earlier grammatical forms by Chaucer's time had been reduced, itself fell rapidly into disuse during the 15th century, and a serious barrier was thus raised to the appreciation of the artistic value of his verse. His disciples, Hoccleve and Lydgate, who at first had caught some echoes of his rhythms, gradually yielded to the change in pronunciation, so that there was no living tradition to hand down his secret, while successive copyists reduced his text to a state in which it was only by accident that lines could be scanned correctly. For fully three centuries his reputation was sustained solely by his narrative power, his warmest panegyrists betraying no consciousness that they were praising one of the greatest technical masters of poetry. Even when thus maimed, however, his works found readers and lovers in every generation, and every improvement in his text has set his fame on a surer basis.

BIBLIOGRAPHY.—The Canterbury Tales have always been Chaucer's most popular work, and, including fragments, upwards of sixty 15th-century manuscripts of it still survive. Two thin volumes of his minor poems were among the little quartos which Caxton printed by way of advertisement immediately on his return to England; the Canterbury Tales and Boethius followed in 1478, Troilus and a second edition of the Tales in 1483, the Hous of Fame in 1484. The Canterbury Tales were subsequently printed in 1492 (Pynson), 1498 (de Worde) and 1526 (Pynson); Troilus in 1517 (de Worde) and 1526 (Pynson); the Hous of Fame in 1526 (Pynson); the Parlement of Foules in 1526 (Pynson) and 1530 (de Worde), and the Mars, "Venus" and Envoy to Bukton by Julyan Notary about 1500. Pynson's three issues in 1526 almost amounted to a collected edition, but the first to which the title The Workes of Geffray Chaucer was given was that edited by William Thynne in 1532 for Thomas Godfray. Of this there was a new edition in 1542 for John Reynes and William Bonham, and an undated reprint a few years later for Bonham, Kele, Petit and Toye, each of whom put his name on part of the edition. In 1561 a reprint, with numerous additions, edited by John Stowe, was printed by J. Kyngston for J. Wight, and this was re-edited, with fresh additions by Thomas Speght, in 1598 for G. Bishop and again in 1602 for Adam Islip. In 1687 there was an anonymous reprint, and in 1721 John Urry produced the last and worst of the folios. By this time the paraphrasers were already at work, Dryden rewriting the tales of the Knight, the Nun's Priest and the Wife of Bath, and Pope the Merchant's. In 1737 (reprinted in 1740) the Prologue and Knight's Tale were edited (anonymously) by Thomas Morell "from the most authentic manuscripts," and here, though by dint of much violence and with many mistakes, Chaucer's lines were for the first time in print given in a form in which they could be scanned. This promise of better things (Morell still thought it necessary to accompany his text with the paraphrases by Betterton and Dryden) was fulfilled by a fine edition of the Canterbury Tales (1775-1778), in which Thomas Tyrwhitt's scholarly instincts produced a comparatively good text from second-rate manuscripts and accompanied it with valuable illustrative notes. The next edition of any importance was that edited by Thomas Wright for the Percy Society in 1848-1851, based on the erratic but valuable British Museum manuscript Harley 7334, containing readings which must be either Chaucer's second thoughts or the emendations of a brilliantly clever scribe. In 1866 Richard Morris re-edited this text in a more scholarly manner for the Aldine edition of the British Poets, and in the following year produced for the Clarendon Press Series a school edition of the Prologue and Tales of the Knight and Nun's Priest, edited with the fulness and care previously bestowed only on Greek and Latin classics.

