BURNHAM-ON-CROUCH, an urban district in the southeastern parliamentary division of Essex, England, 43 m. E. by N. from London on a branch of the Great Eastern railway. Pop. (1901) 2919. The church of St Mary is principally late Perpendicular, a good example; it has Decorated portions and a Norman font. There are extensive oyster beds in the Crouch estuary. Burnham lies 6 m. from the North Sea; below it the Crouch is joined on the south side by the Roch, which branches into numerous creeks, and, together with the main estuary, forms Foulness, Wallasea, Potton and other low, flat islands, embanked and protected from incursions of the sea. Burnham is in some repute as a watering-place, and is a favourite yachting station. There is considerable trade in corn and coal, and boat-building is carried on.

BURNING TO DEATH. As a legal punishment for various crimes burning alive was formerly very wide-spread. It was common among the Romans, being given in the XII. Tables as the special penalty for arson. Under the Gothic codes adulterers were so punished, and throughout the middle ages it was the civil penalty for certain heinous crimes, e.g. poisoning, heresy, witchcraft, arson, bestiality and sodomy, and so continued in some cases, nominally at least, till the beginning of the 19th century. In England, under the common law, women condemned for high treason or petty treason (murder of husband, murder of master or mistress, certain offences against the coin, &c.) were burned, this being considered more "decent" than hanging and exposure on a gibbet. In practice the convict was strangled before being burnt. The last woman burnt in England suffered in 1789, the punishment being abolished in 1790.

Burning was not included among the penalties for heresy under the Roman imperial codes; but the burning of heretics by orthodox mobs had long been sanctioned by custom before the edicts of the emperor Frederick II. (1222, 1223) made it the civil-law punishment for heresy. His example was followed in France by Louis IX. in the Establishments of 1270. In England, where the civil law was never recognized, the common law took no cognizance of ecclesiastical offences, and the church courts had no power to condemn to death. There were, indeed, in the 12th and 13th centuries isolated instances of the burning of heretics. William of Newburgh describes the burning of certain foreign sectaries in 1169, and early in the 13th century a deacon was burnt by order of the council of Oxford (Foxe ii. 374; cf. Bracton, de Corona, ii. 300), but by what legal sanction is not obvious. The right of the crown to issue writs de haeretico comburendo, claimed for it by later jurists, was based on that issued by Henry IV. in 1400 for the burning of William Sawtre; but Sir James Stephen (Hist. Crim. Law) points out that this was issued "with the assent of the lords temporal," which seems to prove that the crown had no right under the common law to issue such writs. The burning of heretics was actually made legal in England by the statute de haeretico comburendo (1400), passed ten days after the issue of the above writ. This was repealed in 1533, but the Six Articles Act of 1539 revived burning as a penalty [v.04 p.0855] for denying transubstantiation. Under Queen Mary the acts of Henry IV. and Henry V. were revived; they were finally abolished in 1558 on the accession of Elizabeth. Edward VI., Elizabeth and James I., however, burned heretics (illegally as it would appear) under their supposed right of issuing writs for this purpose. The last heretics burnt in England were two Arians, Bartholomew Legate at Smithfield, and Edward Wightman at Lichfield, both in 1610. As for witches, countless numbers were burned in most European countries, though not in England, where they were hanged. In Scotland in Charles II.'s day the law still was that witches were to be "worried at the stake and then burnt"; and a witch was burnt at Dornoch so late as 1708.

BURNLEY, a market town and municipal, county and parliamentary borough of Lancashire, England, at the junction of the rivers Brun and Calder, 213 m. N.N.W. of London and 29 m. N. of Manchester, on the Lancashire & Yorkshire railway and the Leeds & Liverpool Canal. Pop. (1891) 87,016; (1901) 97,043. The church of St Peter dates from the 14th century, but is largely modernized; among a series of memorials of the Towneley family is one to Charles Towneley (d. 1805), who collected the series of antique marbles, terra-cottas, bronzes, coins and gems which are named after him and preserved in the British Museum. In 1902 Towneley Hall and Park were acquired by the corporation, the mansion being adapted to use as a museum and art gallery, and in 1903 a summer exhibition was held here. There are a large number of modern churches and chapels, a handsome town-hall, market hall, museum and art gallery, school of science, municipal technical school, various benevolent institutions, and pleasant public parks and recreation grounds. The principal industries are cotton-weaving, worsted-making, iron-founding, coal-mining, quarrying, brick-burning and the making of sanitary wares. It has been suggested that Burnley may coincide with Brunanburh, the battlefield on which the Saxons conquered the Dano-Celtic force in 937. During the cotton famine consequent upon the American war of 1861-65 it suffered severely, and the operatives were employed on relief works embracing an extensive system of improvements. The parliamentary borough (1867), which returns one member, falls within the Clitheroe division of the county. The county borough was created in 1888. The town was incorporated in 1861. The corporation consists of a mayor, 12 aldermen and 36 councillors. By act of parliament in 1890 Burnley was created a suffragan bishopric of the diocese of Manchester. Area of the municipal borough, 4005 acres.

BURNOUF, EUGENE (1801-1852), French orientalist, was born in Paris on the 8th of April 1801. His father, Prof. Jean Louis Burnouf (1775-1844), was a classical scholar of high reputation, and the author, among other works, of an excellent translation of Tacitus (6 vols., 1827-1833). Eugene Burnouf published in 1826 an Essai sur le Pali ..., written in collaboration with Christian Lassen; and in the following year Observations grammaticales sur quelques passages de l'essai sur le Pali. The next great work he undertook was the deciphering of the Zend manuscripts brought to France by Anquetil du Perron. By his labours a knowledge of the Zend language was first brought into the scientific world of Europe. He caused the Vendidad Sade, part of one of the books bearing the name of Zoroaster, to be lithographed with the utmost care from the Zend MS. in the Bibliotheque Nationale, and published it in folio parts, 1829-1843. From 1833 to 1835 he published his Commentaire sur le Yacna, l'un des livres liturgiques des Parses; he also published the Sanskrit text and French translation of the Bhagavata Purana ou histoire poetique de Krichna in three folio volumes (1840-1847). His last works were Introduction a l'histoire du Bouddhisme indien (1844), and a translation of Le lotus de la bonne loi (1852). Burnouf died on the 28th of May 1852. He had been for twenty years a member of the Academie des Inscriptions and professor of Sanskrit in the College de France.

See a notice of Burnouf's works by Barthelemy Saint-Hilaire, prefixed to the second edition (1876) of the Introd. a l'histoire du Bouddhisme indien; also Naudet, "Notice historique sur M.M. Burnouf, pere et fils," in Mem. de l'Acad. des Inscriptions, xx. A list of his valuable contributions to the Journal asiatique, and of his MS. writings, is given in the appendix to the Choix de lettres d'Eugene Burnouf (1891).

BURNOUS (from the Arab. burnus), a long cloak of coarse woollen stuff with a hood, usually white in colour, worn by the Arabs and Berbers throughout North Africa.

BURNS, SIR GEORGE, Bart. (1795-1890), English shipowner, was born in Glasgow on the 10th of December 1795, the son of the Rev. John Burns. In partnership with a brother, James, he began as a Glasgow general merchant about 1818, and in 1824 in conjunction with a Liverpool partner, Hugh Matthie, started a line of small sailing ships which ran between Glasgow and Liverpool. As business increased the vessels were also sailed to Belfast, and steamers afterwards replaced the sailing ships. In 1830 a partnership was entered into with the McIvers of Liverpool, in which George Burns devoted himself specially to the management of the ships. In 1838 with Samuel Cunard, Robert Napier and other capitalists, the partners (McIver and Burns) started the "Cunard" Atlantic line of steamships. They secured the British government's contract for the carrying of the mails to North America. The sailings were begun with four steamers of about 1000 tons each, which made the passage in 15 days at some 81/2 knots per hour. George Burns retired from the Glasgow management of the line in 1860. He was made a baronet in 1889, but died on the 2nd of June 1890 at Castle Wemyss, where he had spent the latter years of his life.

John Burns (1829-1901), his eldest son, who succeeded him in the baronetcy, and became head of the Cunard Company, was created a peer, under the title of Baron Inverclyde, in 1897; he was the first to suggest to the government the use of merchant vessels for war purposes. George Arbuthnot Burns (1861-1905) succeeded his father in the peerage, as 2nd baron Inverclyde, and became chairman of the Cunard Company in 1902. He conducted the negotiations which resulted in the refusal of the Cunard Company to enter the shipping combination, the International Mercantile Marine Company, formed by Messrs J.P. Morgan & Co., and took a leading part in the application of turbine engines to ocean liners.