In 1868 the foundation of the Chaucer Society, with Dr Furnivall as its director and chief worker, and Henry Bradshaw as a leading spirit, led to the publication of a six-text edition of the Canterbury Tales, and the consequent discovery that a manuscript belonging to the Earl of Ellesmere, though undoubtedly "edited," contained the best available text. The Chaucer Society also printed the best manuscripts of Troilus and Criseyde and of all the minor poems, and thus cleared the way for the "Oxford" Chaucer, edited by Professor Skeat, with a wealth of annotation, for the Clarendon Press in 1894, the text of which was used for the splendid folio printed two years later by William Morris at the Kelmscott Press, with illustrations by Sir Edward Burne-Jones. A supplementary volume of the Oxford edition, entitled Chaucerian and other Pieces, issued by Professor Skeat in 1897, contains the prose and verse which his early publishers and editors, from Pynson and Thynne onwards, included among his Works by way of illustration, but which had gradually come to be regarded as forming part of his text. The reasons for their rejection are fully stated by Professor Skeat in the work named and also in The Chaucer Canon (1900). Many of these pieces have now been traced to other authors, and their exclusion has helped to clear not only Chaucer's text but also his biography, which used (as in the "Life" published by William Godwin in two quarto volumes in 1803) to be encumbered with inferences from works now known not to be Chaucer's, notably the Testament of Love written by Thomas Usk. All information about Chaucer's life available in 1900 will be found summarized by Mr R.E.G. Kirk in Life-Records of Chaucer, part iv., published by the Chaucer Society in that year. See also Chaucer; a Bibliographical Manual, by Eleanor P. Hammond (1909). (A. W. Po.)

FOOTNOTES:

[1] The positions of the House of Fame and Palamon and Arcyte are still matters of controversy.

[2] The French influences on this Prologue, its connexion with the Flower and the Leaf controversy, and the priority of what had previously been reckoned as the second or "B" form of the Prologue over the "A," were demonstrated in papers by Prof. Kittredge on "Chaucer and some of his Friends" in Modern Philology, vol. i. (Chicago, 1903), and by Mr J. L. Lowes on "The Prologue to the Legend of Good Women" in Publications of the Modern Language Association of America, vol. xix., December 1904.

[3] The Talks on the Road show clearly that only one Priest in attendance on the Prioress, and two tales to each narrator, were originally contemplated, but the "Prestes thre" in line 164 of the Prologue, and the bald couplet (line 793 sq.) explaining that each pilgrim was to tell two tales each way, were probably both alterations made by Chaucer in moments of amazing hopefulness. The journey was reckoned a 3-1/2 days' ride, and eight or nine tales a day would surely have been a sufficient allowance.

[4] The absence of these links necessitates the division of the Canterbury Tales into nine groups, to which, for purposes of quotation, the letters A to I have been assigned, the line numeration of the Tales in each group being continuous.



CHAUDESAIGUES, a village of central France, in the department of Cantal, at the foot of the mountains of Aubrac, 19 m. S.S.W. of St Flour by road. Pop. (1906) town, 937; commune, 1558. It is celebrated for its hot mineral springs, which vary in temperature from 135 deg. to 177 deg. Fahr., and at their maximum rank as the hottest in France. The water, which contains bicarbonate of soda, is employed not only medicinally (for rheumatism, &c.), but also for the washing of fleeces, the incubation of eggs, and various other economic purposes; and it furnishes a ready means of heating the houses of the town during winter. In the immediate neighbourhood is the cold chalybeate spring of Condamine. The warm springs were known to the Romans, and are mentioned by Sidonius Apollinaris.



CHAUFFEUR (from Fr. chauffer), to heat, a term primarily used in French of a man in charge of a forge or furnace, and so of a stoker on a locomotive or in a steamship, but in its anglicized sense more particularly confined to a professional driver of a motor vehicle. (See also BRIGANDAGE.)



CHAULIEU, GUILLAUME AMFRYE DE (1639-1720), French poet and wit, was born at Fontenay, Normandy, in 1639. His father, maitre des comptes of Rouen, sent him to study at the College de Navarre. Guillaume early showed the wit that was to distinguish him, and gained the favour of the duke of Vendome, who procured for him the abbey of Aumale and other benefices. Louis Joseph, duke of Vendome, and his brother Philippe, grand prior of the Knights of Malta in France, at that time had a joint establishment at the Temple, where they gathered round them a very gay and reckless circle. Chaulieu became the constant companion and adviser of the two princes. He made an expedition to Poland in the suite of the marquis de Bethune, hoping to make a career for himself in the court of John Sobieski; he saw one of the Polish king's campaigns in Ukraine, but returned to Paris without securing any advancement. Saint-Simon says that the abbe helped his patron the grand prior to rob the duke of Vendome, and that the king sent orders that the princes should take the management of their affairs from him. This account has been questioned by Sainte-Beuve, who regards Saint-Simon as a prejudiced witness. In his later years Chaulieu spent much time at the little court of the duchesse du Maine at Sceaux. There he became the trusted and devoted friend of Mdlle Delaunay, with whom he carried on an interesting correspondence. Among his poems the best known are "Fontenay" and "La Retraite." Chaulieu died on the 27th of June 1720.