BURNS, JOHN (1858- ), English politician, was born at Vauxhall, London, in October 1858, the second son of Alexander Burns, an engineer, of Ayrshire extraction. He attended a national school in Battersea until he was ten years old, when he was sent to work in Price's candle factory. He worked for a short time as a page-boy, then in some engine works, and at fourteen was apprenticed for seven years to a Millbank engineer. He continued his education at the night-schools, and read extensively, especially the works of Robert Owen, J.S. Mill, Paine and Cobbett. He ascribed his conversion to the principles of socialism to his sense of the insufficiency of the arguments advanced against it by J.S. Mill, but he had learnt socialistic doctrine from a French fellow-workman, Victor Delahaye, who had witnessed the Commune. After working at his trade in various parts of England, and on board ship, he went for a year to the West African coast at the mouth of the Niger as a foreman engineer. His earnings from this undertaking were expended on a six months' tour in France, Germany and Austria for the study of political and economic conditions. He had early begun the practice of outdoor speaking, and his exceptional physical strength and strong voice were invaluable qualifications for a popular agitator. In 1878 he was arrested and locked up for the night for addressing an open-air demonstration on Clapham Common. Two years later he married Charlotte Gale, the daughter of a Battersea shipwright. He was again arrested in 1886 for his share in the West End riots when the windows of the Carlton and other London clubs were broken, but cleared himself at the Old Bailey of the charge of inciting the mob to violence. In November of the next year, however, he was again arrested for resisting the police in their attempt to break up the meeting in Trafalgar Square, and was condemned to six weeks' imprisonment. A speech delivered by him at the Industrial Remuneration Conference of 1884 had attracted considerable attention, and in that year he became a member of the Social Democratic Federation, which put him forward [v.04 p.0856] unsuccessfully in the next year as parliamentary candidate for West Nottingham. His connexion with the Social Democratic Federation was short-lived; but he was an active member of the executive of the Amalgamated Engineers' trade union, and was connected with the trades union congresses until 1895, when, through his influence, a resolution excluding all except wage labourers was passed. He was still working at his trade in Hoe's printing machine works when he became a Progressive member of the first London County Council, being supported by an allowance of L2 a week subscribed by his constituents, the Battersea working men. He introduced in 1892 a motion that all contracts for the County Council should be paid at trade union rates and carried out under trade union conditions, and devoted his efforts in general to a war against monopolies, except those of the state or the municipality. In the same year (1889) in which he became a member of the County Council, he acted with Mr Ben Tillett as the chief leader and organizer of the London dock strike. He entered the House of Commons as member for Battersea in 1892, and was re-elected in 1895, 1900 and 1906. In parliament he became well known as an independent Radical, and he was included in the Liberal cabinet by Sir Henry Campbell-Bannerman in December 1905 as president of the Local Government Board. During the next two years, though much out of favour with his former socialist allies, he earned golden opinions for his administrative policy, and for his refusal to adopt the visionary proposals put forward by the more extreme members of the Labour party for dealing with the "unemployed" question; and in 1908 he retained his office in Mr Asquith's cabinet.

BURNS, ROBERT (1759-1796), Scottish poet, was born on the 25th of January 1759 in a cottage about 2 m. from Ayr. He was the eldest son of a small farmer, William Burness, of Kincardineshire stock, who wrought hard, practised integrity, wished to bring up his children in the fear of God, but had to fight all his days against the winds and tides of adversity. "The poet," said Thomas Carlyle, "was fortunate in his father—a man of thoughtful intense character, as the best of our peasants are, valuing knowledge, possessing some and open-minded for more, of keen insight and devout heart, friendly and fearless: a fully unfolded man seldom found in any rank in society, and worth descending far in society to seek. ... Had he been ever so little richer, the whole might have issued otherwise. But poverty sunk the whole family even below the reach of our cheap school system, and Burns remained a hard-worked plough-boy."

Through a series of migrations from one unfortunate farm to another; from Alloway (where he was taught to read) to Mt. Oliphant, and then (1777) to Lochlea in Tarbolton (where he learnt the rudiments of geometry), the poet remained in the same condition of straitened circumstances. At the age of thirteen he thrashed the corn with his own hands, at fifteen he was the principal labourer. The family kept no servant, and for several years butchers' meat was a thing unknown in the house. "This kind of life," he writes, "the cheerless gloom of a hermit and the unceasing toil of a galley-slave, brought me to my sixteenth year." His naturally robust frame was overtasked, and his nervous constitution received a fatal strain. His shoulders were bowed, he became liable to headaches, palpitations and fits of depressing melancholy. From these hard tasks and his fiery temperament, craving in vain for sympathy in a frigid air, grew the strong temptations on which Burns was largely wrecked,—the thirst for stimulants and the revolt against restraint which soon made headway and passed all bars. In the earlier portions of his career a buoyant humour bore him up; and amid thick-coming shapes of ill he bated no jot of heart or hope. He was cheered by vague stirrings of ambition, which he pathetically compares to the "blind groping of Homer's Cyclops round the walls of his cave." Sent to school at Kirkoswald, he became, for his scant leisure, a great reader—eating at meal-times with a spoon in one hand and a book in the other,—and carrying a few small volumes in his pocket to study in spare moments in the fields. "The collection of songs" he tells us, "was my vade mecum. I pored over them driving my cart or walking to labour, song by song, verse by verse, carefully noting the true, tender, sublime or fustian." He lingered over the ballads in his cold room by night; by day, whilst whistling at the plough, he invented new forms and was inspired by fresh ideas, "gathering round him the memories and the traditions of his country till they became a mantle and a crown." It was among the furrows of his father's fields that he was inspired with the perpetually quoted wish—

"That I for poor auld Scotland's sake Some useful plan or book could make, Or sing a sang at least."

An equally striking illustration of the same feeling is to be found in his summer Sunday's ramble to the Leglen wood,—the fabled haunt of Wallace,—which the poet confesses to have visited "with as much devout enthusiasm as ever pilgrim did the shrine of Loretto." In another reference to the same period he refers to the intense susceptibility to the homeliest aspects of Nature which throughout characterized his genius. "Scarcely any object gave me more—I do not know if I should call it pleasure—but something which exalts and enraptures me—than to walk in the sheltered side of a wood or high plantation in a cloudy winter day and hear the stormy wind howling among the trees and raving over the plain. I listened to the birds, and frequently turned out of my path lest I should disturb their little songs or frighten them to another station." Auroral visions were gilding his horizon as he walked in glory, if not in joy, "behind his plough upon the mountain sides."; but the swarm of his many-coloured fancies was again made grey by the atra cura of unsuccessful toils.

Burns had written his first verses of note, "Behind yon hills where Stinchar (afterwards Lugar) flows," when in 1781 he went to Irvine to learn the trade of a flax-dresser. "It was," he says, "an unlucky affair. As we were giving a welcome carousal to the New Year, the shop took fire and burned to ashes; and I was left, like a true poet, without a sixpence." His own heart, too, had unfortunately taken fire. He was poring over mathematics till, in his own phraseology,—still affected in its prose by the classical pedantries caught from Pope by Ramsay,—"the sun entered Virgo, when a charming fillette, who lived next door, overset my trigonometry, and set me off at a tangent from the scene of my studies." We need not detail the story, nor the incessant repetitions of it, which marked and sometimes marred his career. The poet was jilted, went through the usual despairs, and resorted to the not unusual sources of consolation. He had found that he was "no enemy to social life," and his mates had discovered that he was the best of boon companions in the lyric feasts, where his eloquence shed a lustre over wild ways of life, and where he was beginning to be distinguished as a champion of the New Lights and a satirist of the Calvinism whose waters he found like those of Marah.

In Robert's 25th year his father died, full of sorrows and apprehensions for the gifted son who wrote for his tomb in Alloway kirkyard, the fine epitaph ending with the characteristic line—

"For even his failings leaned to virtue's side."

For some time longer the poet, with his brother Gilbert, lingered at Lochlea, reading agricultural books, miscalculating crops, attending markets, and in a mood of reformation resolving, "in spite of the world, the flesh and the devil, to be a wise man." Affairs, however, went no better with the family; and in 1784 they migrated to Mossgiel, where he lived and wrought, during four years, for a return scarce equal to the wage of the commonest labourer in our day. Meanwhile he had become intimate with his future wife, Jean Armour; but the father, a master mason, discountenanced the match, and the girl being disposed to "sigh as a lover," as a daughter to obey, Burns, in 1786, gave up his suit, resolved to seek refuge in exile, and having accepted a situation as book-keeper to a slave estate in Jamaica, had taken his passage in a ship for the West Indies. His old associations seemed to be breaking up, men and fortune scowled, and "hungry ruin had him in the wind," when he wrote the lines ending—

[v.04 p.0857]

"Adieu, my native banks of Ayr,"

and addressed to the most famous of the loves, in which he was as prolific as Catullus or Tibullus, the proposal—

"Will ye go to the Indies, my Mary."