His works were edited with those of his friend the marquis de la Fare in 1714, 1750 and 1774. See also C.A. Sainte-Beuve, Causeries du lundi, vol. i.; and Lettres inedites (1850), with a notice by Raymond, marquis de Berenger.



CHAUMETTE, PIERRE GASPARD (1763-1794), French revolutionist, was born at Nevers. Until the Revolution he lived a somewhat wandering life, interesting himself particularly in botany. He was a student of medicine at Paris in 1790, became one of the orators of the club of the Cordeliers, and contributed anonymously to the Revolutions de Paris. As member of the insurrectionary Commune of the 10th of August 1792, he was delegated to visit the prisons, with full power to arrest suspects. He was accused later of having taken part in the massacres of September, but was able to prove that at that time he had been sent by the provisional executive council to Normandy to oversee a requisition of 60,000 men. Returning from this mission, he pronounced an eloquent discourse in favour of the republic. His simple manners, easy speech, ardent temperament and irreproachable private life gave him great influence in Paris, and he was elected president of the Commune, defending the municipality in that capacity at the bar of the Convention on the 31st of October 1792. Re-elected in the municipal elections of the 2nd of December 1792, he was soon charged with the functions of procurator of the Commune, and contributed with success to the enrolments of volunteers by his appeals to the populace. Chaumette was one of the ringleaders in the attacks of the 31st of May and of the 2nd of June 1793 on the Girondists, toward whom he showed himself relentless. He demanded the formation of a revolutionary army, and preached the extermination of all traitors. He was one of the promoters of the worship of Reason, and on the 10th of November 1793 he presented the goddess to the Convention in the guise of an actress. On the 23rd of the same month he obtained a decree closing all the churches of Paris, and placing the priests under strict surveillance; but on the 25th he retraced his steps and obtained from the Commune the free exercise of worship. He wished to save the Hebertists by a new insurrection and struggled against Robespierre; but a revolutionary decree promulgated by the Commune on his demand was overthrown by the Convention. Robespierre had him accused with the Hebertists; he was arrested, imprisoned in the Luxembourg, condemned by the Revolutionary tribunal and executed on the 13th of April 1794. Chaumette's career had its brighter side. He was an ardent social reformer; he secured the abolition of corporal punishment in the schools, the suppression of lotteries, of houses of ill-fame and of obscene literature; he instituted reforms in the hospitals, and insisted on the honours of public burial for the poor.

Chaumette left some printed speeches and fragments, and memoirs published in the Amateur d'autographes. His memoirs on the 10th of August were published by F.A. Aulard, preceded by a biographical study.



CHAUMONT-EN-BASSIGNY, a town of eastern France, capital of the department of Haute-Marne, a railway junction 163 m. E.S.E. of Paris on the main line of the Eastern railway to Belfort. Pop. (1906) 12,089. Chaumont is picturesquely situated on an eminence between the rivers Marne and Suize in the angle formed by their confluence. To the west a lofty viaduct over the Suize carries the railway. The church of St-Jean-Baptiste dates from the 13th century, the choir and lateral chapels belonging to the 15th and 16th. In the interior the sculptured triforium (15th century), the spiral staircase in the transept and a Holy Sepulchre are of interest. The lycee and the hospital have chapels of the 17th and 16th centuries respectively. The Tour Hautefeuille (a keep of the 11th century) is the principal relic of a chateau of the counts of Champagne; the rest of the site is occupied by the law courts. In the Place de l'Escargot stands a statue of the chemist Philippe Lebon (1767-1804), born in Haute-Marne. Chaumont is the seat of a prefect and of a court of assizes, and has tribunals of first instance and of commerce, a lycee, training colleges, and a branch of the Bank of France. The main industries are glove-making and leather-dressing. The town has trade in grain, iron, mined in the vicinity, and leather. In 1190 it received a charter from the counts of Champagne. It was here that in 1814 Great Britain, Austria, Russia and Prussia concluded the treaty (dated March 1, signed March 9) by which they severally bound themselves not to conclude a separate peace with Napoleon, and to continue the war until France should have been reduced within the boundaries of 1792.