He was withheld from his project and, happily or unhappily, the current of his life was turned by the success of his first volume, which was published at Kilmarnock in June 1786. It contained some of his most justly celebrated poems, the results of his scanty leisure at Lochlea and Mossgiel; among others "The Twa Dogs,"—a graphic idealization of Aesop,—"The Author's Prayer," the "Address to the Deil," "The Vision" and "The Dream," "Halloween," "The Cottar's Saturday Night," the lines "To a Mouse" and "To a Daisy," "Scotch Drink," "Man was made to Mourn," the "Epistle to Davie," and some of his most popular songs. This epitome of a genius so marvellous and so varied took his audience by storm. "The country murmured of him from sea to sea." "With his poems," says Robert Heron, "old and young, grave and gay, learned and ignorant, were alike transported. I was at that time resident in Galloway, and I can well remember how even plough-boys and maid-servants would have gladly bestowed the wages they earned the most hardly, and which they wanted to purchase necessary clothing, if they might but procure the works of Burns." This first edition only brought the author L20 direct return, but it introduced him to the literati of Edinburgh, whither he was invited, and where he was welcomed, feasted, admired and patronized. He appeared as a portent among the scholars of the northern capital and its university, and manifested, according to Mr Lockhart, "in the whole strain of his bearing, his belief that in the society of the most eminent men of his nation he was where he was entitled to be, hardly deigning to flatter them by exhibiting a symptom of being flattered."

Sir Walter Scott bears a similar testimony to the dignified simplicity and almost exaggerated independence of the poet, during this annus mirabilis of his success. "As for Burns, Virgilium vidi tantum, I was a lad of fifteen when he came to Edinburgh, but had sense enough to be interested in his poetry, and would have given the world to know him. I saw him one day with several gentlemen of literary reputation, among whom I remember the celebrated Dugald Stewart. Of course we youngsters sat silent, looked, and listened.... I remember ... his shedding tears over a print representing a soldier lying dead in the snow, his dog sitting in misery on one side, on the other his widow with a child in her arms. His person was robust, his manners rustic, not clownish. ... His countenance was more massive than it looks in any of the portraits. There was a strong expression of shrewdness in his lineaments; the eye alone indicated the poetic character and temperament. It was large and of a dark cast, and literally glowed when he spoke with feeling or interest. I never saw such another eye in a human head. His conversation expressed perfect self-confidence, without the least intrusive forwardness. I thought his acquaintance with English poetry was rather limited; and having twenty times the abilities of Allan Ramsay and of Fergusson he talked of them with too much humility as his models. He was much caressed in Edinburgh, but the efforts made for his relief were extremely trifling." Laudatur et alget. Burns went from those meetings, where he had been posing professors (no hard task), and turning the heads of duchesses, to share a bed in the garret of a writer's apprentice,—they paid together 3s. a week for the room. It was in the house of Mr Carfrae, Baxter's Close, Lawnmarket, "first scale stair on the left hand in going down, first door in the stair." During Burns's life it was reserved for William Pitt to recognize his place as a great poet; the more cautious critics of the North were satisfied to endorse him as a rustic prodigy, and brought upon themselves a share of his satire. Some of the friendships contracted during this period—as for Lord Glencairn and Mrs Dunlop—are among the most pleasing and permanent in literature; for genuine kindness was never wasted on one who, whatever his faults, has never been accused of ingratitude. But in the bard's city life there was an unnatural element. He stooped to beg for neither smiles nor favour, but the gnarled country oak is cut up into cabinets in artificial prose and verse. In the letters to Mr Graham, the prologue to Mr Wood, and the epistles to Clarinda, he is dancing minuets with hob-nailed shoes. When, in 1787, the second edition of the Poems came out, the proceeds of their sale realized for the author L400. On the strength of this sum he gave himself two long rambles, full of poetic material—one through the border towns into England as far as Newcastle, returning by Dumfries to Mauchline, and another a grand tour through the East Highlands, as far as Inverness, returning by Edinburgh, and so home to Ayrshire.

In 1788 Burns took a new farm at Ellisland on the Nith, settled there, married, lost his little money, and wrote, among other pieces, "Auld Lang Syne" and "Tam o' Shanter." In 1789 he obtained, through the good office of Mr Graham of Fintry, an appointment as excise-officer of the district, worth L50 per annum. In 1791 he removed to a similar post at Dumfries worth L70. In the course of the following year he was asked to contribute to George Thomson's Select Collection of Original Scottish Airs with Symphonies and Accompaniments for the Pianoforte and Violin: the poetry by Robert Burns. To this work he contributed about one hundred songs, the best of which are now ringing in the ear of every Scotsman from New Zealand to San Francisco. For these, original and adapted, he received a shawl for his wife, a picture by David Allan representing the "Cottar's Saturday Night," and L5! The poet wrote an indignant letter and never afterwards composed for money. Unfortunately the "Rock of Independence" to which he had proudly retired was but a castle of air, over which the meteors of French political enthusiasm cast a lurid gleam. In the last years of his life, exiled from polite society on account of his revolutionary opinions, he became sourer in temper and plunged more deeply into the dissipations of the lower ranks, among whom he found his only companionship and sole, though shallow, sympathy.

Burns began to feel himself prematurely old. Walking with a friend who proposed to him to join a county ball, he shook his head, saying "that's all over now," and adding a verse of Lady Grizel Baillie's ballad—

"O were we young as we ance hae been, We sud hae been galloping down on yon green, And linking it ower the lily-white lea, But were na my heart light I wad dee."

His hand shook; his pulse and appetite failed; his spirits sunk into a uniform gloom. In April 1796 he wrote—"I fear it will be some time before I tune my lyre again. By Babel's streams I have sat and wept. I have only known existence by the pressure of sickness and counted time by the repercussions of pain. I close my eyes in misery and open them without hope. I look on the vernal day and say with poor Fergusson—

"Say wherefore has an all-indulgent heaven Life to the comfortless and wretched given."

On the 4th of July he was seen to be dying. On the 12th he wrote to his cousin for the loan of L10 to save him from passing his last days in jail. On the 21st he was no more. On the 25th, when his last son came into the world, he was buried with local honours, the volunteers of the company to which he belonged firing three volleys over his grave.

It has been said that "Lowland Scotland as a distinct nationality came in with two warriors and went out with two bards. It came in with William Wallace and Robert Bruce and went out with Robert Burns and Walter Scott. The first two made the history, the last two told the story and sung the song." But what in the minstrel's lay was mainly a requiem was in the people's poet also a prophecy. The position of Burns in the progress of British literature may be shortly defined; he was a link between two eras, like Chaucer, the last of the old and the first of the new—the inheritor of the traditions and the music of the past, in some respects the herald of the future.

The volumes of our lyrist owe part of their popularity to the fact of their being an epitome of melodies, moods and memories that had belonged for centuries to the national life, the best [v.04 p.0858] inspirations of which have passed into them. But in gathering from his ancestors Burns has exalted their work by asserting a new dignity for their simplest themes. He is the heir of Barbour, distilling the spirit of the old poet's epic into a battle chant, and of Dunbar, reproducing the various humours of a half-sceptical, half-religious philosophy of life. He is the pupil of Ramsay, but he leaves his master, to make a social protest and to lead a literary revolt. The Gentle Shepherd, still largely a court pastoral, in which "a man's a man" if born a gentleman, may be contrasted with "The Jolly Beggars"—the one is like a minuet of the ladies of Versailles on the sward of the Swiss village near the Trianon, the other like the march of the maenads with Theroigne de Mericourt. Ramsay adds to the rough tunes and words of the ballads the refinement of the wits who in the "Easy" and "Johnstone" clubs talked over their cups of Prior and Pope, Addison and Gay. Burns inspires them with a fervour that thrills the most wooden of his race. We may clench the contrast by a representative example. This is from Ramsay's version of perhaps the best-known of Scottish songs,—

"Methinks around us on each bough A thousand Cupids play; Whilst through the groves I walk with you, Each object makes me gay. Since your return—the sun and moon With brighter beams do shine, Streams murmur soft notes while they run As they did lang syne."

Compare the verses in Burns—

"We twa hae run about the braes And pu'd the gowans fine; But we've wandered mony a weary foot Sin auld lang syne. We twa hae paidl'd in the burn, Frae morning sun till dine: But seas between us braid hae roar'd Sin auld lang syne."

Burns as a poet of the inanimate world doubtless derived hints from Thomson of The Seasons, but in his power of tuning its manifestation to the moods of the mind he is more properly ranked as a forerunner of Wordsworth. He never follows the fashions of his century, except in his failures—in his efforts at set panegyric or fine letter-writing. His highest work knows nothing of "Damon" or "Musidora." He leaves the atmosphere of drawing-rooms for the ingle or the ale-house or the mountain breeze.

The affectations of his style are insignificant and rare. His prevailing characteristic is an absolute sincerity. A love for the lower forms of social life was his besetting sin; Nature was his healing power. Burns compares himself to an Aeolian harp, strung to every wind of heaven. His genius flows over all living and lifeless things with a sympathy that finds nothing mean or insignificant. An uprooted daisy becomes in his pages an enduring emblem of the fate of artless maid and simple bard. He disturbs a mouse's nest and finds in the "tim'rous beastie" a fellow-mortal doomed like himself to "thole the winter's sleety dribble," and draws his oft-repeated moral. He walks abroad and, in a verse that glints with the light of its own rising sun before the fierce sarcasm of "The Holy Fair," describes the melodies of a "simmer Sunday morn." He loiters by Afton Water and "murmurs by the running brook a music sweeter than its own." He stands by a roofless tower, where "the howlet mourns in her dewy bower," and "sets the wild echoes flying," and adds to a perfect picture of the scene his famous vision of "Libertie." In a single stanza he concentrates the sentiment of many Night Thoughts—

"The pale moon is setting beyond the white wave, And Time is setting wi' me, O."

For other examples of the same graphic power we may refer to the course of his stream—

"Whiles ow'r a linn the burnie plays As through the glen it wimpled," &c.,

or to "The Birks of Aberfeldy" or the "spate" in the dialogue of "The Brigs of Ayr." The poet is as much at home in the presence of this flood as by his "trottin' burn's meander." Familiar with all the seasons he represents the phases of a northern winter with a frequency characteristic of his clime and of his fortunes; her tempests became anthems in his verse, and the sounding woods "raise his thoughts to Him that walketh on the wings of the wind"; full of pity for the shelterless poor, the "ourie cattle," the "silly sheep," and the "helpless birds," he yet reflects that the bitter blast is not "so unkind as man's ingratitude." This constant tendency to ascend above the fair or wild features of outward things, or to penetrate beneath them, to make them symbols, to endow them with a voice to speak for humanity, distinguishes Burns as a descriptive poet from the rest of his countrymen. As a painter he is rivalled by Dunbar and James I., more rarely by Thomson and Ramsay. The "lilt" of Tannahill's finest verse is even more charming. But these writers rest in their art; their main care is for their own genius. The same is true in a minor degree of some of his great English successors. Keats has a palette of richer colours, but he seldom condescends to "human nature's daily food." Shelley floats in a thin air to stars and mountain tops, and vanishes from our gaze like his skylark. Byron, in the midst of his revolutionary fervour, never forgets that he himself belongs to the "caste of Vere de Vere." Wordsworth's placid affection and magnanimity stretch beyond mankind, and, as in "Hart-leap-well" and the "Cuckoo," extend to bird and beast; he moralizes grandly on the vicissitudes of common life, but he does not enter into, because by right of superior virtue he places himself above them. "From the Lyrical Ballads," it has been said, "it does not appear that men eat or drink, marry or are given in marriage." We revere the monitor who, consciously good and great, gives us the dry light of truth, but we love the bard, nostrae deliciae, who is all fire—fire from heaven and Ayrshire earth mingling in the outburst of passion and of power, which is his poetry and the inheritance of his race. He had certainly neither culture nor philosophy enough to have written the "Ode on the Recollections of Childhood," but to appreciate that ode requires an education. The sympathies of Burns, as broad as Wordsworth's, are more intense; in turning his pages we feel ourselves more decidedly in the presence of one who joys with those who rejoice and mourns with those who mourn. He is never shallow, ever plain, and the expression of his feeling is so terse that it is always memorable. Of the people he speaks more directly for the people than any of our more considerable poets. Chaucer has a perfect hold of the homeliest phases of life, but he wants the lyric element, and the charm of his language has largely faded from untutored ears. Shakespeare, indeed, has at once a loftier vision and a wider grasp; for he sings of "Thebes and Pelops line," of Agincourt and Philippi, as of Falstaff, and Snug the joiner, and the "meanest flower that blows." But not even Shakespeare has put more thought into poetry which the most prosaic must appreciate than Burns has done. The latter moves in a narrower sphere and wants the strictly dramatic faculty, but its place is partly supplied by the vividness of his narrative. His realization of incident and character is manifested in the sketches in which the manners and prevailing fancies of his countrymen are immortalized in connexion with local scenery. Among those almost every variety of disposition finds its favourite. The quiet households of the kingdom have received a sort of apotheosis in the "Cottar's Saturday Night." It has been objected that the subject does not afford scope for the more daring forms of the author's genius; but had he written no other poem, this heartful rendering of a good week's close in a God-fearing home, sincerely devout, and yet relieved from all suspicion of sermonizing by its humorous touches, would have secured a permanent place in literature. It transcends Thomson and Beattie at their best, and will smell sweet like the actions of the just for generations to come.

Lovers of rustic festivity may hold that the poet's greatest performance is his narrative of "Halloween," which for easy vigour, fulness of rollicking life, blended truth and fancy, is unsurpassed in its kind. Campbell, Wilson, Hazlitt, Montgomery, Burns himself, and the majority of his critics, have [v.04 p.0859] recorded their preference for "Tam o' Shanter," where the weird superstitious element that has played so great a part in the imaginative work of this part of our island is brought more prominently forward. Few passages of description are finer than that of the roaring Doon and Alloway Kirk glimmering through the groaning trees; but the unique excellence of the piece consists in its variety, and a perfectly original combination of the terrible and the ludicrous. Like Goethe's Walpurgis Nacht, brought into closer contact with real life, it stretches from the drunken humours of Christopher Sly to a world of fantasies almost as brilliant as those of the Midsummer Night's Dream, half solemnized by the severer atmosphere of a sterner clime. The contrast between the lines "Kings may be blest," &c., and those which follow, beginning "But pleasures are like poppies spread," is typical of the perpetual antithesis of the author's thought and life, in which, at the back of every revelry, he sees the shadow of a warning hand, and reads on the wall the writing, Omnia mutantur. With equal or greater confidence other judges have pronounced Burns's masterpiece to be "The Jolly Beggars." Certainly no other single production so illustrates his power of exalting what is insignificant, glorifying what is mean, and elevating the lowest details by the force of his genius. "The form of the piece," says Carlyle, "is a mere cantata, the theme the half-drunken snatches of a joyous band of vagabonds, while the grey leaves are floating on the gusts of the wind in the autumn of the year. But the whole is compacted, refined and poured forth in one flood of liquid harmony. It is light, airy and soft of movement, yet sharp and precise in its details; every face is a portrait, and the whole a group in clear photography. The blanket of the night is drawn aside; in full ruddy gleaming light these rough tatterdemalions are seen at their boisterous revel wringing from Fate another hour of wassail and good cheer." Over the whole is flung a half-humorous, half-savage satire—aimed, like a two-edged sword, at the laws and the law-breakers, in the acme of which the graceless crew are raised above the level of ordinary gipsies, footpads and rogues, and are made to sit "on the hills like gods together, careless of mankind," and to launch their Titan thunders of rebellion against the world.

"A fig for those by law protected; Liberty's a glorious feast; Courts for cowards were erected, Churches built to please the priest."

A similar mixture of drollery and defiance appears in the justly celebrated "Address to the Deil," which, mainly whimsical, is relieved by touches oan in the conception of such a being straying in lonely places and loitering among trees, or in the familiarity with which the poet lectures so awful a personage,"—we may add, than in the inimitable outbreak at the close—

"O would you tak a thought an' men'."

Carlyle, in reference to this passage, cannot resist the suggestion of a parallel from Sterne. "He is the father of curses and lies, said Dr Slop, and is cursed and damned already. I am sorry for it, quoth my Uncle Toby."

Burns fared ill at the hands of those who were not sorry for it, and who repeated with glib complacency every terrible belief of the system in which they had been trained. The most scathing of his Satires, under which head fall many of his minor and frequent passages in his major pieces, are directed against the false pride of birth, and what he conceived to be the false pretences of religion. The apologue of "Death and Dr Hornbook," "The Ordination," the song "No churchman am I for to rail and to write," the "Address to the Unco Guid," "Holy Willie," and above all "The Holy Fair," with its savage caricature of an ignorant ranter of the time called Moodie, and others of like stamp, not unnaturally provoked offence. As regards the poet's attitude towards some phases of Calvinism prevalent during his life, it has to be remarked that from the days of Dunbar there has been a degree of antagonism between Scottish verse and the more rigid forms of Scottish theology.

It must be admitted that in protesting against hypocrisy he has occasionally been led beyond the limits prescribed by good taste. He is at times abusive of those who differ from him. This, with other offences against decorum, which here and there disfigure his pages, can only be condoned by an appeal to the general tone of his writing, which is reverential. Burns had a firm faith in a Supreme Being, not as a vague mysterious Power; but as the Arbiter of human life. Amid the vicissitudes of his career he responds to the cottar's summons, "Let us worship God."

"An atheist's laugh's a poor exchange For Deity offended"

is the moral of all his verse, which treats seriously of religious matters. His prayers in rhyme give him a high place among secular Psalmists.