CHAUNCEY, ISAAC (1772-1840), American naval commander, was born at Black Rock, Connecticut, on the 20th of February 1772. He was brought up in the merchant service, and entered the United States navy as a lieutenant in 1798. His first services were rendered against the Barbary pirates. During these operations, more especially at Tripoli, he greatly distinguished himself, and was voted by Congress a sword of honour, which, however, does not appear to have been given him. The most active period of his life is that of his command on the Lakes during the War of 1812. He took the command at Sackett's Harbor on Lake Ontario in October 1812. There was at that time only one American vessel, the brig "Oneida" (16), and one armed prize, a schooner, on the lake. But Commodore Chauncey brought from 400 to 500 officers and men with him, and local resources for building being abundant, he had by November formed a squadron of ten vessels, with which he attacked the Canadian port, York, taking it in April 1813, capturing one vessel and causing the destruction of another then building. He returned to Sackett's Harbor. In May Sir James Lucas Yeo (1732-1818) came out from England with some 500 officers and men, to organize a squadron for service on the Lakes. By the end of the month he was ready for service with a squadron of eight ships and brigs, and some small craft. The governor, Sir G. Prevost, gave him no serious support. On the 29th of May, during Chauncey's absence at Niagara, the Americans were attacked at Sackett's Harbor and would have been defeated if Prevost had not insisted on a retreat at the very moment when the American shipbuilding yard was in danger of being burnt, with a ship of more than eight hundred tons on the stocks. The retreat of the British force gave Chauncey time to complete this vessel, the "General Pike," which was so far superior to anything under Yeo's command that she was said to be equal in effective strength to the whole of the British flotilla. The American commodore was considered by many of his subordinates to have displayed excessive caution. In August he skirmished with Sir James Yeo's small squadron of six vessels, but made little effective use of his own fourteen. Two of his schooners were upset in a squall, with the loss of all hands, and he allowed two to be cut off by Yeo. Commodore Chauncey showed a preference for relying on his long guns, and a disinclination to come to close quarters. He was described as chasing the British squadron all round the lake, but his encounters did not go beyond artillery duels at long range, and he allowed his enemy to continue in existence long after he might have been destroyed. The winter suspended operations, and both sides made exertions to increase their forces. The Americans had the advantage of commanding greater resources for shipbuilding. Sir James Yeo began by blockading Sackett's Harbor in the early part of 1814, but when the American squadron was ready he was compelled to retire by the disparity of the forces. The American commodore was now able to blockade the British flotilla at Kingston. When the cruising season of the lake was nearly over he in his turn retired to Sackett's Harbor, and did not leave it for the rest of the war. During his later years he served as commissioner of the navy, and was president of the board of naval commissioners from 1833 till his death at Washington on the 27th of February 1840.

See Roosevelt's War of 1812 (1882); and A. T. Mahan, Sea-Power in its Relations to the War of 1812 (1905).