Like Chaucer, Burns was a great moralist, though a rough one. In the moments of his most intense revolt against conventional prejudice and sanctimonious affectation, he is faithful to the great laws which underlie change, loyal in his veneration for the cardinal virtues—Truth, Justice and Charity,—and consistent in the warnings, to which his experience gives an unhappy force, against transgressions of Temperance. In the "Epistle to a Young Friend," the shrewdest advice is blended with exhortations appealing to the highest motive, that which transcends the calculation of consequences, and bids us walk in the straight path from the feeling of personal honour, and "for the glorious privilege of being independent." Burns, like Dante, "loved well because he hated, hated wickedness that hinders loving," and this feeling, as in the lines—"Dweller in yon dungeon dark," sometimes breaks bounds; but his calmer moods are better represented by the well-known passages in the "Epistle to Davie," in which he preaches acquiescence in our lot, and a cheerful acceptance of our duties in the sphere where we are placed. This philosophie douce, never better sung by Horace, is the prevailing refrain of our author's Songs. On these there are few words to add to the acclaim of a century. They have passed into the air we breathe; they are so real that they seem things rather than words, or, nearer still, living beings. They have taken all hearts, because they are the breath of his own; not polished cadences, but utterances as direct as laughter or tears. Since Sappho loved and sang, there has been no such national lyrist as Burns. Fine ballads, mostly anonymous, existed in Scotland previous to his time; and shortly before a few authors had produced a few songs equal to some of his best. Such are Alexander Ross's "Wooed and Married," Lowe's "Mary's Dream," "Auld Robin Gray," "The Land o' the Leal" and the two versions of "The Flowers o' the Forest." From these and many of the older pieces in Ramsay's collection, Burns admits to have derived copious suggestions and impulses. He fed on the past literature of his country as Chaucer on the old fields of English thought, and—

"Still the elements o' sang, In formless jumble, right and wrang, Went floating in his brain."

But he gave more than he received; he brought forth an hundredfold; he summed up the stray material of the past, and added so much of his own that one of the most conspicuous features of his lyrical genius is its variety in new paths. Between the first of war songs, composed in a storm on a moor, and the pathos of "Mary in Heaven," he has made every chord in our northern life to vibrate. The distance from "Duncan Gray" to "Auld Lang Syne" is nearly as great as that from Falstaff to Ariel. There is the vehemence of battle, the wail of woe, the march of veterans "red-wat-shod," the smiles of meeting, the tears of parting friends, the gurgle of brown burns, the roar of the wind through pines, the rustle of barley rigs, the thunder on the hill—all Scotland is in his verse. Let who will make her laws, Burns has made the songs, which her emigrants recall "by the long wash of Australasian seas," in which maidens are wooed, by which mothers lull their infants, which return "through open casements unto dying ears"—they are the links, the watchwords, the masonic symbols of the Scots race.

(J. N.) [v.04 p.0860]

The greater part of Burns's verse was posthumously published, and, as he himself took no care to collect the scattered pieces of occasional verse, different editors have from time to time printed, as his, verses that must be regarded as spurious. Poems chiefly in the Scottish Dialect, by Robert Burns (Kilmarnock, 1786), was followed by an enlarged edition printed in Edinburgh in the next year. Other editions of this book were printed—in London (1787), an enlarged edition at Edinburgh (2 vols., 1793) and a reprint of this in 1794. Of a 1790 edition mentioned by Robert Chambers no traces can be found. Poems by Burns appeared originally in The Caledonian Mercury, The Edinburgh Evening Courant, The Edinburgh Herald, The Edinburgh Advertiser; the London papers, Stuart's Star and Evening Advertiser (subsequently known as The Morning Star), The Morning Chronicle; and in the Edinburgh Magazine and The Scots Magazine. Many poems, most of which had first appeared elsewhere, were printed in a series of penny chap-books, Poetry Original and Select (Brash and Reid, Glasgow), and some appeared separately as broadsides. A series of tracts issued by Stewart and Meikle (Glasgow, 1796-1799) includes some Burns's numbers, The Jolly Beggars, Holy Willie's Prayer and other poems making their first appearance in this way. The seven numbers of this publication were reissued in January 1800 as The Poetical Miscellany. This was followed by Thomas Stewart's Poems ascribed to Robert Burns (Glasgow, 1801). Burns's songs appeared chiefly in James Johnson's Scots Musical Museum (6 vols., 1787-1803), which he appears after the first volume to have virtually edited, though the two last volumes were published only after his death; and in George Thomson's Select Collection of Original Scottish Airs (6 vols., 1793-1841). Only five of the songs done for Thomson appeared during the poet's lifetime, and Thomson's text cannot be regarded with confidence. The Hastie MSS. in the British Museum (Addit. MS. 22,307) include 162 songs, many of them in Burns's handwriting; and the Dalhousie MS., at Brechin Castle, contains Burns's correspondence with Thomson. For a full account of the songs see James C. Dick, The Songs of Robert Burns now first printed with the Melodies for which they were written (2 vols., 1903).

The items in Mr W. Craibe Angus's Printed Works of Robert Burns (1899) number nine hundred and thirty. Only the more important collected editions can be here noticed. Dr Currie was the anonymous editor of the Works of Robert Burns; with an Account of his Life, and a Criticism on his Writings ... (Liverpool, 1800). This was undertaken for the benefit of Burns's family at the desire of his friends, Alexander Cunningham and John Syme. A second and amended edition appeared in 1801, and was followed by others, but Currie's text is neither accurate nor complete. Additional matter appeared in Reliques of Robert Burns ... by R.H. Cromek (London, 1808). In The Works of Robert Burns, With his Life by Allan Cunningham (8 vols., London, 1834) there are many additions and much biographical material. The Works of Robert Burns, edited by James Hogg and William Motherwell (5 vols., 1834-1836, Glasgow and Edinburgh), contains a life of the poet by Hogg, and some useful notes by Motherwell attempting to trace the sources of Burns's songs. The Correspondence between Burns and Clarinda was edited by W.C. M^cLehose (Edinburgh, 1843). An improved text of the poems was provided in the second "Aldine Edition" of the Poetical Works (3 vols., 1839), for which Sir H. Nicolas, the editor, made use of many original MSS. In the Life and Works of Robert Burns, edited by Robert Chambers (Edinburgh, 4 vols., 1851-1852; library edition, 1856-1857; new edition, revised by William Wallace, 1896), the poet's works are given in chronological order, interwoven with letters and biography. The text was bowdlerized by Chambers, but the book contained much new and valuable information. Other well-known editions are those of George Gilfillan (2 vols., 1864); of Alexander Smith (Golden Treasury Series, London, 2 vols., 1865); of P. Hately Waddell (Glasgow, 1867); one published by Messrs Blackie & Son, with Dr Currie's memoir and an essay by Prof. Wilson (1843-1844); of W. Scott Douglas (the Kilmarnock edition, 1876, and the "library" edition, 1877-1879), and of Andrew Lang, assisted by W.A. Craigie (London, 1896). The complete correspondence between Burns and Mrs Dunlop was printed in 1898.

A critical edition of the Poetry of Robert Burns, which may be regarded as definitive, and is provided with full notes and variant readings, was prepared by W.E. Henley and T.F. Henderson (4 vols., Edinburgh, 1896-1897; reprinted, 1901), and is generally known as the "Centenary Burns." In vol. iii. the extent of Burns's indebtedness to Scottish folk-song and his methods of adaptation are minutely discussed; vol. iv. contains an essay on "Robert Burns. Life, Genius, Achievement," by W.E. Henley.

The chief original authority for Burns's life is his own letters. The principal "lives" are to be found in the editions just mentioned. His biography has also been written by J. Gibson Lockhart (Life of Burns, Edinburgh, 1828); for the "English Men of Letters" series in 1879 by Prof. J. Campbell Shairp; and by Sir Leslie Stephen in the Dictionary of National Biography (vol. viii., 1886). Among the more important essays on Burns are those by Thomas Carlyle (Edinburgh Review, December 1828); by John Nichol, the writer of the above article (W. Scott Douglas's edition of Burns); by R.L. Stevenson (Familiar Studies of Men and Books); by Auguste Angellier (Robert Burns. La vie et les oeuvres, 2 vols., Paris, 1893); by Lord Rosebery (Robert Burns: Two Addresses in Edinburgh, 1896); by J. Logie Robertson (in In Scottish Fields, Edin., 1890, and Furth in Field, Edin., 1894); and T.F. Henderson (Robert Burns, 1904). There is a selected bibliography in chronological order in W.A. Craigie's Primer of Burns (1896).

BURNS AND SCALDS. A burn is the effect of dry heat applied to some part of the human body, a scald being the result of moist heat. Clinically there is no distinction between the two, and their classification and treatment are identical. In Dupuytren's classification, now most generally accepted, burns are divided into six classes according to the severest part of the lesion. Burns of the first degree are characterized by severe pain, redness of the skin, a certain amount of swelling that soon passes, and later exfoliation of the skin. Burns of the second degree show vesicles (small blisters) scattered over the inflamed area, and containing a clear, yellowish fluid. Beneath the vesicle the highly sensitive papillae of the skin are exposed. Burns of this degree leave no scar, but often produce a permanent discoloration. In burns of the third degree, there is a partial destruction of the true skin, leaving sloughs of a yellowish or black colour. The pain is at first intense, but passes off on about the second day to return again at the end of a week, when the sloughs separate, exposing the sensitive nerve filaments of the underlying skin. This results in a slightly depressed cicatrix, which happily, however, shows but slight tendency to contraction. Burns of the fourth degree, which follow the prolonged application of any form of intense heat, involve the total destruction of the true skin. The pain is much less severe than in the preceding class, since the nerve endings have been totally destroyed. The results, however, are far more serious, and the healing process takes place only very slowly on account of the destruction of the skin glands. As a result, deep puckered scars are formed, which show great tendency to contract, and where these are situated on face, neck or joints the resulting deformity and loss of function may be extremely serious. In burns of the fifth degree the underlying muscles are more or less destroyed, and in those of the sixth the bones are also charred. Examples of the last two classes are mainly provided by epileptics who fall into a fire during a fit.

The clinical history of a severe burn can be divided into three periods. The first period lasts from 36 to 48 hours, during which time the patient lies in a condition of profound shock, and consequently feels little or no pain. If death results from shock, coma first supervenes, which deepens steadily until the end comes. The second period begins when the effects of shock pass, and continues until the slough separates, this usually taking from seven to fourteen days. Considerable fever is present, and the tendency to every kind of complication is very great. Bronchitis, pneumonia, pleurisy, meningitis, intestinal catarrh, and even ulceration of the duodenum, have all been recorded. Hence both nursing and medical attendance must be very close during this time. It is probable that these complications are all the result of septic infection and absorption, and since the modern antiseptic treatment of burns they have become much less common. The third period is prolonged until recovery takes place. Death may result from septic absorption, or from the wound becoming infected with some organism, as tetanus, erysipelas, &c. The prognosis depends chiefly on the extent of skin involved, death almost invariably resulting when one-third of the total area of the body is affected, however superficially. Of secondary but still grave importance is the position of the burn, that over a serous cavity making the future more doubtful than one on a limb. Also it must be remembered that children very easily succumb to shock.

In treating a patient the condition of shock must be attended to first, since from it arises the primary danger. The sufferer must be wrapped immediately in hot blankets, and brandy given by the mouth or in an enema, while ether can be injected hypodermically. If the pulse is very bad a saline infusion must be administered. The clothes can then be removed and the burnt surfaces thoroughly cleansed with a very mild antiseptic, a weak solution of lysol acting very well. If there are blisters these must be opened and the contained effusion allowed to [v.04 p.0861] escape. Some surgeons leave them at this stage, but others prefer to remove the raised epithelium. When thoroughly cleansed, the wound is irrigated with sterilized saline solution and a dressing subsequently applied. For the more superficial lesions by far the best results are obtained from the application of gauze soaked in picric acid solution and lightly wrung out, being covered with a large antiseptic wool pad and kept in position by a bandage. Picric acid 11/2 drams, absolute alcohol 3 oz., and distilled water 40 oz., make a good lotion. All being well, this need only be changed about twice a week. The various kinds of oil once so greatly advocated in treating burns are now largely abandoned since they have no antiseptic properties. The deeper burns can only be attended to by a surgeon, whose aim will be first to bring septic absorption to a minimum, and later to hasten the healing process. Skin grafting has great value after extensive burns, not because it hastens healing, which it probably does not do, but because it has a marked influence in lessening cicatricial contraction. When a limb is hopelessly charred, amputation is the only course.

BURNSIDE, AMBROSE EVERETT (1824-1881), American soldier, was born at Liberty, Indiana, on the 23rd of May 1824, of Scottish pedigree, his American ancestors settling first in South Carolina, and next in the north-west wilderness, where his parents lived in a rude log cabin. He was appointed to the United States military academy through casual favour, and graduated in 1847, when war with Mexico was nearly over. In 1853 he resigned his commission, and from 1853 to 1858 was engaged in the manufacture of firearms at Bristol, R.I. In 1856 he invented a breech-loading rifle. He was employed by the Illinois Central railroad until the Civil War broke out. Then he took command of a Rhode Island regiment of three months militia, on the summons of Governor Sprague, took part in the relief of the national capital, and commanded a brigade in the first battle of Bull Run. On the 6th of August 1861 he was commissioned brigadier-general of volunteers, and placed in charge of the expeditionary force which sailed in January 1862 under sealed orders for the North Carolina coast. The victories of Roanoke Island, Newbern and Fort Macon (February—April) were the chief incidents of a campaign which was favourably contrasted by the people with the work of the main army on the Atlantic coast. He was promoted major-general U.S.V. soon afterwards, and early in July, with his North Carolina troops (IX. army corps), he was transferred to the Virginian theatre of war. Part of his forces fought in the last battles of Pope's campaign in Virginia, and Burnside himself was engaged in the battles of South Mountain and Antietam. At the latter he was in command of McClellan's left wing, but the want of vigour in his attack was unfavourably criticized. His patriotic spirit, modesty and amiable manners, made him highly popular, and upon McClellan's final removal (Nov. 7) from the Army of the Potomac, President Lincoln chose him as successor. The choice was unfortunate. Much as he was liked, no one had ever looked upon him as the equal of McClellan, and it was only with the greatest reluctance that he himself accepted the responsibility, which he had on two previous occasions declined. He sustained a crushing defeat at the battle of Fredericksburg (13 Dec. 1862), and (Jan. 27) gave way to Gen. Hooker, after a tenure of less than three months. Transferred to Cincinnati in March 1863, he caused the arrest and court-martial of Clement L. Vallandigham, lately an opposition member of Congress, for an alleged disloyal speech, and later in the year his measures for the suppression of press criticism aroused much opposition; he helped to crush Morgan's Ohio raid in July; then, moving to relieve the loyalists in East Tennessee, in September entered Knoxville, to which the Confederate general James Longstreet unsuccessfully laid siege. In 1864 Burnside led his old IX. corps under Grant in the Wilderness and Petersburg campaigns. After bearing his part well in the many bloody battles of that time, he was overtaken once more by disaster. The failure of the "Burnside mine" at Petersburg brought about his resignation. A year later he left the service, and in 1866 he became governor of Rhode Island, serving for three terms (1866-1869). From 1875 till his death he was a Republican member of the United States Congress. He was present with the German headquarters at the siege of Paris in 1870-71. He died at Bristol, Rhode Island, on the 13th of September 1881.

See B.P. Poore, Life and Public Services of Ambrose E. Burnside (Providence, 1882); A. Woodbury, Major-General Burnside and the Ninth Army Corps (Providence, 1867).

BURNTISLAND, a royal, municipal and police burgh of Fife, Scotland, on the shore of the Firth of Forth, 53/4 m. S.W. of Kirkcaldy by the North British railway. Pop. (1891) 4993; (1901) 4846. It is protected from the north wind by the Binn (632 ft.), and in consequence of its excellent situation, its links and sandy beach, it enjoys considerable repute as a summer resort. The chief industries are distilling, fisheries, shipbuilding and shipping, especially the export of coal and iron. Until the opening of the Forth bridge, its commodious harbour was the northern station of the ferry across the firth from Granton, 5 m. south. The parish church, dating from 1594, is a plain structure, with a squat tower rising in two tiers from the centre of the roof. The public buildings include two hospitals, a town-hall, music hall, library and reading room and science institute. On the rocks forming the western end of the harbour stands Rossend Castle, where the amorous French poet Chastelard repeated the insult to Queen Mary which led to his execution. In 1667 it was ineffectually bombarded by the Dutch. The burgh was originally called Parva Kinghorn and later Wester Kinghorn. The origin and meaning of the present name of the town have always been a matter of conjecture. There seems reason to believe that it refers to the time when the site, or a portion of it, formed an island, as sea-sand is the subsoil even of the oldest quarters. Another derivation is from Gaelic words meaning "the island beyond the bend." With Dysart, Kinghorn and Kirkcaldy, it unites in returning one member to parliament.

BURR, AARON (1756-1836), American political leader, was born at Newark, New Jersey, on the 6th of February 1756. His father, the Rev. Aaron Burr (1715-1757), was the second president (1748-1757) of the College of New Jersey, now Princeton University; his mother was the daughter of Jonathan Edwards, the well-known Calvinist theologian. The son graduated from the College of New Jersey in 1772, and two years later began the study of law in the celebrated law school conducted by his brother-in-law, Tappan Reeve, at Litchfield, Connecticut. Soon after the outbreak of the War of Independence, in 1775, he joined Washington's army in Cambridge, Mass. He accompanied Arnold's expedition into Canada in 1775, and on arriving before Quebec he disguised himself as a Catholic priest and made a dangerous journey of 120 m. through the British lines to notify Montgomery, at Montreal, of Arnold's arrival. He served for a time on the staffs of Washington and Putnam in 1776-77, and by his vigilance in the retreat from Long Island he saved an entire brigade from capture. On becoming lieutenant-colonel in July 1777, he assumed the command of a regiment, and during the winter at Valley Forge guarded the "Gulf," a pass commanding the approach to the camp, and necessarily the first point that would be attacked. In the engagement at Monmouth, on the 28th of June 1778, he commanded one of the brigades in Lord Stirling's division. In January 1779 Burr was assigned to the command of the "lines" of Westchester county, a region between the British post at Kingsbridge and that of the Americans about 15 m. to the north. In this district there was much turbulence and plundering by the lawless elements of both Whigs and Tories and by bands of ill-disciplined soldiers from both armies. Burr established a thorough patrol system, rigorously enforced martial law, and quickly restored order.