CHAUNCY, CHARLES-(1592-1672), president of Harvard College, was born at Yardley-Bury, Hertfordshire, England, in November 1592, and was educated at Trinity College, Cambridge, of which he became a fellow. He was in turn vicar at Ware, Hertfordshire (1627-1633), and at Marston St Lawrence, Northamptonshire (1633-1637). Refusing to observe the ecclesiastical regulations of Archbishop Laud, he was brought before the court of high commission in 1629, and again in 1634, when, for opposing the placing of a rail around the communion table, he was suspended and imprisoned. His formal recantation in February 1637 caused him lasting self-reproach and humiliation. In 1637 he emigrated to America, and from 1638 until 1641 was an associate pastor at Plymouth, where, however, his advocacy of the baptism of infants by immersion caused dissatisfaction. He was the pastor at Scituate, Massachusetts, from 1641 until 1654, and from 1654 until his death was president of Harvard College, as the successor of the first president Henry Dunster (c. 1612-1659). He died on the 19th of February 1672. By his sermons and his writings he exerted a great influence in colonial Massachusetts, and according to Mather was "a most incomparable scholar." His writings include: The Plain Doctrine of the Justification of a Sinner in the Sight of God (1659) and Antisynodalia Scripta Americana (1662). His son, Isaac Chauncy (1632-1712), who removed to England, was a voluminous writer on theological subjects.

There are biographical sketches of President Chauncy in Cotton Mather's Magnalia Christi Americana. (London, 1702), and in W.C. Fowler's Memorials of the Chauncys, including President Chauncy (Boston, 1858).

President Chauncy's great-grandson, CHARLES CHAUNCY (1705-1787), a prominent American theologian, was born in Boston, Massachusetts, on the 1st of January 1705, and graduated at Harvard in 1721. In 1727 he was chosen as the colleague of Thomas Foxcroft (1697-1769) in the pastorate of the First Church of Boston, continuing as pastor of this church until his death. At the time of the "Great Awakening" of 1740-1743 and afterwards, Chauncy was the leader of the so-called "Old Light" party in New England, which strongly condemned the Whitefieldian revival as an outbreak of emotional extravagance. His views were ably presented in his sermon Enthusiasm and in his Seasonable Thoughts on the State of Religion in New England (1743), written in answer to Jonathan Edwards's Some Thoughts Concerning the Present Revival of Religion in New England (1742). He also took a leading part in opposition to the projected establishment of an Anglican Episcopate in America, and before and during the American War of Independence he ardently supported the whig or patriot party. Theologically he has been classed as a precursor of the New England Unitarians. He died in Boston on the 10th of February 1787. His publications include: Compleat View of Episcopacy, as Exhibited in the Fathers of the Christian Church, until the close of the Second Century (1771); Salvation of All Men, Illustrated and Vindicated as a Scripture Doctrine (1782); The Mystery Hid from Ages and Generations made manifest by the Gospel-Revelation (1783); and Five Dissertations on the Fall and its Consequences (1785).

See P.L. Ford's privately printed Bibliotheca Chaunciana (Brooklyn, N.Y., 1884); and Williston Walker's Ten New England Leaders (New York, 1901).



CHAUNY, a town of northern France in the department of Aisne, 19 m. S. by W. of St Quentin by rail. Pop. (1906) 10,127. The town is situated on the Oise (which here becomes navigable) and at the junction of the canal of St Quentin with the lateral canal of the Oise, and carries on an active trade. It contains mirror-polishing works, subsidiary to the mirror-works of St Gobain, chemical works, sugar manufactories, metal foundries and breweries. Chauny was the scene of much fighting in the Hundred Years' War.



CHAUTAUQUA, a village on the west shore of Chautauqua Lake in the town of Chautauqua, Chautauqua county, New York, U.S.A. Pop. of the town (1900), 3590; (1905) 3505; (1910) 3515; of the village (1908) about 750. The lake is a beautiful body of water over 1300 ft. above sea-level, 20 m. long, and from a few hundred yards to 3 m. in width. The town of Chautauqua is situated near the north end and is within easy reach by steamboat and electric car connexions with the main railways between the east and the west. The town is known almost solely as being the permanent home of the Chautauqua Institution, a system of popular education founded in 1874 by Lewis Miller (1829-1899) of Akron, Ohio, and Bishop John H. Vincent (b. 1832). The village, covering about three hundred acres of land, is carefully laid out to provide for the work of the Institution.