He resigned from the army in March 1779, on account of ill-health, renewed the study of law, was admitted to the bar at Albany in 1782, and began to practise in New York city after its evacuation by the British in the following year. In 1782 he married Theodosia Prevost (d. 1794), the widow of a British army officer who had died in the West Indies during the War of Independence. They had one child, a daughter, Theodosia, born in 1783, who became widely known for her beauty and accomplishments, married Joseph Alston of South Carolina [v.04 p.0862] in 1801, and was lost at sea in 1813. Burr was a member of the state assembly (1784-1785), attorney-general of the state (1789-1791), United States senator (1791-1797), and again a member of the assembly (1798-1799 and 1800-1801). As national parties became clearly defined, he associated himself with the Democratic-Republicans. Although he was not the founder of Tammany Hall, he began the construction of the political machine upon which the power of that organization is based. In the election of 1800 he was placed on the Democratic-Republican presidential ticket with Thomas Jefferson, and each received the same number of electoral votes. It was well understood that the party intended that Jefferson should be president and Burr vice-president, but owing to a defect (later remedied) in the Constitution the responsibility for the final choice was thrown upon the House of Representatives. The attempts of a powerful faction among the Federalists to secure the election of Burr failed, partly because of the opposition of Alexander Hamilton and partly, it would seem, because Burr himself would make no efforts to obtain votes in his own favour. On Jefferson's election, Burr of course became vice-president. His fair and judicial manner as president of the Senate, recognized even by his bitterest enemies, helped to foster traditions in regard to that position quite different from those which have become associated with the speakership of the House of Representatives.

Hamilton had opposed Burr's aspirations for the vice-presidency in 1792, and had exerted influence through Washington to prevent his appointment as brigadier-general in 1798, at the time of the threatened war between the United States and France. It was also in a measure his efforts which led to Burr's lack of success in the New York gubernatorial campaign of 1804; moreover the two had long been rivals at the bar. Smarting under defeat and angered by Hamilton's criticisms, Burr sent the challenge which resulted in the famous duel at Weehawken, N.J., on the 11th of July 1804, and the death of Hamilton (q.v.) on the following day. After the expiration of his term as vice-president (March 4, 1805), broken in fortune and virtually an exile from New York, where, as in New Jersey, he had been indicted for murder after the duel with Hamilton, Burr visited the South-west and became involved in the so-called conspiracy which has so puzzled the students of that period. The traditional view that he planned a separation of the West from the Union is now discredited. Apart from the question of political morality he could not, as a shrewd politician, have failed to see that the people of that section were too loyal to sanction such a scheme. The objects of his treasonable correspondence with Merry and Yrujo, the British and Spanish ministers at Washington, were, it would seem, to secure money and to conceal his real designs, which were probably to overthrow Spanish power in the Southwest, and perhaps to found an imperial dynasty in Mexico. He was arrested in 1807 on the charge of treason, was brought to trial before the United States circuit court at Richmond, Virginia, Chief-Justice Marshall presiding, and he was acquitted, in spite of the fact that the political influence of the national administration was thrown against him. Immediately afterward he was tried on a charge of misdemeanour, and on a technicality was again acquitted. He lived abroad from 1808 to 1812, passing most of his time in England, Scotland, Denmark, Sweden and France; trying to secure aid in the prosecution of his filibustering schemes but meeting with numerous rebuffs, being ordered out of England and Napoleon refusing to receive him. In 1812 he returned to New York and spent the remainder of his life in the practice of law. Burr was unscrupulous, insincere and notoriously immoral, but he was pleasing in his manners, generous to a fault, and was intensely devoted to his wife and daughter. In 1833 he married Eliza B. Jumel (1769-1865), a rich New York widow; the two soon separated, however, owing to Burr's having lost much of her fortune in speculation. He died at Port Richmond, Staten Island, New York, on the 14th of September 1836.

The standard biography is James Parton's The Life and Times of Aaron Burr (first edition, 1857; enlarged edition, 2 vols., Boston and New York, 1898). W.F. McCaleb's The Aaron Burr Conspiracy (New York, 1903) is a scholarly defence of the West and incidentally of Burr against the charge of treason, and is the best account of the subject; see also I. Jenkinson, Aaron Burr (Richmond, Ind., 1902). For the traditional view of Burr's conspiracy, see Henry Adams's History of the United States, vol. iii. (New York, 1890).

BURRIANA, a seaport of eastern Spain, in the province of Castellon de la Plana; on the estuary of the river Seco, which flows into the Mediterranean Sea. Pop. (1900) 12,962. The harbour of Burriana on the open sea is annually visited by about three hundred small coasting-vessels. Its exports consist chiefly of oranges grown in the surrounding fertile plain, which is irrigated with water from the river Mijares, on the north, and also produces large quantities of grain, oil, wine and melons. Burriana is connected by a light railway with the neighbouring towns of Onda (6595), Almazora (7070), Villarreal (16,068) and Castellon de la Plana (29,904). Its nearest station on the Barcelona-Valencia coast railway is Villarreal.

BURRITT, ELIHU (1810-1879), American philanthropist, known as "the learned blacksmith," was born in New Britain, Conn., on the 8th of December 1810. His father (a farmer and shoemaker), and his grandfather, both of the same name, had served in the Revolutionary army. An elder brother, Elijah, who afterwards published The Geography of the Heavens and other text-books, went out into the world while Elihu was still a boy, and after editing a paper in Georgia came back to New Britain and started a school. Elihu, however, had to pick up what knowledge he could get from books at home, where his father's long illness, ending in death, made his services necessary. At sixteen he was apprenticed to a blacksmith, and he made this his trade both there and at Worcester, Mass., where he removed in 1837. He had a passion for reading; from the village library he borrowed book after book, which he studied at his forge or in his spare hours; and he managed to find time for attending his brother's school for a while, and even for pursuing his search for culture among the advantages to be found at New Haven. He mastered Latin, Greek, French, Spanish, Italian and German, and by the age of thirty could read nearly fifty languages. His extraordinary aptitude gradually made him famous. He took to lecturing, and then to an ardent crusade on behalf of universal peace and human brotherhood, which made him travel persistently to various parts of the United States and Europe. In 1848 he organized the Brussels congress of Friends of Peace, which was followed by annual congresses in Paris, Frankfort, London, Manchester and Edinburgh. He wrote and published voluminously, leaflets, pamphlets and volumes, and started the Christian Citizen at Worcester to advocate his humanitarian views. Cheap trans-oceanic postage was an ideal for which he agitated wherever he went. His vigorous philanthropy keeps the name of Elihu Burritt green in the history of the peace movement, apart from the fame of his learning. His countrymen, at universities such as Yale and elsewhere, delighted to do him honour; and he was U.S. consul at Birmingham from 1865 to 1870. He returned to America and died at New Britain on the 9th of March 1879.

See Life, by Charles Northend, in the memorial volume (1879); and an article by Ellen Strong Bartlett in the New England Magazine (June, 1897).

BURROUGHS, GEORGE (c. 1650-1692), American congregational pastor, graduated at Harvard in 1670, and became the minister of Salem Village (now Danvers) in 1680, a charge which he held till 1683. He lived at Falmouth (now Portland, Maine) until the Indians destroyed it in 1690, when he removed to Wells. In May 1692 during the witchcraft delusion, on the accusation of some personal enemies in his former congregation who had sued him for debt, Burroughs was arrested and charged, among other offences, with "extraordinary Lifting and such feats of strength as could not be done without Diabolicall Assistance." Though the jury found no witch-marks on his body he was convicted and executed on Gallows Hill, Salem, on the 19th of August, the only minister who suffered this extreme fate.

[v.04 p.0863] BURROUGHS, JOHN (1837- ), American poet and writer on natural history, was born in Roxbury, Delaware county, New York, on the 3rd of April 1837. In his earlier years he engaged in various pursuits, teaching, journalism, farming and fruit-raising, and for nine years was a clerk in the treasury department at Washington. After publishing in 1867 a volume of Notes on Walt Whitman as poet and person (a subject to which he returned in 1896 with his Whitman: a Study), he began in 1871, with Wake-Robin, a series of books on birds, flowers and rural scenes which has made him the successor of Thoreau as a popular essayist en the plants and animals environing human life. His later writings showed a more philosophic mood and a greater disposition towards literary or meditative allusion than their predecessors, but the general theme and method remained the same. His chief books, in addition to Wake-Robin, are Birds and Poets (1877), Locusts and Wild Honey (1879), Signs and Seasons (1886), and Ways of Nature (1905); these are in prose, but he wrote much also in verse, a volume of poems, Bird and Bough, being published in 1906. Winter Sunshine (1875) and Fresh Fields (1884) are sketches of travel in England and France.