The Chautauqua Institution began as a Sunday-School Normal Institute, and for nearly a quarter of a century the administration was in the hands of Mr Miller, who was responsible for the business management, and Bishop Vincent, who was head of the instruction department. Though founded by Methodists, in its earliest years it became non-sectarian and has furnished a meeting-ground for members of all sects and denominations. At the very outset the activities of the assembly were twofold: (1) the conducting of a summer school for Sunday-school teachers, and (2) the presentation of a series of correlated lectures and entertainments. Although the movement was and still is primarily religious, it has always been assumed that the best religious education must necessarily take advantage of the best that the educational world can afford in the literatures, arts and sciences. The scope of the plan rapidly broadened, and in 1879 a regular group of schools with graded courses of study was established. At about the same time, also, the Chautauqua Literary and Scientific Circle, providing a continuous home-reading system, was founded. The season lasts during June, July and August. In 1907 some 325 lectures, concerts, readings and entertainments were presented by a group of over 190 lecturers, readers and musicians, while at the same time 200 courses in the summer schools were offered by a faculty of instructors drawn from the leading colleges and normal schools of the country.

The Chautauqua movement has had an immense influence on education in the United States, an influence which is especially marked in three directions: (1) in the establishment of about 300 local assemblies or "Chautauquas" in the United States patterned after the mother Chautauqua; (2) in the promotion of the idea of summer education, which has been followed by the founding of summer schools or sessions at a large number of American universities, and of various special summer schools, such as the Catholic Summer School of America, with headquarters at Cliff Haven, Clinton county, New York, and the Jewish Chautauqua Society, with headquarters at Buffalo, N.Y.; and (3) in the establishment of numerous correspondence schools patterned in a general way after the system provided by the Chautauqua Literary and Scientific Circle.

See John Heyl Vincent, The Chautauqua Movement (Boston, 1886), and Frank C. Bray, A Reading Journey through Chautauqua (Chicago, 1905).



CHAUVELIN, BERNARD FRANCOIS, MARQUIS DE (1766-1832), French diplomatist and administrator. Though master of the king's wardrobe in 1789, he joined in the Revolution. He served in the army of Flanders, and then was sent to London in February 1792, to induce England to remain neutral in the war which was about to break out between France and "the king of Bohemia and Hungary." He was well received at first, but after the 10th of August 1792 he was no longer officially recognized at court, and on the execution of Louis XVI. (21st of January 1793) he was given eight days to leave England. After an unsuccessful embassy in Tuscany, he was imprisoned as a suspect during the Terror, but freed after the 9th Thermidor. Under Napoleon he became a member of the council of state, and from 1812 to 1814 he governed Catalonia under the title of intendant-general, being charged to win over the Catalonians to King Joseph Bonaparte. He remained in private life during the Restoration and the Hundred Days. In 1816 he was elected deputy, and spoke in favour of liberty of the press and extension of the franchise. Though he was again deputy in 1827 he played no part in public affairs, and resigned in 1829.

See G. Pallain, La Mission de Talleyrand a Londres en 1792 (Paris, 1889).



CHAUVIGNY, a town of western France, in the department of Vienne, 20 m. E. of Poitiers by rail. Pop. (1906) 2326. The town is finely situated overlooking the Vienne and a small torrent, and has two interesting Romanesque churches, both restored in modern times. There are also ruins of a chateau of the bishops of Poitiers, and of other strongholds. Near Chauvigny is the curious bone-cavern of Jioux, the entrance to which is fortified by large blocks of stone. The town carries on lime-burning and plaster-manufacture, and there are stone quarries in the vicinity. Trade is in wool and feathers.



CHAUVIN, ETIENNE (1640-1725), French Protestant divine, was born at Nimes on the 18th of April 1640. At the revocation of the Edict of Nantes he retired to Rotterdam, where he was for some years preacher at the Walloon church; in 1695 the elector of Brandenburg appointed him pastor and professor of philosophy, and later inspector of the French college at Berlin, where he enjoyed considerable reputation as a representative of Cartesianism and as a student of physics. His principal work is a laborious Lexicon Rationale, sive Thesaurus Philosophicus (Rotterdam, 1692; new and enlarged edition, Leuwarden, 1713). He also wrote Theses de Cognitione Dei (1662), and started the Nouveau Journal des Savans (1694-1698).

See E. and E. Haag, La France Protestante, vol. iv. (1884).



CHAUVINISM, a term for unreasonable and exaggerated patriotism, the French equivalent of "Jingoism." The word originally signified idolatry of Napoleon, being taken from a much-wounded veteran, Nicholas Chauvin, who, by his adoration of the emperor, became the type of blind enthusiasm for national military glory.



CHAUX DE FONDS, LA, a large industrial town in the Swiss canton of Neuchatel. It is about 19 m. by rail N. W. of Neuchatel, and stands at a height of about 3255 ft. in a valley (5 m. long) of the same name in the Jura. Pop. (1900) 35,968 (only 13,659 in 1850); (1905) 38,700, mainly French-speaking and Protestants; of the 6114 "Catholics" the majority are "Old Catholics." It is a centre of the watch-making industry, especially of gold watch cases; about 70% of those manufactured in Switzerland are turned out here. In 1900 it exported watches to the value of nearly L3,000,000 sterling. There is a school of industrial art (engraving and enamelling watch cases) and a school of watch-making (including instruction in the manufacture of chronometers and other scientific instruments of precision). It boasts of being le plus gros village de l'Europe, and certainly has preserved some of the features of a big village. Leopold Robert (1794-1835), the painter, was born here. (W. A. B. C.).



CHAVES, a town of northern Portugal, in the district of Villa Real, formerly included in the province of Traz os Montes; 8 m. S. of the Spanish frontier, on the right bank of the river Tamega. Pop. (1900) 6388. Chaves is the ancient Aquae Flaviae, famous for its hot saline springs, which are still in use. A fine Roman bridge of 18 arches spans the Tamega. In the 16th century Chaves contained 20,000 inhabitants; it was long one of the principal frontier fortresses, and in fact derives its present name from the position which makes it the "keys," or chaves, of the north. One of its churches contains the tomb of Alphonso I. of Portugal (1139-1185). In 1830 the town gave the title of marquess to Pinto da Fonseca, a leader of the Miguelite party.



CHAZELLES, JEAN MATHIEU DE (1657-1710), French hydrographer, was born at Lyons on the 24th of July 1657. He was nominated professor of hydrography at Marseilles in 1685, and in that capacity carried out various coast surveys. In 1693 he was engaged to publish a second volume of the Neptune francais, which was to include the hydrography of the Mediterranean. For this purpose he visited the Levant and Egypt. When in Egypt he measured the pyramids, and, finding that the angles formed by the sides of the largest were in the direction of the four cardinal points, he concluded that this position must have been intended, and also that the poles of the earth and meridians had not deviated since the erection of those structures. He was made a member of the Academy in 1695, and died in Paris on the 16th of January 1710.



CHEADLE, a town in the Altrincham parliamentary division of Cheshire, England, 6 m. S. of Manchester, included in the urban district of Cheadle and Gatley. Pop. (1901) 7916. This is one of the numerous townships of modern growth which fringe the southern boundaries of Manchester, and practically form suburbs of that city. Stockport lies immediately to the east. The name occurs in the formerly separate villages of Cheadle Hulme, Cheadle Bulkeley and Cheadle Moseley. There are cotton printing and bleaching works in the locality. The parish church of St Giles, Cheadle, is Perpendicular, containing an altar-tomb of the 15th century for two knights.



CHEADLE, a market town in the Leek parliamentary division of Staffordshire, England, 13 m. N.E. of Stafford, and the terminus of a branch line from Cresswell on the North Staffordshire railway. Pop. (1901) 5186. The Roman Catholic church of St Giles, with a lofty spire, was designed by Pugin and erected in 1846. The interior is lavishly decorated. There are considerable collieries in the neighbourhood, and silk and tape works in the town. In the neighbouring Froghall district limestone is quarried, and there are manufactures of copper. In Cheadle two fairs of ancient origin are held annually.