A biographical sketch of Burroughs is prefixed to his Year in the Fields (new ed., 1901). A complete uniform edition of his works was issued in 1895, &c. (Riverside edition, Cambridge, Mass.).

BURSAR (Med. Lat. bursarius), literally a keeper of the bursa or purse. The word is now chiefly used of the official, usually one of the fellows, who administers the finances of a college at a university, or of the treasurer of a school or other institution. The term is also applied to the holder of "a bursary," an exhibition at Scottish schools or universities, and also in England a scholarship or exhibition enabling a pupil of an elementary school to continue his education at a secondary school. The term "burse" (Lat. bursa, Gr. [Greek: borsa], bag of skin) is particularly used of the embroidered purse which is one of the insignia of office of the lord high chancellor of England, and of the pouch which in the Roman Church contains the "corporal" in the service of the Mass. The "bursa" is a square case opening at one side only and covered and lined with silk or linen; one side should be of the colour of the vestments of the day.

BURSCHENSCHAFT, an association of students at the German universities. It was formed as a result of the German national sentiment awakened by the War of Liberation, its object being to foster patriotism and Christian conduct, as opposed to the particularism and low moral standard of the old Landsmannschaften. It originated at Jena, under the patronage of the grand-duke of Saxe-Weimar, and rapidly spread, the Allgemeine deutsche Burschenschaft being established in 1818. The loud political idealism of the Burschen excited the fears of the reactionary powers, which culminated after the murder of Kotzebue (q.v.) by Karl Sand in 1819, a crime inspired by a secret society among the Burschen known as the Blacks (Schwarzen). The repressive policy embodied in the Carlsbad Decrees (q.v.) was therefore directed mainly against the Burschenschaft, which none the less survived to take part in the revolutions of 1830. After the emeute at Frankfort in 1833, the association was again suppressed, but it lived on until, in 1848, all laws against it were abrogated. The Burschenschaften are now purely social and non-political societies. The Reformburschenschaften, formed since 1883 on the principle of excluding duelling, are united in the Allgemeiner deutscher Burschenbund.

BURSIAN, CONRAD (1830-1883), German philologist and archaeologist, was born at Mutzschen in Saxony, on the 14th of November 1830. On the removal of his parents to Leipzig, he received his early education at the Thomas school, and entered the university in 1847. Here he studied under Moritz Haupt and Otto Jahn until 1851, spent six months in Berlin (chiefly to attend Boeckh's lectures), and completed his university studies at Leipzig (1852). The next three years were devoted to travelling in Belgium, France, Italy and Greece. In 1856 he became a Privat-docent, and in 1858 extraordinary professor at Leipzig; in 1861 professor of philology and archaeology at Tuebingen; in 1864 professor of classical antiquities at Zurich; in 1869 at Jena, where he was also director of the archaeological museum; in 1874 at Munich, where he remained until his death on the 21st of September 1883. His most important works are: Geographie von Griechenland (1862-1872); Beitraege zur Geschichte der klassischen Studien im Mittelalter (1873); Geschichte der klassischen Philologie in Deutschland (1883); editions of Julius Firmicus Maternus' De Errore Profanarum Religionum (1856) and of Seneca's Suasoriae (1857). The article on Greek Art in Ersch and Gruber's Encyclopaedia is by him. Probably the work in connexion with which he is best known is the Jahresbericht ueber die Fortschritte der klassischen Altertumswissenschaft (1873, &c.), of which he was the founder and editor; from 1879 a Biographisches Jahrbuch fuer Altertumskunde was published by way of supplement, an obituary notice of Bursian, with a complete list of his writings, being in the volume for 1884.

BURSLEM, a market town of Staffordshire, England, in the Potteries district, 150 m. N.W. from London, on the North Staffordshire railway and the Grand Trunk Canal. Pop. (1891) 31,999; (1901) 38,766. In the 17th century the town was already famous for its manufacture of pottery. Here Josiah Wedgwood was born in 1730, his family having practised the manufacture in this locality for several generations, while he himself began work independently at the Ivy House pottery in 1759. He is commemorated by the Wedgwood Institute, founded in 1863. It comprises a school of art, free library, museum, picture-gallery and the free school founded in 1794. The exterior is richly and peculiarly ornamented, to show the progress of fictile art. The neighbouring towns of Stoke, Hanley and Longton are connected with Burslem by tramways. Burslem is mentioned in Domesday. Previously to 1885 it formed part of the parliamentary borough of Stoke, but it is now included in that of Hanley. It was included in the municipal borough of Stoke-on-Trent under an act of 1908.

BURTON, SIR FREDERICK WILLIAM (1816-1900), British painter and art connoisseur, the third son of Samuel Burton of Mungret, Co. Limerick, was born in Ireland in 1816. He was educated in Dublin, where his artistic studies were carried on with marked success under the direction of Mr Brocas, an able teacher, who foretold for the lad a distinguished career. That this estimate was not exaggerated was proved by Burton's immediate success in his profession. He was elected an associate of the Royal Hibernian Academy at the age of twenty-one and an academician two years later; and in 1842 he began to exhibit at the Royal Academy. A visit to Germany and Bavaria in 1851 was the first of a long series of wanderings in various parts of Europe, which gave him a profound and intimate knowledge of the works of the Old Masters, and prepared him admirably for the duties that he undertook in 1874 when he was appointed director of the British National Gallery in succession to Sir W. Boxall, R.A. During the twenty years that he held this post he was responsible for many important purchases, among them Leonardo da Vinci's "Virgin of the Rocks," Raphael's "Ansidei Madonna," Holbein's "Ambassadors," Van Dyck's equestrian portrait of Charles I., and the "Admiral Pulido Pareja," by Velasquez; and he added largely to the noted series of Early Italian pictures in the gallery. The number of acquisitions made to the collection during his period of office amounts to not fewer than 500. His own painting, most of which was in water-colour, had more attraction for experts than for the general public. He was elected an associate of the Royal Society of Painters in Water-Colours in 1855, and a full member in the following year. He resigned in 1870, and was re-elected as an honorary member in 1886. A knighthood was conferred on him in 1884, and the degree of LL.D. of Dublin in 1889. In his youth he had strong sympathy with the "Young Ireland Party," and was a close associate with some of its members. He died in Kensington on the 16th of March 1900.

BURTON, JOHN HILL (1809-1881), Scottish historical writer, the son of an officer in the army, was born at Aberdeen on the 22nd of August 1809. After studying at the university of his native city, he removed to Edinburgh, where he qualified for [v.04 p.0864] the Scottish bar and practised as an advocate; but his progress was slow, and he eked out his narrow means by miscellaneous literary work. His Manual of the Law of Scotland (1839) brought him into notice; he joined Sir John Bowring in editing the works of Jeremy Bentham, and for a short time was editor of the Scotsman, which he committed to the cause of free trade. In 1846 he achieved high reputation by his Life of David Hume, based upon extensive and unused MS. material. In 1847 he wrote his biographies of Simon, Lord Lovat, and of Duncan Forbes, and in 1849 prepared for Chambers's Series manuals of political and social economy and of emigration. In the same year he lost his wife, whom he had married in 1844, and never again mixed freely with society, though in 1855 he married again. He devoted himself mainly to literature, contributing largely to the Scotsman and Blackwood, writing Narratives from Criminal Trials in Scotland (1852), Treatise on the Law of Bankruptcy in Scotland (1853), and publishing in the latter year the first volume of his History of Scotland, which was completed in 1870. A new and improved edition of the work appeared in 1873. Some of the more important of his contributions to Blackwood were embodied in two delightful volumes, The Book Hunter (1862) and The Scot Abroad (1864). He had in 1854 been appointed secretary to the prison board, an office which gave him entire pecuniary independence, and the duties of which he discharged most assiduously, notwithstanding his literary pursuits and the pressure of another important task assigned to him after the completion of his history, the editorship of the National Scottish Registers. Two volumes were published under his supervision. His last work, The History of the Reign of Queen Anne (1880), is very inferior to his History of Scotland. He died on the 10th of August 1881. Burton was pre-eminently a jurist and economist, and may be said to have been guided by accident into the path which led him to celebrity. It was his great good fortune to find abundant unused material for his Life of Hume, and to be the first to introduce the principles of historical research into the history of Scotland. All previous attempts had been far below the modern standard in these particulars, and Burton's history will always be memorable as marking an epoch. His chief defects as a historian are want of imagination and an undignified familiarity of style, which, however, at least preserves his history from the dulness by which lack of imagination is usually accompanied. His dryness is associated with a fund of dry humour exceedingly effective in its proper place, as in The Book Hunter. As a man he was loyal, affectionate, philanthropic and entirely estimable.