CHEATING, "the fraudulently obtaining the property of another by any deceitful practice not amounting to felony, which practice is of such a nature that it directly affects, or may directly affect, the public at large" (Stephen, Digest of Criminal Law, chap. xl. S367). Cheating is either a common law or statutory offence, and is punishable as a misdemeanour. An indictment for cheating at common law is of comparatively rare occurrence, and the statutory crime usually presents itself in the form of obtaining money by false pretences (q.v.). The word "cheat" is a variant of "escheat," i.e. the reversion of land to a lord of the fee through the failure of blood of the tenant. The shortened form "cheater" for "escheator" is found early in the legal sense, and chetynge appears in the Promptorium Parvulorum, c. 1440, as the equivalent of confiscatio. In the 16th century "cheat" occurs in vocabularies of thieves and other slang, and in such works as the Use of Dice-Play (1532). It is frequent in Thomas Harman's Caveat or Warening for ... Vagabones (1567), in the sense of "thing," with a descriptive word attached, e.g. smeling chete = nose. In the tract Mihil Mumchance, his Discoverie of the Art of Cheating, doubtfully attributed to Robert Greene (1560-1592), we find that gamesters call themselves cheaters, "borrowing the term from the lawyers." The sense development is obscure, but it would seem to be due to the extortionate or fraudulent demands made by legal "escheators."



CHEBICHEV, PAFNUTIY LVOVICH (1821-1894), Russian mathematician, was born at Borovsk on the 26th of May 1821. He was educated at the university of Moscow, and in 1859 became professor of mathematics in the university of St Petersburg, a position from which he retired in 1880. He was chosen a correspondent of the Institute of France in 1860, and succeeded to the high honour of associe etranger in 1874. He was also a foreign member of the Royal Society of London. After N.I. Lobachevskiy he probably ranks as the most distinguished mathematician Russia has produced. In 1841 he published a valuable paper, "Sur la convergence de la serie de Taylor," in Crelle's Journal. His best-known papers, however, deal with prime numbers; in one of these ("Sur les nombres premiers," 1850) he established the existence of limits within which must be comprised the sum of the logarithms of the primes inferior to a given number. Another question to which he devoted much attention was that of obtaining rectilinear motion by linkage. The parallel motion known by his name is a three-bar linkage, which gives a very close approximation to exact rectilinear motion, but in spite of all his efforts he failed to devise one that produced absolutely true rectilinear motion. At last, indeed, he came to the conclusion that to do so was impossible, and in that conviction set to work to find a rigorous proof of the impossibility. While he was engaged on this task the desired linkage, which moved the highest admiration of J.J. Sylvester, was discovered and exhibited to him by one of his pupils, named Lipkin, who, however, it was afterwards found, had been anticipated by A. Peaucellier. Chebichev further constructed an instrument for drawing large circles, and an arithmetical machine with continuous motion. His mathematical writings, which account for some forty entries in the Royal Society's catalogue of scientific papers, cover a wide range of subjects, such as the theory of probabilities, quadratic forms, theory of integrals, gearings, the construction of geographical maps, &c. He also published a Traite de la theorie des nombres. He died at St Petersburg on the 8th of December 1894.



CHEBOYGAN, a city and the county-seat of Cheboygan county, Michigan, U.S.A., on South Channel (between Lakes Michigan and Huron), at the mouth of Cheboygan river, in the N. part of the lower peninsula. Pop. (1890) 6235; (1900) 6489, of whom 2101 were foreign-born; (1904) 6730; (1910) 6859. It is served by the Michigan Central and the Detroit & Mackinac railways, and by steamboat lines to Chicago, Milwaukee, Detroit, Sault Ste Marie, Green Bay and other lake ports; and is connected by ferry with Mackinac and Pointe aux Pins. During a great part of the year small boats ply between Cheboygan and the head of Crooked Lake, over the "Inland Route." Cheboygan is situated in a fertile farming region, for which it is a trade centre, and it has lumber mills, tanneries, paper mills, boiler works, and other manufacturing establishments. The water-works are owned and operated by the municipality. The city, at first called Duncan, then Inverness, and finally Cheboygan, was settled in 1846, incorporated as a village in 1871, reincorporated in 1877, and chartered as a city in 1889.